Marta Jarabo Devesa 2014-2022
marta@martajarabo.com +34 660258983
MARTA JARABO. OWN PRACTICE. Currently
Architecture, interior design and visual arts.
ARCHITECTURE AWARDS: 1st prize for the construction of Erguna Wetlands Interpretation Center. In collaboration with Tamara Fraga and Liu XI. May 15. Erguna, Inner Mongolia, China. 1st price III Competition for Social architecture, Konecta Foundation. “Senexpan”. In collaboration with María Gonzále Aranguren. Mar 14 1st price Spanish Network PHI ( Iberoamerican historical cultural heritage network) “ Migratory productive Landscapes”. Mar14
EXPERIENCE IN ARCHITECTURE OFFICES EDRO SYSTEMS. Currently
Director of Architecture and R&D developer of intelligent and collaborative construction systems. Relevant recognition and funding: Funding from CDTI, Center for Industrial Technological Development of Spain Eligible for the second examination to enter the European Innovation Council Accelerator Recogition as spanish Innovative Technology-Based Company .
ANDRÉS JAQUE ARCHITECTS / OFFICE FOR POLITICAL INNOVATION. Madrid, Spain. Nov 16-Dec 17
ADATA AIR. PLOVDIV 2019 FOUNDATION in partnership with the Goethe-Institut in Bulgaria and the Polish Institute in Sofia. Artist in residency. Jun-Jul 2018. Aug-Sept 2019
Senior architect. Exhibition, retail, residential, interior design. Relevant projects: Rambla Climate House, Murcia Rómola, Madrid. Awarded 2018 Europe Best Restaurant Design The Future Starts Here, Victoria and Albert Museum. London Transmaterial Politics, Tabacalera, Madrid. Demonstrative Techno-Floresta in Bogotá Botanical Garden RunRunRun, Madrid. Premio FAD Interiorismo 2020, EU Mies Award 2022 Nominee
BECOMING. VENICE ARCHITECTURE BIENNALE 2018. Group exhibition. 2018
LUIS FEDUCHI+UNIVERSITY UCJC. Chennai and Ke-
ARTIST RESIDENCIES, EXHIBITIONS:
Execution of the installation “An Error on the map” to be displayed during the European Capital of Culture in 2019.
“Migratory Productive Landscapes” selected to be exhibited in the Spanish Pavilion at Venice Architecture Biennale 2018.
FURNISHING TEMPORALITIES /SEQUENCING SPACES. Gallery 2B Space to be, Jan-Feb 1. Solo exhibition in partnership with Luis Amália. Gallery
INTERVENTIONS 4. Aug 17
rala, India. Nov15-Jun 16
Intermediate architect. Urban planning and Archaeological Site Architect in Pattanam, Kerala. Relevant projects: Detailed Development Plan, Residential Zone, Auroville New Muziris. Archelogical site infraestructure development.
Group exhibition. Sabiote, Spain.
Site specific installation for “Casa la Grisa” . Curated by Isidro Blasco.
EL RANCHITO.
Artist in residency in Matadero Madrid Nave 16. SepNov 16 . Exhibition “Souvenirs from Nowhere”, Matadero. Nov 16, Madrid.
NCCA KRONSTADT.
Artist in residency. ( National Centre for Contemporary Arts). Aug16. Saint Petersburg, Exhibition at Russian Museum of Ethnography in St. Petersburg , 29.09.2016.
UNFINISHED. VENICE ARCHITECTURE BIENNALE 2016. Group exhibition. Mar 2016
“The Cristal Chain” Collaborative project exhibited in the Spanish Pavilion at Venice Architecture Biennale 2016. Mar 16. Venice, Italy.
RESET. Ayudas Creación Injuve 2013. Group Exhibition as part of Taller Omnivoros with the “ Foldable house”. Oct -nov 14. Madrid, Spain
HIT-ADRI . Harbin, China. May 14- Oct15
Design concept captain. Transport, office, residential, retail, culture, interior design. Competition awards: 1st Prize in the new Theater of Zhenzhou 1st prize in Five museums and Sport center in Meishan in collaboration with the spanish office Rafael de la Hoz 2nd Prize in Weihai Bus Terminal 2nd Prize in Harbin 731 Quartier Refurbishment
PARDOTAPIA. Madrid, Spain. Sept 12-Sept 13
Intern architect. Hospitality, museums. Relevant projects: Alava University Hospital Museography for Malaga Museum
ISIDRO BLASCO. New York. Sept-Nov 2014 Artist assitant for wooden sculptures.
*To correctly view the document online, you must configure the double page view with the cover separately.
RESIDENTIAL
FELIU HOUSE Navalcarnero 2020-2022
Semi-detached single-family house of 129m2 for a young couple and their three children. structured around an inner courtyard that allows not only to improve its bioclimatic performance, but also to generate a new interior facade to organize the rooms around it, proposing a new distribution model for the semi-detached house typology.
Images below. Garden view, and living room. On the first floor, the kitchen and the living are distributed around the inner courtyard and open to the back garden.
Link to the video
263
A
48/600+panel madera 18mm). e=98mm. M12 Celosía de listones de madera de pino sobre perfil metálico para anclaje a canto forjado. M13 Tabique simple de placas de yeso( 12,5+12,5+70/600+12,5+12,5). En caras interiores zonas húmedas placa hidrofugada. e=98mm. M14 Tabique simple de placas de yeso y panel de madera( 12,5+12,5+70/600 +panel de madera 18mm). En caras interiores zonas húmedas placa hidrofugada. e=98mm.
A 1110
12249
01
M4
02
263
04
03
5154
M1 06
05
M2
250
07
4135
M3
08
250
09
10
Planta SemiSótano_COTAS y SUPERFICIES
Cota acceso / rasante: 0.0m
M4 M4
01 01
02 02
Cota terreno exterior: -0.354m
04 04
03 03
Nicho en muro para dejar nevera enrasada
6000_
05 05
33161
709
7261 2388
1610
2255 1200
694
915
800
3152
941
M3 M3
08 08
09 09
10 10
Cota terreno exterior: -1,4m
9320 861
2030
113
1220
361
811
3778
3515
418
1152
752
G3
E E
2000
G3
G3
G3
866
1000
1000
4
3
2
1
G3
G3
Patio inglés
G3
B
C04 S01
C05
A4-R1
800
Salón/Comedor 34.77 m²
A4-R2
2520
2863
967
Piscina T01
T01
S07
+0.00 m
S01
D D
4914
G3
S01
C04 Garaje 42.52 m²
+1.30 m
500
210
Chimenea
500
pto.agua caño en pared
211 524
865
342
600
1934
S02
2290
A4-R3
+0.98 m
T01
A A
120
M4 120
5
290
4012
S06
6
1000
2520
Lav.
B5
3144
3204
Rampa18%
Rampa 18%
M5
3999
Patio interior 26.25 m²
7
+1.50 m
1000
1024
8
Despensa, lavandería 19.98 m²
-1.23 m
1000
600
A5
A5
1050
B6
A5
G3
1000
T01 M11 S01 1000
2290
G3
120
211 941
C C G3
1920
A4-R1
planta baja 2290
846
822
EQ
210
EQ
747 219
378
G3
C04
S01
967
370
T01
Baño 2.82 m²
620
D D
+1.68 m Acceso
1279
1000
G3
1
3152
864
1000
G3
600
G3B
756
378
M11 1279
1000
800
1000
1279
1000
668
Falso techo
0 7290
600
650
Acceso principal vivienda
725
M11
4654 620
A4-R2
83
1064
173
211
S01
1279
950
B
576
286
Almacén 15.86 m²
T01
S01
708
2000 1189
40
Patio +1.50 inglés m
Acceso vivienda
Cocina 9.86 m²
-1.23 m
8
B1
14 13 12 11 10 9 8 7 6 5 4 3 270 2 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 Escalera +1.32 m 4.95 m²
T01
1408
7
A4-R2
6
Aseo 1.64 m²
700
5
A4-R1
4
1950
1347 3
211
3966
2
columna nevera
886
1246
LP
1
+0.00 m
columna horno + micro
Patio inglés
2179
E E
M4
2130
940
C C
A A
Cota terreno exterior: -0.464m
07 07
5670 4100
120
38
2400
1690
300
M2 M2
06 06 M1 M1
12161
300
822
106
6003
ACABADOS PARAMENTOS A1 Revestimiento ladrillo en malla a elegir por la DF. Ver alzados. A2 Acabado mortero color blanco roto textura basta. Cables de acero para agarre de enredaderas. LEYENDA MATERIALES A3 Acabado mortero colorPRODUCTO blanco roto Y A textura basta combinado con ladrillo en malla a elegir porEXTERIORES la DF. Ver alzados PARTICIONES A4 blancode mate, tipo Muro deplástica cimentación Hormigón M1 Pintura exterior según hasta zona ubicación. armada oininterior situ e=25cm cota ±0,00m. A5 elegir por M2 Azulejo/planilaque/epoxi Muro de cimentación de aHormigón la DF enin paredes ducha.con trasdosado armada situ e=25cm Panelado grecado ( tablero sustituye A8 interior autoportante con aislamiento de pladur. ver M11) lana mineral e=100mm y doble placa de Espejo medida medidas según A9 yeso hastaacota ±0,00m. plano, ancho M3 Muro de hueco. cimentación de Hormigón A10 Trasera cocina de microcemento armada in situ e=25cm con trasdosado Panelado dede tablero de madera de directo de placa yeso adherido con A11 pasta( tablero de agarre hasta cota ±0,00m. pino sustituye pladur. ver M11) M4 Pintura Fachada medianera de doble hoja en A12 epoxi RAL 6027 secoAcero tipo Placo Integra. Hoja exterior lacado en blanco A13 aislamiento de lana mineral e=100mm. Hoja interior aislamiento lana mineral e= SOLADOS 50mm. Baldosa porcelánica imitación a S01 M5 Fachada de120x20cm. doble hoja en seco tipo madera roble de PlacoBaldosa Integra.acabado Hoja exterior aislamiento S02 hormigón pulido. de lana mineral e=100mm. interior Pintura epoxi color Hoja gris 9003 S03 aislamiento mineral e=50mm. S05 Cespedlana artificial S06 Pavicesped PARAMENTOS HORIZONTALES Grava S07 C01 Cubierta invertida no transitable 0,5% pendiente. Acabado de grava RODAPIE redondeada.Bajantes y accesorios zinc Rodapie DM lacado en blanco, de canto R1 de lucernario realizado con C02 Cubierta recto, 7cm, enrasado en pared. chapa sandwich R2 Zócalo antihumedad melamina blanco, C03 Estructura para metálica para toldo 7cm, canto recto. Enrasado con placa lacada en blanco.Toldo color blanco yeso. C04rodapie Cubierta *El seplana clava invertida a la placatransitable de yeso C05 Forjado EDRO conenrasado suelo radiante interior para que quede con la placa de yeso exterior, esta placa se colocara 0,5mm por encima del rodapie. PARTICIONES R3 Zócalo igual INTERIORES pavimento M6 Tabique simple de placas de yeso( 12,5+12,5+48/600+12,5+12,5). En caras interiores zonas húmedas placa hidrofugada. e=98mm. M7 Tabique doble PYL 146/600 (48+15+ 48). Lana mineral 40/50mm. e=146mm M8 Tabique móvil realizado con paneles de madera correderos. M9 Pared fija de vidrio, formado por perfiles aluminio superior e inferior lacado color blanco y vidrio laminar se seguridad 4+4mm. Juntas verticales selladas con silicona estructural. M10 Tabique simple de tablero de pino( 12,5+12,5+48/600+panel madera 18mm). Acabado madera en cara vista. e= 98mm. (Posibilidad usar armario como separación. Consultar DF) M11 Tabique simple de tablero de pino barniz mate y placas de yeso antihumedad en cara interior zona húmeda ( 12,5+12,5+ 48/600+panel madera 18mm). e=98mm. M12 Celosía de listones de madera de pino sobre perfil metálico para anclaje a canto forjado. M13 Tabique simple de placas de yeso( 12,5+12,5+70/600+12,5+12,5). En caras interiores zonas húmedas placa hidrofugada. e=98mm. M14 Tabique simple de placas de yeso y panel de madera( 12,5+12,5+70/600 +panel de madera 18mm). En caras interiores zonas húmedas placa hidrofugada. e=98mm.
194
2144
818
3654
1750 98
12166
4208
4385
1436
13997
33553
M4 M4
01 01
02 02
04 04
03 03
Cota terreno exterior: -0.30m
M1 M1 06 06
05 05
terreno 07 Cota 08 07 08 exterior: -1.05m
M2 M2
M3 M3
09 09
Cota terreno exterior: -1.30m
10 10
Cota terreno exterior: -1,49m
Semi-basement floor
ACABADOS PARAMENTOS A1 Revestimiento ladrillo en malla a elegir por la DF. Ver alzados.
Planta SemiSótano_MOBILIARIO Baja_COTAS y SUPERFICIES Planta Y ACABADOS
PLANTA
05
04
M1 06
05
Nicho estantes
1000
M5
5
4
02
S05
01
2248 2770
D
G10
G9
A 283
340
3083
300
Cota terreno exterior: -0.30m
04
03
04
03
871
05
M1 M106 06
05
M2 M2
04
05
06
07 Cota terreno 08
SUP. ÚTIL m2
SUP. CONSTRUIDA m2
12,85 27,59
TOTAL
40,44
49,99
SEMISÓTANO Garaje Baño Almacén Despensa Escalera 1/2tramo TOTAL
44,59 3,91 18,45 20,38 2,25 89,58
104,53
TOTAL S+SS
07
130,02
154,52
M2
08
<Sup.ocupación = 118,455m2
M3
SUP. ÚTIL m2
PLANTA BAJA Cocina Aseo Salón/Comedor Escalera TOTAL PLANTA PRIMERA Dorm.Principal Baño 01 Habitación 01 Habitación 02 Habitación 03 Baño Inodoro 09 Lavabos Distribuidor Escalera 1/2tramo TOTAL
SUP. CONSTRUIDA m2
9,37 1,72 34,70 4,32 50,11
63,05
11,18 4,41 8,05 9,51 8,04 2,10 0,89 1,30 2,50 2,25 50,23
65,75
Cota terreno exterior: -1,49m
PLANTA
SUP. ÚTIL m2
TOTAL
100,34
ZONAS EXTERIORES Patio interior
26,04
SUP. CONSTRUIDA m2 128,8
PISCINA A1 Revestimiento ladrillo en malla a elegir por la DF. Ver alzados.
A2 Acabado mortero CL color blanco roto ALCAZAR DE SEGO Localización / Location: textura basta. Cables de acero para agarre Arquitecto / Architect: de enredaderas.
Marta Jarabo Devesa. mortero COAM 21.272 A3 Acabado color blanco roto textura basta combinado con ladrillo en malla a elegir por la DF. Ver alzados ARQUITECTURA_Planta Baja A4 Pintura plástica blanco mate, tipo exterior o interior según zona ubicación. A5 Azulejo/planilaque/epoxi a elegir por Fecha Modificado: Esca Fecha /laDate: DF en paredes ducha. 11/11/2021 1 : 50 A8 Panelado grecado ( tablero sustituye
10
pladur. ver M11) Unidades / Units Todas las medidas deben comprobarse a medida medidas según A9 EspejoThe dimensions must be revised on site. MILÍMETROS plano, ancho hueco. EDRO FRACTAL SYSTEMS, S.L.|de CIFmicrocemento B- 88413851 | Paseo d A10 Trasera cocina A11 Panelado de tablero de madera de pino ( tablero sustituye pladur. ver M11) A12 Pintura epoxi RAL 6027 A13 Acero lacado en blanco
228
C
2109 1127 1000
500
Distribuidor
E
S01
370
G2
500
B7
A11
A12 S01
Inodoro
Habitación 03 T01
1000
B4
1500
A12 S01
551
G2
G2
B
A11 2552
A11 1280
A11 Habitación 02 A11
A11
T01 S01
1245
A2
A1
Habitación 01 Patio interior
151 350
500
D
T01
1883
945
G7
RODAPIE R1 Rodapie DM lacado en blanco, canto recto, 7cm, enrasado en pared. R2 Zócalo antihumedad melamina blanco, 7cm, canto recto. Enrasado con placa yeso. *El rodapie se clava a la placa de yeso interior para que quede enrasado con la placa de yeso exterior, esta placa se colocara 0,5mm por encima del rodapie. R3 Zócalo igual pavimento
S01
G9
1787
SOLADOS S01 Baldosa porcelánica imitación a madera roble de 120x20cm. S02 Baldosa acabado hormigón pulido. S03 Pintura epoxi color gris 9003 S05 Cesped artificial S06 Pavicesped S07 Grava
2118
G2
1000
B6 A9 B6
D
PARTICIONES INTERIORES M6 Tabique simple de placas de yeso( 12,5+12,5+48/600+12,5+12,5). En caras interiores zonas húmedas placa hidrofugada. e=98mm. M7 Tabique doble PYL 146/600 (48+15+ 48). Lana mineral 40/50mm. e=146mm M8 Tabique móvil realizado con paneles de madera correderos. M9 Pared fija de vidrio, formado por perfiles aluminio superior e inferior lacado color blanco y vidrio laminar se seguridad 4+4mm. Juntas verticales selladas con silicona estructural. M10 Tabique simple de tablero de pino( 12,5+12,5+48/600+panel madera 18mm). Acabado madera en cara vista. e= 98mm. (Posibilidad usar armario como separación. Consultar DF) M11 Tabique simple de tablero de pino barniz mate y placas de yeso antihumedad en cara interior zona húmeda ( 12,5+12,5+ 48/600+panel madera 18mm). e=98mm. M12 Celosía de listones de madera de pino sobre perfil metálico para anclaje a canto forjado. M13 Tabique simple de placas de yeso( 12,5+12,5+70/600+12,5+12,5). En caras interiores zonas húmedas placa hidrofugada. e=98mm. M14 Tabique simple de placas de yeso y panel de madera( 12,5+12,5+70/600 +panel de madera 18mm). En caras interiores zonas húmedas placa hidrofugada. e=98mm.
PROYECTO DE EJECUCIÓN Proyecto / Project:PARAMENTOS ACABADOS
<Sup.edif = 129,33m2
977
G7
Bañera A12
A4-R1
B2 T01 S02
A12
853
B
1627 551
PLANTA
10 10
7
B3
S01
529
350
A4-R1
600
9 8 A13
1000
A4
Cota terreno exterior: -1.30m
09
A4
Baño 01 T01 S01
16 15 14 13 12 11 10
A5
600
G2
A4-R2
750
Dormitorio Principal
A4-R1
B1
E
09
M3
08
297
A3
A5
685
500
G2
750
777
357 290
593
355
300
729
A
3515
M3
exterior: -1.05m
07
SÓTANO Instalaciones Almacenamiento
M1 1347
G9
1754
112
1000
D
1000
600 360
2388
03
02
54 211
B
S07
112
Límite forjado
G2
1
Piscina
PLANTA
G2
2
570
Planta Baja_MOBILIARIO Y ACABADOS Planta Primera_COTAS y SUPERFICIES
724
3
G9
M4
211
211
1118
862 500
822
3862
211
02
G 8
G9
500
M4 2087
5595
600
Cota terreno exterior: -1,4m
A10mineral Traserae=100mm cocina deymicrocemento lana doble placa de Unidades / Units Todas las medidas deben comprobarse e Panelado de tablero debemadera desite. A11hasta yeso cota ±0,00m. The dimensions must revised on MILÍMETROS pinoMuro ( tablero sustituye pladur. ver M11) M3 de cimentación de Hormigón EDRO FRACTAL SYSTEMS, S.L.|RAL CIFcon B88413851 | Paseo de A12 Pintura 6027 armada in situepoxi e=25cm trasdosado lacado en blanco directo de placa de yeso adherido con A13 Acero pasta de agarre hasta cota ±0,00m. C M4 Fachada medianera de doble hoja en SOLADOS seco Placoporcelánica Integra. Hoja exterior a Baldosa imitación S01tipo aislamiento de lana mineral e=100mm. madera roble de 120x20cm. C Hoja aislamiento lana mineral e= S02interior Baldosa acabado hormigón pulido. 50mm. S03 Pintura epoxi color gris 9003 M5 doble hoja en seco tipo S05Fachada Cespedde artificial Placo Hoja exterior aislamiento de E S06 Integra. Pavicesped lana Grava e=100mm. Hoja interior S07mineral aislamiento lana mineral e=50mm. E RODAPIE PARAMENTOS HORIZONTALES lacado en blanco, canto R1 Rodapie DM C01 invertidaen nopared. transitable recto,Cubierta 7cm, enrasado 0,5% pendiente. Acabado de grava blanco, R2 Zócalo antihumedad melamina redondeada.Bajantes y accesorios de zinc 7cm, canto recto. Enrasado con placa Cubierta de lucernario realizado con C02 yeso. chapa sandwich *El rodapie se clava a la placa de yeso C03 Estructura para metálica para toldo interior para que quede enrasado con la lacada placa en de blanco.Toldo yeso exterior,color esta blanco placa se C04 Cubierta plana invertida colocara 0,5mm por encimatransitable del rodapie. C05 EDRO con suelo radiante R3 Forjado Zócalo igual pavimento
+0.00 m
98
G6
20877
1000
01
C
Marta Jarabo COAM 21.272 LEYENDA MATERIALES PRODUCTO A4 Devesa. Pintura plástica blanco mate, tipo Y AC exterior o interior según zona ubicación. A5 Azulejo/planilaque/epoxi PARTICIONES EXTERIORES a elegirypor ARQUITECTURA_Semisotano So la DF en paredes ducha. de Hormigón Muro de cimentación M1 grecadohasta ( tablero A8 Panelado armada in situ e=25cm cotasustituye ±0,00m. pladur. ver M2 Muro deM11) cimentación de Hormigón Fecha / armada Date: Fecha Modificado: a medida según Esca A9 Espejo in situ e=25cmmedidas con trasdosado 11/11/2021plano, ancho hueco. 1 : 50 interior autoportante con aislamiento de
3515 65,75
500 6
textura basta.PISCINA Cables de acero para agarre de enredaderas.
A3 Acabado mortero blancoDE roto CL color ALCAZAR SEGO Localización / Location: textura basta combinado con ladrillo en Arquitecto / Architect: malla a elegir por la DF. Ver alzados
2552
A4-R1
7
S02
PROYECTO EJECUCIÓN ProyectoA2 / Project: Acabado mortero color DE blanco roto
<Sup.edif = 129,33m2
1119
977
M6
1500
1811
1406
G9
2047
Habitación 01 8.20 m² 2178
1113
G9
A2
01
M4
10
128,8
10
570
800
Habitación 02 9.14 m²
G6
G9
194
211
M4
26,04
SUP. CONSTRUIDA m2
M14
300
Ground floor +1,50mM4
468
3765
M4 1241
106
S01
11,18 4,41 8,05 9,51 8,04 2,10 0,89 1,30 2,50 2,25 50,23
100,34
ZONAS EXTERIORES Patio interior
C03
Habitación 03 8.14 m²
370
725 702 2424 Distribuidor M11 5.93 m² T01
M10
1000
500 500 1000 430
A
8 +1.50 m
725 801
63,05
SUP. ÚTIL m2
TOTAL
G6
Salón/Comedor
Patio interior
435
G5
G9
G9
700
Bañera 2.14 m²
M10
600 1482
500
A2
M5 A1
4041 2150
G5
648
A
1646
M6 851
Patio interior
Rampa18% S06
879
718
227
M6
735
C03 S02
A4
1428
Inodoro 1.13 m² 98 891
1751
2751
4099
A13
252
D
1000
M1
07
130,02
M11
474
G5
A8 C05
2814
628 620
211
300
500 500 1000
D
Baño 01 4.13 m²
211
G9
1243
G9
7290
600
M4 G9
A11
211
1605 869 353
950
Acceso principal vivienda
B
828
M2S+SS TOTAL
7
M6
800 828
M5
1773
S02
1300
1215
T01 S01
Dormitorio Principal 11.09 m²
+1.50 m
A13 9 8
44,59 3,91 18,45 20,38 07 2,25 89,58
PLANTA
SUP. CONSTRUIDA m2
300
1243
Escalera B6 16 15 14 13 12 11 10
T01 S01
820 3580 M11
8
297 800
466
7
1174
Aseo B2 996
M6
6
columna nevera
357
Cocina
2430
1114
5
columna horno + micro
604
4
S02
974 800
2827
3
A3
12218 1825
M4
600
2
3249
1
S02
915
290 83
635
1000
1000
G1 LP
E +0.00 m
600
829
A4 A10
Patio inglés
E
85 400
800
3978
54 211
1200
G9
G9
1223
C
600
194
648
600
106
A4-R1
1600
M14
1200
5990
615
1200
1690
C
SEMISÓTANO Garaje Baño Almacén Despensa Escalera M21/2tramo TOTAL
9,37 1,72 34,70 4,32 50,11
1154
03
06
SUP. ÚTIL m2
PLANTA BAJA Cocina Aseo Salón/Comedor Escalera 49,99 TOTAL PLANTA PRIMERA Dorm.Principal Baño 01 Cota terreno Habitación 01 exterior: -0.464m Habitación 02 Habitación 03 08 M3Baño 09 104,53 <Sup.ocupación = 118,455m2 Inodoro M3 Lavabos 09 08 154,52 Distribuidor Escalera 1160 870 1/2tramo TOTAL
1024
02
Cota terreno exterior: -0.354m
04
40,44
PLANTA
4854
01
M4
03
Nicho en muro para dejar nevera enrasada
TOTAL
SUP. CONSTRUIDA m2
418
02
120
01
12,85 27,59
418
M4
500
Cota acceso / rasante: 0.0m
SUP. ÚTIL m2
SÓTANO Instalaciones Almacenamiento
G7 283
A2
300
M4
01
211
5595
02
211
2388
211
A 340
03
04
First floor
3083
A
128 300 232
05
M1 06
M2
07
08
M3
09
10
Planta Primera_MOBILIARIO Y ACABADOS
1751
851
600
SUP. CONSTRUIDA m2
12,85 27,59
TOTAL
40,44
49,99
SEMISÓTANO Garaje Baño Almacén Despensa Escalera 1/2tramo TOTAL
44,59 3,91 18,45 20,38 2,25 89,58
104,53
TOTAL S+SS
130,02
154,52
<Sup.ocupación = 118,455m2
PLANTA PLANTA BAJA Cocina Aseo Salón/Comedor Escalera TOTAL PLANTA PRIMERA Dorm.Principal Baño 01 Habitación 01 Habitación 02 Habitación 03 Baño Inodoro Lavabos Distribuidor Escalera 1/2tramo TOTAL
SUP. ÚTIL m2
9,37 1,72 34,70 4,32 50,11 11,18 4,41 8,05 9,51 8,04 2,10 0,89 1,30 2,50 2,25 50,23
SUP. CONSTRUIDA m2
63,05
PLANTA
SUP. ÚTIL m2
TOTAL
100,34
ZONAS EXTERIORES Patio interior
26,04
SUP. CONSTRUIDA m2 128,8
Proyecto / Project: PROYECTO DE EJECUCIÓN V PISCINA
<Sup.edif = 129,33m2
Localización / Location: CL ALCAZAR DE SEGO Arquitecto / Architect: Marta Jarabo Devesa. COAM 21.272
ARQUITECTURA_Planta Primera Fecha / Date:
Fecha Modificado: Escala
Unidades / Units MILÍMETROS
Todas las medidas deben comprobarse en The dimensions must be revised on site.
11/11/2021
1 : 50
EDRO FRACTAL SYSTEMS, S.L.| CIF B- 88413851 | Paseo de
65,75
980
520
181
220 2000
2680
Planta SEMISOTANO (-1.23 m)
10.28°
1110
2340
2730
Planta CALLE (0.00 m)
1500
1000
800
Planta BAJA (1.50 m)
121
502
900
2700
3080
8500
Planta PRIMERA (4.58 m)
1100
720
2010
1290
3320
1000
SUP. ÚTIL m2
SÓTANO Instalaciones Almacenamiento
680
600
Planta SEGUNDA (7.90 m)
1310
600
PLANTA
Planta SOTANO (-2.68 m)
A3
6
320
A7
600
Longitudinal section Planta SEGUNDA (7.90 m)
A8
1 : 50
Images below. The bedrooms are located on the second floor. It is conceived as a pine wood cabin, given the limited space, the closets become the delimiters of the rooms. The children’s rooms can be interconnected with folding panels to generate different degrees of privacy throughout their lives.
The second floor bathrooms have skylights for natural lighting. The skylight in the children’s bathroom also serves to illuminate the hallway. There is no area of the house without natural lighting, something that does not usually occur in this type of housing. The washbasins are integrated into the corridor to facilitate use by three people.
THE STRUCTURAL SYSTEM > The Feliu house is the first field test of the Edro IoT reusable structural system, a system that allows the generation of a sustainable, circular and digital construction.
We have developed a “brick 2.0” and a construction system based on the maximum parameters of material efficiency, logistics, resilience, reuse and the ability to incorporate automation,
and a BIM companion plugin to decompose any project into standard or special components, in order to carry out its prefabrication.
During production, we introduce a tag in each slab to be able to digitally trace the construction process and and enable working with digital twins in real time,
automating the control of reception on site
and the positioning of the slabs in their location.
Slabs are screwed to create reusable dryjoint system,
that enables the creation of a circular construction economy, new forms of collaboration between agents and fosters the inclusion of any type of worker.
EDRO structure finished. Surface: 420m2 Parts manufacturing time: 20 days / 4 molds / 4 technicians Assembly time: 20 hours / 4 technicians
Besides Edro structure, we have selected technically more advanced systems and materials already on the market that meet the same conditions as edro system: dry joint, sustainable production, possibility of being reused and ease both in assembly and disassembly.
Placo Therm Integra dry construction full sheet light facade. Execution time: 10 days weeks / 5 technicians
The use of mesh brick denounces a paradox: the reflection of an architecture that transcends traditional systems but that is impossible to make visible, due to the normative imposition of aesthetic parameters from other times that still persist.
Brick mesh lining: Execution time: 20 days / 3 technicians
PARDO house Boadilla del Monte 2021-2023
Single-family house with independent office area and guest area of 468.14m2 located in Boadilla del Monte, Madrid. The house is conceived as a play of visual perspectives to generate the sensation of a fluid and open space; but where each programmatic area remains independent from the other. The volume, apparently hermetic towards the access road, thanks to the use of interior courtyards veiled by lattices and its semi-buried position, opens up with large windows to the different gardens.
The double-height living room, visually separated from the dining room by a suspended fireplace, extends onto the terrace with a double-height porch, eliminating the difference between indoor and outdoor space.
Link to the video
Left. The kitchen island is conceived as a block of reinforced concrete with integrated cooking hobs.
Below. View of the house from the back garden. The landscape is shaped in terraces following the slope of the land, the pool emerges from a terrace.
> The building is perceived as a monochrome block. Structure and lattices of colored reinforced concrete are continued in the interior with granite floors and pink stucco walls.
Above. The second floor is a private space for the owners, where their bedroom with dressing room, bathroom en suite and study are located.
Right. The master bedroom bathroom has two private Japanese patios enclosed with latticework. One for the shower, with an outdoor shower, and one for the toilet cubicle. The washbasin is conceived as a suspended block of colored concrete.
Below. The semi-basement, illuminated by Japanese patios, opens up to the garden thanks to the natural slope of the terrain. This area is detinated to public office and the house facilities.
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OLIVA HOUSE Alcalá de Henares 2021-2023
Located on a sloping site on the Avutarda hill, Casa Oliva is designed to be adapted to the topography of the site, and to the requirements of the clients “a house where you can receive people, but also with quiet spots to relax”, in this way the project explores the possibilities of generating spatial richness, capacity for surprise and, above all, combining very simple spaces in a way that increases the repertoire of domestic experiences.
View of the kitchen from the living room. The island with the fires is conceived as a table with an undulating perimeter.
Above. Rear façade. Below. The living room sofa sits on a masonry bench that begins in the entry hall and extends into the garden.
Link to the video
Right. The double-height dining room overlooks the garden through a window located at the level of the pool. Below. Master bathrrom and bedroom. The bathroom has two sinks facing each other, a large shower with bench and overhead lighting.
>The house is conceived as a series of concrete volumes casted in concrete with wooden formwork and cedar wood for the interior carpentry.
View of the garden and the elevated swimming pool.
126
125,5
126,5
128
3.22
125
6.79
4.21
ZA TERRA 2 56,64m
A. PISCIN 2 24,96m
3.66
. HAB m2 7 36,8 2.72
4.0
2.5
2.43
9.57
2
6
3.0
0
2.50
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4.5
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2.19
2.13
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ME
2.99
2.30
1.00
3
1.2
6.36
1.09
1.16
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3.7
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0.9
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2.20
4.82
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3.22
8,12
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5.41
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3.31
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2.24
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127
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pa Ram % 2 11,1
126,5
Superficie construida: PB: 186,93m2 P-1: 162,34m2 TOTAL 221,04m2
Paisajismo, terrazas y accesos 312,94m2 Piscina 25,44m2
125,5
Superficie construida: PB: 186,93m2 P-1: 162,34m2 TOTAL 221,04m2
Paisajismo, terrazas y accesos 312,94m2 Piscina 25,44m2 0
10
Rehabilitation
RUFO house
Vallejera de Riofrío 2019-2021
La cocina se ubica en la banda intermedia y dispone de cubierta de cristal. Se abre una ventana hacia la piscina, que ocupa el espacio de los antiguos baños.
The rehabilitation of the Rufo house was born from living in a ruin. The original dwelling had a first floor and a lower deck that had to be demolished. The floor plan was organized as a series of interlinked rooms. In these conditions, the heart of the house was the most marginal and gloomy space of the whole complex, this added to
the hermetic facade with small windows. With the renovation, the entire undercroft was demolished and the new house was organized as a transition of three filters of privacy, light and thermal comfort: open spaces without roof, spaces covered by glass and spaces completely roofed, consecutively.
>The rehabilitation process seeks to recover as many of the original elements as possible and to preserve the traditional typology of concatenated alcoves for a variety of simultaneous uses.
Right and below. Entrance patio and summer living room patio, respectively. Both rooms are open to the outdoors and constitute the first filter of the house.
Above and right. The winter living room has direct access to the swimming pool, which occupies the space of the old bathrooms. The original tiles are preserved on the walls.
Left.The bedroom and the winter living room are located in the last filter, where the new wooden roof is already visible. On the lower deck there is a study that overlooks the double-height room. The colors used are vestiges of the original colors of the house.
Right. The new bathroom is located in the old pantry. It belongs to the second filter next to the kitchen and both rooms share the glass roof. Awnings are used to regulate the light intensity.
Refurbished status
ón itaci
4820
Hab
7040
7040
Ves tidor
2210
Current status
PATIO VECINO Comedor
9170
Alcoba
2960
Baño
Cocina
Alcoba
Baño 2
CALLEJÓN
3000
2800 2960
PATIO VECINO
9170
CALLEJÓN
3000
2800
Despensa
Sal ón Invi erno
1560
Salón Comedor
Cocina
1560
Salón
Vestíbulo
6320
6150
6150
6320
Piscina Patio Salón Ver ano
Leñero
Leñero
Patio Entrada
Baño 1
13440
13440
CALLE ABAJO
CALLE ABAJO
ESTADO REFORMADO PLANTA BAJA
ón itaci Hab
7040
7040
Ves
tidor
ESTADO ORIGINAL PLANTA BAJA
1560
Estudio
1560
CALLEJÓN
3000
2800
3000
CALLEJÓN
2960
2960
Baño
Bajo cubierta PATIO VECINO
Cocina
Comedor
9170
9170
PATIO VECINO
6150
6150
6320
Piscina
Patio Salón Ver ano Patio Entrada
Almacén
13440 13440
CALLE ABAJO
CALLE ABAJO
ESTADO ORIGINAL PLANTA PRIMERA
ón Hab itaci
7040
7040
Ves
tidor
ESTADO REFORMADO PLANTA PRIMERA
Estudio
1560
1560
2960
CALLEJÓN
3000
2800
3000
CALLEJÓN
2960
Baño
Bajo cubierta
9170
9170
Cocina
PATIO VECINO
PATIO VECINO
Comedor
6150
6150
6320
Piscina
Patio Salón Ver ano Patio Entrada
Almacén
13440
13440 CALLE ABAJO
CALLE ABAJO
ESTADO ORIGINAL PLANTA PRIMERA
ESTADO REFORMADO PLANTA PRIMERA
Rambla climate house
Andrés Jaque / Office for Political innovation
Molina del Segura, Mucia 2018-2021 Role: Senior architect
The Rambla-ClimateHouse mobilizes the wastewater and organic waste of a detached residential infrastructure, to restitute in an elliptical artificiallynurtured-landscape-unit, the ecosystem of the laurisilva forest. Southern European climate was severely affected by the loss of laurisilva forest veins, that accumulated corridors of water and wet life within dry ecosystems. Carbon sequestration, oxygen liberation and biodiversity would multiply in these veins that disappeared with urbanization and infrastructuralization of territories since early 19th century. This house is part of a collective effort to mobilize suburbian homes as actors in a networked reparation of the laurisilva veins. This project has been developed in collaboration with Universidad de Alicante and a number of advocacy groups of Murcia.
Senexpan 1st price III Competition for Social architecture, Konecta Foundation. In collaboration with María González Aranguren 2015
Senexpan is a module of housing that foresees the possibility that their inhabitants will progressively lose physical, cognitive or sensory abilities. All the accessibility solutions that may be needed throughout their life are integrated since the begining in the project. They will be using or activating them depending on the needs of its inhabitants. As space builder we take the handrail. Handrail runs through all the rooms of the house continuously. The spaces are ordered according to their degrees of privacy.The handrail is endowed of content, becomes storage and generator element of accessibility. This central module is made with an aluminium structure and translucent polycarbonate enclosure, contains in its interior led lights.
Other page Small sample of the spatial responses proposed to the elder´s patologies Top Axonometry. House configuration Right Plan. Units agrupation proposal Below. Constructive section
Constructive section
COMMERCIAL
BRANDO ICE CREAM SHOP
Madrid 2021 Concept design In collaboration with Solar.xyz
The concept for Brando did not took us too much. We wanted to create an oasis in the city. We wanted people walking by to perceive a cool atmosphere which talks about summer, fun and icecreams.
Andrés Jaque / Office for political innovation Role: Senior architect
restaurant Madrid 2020
run run run
Premio FAD Interiorismo 2020 EU Mies Award 2022 Nominee
“Its architecture is an urban techno-farm: a big house stuck inside a modern building; an assemblage of greenhouse and grotto, both protecting a hanging vegetable garden. A large portion of the ingredients cooked in Run Run Run’s kitchen come from this garden.” Andrés Jaque
ROMOLA Restaurant
Madrid
2017
Andrés Jaque / Office for Political Innovation Role: Senior architect
Awarded 2018 Europe Best Restaurant Design
This project transforms the former 1946 garage of Gutierrez Soto’s most significant building, located in the geographical center of Madrid, into an assembly of bakery, café and experimental restaurant. The original volume and structure of the building is recovered, leaving a 5-meter-high space with massive openings onto the streets.
Quijia camping Reception center Office/ ADRI HIT. Role: Concept designer and job captain Year/ 2015 Location / Qujia, China Located on a slope with views to the river and comissioned by a Gaudi fan, the building allocates the campsite reception, cafeteria and common areas. The program is distributed by bands to generate acoustic independence. The structure is based in the catenary arches designed by Gaudi.
solo io
Concept design for solo io In collaboration with Francisco Pérez Durbán
Madrid Barcelona Valencia Cartagena de Indias Bogotá
PUBLIC
Zhenzhou Theater 1st prize competition, Underconstruction
Type / Cultural Office/ ADRI HIT. Role: Concept designer and job captain Year/ 2015 Location / Zhenzhou, China
The future extention of Zhenzhou will have a Theater, which wil include a music hall, opera house, small chinese opera and a multifunction room. The theaters are placed so they can share a private area for the actors and musicians and a common lobby for spectators. Every aspect of the building, from volumetry to inner design, fassade an landscape, tries to reflect the chinese culture along the yellow river and to transmit the sense of performance.
Acustic analysis and interior design of the four halls. Each of them based on a different art period of the chinese history. 1. Opera house. (rendering company image) “Yellow
river hall”. 2. Music Hall “Porcelaine hall” 3. Small opera “Bronze hall” 4. Multifunction room “Stone hall”.
City Bus Terminal Weihai 2nd prize competition
Type / Mix used_trasnport, retail, offices Office/ADRI HIT. Role: Concept designer and job captain Year / 2015 Location / Weihai, China
The concept arose from the timelapse between changing means of transport and the potential of connectivity, thus the terminal, surrounded by high-rise housing, was combined with a park and commercial/office aerea to create a fresh and active environment useful for neighbours, passangers and workers. To improve the behaviour of the terminal and create and iconic image the bus circulation was created on an helicoidal ramp wich linked at the same time all the layers of the project, the park as well helped to connect the difference of level of the plot.
passangers to passangers to street conection to connection shopping
passangers to depassangers to street conection to connection shopping
Rendering company night view.
The park is the core of the project. It is use as con-
The wetlands museum 1st winner competition
Type / Cultural Collaboration with / Liu Xi and Tamara Fraga Year / 2015 Location / Erguna, China
The goverment of Erguna, a city in iiner Mongolia opened a competition to design a museum/information center about the wetlands park. Our proposal seeks to translate the flow of the river in to the building. Placed in the top of hill, the building ascends folowing the slope. It is designed as a lineal path, visitors will cross the museum and later continue a wooden walkway to reach the observation point of the park.
Site and plan Unfolded section. The museum appears in the The museum is perceived as middle of the panoramical a lineal ascending path view path of the wetland park, and it means to be a covered walkway following the movement of the river.
Construction images The fassade made of half tree trunks remains the traditional wooden log cabins located in the area.
MEISHAN CULTURAL AND SPORTS CENTER 2nd winner competition Designed by Hit ADRI +Rafael de la Hoz Role: Job captain 2015 Meishan, China
The design explores the relation between traditional architecture, made of wood and bamboo, and contemporary architecture bringin g out the essence of the terraced rice paddies of Sichuan province and reinterprets the abstracted smooth curvatures of traditional Chinese roofs and their symbolic architecture characterised by wooden structure.
A museum of Culture, a museum of the City, a museum of Science and Technology, a library, a wide exhibition hall and a sports centre will shape this complex over a total surface area of 260,000 sqm. The plot of this project will be located in natural surroundings, close to various buildings of the University of Meishan.
The Future Starts Here Victoria and Albert Museum, London
12 May 2018 to 4 November 2018 Designed by Andrés Jaque / Office for Political Innovation. Role: Team member Structural Engineering / Mecanismo AV Engineering / Telesonic Lighting engineering/ DHA Graphics/2×4 Films/Superflux Photography © Victoria and Albert Museum, London
Design moves away from 1950-60s persisting notions of space-age futures to create a series of contexts in which future scenarios, announced by already existing technologies, can be seen integrated into ordinary, recognizable settings, which results in the accumulation of existing architectures: Victorian gingerbread architectures mixed with brutalist architectural components and plastic-made, free topographies—a colorful, lighted vision of the future where the exhibited objects and technologies, instead of being presented in surprising fantastic realms, can be found as contributors in the making of common situations, inserted in familiar settings (a kitchen, a bathroom, a cafe, a street, a public parlor, a landscape, a corporate office). Structured as a scalar progression in five acts, the show starts with an immersion into domestic life and the way it is currently being disputed by different notions of desirable evolution of domesticity. The narrative is introduced by a robot designed to do laundry. Following this is an arena where politics, corporations, and civil society confront and interact with each other. A back-lighted section of the planet, organized as a display in vertical levels from the deepest reachable strata of the earth to outer space, contains the way our environments are now being challenged at a planetary scale. This dichroic bubble collects technologies providing space for alternative modes of extending human afterlife. The exhibition
concludes with the testimony of Cindy, a woman who uses low-tech prosthetics to deal with the toll severe diabetes has taken on her body, and by providing information and ways for the audience to take action in the making of possible futures. Together, all five acts are intended to reconstruct a sequentially scaling-up approach to a world both divided and convened by the discussions of alternative ways to construct possible futures.
The exhibition works as an urbanism of five colorful technoparliaments, where the use of large signs poses questions that help translate to the V&A audience a discussion in which objects and technology take part. different technologies in the show. The final layer provides opportunities for museumgoers to take action, to express and made public their takes and to contribute them to the discourses the show preserves and communicates.
STRATEGY ¬PLANNING
Unfinished: the cristal chain Research in collaboration with Rellam L´Enova, Valencia 2016
Exhibited at the Spanish Pavillion at Venice Biennale 2016
2|2 resultado
lacadenadecristal
The case study is located in L’Enova, a small population of only 1000 inhabitants located 55 kilometres from Valencia. Since 2010, the landscape of this municipality of the Ribera Alta is dominated by an unfinished promotion of 75 identical houses built on top of the hill flanking the village. Today, only one of the houses is occupied and the rest appears as a temporal sequence of the different phases of its construction: from the Foundation to the Interior tiling. The collective reflection carried out is based on the appropriation of twelve of these unfinished units to generate a parallel reality, a new version of community life structured around the expression of difference.. This alternative reality is created from the interaction of large and small owners, builders and architects. Rather than a standard product of massive productio, the house appears as a single object on a common basis, developed in unequal and contingent way to finish producing a different and impossible to define through large gestures landscape .
Left page. Axonometry Interventions in twelve unfinished dwellings
This page. Case examples. Before after
AUROVILLE AUROVILLE DETAILED DEVELOPEMENT PLAN SECTOR 1&2 2016 PREPARED BY: Luis Feduchi Architect CSCAE Dean and Professor of Architecture Design School of Architecture and Technology Universidad Camilo José Cela, 28692, Madrid, Spain IN COLLABORATION WITH: Nicole Clarence Smith, Socioeconomic Planning Jacqueline Lacoste, Urban Design Cristo Mabilat, Regional Development Sauro Mezzeti, Overall Coordination and Facilitation Toby Neuman, Township Development B V Doshi, Chairman, Auroville Town Development Council PROJECT TEAM Luis Feduchi, Principal Architect Kaja Delezuch, Project Architect at Luis Feduchi Architect Miguel Ruiz Cid, LFA Architect, UCJC Lecturer Daniel Garcia, LFA Architect, UCJC Lecturer Rocio Conesa, LFA Architect, UCJC Lecturer Marta Jarabo, LFA Architect I-Wen Kuo, LFA Architect Valerie Codesido, UCJC Intern Hector Prats, UCJC Intern DETAILED DEVELOPMENT PLAN, RESIDENTIAL ZONE SECTORS 1 & 2, AUROVILLE Prepared by Luis Feduchi (Universidad Camilo José Cela) in collaboration with TDC (Town Development Council) © 2016 AV TDC and Universidad Camilo José Cela
Left page. From top to bottom. Porosity analysis Green corridors This page. From top to bottom. Water percolation Land use
The purpose of developing a water management system is to reduce the runoff and discharge of rainwater out of Auroville and avoid the monsoon floods. To do so, two systems will be combined whereby the existing local depressions and canyons are to connect and form a superficial retention water network, while, in areas with high percolation levels, water will infiltrate into the soil and reach and refill the underground aquifers. Accordingly, in areas with low percolation water levels, the permeability of the soil must be improved and, if it is not feasible, as in the case of urban areas, other solutions will be taken.
The Land Use strategy sets the foundation parameters that inform the remaining sections of the DDP. The following ground condition elements are taken into consideration: the existing built environment: structures, roads, paths, the current land ownership and the local geophysical features. Consequently, the existing developments, the South-East sloping topography, the existing green canopy, along with the soil properties and the resulting water percolation rates set basis for the development parameters prescribed for the Sectors 1 & 2. Primary objective of the Land Use allocation is directed at conservation and protection of Auroville’s resources of land and water. Future development is to create an environment where the land is effectively used to the benefit of all residents whilst taking into consideration the water management needs and preservation of accessible green space.
View studens proposals: Auroville Muziris
Workshops for UCJC students
Auroville DDP is the result of the research work conducted at UCJC School of Architecture during the 2015-2016 academic year. Developed by a team of architecture students and architects, the project presents a detail development plan for Auroville; at the same time, it researches the concept of building space, or building the concept of a city through its urban typologies. It also develops an architectural proposal for mass community housing, the Line of Force 11. The collaboration between L’Avenir d’Auroville (TDC Town Development Council) and Professor Luis Feduchi, seeks to provide needed guidance for planned development in Auroville through participatory design. The research for this project was initiated by Professor Luis Feduchi in 2010, through a series of design studios and research work along with TFH Berlin, University of Queensland and UCJC University, culminating with the commission for the Detail Development Plan 2016 for Residential Sectors 1 & 2 and the proposal for Line of Force 11.
In the same way the Research New Muziris conducted at UCJC School of Architecture and Technology during 2014-2016 that emerges in the context of the III KCHR-BM International Workshop, 2015 and from the collaboration since 2014 between Professor Luis Feduchi and Professor P J Cherian, director KCHR and the lead archaeologist of Pattanam excavations. New Muziris investigates the concept of building as ‘type-site’ by developing detailed interventions for the archaeological site of Pattanam and, at the same time, a territorial proposal for Kodungallur and north Paravur area where Pattanam is located, to protect and plan the present and future urban developments OF this cultural landscape. Preliminary research for the concept ‘type-site’ was initiated in 2013 by Professor Feduchi during his stay at University of Queensland.
Work by student Hector Prats
Migratory Productive Landscapes
Final Master Thesis Tutor/ Maria José Aranguren Cuenca, Spain 2013
Exhibited at the Spanish Pavilion at Venice Architecture Biennale 2018. 1st price Competition Spanish Network PHI. 2014.
The project is located in the rural aerea of the Alcarria Conquense, a region in the North of Cuenca, Spain. From 1960 the population drop was dramatic because of the introduction of the exodus rural. Currently the majority of people living in this area, are native elderly, retirees or agriculture employees. The main consequence of the depopulation has been the reduction of public and private investment. The aim od the project is atractting new residents by offering opportunities for the rural town; i.e., to create the “odds of contact, exchange and communication between citizens, activities and institutions” (S. Rueda, 1988), to satisfy the expectations of habitability of any person, regardless
of their socio-professional level. To carry out the proposal, three scales will be considered: Global scale. Networking territories Groups of villages are created to share services and avoid the dependance from big cities. Regional scale. Mobile infraestructures and virtual platform Mobile infraestructure: each village exports its services to others on the same network, so that residents do not have to travell to get them. Local scale. Urban scenario recovery Identification of the empty plots and abandoned dwellings as potential areas to absorb new population. Global Scale. Territorial analysis
Local Scale. Potential locations. Piece of the catalogue of one village abandoned houses. The refurbishment process consists on adapting the general strategy to each specific case, always playing with the perforation of the old structures to introduce light and modules with building systems. Left Constructive section for house #14. Implementation of the refurbishment strategy in detail in one house.
DESIGN
Picnic table Metallic mesh
Folding fruit bowl Mesh and plastic ring
Collaborations with the fashion design brand POL for MADRID FASHION WEEK. With Oficina Mutante. Methacrylate bags for the winter collection Kalos, 2012. All joints made with screws and hinges, metacrilate cut with laser cut.
Reversible fruit bowl Lacquered steel
Lamp Mutante With Oficina Mutante. Floor lamp made of wood, red cable and steel, height adjustable. Built at the workshop Carpintería Expandida.
Below Furniture for Romola Team member of Andrés Jaque / Office for political innovation
Textile Pattern Design for the fashion brand POL The concepts of the collections are translated to image: 1. Textil design for summer collection Wings 2013 2. Textil design for winter collection . Folk Insect. 2010 3. Textil design_first collection. Feelings armour. 2009
ART
AN
ERROR ON THE MAP Artistic intervention in public space for Plovdiv European Capital of Culture 2019 August 2019
‘A park was found on the Maritsa riverbanks. If you are interested, please visit.‘ – with this billboard inscription in the summer of 2019 in Plovdiv begins the series of artistic interventions of the project “An Error on the Map” for the European Capital of Culture Plovdiv 2019. Two weeks later, opening ceremony curtains – each with a different word on it- appear, hanging over the riverbed from the bridges. Together they make up the sentence: ‘Maritsa Park already exists!‘. Although the vast Maritsa riverbanks are full of wild flora and fauna, the riverbed has been rather neglected as a leisure destination by locals and has even acquired the status of an invisible and abandoned urban space. With the above mentioned artistic interventions, we announced the error we found in the map of Plovdiv – the missing representation of the shores of Maritsa – and prepared and distributed an updated map in which the green areas of the riverbanks are visible, and the space is marked with the name Park Maritsa. At the same time, we also created an online platform containing various river podcasts – https:// maritsapark.wordpress.com – bringing together shared stories and perspectives from Plovdiv residents, connected in one way or another to the river, accessible via QR code on signs placed along the
shore. From memory, interpretation and belonging, we will try to stimulate a way of relating to the environment that helps to promote inter-species coexistence and the multifunctionality of ecosystems. Is it be possible to resituate this area within the mental map of Plovdiv citizens just by representation? Can we enjoy the riverbanks as a common for the city preserving its natural condition? Under the theoretical framework of post-nature and the anthropocene, the concept behind ‘An error on the map‘ intends to reverse the traditional opposition between nature and culture. In this way Maritsa Park, a frontier space where both ’poles“ have been mixed in varying proportions throughout history, becomes a laboratory to rethink the way in which humans relate to the environment through empathic strategies, as a gateway to the future of cities, green, natural, open and inclusive. Collaborators on the project: Manuel González, journalist
Video de la intervención: https://vimeo. com/360159497
Current tourist map of Plovdiv vs google earth view
Plovdiv re-edited map including the banks of the Maritsa as an urban park.
Left. Signs with Qr code to listen online stories about the river placed along Martisa river park Right Visitor listening to podcasts Below Website
https://maritsapark.wordpress.com/
THE TITLE WILL COME LATER
2018 Photographs and collages Developed during Adata Air artist residency. Organised by Plovdiv Foundation 2019 for the European Capital of Culture. How do collective misconception and border narratives help to shape the construction of cultural hegemonies? “The title will come later” explores this question through a personal visual research on Adata Island that re-constructs the factual, rumored and experienced narratives that are produced by and revolve around the social and physical landscape of this border of the city. Adata, an island in Plovdiv´s river, is currently considered a wasteland serving for free wood cutting and reputed to be used for different illegal activities,this almost 7 hectares of island is located between the historic center of Plovdiv and the industrial and guetto areas of the city used to be a picnic area in the beginning of the 20th century and land for growing fruits and vegetables. Adata Island may fuel sentiments such as fear and terror, particularly in relation to how and who makes use of it, creating a narrative that reinforces the dominant cultural that represent ‘marginal’ as threatening, inferior, and separate. During my explorations I never encounter anyone, only saw human traces in the form of rubbish. “The title will come later” intends to make human presence resonate in the contested landscape of Adata through a series of images where fabricated scenarios made out of discarded cardboard boxes painted in marble and collages use the residue and potential qualities of the place and materials, in an interplay that creates a particular state of ambiguity and familiarity _where is not very clear who is taking the picture, and what are doing the characters of the pictures_ to question the perception of the self and the other.
THE FOLDABLE HOUSE 2014 Wood, hardware, wheels, waterproof fabric. Video. User´s Manual, color , 8´15´´. https://vimeo.com/249176806 Creative production grant from Omnivoros for “Ayudas Creación Injuve 2013”. Exhibited at “RESET V.1”, gallery Amadís, oct-dec 14, Madrid. “Furnishing temporalities / Sequencing spaces”, _2B Space to be, Jan-Feb 18.
This project explores the concept of “home” for the urban nomad and the relationship between mobility and logistics, which conferes a new status to architecture that relates to time as distinguished from space and, thus it is materialised as a landscape of bodies, societal trends, technologies, geopolicies... Domestic settings, better than any other architecture reflect on how these characteristics contribute to processes of subject formation and placemaking, questioning the various definitions of home as a stony-solid unit based in family, privacy and property.
Top. The foldable House. Closed. When it is closed occupies 94 x 144 x 20 cm and it is easily transportable thanks to its wheels and its low weight. Left. The foldable House. Opening process
In this case, the device contains all the necessary furniture to support the daily actions performed in any house. The design follows the principles of knock-down furniture, which are IKEA´s leitmotiv and the first design criteria in a money/time -saving consumerist culture.
The foldable House. Opened. The House consists of four frames that open up like a book: table kitchen, low table/Chair, bed/Chair, storage.
MY STUFF IS HOME
2016 Suitcase. Fabric, thread,tape, wheels, personal belongings, permanent, plastic, pins, zippers, Velcro. Catalogue of objects. Paper, digital printing. Video. User´s manual. Color, 3´36´´. https://vimeo.com/252367048 Artist residency “El Ranchito” from Matadero Madrid Aug-nov 16. Exhibited at “Souvenirs from Nowhere”, Matadero Madrid, Nov 16. “Furnishing temporalities / Sequencing spaces”, _2B Space to be, Jan-Feb 18. Urban nomads have finally been legitimized as a tool of the volatile capitalism in the form of transnational workers and as the maximum representatives of the society of leisure and globalization. “My stuff is home” portrays the migrant house in the context of the home-sharing economy, as a device container of a landscape of personal items that temporarily invade rented flats-rooms. Belongings are catalogued as if they were an ethnography of our time.
My stuff is home. Pictures of the exhibition “Furnishing temporalities / Sequencing spaces”, _2B Space to be, Jan-Feb 18.
My Stuff is home. _2B Space to Be, Madrid. Displayed unpacked. The house requires customer assembly. The separate components are zipped following the assembly instructions.
My stuff is home. 2016 Matadero Madrid Displayed packed inside a showcase. The House consists of a device/suitcase of 158 cm (alto+ancho+largo) measured standard for luggage in the hold of aircraft. The suitcase structure opens up like an accordion and breaks down into four parts, which are distributed by the rooms of the space temporarily inhabited as parasites.
Left: Stills from the User´s Manual video.
TEMPORARY EXTENTION OF THE RUSSIAN MUSEUM OF ETHNOGRAPHY IN ST. PETERSBURG
2016 Suitcase. Wood, wire black, dolls, objects, books, documents, project of the cultural and environmental impact of a gas pipeline, tripod, Flash drive with documentaries about nomads, projector. Video. Itinerant exhibition.Color, 3´13´´. https://vimeo.com/210506913 National Centre for Contemporary Arts (NCCA) Art Residence Kronstadt, Saint Petersburg, Aug-sep16. Exhibited at Russian Museum of Ethnography in St. Petersburg , 29.09.2016. Exhibition at NCCA Art Residence Kronstadt. “Souvenirs from Nowhere”, Matadero Madrid, Nov 16. Traditional nomads have been viewed by the dominant sedentary societies as comprising backward and unproductive societies which constrain the development of the State political power . Historically, governments from all over the world, as occured during the Soviet Union with the nomads from Siberia, have forced them into settlement through various educational and employment policies or by restricting the area in which they are free to move. The installation explores the divergence between today’s globalised political and economical practices and the construction of national /local/personal identities in an increasingly homogenised world through a temporary extention of the exhibition on nomads in Siberia displayed at the Russian Museum of Ethnography in St. Petersburg. The installation travels as an itinerant exhibition, which pop ups out of a suitcase, contains objects, pictures, documentaries, books...that update the information about the siberian reindeer herders current lifestyle; this is, events that have occurred since 1925 which led to the evaporation of their traditional economies, housing and identities.
Temporary Extention Of The Russian Museum Of Ethnography In St. Petersburg. Exhibited at Russian Museum of Ethnography in St. Petersburg , 29.09.2016.
This page Pictures from “Souvenirs from Nowhere”, Matadero Madrid, Nov 16. Left Travelling suitcase with all the content for the exhibition
GANMA (General Abstract furNiture for Multiset mAnipulation)
Site-specific project for the exhibition “Interventions 4” curated by the artist Isidro Blasco in the Grisa House, 14-16 de july 2017, Sabiote, Spain. Exhibited in “Furnishing temporalities / Sequencing spaces”, _2B Space to be, Jan-Feb 18. Table, armchair and kaleidoscope. Wood, metal tube lacquered in white and polystyrene mirror. Audiovisual installation. House-appliances white noise, black and white, 15´. Performance by Luis Amália, 2´15´´. Consisting in a single-member table, bench, windowcaleidoscope and a white-noise video of household
Left page: Kaleidoscope Performance still. This page: Video installation.
appliances - collected online and for relaxation purposes- GANMA is conceived as a mental and physical space formed by sounds, objects and routines that overlaps and confronts the context of the Grisa House, a village house of the 19th century, to the present time. The performer Luis Amália works on it generating, in his words,” a series of postcards... showing the expected routine of use and also including other routines (perverted) born out of the ordinary or the space itself... It is important the amalgam/doodle factor, close to hodgepodge, but not too much. It is important to reflect also those vulgar moments of everyday life”
The main feature of GANMA is the free interaction between its four elements, the user and the space. The relationship between them is described as collections of pairs (reaction condition, action), in which the order of combination is ignored; but where multiplicity is especially significant. There is no restriction on how elements should be manipulated, allowing the context of place and the intuition of the user to be implicitly and naturally expressed.
GANMA Table for one eater Furniture and performance still
GANMA Endless chair Furniture and performances still
PAINTINGS
See more at https://www.instagram.com/martajarabo/ Contact marta@martajarabo.com marta@gmail.com +34 660258983 Calle Butrón, 2, 2b, 28022, Madrid, Spain