Impressionist, Modern & Contemporary Fine Art Auction

IMPRESSIONIST, MODERN & CONTEMPORARY FINE ART AUCTION JERUSALEM, OCTOBER 13, 2015, 8 PM SALE 138 PREVIEW IN JERUSALEM Thu 1 October Fri 2 October Sat 3 October Sun 4 October Mon 5 October Tue-Thu / 6-8 October Fri 9 October Sat 10 October Sun-Mon / 11-12 October Tue 13 October

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1

GUSTAVE LOUIS JAULMES 1873-1959 (Swiss)

Femmes au puits, 1942 (preparatory drawing for tapestry) oil on canvas 300 x 480 cm (118 x 189 in.) signed lower right

PROVENANCE: Private collection, Israel.

$7,500-9,000

←2

3

1859-1938 (French)

18th century

Arrival of Queen of Sheba

La naissance de Bacchus

PROVENANCE: Sale: Christie’s South Kennsington, May 24, 2007, lot 211.

Private European collection, acquired at the above sale.

PROVENANCE: Private collection, Israel.

GEORGES ANTOINE ROCHEGROSSE oil on board 114 x 60 cm (45 x 24 in.)

$9,000-12,000

SCHOOL OF COYPEL oil on canvas 220 x 238 cm (87 x 94 in.)

$9,500-12,000

4

5

1844-1907 (French)

1844-1907 (French)

Elégante à l’ombrelle

Elégante à l’éventail

$900-1,200

$900-1,200

HENRY SOMM watercolor on paper 25 x 19 cm (10 x 7 in.) signed lower right

HENRY SOMM watercolor on paper 26 x 19 cm (10 x 7 in.) signed lower right

6

LOUIS ABEL-TRUCHET 1857-1918 (French)

Boulevard, 1980

oil on canvas 30 x 45 cm (12 x 18 in.) signed and dated lower right

$6,000-8,000

7

EDOUARD LÉON CORTÈS 1882-1969 (French)

Place Vendome

oil on canvas 33 x 46 cm (13 x 18 in.) signed lower right

$6,000-9,000

8

EUGÈNE GALIEN-LALOUE 1854-1941 (French)

La crue de la Seine, quai de L’Hôtel de Ville, 1910 gouache on paper 20 x 32 cm (8 x 13 in.) signed lower left

This work will be included in the forthcoming volume II of catalogue raisonné currently being prepared by Noé Willer.

$12,000-14,000

9

KONSTANTIN ALEXEYEVITCH KOROVIN 1861-1939 (Russian)

Giverny

tempera on paper mounted on cardboard 11 x 16 cm (4 x 6 in.) signed lower right PROVENANCE: Sale: Camera EOS Auction, Moscow, beginning of the 20th century (label on the reverse).

Collection of Victor Midler.

Private European collection, gift of the Midlers family in 1980.

$25,000-35,000 10

←10

ZINAIDA EVGENIEVNA SEREBRYAKOVA 1884-1967 (Russian)

Neskuchnoe, 1910’s gouache on paper 11 x 27 cm (4 x 11 in.) signed lower left

PROVENANCE: Collection of Victor Midler.

Private European collection, gift from the above, c.1970.

$10,000-12,000

11

ISAAK IL’ICH LEVITAN 1860-1900 (Russian)

Twilight over a forest and a lake oil on canvas 24 x 32 cm (9 x 13 in.)

PROVENANCE: Yaakov Peremen Collection.

Private collection, Israel.

EXHIBITION: The Great Masters: 19th-century Jewish Art and its Origins, Mané-Katz Museum, Haifa, May 17 October 2014.

$60,000-80,000

12

VICTOR LEON CHARRETON 1864-1937 (French)

Jardin en été, c.1930 oil on canvas 60 x 73 cm (24 x 29 in.) signed lower right

$14,000-18,000

13

ALBERT GLEIZES 1881-1953 (French)

Sous-bois en l’automne, c.1907 oil on canvas 65 x 54 cm (26 x 21 in.) signed lower right

LITERATURE: Anne Varichon (ed.), Albert Gleizes: Catalogue Raisonné, Paris: Somogy Editions d’Art, 1998, n.87 (illustrated).

$9,000-12,000

14

ROBERT ANTOINE PINCHON 1886-1943 (French)

Maison au bord de l’eau à l’automne, 1917

oil on cardboard 38 x 46 cm (15 x 18 in.) signed lower right, dated on the reverse PROVENANCE: Private collection, France.

$12,000-15,000

15

ROBERT ANTOINE PINCHON 1886-1943 (French)

L’Orée du bois

oil on canvas 54 x 73 cm (21 x 29 in.) signed lower left PROVENANCE: Private collection, France.

$15,000-20,000

16

P. FONTAINE 20th century (French)

In the park

gouache on cardboard 46 x 55 cm (18 x 22 in.) signed lower left

$1,200-1,500

17

EMMANUEL VICTOR AUGUSTE MARIE DE LA VILLÉON 1858-1944 (French)

Moissons à Bitry

oil on canvas 44 x 80 cm (17 x 31 in.) signed lower right, titled on the reverse PROVENANCE: Private collection, France.

EXHIBITION: Salon des Independats, 1980 (label on the reverse).

$2,800-3,500 18

19

FRENCH IMPRESSIONIST SCHOOL 20th century

Femme contemplant le temple de l’Amour, c.1900 oil on canvas 89 x 146 cm (35 x 57 in.)

$9,000-12,000

←18

MAURICE MILLIERE 1871-1946 (French)

Coucher de soleil sur la Guadeloupe, 1927 oil on canvas 41 x 73 cm (16 x 29 in.) signed and dated lower left

20

FRENCH IMPRESSIONIST SCHOOL 20th century

Landscape

PROVENANCE: Private collection, UK.

oil on canvasboard 33 x 24 cm (13 x 9 in.) initialled lower left

$2,000-2,500

$3,000-4,000

21

22

21 ARNOLD MARC GORTER 1866-1933 (Dutch)

Dutch landscape

oil on canvas 76 x 96 cm (30 x 38 in.) signed lower right PROVENANCE: Private collection, acquired in Rotterdam in 1950’s. Thence by descent. Private collection, Israel.

$1,200-1,500

22 DAVID OSIPOVICH WIDHOPFF 1867-1933 (Ukrainian)

Printemps au champs, 1907

oil on panel 33 x 41 cm (13 x 16 in.) signed and dated lower left, titled on the reverse PROVENANCE: Private collection, France.

23

$1,800-2,200

23 GASTON VINCENT ANGLADE 1854-1919 (French)

Paysage aux bruyeres oil on canvas 55 x 65 cm (22 x 26 in.) signed lower right

$1,200-1,500

24 GASTON VINCENT ANGLADE 1854-1919 (French)

Champs de bruyere oil on panel 42 x 51 cm (17 x 20 in.) signed lower left

$900-1,200

25

26

1862-1951 (French)

1862-1951 (French)

Gathering flowers, 1904

View of the coast of France, 1900

$6,000-8,000

$2,500-3,000

CHARLES MALFROY oil on canvas 44 x 59 cm (17 x 23 in.) signed and dated lower left

CHARLES MALFROY oil on canvas 73 x 116 cm (29 x 46 in.) signed and dated lower right

27

CAMILLE PISSARRO 1830-1903 (French)

Pommiers en fleurs, Eragny, c.1900 oil on cardboard mounted on panel 22 x 28 cm (9 x 11 in.) signed lower left

PROVENANCE: Eugène Blot, Paris; sale, Hôtel Drouot, Paris, 9-10 May 1900, lot 139.

Galerie Georges Petit, Paris.

Private collection, Switzerland.

Anon. sale: Palais Galliéra, Paris, June 11, 1974, lot 29.

Reuben Hecht, Haifa.

Nathan Bernstein, New York.

Acquired by Achim Moeller Fine Art on behalf of John C. Whitehead, March 1983.

Private European collcetion.

EXHIBITION: Late 19th and Early 20th Century French Masters, The John C. Whitehead Collection, The Montclair Art Museum, April-June 1989, p. 32, no. 58.

The Whitehead Collection, Late 19th and 20th Century French Masters, A Collection in Progress, Achim Moeller Fine Art, New York, 1997 (illustrated in exhibition catalogue, pp.88-90 - in color; detail illustrated in color; with incorrect support).

LITERATURE: L’art français de la révolution à nos jours, Paris (illustrated).

L.R. Pissarro and L. Venturi, Camille Pissarro, son art—son oeuvre, Paris, 1939, vol. I, p.239, no.1137 (illustrated, vol. II, pl.226; with incorrect support).

Achim Moeller Fine Art (ed.), Late 19th and Early 20th Century French Masters, The John C. Whitehead Collection, A Collection in Progress, New York, 1987, p. 80 (illustrated in color, p. 81).

Achim Moeller Fine Art (ed.), From Daumier to Matisse, Selections from the John C. Whitehead Collection, exh. cat., Achim Moeller Fine Art, New York, 2002, p. 14 (illustrated in color).

J. Pissarro and C. Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, Paris, 2005, vol. III, p. 815, no. 1319 (illustrated in color; with incorrect support).

$480,000-600,000

Camille Pissarro played a central part and was one of the most influential figures in the French Impressionist movement. Camille Pissarro was the only artist to participate in all the eight Impressionist exhibitions. He gained his important status not only as a faithful master of the movement and as a successful artist, but also as a teacher - Gauguin, Van Gogh and Cézanne being three of his more renowned pupils; and a father to five artists – having seven children, he taught all his sons to paint.

Pissarro painted subjects of rural and urban French life, particularly landscapes in and around the village of Pontoise, as well as cityscapes of Montmartre. As a sympathizer of anarchist and socialist movements his mature works display an empathy for workers and peasants. “Pommiers en fleurs, Eragny, c.1900” represents a typical scene in a fruit garden in spring time. Apple trees in bloom in the left part of the composition are balanced by two peasant girls on the right. The overwhelming green of the grass is opposed to the pink tones of the blooming tree which are strengthened by the red skirt of one of the figures. Light blue tones of the sky are also repeated in the other girls’ clothes which makes them a focal point of the composition.

28

LUCIEN PISSARRO 1863-1944 (French)

Summer fields, 1930

watercolor on paper 17 x 12 cm (7 x 5 in.) initialled and dated lower right PROVENANCE: Sale: James D. Julia, August 30, 2007, lot 488.

Private collection.

$1,800-2,500

Lucien Pissarro, the eldest son of Camille Pissarro and Julie Vellay, was born in Paris in 1863. His painting manner is well known for its combination of two artistic traditions – the French and the English. Lucien was skilled as a painter in oils and watercolor, a wood engraver and a lithographer.

29

GEORGES MANZANA-PISSARRO 1871-1961 (French)

Paysage, 1954 oil on masonite

55 x 45 cm (22 x 18 in.)

signed and dated lower left

$12,000-15,000

Georges-Henri Pissarro, better known as Manzana, was the third of Camille Pissarro's seven children. As Lucien, he was taught by his father Camille from a very early age to love and observe nature. But his style was influenced by such distinguished artists of the Impressionist movement as Monet, Cézanne, Renoir and Gauguin, who were close friends of the Pissarro family and frequently frequented their home.

He consequently adopted a more purely Impressionist style.

30

GEORGES MANZANA-PISSARRO 1871-1961 (French)

Château Robert le Diable, 1937

oil on canvas mounted on cardboard 38 x 55 cm (15 x 22 in.) signed and dated lower left, signed again on the reverse

$40,000-60,000

31

GEORGES MANZANA-PISSARRO 1871-1961 (French)

Soleil couchant

oil on canvas mounted on masonite 38 x 46 cm (15 x 18 in.) signed lower right, signed again and titled on the reverse

$14,000-16,000

32

PAUL-EMILE PISSARRO 1884-1972 (French)

Vieux saule au bord de l’Orne oil on canvas 46 x 61 cm (18 x 24 in.) signed lower right, signed again and titled on the reverse

$5,000-7,000

33

PAUL-EMILE PISSARRO 1884-1972 (French)

Paysage d’automne, chemin de la vallée

Paul-Émile Pissarro, Camille’s youngest son, was born in Eragny in 1884.

As his older brothers he was first taught by his father but as Manzana much influenced by the artistic environment of the family home. More than his elders he was encouraged by his father to draw at an early age. Paulémile’s godfather was Claude Monet who became his teacher and close friend. During 1920’s, when he established his own Post-Impressionist style he was in close contact with such artists as Kees Van Dongen and Maurice de Vlaminck.

oil on canvas 46 x 61 cm (18 x 24 in.) signed lower left, signed again and titled on the reverse

$8,500-10,000

34

PAUL-EMILE PISSARRO 1884-1972 (French)

Paysage vallon dans le midi 33

watercolor on paper 26 x 27 cm (10 x 11 in.) signed lower right

$800-1,200

35

HUGUES CLAUDE PISSARRO b.1935 (French)

L’avenue de la Gare sous la neige à Rennes

oil on canvas 46 x 55 cm (18 x 22 in.) signed lower right, signed again and titled on the reverse

$18,000-22,000

36

HUGUES CLAUDE PISSARRO b.1935 (French)

Soleil du matin, sur la neige à Placy, c.1985-90 oil on canvas 51 x 61 cm (20 x 24 in.) signed lower right, signed again and titled on the reverse

PROVENANCE: Philippe Bretonniere, St. Ouen, France.

$16,000-18,000

37

HUGUES CLAUDE PISSARRO b.1935 (French)

Les Fleurs du Bois de Deerpark à Virginia (County Cavan, Ireland) oil on canvas 50 x 61 cm (20 x 24 in.) signed lower left, signed and titled on the reverse

$18,000-22,000

38 Hugues Claude Pissarro, the grandson of Camille Pissarro and son of Paulémile Pissarro, is also known as Isaac Pomié. Same as his father he spent his childhood and youth in artistic atmosphere. Carrying on a family tradition established by Camille Pissarro, his father frequently took Hugues on painting excursions, accompanied by his numerous artist friends. Hugues Claude painted in variety of different styles and techniques – including abstract, avant-garde, minimalist and conceptual art. However he is now best known for his Impressionist-style works, which he offer inscribes ‘Petit Fils’.

HUGUES CLAUDE PISSARRO b.1935 (French)

Les foins à la Faverie, 1990 oil on canvas 46 x 55 cm (18 x 22 in.) signed lower right, signed and titled on the reverse

$18,000-25,000

39

HENRI LIÉNARD DE SAINT-DELIS 1878-1949 (French)

Plage animée de Honfleur oil on cardboard 27 x 36 cm (11 x 14 in.) signed lower right

Accompanied by a certificate of authenticity signed by Jean-Pierre Hamon, dated February 6, 1993.

$15,000-20,000

←40

41

1879-1949 (French)

1875-1947 (French)

Bord de mer, la promenade à Sainte Adresse, 1914

Cargos dans le port, c.1934

ACHILLE EMILE OTHON FRIESZ

oil on canvas 54 x 73 cm (21 x 29 in.) signed and dated lower right

PROVENANCE: Anonymous sale: Palais Galliera, Paris, December 5, 1968, lot 42 (label on the reverse).

Private European Collection, acquired from the above sale. Thence by descent. Private collection, New Jersey.

Sale: Doyle New York, November 10, 2010, lot 30.

Private Europen collection.

ALBERT MARQUET

oil on panel 22 x 27 cm (9 x 11 in.) signed lower left

PROVENANCE: Paul Brame, Paris.

A. Tooth & Sons, London.

Estate of Viscount Radcliffe.

Sale: Sotheby’s, London, June 3, 1970, lot 55.

Private collection.

LITERATURE: R. Martin & O. Aittouares, Emile Othon Friesz, L’Oeuvre Peint, Paris, 1995, vol.I, p.65, no.51(illustrated).

LITERATURE: Jean Claude Martinet & Guy Wildenstein, Marquet, L’Afrique du Nord, Catalogue de l’oeuvre peint, Paris, 2001, p.195, n.I193 (illustrated).

$38,000-45,000

$30,000-40,000

42

43

1891-1953 (Polish, French)

1869-1952 (French)

Vase d’orchidées

Bouquet de fleurs jaunes à la tenture rouge, c.1940

MOÏSE KISLING oil on canvas 65 x 46 cm (26 x 18 in.) signed lower right PROVENANCE: Galerie Romanet, Paris.

Private collection, Holland (label on the reverse).

Private European collection.

Accompanied by a certificate of authenticity signed

by Jean Kisling and Marc Ottavi, dated February 25, 2015.

$80,000-100,000

LOUIS VALTAT

oil on canvas 55 x 46 cm (22 x 18 in.) initialled lower left

PROVENANCE: Private collection.

Thence by descent.

This work is recorded in the archives of l’Association Les amis de Louis Valtat.

$55,000-65,000

44ď ś

MAURICE UTRILLO 1883-1955 (French)

Moulin de la Galette gouache on paper 28 x 24 cm (11 x 9 in.) signed and dated lower right

PROVENANCE: Private collection, France.

Jean Fabris has kindly confirmed authenticity of this work.

$28,000-35,000

45

MAURICE UTRILLO 1883-1955 (French)

Le bureau de poste de la place des Abbesses, c.1939 oil on cardboard mounted on canvas 46 x 61 cm (18 x 24 in.) signed lower right, located lower left

PROVENANCE: Galerie Paul Pétridès, Paris (label on the reverse).

Private collection, Cannes.

LITERATURE: Paul Pétridès, L’oeuvre complet de Maurice Utrillo, Paris, 1969, vol.ll, p.220, n.1937 (illustrated in black and white on p.221).

Jean Fabris has kindly confirmed the authenticity of this work.

$100,000-150,000

46

MOÏSE KISLING 1891-1953 (Polish, French)

Bouquet de bleuets, 1947

oil on canvas 41 x 27 cm (16 x 11 in.) signed lower left, dated and located ‘Paris’ lower right PROVENANCE: Walter Klinkhoff Gallery, Montreal (label on the reverse).

Estate of Adele Bloom.Private European collection.

Accompanied by a certificate of authenticity signed by André Schoeller, dated July 15, 1974.

$35,000-50,000

47

MOÏSE KISLING 1891-1953 (Polish, French)

Bouquet de fleurs, c.1920 oil on canvas 73 x 54 cm (29 x 21 in.) signed lower left

PROVENANCE: Gustave Fayet, Béziers.

Thence by descent.

Private collection, Switzerland.

Private European collection.

EXHIBITION: Chagall and the Circle of Jewish Painters of the 20th Century, Wally Findlay Galleries, Palm Beach, December 2012 - January 2013 (illustrated in exhibition catalogue, pp. 26-27).

Jean Kisling has kindly confirmed the authenticity of this work.

$120,000-150,000

"In our life there is a single color, as on an artist's palette, which provides the meaning of life and art. It is the color of love."

Marc Chagall

L'Inspiration du peintre, c.1970-75 – painted in magnificent blues represents one of the most frequent and important motifs in Chagall’s oeuvre – artist at work. Artist with palette and a flower bouquet in his hands is painting couple of lovers. He is influenced by the scenes and atmosphere of Paris, but still not leaving behind his childhood memories - the donkey and the houses of Vitebsk on the background in the rays of the red sun.

48

MARC CHAGALL 1887-1985 (Russian, French)

L’Inspiration du peintre, c.1970-75 oil and ink on canvas mounted on cardboard 27 x 22 cm (11 x 9 in.) estate signature stamp lower right

PROVENANCE: Collection of Ida Chagall, Paris.

Accompanied by a certificate of authenticity issued by Comite Chagall, signed by Jean Luis Prat, dated February 9, 2004, numbered 2004023B.

$280,000-350,000

49

MARC CHAGALL 1887-1985 (Russian, French)

Roses et Mimosas (from Nice et la Côte d’Azur), 1967 color lithograph 61 x 43 cm (24 x 17 in.) signed lower right, numbered ‘30/150’ lower left LITERATURE: Mourlot, CS 29.

$6,000-8,000

50

MARC CHAGALL 1887-1985 (Russian, French)

Le Magicien de Paris I, 1969 color lithograph on Arches paper 102 x 68 cm (40 x 27 in.) signed lower right, numbered ‘19/50’ lower left

PROVENANCE: Private collection, Israel.

LITERATURE: Mourlot, 597.

U.Gauss (ed.), Marc Chagall: The Lithographs, La Collection Sorlier, p.279, no.597 (illustrated).

$20,000-25,000

51

MARC CHAGALL 1887-1985 (Russian, French)

Roméo et Juliette, 1964

color lithograph, the deluxe edition, before letters, aside from the edition of 200, published by the Tourist Francaise, Paris, printed by Mourlot, Paris 63 x 99 cm (25 x 39 in.) signed and dated lower right LITERATURE: Mourlot CS, 10.

$14,000-18,000

52

MARC CHAGALL 1887-1985 (Russian, French)

Les ateliers de Chagall (portfolio with text

by Robert Marteau), 1976 color lithgraph as frontispiece, published by Mourlot 43 x 32 cm (17 x 13 in.) signed lower right, numbered ‘23/250’ lower left

LITERATURE: U.Gauss (ed.), Marc Chagall: The Lithographs, La Collection Sorlier, p.352, no.899 (illustrated).Cramer, 101.

$8,000-12,000

53

MARC CHAGALL 1887-1985 (Russian, French)

Song of songs, 1975

color lithograph, published by Biblical Message Museum, printed by Mourlot 58 x 47 cm (23 x 19 in.) signed lower right, numbered ‘112/200’ lower left LITERATURE: Charles Sorlier, Chagall Lithographs 1974-1979, New York: Crown Publishers, Inc., 1984, p.243, no.CS47 (full page illustration in color).

$18,000-22,000

54

MARC CHAGALL 1887-1985 (Russian, French)

XXe Siecle, special issue, 1973 color lithograph, edition of 50 50 x 67 cm (20 x 26 in.) signed lower right, numbered ‘25/50’ lower left

LITERATURE: Mourlot, 699.

Cramer, 1995, n.93.

U.Gauss (ed.), Marc Chagall: The Lithographs, La Collection Sorlier, p.313, no.699 (illustrated).

$6,500-7,500

55

PABLO PICASSO 1881-1973 (Spanish)

Toréador et taureau, 1959 wash and ink on paper 23 x 33 cm (9 x 13 in.) signed, dated ‘12.11.59’ and dedicated upper left

PROVENANCE: B. Geiser, Paris. acquired directly from the artist.

Private Collection, Switzerland.

Claude Picasso has confirmed the authenticity of this work.

$80,000-100,000

56

PABLO PICASSO 1881-1973 (Spanish)

Modèle au repos dans un fauteil, 1965 aquatint on Richard de Bas paper, published by Galerie Louise Leiris, Paris, 1967 57 x 44 cm (22 x 17 in.) signed lower right, numbered ‘11/50’ lower left LITERATURE: Bloch, 1205.

Baer, 1187.

$9,000-12,000

57

PABLO PICASSO 1881-1973 (Spanish)

Le Modèle, 1965

aquatint on Richard de Bas paper, published by Galerie Louise Leiris, Paris, 1967 58 x 44 cm (23 x 17 in.) signed lower right, numbered ‘23/50’ lower left LITERATURE: Bloch, 1200.

Baer, 1182.

$9,000-12,000

58

PABLO PICASSO 1881-1973 (Spanish)

Portrait-Charge d’un Personnage, en Larmes, pl.194 (from Séries 347), 1968

etching on wove paper, edition of 50, published by Galerie Louise Leiris, Paris, 1969 23 x 17 cm (9 x 7 in.) signed lower right LITERATURE: Bloch, 1674.

Baer, 1690.

$4,000-5,000

59

PABLO PICASSO 1881-1973 (Spanish)

Tête en forme d’horloge, 1956

white earthenware plate 43 x 43 cm (17 x 17 in.) stamped with ‘Empreinte Originale de Picasso’, ‘Madoura Plein Feu’ stamps, inscribed ‘C104’ and ‘Exeplaire Edituer’ on the reverse LITERATURE: Ramié, 325.

$7,500-9,000

60

PABLO PICASSO 1881-1973 (Spanish)

Jacqueline au chevalet, 1956 partly glazed ceramic plate 42 x 42 cm (17 x 17 in.) numbered ‘63/200’, stamped with ‘Madoura Plein Feu’ and ‘Empreinte Originale de Picasso’ stamps and inscribed ‘C119’ on the reverse LITERATURE: A. Ramié, 333.

$30,000-36,000

61

PABLO PICASSO 1881-1973 (Spanish)

Profil de Jacqueline, 1962

partialy glazed terracota plate 36 x 36 cm (14 x 14 in.) numbered ‘23/100’, stamped with ‘Edition Picasso’ and ‘Madoura Plein Feu’ stamps, inscribed ‘Edition Picasso’ on the reverse LITERATURE: A. Ramié, 457 .

$22,000-25,000

62

PABLO PICASSO 1881-1973 (Spanish)

Tête de femme à la couronne de fleurs, 1964

ceramic plaque 33 x 25 cm (13 x 10 in.) numbered ‘25/100’, stamped with ‘Madoura Plein Fue’ and ‘Empreinte Originale de Picasso’ stamps on the reverse LITERATURE: A. Ramié, 522.

$22,000-28,000

63

JOAN MIRÓ 1893-1983 (Spanish)

Affiche pour L’Exposition Miró, Louisiana Humelbaeck, 1974

color lithograph on Arches paper, aside from the edition of 75, published by Maeght, Paris 76 x 55 cm (30 x 22 in.) signed lower right, inscribed ‘H.C.’ lower left PROVENANCE: Private collection, Flat Rock, North California, USA. LITERATURE: Mourlot, 944.

$2,600-3,200

64

JOAN MIRÓ 1893-1983 (Spanish)

Soleil d`Octobre

mixed media and gouache on frontispiece of book Miró, Meaght Edituer, Paris, 1965 23 x 20 cm (9 x 8 in.) signed lower right and dedicated twice to Rene Bertele lower right and on another page

$12,000-15,000

65

JOAN MIRÓ 1893-1983 (Spanish)

Village d’oiseaux, 1969

etching in colors with carborundum on Arches paper, published by Maeght, Paris 110 x 75 cm (43 x 30 in.) signed lower right, numbered ‘35/75’ lower left PROVENANCE: Midwest Collection.

Private European collection.

LITERATURE: Dupin, 526.

$9,000-12,000

66ď ś

VU CAO DAM 1908-2000 (Vietnamese, French)

Palefrenier et son cheval, 1963 mixed media on cardboard 32 x 41 cm (13 x 16 in.) signed and dated lower left

$7,500-9,000

67

LE PHO 1907-2001 (Vietnamese, French)

Après le déjeunér, 1940

oil on silk mounted on board 79 x 53 cm (31 x 21 in.) signed and dated lower left PROVENANCE: Galerie Juarez, Palm Beach, Florida (label verso).

Private collection, Florida.

$14,000-18,000

68

69

1901-1977 (French)

1901-1977 (French)

Bouquet de fleurs (recto), Nature morte (verso)

Le fauteuil, Cannes

JEAN JULES LOUIS CAVAILLÈS

oil on canvas 73 x 60 cm (29 x 24 in.) signed lower right

PROVENANCE: Galerie de Paris (Paul de Montaignac), Paris.

This work is registered in Jules Cavaillès Research Centre archive under number S14 015 and S14 016.

$9,000-12,000

JEAN JULES LOUIS CAVAILLÈS oil on canvas 73 x 46 cm (29 x 18 in.) signed lower right, signed, titled and located on the reverse PROVENANCE: Arthur Lenars & Cie, Paris (label on the reverse).

Laing Galleries, Toronto, since 1959.

Private Collection, Toronto, acquired from the above.

Thence by descent. Private collection.

This work is registered in Jules Cavaillès Research Center archive under number W_15_005.

$12,000-15,000

70

FRANÇOIS GALL 1912-1987 (French)

Sidewalk in Paris

oil on canvas 60 x 81 cm (24 x 32 in.) signed and located ‘Paris’ lower right PROVENANCE: Sale: Leslie Hindman, May 21, 2006, lot 57.

Private collection, acquired at the above sale.Private European collection.

$7,000-9,000

71

72

1912-1987 (French)

1912-1987 (French)

Parisian scene

Le Pont Neuf, Paris, c.1946

FRANÇOIS GALL oil on board 51 x 61 cm (20 x 24 in.) signed and located ‘Paris’ lower left PROVENANCE: Private collection, USA. Private European collection.

$3,000-4,000

FRANÇOIS GALL oil on canvas 50 x 62 cm (20 x 24 in.) signed, titled and located 'Paris' lower left

$3,000-4,000

73

GEN PAUL 1895-1975 (French)

Calèche devant le Moulin rouge, Edith Piaf, c.1960 oil on canvas 73 x 92 cm (29 x 36 in.) signed upper right

Julien Roussard has kindly confirmed the authenticity of this work.

$12,000-15,000

74

LOUIS VALTAT 1869-1952 (French)

Figures by the sea

watercolor and charcoal on paper 24 x 32 cm (9 x 13 in.)

PROVENANCE: Important private collection, Israel.

$2,500-3,500

75

FRANÇOIS GALL 1912-1987 (French)

Beach scene

oil on canvas 22 x 26 cm (9 x 10 in.) signed lower right Madame Marie-Lize Gall has kindly confirmed the authenticity of this work.

$3,800-4,500

76

ROGER MÜHL 1929-2008 (French)

Figures overlooking the sea oil on canvas 70 x 100 cm (28 x 39 in.) signed lower right

PROVENANCE: Dr.A.Lerner, London (label on the reverse).

$3,000-4,000

77

78

79

1909-1999 (French)

1921-2003 (French, American)

1921-2003 (French, American)

Le Matin, Marée Haute à Deauville, 1985

Girl near the beach

Mother and child in a park

$1,200-1,500

$1,800-2,200

ANDRÉ HAMBOURG

oil on canvas 27 x 46 cm (11 x 18 in.) signed lower right

$6,000-8,000

78

ANDRÉ GISSON oil on canvas 23 x 30 cm (9 x 12 in.) signed lower right

79

ANDRÉ GISSON oil on canvas 40 x 51 cm (16 x 20 in.) signed upper left

80

BERNARD LORJOU 1908-1986 (French)

Vase de fleurs, c.1966 oil on canvas 101 x 74 cm (40 x 29 in.) signed lower right

PROVENANCE: Galerie Stiebel, Paris.

Private collection, Beverly Hills, California, acquired from the above in 1970.

LITERATURE: Urban, André. Paris et les Fleurs en petit formats par B. Lorjou. Paris: Galerie Urban, 1966 (similar works illustrated).

$6,500-8,000

81

GUY BARDONE b.1927 (French)

Paysage

oil on canvas 79 x 58 cm (31 x 23 in.) signed lower right

$1,500-2,000

82ď ś

MARCEL DYF 1899-1985 (French)

La mandoline, 1960

oil on canvas 55 x 46 cm (22 x 18 in.) signed lower right, signed again on the reverse PROVENANCE: Arthur James Galleries, December 7, 1999, lot 70.

Claudine Dyf has kindly confirmed the authenticity of this work.

This work is listed in the archives under number 1305.

$8,000-12,000

83

JOSÉ HERRERILLA CRUZ HERRERA 1890-1972 (Spanish)

Portrait d’une dame oil on canvas 80 x 65 cm (31 x 26 in.) signed lower left

$6,500-8,000

84

LUCIEN PHILIPPE MORETTI 1922-2000 (French)

1er mai, Place du Tertre oil on canvas 65 x 50 cm (26 x 20 in.) signed lower left

PROVENANCE: Private collection, acquired directly from the artist.

Private European collection.

$3,000-4,000

85

LUCIEN PHILIPPE MORETTI 1922-2000 (French)

C’était un ange, 1980

oil on canvas 38 x 46 cm (15 x 18 in.) signed lower right, dated twice ‘13.2.80’ and ‘13.1.93’, titled and inscribed ‘Ste. Cecile Noël, 1996’ on the reverse

$1,800-2,200

85

86

EDWARD CUCUEL 1875-1954 (American)

The blue robe, c. 1910 oil on canvas 79 x 66 cm (31 x 26 in.) signed lower left

PROVENANCE: Private collection Austria.

Sale: Ketterer Kunst, December 5, 2006, lot 112.

Private European collection.

$15,000-18,000

87

ISAAC DOBRINSKY 1891-1973 (Russian)

La chemise de nuit bleue (Madame Mondelbaum) c.1930 oil on canvas 54 x 73 cm (21 x 29 in.) signed upper left

PROVENANCE: Private collection, Pierre Lévy.

$2,000-3,000

88

LUCIEN ADRION 1889-1953 (French)

Paris Cours Albert I, 1939 oil on canvas 65 x 81 cm (26 x 32 in.) signed and dated lower right, signed, monogrammed and titled on the reverse

$5,000-7,000

89

LUCIEN ADRION 1889-1953 (French)

Rue de village

oil on canvas 92 x 73 cm (36 x 29 in.) signed lower right

$4,000-5,000

90ď ś

LUCIEN ADRION 1889-1953 (French)

Les grands boulevards oil on canvas 61 x 82 cm (24 x 32 in.) signed lower right

$28,000-30,000

91

NAOMI SASI b.1992 (Israeli)

Landscape with boats oil on canvas 21 x 15 cm (8 x 6 in.) signed lower left

$1,200-1,800

92

NAOMI SASI b.1992 (Israeli)

Young woman on the river bank oil on canvas 15 x 25 cm (6 x 10 in.) signed lower right

$1,200-1,800

93ď ś

YVONNE CANU 1921-2008 (French)

Vendanges en Aixois

oil on canvas 27 x 35 cm (11 x 14 in.) signed lower left, signed and titled on the reverse

$5,000-7,000

94

NAOMI SASI b.1992 (Israeli)

Urban landscape in Autumn oil on canvas 15 x 30 cm (6 x 12 in.) signed lower left

$1,200-1,800

95

ALPHONSE LÉON QUIZET 1885-1955 (French)

Le Canal Saint Martin oil on canvas 90 x 131 cm (35 x 52 in.) signed lower right

PROVENANCE: Estate of Francine Collignon, daughter of the artist.

Private European collection.

$6,000-8,000

96

ALPHONSE LÉON QUIZET 1885-1955 (French)

Buttes-Chaumont, avenue Simon Bolivar oil on panel 60 x 93 cm (24 x 37 in.) signed lower right

$4,000-5,000

97

ALPHONSE LÉON QUIZET 1885-1955 (French)

Rue animée

oil on masonite 46 x 64 cm (18 x 25 in.) signed lower right

$4,000-6,000

98

98

99

1885-1955 (French)

20th century

Carrefour au Lilas

Place du Tertre à Montmartre

ALPHONSE LÉON QUIZET oil on canvas 43 x 50 cm (17 x 20 in.) signed lower right PROVENANCE: Estate of Francine Collignon, daughter of the artist. Private European collection.

$900-1.200

FRENCH SCHOOL

oil on panel 33 x 41 cm (13 x 16 in.) signed ‘Berres B.M.’ lower right

$800-1,000

100

ELISÉE MACLET 1881-1962 (French)

La butte aux cailles

oil on cardboard 46 x 60 cm (18 x 24 in.) signed lower right, titled on the reverse Jean Paul Villain has kindly confirmed the authenticity of this of this work.

$2,500-3,000

101

ELISÉE MACLET 1881-1962 (French)

Le moulin rouge

oil on cardboard 49 x 67 cm (19 x 26 in.) signed lower right Jean Paul Villain has kindly confirmed the authenticity of this of this work.

$3,500-4,500

102

ELISÉE MACLET 1881-1962 (French)

Montmartre

oil on canvas 27 x 35 cm (11 x 14 in.) signed lower left PROVENANCE: Galerie Juarez Inc., Los Angeles/Palm Beach (label on the reverse).

Jean Paul Villain has kindly confirmed the authenticity of this of this work.

$3,000-4,000

103

ELISÉE MACLET 1881-1962 (French)

Neige sur le Moulin de la Galette, Paris oil on cardboard 42 x 36 cm (17 x 14 in.) signed lower left

Jean Paul Villain has kindly confirmed the authenticity of this of this work.

$3,000-4,000

104

ELISÉE MACLET 1881-1962 (French)

Rue de Montmartre oil on canvas 46 x 55 cm (18 x 22 in.) signed lower left

PROVENANCE: Sale: Guy Loudmer, June 24, 1992 (label on the reverse).

Private collection, France.

Jean Paul Villain has kindly confirmed the authenticity of this of this work.

$3,500-4,500

105

ELISÉE MACLET 1881-1962 (French)

Bateaux de pêche à Collioure oil on canvas 46 x 55 cm (18 x 22 in.) signed lower right

Jean Paul Villain has kindly confirmed the authenticity of this of this work.

$2,500-3,000

106

CAMILLE BOMBOIS 1883-1970 (French)

La maison au perron oil on canvas 33 x 41 cm (13 x 16 in.) signed lower left PROVENANCE: Perls Galleries, New York.

$6,000-8,000

107

CAMILLE BOMBOIS 1883-1970 (French)

La grande allée d’arbres

oil on canvas 60 x 40 cm (24 x 16 in.) signed lower left PROVENANCE: Private collection, France.

$8,000-10,000

108ď ś

JEAN DUFY 1888-1964 (French)

Still life with flowers watercolor on paper mounted on cardboard 56 x 42 cm (22 x 17 in.) signed lower left

PROVENANCE: Private collection, Sweden.

$8,000-10,000

109

CLAUDE VENARD 1913-1999 (French)

Nature morte

oil on canvas 33 x 40 cm (13 x 16 in.) signed lower right PROVENANCE: Romanet Rive-Gauche, Paris.

$5,000-7,000

110

CLAUDE VENARD 1913-1999 (French)

Sur la plage

oil on canvas 33 x 41 cm (13 x 16 in.) signed lower left

$5,000-7,000

111

CLAUDE VENARD 1913-1999 (French)

Le Soeurs

oil on canvas 33 x 40 cm (13 x 16 in.) signed lower right

$5,000-7,000

112

PAUL AIZPIRI b.1919 (French)

Arlequin

oil on cardboard mounted on panel 39 x 31 cm (15 x 12 in.) signed lower left

$2,500-5,000

113

PAUL AIZPIRI b.1919 (French)

Maquette de petrouchka dans la sauvage apprivoisée mixed media on paper mounted on cardboard 76 x 56 cm (30 x 22 in.) signed lower left, titled lower center

$2,800-3,500

114ď ś

CLAUDE VENARD 1913-1999 (French)

Cathedral

oil on canvas 150 x 150 cm (59 x 59 in.) signed lower right PROVENANCE: The Lefevre Gallery, London (label on the reverse).

$8,000-12,000

115ď ś

CLAUDE VENARD 1913-1999 (French)

Untitled, 1965

oil on canvas 35 x 70 cm (14 x 28 in.) signed and dated lower right, dated '16.1.65' on the stretcher PROVENANCE: Reese and Marilyn Palley, Philadelphia, Pennsylvania (label on the reverse).

Guy Loudmer (label on the reverse).

$7,000-9,000

116

JOSEPH CONSTANT CONSTANTINOVSKY 1892-1969 (Russian, French, Israeli)

Untitled

wood 86 x 50 x 50 cm (34 x 20 x 20 in.) signed on the reverse

$2,000-3,000

117 AFTER

CONSTANTIN BRANCUSI 1876-1957 (Romanian)

Mademoiselle Pogany III, 1931 (late cast)

bronze with gold patina 31 x 15 x 11 cm (12 x 6 x 4 in.) signed and numbered ‘4/9’ on the base

$2,000-3,000 118

119

JANKEL ADLER 1895-1949 (Polish)

Abstract composition oil on board 26 x 38 cm (10 x 15 in.) signed lower left

$6,000-8,000

120

UNKNOWN ARTIST 20th century

Untitled

marble 35 x 21 x 35 cm (14 x 8 x 14 in.) signed ‘Camargo’

←118

SERGE CHARCHOUNE 1888-1975 (Russian)

Composition in brown, 1927 oil on canvas mounted on masonite 18 x 39 cm (7 x 15 in.) signed and dated 'VII-27' lower right

PROVENANCE: Sale: Versailles Enchères, December 17, 2006, lot 78.

Private European collection, acquired at the above sale.

$12,000-15,000

$1,500-2,000

121

122ď ś

1873-1950 (Hungarian)

1895-1978 (Ukrainian, French)

Man seated on a bench

Circus clowns

PROVENANCE: Private collection, London.

PROVENANCE: Private European collection.

$3,000-4,000

$4,800-6,000

HUGO SCHEIBER 121

gouache on paper 80 x 60 cm (31 x 24 in.) signed lower left

123

JOSEF HERMAN 1911-2000 (English)

Spanish village at dusk, 1959 oil on board 17 x 22 cm (7 x 9 in.)

123

PROVENANCE: Arthur Tooth & Sons Ltd., London (label on the reverse).

Dr. A. Lerner, London (label on the reverse).

$2,500-3,500

124

JOSEF HERMAN 1911-2000 (English)

Harvesting, Spain, 1959

oil on paper mounted on masonite 17 x 22 cm (7 x 9 in.)

PROVENANCE: Arthur Tooth & Sons Ltd., London (label on the reverse).

Dr. A. Lerner, London (label on the reverse).

$700-900

ISAAC PAILES oil on canvas 73 x 91 cm (29 x 36 in.) signed lower left

125

JULES PERAHIM 1914-2008 (Romanian)

White war, 1976

oil on canvas 50 x 61 cm (20 x 24 in.) signed and dated lower right

$8,000-10,000

126

NIKOLAI PAVLOVICH AKIMOV 1901-1968 (Russian)

Robespierre (decorations), 1930 gouache on paper mounted on cardboard 15 x 21 cm (6 x 8 in.)

PROVENANCE: Private Russian collection, since 1932.

Private European collection, gift of the previous owner, c.1970.

EXHIBITION: Artists of the RSFSR over 15 years, 1917-1932, The State Russian Museum, Saint Petersburg, 1932 (label on the reverse).

$4,000-6,000

127

THÉO TOBIASSE 1927-2012 (French)

Un chant de violon qui nous sort de Mitzraim, 1970 gouache and mixed media on paper 51 x 67 cm (20 x 26 in.) signed upper right, dated center left and titled lower right

Catherine Faust-Tobiasse has kindly confirmed the authenticity of this work. This work will be included in the forthcoming catalogue raisonné currently in preparation.

$9,000-12,000

128

THÉO TOBIASSE 1927-2012 (French)

Le viol de tamar, 1987

mixed media and collage on paper 102 x 70 cm (40 x 28 in.) signed upper left, dated center right, titled lower right PROVENANCE: Estate of the Artist.

Nahan Galleries, New York (label on the reverse).

Wolfgang & Anita Rapp, Philadelphia, Pennsylvania, acquired directly from the above in 1988.

Catherine Faust-Tobiasse has kindly confirmed the authenticity of this work. This work will be included in the forthcoming catalogue raisonné currently in preparation.

$8,000-12,000

129

THÉO TOBIASSE 1927-2012 (French)

Raconte moi ton univers, 1974 oil on canvas 65 x 81 cm (26 x 32 in.) signed lower left, dated in center, titled upper right

Catherine Faust-Tobiasse has kindly confirmed the authenticity of this work. This work will be included in the forthcoming catalogue raisonné currently in preparation.

$15,000-20,000

130

THÉO TOBIASSE 1927-2012 (French)

Les hommes sur un Pont, 1967 oil on canvas 50 x 61 cm (20 x 24 in.) signed lower right, dated center right, titled upper center

Catherine Faust-Tobiasse has kindly confirmed the authenticity of this work. This work will be included in the forthcoming catalogue raisonné currently in preparation.

$7,000-9,000

131

CHARLES NEAL b.1951 (British)

Afternoon at Le Perchoir, the artist’s wife Susan, St.Croix, Teurthéville-Bocage, Normandie, France, August oil on canvas 122 x 102 cm (48 x 40 in.) signed lower right

$8,000-10,000

132

133

1920-2001 (French)

1934-2009 (Spanish)

Sous la pluie

Cala figuera de formentor

oil on canvas 50 x 73 cm (20 x 29 in.) signed lower left

oil on canvas 60 x 81 cm (24 x 32 in.) signed lower right

$5,000-7,000

$10,000-12,000

GASTON SÉBIRE

JOAN BELTRÁN BOFILL

134

CHARLES NEAL b.1951 (British)

Breakfast, garden near Lorgues, Provence, France, Morning, July oil on canvas 97 x 131 cm (38 x 52 in.) signed lower right

$12,000-15,000

135

ISABELLE DE GANAY b.1960 (French)

Jardin à Grigneuseville oil on canvas 73 x 92 cm (29 x 36 in.) signed lower right

$8,000-10,000

136

GILLES GORRITI b.1939 (French)

La nappe blanche, 2013 oil and mixed media on canvas 81 x 100 cm (32 x 39 in.) signed lowrr rigth

$10,000-12,000

137

GILLES GORRITI b.1939 (French)

La partition de musique II, 2013 oil and mixed media on canvas 100 x 81 cm (39 x 32 in.) signed lower right

$8,000-10,000

138

NICOLA SIMBARI 1927-2012 (Italian)

Marrakech

acrylic on vellum paper mounted on canvas 110 x 120 cm (43 x 47 in.) signed lower left

$10,000-12,000

139

140

1907-1997 (American)

1907-1997 (American)

SB 1998.233, 1990-91

C96 SB 1998.149, 1984

$12,000-14,000

$10,000-12,000

SIMEON BRAGUIN acrylic on canvas 86 x 107 cm (34 x 42 in.) signed and dated on the reverse

SIMEON BRAGUIN acrylic on canvas 76 x 86 cm (30 x 34 in.) signed and dated on the reverse

141ď ś

PAUL JENKINS 1923-2012 (American)

Phenomena Nimbus Sounds, 1976 acrylic on canvas 97 x 138 cm (38 x 54 in.) signed lower right, signed, dated and titled on the reverse

PROVENANCE: Private collection, Tokyo.

Private European collection.

$24,000-28,000

142ď ś

ANDY WARHOL 1928-1987 (American)

Truck, 1985

color screenprint on Lenox Museum Boar, aside from the edition of 60, printed by Rupert Jasen Smith, published by Hermann Wunsche, Bonn, Germany 100 x 100 cm (39 x 39 in.) signed and inscribed 'HC 2/15' lower right LITERATURE: F.Feldman & J.Spellmann, n.370.

$25,000-30,000

144→

ROY LICHTENSTEIN 1923-1997 (American)

Still life with crystal bowl, 1976

143

TOM WESSELMANN 1931-2004 (American)

Bedroom face, 1977

aquatint in colors on Arches paper, published by Multiples, Inc., New York, with their blindstamp and the blindstamp of Aero Press 57 x 76 cm (22 x 30 in.) signed and dated, numbered ‘64/75’

$9,000-12,000

screenprint and lithograph on BFK Rives paper, published Multiples, Inc. and Castelli Graphics, New York, printed by Styria Studio, New York 96 x 125 cm (38 x 49 in.) signed, dated and numbered ‘13/45’ lower right PROVENANCE: Private collection, North Carolina.

LITERATURE: Corlett, 150.

$18,000-24,000

145ď ś

ROY LICHTENSTEIN 1923-1997 (American)

Sunrise, 1965

offset lithograph, published by Leo Castelli Gallery 44 x 59 cm (17 x 23 in.) signed lower right LITERATURE: Corlett, II.7.

$9,000-12,000

147

KEITH HARING 1958-1990 (American)

Dancer, 1984

felt-tip pen on the content page of the exhibition catalogue Figuration libre, France-USA, Modern Art Museum, Paris, December 20, 1984-February 17, 1985 12 x 8 cm (5 x 3 in.) signed and dated in center PROVENANCE: Private collection, France.

Sale: Cornette de Saint Cyr, May 14, 1993, lot 109.

Private collection.

$3,500-5,000 147

146

KEITH HARING 1958-1990 (American)

The man in the man, 1989 felt-tip pen on paper 15 x 10 cm (6 x 4 in.) signed, dated and inscribed ‘for Erwin’ lower center

PROVENANCE: Private collection, gift of the artist to hotel employee at the Breidenbacher Hof, where the artist stayed.

$6,000-8,000

148

DIMITRY GERRMAN b.1955 (Belarussian)

Playing boys, 1995

bronze on granite base 46 x 86 x 10 cm (18 x 34 x 4 in.) signed, dated and numbered ‘1/7’ on the base

$8,000-12,000

149

KEITH HARING 1958-1990 (American)

Untitled, 1987

lithograph on wove paper 65 x 80 cm (26 x 31 in.) signed, dated and numbered ‘43/170’ lower right LITERATURE: Klaus Litmann, Hatje Cantz Verlag, Keith Haring, L’Oeuvre imprimé complet, Editions Hatje Cantz, 1997, p.84 (illustrated).

$12,000-15,000

150

KEITH HARING 1958-1990 (American)

Untitled, 1988

felt-tip pen on denim 52 x 62 cm (20 x 24 in.) signed and dated lower right

$3,800-4,500

151

ROBERT INDIANA b.1928 (American)

White on black chosen love, c.1995

hand tufted wool tapestry, for Master Contemporary Original Artist Rugs 300 x 300 cm (118 x 118 in.) signed and numbered ‘35/125’ on the label on the reverse

$8,000-10,000

152

YVES KLEIN 1928-1962 (French)

Table bleue

glass, plexiglass and IKB pigment, edition started in 1963 38 x 125 x 100 cm (15 x 49 x 39 in.) signed and numbered on label on the base LITERATURE: Jean-Paul Ledeur, Yves Klein, Catalogue raisonné des éditions et sculptures éditées, Knokke, 2000, p.53.

$12,000-15,000

153

ARNO b.1975 (French)

Crowd, 2015

cut steel and polychrome 80 x 25 x 20 cm (31 x 10 x 8 in.) signed and dated on the base

$2,000-3,000

154

ARMAN 1928-2005 (French, American)

Violon pizzaiola, 2004

bronze with gold patina on black marble base, Trewell editor 72 x 20 x 18 cm (28 x 8 x 7 in.) signed and numbered ‘47/99’ lower right LITERATURE: Catalogue raisonné, p.132, n75.

$4,500-6,000

155

ARMAN 1928-2005 (French, American)

Untitled, 2004

bronze brown, black and gold patinas, edition of 8 plus 4 artist’s proofs 107 x 60 x 60 cm (42 x 24 x 24 in.) incised with artist’s signature and numbered ‘1/8’ on the base This work is recorded in the Arman Studio Archives New York under number APA# 8306.04.003.

$38,000-45,000

156

ALEXANDER CALDER 1898-1976 (American)

Sun and moon, 1975

gouache and ink on paper 55 x 74 cm (22 x 29 in.) signed and dated lower right, inscribed ‘26411A / 72’ on verso PROVENANCE: M. Knoedler & Co, Inc., New York.

Irving Galleries, Palm Beach, USA (label on the reverse).

Private collection (with 1979 appraisal by Irving Luntz), Harrison, NY, acquired from the above in 1979.

Private collection.

$90,000-120,000

157

ALEXANDER CALDER 1898-1976 (American)

Faux vitrail, 1970

gouache on paper 108 x 75 cm (43 x 30 in.) signed and dated lower right PROVENANCE: Galerie Maeght, Paris.

Sale: Sotheby’s New York, June 23 and 24, 1980, lot 347A. Private collection, New York, acquired at the above sale.

Sale: Sotheby’s New York, November 12, 2009, lot 284.

Private collection, Miami.

Puccio Fine Art, New York.

Private collection.

$40,000-50,000

←158

159

1900-1969 (Russian)

1900-1969 (Russian)

Composition in red, yellow, blue, green and gray model for fabric, 1946, number 26950

Composition, 1966

SERGE POLIAKOFF

gouache on paper 65 x 50 cm (26 x 20 in.) signed and numbered ‘26950’ lower right

PROVENANCE: Former collection of industrial manufarture of fabrics Galerie Sur cour, Paris.

Private collection, Paris.

Private European collection.

LITERATURE: Alexis Poliakoff, Serge Poliakoff: Catalogue Raisonné 1922-1954, Acatos, 2004, p.262-264 (illustrated).

Accompanied by a certificate of authenticity signed by Alexis Poliakoff, dated May 24, 2000, numbered 846062.

$40,000-50,000

SERGE POLIAKOFF gouache on paper mounted on cardboard 47 x 62 cm (19 x 24 in.) signed lower right PROVENANCE: Anon. sale: Christie’s Amsterdam, May 31, 1994, lot 376.

Private collection, acquired at the above.

Opera Gallery, Paris.

Private European collection, acquired from the above.

This work will be included in the forthcoming Serge Poliakoff Catalogue raisonné currently being prepared by Alexis Poliakoff.

$55,000-70,000

160

VICTOR VASARELY 1906-1997 (Hungarian, French)

Laika, 1956

gouache and tempera on cardboard 40 x 32 cm (16 x 13 in.) signed lower center, signed dated, titled and inscribed ‘P24’ on the reverse PROVENANCE: Imre Pan Mezei, Budapest, c.1963.

Private Collection, Toronto.

Private European collection.

LITERATURE: Werner Spies, Vasarely, 1969, p.13 (a similar work entitled Laika II illustrated, p.41).

Pierre Vasarely has kindly confirmed authenticity of this works. This work will be included in the forthcoming catalogue raisonné de l’oeuvre peint de Victor Vasarely, currently being prepared by the Fondation Vasarely, Aix-en-Provence.

$14,000-16,000

161

VICTOR VASARELY 1906-1997 (French)

Album Cinetique NB (portfolio of 9), 1975

silkscreens, published by Editions Denise René, Paris 83 x 83 cm (33 x 33 in.) signed lower right, numbered ‘77/250’ lower left

$2,000-2,500

162

YAACOV AGAM b.1928 (Israeli)

Étude carrée, 1965

oil on aluminium 40 x 60 cm (16 x 24 in.) signed, dated, titled, located and inscribed ‘to Nate and Jacqueline with friendship, Agam’ in English and in Hebrew on the reverse PROVENANCE: Marlborough-Gerson Gallery, New York.

Collection of Nicolas Landau and Jacqueline Goldman, acquired from above in 1966.

Private European collection.

$40,000-60,000

163

VICTOR VASARELY 1906-1997 (Hungarian, French)

Cyclon, 1984

acrylic on canvas 52 x 51 cm (20 x 20 in.) signed lower right, signed, dated, titled and numbered on the reverse PROVENANCE: Galleria Centro Steccata, Parme, Italy.

Private collection, Italy.

Private European collection.

Pierre Vasarely has kindly confirmed authenticity of this works.

This work will be included in the forthcoming catalogue raisonné de l’oeuvre peint de Victor Vasarely, currently being prepared by the Fondation Vasarely, Aix-en-Provence.

$28,000-35,000

164

VICTOR VASARELY 1906-1997 (Hungarian, French)

Vega-Pi, 1978-92

acrylic on canvas 100 x 100 cm (39 x 39 in.) signed lower right, signed, dated and titled on the reverse PROVENANCE: Michele Vasarely, Puerto Rico.

Private collection, London.

Private collection, San Francisco.

Private Collection, New York.

Privae European collection.

Conceived in 1978, this work was executed c.1992.

Pierre Vasarely has kindly confirm the authenticity of this work. This work will be included in the forthcoming catalogue raisonné de l’oeuvre peint de Victor Vasarely, which is currently being prepared by the Fondation Vasarely, Aix-en-Provence.

$80,000-100,000

165

YAACOV AGAM b.1928 (Israeli)

Magic rain, 1979

polymorph silkscreen 48 x 69 cm (19 x 27 in.) signed, numbered ‘93/150’ and dated on the reverse

$9,000-12,000

166

YAACOV AGAM b.1928 (Israeli)

Untitled, c.1990

prismograph 72 x 105 cm (28 x 41 in.) signed lower right and numbered ‘108/144’ lower right

$7,500-9,000

167

YAACOV AGAM b.1928 (Israeli)

2+3=4, 1981

polymorph silkscreen on folded PVC on plastic base 63 x 90 cm (25 x 35 in.) signed lower right and numbered ‘175/180’ lower left

$10,000-12,000

168

YAACOV AGAM b.1928 (Israeli)

Untitled, 1974

gouache on paper 90 x 73 cm (35 x 29 in.) signed and dated lower right

$23,000-26,000

169

YAACOV AGAM b.1928 (Israeli)

Pentateuch (The Five Books of Moses), 1992

polymorph on the cover of Pentateuch in a plexiglass box 29 x 23 cm (11 x 9 in.) signed lower center and numbered ‘669/750’ on the first page

$2,500-3,500

170

LEONID OBOLSKY b.1951 (Russian, Israeli)

Ballet

oil on canvas 80 x 100 cm (31 x 39 in.) signed lower right, signed again and titled on the reverse

$6,000-8,000

171

172

20th century (Chinese)

20th century (Chinese)

The charming piper

The lady of Eden

$1,800-2,500

$1,800-2,500

ROSANNA ZHANG gouache with glitter on rice paper 60 x 61 cm (24 x 24 in.) signed lower right

ROSANNA ZHANG gouache with glitter on rice paper 60 x 61 cm (24 x 24 in.) signed lower right

173

BEN AVRAM b.1937 (Israeli)

Hommage to Picasso oil on canvas 60 x 90 cm (24 x 35 in.) signed lowert left, signed again on the reverse

$6,000-8,000

Pablo Picasso. Les femmes d’Alger

Absentee Bid Form

Impressionist, Modern & Contemporary Fine Art Auction 13 October 2015 8:00 pm Matsart Gallery, Jerusalem

Matsart Auctioneers & Appraisers

Absentee bids should be received 24 hours prior to the auction. Matsart will confirm receipt of bids. If you do not receive confirmation, please contact bid department at +972-2-6251049. Please fax bids to +972-2-6257779 or email bids@matsart.net

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CONDITIONS OF SALE The auction will be conducted by the auctioneer's representatives of Matsart Auctioneers & Appraisers (Matsart). Unless otherwise specified, Matsart is acting as an agent on behalf of the seller. The contract for the sale of the property is between the seller and the buyer.

The auctioneer has sole discretion and authority at any time to determine the winner in the auction or to withdraw any lot or lots from the sale or to re-offer and resell any lot, all according to his sole judgment, including yet not limited to prior to the auction, during the auction, and following the auction. Purchasing an item is legitimate only when the auctioneer lowers his hammer and announces a card number of a participant in the room or a bidder in writing or a bidder by phone or by internet. Notwithstanding the above, it is the auctioneer’s sole judgment to reopen a lot and/or cancel a sale. The auctioneer reserves the right to reject any bid.

The prices quoted in the catalogue are estimate prices of the lots. These prices are estimates, normally different from the minimum prices.

A sale will be only at the minimum price or above, all according to the auctioneer’s discretion. If, in the auctioneer’s opinion, any opening bid is below the reserve of the lot, he may withdraw the lot from the sale. Following an opening bid, the auctioneer may reject further bids if, in his opinion the advance is not sufficient.

All lots are sold "as is". Neither Matsart nor the seller makes any express or implied warranty of any kind with respect to the description, attribution, literature, former owners, period, provenance, condition and/or frame concerning the lots offered in the auction. No statement in the catalogue or in the sale or the invoice or the bill of sale given to purchasers shall be deemed such a warranty. All bidders are responsible to examine the work and its condition and its authenticity prior to bidding. It is important and recommended to examine all items before bidding. The details of this exhibition are published in the catalogue.

Condition reports and catalog entries are to be used as guidance only by the buyers. Prior to bidding, bidders should personally inspect the lots. Following the auction, if the bidder has questions regarding authenticity and wishes to show the work to a recognized expert (acceptable to Matsart), the item must be paid for in full and the buyer must arrange (at his expense) to show the work to the expert and receive a response within 30 days following date of sale. Prior arrangements must be made with Matsart to allow that payment be withheld from the seller. Should the expert declare that the painting is not authentic, Matsart will refund money paid for lot (less expenses) under the condition that confirmation of lack of authenticity is received within 30 days of sale. To remove all doubt, following 30 days, Matsart will have no responsibility.

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Matsart accepts no liability for such errors.

Unless otherwise indicated, all lots are offered subject to a reserve price. This reserve will not exceed the low estimate. The reserve price is the minimum price for which the item will sell and is confidential. The auctioneer may open bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve by placing successive or consecutive bids for a lot, or by placing bids in response to other bidders.

The highest bidder acknowledged by the auctioneer shall be the buyer (as above), from among the bidders present in the auction room at the time of sale or the bidders in writing or by phone. The bidders in writing or by phone authorize Matsart representatives to represent them and to bid on their behalf at the time of auction in the interest of purchasing.

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Payment for the article, plus a buyer’s premium of 25% on the first $100,000, 20% on all sums beyond $100,000 (per lot), and 12% on sums beyond $1,000,000 (per lot) plus all local taxes where applicable, will be paid in full immediately and not later than three days from the date of sale. From the seller we deduct seller's commission plus local taxes on commission where applicable. Payment will be accepted only in these manors: Checks drawn on US or Israeli banks, money transfers, Credit cards: Visa, American Express and Mastercard (with an addition of 3.5% on total payment via credit card). All bank fees in regards to transfers, both those of the buyer and those of Matsart, are the responsibility and at the expense of the buyer.

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Unsold lots will be returned to their owner. Sale of a lot by Matsart after the auction is legitimate and will be guided by the same conditions as those that apply to items sold at auction.

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Z v o n i m i r m i h a n o v i c ( b . 1946)

( d e ta i l ) M y G r a n d fat h e r ’ s V i l l a G e |

oil on linen

| 32

1/2

x

38

1/2

inches

| WFG© 134794

WA L LY F I N D L AY G A L L E R I E S N E W Y O R K • PA L M B E A C H

n eW Y ork : 124 e ast 57 th s treet • n eW Y ork , nY 10022 • (212) 421 5390 P alm b each : 165 W orth a venue • P alm b each , Fl 33480 • (561) 655 2090 WWW.WallYFinDlaY.com

EST. 1870

ART WALLY FINDLAY

index Abel-Truchet, Louis

6

Jenkins, Paul

141

Adler, Jankel

119

Kisling, Moïse

42, 46-47

Adrion, Lucien

88-90

Klein, Yves

152

Agam, Yaacov

162, 165-169

Korovin, Konstantin Alexeyevitch

9

Aizpiri, Paul

112-113

Le Pho

67

Akimov, Nikolai Pavlovich

126

Levitan, Isaak Il’ich

11

Anglade, Gaston Vincent

23-24

Lichtenstein, Roy

144-145

Arman

154-155

Lorjou, Bernard

80

Arno

153

Maclet, Elisée

100-105

Bardone, Guy

81

Malfroy, Charles

25-26

Ben Avram

173

Manzana-Pissarro, Georges

29-31

Bofill, Joan Beltrán

133

Marquet, Albert

41

Bombois, Camille

106-107

Milliere, Maurice

18

Braguin, Simeon

139-140

Miró, Joan

63-65

Brancusi, Constantin

117

Moretti, Lucien Philippe

84-85

Calder, Alexander

156-157

Mühl, Roger

76

Canu, Yvonne

93

Neal, Charles

131, 134

Cavaillès, Jean Jules Louis

68-69

Obolsky, Leonid

170

Chagall, Marc

48-54

Pailes, Isaac

122

Charchoune, Serge

118

Paul, Gen

73

Charreton, Victor Leon

12

Perahim, Jules

125

Constant Constantinovsky, Joseph

116

Picasso, Pablo

55-62

Còrtes, Edouard Léon

7

Pinchon, Robert Antoine

14-15

Cucuel, Edward

86

Pissarro, Camille

27

de Ganay, Isabelle

135

Pissarro, Hugues Claude

35-38

de la Villéon, Emmanuel Victor Auguste Marie

17

Pissarro, Lucien

28

de Saint-Delis, Henri Liénard

39

Pissarro, Paul-Emile

32-34

Dobrinsky, Isaac

87

Poliakoff, Serge

158-159

Dufy, Jean

108

Quizet, Alphonse Léon

95-98

Dyf, Marcel

82

Rochegrosse, Georges Antoine

2

Fontaine, P.

16

Sasi, Naomi

91-92, 94

French Impressionist School

19-20

Scheiber, Hugo

121

French School

99

School of Coypel

3

Friesz, Achille Emile Othon

40

Sébire, Gaston

132

Galien-Laloue, Eugène

8

Gall, François

70-72, 75

Gerrman, Dimitry

148

Gisson, André

78-79

Gleizes, Albert

13

Gorriti, Gilles

136-137

Gorter, Arnold Marc

21

Hambourg, André

77

Haring, Keith

146-147, 149-150

Herman, Josef

123-124

Herrera, José Herrerilla Cruz

83

Indiana, Robert

151

Jaulmes, Gustave Louis

1

Serebryakova, Zinaida Evgenievna 10 Simbari, Nicola

138

Somm, Henry

4, 5

Tobiasse, Théo

127-130

Unknown artist

120

Utrillo, Maurice

44-45

Valtat, Louis

43, 74

Vasarely, Victor

160-161, 163-164

Venard, Claude

109-111, 114-115

Vu Cao Dam

66

Warhol, Andy

142

Wesselmann, Tom

143

Widhopff, David Osipovich

22

Zhang, Rosanna

171-172

Benjamin Mizrahi | Production Manager sdmb49@gmail.com • Ivan Bogod | Graphic Designer netglobe@gmail.com Nitzevet Krief | Photography nitzevet.krief@gmail.com

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