FEB 6 -- MAR 2
A GRIPPING POLITICAL DRAMA
by Harley Granville-Barker | Directed by Carey Perloff
FROM THE ARTISTIC DIRECTOR
“Can one impose a clever idea upon men and women? I wonder.” — Henry Trebell
In Waste, Henry Trebell wrestles with this question as I have for years. My experience in theatre has taught me that the lofty pursuit of getting individuals to leave a play with more questions than answers is most often in vain.
The degree to which one can control the world outside of themselves is limited by the desire of others to control the world inside of their body and mind, and the mind is as infinite as the universe… the origins of our desires, as mysterious as the beginning of time.
I value the opportunity to share this theatrical journey with you, but I must abandon the desire to control your response. How do you see your role in this space? Are you judge? Pupil? Participant? Customer? I am none of these. I believe it is only when we enter this space with no expectations and leave it with no assumptions that we can truly be transformed by the experience that we share here. I offer that you allow this work to wash over you like water over a stone, little changed in two hours time, but knowing that the current of theatre has the power to alter you, and may, years hence.
It’s good to be back on stage. Thank you for trusting me with your time.
Lance Gardner | Executive Artistic Director
BY HARLEY GRANVILLE-BARKER
ADAPTED AND DIRECTED BY CAREY PERLOFF°
CAST
(in order of apperance)
Henry Trebell Lance Gardner* lawyer & politician
Amy O’Connell Liz Sklar* married to an Irishman but living alone in London
Frances Trebell Leontyne Mbele-Mbong*
Henry’s unmarried sister
Walter Kent | Justin O’Connell Joseph O’Malley*
Henry’s secretary| Amy’s husband
Dr. Wedgecroft Jomar Tagatac*
Henry’s Friend
Charles Cantelupe Anthony Fusco* a gentleman & church leader
Lucy Davenport | Maid Anna Takayo*
Walter’s fiance
Lord Horsham Daniel Cantor* incoming Prime Minister
Blackborough | Footman Mike Ryan* politician from the Midlands
CREATIVE TEAM
Costume Design
Maggie Whitaker+
Stage Manager
Kevin Johnson*
Lighting Design
Kate Boyd+
Scenic Design
Arnel Sancianco+
Dialect/Text Coach Christine Adaire
Sound Design
Jake Rodriguez+
Intimacy Coordinator
Natalie Greene
ACT 1: A Sunday evening in summer at Shapter’s, a country house in England
ACT 2: Three months later, Trebell’s house in London intermission
ACT 3: Lord Horsham’s house, a week later
ACT 4: Trebell’s house, later the same evening
DIRECTOR’S NOTE
Harley Granville-Barker has always been one of my theatrical heroes. An actor (starring in the premieres of many of George Bernard Shaw’s major plays), director, playwright, theater producer and Shakespearean scholar, Granville-Barker changed the landscape of British theater and helped create what we now think of as the non-profit repertory theater movement. He knew how to tackle thorny issues with complexity, humanity and wit: his VOYSEY INHERITANCE, which we produced at A.C.T. in 2005 during the Enron crisis (featuring Anthony Fusco as Edward Voysey), is one of the most perceptive and shocking plays ever written about dirty money.
In 1906 Granville-Barker wrote WASTE, a fierce look at political chicanery, abortion laws, and the search for meaning in contemporary life. The play was promptly banned, and didn’t arrive onstage for many decades. Granville-Barker created a revised draft of the play in 1922 while exhausting every avenue for its production; “I have been wasted by WASTE, he said mournfully. Over the years, WASTE has become an important part of the repertory in England and, occasionally, in the US. In 2022, as the debate over abortion laws in America heated up, I was immediately drawn to revisit Granville-Barker’s play and see whether I could adapt it to make it produceable on the contemporary
American stage. While the cast is smaller and the political exposition less detailed than the original, this adaptation (drawn mostly from the original 1906 version) is a hundred percent Granville-Barker: his language, his structure, his endless capacity for nuance.
When Lance Gardner became Artistic Director of Marin Theater and asked me if I had a play I’d like to direct, I gave him WASTE. He read it immediately and to my astonishment replied, “how can we not do this play?” Even better, he agreed to play the lead role. Henry Trebell is a complex character who forces us to confront the way politics actually works behind closed doors. He is both an idealist and a cynic, a Liberal who hopes to join a Tory Cabinet just long enough to Disestablish the Church of England (i.e. separate the Church from the state) and use the funds that would be released for comprehensive Education reform. But he gets caught in a trap of his own making when the personal collides with the political. The play reveals the explosive consequences.
Sometimes we need the past to give us a window onto our own present moment. I’m so grateful to Marin Theater for giving us all the chance to dig into such remarkable material and to tell this story. Thank you so much for coming.
— Carey Perloff
BIOGRAPHIES
Harley GranvilleBarker(Playwright) was a British critic, producer, actor, and playwright
Born in 1877, he began his career as a teenage actor at 13, and his first play of note was produced in 1900. He built his career managing the Court Theatre where he produced many of the early-20th century’s best European playwrights, George Bernard Shaw, John Glasworthy, Maurice Maeterlinck, and Henrik Ibsen. He produced more than 37 new plays by 17 authors also spurring the regional repertory movement. Theater History also credits him with many innovative Shakespeare productions that used an ease in scene transitions and a normal style of speech. The Lord Chamberlain banned his play Waste in 1907 due to its discussion of abortion and politics. The Stage Society performed it in private that year. The Westminster Theatre later produced it in 1936. Two years later, it and two of his other titles were published with 50 limited copies. When it was revived, legend says a spectator collapsed and an ambulence was called. After WWI, he moved to Paris with his second wife and turned his efforts to translating Spanish plays and writing a five-book series Prefaces to Shakespeare. He died in Paris in 1946.
Carey Perloff° (Director) is a director, playwright, producer, and educator who served as Artistic Director of American Conservatory Theater (19922018) and of Classic Stage Company, NYC (1988-1992). In her post-A.C.T. life, Perloff has directed Leopoldstadt (Huntington Theater and Shakespeare Theater DC), As You Like It (Santa Cruz Shakespeare), The Lehman Trilogy (Huntington Theater and Repertory Theater of St. Louis), Home? (Voices Festival, D.C.), Ibsen’s Ghosts (Seattle Rep and Williamstown), Pale Sister (Gate Theater, Dublin), Queens (LaJolla Playhouse), Private Lives (Stratford Festival), A Thousand Splendid Suns, Merchant of Venice, The Oedipus Cycle starring John Douglas Thompson. As a playwright, her work includes Vienna, Vienna, Vienna (Finalist, Jewish Play Project); Edgardo or White Fire (commissioned by Williamstown Theater Festival); If God Were Blue (Colorado New Play Summit 2025); Kinship; Higher; The Fit. Author: Beautiful Chaos: A Life in the Theater (City Lights Press) 2016. She recently launched Tiny Theatricals, an online digital project featuring open rehearsals of classical plays for London’s Digital Theatre Plus, and published Pinter and Stoppard: A Director’s View (Bloomsbury Methuen). In 2008, France awarded her the Chevalier des Arts et des Lettres.
Lance Gardner* (Henry Trebell) is the Executive Artistic Director of Marin Theatre. He was born and raised in the Bay Area where he has earned dozens of theatre credits over the last 20 years. This is his seventh mainstage show at Marin Theatre (Skeleton Crew, Shakespeare in Love, Equivocation, Fuddy Meers, A Streeetcar Named Desire, Lovers & Executioners). He has also performed in multiple shows at Berkeley Repertory Theatre, California Shakespeare Theater, Magic Theatre, TheatreWorks, and more. He is a past President of the Board of Directors at Aurora Theatre, an alumni of KALW’s Audio Academy audio journalism training program, and a former Live Event Producer at KQED where he helped to launch KQED Live.
Liz Sklar* (Amy O’Connell) is thrilled to be back at Marin Theatre, performing in her hometown. Most recently she was seen in the West Coast Premiere of Antipodes (ARC). Other selected credits include Mother of The Maid, Wink, The Wolves, Anne Boleyn, The Whale, Failure: A Love Story, Lasso of Truth, Othello, Seagull and Bellwether (Marin Theatre), Macbeth and Othello (CalShakes), Men on Boats (ACT), The Real Thing (Aurora Theatre Company),
Trouble Cometh and Becky Shaw (SF Playhouse), and Care of Trees at (Shotgun Players). Sklar holds a BA in Theater from Brown and an MFA from A.C.T.
Leontyne MbeleMbong* (Frances Trebell) is delighted for her first show with Marin Theatre. Leontyne was recently seen in The Untime at Marin Shakes; and Pipeline with African-American Shakes, where she has also appeared in Macbeth, Medea (TBA Award), and Antony & Cleopatra (TBA Award Finalist). Other favorites: Cyrano and Hurricane Diane at the Aurora; Fefu and her Friends at A.C.T., Lear at CalShakes (BATCC Award); The Half-Life of Marie Curie (TheatreSquared); Watch on the Rhine (Berkeley Rep/Guthrie Theatre), Bull in a China Shop, Temple, and Breakfast with Mugabe (Aurora Theatre). Founding member of the Actors’ Reading Collective. www.leontynembelembong.com
Joseph O’Malley* (Walter Kent | Justin O’Connell) returns to Marin Theatre, having appeared in Ms. Bennet: Christmas at Pemberley (World Premiere), and Charlotte’s Web. Other Bay Area productions: 1984, Colonialism is Terrible, but Pho is Delicious, Creditors and A Number (Aurora). War of the
Roses, Macbeth, King Lear, Nicholas Nickleby (Cal Shakes); Spamalot!, Measure for Measure (Marin Shakespeare), The Liar (Center Rep), Mrs. Warren’s Profession (Shotgun Players). Regional: The Gift of Nothing (Kennedy Center), The Tall Girls (La Jolla Playhouse), Seminar (B Street Theatre). Motion Capture: NBA2K, Mafia: Definitive Edition, Star Wars: Tales from the Galaxy’s Edge, Fortnite. Joseph is an Associate Coach with Stand & Deliver. He earned an MFA from USC and a BA from Santa Clara University.
Jomar Tagatac* (Dr. Wedgecroft) recently played Marley in A Whynot Christmas Carol (A.C.T), and Tom in The Glass Menagerie (SF Playhouse). ACT credits include Max in Big Data (World Premiere) Playwright/Bobby in Vietgone and Vietgone 2, Tom in The Headlands, Mr. Botard in Rhinoceros, and Fortunado in Monstress. SF Playhouse credits: Harry in The Paper Dreams of Harry Chin, Gordon Hirabayashi in Hold These Truths, and Mark in Art. CalShakes credits include Edmund in Lear, Jacques in As You Like It, Other credits: George in The Language Archive (Theatreworks), Quang in Vietgone (Capital Stage Company); He has won awards from BATCC, TBA and was a Lunt-Fontanne Fellow in 2023. Jomar holds an MFA from A.C.T
Anthony Fusco* (Charles Cantelupe), has performed for MTC in Marjorie Prime and My Old Lady. He was a Core Company member at American Conservatory Theater (collaborating happily and frequently with Carey Perloff), an Associate Artist with the fondlyremembered CalShakes, and has acted in plays for BerkelyRep, SF Playhouse, TheatreWorks Silicon Valley, and other American regional theaters. NYC credits include plays on Broadway, offB’way, and waaaay off-B’way. He has received many Bay Area critics’ awards, and in 2023 was honored as a Lunt-Fontanne Fellow. Training: Juilliard, The Barrow Group School, College of Marin, and Tam High!
Anna Takayo* (Lucy Davenport | Maid ) Marin Theatre premiere. Regional: The Kennedy Center, Shakespeare Theatre Company, Santa Cruz Shakespeare, People’s Light, Olney Theater, Spooky Action Theater, Adventure Theatre, Capital Fringe, and Hawai’i Public Theatre. International: London (Southwark Playhouse, Tower Theatre, Tristan Bates, and Bloomsbury Festival), Japan: (TPAM), Greece: (The International Festival of Ancient Drama) and, Bermuda: (Devil’s Isle Shakespeare Company.) She is a graduate of the Royal Academy of Dramatic Art
(MA), The Academy for Classical Acting (MFA) and Stanford University (BA). She is a Helen Hayes award nominated actor.
Daniel Cantor* (Lord Horsham)
Broadway: Leopoldstadt. OffBroadway: Things You Shouldn’t Say Past Midnight, Tuesday with Morrie, Strictly Personal. National: Picasso at the Lapin Agile. Regional: Goodman, Court, Victory Gardens, Drury Lane, Chicago Shakespeare, A.C.T., Berkeley Rep., Cincinnati Playhouse, Milwaukee Rep, Cleveland Playhouse, Studio Theater, Hartford TheaterWorks, Shakespeare Santa Cruz, CATF, Barrington Stage, Arkansas Repertory, National Shakespeare. TV/Film: Empire, Chicago Fire, Chicago PD, Law & Order, Law & Order: SVU, Law and Order: CI, Conviction, Sopranos (web), As the World Turns, Asphalt Man, Miskits, Auteur Theory, Alchemy, Justice, House of Satisfaction, Alternative Universe: Rescue Mission. Daniel is Head of the Acting program at the University of Michigan.
Mike Ryan* (Blackborough | Footman) is delighted to make his debut with Marin Theatre. He is the former Artistic Director of Santa Cruz Shakespeare, where he has appeared in over forty productions. Bay Area audiences will know him from his
work at Theatreworks, American Conservatory Theatre, The Aurora Theatre Company, San Jose Rep, and Jewel Theatre Company. Regionally: Denver Center for the Performing Arts, Pasadena Playhouse, La Jolla Playhouse, Laguna Playhouse, and Geva Theatre Center, among others. He received his MFA from UC San Diego and his BFA from Southern Methodist University.
Kate Boyd+ (Lighting Designer) designs scenery and lighting in the Bay Area. She recently designed the lights for Bees and Honey at Marin Theatre and scenery for The Language of Wild Berries for Golden Thread. At Aurora Theater she has designed Born with Teeth, Hurricane Diane and Everything is Illuminated. Regionally: Portland Center Stage, Magic Theater, New Conservatory Theater, Merola Opera, the SF Conservatory of Music, Company C Ballet, and Theaterworks. A resident artist with Golden Thread Productions and a recipient of the Gerbode Design Fellowship, Kate teaches stagecraft and design at LickWilmerding High School.
Jake Rodriguez (Sound Designer) is a composer based in the San Francisco Bay Area. His recent theatrical credits
include A Whynot Christmas Carol (American Conservatory Theater), Mother Road (Berkeley Repertory Theatre) Between Two Knees (Perelman Performing Arts Center, Yale Repertory Theatre, Oregon Shakespeare Festival); Frankenstein Revived (Stratford Festival); and Poor Yella Rednecks: Vietgone 2 (ACT). Rodriguez is the recipient of a 2004 Princess Grace Award and received an honorary M.F.A. from A.C.T. in 2021. Find sounds at soundcrack.net.
Arnel Sancianco+ (Scenic Designer) Arnel is an award-winning Scenic Designer with a nationally recognized portfolio. He’s the scenic design lecturer at UC Berkeley. Credits include productions at La Jolla Playhouse, The Old Globe, Oregon Shakespeare Festival, The Muny, ACT, The Huntington, Goodman Theatre, DCPA, Steppenwolf Theatre Company, The Kennedy Center, Theatreworks Silicon Valley, Woolly Mammoth, Writers Theatre, Repertory Theatre of St. Louis, Arizona Theatre Company, Court Theatre, American Players Theatre, Milwaukee Rep. See at his work visit ArnelDesigns.com
Maggie Whitaker+ (Costume Designer) designs for theatre, film, tv, and video games. Their work has been showcased at
Sundance, Hamptons international Film Festival, Miami Jewish Film Festival, and Frameline Film Festival. Film Credits include: Fairyland: Sundance premiere, Avenue of the Giants: HICC Premiere, Splash City, Back Home: Through the Stage Door; Shit and Champagne: Frameline Premiere 2020, Here She Comes; Theatre Credits: Aurora: The Importance of Being Earnest, Eureka Day (world premiere), Fat Pig (SFBATCC nominee), Lobby Hero (Dean Goodman Choice Award); Marin Theatre: I and You (world premiere); TheatreWorks: Upright Grand (world premiere); They are a member of USA local 829. www.Maggiewhitaker.com
Christine Adaire (Dialect/Text Coach) is the former Head of Voice at American Conservatory Theatre. She is a Designated Linklater Voice Teacher. She has worked as an actor and voice/ dialect coach, in many regional theaters, including The Guthrie, Chicago Shakespeare, Goodman Theatre, Oregon Shakespeare, and Shakespeare &Company. Christine has taught at DePaul University, University of Wisconsin–Milwaukee, and Roosevelt University. International workshops in: Shanghai, New Zealand, Barcelona, King’s College London), and Birmingham City University. Her current area of research and writing is gender
affirming voice. She works with transgender/gender diverse individuals so they can inhabit the voice that expresses their gender identity.
Natalie Greene (Intimacy Coordinator) is an artist and educator working at the intersections of dance, theater, consent and community engagement. Choreography and intimacy work at Aurora Theatre, Cal Shakes, Center Rep, Custom Made, Portland Center Stage, Shotgun Players, and Stanford University. Dance-theater work presented by California Academy of Sciences, San Francisco Airport, ODC Theater, and San Francisco City Hall. Previously Artistic Director of the award-winning devised theater ensemble Mugwumpin, Natalie is currently Director of Education and Community Programs at American Conservatory Theater.
Kevin Johnson* (Stage Manager) returns for his sixth production at Marin Theatre, having stage managed The Sound Inside, Noura, The Wickhams: Christmas at Pemberley, Marjorie Prime, and the special performance of Lady of Largest Heart with Olympia Dukakis. In addition to regional theatrical productions, he also has stage managed music and dance, including San Francisco Jazz Festival (with Bobby McFerrin), International Russian Music Festival, and Dave Brubeck’s final
album of his choral music, Brubeck and American Poets. For Sandrine.
Lobby Artists
Jason Sheldrick grew up in rural Canada and studied Architectural Technology at Algonquin College. He has been a life-long visual artist and on moving to the USA he has balanced careers in the architectural field and fine art. With a limited color palette, an interest in drawing, and an incredible eye for detail, Jason creates compositions referencing his personal life experience and professional occupation. His recent work explores issues of gender identity with compositional elements drawn from history and architectural design.
Erica Deeman (b. Nottingham, UK) is a visual artist whose work explores the intersections of race, gender, and the hybridity of Black identity. Deeman is concerned with the multiple ways selfhood manifests through queer, transnational and hybrid modes; and how we find a sense of belonging and ‘home’ through migratory patterns, memory, personal biography, and ancestral legacy. Her multidisciplinary practice embodies the complexity and transformational nature of Blackness. Deeman lives in Seattle, WA and works between here and the Bay Area. She received a Bachelor of Arts, Public Relations, degree in 2000 from Leeds Beckett University, Leeds, UK; a Bachelor of Fine Arts, Photography, a degree in 2014 from Academy of Art, San
Francisco, CA; and MFA in Art
Practice at UC Berkeley, CA in 2022.
Maeve O’Sullivan is an artist living and working in Marin County. Having resided in Los Angeles, France and the UK, she has made her way back to Fairfax, the town she grew up in. Maeve has studied at San Francisco State, Université Aix Marseille and College of Marin graduating with
degrees in Sociology, French and Fine Art. Working primarily in figurative oil painting, her portraits portray deeply human feeling and expression, encouraging the viewer to understand and connect from a place of depth within themselves. Although her work is realist in style, she also employs surrealist themes as a way to expand on the story being told.
SHOW STAFF
Assistant Stage Manager Fiona Sharkey
Props Lead Liam Rudisill
Wardrobe Supervisor Daria Perkova
Lighting Programmer & Board Operator Mary Blake-Booth
Audio Engineer Olivia Vazquez
Scenic Charge Artist Stephanie Jucker
Deck Hand Mark P. Robinson
Dressers Victoria Adams, Aureolus Stetzel
Costumers Tiffany Amundson, Madeline Berger Design, Liz Martin
Electricians Mary Blake-Booth, Mikael Creedon , Noah Hewitt
Wig Designer Jessica Carter
Special thanks Molly Batchik, Ralph Hoy
MARIN THEATRE STAFF
Executive Artistic Director Lance Gardner Director of Production Jessica Marchesi
Education Director Jackie Katz
General Manager Nichole Gantshar
Box Office Manager Jules Simons
Marketing Manager Robbi Casnellie
Artistic Producer Laura Steele
Technical Director Jeff Klein
Costume Shop Manager Daria Perkova
ATD/Props Lead Liam Rudisill
Development & Administrative Coordinator Kelsey Sloan
Lighting Supervisor Marshall
Audio Engineer Fiona Sharkey
Teaching Artist Joe Ayers
Marketing Partner Carla Befera
Patron Services Manager Carolyn Doyle
Front of House Leads
Victoria Davis, Bridget Novak, Perry Parsons
Front of House Associates Alex Camerino, Jo Jewell, Arianna Orleans, Sunny Orleans, Zach Padlo, Serena Palmer, Cynthia Whitman
Interns Ciara Bailitz, Austin Graff, Amanika Rapplin
MARIN THEATRE DONORS
Marin Theatre acknowledges the generous support (Jan 2024 - Jan 2025) of the following individuals, foundations and corporations whose contributions make our extraordinary theatre productions and education programs possible in the past year. To join our family of contributors, receive sponsorship information or if you have questions about your gift, please contact development@marintheatre.org
$100,000 plus
Dagmar Dolby • Christopher B. & Jeannie Meg Smith
$50,000 to $99,000
Vickie Soulier
$25,000 to $49,999
Gerald Cahill & Kathleen King • Estate of James Lilienthal
$10,000 to $24,999
Anonymous (2) • Lynne Carmichael • Suzanne Cross & John Simpson • Wendy Feng & Michael Wall • Kimberly Hughes & Steven Moazed • Ken & Vera Meislin • Buffington Miller • Barbara Morrison • Danielle O’Hare & Federico Barbagli • Matthew Purdon
$5,000 to $9,999
Anonymous • Franklin Amster & Andree Jansheski • David Catania & Diana Gay-Catania • John & Shelley Chesley • Gatian Cunningham • Kipp Delbyck • Thomas W. Edwards & Rebecca Parlette-Edwards • Jill & Steven Fugaro • Josh Rafner • Bob & Paula Reynolds • Barbara & Eric Roberts • Kathy Roberts & Aaron Loeb • Betty & Jack Schafer • Stacy Scott • Joel & Susan Sklar • Sharon Straus • Penny Wright
$1,000 to $4 ,999
Anonymous • Drs. Paul & Geraldine Alpert • Laura Scher & Ian Altman & The Barn Road Foundation • Lois Kelly Ashley • Sean & Faith Bricmont • Noel Butler • Nancy & Gary Carlston • Ron Clyman & Francoise Mauray • Benjamin Dewees • Steve Dow & Tom Parrish • David Elliot • Theresa Ellis • Judith & Philip Erdberg •
MARIN THEATRE BOARD OF DIRECTORS
Josh Rafner President
Penny Wright Vice President
William Maushardt Secretary/ Treasurer
Mollie Allen
Suzanne Cross
Naima Dean
Kipp Delbyck
Wendy Feng
Daniel Johnson
Danielle O’Hare
Matthew Purdon
Barbara Roberts
Stacy Scott
Danny Field & Gary Robinson • Jeff Freedman & Marie Boylan • Susan Gilardi • Anthony Giles & Carey Perloff • Gerry Goldsholle • Michelle & Normand Groleau • Lauren Gunderson & Nathan Wolfe • Tracy & Brian Houghton • Elisabeth & Howard Jaffe • Sean & Melizza Joerg • Barbara & Jim Kautz • Bill Kissinger • Harriet & Tom Kostic • Scott MacLeod & Linda Kislingbury • Melanie Maier • Terrie McDonald • Connie Oclassen & Bill Helvestine • Kathryn Olson • Bob & Donys Powell • Janice & James Prochaska • Gordon Radley • Richard & Nancy Robbins • Barbara & Eric Roberts • Kurt Schindler • Kate Sears • Diana & Richard Shore • Marsha Silberstein • Tara Sullivan • Joe & Diane Stemach • Will & Leslie Thompson • Bob & Diane Wagner • Irene Yen • Susan York
$500 to $999
Anonymous •Janet Bamberger • J. Peter Bardwick • Joan Beavin • Carl Bielefeldt • Kim Bromley & David Carson • The Leo J. &Celia Carlin Fund • Steven and Karin Chase • John & Shelley Chesley • Stephanie Douglass • Ben and Boriana Fackler • Larry Fahn • David Gast • Steve Gensler • Margot Golding • Karen Gottlieb • Charles Hanes • Rebekah and Larry Helzel • Brian & Jocelyn Herndon • Carolyn Hodge • William Hoehler • Mark Hoffman • Denmo Ibrahim • Deborah Kemper • Fritz Kieckhefer and Karenna Love • Barbara Laraia & Chistopher Pilcher • Paulette Lueke • Barbara Meislin • Steve & Mary Mizroch • Jan O’Brien & Craig Hartman • John Osterweis • Marianne & Steve Porter • Cooney-Rashti Trust • Tobi and Mark Rubin • Carol & Randolph Selig • Sabrina Sinton • Stephanie Splane • Lois Stevens
$100 to $499
Anonymous • Joe Angiulo • Joanne Appel • Susan Aumiller • Susan Baker • Robert and Barbara Baum • Andria Benner • Robert Bergman • Daniel Bikle • Stephen Bischoff • Felix Braendel • Josh Brier & Grace Alexander • Amy & Mark Brokering • Donna Brorby • Deborah Buehler • Margaret Burke • Patrick Cahill • Robert Camm • Sheree Chambers • Stephen Clark • Diane & Bill Clarke • Monifa Clayton • Dayton & Sheri Coles • Naomi Conroy • Christina Crow • Betsey Cutler • Sheila Dalton • Michael Darby • Cara David • Larry Davis • Naima Dean • Larry Eggan • John Eichhorst & Jennifer Blackman • Joseph Faimali • Leland Faust • J Fikes • Paula Fracchia • Connie Goldsmith • Tamara Goldsmith & Randal Zucker • Michelle Griffin • Gillian A Hayward • Jennifer Hochschild • Mim Hodge • Lori Horne • Karen Houston • Kip & Sara Howard • Stanley Hutter • Cheryl Hylton • Auban Jackson • Katherine Jain • Elizabeth Jameson • Sandy and Nick Javaras • Sheila Johnson-Brousseau • Julie Kaufman • Susan Keener • Kenneth King • Heidi Kirsch • Peter and Monica Lange • Amy Lauer • Douglas Lawrence • Gretchen Leavitt • Judy Leet • David Lesnini • Gail Lester • Joan Levison • Jennifer Lindsay • Suz & Michael Lipman • Susan Logan • David Long • Laurence Lyons • Mark Maigatter & Heidi Hofer • Lynn Mason • Will Maushardt • Tina McArthur • Robert McDowell • Kay and Steve McNamara • Kurt Menning • Mill Valley Market • Christian Mills • Margaret Moster • Jessica Newman • Betty Obata • Katy Olds • Vivian Olsen • Kathryn Olson • Marta Osterloh and Tony Curtiss • Outdoor Art Club • Thomas Owen • Rebecca Parlette-Edwards & Tom Edwards • Susan Peck • Lynn Perry • Hal Plimpton • Victoria Podesta • Janet Poelstra • Rod Ponath • Robert Popper • Jack & Jessica Powell • Laurence Pulgram & Kathleen Murray • Mary Lou Ragghianti • Joel Renbaum • Katherine Revoir • Eddie Reynolds • Susan Reynolds • Richard Rose • Ellen Rothman & Edward Koplowitz • Diane Ryken • Angelo Salarpi • Mark Sanders • Laura Scott • David A.
Shapiro, MD & Sharon L. Wheatley • Douglas & Carole Sheft • Alice Shelton • S. Corbett Simons • Joel & Susan Sklar • Shelagh Smith • Steven Sockolov & Susan Snyder • Deborah Spanier • Timothy Standing • Gretchen Stone • Carol Svetcov • Candace Swimmer & Philip Rosenthal • Beverly Tanner & Jerry Herman • Lisa Taylor • Cindy Thomas • Cynthia Thomas • Kathryn Thyret • Beatrice Tocher • Norman & Dr. Carol Traeger • Victor Walker • Paul Werner • William & Janet Whitmer • Delene Wolf • Vitoria Woo • Reynaldo Zertuche • Laura Zimmerman
TRIBUTE GIFTS
Tracy and Brian Haughton Charitable Fund in honor of Lance Gardner
Denmo Ibrahim in honor of Free Palestine
Kenneth King in honor of Sali Lieberman who helped bring theatre to Marin
Drs. Ben & A. Jess Shenson Fund directed by Fred Levin in honor of Carey Perloff
Alan Rubin in honor of Jerry Cahill
MEMORIAL GIFTS
Gerry Goldsholle in memory of Myra Levenson
Noel Butler via Silicon Valley Community Foundation In Memory of Phil Kurjan
Gillian A. Hayward In Memory of Ralph Hayward
Anne D. Kaiser & Robert P. Taylor In Memory of Breton Kaiser-Shinn
Kathy Lavezzo In Memory of Marilyn Angela McCarthy
CORPORATIONS • FOUNDATIONS • GOVERNMENT
MARIN THEATRE PARTNERS | $50,000+
The Shubert Foundation • William & Flora Hewlett Foundation
VIP PRODUCER | $15,000-$49,999
Buck Family Fund • California Arts Council • Kimball Foundation • National Endowment for the Arts • Stacy Scott Fine Cateringº The Bernard Osher Foundation
EXECUTIVE PRODUCER | $10,000-$14,999
Clay Foundation, Koret Foundation • MOJOº • National New Play Network • The John Brockway Hungtington Fund
PREMIERE PRODUCER | $5,000-$9,999
3 Badge Beveragesº • August Sebastiani • Garry & Joanne Brooks •Marin Cultural Association • Tow Foundation
PRODUCER | $1,000–$4,999
Clyman Family Foundation • County of Marin • Marin Charitable Association • Mill Valley Market • Mill Valley Flowers º In-Kind Donation
To join the esteemed list below and make a legacy gift to Marin Theatre please contact Executive Artistic Director, Lance Gardner at lance@marintheatre.org. With gift planning, you can provide long-lasting support for a vibrant theatre community while reducing the taxation burden on your loved ones.
Linden & Carl Berry‡ • Jack Bissinger‡ • Dave & Bobbie Chapman • John & Shelley Chesley • Sheldon Doing & Steve DeHart • Fred Drexler‡ • Thomas W. Edwards & Rebecca Parlette Edwards • Joseph & Antonia Friedman • Brian & Tracy Haughton • Sandra Hess • James Lilienthal‡ • Shirley Loube‡ • Melanie Maier • Gladys Perez-Mendez‡ • Ivan & Lochiel Poutiatine‡ • Leigh & Ivy Robinson‡ • Gage Schubert‡ • Beverly Tanner • Fred & Kathleen Taylor • Nancy Thomson‡ • Phil Woodward & Connie Majoy
