portfolio
M ari na d ias architecture portfolio
Faculty of Architecture and Urbanism of the Federal University of Rio de Janeiro Faculty of Architecture of the University of Porto
Marina da C osta dos Santos Dias Born 14.02.1993 Rio de Janeiro, Brasil. I´m live in Porto, Portugal +351 934 705 294 diasmarina@live.com Master in Architecture
Faculdade de Arquitectura da Universidade do Porto
Graduate in Architecture and Urbanism
Faculdade de Arquitetura e Urbanismo da Universidade Federal do Rio de Janeiro
education master degree Fa culty o f Arch i t ect u re o f t h e Un i v ers i t y o f Porto - fa u p / / 2 0 1 6 -1 9 Universit y graduate Fa culty o f Arch i t ect u re an d Urb an i s m o f t h e F ed eral Unive rsity o f R i o d e J an ei ro - FAU UF R J / / 2 0 1 3 -1 6
work experience internship ARCHITECTURE AS VS Arqu i t ect o s As s o ci ad o s - P o rt u g al / / 2 0 1 7 INTERNSHIP ARCHITECTURE Fundaç ão C OP P E T E C - UF R J - B razi l / / 2 0 1 5 -1 6
- Anna Heringer
“A r c h i t e c t u r e i s a to o l to i m p r o v e l i v e s . ”
academic monitoring Discipline o b s erv at i o n d rawi n g II - FAU UF R J / / 2 0 1 5 PHOTOGRAPHER Studio B r i g h t L i g h t - B razi l / / 2 0 1 6 - 1 7
language portuguese mothe r ton g u e english interme diat e spanish interme diat e
skills Adobe Creative Suite Photoshop Il l u s t rat o r In d es i g n LightRoom P rem i ere P ro AUTOCAD REVIT RHINOCEROS
german beginne r
SKETCHUP VRAY
achievements RE SEARCH PROJECT C OLL ABORATION Pu blic Spac e’s Se rvic e S y s t em - P S S S , FAUP / / 2 0 1 8 workshop “T he va lues of the P ublic S p ace: Act o rs , S erv i ces an d S y s t em s ” Pu blic Spac e’s Se rvic e S y s t em - P S S S , FAUP / / 2 0 1 8 International c ourse I UC E-UAM Interna tional C o u rs e o n E d u cat i o n an d Arch i t ect u re: s p ac es built a s an e duca tio n al t o o l Au t o n o m o u s Un i v ers i t y o f Ma drid // 2017 WORKSHOP “Ba mboo c onstrution: re ci p ro cal s p h ere” wi t h B i ag i o Di Carlo a t FAUP // 2017 volunteer | visit guide Open House Porto // 2017 - 1 8 volunteer | photographer Co nference Ludic Architect u re, FAUP / / 2 0 1 7 volunteer | assistent So cio-educ ationa l projec t . F av el a, R i o d e J an ei ro / / 2 0 1 5 -1 6 volunteer | photographer | leadership Hillsong C hurc h P orto, P o rt u g al / / 2 0 1 6 -1 9 workshop “Reinvent Places”, Revitalization urban city of Amarante, Portugal // 2017 expo academic works Fac ulty of Arc hite cture an d Urb an i s m o f t h e F ed eral Un i v ers i t y of R io de Ja ne iro - FAU UF R J / / 2 0 1 3 -1 6 revit architecture I n stitute B ra ma nte Arc hit ect u re an d Des i g n R i o d e J an ei ro / / 20 14
secret housing
rio de janeiro
v mobile exhibitor
BETWEEN CITIES
porto
vii porto
solano trindade
rio de janeiro
vi i
italy
art prision
flamengo building
rio de janeiro
ix
urban revitalization
clareira building
viii iii
amarante
rio de janeiro
ii school 24 de agosto
porto
iv
I. b e t w e e n c i t i e s z o n a das f ontainhas porto, portugal
Architecture | Portfรณlio
P. 9
Architecture | Portfรณlio | Marina Dias
Fontainhas to promote a new cultural, commercial and leisure center for the city from different rehabilitations of pre-existing ruins and equipment that allow the connection of the upper and lower city of Porto.
P. 10
Architecture | Portfรณlio
current
Three fragmented levels
StrATEGY
Creation of binding spaces
goal
Connection between the diferent levels
proposal
Area of conviviality and contemplation
P. 11
Architecture | Portfรณlio | Marina Dias
Masterplan Zona de Fontainhas
P. 12
Architecture | PortfĂłlio
Avenida das Fontainhas
Gardens on levels
Rua SĂŁo Victor
linear park
gardens on levels and square
The spaces created as a form of connection between quotas, high and low, besides access, will serve for the permanence and living of the population.
P. 13
Architecture | Portfรณlio | Marina Dias
Passeio parque linear
P. 14
Architecture | Portfรณlio
6
4
2 1
2
1
5
3
3
1. Bicycle path - linear park 2. Rest - linear park 3. Urban elevator
1. Urban elevator 2. Store 3. Square 4. Route - linear park 5. Rest - linear park 6. Bicycle path - linear park
Route - linear park
P. 15
II. C L A R E I R A B U I D I N G a t e rr o do f lamengo rio de janeiro, brasil
Architecture | Portfรณlio
P. 17
Architecture | Portfólio | Marina Dias
The CLAREIRA BUILDING is located around tall buildings, while at its core there is a “void”. In this way, the project seeks to activate a new relation of the pedestrian with the city and its daily life through the creation of living microenvironments in the city, defining the clearing as a necessary respite.
P. 18
Architecture | Portfรณlio
sketchs
P. 19
1 3 2
5 6 4
7 8
1. Staff Room 2. Reception 3. Lounge area 4. Bicycles 5. Coffee shop 6. Kitchen 7. Access to technical area 8. Storage room
2
Architecture | Portfรณlio | Marina Dias
1
3
1. Foyer 2. Lounge area 3. External circulation
P. 20
Architecture | Portfรณlio
1
2
3
4
1. Media room 2. Individual studies room 3. Group Study Room 4. Library
1
1
1
1 1
1
1
1
2 3
2
2 1
1
1
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1
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4
1
1. Single rooms 2. Kitchen 3. Living room 4. Double room
P. 21
Architecture | Portfรณlio | Marina Dias
Clareira buiding
P. 22
Architecture | Portfรณlio
Elevation
P. 23
Iii. c o m m e r c i a l b u i l d i n g a t e rr o do f lamengo rio de janeiro, brasil
Architecture | Portfรณlio
P. 25
Architecture | Portfรณlio | Marina Dias
The project is a proposal for a commercial building. Despite the diversity of services in the neighborhood, the court, because it does not have an attraction and a permanence character, is displaced from this density. For this, other uses were proposed for the interior and exterior of this block, creating access and permanence squares that would link spaces through existing and proposed flows. Added to the program were a Hostel, Bookstore, Commerce, Restaurants and Bars. All facing the interior of the court, forming an attractive pole.
P. 26
Architecture | Portfรณlio
Volum
Flows
Volum
it was decided not to surround the court, to avoid the sensation of suffocation, making this area a place of respite
Flows
we observed the main flows, which would form alternative paths within the projected court.
Elevation
defined axes and blocks, the were considered in relation to with your immediate surroundings.
Connection
Elevation
Connection
connections were proposed between blocks, turning the court into a commercial / business complex with different uses for your public.
P. 27
P. 28
Views
Architecture | Portfรณlio | Marina Dias
Architecture | Portfรณlio
P. 29
I v. s c h o o l 24 d e ago sto c a mpo 24 de agosto porto, portugal
Architecture | Portfรณlio
P. 31
Architecture | Portfรณlio | Marina Dias
The project had a focus on creating spaces in which they communicate with each other, generating mainly a visual permeability. Tears, transparency, openings and esplanades possible to stay or just transit. From the inside is promoted the exterior.
P. 32
Architecture | Portfรณlio
2 9 1
3
8 8
1. Parking 2. Technical area 3. Garden 4. Auditorium 5. Library 6. Living space 7. Gym / Fitness center 8. Bathhouse 9. External sports court
7 4 5
6
Plans -1
2
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1 1
1 1
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3
1 1
1
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1 1
4
5
1. Teacher / meeting / administrative rooms 2. Reception 3. Footbridge 4. Multi-purpose room 5. Kitchen 6. Staff Room
6
Plans 0
2
2
3 3
4 4
3 5 3 5
1 1 1
1
1 1
1 1 1
1
1
1 1
1. Classrooms 2. Bathrooms 3. Laboratory 4. Preparation Room 5. Multimedia rooms
Plans +1
P. 33
Architecture | Portfólio | Marina Dias
1. Pingadeira em pedra 2. Betonilha de enchimento 3. Reboco pintado de branco 4. Isolamento térmico 5. Manta asfáltica 6. Parede de alvenaria 7. Calha de água pluvial 8. Telha em zinco 9. Isolamento térmico 10. Manta asfáltica 11. Betonilha de enchimento 12. Junta de laje em consola 13. Perfil tubular com isolamento injetado 14. Caixilharia de correr 15. Soleira interna em madeira 16. Soleira externa em pedra 17. Betão aparente 18. Conducta de insuflação 19. Estore 20. Grelha 21. Lambrini em madeira 22. Radiador 23. Tinta impermeabilizante 24. Isolamento térmico 25. Manta asfáltica 26. Regularização 27. Base tubular para suporte 28. Acabamento em madeira 29. Isolamento térmico 30. Pavimento 31. Camada de regularização 32. Isolamento térmico 33. Betonilha de regularização 34. Revestimento em microbetão 35. Calha pluvial 36. Piso externo permeável 37. Areia 38. Pedra 39. Isolamento perimetral 40. Camada impermeabilizante 41. Betão armado 42. Bloco de fundação 43. Isolamento perimetral
1 2 3 4 5 6 7
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12 13 14
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30 31 32 33 34
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42 43
P. 34
Architecture | Portfรณlio
Elevations
P. 35
v. s e c r e t h o u s i n g i lha do f undĂŁo rio de janeiro, brasil
Architecture | Portfรณlio
P. 37
Architecture | Portfรณlio | Marina Dias
The design of the residence is the result of two principles: the permeability and the union of volumes. The use of two overlapping blocks with different positions with the purpose of creating visuals to the exterior, creating a game of perspectives in the quest to balance the dynamics of openings and closings of the building.
P. 38
Architecture | Portfรณlio
P. 39
Plan -4.0
Architecture | Portfรณlio | Marina Dias
2
1
1. Main access 2. Bathroom 3. Open space
P. 40 3
Architecture | Portfรณlio
1
Plan 0.0
2
1. Private access 2. Open space | bedroom | office
P. 41
vI. s o l a n o t r i n d a d e d uque de caxias rio de janeiro, brasil
Architecture | Portfรณlio
P. 43
solano trindade context The project area is Ocupação Solado Trindade, located in the municipality of Duque de Caxias, Rio de Janeiro. The occupation was carried out in a large public area that has been abandoned for more than 15 years. On the ground there are buildings, where the families live, besides there is a collective kitchen and also an administrative area. In this way, since resources are tight, the issue of the budget is key as well as the use of recycling material. The proposed theme involves the preparation of studies, budget planning, planning of the execution of some stage of the proposal or of some prototype.
01 revitalization project
0101
Architecture | Portfรณlio
P. 45
solano trindade paper chair protot ype production proce ss Separate the necessary materials such as cardboard, pencil, cutting material, screws, rebar ...
01 First we use the rigid
molds as reference for the pieces of cardboard.
02 We mark the location of
the holes for the entrance of the element that will connect these pieces.
03 After these steps, all parts are joined through the connector element
all materials used in this project are easily accessible to residents. The final budget was around 15 reais per unit (3 euros).
Architecture | Portfรณlio
P. 47
vII. m o b i l e e x h i b i t o r c e ntr o do por to porto, portugal
Architecture | Portfólio
como
eu vejo
Mósulos interativos | modificam de acordo com o projecto do artista
tu
s ê v
os módulos configuram um museu interativo que transforma a cidade do porto em um grande museu ao céu ci aberto. a ideia por trás do projecto, além de divulgar amplamente os diversos conteúdos da plataforma visual space of change, cria uma dinâmica entre curiosidade e informação através do jogo de perspectivas em diferentes pontos de vista.
é levar o cidadão/visitante a um pensamento crítico acerca da transformação do território em constante mudanças a partir do percurso interativo. ao iniciar seu percurso interativo, o visitante tem acesso a diferentes perspectivas, e cada uma transmite uma visão estipulada pelo artista, de forma a criar uma narrativa visual. O projecto implica em um mapeamento prévio da grelha padrão, realocando o múdulo em diferentes posições e alturas.
durante o percurso, o visitante podem utilizar as câmeras de seus dispositivos móveis, apontando para os módulos, e através de aplicações visualizar uma nova realidade (aumentada).
perspectivas distintas de acordo com o percurso | interações
uso do suporte combinado, ou único, interno ou externo.
Porto.
P. 49
vIiI. urba n r e h a b i l i tat i o n c i d a de de amar ante amarante, portugal
Architecture | Portfรณlio
P. 51
dos como espaços de lazer e capazes deMUDANÇA apoia nos locais de estudo.
Através de intervenções provisórias, de elem (bancos, jardineiras, balizadores) e da reinser público (crianças, residentes, idosos) procuro mais suseptiveis a permanência, a partilha de ATIVAÇÃO DAS DINÂMICAS LOCAIS
CUIDADO E APROPRIAÇÃO DO ESPAÇO
PARCERIA PUBLICO/PRIVADO
O NO ESPAÇO c a PÚBLICO r a s COMO p r o PROTAGONISTA tagonist AUTOMÓVEL
adequacy of u nderu til ized areas
S
te s t FUNCIONAMENTO o p e r ati o n o f TESTAR DA i n INTERVENÇÃO te rve n ti o n
urban design
O
BAIXO lo wCUSTO c o s t DE IMPLEMENTAÇÃO
u r b a n m i c r o - URBANOS devices MICRODISPOSITIVOS
care a nd CUIDADO E APROPRIAÇÃO ESPAÇO appr o prDO i ati on of spac e
act i vat i o nDAS of ATIVAÇÃO DINÂMICAS LOCAIS lo cal dy n am ics
p PARCERIA r i v a t e PUBLICO/PRIVADO public partnership
ICO
PESSOAS COMO P
Architecture | Portfólio | Marina Dias
AUTOMÓVEL COMO PROTAGONISTA
BAIXO CUSTO DE DETALHE INTERVENÇÃO 03 IMPLEMENTAÇÃO AV. 1 DE MAIO
TESTAR FUNCIONAMENTO DA INTERVENÇÃO
1 2
MICRODISPOSITIVOS URBANOS 3
LARGO DO REGO
p e o p lPESSOAS h e a sCOMO p r oPROTAGONISTAS tagonist
P. 52 4
Plans
Architecture | Portfรณlio
Aimed at the reality of a public space deprived by the excessive and disorderly occupation of the automobile, the interventions presented here seek to conceive more balanced spaces, recognized the spaces of leisure and able to support the dynamics already existing in the places of study. Through altern interventions, elements of urban design and the reintegration of actors in the public space, it was sought to establish more sustainable spaces, the sharing of streets and the intruding of environmental qualification elements such as trees, gardens and fountains.
P. 53
ix. A P
R
I
R S I
f or taleza´ f a v i g n a n a , i t a ly
O
T N
Architecture | Portfรณlio
P. 55
Start of the walk. I look up and before I see an imposing Fortress I come across some buildings along the way, without being able to have their own plan or end. I find the first one, I descend like stairs, I touch the stone. For a moment I am directed to the city that has fallen behind but is still present. Expectation for what will come. I continue the path and the music of the second moment calls me. The dance is witnessing the sea and its blue. I follow the path. Third time. I walk through a passage that I already recognize, Same stones. Everything would be the same, I thought. No How well so framed invite me to enter. People testing the watercolor on how the already white screens contrast with a large box of rusty steel, for a moment I remember the old anchors hanging in the harbor. I open the door and to my surprise is a bathroom. I walk through space. I go up to the terrace. Today’s sessions are now in full bloom. I think many people already look over
the years from that same place. I’m back on the route. A climb is not easy easy. Stop to breathe and disappear, disguised on the rocks, see an open book with a man working on his wooden sculpture. Arrival to Fortaleza with all its magnificence and during a journey between the narrow and small meetings from the discovery of the spaces and knowing a little more the history and the nature of this prison and the Favignana. Meet with people who discover materials and clues to the innermost rooms. When I reach the terrace with the contrast of the stone with the same steel below. As I step out of the cover of a breeze on my skin. Me completely completely immersed in this world. I do not want to go out. I celebrate this moment. Town Sea Mountain Wine Moments Silent Respite Reflection (Re) knowledge. Interiorization. History. Culture. Inspiration. Outsourcing. Art Life
Architecture | Portfรณlio
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P. 57
obrigada.