DESIGN DECOR +
DESIGN +DECOR
VOLUME 21 ISSUE 6 | 2024
Editor-in-Chief Matthew J. Kolk mk@dd-mag.com 203-820-1092
Contributing Writers
Deborah Brannon, Lisa Gant, Shehla Lucanera, Alder Grove, Danielle Porter, Hunter Powell, Meryl Siegman, Anna von Stelzer-Worth,
Contributing Photographers
Jane Beiles, Michael Biondo, Phillip Ennis, Tria Giovan, John Gruen, John Hannon, Paul Johnson, Neil Landino, Mark La Rosa, Tim Lee, Daniel Milstein, Durston Saylor, Eric Stri er, Amy Vischio, Jonathan Wallen, Woodru /Brown Photography
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Design + Decor is published six issues per year. To subscribe: www.dd-mag.com; Back issues can be purchased at www.dd-mag.com. For editorial inquiries, please contact the Editor, Design + Decor, 349 Forest Hills Boulevard, Naples, Florida 34113, or e-mail mattkolk@me.com. For advertising inquiries please call Shelley McCormick at 203-545-7091. Reproduction, whole or in part, without permission is prohibited. All projects described in this publication are for private, noncommercial use only. No rights for commercial use or exploitation are given or implied. The opinions expressed by writers for articles published by Design + Decor are not necessarily those of the magazine.
Embracing the Future of Architecture—Sustainability, Innovation, and Wellness
As we turn the final page of this year’s journey, it feels fitting to reflect on the evolution of the spaces we live, work, and play in. Architecture, the art of shaping our built environment, continues to be at the forefront of transformation, responding to the pressing demands of our time—climate change, technological advancement, and a renewed focus on wellness. In this last issue of the year, we delve into an inspiring conversation with some of the most visionary architects and builders, all of whom are shaping the future of our cities and homes through sustainability, innovation, and a deep commitment to human well-being.
The challenges of the past few years have sparked an incredible wave of creativity within the architecture and building industries. What was once an industry driven primarily by aesthetics and function is now increasingly defined by the need to create spaces that are not only efficient and visually striking, but also restorative, environmentally conscious, and adaptable to the ever-changing needs of their inhabitants. As our built environments continue to grow and evolve, architects and builders are now tasked with finding new ways to integrate sustainability into every facet of their designs—from the materials they use to the technologies they implement. In our special feature, we hear directly from these forward-thinking professionals about how they are embracing cutting-edge, sustainable building practices, and how their work is addressing the growing demand for green buildings, net-zero homes, and eco-friendly urban planning. We explore the latest innovations that are transforming the way we think about the relationship between architecture and the environment, and how these innovations can create not only energy-efficient structures but healthier, more holistic spaces that nourish the people who inhabit them.
But sustainability is just one piece of the puzzle. The architecture of tomorrow is equally focused on wellness—a growing movement that recognizes how our physical surroundings influence our mental and emotional health. Whether it’s through the incorporation of natural light, the use of biophilic design principles, or the focus on indoor air quality, today’s architects are more attuned than ever to the impact of design on our overall well-being. This issue highlights the architects who are championing wellness in their designs, creating spaces that not only function but heal and inspire.
Innovation, too, plays a crucial role in this new wave of design. From cutting-edge building materials to the integration of smart technologies, the future of architecture is one where efficiency meets creativity. We’re seeing smart homes that adapt to their occupants’ needs, structures built with materials that can regenerate, and even entire cities designed with technology at their core to create a seamless blend of the digital and physical worlds. These advances not only promise to make our built environments more sustainable, but also more responsive and connected to our daily lives.
As we look ahead to the future of architecture, one thing is certain: the role of the architect and builder has never been more integral to shaping a world that is both more sustainable and more attuned to the needs of the people who live within it. The innovative work being done today is laying the foundation for a more responsible, thoughtful, and enriching tomorrow. In this issue, we highlight where we bring the architects and builders together for our annual round table. This is a behind closed door event where I moderate a discussion on topics that are on the forefront of architecture and building industry. By having the event behind closed doors, it fosters deeper conversations in a safe space amongst our peers. Innovative ideas and collaborations are the end results.
Thank you for joining us in exploring the future of architecture. It’s an exciting time to be part of this conversation, and we can’t wait to see what unfolds as we continue to push boundaries, embrace innovation, and build spaces that nurture both the planet and its inhabitants.
Wishing you a sustainable, innovative, and wellness-filled year ahead
Matthew J. Kolk Editor in Chief
DESIGN
Everything that Glitters
Beautiful finds that add a little bling to your home
1. Covet House The internationally renowned art spot and one of the most significant architectural icons of the 20th century, the Guggenheim Museum, has inspired the concept of this astonishing cabinet. Boca do Lobo believes the Guggenheim cabinet fits between the finest and most elegant pieces of its collections. 2. Castro Interiors Crafted with the finest materials and attention to detail, the Marie Tea Cart is the perfect blend of form and function. Its sleek and modern design makes it a versatile piece that seamlessly fits into any interior design style. 3. HOUSE OF HOMMÉS Leafus suspension lamp unveils a subtle breeze of fresh and modern design. This luxury suspension lamp is full of sophistication with an organic and elegant shape. 4. HOUSE OF HOMMÉS Giulia Sofa is a modern mid-century style sofa. This luxury sofa promises to be the absolute protagonist of a modern living room project. 5. HOUSE OF HOMMÉS Moa armchair is a modern chair composed of exquisite materials. A contemporary design armchair upholstered suede is ideal for a contemporary interior design project. Its base and seat express a solemn geometry that reveals the modern identity of the space. 6. Boca do Lobo Gilded Design | Hera Gold Pendant Lamp. As the Queen of the Greek Gods, Mother of Nature, and the embodiment of Honour and Maternity, Hera represents the blossom of a golden new era full of life and inspiring beauty. 7. Castro Interiors Susan Chair celebrates beauty in the delicacy expressed through a spellbinding design. Replete with prominent elements that secure the piece’s singularity this chair was blessed with a pinch of delicate and warm feminine charm, being beyond more than just beautiful. 8. Boca do Lobo The Lapiaz Fireplace Cabinet takes exceptional craftsmanship and design to a new realm. Finding beauty in the most unexpected places, this contemporary design piece is inspired by authentic karst formations.
The Mesmerizing Allure of Mosaic Tile
Celebrity designer Ryan Saghian collaborates with Artistic Tile to pro duce a showstopping mosaic tile.
WRITTEN BY SHEHLA LUCANERA
Internationally celebrated interior designer and bestselling author Ryan Saghian has added enchantment and glamour to the world of tile with his seductive collection titled “Metamorphosis.” Ryan collaborated with innovative tile producers Artistic Tile to create the mixed finished stone masterpiece that cuts vivid geometric patterns in hues of rich burnt red, brass, ivory and deep sage. A visual delight in its bold colors and forms, this fine tile begs to be touched in true trompe-l’oeil fashion, as its dimensional triangles and trapezoids mesmerize the eye. The Metamorphosis tile collection evokes a European romantic charm while elevating modern creativity and daring.
Author of the design book and memoir titled Unapologetically Chic, Ryan Saghian is renowned for his signature style of strikingly bold interiors that capture a narrative with opulent beauty and a touch of classic Hollywood mystique. Artistic Tile, with locations across the U.S., is recognized for its remarkable craftsmanship in producing exquisite tile and for leading the industry in exciting new design movements.
Design + Decor spoke with Ryan about how he worked with Artistic Tile to create the extraordinary Metamorphosis design.
D+D: How did your collaboration
with Artistic Tile come about? Please tell us about the original art piece that inspired the Metamorphosis dimensional tile.
Ryan: The collaboration with Artistic Tile was born out of a mutual admiration for bold design and craftsmanship. I had been working on an abstract sculptural piece for a personal project when I realized its potential as a functional art form. The piece had sharp, dynamic angles and an interplay of light and shadow that I felt could translate beautifully into a three-dimensional tile. I approached Artistic Tile because of its unparalleled expertise in mosaics and reputation for pushing the boundaries of design. Together, we re ned the concept into Metamorphosis, a striking blend of brass and natural stone that embodies both classic elegance and modern sophistication.
D+D: Please explain how the magic happened. Have you always been pro cient working with arti cial intelligence (AI) to create beautiful designs?
Ryan: I wouldn’t say I’ve always been pro cient with AI—it’s a relatively new tool in my creative arsenal—but I’ve embraced it wholeheartedly as a way to enhance the design process. For Metamorphosis, AI was instrumental in helping me iterate on the patterns and proportions. It allowed me to explore endless possibilities quickly, testing di erent combinations of materials, angles and layouts until we found the perfect balance. While AI was a tool, the nal design still re ects my vision, honed by years of creating interiors that are bold, raw and re ned.
D+D: What were your thoughts when your artistic vision
came to life? What did you think when you rst saw and held the mosaic tiles you designed?
Ryan: It was a surreal and deeply gratifying experience. Seeing Metamorphosis materialize from a digital concept to a tangible, beautifully crafted tile was like watching an idea breathe its rst breath. The texture of the brass against the red stone, the way the facets catch the light—it exceeded all my expectations. Holding the tile for the rst time felt like holding a piece of art, but one that can transform spaces in ways I’ve always dreamed of. It was a proud moment, not just for me but for the entire team that helped bring it to life.
D+D: How can these beautiful tiles be incorporated in residential and commercial design? Please share some fun ideas to inspire creativity. Ryan: Metamorphosis o ers endless possibilities for both residential and commercial spaces. In a home, it can be the centerpiece of a dramatic replace surround, a backsplash that elevates a kitchen, or an accent wall that transforms a powder room into a jewel box. For commercial spaces, it’s perfect for creating statement walls in hotel lobbies, upscale restaurant interiors, or even elevator cabs where you want to leave a lasting impression. The bold geometric pattern and rich materials can adapt to both minimalist and maximalist aesthetics, depending on how it’s paired with other nishes.
Resource: Ryan Saghian Interior Design Studio , Ryan Saghian, Principal; 424.253.7388; ryansaghian.com. Artistic Tile, Locations in Chicago, New Jersey, Nashville, New York and San Francisco; 877.237.4097; artistictile.com
A Sneak Peek at Outdoor Kitchens for 2025
A conversation with Daniel Germani of Brown Jordan Outdoor Kitchens and Danver Stainless Steel Outdoor
WRITTEN BY SHEHLA
Kitchens
LUCANERA
Enjoying food and drink outside is one of the true delights of homeownership. Whether your backyard haven is sprawling and spacious or an intimate patio nook, every homeowner can enjoy a quality outdoor living space—so says Daniel Germani, creative director of both Brown Jordan Outdoor Kitchens and Danver Stainless Steel Outdoor Kitchens. Here, Daniel shares a preview of what to expect for outdoor kitchens in 2025.
Consumers are doing their research and requiring that their outdoor kitchen spaces be resilient and attractive for years to come. The teams at Brown Jordan Outdoor Kitchens and Danver Stainless Steel Outdoor Kitchens engineer their products to weather the elements year after year, recognizing that sustainability means their products are a cherished mainstay of the home, adding lasting value and aesthetic appeal to the outdoor space.
The outdoor kitchen trends for next year lean towards exceptional materials and durability, while celebrating organic colors and luxurious aesthetics. The eternal appeal of stainless steel will continue into 2025, as it’s easy to clean and able to weather the outdoor elements. “Stainless steel remains a top choice because of its durability, sleek appearance and low maintenance,”
says Daniel. “It is resistant to rust, corrosion and stains, making it ideal for outdoor environments. Additionally, its timeless look blends easily with various design styles, ensuring it stays relevant over time.”
No matter the size of your outdoor space, Brown Jordan and Danver feature a collection of products that can be adapted to clients’ needs and preferences. A cozy city patio can be transformed with a fine grill and counter space that is highly functional, durable and spectacular-looking, bringing the joy of outdoor cooking to an intimate space. “Danver’s modular outdoor kitchens are designed to be flexible, allowing them to adapt to any space, big or small, urban or suburban,” says Daniel. “Its modular units can be arranged to suit infinite layouts, making them perfect for a variety of outdoor areas, from compact balconies to expansive backyards.”
Outdoor kitchens will also focus on sustainability, with
multitasking products that are decidedly functional without compromising personal tastes. A rising young consumer group, Generation Z, is communicating to companies that they want not just a great product, but an ethically sourced one built by a company they trust. “For Gen-Z, key factors include sustainability, functionality and personal expression,” says Daniel. “They want products that are eco-friendly and durable, and align with their values. Ultimately, they want products that are both responsible and stylish, without compromising on quality or design.”
Color inspirations for the outdoor oasis include vibrant organic shades and clean, crisp neutrals. “Salmon red, sage and brown tones are becoming popular for their soothing, natural vibe, blending well with greenery and organic surroundings,” says Daniel. “Neutrals like taupe and gray, paired with metallic accents on cabinetry, are
also trending, offering a balance between warmth and sophistication while reflecting modern outdoor living.” All shades pair well with the versatile look of stainless steel, which serves as a neutral in the outdoor living space.
Known for offering superior American-made products that are durable with a luxurious look and feel, Brown Jordan Outdoor Kitchens and Danver Stainless Steel Outdoor Kitchens are ready to help clients create exceptionally striking outdoor kitchen spaces that foster warm memories and elevate the quality of their lives. ◆
Resource: Brown Jordan Outdoor Kitchens, Daniel Germani, Creative Director; 203.599.3665; brownjordanoutdoorkitchens.com.
Danver Stainless Steel Outdoor Kitchens; 203.699.6838; danver.com
REVIVING THE PAST
Architect Charles Hilton achieves a sensitive, modern update to a century-old Greenwich residence while preserving its historic charm.
CONVERSATION WITH CHARLES HILTON u WRITTEN BY ANN KAISER u IMAGES BY ROBERT BENSON
Architect Charles Hilton wanted to bring a fresh style to this Connecticut home’s tired bones. His clients, a fashionable young couple with two small children, were moving from New York City into this beautiful residence in central Greenwich. They loved the charm and grace of the century-old house, but wanted the function of a more forward-thinking design.
Situated on a parcel of land that was once part of a Rockefeller homestead, this 1920s English-Georgian-Colonial hybrid home features a handsome brick façade, with all the stately architectural features of the great country revival homes of the era. To reach the house, which is majestically sited on a hillside, guests drive up into a welcoming front courtyard, and are greeted by a handsome façade of soft brown brick, covered in English ivy. The warm brick is complemented by a striated cool-gray slate roof and a classically detailed limestone surround at the front entry. Mature landscaping and a rolling lawn help give the estate an English country feel, enhanced by the neighborhood’s quiet woodland setting. The home was built at the end of the age of gilded glamour, and could certainly host a Downton Abbey-worthy affair. When the homeowners purchased it, the formal spaces were
still in good condition, well detailed and perfectly sized for entertaining. But the more private spaces, where the family members would do most of their day-to-day living, weren’t being used to their full potential.
Though the home had been renovated since it was built a century ago, the most recent updates were made decades in the past. While much of the original character had been preserved, the spaces had become dated and tired.
The left wing of the house, which had functioned as service areas and staff bedrooms, still were a jumble of small, dark spaces with low ceilings. Despite its adequate size, the whole section felt tight and constrained. Over the years, as family life has changed, the layouts and structures of our homes have shifted. What functioned well generations ago, for families with live-in staff, feels cramped and closed off now. “People just live differently today,” says Charles Hilton, whom the homeowners sought out to renovate their home. The couple wanted more connected family spaces and abundant natural light—and this 1920s layout did not support that style of living.
The more formal rooms were well maintained and
The exterior of the house is definitely polished and proper, but has a refined ease as well. Though there’s drama and high design inside and out, guests feel welcome in the whimsical spaces.
In the dramatic entryway, Redd
mixed a custom wallpaper from
carpet from
Down the front hall, there’s a view of the living room and sunroom beyond.
freshened up the trim around windows and doors, and
and
added the sky blue paint to pick up the colors of the countryside scene in the paper.
Kaihoi
Iksel with leopard-print
Patterson Flynn Martin.
Hilton
Redd
Kaihoi
nicely sized, so Charles focused most of his attention on transforming the service wing into a more functional suite of family living spaces. That meant improving circulation and connection between highly trafficked spaces like the family room and kitchen, which he accomplished by opening up smaller rooms and finding ways to bring in more sunlight. He cleared things out, refreshed and reconfigured, enhancing in some places and stripping back in others. He addressed structural issues, including a leaking roof and older windows and doors that needed replacing, and updated the electrical and mechanical infrastructure that inevitably comes with an older build. A new mudroom gives parents and kids a place to hang coats and drop muddy or snowy shoes as they come in from the outside. Upstairs, the couple wanted to add more bathrooms to accommodate the multiple bedrooms, so Hilton carved out en suites for all.
The changes are significant but, in many ways, still subtle. The finished project is not a total overhaul of style or character but, rather, a respectful updating of the existing structure. “There are times when you need and want to be bold, and there are times when restraint and respect for what is already there is really import -
ant,” says Charles. “Here, we tried to exercise a good deal of restraint, complementing and supplementing the existing architecture so everything looks appropriate and functions well.” Charles’ work also created a backdrop for the bold stylings of interior designer Miles Redd, who chose a saturated color palette of emerald greens and sky blues, and a showstopping array of printed wallpapers that bring a youthful exuberance to every space. “We cleaned and brightened it up, and Miles added a lot of fun touches to the interiors,” says Charles with a laugh. Miles is known for his quirky, sophisticated glamour, and he applied it liberally in this space, working with the family to bring freshness and a little fantasy to every corner of the house. “The couple wanted a bit of English country house,
In the comfortable family room, the family can spread out or curl up on the cushy sofa, which sits under one of a pair of commissioned paintings by Tim Kent. Another Iksel wallpaper in shades of blue, white and gray adds even more oomph.
Faux-bois detailing and goldleaf borders by artist Agustin Hurtado complement a hand-painted Gracie wallpaper in the dining room. The family can make a cozy fire in the wintertime, or throw open the windows to enjoy the summer landscape. Moses Soyer’s “Girl with Kerchief” hangs over the fireplace. The luscious green powder room, with its leafy valance bold patterns floors, is off the entry hall.
because the house lent itself to that,” says Miles, “but most of all, they are a family with young kids, and wanted a house they could make some happy memories in.” The architecture and interior design choices complement each other beautifully throughout the residence. In the entryway, Charles smoothed out damaged areas, perked up tired details with a refinished handrail, and cleaned up and repainted balusters. Adding trim around the windows and doors—which then got a pop of sky-blue paint—makes Miles’ choice of wallpaper even more dramatic. The forest scene extends from floor to ceiling, and from the top of the spiral staircase all the way down the front hall. “The house is in a bucolic setting, and we wanted to bring the feeling of the outside inside,” says Miles of the paper’s woodland scene. A simple glass chandelier adds light without pulling focus.
Creating better connection between indoors and outdoors was a directive that both design pros took seriously. Charles’ work opened up the interior-focused spac -
The breakfast room off the kitchen is all about the light, with a new bay window and a bright, slightly more paredback design than the rest of the house. The blue-and-white palette goes all the way down to the patterned floors.
es with more sources of light and views of the outside, while several wallcoverings chosen by Miles depict floral or forest motifs. In the dining room, a Gracie wallpaper with blossoming trees wraps around a fireplace, and large windows are flanked by bold striped drapes. In the breakfast room, Charles replaced the Dutch door and swapped two small windows for a large bay window that frames views of the garden and winding driveway beyond. Miles used a brightened blue-and-white palette that almost sparkles in the sunlight, and added lots of seating around the breakfast table with an upholstered banquette and gracefully designed chairs. The new, more comfortable family room was created by gutting and reconstructing several smaller, ill-proportioned spaces. Charles added a second pair of French doors to match an existing set, so the room is now more open to the front and backyards. White trim around the doors and windows makes the bright blue wallpaper with climbing floral vines stand out.
The living room walls are upholstered in a vibrant green silk, with lapis-blue taffeta drapes on the windows. In the adjacent sunroom, Charles completely rebuilt the bar area, bringing in some modern texture with a Calacatta marble countertop and unlacquered brass fixtures and sink. Heavy pilasters were removed to reveal the full curve of the vaulted ceiling, which inspired Miles to paint it in multicolor stripes. The design gives the space a tented feel, further blurring the lines between the indoors
and outdoors. With a cleaner aesthetic, plush seating and windows capturing the view of the grounds all around, the family can enjoy the feel of entertaining alfresco, even in the colder months.
When it is warm enough to sit outside, however, the homeowners have another beautiful new place to relax or share a meal. On the rear patio, Charles replaced an old dark-green-and-white-striped canopy awning held up by rusting metal poles with a classical white pergola, and
The arched ceiling was calling out for a stripe, and Redd answers with a trompe l’oeil tented design by artist Agustin Hurtado. He went wild with pink and green floral chintz, Sanderson’s rose-printed Chelsea, on the furniture.
surrounded the structure with blooming flowers. It’s both a focal point of the rear landscape, and a place from which the family can enjoy the view.
The goal of this project was a seamless update that respected the past, but focused on the future—a tough challenge, but one Charles that achieved by artfully marrying the best of both eras. “Preserving the charm of historic elements while sensitively updating the plans and integrating modern amenities is challenging,” says the architect, “but not being able to pinpoint where history left off and where our design picks up is a feat unto itself—and one that we are especially proud of.” u
Resources: Architect: Charles Hilton Architects: Charles Hilton, Principal, Greenwich, CT , 203.489.3800; hiltonarchitects. com Interior Designer: Redd Kaihoi: Miles Redd, Partner, David Kaihoi, Partner, New York, NY, 212.674.0902 ; reddkaihoi.com
The exterior and grounds are just as striking and bucolic as the interior of the house. The yard already had lots of mature landscaping in place, but around the new pergola, hydrangeas now burst with summery color and countryside style
DINYAR WADIA
SHAPING OUR FUTURE
THE 2024 ARCHITECTS ISSUE
WRITTEN BY DANIELLE PORTER
Water’s Edge: Biophilic Design in the Home
In an age when our homes are more than just a shelter, a quiet revolution is taking place in architectural design. It’s a movement that recognizes our deep-rooted connection to nature, where water dances with light, and fresh air flows as freely as conversation. This revolution is biophilic design—architecture that speaks to our innate connection with the natural world, while embracing modern luxury. “Human beings must have been water creatures at one point in time,” muses Dinyar Wadia, principal of Wadia Associates, explaining that water features have become a signature element in his designs. At one particular residence, a reflecting pool creates a moat that guests walk over to reach the front door—a feature that brings daily joy to its owners and creates an unforgettable experience for visitors. Yet this dramatic element isn’t meant to shock; it’s inte -
grated so subtly that guests often don’t realize they’re crossing water until they’re already on their journey to the entrance.
Water features appear throughout his designs like a recurring melody: reflecting pools mirror the sky, subtle fountains provide gentle acoustics, and strategic aquatic moments connect different areas of the homes. These aren’t mere decorative touches; they tap into something deeper, more primordial in our nature. They create moments of tranquility and connection that residents experience every day.
Light also plays a starring role in Wadia Associates’ thoughtfully crafted spaces. In one home’s kitchen, mas -
sive sliding doors dissolve the boundary between indoor and outdoor living, while a carefully positioned skylight bathes the central island in natural illumination. “Nobody likes a dark home,” Dinyar explains. Even in walnut-paneled libraries that might traditionally feel heavy, huge windows transform these spaces into warm, inviting retreats. While water and light set the tone, fresh air flows through these homes by design. While this natural ventilation might occasionally make mechanical engineers cringe as it disrupts their carefully balanced systems, the architect insists on its importance for human well-being. “It’s good to have opened-up doors and windows,” he explains, noting how this simple feature can transform a space and the
human experience all at once.
The success of Dinyar’s designs lies in their subtlety. A skylight might be so perfectly positioned that residents don’t consciously notice it, yet it makes the space below infinitely more usable and enjoyable. Stone and masonry elements add texture and a sense of stability, grounding these modern homes in age-old building traditions.
Wadia Associates’ portfolio reveals that the firm isn’t just designing houses—it’s carefully orchestrating environments where every element serves both aesthetic and wellness purposes. The results speak for themselves: spaces that feel at once grand and intimate, modern and timeless, designed and natural. It’s architecture that doesn’t only shelter its inhabitants, but nurtures them, connecting them daily to the natural rhythms and elements that make us fundamentally human. u
Resource: Wadia Associates: Dinyar Wadia, Principal & Owner, New Canaan, CT , 203.966.0048; wadiaassociates.com
STUART DISSTON
The Art of Climate-Resilient Architecture
Along the coastline, where tides rise and storms intensify, architectural resilience is a necessary integration. With 95% of its projects hugging the coastline, Austin Patterson Disston Architecture & Design (APD) has become a master at crafting homes that don’t just weather storms—they embrace them, combining technical innovation with natural beauty in ways that redefine coastal living.
“I’ve lived on the water my whole life,” says Stuart Disston, the firm’s senior principal, “and I’ve watched it change dramatically.” This firsthand experience informs every aspect of the company’s designs, including foundation pilings driven 30 feet deep and windows engineered to withstand hurricane wind speeds.
True resilience isn’t just about fortification, however. At
a recent waterfront project, the team transformed what could have been a defensive stance against nature into an elegant dance with it. APD worked with landscape architect Diane Devore to blend the inside and outside as a thoughtfully designed lily pond that mirrors adjacent wetlands, creating a seamless visual flow from the home’s interior to the wild landscape beyond. What appears as pure aesthetics actually serves as sophisticated flood control—a perfect marriage of function and beauty.
The technical sophistication hidden beneath these serene surfaces is remarkable. Impact windows withstand 140mph winds while offering panoramic views. Houses are wrapped in breathable, waterproof envelopes and insulated with rockwool rather than spray foam, acknowledging both environmental and health concerns. Heat recovery ventilation systems ensure fresh air circulation in these hermetically sealed sanctuaries.
Even swimming pools, which might seem straightforward luxury features, are engineered against nature’s forces.
“Pools can become boats,” Stuart notes, describing how hurricanes have lifted entire pools from the ground. APD’s solution? Anchoring pools with pilings and tying them down with rebar, which transforms potential hazards into secure water features that enhance the landscape.
The firm’s approach to flood zones demonstrates particular ingenuity. Rather than fighting against FEMA regulations requiring homes to be elevated, APD embraces the challenge, creating elegant transitions between ground-level and living spaces. In one project, the company negotiated with environmental authorities to intentionally flood certain areas, a strategy that not only created more beautiful wetlands, but also helped control invasive species and earned permission for additional shoreline protection. This give-and-take with nature extends to every detail. A
barrier wall, positioned 75 feet from designated wetlands, becomes both a clear property boundary and an aesthetic element. Flood vents, required for water to flow through crawl spaces, are integrated so seamlessly they’re nearly invisible.
“Start with a great foundation and bones,” Stuart advises, but it is clear that the team’s work goes far beyond basic structure. Each project represents a delicate balance among regulatory requirements, environmental stewardship and architectural beauty. The result is architecture that doesn’t just survive in a changing climate—it thrives, proving that resilience and beauty can be one and the same. u
Resource: Austin Patterson Disston Architecture & Design: Stuart Disston, Senior Principal, Norwalk, CT , 203.255.4031; apdarchitects.com
MICHAEL HAWKES
In an industry often divided between custom architecture and prefabricated construction, Acorn Deck House Company has spent more than 75 years proving that homeowners don’t have to choose. By treating prefabrication as a sophisticated kit of parts rather than a limiting factor, the firm is creating homes that are as unique as their sites, while delivering the precision and efficiency typically reserved for modular construction.
“What’s old is new again,” explains Michael Hawkes, lead architect with the firm, describing the company’s approach to combining time-tested craftsmanship with cutting-edge sustainability. This philosophy comes to life in projects of all sizes. At the Headland project in Maine, western red cedar post-and-beam construction and tongue-and-groove decking create a warm dialogue with dramatic ocean views, while passive solar design quietly reduces energy demands.
Acorn Deck House’s commitment to natural materials runs deep—the company even crafts its own mahogany windows and doors in-house. This customization shines in its Monadnock project in New Hampshire, where handcrafted windows frame mountain views while contributing to the home’s modern yet warm aesthetic. “It allows us to create really open designs that connect deeply with nature and the site,” notes
Michael.
But perhaps most impressive is how this traditional craftsmanship merges with contemporary sustainability. The Summit residence, perched on a ledge with sweeping views of Boston, represents the pinnacle of this fusion—it’s not just net zero, but net positive, producing more energy than it consumes. This achievement stems from combining these state-of-the-art building envelopes and high-density insulation with renewable energy systems like geothermal and solar.
The Lincoln, in New Hampshire, is a cozy yet efficient home that demonstrates how passive solar design and natural connections don’t require grand scales to make significant impacts. Meanwhile, Seaside Modern, in Massachusetts, reimagines Cape Cod architecture through a contemporary lens, proving that regional traditions can evolve to meet modern environmental standards without losing their soul.
“We make it flexible for clients to take sustainability as far as they want to go,” Michael explains. This adaptability extends beyond energy efficiency—the firm’s panelized construction system allows for site-responsive designs that respect both the landscape and the homeowner’s vision. The result is predictable construction timelines and costs, superior quality control, and homes that feel anything but prefabricated. The
synthesis of old and new extends to every detail: Douglas fir laminated beams provide structural integrity while adding visual warmth, insulated sheathing meets updated energy codes while maintaining aesthetic flexibility, and traditional craftsmanship guides the implementation of modern building science.
What emerges is a new model for sustainable home building—one that honors architectural heritage while embracing innovation, achieves efficiency without sacrificing customization, and proves that the best solutions often come from bridging seeming opposites. After 75 years, this approach feels both revolutionary and timeless—just like the homes it creates. u
Resource: Acorn Deck House Company: Michael Hawkes, Lead Architect , Acton, MA , 800.727.3325; deckhouse.com
CAROL KURTH
Natural Rhythms: Elevated Sustainable Living
Imagine a home where chickens enjoy their own playground, bees buzz purposefully between garden blooms, and morning coffee comes with a view of butterflies dancing through carefully planned pollinator pathways. It’s daily life at Tango House—a realized vision of where sustainable architectural design and farm-to-table living blend seamlessly into one family’s story.
“The owners know each chicken by name,” says Carol Kurth, project architect and principal of Carol Kurth Architecture + Interiors. “There’s even a swing set in their geodesic dome coop, where you can watch the chickens play.” Playful details like this are plentiful at Tango House in Greenwich, CT, and while they might seem whimsical at first, these features clearly reflect a deeper commitment to creating an experience where the owners don’t just live on the land—they live harmoniously with it.
The house itself is a marvel of modern sustainable technology, with a multitude of systems hidden beneath its elegant façade, making the home as environmentally conscious as it is beautiful. Geothermal heating and cooling are the primary systems, fossil fuel is minimally used as a backup system, and solar panels are integrated to help offset electric consumption. Large glass expanses flood the interior with natural light
featuring ORNILUX bird glass: elegant marked etchings embedded within the glass that are invisible to the human eye, yet can be seen by birds, serving as a deterrent and saving hundreds of birds from injury during migration season.
It’s the synchronicity of the architecture and landscape where the magic truly comes alive. Instead of traditional manicured lawns, the property blooms with purpose. An integrated greenhouse supports gardens that overflow with vegetables destined for the family’s table, while flowering beds are carefully chosen to feed local birds and beneficial insects. As the homeowners’ landscape architect, Eric Groft, explains, “A historic farmer’s wall, preserved and rebuilt, creates a natural boundary between cultivated and wild spaces, telling the story of the land’s past while serving its present.”
Here, even the home’s waste has a purpose. A robust composting system transforms kitchen scraps into rich soil for the gardens, while the family’s beloved chickens provide eggs in shells so beautiful
they could be artwork. Beehives dot the property, their busy inhabitants helping to pollinate the gardens while producing honey harvested by local experts. The technology throughout the house works quietly in the background, like a well-orchestrated symphony. Smart lighting and shade systems adjust automatically to maximize natural light and minimize energy use. Even the home’s wooden exterior cladding was chosen with sustainability in mind—it naturally resists insects and rot, eliminating the need for chemical treatments and providing long-lasting protection from the elements. In a stunning collaboration, art meets purpose as sculptures adorn the property with intent. Sculptor David Harber was commissioned to create many of the pieces, one in particular that is placed perfectly on the landscape in front of the home: a series of three orbs with a golden internal glow. “There’s this magical moment when the sun hits the golden interior of these orbs in the rolling meadow,” Carol says. “It’s like the landscape itself is celebrating.”
The owners have not only embraced their role as environ -
mental stewards—they honor it. Opening their property for Audubon Society walks and sharing their sustainable practices with the community are two of the many ways they allow their property to contribute to the public. They’ve even preserved a fallen tree trunk, transformed by Eric Groft, into a fascinating collage for visitors to observe, illustrating how nature’s smallest creatures go about their daily lives.
This isn’t just a house that checks off sustainable living boxes—it’s a home that breathes with its environment, evolves with the seasons, and proves that living lightly on the earth doesn’t mean sacrificing comfort or beauty. It’s a place where modern technology meets ancient farming wisdom, architecture bows to nature’s rhythms, and every detail—including the chicken swing and the solar panels— tells a story of thoughtful, joyful, sustainable living. u
Resource: Architect: Carol Kurth Architecture + Interiors; Carol Kurth, Principal, Bedford, NY, 914.234.2595; carolkurtharchitects. com. Builder: Legacy Construction Northeast; Christopher Yaroscak, Tom Yaroscak, White Plains, NY, 914.273.4511; legactdevelop -
CHARLES HILTON
Enduring Design: The True Measure of Sustainability
In an era obsessed with the new, Hilton Architects is redefining sustainability by looking to the past. The firm’s recent French Normandy-style residence stands as a testament to this philosophy, where Connecticut fieldstone takes the place of imported limestone, reclaimed barn beams add character to interior spaces, and antique
balcony railings find new life. But the true innovation lies in how seamlessly these historical elements blend with the integral sustainable technology.
“The greenest house is the house that already exists,” explains Charles Hilton, the firm’s president, challenging conventional wisdom about sustainable construction. This perspective is infused into the company’s approach to every project, whether renovating existing structures or creating new ones designed to last centuries rather than decades.
Beneath the project’s timeless aesthetic lies a sophisticated energy system. A cogeneration system in the basement doesn’t just generate electricity on-site—it captures waste heat to warm domestic water, heat the home and even maintain the outdoor pool’s temperature in summer months. This approach eliminates the transmission losses typical of grid power, while maximizing energy efficiency. The building envelope tells its own story of sustainability. High-performance windows and doors, along with stateof-the-art vapor barriers, work in concert with superior insulation to create an energy-efficient shell, while LED lighting and smart house controls further reduce power demands. The slate roof, expected to last a century, will outlive five conventional asphalt roofs, transforming what might seem like a luxury choice into a sustainable one. Perhaps most intriguing is the company’s approach to materials that don’t immediately signal “green.” In many
projects, cellular PVC trim, for instance, might not seem an obvious eco-friendly choice, but it eliminates the need for tropical hardwoods and can be recycled at the end of its life. Similarly, while concrete and steel are resource-intensive initially, they are used sparingly, and their durability contributes to a structure’s longevity—a crucial factor in true sustainability.
Hilton Architects bring this same thoughtful analysis to existing projects, recognizing that improving existing homes often proves more sustainable than new construction. “When you tear something down and build from scratch, you’re throwing away a lot of energy and resources,” notes Charles. Instead, the firm focuses on quality craftsmanship and enduring design that will stand the test of time both structurally and aesthetically.
This philosophy extends to style choices. Rather than chasing architectural fashion, Hilton Architects creates classic designs that won’t feel dated in 20 years, preventing the cycle of substantial updates or demolition that plague more trendy structures. This approach recognizes that sustainability isn’t just about energy efficiency—it’s about creating buildings that future generations will want to inhabit and preserve.
In the end, the firm’s work suggests that true sustainability might be less about incorporating the latest eco-friendly technologies (though it does that, too), and more about building structures so beautifully crafted, thoughtfully designed and technologically sound that they become permanent additions to the landscape, serving generation after generation with grace. u
Resource: Charles Hilton Architects: Charles Hilton, Principal , Greenwich, CT , 203. 489.3800; hiltonarchitects.com
BRIAN MACDONALD
From Tired to Transformed: A Connecticut Estate’s Second Life
Perched high above the rolling valleys of Kent, CT, an aging house on 40-plus acres held untold potential. What began as a straightforward refresh—new windows and updated exterior—evolved into something far more comprehensive when the construction team began peeling back layers of the home’s history.
“When we opened up some walls, we realized there was very little insulation,” explains Brian MacDonald, president of Davenport Contracting, highlighting how initial plans often reveal unexpected challenges. The property, purchased by two city dwellers as a weekend retreat, had stood empty for years, its quiet rooms becoming an unexpected haven for local wildlife. What emerged from this discovery was a complete reinvention that honored the home’s bones while dramatically enhancing its functionality. The transformation went far beyond mere modernization; it created an entertainment hub where sophisticated technology meets rural charm. Multiple water features now dot the landscape, complemented by thoughtfully designed barbecue areas and gathering spaces that make the most of the property’s sweeping views.
The project showcases how modern luxury can be seamlessly integrated into a historical context. A solar field, strategically placed and screened by landscaping, virtually disappears from view while providing sustainable energy. This careful balance between innovation and aesthetics extends throughout the property—from
the sophisticated infrastructure supporting the water features, to the interior finishes selected for their beauty and longevity.
Perhaps the most impressive moment is the home’s smart integration. The owners can orchestrate their weekend arrivals from their phones, adjusting such features as pool temperatures and HVAC settings before they leave the city. Security systems spring to life with a tap, ensuring the property remains protected during their absence, while welcoming them seamlessly upon return.
The success of such a comprehensive transformation relies heavily on collaboration.
“We work closely with architects to add value through our understanding of materials and flow,” Brian notes. This partnership between design vision and construction expertise ensures that each decision not only looks beautiful, but will stand the test of time.
The project also illustrates the evolution of modern home building. While initial plans might focus on basic layouts and immediate needs, today’s projects often expand to encompass elaborate landscaping, technological integration and lifestyle considerations that perhaps were not fully envisioned at the outset. This requires contractors to be both builders and visionaries, helping clients realize possibilities they might not have initially imagined. In the end, what began as a tired house in need of TLC has become a sophisticated retreat where every detail—from the carefully chosen interior materials to the harmoniously integrated outdoor spaces—works together to create a home that will serve its owners for a long time to come. u
Resource: Davenport Contracting: Brian MacDonald, President , Stamford, CT, 203.324.6308; davenportcontracting.com
FROM DECO TO MODERN
A New York City apartment gets a makeover with a nod to history.
CONVERSATION WITH BENNETT LEIBER u WRITTEN BY MERYL SIEGMAN u IMAGES BY STEPHEN KENT JOHNSON
The existing windows and doors are original. They were created by Hope’s Windows in Jamestown, NY, a century-old company known for its steel and bronze windows and doors.
Award-winning interior designer Bennett Leiber is known for his sophisticated and whimsical residential interiors that are subtlely embued with historical references. He also enjoys a well-earned reputation for his intuitive understanding of what his clients want.
It’s no wonder, then, that Bennett’s firm, Bennett Leiber Interiors, established in 2013, was chosen to undertake one of New York City’s most unique and exciting design projects: the renovation of a stupendous three-story apartment in Manhattan that is deeply entrenched in the city’s history.
The History
In 1908, media magnate William Randolph Hearst rented the top three floors of a magnificent 12-story residential building on Manhattan’s Upper West Side that was designed by Charles E. Birge and developed by Ranald MacDonald. Hearst created a
Some of the original artwork was made by Hector Guimard, an architect and decorator who is the most prominent French representative of Art Nouveau.
30-room apartment to use as his home base and to house his extensive collection of art and antiques. When MacDonald refused to allow Hearst to raise the ceilings to accommodate his latest collection of medieval tapestries, Hearst did the obvious: he purchased the entire building. He then combined the top five stories, adding a large mansard roof above the 12th floor, and converted the top floor of the penthouse into a 30-foot-high, 100-foot-long gallery to display his tapestries and armor in grand style. Fast forward to the late 1990s, when a new owner restored the top three floors with the help of Jane Siris and Peter Coombs, the founding partners of Siris Coombs Architecture. The apartment—featuring 7,000 square feet of living space and 10,000 square feet of outdoor space with sweeping views of the Hudson River and the Manhattan cityscape—was purchased in 2014 by a young couple with the goal of turning it into a family home. Impressed with the earlier renovation, the new owners hired Siris Coombs Architecture, now with Annie Coombs of the next generation taking the lead. Having seen Bennett Leifer’s outstanding work at Kips Bay 2015, the couple selected his firm for the interior design. The team worked together closely to produce a thrilling new look, while diligently preserving much of the home’s historic detailing.
The Goal
Bennett explains the dual nature of his clients’ goal in designing this monumental new home. “They wanted the space to be designed as a family home,” he says. “All the elements I chose were very comfortable, durable
The glass panels in the dining area are originals from Louis Comfort Tiffany.
and great for a couple with young kids.” The abundant outdoor space, with more square footage than the apartment itself, took on the role of traditional backyard. “The other ingredient was the history of the home,” Bennett continues. “The previous owner was heavily into Art Deco. The furniture was all period pieces. Our goal was to make the overall feel lighter, airier and more artful while preserving certain elements from the past.”
Bennett let his preference for French decor dictate the design. “Every project I work on is a puzzle piece, made up of different ratios and different ingredients,” he explains. “I lean towards eye-catching colors, sculptural elements like lighting and accessories, and materials that reflect or absorb the light.”
Today, only a few of the original elements from the Hearst era remain, including 15th-century stained-glass windows and Tiffany panels in the family room. “I mixed a beautiful color palette that tells a story,” Bennett continues. “The antique Tiffany glass piece embedded in the wall inspired the color palette in the living room.” In fact, if you look towards the fireplace, you will notice a sea of blue with pink accents. Bennett designed the family room just to the left with silver wallpaper and cherry blossom crystal lights that allude to the Tiffany piece—“a playful interpretation of important elements of the apartment that make it livable for a family,” as Bennett describes it.
The Aesthetic
Earlier in the project, the designer sat down with the clients to discuss which pieces of furniture, art and accessories they already owned
would be included in the final design. “Respect for our clients and understanding their point of view are the building blocks of Bennett Leiber, especially because a home renovation project is a huge undertaking,” Bennett explains. “When I first met with the family, we spoke about which pieces they wanted to reuse. Some fit right into the design scheme, and others I didn’t quite understand, but I acknowledged they had sentimental value. I was very clear about how incorporating them would change the overall apartment.”
In the end, few of the clients’ possessions were used, but those that were had a stunning impact on the design of the apartment. As an example, Bennett points out the cabinet behind the Tiffany panel, saying, “It was one of theirs and it worked perfectly, inspiring the overall design of the entryway.”
The Challenges
No interior design project comes without its challenges, but Bennett approached the ones arising in this project with a healthy attitude. “I look at challenges as an opportunity,” he says. “You don’t get to work on a one-of-kind space like this one without encountering difficulties.” One of the greatest challenges he faced was the curved outer walls. “We wanted to accentuate the height of the ceiling, not the curves,” he explains, “so in the library we painted the walls a soft white, and in the boy’s room we used orange.” He adds that finding the right window treatments for a curved wall was a challenge, but it became a great learning experience for the team.
The Design
The home is laid out on three levels. On the first floor are the family and entertainment areas and the primary suite, while the children’s bedrooms are located on the next floor up. Because each level gets smaller as one ascends, Bennett converted the top floor, complete with wraparound terraces, into a family room. He describes the overall design concept as follows: “First you go from a more formal family design to the more casual children’s level. The next landing represents the transition to the magical tower in the sky. Every element, including the colors used and the artwork, is a preview of what’s to come.”
During a virtual tour of the house, Bennett explains the think-
ing behind some of his favorite features. “For the great room, we chose chandeliers from J. & L. Lobmeyr, renowned for its 200 years of glassmaking tradition,” he says. “I like to use them in spaces that are unique or special, especially in apartments with a lot of light, because the way they reflect the light is spectacular. They give the illusion of an opera house.”
The primary bedroom on the ground floor is one of Bennett’s favorites. “I love the juxtaposition between the wallpaper and the headboard, and the whimsical artwork over the bed,” he says. “It is made with an interactive process foil, and was installed by craftsmen who were overseen by the artist.” He explains that the porcelain bedroom sculptures are an art installation from a limited edition of a dozen “follies,” embel-
The art installation on the wall of the primary bedroom is a limited edition from Beth Katleman, known for her porcelain installations and sculptures with rococo ornamentation.
lishments that are decorative rather than functional. In keeping with their 19th-century English forebears, they are truly fantastical.
The first-floor powder room is also a standout. “We had a really nice time with the room,” Bennett recalls. Designed in pink and gold, it features a wallpaper that recalls gold leaf to match the ceiling and crown. “It’s a very cozy space, meant to envelop whomever is using the room.”
Bespoke light fixtures are used throughout the home. The dining room features an iconic Lobmeyr piece, while a crystal blossom chandelier graces the family room. The powder room is adorned by a Lalique ceiling fixture, which was one of the clients’ original pieces, helping to create the intimate environment.
“This apartment was such a big part of my life,” Bennett concludes. “We did so many different things; as I go through the images, there is so much to dissect.” Most of all, he loves the teamwork that made the space what it is. “It is a truly unique space,” he says. “Both the architect and designer had strong points of view, while the clients had a strong vision of who they are. It all came together in a cohesive way.”u
Resources: Architect: Siris Coombs Architecture: Annie Coombs, Jane Siris and Peter Coombs, Principals, Brooklyn, NY, 212.580.2220; siriscoombs. com Interior Designer: Bennett Leifer Interiors: Bennett Leifer, Principal, New York, NY, 212.683.2523; bennettleifer.com Builder/Contractor: SilverLining Inc.: New York, NY, 212.496.7800; silverlininginteriors. com
THE ROUNDTABLE
2024 Tenth Annual Builders + Architects Roundtable
I
n a rapidly evolving world, the way we build, live in, and experience spaces is undergoing a dramatic shift. Architects and builders are at the heart of this transformation, shaping not only the homes and buildings of today but also laying the groundwork for the cities of tomorrow. In this exclusive roundtable discussion, we brought together a diverse group of industry leaders to explore some of the most pressing issues a ecting the architecture and construction sectors—issues that will de ne the next decade of growth and change.
First, we dove into how today’s customers are approaching the process of selecting architects and builders. With more access to information than ever before, clients are becoming increasingly discerning and involved in the design and building process. We discussed what is driving this heightened level of awareness and expectation and how the professionals are adapting to meet the needs of a more informed and vocal consumer.
Next, we turned our attention to the role of government regulation— an area of concern for many in the industry. Permit and zoning laws, while necessary for the orderly development of communities, can sometimes feel burdensome, restrictive, or slow to adapt to modern needs. Here are some of the questions that we discussed: Are we seeing government overreach when it comes to building
codes, permits, and zoning laws? Or are these regulations essential in ensuring sustainable, safe, and responsible growth? Our experts weighed in on whether the regulatory framework is keeping up with innovation or sti ing progress.
Finally, we took a look at the future of the industry—speci cally, the profound impact of technology. From automation and 3D printing to smart homes and AI-driven design tools, technology is radically altering the way we design, build, and interact with the built environment. We discussed what the next decade holds for the architecture and construction industries. As well as will emerging technologies transform the way you work and, more importantly, the way customers experience the built world?
In this roundtable, we were able to bring together the voices of builders, architects, and industry experts to answer these questions and more. We explored the intersection of customer expectations, regulatory challenges, and technological advancements in the future of architecture and construction. The next 10 years promise to be some of the most transformative yet—how will you navigate this brave new world? ◆
Resource: Gault Family Companies , Sam Gault; Westport, CT; 203.227.5181; gaultstone.com; gaultenergy.com.
Building or Renovating Your Garage
Just Got a Whole Lot Easier
Darien Garage and The Garage Experience team up to offer unparalleled services.
WRITTEN BY MERYL SIEGMAN
What happens when you pair an expert in garage flooring and organization systems with a garage door sales and service specialist? You get the best team imaginable to create the garage you’ve always fantasized about— whether it’s a renovation of your existing one, or a new construction. Serving Westchester County, NY, and Fairfield County, CT, the two companies work in tandem to offer homeowners a complete service catering to all their garage needs, providing unequalled, quality products and expertise to the local community.
We spoke with Tim Nee, manager of sales and operations at Darien Garage, and Jim Kellogg, owner of The Garage Experience, to find out how it all fits together.
Bespoke Services
Eighty percent of homeowners enter and leave their homes through the garage, Jim explains, so they want it to look good. The two companies work together to make that happen by creating custom garages, including the overhead door and the complete interior—the floors, walls, ceiling and storage space.
The collaboration between the Darien Garage and The
TIM NEE AND JIM KELLOGG
Garage Experience is a win-win for everyone, especially their customers. According to Jim, “It’s a one-stop shop. I install flat wall and do the painting and repairs, and Tim handles the doors. I like to say, ‘I do everything but nuclear energy.’ And if I can’t do it—like plumbing because I don’t have a license—I can bring in a pro who can.” Clients appreciate getting all the work done without the headache of hiring separate contractors. And they love paying just one bill. Jim also offers additional services, including cleaning and junk removal with environmentally sound disposal, such as repurposing.
Maximum Storage and Functionality
The Garage Experience offers flat wall systems on which homeowners can hang anything; it also supplies custom cabinetry. “My motto is, ‘Everything off the ground,’” says Jim. “That means all the stuff in the garage, whether it’s tools, sports gear, kids’ toys, shoes, lawn equipment—you name it—gets hung on hooks off the flat wall. Once clients understand the benefits of storing things off the ground, they start using their garage to store almost anything.” For some homeowners, the garage can serve as an additional pantry. “They might store their extra sets of dishes or coolers in their garage,” he says. “Or that giant lobster pot they use only a couple of times a year.”
Clients who want to hide their belongings behind doors, he explains, can opt for customized cabinets—even though they are more expensive than hooks and shelves. “Our 3/8-inch PVC flat wall can hold about 100 pounds on a hook,” he says.
Choosing the Right Door
When asked for advice on choosing the right garage door, Tim replies, “Curb appeal. It comes down to design—what the door looks like on the outside, and the materials used.” He explains that many clients stay away from wood because it can rot over time, choosing lighter-weight composites instead. If there is a living space above the garage, he advises clients to make sure their garage is well insulated with material with a high R-value (a measure of resistance to the flow of heat).
Trends and the Latest Technology
Tim tells us that carriage-style garage doors are very popular right now, especially in new construction. He explains that the authentic version had swinging doors, whereas today’s are open overhead due to necessity, but are designed to look like the real deal.
New technology continues to make life easier for homeowners. Tim says garage door motors are now available with built-in Wi-Fi that allows users to open and close the door from almost anywhere. “You could be in Europe and open your garage door to let someone in,” he says. The app will also indicate whether the door is open or closed.
“The motors are now available with security cameras,” Tim continues. “And the lighting keeps getting better, so nowadays you have bright LED lights for better vision and safety.” But one of the most notable innovations is that—instead of the traditional electric motor that hangs on a rail from the ceiling—modern motors can be installed directly onto the garage door, freeing up space and creating a cleaner look.
If you’re thinking about getting an epoxy coating on your garage floor or custom cabinetry to organize your stuff, you might consider having that old door replaced while you’re at it. It’s easy and gratifying when Darien Garage and The Garage Experience come calling! ◆
Resource: Darien Garage Door and Designs, Tim Nee, Manager of Sales and Operations; Darien, CT ; 203.655.6199; dariengarage.com. The Garage Experience, Jim Kellogg, Owner; Darien, CT; 203.822.1188; thegarageexperience.com
Setting the Foundation for Luxury Living
The Hudson Company defines the art of high-end flooring.
WRITTEN BY MERYL SIEGMAN
Not all flooring companies are created equal. That’s what we learned from speaking with Jamie Hammel, the founder and owner of the Hudson Company. Founded in 1995, the firm is a custom mill specializing in wood flooring, paneling and beams, known for the high quality of its handmade, custom-milled products and long-standing commitment to personalized service.
The company’s product line includes wood paneling and beams, along with solid and engineered wood flooring, all crafted from a wide range of wood species. Made from either reclaimed or purpose-cut timbers, its wood floors are milled to fully customized design specifications for use in homes and businesses.
How it All Started
Jamie started his career in New York City, working for various clients in corporate media. In the aftermath of the Lehman Brothers crash, however, many entrepreneurs he knew started to become makers. Inspired by the movement in Brooklyn and elsewhere, he decided to become one himself. “I wanted to create something tangible and physical for the built environment,” he explains. “It’s the opposite of working in media.”
Having grown up in rural Pennsylvania, surrounded by farms, Jamie had always been intrigued by old barns and other wooden structures. It made perfect sense for him to buy an inventory of hand-hewn barn beams from
a timber frame barn that had been deconstructed. “There was something beautiful about the wood,” he recalls. Planning to use it to make bespoke flooring, he reached out to the architectural community in New York City and, before long, was selling beams made into wood flooring to the industry.
Jamie quickly discovered the challenges of outsourcing work that could meet his standards and those of his clients to manufacturers. “When I started the company,” he says, “there weren’t many manufacturers that could produce what I envisioned.” The obvious choice was to build his own mill. He chose Pine Plains in Dutchess County, NY, for its location. “I found the person I hired on Craiglist,” he continues. “For a while it was just the two of us, custom manufacturing bespoke wood flooring, which became the core of our business.” Today, the company is in the process of doubling the square footage of its 30,000-square-foot facility.
A Unique Flooring Company
Jamie explains that the vast majority of flooring companies fall into one of two categories. The first consists of massive mills that produce millions of feet of strip oak flooring annually and sell it wholesale through distributors with equally massive warehouses throughout the United States and the world. “The other category is the retailer or distributor,” he says. “There are lots of flooring showrooms, many of which offer private-label floor products.” What makes the Hudson Company unique, he explains, is that “we can’t be put in either category. We are one of the very few flooring companies that manufacture their own flooring and maintain their own showrooms, which differentiates us from practically all the other flooring companies in the world. As a vertically integrated mill, we control every step of the process, from sourcing and deconstruction, to grading and prefinishing.”
Growth and a Vision for the Future
Jamie says that in the early years of the business, he worked out of a WeWork space in Dumbo, Brooklyn. In 2012, the company opened its first showroom nearby but, because of its location, it was, as Jamie describes it, “the coolest showroom no one ever came to visit.” Within a few years, he opened his two storefronts in Manhattan, later expanding to Ridgefield and Greenwich, CT. More are on the way.
“Our whole mission is about craft and handmade materials,” Jamie explains. “Most flooring is mass-produced, but we are a made-to-order custom manufacturer. Each project is tailored to the client’s vision, with its own details and specifications.” To achieve that vision, he employs a team of craftsmen, woodworkers and finishing experts—people who thrive on craft—who work together to create utterly beautiful, absolutely bespoke flooring.
The company sources its wood domestically from Pennsylvania, Missouri and Ohio, and also from overseas: France, for its acclaimed antique oak, and India, for its gorgeous teak. “Since our inception, we have diverted between 5 and 10 million feet of wood from waste, so we are making a significant environmental impact,” he says. “But that’s not the only reason our customers keep on coming. They love our wood because it is handmade, custom and bespoke.”
Jamie concludes, “Flooring is among the most important elements of one’s home, so choosing it is a critical decision.” There’s no better place to begin than the Hudson Company. u
Resource: The Hudson Company, Jamie Hammel, Founder and Owner; New York, NY; 212.221.8949; thehudsonco.com
Tel: 203.489.3800 | IG: @charleshiltonarchitects | hiltonarchitects.com