Portfolio
of
Work
Mark A Davis
Mark
Davis
2412 Butternut Place Edmond, OK 73013 arkm.davis@gmail.com 405_503_9656 //Bachelor of Architecture
Education
Oklahoma State University 2008-2013 American Institute of Architecture Students //Chapter Member 2009-2013 //5th Year Class Representative 2012-2013 //Skills
Skills
Interests
Research, Master planning, Customer relations, Clerical duties, Sketching. Computer programs: Revit 2013, Adobe Design Suite CS5, AutoCAD 2013, Rhino4.0, 3ds MAX, eQuest //Interests Furniture design and fabrication, Woodworking, Jewelry design, Lamp design, Vehicle restoration.
A Place
and a
Stage
Outdoor Community Theatre
Simple Machine Machine
Interactive Arcade Machine
Cultural Hub
Cultural Center
Get Well Soon
Wellness Center
Wolf Point Bend
Mixed Use High Rise
Solomon’s Porch
Community Event Space
for
Osage Tribe
A Place
and a
Stage
Community Theatre Boomer Lake//Stillwater//Oklahoma Third Year Studio//Fall//Project 1
Design Team| Mark Davis_Chris Huber
Brief Project Description // Outdoor
Program // _Stage
community theatre
that provides a location for
for various
performances
public concerts, plays and
_Backstage area _Open area for seating
other performances.
A
community theatre is a place for people to join together as equal to celebrate the drama and
grace of human expression.
It’s
a location for people to be taken away from their daily stresses
and brought into a world of fantasy. come and witness this creation. the sorts.
All
The
The
architecture’s purpose is to act as the beacon for all to
community itself provides the players of music, drama and all
that is required of the architecture is to provide the place and stage.
Site Selection // This project was conceived to provide the community of Stillwater a venue for musical and theatrical performances. portion of course. paths.
I
The
location for this development is at
Stillwater, Oklahoma. Surrounding
Beyond
Boomer Lake,
a small recreation lake in the northern
the lake is a park with extensive walking trails and a disk golf
the park and lake are several neighborhood communities that are linked to the park’s walking
chose a site located at the northeast edge of the lake.
This
location was chosen for two reasons:
1// The existing terrain had a gentle slope that could be utilized for outdoor seating.
This
existing site
condition reduced the need for major excavation to create a space optimal for outdoor performances.
2// This site is located close to an established parking area.
Utilizing
existing parking further reduces the
impact of developiment for the theatre on the park or the surrounding residential area.
Concept // The concept behind the prosective form is centered around the idea of bringing together the community.
The
thought is that even the construction
process becomes an opportunity for the community to interact.
Members
of the community can come
together and contribute to the construction no matter their skill level.
The
space becomes more special to
the community because it is built by the people who will enjoy the end result.
BOOMER LAKE COMMUNITY THEATRE
Study // The intention behind this project was to construct with materials that are widely accessible.
A
rigid frame could be built
to create the skeleton of the performance space.
From
there, a skin system of readily
available dimensional lumber is attached to the skeleton.
Thru
idea in mind,
came to the conclusion that
I
further studies with this
a haphazardly placed collection of lumber reiterates the concept of community.
Many
different pieces coming together to become one entity.
From
there, the basis of the next
several iterations was to establish dimension and length of the parts that would make up the skin.
As
well as skin systems, how this
object interacted with the ground was further studied.
Third Year Studio_Fall_Project1
Result // Since the driving force behind the concept was for the theatre to act as a beacon
and no drastic changes to the site itself were part of the equation, the form was made to be as singular as possible.
The ground. All
final product is an undulating worm that appears to be bursting
forth from the
skeletal members are
system is composed of timber
2x4’s. The
steel square tubing and the skin
point is to use the architecture to draw interest
to the performance that is happening there.
Boomer Lake Community Theatre
4x4
With
the intricate skin and slinking form, the
does all it can to make itself be seen.
BOOMER LAKE COMMUNITY THEATRE
Third Year Studio_Fall_Project1
Simple Machine Machine Interactive Arcade Machine Wondertorium//Stillwater//Oklahoma Third Year Studio//Spring//Project 3
Design Team| Mark Davis_Carrie Foster_Dylan Hames_Simon Manning_Steven Raynor
Brief Project Description // An
arcade style device
The Children’s
Program // Four
devices that each focus on
designed and built for
a different simple machine
Wondertorium Museum to teach
_The _The _The _The
children
about simple machines and how they work.
lever screw pulley wedge
Children’s museums are designed in such a way that kids learn much more than they realize. Exhibits are made to be engaging and interactive to those who visit while conveying complex ideas about physics, anatomy, geology, design and engineering in easy to understand ways. They are meant to fan the flames of curiosity that exists within all of us. If successful, a children’s museum will serve as the origin point for a lifelong pursuit of understanding how the world works around us.
Project Description //Wondertorium Children’s Museum had just been established in Stillwater and needed more exhibits for their new location. My studio class took on the challenge as a design/build project that was part of the curriculum.
After
spending a week doing research and traveling around to different interactive
museums, each student was responsible for coming up with an initial idea based on what we had learned from our research and travels.
Students
were then
grouped together based on similarities in initial idea to come up with a refined concept. these refined concepts would eventually become the built exhibits of the museum
Solo Concept_The Gauntlet //Using a simple control system, one person would try to get a ball to travel thru a maze and to a goal.
various pitfalls and traps are scattered thru
the paths of the maze that other people can control in order to try and prevent the ball from getting to the finish line.
Various
holes along the
route make the gauntlet more challenging
Trap
door to stop the ball
from reaching its goal
Control
arms act as
wedges to move the playing field.
The
playing field is built
on a hinged plane.
By
pushing the
control arms in and out, the playing field’s angle changes therefore moving the ball.
SIMPLE MACHINE MACHINE
Spring
loaded pad that throws
the ball off course
All
the people who became part of my group had personal concepts
of a mechanical nature that stood alone as an arcade style interactive toy.
After
copious amounts of sketching and conversation we established unifying
ideas that would make up our final machine.
// Each individual component of the machine would have an intuitive
interface that all ages could understand
// Machine components would only utilize simple machines to achieve the
goal of ball travel
// Each component would highlight a different everyday object to inspire
children to build their own machines at home
Third Year Studio_Spring_Project3
Machine Overview //The machine has three devices that act as elevators to bring balls up from supply tubes hidden in the cabinet.
Each
elevator then deposits the ball into a series of tubes that
lead to a cascade wall where the ball falls back down to the table top where a series of pins randomizes the ball travel and deposits it into one of two holes that lead back to the supply tubes underneath the tabletop.
SIMPLE MACHINE MACHINE
Machine Overview //The machine is shown without its Plexiglas case. The case bolts to the cabinet to protect the machines delicate components from the hands of children. this machine are taken from roller ball mice.
The
The
balls used for
rubber coating was removed to reduce
friction.
Third Year Studio_Spring_Project3
Cascade wall (Lever wall) // Soda cans // Aluminum drywall corner bead // Roller blade wheel bearings // Plexiglas (reclaimed) // Desk call bell
SIMPLE MACHINE MACHINE
Wedge // Plexiglas // Flat bar // Kitchen sponges // Cereal boxes // ¼” nuts and bolts
Third Year Studio_Spring_Project3
Corkscrew // Various PVC pipes and couplings // Reclaimed vacuum hose // 3/8th ratchet driver // 2� electrical conduit brackets
SIMPLE MACHINE MACHINE
Wheel and Pulley // Yardsticks // Vacuum drive Belt // PVC reduction couplings // Lawn mower wheel
Third Year Studio_Spring_Project3
Cultural Hub Cultural Hub
Cultural Center for Osage Tribe Osage Hills Park//Pawhuska//Oklahoma Fourth Year Studio//Fall//Project 3
Design Team
for
Master Planning Phase| Mark Davis_Katy Harlow
Brief Project Description // A
_Permanent Gallery space _Traveling exhibit space _Theatre _Meeting spaces _Gift Shop _CafĂŠ
master plan for the
headquarters of the tribe.
Within
Osage
that master plan,
a design for a
A
Program //
Cultural Center.
key element that displays
ancient artifacts and provides space to facilitate continuing cultural awareness of the
Osage Nation.
It
is important for a group of people to understand who they are and where they come from.
By
first understanding our history, we can use this knowledge to better analyze the current state of our culture.
It
A Cultural Center
is the crossroads of where a people have been and where they are going.
serves as a reminder that the culture is still budding.
The Osage
tribe is not a relic to look up in a
text book, but a living nation that needs to be experienced to be appreciated.
Site Selection
//The site allotted for this project is located on a portion of Osage Hills State Park. Within the allotted area, there were a few existent roads and old WPA camp. Our number one goal was to minimize impact on the site itself while getting the most out what was already available. The determining influences for the site selection were vegetation density, flood plain evasion, topography, avoiding The WPA campsite and using existing roadways on site. Osage Hills State Park
Vegetation Density
Using
Topography
Flood Plane
these variables, we determined an area in the central portion of the site just south of
Lookout Lake
best met our requirements
.
OSAGE CULTURAL CENTER
Master Plan Development
//We
set out to create a place that celebrates the historical aspects
of tribal culture but also reflects that the history to be looked at from a far. and living today.
This Duality
They
Osage
are not a point in
are a people existing, changing,
of being true to their past and looking
forward to their future became a driving force for the master
Plan. Amphitheater
Amphitheater From Major Axis
Hiking Area Entrance
Research & Housing
Monument
space
Cultural Center
Amphitheater Plan
Amphitheater Section Art Center
View Pavilion
//Duality
held at sun rise or sunset. earth.
We
Osage culture. Tribal rituals are Tribe is also composed of peoples,
plays a big part of
The
only sky and
address the suns significance by arranging spaces axially from
east to west.
Moreover,
all major building straddles the east west axis so
that they represent both the sky and the earth.
Entry Pavilion
Forth Year Studio_Fall_Project3
Cultural Center_40,000
sq ft
N _Permanent Gallery- 3775 sq ft. Houses permanent collection _Temporary Exhibit space-2600 sq ft For featured native artist or culturally relevant traveling exhibits _Theatre -7000 sq ft. Used for lectures, performances, and film _Meeting spaces -5000 sq ft. Used for conventions and various events _Gift Shop -2500 sq ft So that you’ll never forget your trip to the Osage Cultural Center _Refreshment & Reflection space - 11250 sq ft. The area is a large congregation space that has a cafÊ, public rest rooms and a panoramic view of the surrounding park.
East Elevation
OSAGE CULTURAL CENTER
First Floor Plan
Cultural Center
N
Second Floor Plan
_Permanent Gallery _Temporary Exhibit
space
_Theatre _Meeting spaces _Gift Shop _Refreshment & Reflection space
South Elevation
Forth Year Studio_Fall_Project3
Depending on how one travels thru the gallery spaces, this space can be visited at the halfway point or after seeing all of the gallery spaces. It’s designed to submerge visitors into the landscape. A cafÊ and multiple seating options act to make visitors pause and reflect upon what they have seen that day so far.
OSAGE CULTURAL CENTER
Under
Oklahoma territory that “offered no temptation to the sodbuster with his plow�. They chose the rocky hills and prairie north and east of the winding Arkansas River. It was said that one Osage went along thrusting his lance into the ground, when it failed to stick upright in the rocky soil, it was deemed adequate. Somewhere that farming would be near impossible and therefore the tribe would not be displaced yet again.
I
heavy influence from threats of violence from western moving settlers and government guidance, the
Osage
decided to find a location in
took this idea of throwing a spear
into the ground until it marks the new tribal home and incorporated it into a
The
tensile space truss system that runs down
grand hallway slopes towards
the grand hallway of the
A
Cultural Center.
central stabilizing rod on each truss is
accentuated in order to look like the tip
glazed ceiling above the
columns where water shed is collected and stored for use in the facility.
of a spear that has been thrown thru the ceiling, marking the home of the
Osage
forever
Forth Year Studio_Fall_Project3
Get Well Soon Wellness Center Boomer Road//Stillwater//Oklahoma Fourth Year Studio//Spring//Project 1
Brief Project Description // A
Program // Aquatics _Lap pool _General use pool _Locker rooms Community _Boardroom _Multipurpose room _Children’s day care Fitness _Yoga, cycle, aerobics studios _Rock climbing wall _Basketball Court _Running track _Free weights _cardio equipment _Pro shop
community wellness center
for the people of
Stillwater.
Major areas are an aquatics area, a fitness facility and a community outreach area.
The
term
“wellness”
is such an all-embracing word that it is better to define the extent that you will
utilize it and not get caught up in what it could mean. is about improvement in the life of those who use it. in body, mind and spirit. agents of wellness.
When
Their
For
It
this project’s purpose a
“wellness”
center
provides an opportunity to develop oneself
an individual travels down a path of self-improvement they become
new outlook will follow them out the doors of the facility and reverberate
throughout the community at large. can be influenced by those that do.
Even
if an individual doesn’t physically come to the center, they
Concept Search //My initial ideas revolved around translating the idea expression.
So
what do you need to begin a journey to becoming well?
Path? //Understanding you journey is pivotal. Knowing
of wellness into an architectural
where you started and where you’re going
Focus? //Immense focus is necessary in order to walk the path of wellness.
This
is the only way to identify progress on the journey.
and defined axis’ to outline nodes of interests to
Study
focus on.
uses a datum arrangement with each zone
distinguishing itself independently in order to easily navigate thru spaces and reiterate the idea of
Stillwater H.S
measuring/identifying where you are on a relative path.
Site Background _North side of Stillwater _East of Boomer Road and south of Lakeview Road. _Close proximity to Boomer Lake _Close to Stillwater High School _Wooded creek and bike path on east side site _West side of site along major road
of
study uses building height
STILLWATER WELLNESS CENTER
Conclusion // I decided that the ideas of transition, focus or path independently could not exemplify the notion of wellness.
Each
individual study influenced the resulting design.
than one of these ideas alone.
The
Wellness
is something that is bigger
many roads leading to wellness rely on being of sound mind first.
A
sound mind focuses on a path that transcends their current state of being into something greater.
Transition? //Going from a state of unwell to well. This
Early Zoning
and
Development
study revolved around getting in a different state of mind as you arrive and go inside of the facility. It’s about removing yourself from the stresses of life and getting well.
The
precession works as a series
of events to further remove the user from the chaos around them
Forth Year Studio_Spring_Project1
Schematic Design
Site //
//
Soccer
N
transition from the creek to developed portions of site.
fields pushed to east side of site to soften
Each
field is set at a
15
degree angle running
northeast to southwest to reduce glare for players.
The
a long vehicular precession to enforce the effect of removal from the cityscape and entering a place for self-improvement. building is set back from
Boomer Road
along
Facade // Main lobby mass clad in brightly colored metal
panels.
The
highly visible. The contrast of the entry point to the rest of the facade is used to identify the beginning of the path to wellness. color choice was made to make entrance
South Elevation
STILLWATER WELLNESS CENTER
Plan // A strong axial organization is used in
//
plan.
Views
centralized
out from major spaces
are focused inward into a meditation courtyard.
North_South Section
Forth Year Studio_Spring_Project1
Design Development
N
Site // Addition necessary parking spaces added // Parking segmented to better service varying site functions
//
Road pushed to west edge of site to not impede viewing
corridor opened for aquatics and fitness area
Facade // Materials edited for major nodes of interest in
// //
facility to convey a holistic architectural expression
Sun control devices added Masses rework to be more
balanced in related
volumes and geometries
Entrance
South Elevation
STILLWATER WELLNESS CENTER
Plan // Lobby shifted to better act as a control point
Pool Equip
//
Aquatics Area
//
Electrical
HVAC
Strong
axial organization reinforced by
nodal points of distribution
Running
track mezzanine shifted from
above the cardio and free-weights area
to area above gymnasium.
Mezzanine Level Running Track
Locker Rooms
UP
Rock Climbing Area Facility Office Area
DN
DN
Child Play Area Cardio Lobby
UP
MultiPurpose Room
Mech.
Free Weights
Board Room
Pro Shop
YoGa Studio
CyCle Studio Aerobics Studio
Courtyard
Gymnasium
East Elevation
Forth Year Studio_Spring_Project1
Gymnasium Detailed Section
STILLWATER WELLNESS CENTER
Gymnasium Detail Drawings
Louver Detial //Louver designed to be used vertically on east faรงade and horizontally over glazed ceiling of major north-south axis in building.
Rail head detail //At the head of each girder, the handrail and guardrail sections are pinned between steel plate sections.
The
tension rod
that supports the outside edge of the track is also pinned between the two steel plate sections.
Iso Detail //Running track supported by girder system
Girder detail //Girder composed of two steel plates bolted together with a wood spacer. Girder foot mounts to reinforced concrete column
that intergrades into railing to create a clean form.
HVAC
return ducts tucked
under track to reduce clutter in gymnasium space.
Forth Year Studio_Spring_Project1
Wolf Point Bend Mixed Use Highrise Wolf Point//Chicago//Illinois Fifth Year Studio//Fall//Project 2
Design Team| Mark Davis_Nick Hudacko_Trevor LaBrosse_Jay LaVarnway_Connor Tapscott_Spencer Williams
Brief Project Description // Mixed
_High end retail zone _Plant life conservation _Vertical farm _Winter garden _Two restaurants _Residential units
use high rise that
fluidly integrates into its surrounding; providing a point of interest that follows in the footsteps of innovation that define
Chicago’s
Program //
identity as a
area
unique urban environment and marrying sustainable principles with already established urban values.
To
build in a dense environment there must first be an establishment of what makes the specific
environment unique.
Chicago is an assimilation of enormous buildings that have a distinct emphasis on structural aesthetics. Amongst these structural giants, greens cape softens the harsh edges and engages humans on their own scale. To be successful in an urban environment, a project must provide as much programming as possible without being overly intrusive on its neighbors while engaging the people who interact with it on a daily basis.
Design Logic // There were two driving ideas that influenced the design of the wolf point project. The first was to establish a new sustainable icon for the Chicago skyline that maintains a symbiotic connection with the urban fabric. project.
This
We
zone includes educational areas to learn about growing food in nontraditional fashions, a rooftop winter garden, and working farms that
produces eatables for two onsite restaurants and building residents.
Chicagoans
introduced an urban farming element that accounts for about one third of the overall
A
high end retail zone fulfills a deficiency in the neighborhood but also exposes more
to the benefits of urban food production.
// The second was to maximize green space and minimize the buildings footprint in order to get as much use out of the site as possible. The ground plane
needed to be as dynamic as possible while emphasizing a connection with the surroundings. this part of downtown
Chicago,
This
decision was made no only because of a lack of green space in
but because there is currently a long term plan being implemented along
wanted to become a dominate feature of.
WOLF POINT BEND
Chicago’s
river front to create a river walk that we
Form // We wanted to establish a form that was distinctly Chicago. The Hancock Building, The Sears Tower and the various bridges that cross
Chicago River provided inspiration. The lesson taken from these examples was to utilize a simple geometry to create an expressive structural element. Another goal that influenced the form was to create a geometry that influenced the site development. The prominence of the site demanded as much attention to the ground plane as to the built structure that the form itself must reflect an appropriate integration. the
Fifth Year Studio_Fall_Project2
Site Development // The first obstacle to address for the Wolf Point was a substantial grade change. The north side is at street grade and the south side is about twenty feet below that where the site meets the
Chicago River. To
address such a substantial grade change, two plaza areas were established.
plaza located on the north side at street level and one plaza on the south side at river level.
The north plaza defines a formal entrance for a retail Point includes a reskinning of the adjacent building to
space we established and engages the neighboring buildings.
Part
the north.
and further reiterated the idea of blending greenscape and hardscape within an urban
A environment.
living wall revitalized an outdated
Holiday Inn
of the development at
Wolf
One
The
south plaza is less formal.
Building
upon the
notion that this would be a major node of future river walk development s, we established a park belt to define moment along the riverfront development.
The
main
focus of the site development was to balancing the existing contextual elements in an appropriate manner
(greenscape,
WOLF POINT BEND
water, hardscape, neighbors)
Fifth Year Studio_Fall_Project2
Greenscapes
Farm
Residential
Retail
Circulation
Void
Structure
WOLF POINT BEND
Retail //
Retail //
Fifth Year Studio_Fall_Project2
Vertical Farm // Within the vertical farm zone of the building there are educational areas that Chicagoans can learn more about urban farming. In addition to educational areas, there are two restaurants
Plant
,
one on the ground floor and one in the sky lobby, whose fish and produce are raised in the building itself.
conservation areas are also available to the public as well as a rooftop winter garden.
WOLF POINT BEND
Vertical Farm // The rest of the vertical farm zone is divided into nineteen working farms.
Each
farm works
independently to minimize the amount of waste it produces with a cyclical process of recycling and regeneration.
Not
only does the farm itself work
to reuse its refuse but each farm is connected to a series of housing units to make up a
“pod”. Each
pod also reclaims waste water from the residential units to be used in the farm.
Each
farm’s
HVAC
system is linked to the residential units to offset their
HVAC
necessities as needed
POD Section
Air Cycle Diagram
Fifth Year Studio_Fall_Project2
Residential Tower //
__40 penthouses __136 lofts __34 two bedroom apartments __68 one bedroom apartments
Loft Apartment
One Bedroom Apartment
WOLF POINT BEND
Fifth Year Studio_Fall_Project2
Solomon’s Porch Community Event Space Oklahoma City//Oklahoma Professional Work//Fall//2013
Brief Project Description //
Program // - Large
Prospective
Oklahoma City
connected to outdoor events space
project for area
-
church that aims to revitalize northeast
multipurpose room
by
providing a space that houses multiple functions under one
Small blackbox theatre Classrooms for adult education Virtual office spaces Coffee shop
roof.
The church building has long been used for more than just a place to hear a sermon on Sunday mornings. It serves as a meeting house, reception hall, performance venue and about every other function that could potentially serve the surrounding community. At some point it becomes necessary to build a separate space outside of the church building to perform these duties.
Providing another location serves as a second source of pride for area residents in their community. In order to have the greatest positive impact on the public at large, there must be multiple locations of reverence.
programs
Beginnings // I was fortunate enough to be approached by a contractor’s consultant company that had recently established on office in
Oklahoma City. A
church organization they were consulting wanted to build
a project somewhere on the northeast side of
Oklahoma City. This
region of the city has had very
little development over the years and the church wanted to provide a place that would supply area residents with a location they could be proud of.
In
order to achieve this goal, they needed some visual
representations of the prospective project to use for fund raising.
At
this point in the project, they
were still looking for land to purchase for the project so no information about the site was available to me.
Only
having the image shown to the right and a couple of initial meetings to get to know the
wants and needs for the project,
I
prepared drawings to the best of my abilities.
Sketch Provided By Client Client’s Requests for Project // -“Timeless” Building with modern detailing -Uses Simple materials -Multiple zones under one roof that have independent entrances. -Each zone would function as its own building, but be under one roof. -Each zone distinguished itself independent of the others
SOLOMON’S PORCH
Professional Work_Fall_2013
Early Iteration //Early study revolved around establishing a formal geometry. I
began with a very symmetrical form inspired by the sketch provided
to me by the client.
The
inefficiencies of this scheme mostly revolved
around not being able to fulfill the full wish list of the client.
Using
similar geometries for various functions would force the façade materials to differentiate zones in order to achieve the goal of independent distinction of each zone.
The
successful portion of this
scheme is the central bay that smaller spaces are organized around.
Zones of Solomon’s Porch // -Black Box theatre -Coffee Shop -Office and Class rooms -Large events space including: _Greatroom _Covered outdoor porch _Prep kitchen for catering support.
Early Massing Study //
and
SOLOMON’S PORCH
Theatre Entrance Facade //
Office Entrance Facade //
Porch Facade //
Main Entrance Facade //
Professional Work_Fall_2013
Solomon’s Porch
Polished Iteration / / The final iteration of the Solomon’s Porch project I prepared displays the most complete representation of what this project could be with the information
I
was given and the stage of development for the project.
contemporary while giving the impression of longevity. horizontally around the façade.
White
The
Material
pallet comprised of widely available products used in a manner that looks
most extensively used material on the project is a dark brick with three reveal courses running
metallic paneling is used on the roof planes and on key waypoint elements.
lobby entrance on the large central volume to emphasize its corners.
SOLOMON’S PORCH
An
ashlared stone is used to frame the main
Kitchen
BlackBox Theatre Serv.
Outdoor Porch
Great Room
Office Area
Lobby
Coffee Shop
Zone Map // The client wanted to be able to access all major spaces from the main lobby as well each having their own exterior entrance.
The
kitchen is
meant to be a preparation space used by an off site caterer. It is intended to provide food services for the outdoor porch and the grand room only.
Professional Work_Fall_2013
Main Entrance Facade // Although the primary focus of the entrance façade is to direct traffic into the lobby, a visual clue for each of the zones is present.
This
Porch Elevation
is done so that it
is easy to find your way to any building zone even if not approached from their corresponding facades.
It
The
coffee shop is also connected to the main entrance.
is located here for maximum visibility because client wanted it to become the
corner coffee shop of the complex.
Entrance Elevation Office Entrance Facade // Designed with a clean “corporate” expression in mind.
The
exterior is fairly
repetitious with a distinguished entrance.
The
deep red brick references stately
materiality while the white metal cladding of the protruding entrance addresses a more contemporary aesthetic.
Theatre Elevation
SOLOMON’S PORCH
Office Elevation
Porch Facade // The outdoor porch is intended to be used in conjunction with the
Great
room.
The
wall separating the
two spaces is a fully glazed curtain wall.
The
Office Elevation
Porch Elevation
area under
the porch is left as open to accommodate the maximum amount of potential functions
Porch Elevation
Entrance Elevation
Theatre Entrance Facade // Being a theatre, I decided to be slightly more expressive with design elements while trying to show restraint. the
A horizontal band wraps around two sides of theatre’s façade then turns down to frame entrance.
This
band then continues out from building face to form a
seating element.
Theatre Elevation Professional Work_Fall_2013