Bill Jacklin: New York Paintings by Marlborough Gallery

B I L L J AC K L I N

B I L L J AC K L I N N E W YO R K PA I N T I N G S

FEBRUARY 12 - MARCH 15, 2014

40 W EST 57TH STR EET N E W YO R K , N E W YO R K 1 0 0 1 9 | 2 1 2 - 5 4 1 - 4 9 0 0 M A R L B O R O U G H G A L L E R Y.C O M

Cherry Tree with Doberman C.P., 2013 oil on canvas, 42 x 48 in., 106.7 x 121.9 cm 5

Meatpackers Study, 1987-1998 oil on canvas, 24 x 16 in., 61 x 40.6 cm 6

Eureka II, Grand Central, 2010 oil on canvas, 30 x 24 in., 76.2 x 61 cm 7

Washington Square Chess Players, 1998-2013 oil on canvas, 30 x 36 in., 76.2 x 91.4 cm 8

Coney Bathers II, 2013 oil on canvas, 36 x 30 in., 91.4 x 76.2 cm 9

Illumination II, 2013 oil on canvas, 30 x 36 in., 76.2 x 91.4 cm 10

Into the Storm I, 2013 oil on canvas, 30 x 36 in., 76.2 x 91.4 cm 11

Double Storm, 2013 oil on canvas, diptych, overall: 14 x 22 1/4 in., 35.6 x 56.5 cm 12

Double Illumination, 2011 oil on canvas, diptych, overall: 30 x 48 1/4 in., 76.2 x 122.6 cm 13

Afternoon Skaters, Wollman Rink II, 2013 oil on canvas, 24 x 30 in., 61 x 76.2 cm 14

Coney Bathers I, 2008-2013 oil on canvas, 48 x 54 in., 121.9 x 137.2 cm 15

Incident in the Park II, 2013 oil on canvas, 24 x 30 in., 61 x 76.2 cm 16

Incident in the Park I, 2013 oil on canvas, 42 x 48 in., 106.7 x 121.9 cm 17

Three Bathers, Coney Island, 1990-2013 oil on canvas, 30 x 24 in., 76.2 x 61 cm 18

Island MusĂŠe Coney Island, 1992-2013 oil on canvas, 16 x 20 in., 40.6 x 50.8 cm 19

The Edge of the City by the Seashore, 2013 oil on canvas, 24 x 30 in., 61 x 76.2 cm 20

Rain NYC, 2013 oil on canvas, 24 x 20 in., 61 x 50.8 cm 21

Tree with Birds II, 2013 oil on canvas, 24 x 30 in., 61 x 76.2 cm 22

BILL JACKLIN 1943 Born in Hampstead, London, England 1960 Studied graphics at Walthamstow School of Art, London, England (through 1961) 1961 Worked as a graphic designer at Studio Seven, London, England (through 1962) 1962 Returned to Walthamstow School of Art to study painting (through 1964) 1964 Royal College of Art, Painting School, London, England (through 1967) 1967 Taught at various art colleges (through 1975) 1975 Devoted himself full-time to painting 1985 Relocated to New York, New York

The artist lives and works in New York, New York and Newport, Rhode Island.

S E L E C T E D S O LO E X H I B I T I O N S

1970

1971 1973 1975 1977 1980 1983 1985 1987

S E L E C T E D AWA R D S A N D R E S I D E N C I E S

1988 1975

Bursary Award, Arts Council England, London, England 1989 Elected Associate Member, Royal Academy of Arts, London, England 1991 Elected Royal Academician, Royal Academy of Arts, London, England 1993 Official Artist-in-Residence for the British Council, Hong Kong (through 1994) 2004 Elected Fellow, The Royal Society of Painters and Printmakers, London, England

1990 1992

1994

Royal College of Art, Upper Gallery, London, England Nigel Greenwood, London, England Nigel Greenwood, London, England Hester van Royen Gallery, London, England Nigel Greenwood, London, England Hester van Royen Gallery, London, England Bill Jacklin: Paintings and Watercolours, Marlborough Fine Art, London, England Bill Jacklin: Recent Paintings, Marlborough Fine Art, London, England Bill Jacklin: Works on Paper, Marlborough Gallery, New York, New York Bill Jacklin, Recent Work: New York Paintings, Pastels and Drawings, Marlborough Gallery, New York, New York Bill Jacklin: Urban Portraits, Marlborough Fine Art, London, England Bill Jacklin: Urban Portraits, New York, 1990, Marlborough Gallery, New York, New York Bill Jacklin: Urban Portraits, Coney Island Series, 1992, Marlborough Fine Art, London, England Bill Jacklin: Urban Portraits, New York 1986-1992, Museum of Modern Art, Oxford, England; traveled to Museo do Pobo Galego, Santiago de Compostela, Spain (through 1993) University Gallery and Baring Wing, Northumbria University, Newcastle upon Tyne, Northumberland, England

1995 1997

1999 2000 2002

2003 2004 2005 2007

London Print Workshop, London, England Marlborough Graphics, London, England Bill Jacklin, Urban Portraits: Hong Kong 1993-1995, Hong Kong Arts Centre, Hong Kong Bill Jacklin: New Monotypes and Etchings, Marlborough Graphics, London, England New Monotypes and Etchings, Skovridder Gallery, Oslo, Norway Bill Jacklin: New York City: The Collective Image 1996-1997, Marlborough Gallery, New York, New York; traveled to Marlborough Fine Art and Graphics, London, England New York City: The Connected Image 1997-99, Marlborough Gallery, New York, New York Bill Jacklin: Silhouettes and Shadows: New York City, Marlborough Fine Art, London, England Bill Jacklin: Central Park, New York City: Recent Paintings and Monoprints, Marlborough Gallery, New York, New York Bill Jacklin: Recent Monotypes, Marlborough Gallery, New York, New York Bill Jacklin. Recent Monotypes, GalerĂa Marlborough, Madrid, Spain Bill Jacklin: A Venetian Affair: Paintings and Monotypes, Marlborough Fine Art, London, England Bill Jacklin: New York Skaters: Paintings and Monotypes, Marlborough Fine Art, London, England Bill Jacklin: People and Places: Recent Paintings, Marlborough Gallery, New York, New York

Bill Jacklin: People and Places: New Monotypes, Marlborough Graphics, London, England 2008 Bill Jacklin: People and Places II: Paintings and Prints, Marlborough Fine Art, London, England; traveled to Marlborough Monaco, Monte Carlo, Monaco (through 2009) Bill Jacklin: Paintings, Prints and Monotypes, University Gallery and Baring Wing, Northumbria University, Newcastle upon Tyne, Northumberland, England 2011 Bill Jacklin, RA: The Lightness of Being, Brook Gallery, Devon, England 2012 Bill Jacklin: Recent Work, New York, Marlborough Gallery, New York, New York Bill Jacklin: New Monotypes, Bohun Gallery, Henley on Thames, England 2013 Bill Jacklin: Paintings, Pastels & Prints, Marlborough Fine Art, London, England SELECTED PUBLIC COMMISSIONS

1988 Futures Market, commissioned by The Bank of England, London, England The Ivy, commissioned by the Ivy Restaurant, London, England 1993 The Park, tapestry, commissioned by De Beers, London, England (completed 1995) 1994 The Rink, commissioned by the Metropolitan Washington Airports Authority as part of the Architectural Enhancement Program at the new North Terminal for Washington National Airport, Washington, D.C.; César Pelli and Associates, Design Architect; Leo A. Daly Company, Architect of Record 1995 Bar Centrale, commissioned by Orsino Restaurant, London, England 2000 After the Event I, commissioned by The Print Club of New York, New York, New York Millenium Print, The Print Club of New York, New York, New York

2003

Target Benchmarks Central Park, commissioned by the Central Park Conservancy for a benefit auction, New York, New York

SELECTED PUBLIC COLLECTIONS

Arkansas Arts Center, Little Rock, Arkansas Art Collection, University of Alberta, Edmonton, Canada Art Gallery of New South Wales, Sydney, Australia Arts Council of Great Britain, London, England Bayley Art Museum, University of Virginia, Charlottesville, Virginia British Council, London, England Brooklyn Museum, Brooklyn, New York City Art Gallery, Bradford, England Contemporary Art Society, London, England Fitzwilliam Museum, University of Cambridge, Cambridge, England Fondation Veranneman, Kruishoutem, Belgium Government Art Collection, London, England Harvard Theater Collection, Houghton Library of the Harvard College Library, Harvard University, Cambridge, Massachusetts Hunterian Museum and Art Gallery, University of Glasgow, Glasgow, Scotland Irish Art Council, Dublin, Ireland Isle of Man Arts Council, Isle of Man, England Kemper Museum of Contemporary Art, Kansas City, Missouri Museum Boijmans Van Beuningen, Rotterdam, The Netherlands National Portrait Gallery, Smithsonian Institution, Washington, D.C. Neuberger Museum of Art, Purchase, New York Northumbria University, Newcastle upon Tyne, Northumberland, England Portland Museum of Art, Portland, Oregon Queen’s Gallery, Royal Academy of Art, London, England

Royal Academy of Arts, London, England Tampa Museum of Art, Tampa, Florida Tate, London, England The Arts Council, Dublin, Ireland The Ashmolean Museum of Art and Archaeology, University of Oxford, Oxford, England The Billy Rose Theatre Collection, The New York Public Library, New York, New York The Brian Montgomery Collection, Museum of Fine Arts, Budapest, Hungary The British Museum, London, England The Library of Congress, Anglo-American Acquisitions Division,Washington, D.C. The Metropolitan Museum of Art, New York, New York The Morgan Library and Museum, New York, New York The Museum of Modern Art, New York, New York The Palmer Museum of Art, Pennsylvania State University, University Park, Pennsylvania Thyssen-Bornemisza Foundation, Villa Favorita, Castagnola, Switzerland University of Guelph, Guelph, Ontario, Canada University of Leicester, Leicester, England Victoria and Albert Museum, London, England Yale Center for British Art, Yale University, New Haven, Connecticut Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey SELECTED BIBLIOGRAPHY

1971 1972 1973

Russell, John. “One Man’s Marks.” Sunday Times, December 19. Cork, Richard. “Review.” Evening Standard, January 6. Marcus, Penelope. Tate Gallery Catalogue 1970 – 72. London: Tate Gallery, p. 128. Lucie-Smith, Edward. English Painting Today. Paris: Musée d’Art Moderne

1974 Sandiford, M. “Introduction.” Six Jeunes Artistes Anglais. Menton: Xe Biennale International d’Art, No. 359-363. 1975 Lynton, Norbert. Contemporary British Drawing. London: British Council. 1980 Lucie-Smith, Edward. Art International, vol. XXXIII, no. 10, March- April. 1983 Taylor, John Russell. “Transcending all the Easy Formulas.” The Times, November 8. 1985 Ratcliff, Carter. “An Introspective View.” The Philips Industries Collection, Dayton, Ohio: Philips Industries. Taylor, John Russell. “Bill Jacklin: Recent Work: New York Paintings, Pastels and Drawings.” Bill Jacklin: Recent Work: New York Paintings, Pastels and Drawings. New York: Marlborough Gallery, Inc. Taylor, John Russell. The New York Times, April 5. 1988 Berryman, Larry. “Bill Jacklin: Urban Portraits.” The Independent, June 6. Berryman, Larry. “Urban Portraits.” Arts Review, June 3. Kent, Sarah. “Art: Bill Jacklin.” Time Out, June 8-15. Kent, Sarah. Pictures by Living British Artists. London: Bank of England. Rosenblum, Robert. Bill Jacklin: Urban Portraits. London: Marlborough Fine Art Ltd. Rosenblum, Robert. “Scenes from Urban Life.” The Observer Magazine, May 15. Sewell, Brian. “The Rebel in Reverse.” Evening Standard, June 3. Taylor, John Russell. “Irresistible Logic of Adventure.” The Times, May 31. 1989 L’Europe des Grands Maîtres: quand ils etaient jeunes. Paris: Musée JacquemartAndré. 1990 Kobal, John. “Bill Jacklin: Urban Portraits, New York, 1990.” Bill Jacklin: Urban Portraits, New York, 1990. New York: Marlborough Gallery, Inc. Lucie-Smith, Edward. Art in the Eighties. London: Phaidon Universe Publications.

1991

Bass, Ruth. “Bill Jacklin: Marlborough.” ArtNews, Vol. 90, No. 3, March. 1992 Bevan, Roger. “Jacklin at Marlborough and Oxford’s MoMA.” The Art Newspaper, No. 22, November. Elliott, David. Bill Jacklin: Urban Portraits, New York 1986 - 1992. Oxford: Museum of Modern Art. Glueck, Grace. New York: The Painted City. New York: Peregrine Smith Books. Bill Jacklin, Urban Portraits: Coney Island Series, London: Marlborough Fine Art Ltd. O’Heara, Anthony. “Bill Jacklin.” Modern Painters, Winter. 1993 Mallo, Albino. “Bill Jacklin quiere pintar la luz que hay en Galicia.” El Correo Gallego, January 21. Noyce, Richard. “Interview with Bill Jacklin.” Art Line Magazine, Summer. 1995 Binks, Hilary. “Bill Jacklin’s Hong Kong.” Window Magazine, January 20. 1997 Bevan, Roger. “London Diary: Bill Jacklin Skater.” The Art Newspaper, No. 70, May. Muir, Robin. “An Englishman in New York.” The Independent Magazine, March 29. O’Shaughnessy, Tracy. “A Product of His Environment: The Evolution of a Painter.” Republican American, May 11. Taylor, John Russell. Bill Jacklin. London: Phaidon Press. Taylor, John Russell. “Bill Jacklin Monograph.” London Magazine, JuneJuly. “Review: Monograph by John Russell Taylor.” Big Issue, May 12. The Times Literary Supplement, July 4. 1999 Hoban, Phoebe. “New York City-The Connected Image.” Bill Jacklin: New York City, The Connected Image 1997-99, New York: Marlborough Gallery, Inc. 2000 Lloyd, Jill. “Silhouettes and Shadows, New York City.” Bill Jacklin: Silhouettes and Shadows, New York City, London: Marlborough Fine Art Ltd.

2001 2003 2004

2006

2007

2008

2009

2012

2013

Sandler, Irving. Art Transplant: British Artists in New York. New York: British Consul-General. La Fête. Biarritz: Pentagraf Impresores, S.L. Taylor, John Russell. “Not sorry to be safe.” The Times, June 2. Beaumont, Mary Rose. “Bill Jacklin: A Venetian Affair: Paintings and Monotypes.” Bill Jacklin: A Venetian Affair: Paintings and Monotypes, London: Marlborough Fine Art Ltd. Taylor, John Russell. “Crowd Pleaser.” Royal Academy of Arts Magazine, no. 84, Autumn Holubizky, Ihor. “The Past is Forgiven, Herman Levey & Josef Herman.” Hamilton, Ontario, Canada: McMaster Museum of Art. Lloyd, Jill. “Bill Jacklin: People and Places.” Bill Jacklin: People and Places: Recent Paintings. New York: Marlborough Gallery, Inc. Pill, Steve. “Bill Jacklin RA City Dwelling,” Artist and Illustrators, May. Peppiatt, Michael. “Bill Jacklin: People and Place II.” Bill Jacklin: People and Places II. London: Marlborough Fine Art Ltd. Peppiatt, Michael. “Bill Jacklin: Des gens et des lieux II.” Bill Jacklin: People and Places II. Monte-Carlo: Marlborough Monaco. Priest, Margaret. “A Stranger in New York. A Recollection, Reawakening and a Revelation,” Bill Jacklin: Recent Work, New York. New York: Marlborough Gallery, Inc. St.-Lascaux, David. “Bill Jacklin Recent Work, New York.” The Brooklyn Rail, March. Holubizky, Ihor. “Bill Jacklin: Paintings, Prints and Pastels.” Bill Jacklin: Paintings, Prints and Pastels. London: Marlborough Fine Art Ltd.

N E W YO R K /

LO N D O N /

MADRID /

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F R O N T COV E R

Afternoon Skaters, Wollman Rink I, 2013 oil on canvas, 42 x 48 in., 106.7 x 121.9 cm

Important Works available by: Twentieth-Century European Masters; Post-War American Artists DESIGN /

Gridlock Intersection, 2011-2013 oil on canvas, 24 x 30 in., 61 x 76.2 cm

Maeve O’Regan

P H OTO G R A P H Y /

Bill Orcutt

P R I N T E D I N N E W YO R K B Y P R O J E C T

B AC K COV E R

ISBN 978-0-89797-465-3

B I L L J AC K L I N NEW YORK PAINTINGS

FEBRUARY 12 - MARCH 15, 2014

4 0 W E S T 57 T H S T R E E T N E W YO R K , N E W YO R K 1 0 0 1 9 | 2 1 2 - 5 4 1 - 4 9 0 0 M A R L B O R O U G H G A L L E R Y.C O M