Moatasem Esmat Architecture Portfolio by Moatasem Esmat

Experience Projects Architect @ Nadia H. Bakhurji Architects nadiabakhurji.com Aug 2014 -Present I lead teams in various design projects. I take major roles in technical production of architectural design packages including handling 3d Visualization, drafting and detailing. As a Projects Architect, my role included coordinating between the architectural team and the engineering teams as well as arranging meetings and presenting the company to major clients. I am responsible for preparing landscape design packages, including detailing and preparing specification sheets for materials and planting species. I am responsible for performing site supervision visits for projects under construction. I am also responsible for meeting with suppliers for building materials and furniture. I was the main coordinator for our design entry submission for a competition in developing a recreational hub in Riyadh for Al Olayan Group.

MOATASEM M. ESMAT Projects Architect

About Me

Design Architect @ Ibda Design www.ibdadesign.com May 2016 - Jun 2017

I am a young Egyptian architect with experience in several markets within the middle east region. Many of my architectural works and designs have been published by prominent architecture magazines. I am certified by the Canadian architectural certification board, and an active AIA international associate. I am also, a sustainability advocate and a LEED green associate.

I was a design architect responsible for several projects in both conceptual and development phases. I was responsible for coordinating between the architectural design team and the engineering teams. I was responsible for generating CSI specifications for projects and coordinating final design packages for several projects. I was one of the main team members in the competition â&#x20AC;&#x153;Beirut Museum of Artâ&#x20AC;?.

Architect @ EVIC co. www.evic.com.tr Feb 2012 - Jun 2014

I believe in the power of architecture to create a better world. Architecture has the tendency to form a memory, shape a life and help us remember a certain part that was long gone. I believe architecture is a deep compelling story that gives equilibrium to our lives.

I was a main part of the design team for many vital projects. I worked on designing a compound project for the Royal Guard in Saudi Arabia. The project was for the military and many of the building functions involved security aspects. I maintained a advancing role in the company and was named employee of the month several times.

Intern Architect @ EVIC co.

Contact

www.evic.com.tr Jun 2011 - Jan 2012 I was assigned as part of the architectural design team. I am tasked to prepare technical packages for projects- Prepare 3d visualizations for design projects- Part of the team responsible for designing Almadinah Almonawara gate competition. Roles included model making and preparing plans and visualizations for the submission.

Phone:

+966 50 810 8044

Email:

mme@mars-pace.com

Web:

www.mars-pace.com

Home:

Saudi Arabia-Riyadh

Follow Me LinkedIn

linkedin.com/in/moatasemesmat

Instagram

instagram.com/moa.esmat

Credentials Certified by CACB (Canadian Architectural Certification Board). LEED Green Associate. AIA International Associate. Member of the Egyptian Engineers Syndicate.

Education Architecture and Urban Design Course titled: Groundscape Architecture Design Lab, re-thinking cities underground @ EPFL Jul 2019 - Sep 2020 Groundscape is a neologism resulting from the combination two words: ground and landscape. As a new field of research for architects, designers, and urban planners, this 11 week online course will explore this unheard-of form of subterranean architecture that explores and investigates the universe of possibilities that lie beneath the surface of our cities.

Urban Design Course titled: Beyond Smart Cities @ MIT Aug 2019 - Sep 2019 This six-week online course from the MIT Media Lab will demonstrate how disruptive technologies such as artificial intelligence (AI), blockchain, and the Internet of Things (IoT) can be leveraged to improve the lives of those who make their homes in the increasingly urban landscape.

Architecture Course titled: Architectural Practice in Canada (ARCH 645) @ Athabasca University Jun 2018 - Jan 2019 The course is intended for students in the Graduate Diploma program in Architecture or for those international architecture graduates referred by the CACB. It examines both the theoretical and practical aspects of architectural practice in Canada.

Architecture Course titled: Architectural Imagination @ Harvard University Jul 2017 - Oct 2017 Course Description: Architecture engages a culture’s deepest social values and expresses them in material, aesthetic form. In this course, you will learn how to “read” architecture as a cultural expression as well as a technical achievement. Vivid analyses of exemplary buildings from a wide range of historical contexts.

Bachelors Of Science degree in Architectural Engineering @ Helwan University May 2006 - 2011 The program Focused on: Architectural Design – History of Architecture – Urban and Regional Planning–Environmental Design and Energy –Theories of Architecture – Steel and Wood Construction.

+ Pro Skills +

Autocad

InDesign

3ds Max

Revit

Photoshop

Vray

Personal Skills

90%

80%

100%

Communication

Leadership

TimeManagement

Self-Motivation

Adaptability

I AM PUBLISHED !

COMPETITIONS

PROFESSIONAL

MISCELLANEOUS

ACADEMIC

CONTENTS 7

0 COMPE

01 TITIONS

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2018

A R C H I T E C T U R E

U R B A N

D E S I G N

D A R

A L - U L O U M

L I B R A R Y

( D A U I )

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P R O J E C T

I N F O :

PLOT: 13,745 m² BUILT UP AREA: 19,399 m²

A B S T R A C T “Emergence - requires the recognition of buildings not as singular and fixed bodies, but as complex energy and material systems that have a life span and exist as part of the environment of other buildings, and as an iteration of a long series that proceeds by evolutionary development towards an intelligent ecosystem.”

To design a project that emerges to create not only a presence, but an experience and a very crucial link between two important entities. The Library explores the concepts of “versatility” and “timelessness”. Between these two concepts, a very interesting experience is cultivated through a simple understanding of the city fabric and the future needs for the citizens.

The ability to think systemically is about understanding buildings, urban blocks, districts and cities as an organism where linear processes are replaced by circular processes mimicking principles found in nature. Additionally, it also reflects a comprehensive understanding of resource and material flows, energy balances and carbon so that our strategies are most effective to achieve agreed sustainability goals.

The design optimizes the potential benefits of natural daylight, sky exposure as well as passive and active solar heat gain. The key elements of a sustainable development are defined at the master plan scale. Outdoor comfort and sky exposure of the massing must be ensured at master plan level. In making specific, ambitious performance specifications for building’s peak load demand of grid services (sewerage, water, heat, cooling) , these grids can be right sized and costs optimized.

The new design takes a step closer to bring this imagination to reality. We want to create not only a library, but a social hub, a creativity outlet, a retreat for bright minds.

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OUTDOOR COMFORT AND SKY EXPOSURE OF THE MASSING MUST BE ENSURED AT THE MASTER PLAN LEVEL.

Convert the old structure into a timeless landmark.

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WANT TO CREATE

not only a library, but a social hub, a creativity outlet, a retreat for bright minds”

“WE

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01 CLASSROOM 02 CAFÉ AND KITCHEN 03 LOUNGE 04 PERIODICALS 05 STORAGE 06 DIGITAL INNOVATION 07 OPEN READING 08 BOOK STORAGE 09 INFORMAL READING 10 TEEN ZONE 11 ACTIVITY ROOM 12 QUIET STUDY AREA 13 CHILDREN ZONE 14 ADMIN SPACE

07 11 11 06

11 12

04 05

09 14

02 13 01

AUDITORIUM

FIRST FLOOR PLAN SCALE: 1:500 01 LOUNGE 02 CAFÉ AND KITCHEN 03 STORAGE 04 RESERVABLE MEETING ROOM 05 OPEN READING 06 BOOK STORAGE 07 RARE BOOK COLLECTION 08 ADMIN SPACE 09 SERVER 10 DIGITIZATION AND PROCESSING 11 ADMIN MEETING ROOM 12 SHOWERS 13 LOCKERS 14 ADMIN LOUNGE AND RECEPTION

05 08 08 01

08 11

03 04

08 12

14 01

SECOND FLOOR PLAN SCALE: 1:500

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01 VESTIBULE AND RECEPTION AREA 02 PERSONAL STORAGE 03 SUPERVISOR 04 CAFÃ&#x2030; AND KITCHEN 05 WC 06 LOUNGE 07 SCHOOL AXIS ENTRANCE AREA 08 OPEN READING AND CARRELS 09 PRIVATE READING ROOM 10 TECH CENTER 11 ABLUTIONS 12 PRAYER ROOM 13 ADMIN SPACE 14 STORAGE 15 CONTROL ROOM 16 MEP SPACE 17 PROJECTION ROOM 18 AUDITORIUM 19 AUDITORIUM LOUNGE 20 GALLERY AND EXHIBITION 21 OPEN READING 22 CARRELS AND INTERNET STATIONS 23 RETAIL 24 MOSQUE AXIS ENTRANCE AREA 25 PAVILION

M BASEMENT PLAN

16 17 20

16 15 14

05 13

19 05

23 10

12 11

11 22

09 09 09

09 09

25 24

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06 04

03 02

GROUND FLOOR PLAN SCALE: 1:500

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A R C H I T E C T U R E

U R B A N

D E S I G N

H I G H - E N D

M O U N T A I N

M A N S I O N S

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Every geometric formation can be built using cellular elements. The following concept abstracts the geometric formation by using a singular box element and rearranging it to create a pixelated spherical form. This â&#x20AC;&#x153;cellâ&#x20AC;? becomes the basic essence of the skin that surrounds each element on the plot. The same formation is used as a landscape element which represents abstract sculptural biospheres. The second part of the design is a sky bridge which floats throughout the plot and masses above the heavily vegetated landscape, creating an infinite journey in the sky. When multiple mansions are built next to each other, the formation compliments the natural rough environment and communicates well as scattered masses.

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2020

A R C H I T E C T U R E

U R B A N

D E S I G N

H I G H - E N D

B A Y

M A N S I O N S

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T H LABYR

H E RINTH

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“WHAT’S A LABYRINTH ?”

Pan’s Labyrinth

“Differentiation between the film’s two worlds was simple: Ofelia’s (the main character) fantasy world would feature mainly warm colours, primarily “deep crimsons and golden ambers, almost like amniotic fluids.” Says Del Toro on the design of his movie “Pan’s Labyrinth” ― Guillermo del Toro.

HOW DO YOU CREATE “TWO WORLDS” IN ARCHITECTURE?

In a simple approach of utilizing the plot’s orientation and vertical space altogether, the mansion manifests to separate entities that are otherwise connected by space and time. The key shape of function is an oculus. The oculus has a dramatic shape that corresponds with attraction. The shape is then manipulated into several “worlds” most notably, the higher world and the lower world. These are represented in creating a clear cold ground floor (the lower world) that otherwise reflects privacy and serenity. The upper world is represented in creating a playful green fairytale world that contains a large landscape formation of greenery and passages. The idea of creating two distinctive worlds doesn’t necessarily mean the utmost separation. The two levels are connected through key areas around the mansion. These connection points compliment the whole concept and journey throughout the mansion. At the entrance of the mansion we find a sculptural spiral staircase that leads directly to the upper level. While at the centre point of the mansion (at the main oculus) we have two linear floating connections between the lower level and the upper level. The lower world is manly dedicated to guest zones and cultural spaces, while the upper level is strictly preserved for the family and bedroom suites. 58

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Linear connection element between the ground floor level and the basement level.

Outdoor sculptural spiral staircase connecting the lower ground level to the labyrinth level.

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Family and bedroom spaces. (First floor Level)

Labyrinth. (First floor level)

Guestsâ&#x20AC;&#x2122; and cultural spaces. (Ground level)

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Linear connection element between the ground floor level and the upper floor level. Outdoor facade staircase leading to the roof of the first floor level from the labyrinth world.

VO I D S

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“WHAT’S A VOID ?”

“If you look long enough into the void, the void begins to look back through you.” ― Friedrich Nietzsche.

HOW DO YOU CREATE A VOID ?

A void is an unexpected entity. It doesn’t exist, but it has the potential to manipulate anything that exists. Sometimes architecture tends to find a certain balance between “something” & “nothing”. Both elements are crucial to create a manifestation of a path. The purpose of designing a “path” influenced mansion is to create an adventure for the users. By implementing these void formations, they start to act as both influencing elements to the design of the mansion and at the same time they represent inner courtyards which help creating views at any position in the mansion while maintaining the feeling of immersion within these voids. The mansion is designed to be experienced as a linear path journey. The benefit of linearity in design is to allow the designer to tell a story through the path which the users will take. The front portions of the mansion occupy the guests’ zones and office space. Following the path leads to a middle area separating between the guest zone and the family zone which holds a gallery space. The first floor is inclusive of bedroom suites and family spaces.

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A personal green roof that is appropriate to grow floral plants.

Outdoor swimming pool. Can be viewed from the upper first floor bedroom suites.

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Green vegetated stepped hill. Reaches up to the first floor level creating an indirect passage directly towards the first floor level

Courtyard voids. These are points and opportunities for creating vegetation and water bodies.

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Corrugated Glass was used for the skin of the mansion. Manufacturing Corrugated glass is known to be an intricate process which involves creating a high heat-resistant form which will be used to lay the flat glass panel to gain itâ&#x20AC;&#x2122;s curvature from. The glass itself creates an interesting light effect in the spaces. Since the glass can be load bearing, it provides long undisrupted views to outdoor scenery.

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BRING ME THE SEA

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“BETWEEN TWO SEAS”

sea THEN structure

sea AND structure

One of the signs of a successful architecture is managing to create a structure that manages to blend in with its environment. To create a timeless piece that belongs to its natural habitat. This is where the power of emergence lies. The mansion incorporates two philosophies; the idea of living underwater and the concept of surfacing above it. The main concept about this mansion is designing a building that incorporates a structure which was born from the sea. While the structure features a natural feeling of being immersed under the ocean by using durable translucent polycarbonate panels, the high parts of the mansion perforates it gently from vantage points to make you feel like you’re standing between two seas.

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The ground floor level is dedicated to create transition passages between the different parts of the mansion while being immersed into the open landscape design. While the upper floor levels offer a view towards the “artificial sea surface” and the real sea surface on the horizon. The “sea structure” has been designed by going through a parametric process of determining attraction points (represented in the portions of the mansion penetrating the structure). The process made it easy to create and study the framing and structural points of the whole design.

“It’s hard to tell the difference between sea and sky, between voyager and sea. Between reality and the workings of the heart.” ― Haruki Murakami, Kafka on the Shore

“BRING ME THE SEA”

107 | Museo Atlántico. Underwater museum.

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The parametric sea structure. Made from steel and translucent polycarbonate panels.

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Green vantage points overlooking the sea structure and the real sea on the horizon. They form islands that are connected visually and are considered the main attraction points in the design of the sea structure.

109

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Swimming pool and internal water bodies.

110

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The landscape is designed as a grid to place greater emphasis on the design order imposed by the design grid and the sea structure.

111

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Vertical connections

Pool house Family bedroom suites Guest suites Recreation space

Guest living and dining

112

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Gallery (double height space)

Family living and dining

Office space and lounge

Main entrance hall

113

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114

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STRANDED

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I like ruins because what remains is not the total design, but the clarity of thought, the naked structure, the spirit of the thing. - Tadao Ando

Stability and monumentality are concepts that generate feelings of belonging. In this concept these core philosophies are questioned and placed in development alongside the heavy connection to visual structure. The visual aesthetic of stability amidst the rapid motion or movement accentuates the core strength of a structure. This concept is based around simple (and stranded) forms and clear axis throughout both the entrance and the seaside. The design is comprised of two main masses; the inverted pyramid form which hosts the entrance hall, guest zones, and personal office space which spreads to a space that can be suitable for establishing a complete office space for several employees. The clear bridge links the inverted pyramid to the second mass which is a split cylinder form that hosts a botanical garden, along with the bedroom suites and the family living spaces.

128

Image by Nisian Hughes

01 | COMPETITIONS

Each mass has a special connection with its structural design. The inverted pyramid has been designed to be stable without connecting the head point of the pyramid to the ground, but instead relying on a steel truss system and columns hidden inside a glass envelope. The cylinder form is lifted on a thin colonnade order, which hosts a semi indoor swimming pool at the basement level. Surrounding the cylinder form is a series of stranded structures which manifests into an imaginative being as part of larger image. This parametric formation of thin beams are designed to feel as if they are levitating around the cylinder form. It is both an aesthetic element as well as a tool to maintain the general privacy for the rest of the activities in the open spaces.

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The split cylinder structure. (stranded structure B

The inverted pyramid structure. (stranded structure A)

134

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135

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The floating structure. (stranded structure C)

The floating link

Botanical garden.

Semi-indoor swimming pool.

The basement level acts as an open activity space with plenty of naturally grown vegetation surfaces.

Proposed helipad location.

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150

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151

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2013

A R C H I T E C T U R E

U R B A N

D E S I G N

M U S E U M

152

O F

N A T U R A L

H I S T O R Y

( N E X U S

M U S E U M )

01 | COMPETITIONS

153

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P R O J E C T

I N F O :

PLOT: 25,230 m² BUILT UP AREA: 17,968 m²

A B S T R A C T The building volume sits gently within the urban landscape and is articulated as an assembly of a various majestic geometries that were formed from the natural flow of the site. Together they form an intricate structural composition that is both solid and symbolic. Integrating an inner green court serves as an exceptional view from the inside as well as serving the purpose of a more sustainable design that will help lowering the heat gain levels in summer. Also, green roofs were integrated as part of the concrete structures, giving the feel of the structure’s age and belonging to the site.

From the inside, a continuous exhibition space lines is the basis of creating a new type of journey for visitors flowing along the project’s axis. The museum’s roof defines an iconic silhouette that integrates gently within the cityscape around it. It is an intricate assembly of efficient long-spanning structural elements. The basic idea was to create a structure that blends with the urban fabric, not disturbing it, as the architecture of Berlin is considered strong and iconic, yet the buildings remain parts from a one single unit.

The key to a successful design is the capability of pursuing the design from several perspectives, considering all the elements surrounding the structure as a building belongs to the city as equally as it belongs to its original site. The mix between metal cladding and concrete gives the museum an identity, and provides the building with more visual elements and color tones. The cladding pattern has been specially selected to make the ground floor more unique and to make it stand out from the remaining parts of the buildings. It’s the more exciting elements that give the museum more value and richness.

154

NEXUS

“A CONTINUOUS EXHIBITION SPACE

IS THE BASIS OF CREATING A NEW T OF JOURNEY FOR VISITORS”

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E LINES TYPE

157

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158

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161

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2017

A R C H I T E C T U R E

U R B A N

D E S I G N

B E I R U T

164

M U S E U M

O F

M O D E R N

A N D

C O N T E M P O R A R Y

A R T

( B E

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M A )

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P R O J E C T

I N F O :

PLOT: 12,568 m² BUILT UP AREA: 16,157 m²

A B S T R A C T The Beirut Museum of Art (BeMA), will be the city’s first museum of its kind dedicated to the exhibition and promotion of both contemporary and modern Lebanese and Arab art. We believe that a museum for (and in) a complex city like Beirut is not merely a space for the display of art but a potentially fertile platform for new modes of productions and creations to take shape.

Nestled between the National Museum and the University of Saint Joseph, the location of BeMa is of paramount importance because of its centrality but also because the master plan for the museum and its surroundings will transform the once historically charged area into a vibrant new quarter. The museum we have conceived is a landmark that will act as a vessel for the culture and arts on the historic and symbolic site of Damascus road.

For this reason, the ground floor of the master plan is conceived to be completely open in order to provide a connectivity to its context: surrounding roads and neighborhood as well as the USJ Campus. The retail component and offices that envelope the museum will also follow the surrounding architectural fabric, being mindful about heights and proportions. As such, we aim for BeMA to stand out as a pavilion-type building located in a Piazza.

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B EMA

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LANDMARK

168

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VESSEL FOR CULTURE AND ARTS

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PART-B DA

SITE 12,600sqm

PART-A

ENU

FI AV

H YA

ALLA

ABD

01 - SITE

0 2 - S I T E A L L O C AT I O N

A large plot of 12,900sqm land located at the intersection of two vital roads for the city of Beirut, and across its National Museum.

The 2,780sqm plot allocated for BeMA the National Museum.

UNDR GROUND PARKING

PARKING ENTRANCE

LLAH

A ABD

AVEN YAFI

0 4 - PA R K I N G

05 - VERTICAL CORE

The parking area is accommodated in a multistory basement, allowing the ground floor to be free of vehicles and open for public pedestrian movement.

Visitor and service circulation as well a efficient core structure.

T E MP O R A RY

T E M P O R A RY

T E MP O R A RY

R ESTA U R A N T COLLECTION

“KOMOREBI” C O L L E C T IO N

COLLECTION

A D MIN IST R AT ION C OL L EC T ION

COLLECTION

WORKSHOP

R E S TA U R A N T

A D M IN IS T R AT IO N

L IB R A RY

T EMPOR A RY

C OL L EC T ION

L IB R A RY

T EMPOR A RY

C OL L EC T ION

C OMU N IT Y A R T

A D MI N I S T R AT I O N

T EMPOR A RY

WOR K SH OP

C OMU N IT Y A R T

L I B R A RY

EN T R A N C E

CAFE

C OMU N IT Y A R T

F OYE R / CO M M U N I T Y A R T PU B L IC

C O MU N I T Y A R T

B L A C K B OX C O M U N IT Y A R T

C O MU N I T Y A R T

PA R K IN G C O MU N I T Y A R T

BLACK BOX

FOYER

PROGRAM

ARTIFICIAL LIGHT

TOPOGRAPHY

VS N AT U R A L L I G H T

170

“KOMOREBI“ = Japanese term, meaning sun shine filtering through leaves.

TECHNICAL

01 | COMPETITIONS

UNIVERSITE SAINT-JOSEPH

B MINERAL MUSEUM CENTRAL ADMINISTRATION OF THE LEBANESE UNIVERSITY

ROMAN BASILICA COLLONADE

NATIONAL MUSEUM OF BEIRUT

03 - MASTER PLAN

A is situated at the corner of the site, facing

The volumes are designed in homogeneity with the surrounding context and Urban fabric.

06 - BUILDING MASS

as service shafts are integrated within an

The above-ground program is housed within three volumes suspended around the triangular core.

RESTAURANT

LIBRARY

BLACK BOX

B L A C K B O X / L I B R A R Y / R E S TA U R A N T

A D M I N I S T R AT I O N

WORKSHOP / STOR AGE

EXHIBITION

ART DELIVERY

V I S I TO R S LO O P

CONNEC TIONS

SPIRAL TERRACE

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C E N T R A L A D M I NI S TR ATI ON O F T H E L E B A N E S E U N I V E R S I TY

25m

S : 1/500

10m

S : 1/200

3BFL:-11.0M EV

TEMPORARY EXHIBITION 1 (NATURAL LIGHT)

EV EV

B.5.1

B.3.3

B.5.1

B.3.3

TEMPORARY EXHIBITION 2 (ARTIFICIAL LIGHT)

3BFL:-11.0M

EV EV

TEMPORARY EXHIBITION 3 (ARTIFICIAL LIGHT)

FREIGHT EV

C.1 B.5.2

CAR DROP OFF B.5.2

3BFL:-11.0M C.1.8

PARKING

C.1.5 PARKING PARKING

BLACK BOX FOR PERFORMANCE

C.1.4

STORAGE

C.1

PARKING

PARKING EV

3BF PLAN

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+4 3 . 7 M

DA MA SC

US RO AD

RAM PAR KIG P FOR / LOA DIN G

+ 43.5M

OUTDOOR S E AT I N G △ TO PAR KI N G

GROUP ENTRANCE ▼

B.4.1

+4 3 . 0 M A.4.2 TO R E S TA U R A N T / L I B R A RY △

+43.0M

B.4.4 EV C AR DROP OFF

A.2.5

EV EV

COMMUN ITY ART SPACE

A. 1 . 7

A.1.2 A.2.6 WAT E R SCULPTURE

B.3.3 B.3.3

A.1.1 MAIN ENTRANCE A.1.2 SECURITY BOOTH A.1.3 FOYER A.1.4 I N F O R M AT I O N / R E C E P T I O N C O U N T E R A.1.5 TICKETING A.1.6 Q U E U I N G S PA C E F O R T I C K E T I N G A.1.7 M U LT I M E D I A / A U D I O G U I D E R E N TA L S PA C E

GFL:+ 1.0M

MAIN ENTRANCE

EV A.1.1 A.3.2

TO A D M I N I S T R AT I O N EV

+4 2 . 0 M

A.5.4 A. 1 . 6

C.1.10

S E AT I N G STEPS

A.5.1

ART SHOP

A.2.1

A.4.2

CAFE

A.2.3 A.4.1

A.2.2

A.1.3

G F L:+ 1.0M + 43.0M

▲ ▲

ENTRANCE

SALES AREA SHOP STORAGE

A.5.1 A.5.2 A.5.3 A.5.4

BAR COUNTER S E AT I N G A R E A S U P P O R T S PA C E TRASH DISPOSAL

D.3.1 ARTISTIC DIRECTION D.3.2 EXHIBITIONS D.3.3 EXHIBITIONS D.3.4 EXHIBITIONS D.3.5 EXHIBITIONS D.3.6 EXHIBITIONS D.3.7 EXHIBITIONS D.3.8 EXHIBITIONS D.3.9 EXHIBITIONS D.3.10 EXHIBITIONS D . 3 . 11 E D U C AT I O N D E PA R T M E N T D.3.12 E D U C AT I O N D E PA R T M E N T D.3.13 LIBRARY

B.1.1 B.1.2 B.1.3 ING)

C O L L E C T I O N 1 ( D AY L I G H T ) COLLECTION 2 (ARTIFICIAL LIGHT) C O L L E C T I O N 3 ( A R T I F I C I A L L I G H T, L O W C E I L -

B.2.1 B.2.2 LIGHT) B.2.3 L I G H T, L O W C E I L I N G )

T E M P O R A R Y E X H I B I T I O N 1 ( D AY L I G H T ) TEMPORARY EXHIBITION 2 (ARTIFICIAL TEMPORARY

EXHIBITION

(ARTIFICIAL

B.3.1 CONTROL ROOM B.3.2 JANITORIAL B.3.3 TOILETS (F+M) B.4.1 SIDE ENTRANCE (AIRLOCK VESTIBULE) B.4.2 E D U C AT I O N A L R O O M 1 B.4.3 E D U C AT I O N A L R O O M 2 B.4.4 C O M M U N I T Y A R T S PA C E B.4.5 E D U C AT I O N A L R O O M S T O R A G E B.4.6 TOILETS FOR KIDS

A.5.2

WAT E R SCULPTURE

A.4.1 A.4.2

ENTRANCE

ENTRANCE (AIRLOCK VESTIBULE) RECEPTION AREA

D.2.1 DIRECTION D.2.2 DIRECTION D . 2 . 3 A D M I N I S T R AT I O N D.2.4 M A R K E T I N G , C O M M U N I C AT I O N & P R D.2.5 IT D.2.6 O P E R AT I O N S & B U I L D I N G D.2.7 O P E R AT I O N S & B U I L D I N G

A.6.1 ENTRANCE A.6.2 R E S TA U R A N T S E AT I N G A R E A A.6.3 S U P P O R T S PA C E A.6.4 TRASH DISPOSAL A.6.5 LOCKER ROOM / SHOWER (F+M)

OUTDOOR S E AT I N G

A.5.3 FREIGHT EV

A. 2 . 1

D.1.1 D.1.2

A.3.1 LIBRARY A.3.2 LIBRARY STORAGE

EV A. 1 . 4

A. 1 . 5

C.4.1 TEMPORARY EXHIBITION STORAGE / T R A N S I T S PA C E C.4.2 JANITORIAL

A.2.1 TOILETS (F+M) A.2.2 CLOAK ROOM / LOST AND FOUND A.2.3 LOCKERS A.2.4 GROUP ENTRY A.2.5 GROUP AMENITIES A.2.6 INFIRMARY

△

► ENTRANCE

B.5.1 B.5.2

P E R F O R M A N C E S PA C E ARTIST’S DRESSING ROOM (F+M)

B.6

M U LT I M E D I A D E V I C E S I N T H E B U I L D I N G

C.1.1 C.1.2 C.1.3 C.1.4 C.1.5 C.1.6 C.1.7 C.1.8 C.1.9 C.1.10

SECURITY BOOTH (=BACK OFFICE FOR A.1.2) E N C L O S E D L O A D I N G B AY A N D D O C K COLLECTION SHIPPING / RECEIVING AREA C R AT I N G / U N C R AT I N G C R AT E S T O R A G E PA C K I N G S U P P L I E S O B S E R VAT I O N R O O M I S O L AT I O N R O O M E X H I B I T I O N P R E PA R AT I O N A R E A F R E I G H T E L E VAT O R A N D S TA G I N G L O B B Y

C.2.1 C.2.2 C.2.3 C.2.4 C.2.5 C.2.6 C.2.7

WOOD WORKSHOP FURNITURE WORKSHOP C O N S E R VAT I O N L A B FRAMING STUDIO PHOTO STUDIO T O I L E T FA C I L I T I E S LOCKER ROOM / SHOWERS (F+M)

D.4.1 D.4.2 D.4.3

MEETING ROOM 1 MEETING ROOM 2 MEETING ROOM 3

D.5.1 LOUNGE / KITCHEN D.5.2 ARCHIVES D.5.3 REPROGRAPHY D.5.4 STORAGE D.5.5 T O I L E T FA C I L I T I E S ( F + M ) E.1.1 E.1.2 E.1.5 ROOM

BUILDING SERVICES FIRE SAFETY EQUIPMENT BMS / IT

E.2.1 E.2.2 E.2.3 E.2.4 E.2.5

BUILDING MAINTENANCE WORKSHOP MAIN JANITOR’S CLOSET E X H I B I T I O N WA L L S S TO R A G E FURNITURE STORAGE GENERAL STORAGE

E.3.1 E.3.1 E.3.1

CASH OFFICE NON COLLECTION DELIVERY AREA TRASH DISPOSAL

SERVER

C.3.1 PERMANENT COLLECTION STORAGE C.3.2 JANITORIAL

GL:+ 0.0M ASL:+ 42.0M +4 1 . 0 M S E AT I N G STEPS

△

+ 41.5M

TO PA R K I N G

+ 40.9M

H O TE L DIE U

SITE PLAN N

10m

S : 1/200

D.2.1 & D.2.2

A.6.2 D.3.3

1MF PLAN

D.3.11 & D.3.12

3MF PLAN

5F PLAN

D.2.3

1MFL:+12.0M

3MFL:+28.0M

B.4.3

B.4.6

1BFL:-4.0M

D.5.5 B.4.6

D.5.5

B.4.2

5FL:+36.0M

D.2.3 D.2.3 D.2.3

A.6.3 A.6.1 A.2.1

A.6.4

B.4.5

D.3.1

D.5.4

A.6.5

A.2.1 A.6.5

EV B.3.2

B.3.2

D.4.1

D.3.5 D.4.3

1BFL:-4.0M

D.3.10 D.4.2 EV

D.3.9

A.3.1

B.4.6

B.2.2 EV

B.3.3

B.2.3

1FL:+10.0M EV

B.3.1

EV B.3.2 D.1.1

EV EV

B.3.1

C.1.10

B.3.3

D.1.2

B.3.2

FREIGHT EV

C.1.10

C.3.1

1BFL:-4.0M

1FL:+10.0M

C.4.1

C.2.5

B.1.3

B.1.2

B.1.1

3FL:+24.0M

4FL:+30.0M

2FL:+16.0M

C.2.4

1BFL:-3.0M

3FL:+24.0M

FREIGHT EV

C.1.3

B.3.3

FREIGHT EV

D.3.4

B.3.3

D.3.2

B.2.1 EV

D.3.6

D.5.5 D.2.5

B.3.2

2FL:+16.0M

D.3.13

4MFL:+32.0M

D.5.5

D.5.1

B.3.3

D.3.8 EV

D.5.3

D.5.5

A.3.2

D.5.4 D.5.2

D.5.5 A.2.1

B.3.2

C.1.2

EV A.2.1

B.3.3

3FL:+24.0M

MFL:+8.0M

B.4.6

B.6

D.2.4

B.4.4

D.3.7

D.2.6 & D.2.7

2FL:+16.0M EV

EV EV

1.10

1.6

+ 43.0M

C.4.2

C.2.3

C.1.1

C.2.6

C.2.2

C.1.7

C.3.2

C.2.7

C.2.1

C.1.9 EV

1BF PLAN

1F PLAN

2F PLAN

3F PLAN

4F PLAN

173

01 | COMPETITIONS

2013

A R C H I T E C T U R E

T I A N J I N

174

I N T E R N A T I O N A L

A I R P O R T

01 | COMPETITIONS

175

01 | COMPETITIONS

P R O J E C T

I N F O :

PLOT: 50,585 mÂ˛ BUILT UP AREA: 18,230 mÂ˛

A B S T R A C T Rising from the concept of the three harmonies is the need for a design that addresses both the controversial culture of Tianjin, and the need to unite people under one roof.

The design is made to mark the city of Tianjin, and give it a new identity; the identity of unity. For me as an architect, my main vision was to seek a design that is memorable. A scene that holds still in our memories and in the memories of the users. I needed to make perfect use of the vast plot area provided in a way that does not limit the project but instead, making it always expendable and reachable for future development. The idea is about creating a unification element in the city.

The massive green roof was a basic idea to present the usual airport structures in a new mold of sustainability and to be environmental friendly. Being fully aware of the airport need to be isolated, we decided to contradict this principle and make a design that forms a social hub for the people of Tianjin and the travelers as well. Making it both a transportation functioned building and a cultural center as well.

An innovative architectural form was produced - frame columns support the huge roof on the second floor by several diagonal structures. The boundary between vertical and horizontal interfaces is eliminated by the structural integration of columns, ceiling and roof, to create a continuous and homogeneous spaces.

176

C O N N E C T

N A T I O N S

01 | COMPETITIONS

T H E DESIGN IS MADE TO MARK THE CITY OF TIANJIN, AND GIVE IT A NEW IDENTITY; T H E IDENTITY O F U N I T Y.

178

01 | COMPETITIONS

179

01 | COMPETITIONS

2012

A R C H I T E C T U R E

U R B A N

D E S I G N

T H E

182

F I F T H

A R K

( T H E

V T H )

01 | COMPETITIONS

183

01 | COMPETITIONS

P R O J E C T

I N F O :

PLOT: 50,585 m² BUILT UP AREA: 18,230 m²

A B S T R A C T Project “The V-th Ark” is an approach towards decreasing the human loss during catastrophic events as Tsunamis. Despite the fact that tsunamis and other natural disasters will always remain a greater force to stand against, saving lives will always remain the first priority during those unfortunate events.

Of course the main problem about tsunamis is not just the waves, but the debris that the waves carry, and the fact that the more they travel the more they gain power and speed. Therefore, the materials used to construct the ark has to be durable enough to stand against the debris, as the materials should also be environment friendly. There was also a layer of Solar panels placed on top of the Ark to ensure a clean renewable energy source.

184

S A V E L I V E S

01 | COMPETITIONS

188

01 | COMPETITIONS

189

01 | COMPETITIONS

2018

I N T E R I O R

A R C H I T E C T U R E

N A T I O N A L

190

P A V I L I O N

U A E

L A

B I E N N A L E

D I

V E N E Z I A

( D U N E S

01 | COMPETITIONS

S )

191

01 | COMPETITIONS

P R O J E C T

I N F O :

PLOT: 242 mÂ˛ BUILT UP AREA: 242 mÂ˛

A B S T R A C T The design is heavily inspired by the dunes of the Arabian desert. The fluid and fine lines helped us create a space that impacts the visitors and give them a very special experience. The materials used for the pavilion are a mix of GRP (Glass reinforced plastics) for the walls and reflective stainless steel panels for the ceiling. The ceiling reflectiveness emphasizes the infinite reflections of the pavilion and is a metaphor for the UAE being the leader in advanced futuristic designs.

192

01 | COMPETITIONS

193

01 | COMPETITIONS

194

01 | COMPETITIONS

195

01 | COMPETITIONS

196

01 | COMPETITIONS

197

A LT E R N A T I V E S

01 | COMPETITIONS

199

PROFES

SSIONAL

02 | PROFESSIONAL

2018

A R C H I T E C T U R E

R I Y A D H

202

E N T E R T A I N M E N T

C U L T U R E

H U B

( R E A C H )

02 | PROFESSIONAL

203

02 | PROFESSIONAL

P R O J E C T

I N F O :

- WORK WAS PRODUCED IN COLLABORATION WITH NAA. - ROLES INCLUDED DESIGN CONCEPT AND DEVELOPMENT, FACADE AND LANDSCAPE DESIGN, 3D VISUALIZATION AND DRAFTING.

A B S T R A C T Dedicating the site to Saudi Vision 2030, the project acts as an iconic destination symbolizing the new changes that dawn over Saudi Arabia. It consists of 3 masses surrounding a master avenue that draws people to a meeting point from all directions, posing as a social platform.

Inspired from the forest and trees, cylindrical steel columns branches to support large horizontal canopies that shelters the area from the extreme hot climate known for in Riyadh. Thus offering shade from the sun, and encourages natural ventilation. These canopies highlight the avenue by grabbing publicâ&#x20AC;&#x2122;s vision from all over the city and inviting them to experience the forest-like central plaza. The plaza will be used to facilitate public events and festivals encouraging family activities. It is made of custom printed metallic cladding encompassing a controlled temperature environment using a different array of humidification and mist spraying systems.

Key concept driving forces: 1. Create a Public Park at street level to attract the most number of active and passive users (and hide all parking facilities underground). 2. Create interesting experience as you are guided forward through the building and underneath them. 3. Use natural shade/daylight by creating an introverted plaza in the cozy area between the three buildings. 4. Create a Landmark form and treatment that will define the project as a clear architectural jewel in the city, and as the clear wining Entertainment & Cultural destination in Riyadh. 5. Create a fluid transition between the indoor and outdoor spaces via having all the major pedestrian paths crossing into the central plaza. 6. Encourage integration with neighborhood (Olayan Block) via opening the site to pedestrian access from the west and south.

204

02 | PROFESSIONAL

SITE LAYOUT

CREATING SPINES TOWARDS THE CENTRAL PLAZA

ADDING THE ENVELOPE

206

MASSES DIVIDED BASED ON FUCTIONS

CREATING MULTIPLE STORIES

FINAL FORM

02 | PROFESSIONAL

207

02 | PROFESSIONAL

SUN DIAGRAMS

ACCESSIBILITY

NEARBY PLACES

208

WIND DIAGRAMS

STREET VIEWS

CONTOUR

02 | PROFESSIONAL

THE FOREST

SECTION OF CENTRAL PLAZA

ISOMETRIC CENTRAL PLAZA

209

210

211

02 | PROFESSIONAL

2018

A R C H I T E C T U R E

P R I V A T E

214

R E S I D E N T I A L

C O M P L E X ( B P C )

02 | PROFESSIONAL

215

02 | PROFESSIONAL

P R O J E C T

I N F O :

- WORK WAS PRODUCED IN COLLABORATION WITH NBA. - ROLES INCLUDED DESIGN CONCEPT AND DEVELOPMENT, FACADE AND LANDSCAPE DESIGN, 3D VISUALIZATION, DRAFTING AND COORDINATION WITH STRUCTURAL AND MEP DISCIPLINES.

A B S T R A C T Shaped by its intended program, aspect and orientation, this grand residential complex was designed to reflect the topography of the site and maximize the iconic views of the neighboring park. The house is expressed as a series of horizontal layers in a U shaped plan form. This U-shaped plan allows for natural light to reach deep into the interiors, resolves the siteâ&#x20AC;&#x2122;s alignment to the street, and provides a secure sheltered green space adjacent to the pool area.

The design incorporates a seamless flow between indoor and outdoor areas through the provision of large terraces with full height sliding glass panels that link to generous internal areas. A consistency of materials and inconspicuous detailing was employed to further blur the line of enclosure, and enhance the connection between indoor and outdoor spaces.

Bedrooms are located on the top floor in response to the clients desire for expansive views and maximum privacy. The living areas were designed to encourage cross ventilation, drawing in the cooling breezes common to the neighboring park sides. This incorporation of passive cooling techniques limits reliance on air conditioning during summer, and allows for a more expansive architecture.

216

02 | PROFESSIONAL

218

02 | PROFESSIONAL

SEAMLESS

FLOW BETWEEN INDOOR AND OUTDOOR AREAS THROUGH THE PROVISION OF LARGE TERRACES WITH FULL HEIGHT SLIDING GLASS PANELS.

219

02 | PROFESSIONAL

220

02 | PROFESSIONAL

221

02 | PROFESSIONAL

2016

A R C H I T E C T U R E

U R B A N

D E S I G N

P R I V A T E

224

R E S I D E N T I A L

C O M P L E X ( H C P )

02 | PROFESSIONAL

225

02 | PROFESSIONAL

P R O J E C T

I N F O :

A B S T R A C T The multifunctional recreation center is situated within one of the many residential complexes owned by the client. The building has a very spacious basement level to accommodate the many spacial requirements by the client. The building entry point has two accesses, one for the visitors and the other entry for the residents in the complex. The building’s main concept depends on creating graded levels which recedes away from the 6 meter wide street, making the building more “human scale” friendly.

The facade is made of anthracite pigmented, water-repellent pre-cast concrete elements, giving the building a strong appearance. The first floor glazing has a large screen that is designed to reduce intense sunlight emissions while giving the facade a very interesting look. The screen as a canvas represents an abstract interpretation of the desert sand dunes.

226

S A N D

D U N E S

02 | PROFESSIONAL

228

02 | PROFESSIONAL

2015

A R C H I T E C T U R E

U R B A N

D E S I G N

N O R T H

232

S T A R

R E S I D E N T I A L

C O M P L E X

02 | PROFESSIONAL

233

02 | PROFESSIONAL

P R O J E C T

I N F O :

A B S T R A C T The project was targeted towards developing small to medium sized housing units. One of the client’s requirements was the variation in the design solutions for the units. That made the project feel like it was multiple projects merged into one.

Our approach was to vision the project as whole and then micro manage each unit separately. It was also required that we present different facade designs that can be customized in material or color to suit every client’s needs.

234

M O R E

A N D M O R E L U X U R Y

TO F E E L C O N TA I N E D ?

02 | PROFESSIONAL

236

02 | PROFESSIONAL

237

02 | PROFESSIONAL

238

02 | PROFESSIONAL

239

02 | PROFESSIONAL

242

02 | PROFESSIONAL

243

02 | PROFESSIONAL

2012

A R C H I T E C T U R E

U R B A N

D E S I G N

A L

244

F A R E E D A

R E S I D E N T I A L

C O M P L E X

02 | PROFESSIONAL

245

02 | PROFESSIONAL

P R O J E C T

I N F O :

- WORK WAS PRODUCED IN COLLABORATION WITH EVIC CO. - ROLES INCLUDED RESEARCH, BUILDING THE PHYSICAL MODEL AND 3D VISUALIZATION.

A B S T R A C T The scope was to design a series of vital projects within the residential complex. The required design included a Two Community centers, a sports hall and four mosques.

The design methodology for each building was almost the same. Function was the key element in the design. The aim was to create large open areas and many gathering points within the complex. Incorporating large areas of greenery was a vital requirement in the project.

We were responsible for providing landscape concept for every plot, schematic design presentation for Clientâ&#x20AC;&#x2122;s approval and to provide the relevant design developments and construction documentation needed for execution within the stipulated budget.

246

TO F E E L C O N TA I N E D ?

02 | PROFESSIONAL

248

02 | PROFESSIONAL

250

02 | PROFESSIONAL

251

02 | PROFESSIONAL

252

02 | PROFESSIONAL

253

02 | PROFESSIONAL

2014

A R C H I T E C T U R E

N I S S A N

254

F L A G S H I P

F A C I L I T Y

02 | PROFESSIONAL

255

02 | PROFESSIONAL

P R O J E C T

I N F O :

A B S T R A C T The new Nissan flagship showroom located in the eastern province in Saudi Arabia as part of the new image launched by Nissan. The flagship facility is to host a new Nissan branded restaurant, exhibition area and an integrated car service facility.

The design proposal respects the function of the project and its practicality. One of the key identities of the design is connectivity, that is reflected through the continues folding concrete wrapping the entire building. As part of the new Nissan brand image, the design highlighted the rich history of the company by incorporating solid and bold materials.

Eventually the design evolved to bring the project to an image closer to that of a museum and a community hub, bringing together car enthusiasts as well as casual visitors interested in the history of Nissan and experiencing its new image.

256

02 | PROFESSIONAL

258

02 | PROFESSIONAL

259

02 | PROFESSIONAL

260

02 | PROFESSIONAL

261

MISCELL

LANEOUS

H A V E

B F

U O

T E

H O

& S A F E T Y I N

M Y

M A D N E S S -GIBRAN KHALIL GIBRAN

03 | MISCELLANEOUS

E A R R I N G

266

D E S I G N

03 | MISCELLANEOUS

267

03 | MISCELLANEOUS

F U R N I T U R E

268

D E S I G N

03 | MISCELLANEOUS

269

03 | MISCELLANEOUS

W A T C H

270

D E S I G N

03 | MISCELLANEOUS

271

03 | MISCELLANEOUS

P A V I L I O N

272

D E S I G N

03 | MISCELLANEOUS

273

AC A D

DEMIC

04 | ACADEMIC

H E L W A N O F F I N E

276

S C H O O L A R T S .

A N D

C E N T E R

04 | ACADEMIC

277

04 | ACADEMIC

H E L W A N O F F I N E

278

S C H O O L A R T S .

A N D

C E N T E R

LEVEL 1-B2

LEVEL 1-B1

LEVEL 2

LEVEL 3

04 | ACADEMIC

LEVEL 4

279

04 | ACADEMIC

R E S I D E N T I A L C O M M E R C I A L B U I L D I N G S T U D Y .

280

04 | ACADEMIC

281