3
1
Jonathan Barnbrook
BRODY 2
NEVILLE BRODY
1. Computer screen expands on.
Proved that type could be 4
Expressive in the digital Age
2. Other computer screens expand on.
Proved that type could be
BRODY
Jonathan Barnbrook
Expressive in the digital Age
NEVILLE BRODY
3. Digital information travels out of computers. Computers exit.
Influences
6. Information rotates.
Influences
5. Cursors fill out information.
Lettering around London
British typographers like Eric Gill and Edward Johnston
Barnbrook
o o
4. Lines form flat cursors.
Lettering around London
British typographers like Eric Gill and Edward Johnston
Barnbrook
o o
Mark Delboy | Project 2 | October 27, 2015 | 1
o
o
o
Inspirated from ancient Greek and Roman stone-carved letters
1
o
o Connotes aggression as well as precision and beauty
7. Cursor expands to make window.
BRODY
o
BRODY
o
Exocet
Exocet
2
8. Other windows expand on.
9. Windows minimize
o
o o o
11. Information is added on via cursor.
o
o
10. Windows rotate/expand in 3D space.
12. Windows expand rotate.
Mark Delboy | Project 2 | October 27, 2015 | 2
1
BRODY
2
3
4
13. Windows compact into computer screens.
British Punk & Political Culture European Design
15. Information swipes through screen from top (1) or left (2-4).
14. Other computer screens expand on.
InDustria
Arcadia
Insignia
s
B
16. Screens rotate.
Influences
17. Digital information travels out of computers. Computers exit.
18. Lines expand down. Cursor fills out typeface names.
Mark Delboy | Project 2 | October 27, 2015 | 3
Their Process
InDustria
Arcadia
Insignia
Arcadia InDustria
BRODY
Insignia
Arcadia InDustria
All hand drawn typefaces for magazines All hand drawn typefaces for magazines Later digitized for the Linotype foundry. Later digitized for the Linotype foundry.
19 Highlight typeface name and drop down
adia ustria
Arcadia InDustria
22. Information flies are screen.
23. Scrolling grid. Cursor types information.
BRODY
21. Scrolling grid. Cursor types information.
20. Lines exxpand out to grid, items push off and screen rotates.
Their Success suggest contemporary type design should adopt fine art methods
Is closer to fine artists than typographers
Arcadia InDustria
24. Information flies are screen.
Mark Delboy | Project 2 | October 27, 2015 | 4
25. Animation screen collapses like screen turning off.
Mark Delboy | Project 2 | October 27, 2015 | 5
Jonathan BARNBROOK Neville BRODY 1. Names of designers float large on screen.
PROVED
that type could be
BRODY
BRODY 3. Zoom through multiple layers
2. Zoom into letter “D”
PROVED
that type could be
EXPRESSIVE in the
digital Age
4. Text slides in. Box pops in. ‘+’ spin in.
5. Text slides in. Second box pops in. Dotted lines connect.
6. Items rotate out.
Mark Delboy | Project 2 | October 27, 2015 | 1
BRODY
Both are
Both are
7. Information rotates in from left.
Ba
rn
B
BRITISH
TYPOGRAPHERS
8. Information rotates in from right.
Ba
rn
B
BRODY 9. Items flip out.
B
Pulls influence from Stone Lettering
10. Title slides in.
and British Design
11. Words slide in from left. “Stone Lettering” pops up.
12. Items rotate out. And letter “B” rotates in.
Mark Delboy | Project 2 | October 27, 2015 | 2
B
rody
B
B BRODY
rody admired punk culture
rody
BRODY
and European Design
admired punk culture and European Design
13. Name fills out.
14. Information slides in from left.
Both DESIGNERS ARE Postmodernists 16. Information slides from left.
15. Information slides out.
BARNBROOK
used Pastiche
17. Zoom through multiple layers
18. Letters slide in. Box pops out. Words assemble below.
Mark Delboy | Project 2 | October 27, 2015 | 3
Blur
BRODY
BARNBROOK
used Pastiche
While
BRODY
BRODY
20. Letters slide in. Box pops out.
typeface
BRODY used
deconstruction 22. Information flips out.
deconstruction
21. Blur typeface blurs.
Their Processes WERE CLOSER to fine ARTISTS
Blur While
BRODY used
deconstruction
19. Words form typeface name.
typeface
While
used
typeface
Blur
23. Zoom through multiple layers
24. Information slides from left.
Mark Delboy | Project 2 | October 27, 2015 | 4
Current TYPE DESIGN Should use FINE ART PROCESSES 25. Zoom through multiple layers.
26.
Mark Delboy | Project 2 | October 27, 2015 | 5