Large Sculptures

LARGE SCULPTURES

Large Sculptures Magdalena Abakanowicz Alice Aycock Fernando Botero David Rodríguez Caballero Santiago Calatrava Michele Oka Doner Red Grooms Robert Lazzarini Clement Meadmore Tom Otterness Beverly Pepper Arnaldo Pomodoro George Rickey Kenneth Snelson Manolo Valdés Ursula von Rydingsvard

APRIL 7 - MAY 7, 2016

2016

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Large Sculptures A P R I L 7 - M AY 7, 2 0 1 6

Founded in London in 1946, Marlborough Gallery is widely recognized as one of the world’s leading modern and contemporary art dealers. Marlborough has an international presence with major galleries and offices in New York, London, Madrid and Barcelona. Since the 1950’s, Marlborough has maintained a specialization in monumental sculpture. The gallery has represented and fielded major exhibitions of works by many seminal twentieth and twenty-first century sculptors including Henry Moore, Jacques Lipchitz, David Smith, Barbara Hepworth, Alice Aycock, Santiago Calatrava, Lynn Chadwick, Beverly Pepper, Anthony Caro, Arnaldo Pomodoro, Magdalena Abakanowicz, Tom Otterness, Clement Meadmore, George Rickey, Kenneth Snelson, and Manolo Valdés.

This specialization in monumental sculpture has led to the development of a unique expertise in all aspects of sculpture, such as fabrication, logistics, maintenance and material conservation. Marlborough’s commitment to sculpture includes the operation of a 25,000 square foot warehouse with bridge crane in Brooklyn, NY to facilitate the handling of monumental sculptures.

Dale Lanzone Exhibition Curator

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M A G D A L E N A A B A K A N O W I C Z , b . 1 9 3 0 , F a l e n t y, P o l a n d

Over the course of her fifty-year career, Magdalena Abakanowicz has developed a number of site-specific sculpture installations that incorporate multiple figures and elements of increased scale. Abakanowicz has had over 150 solo exhibitions in Europe, North and South America, Japan, South Korea, and Australia. She has had major solo exhibitions at The Metropolitan Museum of Art, New York, NY; Jardins du Palais Royal, Paris, France; and Muzeum Narodowe, Poznań, Poland.

Among numerous prizes and distinctions, the artist has received seven honorary doctorates from universities in Europe and the United States, as well as the Commandeur de l’Ordre des Arts et des Lettres, République française (2004) and the prestigious International Sculpture Center’s Lifetime Achievement Award (2005). The artist lives and works in Warsaw, Poland.

Skull I, 1998-99, bronze, unique, 96 1/8 x 174 1/2 x 75 in., 244.2 x 443.2 x 190.5 cm 2

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A L I C E AYC O C K , b . 1 9 4 6 , H a r r i s b u r g , P e n n s y l v a n i a

Alice Aycock, the newest artist to join Marlborough’s roster, has created large-scale sculptures, land-art, and site-specific works throughout the United States, the Netherlands, Germany, and Austria. Aycock’s work navigates the transitional landscape between minimalism and postmodernism. She has received National Endowment for the Arts Fellowships (1975, 1980, 1994), the Americans for the Arts Public Art Award (2008), and the International Association of Art Critics Award (2014). Aycock has had solo exhibitions at Tel Aviv Museum, Tel Aviv, Israel; Serpentine Gallery, London, England; Storm King Art Center, Mountainville, NY; and Kunstmuseum Luzern, Luzern, Switzerland.

The artist’s work is included in the collections of Haag Gemeentemuseum, Den Haag, Netherlands; Kunstmuseum, Basel, Switzerland; Metropolitan Museum of Art, New York, NY; National Gallery of Art, Washington, D.C.; Skulpturenmuseum Glaskaten, Marl, Germany; and Solomon R. Guggenheim Museum, New York, NY. The artist lives and works in New York.

Small Twist, 2013-16, white powder coated aluminum, AP aside from edition of 3, 39 x 33 x 39 in., 99.1 x 83.8 x 99.1 cm 4

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F E R N A N D O B OT E R O, b . 1 9 3 2 , M e d e l l i n , C o l o m b i a

Fernando Botero has had museum shows in the following countries: Argentina, Belgium, Brazil, Chile, Colombia, France, Germany, Greece, Israel, Italy, Japan, Korea, Mexico, the Netherlands, Portugal, Spain, Sweden, Switzerland, Uruguay, Venezuela, and the United States. Botero’s work can be found in forty-six museums including: The Baltimore Museum of Art, Baltimore, MD; The Israel Museum, Jerusalem, Israel; The Metropolitan Museum of Art, New York, NY; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Museo de Arte Contemporáneo de Caracas, Caracas, Venezuela; Museo de Arte Moderno, Bogotá, Colombia; Museo Nacional de Bellas Artes, Santiago, Chile; Museum of Modern Art, New York, NY; Neue Pinakothek, Munich, Germany; Pushkin Museum, Moscow, Russia; Solomon R. Guggenheim Museum, New York, NY; Wallraf-Richartz Museum, Cologne, Germany; and State Hermitage Museum, St. Petersburg, Russia.

Fernando Botero divides his time between Monaco, New York, Tuscany, and Greece.

Horse With Bridles, 2009, bronze del chiaro, edition of 3, 128 x 114 1/8 x 51 1/8 in., 325.1 x 289.9 x 129.9 cm 6

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S A N T I A G O C A L AT R AVA , b . 1 9 5 1 , Va l è n c i a , S p a i n

Santiago Calatrava is a world renowned architect, artist, and engineer. He has established his international reputation through his dazzling bridges, museums, and public buildings, which have come to define many cities around the world.

Highlights of his work include Milwaukee Art Museum, Milwaukee, WI (2001); Athens Olympic Sports Complex, Athens, Greece (2004); Chords Bridge, Jerusalem, Israel (2007); Quarto Ponte sul Canal Grande, Venice, Italy (2008); Liège-Guillemins Railway Station, Liege, Belgium (2009); and the World Trade Center Transportation Hub, New York, NY (2016).

His work has been featured in solo exhibitions at the Royal Institute of British Architects, London, England (1992); Deutsches Museum, Munich, Germany (1993); Palazzo Strozzi, Florence, Italy (2000); Kunsthistorisches Museum, Vienna, Austria (2003); The Metropolitan Museum of Art, New York, NY (2005); Museum Le Grand Curtius, Liège, Belgium (2010); State Hermitage Museum in St. Petersburg, Russia (2012); and most recently, on the Park Avenue Malls, New York, NY (2015). His work can be found in the collections of Meadows Museum, Dallas, TX; The Metropolitan Museum of Art, New York, NY; Museum of Modern Art, New York, NY; and The American Museum of Natural History, New York, NY. The artist lives and works in Zurich, Switzerland.

S3, 2015, painted, welded plate aluminum and stainless steel, edition of 3, 180 x 154 x 15 in., 457.2 x 391.2 x 38.1 cm 8

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R E D G R O O M S , b . 1 9 3 7, N a s h v i l l e , Te n n e s s e e

Red Grooms invented the three-dimensional form called “sculpto-pictorama” that allows the viewer to walk through and interact with an artist-created environment. His work has been the subject of three major retrospectives: Pennsylvania Academy of the Fine Arts, Philadelphia, PA (1985), Whitney Museum of American Art, New York, NY (1987); and National Academy of Design, New York, NY (2001), which was devoted to his graphic work. He has been granted numerous awards, including the Award of Honor, The Mayor’s Awards for Arts and Culture (1988), Art Masters Award for Sculpture, American Artist Magazine (1996), and most recently, the Lifetime Achievement Award, National Academy of Design (2003).

His work is included in the collections of Hirshhorn Museum and Sculpture Garden, Washington, DC; Nagoya City Art Museum, Nagoya, Japan; Moderna Muséet, Stockholm, Sweden; Solomon R. Guggenheim Museum, New York, NY; The Metropolitan Museum of Art, New York, NY; and Museum of Modern Art, New York, NY. The artist lives and works in New York.

Charleston, 2009, enamel on aluminum, edition of 2, 109 x 97 x 43 ½ in., 276.9 x 246.4 x 110.5 cm 10

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ROBERT LAZZARINI, b. 1965, Denville, New Jersey

Robert Lazzarini plays with distortion and perception in his sculptures, paintings, and prints. Lazzarini has been the recipient of grants from the New York Foundation for the Arts (1985, 1986, 2005) and the American Academy of Arts and Letters Award (2003). He has had solo exhibitions at institutions such as The Aldrich Contemporary Art Museum, Ridgefield, CT; Modern Art Museum Fort Worth, TX; Deitch Projects, New York, NY; Virginia Museum of Fine Arts, Richmond, VA; and The Mint Museum of Art, Charlotte, NC. His work is included in the collections of Carnegie Museum of Art, Pittsburgh, PA; Hirshhorn Museum and Sculpture Garden, Washington, DC; New School University, New York, NY; Wadsworth Atheneum Museum of Art, Hartford, CT; Walker Arts Center, Minneapolis, MN; and Whitney Museum of American Art, New York. Robert Lazzarini lives and works in New York.

Pay Phone, 2000, anodized aluminum, stainless steel, plexiglass and silk-screened graphics, edition of 3, 108 x 84 x 56 in., 274.3 x 213.4 x 142.2 cm 12

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CLEMENT MEADMORE, 1929−2005, Melbourne, Australia

Clement Meadmore’s three goals in creating sculpture were to explore the expressive potential of geometry, to make the whole piece comprehensible from any viewpoint, and to avoid the appearance of a front and a back in the sculpture. His works typically involve a rectangular form that dynamically twists and moves through space, seemingly creating itself in the process. Although Meadmore preceded Minimalism, his sculptures display several important characteristics of the movement, such as formal simplicity, a foundation in geometry, and the affinity for single, integrated forms. A primary characteristic that distinguishes him from the Minimalists, however, is his signature expressive quality.

Meadmore is represented in the collections of major museums worldwide, including the Adachi Outdoor Sculpture Garden, Japan; Art Gallery of New South Wales, Australia; Art Institute of Chicago, IL; Cleveland Museum of Art, Cleveland, OH; Detroit Institute of Arts, Detroit, MI; Grounds for Sculpture, Hamilton, NJ; The Metropolitan Museum of Art, New York, NY; and Tokyo Metropolitan Art Space, Tokyo, Japan. His large-scale sculptures have been installed on campuses of preeminent universities throughout the country, such as Princeton University, Columbia University, and the University of Michigan. Meadmore died in New York City on April 19th, 2005.

Wall for Bojangles, 1987, aluminum painted black, edition of 4, 57 1/2 x 138 x 47 1/2 in., 146.1 x 350.5 x 120.7 cm 14

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MICHELE OKA DONER, b. 1945, Miami, Florida

Michele Oka Doner is inspired by a lifelong study and appreciation of the natural world from which she derives her formal vocabulary. She has received numerous awards and grants, including the Zeitgeist Award, Design Triennial, Cooper-Hewitt National Design Museum (2003), Legends Award, Pratt Institute (2006), and an Honorary Doctorate Degree in Fine Arts from The New York School of Interior Design. She has had solo exhibitions at institutions such as the Perez Art Museum Miami, Miami, FL; Frederik Meijer Gardens and Sculpture Park, Grand Rapids, MI; Nymphenburg Palace, Munich, Germany; Christofle, Paris, France; Studio Stefania Miscetti, Rome, Italy; and Detroit Institute of Arts, Detroit, MI. Oka Doner’s work can be found in the collections of the Art Institute of Chicago, Chicago, IL; Centre Pompidou Library, Paris, France; Les arts dÊcoratifs, Le Louvre, Paris, France; Simone Handbag Museum, Seoul, South Korea; The Metropolitan Museum of Art, New York; Victoria and Albert Museum, London, England; Whitney Museum of American Art, New York, NY; and Yale University Art Gallery, New Haven, CT. The artist lives and works in New York.

Mana, 2015, cast bronze, edition of 3, 70 x 30 x 21 in., 177.8 x 76.2 x 53.3 cm 16

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TO M OT T E R N E S S , b . 1 9 5 2 , W i c h i t a , K a n s a s

Tom Otterness is often inspired by the images of modern iconography – bulls, bears and bags of money – as well as those of classic fairytales – the Old Woman in the Shoe, the Three Little Pigs – subjects which are instantly recognizable to the viewer. This allows the artist to make statements that are serious without causing offense, or to offer what writer Alan Moore calls, “hard lessons in reassuring tones.” In 2004 Otterness staged a series of monumental outdoor shows, beginning with the highly acclaimed Tom Otterness on Broadway, an exhibition of twenty-five bronze sculptures that spanned five miles of the famous thoroughfare in New York.

Sculptures by Tom Otterness are in the collections of numerous museums including Museum of Modern Art, New York, NY; Whitney Museum of American Art, New York, NY; Israel Museum, Jerusalem, Israel; The Miyagi Museum of Art, Sendai, Japan; Beelden aan Zee Museum, The Hague, Netherlands; and Instituto Valènciano de Arte Moderno IVAM, Centre Julio González, València, Spain.

Commissioned public art projects include Governor Nelson A. Rockefeller Park in Battery Park City, UT (1992); United States courthouses in Minneapolis, MN (1999) and Sacramento, CA (1999); The Marriage of Real Estate and Money in Roosevelt Island, New York, NY (1996); Time and Money in Times Square, New York, NY (2000); and Life Underground in the MTA’s 14th Street A-C-E-L subway station in New York, NY (2004). The artist works in Brooklyn, New York.

Kissing Spheres (large), 2016, stainless steel, unique, 75 x 52 x 35 in., 190.5 x 132.1 x 88.9 cm 18

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B E V E R LY P E P P E R , b . 1 9 2 2 , N e w Yo r k , N e w Yo r k

Beverly Pepper has created numerous site-specific sculptures, sculptural environments, and major commissions for both public and private spaces, beginning with Icarus, Festival dei Due Mondi, Spoleto, Italy (1962); Messenger Series for the Doris C. Freedman Plaza in Central Park, New York, NY (1983); Sol y Ombra Park, Barcelona, Spain (1986); Cleopatra’s Wedge, Battery Park, New York, NY (1993); Denver Monoliths, permanently installed at the entry plaza of the Denver Art Museum, Denver, CO (2006); and Galileo’s Wedge, Frederick Meijer Gardens and Sculpture Park, Grand Rapids, MI (2009).

Her works can be found in major museums throughout the world including Art Gallery of Ontario, Toronto, Canada; The Brooklyn Museum of Art, Brooklyn, NY; Centre Georges Pompidou, Paris, France; Detroit Institute of Arts, Detroit, MI; Galleria Nazionale d’Arte Moderna, Rome, Italy; Hirshhorn Museum and Sculpture Garden, Washington, DC; The Jewish Museum, New York, NY; The Metropolitan Museum of Art, New York, NY; Museu d’Art Contemporari de Barcelona, Barcelona, Spain; Museum of Contemporary Art, Chicago, IL; Museum of Modern Art, Sapporo, Japan; and Whitney Museum of American Art, New York, NY. The artist lives and works in Todi, Italy and New York, New York.

Sulla Senior, 2014, Cor-Ten steel, unique, 110 1/4 x 126 x 59 in., 280 x 320 x 150 cm 20

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A R N A L D O P O M O D O R O, b. 1 92 6 , M o rc i a n o d i Ro m a g n o, I t a l y

Arnaldo Pomodoro continues his characteristic physical examination of surface, form and structure through his highly evolved cast bronze works. He employs basic geometric shapes, such as spheres, columns, cones and cubes as the overall framework of his sculptures. In his hands, bronze surfaces are in places highly polished and reflective, but in other places appear torn open, cut, shattered, or turned inside-out to expose the organic-looking innards.

Sculptures by Pomodoro can be found in many museum collections, including: Aichi Prefectural Museum of Art, Nagoya, Japan; Albright-Knox Art Gallery, Buffalo, NY; Galleria Nazionale d’Arte Moderna, Rome, Italy; Hirshhorn Museum and Sculpture Garden, Washington, DC; Museo Rufino Tamayo, Mexico City, Mexico; Museum of Modern Art, New York, NY; Museum of Modern Art, Tomaya, Japan; Museum Ludwig, Cologne, Germany; and University of Tel Aviv, Tel Aviv, Israel. The artist lives and works in Milan, Italy.

Colonna Recisa Trasversalmente, 1970-71, bronze, edition of 2, height: 102 in. / 259.1 cm, diameter: 27 3/4 in. / 70.5 cm 22

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G E O R G E R I C K E Y, 1 9 0 7 − 2 0 0 2 , S o u t h B e n d , I n d i a n a

George Rickey is internationally regarded as among the most inventive and influential sculptors of the twentieth century. His kinetic works were the outgrowth of experiments with wire and metal that began during his service in World War II. By the late 1950s and 1960s he reduced sculptural forms to simple, geometric shapes such as rectangles, trapezoids, cubes, and lines and largely limited his materials to stainless steel, creating a body of work that is a mesmerizing combination of minimalism and movement.

Rickey received honorary degrees from nine institutions, was elected to the National Institute of Arts and Letters (1974), and received the Gold Medal for Sculpture from the American Academy of Arts and Letters (1995).

His work can be found in major museums throughout the world, including The J. Paul Getty Museum, Los Angeles, CA; Solomon R. Guggenheim Museum, New York, NY; Hara Museum of Contemporary Art, Tokyo, Japan; The Metropolitan Museum of Art, New York, NY; Dallas Museum of Art, Dallas, TX; The Museum of Modern Art, New York, NY; The National Gallery, Edinburgh, Scotland; The National Gallery of Art, Washington DC; Ruckversicherungs-Gesellschaft, Munich, Germany; Tate Gallery, London, England; and Whitney Museum of American Art, New York, NY. George Rickey passed away in Saint Paul, Minnesota in 2002.

Two Lines Vertical, 1965, stainless steel, unique, 236 x 13 in., 599.4 x 33 cm 24

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D AV I D R O D R Í G U E Z C A B A L L E R O , b . 1 9 7 0 , P a m p l o n a , S p a i n

David Rodríguez Caballero explores a range of materials and spatial constructs in his work, incorporation of light as matter, an element of the first order in abstraction and geometry, and expressing a strong awareness of its structural and surrounding space. He has been awarded the 1st Prize for Young Artists: Painting, Gobierno de Pamplona (1996) and 1st Prize, IX Mostra Internacional Unión Fenosa, Museo de Arte Contemporáneo Unión Fenosa (2006). Recent solo exhibitions include Vinyls, Marlborough Gallery, New York, NY (2016); Citadelle, Ciudadela, Pamplona, Spain (2015); David Rodríguez Caballero, Marlborough Monaco, Monte Carlo, Monaco (2013); Glaciers, Museo Würth, La Rioja, Spain (2011); Figuras. Aluminos y vinilos, Fundación María Forcada, Tudela, Spain (2010); and Plegados, Marlborough Barcelona, Barcelona, Spain (2009).

His work can be found in the collections of Biblioteca Nacional, Madrid, Spain; Foundation Volksbank, Paderborn, Germany; Museo de Arte Contemporáneo Unión Fenosa, A Coruña, Spain; Palazzo dei Papi, Viterbo, Italy; and the ISE Cultural Foundation, New York, NY. The artist lives and works in Madrid, Spain and New York, New York.

left: 15.marzo.2013, 2013, aluminum, unique, 96 1/2 x 21 5/8 x 19 5/8 in., 245 x 55 x 50 cm right: 13.junio.2014, 2014, aluminum, unique, 100 3/8 x 19 1/4 x 16 3/4 in., 255 x 49 x 42.5 cm 26

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K E N N E T H S N E L S O N , b . 1 9 2 7, P e n d l e t o n , O r e g o n

Kenneth Snelson’s sculptural explorations manifest in webs of stainless steel tubes and cables that are held in highly stressed, configured structural arrangements through the push-pull balance of compressive forces in the tubes and tension forces in the cables. Significantly, Snelson is not working with someone else’s invented structural system, such as the post and lintel, arch or dome. Snelson invented tensegrity, and has spent sixty years composing brilliant, wholly new sculptural propositions through this physical system. Snelson has received numerous honors and awards, including the Sculpture award from the New York State Council on the Arts (1971); American Institutes of Architects’ Medal (1981); Honorary Doctorate, Arts and Humane Letters, Rensselaer Polytechnic Institute, Troy, NY (1985); American Academy and Institute of Arts and Letters Art Award (1987); Lifetime Achievement Award, International Sculpture Center (1999); and the Elizabeth N. Watrous Prize, National Academy of Design, New York, NY (2002).

His work can be found in public and corporate collections all over the world, including: Dallas Museum of Fine Art, Dallas, TX; Hirshhorn Museum and Sculpture Garden, Washington, DC; The Metropolitan Museum of Art, New York, NY; The Museum of Modern Art, New York, NY; Rijksmuseum Staedelijk, Amsterdam, Netherlands; Shiga Museum of Modern Art, Otsu, Shiga, Japan; Stanford University, Palo Alto, CA; Walker Art Center, Minneapolis, MN and Whitney Museum of American Art, New York, NY. The artist lives and works in New York.

B-Tree II, 1981-2008, stainless steel, unique, 108 x 114 x 130 in., 274.3 x 289.6 x 330.2 cm 28

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M A N O L O VA L D É S , b . 1 9 4 2 , Va l è n c i a , S p a i n

Manolo Valdés is one of the few contemporary artists to have successfully mastered the disciplines of drawing, painting, sculpture, and lithography. Born in València, Spain in 1942, he has enjoyed recent public exhibitions in such diverse cities as Beijing, Miami, Monaco and St. Petersburg. Valdés’ sculptures have been installed in public spaces all over New York, including Park Avenue, New York, NY (2002); Bryant Park, New York, NY (2007); and at New York Botanical Garden, Bronx, NY (2012).

His work is included in over 40 public collections including the Guggenheim Collection, Venice, Italy; The Menil Collection, Houston, TX; The Metropolitan Museum of Art, New York, NY; Musée National d’Art ModerneCentre Georges Pompidou, Paris, France; Museo Nacional Centre de Arte Reina Sofía, Madrid, Spain; and Museum of Modern Art, New York, NY. The artist lives and works in New York, New York and Madrid, Spain.

Dama, 2016, aluminum, unique, 127 x 69 x 48 in., 322.6 x 175.3 x 121.9 cm 30

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U R S U L A V O N R Y D I N G S VA R D , b . 1 9 4 2 , D e e n s e n , G e r m a n y

Ursula von Rydingsvard creates large-scale sculptures that are tactile, quietly emotive and occupy their space with the authority of an imposing natural form. She has had solo exhibitions at Yorkshire Sculpture Park, Wakefield, England; SCAD Museum of Art, Savannah, GA; Kloster Schoenthal, Langenbruck, Switzerland; Storm King Art Center, Mountainville, NY; Zamek Ujazdiwski Contemporary Art Center, Warsaw, Poland, and Museum of Art, Rhode Island School of Design, Providence, RI. Her work can be found in the collections of the Aldrich Museum of Contemporary Art, Ridgefield, CT; Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Poland; Detroit Institute of Arts, Detroit, Michigan; The Metropolitan Museum of Art, New York, NY; National Museum of Women in the Arts, Washington, DC; San Francisco Museum of Modern Art, San Francisco, CA; and Whitney Museum of American Art, New York, NY. The artist lives and works in Brooklyn, New York.

For Natasha, 2015, cedar and graphite, unique, 115 x 79 x 42 in., 292.1 x 200.7 x 106.7 cm 32

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Important Works available by: Twentieth-Century European Masters; Post-War American Artists D E S I G N / Sydney Smith P R O D U C T I O N / Zoe Milgram, Beatrice Thornton Von Rydingsvard image © Ursula von Rydingsvard courtesy Galerie Lelong, New York

© 2016 Marlborough Gallery, Inc. ISBN 978-0-89797-488-2

LARGE SCULPTURES

Large Sculptures Magdalena Abakanowicz Alice Aycock Fernando Botero David Rodríguez Caballero Santiago Calatrava Michele Oka Doner Red Grooms Robert Lazzarini Clement Meadmore Tom Otterness Beverly Pepper Arnaldo Pomodoro George Rickey Kenneth Snelson Manolo Valdés Ursula von Rydingsvard

APRIL 7 - MAY 7, 2016

2016

4 0 W E S T 57 T H S T R E E T | N E W YO R K | 1 0 0 1 9 2 1 2 - 5 4 1 - 4 9 0 0 | M A R L B O R O U G H G A L L E R Y.C O M