THESTATEWE’REIN NANCYCOHEN
Onthecover:
"TheStateofThings”
“We’reinastate—it’sunavoidable.Welookin,weworry.Welookout, weworrymore,”Cohensays.
Nancy Cohen’s unconventional drawings, drawn with paper pulp and fritted glass, find their origin in her move to Jersey City in the 1980s. Alongtheshoreandwaterways,theevergreenvegetationthrivingamid industrialwastesparkedCohen’senvironmentalawareness.Waterways,as subject and imagery, draw from personal experience and recur in her workassymbolsofnature'sabilitytoendureadversity.
In "The State We're In," Cohen pursues the theme of survival, environmentallyandpersonally.Cohendescribesherprocessas“thinking with her hands.” Concerns outside the studio and challenges within are explored through physically pushing the boundaries of paper and glass. Thematerialsserveascollaboratorsandprovocateurs,wherefusedglass objects or a handmade paper are repurposed as source material and inspiration for later works. Cohen’s choices of materials and processes challengenotionsoffragilityandresilience.Likefrittedglassundergoing transformationinakiln,Cohen’sworkfocusesonstrengthandbeautyin thestruggleforsurvival.
“NancyCohenholdsaBFAfromtheRochesterInstituteofTechnology andanMFAfromColumbiaUniversity.Throughouthercareer,shehas receivednumerousawardsandresidencies,including6fellowshipsfrom theNewJerseyStateCouncilontheArts.
Cohen has been the recipient of various awards, such as the Pollock KrasnerFoundationGrantandtheYaddoArtistResidency.Mostrecently shewastherecipientoftheStudioResidencyGrantatWomen’sStudio Workshop and a Fellowship at MacDowell in 2023 where many of the drawingsinthisshowbegan.Shehasalsobeenanartist-in-residenceat prestigiousinstitutionsliketheWheatonArtsandtheStudioatCorning. Herworkisincludedinseveralpublicandmuseumcollections,suchas theYaleUniversityArtGallery,theNewJerseyStateMuseum,andthe Hudson County Community College. This is Cohen’s fourth solo exhibitionwiththegallery.
“TheSoundofRain,”2023 paperpulpandhandmadepaper
54x52in.
“Breach,”2023 paperpulpandhandmadepaper 52x40in. “Cleave,”2023 paperpulpandhandmadepaper 52x36in.“Like
VeinsPassingThrough
LayersofEarth,”2022 paperpulpandhandmadepaper
58x40in.
53x35in.
54x38in.
“MakeVisible,”2022 paperpulpandhandmadepaper “TopographyoftheBody,”2022 paperpulpandhandmadepaper “Disturbance,”2022 paperpulpandhandmadepaper 56x38in. “Trapeze,”2023 paperpulpandhandmadepaper 56x41in.“CoursedThrough,”2023 paperpulpandhandmadepaper
46x40in.
“Disturbance,”2022 paperpulpandhandmadepaper 56x38in. “TheTiesthatBind,”2023 paperpulpandhandmadepaper 56x40in.“MemoryofaBody,”2023-24 glassandwire
metal,glass,pigmentandhandmadepaper
15
25x8x5in.
“FireandIce,”2023 glass x7x3in. “Recalibration,”2023-24“NewWaysofConnecting,”2023-24
“The
“On
14x11x3in.
10x10x2in.
FeeloftheMaterial,”2023 glass,metalandhandmadepaper theVergeofBecoming,”2023-24 glass,wire,andmetalchain“LevelsofContainment,2023-24
glass,sand,pigment,wireandhandmadepaper
11x23x3in.
“ApproachingTheTree,”2023-24 glass,pigment,metal,
andwire
“TheStateofThings,”2023 glass