STATUS QUO
July 2018 | Volume 3
Architecture Definition It's
definitely definition process tough act unnecessarily very by political artificial better romantics fact collaborative example work environment small Zaha Hadid optimism aspiration nations Joshua Prince Ramus who live imagine Peter Eisenman even act relatively Mario Botta giving powerful man an create values full think John Ruskin battleground most Jeffrey Inaba Nicolai Ouroussoff dynamic built build a one changes Ben van Berkel and Caroline Bos real deed Norman Foster Architecture complex society Ludwig Mies vanreflection der Rohe spirit of just I good is questioning for person in convinience Thom Mayne can Richard Rogers seeing the expression too that do way thinking we public goingAlexandra Lange Roland Barthes it world love and to it our place us it dream making function instrument collaborationscuffed Jacques Herzog always art get science physical utopia lives seee merciless clearly into doesnt sure want society Bernard Tschumi what works or manifesting actually live world you is cities whether buildings with difference Architecture related process interest fit financial political power large difficult
Mark Wigley
Bjarke Ingels
Acknowledgments Editor
Martin Mrรกz
First publication:
15.07.2018
Last update:
14.11.2019
Cover Image
Status quo.
ongoing aiming to update
Time Line 1 BC 100
AD 1
1
1
Century
Century
Marcus Vitruvius Pollio
100
200
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300
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500
6 00
700
3
4
5
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7
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8 Century
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1700
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1800
1900
20 00
2100
18
19
20
21
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Century
John Ruskin William Morris
C. Norberg Schultz
Peter Zumthor
Rogelio Salmona
J. Ma. Aparicio Nicholas Moreau Zaha Hadid Norman Foster Juhani Pallasmaa Alejandro Aravena
1 BC 100
AD 1
1
1
Century
Century
Author
Marcus Vitruvius Pollio
1
100
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2 Century
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700
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Year
15 BC (around)
“Art Directory GmbH”. Vitruvius-pollio.com. Retrieved 03-09-2008
800
8 Century
Source 1
De architectura
9 00
9 Century
100
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00
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“Architecti est scientia pluribus disciplinis et variis eruditionibus ornata, < fabrica et ratiocinatione . fabrica est continuata ac trita
est ad propositum defomationis. ratiocinatio autem est quae res frabrica tas sollertiae ac rationis proportione demonstrare atque explicare potest” 2 G: om,H
20 00
18
Statement
ra, ea nascitur et
1900
key words
-
scientia fabrica ratiocinatione
-
4 ex G.
“Architecture is the knowledge of many disciplines and varied learning gra ceful <whose self esteem of all> things are accomplished works of arts for others it is the practice and theory . from the regular exercise of em ployment where manual is the continuous and is perfected in the fabric of the material of any kind whatsoever, the work is for the purpose of defo mationis. and the means by the ratio of the reasoning, however, is to de monstrate and to explain what was going frabricatas of skill, it can be “
-
knowledge practice theory
1 BC 100
AD 1
1
1
Century
Century
100
Author
2
200
2 Century
300
400
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6 00
700
3
4
5
6
7
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Year
800
8 Century
Source
John Ruskin
1849
The seven lamps of architecture
William Morris
1947
On Art and Socialism
Ruskin, John (1849). The Seven Lamps of Architecture
9 00
9 Century
100
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1800
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Statement “Architecture is the art of lifting and decorating buildings constructed by man, whatever his destiny, so that his appearance contributes to health, strength and the pleasure of the spirit ...”
“Architecture encompasses the consideration of the entire physical environment that surrounds human life: we cannot avoid it while we are part of civilization, because architecture is the set of and alterations introduced to the earth's surface in order to satisfy the human needs, except only the pure desert. "
key words art lifting decorating appearance pleasure physical environment alterations satisfaction human needs
1 BC 100
AD 1
1
1
Century
Century
100
Author
200
2 Century
300
400
500
6 00
700
3
4
5
6
7
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Century
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Year
Source
Jesus Aparicio
2000
El Muro
Peter Zumthor
2004
Thinking architecture
Rogelio Salmona
2006
Arquitrave
800
8 Century
9 00
9 Century
100
10 Century
00
1100
1200
1300
1400
1500
1600
1700
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1800
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2100
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19
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21
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Statement
“It is all useful and durable space built by man, which creates livable tions. Architecture is the room of beauty . “
1900
key words
emo-
useful durable space emotions room beauty
“Architecture has its own existential scope. Since it maintains an especially bodily relationship with life , in my opinion, at the beginning it is neither a message nor a sign, but a coverage and a background of the life that takes place next to it, a sensitive receptacle for the rhythm of the steps in the ground, for the concentration of work, for the peace of sleep. “
life coverage background receptacle
Poesía, la arquitectura es poesía , algo muy sentido que se traduce mediante una metáfora construida.
poesía
1 BC 100
AD 1
1
1
Century
Century
100
200
2 Century
Author
Alejandro Aravena
300
400
500
6 00
700
3
4
5
6
7
Century
Century
Century
Century
Century
Year
2016
800
9 00
8 Century
9 Century
Source
Alejandro Aravena,the Architect Rebuilding a Country
100
10 Century
00
1100
1200
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1400
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1800
1900
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2100
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19
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21
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Century
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Statement
The power of architecture is the power of synthesis , to say what you want in two words instead of three, to achieve a solution in as few mo ves as possible.
key words
-
synthesis
Summary table Concepts Authors
knowledge practice theory
art - lifting decorating appearance pleasure
existencial foothold
poetry
M. Vitruvius Nicholas Moreau Rogelio Salmona Peter Zumthor J. Aparicio C.N. Schultz John Ruskin Norman Foster Zaha Hadid Juhani Pallasmaa Alejandro Aravena William Morris
Total:
2
life coverage background receptacle
emotion
2
formalize
useful durable space room beauty
expression values way of living
excite, calm, to make you think.â&#x20AC;?
verb
synthesis
physical environment alterations satisfaction human needs
STATUS In
S QUO process
Bibliography 1
“Art Directory GmbH”. Vitruvius-pollio.com. Retrieved 03-09-2008
2
The seven lamps of architecture
3
Christian Norberg-Schulz,. (1979). Genius Loci: Towards a Phenomenology of Architecture. New York: Rizzoli. p. 5.
4
Salmona imagina el centro de Bogotá, en Lecturas Fin de Semana de El Tiempo, Bogotá, Febrero 11, 2006. Design diva hits a high z: Zaha Hadid Norman Foster’s Interview with The European: “Architecture is the Expression of Values” Alejandro Aravena, the Architect Rebuilding a Country
It's
definitely definition process tough act unnecessarily very by political artificial better romantics fact collaborative example environment work small Zaha Hadid optimism aspiration nations Joshua Prince Ramus who live imagine Peter Eisenman even act relatively Mario Botta giving powerful man an create values full think John Ruskin battleground most Mark Wigley Jeffrey Inaba Nicolai Ouroussoff dynamic built build one changes Ben van Berkel and Caroline Bos a real deed Norman Foster Architecture complex society Ludwig Mies vanreflection der Rohe spirit of just I good is questioning for person in convinience Thom Mayne can Richard Rogers seeing the expression too that do way thinking Alexandra Lange we public going Roland Barthes it world love and to it our place us it dream making function instrument collaborationscuffed Jacques Herzog always art get science physical utopia lives seee merciless clearly into doesnt sure want society Bernard Tschumi what works or manifesting actually live world you is cities whether buildings with difference Architecture related process interest fit financial political power large difficult
Bjarke Ingels
STATUS QUO