MARTA PABEL PORTFOLIO 2012-2014 MARTAPABEL@GMAIL.COM +48 732007496
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PROJECT LIST
Academic work
Workshops & Interests Professional work
02.2014 - 06.2014
Master Graduation Project Museum of Modern Art in Warsaw
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04.2013 - 06.2013
M+ / Museum for Visual Culture Hong Kong
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02.2013- 04.2013
International University Architectural Competition. “Retreat in Nature� Sustainable House
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02.2012- 06.2012
Bachelor Diploma Project Kindergarden in Warsaw
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02.2013- 06.2013
Music Pavilion Ornamatics - elective course at TU Delft
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Jewellery design
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BBVH Villa in Amsterdam
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2012 - Present
September 2012October 2014
Presentation images for INBO Panoptic Architecten BBVH
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PERSONAL STATEMENT In Architecture, I am most interested in user experience. Therefore my focus is on well-thought use of materials, precise and unique detailing, that suits specific design and conveys the idea and concept of the whole building. I have always liked to experiment with materials and to make form studies - in my free time I make jewellery and that’s when I work with materials, I get to know their qualities and how they connect. This knowledge allows me to play with design in small scale, to experiment and explore different solutions. What I definitely lack and would like to learn is experience and knowledge of traditional (and new) building materials to have the same fluency and freedom to play with form and design in architecture. I am aware how detail is important and influences the final effect, therefore I would like to gain experience in an office that pays great attention to that. I enjoy hand-drawing and modelling, I have learnt different techniques in my mother’s jewellery studio. I like hand-on approach to design and for me it’s natural way of starting to design. During my graduation year I have learnt a lot about design process and creating architectural concepts - making them consistent and visible at different levels of scale (from urban scale to detail). In my further work I would like to develop what I have learnt so far - how a strong architectural concept can be carried out with available, local materials and detailing. How a desired atmosphere can be achieved in realised project. This was my focus in academic projects, however I know that in ‘real life’ there are more factors and people influencing the design process. That is why it’s equallly important for me to learn how to work with everyone involved in architectural project. I am always open to learn techniques and approaches I am not familiar with - perhaps that’s what I am looking for.
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MARTA PABEL
EDUCATION
WORK EXPERIENCE
GRANTS
WORKSHOPS
+48 732 007 496 martapabel@gmail.com www.martapabel@gmail.com
2012 - 2014
11.2013 - 10.2014
November 2012
13-21 July 2014, London
Msc. Architecture, TU Delft, Netherlands
design assistant at BBVH Architecten, Rotterdam (part-time, 2 days a week) www.bbvh.nl
Honourable mention in competition” Zabawka z Pasją” for the design of souvenire object for Museum of Wilanów Palace
Organized by Mantownhuman and Architectural Review with cooperation of: Zaha Hadid Architects, Arup Associates, AHMM, ORMS, Amin Taha Architects and The Building Center
07.2013 - 10.2014
2008 - 2010
design assistant at Panoptic Architecten, Rotterdam (project-based) www.panoptic.nl
Warsaw University of Technology Academic Scholarship for academic performance
Date of birth: 22.05.1987; Warsaw Nationality Polish
Thesis topic: Museum of Modern Art in Warsaw. An approach to socialist architecture and planning of central Warsaw
title: architect
Grade: 9/10 with Honourable Mention
Registration Number in Netherlands: 1.141115.015
ExploreLab Studio
Date of registration 8.12.2014
Bachelor of Architecture and Urban Planning
Graduation date 06.11.2014, Delft
Warsaw University of Technology, Poland
Languages Polish- mother tongue English - fluent German - Intermediate Dutch - Basic Program skills 2D: Adobe Photoshop, Indesign, Illustrator(Proficient) Autocad, (Proficient) Vectorworks (Moderate) 3D: Rhinoceros (Proficient) Sketchup (Proficient) Vray (Proficient) 3dsMax / Revit (Moderate) Grasshopper (Basic)
09.2012 - 06.2013 2008 - 2012
2006 - 2008
design assistant at INBO, Rotterdam (part-time, 2 days a week) www.inbo.nl 07.2011-09.2011 intern at neo.studio, Berlin www.neo-studio.de
Interior Design, Undergraduate Course at Academy of Fine Arts in Warsaw
2001-2003 Municipality Scholarchip for students with high learning achievements (equivaelnt to tuition fees)
29th April 2014, Leiden, Amsterdam Masterclass with Juhani Pallasmaa and Peter Zumthor Organized by Stylos - student Association at TU Delft and Oase Journal 21-28. February 2014, Rotterdam URBEGO workshop in Rotterdam Orgaznized by IFHP (The intenrational Federation for Housing and Planning) 19-24, March 2013, HongKong Organized by TU Delft and Architecture Department, CUHK (Chinese University of HongKong)
(incomplete, after two years I have started Bachleor course in Architecture)
Lead by Michiel Riedijk (Neutelings Riedijk Architecten)
2003 - 2006 Secondary Education International Baccalaureate Diploma in english
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Folding models I have conducted my graduation research on the third semester of Master course. It was an exploration of design technique - “folding”: how it can be utilised at early stage of design process (concept stage) and what are its implications on architectural forms and thus our perception and behaviour. Several models have been produced using different folding techniques and different tools (3d prints for double curved surfaces). The above models were used to describe the relation between geometry of fold and of the void inbetween and the resulting connections between spaces. Research aimed to describe folding as set of guidelines to be utilised in design process. It provided valuable insight into the relation of architectural forms and human perception and movement in architectural spaces. Folding encourages hand-on design approach, that allows to create interlacing, continuous spatial transitions.
FOLDING IN ARCHITECTURE. DESIGN RESEARCH. Type
Date
Mentors
Contribution
Design Location
Master Graduation Research Project at TU Delft
February 2014 - October 2014
Robert Nottrott Jan van de Voort Martijn Stellingwerff
Individual work; all products (including design concpt and research analysis) at all design stages are my individual work.
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MUSEUM OF MODERN ART IN WARSAW Type
Date
Mentors
Contribution
Design Location
Master Graduation Design Project at TU Delft
February 2014 - October 2014
Robert Nottrott Jan van de Voort Martijn Stellingwerff
Individual work; all products (including design concpt and research analysis) at all design stages are my individual work.
Warsaw
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Introduction The design of the Museum of Modern Art reacts to the monumental socialist architecture and planning of central Warsaw. A long horizontal gallery combined with a tranquil walled garden fills in the missing pieces of the city grid. The elegant building, which reflects the
garden and captures the light of the seasons, creates a place in the centre of Warsaw which can accommodate diverse program. The combination of the building and garden facilitate a new relationship between the institution and the citizens, embedding the Museum of Art in the
History
life of the city. 01 Design plot around 1935 02Design plot, after 2nd World War, 1945 03 Design plot, Current situation
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Around 86% of Warsaw’s buildings and infrastructure has been destroyed during 2nd World War. In 1955, the building of the highest tower in Warsaw - the Palace of Culture and Science has been accomplished. The remaining buildings and infrastructure around
the Palace has been destroyed, leaving huge, empty Defilade Square. 04 Longitudinal section through park,; Proportion of the Museum’s North Facade’s Lenght (360 m) and the Palace’s height (220 m) 05 Cross-section through park, East Facade Scaled from 1:1000
Enclosure
Excavation
Main entrance
The main design concept of the Museum is to connect it with existing park, isolate it from adjacent busy streets and in this way to create an “oasis” - a “frame” in the city center, that provides utterly different experience. This is an attempt to enhance the quality of the unfriendly, socialist, monumental public space.
The isolation of the park and museum is further emphasized by excavating the terrain by 4 meters. The enclosure of the Museum and the Sculpture Park provides visitors with quiteness, tranquility, atmoshpere of reflection and allows to safely exhibit art in the outdoor space.
Main entrance has been placed opposite the entrance to the Palace of Culture to create link between two buildings and facilitate the communication between the Museum and the different cultural institutions that are currently located in the Palace.
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Relation between the building and the park The intention of making the facade and the roof open (fully glazed with curved panels) was to keep the connection between the interior of the museum with the park as strong as possible. Since the excavated park is surrounded by high
towers (Palace of Culture and the surrounding towers in the business district) it was equally important to design the park as seen from above. 09 Cross-section perspective 11 Design Concept: a frame in the city 11
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The wall
Park design
The wall around lowered area of the park is a 3m-wide, double-wall structure that accomodates the complementary functions. On the park level it contains workshops, accessible for artists directly from park. On street level ithere are commercial functions, eg. shops, cafes.
The park is an exhibition space for the sculptures and installations. That is why its expression is formal and monumental and the green, recreational areas are gathered in different size of circle-shaped zones. This gives a rythm to huge open space and helps the way-finding.
13-14 Sculpture Garden 15 Recreational area 16 Sculpture Garden with water pond 17 The wall: artist studios plan, park level 18 The wall: Longitudinal section 19 The wall: South (park) facade; Scaled from 1:500 20 Concept sketches: The wall (lower level: park, higher level (str 20
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Main circulation spine
Structure
Plans
The building is slightly curved to emphasize the perception of lenght and to allow gradual reaveling of following interiors while walking main communication axis. There are six staircases located along the length of the building. The openings on each
Concept: organisation of the building. Division into compartments that serve different functions. (gallery halls, study center, art handling, auditorium)
Buidlings is 360 meters long and 24 meters wide, organized rythmically on regular grid. All modules vary in width, according to spatial needs. The staircases serve as dilatations between floors, as well as fire-escapes.
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21 Open Exhibition hall, 13-17 m high 22 Second Floor, scaled from 1:500 23 First floor, street level, main entrance level, scaled from 1:500 24 Groundfloor, park level, scaled from 1:500 25 Basement, scaled from 1:500
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Cross-Sections Differention of spaces along the building has been achieved by adjusting proportions of interiors according to needs, basing on the same, regular grid. 26 Axonometry of interior components and facade strcuture
27 Permanent Exhibition Hall, height 13-17 m 28 Main entrance hall 29 Reactionary Gallery 30 Temporary gallery 31 Staircase 32 Study center
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Galleries The building is slightly curved [35] to emphasize the perception of lenght and to allow gradual revealing of following interiors while walking the main corridor. There are six staircases located along the length of the building. Each of them differs in color and has a big opening to allow view along the main
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axis of the building. This enhances the understanding of the structure of the building, improves way-finding and orientation and provides spectacular views to gallery rooms from different levels. 32 Open workshop space, adjacent to galleries 33 Closed gallery 34 Sculpture gallery
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Climate
Construction
Climate concept results from functional division of interior space into open circulation area [36] and closed exhibition space[37]. Thus, there are two climate zones: dynamic (daylight, mechanical ventilation, temperature - control) and static (humidity, light, temperature controlled) .
Circulation space should be as light as possible and provide visual connections with the park and the city. Thus the facade was designed with glass panels, suspended from top to provide maximum visibility from all levels.
Section 1 Floor structure
Section 2 Floor structure
Section 3 Roof structure
Section 4 Facade structure
- Concrete slab 50 mm - Screed with underfloor heating 800 mm - Separating layer (1mm plastic sheet) 1 mm - Thermal insulation, vapourproof (cellular glass) 100 mm - Concrete slab 200 mm
- Concrete slab 50 mm - Screed with underfloor heating 800 mm - Separating layer (1mm plastic sheet) 1 mm - Thermal insulation, vapourproof (cellular glass) 100 mm - Concrete slab 200 mm
- Load-bearing structure rectuangular-section beams 400 x 800 cm - Secondary structure for roof glazing, aluminium extruded posts - 50x140 mm - Aluminium connector for glass panels - Low-iron glass with photovoltaic cells \ and anti-reflective coating
- Load-bearing structure rectuangular-section beams 400 x 800 cm - Tensile cables for glass-panels suspension - Double glazing from low-iron, curved glass panels, hold in extruded aluminium brackets
Total: 430 mm
Total: 430 mm Total: 430 mm Total: 430 mm
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M+ / MUSEUM FOR VISUAL CULTURE, HONKONG Type
Date
Mentors
Contribution
Design Location
Academic, design project Level: Msc 2
April 2013 - June 2013
Michiel Riedijk (Neutelings Riedijk Architecten) Alper Alkan, Stefano Milani (TU Delft) Jago van Bergen (van Bergen Kolpa Architecten) Nicolas Deboutte (META Architectuurbureau bvba) Mark Hemel (Information Based Architecture)
Group work with Nico Leferink and Jonathan Lazar. My work included: site visit and analysis, concept creation, 3d model in Rhino, pInterior renderings in Vray
West Kowloon CUltural District, HongKong
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Concept The design plot of the M+ is located on the boundary between the West Kowloon cultural district, with its buildings, theaters, museums etc. and the one that will become the biggest park of Hong Kong. As a starting point of our design, on an urban level, we decided to critically face the masterplan and take
two main decisions: the first one aims to connect the park with the rest of the functions and the second is to place the entrance towards the sea, claiming that the seafront path will be the most used. The result of the reconnection has generated an important gesture: a huge covered public space capable to
host temporary outdoor exhibitions in a landscape that simultaneously impose the presence of tectonics. The elements of this gesture, translation of an artificial forest, are columns of three different thicknesses placed on the basis of a small-mesh grid which allows a “controlled randomness�.
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Sections The design concept assumes elevation of exhibition spaces above ground level to create public square, exhibiting art and connecting street with the sea shore. This shaded outdoor area will be unique in HongKong, dominated by
close, climatized public spaces inside towers. 03 Plans, Levels 0 - 4, scaled from 1:200 04 Longitudinal section, scaled from 1:200 05 Cross section, Offices and Conservation Block Scaled from 1:200
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Galleries
Structure axonometry
The galleries of the museum are all located in the block above the public area. Also here the tectonic presence of the columns remains, even if in a diminished density.
Museum program has been divided into four parts: underground galleries that accommodate Temporary Galleries and are directly accessed from the main entrance hall; public outdoor space on the ground level; the closed Permanent Exhibition Halls in the elevated volume and Offices’ , Conservation and Storage Volume.
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06-07 Gallery halls: diverse heights and room proportions 08 Axonometric Strcuture Diagram
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MAIN STRUCTURE 90x90 bamboo grid
function distribution
ALL SEASON permanent sun and wind protection
steel fixings
SUMMER flexible sun protection protection
SPRING/AUTUMN tight cold, wind and rain protection
WINTER thick insulation heat loss protection
sun shading modules plugged into bamboo endings with steel fixings
PTFE roof cover
house structure
terrace
roof structure sunshades corners can be plugged into different endings on the structure grid creating flexible and expressive sun protection
PV cells
layers of unrolled, overlapping ETFE sheets create air and water tight coat that also helps to keep the building warm in spring and autumn.
deflated ETFE cushions are stored in the northern wall during warmer seasons providing additional protection from wind and heat loss.
06. RETREAT IN NATURE. SUSTAINABLE HOUSE IN HOKKAIDO Type
Date
Mentors
Contribution
Design Location
Academic project; level: msc2 Entry for International University Architectural Competition.
February 2013October 2013
Michiel Riedijk (Neutelings Riedijk Architecten) Alper Alkan, Stefano Milani (TU Delft) Jago van Bergen (van Bergen Kolpa Architecten) Nicolas Deboutte (META Architectuurbureau bvba) Mark Hemel (Information Based Architecture)
Individual work; all products (including design concpt and research analysis) at all design stages are my individual work.
Hokkaido, Japan
Climate and structure Concept
Construction detail
“Retreat in Nature� means not only to escape from the chaos of the city, but it is also the possibility to experience the environment by adapting to it. The first way we use to adapt to the environment is to dress up. Varying the layers of clothings we can feel comfortable. The idea of clothing and the priciple of layering becomes our main design guidline and our sustainable approach.
The Fabric house is designed on a grid of bamboo sticks of 90x90x90 cm, inspired by Japanese scaffolding structures. The Bamboo grid forms the skeleton of the house, wrapped in different layers of fabrics, and connected with rope and knots.
Plans: Summer and Winter configuration Together the modules create a cube of 9x9x9meter. Some of the modules were erased from the grid to make space for living functions and adapt the structure to the orientation, sun path and wind direction.
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Interior views During the winter month the bamboo structure is dressed with the winter coat, made of a fabric of sued inflatable ETFE cushions. In the summer, the bamboo structure is almost naked, cotton fabric is wrapped around the structure and provides wind protection and sun shading on the south- and west-side.
KINDERGARDEN IN WARSAW Type
Date
Mentors
Contribution
Design Location
Bachelor Graduation Design Project at TU Warsaw
February 2012 - October 2012
arch. Jan Kowal
Individual work; all products (including design concpt and research analysis) at all design stages are my individual work.
Warsaw
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Administration
Organisation
Morning Light
All functions: classrooms, multifunctional room and administration are organized around central space, which enhances integration between children of different age, teachers and parents.
Each classroom is oriented to the north, with glazed window strap to the East. In this way all classrooms have optimum lighting conditions when most needed: in the morning and noon.
Multifunctional space Classrooms Entrance hall Kitchen
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View inside the classrom
Details
One of the most important design objectives was to connect interior of the building with the garden. Huge, glazed northern wall helps to provide the most friendly learning and playing environment, helping children to connect with the nature and observe the changing seasons.
The buidling has been designed with natural materials, with dominating wood and concrete.
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Light and materials properties Simple, regular, ortogonal in plan and diagonal in section composition of wooden stripes create unexpected visual effects with light and shadows. The model study shows how different light and ground materials change atmosphere and experience of space inbetween openwork structure.
Inspiration The structure of pavilion has been inspired by several folding and cutting experiments in paper.
MUSIC PAVILION Type
Date
Mentors
Contribution
Design Location
Academic work Level: Msc2, Elective
February 2013 - June2013
Martijn Stellingwerff
Individual work; all products (including design concpt and research analysis) at all design stages are my individual work.
Delft
JEWELLERY DESIGN Type
Date
Mentors
Contribution
Resale Location
Individual work
2012 - Present
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Individual work; from concept to realization and distribution in jewellery galleries
Warsaw, Rotterdam
VILLA IN BEUKELSWEG, AMSTERDAM Type
Date
Team
Contribution
Design Location
Bachelor Graduation Design Project at TU Warsaw
February 2012 - October 2012
Joris van Hoytema Erik Leusink Martin Pavlun Marta Pabel
Individual work; all products (including design concpt and research analysis) at all design stages are my individual work.
North Amsterdam
Materiality We have designed 2 houses in the north of Amsterdam. One will entirely be made out of wood, the other one in a combination of wood and brick. The bricks are painted in the same way as some of the old 17th century canal houses in Amsterdam.
The houses are inspired by a study trip to San Fransisco.
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PRESENTATION IMAGES Type
Date
Team
Contribution
Professional work at INBO
September 2012 - June 2013
Marta Pabel Maciej Abramczyk Egidijus Kasakaitis
The above renderings are group work. I have worked on each of the pictures by 3d modelling, rendering or Photoshop postproduction.
PRESENTATION IMAGES Type
Date
Team
Contribution
Professional work Panoptic Architecten
June 2013 - October 2013
Marta Pabel Ebami Tom
Renderings in sketchup and Photoshop postproduction.
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PRESENTATION IMAGES Type
Date
Team
Contribution
Professional work at BBVH Architecten
October 2013 - January2014
Marta Pabel Joris van Hoytema
The handdrawing of the above collages. Design Concept of the interior
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