

THESTATEWE’REIN NANCYCOHEN
Onthecover:
"TheStateofThings”
“We’reinastate—it’sunavoidable.Welookin,weworry.Welookout, weworrymore,”Cohensays.
Nancy Cohen’s unconventional drawings, drawn with paper pulp and fritted glass, find their origin in her move to Jersey City in the 1980s. Alongtheshoreandwaterways,theevergreenvegetationthrivingamid industrialwastesparkedCohen’senvironmentalawareness.Waterways,as subject and imagery, draw from personal experience and recur in her workassymbolsofnature'sabilitytoendureadversity.
In "The State We're In," Cohen pursues the theme of survival, environmentallyandpersonally.Cohendescribesherprocessas“thinking with her hands.” Concerns outside the studio and challenges within are explored through physically pushing the boundaries of paper and glass. Thematerialsserveascollaboratorsandprovocateurs,wherefusedglass objects or a handmade paper are repurposed as source material and inspiration for later works. Cohen’s choices of materials and processes challengenotionsoffragilityandresilience.Likefrittedglassundergoing transformationinakiln,Cohen’sworkfocusesonstrengthandbeautyin thestruggleforsurvival.
“NancyCohenholdsaBFAfromtheRochesterInstituteofTechnology andanMFAfromColumbiaUniversity.Throughouthercareer,shehas receivednumerousawardsandresidencies,including6fellowshipsfrom theNewJerseyStateCouncilontheArts.
Cohen has been the recipient of various awards, such as the Pollock KrasnerFoundationGrantandtheYaddoArtistResidency.Mostrecently shewastherecipientoftheStudioResidencyGrantatWomen’sStudio Workshop and a Fellowship at MacDowell in 2023 where many of the drawingsinthisshowbegan.Shehasalsobeenanartist-in-residenceat prestigiousinstitutionsliketheWheatonArtsandtheStudioatCorning. Herworkisincludedinseveralpublicandmuseumcollections,suchas theYaleUniversityArtGallery,theNewJerseyStateMuseum,andthe Hudson County Community College. This is Cohen’s fourth solo exhibitionwiththegallery.

“TheSoundofRain,”2023 paperpulpandhandmadepaper
54x52in.



“Like
VeinsPassingThrough
LayersofEarth,”2022 paperpulpandhandmadepaper
58x40in.


53x35in.
54x38in.
“MakeVisible,”2022 paperpulpandhandmadepaper “TopographyoftheBody,”2022 paperpulpandhandmadepaper


“CoursedThrough,”2023 paperpulpandhandmadepaper
46x40in.



“MemoryofaBody,”2023-24 glassandwire


metal,glass,pigmentandhandmadepaper
15
25x8x5in.
“FireandIce,”2023 glass x7x3in. “Recalibration,”2023-24
“NewWaysofConnecting,”2023-24

“The

“On
14x11x3in.
10x10x2in.
FeeloftheMaterial,”2023 glass,metalandhandmadepaper theVergeofBecoming,”2023-24 glass,wire,andmetalchain
“LevelsofContainment,2023-24
glass,sand,pigment,wireandhandmadepaper
11x23x3in.

“ApproachingTheTree,”2023-24 glass,pigment,metal,
andwire

“TheStateofThings,”2023 glass








