ISSUE 001 // SEPTEMBER 2014
NOMAD
NOMAD
I S S U E 0 0 1 // S E P T E M B E R 2 0 1 4 © REFLECTION OF CHELSEA. 2014.
M Y M E X I C A N H E R I TAG E My inspiration derives from my heritage, culture, and love for the Mexican traditions, which are expressed through the native’s clothing, values, and festive spirit. I come from a Hispanic background where I call my father, Papi, and my mother, Mama.
“Mercado de Flores” . Diego Rivera. 1941
Cacti, washed out whites, and coral is the main inspiration that derives from these pictures. It shows the nostalgic feeling one gets when viewing their heritage and culture. The feeling of the agave leaves rooted in the dry soil and the beauty of the cacti that flourishes in every corner.
“Portrait of Dolores Olmento” . Diego Rivera. 1955
Papi grew up with eight other siblings, and he was cherished by a strong, yet sweet Mexican mother. Her priorities and worries did not include fashion; however, durability and skill was what you saw her wear. My abuela had clothing that would withstand harsh washing conditions and were very versatile for work and weather. The scent of fresh cut flowers, tortillas, and Suavitel softener were what you smelled. Strong, soft fabrics like wool, cotton, bark, and even a native plant in Mexico, known as agave, were what you felt between your fingers. Every time I hear Mexico Lindo or smell a campfire it takes me back to my memories I take with me everywhere.
VALENTINO // RESORT 2015 Few artists in history have been able to evoke a more powerful portrait of a traditional Hispanic woman than Diego Rivera. Designers Maria Grazia Chiuri and Pierpaolo Piccioli dung into the Mexican roots for inspiration of the spring/ summer collection.
“Mercado de Flores” . Diego Rivera. 1941
The silhouettes range from Victorian-style dresses to traditional A-lines. It has a folkloric sensibility and use of bold saturated colors of cardinal red, amber yellow, plum, turquoise, rose pink, and kelly green; paired with the neutrals of husk white and ink black.
“Portrait of Dolores Olmento” . Diego Rivera. 1955
Embroidery, floral designs, and lace detail are prominent in the dresses. These pieces of the collection correlate with Rivera’s pieces of art through the use of soft + hard textures and vibrant color palette. Both hold the ethnic and cultural feel of the Mexican people and heritage.
Nomad Trend Report inspires ‘the traveler lifestyle’ that one always dreams to obtain. From the seas of the edge of the Pacific to the deserts in Saudi Arabia, Nomad captures the beauty of cultures and inspiration the featured artist and designers see. Included is the correlation of art and fashion of Diego Rivera’s canvas pieces along with upcoming designs featured for spring/summer 2015. Diego Rivera used vibrant, saturated colors like the plums, yellows, and red. Even his use with the neutral browns, tans, and whites beautifully capture his Mexican heritage. These elements are also seen in Valentino’s garments and Nomad’s color + trend forecast for spring/summer 2015 collections.
N O M A D // S E P T E M B E R 2 0 1 4 EDITOR IN CHIEF: Chelsea Martinez GE3004 // ART HISTORY II Instructor: Jennifer Knox FEATURED ARTIST: Diego Rivera FEATURED PIECES: “Portrait of Dolores Olmento” 1955 “Mercado de Flores” 1941 FEATURED DESIGNER: Valentino Resort S/S 2015 PHOTOGRAPHS: Via Vogue, Style.com, Pinterest + WGSN FRONT COVER: “La Puerta Amarillo” Photographer: Chelsea + Kalei Martinez Location: San Luis Potosí, Mexico