SANTIAGO CALATRAVA ON PARK AVENUE
ACKNOWLEDGMENTS Grateful acknowledgment is due to the many individuals who made this exhibition a success. I would like to thank all those involved at the Grand Central Partnership; the Fund for Park Avenue; and the New York City Parks Department, with a special thanks to Jennifer Lantzas, Public Arts Coordinator. I would also like to thank the curator, Dale Lanzone, working in collaboration with the artist in the development of the exhibition. The installation of this exceptional exhibition of monumental sculpture was due to the expertise of Auer’s Moving and Rigging and Pinwheel Inc. Lastly, the warmest thanks to the artist Santiago Calatrava, and all those who work alongside him in his New York and Zurich offices. Pierre Levai President, Marlborough Gallery, New York
SANT IAGO C AL AT RAVA
ON PARK AVENUE June 8th through mid-November, 2015
40 WEST 57TH STREET NEW YORK, NEW YORK 10019 212 541 4900 MARLBOROUGHGALLERY.COM
Sculpture 1 1 Sculpture
On Park Avenue “In a way, I’m a typical New 18'-0" Yorker — somebody who 18'-0" loves New York and who is not from here.” — Santiago Calatrava
8'-8" 8'-8"
Sculpture 1 1 Sculpture 36'-6" xx 8'-8" 8'-8" xx 18'-0" 18'-0" 36'-6"
Sculpture 2 2 Sculpture
16'-5" xx 1'-4" 1'-4" xx 14'-11" 14'-11" 16'-5"
Sculpture 3 3 Sculpture
12'-10" xx 1'-3" 1'-3" xx 15'-0" 15'-0" 12'-10"
Sculpture 4 4 Sculpture
36'-0" xx 10'-0" 10'-0" xx 10'-1" 10'-1" 36'-0"
Sculpture 5 5 Sculpture
16'-6" xx 4'-11" 4'-11" xx 14-7" 14-7" 16'-6"
Sculpture 6 6 Sculpture
28'-5" xx 14'-7" 14'-7" xx 11'-0" 11'-0" 28'-5"
Sculpture 7 7 Sculpture
17'-9" xx 2'-5" 2'-5" xx 17'-9" 17'-9" 17'-9"
Beginning in the 1950s, The Fund for Park Avenue made a commitment to assist in the beautification of Manhattan by planting trees and flowers along the Park Avenue meridians. This dedication to the beautification and cultural enhancement of Park Avenue expanded to include public art in 1993 with the inaugural exhibition of fourteen Fernando Botero sculptures exhibited along the meridians from 54th to 61st Street. Since then, The Fund for Park Avenue in partnership with the New York City Parks Department has continued to sponsor temporary monumental sculpture exhibitions yearround from 49th Street to 68th Street. The exhibitions provide artists with the opportunity to present sculpture to wider audiences, allowing for the works to be experienced in a diverse environment – among plants, buildings, and traffic, and 14'-11" beyond the confines of a museum. The partnership has facilitated major works of art by significant living artists including 15'-0" 14'-11" 15'-0" Alice Aycock, Robert Indiana, Beverly Pepper, Tom Otterness, and Manolo Valdés, and has influenced the development of similar public art programs in cities around the world, cementing the international significance of Park Avenue as a venue for monumental sculpture. 16'-5" 12'-10"
Sculpture 3 3 Sculpture
Sculpture 2 2 Sculpture
12'-10" 16'-5" 12'-10" 1'-3" 1'-3" 1'-4" 1'-4" It is this reputation that caught the interest of renowned artist, architect, and engineer Santiago Calatrava, who has
followed 36'-6" the exhibition cycles on Park Avenue for many years. Building on the achievements made with his early public 36'-6" works, including SMU Meadows Museum Wave Sculpture, Shadow Machine, Oriente Station, and the Peace Bridge, Calatrava was captivated by the opportunity to create new works for such an intensely dynamic and challenging public space.
Sculpture 4 4 Sculpture
Sculpture 5 5 Sculpture
In preparation for the exhibition, the artist analyzed how the sculptures would relate to the scale and verticality of the adjacent buildings, as well as the visual impact of the intense pedestrian and vehicular traffic. Calatrava notes, “New York is an enormous city and so vital, but you see, we hear the noise…we see the colors, and the facades, and the people moving, and the cars moving, and I wanted a little bit to catch this energy into the14'-7" sculptures.”
10'-1" 10'-1"
14'-7"
The sculptures began on paper, as drawings or watercolors, before being sculpted into small wooden models. Each angle 36'-0" and proportion was perfected by hand, until the final steps of the fabrication. Specific attention has been paid to the color 36'-0" 16'-6" 10'-0" and scale of each work; the undulating arc of the sculptures is intended to offer contrasting the strict grid4'-11" relief from 16'-6" 10'-0" 4'-11" form of the city, while the colors, black, silver, and what Calatrava refers to as ‘American Red,’ articulate the contrasting relationship with the buildings that surround them. The artist explains:
Sculpture 7 7 Sculpture Sculpture 6 Sculpture “There is not a single6 vertical in the sculptures because the city here is so straight, going up...Like the trees, like
flowers, like a trunk getting thinner, thinner, thinner, until the last leaf…They share the same type [of] research and the same type of understanding. Even the choice of the shine is very much related to the environment in this case, not so much the buildings as the cars, [which] are a little bit shiny; yellow cars and cops and all that. We learn a lot from the place, you see, from this particular place.”
11'-0" 11'-0"
15'-0" 15'-0" While other artists have exhibited more works, Calatrava decided to create only seven sculptures along three streets to
better convey, as he puts it, the “vibrancy of the city with the practicality of the human city.” The sculptures reflect the energized environment of Park Avenue with its synthesis of nature, people, cars, and buildings. In this respect, Park 28'-5" 17'-9" Avenue is a most fitting venue for an artist, architect, and engineer to present such original work. 28'-5" 17'-9" 14'-7"
14'-7"
2'-5" 2'-5"
“A sculpture has only one purpose: the purpose of being itself —
showing the beauty of the harmony with the natural or the environment, or our relationship with that environment.” – Santiago Calatrava
S5, 2015 painted, welded plate aluminum 432 x 120 x 121 in., 1097.28 x 304.80 x 307.34 cm
S4, 2015 painted, welded plate aluminum 432 x 120 x 121 in., 1097.28 x 304.80 x 307.34 cm (above, detail)
S3, 2015 painted, welded plate aluminum and stainless steel 154 x 15 x 180 in., 391.16 x 38.10 x 457.20 cm
S1, 2015 painted, welded plate aluminum 402 x 104 x 216 in., 1021.28 x 264.16 x 548.84 cm
“The scale of the buildings and the scale of the sculptures are so enormously different, but through the colors and the proximity to the people, they became an identity.” – Santiago Calatrava
S2, 2015 painted, welded plate aluminum and stainless steel 197 x 18 x 179 in., 500.38 x 45.72 x 454.66 cm
S7, 2015 painted, welded plate aluminum 213 x 29 x 213 in., 541.02 x 73.66 x 541.02 cm
S6, 2015 painted, welded plate aluminum 341 x 175 x 132 in., 866.14 x 444.50 x 335.28 cm
SANTIAGO CALATRAVA
2002
Leonardo da Vinci Medal, SEFI, Brussels, Belgium
1951
The Sir Misha Black Medal, The Royal College of Art, London, UK
2004
Gold Medal, Queen Sofía Spanish Institute,
New York, New York
2005
AIA Gold Medal, American Institute of Architects, Washington DC
2006
ESCN European Award for Excellence in Concrete (for the Turning Torso Tower and for Liége-Guillemins High Speed Railway Station)
Premio Nacional de Arquitectura, Ministerio de Fomento, Madrid, Spain
Sidney L. Strauss Award, New York Society of Architects, New York, New York
Leadership Award, New York Building Congress, New York, New York
Premio Nacional de Ingeniería Civil, Ministerio de Fomento, Madrid, Spain
2007
Urban Visionaries Award, The Cooper Union Award for the Advancement of Science and Art, New York, New York
Premio Nacional de Arquitectura, Ministerio de Fomento, Madrid, Spain
2010
Woodrow Wilson Award for Public Service, Woodrow Wilson Center, Washington, DC
2011
Certificate of Brevet Wallonie, Government of the Walloon Region, Belgium
Membro del Pontificio Consiglio della Cultura, Vatican City State
2012
AIA National Medal, Honor of Architects involved Post-9/11 Design and Rebuilding Efforts, Washington, DC
2013
Steel Design Awards of Excellence, Winner of Engineering and Steel Edge Categories, Canadian Institute of Steel Construction, Ontario, Canada
2014
Steel Design Awards of Excellence, Winner of ‘Bridges’ (for Peace Bridge, Calgary), CISC-ICCA Canadian Institute of Steel Construction, Alberta
ENR National, Winner of ‘Best of the best’ in ‘Higher Education/Research’ (for the Florida Polytechnic University in Lakeland)
Born in Valencia, Spain
1969-74 Qualified as an architect at the Escuela Técnica Superior de Arquitectura de Valencia. Post-graduate course in Urbanism 1975-79 Studied civil engineering at the ETH Zurich 1979-81 Doctorate in Technical Science, ETH Department of Architecture
1981
Architectural and engineering practice established in Zurich
The artist lives and works in Zurich, Switzerland. SELECTED AWARDS Honored more than twenty times. Named Doctor Honoris Causa by the most prestigious international universities. 1987
Auguste Perret Prize, Union Internationale des Architectes, Paris, France
1988
IABSE, International Association of Bridge and Structural Engineering, Zurich, Switzerland
Fritz Schumacher Prize for Urbanism, Architecture and Engineering, Hamburg, Germany
City of Barcelona Art Prize (for the Bach de Roda - Felipe II Bridge), Barcelona, Spain
1990 Médaille d’Argent de La Recherche et de la Technique, Fondation Académie d’Architecture, Paris, France 1992
Gold Medal, Institute of Structural Engineers (IstructE), London, UK
1996
Medalla de Oro al Merito de las Bellas Artes, Ministry of Culture, Granada, Spain
1997
LVMH Art Prize, Paris, France
1998
Officier de l’Ordre des Arts et Lettres, Republic of France Paris, France
2001
Award for Excellence in Design, American Museum of Natural History, New York, New York
‘Diamond Award’ ACEC (American Council of Engineering Companies New York) in the category of Structural Systems (for the Florida Polytechnic University)
Six-time ECCS (European Convention for Constructional Steel) European Steel Design Award winner for Kronprinzenbrűcke in Berlin (1997), Pont de l’Europe, in Orléans (2001), Law Faculty Library in Zurich (2003), for both the Olympic Stadium in Athens both and Three Bridges over the Hoofdvaart in the Netherlands (2005), Three Bridges in Reggio Emilia (2009) and Margaret Hunt Hill Bridge in Texas (2012). Winner of two Brunel Awards, Watford Conference of European Railway Architects and Designers, for the Stadelhofen Railway Station in Zurich (1992), for the Oriente Station, Lisbon (1998). SELECTED RECENT EXHIBITIONS 2015
On Park Avenue, Marlborough Gallery, NYC Parks and the Fund for Park Avenue, New York (through November 2015)
2014
Sculptures, Ceramics and Paintings, Marlborough Gallery, New York
2013
The Metamorphosis of Space, The Charlemagne Wing in the Colonnade of St. Peter’s Square, organized by The Vatican Museums and The Pontifical Council for Culture, Vatican City, Rome, Italy
2012 Santiago Calatrava: The Quest for Movement, The State Hermitage Museum, St. Petersburg, Russia
Calatrava and SMU: A Decade in Motion, Meadows Museum at Southern Methodist University, Dallas, Texas
2011
Building a Masterpiece: Santiago Calatrava at the Milwaukee Art Museum, Milwaukee Art Museum, Milwaukee, Wisconsin
2010
Santiago Calatrava: Sculptectures, Museum Le Grand Curtius, Liége, Belgium
2009
Santiago Calatrava: World Trade Center Transportation Hub, Queen Sofía Spanish Institute, New York, New York
2007
Santiago Calatrava: Dalle forme all’architettura, Scuderie del Quirinale, Rome, Italy
Santiago Calatrava Architecture et Olympisme, Musée Olympique Lausanne, Lausanne, Switzerland
Lyon-Saint Exupéry Airport Railway Station, Lyon, France
SELECTED MONOGRAPHS
2005
Santiago Calatrava: Sculpture into Architecture, Metropolitan Museum of Art, New York, New York
Margaret Hunt Hill Bridge, Dallas, Texas Milwaukee Art Museum, Milwaukee, Wisconsin
Blanco, M. Santiago Calatrava. Valencia: Generalitat Valenciana, 1999
2004
Clay and Paint: Ceramics and Watercolors by Santiago Calatrava, Queen Sofia Spanish Institute,
Montjuic Communications Tower, Barcelona, Spain Museum of Tomorrow, Rio, Brazil Olympic Sports Complex, Athens, Greece
New York, New York
Oriente Station, Lisbon, Portugal
World Trade Center Transportation Hub, Museum of Modern Art, New York, New York
Palau de les Artes, Valencia, Spain
2003 Santiago Calatrava: Wie ein Vogel/Like a Bird, Kunsthistorisches Museum Wien, Vienna, Austria
Path WTC, New York, New York Peace Bridge, Calgary, Canada
Colombo, M. Santiago Calatrava. Milano: Hachette, 2011
Petah-Tikva Footbridge, Tel-Aviv, Israel
Frampton, Kenneth, Anthony C. Webster, and Anthony Tischhauser. Santiago Calatrava: Bridges. 2nd expanded ed. Zurich: Birkhauser Verlag, 1996
Pfalzkeller Gallery, St. Gallen, Switzerland
Poetics of Movement: The Architecture of Santiago Calatrava, Meadows Museum, Southern Methodist University, Dallas, Texas
Calatrava: Architect, Sculptor, Engineer, National Gallery Alexandros Soutzos Museum, Athens, Greece
Calatrava, Teloglion Foundation of Art, Thessaloniki, Greece
Reggio Emilia Ponti, Reggio Emilia, Italy
2000
Santiago Calatrava: Scultore, Ingegnere, Architetto, Palazzo Strozzi, Florence, Italy
Samuel Beckett Bridge, Dublin, Ireland
Alameda Bridge and Metro Station, Valencia, Spain Alamillo Bridge and Cartuja Viaduct, Seville, Spain Auditorio de Tenerife, Tenerife, Spain Bach de Roda - Felipe II Bridge, Barcelona, Spain BCE Place: Galleria & Heritage Square, Toronto, Canada Bodegas Ysios, San Sebastian, Spain Campo Volantin Footbridge, Bilbao, Spain Ciudad de las Artes y las Ciencias, Valencia, Spain El Palacio de Exposiciones y Congresos, Oviedo, Spain Emergency Services Centre, St. Gallen, Switzerland Florida Polytechnic University, Lakeland, Florida James Joyce Bridge, Dublin, Ireland Kronprinzen Bridge, Berlin, Germany Liège Guillemins TGV Railway Station, Liège, Belgium Light Rail Train (LRT) Bridge, Jerusalem, Israel
Carrillo de Albornoz Fisac, C. Santiago Calatrava. New York: Assouline, 2013 Chariot, C. Santiago Calatrava: Sculpectures. Brussels: Fonds Mercator, 2010
2001
SELECTED PUBLIC COMMISSIONS
Blaser, Werner, ed. Santiago Calatrava: Ingenier Architektur/Engineering Architecture. 2nd ed. Basel: Birkhauser Verlag, 1996
Puente de la Mujer Bridge, Buenos Aires, Argentina Puente de L’Assut d’Or, Valencia, Spain Quarto Ponte Sul Canal Grande, Venice, Italy Railway Station and Bridge, Reggio Emilia, Italy Remodelacion de la Plaza de Espana, Alcoy, Spain Sondica Airport and Control Tower, Bilbao, Spain Stadelhofen Station, Zurich, Switzerland Sundial Footbridge, Redding, California Tabourettli Theatre, Basel, Switzerland Three Bridges over the Hoofdvaart, Hoofddorp, Holland Turning Torso, Malmö, Sweden
Galiano, L.F. Santiago Calatrava 1983-1996, Madrid: Arquitectura Viva, 1996 Jodidio, Philip. Santiago Calatrava: Complete Works, 19792007. Koln: Taschen, 2007. Kent, Cheryl. Santiago Calatrava: Milwaukee Art Museum Quadracci Pavilion. New York: Rizzoli, 2005 Lefaivre, Liane, and Tzonis, Alexander. Santiago Calatrava’s Creative Process II: Sketchbooks. Basel: Birkhauser Verlag, 2001 Levin, Michael. Calatrava: Drawings and Sculptures. Weinfelden, Switzerland: Wolfau-Druck AG, 2000 Levin, Michael. Santiago Calatrava: The Artworks: A Laboratory of Ideas, Forms and Structures. Basel: Birkhauser Verlag, 2003
Zurich Law Library, Zurich, Switzerland
Sharp, Dennis, ed. Santiago Calatrava. (Architectural Monographs no. 46) London: Academy Editions; New York: John Wiley and Sons, 1996
PUBLIC COLLECTIONS
Tischhauser, Anthony, and Stanislaus von Moos. Calatrava: Public Buildings. Basel: Birkhauser Verlag, 1998
SMU’s Meadows Museum, Dallas, Texas
Tzonis, Alexander. Santiago Calatrava: The Complete Works, Expanded Edition. New York: Rizzoli, 2007
The Metropolitan Museum of Art, New York, New York The Museum of Modern Art, New York, New York The American Museum of Natural History, New York, New York
Tzonis, Alexander. Santiago Calatrava: The Poetics of Movement. New York: Universe Publishing, 1999 Tzonis, Alexander. Santiago Calatrava’s Creative Process I: Fundamentals. Basel: Birkhauser Verlag, 2001 Tzonis, Alexander, and Rebeca Caso Donadei. Santiago Calatrava: The Bridges. New York: Rizzoli, 2005
N E W YO R K /
MADRID /
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Important Works available by: Impressionists and Post-Impressionists; Twentieth-Century European Masters; German Expressionists; Post-War American Artists
DESIGN /
Sydney Smith
P H OTO G R A P H Y /
Brett Beyer, Austin Chod
P R I N T E D I N N E W YO R K B Y P R O J E C T G R A P H I C
C O V E R , B A C KC O V E R :
S1, 2015 painted, welded plate aluminum 402 x 104 x 216 in., 1021.28 x 264.16 x 548.84 cm
OPPOSITE:
S5, 2015 painted, welded plate aluminum 432 x 120 x 121 in., 1097.28 x 304.80 x 307.34 cm
© 2015 Marlborough Gallery, Inc. ISBN: 978-0-89797-483-7
SANTIAGO CALATRAVA ON PARK AVENUE J U N E 8 — M I D - M OV E M B E R , 2 0 1 5
4 0 W E S T 5 7 T H S T R E E T | N E W YO R K | 1 0 0 1 9 2 1 2 - 5 4 1 - 4 9 0 0 | M A R L B O R O U G H G A L L E R Y.C O M