Markus Hanning Portfolio Eng by Markus Hanning

PORTFOLIO Markus Hanning

www.markushanning.com

MARKUS HANNING Ume책 School of Architecture, Ume책 University, 2011-2014

PROJECTS Dance Space - year 1, 2012 - individual project Sandahöjd Dwelling Project - year 2, 2012 - individual project Umeå Food Market - year 2, 2013 - individual project Public Retreats - year 3, 2013 - individual project Structural Workshop - year 1, 2012 - group project Ålidhem Centrum Mapping - year 3, 2013 - group project Poster Layouts - year 3, 2014 - individiual work Camelot Research & Visitors Center - spring 2013 - group project

CAPOEIRA DANCE SPACE

The choice of dance for this project was capoeira, a mix of martial arts and dance with Brazilian origin. It is performed in a circle called a roda, surrounded by a cheering audience. Two capoeria artists at a time move graciously around each other, collaborating to achieve a fluent performance. Takedowns is quite uncommon and is used as a way to test one’s skills, e.g. when a Mestre (Master) dances with his student. The pace of the music played during a game of capoeria decides the speed of the dancers’ moves, and differs from slow and peaceful to an aggresive, quickly moving hurricane. A few key points were the drivers throughout the process;

1st YEAR, SPRING 2012 Individual project Assignment: Choose a type of dance. Design a space suited for the dance to be exercised.

Movement diagram

practise space

Handcrafted coneceptual model

balcony

roda

the lightness of the dancers moves, the continous flow of their moves and the repetetive, almost hypnotic, rhythm of the music. The Capoeria Dance Space is a sheltered oudoor pavilion aiming to attract people with glimpses into the space during day-time, and a playful lighting during night-time. It wants to encourage spontaneous dance. A light-feel wood is used together with glass throughout the project, arranged in a way inspired by the music’s rhytm. During this project models were the most important tool.

Moving through the space towards the roda

Facade facing square

Developed handcrafted conceptual model; showing multiple entrances, glimpses into the space and materiality

SANDAHÖJD DWELLING PROJECT Sandahöjd, Umeå

2nd YEAR, FALL 2012 Individual project Assignment: Create a scenario for two groups with a total of seven people. Design a dwelling for them at the given site.

Starting model

The scenario for this project consisted of two different groups of people with a common interest; art. • Group 1: Four outgoing young artists wanting to be able to make a living out of their art. They need a studio and a gallery to show and sell their works. • Group 2: Three seniors. They are the landlords and administrate the gallery. Prefers to spend time by themselves. The site, at Sandahöjd in Umeå, is located on the verge between city and forest. Immediately next to the site is a pedestrian walk, and across the road lies a cem-

Mid-term model

Final model

etary and a church. With a desired expression to seem carved from the bedrock, the project has a low profile, both in it’s height and it’s material. This provides for a smooth transition between the city and the woods, and pays deference to the nearby cemetary. However, the idea is to make passerbys curious of the art produced in the studio, and invite them inside to achieve an intimate relation between the artists and the visitors. During this project I put emphasis on improving my drawing skills.

Floor 1 - Public foot- & bikepath, studio/gallery, common courtyard and artists’ dwelling

Floor 2 - Seniors’ dwelling

Interior perspective from artists’ living room

Common courtyard

Public foot- & bikepath

Artists’ studio

Dwellings

UMEÅ FOOD MARKET Västra Strandgatan, Umeå 2nd YEAR, SPRING 2013 Individual project Assignment: Place the food market at the given site around Kyrkbron (Church Bridge). Include both an indoor and an outdoor part of the market, make it accessible for cars and arrange the interior spaces according to your preferences.

At a delicate site in Umeå, right below the late 19th century Umeå City Church, the Food Market is placed. It replaces the current exit from the bridge, running in front of the church. It aims to increase the visual connection between the church and the river, and lessen the domination of car traffic in the area. The Food Market is divided into four different parts: • The main market hall • A café • An outside market, located between the main market and the café • A narrow, more intimate market. Open on longer hours than the main market. With most of the facades being closed, the market wants to put focus on the activities going on in- and outside, and shield it’s visitors from the unattractive view of the adjacent bridge.

Spatial concept

The food market in relation to the church and the bridge; strenghtened visual connection church-river, maintained unbroken sight-line bridge-church

Idea of market stalls arrangement; low walls enhances the experience of the wide inside space

Offices

Narrow market

Main market hall

CafĂŠ

Outside market

View from river walk

Sight-lines

View from church, directed through the market to the river

1:500 model

Eastern entrance

Early sketch

Offices Key model during development

Main market

Eastern entrance (narrow market)

Developing facades

Roof construction principle to allow for a large open, uninterrupted inside space

PUBLIC RETREATS Dharavi, Mumbai, India 3rd YEAR, FALL 2013 Individual mapping Assignment: At the given site in the slum Dharavi, find a topic of interest. Carry out a mapping of your topic, gather sufficient material to illustrate the situations.

The streets of Dharavi are vivid and crowded. Playing children share the limited space with large trucks and animals, market stalls are placed right next to garbage dumps. Where along these streets do people go when they want to slow their pace down, but still don’t leave the public realm? This mapping was carried out to get an understanding of these spaces. A broader documentation were done, aswell as a deeper analysis of key locations. These key locations differed in atmosphere and in the people who used them. They were located close to each other in an interesting sequence. Public Retreats aims to depict and tell a story of a street in Dharavi.

café Section showing café and it’s relation to the connecting street

A-A View to street from inside of the café

Mahalaxmi Chai Tea Café

Police Station

Hindu Temple

B-B

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STRUCTURE WORKSHOP 1st YEAR, SPRING 2012 Group project, participating: Joakim Åberg Felicia David Reppen Jenny Lindberg Markus Hanning Assignment: Explore the forces of tension and compression in models.

Fabric working in tension, keeping the structure in place

Joint without glue

Our goal with these models were to minimize the use of glue, or preferably not us it at all. Materials used were wood, cardboard, fabric and strings. The process consisted of sketching and model making. My contribution was primarily in the making of the models.

ÅLIDHEM C MAPPING

3rd YEAR, FALL 2013 Group mapping, participating: Daniela Lamartine Andreas Häggblom Markus Hanning Assignment: Map the activities at the Ålidhem Centrum back entrance. Present one slide each.

Strings in tension working together with pillars in compression

The Ålidhem Centrum is a small shopping mall with a lifeless backside. We mapped ownership and movement on the site to illustrate the circumstances of the situation. My slide is the big one to the right.

Movement in the area

A-A Usage of space Pedestrians & bicycles

Cars

Parking cars & bikes

Ownership in the area Diรถs

Bostaden

Municipality

Public space

Bharat Mata Health Club, Dharavi, India

A shaded, introvert space to excerise, probably with the same people over and over again. Escaping reality for an hour, a habit, a part of your identity.

1:200

2. 5. 1.

1:200

.3 2.

W H AT M A K E S

RETREAT?

E SCAPE FROM REA LI T Y - IDE NTI T Y - HABI T

Community centre near Avelgem, Belgium Dierendonck Blancke A place for recreation; open ground ďŹ&#x201A;oor with cafĂŠ, enclosed spaces for activities. Possibility to escape reality for a while.

1:1000

Stockholm Olympic Stadium Torben Grut

1:200

A football game, a habit; the same people gather again and again in a closed of area, exluding non-fans. Identity are created through a sense of belonging.

1:200

1:400

Markus Hanning - UMA3

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Former ﬁshermen Village feeling Deeply established community

Koliwada

Chamda Bazaar Dominated by Muslims and migrants from northern India One of the densest parts of Dharavi Leather industries

Pete P er Pa Pan n Ga G ard r en

• • •

• •

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Muslim Nagar Dominated by Muslims, but also Hindu residents Very high density of buildings Well developed community feel

Kalakilla Dominated by Hindus Lots of chawls

5 min

1. Stage 25m2 2. Painting Studio 60m2 3. Music Studio 60m2 4. Dance Hall 60m2 5.Theatre Hall 60m2 6. Library 60m2

Total 615m2

7. Outside Reading/Retreat 100m2 8. Ofﬁce 30m2 9. Instructors’ Dwellings 4x40m2

The Cultural Center is the core of a new cultural network located along the main streets of Dharavi. A series of small buldings for different activities are placed to create shadowed courtyards with a certain amount of intimacy, while still being accesible by the public. Instructors’ dwellings are also placed on the site, arranged to provide for privacy for their their residents. The layout allows for future incremental additions. Smaller nodes are placed with a short walking distance between each other. Further layers of nodes could be added if the project were to be succesful.

Proposal

T H E C O R E O F A C U LT U R A L N E T W O R K I N D H A R AV I

CULTURAL HAVEN

PETER PAN GARDEN

The heart of Dharavi’s recycling industry

13th Compund

Scho Sc ool ol 1::3 1 30 000

Hind n u Te Temp mp ple e

Chur urch c ch Mo M osq s ue e

POSTER LAYOUTS

YEAR 3, WINTER 2014 Individual work

The posters were made as a part of the development of a proposal for a bachelor’s project, including case studies and a test of the proposal in relation to the site of the project.

1:400

Religion/ Meditation

Shops

Pedestrians

Market Stalls

Vehicles

2.. 1. 2

~2 ~ 200 0 0m m2

1:200

Waste Private/ Manage- Intimate ment

Located by the busy Dharavi Main Street lies Peter Pan Garden. Vehicles and humans passes by; this is not a place where you usually stop. Jewelry stores dominate the street, resulting in a monotone atmosphere.

Existing situation

Markus Hanning - UMA3

CAMELOT RESEARCH & VISITORS CENTER South Cadbury, England

SPRING 2014 In collaboration with Johanna Bostrรถm, Josefine Knudsen, Johan Nord and Oscar Hรฅrleman. A competition entry for a new research and visitors center for the legend of Camelot. The site for the center is the hill where the Camelot castle once stod, just outside South Cadbury on the english countryside. The concept wanted to resemble the ruins of an old castle - closed to the outer world but with an open inner courtyard. The proposal includes a museum, a restaurant, archives, a reading room, a souvenir shop and administration.

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