London Days (Bulletin 4, 2019)

M A RT I N R A N D A L L T R AV E L A RT • A R C H I T E C T U R E • WA L K I N G • H I S TORY • M U S I C • L I T E R AT U R E

LONDON DAYS 2019/20 Newly-launched: Mother, Maiden, Mistress | Rubens & van Dyck Updated list of 2019 & 2020 days

The leading provider of cultural tours Martin Randall Travel is Britain’s leading specialist in cultural travel and one of the most respected tour operators in the world.

MRT aims to produce the best planned, best led and altogether the most fulfilling and enjoyable cultural tours and events available. They focus on art, architecture, archaeology, history, music and gastronomy, and are spread across Britain, continental Europe, the Middle East, North Africa, India, China, Japan and the Americas.

Each year there are about 250 expert-led tours for small groups (usually 10–20 participants), six or seven music festivals, a dozen music and history weekends in the UK and over 100 single-day events in London.

For 30 years the company has led the field through incessant innovation and improvement, setting the benchmarks for itinerary planning, operational systems and service standards.

To see our full range of cultural tours and events, please visit www.martinrandall.com

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LONDON DAYS ‘London, thou art the flower of cities all’ – William Dunbar London Days are all-inclusive, non-residential tours opening doors in the capital to its wonderful art, architecture and history.

They are led by carefully-chosen experts who enthuse, interpret and inspire, bringing to life each specialist theme. Radio guides enable lecturers to talk in a normal conversational voice while participants can hear without difficulty whether in a museum or on a main road.

The itinerary is detailed and meticulously planned with special arrangements and privileged access significant features. Refreshments and lunches are included and planned in appropriate settings for sustenance, conversation and reflection.

These are active, fulfilling days, often with a lot of walking and standing. Travel is mainly by Underground, sometimes taxi, occasionally by private coach or bus.

CONTENTS WALKING DAYS

ARCHITECTURE & DESIGN DAYS

NEW Roman London Walk...................... 4 London Gardens Walk............................... 4 NEW Royal Parks Walk............................. 5 The London Backstreet Walk.................... 5 The London Squares Walk........................ 6 The South Bank Walk................................ 6

Hampstead in the 1930s.......................... 11 Hawksmoor............................................... 11 John Nash.................................................. 12 Arts & Crafts............................................. 12 Robert Adam’s Country Houses............. 13 Interwar Interiors..................................... 13 Seven Churches & a Synagogue.............. 14

LONDON LECTURE AFTERNOON Around St James’s (morning walk)............. 7 London Lecture Afternoon....................... 7

HISTORY DAYS Charles Dickens.......................................... 8 Wellington in London................................ 8 London’s Underground Railway............... 9 Great Railway Termini............................... 9 The Tudors................................................. 10 NEW The Stuarts...................................... 10

MUSIC DAYS Handel in London.................................... 14 NEW Advent Choral Day........................ 15

GALLERY & MUSEUM DAYS The Portrait: Van Eyck to Sargent.......... 16 Ancient Egypt at the British Museum... 16 Spanish Art in London............................ 17 Chinese Ceramics..................................... 17 NEW Rubens and van Dyck................... 18

Ancient Greece......................................... 18 Japanese Art in London........................... 19 Caravaggio & Rembrandt........................ 19 The Italian Renaissance........................... 19 Islamic Art in London............................. 20 NEW Art and Artefacts of Antiquity..... 20 The Golden Age of British Painting....... 21 NEW Mother, Maiden, Mistress............ 21

LONDON DAYS LISTED BY DATE 2019 programme: The full, up-to-date list............................. 22

BOOKING, VOUCHERS, UPDATES Making a booking.................................... 23 Gift vouchers............................................. 23 London Days e-bulletin........................... 23

New departures are released frequently throughout the year. To receive our fortnightly e-mail updates on the latest range of London Days, please e-mail info@martinrandall.co.uk, or call us on 020 8742 3355.

LONDON DAYS | WALKING

Roman London Walk Billingsgate, Mithraeum, Guildhall and Museum of London Wednesday 21 August 2019 (lf 657) Lecturer: Professor Simon Esmonde Cleary ‘Most renowned for the quantity of merchants and goods’, the Roman historian Tacitus’ evocation of London on the eve of its destruction by Boudicca in 60/61ad shows how commerce brought London into being for the first time in the Roman period. Premier port of Roman Britain it became the province’s chief administrative centre and largest city.

The legacy of the Roman city remains despite over a millennium of later rebuilding; indeed, the commercial world of the modern City of London still lies largely within the Roman wall circuit. Excavations on bomb-sites after the Second World War and in advance of the prodigious redevelopments of the last forty years have transformed our knowledge of the Roman city and the lives of its people.

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The well-preserved section of the Roman walls at Tower Hill shows the importance of the city. Very unusually for a Roman city there was a fort in the area of Cripplegate and its amphitheatre lies under the Guildhall.

Within the walls the large residential complex and baths at Billingsgate are testimony to Roman habits of life. Even more evocative of cosmopolitan Mediterranean culture is the Mithraeum, attesting the spread through the Roman world of a cult originally from Persia.

In addition, there are some of the astonishing wooden writing tablets from the earliest years of the Roman occupation uncovered during the construction of the new Bloomberg building.

and tombstones, but also conveying how new scientific techniques are expanding our understanding of this important era in London’s evolution.

The Museum of London houses the outstanding collection of evidence for the development of the Roman city and its people, displaying not only mosaics, coins

Combine the August day with: London Gardens Walk, 22 August 2019.

Start: 9.45am, Tower Hill tube station.

Finish: c. 5.00pm, the Museum of London.

Price: £205. This includes morning and afternoon refreshments, lunch, one special admisssion and donations.

Fitness: the day is spent on foot, both standing and walking along busy and narrow pavements. The Billingsgate bathhouse is accessible only by staircase.

Group size: maximum 18 participants.

London Gardens Walk The City and its borders Postman’s Park, beloved as a lunchtime venue for City workers is another small space with a story; the newly re-opened Salters’ Hall gardens and Barber Surgeon’s also lie on our path. Lunch is at the former Carthusian monastery, The Charterhouse with its country garden just beyond the City boundary.

In contrast, the dramatic Brutalist architecture of the Barbican housing estate has been updated with an innovative planting scheme developed by Professor Nigel Dunnett, following the success of his landscaping around the Olympic Park. Renowned Dutch plantsman Piet Oudolf is responsible for a new park on the South Bank at Potter’s Field which abuts one of the finest pieces of landscape architecture undertaken in London.

Start: City Hall, SE1 2AA, 9.15am, (nearest Underground station is London Bridge).

Finish: Nomura International, EC4R 3AB at approximately 6.00pm, (nearest Underground station is Monument).

Thursday 22 August 2019 (lf 659) Lecturer: Louisa Allen It may surprise people to learn that London is one of the greenest cities in Europe. Forty percent of its area is dedicated to readily accessible parks and public spaces, and while the great parks are known and loved by Londoners and visitors alike, few people know of the many small and remarkable spaces that are dotted through the city.

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With a history spanning five centuries, this walk encompasses old and new gardens and public spaces, some by special arrangement, to see the best of this small pocket of London’s lesser-known gems. Several of these have been created in the bombed-out remains of Wren churches, including the award-winning St Dunstan’s in the East whose dramatic ruins have been engulfed in a wide range of wall shrubs and climbers to create a beautiful garden with a haunting atmosphere.

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Price: £215. This includes special entrances, lunch, morning and afternoon refreshments and one Underground journey.

Fitness: The distance covered is c. 5 miles and you are on your feet for most of the day while looking and listening. Please don’t attempt it unless you are able to walk at about 3 mph for at least an hour at a time. Stout shoes are of course advisable.

Group size: maximum 18 participants.

LONDON DAYS | WALKING

Royal Parks Walk London’s green lungs

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Monday 2 September 2019 (lf 697) Lecturer: Steven Desmond There are many royal parks in London. Their long history as royal preserves gradually admitting the public has left London with a distinguished legacy of public open spaces free from developer pressure and sprinkled with monuments. This walk will take us through three of these great parks to examine this ancient landscape of wood, water, turf and flowers, and dwell on some of its treasures.

St James’s Park, virtually the front garden of Buckingham Palace, was made into something more than a place of public resort by Charles II although its present appearance owes most to the softening of its lines by John Nash in 1826.

Regent’s Park began as confiscated monastic land. The Prince Regent turned it into the centrepiece of his prototype garden city, to which the public were first admitted in 1835. William Andrews Nesfield and his son Markham laid out the elaborate Avenue Gardens in the 1870s and the former botanic garden in the central circle was converted into the opulent rose garden in 1930.

Hyde Park was detached from Westminster Abbey by Henry VIII in 1536, and was first opened to the public by Charles I. It became the venue of a series of spectacular events in the 19th century: the Trafalgar re-enactment on the Serpentine in 1814, when the model French fleet was destroyed; the Crystal Palace

of 1851, the world’s first modular exhibition centre and a sensational success; and the building of the Albert Memorial of 1872.

The royal enclave of Kensington Gardens, remodelled by Charles Bridgman in 1726, includes the charming sunken garden of the 1920s by the versatile Ernest Law. The day is led by Steven Desmond, Fellow of the Chartered Institute of Horticulture and specialist in the conservation of historic gardens.

Price: £195. This includes lunch, morning and afternoon refreshments one Underground and one taxi journey.

Fitness: The distance covered is c. 6 miles and you are on your feet for most of the day while looking and listening. Please don’t attempt it unless you are able to walk at about 3 mph for at least an hour at a time. Stout shoes are of course advisable.

Group size: maximum 18 participants.

Start: 10.00am, Westminster Underground Station.

Finish: 4.30pm, Hyde Park.

The London Backstreet Walk From Hyde Park to The Tower Wednesday 4 September 2019 (lf 693) Lecturer: Sophie Campbell Wednesday 2 October 2019 (lf 773) Lecturer: Barnaby Rogerson This walk is predicated on two beliefs. The first, platitudinous if rarely put to the test, is that the centre of London is not so large that people of ordinary fitness couldn’t walk everywhere. The second would perhaps be greeted in some quarters with scepticism: that one can traverse the capital from Hyde Park Corner to the Tower of London without walking along main roads for more than a couple of hundred yards in total.

This is London seen from parks, gardens, alleys, backstreets and pedestrian zones.

As the crow flies, it is exactly 3⅓ miles, but as avoiding traffic requires some circuitous deviations the distance walked is 8 or 9 miles.

The route – which is far from obvious, as may be understood – is laced with delights and surprises. Many famous buildings are passed or glimpsed, but largely the interest lies in unexpected clusters of pre-20th century architecture, picturesque vistas and intriguing alleys, patches of parkland and well-tended gardens, recent architectural behemoths and medieval street patterns.

Some special arrangements have been made to enter a few buildings en route. Champagne at the Savoy and lunch in the grandest Elizabethan hall in England are among the treats. But the main point of the day is to provide the satisfaction of accomplishing a unique and fascinating journey through the heart of the most vibrant, varied and fascinating city in Europe.

Start: 9.00am, Hyde Park Corner, Wellington Arch.

Finish: c. 5.40pm at Tower Hill Station.

Price: £215. This includes refreshments and lunch, admission charges and donations.

Fitness: This is a serious hike, so please don’t attempt it unless you are able to walk at about 3 mph for at least an hour at a time and have the stamina for 9 miles (though there are 4 refreshment breaks). The terrain is fairly flat but there are steps (one flight has 57). Stout shoes are of course advisable – but no trainers please: they are specifically forbidden at the lunch venue.

Group size: maximum 18 participants.

Combine the September day with: London’s Underground Railway, 3 September 2019.

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LONDON DAYS | WALKING

The London Squares Walk London’s greatest glory Saturday 14 September 2019 (lf 147) Lecturer: Martin Randall The basic form of London’s squares – rows of similar houses around a regular open space – is neither unique nor original to the city, but their sheer profusion is quite unparalleled elsewhere. Together with circuses, crescents and associated streets and mews, squares constitute London’s most distinctive and pleasing architectural characteristic.

While the uniformity of the enclosing terraces provides much of the delight, equally engaging are the subtle differences between one house and its neighbours, or between one whole side and another. Many of the squares on this walk have ‘palace fronts’, terraces which were planned as if they were a single, very grand building, with architectural emphasis on the centre and ends.

SATURDAY DEPARTURE The squares selected for this walk are almost entirely intact and in an excellent state of preservation – one amazing feature of the London square phenomenon generally. Most of the pioneers in Bloomsbury and the West End have been much rebuilt; this itinerary gives priority to completeness, condition and beauty, resulting in a study of the final, triumphant phase from very late Georgian to fairly late Victorian. During this period there was unprecedented variety and exceptional architectural quality, and economics and aesthetics aligned to achieve residential townscape as fine as anywhere in the world.

Not the least pleasing feature is the planting in the middle of the square, forming mature and well-tended landscaped gardens. The seemingly anachronistic system of ownership of tracts of London by aristocratic or charitable estates serves very well for upkeep.

Start: Belgrave Square, 9.45am (nearest tube: Hyde Park Corner).

Finish: Gloucester Road Station, c. 5.30pm.

Price: £190. This includes morning and afternoon refreshments and lunch.

Group size: maximum 18 participants.

Fitness: The distance covered is c. 5½ miles, but you are on your feet for most of the day while looking and listening. Please don’t attempt it unless you are able to walk at about 3 mph for at least an hour at a time.

Combine the day with: The Cathedrals of England, 18–26 September 2019.

‘Martin Randall was brilliant! What a privilege to be taught about London architecture by such a passionate, well-informed and curious expert. I learnt so much. Thank you for a fascinating day!’ a London Squares Walk participant.

The South Bank Walk Famous and forgotten sites between Waterloo and The Shard Wednesday 18 September 2019 (lf 722) Lecturer: Sophie Campbell The south side of the river between Westminster Bridge and Tower Bridge now plays host to some of London’s most prominent art museums, concert halls and theatres; restaurants, cafés, bars and food stalls are found in abundance; luxury apartments, starchitect office buildings and hotels proliferate. At times there is severe congestion on the Thameside walk.

Even twenty years ago very few could have envisaged such a future for what was still a largely depressed and partly derelict strip of central London. Long after cultural colonisation commenced with the Royal Festival Hall (1951), generations of Jeremiahs warned against moving arts institutions to the South Bank. But the temptations of derelict land, abandoned industrial buildings and, in one striking instance, historical precedent (Shakespeare’s Globe) led to an arts quartier 6

of world importance. A tipping point was reached: Southwark became one of Europe’s biggest city-centre regeneration projects.

Some of this provides some of the interest of this day. Much of the walk’s fascination, however, lies in what has been untouched by this gentrification a few hundred yards inland, where there remain enthralling vistas of Victorian warehousing and industry, intersecting viaducts, strangely well-preserved Georgian terraces and outstanding items like Southwark Cathedral, the world’s oldest operating theatre, London’s first railway station and its most beautiful recent tube station There are lively markets and the last of the great coaching inns, and a couple of the most famous of contemporary buildings, City Hall and The Shard, western Europe’s tallest building. At the end of the day the tour ascends to The Shard’s Viewing Gallery on the 68th-72nd floors to look down on the day’s itinerary, and hugely more besides.

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Start: 9.30am, Waterloo Station.

Finish: The Shard c. 6.30pm.

Price: £220. This includes lunch and morning and afternoon refreshments, admission charges and donations.

Group size: maximum 18 participants.

Fitness: The distance covered is c. 5 miles, but you are on your feet for most of the day while looking and listening. Please don’t attempt it unless you are able to walk at about 3 mph for at least an hour at a time. Stout shoes are of course advisable.

Combine the day with: Hawksmoor, Thursday 19 September 2019.

LONDON DAYS | LECTURE AFTERNOON

Around St James’s a London morning

A walk and lunch to precede our London Lecture Afternoon 2019.

Saturday 23 November 2019 (lf 908) Lecturer: Martin Randall (Fully booked) If it were necessary to identify the centre of the centre of London, a convincing candidate would be St James’s Park. Several royal palaces have abutted the perimeter over the last five hundred years – three still do – and for a millennium the government of England was increasingly based in Westminster Palace and Whitehall, which are only a stone’s throw away.

Yet it was marshy wasteland when Henry VIII bought the park as part of a great hunting forest, and the late 17th-century predecessor to Buckingham Palace was effectively a country house. It was not until the nineteenth century that there was any significant building further west.

In terms of urban planning, the park is fascinating: no front door faces it. Perhaps the finest Picturesque park of the Romantic era, the green space itself is beautifully designed.

This walk explores the development of the area and the surrounding architecture.

Start: 9.30am St James’s Park Underground Station.

Finish: Close to and shortly before the commencement of the lecture afternoon.

Group size: maximum 18 participants.

Fitness: apart from the refreshment break, the morning is spent entirely on foot.

Price: £95. This includes morning refreshments and lunch.

London Lecture Afternoon 2019 at One Great George Street Combine with our London Days: The Genius of Titian, 21 November 2019 and Ancient Egypt at the British Museum, 22 November 2019.

Book online at www.martinrandall.com or call us on 020 8742 3355 to reserve your place.

The lecturers and their talk titles are: Dr Steven Brindle Brunel as an Architect Mary Lynn Riley ‘Tis the gift to be simple: Early American Portraiture

Saturday 23 November 2019 (lf 909) Price: £75 per person Join us for an afternoon of six lectures followed by a drinks reception on Saturday, 23rd November 2019 at One Great George Street, Westminster, London SW1P 3AA. From Brunel as an architect to how music changes minds, and from early American portraiture to Virgil’s ‘Troy in miniature’ in Albania, the 2019 London lecture afternoon promises a broad range of talks from MRT’s distinguished pool of speakers.

This year’s venue is One Great George Street, a magnificent Edwardian building and home of the Institute of Civil Engineers. Our talks are held in the Telford Theatre with drinks in the Great Hall, one of the finest halls in London.

Tickets cost £75 per person, which includes a tea break and canapé reception.

The first lecture begins at 2.00pm, with the drinks reception commencing at 5.30pm. The event ends between 7pm and 7.30pm.

Professor Lloyd Llewellyn Jones Shahnameh: Persian past and Iranian present in the Epic of Kings Carolyn Perry Butrint: Albania’s archaeological gem and Virgil’s ‘Troy in miniature’ Stephen Johnson How Music Changes Minds Anthony Peers Indian colonial architecture

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LONDON DAYS | HISTORY

Charles Dickens Marshalsea, Chelsea, Westminster and Holborn Thursday 29 August 2019 (lf 667) Lecturer: Andrew Sanders

‘The lecturer brought Dickens and his characters alive and his readings were most entertaining and enjoyable.’ a previous Charles Dickens participant.

A Charles Dickens walk makes perfect sense in that Dickens was very much a peripatetic, restless man with a particularly acute sense of place and a superlative skill in depicting places in his writings, a skill he once described as being akin to that of a ‘fanciful photographer’.

It is thus particularly rewarding to explore the relevant areas of London for his great novels (his knowledge of the city was described as being already ‘wonderful’ by one of his fellow clerks in the lawyer’s office where he began earning his living at the age of fifteen). His love/hate relationship with the great city and the myriad, often sensational, contrasts it offered, lasted the whole of his life and is central to all his work. At night the streets of London were for him what he called ‘a great magic lantern’ into which he needed to be able to look and he found it a struggle to write when deprived of this unfailing resource.

The day begins at Southwark near the site of the now-demolished Marshalsea Prison. A visit by special arrangement to the home of Thomas Carlyle whose The French Revolution:

A History inspired A Tale of Two Cities, followed by lunch at one of Dickens’s clubs, the Athenaeum, scene of his memorable reconciliation with Thackeray. We explore the legal quarter around Lincoln’s Inn, one of the chief settings for Bleak House. The day ends at the Charles Dickens Museum in Doughty Street, Dickens’s only surviving London residence occupied by him during the crucial years 1837–1839 when he was rocketing to fame with the serial publication of Pickwick Papers, Oliver Twist and Nicholas Nickleby.

Start: 9.20am St George The Martyr, Southwark. Nearest Underground station: Borough (City branch of Northern Line).

Finish: Charles Dickens Museum, Doughty Street at c. 5.00pm.

Price: £245. This includes special entrances, lunch, morning and afternoon refreshments and journeys by taxi.

Fitness: Longer journeys are by taxi, but there is a walk in the afternoon of c. 1½ miles. Stout shoes are advisable, but no trainers please which are not allowed at the Athenaeum.

Group size: maximum 16 participants.

Wellington in London with private access to Apsley House Monday 16 September 2019 (lf 718) Lecturer: Josephine Oxley Wellington loathed the hero-worship to which he was subjected after Waterloo, but ample rewards and memorials were awarded by a grateful nation – with justice, for arguably he was Britain’s greatest general, and more than anyone else was responsible for terminating Napoleonic tyranny. Opinion concerning his political career remains divided, but there is no doubt he possessed integrity.

Both history and art history, this day studies Wellington’s achievements, his personality and his life and times. It is led by Josephine Oxley, curator of Apsley House, the London home of the first Duke and his successors to the present. With its spectacular art collection, it remains the finest private house in the city and the day ends with a special out-of-hours visit here.

Nearby are two memorial statues and the Wellington Arch, location of an English Heritage exhibition on Waterloo. The National Gallery, Guards Museum and Household Cavalry Museum are also visited and further illuminate Wellington’s life.

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Start: 10.50am, National Gallery.

Finish: c. 5.00pm, Apsley House, Hyde Park Corner.

Fitness: Although one journey is made by taxi, the rest of the day is on foot, both walking and standing.

Price: £225. This includes all admission charges and special arrangements, afternoon refreshments, lunch and one journey by taxi.

Group size: maximum 18 participants.

Josephine Oxley Keeper of the Wellington Collection for the past nine years. Previously she worked for the National Trust and Historic Scotland. She has worked with a variety of collections from costume to furniture and paintings with a specialism in tapestry.

Her main interest is the Napoleonic period both history and art, and of course the Duke of Wellington.

LONDON DAYS | HISTORY

London’s Underground Railway A history and appreciation of the Tube Tuesday 3 September 2019 (lf 692) Wednesday 27 November 2019 (lf 910) Lecturer: Andrew Martin Shanghai has more track, Paris and New York have more stations, but London has by a clear margin the oldest urban underground railway in the world: 2013 was its 150th anniversary.

It is also by far the most complicated, having started as several independent and often competing enterprises; contrary to sensible practice, strategic planning by unitary municipal government came towards the end of the process, not in advance.

Modern London was shaped by the Tube rather than vice versa. The first ‘cut and cover’ lines, in trenches under existing roads, were vigorously promoted by a socialistic solicitor.

The ‘deep level’ tube lines were pushed

through by a maverick American, while the suburban extensions between the wars fulfilled the utopian ideals of a dour Yorkshireman who came bitterly to regret the urban sprawl they spawned. Now, after decades of relative neglect, investment and improvement are on an unprecedented scale.

the 1930s; and the architectural bravura of the 1990s Jubilee Line Extension. The day is not all spent below ground, and by special arrangement there is a visit to London Transport’s historic headquarters at 55 Broadway.

The day is led by Andrew Martin, journalist, novelist, historian and author of Underground Overground: a Passenger’s History of the Tube (2012). During the 1990s he was ‘Tube Talk’ columnist for the Evening Standard.

Finish: c. 5.00pm at Southwark (a short walk to Waterloo station).

Among the places and themes examined are the first ever stations, still in use and little changed; the even earlier Brunel tunnel under the Thames, mother of all modern tunnels, opened 1841; the subtle beauties of Leslie Green’s tiled stations of the early 20th century and the revered modernist architecture of

Start: 9.00am at Baker Street Station.

Fitness: participants need to be able to cope with busy trains and a considerable time on foot; standing or walking. There are a lot of station steps as well as a flight of 100 which are steep and narrow within 55 Broadway.

Price: £215. This includes all Tube travel, lunch and refreshments.

Group size: maximum 15 participants.

‘Lucid and fascinating exposition of the railway termini and their surroundings. A real eye opener for me; I found myself taken back in time so that it felt as if I were really there.’ a previous Great Railway Termini participant.

Great Railway Termini Paddington, King’s Cross and St Pancras stations Wednesday 9 October 2019 (lf 783) Lecturer: Dr Steven Brindle Wednesday 13 November 2019 (lf 898) Lecturer: Anthony Lambert Two eyebrow-raising assertions: the railways were a Georgian invention, all the ingredients being in place before 1830; and the 21st century is witnessing a golden age of rail travel. The first is indisputable fact, if surprising; the second is likely to provoke an unprintable retort from many commuters.

However, few would quibble with a statement that the greatest achievements of railway architecture and engineering are Victorian.

But seeing and appreciating magnificent stations such as those studied today is to a large extent possible because of enlightened intervention in the last ten or twenty years.

The adaptation and upgrading of ageing infrastructure to meet modern requirements

has been a major achievement, but so has the restoration and cleaning of historic fabric. And the sensitive addition of new structures of the highest quality of design has been a triumph.

Largely the creation of Isambard Kingdom Brunel, Paddington is well preserved and in some ways the most appealing of London’s termini. King’s Cross has always been admired for the majesty of its unadorned functionality, but recent removal of 20th century clutter enables it to be better appreciated. And in 2012 the station acquired a magnificent new lattice steel foyer, the widest span in Europe.

Start: 9.30am at Paddington Station.

Finish: c. 4.45pm at St Pancras Station.

Price: £205. This includes morning and afternoon refreshments, lunch, one journey by underground and special arrangements.

Group size: maximum 16 participants.

Combine the October day with: Interwar Interiors, Tuesday 8 October 2019, or combine the November day with The Italian Renaissance, Tuesday 12 November 2019.

The 240 ft span of the St Pancras train shed far surpassed any previous structure in the world and its conversion for use as the Eurostar terminus, completed 2007, created one of the most exciting sets of public spaces in Europe.

The contiguous Midland Grand Hotel by Sir George Gilbert Scott is perhaps the bestknown of all Victorian buildings. +44 (0)20 8742 3355 | info@martinrandall.co.uk | www.martinrandall.com/london-days

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LONDON DAYS | HISTORY

The Tudors Hampton Court, tombs and portraits Monday 9 September 2019 (lf 694) Lecturer: Dr Neil Younger Tudor architecture, culture and politics are studied through two of the finest buildings of the era, and Tudor people through the two best assemblies of images.

The day begins at Westminster Abbey in the Henry VII Chapel, not only the most glorious ecclesiastical Tudor building but burial place of most of the Tudor monarchs. The theme of commemoration continues at the National Portrait Gallery, broadening to include courtiers.

Hampton Court began as the country palace of Cardinal Wolsey, one of the richest and most powerful individuals in Europe, before being sequestered by Henry VIII. Partially rebuilt and extended for William and Mary, it nevertheless retains some outstanding 16thcentury interiors and works of art – great hall, chapel, private apartments, kitchens, tapestries and paintings.

The lecturer Dr Neil Younger is a specialist in Tudor politics, government and court culture.

He is the author of War and Politics in the Elizabethan Counties and is currently working on a biography of the Elizabethan courtier Sir Christopher Hatton.

Start: 9.25am, Westminster Abbey (west door).

Finish: c. 6.30pm at Waterloo Station.

Price: £215. This includes lunch, morning refreshments, admission charges and transport.

‘It is always a pleasure to go with a guide who can bring history to life.’ a participant on The Tudors.

Transport: taxis within London, return national rail between Waterloo Station and Hampton Court.

Fitness: there are walks of up to 20 minutes between station and palace at Hampton Court, and a lot of standing in galleries and buildings.

Group size: maximum 18 participants.

The Stuarts London’s legacy of a remarkable dynasty Friday 25 October 2019 (lf 861) Lecturer: Professor Lloyd Llewellyn-Jones The seven monarchs who make up the Stuart dynasty ruled over a turbulent realm, one which was deeply fractured by political partisanship and divided by religious dissension. In this age of civil war, succession crises and rebellion, the Stuart monarchs themselves, alongside their spouses, offspring and favourites, added fuel to the fire of sociopolitical tension with in-fighting, factionalism, betrayal and treachery.

After centuries of Scottish resistance to English rule, an accident of birth ended up uniting the countries under one ruler, James I. Arts-loving, but flawed, Charles I undertook a reign in which high taxes and increasingly authoritarian attempts to strip Parliament of its power led to civil war. But, during his son’s reign London society flourished and culture - painting, architecture, drama and music blossomed.

Beneath the ribbons and laces of the restoration era, though, ran a deep vein of religious intolerance and anti-Catholic prejudice, which within three years of Charles II’s death led to the ousting of his successor James II as monarch and resulted in the Glorious Revolution of William and Mary.

The unremarkable Queen Anne was instrumental in doing a remarkable thing: it 10

Combine the day with: Hampstead in the 1930s, 11 September 2019, or Country Houses of the North West – Tudor & Stuart architecture in Cheshire, Lancashire & Cumbria, 29 July–3 August 2019.

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NEW was she who set about uniting England and Scotland into one nation. When the Acts of Union of 1707 were signed, she became the first monarch to rule over Great Britain.

The morning sets the scene at the Portrait and National galleries. The afternoon progresses down Whitehall to Banqueting House, past Parliament and proceeds from Westminster to the Stuart glories of Kensington Palace.

This London Day is fascinating not only for its discovery of the wealth of Stuart material culture surviving in central London, but also for dealing directly with the notion of dynasty.

Start: 9.30am, Embankment Underground station.

Finish: c. 5.00pm at Kensington Palace.

Price: £215. This includes lunch, midmorning and mid-afternoon refreshments, entrance fees, donations and one journey by Underground.

Group size: maximum 16 participants Fitness: the day is spent mainly on foot. There is one Underground journey which may be busy in the afternoon.

LONDON DAYS | ARCHITECTURE & DESIGN

Hampstead in the 1930s A walking tour and visits

As the abundance of wall plaques in the area demonstrates, visual artists have been drawn to the physical and cultural attractions of Hampstead since the late eighteenth century.

This London day, however, concentrates on artistic life in Hampstead in the 1930s, the period in which it occupied a unique place in the story of British art and architecture.

This was in large measure due to the number of talented émigrés from Nazi-dominated Europe who found refuge here, and the British individuals who welcomed and worked alongside them.

A private view of selected items from the era at Hampstead museum’s collection at Burgh House, and an introductory lecture, set the scene. It was during the 1930s that such residents as Paul Nash, Roland Penrose and Henry Moore made the area the hub of avantgarde activities in the UK. Both the abstract and surrealist camps were well represented and modernist architects Wells Coates and Maxwell Fry also lived here during this period.

A walk through Frognal is testament to their influence and work, and there is a visit to Hungarian-born Erno Goldfinger’s pioneering home at nearby 2 Willow Road.

By special arrangement, we visit the former garage of the Isokon building in Lawn Road

which has been converted into a small gallery devoted to the colourful history of these flats whose tenants included Walter Gropius and Marcel Breuer, as well as Agatha Christie and a significant number of Communist spies. The Mall Studios were home to what Herbert Read described as a ‘gentle nest of artists’, among them Barbara Hepworth and Ben Nicholson.

For a brief but significant spell, Piet Mondrian lived just around the corner.

Image: ©Isokon Building, Hampstead, London

Wednesday 11 September 2019 (lf 696) Lecturer: Monica Bohm-Duchen

The day is led by lecturer, writer and curator specialising in 20th century art, Monica Bohm-Duchen who was born in Hampstead and has lived there most of her life.

Start: 10.00am at Hampstead Underground Station.

Finish: c. 5.30pm in central Hampstead just a short walk from Hampstead Underground Station.

Price: £215. This includes morning and afternoon refreshments, lunch, admission charges and donations, one taxi journey.

‘Fascinating and enjoyable.

Particularly seeing the penthouse flat of the Isokon.’ a participant on Hampstead in the 1930s.

Fitness: there is a fair amount of walking on steep streets and you are on your feet most of the day at the sites visited.

Group size: maximum 14 participants.

Combine the day with: Seven Churches & a Synagogue, 12 September 2019.

Hawksmoor The six London churches Thursday 19 September 2019 (lf 728) Lecturer: Owen Hopkins Nicholas Hawksmoor (1661–1736) dropped from public consciousness while Wren and Vanbrugh did not. In so far as he was known before the 20th century he was reviled for just those qualities which lead to passionate attachment to his creations now – boldness, massiveness, Baroque vigour, dissident classicism and sculptural imagination.

Yet he is probably an even greater architect than his documented buildings show; it is highly likely that he is the author of some of the finer parts of buildings long attributed to others. He was Wren’s assistant for over twenty years, and also collaborated with Vanbrugh.

The Baroque flowering of Wren’s late works should probably be ascribed to Hawksmoor, while his professionalism and artistry were key to turning the soldier-playwright into a great architect.

Taken together, his greatest achievement remains the six London churches built in

accordance with the 1711 Act of Parliament.

This specified fifty new churches; only twelve were built, not least because Hawksmoor’s extravagant ambition absorbed an undue proportion of the funds. Remarkably, they all survive, though one is a (well-preserved) shell after the Blitz. The journey by coach takes in St George’s Bloomsbury, St Mary Woolnoth, Christ Church Spitalfields, St George-in-theEast Stepney, St Anne’s Limehouse and St Alfege Greenwich. Thomas Archer’s contemporaneous St Paul’s Deptford is also included.

Start: 9.20am, Holborn tube station.

Finish: c. 5.20pm, Greenwich; the ferry to Tower Hill, Embankment and Westminster (c.

35 minutes) is recommended.

Price: £225. This includes travel by coach & ferry, lunch, refreshments and donations to the churches.

Group size: maximum 20 participants.

Combine the September day with: Ancient Egypt at the British Museum, 20 September 2019. +44 (0)20 8742 3355 | info@martinrandall.co.uk | www.martinrandall.com/london-days

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LONDON DAYS | ARCHITECTURE & DESIGN

John Nash The man who transformed London Monday 23 September 2019 (lf 745) Lecturer: Dr Geoffrey Tyack While London at the beginning of the 19th century was the largest and most prosperous city in the world, it fell far behind many other capitals in the magnificence of its government buildings and the grandeur of its street layout.

This was a direct outcome of the limits put on British monarchical authority – and spending power – after the Glorious Revolution, and the concomitant resistance to central authority of any kind.

It is no coincidence that the monarch most widely despised by his subjects since 1688 was the one who encouraged the greatest episode of town planning and large-scale beautification in the history of London, George IV, Regent from 1811 – the year the leases of Regent’s Park fell in. But the person most responsible for the park’s incomparable architectural rim, and for the great sequence of thoroughfares leading south to Whitehall, was John Nash.

Nash’s star is now in the ascendant again, but for much of the last two hundred years his detractors predominated, with mutterings about his shady dealings as a developer, his (or rather his wife’s) improper relationship with his royal patron, his sloppiness as a designer and the shoddiness of his stucco-wrapped buildings. As an architect he was sometimes somewhat broad-brush, but he was master of effects both grand and picturesque. Simply turning his Regent Street masterplan into reality in only ten years was an extraordinary achievement.

Nearly all his surviving buildings, urban improvements and park landscaping in central London are seen on this day, beginning with Regent’s Park and finishing with his Buckingham palace interiors, unquestionably the most regal in the realm.

Start: 9.30am, Camden Town Underground Station.

Finish: c. 5.45pm, Buckingham Palace.

Price: £195. This includes lunch, refreshments, one bus journey, an admission charge and a donation.

The visit to Buckingham Palace is by no means exclusive and clients should be warned that access requires some queuing and that the rooms will be busy.

Fitness: this is a full day walking and participants need to be able to cope with considerable time on foot, and with catching a busy London bus.

Group size: maximum 18 participants.

Combine the day with: Arts & Crafts, Tuesday 24 September 2019.

Dr Tyack is an architectural historian whose book John Nash: Architect of the Picturesque was published in 2013.

Arts & Crafts Art, architecture and decoration from Bexleyheath to Chiswick Start: 9.00am, at Tower Place East, London EC3.

Finish: c. 6.00pm, Turnham Green Station.

Price: £240 This includes transport by coach and tube, lunch at the V&A, morning and afternoon refreshments.

Fitness: Travel is by private coach but there is some standing and walking and tube journeys across central London.

Group size: maximum 15 participants.

Tuesday 24 September 2019 (lf 747) Lecturer: Paul Atterbury

(in the V&A, for which it was made) and a Hammersmith home (Emery Walker’s).

For a long while Arts & Crafts was the acceptable face of Victorian art. Sales of William Morris wallpaper boomed while many major Victorian buildings succumbed to the wrecker’s ball. Fortunately, loathing of all things Victorian has now largely evaporated, but creations which fit into the Arts & Crafts category – not so much a style as a basket of ideas and attitudes – still stand out as exceptionally appealing and intriguing.

For its instigators, the movement was as much about politics and economics as a matter of aesthetic preference. They championed craftsmanship and craftsmen and excoriated industrialisation and machine-made artefacts; most added a dollop of Utopian socialism though with varying degrees of commitment.

A.W. Pugin was the precursor, Ruskin its prophet and Morris the high priest.

The day provides a splendid survey of this dissident and even subversive phenomenon, with excellent examples in many media.

It begins with the 1859 Red House at Bexleyheath – as did the movement – designed by Philip Webb for the Morris family.

Other visits include Holy Trinity Sloane Street, a dining room in South Kensington 12

Arts & Crafts emancipated the designer to the status of artist, strove to give everyone access to beauty and achieved liberation from historic styles while incorporating exotic influences.

Along the way it entwined with Art Nouveau, held hands with the Aesthetic Movement and, according to a view which superficially seems perverse, gave birth to international modernism.

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Combine the day with: John Nash, Monday 23 September 2019 or Robert Adam’s Country Houses, Wednesday 25 September 2019.

Paul Atterbury Specialist in the art, architecture and design of the 19th and 20th centuries. He has worked as an external curator for the V&A and is a long standing expert on BBC’s Antiques Roadshow.

LONDON DAYS | ARCHITECTURE & DESIGN

Robert Adam’s Country Houses Kenwood, Osterley, Syon Wednesday 25 September 2019 (lf 748) Lecturer: Dr Geoffrey Tyack Robert Adam started his career with two advantages unusual among professional architects of his time. He had considerable personal wealth, inherited from his father, who had not only been Scotland’s leading architect but also an entrepreneur in the construction and allied industries, and he had a university education.

He was able to undertake a three-year Grand Tour in some luxury, to hire drawing teachers and antiquarians and, equally important, to consort with British and Italian aristocrats in Rome and elsewhere on terms of near equality.

He was also fiercely ambitious.

day is not as completely mad as it might at first seem to be. Visiting these three houses on a single day is entirely feasible and rational if the focus is solely on Adam’s contributions, and other aspects and contents are ignored.

The result is the richest imaginable immersion in eighteenth-century architecture and design of the highest quality.

Start: 9.25am King’s Cross, York Way. Finish: c. 5.40pm Boston Manor Underground Station.

Price: £180. This includes morning and afternoon refreshments, travel by coach and admission charges.

Lunch: lunch is independent at Osterley Park.

Fitness: travel is by private coach, but there is some walking and standing.

Group size: maximum 18 participants.

Combine the day with: Arts & Crafts, Tuesday 24 September 2019.

In 1758 he settled in London and set about cultivating patrons. In this he was very successful, and the majority of his English country houses date from the 1760s. His architectural skills had a lot to do with it, of course, and he was indeed a designer of genius and originality; 250 years later many people who could not name another eighteenthcentury architect can recognise the Adam style.

Adam started work on Osterley, Syon and Kenwood in 1761, 1762 and 1767 respectively.

A feature of the age was that wealth was not so immense and liquid as in other periods, and many of Adam’s works therefore are adaptations of existing houses, and were added to piecemeal over several years. This is worth mentioning not only because it explains much about his creations but also to plead that this

Interwar Interiors Modernist, Traditional and Art Deco Tuesday 8 October 2019 (lf 784) Lecturer: Paul Atterbury There were only twenty years between the First and the Second World Wars, and several of those were blighted by post-war scarcity and financial calamity. And then came the Blitz, followed by decades of indifference and demolition. Nevertheless, some fine examples of architecture and interior design of the time survive, of which perhaps the most striking feature is the great variety of styles employed.

Art Deco is commonly seen as the defining style of the time, though fully-fledged schemes were rare. The day starts with the most extensive to survive, the Courtauld mansion at Eltham Palace, which has been progressively restored and opened up in recent years.

The Edwardian and New Georgian era saw a surge of rebuilding in London but events

intervened, and many buildings completed in the 1920s were designed before the 1914–18 War. So Traditionalism was the norm, Classical to varying degrees, though one extraordinary set of interiors is Tudor in style.

Other visits include two of the great early 20th century department stores Liberty’s and Simpsons (now Waterstones), Piccadilly Underground Station and the 1930s interior of the old Regent Palace Hotel sensitively restored by Dixon Jones and Donald Insall Associates where the day breaks for lunch.

Start: 8.50am, at Victoria mainline station.

Finish: c. 5.30pm, at the Park Lane Hotel, Piccadilly.

Price: £220. This includes lunch, refreshments, travel by train and taxi, an admission charge and donations.

Fitness: participants need to be able to cope with busy trains and a considerable time on foot; standing or walking.

Group size: maximum 18 participants.

‘I enjoyed Paul’s commentary on Britain in the first half of the 20th century; he opened my eyes to new things in an area of London I am very familiar with.’ a participant on Interwar Interiors.

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LONDON DAYS | MUSIC

Seven Churches & a Synagogue Some of London’s finest historic buildings Thursday 12 September 2019 (lf 703) Lecturer: Jon Cannon As the most populous metropolis in the west until well into the 20th century, and as capital of a nation notorious for its multitudinous shades of churchmanship, it is not surprising that London possesses the largest number of churches and the greatest variety of ecclesiastical architecture to be found in any single city. Subjectivity must play a role in selecting these seven, as do logistics, but it is fair to claim that they are among the best of their kind. This is an extraordinarily fascinating day, enriching aesthetically, historically and spiritually.

There are two medieval buildings, the imposing Romanesque remnant of the abbey church of St Bartholomew the Great and the Knights Templars’ church. Wren’s ingenious domed church of St Stephen Walbrook, the faultless St Mary-le-Strand by Gibbs and St Mary Woolnoth by Hawksmoor are outstanding examples of the classical phase of architecture – as is the Bevis Marks Synagogue of 1699, one of the City’s little-known treasures. Butterfield’s All Saints Margaret Street is a seminal masterpiece of the Gothic

Revival, of which the sublimely lovely St Cyprian’s, Clarence Gate, by Sir John Ninian Comper, is one of the last great examples.

The speaker concentrates on the essentials, highlighting what is distinctive and significant about the architecture and decoration and pointing out only the most distinguished artworks and furnishings. Time at each building does not allow for detail that is of merely local interest. Thus the day provides immersion in the beauty of greater things.

This architectural London Day also includes a private organ recital in a West End church.

‘An excellent way of discovering different styles of church architecture and having points of interest explained by an enthusiastic expert.’ a participant on Seven Churches & a Synagogue.

Start: 9.15am, St-Bartholomew-the-Great in the City (tube station: Barbican).

Finish: c. 5.45pm, Baker Street Station.

Fitness: Travel is by a combination of tube and taxi journeys and there is quite a lot of walking.

Price: £210. This includes lunch (at Middle Temple Hall, the finest Elizabethan interior in London), refreshments, one admission charge and a donation to each church.

Group size: maximum 18 participants.

Combine the September day with: The Cathedrals of England, 18–26 September 2019 also led by Jon Cannon.

Handel in London Retracing the composer’s steps world. As a contemporary noted: ‘His return to London was hailed by the musical world as a national acquisition, and every measure was adopted to make his abode pleasant and permanent.’ Indeed it was. Handel immediately became the de facto resident composer of the Haymarket opera company and Queen Anne granted him an annual pension of £200, an arrangement continued

by George I. Long before he took British citizenship in 1727 he was being acclaimed as Purcell’s undisputed successor as Britain’s national composer.

Thursday 3 October 2019 (lf 778) Lecturer: Richard Wigmore The 26-year-old Handel scored a sensation in 1711 with his first London opera, Rinaldo.

A year later he settled permanently in the English capital, already the largest city in the 14

The day begins at Baker Street and thence, via the Jubilee Line, to St Lawrence’s Church in Whitchurch, rebuilt for Handel’s patron James Brydges, the future Duke of Chandos. There is a short organ recital here. Then to Bloomsbury and the remarkable hall of the Foundling Hospital which holds the Gerald Coke Handel collection of manuscripts, music and books.

The remarkable hall is where Handel’s own performances of the Messiah raised huge sums for the hospital.

As well as being the original setting for Handel’s resplendent Coronation Anthems in 1727 and his funeral music for Queen

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Caroline, Westminster Abbey is Handel’s place of burial, beneath the magnificent Roubiliac monument.

From the composer’s own parish church, St George’s in Hanover Square to the Handel House Museum in Brook Street, where the composer lived from 1723 to his death, houses inter alia a superb collection of Handel-related paintings.

Start: 9.30am at Baker Street Underground station.

Finish: c.5.30pm at Handel House. The nearest Underground station is Green Park.

Price: £225. This includes refreshments, lunch, travel by Underground and taxi, and special arrangements.

Fitness: participants need to be able to cope with busy Underground journeys and a considerable time on foot; standing and walking.

Group size: maximum 18 participants.

Combine the day with: The London Backstreet Walk, Wednesday 2 October 2019, or Sacred Music in Santiago, 28 September–2 October 2019.

NEW LONDON DAYS | MUSIC

Advent Choral Day Temple and Strand Monday 2 December 2019 (lf 923)

Temple Church

King’s College Chapel London

A day-long sequence of performances, talks and refreshments, our London Choral Days place outstanding choirs in some of the most beautiful and apposite buildings in the capital.

The music on this, the fourth such day, would be a perfect way to start easing into the festive season as most is related to the Christmas story.

In the list of London’s medieval architecture, the Temple Church ranks second only to Westminster Abbey in the ecclesiastical category. The round nave, finished c. 1185, is a homage to the Church of the Holy Sepulchre in Jerusalem; this was the London base of the Templar Order.

The chancel, with its cutting edge design and breathtakingly slender Purbeck pillars, was added c. 1220–40. Henry III wanted to be buried here until he decided to fund the rebuilding of Westminster Abbey.

King’s College Chapel is one of London’s little-known gems, a startling contrast to Robert Smirke’s Neo-Classical building (1829) into which it was inserted in the 1860s.

Here George Gilbert Scott created one of his most eclectic and colourful interiors, more Byzantine and Italian Romanesque than Gothic. The unappreciative next century obliterated the vaults and applied pastel paints, but an exemplary restoration completed in 2000 has returned the chapel to much of its former glory.

The Temple Singers is an established professional ensemble, founded in 2006, which contributes to the liturgical and concert life of the Temple Church. The ensemble can often be heard at the regular Choral Evensong. It has participated in fully-staged productions of Dido & Aeneas and The Fairy Queen in Middle Temple Hall.

As passionate as it is disciplined, the choir of King’s College London is one of England’s leading university choirs. The college has had a choral tradition since the installation of a Father Willis organ in 1866. The choir has existed in its present form since 1945 and is now directed by Joseph Fort.

Festive choral music is an indispensable part of the Christmas season. Its earliest manifestation comes in hymnographic chants and litanies. St Francis of Assisi’s instigation of nativity plays in the 13th century, aimed at educating the illiterate, saw the rise of Christmas music written in the vernacular, and this spread throughout Europe.

Two centuries later, the growing cult of the Virgin prompted a blossoming of festive music connected with Christmas. In the 18th century, the soliciting of alms through carol singing on the street was licensed, and this period saw the flourishing of the traditional Christmas carol.

The three churches are all within easy walking distance of each other, as are the restaurants for lunch.

St Clement Danes A church is believed to have stood on this site since the ninth century, but was rebuilt after the Great Fire of 1666 by Christopher Wren. The tower and a spire were added by James Gibbs in 1719. It enjoyed Empirewide renown through the nursery rhyme Oranges and Lemons. Damaged during the Blitz, it was restored in 1958 and became the central church of the Royal Air Force, and is beautifully looked after.

Sansara performed on the inaugural London Choral Day and we are delighted they are joining us for our first winter event. Founded in 2013, Sansara is a dynamic and innovative chamber choir which brings together many of the UK’s finest young singers. It has received high praise from audiences and reviewers alike, and in 2015 won the London International A Cappella Choir Competition.

Tom Herring is artistic director.

The programme anticipates Christmas through the juxtaposition of works by masters of the Renaissance with well-known pieces by 20th and 21st century composers. The complex polyphony of Tallis and Byrd is contrasted with more homophonic textures in pieces by Britten, MacMillan, Kerensa Briggs and Sansara associate composer, Oliver Tarney.

Their programme today ranges from Handel (For Unto Us A Child is Born) to Whitacre and Rutter, via Harold Darke’s In the Bleak Midwinter and the Fantasia on Christmas Carols by Vaughan Williams.

Francis Poulenc’s Quatre motets pour le temps de Noël are among the most pristine 20th century settings of Christmas texts. They depict in sequence the mystery of Jesus in the manger, the shepherds attending, the wise men following the star and the choir of angels rejoicing. Poulenc’s motets are interspersed with other carols, and Schoenberg’s highRomantic choral work Friede auf Erden which translates the shepherds’ rustic song into an angelic hymn for peace.

Practicalities Start: 11.30am at St Clement Danes, Strand.

Finish: by 5.45pm.

Walking: no walk is more than 10–15 mins (waiting at pedestrian crossings included).

Price: £215. This includes lunch and afternoon refreshments as well as exclusive admission to the three concerts.

Lunch and refreshments: the audience is split in two for lunch at pub restaurants.

Refreshments are served in the afternoon between the concerts.

‘A really delightful and moving day. The music was superb and the introductions from the musicians inspiring.’ a London Choral Day participant.

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LONDON DAYS | GALLERY & MUSEUM

The Portrait from Van Eyck to Sargent at the National Gallery and National Portrait Gallery Friday 23 August 2019 (lf 656) Tuesday 15 October 2019 (lf 863) Friday 31 January 2020 (lg 986) Lecturer: Patrick Bade If you were to meet Giovanni Arnolfini on a London bus, you would recognise him instantly from his portrait in the NG by Jan van Eyck. The same is true of those who sat for John Singer Sargent, though they would be less likely to travel on a bus, and reality, shorn of the glamour imparted by the artist, might disappoint. Over the centuries, portraitists have sought to find the appropriate balance between truth and flattery. Van Dyck and Sargent were among the most successful, while Rembrandt and Frans Hals veered towards unvarnished truth. Lely flattered to the extent that his sitters lost all individuality.

We have inherited many sculpted and a few painted portraits from the ancient world, but it was in the Renaissance that the painted portrait became an important art form and that the individual human being was celebrated and commemorated. Using the rich collections of the NG and the NPG, the four sessions will trace the evolution of the painted portrait from the fifteenth to the early 20th century.

Other artists studied include Antonello da Messina, Giovanni Bellini, Titian, Bronzino, Holbein, Rubens, David, Delacroix, Manet and Renoir, as well as the British portraiture of Hogarth, Reynolds, Gainsborough and Lawrence. The seductive Belle Époque portraits of Sargent and his contemporaries bring the day to a dazzling conclusion.

Start: 10.15am, National Gallery, Getty Entrance. Finish: 5.00pm National Portrait Gallery.

Price: £210. This includes lunch at the National Portrait gallery restaurant, midmorning and mid-afternoon refreshments and gallery donations.

Group size: maximum 14 participants.

‘Patrick Bade was knowledgable, flexible, and very entertaining. I must applaud the lecturer’s choice of portraits to look at.’ a participant on The Portrait.

Ancient Egypt at the British Museum Belief and society of evidence for private religion and daily life, lesser-known aspects of the ancient Egyptian civilisation. And in the Nebamun gallery fragments of painted plaster from the tomb of the 15th Century BC temple accountant are found displayed alongside an array of objects of daily use. Art and artifacts complement each other to create the fullest picture of ancient Egyptian society.

Start: 3.15pm at the British Museum.

Finish: c. 8.15pm at the British Museum.

Price: £190. This includes afternoon refreshments, a light supper (1-course with wine) and a donation to the museum.

Group size: maximum 14 participants.

Combine the September day with: Hawksmoor, Thursday 19 September 2019.

Friday 20 September 2019 (lf 737) Friday 22 November 2019 (lf 905) Lecturer: Lucia Gahlin Ancient Egypt is perhaps best known for its mummies and pharaonic splendour, its monumental architecture and colossal statuary. One of the world’s most important collections of these antiquities is housed in London, at the British Museum. Its display of pharaonic might is second to none – Ramesses II casts his eyes downwards, a gaze which inspired Shelley’s ‘Ozymandias’. The tours of the Egyptian galleries during this lateafternoon visit focus on the beliefs and lives of the ordinary people.

16

The itinerary takes advantage of the lesscrowded Friday ‘late’ at the British Museum and starts by exploring the formation of the Egyptian state around 3100 BC, and the changes this brought to the ancient people living in the Nile Valley. The material culture of this early period in Egypt’s history helps us understand the cultural, technological and political developments which changed Egypt forever; the social history of the Ancient Egyptian people, the transition from chiefdoms to a country united under one ruler.

Time is spent in the Egyptian Sculpture Gallery, to wander between the statues of pharaohs and gods. Here is a treasure-trove

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Combine the November day with: The London Lecture Afternoon, Saturday 23 November 2019.

LONDON DAYS | GALLERY & MUSEUM

Spanish Art in London At Apsley House, Wallace Collection and National Gallery

SATURDAY DEPARTURE

Wednesday 25 September 2019 (lf 749) Lecturer: Gail Turner

Peninsular War and later given to Wellington

by King Ferdinand of Spain.

refreshments, donations to the galleries and taxis.

Saturday 30 November 2019 (lf 911) Lecturer: Dr Xavier Bray

The Wallace Collection includes Velázquez’s mesmerizing portrait of a Lady with a Fan as well as a rare work by the Sevillian artist, Alonso Cano, who was known as the ‘Michelangelo of Spain’.

Fitness: travel is by taxi, but you are on your feet throughout the day.

In 1848 the great pioneer in the study of Spanish art, Sir William Stirling Maxwell, declared that ‘the private collections of England could probably furnish forth a gallery of Spanish pictures second only to that of the Queen of Spain’. A great many of these pictures have since entered public collections throughout the country, making Great Britain one of the best places outside Spain to study Spanish art.

Initially, it was the Peninsular War of 18081814 that broke the floodgates and provided a new market for Spanish art, and many more paintings were to leave Spain when the Spanish monasteries were dissolved in 1832.

One such private collection is the 1st Duke of Wellington’s at Apsley House. Inside are numerous paintings taken from Madrid’s Royal Palace by Bonaparte during the

The National Gallery owns 9 paintings by Velázquez, from his early beginnings in Seville to his courtly paintings for Philip IV in Madrid. Alongside, some of Murillo’s finest paintings hang, including several large canvases that originally decorated the altars of Seville’s monasteries and convents. The National Gallery also prides itself on a small group of works by El Greco, an artist who became fashionable in the early 20th century, thanks to art critic Roger Fry who compared the abstract quality of his work with Cézanne.

Start: 10.15am at Apsley House.

Finish: c. 5.30pm at the National Gallery.

Group size: maximum 14 participants.

Dr Xavier Bray Art historian specialising in Spanish art and sculpture and Director of the Wallace Collection, London. Formerly Chief Curator of Dulwich Picture Gallery and Assistant Curator of 17th and 18th-century European paintings at the National Gallery. His exhibitions include Murillo & Justino de Neve: The Art of Friendship and Goya: The Portraits.

Price: £215. This includes lunch,

Chinese Ceramics and collecting in Britain Friday 4 October 2019 (lf 231) Lecturer: Dr Lars Tharp Unsurpassed by numerous imitators, the ceramic traditions of China occupy the high ground of world ceramics. China was the first nation to develop porcelain, the translucent white ceramic material which emerged during the Tang Dynasty (ad 705907). In the centuries that followed it became one of the first globally traded, man-made luxury commodities. Not until 1710 was the European equivalent of hard-paste Chinese porcelain achieved at Meissen.

The collecting history of Chinese ceramics in Britain stretches back to the time of Elizabeth I, the tempo increasing by the accession in 1689 of William and Mary and reaching a climax in the 18th century before entering into a period of decline. But from the middle of the 19th century, with the rising prosperity of the British middle classes – and the new supply of trophies following the sacking of the Summer Palace – the fever for Asian art resumed, further boosted by the opening up of trade with Japan. Rather than pursuing contemporary wares (as in the previous centuries), collectors were now on the hunt for antique ceramics.

The extraordinary legacy of those 19th and 20th century collectors can today be seen in both of London’s great museums. The morning begins at the V&A with a general introduction to Chinese art in the Tsui Gallery and continues in the Qing Dynasty rooms.

The fruits and legacy of a new connoisseurship emerging in the early 20th century are explored at the British Museum. The jewel in the crown of the museum’s many treasures is the Percival David Collection, internationally regarded as the most important collection of its kind outside China’s own imperial holdings in Beijing and Taiwan’s National Palace Museum.

Start: 10.20am, at The Victoria and Albert Museum.

Finish: 5.10pm, at the British Museum.

Price: £215. This includes lunch, midmorning and mid-afternoon refreshments at William Morris room, V&A. Group size: maximum 14 participants.

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LONDON DAYS | GALLERY & MUSEUM

Rubens & van Dyck at the Banqueting House and National Gallery

NEW the artist to Charles I masterfully illustrate Rubens’ concern for peace. This gift coincided with one of his grandest commissions, the decoration of the Banqueting House ceiling.

The painting of the nine sumptuous panels was carried out in Rubens’ studio in Antwerp, completed in 1634 and installed in the remodelled ceiling in 1636.

Tuesday 29 October 2019 (lf 862) Lecturer: Dr Richard Stemp Peter Paul Rubens and Anthony van Dyck were the greatest Flemish artists of the 17th century, practising their craft on a grand international stage. They painted for the majority of royal courts, important commercial and mercantile centres of Europe and the Catholic church. They were among the most prolific practitioners with prodigious

workshops; van Dyck was in fact a pupil in Rubens’ workshop from the age of 16.

Both were astute businessmen and used the comparatively new medium of engraving to disseminate their works.

Rubens made himself indispensable to the Spanish Habsburgs as much through his masterful allegorical and religious projects as his diplomatic abilities. Minerva protects Pax from Mars, or Peace and War given by

Charles I first encountered Rubens in 1623 during a visit to Spain where he also discovered Titian and Velázquez. This ignited a desire to possess a comparable court painter in London. Rubens’ pupil van Dyck was to be that man. At the invitation of the king, van Dyck relocated to London in 1632 and he almost immediately received a knighthood. He received an annual salary of £200 which along with his private fees made him a very rich man. His portraits of the royal family and their courtiers had an indelible effect upon British painting and shaped the visual identity of the British monarchy that endures to this day.

Start: 10.20am, The Banqueting House.

Finish: c.4.45pm, The National Gallery.

Price: £210. This includes morning and afternoon refreshments and an admission fee.

Group size: maximum 14 participants.

Combine the day with: The Stuarts, 25 October 2019 or Ancient Greece at the British Museum, 30 October 2019.

Ancient Greece at the British Museum Wednesday 30 October 2019 (lf 866) Thursday 5 December 2019 (lf 926) Lecturer: Professor Antony Spawforth A product of the Enlightenment, it is appropriate that the British Museum should be housed in a building modelled on Ancient Greek architecture – indeed, it is the grandest example of the Greek Revival in the country. It is equally appropriate that it houses one of the greatest collections of Greek artefacts outside Greece, given that the Classical world was the primary object of antiquarian study and literary exegesis in Europe. It is the case that Britain had a special, if controversial, role in the creation of modern Greece.

The exceptionally wide range of its holdings enables the day to begin two millennia before the Classical period and to finish with Roman copies of Greek sculpture made hundreds of years after the originals. The day consists of four sessions in the galleries of approximately an hour each, with refreshment breaks.

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The first session looks at Minoan and Mycenaean Greece, and at the Geometric and Archaic periods which saw Greek civilisation emerge to greatness again after the mysterious extinction of the earlier civilisations. The second session is largely devoted to the peerless sculptures from the Parthenon in Athens, the so-called Elgin Marbles, famously – infamously – the highlight of the collection, and among the most fascinating and beautiful creations in western art.

Lunch is at the Great Court restaurant, after which there is a little back-tracking to look at the development of pottery from the Archaic to the Classical periods. Finally comes the Hellenistic period, Alexander the Great and after, especially the remarkable monuments from Lycia, the Nereid Monument and the Mausoleum of Halicarnassus.

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Start: 10.15am. Finish: by 5.15pm.

Price: £195. Includes lunch and refreshments at the Great Court Restaurant.

Group size: maximum 14 participants.

Combine the October day with: Rubens & van Dyck, Tuesday 29 October 2019.

Combine the December day with: Mother, Maiden, Mistress, Wednesday 4 December 2019.

‘I cannot fault the itinerary.

We were steered along a pathway from earliest Greece to the Romans using carefully selected exhibits to illustrate each historical period.’ a participant on Ancient Greece.

LONDON DAYS | GALLERY & MUSEUM

Japanese Art in London at the V&A and the British Museum Monday 4 November 2019 (lf 874) Lecturer: Dr Monika Hinkel The day begins at the V&A which holds one of the world’s most comprehensive collections of Japanese works of art and design. Highlights of The Toshiba Gallery of Japanese Art are the diverse objects of the Edo period (16151868), including arms and armour, kimono, lacquerware, tea ceramics and woodblock prints as well as artefacts and crafts dating from the Meiji era (1868-1912).

The visit to the British Museum explores the recently refurbished Mitsubishi Corporation Japanese Galleries. Japanese art has formed an integral part of the collection at the British Museum since its founding in 1753. Objects are studied dating from Ancient Japan to the Modern period, showcasing the craftsmanship and artistic creativity of the arts of courtiers, samurai and townspeople.

The day is led by Dr Monika Hinkel, specialist in Japanese art and woodblock prints.

Start: 10.15am, V&A museum.

Finish: c.5.30pm, British Museum Price: £205. This includes mid-morning refreshments and lunch in the William Morris room at the V&A, mid-afternoon refreshments at the Great Court Restaurant, donations, and one tube journey.

Fitness: There is one tube journey as well as some walking and standing.

Group size: maximum 14 participants.

Caravaggio & Rembrandt A new naturalism Friday 8 November 2019 (lf 884) Tuesday 10 December 2019 (lf 928) Lecturer: Richard Stemp Few individuals have had such a revolutionary impact on the history of art as Caravaggio (1571–1610). His short life was violent and intermittently spent as a fugitive, but the impact of his artistic innovations was felt throughout Europe and through the whole course of the seventeenth century.

The National Gallery has three paintings

by Caravaggio (sometimes one is on loan elsewhere), but the emphasis of this day is on putting the artist and his achievements in his Italian context and on exploring his influence beyond the peninsula. Among the other artists studied, therefore, are Rubens, Velázquez, and, above all, Rembrandt (1606–1669).

The NG has one of the best collections of Rembrandt paintings in the world – the Dutchman never fell from favour among collectors, in sharp contrast with Caravaggio, who was practically forgotten in the nineteenth century. But they shared much, principally exploitation of the expressive

and naturalistic potential of chiaroscuro (contrasting light and shade) to dramatic effect, and the use of humble models and realism rather than idealism to tell religious stories in a new and moving way.

There are four sessions in the galleries of about an hour each.

Start: 10.15am, National Gallery, Sainsbury Wing.

Finish: 5.15pm.

Price: £205. This includes lunch, midmorning and mid-afternoon refreshments.

Group size: maximum 14 participants.

The Italian Renaissance at the National Gallery Tuesday 12 November 2019 (lf 886) Lecturer: Dr Michael Douglas-Scott London’s National Gallery possesses the finest collection of Italian Renaissance paintings outside Italy. Unlike most other national collections in Europe, it was formed (over nearly 200 years) by connoisseurs and art historians rather than princes and nobles whose less discerning eyes allowed the admission of a proportion of second-and third-raters. There’s no dross on show in Trafalgar Square.

There are four sessions in the galleries of approximately an hour each. While most paintings commissioned then were of a religious nature, the call for portraits and mythologies speak of the burgeoning humanistic interests of patrons. Meaning, context, scale and innovation and what it was that marked out images by the great masters in this period will all be considered. Between the sessions there are leisurely adjournments for refreshments. With no more than fourteen in the group, radio guides to eliminate problems

of audibility, and the presence of an MRT staffer to oversee the arrangements, this should be a highly agreeable and efficacious way to enhance your knowledge and appreciation of Renaissance painting.

Start: 10.15am, National Gallery, Sainsbury Wing.

Finish: 5.15pm, National Gallery.

Price: £205. This includes lunch, midmorning and mid-afternoon refreshments.

Group size: maximum 14 participants.

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LONDON DAYS | GALLERY & MUSEUM

Islamic Art in London The V&A and the British Museum Friday 15 November 2019 (lf 899) Lecturer: Professor James Allan Two of Britain’s greatest museums provide a London treasure-house of Islamic works of art. The first is the V&A. One of its original aims, in 1852, was to inspire British designers and manufacturers. And its Islamic collections did just that, one of its most notable recipients being William de Morgan (1839-1917), the great lustre ceramicist.

Today, the Islamic gallery, focused on the famous Ardabil carpet, houses an awesome assemblage of Islamic works of art, including ceramics, tilework, metalwork, woodwork, glass, rock crystal, textiles and carpets. It also has a valuable educational group of cases

which display the four elements so common in Islamic art – calligraphy, geometry, the arabesque (‘inspired by plants’), and figural art (‘images and poetry’). The day will start with these to form an initial understanding of Islamic art and what aesthetic or religious principles have helped to fashion it. Moving through the gallery, art and design are put into their Islamic cultural context, while enjoying the different designs displayed, particularly on carpets and textiles, as well as learning about individual pieces.

The British Museum offers the visitor an incredibly rich collection of Islamic ceramics and metalwork, as well as some works of art on paper. The development of Islamic art in the different media is traced and the techniques

explored which enabled them to evolve and develop, and to have such an impact on Italian Renaissance ceramics and design. The visit will include the major redisplay in the new Albukhary Foundation Galleries of the Islamic world, which opened in October 2018.

Start: 10.15am at the V&A. Finish: c. 5.15pm at the British Museum.

Price: £210. This includes morning and afternoon refreshments and lunch in the William Morris room at the V&A, donations and one journey by Underground.

Fitness: travel is by Underground and there is some walking and standing during the day.

Group size: maximum 14 participants.

Art and Artefacts of Antiquity at the British Museum

NEW best ways to develop a sense of the ancient past. This illuminating and enlightening day will use the art and artefacts of the museum’s rich collections to create a picture of life lived many millennia ago. Objects, it will be argued, are good to think with. Considering artefacts in all their sensuous and cognitive complexity and with all the resources of art history, this tour presents artefact studies as a productive and vital counterpart to visual studies. By examining key works from across ancient Europe, the Near East, North Africa, and Eurasia, it is possible to discover how ancient civilisations interacted, borrowed and shared knowledge, and promoted their own identities.

Start: 10.15am, British Museum.

Finish: c. 5.15pm, British Museum.

Price: £210. This includes lunch and morning and afternoon refreshments at the Great Court Restaurant.

Group size: maximum 14 participants

Friday 29 November 2019 (lf 912) Lecturer: Professor Lloyd Llewellyn-Jones Since its founding in 1753, the British Museum has been world-renowned for its collection of antiquities. As early as the 1840s, the museum was benefiting from the archaeological excavations taking place in Iraq at ancient sites such as Nineveh and Nimrud; the 1850s saw the creation of the Assyrian sculpture galleries which still form a central part of the museum’s collection. Similarly, the magnificent Egyptian antiquities were put on public display by the 1860s and their 20

growth in popularity – with some 14 million objects – exploded in the 1920s, following Howard Carter’s discovery of the tomb of Tutankhamun.

The works of Classical antiquity, including the controversial Parthenon frieze (the Elgin Marbles), number some 100,000 objects, mostly ranging from the Bronze Age (about 3200bc) to the establishment of Christianity as the official religion of the Roman Empire in the reign of the Constantine I, ad313.

Exploring the galleries of the British Museum is not only a joy in itself, but is one of the

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Combine the day with: London’s Underground Railway, 27 November, or Spanish Art in London, 30 November.

Professor Lloyd Llewellyn-Jones Chair of Ancient History at the University of Cardiff and specialist in the history and culture of ancient Iran, the Near East and Ancient Greece. Books include Creating a Hellenistic World, King & Court in Ancient Persia and The Culture of Animals in Antiquity.

LONDON DAYS | GALLERY & MUSEUM

The Golden Age of British Painting Hogarth to the Pre-Raphaelites Tuesday 3 December 2019 (lf 924) Lecturer: Patrick Bade The Reformation dealt a deadly blow to the visual arts in Britain by removing ecclesiastical patronage and severing access to sources of new artistic trends in continental Europe.

The aristocracy avidly collected the work of dead foreign artists but failed to nurture living British artists.

During the early eighteenth century debate abounded around the relationship between British artists and their contemporaries and forerunners across the Channel. Hogarth represented truculent insularity, whilst Reynolds stood for a stance of patrician internationalism and a hope that influence could flow in both directions. However, both artists were united in their longing to establish a native school of painting that could rival the great Continental schools.

They succeeded, and between 1730 and 1850 English painting was unsurpassed in its richness and diversity with a list of great names that includes Stubbs, Joseph Wright of Derby, Blake, Constable, Turner, Samuel Palmer and the Pre-Raphaelite brotherhood.

Not to mention the Scottish contingent of Allan Ramsay and Henry Raeburn or the Irish James Barry and the Welsh Richard Wilson.

Stylistically the day moves from the Rococo, through Neo-Classicism and Romanticism, to the meticulous truth to nature of the early Pre-Raphaelites.

Start: 10.15am, at the National Gallery.

Finish: c. 5.30pm, at Tate Britain.

Price: £205. This includes lunch, refreshments, one taxi journey and donations to the galleries.

Group size: maximum 14 participants.

Combine the day with: Advent Choral Day, Monday 2 December 2019; Caravaggio & Rembrandt or Mother, Maiden Mistress, both Wednesday 4 December 2019.

The day’s four sessions, three at Tate Britain and one at the National Gallery, offer a survey and exploration of this fascinating and rewarding period of British painting. The day takes in a selection of the greatest masterpieces of English painting in the collections at the National Gallery and Tate Britain.

Mother, Maiden, Mistress Women in Art

NEW

Wednesday 4 December 2019 (lf 929) Lecturer: Dr Catherine McCormack Whether through images of Eve,Venus and the Virgin Mary, or as mother, maiden and mistress, women have been framed throughout centuries of art history into certain archetypes that are so embedded in our cultural consciousness we often fail to recognise fully their influence. Over the course of this day we will study a number of archetypes of women and femininity in images made by artists ranging from Botticelli to Titian, Velázquez to Gainsborough.

Also considered will be work by women artists ranging from Gentileschi, Vigée Le Brun and Morisot to a wide range of 20th and 21st century women artists from Bell, to Wylie and Emin. These works will prompt questions and debate around feminism and art. Why have women historically been excluded from studying and practising as artists? Why has art history favoured the contributions of men, often suppressing the history of women’s work? Why are nude images of women in the gallery and public arenas repeatedly normalised?

The first half of the day at the National Gallery considers the historical depiction of women in religious, mythological and history paintings and portraits as well as the way in which women were held back from acceptance into the art establishment until late into the 19th century. The afternoon is spent at Tate Britain where, after lunch at the Rex

Whistler restaurant, the important and often overlooked contributions of women artists in Britain are assessed, ultimately focusing on late 20th century women artists such as Chadwick, Hiller, Lucas and many others represented in the Tate’s collection.

Start: 10.20am, at the National Gallery.

Finish: c. 5.10pm, at Tate Britain.

Price: £215. This includes lunch, refreshments, and one taxi journey.

Dr Catherine McCormack Author, lecturer and curator. She works as Consultant Lecturer and Course Leader of the Women and Art summer study programme at Sotheby’s Institute of Art and is currently writing Women in the Picture (Icon Books, 2020).

Group size: maximum 14 participants.

Combine the day with: The Golden Age of British Painting, 3 December 2019. +44 (0)20 8742 3355 | info@martinrandall.co.uk | www.martinrandall.com/london-days

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LONDON DAYS | BY DATE

AUGUST 2019 21

22

23

29

Roman London Walk (lf 657) Professor Simon Esmonde Cleary................ 4 London Gardens Walk (lf 659) Louisa Allen................................................... 4 The Portrait from Van Eyck to Sargent (lf 656) Patrick Bade................................16 Charles Dickens (lf 667) Professor Andrew Sanders............................ 8

SEPTEMBER 2019 2

3

4

9

11

12

14

16

18

19

20

23

24

25

25

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Royal Parks Walk (lf 609) Steven Desmond............................................ 5 London’s Underground Railway (lf 692) Andrew Martin............................................. 9 The London Backstreet Walk (lf 693) Sophie Campbell........................................... 5 The Tudors (lf 694) Dr Neil Younger..........................................10 Hampstead in the 1930s (lf 696) Monica Bohm-Duchen............................... 11 Seven Churches & a Synagogue (lf 703) Jon Cannon.................................................. 14 The London Squares Walk (lf 147) Martin Randall............................................. 6 Wellington in London (lf 718) Josephine Oxley............................................. 8 The South Bank Walk (lf 722) Sophie Campbell........................................... 6 Hawksmoor (lf 728) Owen Hopkins............................................11 Ancient Egypt at the British Museum (lf 737) Lucia Gahlin................................16 John Nash (lf 745) Dr Geoffrey Tyack......................................12 Arts & Crafts (lf 747) Paul Atterbury............................................12 Spanish Art in London (lf 749) Gail Turner.................................................. 17 Robert Adam’s Country Houses (lf 748) Dr Geoffrey Tyack ...................................... 13

OCTOBER 2019 2

3

4 8

9

15

25

29

30

The London Backstreet Walk (lf 773) Barnaby Rogerson......................................... 5 Handel in London (lf 778) Richard Wigmore........................................ 14 Chinese Ceramics (lf 231) Dr Lars Tharp.............................................17 Interwar Interiors (lf 784) Paul Atterbury............................................. 13 Great Railway Termini (lf 783) Dr Steven Brindle.......................................... 9 The Portrait from Van Eyck to Sargent (lf 863) Patrick Bade................................16 The Stuarts (lf 861) Professor Lloyd Llewellyn-Jones................. 10 Rubens and van Dyck (lf 862) Dr Richard Stemp....................................... 18 Ancient Greece (lf 866) Professor Antony Spawforth....................... 18

NOVEMBER 2019 4

8

12

13

15

22

23

23 27

29

30

Japanese Art in London (lf 874) Dr Monika Hinkel....................................... 19 Caravaggio & Rembrandt (lf 884) Richard Stemp............................................. 19 The Italian Renaissance (lf 886) Dr Michael Douglas-Scott.......................... 19 Great Railway Termini (lf 898) Anthony Lambert.......................................... 9 Islamic Art in London (lf 899) Professor James Allan................................. 20 Ancient Egypt at the British Museum (lf 905) Lucia Gahlin................................16 Around St James’s (lf 908) Martin Randall............................................7 London Lecture Afternoon (lf 909)........ 7 London’s Underground Railway (lf 910) Andrew Martin............................................. 9 Art and Artefacts of Antiquity (lf 912) Professor Lloyd Llewellyn-Jones................. 20 Spanish Art in London (lf 911) Dr Xavier Bray............................................ 17

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DECEMBER 2019

2 3 4

5

10

Advent Choral Day (lf 923)...................... 5 The Golden Age of British Painting (lf 924) Patrick Bade................................21 Mother, Maiden, Mistress (lf 929) Dr Catherine McCormack.........................21 Ancient Greece (lf 926) Professor Antony Spawforth....................... 18 Caravaggio & Rembrandt (lf 928) Richard Stemp............................................. 19

JANUARY 2020 31

The Portrait from Van Eyck to Sargent (lg 986) Patrick Bade................................16

LONDON DAYS | BOOKING, GIFT VOUCHERS

& UPDATES MAKING A BOOKING There is no booking form for London Days. You can book over the phone, or online at www.martinrandall.com/london-days.

If booking by phone, we will need to know: •

Name and date of the London Day(s) you are booking.

•

Your name(s), as you would like it/ them to appear to other participants.

•

Your address, telephone number and email address (if you have one).

•

Any special dietary requirements and your contact details for the night prior to the day.

Payment. If by credit or debit card, give the card number, start date and expiry date (but for security not in an e-mail).

There is no charge for using either a credit or debit card.

Confirmation will be sent to you upon receipt of payment. Further details including joining instructions will be sent about two weeks before the day.

Cancellation. We will return the full amount if you notify us 22 or more days before the event. We will retain 50% if cancellation is made within three weeks and 100% if within three days. Please put your cancellation in writing to info@ martinrandall.co.uk. We advise taking out insurance in case of cancellation and recommend that overseas clients are also covered for possible medical and repatriation costs.

London Days gift vouchers Since its inception in 2012 our London Days programme has opened doors and minds to the wonders of the capital, and has continued to grow in breadth and popularity.

London Days gift vouchers offer the opportunity to share the experience of a cultural day out in the capital and make an ideal present.

The gift voucher, a large postcard print depicting St Paul’s Cathedral, can be purchased to any value, or for a specified day.

For further information or to purchase a London Days gift voucher, please contact us on: Martin Randall Travel: 020 8742 3355, or email info@martinrandall.co.uk Martin Randall Australasia: 1300 55 95 95, or email anz@martinrandall.com.au North America: 1 800 988 6168, or email usa@martinrandall.com

SIGN UP TO OUR FORTNIGHTLY E-BULLETIN New departures are released frequently throughout the year. Be the first to hear about the latest range of London Days with our fortnightly e-mail updates.

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Our tours of the British Isles celebrate its immense cultural variety – from medieval cathedrals to Roman mosaics; from country-house opera to award-winning gastronomy. Each meticulously planned itinerary is led by an expert who brings it all to life.

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The Cathedrals of England 22–30 April 2020 30 September–8 October 2020

Walking Hadrian’s Wall 18–24 May 2020 14–20 September 2020 Glyndebourne & Garsington June 2020 Gastronomic West Country 6–12 July 2020 Orkney: 5,000 years of culture 25–31 July 2020