Portfolio
of
Work
Mark A Davis
Mark
Davis
2412 Butternut Place Edmond, OK 73013 arkm.davis@gmail.com 405_503_9656 //Bachelor of Architecture
Education
Oklahoma State University 2008-2013 American Institute of Architecture Students //Chapter Member 2009-2013 //5th Year Class Representative 2012-2013
A Place
and a
Stage
Outdoor Community Theatre
Simple Machine Machine
Interactive Arcade Machine
Cultural Hub
Cultural Center
Wolf Point Bend
Mixed Use High Rise
Get Well Soon
Wellness Center
Solomon’s Porch
Community Event Space
for
Osage Tribe
//Skills
Skills
Interests
Research, Master planning, Customer relations, Clerical duties, Sketching. Computer programs: Revit 2013, Adobe Design Suite CS5, AutoCAD 2013, Rhino4.0, 3ds MAX, eQuest //Interests Furniture design and fabrication, Woodworking, Jewelry design, Lamp design, Vehicle restoration.
A Place
and a
Stage
Community Theatre Boomer Lake//Stillwater//Oklahoma Third Year Studio//Fall//Project 1
Brief Project Description // Outdoor
Program // -Stage
community theatre
that provides a location for
performances
public concerts, plays and
-Backstage area -Open area for seating
other performances.
A
community theatre is a place for people to join together as equal to celebrate the drama and
grace of human expression.
It’s
a location for people to be taken away from their daily stresses
and brought into a world of fantasy. come and witness this creation. the sorts.
Design Team| Mark Davis_Chris Huber
for various
All
The
The
architecture’s purpose is to act as the beacon for all to
community itself provides the players of music, drama and all
that is required of the architecture is to provide the place and stage.
Site Selection // This project was conceived to provide the community of Stillwater a venue for musical and theatrical performances. portion of course. paths.
I
The
location for this development is at
Stillwater, Oklahoma. Surrounding
Beyond
Boomer Lake,
a small recreation lake in the northern
the lake is a park with extensive walking trails and a disk golf
the park and lake are several neighborhood communities that are linked to the park’s walking
chose a site located at the northeast edge of the lake.
This
location was chosen for two reasons:
1// The existing terrain had a gentle slope that could be utilized for outdoor seating.
This
existing site
condition reduced the need for major excavation to create a space optimal for outdoor performances.
Study // The intention behind this project was to construct with materials that are widely accessible.
A
rigid frame could be built
to create the skeleton of the performance
2// This site is located close to an established parking area.
Utilizing
existing parking further reduces the
impact of developiment for the theatre on the park or the surrounding residential area.
space.
From
there, a skin system of readily
available dimensional lumber is attached to the skeleton.
Thru
idea in mind,
came to the conclusion that
I
further studies with this
a haphazardly placed collection of lumber
Concept // The concept behind the prosective form is centered around the idea of bringing together the community.
The
thought is that even the construction
process becomes an opportunity for the community to interact.
Members
of the community can come
together and contribute to the construction no matter their skill level.
The
space becomes more special to
reiterates the concept of community.
Many
different pieces coming together to become one entity.
From
there, the basis of the next
several iterations was to establish dimension and length of the parts that would make up the skin.
As
well as skin systems, how this
object interacted with the ground was further studied.
the community because it is built by the people who will enjoy the end result.
BOOMER LAKE COMMUNITY THEATRE
Third Year Studio_Fall_Project1
Result // Since the driving force behind the concept was for the theatre to act as a beacon
and no drastic changes to the site itself were part of the equation, the form was made to be as singular as possible.
The ground. All
final product is an undulating worm that appears to be bursting
forth from the
skeletal members are
system is composed of timber
2x4’s. The
steel square tubing and the skin
point is to use the architecture to draw interest
to the performance that is happening there.
Boomer Lake Community Theatre
4x4
With
the intricate skin and slinking form, the
does all it can to make itself be seen.
BOOMER LAKE COMMUNITY THEATRE
Third Year Studio_Fall_Project1
Simple Machine Machine Interactive Arcade Machine Wondertorium//Stillwater//Oklahoma Third Year Studio//Spring//Project 3
Brief Project Description // An
arcade style device
The Children’s
Program // Four
devices that each focus on
designed and built for
a different simple machine
Wondertorium Museum to teach
_The _The _The _The
children
about simple machines and how they work.
lever screw pulley wedge
Children’s museums are designed in such a way that kids learn much more than they realize. Exhibits are made to be engaging and interactive to those who visit while conveying complex ideas about physics, anatomy, geology, design and engineering in easy to understand ways. They are meant to fan the flames of curiosity that exists within all of us. If successful, a children’s museum will serve as the origin point for a lifelong pursuit of understanding how the world works around us.
Design Team| Mark Davis_Carrie Foster_Dylan Hames_Simon Manning_Steven Raynor
Project Description //Wondertorium Children’s Museum had just been established in Stillwater and needed more exhibits for their new location. My studio class took on the challenge as a design/build project that was part of the curriculum.
After
spending a week doing research and traveling around to different interactive
museums, each student was responsible for coming up with an initial idea based on what we had learned from our research and travels.
Students
were then
grouped together based on similarities in initial idea to come up with a refined concept. these refined concepts would eventually become the built exhibits of the museum
All
the people who became part of my group had personal concepts
of a mechanical nature that stood alone as an arcade style interactive toy.
After
copious amounts of sketching and conversation we established unifying
ideas that would make up our final machine.
Solo Concept_The Gauntlet //Using a simple control system, one person would try to get a ball to travel thru a maze and to a goal.
various pitfalls and traps are scattered thru
the paths of the maze that other people can control in order to try and prevent the ball from getting to the finish line.
// Each individual component of the machine would have an intuitive i
nterface that all ages could understand
// Machine components would only utilize simple machines to achieve the
goal of ball travel
// Each component would highlight a different everyday object to inspire
children to build their own machines at home
Various
holes along the
route make the gauntlet more challenging
Trap
door to stop the ball
from reaching its goal
Control
arms act as
wedges to move the playing field.
The
playing field is built
on a hinged plane.
By
pushing the
control arms in and out, the playing field’s angle changes therefore moving the
Spring
loaded pad that throws
the ball off course
ball.
SIMPLE MACHINE MACHINE
Third Year Studio_Spring_Project3
Machine Overview //The machine has three devices that act as elevators to bring balls up from supply tubes hidden in the cabinet.
Each
elevator then deposits the ball into a series of tubes that
lead to a cascade wall where the ball falls back down to the table top where a series of pins randomizes the ball travel and deposits it into one of two holes that lead back to the supply tubes underneath the tabletop.
SIMPLE MACHINE MACHINE
Third Year Studio_Spring_Project3
Cascade wall (Lever wall) // Soda cans // Aluminum drywall corner bead // Roller blade wheel bearings // Plexiglas (reclaimed) // Desk call bell
SIMPLE MACHINE MACHINE
Wedge // Plexiglas // Flat bar // Kitchen sponges // Cereal boxes // ¼” nuts and bolts
Third Year Studio_Spring_Project3
Corkscrew // Various PVC pipes and couplings // Reclaimed vacuum hose // 3/8th ratchet driver // 2� electrical conduit brackets
SIMPLE MACHINE MACHINE
Wheel and Pulley // Yardsticks // Vacuum drive Belt // PVC reduction couplings // Lawn mower wheel
Third Year Studio_Spring_Project3
Cultural Hub
Brief Project Description // A
tribe.
Within
Cultural Center for Osage Tribe Osage Hills Park//Pawhuska//Oklahoma Fourth Year Studio//Fall//Project 3
Osage
that master plan,
a design for a
A
-Permanent Gallery space -Traveling exhibit space -Theatre -Meeting spaces -Gift Shop -CafĂŠ
master plan for the
headquarters of the
Cultural Hub
Program //
Cultural Center.
key element that displays
ancient artifacts and provides space to facilitate continuing cultural awareness of the
Osage Nation.
It
is important for a group of people to understand who they are and where they come from.
By
first understanding our history, we can use this knowledge to better analyze the current state of our culture.
It
A Cultural Center
is the crossroads of where a people have been and where they are going.
serves as a reminder that the culture is still budding.
The Osage
tribe is not a relic to look up in a
text book, but a living nation that needs to be experienced to be appreciated.
Design Team
for
Master Planning Phase| Mark Davis_Katy Harlow
Site Selection
//The site allotted for this project is located on a portion of Osage Hills State Park. Within the allotted area, there were a few existent roads and old WPA camp. Our number one goal was to minimize impact on the site itself while getting the most out what was already available. The determining influences for the site selection were vegetation density, flood plain evasion, topography, avoiding The WPA campsite and using existing roadways onsite.
Master Plan Program
_Entry Pavilion _Parking (300 standard, 20 charter bus) _Monument space _Amphitheatre _Wood, water and Garden (hiking area) _View Pavilion _Cultural Center _Research/Art Center _Housing _Service/Maintenance
Using
these variables, we determined an area in the central portion of the site just north of a
. The strong axis’ present in the master plan have historical bases in patterning found throughout Osage textiles and painting on everyday objects. The circle is also a reoccurring theme in ancient Osage culture. large body of water best met our requirements
OSAGE CULTURAL CENTER
Forth Year Studio_Fall_Project3
Cultural Center_40,000
sq ft
N _Permanent Gallery- 3775 sq ft. Houses permanent collection _Temporary Exhibit space-2600 sq ft For featured native artist or culturally relevant traveling exhibits _Theatre -7000 sq ft. Used for lectures, performances, and film _Meeting spaces -5000 sq ft. Used for conventions and various events _Gift Shop -2500 sq ft So that you’ll never forget your trip to the Osage Cultural Center _Refreshment & Reflection space - 11250 sq ft. The area is a large congregation space that has a cafÊ, public restrooms and a panoramicview of the surrounding park.
East Elevation
OSAGE CULTURAL CENTER
Cultural Center
N
First Floor Plan
Second Floor Plan
_Permanent Gallery _Temporary Exhibit
space
_Theatre _Meeting spaces _Gift Shop _Refreshment & Reflection space
South Elevation
Forth Year Studio_Fall_Project3
How the Osage Tribe ended up in this part of the country is an interesting story. They were many Native American tribes were. A story that impacted my design is about a young warrior that
forced off several different plots of land over the years as was charged with finding a new tribal home as the
being forced off their current land to make room for homesteaders moving west in search of fertile ground. stopping to throw his spear into the ground to test the soil. a spear would stick into the ground. northeast
Depending
on how one travels thru
I
Oklahoma
that the
Osage
Somewhere
If
the spear stuck, he would keep riding on.
He
It
Osage
were
is said that the warrior rode night and day, only
was looking for a place so rocky that not even
that farming would be near impossible and therefore the tribe would not be displaced yet again.
This
area in
now call home is indeed very rocky and mountainous.
took this idea of throwing a spear
the gallery spaces, this space can be visited
into the ground until it marks the new
at the halfway point or after seeing all
tribal home and incorporated it into a
of the gallery spaces. It’s designed to
The
tensile space truss system that runs down
grand hallway slopes towards
submerge visitors into the landscape.
A
the grand hallway of the
Cultural Center.
cafĂŠ and multiple seating options act to
A
make visitors pause and reflect upon what
accentuated in order to look like the tip
they have seen that day so far.
of a spear that has been thrown thru the
central stabilizing rod on each truss is
ceiling, marking the home of the
glazed ceiling above the
columns where water shed is collected and stored for use in the facility.
Osage
forever
OSAGE CULTURAL CENTER
Forth Year Studio_Fall_Project3
Wolf Point Bend Mixed Use Highrise Wolf Point//Chicago//Illinois Fifth Year Studio//Fall//Project 2
Brief Project Description // Mixed
_High end retail zone _Plant life conservation _Vertical farm _Winter garden _Two restaurants _Residential units
use high rise that
fluidly integrates into its surrounding; providing a point of interest that follows in the footsteps of innovation that define
Chicago’s
Program //
identity as a
area
unique urban environment and marrying sustainable principles with already established urban values.
To
build in a dense environment there must first be an establishment of what makes the specific
environment unique.
Chicago is an assimilation of enormous buildings that have a distinct emphasis on structural aesthetics. Amongst these structural giants, greens cape softens the harsh edges and engages humans on their own scale. To be successful in an urban environment, a project must provide as much programming as possible without being overly intrusive on its neighbors while engaging the people who interact with it on a daily basis.
Design Team| Mark Davis_Connor Tapscott_Trevor LaBrosse_Jay LaVarnway_Spencer Williams_Nick Hudacko
Design Logic // There were two driving ideas that influenced the design of the wolf point project. The first was to establish a new sustainable icon for the Chicago skyline that maintains a symbiotic connection with the urban fabric. project.
This
We
zone includes educational areas to learn about growing food in nontraditional fashions, a rooftop winter garden, and working farms that
produces eatables for two onsite restaurants and building residents.
Chicagoans
introduced an urban farming element that accounts for about one third of the overall
A
high end retail zone fulfills a deficiency in the neighborhood but also exposes more
to the benefits of urban food production.
Form // We wanted to establish a form that was distinctly Chicago. The Hancock Building, The Sears Tower and the various bridges that cross
Chicago River provided inspiration. The lesson taken from these examples was to utilize a simple geometry to create an expressive structural element. Another goal that influenced the form was to create a geometry that influenced the site development. The prominence of the site demanded as much attention to the ground plane as to the built structure that the form itself must reflect an appropriate integration. the
// The second was to maximize green space and minimize the buildings footprint in order to get as much use out of the site as possible. The ground plane
needed to be as dynamic as possible while emphasizing a connection with the surroundings. this part of downtown
Chicago,
This
decision was made no only because of a lack of green space in
but because there is currently a long term plan being implemented along
Chicago’s
river front to create a river walk that we
wanted to become a dominate feature of.
WOLF POINT BEND
Fifth Year Studio_Fall_Project2
Site Development // The first obstacle to address for the Wolf Point was a substantial grade change. The north side is at street grade and the south side is about twenty feet below that where the site meets the
Chicago River. To
address such a substantial grade change, two plaza areas were established.
plaza located on the north side at street level and one plaza on the south side at river level.
The north plaza defines a formal entrance for a retail Point includes a reskinning of the adjacent building to
space we established and engages the neighboring buildings.
Part
the north.
and further reiterated the idea of blending greenscape and hardscape within an urban
A environment.
living wall revitalized an outdated
Holiday Inn
of the development at
Wolf
One
The
south plaza is less formal.
Building
upon the
notion that this would be a major node of future river walk development s, we established a park belt to define moment along the riverfront development.
The
main
focus of the site development was to balancing the existing contextual elements in an appropriate manner
(greenscape,
WOLF POINT BEND
water, hardscape, neighbors)
Fifth Year Studio_Fall_Project2
Greenscapes
Farm
Residential
Retail
Circulation
Void
Structure
WOLF POINT BEND
Retail //
Retail //
Fifth Year Studio_Fall_Project2
Vertical Farm // Within the vertical farm zone of the building there are educational areas that Chicagoans can learn more about urban farming. In addition to educational areas, there are two restaurants
Plant
,
one on the ground floor and one in the sky lobby, whose fish and produce are raised in the building itself.
conservation areas are also available to the public as well as a rooftop winter garden.
Vertical Farm // The rest of the vertical farm zone is divided into nineteen working farms.
Each
farm works
independently to minimize the amount of waste it produces with a cyclical process of recycling and regeneration.
Not
only does the farm itself work to
reuse its refuse but each farm is connected to a series of housing units to make up a
“pod”. Each
pod also
reclaims waste water from the residential units to be used in the farm.
Each
the residential units to
farm’s
HVAC system is linked to offset their HVAC necessities
as needed
WOLF POINT BEND
Fifth Year Studio_Fall_Project2
Residential Tower //
__40 penthouses __136 lofts __34 two bedroom apartments __68 one bedroom apartments
UP
UP
WOLF POINT BEND
Fifth Year Studio_Fall_Project2
Get Well Soon
Brief Project Description // A
Wellness Center Boomer Road//Stillwater//Oklahoma Fourth Year Studio//Spring//Project 1
community wellness center
for the people of
Stillwater.
Major areas are an aquatics area, a fitness facility and a community outreach area.
The
term
“wellness”
is such an all-embracing word that it is better to define the extent that you
will utilize it and not get caught up in what it could mean.
For this project’s purpose a “wellness” center is about improvement in the life of those who use it. It provides an opportunity to develop oneself in body, mind and spirit. When an individual travels down a path of self-improvement they become agents of wellness. Their new outlook will follow them out the doors of the facility and reverberate throughout the community at large. Even if a citizen doesn’t physically come to the center, they can be influenced by those that do.
Program // Aquatics _Lap pool _General use pool _Locker rooms Community _Boardroom _Multipurpose room _Children’s day care Fitness _Yoga, cycle, aerobics studios _Rock climbing wall _Basketball Court _Running track _Free weights _cardio equipment _Pro shop
Concept Search //The initial idea was to translate this notion of wellness into an architectural expression. Using
Conclusion //Each individual study influenced the resulting design. I decided that the ideas of transition, focus or path independently could not exemplify the notion of wellness.
examples that come from walking a path to wellness and developing an idea based around
that example.
something that is achievable by just one avenue. of sound mind first.
Path //Understanding you journey is pivotal.
Knowing where you started and where you’re going is the only way to identify progress on the journey. Study
Focus //Immense focus is necessary in order to walk the path of wellness.
This
study uses building height and
defined axis’ to outline nodes of interests to focus on.
Transition //Going from a state of unwell to well. This study
A
The
Wellness
is not
many roads leading to wellness rely on being
sound mind focuses on a path that trancends their current state of being in
order to furthur personal wellness.
revolved around getting in a different state of mind as you arrive and go inside of the facility. It’s about removing yourself from the stresses of life and getting
uses a datum arrangement with each
well.
The
zone distinguishing itself independently in
further remove the user from the chaos around them
precession works as a series of events to
order to easily navigate thru spaces and reiterate the idea of measuring/identifying where you are on a relative path.
Site Background
_North side of Stillwater _East of Boomer Road and south of Lakeview Road. _Close proximity to Boomer Lake _Close to Stillwater High School _Wooded creek and bike path on east side of site _West side of site along major road
STILLWATER WELLNESS CENTER
Forth Year Studio_Spring_Project1
Schematic Design
Site //
//
Soccer
transition from the creek to developed portions of site.
fields pushed to east side of site to soften
Each
field is set at a
15
degree angle running
northeast to southwest to reduce glare for players.
The
a long vehicular precession to enforce the effect of removal from the cityscape and entering a place for self-improvement. building is set back from
Boomer Road
along
Stillwater Wellness Center Be Well
Plan // A strong axial organization is used in
//
plan.
Views
centralized
out from major spaces
are focused inward into a meditation courtyard.
Site Plan: 1/50=1 Ft
Facade // Main lobby mass clad in brightly colored metal
panels.
The
highly visible. The contrast of the entry point to the rest of the facade is used to identify the beginning of the path to wellness. color choice was made to make entrance
STILLWATER WELLNESS CENTER
Forth Year Studio_Spring_Project1
Design Development
Plan // Lobby shifted to better act as a control point // Strong axial organization reinforced by nodal points
// Site // Parking reworked to include addition necessary spaces // Viewing corridor opened for aquatics and fitness area
of distribution
Running
track mezzanine shifted from above the
cardio and free-weights area to area above gymnasium.
Locker Rooms Community Area Aquatics Facade // Materials edited for major nodes of interest in
// //
facility to convey a holistic architectural expression
Sun control devices added Masses rework to be more
balanced in related
Fitness Admin
volumes and geometries
STILLWATER WELLNESS CENTER
Forth Year Studio_Spring_Project1
Gymnasium Detailed Section
Mezzanine Level Detail Drawings
Axio Detail //Running track supported
Girder detail //Girder composed of two
Louver Detial //Louver designed to be used
Rail head detail //At the head of each girder,
by girder system that intergrades
steel plates bolted together with a
vertically on east faรงade and
the handrail and guardrail
into railing to create a clean
wood spacer.
horizontally over glazed ceiling of
sections are pinned between steel
form.
to reinforced concrete column
major north-south axis in building.
plate sections.
HVAC
return ducts tucked
Girder
foot mounts
The
tension rod
under track to reduce clutter in
that supports the outside edge of
gymnasium space.
the track is also pinned between the two steel plate sections.
STILLWATER WELLNESS CENTER
Forth Year Studio_Spring_Project1
Solomon’s Porch Community Event Space Oklahoma City//Oklahoma Professional Work//Fall//2013
Brief Project Description //
Program // - Large
Prospective
Oklahoma City
connected to outdoor events space
project for area
-
church that aims to revitalize northeast
multipurpose room
by
providing a space that houses multiple functions under one
Small blackbox theatre Classrooms for adult education Virtual office spaces Coffee shop
roof.
The church building has long been used for more than just a place to hear a sermon on Sunday mornings. It serves as a meeting house, reception hall, performance venue and about every other function that could potentially serve the surrounding community. At some point it becomes necessary to build a separate space outside of the church building to perform these duties.
Providing another location serves as a second source of pride for area residents in their community. In order to have the greatest positive impact on the public at large, there must be multiple locations of reverence.
programs
Beginnings // I was fortunate enough to be approached by a contractor’s consultant company that had recently established on office in
Oklahoma City. A
church organization they were consulting wanted to build a
project somewhere on the northeast side of
Oklahoma City. This
region of the city has had very little
development over the years and the church wanted to provide a place that would supply area residents with a location they could be proud of.
In
order to achieve this goal, they needed some visual representations of the
prospective project to use for fundraising.
At
this point in the project, they were still looking for land to
purchase for the project so no information about the site was available to me.
Only
having the image shown
to the right and a couple of initial meetings to get to know the wants and needs for the project,
I
prepared
drawings to the best of my abilities.
Client’s Requests for Project // -“timeless” Building with modern detailing -Uses Simple materials -Multiple zones under one roof that have independent entrances. -Each zone would function as its own building, but be under one roof. -Each zone distinguished itself independent of the others
SOLOMON’S PORCH
Professional Work_Fall_2013
early Iteration
//Early study revolved around establishing a formal geometry. I began with
a very symmetrical form inspired by the sketch provided to me by the client.
The
inefficiencies of this scheme mostly revolved around not being able to fulfill the full wish list of the client.
Using
similar geometries for various functions would force
the façade materials to differentiate zones in order to achieve the goal of independent distinction of each zone.
The
successful portion of this scheme is the central bay that
smaller spaces are organized around.
SOLOMON’S PORCH
Zones of Solomon’s Porch // -Black Box theatre -Coffee Shop -Office and Class rooms -Large events space including:
_Greatroom _Covered outdoor porch _Prep kitchen for catering support.
and
Professional Work_Fall_2013
Theatre Entrance Facade //
Office Entrance Facade //
SOLOMON’S PORCH
Porch Facade //
Main Entrance Facade //
Professional Work_Fall_2013
Solomon’s Porch
Polished Iteration / / The final iteration of the Solomon’s Porch project I prepared displays the most complete representation of what this project could be with the information
I
was given and the stage of development for the project.
contemporary while giving the impression of longevity. horizontally around the façade.
White
The
Material
pallet comprised of widely available products used in a manner that looks
most extensively used material on the project is a dark brick with three reveal courses running
metallic paneling is used on the roof planes and on key waypoint elements.
An
ashlared stone is used to frame the
main lobby entrance on the large central volume to emphasize its corners.
Kitchen
BlackBox Theatre Serv.
Outdoor Porch
Great Room
Office Area
Lobby
Coffee Shop
Zone Map // The client wanted to be able to access all major spaces from the main lobby as well each having their own exterior entrance.
The
kitchen is
meant to be a preparation space used by an offsite caterer. It is intended to provide food services for the outdoor porch and the grand room only.
SOLOMON’S PORCH
Professional Work_Fall_2013
Lobby
Porch Facade // The outdoor porch is intended to be used in conjunction with the
Great
room.
The
Office Elevation Theatre
wall separating the
two spaces is a fully glazed curtain wall.
The
is to direct traffic into the lobby, a visual clue for each of the zones is present.
area under
the porch is left as open to accommodate the maximum amount of potential functions
Main Entrance Facade // Although the primary focus of the entrance façade
Grand Room
Offices & Offices Classroom & Classroom
This
Porch Elevation Porch Elevation
is done so that it is easy to
find your way to any building zone even if not approached from their corresponding facades.
The
coffee shop is also
connected to the main entrance. It is located here for maximum visibility because client wanted it to become the corner coffee shop of the complex.
Service Dock
Kitchen
Office Entrance Facade // Designed with a clean “corporate” expression in
Theatre Entrance Facade // Being a theatre, I decided to be slightly more
mind.
The exterior is fairly repetitious with a distinguished entrance. The deep red brick references stately materiality
expressive with design elements while trying to show restraint.
while the white metal cladding of the protruding entrance addresses a more contemporary aesthetic.
the
Outdoor Porch Outdoor Porch
Office Elevation
SOLOMON’S PORCH
Entrance Elevation Entrance Elevation
Porch Elevation
A horizontal band wraps around two sides of theatre’s façade then turns down to frame entrance.
This
band then continues out from building face to form a
seating element.
Theatre Elevation Theatre Elevation Professional Work_Fall_2013