R.A.W Magazine Winter 2016 : Pilot Talk

Real Artists Wanted: Pilot Talk

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Real Artists Wanted: Winter 2016

Real Artists Wanted is a media platform for urban culture. We report on style, music, art, and film with a focus on independent artists.

Thank you for picking up the inaugural issue of R.A.W Magazine. This is a magazine by us, for us, and without you we wouldn’t have anything.

Stay true, stay creative, stay raw.

Real Artists Wanted Editor In Chief Mason Taylor

Contributors to this issue: Artists Jared Quick [Co Editor]

Writers Nicole Alicia Nina Allen

Special Thanks To Illmob Premium Streetwear

Nina Allen Bio Designer | Creative | Writer | MICA GD Alum ‘14. Brand: Founder + Curator @QOTNC

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Hip Hop and R&B Derived from similar musical backgrounds, Hip Hop and R&B are essential modern art forms. Both expressive mediums stemmed from historical periods in time. Many express loyalty to the craft. Some illustrate rebellion against structure. Ultimate achievement is reflected on knowledge. Archetypes for sound, each provide single notes to an orchestra. Eventually, final production matures into lifelong exhibitions. written by Nina Allen

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Music is a call to action.

Yet, differences allow space to evolve individually. Genealogy altered language. Events in ones’ reality, aim to motivate. Music today, is supported due to past cultures.

Thickening innate activity, these genres continue to prosper.

Culturally, origins of music come from the Motherland. Africa is the heart to centuries of invention. Dissecting the emergence can be lengthy, but pivotal information spark insight.

The backdrop of music to American customs broke with diversity.

Combinations of blues and jazz began to form as a unit. The term ‘rhythm and blues’ date back to the 1940s.

Out of pre-WWII blues styles, "race", “sepia” and “ebony” once described this sound.

Indigenous dialects are crucial to African ancestry. It’s the foundation to American culture. The sound of Jazz, rock n roll, soul, rhythm and blues, gospel, folk, and hip-hop, became

gifts. These songs were designed to emote feeling. Both are concrete in vocal performance, sophistication, and pride. A tribute to the world, people of all hues connected. Rhythm and Blues birthed Hip-Hop. Styles of blues and funk created a new lane for the youth. Early historical reports date hip-hop back to the 1920s. Even in the 50s/60s, spoken word was a natural gift. Poetry was an outlet to recite emotion, think, Gil Scott Heron.

Even the comedic style of Richard Pryor and Muhammad Ali had a special cadence. Music as the interior: dance, graffiti, DJs, and fashion heightened.

Documenting frustration with society, hip-hop evolved. Inner cities in America were built like prison systems.

Black America still demands loyalty.

The government stripped away employment, parental guidance, education, and financial stability.

People did not look for handouts.

For years, hard work and dedication have been instilled. Opportunities

“As musicians and artists, it’s important we have an environment - and I guess when I say environment, I really mean the industry, that really nurtures these gifts. Oftentimes, the machine can overlook the need to take care of the people who produce the sounds that have a lot to do with the health and well being of society.” - Lauryn Hill revolutionary. Anchoring sound for years, this language proves global integrity. Topics such as freedom, love, pursuit, triumph, loss, nature, politics, and knowledge all elevated truth.

Eternal medicine to all, music is therapeutic. Studies have shown music enhances the mental state. The core to life, it is a necessity. Music impacts culture. Layered in multiple genres, each has it’s own personal characteristics. With it, minds are connected. Society is nurtured, and souls are healed.

Sam Cooke’s “A Change Is Gonna Come” and Marvin Gaye’s “What’s Going On” are examples of musical

harassment. “Keep Ya Head Up” and “Holler If Ya Hear Me” address self-love and social injustice. “Dear Mama” and “Me Against the World” became insight into vulnerability. We will never get another Tupac Shakur.

The Notorious B.I.G.’s journey is unparalleled. Crafted to resemble the everyday hustle, his voice mattered.

“Juicy” and “Warning” captured realism. “Hypnotize” and “Mo Money Mo Problems” highlight different paths of fame. “Sky’s The Limit” and “Last Day” are prayers of the psyche. A special part of hip-hop is the woman’s role. The subject to most songs, women reign supreme. Tupac and Biggie both had strong female figures in their lives. Their mothers instilled greatness at an early age, and they never forgot that importance.

Look at all the rappers who’ve graced the mic with bars, 70% of the time it’s about a woman. That inner embrace, came from the inner teachings.

One of the most influential women in hip-hop is Lauryn Hill. A voice to the world, she inspired us all. From The Score to The Miseducation of Lauryn Hill, her story is powerful. Young boys and girls have a special place for her work. The message was simple. Songs like “Fu-Gee-La”, “Ready or Not”, “Killing Me Softly” combined unified hearts. Songs like “Lost Ones”, “Ex-Factor”, “To Zion”, and “Doo Wop (That Thing)”, quilted independence.

function as vessels to peace, equality, and reinforcement.

Late musical figures Tupac Shakur and The Notorious B.I.G., had a presence unmatched in the universe. Stories were told and lessons were acquired.

Their messages had tremendous impact to the hip-hop community.

These stories represented us. Album sales increased and grand moments were created. The legacy of both men, will always chronicle timeless classics.

Tupac’s journey cannot be replaced.

One who also utilized poetic lines, he was ahead of his time. “Brenda’s Got a Baby” and “Trapped” still speak on abuse, teen pregnancy and police

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Who are the top 5 artists on your recently played list?

- Marvin Gaye - The Weeknd - FKA Twigs - Amy Winehouse - Carly Simon

Is there just one song that never fails to hit your emotions?

One song that always hits me emotionally is ‘Diary’ by Alicia Keys.

Musically it is so beautiful and beautifully written. She always taps into a passion that so many people try to hide nowadays.

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How would you describe your music for a group of people who had never heard it before?

It is hard for me to describe my music.

I do what I feel. I feed off of so many influences and create what feels natural to me. If I had to describe it I would say it has more of a soulful vibe.

Do you have any other interests or talents besides singing?

I would have to say my other interests besides singing would be animals, vinyl records, fashion, and anything retro/vintage.

Where do you draw inspiration from for What do you think the biggest your music? impact is that social media has I draw inspiration for my music from music I listen to or situations I’ve been had on music as a whole?

Social media has been very beneficial to music. I don’t think as many people would have heard of so many great artists that have come up these past few years if it wasn’t for social media and the internet. It is a great tool for any and all creators to get their work out for the world to discover.

Real Artists Wanted: Winter 2016

in. There could be one little drum pattern in a song and it will spark something entirely new in my head.

Sometimes I think I experience music on a different level than most. When it comes to situations or life lessons inspiring me, I tap into my emotions and feelings and I create.

I.T.T written by Lisa Boyd Physic I remember we were cuddling.

I stared at your skin, your jawline pointed towards the FX Channel.

I remember wanting your smell under my nails.

I remember wanting your passion in my mouth, so I went to the bathroom to make sure I was perfect for you.

4 seconds to relieve myself.

I was anxious for 44 minutes to relieve ourselves.

I wiped, but your stupid $2 toilet paper clung to my pink skies like little clouds offering no rain.

I was trying to make it thunder for you, so I hopped into your shower real quick.

Your temple of cleansing off sins you loved to brag to me about.

I was afraid you’d assume secret sins were dancing in the blood running up my thighs, but you didn’t.

You didn’t question me.

I found you in your bed.

Wearing on nothing but your intentions standing tall standing proud with an energy in your eyes that said love me now.

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If you had to categorize your music, where would it fit?

I would definitely put it in the Funk/Soul category.

We’ve all heard the term “starving artist” before, how do you get through major obstacles in your career?

By making lots and lots of lemonade.

What is your stance on getting public support as far as live music?

Well I definitely don’t have enough merit to speak on those types of things.

However, throughout my quest, I have come across some interesting uber/ air bnb -like concepts for artists/bands/djs. But it will take a little time until those new concepts truly start to gain traction. For now the classic tactics still seem to be effective, location and who you know.

childhood. I also don the nickname of a creator deity from early Egytptian mythology, knowing that in itself has given me great power. So being creative is a core part of my personality in general, and nearly anything can be of influence, used as fuel, or fit into piece of a bigger picture. Anything from a color to the discovery of the Boson “God’ particle.

How do you want your music to be remembered?

In one’s weakest moments and on the dance floor.

Are you working on anything currently?

Yes. A handful of productions/collabs with/ for some upcoming artists of various genres coming soon. And Im still steady working on my album, Relic Of The Mothership!

What has been your strongest influence to keep creating?

I’ve always had ideas that were far greater than my capabilities in various areas outside of music since my 12 Real Artists Wanted: Winter 2016

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MUA: Jessi Gilbert

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How do you know when a piece you’re working on is finished?

I know when a piece is done when I have full confidence in the work itself. So, if I see anything in it that I don’t like, I want to revise it to make it how I want it to be.

What inspires you the most?

Definitely other people. Not a specific person but, just in general. Just the fact that we’re all on this earth for each other keeps me going and doing what I want to do.

What is your most important artists tool, in your “toolkit” My positivity and my motivation. If I wasn’t as positive or optimistic as I am, a lot of what I encounter would not matter to me because of the negative mindset that I could have.

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What are you doing when you aren’t creating?

I’m socializing. I strongly believe that we’re here for people and we can make the world better.

I love conversing. Meeting people and hearing their story and hoping that I can share wisdom with them hoping that I can uplift them.

How did you start making art?

I mean I’ve been doing art since elementary school. I went to a creative performing arts middle and elementary school so that influenced me. Art brings people together, not only do I like art but I like to bring people together so I figure why not use my creativity to do both.

“I CONNECT WITH EVERYBODY, WHO DOES EVERYTHING, IN ALL MEDIUMS.”

In your opinion what role does the artist have in society?

It should be to advocate a message, a message and a voice. As an artist you should be a strong positive figure and not lacking in that aspect of unity among others. An open person who can hear what other artists have to say. Their focus should be revolving around important issues rather than issues that don’t and things that don’t matter.

What is your dream project?

I want to go back to Africa and teach english and art. lately I’ve been inspired to create some development program for african american youth adolescents teaching them english and art.

What made you pick Malawi specifically?

In August of 2014 I went on a mission trip there with a youth group from high school our objective was to go to various villages and build relationships. Being emerged in that culture with their lack of the luxury that we take for granted and seeing how they live and interact peaceably with each other it inspired me to go back and promote that mindset and gain that perspective for myself.

Is there any artist in history you compare yourself to, or would like to be associated with?

I can’t really pinpoint just one since I really use so many mediums. I guess to say one, with singing, Lauryn Hill for sure because she’s about the youth and growing and because she’s always speaking the truth.

What music inspires you to create?

I’m a big fan of soul. Anything that’s soulful inspires me. I can’t listen to hiphop, at least when it comes to my art becomes it comes down to my emotions. I would say Erykah Badu and artists that tap my emotional side that’s what helps me touch my creative side

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As an artist do you feel a responsibility to talk about things that happen in society and take a stance on big issues?

Yeah, I do. For me, the actual artist part is the literature part, and that just happens to be my side of the art. The music is like the backdrop.

The production is like the backdrop on top of the art that I’m displaying. So, the literature is where I would say my bread and butter is.

For me it’s like, there’s a story that I want to tell and then within my overall message you have these little chapters. I think it sheds light to who I am as an artist, and just kind of what I think is important in life. What I think are the fun parts, what I think we need to focus on, or that I just find myself focusing on. Anything that jogs my brain a little bit, it’s a lot of question asking in my music, because that’s just what my mind does.

How do you handle all of the different aspects of the music process as an independent artist while remaining creative?

For me it’s about trusting the process. As an independent artist you don’t have a lot of things. Probably the main thing being the financial backing. The resources, you can go out and network and sort of get resources where you can, but it’s difficult. I think for the type of music that I create, it also doesn’t require a lot of those things. Like a lot of my music isn’t necessarily those one hits that you need to make sure that every dj in the club can get a hold of. With artists like that, normally , that requires a lot of pushing one single, and campaigning to get that to different platforms. Mine, of course we want to get to other platforms and hopefully, the music can speak for itself but we still gotta go through those trials and tribulations trying to get it out to the people. For me, the upside of being independent is I can focus on my niche, my core. I think with my music, that’s what we’re looking for is a core. Somebody that’s going to ride with whatever we’re putting out.

In the mix of LA how do you stay yourself, and separate from everyone else? [man] I don’t try to stand out, to be honest. I try to be myself 100% so what that means is I gotta spend a lot of time by myself, learning

about myself. Learning about who I am, what’s important to me, what do I like. I’ve been forced to ever since I moved out here, I don’t know anyone. So I’ve been forced to spend a lot of time with myself and find out what’s important to me. What I found is that; with solitude comes reflection. So you get these records of me reflecting on my upbringing and my life. I feel like if you can be the best version of yourself possible, then you’ll automatically stand out. That’s without trying. I feel like when you try to stand out it comes off corny, it comes off like you’re trying to be different, and there’s nothing wrong with trying to be different but try to be yourself, and by default you’re being different. I don’t think that requires a lot of effort.

What requires a lot of effort to me is not being influenced by a lot of the things around you, like a lot of the music. What is becoming to be known as rap is, you know, sometimes it finds itself to be all making one sound because different elements are being pulled.

Nothing’s wrong with that because you might have liked this part of the element, you might have liked lyrics from this song, you might have liked the message from this song and kind of put it all together to create your own thing. I mean I find myself doing that too, but it’s more honing in what is me, who am I and by default I’ve created myself, my style.

How do you feel about the direction of hip hop?

I think that there’s a time and a place for it all.

The dope thing about where hip hop is right now is that we’ve created platforms and we have ways to get the music out. The club isn’t the only outlet. You have #1 artists who are not played in the club right now, that have #1 records on the radio and vice versa. It’s about finding out where your core audience is. With where things are, you can see all the new artists that come out you can see where they spawned from. You can see the artists that they’ve spawned from because a lot of the sounds right now [in rap/hiphop] are very very trendy. So not only does it come in, but it goes out very quick. So I feel like if you have your own, you don’t ever have to worry about trying to fit in because you’ll always be that.

Now, of course on the other hand there’s a growing and maturing process as you deepen in the game. Which has happened to me. From this Roofless California project that

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I’m working on right now has such a different sound than Emotions, my last project, than D Day and Local Celebrity. You’ll see a progression.

But as far as hip hop as whole you have to appreciate all of it. I even find myself listening to some music like how did that even get here?

How is that popping? But it has it’s place somewhere and it’s contributing to ideas somewhere else that were directly inspired by the ideas from someone else.

Some of the worst songs I’ve ever heard inspired me to make some of the best songs I’ve ever made.

They all have their place, it’s just about where they fit.

this album. I’ve recorded somewhere over 50, I’ve written somewhere over 100. I try to keep this idea when I write; what is the main goal of this project? For this Roofless California project what is the main goal. As I’ve grown as an artist, as a person, the theme of the album kind of changes, and I hone into what Roofless California means.

Just to give a small synopsis of it: Roofless was originally one record that I created, it was just like a freestyle record. It wasn’t necessarily a freestyle because I wrote it but it was like a freestyle imaginative where I just let my pen keep going and this idea of Roofless is just someone taking the top off and looking at my brain and letting it all out. That idea started there and it

“SOUNDWISE - I LIKE THE FEEL OF SLOWER, SMOOTHER MUSIC ; DOM KENNEDY, J COLE, CURRENCY. BEAT SELECTION WISE. THATS A LOT OF THE MUSIC THAT I LISTEN TO ANYWAY.” What projects are you working on right now?

I’ve got this project Roofless California that hopefully will drop between the first or the second quarter of this year. I mean, I wanted to drop it last year, and I think that I could’ve dropped it then. But I don’t think it would’ve been my best effort if I did. It’s been very hard for me to be patient and just let this album create itself, but I have to live as well. I have to live in order to go through things and be able to reflect and to create the material that I want to create. Right now I feel like we’re two songs away, with one of those songs already being written. Then there’s one other song that needs to be written before we have a solid project. I only want 10 records for

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just grew. As I reflected on my life, me being a military child, I never really had a city that I could call home because I moved so much.

One of the most explanatory records from the album is called “Roofless California.” It tells the story of a child who grew up well but moved around a lot. It’s not until you get older that you realize how important it is to have somewhere to call home.

For me I thought everybody moved like that, it was all I ever really knew.

But I knew people who moved way more than me. I was very fortunate to only move the times that I did but we kind of hone in on that throughout the project, when it came to what roofless means.

There’s these double meanings, it’s a very honest album. Very intuitive

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because you really get to grow up with me on the project. I put the California behind it because I just can’t see myself being anywhere other than California. We stopped in California, this was the last place I moved to so I always felt like a Californian. But when people say what part of California, what city, I don’t really know what to say.

Where are you truly from?

I don’t really know how to answer that question.

And then there’s so many other records that won’t make the album too, not necessarily because they’re not good records but because they don’t fit the theme or they don’t fit the sound. So I think what’s going to happen is I’m going to go through these records and put out a small ep before the album drops.

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MUA: Jessi Gilbert

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You balance alot of different talents, how do you choose which area to focus on and when?

heart though, God was and is the driving force & key to beautiful orchestration of anything!

Check out Romans 8:28 NLT

God. Straight up. Each production has a life of its own, so I have to live out each one, giving all my undivided attention to each section of producing as it comes.

A Love Undefined being based off of a real situation, how is it for you to see different people engaging with the film?

For example, with ‘A LOVE UNDEFINED’ (ALU), I took the time to write it first, then pull the team together, cast it, scout the location, host production meetings, set design, call sheets, shooting scripts. I mean all aspects of producing that one could imagine was taken care of. Yet, since I opted to tackle each task as it came about, it left for no confusion. I would have a list of tasks to complete, and as soon as I knocked off one, two to three more would be added. [haha] It almost seemed impossible at times.

Also, not to mention, the added security of having a BS in Organizational Communication, probably allowed me to have a good handle on time management & the organization of it all. I know in my

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Humbling. Hearing others share their stories with me after seeing it brings such a peace that’s unexplainable & totally unexpected. ALU has become a door for others to walk through embracing & releasing their struggle(s) at the same time.

The audience’s engagement has been simultaneously overwhelming & uplifting. I didn’t know sharing a piece of my journey would leave this type of impression & impact.

I’m thankful, really -- God has turned a seemingly tumultuous situation into a testimony for not only myself, but others to grow from & make a change in their lives for the better.

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How did the film crew come together on this project?

Man. I had to bring them all together, one by one to be honest. I set-up an individual meeting with each team member along the way explaining the plan and vision. I believe it took a total of two months, collectively, to solidify the entire crew. I started with our Executive Producer & Co-Star of the film, Tekquiree Chenell, which I had initially just reached out to for her to portray the co-star I had written, with her in mind. After our first meeting, I knew I wanted her on-board as a producer as well.

From there, everyone one else I reached out to agreed to come on-board literally at the initial meeting; yet another humbling moment & more people who truly believed in the vision & their particular expertise needed to bring ALU to fruition. Although there were a couple bumps in the road, we all ultimately embraced the task at hand & now we have: ‘A LOVE UNDEFINED’.

Speaking of which, I’d like to thank EVERYONE involved in the making of this heartfelt film, our crew, cast, donators, believers, & supporters. it’s truly because of you all that this production is what it is today!

All glory to God man, for real.

What is your favorite part about the creative process?

Wow, my favorite part about the creative process, you know what, I think there’s two: the vision itself and seeing it all come together. It’s a true blessing and miracle seeing the frames of that vision come together, like, actually come to life. The words off the page are playing out right in front of you; that’s bananas man.

Just unbelievable, if I didn’t witness it myself. [haha] God is good.

Who do you most look up to in the industry?

In no particular order: Halle Berry, Quentien Taratino, JJ Abrams, Zoe Saldana, Denzel Washington, Rod Sterling, Alfred Hitchcock, Geena Davis, Samuel L. Jackson, Robert Downey Jr., Wes Craven, Stephen King, Leonardo Di Caprio, Brad Pitt, Angelina Jolie, James Cameron, Stanley Kubrick, Jack Nicholson. Oh my list is never-ending.

All ultimately leading me to practice patience, humbleness, respect, & endurance for this long haul of a journey in film.

What’s next for you?

While ALU is touring these film festivals, I’ll prep the 3-4 part psychological feature, ‘ALLISON’, a co-writer & I have been writing for a couple years now. I also plan on honing in on my acting craft, while fully developing our creative hub, ‘fik.tiv™ FILMS’ into the prodigy we envision it to be; a place where indie meets mainstream.

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How does the city you’re in affect your creative process versus the city where you are from?

I live in San Diego, but I’m from Pensacola, Florida.

When I’m here, life is fast and busy with my 9-5 grind and everything else I have going on outside my career, so when I get a moment to be creative it’s usually me driving listening to beats or pull up to a random spot overlooking the city and just let my mind travel and process thoughts to put on paper. When I’m in The Cola, I can actually rest and enjoy days off with more time to actually sit still and focus all energies instead of having to worry about what I didn’t take care of for the day.

The pay to play concept, do you agree with it?

Is there a better way or platform that can be used that can benefit artists more?

I can’t knock the hustle [haha]. Me, I’ve done it once for a big southern artist that came to Daygo, and learned to use it for my advantage as far as using their crowd to promote my music. Do I agree with it? No. If you love your craft and really want to do what you signed up for, it makes sense to get yourself hot enough so that they calling you up with a bag of money. A lot of artists are lazy and feel entitled, instead of working and paying your dues. Artists need to work harder and get off the internet and get in the streets with the people.

From the workout, to The Scrimmage, I see a consistent theme. Is this something you plan to continue into the future?

Yea, I plan on it. I come from a sports background, so preparation and execution are how I treat this music. You

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gotta workout and be in shape in order to perform at your highest level. You gotta scrimmage to find a baseline to see where you are and what you need to work on.

How strong of a pubic stance should an artist take on different social issues?

Music these days is treated as entertainment, and the more negative the content the more popular it is hip-hop wise.

I came up in an era where artists who came from certain backgrounds actually were a voice of hope to those in certain situations. The music they put out was actually the world’s view through their eyes. As a hip-hop artist I feel it’s my responsibility to speak on such issues, unlike the majority of the artists today who choose to not address the social issues because it doesn’t affect their daily lives. To each his own though.

In your opinion as an independent artist, does it make more sense to leave and make a name for yourself or try to do it from home?

It makes sense to gas up your vehicle and get your music to as many people as possible. It makes sense to buy a ticket and fly to another city to get your music out there. It makes sense to utilize internet platforms to get your music out there to the people. You gotta learn how to use both, but you gotta get out the house and introduce yourself to the people. If they see you grinding, they will respect you even more.

What keeps you inspired and creative?

Living life. Each day I live is guaranteed to bring new experiences.

Think Big, Dream Big written by Lisa Boyd Physic They say a good deed never goes unpunished.

Well a good dream never goes untarnished.

Thoughts evolving to ideas waiting to be published, to be recognized by ourselves.

A best seller in our own minds without having to rely on sold out shelves.

Our dream, this risk, becomes our responsibility and our faith is supposed to be a guaranteed security Despite the obstacles we face that question our maturity.

The obscurity of whether or not our dreams will make it will clear once we tell our hearts that we can take it, because the world will attack us and do everything to distract us.

In fact this global hemisphere will approach you so sincere only to whisper in your ear “you don’t belong here”.

If you believe you don’t belong, then you honestly don’t.

The world will find somebody who will accomplish all the things you won’t.

And when you lie in bed thinking of excuses.

Like how you were left with some financial bruises,

Held to a stereotype you felt was mentally abusive, No support from home so your own strength is left inconclusive?

The life you live you say to yourself you didn’t choose this.

But hold your breath and feel your heart.

Understand you need to use it.

And when you can’t hold it any longer, when you feel like you’re going to explode.

Recognize your life, Its all you’ll have left to show.

We weren’t meant to become numb and capitalize our souls for the worthless things the world has to offer.

We weren’t meant to live in the shadows of our fears.

Rather than our hearts, our bravery becomes softer.

You’re name isn’t written on a tomb yet.

And if it was? Dream it’d be a monument.

Faith can not be broken by disappointment.

The hardest decision, made with the utmost precision, denied of any external help, is to believe ...in yourself.

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The Art

of

the Playlist written by Nina Allen

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Curated playlists document chapters to our lives. Reminiscent to classic audio formats, lists of songs determined specific eras. Whether it’s vinyl, cassette, CD, MP3, or streamed, each hold significant value. Identifying self as the creator, client, or consumer, becomes a key factor. In the process of building a collection of tunes, nostalgia resurfaces. As digital services populate modern technology, social awareness is gained.

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Fortunately, the arrival of Apple thrives in today’s music culture.

Beauty in its purist form, all expressive mediums have a purpose.

Music liberates souls. Music is therapeutic. Music impacts youth.

It can influence opportunities in artistic, inventive, business, and political fields. The ‘artist/musician’ equate to human nature. The continuous cycle of supporting what’s advocated via “fame” intrigue people worldwide Women are the muse to themes in society. The careers of Beyoncé and Solange changed for an appreciation to music. Both women exude individualism. One might rock out to Tina Turner, while the other might jam to Nina Simone. Without “What’s Love Got To Do With It” and “I Put A Spell On You”, there would be no “Pretty Hurts” or “Lovers In the Parking Lot. “ On the soulful side, Erykah Badu dropped a mix over titled FEEL BETTER, WORLD! ... LOVE, MS.BADU via Mixcloud. An activist approach to music, her message held power:

the playlist reads:“These are some of the records that inspire me to this day.”

OFF-WHITE C/O designer/ creative director Virgil Abloh is another visionary.

Investing time to elevate imagery, sonic vibes, and direction, music architects his performance.

His SoundCloud has a series of DJ sets, mixtapes, and collaborations that detail originality.

During Paris Fashion Week, he compiled a mix exclusively for his Spring

“Each week, people write in to request a mixtape to serve as a soundtrack for whatever is going on in their lives. They call in, we chat, they share their story and then I hand select songs just for them” Annie Clark ALL OVER THE GLOBE...KEEP WALKING TALL BROTHERS AND SISTERS. SOMEDAY WE WILL ALL BE FREE. THE WORLD IS IN NEED OF HEALING.... I CAREFULLY AND LOVINGLY SELECTED HIGH FREQUENCY TONES FOR THE SOUL.... PLEASE LISTEN FROM TOP TO BOTTOM. LOVE, Ms. Badu St. Vincent’s Annie Clark delivers weekly playlists via Apple Music on her Beats 1 Radio show, “St. Vincent’s Mixtape Delivery Service.” In an article by the LA Times, she details her show: Each week, people write in to request a mixtape to serve as a soundtrack for whatever is going on in their lives. They call in, we chat, they share their story and then I hand select songs just for themSupporters of Kendrick Lamar can check out “The Making of ‘good kid m.A.A.d city’ playlist on Spotify. Every influence from DMX to The Isley Brothers showcase dynamic forces on the album’sanatomy. The header for

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2016 OFF-WHITE collection. Titled “OFF-WHITE SS16 WOMENS RUNWAY SHOW SOUNDTRACK”, crazy arrangements boosted imagination.

Legends in the game; Dr. Dre (The Pharmacy), Q-Tip (Abstract Radio), Nas (Gratitude), and Pharrell (OtherTone) have shows via Apple Music.

Taking it to another level, Jaden Smith (Msfts Frequency) comes hard with old and new classics. All in all, each icon appreciates the arts. In tune with their playlists, forthcoming vibrations are communicated. Coming from creative backgrounds, environments are filled with music. Believe it or not, experiences in life pull from many sources. Music is education. Music is enlightenment. Music is expertise.

TED, a Non-profit Foundation produces in-depth talks on the creative mind. Varied subjects from entertainment to technology, nurture that expressive side. When it comes

Real Artists Wanted: Winter 2016

to other mediums of communication, TED has a playlist section. One in particular “Our Digital Lives”, explore manifesting inner confidence.

Described as:Hyper-connected lives have been rewired for the digital age.

These talks explore how the Internet and social media are shaping our relationships, personal lives and sense of self.The brand coincides with the individual. Services like Apple Music, Spotify, Pandora, Tidal, SoundCloud, Google Play Music, Rdio, Groove, Deezer, and Amazon Prime Music, reach different crowds. Depending on the age of listeners, we identify to energy. From the utilitarian design, quality of sound, catalogue of records, to graphic appeal, an automatic gravitation towards a platform is welcomed. Whichever your personal liking is, the heart wants what it wants.

Social awareness affects the conditioning of music culture.

The Ava Duvernay-directed visual for Apple Music, campaigned happiness.

Released during the 2015 Emmy Awards season, the ad featured Mary J. Blige, Kerry Washington, and Taraji P. Henson. All Queens in their own right, each have a specific brand.

Nostalgic connections to the traditional mixtape vs. digital playlist, shared personal throwbacks records.

This was huge for women of color.

Unity was showcased, rather than competition. The lens embraced three separate spirits, minds, and styles. Apple also acknowledged

Slick Rick, Diddy, Blackstreet, Phil Collins, and Busta Rhymes.

The commercial was a success.

People connected to the landscape of Apple.No one is left out, and that’s what made the connection nationally. I thank Ava Duvernay, for her strength in seizing the opportunity to shoot 1 of 3 visuals. I thank the production team, for casting three Black women who’ve fill our hearts with joy.

Greatness was achieved. Apple has a way of expanding the melting pot of colorless accessibility.

Mastering narrative sound can be easily attained. However, the creator, client, and consumer are essential.

We live in a world where the creator, client, and consumer dictate what’s next. The creator is the brainchild of intellectual thought. The client is the shopper, looking for execution. And the consumer is the buyer, absorbing product. One of the keys to success is being knowledgeable of growth.

Apple Inc. understands demographic appeal. Apple designs, makes, and sell. Online services, electronics, to

computer software are built. With over 43,000,000 songs cataloged, Apple Music is ahead of the curve. Because we own most products developed by the manufacture, there’s a trust factor.

Though, nothing in life is free. If the vision is supported and transparency is given, who’s to tell someone $9.99 per/month is bad deal?

Outside of providing news coverage and exclusive interviews, digital media sites maintain balance. Top sites; Rolling Stone, The Source, XXL, Rap Radar, The Fader, Dazed & Confused, Pitchfork, i-D, and HHS1987 have distinct markets, and playlists are bonuses. Digital sites; Grungecake, Saint Heron, Stashed, Ashley Outrageous, Stuff Fly People Like, and Electric Circus, escape conventional ideals and report honestly. Artist featured on these platforms advance the upcoming generation. Bringing truth to the forefront, the movement is raised.

Overall, we document our existence.

The same love given to finalized versions of an album, is the same love given to a playlist. Appreciate what we have left of our music. That intimate period adding “Midnight Marauders” and “Illmatic”, meant something. “All Hail the Queen” and “Make Way for the Motherlode”, meant something.

Go back and listen to your stories on vinyl, cassettes, CDs, MP3s, and streamed. Each album was a symbol of self. Innovation pushes music for creation. Innovation pushes music for what’s ahead. Innovation pushes music through emotion. Playlists are time capsules to our favorite jams, the beauty of making them is superior.

Real Artists Wanted: Pilot Talk

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Sorry

written by Lisa Boyd-Physic Stop Saying Sorry ​I say sorry too much.

I have to stop... saying sorry.

Stop saying sorry when I meant to say “Excuse me”.

Stop saying sorry when you bump into me.

Stop saying sorry when you ask for the truth.

Stop saying sorry when you start to accuse.

Stop saying sorry when it’s not my fault.

It’s not my fault.

Not my fault.

My fault.

Fault. ...Sorry

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Real Artists Wanted: Winter 2016

Real Artists Wanted: Pilot Talk

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Real Artists Wanted: Winter 2016

Real Artists Wanted: Pilot Talk

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Real Artists Wanted: Winter 2016

How do you tie your Nigerian roots into your music?

I constantly tie my Nigerian roots in my production. A lot of classic Nigerian songs I grew up on had heavy instrumentation in, which is something I’m a huge fan of.

How important is social media to you?

It’s very important to me actually. I’m 21 years old, I believe my generation are like the test dummies for social media and I’m a firm believer in taking advantage of that. My music wouldn’t even be at the level it’s at without social media. It’s really cool to directly connect with anyone around the world.

Do you prefer to really write or do you use your phone when you’re writing your lyrics?

99% of the time, I write my own lyrics in a notepad. Physically writing things down allow me to remember things quicker.

Name 3 things people would never guess about you if they’ve never met you and only heard your music.

That I’m super shy, I have severe ADHD, and that I didn’t grow up purely on hip-hop.

How would you describe yourself as an artist?

I would describe myself as a fusion of the 70’s psychedelic era & 90’s conscious experimental era.

What is the most important part of your creative process to you?

Writing for sure.Simply because writing in general is my first love. The alienation when writing a song is truly a powerful thing.

Real Artists Wanted: Pilot Talk

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Real Artists Wanted: Winter 2016