MASTERPIECE : Southeast Asian, Chinese, Modern & Contemporary Art

TIMED AUCTION Southeast Asian, Chinese, Modern and Contemporary Art

13 - 27 April 2022

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ONLINE AUCTION masterpiece-auction.com TIMED AUCTION 13 - 27 April 2022

Viewing & Office MASTERPIECE BUILDING

Jl. Tanah Abang IV No. 23-25 Jakarta Pusat-Indonesia

Tel: (62-21) 351 0808 (Hunting) Fax: (62-61) 351 0707

PREVIEW AVAILABLE

14 - 27 April 2022

Mon - Fri 09.00 - 16.00 Saturday 09.00 - 14.00 Sunday CLOSED SAFETY GUIDELINES • Social distancing of 1 metre must be observed.

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For those who not able to come, we provide video of the artwork and condition report as well, please feel feee to approach one of our staff. Stay healthy and keep safe.

FURTHER INFORMATION: Singapore: Renny Tan (+65) 9731 7663 Jakarta: Kevin (+62) 815 8457 6431 Chris (+62) 817 9972 929 info@masterpieceauction.com.sg info@masterpiece-auction.com

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IMPORTANT NOTICE BRIEF ON CATALOGUE

All Lots are sold on an‘’as is”basis.The contents of catalogues produced by Masterpiece form statements of opinion only. Subject to the limited warranty given in the Condition Of Sale For Buyers, no representation and warranty is made by Masterpiece or any seller of a Lot in respect of anything, including without limitation, description, value, or quality.

Buyers are advised to inspect the property themselves. Masterpiece is not liable for any error or omission in this catalogue. All descriptions of dimension are approximate only.

CONDITION REPORTS Condition reports are provided as a service to interested clients. Prospective buyers should note that descriptions of property are not warranties and that each lots is sold “as is”. Masterpiece catalogues sometimes include references to condition only in descriptions of Lots such as prints, books and wine. Generally, no statement of condition is given although they can be made available on request. Please liaise with Masterpiece representatives for a condition report on a particular lot.

PROPERTY INCORPORATING MATERIALS FROM ENDANGERED SPECIES An export license may be required from the Primary Production Department and other regulatory departments in Singapore for the export of any item made of or incorporating (irrespective of percentage) endangered animal material such as ivory, whalebone, tortoiseshell, rhinoceros horn, etc., and this may take up to eight weeks to obtain. Clients are advised to check with the regulating body in the country importation regarding any possible restrictions on the importation of items within this category.

EXPLANATION OF CATALOGUING PRACTICE For Pictures, Drawings, Prints and Miniatures.

Terms used in this catalogue have the meanings ascribed to them below: Name(s) or Recognized Designation of an Artist without any Qualification In Masterpiece opinion a work by the artist. *”Attribute to…”In Masterpiece qualified opinion probably work by the artist in whole or in part. *”Studio of..”/”Workshop of..” In Masterpiece qualified opinion a work executed in the studio or workshop of the artist, possibly under his supervision. *”Circle of..” In Masterpiece qualified opinion a work of the period of the artist and showing his influence. *”Follower of…” In Masterpiece qualified opinion a work executed in the artist’s style but not necessarily by a pupil. *”Manner of…” In Masterpiece qualified opinion a work executed in the artist’s style but a later date. *”After…” In Masterpiece qualified opinion a copy (of any date) of a work of the artist. *”Signed..”/”dated…”/”Inscribed…” In Masterpiece’s qualified opinion the work has been signed/dated/inscribed by the artist. *”With signature…”/”With inscription…” In Masterpiece’s qualified opinion the signature/inscription appears to be by hand other than that of the artist. *”With date…” In Masterpiece’s qualified opinion the date on the item was not executed on that date.

INFORMATION FOR BUYERS CONDITIONS OF SALE Masterpiece CONDITION OF SALE FOR BUYERS governs the term and conditions of contract between the buyer and the seller of a lot and is set out later in this catalogue.

Persons who have been registered as bidders will be deemed to have read and be fully aware of and subject to the terms as stated in the CONDITIONS OF SALE FOR BUYERS. No reliance should be placed on oral representations made by any person at the auction.

ESTIMATES Estimates are based upon prices recently paid at auction for comparable property, condition, rarity, quality and provenance. Estimated are subject to revision. Buyers should not rely upon estimates as prediction of actual selling prices. Estimates do not include the buyer’s premium. For estimate on request, please contact us for further information.

RESERVES The reserve is the confidential minimum price the consignor will accept.The reserve will not normally exceed the low estimate.

BUYERS PREMIUM Masterpiece charges a premium to the buyer on the final bid price of each lot sold at the following rates: 22% of the hammer price.

VIEWING/ADMISSION Pre-auction viewings are open to the public and free of charge. Please note the location of the painting. Masterpiece reserves the right to refuse admission and participation in its auctions.

REGISTRATION Prospective buyers need to register online at auctions.masterpiece-auction.com to get an account to place bid.

BIDDING Bidding are solely by online only. Bidding will be done in Singapore Dollar (S$).

BIDDING INCREMENTS The auctioneer will normally start with bids below the low estimate and may at his own discretion increase bids. The standard increments are: $500 - $1,000 by $50 $1,000 - $2,000 by $100 $2,000 -$5,000 by $200 $5,000 - $10,000 by $500 $10,000 -$20,000 by $1,000 $20,000 - $50,000 by $2,000 $50,000 - $100,000 by $5,000 $100,000 - $200,000 by $10,000 SUCCESSFUL BIDS The highest bid will be the successful bidder when the lot closes. Winning bidders will receive and email notification of any successful bid.

CONDITION OF SALE FOR BUYERS Together with the terms as set out in “INFORMATION FOR BUYERS”, these conditions contain all terms in which a buyer contracts with a seller in respect of the sale of a Lot. These terms may be amended at any time by way of notices or oral announcements during the sale and auction. The buyer agrees to be bound by the Conditions when he/ she bids to purchase a Lot. 1. Meanings In these terms and conditions, the following words and expressions have the following meaning: “Buyer” means the successful bidding buyer of a Lot; “Catalogue” means the Catalogue prepared by Masterpiece which describes and illustrates all Lots for sale by Masterpiece; “Conditions” means these terms and conditions; “Hammer Price” means the price at which a Lot is sold to Buyer; “Lot”means each piece pf property as described in the Catalogue for which bids are invited for purchase; “Masterpiece”, “our”, “we”, “us” means Global Auction Pte Ltd; “Reserve Price” means in respect of a Lot, the minimum price which the Seller is prepared to accept from a buyer; “Seller” means in respect of a particular Lot, the seller of that Lot and his personal representatives; “$” means the lawful currency of Singapore.

Except where the context otherwise requires, words importing the singular shall include the plural and vice versa, words importing any one gender shall include all genders,andwordsimportingpersonsshallincludecompaniesandcorporationsand vice versa.

Unless otherwise stated, references to Clauses are references to Clauses in these Conditions.

The headings appearing in this Agreement are inserted for ease of reference only and shall in no way define, limit or construe the terms and conditions appearing herein.

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2. Parties to the sale of a Lot Unless otherwise stated, a Buyer contracts with a Seller to purchase a Lot. Masterpiece acts as the Seller’s agent in respect of the sale of a Lot. 3. Bidding (a) Registering. Prospective buyers are required to register online at auctions. masterpiece-auction.com.Youwillreceiveemailconfirmationsindicatingthatyou have successfully registered online. (b) Reserve. Unless otherwise stated, all Lots are offered for sale, subject to a Reserve Price which is confidential between Seller and Masterpiece. Bids may be placed by representatives of Masterpiece on behalf of the Seller up to Reserve Price. There is no obligation on Masterpiece to identify bids placed on behalf of the Seller. (c) Types of Bids. Bids are solely placed by online only. (d) Currency. Prices of all Lots are in Singapore dollars and all bids shall be made in Singapore Dollars. Prices which may be stated in other currencies on the screen during the auction are for reference purposes only. (e) Closing of a lot. A countdown clock is displayed for each lot on the lot description. There will be a bidding extension so that there will always be a 3-minute period between the last bid and closing of that lot. These extensions will continue indefinitely until there is no more bidding activity on the lot for a period of 3 minutes. The highest bid will be the successful bidder when the lot closes. (f) Buyer’s Responsibility. When bidding, a prospective buyer accepts personal responsibility to pay the Hammer Price of the Lot for which he bids if he is successful, together with the following additional amounts being : (i) a buyer’s premium of 22% of the Hammer Price (ii) Good and services tax at the applicable rate if any and Premium as set out in Clause 3(f )(i) above; and (iii) Shipping cost, duty and taxes for cross-country pick-up/shipment if needed.

4. Limited Warranty (a) NoWarranty. Neither the Seller nor Masterpiece makes any warranty on respect of the description of any Lot, its value or its quality. Save for the limited warranty set out in this Clause 4(b) below, the Buyer purchases a Lot ‘as is” without any representative or warranty of any kind by masterpiece or the Seller. The contents of the Catalogue are statements of opinion only and do not constitute any representation or warranty whatsoever in respect of any Lot. (b) Limited Warranty. The Seller and Masterpiece only warrant that the Lot is related to the artist named in its description in the Catalogue. In the event of any allegation of lack of authenticity or forgery, the Buyers is required to notify Masterpiece in writing within a period of one year (the “Notice”) from the date of auction. (c) Contents of Notice. The Notice shall include written evidence from a reputable independent expert who is able to show that the Lot is forgery. Masterpiece or the Seller reserves the right to request for further evidential proof from other experts if in their respective opinions either of them is not satisfied with the finding of the Buyer’s expert. (d) Refund. In the event that Masterpiece is satisfied with the evidence as enclosed in the Notice and subject to (i) receipt of the full refund from the Seller and (ii) the return of the Lot in such condition as it was sold, a refund of the purchase price for that Lot will be made to the Buyer. The liability of Masterpiece and Seller is limited to the purchase price of such Lot. Neither Masterpiece nor the Seller shall be liable for any other damages, costs and expenses that may be incurred in presenting the Notice. (e) Conflict of Opinion. In the event of conflict opinion between the Buyer’s expert and the expert appointed by Masterpiece or the Seller, or if it can be shown that test of authenticity would involve scientific process which could damage or otherwise jeopardize the condition of the Lot and which scientific process did not exist at the time of the publication of the Catalogue, no refund will be made of the affected Lot. (f) No assignment of Limited Warranty. The Limited warranty in this clause 4 is for the benefit of the Buyer only and cannot be assigned to any third party.

5. Payment, title and collection of purchases (a) Deadline for payment. All payments for sold Lots must be made within seven calendar days from the date of sale, notwithstanding that the Buyer wishes to export the Lot and is applying for an export/import licence.

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(b) Title. No title in the Lot will pass to Buyer until all amounts due to Masterpiece as stated in Clause 3(f ) above the been paid, even in circumstances where Masterpiece has released the Lot to the Buyer before full payment has been made. (c) Payment modes. Payments must be in Indonesian Rupiahs and will be based on Bank Indonesia average exchange rate against SGD on the day of closing to: (i) TelegraphicTransfer to Masterpiece’s bank account as set out below, together with the Buyer’s name and paddle number in the instructions to the bank: Name of Account : Benny Oenardi Raharjo BANK : BCA Account Number : 654-060-3136 (d) Collection. The Buyer is required to collect his purchase from the premises of Masterpiece and pay for all delivery and shipping costs. Masterpiece may assist the Buyer in making packing and shipping arrangements at the Buyer’s own costs and risk. (e) Export, import Restrictions. Property comprised in a Lot may be subject to laws governing export out of Indonesia and import restrictions in foreign countries.

It is responsibility of the Buyer to comply with all export and import regulations imposed by the relevant authorities. (f) Storage Charges. All purchases will initially be held for collection at the premises of Masterpiece at no charge for a period of fourteen days from the date of Sale.

Subsequently Masterpiece will charge the Buyer storage charges at the rate of $10 a day per Lot, together with all other transport, handling, removal, insurance and other expenses where a Lot is transported to another location pending collection. (g) Limit on insurance cover. Masterpiece provides general insurance cover for sold Lots for a period of up to seven days from the date of sale such Lots. Subsequently, risk of such Lots will transfer to the respective Buyers.

6. Non-payment Where a Buyer fails to make payment with cleared funds within the stipulated time, Masterpiece and/or the Seller shall be entitled, in addition to all other rights and remedies available under the law, to” (a) Charge default interest at the rate of 1.5% per month in the outstanding sums due from the buyer; (b) To commence legal proceedings against the Buyer for recovery of all outstanding sums, including interest, legal fees, costs and other expenses on a full indemnity basis; (c) Rescind the sale of the Lot; (d) To resell the property on such terms as they deem fit and to set-off the proceeds of sale against the outstanding sums unpaid by the Buyer; (e) To hold the Lot as security; pledge or lien pending payment of all outstanding sums due from the Buyer.

7. Copyright The copyright in all images, illustrations and literature, including the Catalogue is the property of Masterpiece and shall not be used by the Buyer without the prior written consent to Masterpiece. No warranty is made by Masterpiece and the Seller that the Buyer of a Lot shall acquire any intellectual property rights in it or to reproduce it.

8. Miscellaneous (a) Notwithstanding anything stated in these conditions, the Buyer shall indemnity basis, in respect of any loss, damage, cost or expense that may be incurred by either the Seller or Masterpiece in respect of any breach by the Buyer of these Conditions. (b) If any part of this agreement is found by any courts to be invalid, illegal or unenforceable, that part may be discounted and the rest of the agreement shall continue to be valid and enforceable to the fullest extent permitted by law. (c) Masterpiece will hold Buyer’s personal data and may communicate it to affiliated companies worldwide for the purposes of enabling the Buyer to consign or purchase property or services and, unless the Buyer objects, advising of forthcoming sales, events and service. (d) TheseconditionsaresubjecttoSingaporeLaw,whichshallapplytoitsconstruction as well as to its effect. (e) Where a translation of this agreement has been provided, the English language version shall prevail in case of conflict.

Yayoi Kusama

Yayoi kusama was born on 22 March 1929 in Matsumoto, Nagano. She is a Japanese contemporary artist who works primarily in sculpture and installation, but is also active in painting, performance, video art, fashion, poetry, fiction, and other arts. Her work is based in conceptual art with a mixture of attributes from feminism, minimalism, surrealism, Art Brut, pop art, and abstract expressionism, and is infused with autobiographical, psychological, and sexual content. She has been acknowledged as one of the most important living artists to come out of Japan.

Yayoi Kusama was raised in Matsumoto, and trained at the Kyoto City University of Arts in a traditional Japanese painting style called Nihonga. Kusama was inspired, however, by American Abstract impressionism. She moved to New York City in 1958 and was a part of the New York avant-garde scene throughout the 1960s, especially in the pop-art movement. Embracing the rise of the hippie counterculture of the late 1960s, she came to public attention when she organized a series of happenings in which naked participants were painted with brightly coloured polka dots. Since the 1970s, Kusama has continued to create art, most notably installations in various museums around the world.

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Kusama has been open about her mental health. She says that art has become her way to express her mental problems. She explained in an interview she did with Infinity Net, "I fight pain, anxiety, and fear every day, and the only method I have found that relieved my illness is to keep creating art. I followed the thread of art and somehow discovered a path that would allow me to live.”

Kusama’s works are influenced deeply by her experiences. In her flower series, Yayoi often painted the background with full black or dark colors. This characteristic is influenced by her adolescent years particularly during World War II. During that time, she worked at a military factory and due to the ongoing war, the factory are often covered in darkness to avoid bombing and attack. In the midst of this darkness, she often painted flowers with a dark background.

Yayoi symbolizes flowers as love, vitality, life and death. She depicted these flowers with strong and vibrant colors, creating a contrast and dimension to the work. Moreover, Yayoi is well known to be the master of repetition, where she sees the world full of polka dots and lines, here we see her signature infinity net in the background and on the flowers, and her signature polka dot along the flower’s stems and leaves. To complete the painting, Yayoi used small repetitive lines to add detail on the flowers leaves and the middle stem. This original hand-drawn one-of-one painting of Yayoi Kusama is signed, dated, and titled on the back side with Yayoi’s handwriting, and is accompanied with a certificate from Yayoi Kusama Studio in Japan.

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RECORD PRICE

YAYOI KUSAMA Flowers, 2006 Hammer Price: USD 1,139,450 SBI Art Auction Co, Ltd 30 Oct 2021 #259

001 YAYOI KUSAMA (b. Japan, 1929) Flowers, 1997 Acrylic on canvas: 18 x 14 cm Signed and dated on the reverse This lot is accompanied with Yayoi Kusama Studio’s Registraton Card No. 0256 Provenance: Borobudur Fine Art Auction, 22 May 2011 Lot. 56 SGD 120,000 - 150,000 IDR 1.200.000.000 - 1.500.000.000 Lot location: Singapore

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Qi Baishi

He was one of the most well-known contemporary Chinese painters.

His original name is Qi Huang and courtesy name Weiqing . Baishi (“white stone”) is one of his pseudonyms.

Some of Qi’s major influences include the Ming dynasty artist Xu Wei and the early Qing dynasty painter Zhu Da . The subjects of his paintings include almost everything, commonly animals, scenery, figures, vegetables, and so on.

In his later years, many of his works depict mice, shrimps, or birds. Qi Baishi is particularly known for painting shrimps.

Born to a peasant from Xiangtan , Hunan, Qi Baishi became a carpenter at fourteen, and it was largely through his own efforts that he became adept at the arts of poetry, calligraphy, painting, and seal-carving. In his forties, Qi Baishi began traveling and looking for more inspiration. He came upon the Shanghai School, which was very popular at the time, and met Wu Changshuo who then became another mentor to him and inspired a lot of his works.

Another influence of Qi Baishi came about fifteen years later, as Qi became close to Chen Shizeng after he settled down in Beijing.

What is unique about Qi is that his works show no western influences, unlike most other artists at this time. Other artists praised Qi for the “freshness and spontaneity that he brought to the familiar genres of birds and flowers, insects and grasses, hermit-scholars and landscapes” His prodigious output reflects a diversity of interests and experience, generally focusing on the smaller things of the world rather than the large landscape. Shrimps, fish, crabs, frogs, insects, and peaches were his favorite subjects. Using heavy ink, bright colors, and vigorous strokes, he created works of a fresh and lively manner that expressed his love of nature and life.

In 1953 Qi Baishi was elected to the president of the Association of Chinese Artists. He was active to the end of his long life and served briefly as the honorary president of the Beijing Academy of Chinese Painting, which was founded in May, 1957. He died in Beijing on September 16, 1957.

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齊白石

(湘潭, 湖南 1864年 – 北京 1957年)

他是中國當代最著名的畫家之一。原名齊璜，字渭清。 白石是他的筆名之一。齊的一些主要影響包括明代畫 家徐渭和清初畫家朱耷。他的繪畫題材幾乎囊括了一 切，常見的有動物、風景、人物、蔬菜等等。 在他的晚 年，他的許多作品都描繪了老鼠、蝦或鳥類。齊白石以 畫蝦而聞名。 出生於湖南湘潭的農民，齊白石十四歲當了木匠，在 很大程度上是通過自己的努力，他精通了詩書畫篆刻 藝術。四十多歲的齊白石開始四處旅行，尋找更多靈 感。 他遇到了當時非常流行的上海畫派，結識了吳昌 碩，吳昌碩成為他的另一位導師，啟發了他很多作品。 大約十五年後，齊白石的另一個影響出現了，因為齊 白石在北京定居後與陳師曾關係密切。 齊的獨特之處在於他的作品沒有受到西方影響，這與 當時的大多數其他藝術家不同。 其他藝術家稱讚齊“ 他為熟悉的花鳥、昆蟲和草、隱士和山水帶來了新鮮 和自發性”。 他的驚人作品反映了興趣和經驗的多樣 性，通常關注世界上較小的事物，而不是大景觀。 蝦、 魚、蟹、青蛙、昆蟲和桃子是他最喜歡的主題。 他用濃 墨重彩、鮮豔的色彩、有力的筆觸，創作出清新活潑的 作品，表達了他對自然和生活的熱愛。 1953年齊白石當選為中國美術家協會主席。他一直活 躍到他長壽的盡頭，曾短暫擔任北京中國畫院的名譽 院長，北京中國畫院成立於1957年5月。1957年9月16 日在北京逝世。 14

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002 QI BAISHI (Xiangtan, Hunan 1864 – Beijing 1957) Peonies Ink and colour on paper: 88.5 x 46 cm Signed QI HUANG, inscribed, with a dedication, one seal of the artist, and one collector’s seal of Chai Sian Kwan

Provenance: Sotheby’s Hongkong October 2010 Lot. 1031 SGD 90,000 - 130,000 IDR 900.000.000 - 1.300.000.000 Lot location: Singapore

齊白石 (湘潭, 湖南 1864年 – 北京 1957年) 牡丹

紙本水墨，裝裱。 88.5 x 46 厘米 簽名齊璜, 題字, 並附有一份奉獻、藝 術家印章和柴善群收藏家印章一枚。 估計 90,000-130,000 新元

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Zhang Daqian

In the early 1920s, Zhang started pursuing professional studies in Shanghai, where he studied with two famous artist, Zeng Xi and Li Ruiqing .

His elder brother Zhang Shanzi, who was a famous painter at the time, brought him to a literary salon in 1924 where his appearance impressed the attendants. His first exhibition of 100 paintings was in 1925 at Ningbo Association in Shanghai. In the late 1920s and 1930s, Zhang moved to Beijing where he befriended other famous artists, including Yu Feian, Wang Sensheng, Ye Qianyu, Chen Banding, Qi Baishi, and Pu Xinyu ,. Zhang had collaborated with Pu on painting and calligraphy. At the time, there was an idiom “Zhang from the south, Pu from the north ”for those two of the most renowned artist in China. There was also a saying that Zhang was “southern counterpart of Pu Xinyu in shan-shui painting, Qi Baishi in flower-and-bird painting, and Xu Cao in figure painting” In the 1930s he worked out of a studio on the grounds of the Master of the Nets Garden in Suzhou. In 1933, while an exhibition of modern Chinese paintings organized by Xu Beihong was held in Paris, France, and Zhang's exhibited painting "Golden Lotus " was purchased by the French government. In 1935, he accepted the invitation from Xu Beihong to be a professor at National Central University Art Department in Nanjing. In the same year, his portfolio was published in Shanghai. In 1936, his personal exhibition was held in the United Kingdom. In the early 1940s, Zhang led a group of artists in copying the Buddhist wall paintings in the Mogao and Yulin caves. In order to copy the inner layer of the multilayered murals in the Mogao Caves, Zhang removed and damaged several outer layers of the paintings in Cave 108, 130 and 454. In 1943, he exhibited his copies of murals and supported the establishment of the Dunhuang Art Institute, the predecessor of the Dunhuang Research Academy. In 1945, Zhang's works, as a part of a UNESCO's touring contemporary art exhibition, were shown in Paris, London, Prague and Geneva.

In the late 1950s, his deteriorating eyesight led him to develop his splashed color, or pocai, style, which combines abstract expressionism with traditional Chinese styles of painting. In the 1970s, he mentored painter Minol Araki. In 1957, Zhang Daqian was invited to hold exhibitions in The Louvre and Musée Guimet in Paris, where Picasso was also holding a show. Zhang seized this opportunity to meet him. Picasso was delighted to meet Zhang and even asked him to criticize his Chinese paintings. Zhang directly told Picasso that he did not have the right brushes to do Chinese art. Ten years later, Picasso received a gift from Zhang– two Chinese writing brushes made from the hair of 2500 threeyear-old cows. In 1978 the artist settled in Taipei, Taiwan. His residence, Moye Jingshe , next to the National Palace Museum, is now the Memorial Museum of Zhang Daqian.

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張大千原名張爰

(四川，1899年 - 台北，台灣 1983年)

当1920年代初，張先生赴上海求學，師從曾熙、李瑞清兩 位著名畫家。 在1924年，他的哥哥張山子是當時的著名 畫家張山子將他帶到了一個文學沙龍，他的外表給服務 員留下了深刻的印象。 在1925年，他在上海的寧波協會 舉辦了第一次百幅畫展。 1920 年末和 1930 年，張移居北 京，結識了其他著名藝術家，包括 於非闇, 王善生, 葉淺 予, 陳半丁, 齊白石, 和溥心畬。張曾與浦合作過書畫。當 時，有一句成語叫“南張北溥” ，形容這兩位中國最有名 的藝術家。 也有人說，張是“山水畫濮新宇，花鳥畫齊白 石，人物畫作徐操的南對”。

1930年代，他在蘇州網師園的工作室工作。 在1933年， 徐悲鴻組織的中國現代畫展在法國巴黎舉行，張的展品 《金荷》被法國政府收購。 1935年應徐悲鴻之邀，任中央 大學南京藝術系教授。 同年，他的作品集在上海出版。 1936年在英國舉辦個人畫展。 1940年代初，張先生帶領 一批藝術家在莫高窟和榆林窟臨摹佛像壁畫。為臨摹莫 高窟多層壁畫的內層，張氏拆毀了108、130、454窟的幾 層外層壁畫。 1943年，他展出了他的壁畫複製品，並支 持建立敦煌研究院前身敦煌藝術研究所。 1945年，張的 作品作為聯合國教科文組織巡迴當代藝術展的一部分， 在巴黎、倫敦、布拉格和日內瓦展出。 在 1950 年代後期，由於視力下降，他發展了將抽象表現 主義與中國傳統繪畫風格相結合的潑彩風格。 在 1970 年代，他指導畫家 Minol Araki。

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1957年，張大千應邀在巴黎盧浮宮和吉美博物館舉辦畫 展，畢加索也在此舉辦畫展。 張某趁此機會見了他。畢 加索很高興見到張，甚至請他批評他的中國畫。 張直接 告訴畢加索，他沒有合適的畫筆來做中國藝術。十年後， 畢加索收到了張老師的禮物——兩把中國毛筆，由 2500 頭三歲的牛毛製成。 1978年定居台灣台北。 他的住所摩 耶精舍，毗鄰故宮博物院，現為張大千紀念館。

003 ZHANG DAQIAN (Sichuan, 1899 - Taipei, Taiwan 1983) Reading Scholar, 1939 Ink and colour on paper: 81.2 x 30.3 cm Signedn DAQIAN ZHANG YUAN, dated ji mao, the tenth lunar month, inscribed, and with two seals of the artist at top right

Provenance: Sotheby’s Hongkong April 2010 Lot. 791 SGD 120,000 - 150,000 IDR 1.200.000.000 - 1.500.000.000 Lot location: Singapore

張大千原名張爰 (四川，1899年 - 台北，台灣 1983年) 讀書人

紙本水墨，掛軸。 81.2 x 30.3 厘米。 署名《張大千張爰》，年曆十月初一， 題字，並加蓋二印。 估計 120,000-150,000 新元

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Chen Wen Hsi

Born in 1906, Guangdong (China). Wen Hsi was an artist, an academician and a gallerist. He studied art at the Shanghai College of Art in 1928. Wen Hsi settled down in Singapore at 1948 and became an art teacher at The Chinese High School and taught there from 1949 to 1968, concurrently teaching art at the Nanyang Academy of Fine Arts from 1951 to 1959. As a passionate art educator he had greatly influenced many of Singapore’s early Chinese artists.

Wen Hsi was a great observant of nature. Almost everything can be the master’s inspiration to create exciting work namely, landscapes, human figures and animals.

Chicken, gibbons, herons, carps and squirrels are some of his favourite subjects. Wen His’s constant eagerness to strike for something new led him to learn finger painting – a technique that dates from the Tang Dynasty. This drawing style has enabled him to produce unpredictable broken stroke on paper.

Besides Chinese brush painting, Wen Hsi also produced abstract compositions in oils and Chinese inks of which his paintings showed a strong influence of analytical Cubism and Fauvism with non-naturalistic and exuberant colours. This style has heightened the vividly expression and exoticism of Southeast Asia. Chen painted ceaselessly through his life. Numerous solo and group exhibitions were held in Singapore and around the world. Wen Hsi’s artistic excellence was recognised. Among the many awards he had received are the Public Service Star in 1964, a Gold Medal by the National Museum of History, Taiwan in 1980, the first recipient of the ASEAN Cultural and Communication Award for outstanding artists in 1987 and received an honorary doctorate from the National University of Singapore.

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004 CHEN WEN HSI (Baigong, Caozhu, 1906 – Singapore, 1992) Calabash

Lot location: Jakarta, Indonesia

Chinese ink on rice paper: 70 x 70 cm Signed and sealed in chinese character, lower left

Provenance: Prominent collector, Jakarta SGD 45,000 - 60,000 IDR 450.000.000 - 600.000.000 MASTERPIECE ONLINE AUCTION

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Cheong Soo Pieng

Cheong was born the youngest of seven children in Amoy, China. His parents were neutral to his choice of education, when Cheong took to studying art at the Xiamen Academy of Fine Art in 1933. In 1936 Cheong graduated and attended Xinhua Academy of Fine Art in Shanghai for further studies, only to have his education cut short with the breakout of the Sino-Japanese War and the school destroyed

by Japanese invaders in 1938. Cheong returned to his alma mater to teach art, and pursued his painting passion in watercolours due to scarcity of oil paint materials. In 1942 Cheong held his first solo exhibition of watercolor works.

In 1945 Cheong left China for Hong Kong and relocated to Singapore in late 1946 where he would be a lecturer at the Nanyang Academy of Fine Arts for the next 20 years.

In 1955 Cheong Soo Pieng, along with five other artists Chen Wen Hsi, Chen Chong Swee , Lim Hak Tai, Tay Wee Koh, and Suri bin Mohyani were invited to showcase their artworks in England, funded by fellow artist and arts patron Ho Kok Hoe. The exhibition was officially opened by the Duchess of Kent. In 1962, the Government of Singapore awarded Cheong Soo Pieng the Meritorious Service Medal. Cheong died on 1 July 1983 due to heart failure 22

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005 CHEONG SOO PIENG (b. China, 1917- Singapore, 1983) Fishing Village, 1959 Ink and colour on paper: 95 x 43.5 cm Signed and dated, lower left: Soo Pieng’59 Signed and stamped in chinese character, upper left

Provenance: Prominent collector, Jakarta SGD 49,000 - 65,000 IDR 490.000.000 - 650.000.000 Lot location: Jakarta, Indonesia

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Affandi

Born in Cirebon, March 11, 1907. He is considered as the Indonesian Artist par excellent. He was the founder of the Himpunan Pelukis Masyarakat (Community’s Artists Association (1946) and Himpunan Pelukis Rakyat (People’s Artists Association) in 1947, Affandi was committed to creating a new artistic idiom for Indonesia.

In the early of 1950s he traveled to India for a grant from Indian Government, he held several one-man shows in several Indian Cities, United Kingdom, the Netherlands, Belgium, France and Italy. He received an Indonesian Art Award from the Ministry of Education and Culture (1969), the Dag Hammerskjoeld Prize from Italy (1977) and an Indonesian Government the First Class Merit (1978). His works were exhibited in major exhibitions in Asia, Europe, and the Americas and were also be acquired by major art collectors and institutions all over the world since the 1950s.

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006 AFFANDI (Cirebon, 1907 – 1990)

Lot location: Jakarta, Indonesia

Scarecrow, 1965

Oil on canvas: 90 x 130 cm Signed and dated, lower middle: A. 1965

Provenance: Prominent collector, Jakarta SGD 230,000 - 350,000 IDR 2.300.000.000 - 3.500.000.000

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007 AFFANDI (Cirebon, 1907 – 1990) Kelapa Gading, 1986 Oil on canvas: 100 x 130 cm Signed and dated, lower left: A.1986, Kelapa Gading

Provenance: Raka Gallery, Bali SGD 75,000 - 95,000 IDR 750.000.000 - 950.000.000

Gung Raka with artwork

Lot location: Jakarta, Indonesia

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Affandi preferred to call himself a tukang gambar,, a drawer, as opposed to a Pelukis, or partner and approach paint as a form of drawing relinqushing the formal properties of the medium, and allowing the supremacy of the movement of the hand and the creation of a vibrant network of lines. Affandi's painting dominated with a strong and distinctive characther build in humanistic point of view. He was a very intuitive and emotional painter, and his work were heartfelt expressions. He only painted what he observed and never approached his work from any kind of philosophical or analytical starting point.

Affandi's interest in humanity made him learned a lot about the anatomy of human body in the beginning of his career. He had developed his mature style of selfportraits by the early 1950s. The significant and distingushed works from Affandi was his strong lines, expressive gestural scribbles and spontaneous. He did not ornament figures, the lines were producent by his technique squeezing the paint directly from the tube onto the canvas, using his fingers and palms to direct the medium over its surface and never mixed his colours. He approached paint as a medium in the same way that he did for pencil and charcoal, subduing the suble modalities of colour to the movement of the hand and the creation of line.

Affandi ofter painted his self -portrait with people in his inner cicrle. He painted among others his families, his friends, his collectors, his house and his favorite objects. Affandi had close relationship with Sudjojono. After finishing his primary school. Affandi went to study at the MULO ( Junior High School ) in Bandung. He took his senior high school in Jakarta and stayed with the family of Joedhokoesoemo ( father of painter Kartono Joedhokoesoemo and step father of S. Sudjojono ). Sudjojono introduced oil painting to Affandi. Most Indonesian artist in the early Twentieth Century Were influenced by the concept of realism brought by Sudjojono or what we call "Sudjojono's Realism", and Affandi was not exception. Though Affandi was a Realist especially during 19301950, his painting were more clearly delineated and expresive. In 1933, Affandi married with Maryati in Jakarta, The married couple lived in the house of Sudjojono's parents in sunter where Affandi was abie to paint at ease. Since then, Affandi and S. Sudjojono become a close relatives.

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008 AFFANDI (Cirebon, 1907 – 1990) The Maestro and Friend (S.Sudjojono), 1982 Oil on canvas: 145 x 95 cm Signed and dated , lower right: A.1982

Provenance: Prominent collector, Jakarta SGD 180,000 - 250,000 IDR 1.800.000.000 - 2.500.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

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Basoeki Abdullah

Born in Solo, January 27, 1915, he is the second son of Abdullah Soerjosoebroto, a prominent landscape painter. He studied at the Academia van Beeldende Kunsten in The Hague, the Netherlands. Basoeki Abdullah started painting since he was 5 years old in simple drawing, and at 10 he traveled to Surabaya and Bali where he started portrait painting. During 1933, he held his first exhibition in Bandung. He brought his painting to RMP. Sosrokartono, RA. Kartini’s brother, who was very impressed on Basoeki’s painting. Sosrokartono and Prince of Mangkunegoro VII became the person who greatly supported his painting career until Basoeki become a famous painter.w During that time he continued his study at Academia van Beeldende Kunsten in the Hague, the Netherlands.

Basoeki Abdullah is one of the most prominent Indonesian maestros in portrait paintings. The late artist was well-known for his realistic paintings. Besides painting of portraits of beautiful women, he is also noted for his natural beauty and sensuous landscape, as well as paintings of scenes from legends that are also tempered with the same lyrical and overly sensual treatment. Basoeki likes to paint anything beautiful. Flamboyant flowers, women, landscapes, flora and fauna, to the leading figures painted very nicely. He often went to places for field trip, observing object for his painting and put it into sketch. His ability to depict nature makes all the objects seemed to be dramatic, alive and more beautiful in colors than the actual objects MASTERPIECE ONLINE AUCTION

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009 BASOEKI ABDULLAH (Solo, 1915 – Jakarta, 1993) Flamboyan Oil on canvas: 120 x 190 cm Signed, lower left: Basoeki Abdullah This lot is accompanied with certificate of authenticity from the artist family

Provenance: Prominent collector, Jakarta SGD 80,000 - 120,000 IDR 800.000.000 - 1.200.000.000 Lot location: Jakarta, Indonesia

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The Artist with artwork

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Lee Man Fong

He was born in Canton, China, 1913.

He arrived at Singapore at young age then later moved to Jakarta.

He has shown great artistic talent since young. He participated in the Association’s First Art Exhibition invited by the head of the Dutch East Indies Associations (1931).

Lee Man Fong was a successful commercial artist before engaged in full time painting in 1941. His successful exhibitions in Bandung and Jakarta made him a fast growing artist at that time. He received scholarship from the Dutch government to study painting in Holland (1946).

In 1952 he returned to Indonesia and gained more credits as well as acknowledgement. He was officially become a presidential palace’s painter and chief curators of its collection in 1961 and compiled a 5 volume edition of President Sukarno’s art collection.

He died in 1988 and remembered as a western vigorous painter and an oriental unique oil painting painter.

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010 LEE MAN FONG (Canton, China 1913 – Singapore 1988) Rooster Oil on board: 102 x 49 cm Signed and stamped in chinese character, lower right Provenance: Prominent collector, Jakarta SGD 57,000 - 75,000 IDR 570.000.000 - 750.000.000 Lot location: Jakarta, Indonesia

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Lee Man Fong was one of a rare artist who received honor by critics and collectors across Asia. As an Oriental artist, Lee has renewed and transformed Western oil painting by imbuing it with the essence of Chinese ink painting, achieving a mutual identity between subject and object, at the same time vastly opening the restrictions on traditional Chinese painting.

In short, he created a unique “Man fong style”.

Doves has become Lee Man Fong’s beloved and sought after works in spite of Goldfishes and other animals such as horses, cockatoos, tigers and dogs. Lee Man Fong’s painting of Doves is noteworthy. Since some forty years ago, his animal themes had made a far reaching accomplishment and recently eagerly sought after in Europe and America.

A testimony to his mastery of technique and realization of theme, this painting depicts the world of the doves as peaceful and calm, but at the same time dynamic. The doves in pairs symbolize a good match, which may be further extended to mean “peaceful coexistence.

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011 LEE MAN FONG (Canton, China 1913 – Singapore 1988) Doves Oil on board: 104 x 50 cm Signed and stamped in chinese character, upper right Provenance: Prominent collector, Jakarta SGD 38,000 - 50,000 IDR 380.000.000 - 500.000.000 Lot location: Jakarta, Indonesia

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S. Sudjojono

Born in Kisaran, Sumatra, 1914. He first studied painting under the artist Pringadi, and later from Jasaki, a Japanese painter.

In 1937 he founded the Persagi Indonesian Artists Association in Jakarta. In 1970 he was awarded recognition in art by the Indonesian government. His works have been exhibited in the Netherlands and in the Fukuoka Art Museum in Japan (1980). Local exhibitions have been held in Jakarta, Yogyakarta, Denpasar and Bandung. He died in Jakarta (1986).

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Lot location: Jakarta, Indonesia 012 S. SUDJOJONO (Kisaran, 1914 – 1986) Anggrek, 1967 Oil on canvas: 100 x 85 cm Signed, lower right: S. Sudjojono Monogram and dated, lower left: SS.101.1967 This lot is accompanied with certificate of authenticity from the Museum

SGD 32,000 - 37,000 IDR 320.000.000 - 370.000.000 MASTERPIECE ONLINE AUCTION

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S. Sudjojono is widely regarded as the driving force behind the establishment of modern art in Indonesia. His favourite subjects were ordinary Indonesians, depicted with piercing emotional realism, sometimes showing joy, pathos, dignity, and frustration.Quite often his figures inhabit dramatic urban or rural landscapes in an almost epic sense.

S. Sudjojono used a combination of fantasy and memory to create his surrealistic landscapes.Sometimes, he incorporated elements derived from place that he had seen books or actually visited. Besides landscape, S. Sudjojono also enjoyed painting flowers. Whenever he saw an attractive floral arragement, he would paint it, usually capturing it in a fluid,impressionistic representation. Often he would present it as a more everlasting gift for his wife, Rose, in lieu of giving actual flowers.Sometimes he would immortalize the flowers that Rose received during concert by painting them as soon as they got home.

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Srihadi Soedarsono

Born in Solo, December 4, 1931.

In 1958 he studied fine arts at the Institute of Technology Bandung and the Ohio State University, United States (1960 – 1962). His works has been exhibited in Indonesia, the United States, Australia and Brazil.

He received cultural awards from both the Indonesian government (1971) and Australian (1973). In 1978 and 1987, he received the highest award in the Biennial Exhibition in Jakarta. Srihadi is currently a senior lecturer in painting and drawing at the Jakarta Institute of Arts and the Bandung Institute of Technology.

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Lot location: Jakarta, Indonesia 013 SRIHADI SOEDARSONO (Solo, 1931 - Bandung 2022) Bedaya-The Beauty of Soul, 2011 Oil on canvas: 100 x 65 cm Signed and dated, upper right: Srihadi S.2011 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the Artist

SGD 75,000 - 100,000 IDR 750.000.000 - 1.000.000.000 46

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Since 1950s, Srihadi had produced dancing themes as his favorite objects.

Among the dancing object comes from a variety of Balinese dances such as Legong, Pendet, Tambulilingan, Kenyar, Janger, Baris, Barong, Mask Dance, etc, and also the dance from Javanese like Bedoyo Ketawang. Some of his figurative paintings, especially the dancers, look deceptively similar, and that the figures have become stereotypes, but one should try to appreciate and study the details and minimal variations. Srihadi pays particular attention to the characteristic of the dancer and the artistic form of the dance. Every dance has its language or vocabulary of movement and type of costume, all of which imbued with philosophical meaning.

Srihadi has explored other aspects of the inner nature of movement besides those of immobility and diffused dynamism. Some lie midway between these two tendencies. He has explored composed movement, such as that practiced in the traditional dance of the Javanese palaces, in particular the Bedoyo Ketawang, which is considered to be the epitome of Javanese refinement. In the paintings on this theme, the fuzzy atmosphere shrouding the figures are gone; rather, the head and limbs are suspended, almost immobile, and drawn with an extreme delicacy, otherwise found only in the artist’s work depicting wayang puppets. Only the cloth moves, slowly drifting along the ground, merging dark violet into black. There is a visual rhythm set up by the inert head and limbs, the color of the headdress, and the casual placement of the hanging white garlands.

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AD. Pirous

He was born in Meulaboh, Aceh, on 11 March 1933.

He finished his arts education at the Bandung Institute of Technology (ITB) and continued his study at Rochester Institute of Technology, Rochester, United States majoring art and graphic design (1964 – 1970). He was well known as the pioneer of modern calligraphic art in Indonesia.

He won several national and international competitions among other are as the Best Painting Prize in Biennale Art Award from the Jakarta Arts Council (1974, 1976), the silver medal at the International Arts Exhibition I in Seoul, Korea, and the Indonesian Arts Award (1985).

He has participated in numerous exhibitions throughout the world, including the Asia-Pacific Triennale, Brisbane, and the 9th International Asia Exhibition, Taipei (1994). After he retired from the Academic world, AD Pirous is still working as a painter and thinker in the field of art and culture.

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Lot location: Jakarta, Indonesia 014 ABDUL DJALIL “A.D.” PIROUS (Meulaboh, Aceh, 1932) Padanya Tawakal, 1990 Barik pasta acrylic on canvas : 145 x 150 cm Signed and dated, lower right: AD. Pirous,90 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from Han’s Gallery

The Artist with artwork

Literature: MODERN INDONESIAN ART From Raden Saleh to the Present Day, Published by Koes Artbooks, Denpasar, Bali, 2006, Page.92

SGD 13,000 - 15,000 IDR 130.000.000 - 150.000.000 MASTERPIECE ONLINE AUCTION

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Sunaryo

Born in Banyumas, Central Java, 1943. He studied at Bandung Institute of Technology (ITB) majoring in Sculpture (1969) and continued his study to Carrarra, Italy. During 1970s, his sculptures were very much influenced by tribal arts in Indonesia. Besides sculpture, he is also a master in painting using artistic touch. He inaugurated his museum, Selaras Sunaryo, in Bandung (1998).

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015 SUNARYO (Banyumas, 1943) Black Abstract, 1993 Mixed media on canvas: 100 x 200 cm Signed and dated, lower right: Sunaryo’93 Signed and titled on the reverse

SGD 22,000 - 30,000 IDR 220.000.000 - 330.000.000

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Lot location: Jakarta, Indonesia

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Nasirun

Born in Cilacap, October 1, 1965. He studied at the Indonesian Institute of Arts (ISI) Yogyakarta (1987 – 1994). He received awards for the best sketches and paintings from ASRI, selected as one of the five best paintings at Yayasan Seni Rupa Indonesia (Indonesian Fine Arts Foundation) – Philip Morris Indonesian Art Award, and entered to the ASEAN Art Awards in Manila, the Philippines. He held his solo exhibitions at the Galeri Nasional Indonesia (Indonesian National Gallery) in 2000 and participated in Soul Ties exhibition in Singapore Art Museum.

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Lot location: Jakarta, Indonesia 016 NASIRUN (Cilacap, 1965) Gunung Emas, 2018 Oil on canvas: 182 x 210 cm Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from The Artist SGD 32,000 - 40,000 IDR 320.000.000 - 400.000.000

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Lot location: Jakarta, Indonesia

017 NASIRUN (Cilacap, 1965) Dewi Sri, 2015 Oil on canvas: 140 x 180 cm Signed and dated, lower left: NS. Run.2015 This lot is accompanied with certificate of authenticity from The Artist

SGD 4,800 - 6,000 IDR 48.000.000 - 60.000.000

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Rudolf Bonnet

Born in Amsterdam, 1895. He studied art at the Hendrick de Keijser-school, the Rijksschool voor Kunstnijverheid and the Rijksacademie in Amsterdam. He visited Indonesia in 1936 and stayed in Bali from 1931 – 1941.

He helped establish the Museum Puri Lukisan and together with Walter Spies founded the Pita Maha Artist’s Association (1936). His works are amongst the collections of former President Soekarno, the Neka Museum, the Agung Rai Fine Art Gallery, the Rijksmuseum Kroller Muller Otterlo and the Sinerg Museum in Laren.

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018 RUDOLF BONNET (Amsterdam, 1895 – 1978) Peace Roos, 1967

Lot location: Jakarta, Indonesia

Pastel on paper: 65 x 48 cm Signed, titled and dated, upper left: R. Bonnet, Blaricum67, Peace Roos

SGD 13,000 - 20,000 IDR 130.000.000 - 200.000.000 MASTERPIECE ONLINE AUCTION

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Widayat

Born in Kutoarjo, Central Java, 1919. He studied at the Indonesian Fine Art Academy (ASRI), Yogyakarta and Ceramics and Landscape, Nagoya, Japan (1960). He received BKPM award (1953), a cultural award from the Indonesian Government (1972), the Best Biennial Painting, Yogyakarta (1986) and the ASEAN Award, Brunei Darussalam (1993). His works have been shown throughout Indonesia and abroad. He performed his solo exhibitions in Yogyakarta (1983), Jakarta (1985, 1990, 1991, 1992, 2000 and participated in joint exhibition in Japan, Netherlands and United States for KIAS (1990 – 1991).

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019 WIDAYAT (Kutoarjo, 1919 – Jakarta, 2002) Pergi Ke Pasar, 1991 Oil on canvas: 95.5 x 145 cm Signed and dated, lower right: H. Widajat91 Signed, titled and dated on the reverse Provenance: Phillips, Hongkong, 25 November 2019 Lot.180

SGD 35,000 - 50,000 IDR 350.000.000 - 500.000.000

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Lot location: Jakarta, Indonesia

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020 WIDAYAT (Kutoarjo, 1919 – Jakarta, 2002) Ikan Laut Dalam, 1999 Acrylic on canvas: 80 x 50 cm Signed and dated, lower left: H. Widajat99 Signed, titled and dated on the reverse

SGD 8,000 - 10,000 IDR 80.000.000 - 100.000.000

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Lot location: Jakarta, Indonesia

021 WIDAYAT (Kutoarjo, 1919 – Jakarta, 2002) Nude, 1992

Lot location: Jakarta, Indonesia

Acrylic on canvas: 51 x 61 cm Signed and dated, lower left: H. Widajat’92

SGD 2,000 - 4,000 IDR 20.000.000 - 40.000.000

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Popo Iskandar

Born in Garut, December 17, 1927. He started painting in 1944. He graduated from the University of Indonesia and Bandung Institute of Technology (ITB). Besides as a painter he is also an art observer and writer.

In 1980 he received art award from Indonesian Government.

He has participated in many exhibitions in Indonesia as well as overseas. His works were mostly on animal such as chicken, cat, and tiger. He held his solo exhibitions at Taman Ismail Marzuki Arts Center, Jakarta (1987, 1992, and 1994), National Gallery, Jakarta (1999) and participated in group exhibitions at KIAS, USA (1990), The Best of Indonesia, Jakarta (1997), and Slovenia Gradec (1997).

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022 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Dua Macan, 1997 Oil on canvas: 100 x 125 cm Signed and dated, upper right: Popo’97 This lot is accompanied with certificate of authenticity from Han’s Gallery

SGD 18,000 - 25,000 IDR 180.000.000 - 250.000.000 Lot location: Jakarta, Indonesia

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023 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Two Leopard and The Sun, 1995 Oil on canvas: 100 x 100 cm Signed and dated, lower left: Popo’95 This lot is accompanied with certificate of authenticity from Griya Seni Popo Iskandar

SGD 9,000 - 12,000 IDR 90.000.000 - 120.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

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024 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Three Leopards and The Red Twilight, 1998 Oil on canvas: 100 x 80 cm Signed and dated, lower left: Popo’98 This lot is accompanied with certificate of authenticity from Griya Seni Popo Iskandar

SGD 7,500 - 9,500 IDR 75.000.000 - 95.000.000 Lot location: Jakarta, Indonesia 70

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Mrs. Tetet Tjahyati, Popo Iskandar’s daughter with the artwork

025 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Cat, 1984 Oil on canvas: 70 x 80 cm Signed and dated, lower left: Popo’84 This lot is accompanied with certificate of authenticity from Griya Seni Popo Iskandar

SGD 6,000 - 8,000 IDR 60.000.000 - 80.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

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026 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Flower Bouquet, 1978 Oil on canvas: 66 x 70 cm Signed and dated, lower right: Popo’78 This lot is accompanied with certificate of authenticity from Griya Seni Popo Iskandar

SGD 6,000 - 8,000 IDR 60.000.000 - 80.000.000 Lot location: Jakarta, Indonesia 72

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027 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Rooster on The Roof, 1995 Oil on canvas: 50 x 60 cm Signed and dated, lower left: Popo’95 This lot is accompanied with certificate of authenticity from Griya Seni Popo Iskandar

SGD 4,000 - 5,000 IDR 40.000.000 - 50.000.000

Mrs. Tetet Tjahyati, Popo Iskandar’s daughter with the artwork

Lot location: Jakarta, Indonesia

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Arie Smit

Born in Zaandam, the Netherlands, 1916.

He was a student of the Academy of Arts in Rotterdam before working as lithographer for the Dutch Colonial Army in the Dutch Indies prior to the Second World War. He moved to Bali in 1956 to engage in full time painting and became an Indonesian Citizen, produced as well as taught painting at the Bandung Institute of Technology (ITB). Many of his paintings depict the nature of his surrounding environment.

He had several solo exhibitions in Bandung Institute of Technology, The Honolulu East West Center, and the Center of Strategic and International Studies in Jakarta. He received the “Dharma Kusuma” art awards from the local government of Bali.

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028 ARIE SMIT (Zaandam,The Netherlands, 1916 – Bali, 2016) Evening Falls, 1971 Gouache on paper: 68 x 48 cm Signed, titled and dated, lower right: Arie Smit, Bali71, Evening Falls This lot is accompanied with certificate of authenticity from Neka Art Museum Literature: Amir Sidharta, ‘Vibrant’ Arie Smit, Published by Hexart Publishing, Jakarta, 2002, Page. 6.104

SGD 18,000 - 24,000 IDR 180.000.000 - 240.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

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029 ARIE SMIT (Zaandam,The Netherlands, 1916 – Bali, 2016) A Temple in Bali, 1999 Acrylic on canvas: 80 x 100 cm Signed and dated, lower right: Arie Smit’99 Signed, titled and dated on the reverse

SGD 18,000 - 24,000 IDR 180.000.000 - 240.000.000 Lot location: Jakarta, Indonesia

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030 ARIE SMIT (Zaandam,The Netherlands, 1916 – Bali, 2016) Di Sawah, 1997 Oil on canvas: 35 x 27 cm Signed and dated, lower right: Arie Smit’97

This lot is accompanied with certificate of authenticity from Frank Gallery Literature: Rudhy A. Lontoh, POIN.TI.LIS.TIK. Arie Smit, page. 69

SGD 6,150 - 7,000 IDR 61.500.000 - 70.000.000 Lot location: Jakarta, Indonesia

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031 ARIE SMIT (Zaandam,The Netherlands, 1916 – Bali, 2016) Offering Day, 2004 Acrylic on canvas: 27 x 32 cm Signed and dated, lower right: Arie Smit’04 Signed, titled and dated on the reverse

This lot is accompanied with certificate of authenticity from The Artist SGD 5,550 - 6,000 IDR 55.500.000 - 60.000.000 Lot location: Jakarta, Indonesia 80

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032 ARIE SMIT (Zaandam,The Netherlands, 1916 – Bali, 2016) Flora, 2008 Acrylic on canvas: 32 x 30 cm Signed and dated, lower right: Arie Smit,2008 Signed, titled and dated on the reverse

This lot is accompanied with certificate of authenticity from The Artist SGD 5,300 - 6,000 IDR 53.000.000 - 60.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

81

033 ARIE SMIT (Zaandam,The Netherlands, 1916 – Bali, 2016) Bali Scene, 1991 Oil on canvas: 20 x 28 cm Signed and dated, lower right: Arie Smit’91 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from Tama Fine Art Gallery Literature: Rudhy A. Lontoh, POIN.TI.LIS.TIK. Arie Smit, page. 26 SGD 3,650 - 4,500 IDR 36.500.000 - 45.000.000 Lot location: Jakarta, Indonesia

82

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034 ARIE SMIT (Zaandam,The Netherlands, 1916 – Bali, 2016) Rice Fields in Bali, 1993 Acrylic on canvas glued to wood: 17 x 25 cm Signed, lower right: Arie This lot is accompanied with certificate of authenticity from Neka Art Museum Literature: Rudhy A. Lontoh, POIN.TI.LIS.TIK. Arie Smit, page. 35 SGD 3,000 - 3,800 IDR 30.000.000 - 38.000.000

Lot location: Jakarta, Indonesia

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83

035 ARIE SMIT (Zaandam,The Netherlands, 1916 – Bali, 2016) Irigation Dam, 1991 A sketch on duplex paper with added colour: 18.5 x 23 cm Signed and dated, lower right: Arie Smit’91 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from The Artist SGD 2,000 - 2,500 IDR 20.000.000 - 25.000.000 Lot location: Jakarta, Indonesia

84

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036 ARIE SMIT (Zaandam,The Netherlands, 1916 – Bali, 2016) Bunga, 2003

Lot location: Jakarta, Indonesia

Acrylic on canvas: 68.5 x 71 cm Signed and dated, lower right: Arie Smit,03 Signed, titled and dated on the reverse SGD 28,000 - 35,000 IDR 280.000.000 - 350.000.000

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85

Putu Sutawijaya

Born in Bali, 1971. He studied at Sekolah Tinggi Seni Rupa Denpasar (STSR), Bali and continued his study to Indonesia Institute of Arts (ISI), Yogyakarta. He graduated from ISI in 1997. He had his solo exhibitions in Yogyakarta, Singapore, Hong Kong and Jakarta. He also participated in numerous group exhibitions since 1990 in Bali, Yogyakarta, Hong Kong, etc. He was awarded Best Watercolor and Sketch from ISI Yogyakarta (1991) and Best Painting from ISI Yogyakarta, Top Ten Paintings (1999) and Lempad Price from Sanggar Dewata Indonesia in 2000.

86

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037 PUTU SUTAWIJAYA (Bali, 1971) Freedom I, 2003

Lot location: Jakarta, Indonesia

Mixed media on canvas: 180 x 180 cm Signed and dated, upper left: Putu Sutawijaya, 2003 SGD 13,000 - 15,000 IDR 130.000.000 - 150.000.000

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87

Willem Dooijewaard

Born in Amsterdam, the Netherlands, 1892. He studied arts and craft in Amsterdam for three years. He once worked as administration staff for Sumatra Plantation Company in 1913.

He first visited Bali in 1918 then traveled extensively throughout the island to paint. He also went to Europe as well as remote areas in Asia and North Africa. Most of his works were absorbed from the local cultures that enabled him to paint unusually intimate portraits. He died in his homeland, Amsterdam, 1980.

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Lot location: Jakarta, Indonesia 038 WILLEM DOOIJEWAARD (Amsterdam, 1892 – 1980) Rode Poort, Kyoto in a Japanese Garden, 1930 Oil on canvas: 74 x 61 cm Signed and dated, lower right: W. Dooyewaard, Kyoto Japan, 30 Provenance: Christie’s 05 Juni 2012 SGD 9,000 - 12,000 IDR 90.000.000 - 120.000.000 MASTERPIECE ONLINE AUCTION

89

039 WILLEM GERARD HOFKER (Amsterdam, 1902 – 1981) Mia Aetatis Svae, 1935 Oil on canvas: 51.5 x 47.5 cm Signed and dated, lower left: W.G. Hofker’35 Titled, upper left: Mia Aetatis Svae Dated, Upper right: Anno, 1935” SGD 8,000 - 12,000 IDR 80.000.000 - 120.000.000 90

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Lot location: Jakarta, Indonesia

Romualdo Locatelli

Locatelli was born 1905 in Italy.

His father, Luigi was also an artist.

Having graduated from Carrara Art Academy in Bergamo, Italy , Locatelli was regarded a very successful artists, counting powerful personages such the Pope and Mussolini among his patrons. He was famous for his work in Italian portraiture. In 1938, he visited Indonesia, staged an exhibition in Bandung and drew much artistic inspiration during his stay in Bali. With the onset of WW2, he cut short his sojourn in Bali and left for Manila where tragically most of his works were destroyed during a fire.

Locatelli vanished without a trace in Manila in 1943.

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91

040 ROMUALDO LOCATELLI (1905 - 1943) Pastorella Oil on canvas: 98.5 x 70 cm Signed, lower right SGD 28,000 - 35,000 IDR 280.000.000 - 350.000.000 92

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Lot location: Jakarta, Indonesia

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93

Abdul Aziz

Born in Purwokerto, March 27, 1928. He graduated from the Indonesian Fine Art Academy (ASRI) in 1959 then went to Italy to continue his study at Academia Di Belle Arti in Rome. He exhibited some works in Italy several times as well as in Jakarta, Yogyakarta and Bali. Besides being a well known for his work, Aziz is a highly accomplished violinist.

94

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041 ABDUL AZIZ (Purwokerto, 1928 - Bali, 2002) Man and Cockerel, 1978

Lot location: Jakarta, Indonesia

Oil on canvas: 50 x 40 cm Signed and dated, lower left: Abdul Aziz,Bali, 1978 SGD 6,000 - 8,000 IDR 60.000.000 - 80.000.000 MASTERPIECE ONLINE AUCTION

95

But Muchtar

Born in Bandung, December 30, 1930 with complete name of Broertje Muchtar Soebandi.

He studied art at the Bandung Institute of Technology (ITB) from 1952 until 1958 under the guidance of painter Ries Mulder and Sumardja. He continued his study in Rhode Island School of design, USA from 1960 to 1961 and later continued to study sculpture under Jose De Creeft in New York’s Arts Students League, USA.

96

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042 BUT MUCHTAR (Bandung, 1930 - 1996) Untitled Wood: 153 x 22 x 20 cm SGD 9,000 - 13,000 IDR 90.000.000 - 130.000.000

Lot location: Jakarta, Indonesia

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97

Irina&Andrea

Irina & Andrea is a mother-and daughter duo who collaborates together to produce extraordinary works of art. As self-taught artists, Irina and Andrea explore the world and their ideas from her unique perspective with surrealistic figures and interesting colour expressions. Irina and Andrea’s artistic talents are inherited from Irina’s father, Paulus Suharto (Sie Hoat Ho), a multi-talented artist and a nephew of the late Peter Sie, one of the first Indonesian designers. Andrea went to Indonesian School of Design (Sekolah Tinggi Desain Indonesia) in Bandung, and quit to pursue her career as full-time artist with her mother. Their original works are not only intriguing visually, but also by-products of a meticulous process of creation that requires creativity, imagination, skills, and precision. Their original 1-of-1 sculptures require at least one month to complete.

After completing the sculptures, Andrea loves to transcend her ideas into paintings on canvas.

98

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043 IRINA AND ANDREA Funny Clown, 2021 Oil on terpaulin: 87 x 35 x 50 cm SGD 8,000 - 12,000 IDR 80.000.000 - 120.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

99

Henk Ngantung

Born in Bogor, West Java, 1921. He started painting in 1934. He held his solo exhibitions in Tomohon, Minahasa (1936), at Hotel SavoyHomann, Bandung (1939) and at Hotel des Indes, Jakarta (1947). He studied under Dutch painter, Willem F.M. Bosschaert and Austrian Artist, Rudolf Wenghart in Bandung (1937 - 1941). He was a member of POETERA (People's Activity Center) and LEKRA (People's Cultural Institute). From 1960 - 1964 he was Vice-Governor of Jakarta and Elected as Governor of Jakarta in 1964 - 1965. He died in Jakarta, 1994.

100

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044 HENK NGANTUNG (Bogor, 1921 - 1994) Kampung Nelayan, 1956 Oil on canvas : 35 x 65 cm Signed and dated, lower left: Henk Ngantung, 1956 SGD 5,000 - 7,000 IDR 50.000.000 - 70.000.000 Lot location: Jakarta, Indonesia

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101

Sudarso

Born in Purwokerto, Central Java, 1914. Affandi was his customer when he was an egg and milk seller. From that time he was interested in painting and learnt under Affandi as well as young painters such as Barli, Wahdi, and Hendra. He became a teacher at the Indonesian Fine Arts Academy (ASRI), Yogyakarta. He had participated in numerous exhibitions and active in many painters organizations. Now he lives in Sidoarjo, Surabaya. Solo Exhibition, 1961 to 1969. And he was participated in group exhibition “19 Indonesian Painter” in Singapore and Malaysia, 1967. And Reunion exhibition painter “Angakatan 45 Bandung” in Bandung,1975. Exhibition of Fine Art “Membaca Dunia Widayat” at Museum H.Widayat, Mungkid, Magelang, 2004.

102

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045 SUDARSO (Purwokerto, 1914 - 2006) Bali Life, 1965

Lot location: Jakarta, Indonesia

Oil on canvas: 110 x 300 cm Signed and dated, lower right: Sudarso, 1965 SGD 7,500 - 9,000 IDR 75.000.000 - 90.000.000

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103

Tay Bak Koi

Tay Bak Koi was born in Singapore in 1939, and died in 2005. A second generation Singaporean artist, Tay Bak Koi is well known for his portrayals of fishing villages, kampong scenes and buffalo.His medium of choice was predominantly oil, but watercolour was another favoured medium for Tay. His distinctive style combined a mixture of both realism and fantasy to create truly unique works of art.

His works have been extensively exhibited in Singapore and internationally, including Hong Kong, Malaysia, Australia, Japan, The United States, and Germany. In 1970 he was also commissioned to produce some 300 works for the Hilton Hotel in Singapore.

104

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046 TAY BAK KOI (Singapore. 1939 - 2005) Buffaloes

Lot location: Singapore

Watercolor on paper: 61 x 46 cm Signed in Both English and Chinese Lower Right SGD 8,000 - 13,000 IDR 80.000.000 - 130.000.000 MASTERPIECE ONLINE AUCTION

105

Fadjar Sidik

Born in Surabaya, February 8, 1930.

He studied at ASRI Yogyakarta in 1954 and learnt painting from Hendra Gunawan and Sudarso (1952) at Sanggar Pelukis Rakyat. He lived in Bali from 1957 – 1961. He received art award as Contemporary Painter from the Indonesian Government in 1971 and from the Government of Yogyakarta.

106

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047 FADJAR SIDIK (Surabaya, 1930 - 2004) Dinamika Ruang, 1994

Lot location: Jakarta, Indonesia

Oil on canvas; 74.5 x 74.5 cm Signed and dated, lower left: F. Sidik’94 SGD 6,000 - 8,000 IDR 60.000.000 - 80.000.000

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107

048 FADJAR SIDIK (Surabaya, 1930 - 2004) Metropole

Oil on canvas: 70 x 90 cm Signed, lower right: F. Sidik SGD 6,000 - 8,000 IDR 60.000.000 - 80.000.000

108

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Lot location: Jakarta, Indonesia

049 FADJAR SIDIK (Surabaya, 1930 - 2004) Dinamika Ikan, 1983

Lot location: Jakarta, Indonesia

Oil on canvas: 118 x 78 cm Signed and dated, lower left: Fadjar Sidik’83 SGD 6,000 - 8,000 IDR 60.000.000 - 80.000.000 MASTERPIECE ONLINE AUCTION

109

050 FADJAR SIDIK (Surabaya, 1930 - 2004) Dinamika Oil on canvas: 65 x 65 cm Signed, lower right: F. Sidik SGD 2,800 - 4,000 IDR 28.000.000 - 40.000.000 110

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Lot location: Jakarta, Indonesia

Huang Fong

Huang Fong was born in Genteng, Banyumas, East Java, 1936. He graduated from IKIP Seni Rupa, Surabaya, Indonesia. He was a member of Kamboja Group. He started painting under the guidance of painter Tan Kiaw Tek using watercolor. Huang Fong made friends with many senior painters and learnt a lot from them. One of them would be the famous Indonesia’s artist Affandi, whom he befriended in Bali in 1968. Since 1963, he was a professional Indonesian artist. At first, he painted oil on canvas, eventually, during 1974. He continued to learn oil painting under painter Nurdin in 1961. He came to Bali in 1967, lived in Ubud and later on moved to Denpasar. he began to exploring his arts by mixed the East and West techniques. Huang Fong has already held solo exhibitions since 1961 and his art pieces were exhibited in Indonesia, Taiwan, South Korea and Australia MASTERPIECE ONLINE AUCTION

111

051 HUANG FONG (Genteng, 1936) Sembahyang, 1988 Oil on canvas: 68 x 97 cm Signed and dated, lower left: Huang Fong’88 Signed, titled and dated on the reverse SGD 3,500 - 5,000 IDR 35.000.000 - 50.000.000

112

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Lot location: Jakarta, Indonesia

Nyoman Gunarsa

Born in Klungkung, Bali, April 15, 1944. He graduated from the Indonesian Fine Arts Academy (ASRI) in Yogyakarta where he is currently a lecturer in art. He began his career as painter of models and portraits.

Since 1967, active performing solo exhibitions, like in British Embassy, Jakarta (1967), Arcade Gallery, Kuala Lumpur (1971), Blance Gallery, San Francisco (1991), Blance Gallery, Osaka (1982), 21 Gallery, Singapore (1995), Opera-Gallery, Paris (1996), and Hamburgische Landesbank, Hamburg (1998). He also participates in joint-exhibitions in Indonesia and overseas. He received awards from the Pratisara Affandi Adikarya (1976), in the Biennial Indonesian Art Exhibitions (1878 & 1980) and the Lempad Prize (1980). His works are in collection by local and abroad collectors.

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113

052 NYOMAN GUNARSA (Klungkung, 1944-Bali, 2017) Balinese Dancer, 2002 Oil on canvas: 145 x 145 cm Signed and dated, lower right: 2002 SGD 9,000 - 12,000 IDR 90.000.000 - 120.000.000 114

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Lot location: Jakarta, Indonesia

Lot location: Jakarta, Indonesia 053 NYOMAN GUNARSA (Klungkung, 1944-Bali, 2017) Peniup Seruling, 2014 Oil on canvas: 175 x 125 cm Signed and dated, lower right: 2014

This lot is accompanied with certificate of authenticity from the Artist’s family SGD 11,000 - 13,000 IDR 110.000.000 - 130.000.000 MASTERPIECE ONLINE AUCTION

115

054 NYOMAN GUNARSA (Klungkung, 1944-Bali, 2017) Tari Jauk, 1977 Oil on canvas: 145 x 95cm Signed and dated, lower right: 77’Tari Jauk SGD 8,000 - 10,000 IDR 80.000.000 - 100.000.000 Lot location: Jakarta, Indonesia 116

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Dede Eri Surpia

Born in Jakarta, January 29, 1956.

He studied at the Indonesian Fine Art Academy (ASRI) in Yogyakarta (1974). In 1976 his name first emerged in the Indonesian Art Scene when he exhibited his works at the first Seni Rupa Baru Indonesia exhibition at the Balai Budaya, Jakarta. He has received several awards for his works, Jakarta Biennale 1981, won a Philip Morris Indonesian Art Awards in 1997 and was participated into the ASEAN Art Awards in Manila. He has participated in many group shows as well as solo exhibitions. Dede held his solo exhibitions at Jakarta Stock Exchange (1997) and at the Art Folio Space in Singapore (2002).

Today, he is considered an influential propagator of superrealist painting in Indonesia.

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117

Lot location: Jakarta, Indonesia 055 DEDE ERI SUPRIA (Jakarta, 1956) Balinese Dancer, 2022 Oil on canvas: 150 x 140 cm Signed and dated, lower right: Dede Eri Supria, 2022 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the Artist SGD 7,000 - 9,000 IDR 70.000.000 - 90.000.000 118

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Pardoli Fadli

Born in Cilacap, Central Java, July 4, 1971.

He held his solo exhibition in Maestro Inn, Perth, Australia (1997), Harvey’s Gallery, Perth, Australia (1998), and City Hotel Melbourne, Australia (2003). He chose to be independent in expressing his feeling and thought while producing and creating his work. He greatly produced painting using woman as his object. For him, women have uniqueness of beauty, ugliness, sincerity, passion as well as strong and weak character. His choices of works become his manifest towards his life and art.

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119

056 PARDOLI FADLI (Cilacap, 1971) Panen Raya, 2011 Oil on canvas: 120 x 170 cm Signed and dated, lower right: Pardolli011 Signed, titled and dated on the reverse SGD 5,000 - 7,000 IDR 50.000.000 - 70.000.000

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Lot location: Jakarta, Indonesia

057 PARDOLI FADLI (Cilacap, 1971) Siap Pentas, 2009

Lot location: Jakarta, Indonesia

Oil on canvas: 145 x 145 cm Signed and dated, lower right: Pardolli’09 Signed, titled and dated on the reverse SGD 8,000 - 12,000 IDR 80.000.000 - 120.000.000 MASTERPIECE ONLINE AUCTION

121

Roedyat

Martadiredja Born in Bandung, 1930. He first painting in 1948 and studied at the Bandung Institute of Technology.

He performed his solo exhibition in Jakarta (1978) and was included in the East-West Center’s Art of Bali exhibition in Honolulu, Hawaii (1988). His works are unique, rich and colorful that creates a strong rhythm. His works are in private collections of European and the United States.

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058 ROEDYAT MARTADIREDJA (Bandung, 1930 – 2002) Woman in The Dark Kebaya Oil on canvas: 123 x 71 cm Signed, lower right: Roedyat SGD 3,500 - 4,500 IDR 35.000.000 - 45.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

123

Irsam

Born in Klaten, Central Java, 1942. He graduated from the Indonesian Fine Art Academy (ASRI) Yogyakarta.

He had held his first exhibition in 1967 in Jakarta. He received an award from the Philippines, Singapore, and Thailand. In 1980 he also joined in the Contemporary Asian Art Exhibition in Fukuoka Art Museum Japan.

124

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059 IRSAM (Klaten, 1942-2006) Burung Klangenan, 1998 Oil on canvas: 100 x 100 cm Signed and dated, lower right: Irsam, 1998 Literature: Mikke Susanto, IRSAM, Jejak-jejak Dekoratif, Published by PT. Dwi Samapersada, Jakarta, 2013, page. 90 SGD 2,500 - 3,500 IDR 25.000.000 - 35.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

125

Jeihan

Sukmantoro

Born in Solo, 1938. He studied at the Himpunan Budaya Surakarta (HBS – Surakarta Cultural Society) (1953 – 1955) and at Bandung Institute of Technology (ITB) (1960 – 1966). In 1978, He established Studio Seni Rupa Bandung (Bandung Fine Arts Studio) together with Dr. Sudjoko. He has participated in several exhibitions. He held his solo exhibitions at Bandung (1998), Galerie Darga & Lansberg, Paris France (1999), Darga Gallery, Bali (2000), the Jakarta Hilton International Hotel, Jakarta and Nadi Gallery, Jakarta (2002). He combines Eastern mysticism with Western analytical sense that made his portraits paintings are very distinctive and well known.

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060 JEIHAN SUKMANTORO (Solo, 1938-2019) Unang, 2001 Oil on canvas: 90 x 100 cm Signed and dated, upper left: Jeihan’01 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the Artist SGD 4,800 - 6,000 IDR 48.000.000 - 60.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

127

061 LUCIA HARTINI (Temanggung, 1959) Wanita Dan Payung, 2017 Oil on canvas: 200 x 200 cm Signed and dated, lower right: Lucia Hartini, 2017 SGD 5,500 - 6,500 IDR 55.000.000 - 65.000.000

128

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Lot location: Jakarta, Indonesia

062 KRIJONO (Jakarta, 1951-2011) 2 Penari Arja, 1997 Charcoal on paper: 74 x 102 cm Signed, titled and dated, lower left: 2 Penari Arja, Dari Kemenuh Bali, 1997, Krijono Literature: Great Charcoals by Indonesian Artist Krijono, Published by The Home of Art, Jakarta, 1997, page. 135 SGD 4,000 - 6,000 IDR 40.000.000 - 60.000.000 Lot location: Jakarta, Indonesia

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129

063 BARLI SASMITAWINATA (Bandung, 1921-2007) Bunga, 1998 Oil on canvas: 100 x 135 cm Signed and dated, lower right: Barli, 1998 Signed and titled on the reverse SGD 3,800 - 5,000 IDR 38.000.000 - 50.000.000

130

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Lot location: Jakarta, Indonesia

Richard Winkler

Born in Norrkoping, Sweden, 1969. He studied arts at the Nyckelviken School of art which later continued his study at the Beckmans School of Design. He was interested in human body which he put into canvases in exaggerate figures. In 1997, he moved to Bali and creates paintings inspired by the place. His works have been exhibited in Asia as well as European countries.

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131

064 RICHARD WINKLER (Norrkoping, 1969) Girl Washing Her Face,ed.3/5, 2010 Bronze: 60 x 32 x 39 cm Signed and dated, lower area: Winkler, 2010, 3/5

SGD 11,000 - 13,000 IDR 110.000.000 - 130.000.000 Lot location: Jakarta, Indonesia

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065 GREGORIUS SIDHARTA SOEGIJO (Yogyakarta, 1932 - 2006) Flowering Woman #4, ed.4/7, 1986 Bronze: 38 x 20 x 15 cm Signed and dated, lower area: G. Sidharta, 1986, 4/7

SGD 2,800 - 4,000 IDR 28.000.000 - 40.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

133

066 GAO JING JUN (Shang Dong, China, 1971) Enjoying Popular Support II, 2006 Oil on canvas: 130 x 270 cm Signed and dated, lower right: 2006 Gao Jing Jun SGD 5,000 - 8,000 IDR 50.000.000 - 80.000.000 Lot location: Jakarta, Indonesia

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Cucu Ruchyat

Cucu studied painting under the guidance of his senior artists in Bandung and Bali. Since 1999 he started actively participated in group exhibition such as Syair Pengantin in Jakarta (2005). He received award from the Phillip Morris Art Awards.

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135

067 CUCU RUCHYAT (Bandung, 1970) Gnothi Seauton, 2022 Oil on canvas: 120 x 200 cm Signed and dated, lower left: Ruchyat, 2022

This lot is accompanied with certificate of authenticity from the Artist

SGD 4,000 - 5,000 IDR 40.000.000 - 50.000.000 Lot location: Jakarta, Indonesia

136

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068 CUCU RUCHYAT (Bandung, 1970) Happy Small Family, 2019 Oil on canvas: 170 x 110 cm Signed and dated, lower left: Ruchyat, 2019

This lot is accompanied with certificate of authenticity from the Artist

SGD 4,000 - 5,000 IDR 40.000.000 - 50.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

137

069 RUDY PRANADJAYA (Cirebon, 1948-2005) On Target Oil on board: 96 x 116 cm

SGD 3,000 - 5,000 IDR 30.000.000 - 50.000.000

138

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Lot location: Jakarta, Indonesia

070 HARIS PURNOMO (Klaten, 1956) Dragon Baby, 2005

Lot location: Jakarta, Indonesia

Acrylic on canvas: 130 x 150 cm Signed and dated, lower left: Haris Purnomo, 2005 Haris Purnomo has achieved ‘The Schoeni Public Vote Prize, Souvereign Asian Art Award 2017’ in Hong Kong

SGD 2,000 - 3,000 IDR 20.000.000 - 30.000.000

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139

071 HASAN (Sumenep, East Java, 1986) Pest in a Rich Land, 2021 Acrylic on canvas: 150 x 150 cm Signed and dated, lower right: Hasan, 2021

SGD 3,000 - 5,000 IDR 30.000.000 - 50.000.000

140

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Lot location: Jakarta, Indonesia

072 THOMAS YEO ( Singapore, 1936) Solitude

Lot location: Singapore

Mixed Media on Board: 61 x 46 cm Signed, lower right : tyeo SGD 1,600 - 3,000 IDR 16.000.000 - 30.000.000 MASTERPIECE ONLINE AUCTION

141

073 ZAINI (Pariaman, 1926 – Jakarta, 1977) Abstrak, 1977 Oil on canvas: 50 x 50 cm Signed and dated, lower right: Zaini’77

SGD 2,800 - 4,000 IDR 28.000.000 - 40.000.000 142

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Lot location: Jakarta, Indonesia

Hanafi

Bon in Purworejo, Central Java, 1960. He is one of the young potential artists among the group of Agus Suwage and Ivan Sagita.

He took his formal education in the Indonesian Art Institute (ISI) Yogyakarta in 1979. He held his solo exhibition in Jakarta, Bali, Singapore, Kuala Lumpur, Barcelona and Toronto. He has participated in several group exhibitions such as Movement, Jakarta, Biennale IX, and the Philip Morris Art Award Exhibition in Jakarta and Bali. On June 2004, he shows his great talent in painting spontaneously for the Olympic event in Athena, Greek.

074 HANAFI (Purworejo, Central Java, 1960) Abstrak, 2017

Lot location: Jakarta, Indonesia

Acrylic on canvas: 80 x 297 cm Signed and dated, lower middle: Hanafi’17

SGD 3,500 - 4,500 IDR 35.000.000 - 45.000.000 MASTERPIECE ONLINE AUCTION

143

075 ANTONI EKA PUTRA (Padang, 1980) 9717, 2017 Acrylic on canvas: 120 x 160 cm Signed, titled and dated on the reverse

SGD 3,000 - 4,000 IDR 30.000.000 - 40.000.000

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Lot location: Jakarta, Indonesia

076 SUWAJI (Yogyakarta, 1942) Tiga Wanita dan Burung, 1996

Lot location: Jakarta, Indonesia

Oil on canvas: 145 x 145 cm Signed and dated, lower right: Suwaji’96

SGD 3,000 - 4,000 IDR 30.000.000 - 40.000.000 MASTERPIECE ONLINE AUCTION

145

BataraLubis

Born in Hutagodang, North Sumatra, 1927. He studied at the Indonesian Fine Arts Academy (ASRI) Yogyakarta and learnt under Affandi and Hendra Gunawan beforehand. Since 1955, he was actively participated in many exhibitions in Yogyakarta. He also had intensely created batik paintings that represented in Bali, Jakarta, the Netherlands and Italy.

077 BATARA LUBIS (Hutogodang, 1927 - 1986) Pasar, 1977 Oil on canvas: 160 x 60 cm Signed and dated, lower right: B. Lubis’77

SGD 2,500 - 3,500 IDR 25.000.000 - 35.000.000 Lot location: Jakarta, Indonesia

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078 ABAS ALIBASYAH (Purwakarta, 1928) Lotus Berlatar Gunung, 1992

Acrylic on canvas: 100 x 150 cm Signed and dated, lower right: Abas’92 This lot is accompanied with certificate of authenticity from the Artist

SGD 2,500 - 3,500 IDR 25.000.000 - 35.000.000 Lot location: Jakarta, Indonesia

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147

079 ERICA HESTU WAHYUNI (Yogyakarta, 1971) Journey to The Blessing Time, 2015

Acrylic on canvas: 150 x 200 cm Signed and dated, lower right: Erica, 2 015 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the Artist

SGD 4,000 - 5,000 IDR 40.000.000 - 50.000.000 Lot location: Jakarta, Indonesia

148

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080 I GUSTI AYU KADEK MURNIASIH (Bali, 1966 - 2006) Untitled

Acrylic on canvas: 50 x 50 cm Signed and dated on the reverse

Lot location: Jakarta, Indonesia

This lot has been authenticated by Edmondo Zanulini, husband of the late artist

SGD 4,500 - 6,000 IDR 45.000.000 - 60.000.000 MASTERPIECE ONLINE AUCTION

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150

MASTERPIECE ONLINE AUCTION

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SoutheastAsian,Chinese,Modern&ContemporaryArt Masterpiece Building Jl. Tanah Abang IV No. 23-25 Jakarta Pusat - Indonesia Tel: (62-21) 351 0808 (Hunting) Fax: (62-21) 351 0707 info@masterpiece-auction.com www.masterpiece-auction.com