Entertainment Features / 2011 by Matt Munoz

SUNDAY, JANUARY 2, 2011

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Kern standouts enter 2011 with high hopes THE BAKERSFIELD CALIFORNIAN

hey’ll be new power players on the City Council and Board of Supervisors. They hope to expand oil drilling, make it even bigger in the entertainment world and make their mark on the playing field. Here are our People to Watch in 2011:

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Sports

2010 All-Area football team Centennial quarterback Cody Kessler once again is The Californian’s All-Area Football Player of the Year. The USC-bound standout racked up some staggering numbers on the way to drawing national recognition. Kessler highlights the 2010 All-Area team, which is rich with talent on both sides of the ball.

ENTERTAINMENT Velorio, Bakersfield Latin alternative rock band The guys in this established Bakersfield quintet plan to make their biggest moves yet in 2011. Mapping out another ambitious self-financed national tour, the band should also release more new music by spring. Their buzz continues to build, with a few record labels poking their ears in at some of the group’s Southern California shows. Keep your eyes on these local rhythm makers, as they just might lead California into another wave of

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Bakersfield Latin alternative rock band Velorio plans to embark on a national tour in 2011.

Latin music mania. The Core Live, multimedia group The Core Live has grown into a multimedia entertainment brand of hip-hop heavy webcasting. These

innovative entertainment trailblazers have already made their presence known to downtown Bakersfield from their new home base at Please see WATCH / A3

Burgers with real taste, D1 Local

Kern homicides tumble in 2010 Homicides were down significantly in Kern County in 2010 — only 81, compared to a record-tying 98 in 2009. But numbers don’t tell the human tragedy of a life cut short because of an act of violence.

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A Bakersfield native now living in Florida, Ralph Nuanez hams it up after splashing down at the 2011 Polar Bear Plunge with his rainbow-colored mohawk wig still in place.

More than 200 take the Polar Bear Plunge BY JASON KOTOWSKI

Inside

Queen Latifah reveals a few of the life lessons that have made her so fierce and fabulous.

Californian staff writer jkotowski@bakersfield.com

arina Waters landed with a splash and a look of shock spread across her face. At first, she didn’t seem to know what to do next. “I was like, ‘Oh man, I just want to get out,’” Waters said. Fifty-degree water apparently has that effect on people. Waters, 16, was the first person to enter the pool at McMurtrey Aquatic Center’s sixth annual Polar Bear Plunge. A total of 216 people braved the cool, overcast day and chilly water this year, said David Stricker, a supervisor at the center. That’s the largest crowd the event’s ever had. Beginning at 11 a.m. and lasting more than an hour, small groups of people walked up steps and chose either the blue or red slide. After hitting the water, participants swam 25 yards to a ladder and then quickly wrapped a Please see PLUNGE / A3

Opinion As long as we’re issuing pardons ... The transition from old year to new is traditionally a time for governors and other departing chief executives to use their official powers to bestow clemency on misunderstood felons and other legally entangled characters. But it hardly seems fair that governors and presidents are the only people who get to exercise the power to confer grace upon lawbreakers and other perceived menaces to society. What if we could too? I’ve got some local candidates. — Robert Price in Opinion.

Spending showdowns expected to test new congressional leaders BY CHARLES BABINGTON The Associated Press

WASHINGTON — Two early showdowns on spending and debt will signal whether the new Congress can find common ground despite its partisan divisions or whether it’s destined for gridlock and brinkmanship that could threaten the nation’s economic health. Not all of the bickering in the 112th Congress that convenes Wednesday will be between Republicans and Democrats. House Republicans, back in power after four years in the minority, will include numerous freshmen whose unyielding stands on the deficit, in particular, could severely test soon-to-be Speaker John Boehner’s ability to bridge dif-

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With 216 people in line for the 2011 Polar Bear Plunge, there was plenty of time to pose for photos as Morgan Drake, left, Colby Joseph and Brianna Sierra did as they waited their turn for the icy dip.

ferences and pass major bills. His first big challenge will come in February, when Congress must pass a huge spending bill to keep the government running. Boehner Many House Republicans — veterans and newcomers alike — have pledged to cut discretionary domestic spending by up to $100 billion. Even if they agree on a plan, it probably will be changed by the Senate, where Democrats will hold a 5347 edge. And President Barack Obama can veto almost any bill he

opposes during the next two years. Before Boehner, R-Ohio, deals with Democrats’ objections, he may have trouble getting his own 241member caucus to agree on what to cut, and how deeply. Republicans have a history of promising far more cuts in spending than they deliver. Some conservative activists and commentators are tired of it. “They love to cut taxes but cannot bring themselves to cut spending,” Kevin Williamson wrote in National Review Online. “It’s eat dessert first and leave the spinach on the table.” Several freshman GOP lawmakers are aligned with the tea party movement, which champions spending cuts and balanced budgets. But even Please see CONGRESS / A3

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Sunday, January 2, 2011 The Bakersfield Californian

WATCH: Bakersfield’s representation in Sacramento sees full turnover CONTINUED FROM A1

company, and that with half a dozen new hires, the dealership employs about three dozen people. Time will tell whether WaltersBayer will expand further in Bakersfield.

1823 Chester Ave. and plan to open a new urban-themed clothing outlet in a few months at the same location. Tune in at thecorelive.com. Therese Muller, Bakersfield singer/songwriter Muller should be making a name for herself beyond the confines of downtown Bakersfield stages. She has paid musical tributes to The Beatles, became a member of rockabilly swingers’ Fatt Katt & The Von Zippers and never turns down an invitation to show her stuff. Seen regularly singing behind her keyboard, it’s looking like prime time for this fresh face to step out front and release her CD debut. Vikki Cruz, curator of Bakersfield Museum of Art A respected artist with a loyal following who cut her teeth running her own — now defunct — gallery, Cruz won over museum director Bernie Herman and the board with her vision for the museum’s artistic future. Chosen for the coveted position of curator at Bakersfield’s hub of fine art, the Bakersfield native replaces mentor Emily Falke, who selected and hung exhibits for about a decade. Cruz has a fresh eye and has shown Cruz impeccable taste that leans toward modern, clean styles. Since the exhibitions at BMoA are booked months in advance, Cruz, so far, has spent her time executing plans laid out long ago by her predecessor. But starting in 2011, she’ll be able to put her own stamp on the museum.

SPORTS Derek Carr, Fresno State football player The Bakersfield Christian High School graduate is expected to follow in his older brother’s footsteps and take over the starting quarterback position at Fresno State. He’ll Carr be a sophomore when the Bulldogs open the 2011 season at Candlestick Park in San Francisco.

MICHAEL FAGANS / THE CALIFORNIAN

Therese Muller, who plays keyboard and sings in Bakersfield, was photographed at her mother's home on Wednesday morning. Therese performs with the rockabilly band Fatt Katt & the Von Zippers, the “People’s Band” and a Beatles cover band.

Carr was The Californian’s Player of the Year in 2008, when he threw for 4,067 yards and 46 touchdowns, totals that ranked second in Central Section history, and led the Eagles to the Division V section title. After two years starting at Fresno State, older brother David Carr, a Stockdale High graduate, was the No. 1 pick in the NFL Draft in 2002.

while trying to become established as a successful NCAA Division I program.

BUSINESS

Timothy Marquez, chairman and CEO of Venoco Inc. The company Marquez cofounded in 1992 hopes to double Kern County’s oil production by expanding drilling in the Monterey Shale oil field. His Denver-based Alex Collatz, Stockdale High dispublic company opened a Bakerscus thrower field office in June after acquiring The Stockdale High senior was more than 150,000 acres in the foron pace to threaten the national mation. Plans call for raising that high school discus record set by her number to 300,000 by the end of friend and Shafter alumna Anna 2011. Jelmini two years ago, but Collatz The former Unocal Corp. executore multiple ligative has partnered with Occidental ments in her knee Petroleum Corp. to create a map of during a volleyball the oil field, which Marquez said match last fall. could be the “biggest thing to hit Her father, Alan Kern County in 30 years.” Collatz, is the head Patrick Beck, general manager of track and field coach Bakersfield Hyundai at Cal State BakersBeck is the local point man for field, and he said she Collatz WaltersBayer Automotive Group, a could be ready to compete again this spring. Nation- Las Vegas-based company that this al records might be out of the ques- year bought out Jose Arredondo’s Hyundai dealership on the Auto tion, but if healthy, Collatz should be the favorite for a second consec- Mall. WaltersBayer sells new vehicles outside of Atlanta and in Kenutive state title. tucky. The Bakersfield Hyundai Jeff Konya, incoming athletic deal was part of larger plans to director, Cal State Bakersfield expand into California with the Konya, 38, fills the shoes of Rudy purchase of dealerships in TemecCarvajal, who is retiring after 38 ula and elsewhere. years at CSUB. Konya will lead a Beck said almost of Arredondo’s program battling budget woes and employees at the Hyundai dealerthe lack of a conference home ship accepted jobs with the new

CONGRESS: Debt ceiling fight looms CONTINUED FROM A1 out a long-term solution.

tea party activists are unable or unwilling to name sizable government programs they are willing to cut, said Duke University political scientist Mike Munger. He ran for North Carolina governor as a libertarian and has met with many tea partyers. Passing a major spending bill may look easy when compared with the challenge Congress will face in the spring: raising the federal debt ceiling, an exercise that’s anathema to some diehard conservatives. Economists and scores of political leaders say the alternatives are much worse: Let the nation default on its debts, which could trigger a global recession, or drastically cut federal spending to levels neither party has imagined. The current debt ceiling is $14.3 trillion, enacted last February. The federal debt, nearly $13.9 trillion, grows by $4 billion a day. “Where the rubber will hit the road will be on the debt limit,” said John Feehery, a Republican adviser and former top House aide. “What kind of budget concessions will Obama agree to in exchange for keeping the government functioning?” Lawmakers might buy some time by passing temporary extensions of a budget and a higher debt ceiling. Eventually they must work

Obama has made it clear that Republicans share responsibility for finding one. “Nobody, Democrat or Republican, is willing to see the full faith and credit of the United States government collapse,” Obama said in early December. No one enjoys voting to raise the debt limit, he said. “But once John Boehner is sworn in as speaker, then he’s going to have responsibilities to govern. You can’t just stand on the sidelines and be a bomb thrower.” Boehner essentially has acknowledged that. He said of the debt ceiling, “We are going to have to deal with it as adults, whether we like it or not. The federal government has obligations and we have obligations on our part.” Lawmakers say the likeliest scenario calls for a promise of future spending cuts, even if somewhat vague, that might persuade enough House Republicans to agree to raise the debt ceiling. Some predict a fierce fight. The national Republican Party chairman, Michael Steele, seemed to encourage lawmakers to vote against a higher debt ceiling shortly before the November elections. “We are not going to compromise on raising the debt ceiling,” he told CNN.

If Congress fails to reach accord on either a spending bill in February or a debt ceiling solution, it’s possible that much of the federal government would shut down for lack of funding. That’s what happened in 1995, and many Republicans don’t want a repeat. The GOP-led Congress at the time clashed with President Bill Clinton over the budget, letting portions of the government close during the impasse. Public opinion swung against the Republicans, and the episode helped propel Clinton toward his 1996 re-election. Even if the Boehner-led House can resolve its budget and debt differences with the White House, there could be trouble in the Senate. Republicans there can halt almost any bill with a filibuster. Republican Sen. Bob Corker of Tennessee hopes to lead a group of colleagues in demanding tax and spending reforms before they agree to raise the debt ceiling. But eyes will fall first on the House. Sixty-four Democratic-held seats have switched to Republicans, and some of the new GOP lawmakers have promised voters they would change the way Congress spends itself into debt.

The two new members were sworn in Dec. 15 and replaced Zack Scrivner and Irma Carson.

Zack Scrivner and Karen Goh, the Kern County Board of Supervisors’ freshman members Kirk Hawkins, founder of ICON Aircraft Things around Kern County After a 2004 regulatory change by could experience big changes with the Federal Aviation Administrathe two new faces on the fivetion created a “light sport aircraft” member board. category of small recreational airExpect Goh and Scrivner, who planes, a former U.S. Air Force F-16 share a political affilpilot founded ICON iation with consultAircraft to sell such ant Mark Abernathy, planes. Founder to maintain a tough Hawkins works out stance with county of the company’s Los unions as months of Angeles headquarheated negotiations ters, but ICON’s continue. Both have designers and engibeen critical of pub- Goh Hawkins neers are based in lic employee beneTehachapi, which is one of several fits. cities around the county vying for Scrivner, who represents souththe upscale recreational plane’s eastern Kern County, has also manufacturing operations. expressed that he is interested in If Kern County lands the coveted supporting trade opportunities plant, it could mean good jobs and and the development of an alternaa boost to the area’s prestige. The tive energy industry in the county. aircraft will start in the $140,000 Goh’s experience as a corporate range. executive with the McGraw-Hill Companies and as executive direcGOVERNMENT tor of faith-based nonprofit Garden Russell Johnson and Rudy Salas Pathways is likely to factor into Jr., newly elected members of the how she approaches the position. Bakersfield City Council Johnson, 31, said he’ll be pushing Bakersfield’s Sacramento reps Bakersfield’s entire state delegaa “shop Bakersfield” concept in the tion was transformed in November next year. He wants when state Sens. Dean Florez, Dto work with the Shafter, and Roy Ashburn, R-Bakpolice department ersfield, were termed out, firstto improve commuterm Assemblyman Danny nity safety and said Gilmore, R-Hanford, decided he wants to know as Sacramento politics just wasn’t for soon as possible how him and Assemblywoman Jean costs from the recent Johnson Fuller, R-Bakersfield, successfully storms will impact ran for state Senate. the city’s budget. A combination of Salas, 33, said pubfresh and aroundlic safety is a top prithe-block politicians ority in his ward, now represent Bakwhich includes ersfield in the legismuch of southeast lature and we’ll see Bakersfield. He how they make their plans to work on Grove mark. The newbies community policing Salas are Republican ideas, including the possibility of Assembly members Shannon having citizens participate in Grove, a Bakersfield businessneighborhood web-cam projects. There’s also the Greenfield Group, a woman, and David Valadao, a Hangathering of women who gathered ford dairyman. More tested are Fuller and Floto walk together but ended up rez’s replacement, former Kern becoming something of an informal neighborhood watch program, County Supervisor Michael Rubio, a Bakersfield Democrat and onesomething he’d like to replicate in time Florez protege. other neighborhoods.

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PLUNGE: ‘It takes your breath away’ CONTINUED FROM A1

towel around themselves. Some couldn’t handle the swim and instead immediately got out of the pool. Blocks of ice were piled on the ground near the slides, and between the slides stood a wooden cutout of a polar bear. Chris Hernandez, 19, had trouble forming complete sentences after the plunge. He said he used to take ice baths for 30 minutes during cross country training, but that was a while ago and he wasn’t prepared for Saturday’s cold.

His father, Louis Hernandez, fared better. The 46year-old said the plunge was no problem, and he swam underwater from the time he entered the pool until he reached the ladder. Such a calm attitude after the plunge was rare, though. Robert Reyes, 17, said he was short of breath after hitting the water. “It was frigid,” he said.

Gene Procell and his daughter, Jeanine, 11, are veterans of the event. Saturday’s plunge marked their third year as participants. “It takes your breath away,” Gene Procell said. Waters said she was the only one in her family who participated. “It’s the new year, I needed some adventure,” she said. “I had to do something crazy.”

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The Bakersfield Californian Thursday, January 6, 2011

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index John McCutcheon . . . . . . . . . . . . . . . . . . . . . . . . . .17 Rod Piazza and the Mighty Flyers . . . . . . . . . . . . .18 Talent contest at Maya . . . . . . . . . . . . . . . . . . . . . .19 Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Ultimate Bridal Event . . . . . . . . . . . . . . . . . . . . . . .21 The Lowdown with Matt Munoz . . . . . . . . . . . . . .22 “Grease” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24-27

Jammin’ in the morning, jammin’ in the evening, jammin’ at suppertime Bluegrass blowout starts tonight at DoubleTree Hotel BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

ocal pickers shouldn’t plan on much rest this weekend. Back for four days of nonstop music beginning tonight at the DoubleTree Hotel, the Great 48 Hour Bluegrass Jam promises to test the endurance of every musician and listener in the house. Bakersfield bluegrass aficionado and co-organizer Kelvin Gregory, who has been helping oversee the event since its inception in 2008, did his best to describe the weekend gathering for those looking to expand their musical palate. Sponsored by the California Bluegrass Association, the event is free to the public. “There will be jamming in the halls, jamming in the rooms, jamming everywhere,” he said. “Walk in, introduce yourself and start jamming.” Bluegrass music has enjoyed a swell of popularity with mixed audiences over the past decade, thanks in part to popular films like 2000’s “O Brother, Where Art Thou?” and young hip musicians who’ve helped the sound evolve. With roots dating back to the late 1930s, its combination of ragtime, country and jazz is usually traced to musician Bill Monroe, considered to be the “founding father” of bluegrass music. The genre’s distinct sound comes from the instrumentation of guitar, fiddle, stand-up bass, Dobro, banjo and mandolin. Introduced to many American households via musicians Lester Flatt and Earl Scruggs’ opening theme for ’60s TV show “The Beverly Hillbillies,” the music has gone from the backwoods to Hollywood. No longer just thought of as “hillbilly” music, bluegrass has devoted followers in many cities across the country, including here in Bakersfield. “I wouldn’t say we have a robust scene like they do in Northern California, where the music is really happening, but I do consider it a blossoming scene,” Gregory said.

PHOTO COURTESY OF THE BROMBIES

Los Angeles-based bluegrass band The Brombies will be performing during the Great 48 Hour Bluegrass Jam tonight.

The Great 48 Hour Bluegrass Jam When: 7:30 tonight through Sunday Where: DoubleTree Hotel, 3100 Camino Del Rio Court Admission: Free for workshops and weekend concerts; Brombies concert tonight: $17.50 to $20 Information: 587-5222, 5898249 or cbaontheweb.org

“It was pretty much non-existent until about three years ago.” Encouraged to continue building on his love for the music, Gregory points to the enthusiasm of fans and musicians who wanted the event to carry on after the demise of another local bluegrass event, Supergrass. Originally held inside the Rabobank Convention Center in 2006 and 2007, its ending left fans with only one option: keep jamming.

“The last year Supergrass was held, it wasn’t a good financial success for the CBA,” said Gregory. “Out of that end, this event kind of sprang up. A lot of people just started showing up ready to play with people they’d met. Most of our musicians like to show up and jam music anyway, not go to shows.” Since then, Gregory has been helping fans keep abreast of current bluegrass music events through his free monthly newsletter. Watching their audiences grow over the past three years, Gregory is confident they’re here to stay. “We keep always doubling our attendance, from 35 to 40 people the first year, to 90 the following year. Now we’re expecting about 300 to 350 people over the weekend.” Ensuring a welcome atmosphere and activity for everyone in attendance, organizers have taken space and sound concerns into consideration. “The hotel has blocked off a sec-

tion of rooms towards the back to be used for the BGA. Our members will be staying in that area. They’ll be music everywhere,” Gregory said. “Strap your guitar on your shoulder and start walkin’. Introduce yourself and start jammin’.” In addition to plenty of serious playing time, a series of hourlong workshops will be held throughout the weekend, where attendees from beginning to advanced can get instruction from some of the best players in the scene. “It’s a great place to get up close and personal, plus ask questions about all the instruments, style and technique,” said Gregory. Kicking off the festivities tonight will be a “welcome” concert by Los Angeles-based band, The Brombies. Friday will make way for more arrivals and session playing, then on Saturday the real fun begins with the popular Band Scramble/Open Mic, where musicians will throw their name into a bucket associated with their

instrument before being paired up to perform together onstage later that evening. “It’s not hard to learn. I call it, ‘hillbilly jazz’ — very improvisational and free music to play, with not a lot of boundaries. It’s a very social music to play too,” said Gregory. Sunday will see a continuation of the marathon jam sessions with time to bid farewell until they meet again. Adding that the event encourages participation of every kind, from listening to performing, Gregory’s enthusiasm should convince the curious to attend. “Most people will jam all night until they hear the birds in the morning, and wear it as a badge of honor. They sleep until about 10 to 11 a.m. and start all over. I’ve turned a lot of people onto the music, but they really have no idea what to expect until they see it in person. They really enjoy it.” Admission is free to the public all weekend long, except for tonight’s concert with The Brombies.

The Bakersfield Californian Thursday, January 6, 2011

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Harmonica pro opens blues series’ 13th season BY PAT EVANS Contributing writer

t’s with a strong potion of excitement, gratitude and disbelief that we look to Friday night for the 13th season and the 76th show of the No Stinkin’ Service Charge Blues Series! This show, featuring one of the most renowned harmonica players of all time, plus a harmonica-playing vocalist whose star is on a steep trajectory, would make Matthias Hohner beam with pride since his name is synonymous with the instrument. Over the past 12 seasons, the No Stinkin’ Service Charge Blues Series has enjoyed the best harmonica players in the world. Including Rod Piazza, who toplines Friday’s show with his Mighty Flyers, there have been these masters of the instrument: Rick Estrin, Charlie Musselwhite, James Cotton, Kim Wilson, James Harman, Mark Wenner and Whiteboy James. Seeing those names all together, and remembering all those shows … it’s a bit of an overload for my memory! Since this show will feature two bands fronted by harmonica players, let’s take a moment to consider the instrument. The harmonica’s existence was first documented in Vienna, Austria, sometime around 1825. In 1857, Matthias Hohner, a clockmaker from southern Germany, became the first person to mass-produce harmonicas. Hohner sent some to his relatives in the United States, where harmonicas quickly became popular with soldiers on both sides of the Civil War. Finally, here was an instrument that was inexpensive, small and portable. In an era where education was less common, the harmonica could be taken up by those who were not musically trained. President Lincoln is known to have kept a harmonica in his pocket. A harmonica is a series of adjoining chambers that each have a flat, rectangular piece, called a reed, fastened on one end of the chamber and loose on the other end. When air is blown or drawn through the chamber, the reed vibrates, producing a note. Sounds easy enough, but over the years I’ve seen many local harmonica players shaking their head as they watch those who make their living as masters and innovators of the instrument. Over their 30-year run, Rod Piazza and the Mighty Flyers have three times been named Band of the Year by the National Blues Society. Rod’s career stretches back to the ’60s when he studied Sonny Boy Williamson, Little Walter and was mentored by George “Harmonica” Smith. Early on, Piazza was recognized as a leader of the West Coast Blues scene, which infused classic Chicago blues with elements of swing and jazz. Rod Piazza and the Mighty Flyers have visited the No Stinkin’ Service Charge Blues series four times already, much to our

LIGHT.RAWABLUES.COM

Rod Piazza and the Mighty Flyers headline a show at the DoubleTree Hotel.

Rod Piazza and the Mighty Flyers plus John Nemeth and special guest Kid Andersen When: 7 p.m. Friday Where: DoubleTree Hotel Ballroom, 3100 Camino Del Rio Court Admission: $30 and $25; 831-3100

delight. I had the pleasure of speaking by phone with Rod’s award-winning, MONSTER-piano-playing wife, Honey, last week. She said they have heard a lot about John Nemeth and have been looking forward to this chance to finally see him. As I already said, Rod Piazza and the Mighty Flyers have been at this a while and they are not about to be shown up. What was that line in the recent TV commercial? “When banks compete, you win” or something like that. Well, when bands compete, we win! John Nemeth rolls into town with a lot of momentum. After leaving his Boise home six years ago to tour and absorb the music that spoke to him, Nemeth has released his third album, “Name the Day!” and important folks are sitting up and taking notice. Elvin Bishop called our store last week to check in. When I told him that we had John Nemeth coming up, Elvin said, “You’re lucky to get him while you can afford him. I haven’t seen anyone with this much talent in many years. He’s gonna get huge!” Rick Estrin and the Nightcats are on break for a few weeks and their heavyweight guitarist, Norwegian Christoffer ‘Kid’ Andersen, is coming to town to join his buddy John Nemeth for the show. So it’s going to go like this: John Nemeth and his band are going to absolutely blow us away. Then Rod Piazza and the Mighty Flyers will come in breathing fire, determined to take back the show. Hohner would certainly be wideeyed at the spectacle. — Pat Evans is founder of the No Stinkin’ Service Charge Blues Series.

NEMETH CD TOO CONVENTIONAL BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

CD Review: “Name The Day” — John Nemeth Blue-eyed soul singer John Nemeth could use some booze in his blues. The Bay Area transplant from Idaho who’s earned his stripes touring with the likes of blues guitarist Junior Watson and others, doesn’t bother straying far from the safety of rhythm ‘n’ blues 101 on his polished new CD, “Name The Day.” And that’s too bad. Nemeth’s pipes certainly have the strength and dynamic range of some of the best in the contemporary blues world. The problem: it’s too clean. Having heard my share of independently released blues CDs that trickle across my desk, Nemeth struck me as an artist suffering from an identity crisis. While he energetically funks it up like Otis Redding being backed by James Brown on “Breakin’ Free,” the CD’s opening track, I expected a lot of fire from a soulful holy man on a mission. Instead, the production makes it sound like one of those annoying Motown “tribute” CDs where things are so pitch-perfect and well-timed, it borders on bland. He can play his harp, but like most of the CD, I lost interest by track three. In the studio, Nemeth sounds more Michael Buble than BB King. Maybe next time he should try getting his hands dirty recording live at a dive bar with some rabid blues fans who don’t take kindly to the concept of “clean.” Let’s hope Bakersfield gets to see an edgier side to Nemeth when he hits the stage Friday night.

Thursday, January 6, 2011 The Bakersfield Californian

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Say “YES” to Square Dancing

Talent with a twang at Maya acoustic contest BY STEFANI DIAS

For info: www.you2candance.com or Phone: (661) 834-9684 or 742-5176

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Talent competition

Californian assistant lifestyles editor sdias@bakersfield.com

What: Local performers to vie for Nashville prize in acoustic contest. When: 7 to 9 p.m. Saturday Where: Maya Cinemas, 1000 California Ave. Admission: Free Information: 636-0490

o stranger to country, Bakersfield has been the stomping grounds of musical greats Buck Owens, Merle Haggard and more over the years. Hoping to shine the light on new local talent, Maya Cinemas is hosting a musical competition Saturday. To celebrate Friday’s release of “Country Strong,” a drama about country musicians starring Gwyneth Paltrow and Tim McGraw, the theater is hosting an acoustic contest with the grand prize being a round-trip for two to Nashville, including admission to the Country Music Hall of Fame and a daytime tour of the Ryman Auditorium, the original home of the Grand Ole Opry. The event is free and open to the public. Seven performers/bands are set to compete this weekend, according to Maya’s assistant manager and promotions director Nyoka Jameson, who vetted the contestants. Ranging from mellow pop to Christian country rock, the acts are Taylor Rose, Vanessa Andrea, Ryan Blake, Shelby Pingry, Brie Peake, Shontice and bands Vowed to One and Good Question. Maya employee Sarah McCurtis will also perform but is not competing. The softer sound of mellow music will suit the contest well as it will take place in Maya’s massive lobby while the theater is operating. Performers will take to the stage to wow the crowd a panel of judges. Those judges include: Maya President Frank Haffar (who came up with the idea for the contest); Mento Buru frontman (and

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Contestants are ready to prove they’re better than “Country Strong” crooner Gwyneth Paltrow in a local competition Saturday.

Californian staffer) Matt Munoz; Tim Soto, marketing executive for Clear Channel Radio; and a couple of representatives from KUZZ. Contestants will be judged on performance and musical ability on a scale of 1 to 10, with the winner being determined by highest overall score.

In the result of a tie, the theater’s general manager, Maria Soto, will help decide the winner. Although this is the first musical contest for Maya, the theater hosted a birthday cake competition in honor of its first anniversary in July. (Keepsake Kakes was voted best for its neapolitan-flavored, movie theater-themed cake, complete with popcorn and soda.) Maya has also hosted a variety of community events, including collaborations with KRAB Radio and Russo’s Books. Next up for the theater in February is a fundraiser for Spotlight Theatre themed around the animated fantasy “Gnomeo and Juliet.” Artists from Bakersfield Emerging Contemporary Artists (which Jameson founded) will paint gnomes provided by Spotlight, which will then be auctioned to support the downtown theater. The gnomes will be on display at Maya on Feb. 11. Also in a bid to promote local artists, Jameson said she’s consulting the Arts Council of Kern for a movie-themed art contest. Winning art would be enlarged and displayed in the framed insets along the theater’s exterior in time for Maya’s second anniversary in July.

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3D: (11:30AM, 2:15, 5:00), 7:45, 10:30 2D: (12:30PM, 1:20, 3:15, 4:10), 6:00, 7:00, 8:40, 9:45 (11:40AM, 1:05, 3:05, 5:05), 7:05, 9:10

(PG-13)

(12:15PM, 1:15, 2:30, 3:30, 4:45, 5:45), 7:00, 8:00, 9:15, 10:20 BLACK SWAN (R)

(1:40PM, 4:30), 7:20, 9:50 THE CHRONICLES OF NARNIA: THE VOYAGE OF THEDAWN TREADER (PG)

3D: (11:30AM, 2:00, 4:35), 7:20, 9:55 THE TOURIST (PG-13)

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THE FIGHTER (R)

(11:50AM, 2:40, 5:15), 7:10, 8:00, 9:45, 10:30

TANGLED (PG)

HOW DO YOU KNOW (PG-13)

HARRY POTTER 7 (PG-13)

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Maya Bakersfield 16 Cinemas

Maya Bakersfield 16 Cinemas Matinee $6.00, Children/Seniors $6.00, General Admission $9.00, for 3D presentation add $3.00 to normal ticket price.

Holiday Specials

Maya Cinemas is proud to host our own Musical Talent Competition on Saturday January 8, 2011 from 7-9pm to honor the release of Country Strong. Grand Prize winner will receive a 2 day, one night trip for 2 to Nashville, TN. Please visit mayacinemas.com for details. Text Movies to 21321 PRESENTED IN DLP DIGITAL

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3D Chronicles of Narnia: Voyage of the Dawn Treader – PG 9:40AM 9:30PM

The Fighter - R 10:30 1:10 3:50 6:30 8:10 9:20 10:30

Black Swan - R 10:10 12:45 3:10 5:40 8:15 10:45

Yogi Bear 2D – PG 11:10 1:20 3:45 6:00

The Tourist - PG-13 10:25 12:40 3:05 5:30 7:50 10:20

How Do You Know - PG-13 11:25 2:05 4:50 7:30 10:10

Gullivers Travels - PG

Tangled 2D – PG

10:50 1:05 3:20 5:50 8:10 10:25

10:05 12:25 2:45 5:10 7:35 9:55

Little Fockers – PG-13

Chronicles of Narnia: Voyage of the Dawn Treader 2D - PG

9:45 11:00 12:00 1:15 2:15 3:40 4:40 6:05 7:10 7:40 8:20 9:45 10:15 10:50

Tron: Legacy 2D – PG-13 10:40 11:20 1:40 2:20 4:40 5:15 8:05 10:55

1:50 4:45 7:20 10:05

Harry Potter and the Deathly Hallows – PG-13 10:45 AM

1000 California Ave. • 661-636-0484 • mayacinemas.com

Thursday, January 13, 2011 The Bakersfield Californian

Eye Street

Call it Styx-to-itiveness Rockers still making noise decades later BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

he venues may have gotten smaller, but Styx's brand of arena rock is more popular than ever. No legit classic rock playlist is complete without at least one of the many hits of the classic lineup of the band: keyboardist/vocalist Dennis DeYoung; brothers Chuck Panozzo, bass; the late John Panozzo, drums; James Young, guitar; and Tommy Shaw, guitar and vocals. One of the more theatrical groups of the 1970s to mid-'80s, the Chicago-based quintet worked their way from being a progrock phenomenon to become a staple of the MTV generation with songs like, “Lady,” “Too Much Time On My Hands,” and “Mr. Roboto.” Though only two of Styx’s original members — Shaw and Young — are performing Wednesday at the Fox Theater, they’re bringing along a collection of rock vets who shouldn’t have a problem keeping lighters flickering. Todd Sucherman is manning the drums, Lawrence Gowan takes over for DeYoung on keyboards, and Ricky Phillips is on bass. “I've always thought of Styx as one of those very identifiable bands,” said Phillips who's been touring and recording full time with the group for the past seven years. “With some bands, a song can come on the radio and you'll have to ask who it is, but Styx comes on, it doesn't matter what the song is — if it's a ballad or a rocker — you know who it is.”

‘... we’d still sound like Styx’ Phillips himself has an impressive resume of projects as former member of The Babys, Bad English, plus numerous studio projects including the pseudo-Zeppelin collaboration album “Coverdale/Page,” featuring guitarist Jimmy Page and Whitesnake frontman David Coverdale. “I guess I've been at the right place at the right time and kind of painted myself into a corner. I was either gonna be successful in this business or end up living in a dumpster somewhere,” Phillips said. Meeting Shaw and Young on the road during many shared bills throughout the '70s, Phillips said his role complementing the signature Styx guitar sound on bass ranks as one of his favorite gigs. Sharing stage time with original bassist Panozzo for special shows, he respects the group’s rock solid foundation. “I hear James and Tommy's guitar work every night and it's very unique. The band has a lot of little things going on at one time that make it the ‘Styx sound.’ That's a real high point to their success. Even before I joined the band, the one thing that Tommy said was that he wanted to make sure that before they handed me the gig, that we'd still sound like Styx. I thought, ‘Good point.’ Digging deep into the group's music catalog, Phillip’s approach was all about adapting without sacrificing his personal touch.

PHOTO COURTESY OF ASH NEWELL

Styx — front row, from left: James Young, Tommy Shaw and Lawrence Gowan; back row, from left: Chuck Panozzo, Ricky Phillips and Todd Sucherman — is coming to the Fox Theater on Wednesday.

Styx with special guest Gary Hoey When: 8 p.m. Wednesday Where: The Majestic Fox Theater, 2001 H Street Admission: $39 to $61 Information: 324-1369 vallitix.com

“I was doing very little just before I joined the band, other than some producing gigs. My plan was to learn every song and every nuance before adding my sound on everything. I hate when you go to a concert and you're waiting for the singer to sing something and they don't play the song the way you remember it.” Styx's career, spanning a discography of 14 studio LPs, seven live records, plus numerous greatest hits packages gave Phillips enough homework, but it wasn't beyond his reach. Soon, he had the job and was on the road and in the studio with one of the biggest rock bands of the past three decades. Naming off some of the band's creative highpoints, there are the obvious chart-toppers, along with album cuts from classics “The Grand Illusion,” “Pieces of Eight,” and “Paradise Theater.” But when asked which tune stands as the band's calling card, one song comes to mind. “I think ‘Renegade’ at this point. I don't think anyone would have guessed that. ‘Lady’ was the band's initial first hit, and you could even throw ‘Babe’ in there at some point. ‘Renegade’ is the fight song for

a lot of the sports teams, ESPN has run a segment on the song and how the Pittsburgh Steelers use it. You can even go on YouTube and see videos done by high schools where they've used the song.”

‘Domo arigato, Mr. Roboto’ While Styx did perfect the art of the anthemic power ballad, they experienced the occasional creative blip, namely 1983’s “Kilroy Was Here.” A rock opera/concept album full of political satire, back-masking audio messages, futuristic storylines, the obligatory ballad, and robots. Though a platinum-selling record, it spawned a failed stage show and was a disastrous lesson that subsequently broke up the band the following year. “It doesn't really have much of a place in the body of work Styx had, but it was pretty profound and it did lay something down that people immediately identify with. Everyone knows the song ‘Mr. Roboto,’ no matter how silly you might think it is,” Phillips said. But in the scheme of things, Phillips recognizes the song also helped keep the band on the radar with young audiences after being featured or referenced in movies, TV and advertising campaigns, complete with the unmistakable lyric, “Domo arigato, Mr. Roboto.” “Behind closed doors, we all tip our hat to the success of it. It's survived the test of time.” Opening the show will be blues/rock guitarist Gary Hoey, who filmed his “Ho, Ho, Hoey” holiday concert for DVD release at the Fox in December.

The Bakersfield Californian Thursday, January 13, 2011

Eye Street

Starring Kern County What Hollywood filmed, spent in 2010

On the web filmkern.com

BY MATT MUNOZ

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The soon-to-be released “Green Lantern” is among the movies that have shot scenes in Kern County.

TV shows such as Spike TV's “The Deadliest Warrior,” NBC's “The Event,” CBS’ “Criminal Minds,” plus commercials by Target, Cadillac and major movies like “Transformers 3” and the upcoming “Green Lantern” all filmed in our backyard. And Kern profits even when projects are shot outside its borders. Davis and Dave Hook, the film commission’s marketing director, pointed to the recent filming of a 747 jet crash sequence for NBC's, “The Event” in Trona, which is in San Bernardino County. “That took about six weeks from prep to strike,” said Hook, using movie lingo to describe pre-production and filming. “They filmed in Trona, but everyone stayed in Ridgecrest.” Some of the other popular Kern locales used regularly are the Mojave Airport, Red Rock Canyon, the Honda Proving Center (a test track for new company cars and motorcycles) and Edwards Air Force Base. “We're in real good position with

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eeping Hollywood’s cameras focused on the southern San Joaquin Valley is a year-round job for the Kern County Board of Trade. “Last year we had a modest increase in numbers,” said Rick Davis, the board’s executive director, who oversees the film commission. “Not many other areas of business have seen that type of growth. We're seeing recovery faster.” Film production in 2010 brought in a little more than $16 million, according to estimates provided by Davis. That's up from approximately $15 million the previous year. Permit fees bring in most of the money, he said. For every service offered, there is a price attached, from traffic control to use of county buildings at $100 per hour, plus labor, equipment and lost revenue. Still, film companies get a deal when they choose to shoot here, Davis said. “We believe that if you want their business, you should be proactive in (addressing) their needs. We like to consider ourselves the most businessfriendly commission in California,” he said. A partial roundup of projects that shot on location in the county last year includes music videos by multiplatinum singer Rihanna, indie band Hot Hot Heat and hometown hard rockers Korn, whose frontman, Jonathan Davis, happens to be the film commissioner’s son. In addition, a number of popular

our proximity, between Los Angeles and San Francisco, and because Kern County is so diverse we can just about supply any location they need without an ocean,” Hook said. “We've been getting first calls from location managers now more than ever.” Hook said an invaluable — and free — marketing tool is the Board of Trade's official Facebook page. Beyond general information, there are a number of photos of potential locations available at the click of a button. “We'll do anything we can to get our name out there,” he said. Davis believes Kern’s competitiveness has been a key factor in attracting blockbuster productions like the latest “Star Trek” film and “Fast & The Furious IV,” which both shot in Kern in 2008. “We're one of the few film commissions that charge nothing for film services,” Davis said. “We operate with general tax dollars. Our budget is small. My job is to bring external dollars into economic development for Kern. “Our total budget is $700,600,” Davis said via e-mail. “We project to generate about $80,000 in revenue ... so our department’s cost to the (county’s) General Fund for tourism and film promotion is $620,500. Tourism revenue, the source of most of the department’s budget, is another big way to bring in the bucks. The new marketing strategy: persuading visitors to extend their stay. “The average stay is about two days. This year we hope to get it to three days or more,” Davis said.

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The Bakersfield Californian Thursday, January 13, 2011

Eye Street The Lowdown with Matt Munoz

Councilmen score a break Group opens NAMM; we have a winner!

s thousands congregate at the Anaheim Convention Center for the NAMM Show, Bakersfield rock band The Councilmen have even bigger plans — they get to open the show. “It’s insane and incredible,” said Councilmen drummer Taylor Haley of the band’s break performing on the outdoor Wanna Play Stage today at 5 p.m. Held annually by the National Association of Music Merchants, the event is a monster of a music geek-o-rama, where international instrument retailers, companies, celebrity musicians and fans gather to socialize, do business, and check out the latest gear. Kicking off this afternoon, the convention runs through Sunday. Taylor, who has a drumstick endorsement with Canadian-based drumstick makers Los Cabos, was instrumental in helping get the band on board through his association with the company. Chosen from hundreds of submissions, the band is ready to become part of the spectacle that is NAMM. “It’s a wild scene. You see guys that are like 60 who think they’re still on the Sunset Strip in the ’80s, walking around with crazy outfits. It’s fun though. We’re going down for the day,” Taylor said. Councilmen guitar/vocalist Keaton York, who joins Taylor and bassist Julian Sanchez, also shares in his bandmate’s excitement, but prefers to keep things in perspective. “You take it with a grain of salt, appreciate it, and hopefully make

PHOTO COURTESY OF MICHAEL HACALA

The Councilmen, from left: Julian Sanchez, Keaton York, Taylor Haley.

PHOTO COURTESY OF TALIA BRIDGMAN

Ryan Blake won last week’s talent competition at Maya Cinemas.

some connections,” he said. “I’m always excited. I don’t care what it is, I’m just thankful.” Formed in 2007, this isn’t the band’s first lucky score. In 2008, after entering the CBS “Early Show’s” Battle of Bands, the group garnered enough votes to keep itself in the running for an extended stay. That stint led them to country music video channel GAC, where

they were featured in 2008’s “The Next GAC Star” talent competition. Originally known for a rockabilly sound on their earlier recordings, York said the band now prefers an edgier, rock direction. “We’re pushing away from rockabilly a little bit, but the twang is still there. We’re tired of not getting radio play. You can be content with playing rockabilly, and that’s fine. But let’s face it — the sound’s not going mainstream. There comes a time when you wanna go farther with this stuff or not. We have the people behind us, so I decided as the writer to move ahead.” The band is in the studio recording new material for a springtime release. You can find it online at thecouncilmenband.com. For info on NAMM, visit namm.org.

Bakersfield star There was a lot of hootin’ ‘n’ hollerin’ Saturday for Maya Cinemas’ talent competition. Staged in the lobby of the multiplex, eight contestants arrived with cheering sections, flashy signs and a lot of hometown enthusiasm. With more than 200 attendees

Matt Munoz is editor of Bakotopia.com, a sister website of The Californian that devotes itself to promoting Bakersfield’s art scene. Matt’s column appears every Thursday in Eye Street.

standing in the lobby alone, I couldn’t tell you how many extra moviegoers packed the house. I was fortunate to be front and center as one of the judges. Impressed as I was by the evening’s turnout, so was Maya management. “The response was awesome. Everyone that signed up was extremely talented,” said Maya Cinemas’ promotions director Nyoka Jameson. “It was especially great to see the fans with their signs cheering each other on.” Joining me on the judging panel was Maya Cinemas President Frank Haffar, KUZZ radio personality Brent Michaels, city of Bakersfield Economic & Community Development Director Donna L. Kunz and Clear Channel advertising executive Tim Soto. Given two attempts to strut their country swagger onstage either with solo guitar or accompaniment, each contestant offered up a unique take singing an original tune or cover/original combination. From inspirational all-female trio Vowed To One to Bakersfield country band Good Question and soulful popstress Shontice Hildebrand with help from downtown guitarist Chris Carton, choosing a winner wasn’t easy. The talented contestants were judged on vocal ability, song choice, performance and celebrity appeal. Trust me: no snide “American Idol”-type critiques were required. Taking home the top prize was keyboardist/vocalist Ryan Blake of Bakersfield. Originally from Charlottesville, Va., the 23-year-old belted out faithful renditions of Rascal Flatts’ “God Bless the Broken Road” and “I Apologize” by contemporary Christian act 33 Miles. Combining gospel passion with country-soul appeal, his eyes barely glanced at the keys while a noticeable stillness overtook the scene. Without missing a note, he creatively rearranged the familiarity of each song with his own personality. “It was pretty awesome,” said Blake. “This is the second competition I’ve been in, and the first one I’ve one won. It’s a great way to start the new year.”

Bakotopia Unplugged Open Mic Night With host Matt Munoz When: 8 to 11 p.m. Wednesdays. Signups start at 7:30 p.m. Where: Fishlips, 1517 18th St. Information: 324-2557 or visit the Facebook page for updates.

Playing piano since the age of 6, Blake came to California in 2008 to pursue a dual career in music and computer systems. Currently attending Bakersfield College, his daily schedule is nothing short of around the clock. “Right now, I’m taking six classes and working full time,” said Blake. “I’ve always envisioned myself going somewhere with music. I write and do a lot of my own stuff. I’m trying to open as many doors as I can.” Winning a round-trip, three-day, two-night stay for two in Nashville that includes a tour of the Country Music Hall of Fame, Blake decided to give his prize to some close friends. “The win was enough for me, and I think they could really use the trip right now.” In addition to his solo work, Blake also performs with his band The Damascus Project. Based on the success of the “Country Strong” promotional event, Jameson said the theater plans to hold more movie-related events, including one in February. Local artists are being sought for the “Gnome Project,” coinciding with the release of “Gnomeo and Juliet,” a 3-D animated take on the Shakespeare classic. Submissions should be in the form of the ceramic garden gnome, collage, painting, or any “gnome-centric” creation you may have. A chosen few will then be displayed at Maya during a celebration of skits by the Spotlight Theatre, face painting and more from Feb. 11 to 13. Deadline for submissions is Jan. 28. For more information, contact Nyoka Jameson at 636-0490.

Thursday, January 20, 2011 The Bakersfield Californian

SPOTLIGHT

Eye Street

A Come on, feel the noise Picas Monster trucks taking over Rabobank Arena BY MIRANDA WHITWORTH Contributing writer

ffr e

W y H ritt at en b ch y er Directed by Jarred Clowes

BIGFOOT4X4.COM

Bigfoot will be revving its engine at the Monster X Tour at Rabobank Arena.

Monster X Tour When: 7:30 p.m. Friday and 1:30 and 7:30 p.m. Saturday Where: Rabobank Arena, 1001 Truxtun Ave. Admission: $17.05 to $28.30 To buy tickets: ticketmaster.com or 800-745-3000.

weren’t for the fan base that we have.” Bigfoot may be one of the Monster X Tour’s biggest draws but it’s not the only truck showcased during the tour. Rockstar, California Kid and Captain USA will be taking part in the vertical wheelie and freestyle contests. Both events will be judged by the fans, with the winner being decided by biggest applause from the crowd. The vertical wheelie event will pit truck against truck in a competition to see how vertical a driver can get his truck without flipping backwards, while the Freestyle event is what Runce calls a 90-second free-for-all. “They send us out and let us do whatever we want in the truck, whatever is going to get the fans the most excited,” Runce said. “Ninety seconds may seem like a short time, but when you are out running around

and hitting stuff with your truck, it feels like a lot longer.” You don’t have to be a fan of trucks to get in on the action as some special guests will keep things interesting, according to CEO Danny Torgerson. “We have a huge Motocross freestyle competition and the Metal Mulisha team will be out racing,” Torgerson said. “We also have a great group of Bakersfield’s finest that will be doing quad racing for us.” The quad racing is open to locals who have the experience and the desire to compete under the big lights, but it’s probably too late to enter the popular event now. “Unfortunately registration for the local event is all filled up,” Torgerson said. “It’s been full for about four months. There are a lot of gear heads in Bakersfield.” Quad racers aren’t the only locals allowed down with the big names. The Monster X Tour bills itself as a family event, and Runce said he’s happy to let the fans get up close and personal. “We let the families get down on the floor, so we can take pictures with the kids and give autographs,” Runce said. “When it comes to racing, this is a more personable sport. We’ve always stayed very fan-friendly and that’s what I love about monster trucks.”

Tickets for Haggard concert go on sale Friday BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

ickets go on sale at 10 a.m. Friday for a May 7 concert by country legend Merle Haggard at Bakersfield’s Fox Theater. Fresh from the December Kennedy Center Honors in Washington, D.C., where he was presented a lifetime achievement award for “outstanding contribution to American culture,” Haggard is still a road warrior at age 73. The Fox concert will benefit the Bakersfield Ronald McDonald House, an organization Haggard has shown his support for over the years. “Merle has been very generous,” said Bakersfield Ronald McDonald spokesman Jim Darling. “He was there when we announced the building project, contributed a guitar to sell and really lent his name to the project.

He also came to the house when we dedicated it in 2009 and spoke to the group.” Darling also credited Fox Theater promoter Danny Lipco with supporting fundraising efforts for the Haggard charity. After last year’s “Rock the Fox” fundraiser starring singer Christopher Cross, Darling approached Lipco about doing a similar event this year. Lipco offered Haggard’s May show, and Darling’s reaction was immediate. “This has been a pet project of mine, and when I asked him to help find me another show to help us raise funds, he mentioned Merle,” he said. “The hero on this is Danny Lipco. It’s his show, he’s the promoter. He has the theater contract and is the one who

allows our board to do a fundraiser. I’m very appreciative.” Darling explained that his organization purchases a block of premium seats to the show, and Lipco allows the Ronald McDonald House to resell them as individual and group VIP packages for $125 and $600. All funds from those sales will benefit the facility on the grounds of Bakersfield Memorial Hospital, a “home away from home” for families with children receiving treatment. For more information on how to purchase VIP packages to the May 7 concert, contact Jim Darling at 706-1360 or via email at jim@jimdarlingpr.com. Regular reserved seating prices range from $35 to $85 and can be purchased beginning Friday at all Vallitix outlets, including the Fox Theater, 2001 H St. or online at vallitix.com.

A PICASSO wrapped inside a taut, smart, wartime suspense thriller, this play is a fascinating, thought-provoking exploration of art and its meaning. Set in occupied France, Picasso is forced to either disavow three of his own paintings or see them burned as “degenerate art.” Desperate to avoid either outcome, Picasso must engage in a game of cat and mouse with Miss Fischer, a beautiful German cultural attache.

Jan. 21 - Jan. 29

he engines will roar and so will the crowd as the Monster X Tour rolls into Bakersfield this weekend for an adrenaline-pumping spectacular that will keep the fans on the edge of their seats. Veteran monster truck driver Dan Runce has been the man behind the wheel of Bigfoot for the past 20 years and said when he and his fellow drivers hit Rabobank Arena Friday and Saturday attendees are in for a one-of-a-kind experience. “Monster trucks never do the same thing twice,” Runce said. “I’ve been doing this for years and I am still excited by what’s going to happen when I get out there.” Bigfoot is the star of the show and one of the main stars in the monster truck world. Introduced in 1975, it’s regarded as the original monster truck and was born out of a Midwestern construction worker’s need for a durable truck that could take care of business on the job site and the family fun of off-roading when work was over. According to bigfoot4x4.com, Bob Chandler and his wife, Marilyn, knew four-wheel drive truck parts were hard to come by and began a business supplying off-road enthusiasts like themselves with the equipment necessary to keep big trucks running through the abuse of four-wheeling. Midwest 4 Wheel Drive and Performance Center was founded with Bigfoot promoting the business. Eventually the truck became an attraction featured in stadium shows, kicking off a genre of entertainment that has evolved into events like the Monster X Tour. Runce said it’s the rich history of Bigfoot and the enthusiasm of the fans that he enjoys most about his job: “We’ve been in business now for 35 years, so our young fans are all grown up. Being a driver I get to talk to a lot of older people that follow Bigfoot and have been for years. They know more about the truck than I do. It’s great to have that kind of following. We wouldn’t have a job if it

For Information Call

661.634.0692

www.thespotlighttheatre.com

1622 19th Street Bakersfield, CA

501(c)3 not for profit organization

Thursday, January 20, 2011 The Bakersfield Californian

Eye Street

Byrom to show ‘other side of me’ Buckaroos regular cuts loose with blues/rock gig BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

akersfield singer/songwriter Monty Byrom will be taking off his spurs Saturday evening for a special show at Buck Owens’ Crystal Palace. A frequent collaborator with the Buckaroos, Byrom looks forward to laying down a different groove this weekend. “I love the Buckaroos more than anything I’ve ever done, but I can’t ask them to play Jimi Hendrix. That’s the other side of me,” he said. “I’ll be playing some blues, reggae, and many of the songs I’ve written for other people throughout my career. My wife says I don’t do enough of that.” Byrom began playing with the Buckaroos one or two weekends a month in 2007. He’s done just about everything in the music business, including performing as a solo artist, a career as a full-time songwriter as well as fronting country-soul band Big House. Byrom knows he’s got a good thing with the Buckaroos, but appreciates the chance to branch out a bit. Plus, he said, the guys are probably just glad to have the night off. “I’m so spoiled with those guys and I’d like to keep that gig forever,” he said. “At least they’re letting me explore some different things with a diverse crowd. We’ll see how many people show up and if we have a good time. We may even make it an ongoing thing.” Joining Byrom will be his brother, Tanner, on drums; Maria Worth, bass; Chris

CONTINUED FROM PAGE 20

Concert on Feb. 25 at the Compassion Christian Center. The concert will feature songs, dance, mime, and poetry as well as a professional gospel rapper, Victor Wilson, from Los Angeles. Brenda Scobey, the library’s reference coordinator, explained that Wilson came to their attention when he sent a demo recording to Monty Embry, owner of B Moore Christian Books and Music Store. “One of the selections on the demo is an original tribute to Dr. Martin Luther King, rap style. How cool!” Scobey said. “The committee invited (Wilson) to participate in the concert, and he accepted.” Bakersfield Community Theatre will present several performances of August Wilson’s “Gem of the Ocean” between Feb. 11 and 26. The Pulitzer Prize-winning play tells the story of Aunt Esther, an ancient matriarch, and two young men who were involved in the Civil War. A team of speakers from Foothill High School will participate in the art museum’s First Wednesday series on Feb. 2. The students will discuss two constitutional amendments — the 13th, which outlawed

CALIFORNIAN FILE

Monty Byrom, shown in this 2007 photo, will perform on Saturday night.

Neufeld, keyboards; plus a host of special guests joining in throughout the evening. “I get to be a guitar player,” Byrom joked. What can folks expect? “You never know who will be showing up and what we’ll be playing. We may drop some Big House and Bob Dylan tunes in the set.”

Monty Byrom When: 9 p.m Saturday Where: Buck Owens’ Crystal Palace, 2800 Buck Owens Blvd. Admission: $5 Information: 328-7560

slavery, and the 14th, which provided equal rights for all citizens. For black residents interested in tracing their family history, the Kern Genealogical Society will offer an introductory class on research and other resources available online and at Beale Library. The lecture will be held on Feb. 12 in the Tejon Room at Beale. Nearly all of the events are free or charge a minimal fee. Funding came from about 30 public and private organizations. The art museum also used money from its Irvine Foundation grant, which is intended for outreach to new audiences. The project is a sort of continuation of the collaboration forged in 2001-09, when the museum and its partners celebrated the the Harlem Renaissance with a series of events. “We had groups that worked together then and a new group ‘Harlem & Beyond’ was formed with people from the black churches who continued with gospel concerts,” Pandol said. “We teamed up with the library and Harlem groups when we decided to do the Freedom Trunk and we are thrilled that all these groups are participating.”

Thursday, January 20, 2011 The Bakersfield Californian

Eye Street

Working on dream No. 2 Emerging country star to perform at the Palace BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

rom the backwoods to Music Row, country singer Lee Brice has made his share of goal-oriented plays. Returning Friday night to Buck Owens’ Crystal Palace, not only has he enjoyed success as a football star in his home state of South Carolina, but he’s already scored numerous hit singles for some of country’s biggest names. “There was two dreams I had growing up,” said Brice, 30. “One was playing for Clemson University, and the other was to write and play music.” Suffice it to say, he’s accomplished both and then some. “About 15 minutes outside the city is where I lived,” he said of growing up in Sumter, S.C. “There's nothing out there but land, dogs and huntin’. The closest big city to us was Charlotte, and that was about three hours away. I never went there. We had to make things up to do.” And play football they did. Moving through his scholastic years to become a special teams member of the Clemson Tigers, it was music he yearned to pursue most despite an impressive football record. “Sports are what we all did growing up; that was our life. I’d been writing songs since I was a kid,” said Brice. “I was playing music as much as I was football.” Suffering an arm injury that would end his athletic aspirations, Brice’s songwriting dreams soon came into focus. Leaving Clemson with only a year left to graduate, he set his sights on Music Row in Nashville. “It was almost like a blessing to me when I got injured. I wanted to play for Clemson and I met my goal. But now, I wanted to play music. It’s a part of my being.” With a suitcase full of dreams and songs he’d crafted over the years, Brice soon made valuable connections once he arrived. Putting in hours under the guidance of mentor and songwriter Doug Johnson, who saw potential in the aspiring artist, Brice’s daily regimen was intense. Planting his feet firmly in Nashville, he had no intention of leaving. “At that time, I wrote two to three songs a day. I would write from 9 a.m. to 1 p.m., and then from 2 p.m. to 6 p.m., then 7 p.m. to whenever at night. I wrote all the time and a couple hundred full songs a year,” he recalled. “That’s what it’s all about. It’s a life commitment. When I came, I didn’t do it giving myself a year to do it and visit. I came to spend my life here.” Eventually he was hired as a full-time staff writer at Curb Records. Catching the ear of his idol Garth Brooks, Brice was asked to help co-write the star’s 2007 comeback

PHOTO COURTESY OF LEE BRICE

Country singer Lee Brice performs Friday night at Buck Owens’ Crystal Palace.

single, “More Than a Memory.” “From the time I was 12 years old, Garth Brooks was one of the people I always listened to. His music was a big influence on me — the way I wrote, the kind of songs. For him to call me and say he wants to record one of my songs, it was almost like a dream,” he said. Subsequently signed to Curb Records as a performer that year, Brice was introduced as a performer via three radio singles that included the minor chart hit, “She Ain’t Right.” Releasing his official full-length debut in 2009 with “Love Like Crazy,” Brice’s talents began being recognized outside the studio. The release made the Billboard Top 10 Country album charts, fueled by the single “Love Like Crazy,” which still holds the record for the longest chart run in the history of Billboard’s Hot Country Songs chart. Still looking for the perfect hit to help boost him to the level of Brooks’ star status, Brice says his live show should help keep fans’ attention until that day arrives. “It goes from rockin’ your face off with the band to bringin’ it down with me and an acoustic guitar or me sitting at a piano. It’s very dynamic and like a roller coaster ride. I’ll be having fun, so I hope everyone else does too.”

Lee Brice When: 7 p.m. Friday Where: Buck Owens’ Crystal Palace, 2800 Buck Owens Blvd. Admission: $13 to $21 Information: 328-7560 or vallitix.com

Thursday, January 20, 2011 The Bakersfield Californian

Eye Street

Reinvention on the road Social Distortion set for concert Monday

Exper t ir Jewelr y Repa Gordon Wickersham 19th & Chester • 203-9425

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Bakotopia.com editor mmunoz@bakersfield.com

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early 30 years after their first riff, Social Distortion can still find ways to reinvent their own set of wheels. Hot on the road with the newly released “Hard Times and Nursery Rhymes,” the band’s seventh fulllength CD, punk rock statesman and lead singer Mike Ness and crew will be making another long-awaited stop in Bakersfield on Monday night. Social Distortion guitarist Jonny “2 Bags” Wickersham, who made local appearances in the 1990s with his former band, Cadillac Tramps, vividly remembers the time. “The Masque in Bakersfield was the first place the Tramps ever played outside of Orange County,” said Wickersham, via telephone, of the now-defunct venue, formerly located on the corner of 19th and G streets downtown. “We played there many times, staying at people’s houses even before we had a record out.” Tapped as a sub for original Social Distortion guitarist Dennis Danell in the late ‘90s, Wickersham became a permanent member after Danell’s untimely death in 2000. Recording his first tracks with the band on 2004’s “Sex, Love and Rock ‘n’ Roll,” he still finds it hard to talk about the band’s fallen friend. “As uncomfortable as it is to talk about, I’ll always feel like I’m just sitting in for Dennis. Growing up watching Social D in the early ‘80s as a fan, I guess I just kind of understand the dynamics of what Social D is. From the early punk rock stuff we grew up with to the obvious Stones, Americana roots and country. We’re just on the same page.” One of the only survivors from the original Orange County punk rock scene of the ‘70s, Social Distortion owes its popularity to its loyal fans. From the lengthy hiatuses, lineup changes, Mike Ness’ visits to rehab, and everything else the band has become known for, audiences continue to stand by them. Wickersham understands the close bond the band has developed with fans. “There’s definitely a connection between Mike’s songs and people who come see the band. He’s definitely telling their story. It’s great that they come out and see the band as often as they do. Some people say, ‘Why don’t you play some place that holds like 20,000 people?’ It’s not like that with us.” Ness, known for his affinity to country music on back-to-back solo albums “Cheating at Solitaire,” and “Under the Influences” has made no secret of his shaky relationship with Bakersfield, which Ness has visited on several solo trips to Buck Owens’ Crys-

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Social Distortion plays Monday at the Kern County Fairgrounds. From left, Jonny “2 Bags” Wickersham, Mike Ness, Brent Harding and David Hidalgo Jr.

tal Palace. The song “Bakersfield” from “Hard Times” became caught in a debate over the message Ness was attempting to send in the song after a 2006 live performance went viral in YouTube. Singing “Stranded here in Bakersfield…,” Ness’ heartbreak-themed lyrics were rumored to have gone from disdain to devotion after he was touched by his reception at the Palace in 2009, when he was given one of Owens’ prized red, white and blue guitars. Asked to confirm the story, Wickersham pleaded the Fifth, but did offer his own defense of the singer. “The thing about the song is that it’s not to be taken quite so literally. It’s not that he’s out to bash the town by any means; he’s kinda just messin’ around. The truth of the matter is that there are places all over the country where we could be and feeling the same way. He just happened to pick Bakersfield because it works so well in the song and works way better than other towns across the country.” Touted as the band’s “return to its punk rock roots,” “Hard Times” is anything but. Opening with the instrumental “Road Zombie,” the album takes a mid-tempo, soulful turn on

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Social Distortion with guests Lucero and Chuck Ragan of Hot Water Music When: 7 p.m. Monday. Doors open at 6:30 p.m. Where: Kern County Fairgrounds Exhibit Hall #2, 1142 S. P St. Admission: $36, includes service fee. Tickets: World Records, Impact Streetwear, Wavelengths Surf, Outer Limits, Going Underground Records, Stylz, B Ryder’s, Hoggz Surf Shop, True Grit Clothing & Barbering Information: timgardeapresents.com

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“Hard Times and Nursery Rhymes” is Social Distortion’s seventh fulllength CD.

“California (Hustle and Flow).” Not indicative of the tone on the rest of the record, the track is one of many eclectic detours; however, with the radio track “Machine Blues,” listeners will find some familiarity. There’s also a punked-up cover of Hank Williams’ “Alone and Forsaken.” Produced entirely by Ness, it’s admittedly newer sounding — even by Social D standards. “I don’t hear this record harkening back to any earlier band. I hear it more as showing some growth and more evolution in the band,” Wickersham said. “When Mike made ‘Prison Bound’ in ‘87, that was the most punk rock thing he could’ve done. He could have jeopardized the future of the band, but instead he did what he felt he wanted to do. Mike’s been doing that for a while and that’s what he’s always done. He did a great job producing the record.” Beyond the song, what does Wickersham personally think about our city? “I have fond memories of that place. But, it’s just too hot out there. I don’t know how you guys do it.” Joining Ness and Wickersham onstage are bassist Brent Harding and drummer David Hidalgo Jr., son of the veteran Los Lobos guitarist.

This Valentine’s Day send someone special a personalized message in The Bakersfield Californian for

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The Bakersfield Californian Thursday, January 27, 2011

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index Annual rabbit show . . . . . . . . . . . . . . . . . . . . . . . . .21 Laura Lollar Wolfe . . . . . . . . . . . . . . . . . . . . . . . . . .22 BHS Drumathon . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Jeff Dunham . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25 The Lowdown with Matt Munoz . . . . . . . . . . . . . .26 Fundraising events . . . . . . . . . . . . . . . . . . . . . . . . .27 Levan Classes . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30-31

Practice, practice, practice Rock Steady Studios to meet bands’ basic need BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

ocal bands will finally have a place to woodshed their noise into music with the upcoming opening of Rock Steady Studios. Brought to life by partners Chris Sanchez and Myvan Huynh, the self-financed business was created to fill a void felt by Bakersfield musicians — a feeling Sanchez is all too familiar with. “I’ve been playing in bands for years around town, and the problem we always had was finding a place to rehearse,” he said. Sanchez’s frustration dates to his 1990s high school punk band, The Rumor, whose rehearsals had a reputation for keeping neighbors awake. “We always practiced at my friend’s garage, and even lined the walls with mattresses to sound-proof the place. The cops would still show up and tell us to turn it down every time.” Sanchez, who plays guitar and sings, eventually moved on to a different band, but the hassles and expense of rehearsal followed him. “We were paying almost $450 a month for an empty room, and things just didn’t work out. I think we were paying the building’s rent more than our own because it was way too expensive,” he said.

‘If you can’t find a job, you can make one, right?’ So Sanchez, a 2010 CSUB grad with a degree in public administration, came up with a resolution both to his constant quest for rehearsal space and a brand-new struggle that cropped up since graduation: finding work in today’s tough job market. “Chris was so busy looking for a job, but no one was hiring,” said Huynh, an accountant and 2008 CSUB graduate. “His only real work experience was in music, playing in bands. I suggested he try something out related to that.” Huynh’s suggestion sparked an immediate reaction from Sanchez. “The rehearsal studio idea was the first thing that popped into my head,” he said. “I didn’t have any structured plan, but if you can’t find a job, you can make one, right?” His preparation and research consisted of visiting various established Southern California rehearsal spots and taking notes. “You walk into some of these places and there are just rows of doors leading to different practice rooms. Bakersfield could totally use something like this,” he said. Brainstorming together, the friends decided a joint venture could potentially make things work, with some financial

FELIX ADAMO / THE CALIFORNIAN

Chris Sanchez and partner Myvan Huynh try out one of the new rehearsal rooms at their new business, Rock Steady Studios.

“We’re hoping to have a melting pot of metal heads hanging with country dudes, and reggae musicians. This place is for everybody.” — Chris Sanchez, co-owner of Rock Steady Studios

guidance by Huynh. Each kicked in $5,000 of their own money. “The trust was there between us, and even though I was working already, I was confident about this,” said Huynh. “It was all or nothing as far as we were concerned. This was our money and we didn’t want to deal with bankers.” Their initial search led them downtown, where they felt Rock Steady Studios would get the most traffic. “The rent was too high downtown, and there’s always some noise level and parking concerns from the landlords. Bands need space outside to load and unload gear,” Sanchez said. Their next stop was the southwest, home to countless lonely business plazas with suites to fill. There they found what they

consider an ideal location and reasonable rent. The partners moved in the first week of January, and with help from family in the construction business, they put in drywall, light fixtures and sound-proofing. “When we first came in, there was nothing but an office and a set of stairs here,” said Huynh. “We built most of this ourselves, but contracted things we needed help with.”

‘Plug ’n’ play best way to go’ Making the most of the available 2,000 square feet, which also includes an upstairs area, the studio offers five rooms to choose from. Varying in size, from small enough to fit one full drum kit to a fully staged set-up, each is personalized with names like “Schecter Room” and “Gibson Room,” after popular instrument brands. Inside each chamber, walls are adorned with posters of rock legends to help create the vibe. All rooms will boast PA systems, complete with microphones and cables, making it BYOI — bring your own instrument. “Plug ’n’ play is the best way to go,” said Sanchez. Pricing will depend on the needs of the artist, starting with a base rate of $20 to $25 an hour, according Sanchez and Huynh. The plan is to offer a variety of options to make things easy, rather than haggling over

Rock Steady Studios 5630 District Blvd, Suite 107; 3645490 or 619-565-7168 or r.s.studios@hotmail.com

rates. “We will work with all the bands on this, because we know how crazy some schedules can be. We’ll make it accessible at just about any hour, as long as we’re contacted early enough. I compare it to eating at In-NOut, where you have three options you can change a little,” Sanchez smiled. Alcohol and smoking are prohibited. “We want parents to feel safe if their kids are here. Smoking is allowed outside, and we will have security cameras on the premises at all times,” said Huynh. In addition to the rehearsal spaces, the Rock Steady lounge waiting area is where bands can network and make connections while watching music videos on the bigscreen TV. The partners have already been fielding calls from interested bands. Sanchez envisions a socially rockin’ steady environment. “We’re hoping to have a melting pot of metal heads hanging with country dudes, and reggae musicians. This place is for everybody.”

Thursday, January 27, 2011 The Bakersfield Californian

Eye Street

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PHOTO COURTESY OF RICHARD NEWLAND

The Bakersfield High School drum line will be holding a drum-a-thon and pancake breakfast fundraiser Saturday.

Drumming up support Pancakes, drum-a-thon to raise travel funds BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

lapjacks and drum sticks will be in abundance during the third annual BHS Drum line Pancake Breakfast and Drum-a-Thon on Saturday at Bakersfield High School. With enough “battering” power to keep listeners in step or consuming to the beat of their own sponsored drummer. BHS band director Randy Bennett says extra funding is needed more than ever. “Performing in a high school band drum line is considered an extracurricular activity nowadays, and the money just isn’t there anymore. It really comes down to schools giving us the opportunity to learn everything we want to learn, but if we’d like to go anywhere and show anybody, we have to raise money. That’s just the nature of the beast." To help with regular campaigns,

BHS Drumline Pancake Breakfast and Drum-a-Thon When: Pancake breakfast 8-11:00 a.m.; drum-a-thon 9-noon Saturday Where: Bakersfield High School cafeteria, 1241 G St. Admission: $5; $3 children 8 and under. Tickets can be purchased at door. Information: drillerband.com

band booster clubs are often organized to assist with raising funds. From ideas to volunteering, parents are the key, said Bennett who praised his army of supporters. “Booster clubs have been doing this for years, as far back as I can remember,” he said. “I can’t tell you how great their assistance is. Without the parents helping, we wouldn’t be able to have events such as this.” Hoping to raise enough funds to cover the estimated travel expenses for a planned trip to the upcoming

Union City drum competition in March, Bennett has set an early goal. “We have 28 kids. At $65 a kid, it equals to about $1,820 for that trip. That’s our pie in the sky,” he said. Feeling the squeeze hitting arts programs throughout the Kern High School District, Bennett says he’s found ways to keep the program strong, while trying to put a positive spin on the situation. “Performing is outside of the school realm, because of the way budgets are. We have to really work to make things happen. I think that’s kind of a good thing to teach kids these days.” Attendees can help out two ways: by purchasing a ticket to the event, which comes with a pancake breakfast, or by sponsoring a member of the drum line when the drum-off begins outside. “Anyone can sponsor one of the kids before they start their round, and we’ll accept any amount. You can watch and listen along with them or sit and watch from the comfort of the cafeteria behind the glass. That amount of drumming might be a little too much on the ears,” Bennett laughed.

Museum’s future open for public’s input THE BAKERSFIELD CALIFORNIAN

he Kern County Museum, a living monument to our region’s heritage, usually concerns itself with matters of the past. But following the announcement late last year that management of the Chester Avenue landmark is going to change, attention has shifted to the future. The public is invited to brainstorm ideas and help chart a course for the museum, whose property and col-

Save Kern County’s Museum What: Brainstorming session open to the public When: 10 a.m. to noon Saturday Where: Kern County Museum, Main Gallery, 3801 Chester Ave.

lections are owned by the county. The Kern County Superintendent of Schools is the current administrator but will turn over the reins of the

museum in June. But to whom? And will the museum’s mission, hours and attractions change? Mary Beth Garrison will facilitate the meeting, which starts at 10 a.m. at the museum. “Everyone involved is committed to keeping the museum open and making it financially strong, functional and educational,” said Beth Pandol, chairwoman of the Museum Authority Board and a member of the Museum Foundation Board.

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Thursday, January 27, 2011 The Bakersfield Californian

Eye Street

Dummy, the joke’s on me Jeff Dunham — and his characters — at Rabobank BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

Jeff Dunham When: 5 p.m. Sunday Where: Rabobank Arena, 1001 Truxtun Ave. Admission: $41.50 plus fees Information: 852-7777 or ticketmaster.com

for his holiday parody song, “Jingle Bombs,” sung in the act by Dunham via Achmed, the comedian says pushing buttons can lead to laughter. “I heard a great comic say once that if you aren’t offending a couple of people here and there, you’re not pushing the envelope enough. I know there’s a fine line, but I feel that most folks have a good sense of humor and can take a joke. I’m always very suspicious when folks are ‘offended,’ because more

often than not, the ‘offended’ are offended for someone else, and aren’t any part of the group being picked on.” Having taken his act around the world numerous times, Dunham explained that not much of his material has been lost in translation. As the nation has caught on, so has the rest of the globe. “We’ve proved it on our European tours. Those people were just as enthusiastic and knew some of the jokes. When that happens, it is sobering,” he said. Eager to see where he and his band of puppet pals will head next, Dunham assures locals won’t be disappointed when he hits the stage. “We have a bunch of new material the folks in Bakersfield can look forward to. It will be a fun show.”

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COMING IN EYE Saturday: Valentine’s Day is coming soon, but there’s more than romance headed to town this February. From events for Black History Month tied to the local Harlem & Beyond celebration to Super Bowl parties and Whiskey Flat Days, you have plenty to keep your calendar full. Get the details in the Month Ahead calendar. Sunday: Dr. Temple Grandin, autism advocate and the subject of a Golden Globe-winning film, spoke to The Californian before a pair of upcoming appearances in

Ventriloquist Jeff Dunham, holding one of his popular characters, Peanut, will appear Sunday at Rabobank Arena.

PHOTO COURTESY OF RICHARD MCLAREN

AN NI

Ethel’s Old Corral

unnyman Jeff Dunham is no dummy. Bringing his cast of wild characters to Rabobank Arena this Sunday, the ventriloquist and stand-up comedian continues filling venues worldwide. Looking back at his successes, the Dallas native is happy audiences are still in on the joke. “In my show I try and make fun of myself more than anyone, and I believe that we should all be able to laugh at ourselves,” he said. Honest words from the man who’s made a living being silly. “Like I always say, my show has no socially redeeming value whatsoever — you’re not going to learn anything. All you’re going to do is have a big goofy time and escape your problems for a while,” he added. Purchasing his first vinyl ventriloquist dummy as a kid in the ’60s, Dunham says puppets were pretty common in his neighborhood, unbeknownst to him until years later. “Everyone close to my age that I’ve talked to, especially guys for some reason, tell me that they had one too but they said they never could do it. It was just something that I thought was cool. I started doing book reports with it — I developed the skill. I easily got A’s on all my reports. It was just something that a little kid grasped on to — so I stuck with it.” In the tradition of famous vaudeville to Hollywood acts like Edgar Bergen and his puppet, Charlie McCarthy, and others synonymous with the stagecraft, Dunham has filled his own stable of popular sidekicks. From the grumpy antics of “Walter,” who “doesn’t give a damn,” to “Peanut,” the hyperactive “woozle,” they’re never short on voice-manipulated laughs. His stable includes the occasional controversial character — as in the case of “Achmed the Dead Terrorist.” Through the guise of the turban-wearing skeleton, Dunham pokes fun at the issue of suicide bombers. Known

Kern County — at an autism conference and before the Cattlemen’s Association. Grandin shared her thoughts on a range of subjects, including autistic children, the humane treatment of animals and her whirlwind introduction to Hollywood. Plus, we’ll share the inspiring tale of 20-year-old Justin Twisselman, whose autism diagnosis hasn’t prevented him from pitching in on JOHN EPPERSON / THE DENVER POST the family’s ranch, which Temple Grandin will speak at the 16th anstraddles Kern and San Luis nual Autism Awareness Conference. Obispo counties.

In this session we will be working with “A Movie Star Mystery.” Come join us as we explore the world of Theatre! (Ages 6-18). Instructed by: Bethany LaHammer and Christine Foth

February 1st - March 31, 2011 Tuesdays and Thursdays • 5:30pm - 7:30pm BMT School of the Performing Arts • 1927 Eye Street Registration form available

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Friday, January 28, 2011 The Bakersfield Californian

Eye Street Review

Ness answers ‘What is punk?’ Band’s older tunes still hot with fairgrounds audience BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

The Kern County Fairgrounds bustled with plenty of human livestock Monday night during a concert by Orange County punk rockers Social Distortion. Lead vocalist Mike Ness, who entered the stage sporting a more refined vintage gangster style, greeted an estimated crowd of 2,000 before leading off the evening with “Road Zombie,” the opening instrumental track off the band’s new CD, “Hard Times and Nursery Rhymes.” Tapping into material from the band’s entire discography back to 1983’s “Mommy’s Little Monster” through 1988’s “Prison Bound” and ’90s “Somewhere Between Heaven and Hell,” each was transformed into a singalong through the echoing acoustics of the fairground walls. In concert, one of the keys to Social Distortion’s appeal — beyond the larger-than-life presence of Ness — is his choice of premium sidemen. Guitarist Jonny “2 Bags” Wick-

ALAN GRETH / ZUMAPRESS.COM

Social Distortion, led by Mike Ness, performs at the Kern County Fairgrounds. Performing with Ness are Jonny Wickersham on guitar, bassist Brett Harding and Dave Hidalgo Jr. on drums.

ersham, who replaced deceased original guitarist Dennis Danell in 2000, along with bassist Brent Harding help keep even the band’s most well-worn material current.

Drummer David Hidalgo Jr., who came into the lineup after the “Hard Times” sessions, should feel confident he won’t be shown the door soon, unless Ness decides its time for another change as has been the case in previous years. One of the evening’s moments most appreciated by fans was not surprisingly, the introduction of the group’s latest hard luck anthem, “Bakersfield.” Interpreted not as a city-bashing song, the tune’s poetic sadness will mostly likely be a permanent addition to the nightly set list. Another of the evening’s standout moments was the entry of two female backup singers for the encore of “California (Hustle and Flow),” also from “Hard Times.” Not a common sight at a Social Distortion concert. Ness once again proved the concept of “what is punk?” will always be up to interpretation. Closing with their 1990 radio breakthrough hit, “Story of My Life,” the band ended the evening as a proper greatest hits package — just the way Ness’ fans like it. Now if I could only get my $3 back from the bootleg T-shirt vendors illegally collecting parking fare across the street! That was so punk of them.

Violinist, cellist appear Sunday at local church prize winner in the nationwide youth competition in Germany Violinist Susan Doering and leading to his membership in the National Youth Orchestra of cellist Dieter Wulfhorst will be Germany from appearing in con1976 to 1979. cert as The EmerEmerald Duo He came to the ald Duo on Part of the Fred and U.S. in 1985 to Sunday in the Beverly Dukes Concert continue his studsanctuary of First Series ies with the Congregational Guarneri Quartet Church. There is When: 4 p.m. Sunday at the University no admission to Where: First of Maryland this event as part Congregational where he received of the Fred and Church, 5 Real Road his doctorate in Beverly Dukes Admission: Free 1995. His dissertaMemorial Concert Information: 327tion was on avantSeries. 1609 garde music for The program BY MARJORIE BELL Contributing writer

will include pieces by early composers Andreas Lidl and Louis Massonneau as well as more modern works by Scott Joplin and Jay Unger (including Unger’s popular “Ashokan Farewell”). Dr. Wulhorst, who currently teaches at Fresno Pacific University, has performed widely in the U.S. and throughout Europe and Asia as a soloist, chamber musician and orchestral performer. Early in his career in Germany he was a

unaccompanied cello. Dr. Doering, who teaches violin and viola at Fresno Pacific, holds degrees from USC, the University of Michigan and the University of Maryland. She is also a board-certified music therapist and maintains a private studio and music therapy practice. Her many TV and public radio broadcasts include NPR’s “Performance Today” and satellite broadcasts from China.

Thursday, February 3, 2011 The Bakersfield Californian

Eye Street

‘Weeds’ actor keynotes Hispanic Chamber event Louie Cruz Beltran to kick things into gear when speeches end BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

he Kern County Hispanic Chamber of Commerce will host its 26th annual Installation Banquet and Awards Ceremony on Saturday at the Bakersfield Marriot. The evening’s festivities will begin with a no-host cocktail bar at 6 p.m., followed by dinner and program featuring actor/director Enrique Castillo as keynote speaker. Castillo began his acting career in the Central Valley as part of director Luis Valdez's Teatro Campesino Castillo in 1969, before making the jump to TV and films in the 1980s. He worked with filmmaker Gregory Nava on the critically acclaimed dramas “El Norte” and “Mi Familia,” also starring singer Jennifer Lopez. He's probably most recognized for his role as the gangster Montana in 1993's “Blood In Blood Out.” Today he’s a recurring character on the Showtime comedy-drama “Weeds,” playing Cesar.

The Kern County Hispanic Chamber of Commerce Installation Banquet and Awards Ceremony When: 6 p.m. Saturday Where: The Bakersfield Marriott, 801 Truxtun Ave. Tickets: $60 or $500 for a table of 10. 633-5495 or e-mail mortega@kchcc.org.

After the program, live entertainment will be provided by Bakersfield percussionist/vocalist Louie Cruz Beltran and his Latin Jazz Orchestra. Beltran, who performs regularly in Southern California, will be presenting selections from his CD “It's My Time,” as well as a danceable variety of soul and Latin-tinged jazz standards. The Kern County Hispanic Chamber of Commerce is an organization that promotes Hispanic and minority-owned businesses. Founded in 1985, it now boasts more than 400 members and is affiliated with both the California and United States Chamber of Commerce. The Bakersfield Marriott is located at 801 Truxtun Ave. Tickets for Saturday's event are $60 or $500 for a table of 10. To RSVP, call the KCHCC at 633-5495 or email mortega@kchcc.org.

Lineup announced for 2011’s Riverwalk Park Concert Series

he Bright House Networks Amphitheatre has announced the lineup for the 2011 Riverwalk Park Concert Series. Scottish pop balladeer Al Stewart kicks things off April 16, followed by American roots legends Dan Hicks and The Hot Licks on June 11. Chart-topping singer-songwriter Karla Bonoff continues the series Sept. 10, while zydeco rockers Lisa Haley and the Zydecats serve as a finale to this run of great music under the stars. Known for penning chart-toppers “Year of the Cat” and “Time Passages,” Al Stewart has evolved his sound over the years from radio-friendly pop to soulful folk. Performing with longtime accompanist Dave Nachmanoff, Stewart will play his familiar hits as well as new material from his recent release “Uncorked,” a musical ode to wine. Dan Hicks has appeared on the cover of Rolling Stone three times and collaborated with Tom Waits, Elvis Costello and Bette Midler. Performing here with his longtime backing band The Hot Licks, Hicks’ western swing and country blues is sure to get the crowd out of their seat and dancing all night. A respected songwriter who has penned hits for such artists as Bonnie Raitt, Wynona Judd and Linda Ronstadt, Karla Bonoff is also a great performer in her own right. Fresh off the release of her first live album, “Karla Bonoff Live,” the songstress will per-

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Dan Hicks and The Hot Licks will appear at the Bright House Networks Amphitheatre on June 11.

form both her well-known ballads as well as her harmonious new acoustic material. A fourth-generation fiddler trained in the Cajun Zydeco tradition, Lisa Haley and her band The Zydecats are dedicated to preserving the soul of Louisiana’s native music. Their recent release “King Cake” was nominated for a Grammy for “Best Zydeco Album.” Tickets for all four concerts are $10 each and go on sale at 10 a.m. Saturday at the Rabobank Arena box office, ticketmaster.com, and via all Ticketmaster outlets. Season passes are available for $30. — SMG media release

Thursday, February 10, 2011 The Bakersfield Californian

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SPOTLIGHT

Eye Street

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Book by Ken Ludwig

CRAZY FOR YOU PHOTO COURTESY OF JOHN GLOW

Asleep at the Wheel, from left: David Miller, Eddie Rivers, Jason Roberts, Ray Benson, David Sanger, Elizabeth McQueen and Dan Walton. The band will perform at Buck Owens’ Crystal Palace tonight.

Oddly enough, dedication to roots keeps band fresh BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

rom the heat of Texas to the tropics of Hawaii, Asleep at the Wheel’s Ray Benson keeps it swingin’ in his enviable position as one of the most high-profile purveyors of American roots music. Performing tonight at Buck Owens’ Crystal Palace, the 59-year-old singer/songwriter, prefers to keep his schedule busy while enjoying the comfort of the band’s latest tour stop, Honolulu. “I just got off the phone with Lyle Lovett. He’s in Milwaukee,” said Benson via cell phone. “I got the good gig this time.” Twenty studio albums in to an illustrious career of stretching the boundaries of country-western with the band’s signature mix of jump blues, rockabilly, Zydeco and more, the Grammy award-winning musician never expected this kind of run. “I started the band when I was 19. I thought we’d have a good 10 years, then open a music store. Forty-one years later, it’s kind of interesting how it all worked out,” he said. Drawn to traditionally flavored sounds, Benson says the band’s choice to follow their roots Americana style comes from a reverence for a timeless genre. “It’s all about American music from the ’20s, ’30s, ’40s and ’50s. We’re playing music that was old when we started. It couldn’t go out of style, because it already was out of style. The main thing is, people wanting to

Asleep at The Wheel When: 7 tonight Where: Buck Owens' Crystal Palace, 2800 Buck Owens Blvd. Admission: $15.50 to $22.50, plus service fees Information: 328-7560

hear this kind of music and being so passionate about it. We went, ‘wow,’ I guess we can keep doing this, ya know?” Old in tradition but rich in youthful popularity, if audiences are any indication, many fans come hungry for a hearty helping of authentic western swing. An Asleep at the Wheel show is no revival but a reminder of sounds that have helped keep generations in rhythm. “On the country side of things, it was Bakersfield’s own Buck Owens. Buck was like the progression from western swing. Buck was always a big influence on our music because it was a step between modern country music, honky-tonk music, and western swing. Willie Nelson, Merle Haggard. On the jazz and swing side — Count Basie, Louis Jordan and his Timpani Five. We always felt there was place to do this,” Benson said. “We have elements of country music, but it isn’t your standard sound.” Naming off more influences, there is one name they’ve become synonymous with: Bob Wills. Considered the father of western swing, Wills and his Texas Playboys have provided limitless source material for musical tributes by Asleep at the Wheel. Joining some of his idols in honoring the pioneers of the sound, Benson says it’s more than

just about paying homage. “You got guys like Merle Haggard and Willie Nelson, who set that kind of example before. I’ve always said, ‘You can’t have a strong tree if you don’t have roots.’” And though the country-pop leanings of current hit makers like Taylor Swift might seem to put them on a different tree altogether, Benson sees connections to legends of the genres. “I’ll pick five or six artists and you tell me what they all have in common, except that they’re all called country music. Let’s start with Buck Owens, Jimmie Rodgers, Johnny Cash, Glen Campbell, Bill Monroe, Patsy Cline, The Dixie Chicks. … The point is that there’s bluegrass, Cajun, honky-tonk, western swing. It’s all considered country music, but it’s different. None of them sound the same. Think about Elvis Presley. In 1956 and ’57, this was considered scandalous rock ‘n’ roll. If he was doing that today, it would probably be considered country music. Or, the Eagles — they’re a rock band, but today they’re more country- sounding than Taylor Swift. It’s all American music.” Personally invited to lead an all-star band for the massive concert and statue unveiling at the Crystal Palace with Garth Brooks and others in 2005, Benson says tonight’s return to Bakersfield will be everything fans expect and more. “We do a little bit of everything from the past and what we’re working on now. We do a whole section of Bob Wills stuff. I’ll probably do a Buck Owens song or two, because I loved the man and have great respect for him what he’s done for Bakersfield by building that place. Buck was quite a good businessman, but he didn’t build that place to make money.”

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The Bakersfield Californian Thursday, February 10, 2011

Eye Street Love Jam: Smooth as silk sheets

Valentine’s Super Love Jam When: 8 p.m. Friday Where: Rabobank Convention Center, 1001 Truxtun Ave. Admission: $35.50 to $25.50, plus service fees Information: 852-7777

BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

omposing the perfect “Love Jam” isn’t easy. More than a set of hearttugging lyrics to woo the object of your affection, you need the right formula of silky soft melodies and poetry. This Friday’s Valentine’s Super Love Jam features eight acts, all of which have made lasting careers out of writing and performing baby-making grooves. Originally releasing their material in the ’60s on through the ’80s, these groups have made possible many special Valentine’s dedications from at least one of their signature tunes. Touching on everything from romance to the fragility of relationships, these are considered to be the original “old school love songs.” The Manhattans: Formed in 1962, Jersey City’s finest scored their first hit single with “Kiss and Say Goodbye” in ’76. They also won a Grammy in 1980 with “Shining Star.” The Intruders: Philadephia’s The Intruders taught boys to be gentlemen with their 1968 No. 1 hit, “Cowboys to Girls.” The Persuaders: The story of a tempestuous relationship, The Persuaders’ “Thin Line Between Love and Hate,” is a reminder of love’s tightrope. Covered by The Pretenders and Annie Lennox, you can’t beat the original. Gene Chandler: The opening chorus of 1962’s “Duke of Earl” is one of soul

music’s most instantly identifiable lyrics. Sampled and referenced by everyone from rappers’ Cypress Hill to Steely Dan, the song’s longevity is impressive. Thee Midniters: Pioneering the age of “brown-eyed soul,” East Los Angeles’ Thee Midniters helped Latin-ize the pop charts throughout the 1960s with covers of Cannibal & the Headhunters’ “Land of a Thousand Dances” and more. But what really drove their fans crazy, especially the girls, were the renditions of “That’s All,” and “The Town I Live In.” Tune-in Sunday nights to the Art Laboe dedication radio show and find out what I mean. Tierra: Like their East Los Angeles brethren, Thee Midniters, Tierra helped keep the heart of Latino soul beating after scoring a Top-20 hit with “Together.” Brothers Steve and Rudy Salas don’t always show up together onstage at every show. But when they do, it’s on. The Originals: Hailing from Motor City, the quartet scored in 1969 with the immortal “Baby, I’m for Real,” written by Marvin Gaye and his older sister, Anna. Filled with angelic strings, the lyrics are guaranteed to keep your lady from ever leaving. But just in case, they released “The Bells” as back-up. Eddie Holman: A single person’s anthem, “Hey There Lonely Girl,” is an invitation to finding new love. Still hitting those pitch-perfect falsetto notes in concert, singer Eddie Holman should help create some sparks among the newly dateable.

Regan’s observational jokes find ha-ha in the ho-hum BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

onesty is the best comedy policy for Brian Regan. Using everyday life as a backdrop during his stand-up routine, the comedian’s everyman style has brought him acclaim from fans and peers alike. Taking the stage tonight at the Fox Theater, Regan says he doesn’t take too well to receiving praise for his “observational” comedy — much of which could be pulled from a dentist waiting room. “I wish I was that brilliant. But I’m only about one-tenth that brilliant. If I were in a room with 10 strangers, I would probably be able to make a routine out of only one of those people.” Preferring to shy away from fueling his ego with too many accolades, Regan’s resume certainly is something to brag about. Appearing in a series of popular Comedy Central specials, he’s also made appearances on both Conan and Letterman. Plus, he’s also had some of his works featured on movie screens across the nation, where they were viewed by thousands, if not millions of moviegoers. “I did these little shorts called “Concession Stand Comedy” for Coca-Cola that were shown before the movies started,” he said. “People would watch me act like a goof for a minute, then they’d watch De Niro act like a genius for an hour and a half.” Touching on everything from UPS service desks to Pop-Tarts toaster pastries and the potential for disaster accompanying them, Regan’s act is a natural combination of conversational and physical comedy style onstage ala Jim Carrey.

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When asked if he performs any backstage rituals before each show for good luck, Regan’s bizarre side emerged — if only for a joke or two. “I always roast a pig backstage before each show. OK, nothing that weird. But I do always retie my shoes. I hate the thought of prowling back and forth on stage with my shoes not tied,” he said. Hoping to avoid any trips in front of fans during tonight’s show, Regan’s latest quickfire observation comes courtesy of Egypt’s latest political unrest and of all things, Snookie from MTV’s “Jersey Shore.” “I hope the nation of Egypt can find peace soon. When I first saw the rock-throwing protesters in Egypt, I thought they were upset about ‘Jersey Shore.’”

The Bakersfield Californian Thursday, February 10, 2011

Eye Street Love Jam: Smooth as silk sheets

Valentine’s Super Love Jam When: 8 p.m. Friday Where: Rabobank Convention Center, 1001 Truxtun Ave. Admission: $35.50 to $25.50, plus service fees Information: 852-7777

BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

Regan’s observational jokes find ha-ha in the ho-hum BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

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Brian Regan When: 7:30 tonight Where: Fox Theater, 2001 H St. Admission: $39.95 plus service fee Information: 324-1369

The Bakersfield Californian Thursday, February 17, 2011

Eye Street

Index Whiskey Flat Days . . . . . . . . . . . . . . . . . . . . . . . . . .21 Denim & Designer Delights event . . . . . . . . . . . .22 Home and Garden Show . . . . . . . . . . . . . . . . . . . . .23 Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Gary Myrick and the Figures . . . . . . . . . . . . . . . . .25 The Lowdown with Matt Munoz . . . . . . . . . . . . . .26 Robin Trower . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32-33

Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Swingin’ and ring-a-ding-dingin’ ‘Frank,’ ‘Dean’ and the boys: It’s the coolest ticket in town, baby BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

ll aboard the Vegas time machine: “The Rat Pack is Back.” Paying tribute to a bygone era, there shouldn’t be a shortage of whisky and wild times when “Frank,” “Dean,” “Sammy” and “Joey” take to the stage in Bakersfield on Wednesday. “I can remember probably hearing Sinatra for the first time when I was about 8,” said Brian Duprey, who takes on the daunting task of bringing Ol’ Blue Eyes back to the mic. “I don’t think my parents had a Sinatra record, but my mom listened to a lot of easy listening and some of his songs would come on.” Becoming a fan of the pop singer’s music as a teen, Duprey describes the Sinatra style as an almost conversational form of entertainment. “I’ve always thought of it as ‘talk singing,’ because of the way he phrased his verses. I guess as a young kid being able to emulate that style was kind of cool,” he said. Born in Rhode Island, two states away from Sinatra’s hometown of Hoboken, N.J., the 36-year-old performer says his resemblance to the pop singer was noticed early on by his mother, who encouraged her son’s particularly strong interest in music. “Like most mothers, if I showed some interest or promise in something like music, she would find a way to keep me going. I think me singing along as a kid probably sparked her interest to Sinatra, because I was probably sounding like that. I was a fan of Elvis and Neil Diamond, too. At my age, I was kind of different for liking older music and acts.”

You look just like ... Taking up stand-up comedy, Duprey’s talents eventually drew him to the West Coast and to Las Vegas in 2002. Performing in a variety of local shows, including “Legends in Concert,” his uncanny similarities to the king of crooners brought him rave reviews, and ultimately to Hollywood. Appearing on Fox TV’s “Performing As …” talent competition in 2003, Duprey wowed celebrity judges.

PHOTO COURTESY OF JAM THEATRICALS

From left, Brian Duprey as Frank Sinatra, Kenny Jones as Sammy Davis Jr., Mickey Joseph as Joey Bishop and Drew Anthony as Dean Martin appear in “The Rat Pack is Back” on Wednesday night at the Rabobank Convention Center.

‘The Rat Pack Is Back!’ When: 7 p.m. Wednesday Where: Rabobank Convention Center, 1001 Truxtun Ave. Admission: $25 to $45 plus fees Information: 852-7777 or ticketmaster.com

He didn’t win the final round, but it was enough to build his reputation as an up-and-coming celebrity impersonator. “When I first moved to Vegas I was just singing, not really trying to act or look like Frank. Although those things were there, I just had to enhance them,” Duprey said. In 1964, there wasn’t a hotter Vegas ticket than the Rat Pack at the legendary Sands Hotel. Fans would scramble for tickets to see the cabaret antics of the four artists, all at their peak. Archival footage of their shows on the web and DVD show a palpable chemistry among them as they’d sing, dance, perform comedy skits and improvise. Preceded in death by

Martin and Davis, Sinatra’s passing in 1998 was followed by Bishop’s in 2007, closing the final chapter on the beloved foursome. For Duprey and his castmates, the Pack’s archive acted as a blueprint for the revival show with a lot of room to sprinkle in their own clowning around. “The natural chemistry is just like that all the time between us onstage. And although we don’t hang around all the time, we’re always joking around. It’s very easy to work with these guys. We have a script, but we improvise sometimes when we can,” he said. Coincidentally, Duprey and Drew Anthony, who plays Martin, also happen to be best friends, just like their real-life counterparts,. “I think it was just happenstance that I’m best friends with the guy who does Dean Martin,” Duprey laughed. “When we’re looking at our lines, we think about how Frank or Dean would have said this or that.” Duprey added that another way the show stays fresh nearly 50 years after the original “Summit at the Sands” is to make the jokes

“swingin’ and ring-a-ding-dingin” — that’s Rat Pack lingo for “current,” if you catch my drift. “We try to keep the audiences laughing, that’s for sure. We cut a lot of the old humor out, the stuff that might be considered too racy. Even if we threw some of those old jokes in, it just wouldn’t even be funny anymore. We try to keep things up to date with the music, too. We added ‘New York, New York,’ to the show, which wasn’t even recorded until 1980. We take artistic liberties where we can to make the show more enjoyable.”

Ava or Mia? And in order to be the man, you should know the man. Quizzed on knowledge of Sinatra’s personal life, particularly his love of women and whiskey, Duprey fared pretty well when asked about who he thought was the late crooner’s more notorious love conquest — Mia Farrow or Ava Gardner. “Ava Gardner, because she was something that Frank couldn’t quite put his arms around. He’d have her back for a couple years, then she’d go away for a while with

some other guy. It was just that crazy madness that kept him attracted to her. And the fact that she could say whatever she wanted to him and he kind of liked that about her. Whatever she was thinking came out of her mouth. Nobody talked to Frank like that, but she did,” he said. One thing Duprey says he won’t be imitating is the amount of onstage boozing the Rat Pack became known for — although many music historians claim it was really herbal tea, not liquor. “That would be incredibly hard to do, especially drinking and smoking every day then performing. I mean, my God, I don’t care who you are. There’s no way I could do it.” Backed by a 12-piece orchestra for the show, Duprey says everyone is guaranteed a good time regardless of age or drinking preference. “Expect to be transported back to the ’60s. And even if you’re not from the time period, I think it’s just a cool vibe we put off. The sincerity of what we do always comes through and I think the audience really feels it.”

Thursday, February 17, 2011 The Bakersfield Californian

Eye Street

BY MATT MUNOZ

O R S’ C H O I C E P

587-3377

Opening: January 21st through March 12th

Bakotopia.com editor mmunoz@bakersfield.com

ew wave rock guru Gary Myrick and his band The Figures will be making a rare appearance at Fishlips in Bakersfield on Friday night. A fixture during the early days of Hollywood’s punk rock era, the Texas native got his musical start in the Dallas/Fort Worth area as a teen in various bands in the ’70s before being hit up to replace a then-unknown bluesman, Stevie Ray Vaughn. Myrick said he gets hit up a lot about the story, which has become the stuff of rock folklore. “I had my own band, and Stevie was playing in this band named Kracker Jack in Austin. This was about 1972. They were the biggest band in Austin at the time. For some reason they wanted to fire Stevie. It sounds crazy, but they did. I replaced him. It could have been some personal problems with Stevie; I can’t know why.” Hungry for more, Myrick packed his bags and moved to Los Angeles two years later. With The Figures, he and his band dove head-first into the scene, catching the ears of Epic Records, which signed them in 1979. “It was fantastic. There was a real camaraderie and artistic movement. Lines going around the block every night,” he recalled. “Stevie Ray Vaughn and I ran into each other a few times too, because we ended up on the same label. There were never any problems. Stevie was a sweet guy.” Reaching mainstream rock radio with the minor hit “She Talks in Stereo” from their debut, Myrick soon disbanded The Figures to pursue a solo career in 1982. Making studio rounds as a session player, Myrick also went on to write and play guitar on John Waite’s 1984 No. 1 hit, “Missing You.” Joining Clash bassist Paul Simonon to form Latin blues outfit Havana 3 AM in ’91, he stayed busy on and off the road in subsequent years, before heading off into relative obscurity to lead a quiet life in Southern California, writing, recording and following his passion for painting and motorcycles. He received an unexpected call one day from Sony, his former label, which had expressed interest in rereleasing Myrick’s early vinyl-only catalog to CD. It was a pleasant surprise. “I didn’t think this would ever happen,” said Myrick. “They actually contacted me and had me go over all the plans and tracks with them, which is very unusual for record companies.” Released together in 2009, all three full length records, including ’80s selftitled debut, ’82s “Living in a Movie,” and ’83’s “Language,” were reintroduced, complete with bonus live and

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A new wave breaks for Gary Myrick

For reservations

12748 Jomani Drive

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Gary Myrick and the Figures will play Friday night at Fishlips.

Gary Myrick and The Figures When: 9 p.m. Friday Where: Fishlips, 1517 18th Street Admission: $20 Information: 324-2557 or 3225200 or vallitix.com

studio tracks, most of which hadn’t been heard in almost 30 years. Within weeks of hitting stores, talk of a possible Figures tour became a topic of discussion. Myrick was all about it from the get go. “I’d stayed in touch with our bass player, David Dennard, for years and also with drummer Jack White for a while. It’s been so long, there weren’t really any hard feelings from a longtime ago. We were just so full of piss

and vinegar back in the day. Now, we’re older and wiser, we thought it would be great fun to get back together.” Following the successful rerelease of the band’s catalog, they took the stage for a triumphant show at The Roxy on Hollywood’s Sunset Strip that same year. Playing a few more select shows to great response through the end of last year, the group decided to keep going as long as interest was strong. “People are really grooving on the nostalgia. We embrace it and are having a great time right now. Our fans have been really sweet, and we care about them. We plan on just playing and if everything goes well, we’ll just keep on playing.” Also joining Myrick, White, and Dennard onstage will be original keyboardist, Ed Beyer.

BMT teams up with Civic Dance Center for a spectacular night on stage at the Harvey! Come enjoy some ofthe most talented local stars ever together in a Bakersfield production.

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customers to stream online assorted CBS-owned library The technology of the future content along with the various other movies and televiis being used in hopes of giving life to TV shows of the past. sion product Netflix offers for streaming, at prices that start CBS Corp. has cut a deal at $7.99 per month. with Netflix to give its cusWhat the deal does not tomers access to classic TV include is many current CBS including “Star Trek,” shows. That’s because the ”Cheers,” ”Twin Peaks” and network is wary of potential“Family Ties.” ly hurting the rerun value of The two-year, non-excluthe shows on its schedule. sive deal will allow Netflix

BY JOE FLINT

Los Angeles Times

Refreshments served at 9:30, program begins at 10 a.m.

Bakersﬁeld Museum of Art 1930 R St. Bakersﬁeld, CA 93301 661-323-7219 www.bmoa.org

Only two recent programs — “Medium” and “Flashpoint” — were cited as part of the deal. Although terms of the deal were not disclosed, it could put north of $200 million into CBS’ pockets for two years. CBS can extend the deal for up to two more years. In December, Netflix struck a far-reaching streaming deal with Walt Disney Co.

for product from its ABC network as well as cable channels ABC Family and Disney Channel. That pact, which was for one year with options, was valued at between $150 million and $200 million. Unlike the CBS deal, it includes access to more current programming, including recent episodes of “Grey’s Anatomy” and “Brothers & Sisters.”

Thursday, March 3, 2011 The Bakersfield Californian

A virtuoso on guitar, Lonbeck has two speeds: ‘Go’ and ‘go faster’ BY MATT MUNOZ

aboard the band’s personal tour bus for weekend shows entertaining area military bases. “We’d play Camp Pendleton, Point Mugu. We’d do Friday through Sunday, come back then off to school again. My poor mother would have to pick me up at 3 a.m. on Monday mornings at the bus station,” he said. “Starting in the summer of 1966, we would go on tours overseas. We’d follow the Bob Hope Tours. Every place there was a military base: Vietnam, Philippines, Taiwan, Thailand, Guam, Hawaii, etc.” Starting at age 15, Lonbeck stayed busy on the road before being drafted by the U.S. Army in 1967. Maintaining his playing chops at USO engagements, he returned to civilian life, working with the Mandrells again in 1971. “That was such a big learning period for me. I watched all these entertainers, the guitar players’ hands. We had a great little show,” said Lonbeck. “I even remember being too young to go into the Blackboard when we came to Bakersfield back in those days. Barbara and I would have to sit and listen to Joe from the bus.” When she became a superstar in the ’80s, Mandrell landed her own TV show with

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on the Strings.’ He's the first flat picker who took fiddle licks and put them to guitar. I locked myself in my room and learned everything he did. Soaked it up like a sponge.” After meeting Mandrell when she was a 9-year-old star of the steel guitar being primed for the big time by her father, Irby Mandrell, Lonbeck met up with her again years later after he won an amateur talent contest on a radio program. “If you won the talent show you won a watch. I played solo guitar on ‘Under the Double Eagle.’ I came back a few times after I won. I sure was proud of that watch,” he laughed. Lonbeck thinks Mandrell must have been listening that evening, because it wasn’t long after that Lonbeck was being tapped to join the Mandrell family show. “Irby went to my mother, and asked ‘Would your son like to work for me and my daughter?’ My mother said, ‘Absolutely,’” he recalled. Every Friday after school, Lonbeck, who lived with his family in Carson in Southern California, caught the Greyhound bus headed to Oceanside, home of the Mandrell family. From there, the group — Maphis included — traveled

Sw an so n Sta rrin Nic kO g no Steve Little s Megan Swanson rn Erika Ke

HENRY A. BARRIOS / THE CALIFORNIAN

Bakersfield guitar legend Brian Lonbeck continues playing locally and will be featured on an upcoming Mosrite tribute CD.

sisters Louise and Irlene. But by that time, Lonbeck had left for a solo career with his new band, Sounds of Country. He also toured as a sideman for an Elvis impersonator before relocating to Bakersfield in 1989. Moving away from Maphis’ speed picking during that time, his work schedule slowed down in 1996, until a chance encounter with Missouri-based double-neck guitarist and fan Deke Dickerson. “Deke found me about 2001. He comes knocking on my door and asks me, ‘You Brian Lonbeck? I heard you play like Joe Maphis.’ He wouldn’t leave until I played like him,” laughed Lonbeck. “He said, ‘One day I’m gonna have a guitar show and I want you to play.’ I never thought I’d play that style again. Afterwards I figured that was it.” Unbeknownst to Lonbeck, Dickerson was a popular fixture in the Southern California roots Americana music scene. Fashioned with looks from the ’50s and ’60s, Dickerson was drawn to sounds from pioneers like Lonbeck and others. And true to Dickerson’s word, Lonbeck has been a regular at the annual Guitar Geek Festival since its debut in 2004. Touched by the warm response he receives, Lonbeck humbly credits the guitarist and his longtime childhood friend. “If it wasn’t for Deke I wouldn’t be doing any of this. He’s a great friend. Barbara’s doing OK. I saw her about two months ago in Nashville.” In addition to his CD, Lonbeck’s playing can be heard on the upcoming Mosrite Records release, “Rebirth.”

d cte re Di

— Brian Lonbeck

Ia n

Even for prodigies, it’s all got to start somewhere. Guitarist Brian Lonbeck’s long and enviable career in country music began when he was a boy with the four chords his dad taught him — four chords because that’s all the elder Lonbeck knew. It’s what the influential Lonbeck has managed to do with those chords that’s led to five decades of jaw-dropping, howdid-he-do-that virtuosity. Never heard of him? Though he touts a resume that would make most pickers brag for hours, the easygoing Bakersfield resident has been content to live his life as a sideman to the stars — albeit a supremely gifted one. But just consider his resume: As a kid he learned his fast licks in the band of hugely influential California county music legend Joe Maphis, renowned for his breakneck speed on the guitar. It was while playing with Maphis that he made another big connection, when he met then-child prodigy Barbara Mandrell, who would go on to become one of the biggest country stars of the 1980s. Lonbeck toured with Mandrell for years and still sees her from time to time. And, perhaps the biggest show of respect from the industry came in 2007, when Guitar Player included Lonbeck in the magazine’s list of “101 Forgotten Greats & Unsung Heroes.” Yes, the Bakersfield resident has enjoyed quite a career — at least what he can remember of it. “You do so many things, you forget what you’ve done,” said the multi-instrumentalist. “I led a charmed life back then.” Like clockwork, Lonbeck still makes his regular weekend gigs at Trout’s in Oildale, and his latest CD, “They Call Me Little Joe,” can be purchased through his website brianlonbeck.com. The title of the album is an obvious nod to Maphis and the magic he made on his doublenecked Mosrite fret boards. As a teen, Lonbeck was privileged to travel with his hero, barnstorming from show to show. “Joe was band leader for a TV show called ‘Town Hall Party.’ My mom would watch that show and say, ‘Why don’t you play like that guy?’ I told her, ‘He’s a hillbilly!’ But after I heard him play so fast, I went out and bought his record ‘Fire

ten rit W

“I even remember being too young to go into the Blackboard when we came to Bakersfield back in those days. Barbara and I would have to sit and listen to Joe from the bus.”

Bakotopia.com editor mmunoz@bakersfield.com

SPOTLIGHT

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The Bakersfield Californian Thursday, March 3, 2011

Eye Street

Hey hey, the Monkees are coming BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

Tickets go on sale at 10 a.m. Saturday for a July 13 concert by ’60s TV pop culture icons The Monkees at Bakersfield’s Fox Theater. More than four decades after taking the world by storm with their own brand of “Monkeemania,” original Monkees members Davy Jones, Micky Dolenz and Peter Tork have decided to take their act on the road once again with a career-spanning show of hits and comedy bits. The tour marks the group’s first live performances in a full decade, minus fourth original member Michael Nesmith who last reunited with the group in 1996. According to the band’s press release, the new show will include not just familiar hits like “I’m a Believer,” “Last Train to Clarksville,” “Daydream Believer,” “(I’m Not Your) Steppin’ Stone,” and more, but also rarely heard selections from their 11-record discography. They also plan to broadcast archive videos throughout the venue before and after show. Formed in Los Angeles in 1966, The Monkees debuted on television screens with their eponymous NBC series. The show was a smash success over its two-season run, as were the band’s musical accomplishments. They scored a dozen Billboard Top 40 hits — outselling both The Beatles and The Rolling Stones in 1967. MTV and Nickelodeon’s re-broadcasts of original episodes introduced younger generations to the group for the first time in the ’80s. Throughout the 1990s and 2000s, the band’s original members have reformed for albums of new material as well as anniver-

CONTRIBUTED PHOTO

The Monkees, from left, Peter Tork, Davy Jones and Mickey Dolenz, will appear at The Fox Theater July 13.

sary tours and TV specials. Tickets range from $35 to $115. Special

packages include a meet & greet with the band prior to the show. For more informa-

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Thursday, March 10, 2011 The Bakersfield Californian

New England

Eye Street

Train Adventure

Duo dishing up fete for Prime Cut’s 30th BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

fter 30 years in business, The Prime Cut is still cooking up the fun. And owners Merv and Michelle Crist haven’t been content to stay in the kitchen: They’ve put their name and the restaurant out in the community, establishing popular events like the annual Crawfish Festival, Mardi Gras Fat Tuesday and more. To show their appreciation, the couple is planning a week of “prime” events in celebration of the milestone at their Rosedale location, beginning Friday night. “We wanna celebrate the customers,” said Merv Crist during an interview at the restaurant last Thursday as he busily shaped freshly made dough for morning baking. “We love them and thank them.” Wife Michelle can’t help getting emotional recalling how far they feel they’ve come since taking over the business 17 years ago. “We’ve put our heart and soul into this,” she said. “We’ve gained so many friendships. Not just from customers, but employees who got their first jobs here when they were 16. It’s so great to see them succeed in life, get married and have children.” Employees aren’t the only ones with a unique back story, especially since the Crists have worked side by side as husband and wife proprietors since day one. “Trust me, it’s not easy working with your spouse. I’m a strong-willed woman,” said Michelle. “But Merv says that’s what he likes about me,” she added with a smile. The feeling is mutual for her husband, who added that love of family has been at the core of their hard work, especially for their children, Alexis and Austin. “We’ve always just wanted our kids to have a good life,” he said. Meeting for the first time while attending CSUB in 1990 — Merv was studying for his business degree, while Michele was working toward a degree in physical education — the two admit there wasn’t an immediate love connection. “We were playing a grass volleyball tournament on campus and he thought he was all that and a bag o’ chips,” said Michelle. “I didn’t pay much attention to him.” Merv, on the other hand, remembers having an instant attraction to Michelle after being formally introduced through a mutual friend. Since then, the two have been inseparable, marrying two years later. “We’ve been together from the minute we met,” said Merv. “Michelle

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Prime Cut owners Merv and Michelle Crist are celebrating their restaurant’s 30th anniversary.

The Prime Cut’s 30th anniversary Schedule of events: Friday: Karaoke Contest Semifinals. 9 p.m. Saturday: Cole Fonseca blues band. 9 p.m. Monday: “Mervburger Madness.” Five-foot Mervburger to be given away at 6 p.m. Tuesday: Pig Roast. 6 p.m. Wednesday: Chuck & Billy’s Songwriter’s Showcase. 7 p.m. March 17: St. Patrick’s Day/ 30-Year Anniversary Celebration. All day. March 18: Karaoke Contest Finals. 9 p.m. The Prime Cut is located at 9500 Brimhall Road. For more information, please call 831-1413.

and I had a lot of goals in common and wanted to be successful.” After graduation, the young couple discussed becoming business owners. Exploring possibilities, including buying into the TCBY frozen yogurt franchise, they also discovered local butcher shop The Prime Cut was up for sale. After speaking with a business consultant, both decided the venture showed some promise. “My thought was, ‘I can do that,’” said Merv. “Every previous owner has built on the business.” The original Prime Cut storefront, located on Ming and Ashe in 1981, was

a small meat counter. It was relocated to Stockdale and Coffee in 1986. After the Crists took over the business in 1994 from then-owners Dennis and Sheryl Palone, the butcher shop had also become an increasingly popular spot for in-store diners. Working together on marketing and event planning, the Crists’ creative decisions have been calculated, including the authentic New Orleans bayou/Cajuninspired decor gracing the present location on Brimhall, where they’ve been doing brisk business since 2007. “We fell in love with the New Orleans style,” she said. “My father was from Louisiana. For years I had no idea he spoke French.” Serving up favorites like the colossal Mervburger along with some of the spiciest dishes in the city, the restaurant’s menu is an eclectic mix of Big Easy-style delicacies and all-American comforts. Then there are Prime Cut’s calendar of events, including the Best Bloody Bartender Battle and the weekly Songwriter’s Showcase, hosted by local guitarists Chuck Seaton and Billy Russell. Celebrating its own one-year anniversary last night, it was the perfect preanniversary kick-off to the weeklong festivities that includes: live music, karaoke contests for cash and prizes, full pig roast, the “Mervburger Madness,” feed where they plan on cooking up a 5-foot version of the sandwich for a group of lucky customers, and a big St. Patrick’s Day party. “Prime Cut has become a mainstay of Bakersfield,” said Merv. I’m already looking forward to our 40th.”

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The Bakersfield Californian Thursday, March 10, 2011

Eye Street

PHOTO COURTESY OF MARCUS MONSIBAIS

Boys & Girls Clubs of Kern County program directors, from left, Justin Ahart aka “Captain Dodgeball,” Henry Chatman aka “Mr. Dodgeball” and Chris Molina aka “The Rocker” are ready for some dodgeball at the tournament on March 19.

Aim for fun at charity dodgeball tournament BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

veryone should have a dodgeball story to share from elementary and junior high, right? I can recall my teacher setting us up in a large circle with half of the class placed in the middle through some lottery to be pulverized by volleyball-hurling classmates. Sometimes we’d get hit so hard, you’d get knocked to ground in mid-dodge. The only rule: If you get hit, you’re out of the circle. It was brutal but fun and pretty good payback against the school bully. I doubt schools allow the game anymore, but if they do I’m sure it probably resembles next Saturday’s Boys & Girls Club’s Dodgeball: The Tournament. Like the 2004 film “Dodgeball: A True Underdog Story” with Ben Stiller, the event has official rules, requires teams to sign up and, of course, have a good time with all funds raised going to help the club’s afterschool programs. If you’re not familiar with the sport, official game play goes something like this: Two teams of six players are placed at opposite sides of the court. At the beginning of the game, balls are lined up on the central dividing line — not volleyballs or basketballs, but soft rubber balls that won’t cause much pain. Once the referee blows his whistle for the “opening rush,” players then bolt to the center line simultaneously to try and grab one of the balls placed in center court. Afterward, players are allowed to hold onto, throw or roll it back to their teammates. Once all players are back on their side of the court, the game can commence. Players throw balls at members of the opposing team in an attempt to eliminate one anoth-

Dodgeball: The Tournament When: 8:30 a.m. March 19 Where: Boys & Girls Club, 801 Niles St. Cost: $200 per six-person team Information: 325-3730 or bgclubsofkerncounty.or

er. There really isn’t much athletic skill required, other than you’d better have your cardio in check — you will be running a lot. I know because I was in one of these tournaments and they really are a hoot. I’ll try not to embarrass myself too much, but it was a comedy of errors. Imagine six out-ofshape musicians the morning after a late night of downtown gigging. Called to be the first match of the day, we were pitted against members of the BHS football team. One by one we were taken out with ease. We didn’t last longer than a few hilarious minutes, and the rest is dodgeball history. Take my advice and get your team in shape now. To help you in that area, organizers have added a competition bracket release party and carb feed at Pasta Fazool, 700 Truxtun Ave., for all participating teams the night before. Don’t forget to ham it up and get yourself a cool team name and funky uniforms for a chance at prizes for best dressed. Ages 13 and up are allowed to participate and the tournament is expected to sell out. Overall winning team will receive the “Golden Dodgeball” trophy and, of course, bragging rights. The Boys & Girls Clubs of Kern County has four clubs and 36 school sites in Bakersfield, Lamont and Frazier Mountain. For more information and to register your dodgeball team, call 325-3730.

The Bakersfield Californian Thursday, March 10, 2011

Eye Street

UMSLOBBY.ORG

Mexico's most popular mariachi group, Mariachi Vargas de Tecalitlan, will headline the Mariachi Festival Friday at the Fox Theater.

Mucho mariachi heads to Fox Theater Friday BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

he sounds of Mexico will come alive during Friday’s Mariachi Festival at the Fox Theater. The festival will feature three full ensembles headlined by Mariachi Vargas de Tecalitlan, Mexico’s most popular group. Commonly heard at celebrations surrounding Mexican-themed holidays like Cinco de Mayo, the traditional mariachi band has become a popular staple at weddings and other formal occasions, and not just for those of Latino heritage, but Anglos as well. Originating in the western Mexican state of Jalisco during the 18th century, the musical serenading style has grown in popularity around the world. The traditional mariachi group generally consists of trumpets, violins, guitar, vihuela (a high-pitched, five-string guitar), guitarrón (a large acoustic bass) and harp. Suited in silver- or gold-studded suits called charro, the performers’ most identifiable accessory is the flashy wide-brimmed hat. While some groups average five to six members, larger ensembles can reach up to 13 players

Mariachi Festival With Mariachi Vargas de Tecalitlan, Mariachi Monumental de America and Mariachi San Marcos When: 7 p.m. Friday Where: Fox Theater, 2001 H St. Admission: $40 to $75, plus service fees Information: 324-1369 or vallitix.com

or more. In 1987, pop singer Linda Ronstadt gave the genre a big boost by releasing an album of mariachi classics titled “Canciones de Mi Padre,” recorded with Friday’s headliners, Mariachi Vargas. Recorded entirely in Spanish, it still ranks as the biggest-selling nonEnglish album in American record history. Today, it’s not uncommon for artists in the Latin pop genre to release similar mariachi collections as a tip of the sombrero to the country’s musical heritage. Also appearing on Friday night is Southern California’s Mariachi Monumental De America and Bakersfield’s Mariachi San Marcos.

Hone acting skills at free class Sunday A free and open class on film and theater acting for ages 16 and up will be offered at 2 p.m. Sunday at The Intimate Theatre & Music Hall, 2030 19th St. in Bakersfield. The class will be led by Drew Snyder, whose career spans more than 35 years. Snyder’s varied talents have placed him prominently in diverse film, stage and television productions: actor/spokesman for the original Irish Spring commercials (“It’s manly, but I like it too!”); soap opera star; star of the Tony Award-winning play “Sticks and Bones”; appearances in more than 70 major films and TV shows.

His most recent role has been as writer/director/actor/producer for the soon-to-be-released feature comedy “Zombie Bankers.” Snyder gives individual attention to students looking for real guidance in the techniques of theatre and film acting. The Intimate Theatre’s class is guaranteed to be an afternoon of fun. Attendees should wear comfortable clothing and bring a short piece of written material. RSVP by phone at 323-1976; space is limited. — David Zent, of The Intimate Theatre

Friday, March 11, 2011 The Bakersfield Californian EAST BAKERSFIELD HIGH SCHOOL PERFORMING ARTS PRESENTS

Eye Street

THE BROADWAY MUSICAL

Take a spin with ‘Wheel’ Game fans: Here’s your shot to try out for perennial show

+IRIVEP %HQMWWMSR East Bakersfield High School Auditorium 2200 Quincy Street, Bakersfield, CA Call 871-7221 for information and tickets

BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

Calling all local game show fanatics, your big break might come at the pick of a letter when the “Wheel of Fortune” Wheelmobile rolls into town this weekend at Maya Cinemas. According to the show’s news release, producers are in search of “good game players who are energetic, enthusiastic and fun.” The event will take place in the north parking lot located adjacent to Maya Cinemas. In case of inclement weather, the event will move inside the theater’s lobby area. Anyone interested in being a contestant is invited to attend. Fans will have the opportunity to fill out an application, have their names drawn at random to play a simulated version of the game onstage, win unique prizes and be evaluated as a potential contestant for the broadcast version of the show. Staff members from the “Wheel of Fortune” promotions team will begin handing out applications one hour before each show begins. Searches will be held at noon, 1:30 and 3 p.m., with each show lasting about an hour.

PHOTO COURTESY OF SONY PICTURES TELEVISION

The “Wheel of Fortune” Wheelmobile will be looking for contestants in Bakersfield on Saturday and Sunday.

stage and audition via a random draw. “Wheel of Fortune” is the longestrunning syndicated game show in United States television history, with When: Noon to 4 p.m. Saturday more than 5,000 episodes aired since and Sunday debuting in 1975. Hosts Pat Sajak and Where: Maya Cinemas, 1000 letter spinning beauty Vanna White California Ave. have become staples of pop culture, Information: 310-717-0948 or parodied on everything from “Saturday wheeloffortune.com Night Live” to Dr. Demento songs. Making its own tour debut in 1999, the Everyone who attends the event will be Wheelmobile has logged more than 250,000 miles and has visited more able to submit an application. Particithan 175 cities. pants will be selected to come to the

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of Father Solomon (Gary Oldman), ‘Red Riding Hood’ who would be a Van Helsing type if you got the idea screenwriter David ★1⁄2 Johnson had ever read “Dracula.” He Cast: Amanda Seyfried, Shiloh brings along a small army, a nifty torBY BILL GOODYKOONTZ Fernandez, Max Irons, Gary ture device and an enormous amount Gannett Chief Film Critic Oldman of paranoia and gloom. You haven’t Once upon a time there was a Running time: 102 minutes killed the werewolf, he explains, movie director who made a couple of Rated: PG-13 because he doesn’t live in the woods. well-received independent films and He walks among you.The village’s finally landed a blockbuster. response? Party! (Really.) Our heroine is Catherine HardFernandez), who grows up to be a Of course Solomon is proved right, wicke, whose credits included “Thirwoodcutter. (He should take an axe to and from there it’s a matter of figuring teen” and “Lords of Dogtown” before the wooden line readings.) However, out who the werewolf is. Peter? Henshe kicked off the “Twilight” franValerie’s family has arranged an ry? Valerie’s creepy grandmother chise, directing the first film in the engagement to the relatively better(Julie Christie)? And in case you were series. She was gone by the second off blacksmith Henry (Max Irons), wondering, yes, we get the “what big one, but not before creating a signawho seems like a nice fellow, but just ture look and, um, feel for the films. If, doesn’t excite her the way Peter does. eyes you have” bit. Seyfried is a talented actress, a by chance, you’ve missed “Twilight” Not quite Team Peter and Team Henmuch more expressive romantic lead and its sequels, don’t worry. Shiny, ry, maybe, but awfully close. If the moody, moon-faced and dumb, “Red connections weren’t clear enough, old than Kristen Stewart in “Twilight.” (Valerie is also much more of a takeRiding Hood” pretty much replicates faithful Billy Burke is on hand as charge character than Bella, and the experience entirely. Cesaire, Valerie’s father — he also thankfully so.) Oldman hams it up to This is not a good thing. Young, plays Bella’s dad in “Twilight.” a comical degree, but at least he’s havbeautiful girl falls for one boy but is It’s your typical small-village love ing fun. Fernandez and Irons, on the pursued by another, all set against a triangle, really, except for the wereother hand, are bland presences, silly supernatural backdrop. Substiwolf who has been hanging around tute a woodsman for the vampire love for a couple of generations. He shows something you realize when they disinterest and a blacksmith for the up every full moon to kill the sacrifice appear from time to time and you werewolf rival and you’re up to speed. the townspeople offer, usually a pig or don’t really notice they’re gone. Oh, there’s a werewolf here, too, but “Red Riding Hood” looks good, the something. But one night the werewe’re getting ahead of the story. snowy village and forest appropriately wolf kills Valerie’s sister and the Valerie (Amanda Seyfried) lives in menacing. Just don’t go in expecting townspeople panic. A search party the village of Daggerhorn, where all hunts down and kills a wolf — yay, or much, in other words, and perhaps her life she has pined for Peter (Shiloh so they think — just before the arrival you’ll live happily ever after.

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JUST GO WITH IT (PG-13) (11:35AM, 2:10, 4:40), 7:15, 9:45 JUSTIN BIEBER: NEVER SAY NEVER 3D DIRECTOR’S CUT (G) (11:45AM, 2:15, 5:15), 8:00 GNOMEO & JULIET (G) (11:55AM, 2:00, 4:00), 6:05

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The Bakersfield Californian Thursday, March 17, 2011

Eye Street

Index Hamlet at Spotlight Theater . . . . . . . . . . . . . . . . .21 BC Choir performs . . . . . . . . . . . . . . . . . . . . . . . . .23 Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Bakersfield Fiesta . . . . . . . . . . . . . . . . . . . . . . . . . .25 The Lowdown with Matt Munoz . . . . . . . . . . . . . .26 10th Annual Rock and Gem Show . . . . . . . . . . . . .27 Lenten Organ Recital Series . . . . . . . . . . . . . . . . .28 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31-33

Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

You’ll be dancing a jig at their gig Veteran musicians join forces to celebrate Irish roots BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

akersfield Irish music duo O’ Shebeen plans on hitting today’s St. Patty’s party circuit like a couple of mischievous leprechauns. Formerly of popular local bands The Filthies and 1916, members Kenny Mount and Robbie Byrne have retooled their sound from punk to purist. And if you’re lucky, you just might get a chance to catch them live throughout the day. Byrne, who’s more than proficient on the Irish Uillean pipes, penny whistle and highland bagpipes, teamed with Bodhran drummer, vocalist and guitarist Mount. “We’re going to be performing some very traditional music,” said Mount. “We’ll be digging deep into the roots of the sound.” Byrne, who considers himself an authority on the subject, assures audiences of the authenticity of their style. “If you see a leprechaun on my head while I’m playing, it really is a leprechaun,” he said in his thick Dublin accent. “Irish music is more of a free and easy music,” he added. “People get it confused with Scottish music. It’s not the same.” And Byrne should know. After all, he came to Bakersfield direct from the isle of lush green countrysides, Guinness Stout and good ol’ St. Patrick. But he has a dash of the English thrown in to keep things interesting. “I was born in Birmingham (England), while my parents were on vaca from Dublin,” he smiled. For inquiring fans of The Filthies, the 40-year-old Mount candidly opened up about the group’s abrupt 2010 breakup. “We we’re doing a little state run back at the end of 2009, but they had us booked with some young bands — twentysomethings, bouncing all over the stage and tearing it up — and it just popped our whole balloon, trying to keep up with these youngsters. We didn’t really say anything to each other. We just realized it was our time. “Eric ‘Guppy’ Bonilla — the band’s drummer — moved to Santa Barbara, and (bassist) Kelley

FELIX ADAMO / THE CALIFORNIAN

Kenny Mount, left, and Robbie Byrne, veterans of several local bands, have formed O’ Shebeen, a traditional Irish music duo.

O’ Shebeen When: 4:30 to 6:30 p.m. today Where: Shamrock’s Irish Pub, 4715 Coffee Road Information: Available for pickup shows throughout the day. Call Robbie Byrne at 363-3682 or e-mail R.Byrne32@yahoo.com.

Ratliff had moved to San Diego. We tried to do it again, but became really critical of ourselves. By that time I was already craving some Irish music.” Mount added that there may be some one-off Filthies shows for locals in the future, but not for a while. “We’re gonna leave it how it is for now. I’ll probably record some of the last songs we wrote myself.” Long before joining Mount, Byrne, 55, had already logged in some serious musical miles going

back to introducing ’70s Scottish glam heartthrobs the Bay City Rollers onstage and his early years as a U.K. bagpipe-playing champion. Joining the Scots Guards division of the British Army from 1970 to 1977 as a soldier and bagpiper, he also performed for the royal family as well as for former President Ronald Reagan in subsequent years. “The Scots Guards pipers are the best there is,” he said. “You had to audition three times. You can’t get any higher than that. When we’d play for Lizzie (Queen Elizabeth) we used to walk around the dinner table at Buckingham Palace and she’d look up at us. Afterwards she’d give us all a bottle of whiskey.” Byrne’s busy life was shaken after losing his second wife to cancer in 2003. Traveling the world in the year following her passing, Byrne landed in Bakersfield in 2004 to visit his sister, who had relocated here years earlier with

her husband. He met his present wife, Diane, during the visit and found a new permanent home when they married in 2006. Since then, Byrne has done his best to spread the music of his homeland both as a soloist and as a member of local Celtic rock group 1916. Leaving the rock stage after three years to return to his traditional roots, he said a chance meeting with Mount helped inspire the project they’d both been hoping to start for years. Byrne, the seasoned vet, became the ideal mentor to Mount, also of Irish heritage. “I’d always been involved in the Scottish Society. Once I met Robbie with his pipes, he said, ‘Bust out that drum!,’” said Mount. Calling themselves O’ Shebeen, which in Irish means “illegal drinking pub,” the two are excited to begin the next chapter in their musical careers. “We’ll be giving listeners lots of

Inside More St. Patrick’s Day events, 31

jigs, reels, horn pipes,” said Byrne. “It’s a people’s music.” But music fans will have to stay on their toes to catch the wandering pair, who will embark on a busy schedule today that could change at a moment’s notice. “My heart will be pumping — it’ll be a workout,” said Byrne, who noted the two have been booked for some private shows and will be busking downtown, always up for any offers to play. In addition to their new group, Mount said the two have been actively organizing a new Bakersfield Irish Heritage Society. “We’ll be cross-promoting with the Scottish Society, with a quarterly newsletter. It’ll have a little bit of everything — stories, news and networking.”

The Bakersfield Californian Thursday, March 17, 2011

Eye Street

Helping the younger generation to skate by BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

oesn’t everyone remember their first set of wheels? For many that symbol of freedom arrived in the form of a fancy piece of maple plywood with gleaming bright paint and wheels meant for speed. Way before driving was even allowed to enter the conversation with mom and dad, that skateboard was a first taste of self-transport and independence. Three Bakersfield friends — Cameron Simms, Dennis Harrison and Christopher Smith — look back with fondness on that freewheelin’ feeling. Now the trio, through their Boards 4 Snots campaign, would like to give underprivileged kids a chance to have the same life-building experiences. “Through skateboarding, we’ve all become lifelong friends, and we still skate today at the local parks,” Harrison said. “As much as we love skating, it was tough seeing two to three kids sharing one board. We knew we could do some-

Boards 4 Snots Donation drop-off sites: Impact Street Wear Valley Plaza, 2701 Ming Ave., and Front Porch Music, 1711 19th St. downtown. Information: Visit the official Facebook page, facebook.com/B4SSK8

thing about it.” Simms recalled how one eye-opening moment at the Beach Park skate park last fall inspired their group to take action. “We saw this 12-year-old kid take a really bad fall, so we rushed over to see if he was OK, then checked out his board set-up. It was really bad,” said Simms. “We started thinking there were probably more kids like this with noisy, unsafe equipment that wasn’t functioning properly.” Offering helpful advice on board maintenance, the trio began talking to the kids and learned many came from low-income homes. Humbled by what they heard, they decided to get organized. Naming their cause “Board 4 Snots” in

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joking reference to hearing young skateboarders being called “little snots” by irritated adults, their mission began as a simple plan to bring some holiday cheer last Christmas. Collecting slightly used skate decks, wheels, bearings, and trucks from their own garages as well as from friends, they delegated refurbishing duties. “Cameron and Chris would handle repairing the boards and look for new artwork to paint on them. I would take care of ripping off old grip tape and applying the new tape,” Harrison said. “We kinda felt like Santa’s elves.” Working long evenings with the support of their wives and families, all three made sure anything leaving their workshop boasted quality materials, some of which arrived with help from local skate shop Impact Streetwear. Impact store manager Heidi Medeiros said she discovered the group on Facebook one day. Impressed by their mission statement, she reached out to Simms to lend a hand. “When they need sup-

FELIX ADAMO / THE CALIFORNIAN

Boards 4 Snots takes new and used skateboarding equipment and gives it to kids who otherwise may not be able to afford it. From left are Heidi Medeiros, Christopher Smith, Becky Simms, Cameron Simms, Wendy Harrison and Dennis Harrison.

plies like grip tape, we help them out by buying materials at cost, so they don’t have to pay retail.”

‘The kids didn’t act greedy’ at giveaway With the boost from Impact, the trio mixed new and slightly used parts for the first project, in January.

“We wanted to give the kids something they could be proud of,” said Simms. Refurbishing 17 skate decks, including 10 complete set-ups, their next move was deciding how to give them away. They ended up making impromptu appearances at local parks. “I guess it would look a little strange seeing three guys showing up to talk to kids with their car trunk open,” said Simms. “One kid’s mom did walk up kind of slow, but we made sure we explained our reason for being there.” At their first giveaway, the three inspected boards at a makeshift repair station next to the car. “The kids were really cooperative and didn’t act greedy. If they didn’t need any help, they would tell us about friends that did,” recalled Harrison. “We like keeping things anonymous without any big song and dance about it. We also don’t make them feel like they owe us anything.” The price of a new skate deck alone can start at about $99; the fully furnished set-up usually runs around $145. Even being safe can be expensive, they said. “We know helmets are required, but how is a kid supposed to pay $25 if he can’t even afford the helmet? That’s too high for some of the parents too,” said Harrison.

“We want the kids to learn to be safe skaters.”

Skateboarding ‘still misunderstood’ Simms blames some of skateboarding’s raw deal on the stigma it bears. “It’s been underground for so long, it’s still misunderstood by a lot of people. I can sit and tell you about the great things it did for me growing up. Today, we have so many kids sitting in front of the TV playing video games. This is good exercise for them,” he said. Since their first January giveaway, the group has conducted two more, including one in Taft. They’ve also set up donation stations where interested parties can drop off slightly used decks, wheels, bearings, trucks, grip tape, hardware, safety gear, and any other related items. Harrison said the group plans on another surprise Sunday giveaway sometime in April, and that fundraising events are in the works. “We’d like to combine the interests of the skate community with music, art, when we put the boards and events together,” Smith said. Simms said everyone involved is dedicated to helping the program grow. “This whole thing is just a baby right now. We’re going to continue working on this no matter what. It’s all about the kids.”

The Bakersfield Californian Thursday, March 24, 2011

Eye Street

Index Woman’s Club 115th Birthday Celebration . . . . . .21 Cioppino Feed . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 War, Los Lobos . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Spring Ring Concert . . . . . . . . . . . . . . . . . . . . . . . .25 The Lowdown with Matt Munoz . . . . . . . . . . . . . .26 Healthy Bakersfield Kids Expo . . . . . . . . . . . . . . . .27 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31-33

Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Dad’s life story should be a movie ... And so it is, as local family puts saga on film BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

n paper, the details of Donald P. Bailey’s life story sound a lot like what others of the Greatest Generation experienced: Surviving the Depression, serving in World War II and journeying westward to Bakersfield from Oklahoma during the Dust Bowl migration. But Bailey’s life story isn’t just on paper. His daughter and grandson have seen to that. The two have taken all they’ve heard through the years of Bailey’s determination, courage and charisma and turned those memories into a film. “It’s so appropriate for Kern County and kind of brings a lot of flavor to the area looking back at our history,” said Elizabeth Waite, Bailey’s daughter and the visionary behind “The Measure of a Man,” which premieres Friday at the Fox Theater. The proud daughter turned to her own son, Andrew Waite, and his film company, Higher Definition Media. Andrew’s last feature film, 2009’s “Stamped,” also premiered at the Fox. “I was always getting scripts from people and then my mom calls me,” said Andrew, a Stockdale High graduate who lives in Bakersfield. “I was like, ‘Oh, no.’ But my wife and I read it and immediately saw it as a movie.” Elizabeth, who wrote, co-directed and produced, said she was inspired to pursue the project during a flight home to Bakersfield a year and a half ago. With no background as a script writer, she says her notebook began filling up once she started.

All alone at a young age Elizabeth described her father, who died of colon cancer at 57 in 1981, as a charming, charismatic man who rose above poverty and hardships at a very young age in his home state of Oklahoma. Raised by his father, who was always gone in search of work, young Donald endured the pain of being separated from his six siblings before moving to California at the age of 15. “My father was the second oldest out of seven children,” Elizabeth said. “The neighbors were complaining they weren’t being taken care of properly, so the

‘The Measure of a Man’ When: Doors at 6 p.m. Friday, red carpet at 6:30, film at 7; Saturday matineeonly screening at 2 p.m. Running time 109 minutes. Where: Bakersfield Fox Theater, 2001 H St. Admission: $10 for premiere, $6 for matinee plus service charges Information: 324-1369 or vallitix.com

authorities came and took them away. He traveled to California alone after he was old enough to leave the orphanage.” During his journey, Bailey found a new home in Bakersfield. Elizabeth’s mother, Emogene, who came from similar circumstances and also moved west with her family, was just 14 when she met 19-year-old Donald in 1942. “They were two people who came together to raise a family and give them a really good life,” said Elizabeth. “They were both selfeducated. My father was also a singer and a farmer.” Andrew Waite the grandson understandably was proud of his grandparents’ struggles. But Andrew Waite the filmmaker wasn’t entirely convinced their story would made a good film — until a few readings of his mother’s original film treatment. Presented through a series of flashbacks, the movie begins in the hospital during Bailey’s final moments of life with daughter Elizabeth and wife, Emogene, at his bedside. Narrated by actress Jules Hartley, who plays Elizabeth, the film consists of a collection of memories brought to life on screen. The plot follows Bailey from his war experience to settling in Bakersfield and building a family. In the film’s official trailer, Bailey is portrayed as a happy-go-lucky, all-American farmer who worked his way up in the fertilizer business before becoming a prominent Bakersfield landowner. Elizabeth credits her parents with keeping the family’s history alive for her and her siblings. “My mother was such an incredible storyteller, as was my father. There are so many things they passed on that are presented in the film.”

This house looks familiar To ensure realism, Andrew said he was constantly on his toes. “I had an idea of what it would

JENNIFER CULPEPPER / ARTISAN PHOTOGRAPHY

Jarin Stevens, center, won the part of Donald P. Bailey after auditioning via computer from Utah. “The Measure of a Man” follows Bailey’s life story, including the mark he made as a father to his children.

look like, but I always asked my mom. The movie period is from 1924 to 1981, so it was tough,” said Andrew of creating authentic-looking sets at the right locations. With actors found mostly at Los Angeles casting calls, the film was ready to roll in Kern County, where principal photography began last July. Ultimately, the shoot lasted six weeks and cost $250,000. “We shot almost entirely in Bakersfield, and also in Taft, Shafter, and Santa Barbara,” said Andrew. “We used cotton fields, the countryside, Kern County Museum, and shot the war scene in Shafter grapevines to get a France look.” They certainly didn’t have to scout far for some locations. “The house we used for filming on Sunset Avenue in Bakersfield was the same home all of the kids lived in when they were little,” said Elizabeth of her family. To Andrew’s surprise, the home looked frozen in time. “The owners didn’t do much updating. That was a fluke,” he said.

‘We came close to killing each other’ As a first-time director, Elizabeth described the experience of working alongside her son as both emotionally draining and rewarding. “There were times we came

The house on Sunset Avenue in Bakersfield used in the filming of “The Measure of a Man” was the same home where Elizabeth Waite and seven of her eight children had lived.

close to killing each other,” she said, shaking her head. “But I have an extremely talented son who’s a natural artist with an incredible eye.” “This will probably be the last time we work together, but everything came out great and I’m very happy,” seconded Andrew. Providing the film’s original score was local composer Briana Sorkin-Lee, who wrote four original songs for the movie. For the film’s gala premiere on Friday, the filmmakers have a full night of entertainment planned, beginning with the arrival of the

cast via limousine and the requisite red carpet. Inside the theater, costumes used in the movie will be available for viewing and auction, with a portion of the proceeds going to the American Cancer Society. A question-and-answer session with the cast and crew will follow the screening. All festivities are open to the public. After this weekend’s premiere, the film will hit the festival circuit in search of a distributor. “There’s a lot of positive light in the film,” Elizabeth said. “You’re going to walk out having a new outlook on life.”

Thursday, March 24, 2011 The Bakersfield Californian

Eye Street

All-out War is headed our way Despite band turmoil through years, feel-good vibe is alive

War, Los Lobos, Mento Buru When: Doors open at 7 p.m., show starts at 8 p.m. Friday Where: Rabobank Convention Center, 1001 Truxtun Ave. Admission: $30 to $45 Information: 852-7777

BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

ore than 40 years after declaring “War” on the music industry, keyboardist and vocalist Lonnie Jordan is still ready for battle. Armed with some of popular music’s most memorable hits from the ’70s — including “Lowrider,” “Why Can’t We Be Friends?” and “Slippin’ Into Darkness” — the longtime frontman for the legendary funk group says the band still has plenty of groovy ammunition left in its chambers. Appearing Friday night at Rabobank with co-headliners Los Lobos, War’s street music philosophy has helped take them from the ghettos of Los Angeles and around the world, with songs about the struggles of inner-city life and the beauty of simple pleasures. “I’ve managed to keep the original concept of the band from the way it was conceived in the beginning,” Jordan said, taking a break from the studio where the band is currently working on a new batch of recordings for summer release, their newest material since 1994’s “Peace Sign.” “The guys in the band have the same air, concept and vibe, the way we did back in the day. Just play and the people will give it back to you.” With a back story as colorful as their show, Jordan recalls the glory days, when he and his bandmates scored a break in 1968 with help from one of the NFL’s biggest hit men — Deacon Jones of the Los Angeles Rams. “I was about 15. Deacon opened this nightclub called the Rag Doll, which used to be a strip club. He wanted to get into the entertainment business, so we were backing him up at the club playing music like Booker T. & The MG’s, James Brown, Wilson Pickett, Hank Snow to Johnny Cash, everybody.”

‘Virgins to the music biz’ Catching the ear of different music players in Hollywood, including producer Jerry Goldstein and British rock singer Eric Burdon, who was looking for a band to take on the road, Jordan recalled his first encounter with Burdon and his crew. “The British really invaded us in that club,” Jordan laughed. “Eric came down to see us. We ended up doing some blues jams and started working together. He actually introduced us as his new band War even before we even had a record out.” Releasing their debut LP as Eric Burdon and War in 1970 before a big European tour, Burdon abruptly left the group mid-tour. Undeterred, Jordan and the other original band members jammed, wrote and recorded incessantly once they entered the studio with Goldstein in their corner. “We were virgins to the music biz,” said Jordan of their early sessions. “We didn’t know that tape would run out during our jams in the studio. We’d go through three to four hours of music nonstop. Some of us, not all of us, would medicate ourselves to a point that we didn’t know the sun came up. We’d come in the next day and say, ‘Did we play all that?’ Then we’d bring in some stuff off the streets and just start putting a song

PHOTO COURTESY OF WAR

War will play the Rabobank Convention Center with Los Lobos and Mento Buru on Friday.

together.” Throughout the ’70s War scored several hits, most of which were written onstage during marathon three-hour shows and pieced together in the studio. Among them was the 1975 chart-topper “Low Rider,” a song that helped introduce audiences to the world of custom car culture from predominantly Latino Los Angeles neighborhoods. “‘Low Rider’ came out of a long session of other music. Our saxophonist, Charles (Miller) came in singing ‘Low Rider.’ That’s all he would say. All these ideas started running through our heads. What we did was take film equipment into East L.A., met The Imperials and The Dukes and pretty much let the world know they were not rival gangs but car clubs — low riding. Before we released the song, we gave them copies and they were the first to bump it. We filmed them cruising around together. We took that footage and used it as a backdrop for whenever we played the song. We took it all the way to Japan, New York. We were freakin’ people out all the way to Germany. They’d never seen cars bouncing up and down. We did the same thing with ‘Cisco Kid.’ Pancho’s horse was a low rider in the song.”

dan says a reunion is always a possibility. “I can’t really answer that, but I can tell you that when we were originally together we made beautiful, beautiful babies — music. Unfortunately we had a bad divorce. All I can say is that if we do something, it’ll have to be short-lived, make a lot of noise and a lot of money to make it work out.” There’s also the matter of a possible

induction into the Rock and Roll Hall of Fame. They were nominated but not inducted in 2009. “That’s going to depend on the politics of the Hall of Fame. They blame it on the people, saying that the people vote. Come on, the people don’t vote. Who are they? I also think part of it is the legal issues we’ve been having, and I don’t think anyone in the industry wants to have to deal with ‘Should I go with this band,’ or ‘Should they go without me,’ because the legal issue is that only I can perform under the name War.” Until they’ve resolved their differences, Jordan says his version of War will continue performing for the people who matter the most — their fans. “They were there before any Rock and Roll Hall of Fame.” Also appearing Friday are Grammy-winning band Los Lobos, which wrote the theme song for the animated film “Rango,” plus Bakersfield Latin ska band Mento Buru.

The Bob Marley stamp of approval Jordan also recalled getting the nod of approval from a then-unknown Jamaican rising star named Bob Marley, who became a fan during an early tour they did overseas. “We were one of his favorite bands, I guess because we had a lot to say. We had grooves, and he considered us one of the only American bands that had a rebellious attitude. We were playing ‘Slippin’ Into Darkness,’ which we were still developing. Bob heard that horn line, and said, ‘I like that.’ He came up with the lyrics to ‘Get Up, Stand Up,’ and the rest was history.” In 1994, cracks in the band’s lineup began making way for several legal issues, including use of the name, War, owned by Goldstein. In 1996, Jordan decided to stay with the band’s longtime manager and re-form the band, touring successfully with new members, including Bakersfield percussionist Marcos Reyes, recruited in 1998. Original members Howard Scott, Lee Oskar, Harold Brown and Morris “B.B.” Dickerson tour separately as the Lowrider Band. Jor-

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Thursday, March 31, 2011 The Bakersfield Californian

‘Pipe Dream’ becomes reality

FINAL WEEKEND

Bakersfield’s Soulajar about to unleash project BY MATT MUNOZ

W ill ia m

Bakotopia.com editor mmunoz@bakersfield.com

Band asks friends and heroes to come out and play During some of those breaks, the bandmates explored ways to raise money to help with the manufacture and distribution of the final product, leading to their participation in a program called “crowdfunding” via an entertainment website. Fans were asked to make no-risk contributions to the band

Sh ak Writ es ten pe by ar Direc ted an e d Ada pted b y Brian S ivesind

PHOTO COURTESY OF HOLLY CARLYLE

Soulajar — from left: Greg Bettis, Ryan Fergon, Jim Ranger and Brian Boozer — will hold a release party for its latest CD, “Pipe Dream,” on Friday at Fishlips.

‘Pipe Dream’ CD release party

REVIEW

When: 9 p.m. Friday Where: Fishlips, 1517 18th St. Admission: $20, includes a copy of CD Information: 324-2557 or vallitix.com

Soulajar's “Pipe Dream” may very well be the most intricately produced record I’ve ever heard from an unsigned Bakersfield band. Layered way beyond the group’s regular four-piece live set-up, the CD should surprise longtime Soulajar listeners. The ethereal “Existential Funk,” with its dreamy keyboards and sweeping crescendos, opens the CD, but the song’s spiritual overtones don’t even begin to set the tone for the rest of the disc. The veteran quartet is a tight unit of great musicians with skills to back up some great original material. But with triple the number of studio guests than band members, I’m just not quite sure if this can be considered an actual Soulajar record. That aside, “Pipe Dream” is filled with some impressive moments, especially on “Drive” and the band’s cover of Bill Withers’ “Use Me.” Vocalist Jim Ranger shines on both tracks, veering off beyond the familiarity of his usual midrange country soul, and he manages to take the core of the band with him. There are also some amazing technical moments during the instrumental “C is for Kidz,” and “Soulmuse,” both of which are the most identifiably Soulajar songs on the whole disc. Polished to studio shine, “Pipe Dream” is a real headphone-listening feast well worth the two-year wait, although a more fitting title might have been “Smorgasbord.”

in exchange for various gifts and shout-outs on the CD if the band reached the goal. Successfully raising $10,000 in 45 days, the campaign was just one unique facet of a project full of surprises, including collaborations with 14 guest performers. “My plan as producer, along with Ryan, who co-produced the whole thing, was to find the right people for each song and record each song the way we heard them in our heads,” said Boozer. “Most of the guests were people I’d met over the years in the studio.” Among some of the CD’s special guests are saxophonist Paul Perez, who contributed horn arrangements; pianist Ezekiel Victor; trumpet player Kris Tiner; vocalists Cassie Pederson, Cecilie Johnson and Alesha Palmer; and nine other local and out-of-town artists including guitarist Steve Kimock, who had worked with members of the Grateful Dead. The ambitious plan to bring Kimock aboard was one of the session’s most memorable moments. “Ryan was recording some slide guitar parts on ‘Change,’ and he didn’t like it, saying, ‘I’m not a slide guy,’” recalled Boozer. “I suggested Kimock, and the band just laughed at me. I went to his website, sent his management an MP3, not expecting a response. I got one, saying that Steve dug the track. He lives in Pennsylvania, but was going to be in the Bay Area last December. I closed a deal with him and made an arrangement with my cousin in the Bay Area to set up a studio. He went in for five hours by himself. It was a pretty special experience.” Wrapping up recording in December, the group then entered the final phases of mixing and approving artwork for the final 13track CD. “We didn’t cut any corners,” said Boozer adding that the remaining three tracks that didn’t make the cut will be available in the future. “We told ourselves, if this is the only

— Matt Munoz

record we ever make, let’s make it the best we can.” At Friday’s release party, the band hopes to have most of the album’s guests onstage for a special one-time performance of each song as they’re heard on the recordings. A limited edition vinyl pressing of “Pipe Dream” will be available the night of the show and through their soulajar.com. The CD’s official street date is April 5 and will be available for download on iTunes. “It’s been a journey,” Boozer said.

HAMLET comes to life on the Spotlight stage as only we can tell it. Directed by Brian Sivesind, and filled with some of the top talent in Bakersfield, this will be a play not to be missed!

Thursday $10 Students/Educators

Friday and Saturday $20 general admission $15 Students/Seniors

3/31@7PM 4/1-4/2@8PM

ans of soulful jazz rockers Soulajar will finally have a chance Friday to get their hands and ears on the band’s long-awaited CD “Pipe Dream,” the culmination of two years of writing, recording, fundraising and self-producing. Soulajar drummer Brian Boozer, who oversaw recording of the project at his Aum Studios, says the CD’s title sums up the band’s work. “‘Pipe Dream’ was the first song (guitarist) Ryan Fergon and I ever jammed on. Lyrically, it’s always rung so loudly with us,” he said. “It was almost prophetic.” Also featuring members Greg Bettis on bass and vocalist Jim Ranger, the group has experienced an evolution as varied as their sound. Founded as a three-piece band of free-form instrumentalists in 2002, the introduction of vocals — first with Ranger’s brother Jon, who left in 2005 — has helped round out the band’s sound. “Jim is essentially into the same music as us,” said Boozer of Ranger’s vocal style, a combination of gospel-inflected soul that owes much to his daily work as musical director at his church, Bakersfield’s New Life Center. Despite what his occupation may imply, Boozer says Ranger can bring the fire on any stage. “I don’t know how to say this without offending anyone, but Jim is no prude.” Outside of Soulajar, Ranger also made some newsworthy solo noise as a contestant on TV’s “American Idol” both in 2010 and 2011. Though he was sent home early both times, he did make the telecast portion of the show, which meant priceless media exposure for the band. “The first time he was on, it was crazy. Jim would give us hints about how he did on the show, but not enough to give away the results,” he said. When it came to pre-production on “Pipe Dream,” Soulajar’s newest set of material since a 2006 self-titled EP, the band had already accumulated a modest wealth of “works in progress,” which eventually make their way to the present. “Most of the songs have been around since we started in 2002,” said Boozer. “We decided we’d record 16 tracks and take the best ones that would work for an album.” Though Boozer has his own studio, getting started wasn’t as easy as he or the band anticipated. Hit by the bad economy, Boozer was forced to relocate Aum Studios twice, which led to the band’s decision to record in layers. “We were going two weeks very hot and heavy recording, then we’d take an ‘ear’ break,” Boozer said.

SPOTLIGHT

Eye Street

FOR INFORMATION CALL

661.634.0692

www.thespotlighttheatre.com

1622 19th Street Bakersfield, CA

501(c)3 not for profit organization

Thursday, March 31, 2011 The Bakersfield Californian

Eye Street

Terry & ’s Charlotte

The moor, the merrier Scottish gathering keeps growing by the year

FREE FREE Mon-Fri, 11-2 HOURS Lunch: Dinner: Mon-Thurs, 5-10;

STEAK HOUSE 2515 F Street • 322-9910 www.kcsteakhouse.net

Fri & Sat, 5-10:30

Dine In Only Expires 4-30-11 Maximum value of $10.95 only. One coupon per table or party. Not valid with any other offers or Holidays.

Terry & ’s Charlotte

BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

Bring out the entire “sept” (that’s “family” for the non-Celtic) for a day of kilts and competition at Saturday’s 16th annual Gathering and Games. Both a family-friendly affair and “Braveheart”-style brouhaha, the event will feature some unbelievable displays of strength courtesy of professional caber-tossers (log and pole throwing) and hammer throwers, along with music, dancing and costumed performers. David Stroud, chieftain of the Kern County Scottish Society, says the annual event is for the entire community and not just those of Scottish heritage. “There’s really something to do for everyone,” he said. “Every year we keep getting bigger and bigger crowds. It’s just great.” Having outgrown both Stramler Park and Bakersfield College venues, Stroud said the sprawling fairgrounds offers the right amount of space for attendees to enjoy themselves. “We have three stages of music, from traditional Irish to Celtic rock, a climbing wall for kids, sword fight reenactments, a bagpipe band competition, scotch tasting, dart tournament,” said Stroud. “The basic thing most people come back for is because they know we’ll always have something new. That’s what everyone will find again this year.” From vendors selling your family tartan, to books, art, and really big knives and swords, there should be no shortage of Scottish-related merchandise. There will also be authentic Scottish foods and ice cold beverages to

April Special

Buy 1 Dinner & Get 1

STEAK HOUSE 2515 F Street • 322-9910 www.kcsteakhouse.net

April Special

Buy 1 Lunch & Get 1

FREE FREE

Mon-Fri, 11-2 HOURS Lunch: Dinner: Mon-Thurs, 5-10; Fri & Sat, 5-10:30

Dine In Only Expires 4-30-11 Maximum value of $6.95 only. One coupon per table or party. Not valid with any other offers or Holidays.

PHOTO COURTESY OF KERN COUNTY SCOTTISH SOCIETY

Heavy athletics are among the events at the annual Kern County Scottish Society’s Gathering and Games.

wash them down. Plus local actor and sideshow performer George “The Giant” McArthur will be doing his signature sword swallowing and showcasing other unbelievable displays of human endurance. If traditional Scottish music and dancing is your thing, they have that, too, during the evening’s Ceilidh (kaylee,) concert party with returnees The Wicked Tinkers, 1916, Whiskey Galore, Banshee in the Kitchen, WTL and David Nigel Lloyd. More of an adult affair, patrons can purchase separate tickets for the Ceilidh. “Everyone gets up, swinging and dancing around,” said Stroud. “Last year we had doubled the attendance. Your feet just start doing this thing once the music starts. You bounce around and everyone’s got a smile on their face. People call it a Celtic mosh pit.”

Kern County Scottish Society’s 16th annual Gathering and Games When: Gathering 9 a.m. to 5 p.m., Ceilidh 6 to 10 p.m. Saturday Where: Kern County Fairgrounds, 1142 S. P St. Admission: $15, $12 for seniors, students and military (with ID) for day events; free for children 10 and under accompanying a paying adult; $25 for general admission and Ceilidh; $15 for Ceilidh only. Purchase tickets at World Records, 1824 G St., or kernscot.com. Information: kernscot.com or 374-4944

Napier booked for encore signing C harles Napier, Bakersfield’s resident movie star, is doing an encore book-signing at Russo’s after his initial engagement at The Marketplace retailer literally sold out. “We had over 100 people show up,” said owner Tony Russo. “That’s in the upper 70 percent (in popularity) of our book signings. We ran out of books, but they have since come in.” Russo said the store has sold about 80 copies of “Square Jaw and Big Heart,” Napier’s vivid, uproarious account of his Hollywood career. Several copies have been put aside for fans who already paid, but there are 20 copies still up for grabs and more can be ordered. “Everybody’s excited to see him,” Russo said. “He did a great job (at the earlier signing) talking to people and taking pictures. He’s extremely friendly.”

Charles Napier book-signing

When: 1 to 3 p.m. Sunday Where: Russo’s Books at The Marketplace, 9000 Ming Ave.

“Square Jaw” reads like the transcription of some secret note-taker listening in as a particularly garrulous character actor, loosened up after a couple of cocktails, entertains a neighborhood dive with his stories of brawling, boozing and B-list movies. You can almost hear the imaginary bar patrons shouting out, “Just one more story about Hollywood, Charlie!” The book’s unfussy, conversational tone perfectly suits Napier’s playful vignettes, but also serves him well when he shifts to reflective mode, sharing sharp insights on his big-

name co-stars and productions. The in-demand tough guy also can be quite moving when he talks about aging in a business obsessed with youth, how his best work ended up on the cutting room floor, and the sacrifices he’s made to follow one very demanding muse. The signing is from 1 to 3 p.m. Sunday at Russo’s, 9000 Ming Ave. While we had Russo on the phone, he told us of another interesting signing at the store, set for April 9. Blake Chavez, co-author of “Hard Luck: The Triumph and Tragedy of ‘Irish’ Jerry Quarry,” will be at the store to promote his book about the late Bakersfield heavyweight, who fought Muhammad Ali and George Foreman. Look for more details on that event in an upcoming issue of The Californian.

— Jennifer Self, Californian lifestyles editor

AND NO COMPROMISE

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Thursday, April 7, 2011 The Bakersfield Californian

Eye Street

Adams keeps it bare bones Hitmaker’s Fox show just him, his guitar and a pianist BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

PHOTO COURTESY OF BRYAN ADAMS

Who were you listening to back then? Beatles, Stones, The Who, Alice Cooper, Led Zeppelin, David Bowie, Humble Pie, Janis Joplin, Deep Purple ... Your U.S. breakthrough happened on MTV in ’83 with “Cuts Like a Knife.” What are some of your most vivid memories of that stage of your career? Too many to mention, but it was an exciting time to make music. MTV was really helpful, and there were many frontiers still to be broken. Not like now where every ticket and every sale of everything is on a computer. Back then, CDs were a new thing. Cassette tapes were still relevant. The irony about MTV is it was on cable, everyone liked it but no one really had it. It took years for it to all kick off and be there for the masses. Touring was still king and if you could break a record you could go on the road, there was only one great radio station in each town so you needed to be on that. It’s all changed now. You’ve watched musical tastes change. The rise of artists such as Lady Gaga and Justin Bieber has pushed rock somewhat away from mainstream radio formats. What do you think about today’s popular artists? I tip my hat to them and I tip my hat to anyone that can make it in music these days. Time will tell who the real ones are … it’s as simple as that. You’ve been ranked No. 38 on the list of “all-time top artists by the Billboard Hot 100 50th Anniversary

SFIELD CALIF OR

2010

AN NI

When: Doors open at 7 p.m., show at 8 Sunday Where: Fox Theater, 2001 H St. Admission: $40 to $62 plus fees Information: vallitix.com or 3225200

Charts.” What do you think has helped you strike a chord with audiences after all these years? Thirty-eight, eh? I wonder how they worked that out. Listen, it’s all about the music and nothing else. Music, music, music. Make music. The rest you can figure out anytime … or not. Is there any Canadian music award you haven’t won yet? The Beaver Award. It’s the highest recognition you can get. You have to be able to build a dam in a river using your teeth ... I’m lucky I still have mine. Was there a particular concept behind the “Bare Bones” CD or did you just want to add an all-acoustic record to your already lengthy discography? It was done for my show. I wanted a live album that people could take away from the show if they liked it. I might make another one at some point. I put the record together by canvassing my Twitter community. I asked them what songs they would like to hear. The response was huge and diverse. I got many ideas from it. The first thing listed at the top of the “Bare Bones” Wikipedia page is “Certified Platinum in India.” Which of your three songs would make a great Bollywood movie? Any of them! They love “Summer of ’69” there, so that would have to be one. India is an amazing place. I’ve been going there for years. We were the first band to put on a big show in India and they’ve never forgotten it. What’s next to accomplish? Touring all over the globe mostly, but I’ve got a baby coming due in May, which is very exciting, and a few songs in films coming this year. What can Bakersfield expect at your show? Me and my guitar and some piano from Gary Breit, plus all the songs you know and love and a few others for good measure. Looking forward to it … see you there!

Bryan Adams

Bryan Adams will perform Sunday night at the Fox Theater.

he ’80s — a decade of disposable ditties, one-hit wonders and really horrific hair — was rough on quite a few musicians, but it was a magical time for singer Bryan Adams, one of the most unassuming, albeit successful, rock stars of the era. In keeping with his low-key persona, Adams will be performing a “barebones” acoustic set of his vast catalog of radio and movie projects at his concert Sunday at the Fox. It’s just him, his six-string and pianist Gary Breit. The beginning of the Canadian’s career, at the dawn of the MTV era, held no hint of the success to come. Adams’ straight-ahead pop rock wasn’t immediately embraced at home or in the U.S. All that would change in 1983 with some help from the video channel, which put Adams’ single and accompanying music video “Cuts Like a Knife,” into heavy rotation to make him a crossover hit on both sides of the continent. Continuing with a string of hit records through the remainder of that decade, including a total of six Billboard charting singles taken from his 1984 release, “Reckless,” Adams showed great talent for writing radioready hits. He’s also been big in Hollywood, penning songs for movies — “Robin Hood: Prince of Thieves” starring Kevin Costner, as well as “The Three Musketeers” and “Don Juan DeMarco” in the ’90s. Born to diplomat parents who helped shape his world views, buying his first guitar and fulfilling his rock ’n’ roll dreams, the now-51-year-old rocker spends much of his time giving back as a philanthropist through his Bryan Adams Foundation. Via email, The Californian caught up with Adams in the U.K., where he is touring in support of his latest record, “Bare Bones,” a new live collection compiled from a series of shows in 2010. What role did music play in your youth, besides being a rite of passage for most teenagers? Music was my secret code (it still is). If you liked the same bands as I did, then we were friends, if you knew of bands I didn’t know of, we were friends. If your dad had a stereo and you were allowed to play records loud, we were friends. If you wanted to be a musician …. well say no more. Let’s start a band. Most beginning musicians experiment with different instruments before finding the right fit. Was the guitar your first pick? I wanted to be a drummer more than anything as a preteen, but I was given a flamenco guitar instead. I think my parents probably thought: If we give him this then he’ll go back to thinking about school. It was sometime after the release of “Sgt. Pepper’s” and I embraced my little guitar.

O R S’ C H O I C E P

587-3377

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The Bakersfield Californian Thursday, April 7, 2011

Eye Street The Lowdown with Matt Munoz

Unwritten Law: We don’t quit! Band brings renewed energy to B Ryder’s

nwritten Law lead vocalist Scott Russo recalls that feeling: the end of the road. After 20 years of touring, writing and recording, the last thing left to do was give fans one last hurrah. Laying the groundwork for the band’s swan song last year, Russo says the exit plan didn’t last once they hit the studio. The band is renewed and ready for the mosh pit again, and Bakersfield will get a chance to see them Saturday at B Ryder’s before they hit the road and the Vans Warped Tour in support of their newly released CD, “Swan.” “We went on an unintentional hiatus for a while,” said Russo of the band’s six-year MIA status. “Some of us had kids, I was producing a lot of other acts, and we lost our record label. When we were approached by Kevin Zinger of Suburban Noize Records about two years ago, we thought, ‘OK, let’s do one last record and put the band down.’ About six songs into the sessions, we weren’t happy with it at all. If this was going to be it, we had to do something stronger.” News of the breakup wasn’t what longtime fans were prepared to hear after years of faithful punk rock service by Russo and crew. Formed in 1990 in the city of Poway, Unwritten Law joined bands Blink-182, Buck-ONine, Rocket From The Crypt and other young alt-rock startups, helping build San Diego’s reputation as the “other Seattle.” “I was living in an abandoned house in Poway back then, and I went to a party where they were playing, mostly covers. I sat in, they asked me to join the band, we recorded our first six songs a month later, and the rest is history,” said Russo. Unwritten Law steadily climbed the ranks playing local dives and parties, grabbing opening slots for established punk brethren Pennywise and Blink-182, also on the verge of a breaking into the main-

PHOTO COURTESY OF UNWRITTEN LAW

San Diego’s Unwritten Law heads to B Ryder’s on Saturday night.

stream. In 1997, they signed with Interscope Records, the home of No Doubt, but were able to retain their underground reputation with a strong grassroots following across the U.S. and overseas. In 2002, they hit the top of the Billboard Alternative Rock charts with the single “Seein’ Red,” an anthemic, catchy, midtempo gem from their CD “Elva.” “No one expected it to go to No. 1, but we’re glad everyone picked up on it,” said Russo. “I think any band would like to have continued success like that, but if you’re not writing from the heart, it’s not going to be successful anyway. But this band, from the beginning, has never written anything to be radio ready.” Simmering comfortably on the college music charts after their brush with commercial success, Russo says the band has always been most content living by their own philosophy of keeping the music, “real,” not for radio.

“You can’t plan for a hit, it just happens. We try to write the best songs we possibly can in whatever format. If it’s going to be a slow song, it’ll be the illest thing you’ve ever heard. If it’s going all out, we’ll grab you by the throat. You have to be real.” Going their separate ways after completing promotion for 2005’s “Here’s to the Mourning,” to pursue solo projects, including Russo’s experimental alternative reggae electro group The Big Bang, the band remained close. Still, they felt it might be time to go out while they were on top. Originally titling their final studio release “Swan Song,” they scrapped the original sessions and headed back to the drawing board. “Once the label was going to start promoting it as our last, we knew those songs were no way going to define a 20-year legacy,” said Russo. Russo said somewhere along the way, it dawned on the group that this may very well be their finest hour — just not their final one. “After our ninth song, we met with the label again on a conference, and they were excited to start promoting it saying this and that. At that point, I said there’s no way we could go out. During the writing for this record, the band had never felt love like this. We just fell in love with what we do all over again, the whole thing. It wasn’t the death of Unwritten Law, it was a rebirth. So, we changed the name of the record to “Swan.” Opening with the thunderous riffs of

Matt Munoz is editor of Bakotopia.com, a sister website of The Californian that devotes itself to promoting Bakersfield’s art scene. Matt’s column appears every Thursday in Eye Street.

“Starships and Apocalypse,” “Swan” is the heaviest record of the band’s career, with 11 tracks of well-crafted rockers. “Dark Dayz,” will take listeners back to the group’s early days with its punkish feel, as will the hip-hop blend “Chicken,” featuring rapper Del The Funky Homosapien. The inclusion of “Sing,” an acoustic love song with country back beat, shows even grown-up punks have a soft spot. “This is our defining moment, that’s for sure,” said Russo. “I have the best job in the world.” Saturday’s all-ages show kicks off at 6 p.m. with local openers Dead Ashling, Meditated Assault, Dirt Head and Alast Taft. Tickets are $15, and can be purchased at B Ryder’s, World Records, Outer Limits, Going Underground, Impact Streetwear, Wavelengths and Hoggz in Bakersfield. For more info, visit timgardeapresents.com, or call 397-7304. B Ryder’s is located at 7401 White Lane.

PHOTO COURTESY OF FUNERAL PARTY

Funeral Party will perform at Jerry’s Pizza on Saturday night.

Matt’s pick Funeral Party at Jerry’s Pizza, 1817 Chester Ave., Saturday, 6 p.m., $10, 633-1000. This Whittier band has been getting some serious shoutouts in national music rags, most notably when they were named one of “2010’s Best New Bands” in the pages of NME. Taking their name from a song by The Cure, the band got a confused reception early on when they were often assumed to be a hardcore band. Neither hard, nor punk, The Funeral Party are a younger, less manic version of Mars Volta — the band that also helped push this young group of fresh-sounding, melodic noisemakers. They just performed on Letterman’s show last week. Their new CD, “The Golden Age of Nowhere,” should be in your collection now.

Thursday, April 14, 2011 The Bakersfield Californian

Eye Street

Headed to the hip-hop top Pair score not one but two Tyler Perry movie gigs

• Sleeplessness • Phobias & Fears

BY MATT MUNOZ

PATHWAYS HYPNOSIS Vaughn Barnett

Bakotopia.com editor mmunoz@bakersfield.com

ightning has struck twice for two local music makers. Bakersfield rapper Danny Wayne, who made the musical cut last year in the Tyler Perry film “For Colored Girls,” will be heard again in the filmmaker’s latest, “Madea’s Big Happy Family,” which hits theaters April 22. To celebrate the big score, Wayne and music consultant and business partner Miles Labat are throwing a Hollywood-style red carpet party at the Spotlight Theatre Wednesday. “You got guys like Jay-Z trying to be in a Tyler Perry movie and can’t get on,” Labat said. “Recognize the success of a local artist.” A duo of hip-hop tunesmiths with a mind for business, their fateful meeting two years ago has all the makings of a continuing rap-to-riches saga. Labat is something of a seasoned pro, having worked as a producer for the landmark rap label Interscope Records in the 1990s before relocating to Bakersfield in 2005 for a low-profile life with his family. Though he chose to take a few steps out of the business, working as an engineer for the Kern County Fire Department for three years, he managed to maintain his music industry contacts, which would prove invaluable when he met up with his future partner.

Hustle is the name of the game Meanwhile, a hungry young rap duo called Pac Nashun, featuring Danny Wayne and Ronald Johnson — who goes by the stage name Arjune — were busy hustling the group’s CDs outside and inside area Walmarts and any parking lots where they were allowed. The West High grad’s introduction into rap music came during the early 1990s, a stormy time in the genre’s history. Gangster rap was the sound of the young artist’s world, with tales of ghetto violence and drug dealing. “I grew up seeing so many people on the street corner strung out on drugs,” said Wayne. “I had a mother and father at home, when most of my friends didn’t, and they were always looking out. Most black kids from the hood I know reach a crossroads in their life at some point and have to make some hard decisions — maybe college or something else.” Life was good for Pac Nashun, who’d begun creating a deafening street buzz among rap fans, but a series of tragedies plagued the team, including a random drive-by shooting during Wayne’s wedding celebration in 2001 that killed Johnson’s girlfriend. Soon after, the group’s manager at the time was arrested and incarcerated in an unrelated incident. “It felt like the rug had been pulled out from underneath us,” said Wayne.

C.Ht., NLP, BA Alpha Chi Honor Society American Hypnosis Assoc.

661.322.0077 PathwaysHypnosis.org

FELIX ADAMO / THE CALIFORNIAN

Producer Miles Labat, left, and rapper Danny Wayne at American Sound Recording studios.

Danny Wayne red carpet celebration When: Doors open at 7 p.m. Show at 8 p.m. Wednesday Where: The Spotlight Theater, 1622 19th St. Admission: $20 advance $25 at the door Information: 634-0692 or visit artistfinders.com

Joey Porter to the rescue Wayne’s subsequent choice to distance himself from the gangster lifestyle began to take shape with some help from NFL great Joey Porter, a fellow Bakersfield resident and fan of Pac Nashun. Porter flew the duo and their crew to New York to check out the birthplace of hip-hop and to meet with some famous friends, namely rap legend Kurtis Blow, who made them guests on his Sirius radio show. “It was a big culture shock,” recalled Wayne. “Joey flew eight of us out there and Kurtis showed us the fundamentals of hip-hop. I was just drawn to the positive energy. We realized this game takes much more than just rappin’.” It was around that time that Labat and Wayne met for the first time, outside a clothing store. Wayne, who had already changed his rapping style to try for wider appeal, was out doing what he does best — hustle. “I saw this group of four guys hanging out, and I was trying to avoid them,” Labat recalled, laughing. “They looked a little rough around the edges. I knew they were going to try and sell me something, and it was a CD. I really wasn’t interested, but I thought it was cool that they were doing this. Danny was the best dressed of the whole crew. I gave him the $10 for the CD as my pass to leave the store.” Five months later, the two crossed paths again, this time at a McDonald’s in Rosedale. But the tables were turned this time. Labat, who had been hit up by video game manufacturers EA Sports for a song contribution, approached Wayne about a studio session.

“He looked like somebody, and he remembered me,” said Wayne who didn't know what to make of Labat’s offer to record a new song in the tradition of “Who Let the Dogs Out,” the annoying 1998 hit by Baha Men. “I’d had so many people who used to tell me this and that, but once I saw the plaques on his wall I knew he was for real,” said Wayne. “The song was corny, but I wasn’t trippin’. Miles didn’t brag a lot about what he did like so many others and I respected him for that.” “Thru the Roof,” recorded in one day, just missed the deadline for submission. Undeterred, they agreed to work together again if another opportunity presented itself. It did, in 2009, this time direct from Labat’s longtime colleague Joel C. High who was collecting songs for Perry’s “For Colored Girls,” starring Janet Jackson. “I knew we’d make history by getting a song in the movie,” said Labat, who had just produced Wayne’s solo CD, “Thin Line,” which featured the single, “Alone in My Room,” the song they submitted for consideration. “We were in Arizona watching the Cardinals and Saints play, waiting for news,” Wayne remembered. “When we got the word, it was the one of the best feelings ever. I’d been doing music for so long, it just solidified everything I’d worked so hard for. I took my whole family to see the movie, and when the credits rolled, it was like … all right.” The two managed to put their first collaboration to use for a riotous scene in the latest Tyler feature, “Madea’s Big Happy Family.” “Thru the Roof” plays when Madea visits the Maury Povich show. Neither have seen the completed film, but they’d like Bakersfield to do some roof raisin’ at Wednesday’s redcarpet music event at the Spotlight. In addition to a performance by Wayne and his Pac Nashun partner, Johnson, there will be a screening of “Hustla Fo Sho,” a 45-minute documentary on the artists. Also appearing will be Labat’s latest protégée, Hunny, Hot 94.1 radio personality and rapper Flawless, plus the cast of the Spotlight's production of “Dreamgirls.”

Thursday, April 28, 2011 The Bakersfield Californian

Eye Street

Every man has his price at fundraiser Eligible bachelors on auction block tonight BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

ome of Bakersfield’s most eligible bachelors will be auctioned off for charity at the Independent Living Center of Kern County’s first annual Bachelor Auction tonight at the Padre Hotel. The fun begins with a social hour at 7 p.m. at the hotel’s Prairie Fire lounge, when prospective bidders will get a chance to meet and mingle over appetizers with the 11 confirmed bachelors before they’re lined up and the action begins. “We’ve got some local firefighters, paramedics, police officers, system tech advocates” said Jenifer Pitcher, community resource specialist for the Independent Living Center of Kern County. “Some of our bachelors also have disabilities. I wanted to keep it fun, upbeat, and about people who work in the community.” The $20 entrance fee for tonight’s event will include a wine ticket, light appetizers, raffle ticket and a few surprise tokens of appreciation.

Independent Living Center of Kern County Bachelor Auction When: 7 p.m. today Where: Prairie Fire at the Padre Hotel, 1702 18th St. Admission: $20 Information: 325-1063 or ilcofkerncounty.org

The bachelors range in age from 20s to 50s. The highest bidders of the evening get a dinner date to some of the best restaurants in Bakersfield. Pitcher is confident that locals will come out in force to help their disabled neighbors while having a bacheloriffic time. And who knows? You could possibly meet the man of your dreams. “We’ve got some dating-game type questions, fun music. They can do whatever they want as long as it’s PGrated. We like to see everyone enjoying themselves, getting info on the center. Hopefully it will resonate with people and want to give back,” she said. Spearheading creative fundraising events like the auction is essential to helping the mission of the living center, a local nonprofit dedicated to

helping people with disabilities learn to live independently. Regularly serving a major segment of Kern’s disabled population through a variety of programs, such as wheelchair maintenance, residential accessibility and more, the program always needs help, Pitcher said. “According to projections from the 2009 U.S. Census, over 22 percent of Kern County residents have a form of disability — physical or cognitive. The latest numbers are not up yet, because of the homeless counts. A lot of the times, someone’s disability is not apparent.” Run on grants and donations, Pitcher said one of the organization’s big goals this year is to purchase a new vehicle for transporting clients, helping kick-start the center’s “Repower Program.” Offering regular maintenance on motorized wheelchairs comes with a hefty price tag. “It costs about $40,000 to $80,000 to make a car accessible, converting pedals to hand controls, and adding a chairlift is almost the price of a small car at $5,000. But once we’re ready, we’ll be able to fix and sanitize the wheelchairs according to health code and get them out to the community refurbished. The vehicle will help to pick them up and drop them off. ”

Beach Park

Free Admission Sat, April 30th 10am-5pm Sun, May 1st 10am-4pm (Bounce House, Obstacle Course – Both days BPD with child ID kits – Sunday only)

Come Celebrate Mothers with many unique gift ideas and wonderful Food Future events – Medieval Faire, Oct 15th & 16th Christmas Around the Corner, Nov 11th – 13th

Thursday, April 28, 2011 The Bakersfield Californian

Eye Street Business group ups ante for fundraiser BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

he Kern County Hispanic Chamber of Commerce will have its ninth annual Spring Social and Casino Night fundraiser hosted by Golden West Casino on Friday evening. The evening’s festivities will begin with a no-host cocktail bar at 6 p.m., followed by dinner buffet, 50/50 raffle, silent auction, poker tournament, plus dancing to live music by Bakersfield band Limited Edition. “This is the second fundraiser of the year for us,” said KCHCC board chairman Jay Tamsi, who helps oversee five KCHCC fundraising events a year. “We’re expecting a great crowd, and it’s a great place to network and meet current members if you’re interested in becoming a member yourself. We like to call it the social event of the year.”

Ninth Annual Kern County Hispanic Chamber of Commerce Spring Social and Casino Night When: 6 p.m. Friday Where: Golden West Casino, 1001 S. Union Ave. Tickets: $30 advance, $35 at the door. Call Sheri Miller at 283-1745, the KCHCC at 633-5495 or visit kchcc.org.

Prizes include vacation trip packages to Las Vegas, themed gift baskets, wine tasting tours and more. Proceeds will benefit the chamber’s ongoing mission to provide business opportunities and services for members. The Kern County Hispanic Chamber of Commerce is an organization that promotes Hispanic and minority-owned businesses. Founded in 1985, it now boasts more than 400 members and is affiliated with both the California and United States chambers of commerce. Golden West Casino is located at 1001 S. Union Ave. Tickets for Saturday’s event are $30 and $35. For more information, contact Sheri Miller at 283-1745, the KCHCC at 633-5495 or visit www.kchcc.org.

All invited to CSUB’s annual party BY ROB MESZAROS Contributing writer

SUB will be bursting at the seams with fun for the family Saturday as the university rolls out its welcome mat for the fifth annual Celebrate CSUB! open house event. Admission and parking are free. According to event coordinator Evelyn Young, Celebrate CSUB! has become a popular spring fling that brings the campus community, former students and the larger community together to showcase all that CSUB has to offer. “Sometimes people take for granted the university in their own backyard,” said Young. “Whether you are an alumni and have not been on campus for some time or a local resident who has not yet ventured to campus, a current or future student, Celebrate CSUB! is a great opportunity to discover or rediscover your university.” Visitors can check out many of the campus’s new amenities, like the giant rock climbing wall and indoor track inside the Student Recreation Center, the solar panels now providing one-third of the campus’s energy in parking lots E and I, and the lights and score-

Celebrate CSUB! When: 9 a.m. to 2 p.m. Saturday Where: Cal State Bakersfield, 9001 Stockdale Highway Admission: Free (as well as parking) Information: csub.edu/ celebrate or 654-2175

board at the baseball facility, Hardt Field. Red Brick Road, which cuts through the heart of the campus, will be bustling with activity throughout the day as more than 80 vendor booths will serve to inform and entertain the 1,500 guests expected to be in attendance. There will be art projects and games for children, information about lifelong learning programs for older adults, student research presentations, great food, live music from Thee Majestics, and many activities for prospective students and their parents. For those who want to kickstart their weekend with a little cardio, the day begins at 8 a.m. with a 5k fun run/walk and pancake breakfast to benefit CSUB’s

Physical Education department (race day entry fee is $20 and registration is at 7 a.m.). Celebrate CSUB! also serves as the annual orientation day for incoming freshmen who will start in the fall. “In a region where many students are first-generation college students, Celebrate CSUB! helps demystify the university for families unfamiliar with higher education,” Young said. “The festive setting helps us to introduce our academic programs in a nonintimidating atmosphere where young people can see themselves fitting in a university setting.” New this year is the Bill Wright Toyota Community Stage in front of the Student Union. Here, guests will be treated to live music, dance troupe demonstrations and “stuff the runner,” a contest to see which CSUB club can stuff the most students into a Scion. The day culminates as CSUB men’s baseball team squares up against UC Irvine at 2 p.m. For a full list of events, fun run registration form and more information about Celebrate CSUB!, visit csub.edu/celebrate or call 654-2175. — Rob Meszaros is director of public affairs and communications at CSUB

Thursday, May 12, 2011 The Bakersfield Californian

Eye Street

A lotsa pasta for just $6 Picnic also features deep pit and desserts Mamma mia! The Italian Heritage Dante Association will host a family-style Italian Picnic on Sunday in the gardens at the Italian Heritage Hall. Parking and admission is free, with food starting at $5. And what a selection: Event chefs will prepare deep-pit style barbecue to serve with the traditional pasta, salad and roll. Adult plates will go for $12, child plates $5 and pasta-only plates for $6. Other

dining options will include a delicious Roman-style sandwich topped with a savory red meat sauce for $5. To wet your whistle, there will be a variety of soft drinks, wine, beer and various mixed drinks as well. The authentic and delizioso Italian desserts — prepared at home by club members — promise to include such wonderful creations as mascarpone cupcakes, Sicilian cannoli, Sicilian fig cookies, anise biscotti, biscotti di Regina, almond cookies, various cakes, pies, brownies and cookie bars. The master of ceremonies

will be association board member Ken Bausano. Bausano also leads a number of jazz ensembles, including several big bands, so expect some top-notch music. Past picnics have brought out the entertainer in some attendees, including cantante Luigi Via Cava, who has gifted listeners with his interpretations of several Italian songs. There will be a raffle (tickets $1) with several gift baskets and artwork. For children, there will be a bounce house as well as various games. For adults, teams will be enrolled to participate in the bocce

In the mood for barbecue? CSUB the place to be

Italian Picnic When: Noon to 6 p.m. Sunday Where: Italian Heritage Hall, 4415 Wilson Road Admission: Free; food $5 to $12 Information: 831-0867

tournament, a cheerful and exciting event that promises to turn up a couple of superb winning teams. First- and second-place prizes will be awarded. The Italian Dante Heritage Association extends the invitation to all its members and the entire community to join in a fun day. — Italian Heritage Dante Association

Local musician captures encounter with rock star Adrian Nevarez, of local Latin rock band Velorio, was minding his business Monday at the Red Robin in Valley Plaza, where he works, when who walks by but Foo Fighters frontman Dave Grohl, Bakersfield’s most famous guest of the last week or so. Adrian writes: “He just happened to be walking by, leaving the mall. He was by himself. He had his sunglasses off, then he put them on. I kept looking at him, ‘That’s Dave Grohl!’ I dropped what I was doing. I ran

over and asked him what he was doing and thanked him for his music and for being such an inspiration. He said Foo Fighters are practicing here at the Rabobank and getting ready for the world tour. He was a really chill dude. I think he was more caught off guard that I pointed him out. I didn’t think I’d ever get this chance again so I had to do something. I asked him if I could take a photo and he said, ‘Sure,’ then he walked right over.”

The distinct aroma of seasoned, grilled meat cooking over an open flame is one of the many identifiers that spring is officially in the air. Couple that with fair weather, great music, cold drinks and familiar faces, and you have the perfect recipe for the annual CSUB Athletics Spring Barbecue. The 39th annual installment takes place this evening starting at 5:30 p.m. at the Icardo Center on the CSUB campus. In addition to Harris Ranch steaks — new this year — and teriyaki chicken, guests will be treated to the usual great fixings including breadsticks from the Olive Garden, salad from the Garden Spot, Mexicali salsa, Marie Callender’s pies and Foster Farms Dairy ice cream. Visitors can wash it all down with a Rock Star Energy drink, which will be giving out samples of their always-popular concoctions. With a full belly, you’ll be primed to partake in the evening’s festivities including dancing to the sounds of Thee Majestics and raffle drawings every half hour starting at 7 p.m. Tickets can be purchased at the door for $30. All proceeds benefit the CSUB studentathlete scholarship fund. For more information, call 654-3473. — Cal State Bakersfield news release

39th annual CSUB Spring Barbecue

PHOTO COURTESY OF ADRIAN NEVAREZ

Foo Fighters frontman Dave Grohl and Adrian Nevarez, sales team member at Red Robin and percussionist for local Latin rock band Velorio.

When: 5:30 to 10:30 p.m. today Where: CSUB, Icardo Center, 9001 Stockdale Highway Admission: $30 Information: gorunners.com or 654-3473

arts.org or call 324-9

000

fund for the arts 5K Ramble to raise Arts, Contests Live Music, Dance,

Celebration in y and Finish Line Opening Ceremon R Streets. d an t 21s at al Park Bakersfield Centr (children under 10 free). $10 registration

The Bakersfield Californian Thursday, May 12, 2011

Eye Street Blues cats square off in guitar battle

2011 Guitar Center King of the Blues semi-finals round 2 When: 6 tonight Where: Guitar Center, 3428 Ming Ave. Admission: Free Information: 396-3838 or guitarcenter.com/kingoftheblues

BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

Local guitar slingers looking for a shot at being named Guitar Center’s 2011 King of the Blues should make plans to strum over to the store’s Ming Avenue location tonight. The annual nationwide blues guitar competition, which kicked off last last week, heads into its second of three weekly preliminary area rounds this evening. The public is invited to sign up and participate or show up to support their favorite. “We get a pretty lively crowd in here during this particular event,” said Gary Rink, manager of Guitar Center’s guitar department. “Last week we were a little light on attendance, but it will definitely pick up once the word spreads.” According to the official Guitar Center website, the competition works like this: You must be at least 16 to enter and may sign up only at your local Guitar Center. Each round is limited to 10 participants. Participants can then go the official competition Web page at guitarcenter.com/kingoftheblues to download one of the 30 free music that will double as your backing tracks when you face local judges Ben Thomas, Denny Bussey and Mark Andrews. You will get five minutes to set up and will perform to any one of the official backing tracks of your choice. All tracks will be available onsite during each round.

Contestants may bring and use any three-, four- six, seven- or 12-string acoustic or electric guitar, cigar box guitar, lap steel or pedal steel guitar, any audio pedal effects that can be set up in five minutes, which will be plugged into a selection of amplifiers provided by the store. In the event of a tie, you will be required to play an additional two minutes with no backing track. The top two winners from each round will then return to the Bakersfield finals on May 26, where one finalist will be chosen to continue to the Southern California district finals, and possibly the regional and grand finals at House of Blues in Hollywood. Prizes are awarded for each winner, with a top grand prize of $25,000. Last week’s local semifinalists were axmen Matt Linder and Stephen Lengal of Bakersfield. Bakersfield Guitar Center sales manager Drew Martin values the community aspects of the event. “It’s really huge. It’s a place where all the local blues guys come and hang out. It’s kind of inspiring. Nice little grassroots event that helps musicians. We’ve had bands find new guitarists for their group here, too. Every week someone can show up and sign up if there’s room.” The last semifinal round will be held on May 19. For more information on complete rules and requirements, visit Guitar Center on Ming Avenue.

The musical that will have you jumping out of your BLUE SUEDE SHOES!

First Bike Festival wheels into Mill Creek Park BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

Bike Bakersfield’s first Bike Festival rolls into Mill Creek park this Saturday and Sunday, two days of “bikes, bikes and more bikes.” Organizers invite the public to bring their favorite two-wheelers and join the festivities while learning about the benefits of alternative transportation. “Part of the whole festival is to make people aware of all the fun things they can do on their bike,” said Bike Bakersfield Executive Director Tina Chapa. “It’s not just for riding around town. You can get pretty creative with what you’ve got.” There will be plenty of food and arts and crafts vendors, in addition to live music courtesy of Walk for the Arts, which is providing entertainment. “You’re gonna find something to do. We’re really encouraging everyone to come out.” Saturday’s eclectic schedule begins at 10 a.m. with a bike rodeo, followed by bike polo, bike jousting, a big BMX competition at the park, open sprint competitions and more. If some of these event names conjure up images of bronco busting and knights in shining armor, you’re partly correct. “We have guys jumping ramps in BMX, so why not try jousting?,” said Chapa of how organizers are getting a little medieval. “The jousting pole is made out of plastic PVC piping. There’s a boxing glove attached to the front of the pole, with more soft material around the glove. The people competing will have a helmet and a face mask. The bike rodeo is a great way to help kids learn about traffic safety.”

Pilates Will Give You A Beach Body Summer Look! Pilates Reformer

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Bike Bakersfield Bike Festival When: 10 a.m. to 6 p.m. Saturday; 7 a.m. to 4 p.m. Sunday Where: Mill Creek Park, 21st and R streets; 19th and 21st between R and V streets will be closed to auto traffic during event. Admission: Free. BMX entry fee: $5. Bike Polo: $15 for team of three. Criterium race: $15 to 25. Information: 321-9247 or bikebakersfield.org

If sport cycling isn’t your thing, there are more conservative events to participate in throughout the day including the Park to Park ride designed to help riders become accustomed to using city streets to get around, rather than just off-road bike paths. Led by Team Go Ride, a new local all-level cycling organization, riders will have two opportunities beginning at 8 a.m. “They’ll be leading a ride early morning from Mill Creek to Hart Park and back, then a shorter ride from Mill Creek to Beach Park and back. A lot of people only ride on the path and not on road, because they might get nervous. Riding with a big group will help them get used to it.” On Sunday, the festivities continue with a farmers market, bike swap meet, and the 6th annual Bike Bakersfield Criterium race that will take place circling the Mill Creek grounds and extend to adjoining streets. “It’s like a NASCAR race on bikes,” said Chapa. “You go around this set of street blocks for a certain amount of time, anywhere from 45 to 75 minutes.”

The Bakersfield Californian Thursday, May 12, 2011

Eye Street Blues cats square off in guitar battle

2011 Guitar Center King of the Blues semi-finals round 2 When: 6 tonight Where: Guitar Center, 3428 Ming Ave. Admission: Free Information: 396-3838 or guitarcenter.com/kingoftheblues

BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

The musical that will have you jumping out of your BLUE SUEDE SHOES!

First Bike Festival wheels into Mill Creek Park BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

Pilates Will Give You A Beach Body Summer Look! Pilates Reformer

MAY 13TH - 28TH

PURCHASE TICKETS ONLINE, BY PHONE, OR AT THE THEATRE BOX OFFICE

• Improve Flexibility • Relieve Stress • Create A Strong & Lean Body • Develop A Strong Core

Mat Classes Are Now Available! Reformer Personal Training Instruction By Appointment Only.

STARS THEATRE RESTAURANT 1931 CHESTER AVENUE 325-6100 bmtstars.com 1405 Commercial Way, Ste. 110 • 661-324-7848

The Bakersfield Californian Thursday, May 26, 2011

Eye Street

Travel back in time to Renaissance Tehachapi Mayday festival features knights, actors, stories BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

hine up your armor, prepare your most royal attire and gallop over to Tehachapi for the third annual “Maynana” Highland Mayday Festival this Saturday and Sunday. Katharine Coates, managing director of Darkwellcastles.com, the organizer of the event, described the two-day Renaissancestyle faire as a great way for families to escape reality for a few hours. “If you’ve ever believed in make believe, you’ll love this festival. It gets bigger and better every year. Everyone loves Cinderella, Pirates of the Carribean. This is fullblown history and it grows every year.” Named for her late grandmother Leatta Anderson, Coates says both grandparents were well known and loved in the Tehachapi mountain community. “Most people around here knew them — my grandfather Lester as Hooks and my grandmother as Tootie. I knew her as Nana. She recently passed away.” Attendees can look forward to a full schedule of medieval-style entertainment and spectacle, which Coates says rivals even some of the larger nationally held fantasy faires. “We have knights, armor, merchants, singers, storytellers, archery and a mechanical dragon named Claude that weighs about 6,000 pounds. He can shoot fire about six feet, but we only let it go 10 inches. He’s made out of old antique parts and is amazing.” Three of the featured weekend performers are Los Angeles-based singer-songwriter Ann Marita, who appears both days, stilted high walker “Tip” the giant, and fan-

Third annual Maynana Highland Mayday Festival When: 10 a.m. to 4 p.m. Saturday and Sunday Where: 19491 Cherry Lane, Tehachapi Admission: $10 or $5 with two cans of food; ages 13 to 18: $5 or $2.50 with two cans of food; children 13 and under are $2.50; free for children under 5. Information: 615-0410 or darkwellcastle.com

tasy storyteller Victoria Goring, who appears Sunday. There will be plenty of kidoriented fun with a golf course, a traditional maypole, the queen’s basket hunt and more. “Everyone donates their time, with the exception of some of the traveling talent. We have a great board of directors. It’s a very family-oriented project. Lots of costuming and dancing,” said Coates. The event also will be a dual fundraiser to benefit the Tehachapi food bank and the Darkwell Castle goal of constructing a permanent Renaissance and medieval-style reenactment training center for actors. “The canned food drive portion will be for the city. Our goal is to have our home in Tehachapi by the first of the year,” said Coates. “We were tired of building up each festival then tearing it down every year. We want a permanent facility for our events, and if movie studios are interested in having actors and facilities, they can use ours and our actors. Currently we have 10 acres and are planning on getting the other five.” No alcohol will be served, but there will be plenty of costumed figures from history, with the exception of a vacationing ruler. “King James and Queen Anne will be ruling over the festival; however, King James will not be here, because he’s off on a hunting trip,” said Coates.

COMING IN EYE Friday Movie reviews:“Kung Fu Panda 2” follows the continuing adventures of the roly-poly panda Po (Jack Black) as he struggles to come to terms with the sad truth about his family at the same time he and his band of cohorts face off against the evil Lord Shen (Gary Oldman). • The Wolfpack is back. Party animals Phil, Stu and Alan return for further misadventures in “The Hangover Part II,” a followup to the 2009 hit comedy about a very lost weekend in Las Vegas that had them tangling with tigers, prostitutes and Tyson (Mike Tyson, that is). This time, the guys, played respectively by Bradley Cooper, Ed Helms and Zach Galifianakis, have traveled to Thailand for Stu’s wedding. They awaken one morning after a seemingly innocent beachside bonfire party to find themselves in a squalid Bangkok hotel room — confused, battered and, most importantly, missing the bride-

DREAMWORKS ANIMATION

Po (Jack Black, center), Tigress (Angelina Jolie, right) and Monkey (Jackie Chan, left) are back in action in “Kung Fu Panda 2.”

to-be’s teenage brother.

Sunday With graduation yet to come for most high school seniors, many already are looking ahead to the next four years. Don’t miss our 10-page section saluting the area’s college-bound seniors in Eye Street Sunday.

Thursday, June 2, 2011 The Bakersfield Californian

Eye Street

Buy yourself an axe to grind Metallica-signed guitar tops hot items up for bid at Scott Stock fundraiser

ABOUT OPERATION INTERDEPENDENCE Founded in 2001 by Albert R. Renteria, a Marine, Operation Interdependence is a national nonprofit organization that acts as a civilian-tomilitary delivery system, making it easy for Americans to contribute basic care items to deployed frontline military in Afghanistan and Iraq. The organization is able to produce each care package for $5. At $15 a Scott Stock ticket, you’ll already be sending some love to three soldiers in need. “You’d think that items like deodorant, mouthwash and toothpaste would be readily available but that’s not always the case,” Cox said. “Hard candies are really popular there to keep the dirt out of your mouth and for passing out to keep those kids loving Americans.”

BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

aving a Metallica-autographed guitar won’t make you play like Kirk Hammett as you scratch out version 5,896 of “Enter Sandman” for friends and family. But owning that particular axe could make you the envy of every metal-lovin’ maniac in Bakersfield — and as a side benefit, the money you spend to buy it will keep troops in deodorant and mouthwash as they serve their country overseas. The ESP Metallica guitar is just one of several signed by giants of the instrument for Scott Stock, the annual party, now in its fifth year, hosted by radio personality Scott Cox and Fishlips Bar & Grill to support the troops. “This thing lends itself to being pretty rowdy. It’s the most fun night of entertainment and debauchery that happens in Bakersfield every year,” said Cox, never one for understatement. Fishlips’ partnership with Operation Interdependence, the group that delivers personal items to the troops, began in July 2006. With the endorsement of Cox, the restaurant decided to rename the event Scottstock two years later. Joining Cox as co-host at Saturday’s event will be Bakersfield Iraqi War veteran and former NFL defensive linemen Jeremy Staat. “Guys like him are why OI does what they do and why I wanna help them — people who are putting their lives on the line,” said Cox. “This organization has no overhead, no salaries. Everything goes towards these kids in Iraq.” Since 2007, Scott Stock has helped raise more than $78,000 for Operation Interdependence. This year they hope to bring that cumulative total to $100,000. On the entertainment side, local bands 1916, Buck Shot and Weapons of Mass Destruction will be setting the Fishlips stage ablaze with Celtic rock, country and blues. “There’s nothing subtle about these groups — all great musicians, and there will be lots of cowbell,” Cox predicted. “That’s why we didn’t book Yanni, Kenny G or anybody else that was gonna bring you down this year. It’s about making a lot of racket for the right cause.” But the main event — the thing that makes this particular party stand out from all others — are the guitars. This year’s collection includes a raffle of autographed models from country legend Merle Haggard, classic rockers REO Speedwagon, and blues masters Joe Bonamassa and Albert Lee. And included with the Lee guitar are two tickets to his June 16 show at the venue. After that, things are about to go up to 11. Diehard collectors will really be digging deep during the auction, which has the

MICHAEL FAGANS / THE CALIFORNIAN

KERN radio personality Scott Cox will be hosting the Fifth Annual Scott Stock fundraiser at Fishlips on Saturday. On stage with Cox are a bass signed by Gene Simmons of KISS, a Fender Squire signed by Merle Haggard, an Epiphone Les Paul to be signed by Joe Bonamassa and another Epiphone Junior signed by REO Speedwagon.

Fifth Annual Scott Stock When: 7:30 p.m. Saturday Where: Fishlips, 1517 18th St. Admission: $15 Information: 324-2557 or oidelivers.org If you can’t go but would like to donate, write a check to Operation Interdependence and drop it by Fishlips.

autographed Metallica axe, a Warlock bass signed by Gene Simmons of KISS along with girlfriend and 1982 Playmate of the Year Shannon Tweed, and a custom-painted “Budweiser Troop” guitar by Bakersfield artist Craig Fraser, which is signed by NASCAR racing champion Kevin Harvick.

Included with the Harvick package is a neon bar light donated by Advance Beverage. Fishlips owner Shawna Haddad-Byers, who affectionately referred to the behindthe-scenes work as “organized chaos,” said the efforts of OI are very dear to her heart as a mother and American. “I would be very proud if my son put on a uniform, but I do hope he never has to. I appreciate the men and women who take care of business. Every time we do a raffle, there’s always someone with a story to share about their child or someone they know being deployed.” And Byers is always on the lookout for more fodder for the auction. From touring bands who hit the club, to reaching out to somebody who knows somebody, she said she relies on a network of supporters and their tips.

In previous years Cox and crew have collected an all-star batch of heavy slingers, including BB King, Willie Nelson, Dick Dale, Korn, Ted Nugent, Kinky Friedman, Gary Hoey, Junior Brown, as well as NFL footballs from pro players Tom Brady, Steve Young, Stephen Neal and Joey Porter, among many others. “We’re always collecting guitars all year round, but we really start pushing come January a few months before,” she said. Cox said scoring this year’s Metallica guitar is by far one of his proudest moments. “I’ve never seen so many guys more pumped about helping the troops than Metallica. “They never sign anything, but they jumped on board for this right away. That Metallica ESP guitar is the holy grail of this thing. It’s the same model that James Hetfield plays. I think we have the greatest hits of guitars this year. These will be going over really well.” And although the legendary rockers are sincere, they do have one condition regarding winning their prized possession. “Metallica has a business guy that scours the Web. If they see this guitar up on eBay, those guys will personally hunt you down and do something very bad.” Cox said another of the evening’s popular prizes is sure to be the $5,000 in services from Bakersfield plastic surgeon Dr. Vip Dev up for grabs. Among the evening’s sponsors are Guitar Center, California Keyboards, Front Porch Music, and ZT Amplifiers, which will be providing amps for the performers as well as for the raffle. In the spirit of responsible partying, organizers will be offering free sober rides home, courtesy of Northwest Bakersfield Toyota Scion. Fishlips will also be accepting cash and check drop-off donations the day of the event. “Come on out and help these kids stuck in a really bad place. Bring lots and lots of money, have a beer, a Stevie Ray Vaughan from the menu and hang out with everybody,” Cox said.

Thursday, June 2, 2011 The Bakersfield Californian

Eye Street

Terry & ’s Charlotte

Menudo artists stir up competition

June Special

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Terry & ’s Charlotte

BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

STEAK HOUSE

here won’t be a shortage of flavorful fun during the Latino Food Festival and 13th annual Menudo Cook-off at the Kern County Fairgrounds on Sunday. Sponsored by the Kern County Hispanic Chamber of Commerce, the annual fundraiser has become one of the most anticipated community events of the year. From the preparations surrounding the competition to picking entertainment, organizers say they’re always looking for ways to turn up the heat. “An event like this takes months of preparation, and each year we try to make it bigger and better,” said chamber president Jay Tamsi. “We start planning six to eight months prior to the actual date.” The effort certainly seems to add to the turnout: Attendance this year is projected to surpass 5,000. “This is for the community,” he said. “We try adding new ideas such as entertainment to attract different age groups and link the generation gap.” At the center of event is the popular menudo cook-off, the fiercely competitive portion of the day that begins even before the crowds arrive. Arriving early in their vehicles with secret ingredients in tow, each contestant claims to have the prize-wining blend that makes their soup the best. Traditionally made from beef and pig tripe, along with hominy and a clear or chili base, menudo can be traced back to early Mesoamerica. Considered a “family food” meant to feed large groups of people, its popularity continues to reach beyond Latin communities. Also known to have hangoverrelieving properties, the look and taste of the menudo always varies. “Over the last four years chairing this event, I’ve seen red, green, even yellow soups,” Tamsi said. Participants are given strict rules to follow prior to the contest. Once they’re signed in and cooking flames are lit, local celebrity judges await their samples for tasting. “We are expecting between 50 and 70 contestants this year,” said Tamsi. “Over the years, we have received input from the judges and have adjusted the system with 10 judges this year. Kern County is competitive when it comes to food. Some have menudo recipes handed down from several generations, even brought in under a lock and key — no joke. Everyone wants bragging rights.” No one knows that exultant feeling better than last year’s winner, Gilbert Cadena, although he doesn’t mind you peeking over his shoulder. “I was raised on menudo, and I love

2515 F Street • 322-9910 www.kcsteakhouse.net

FELIX ADAMO / THE CALIFORNIAN

Rosie Cruz adds the secret sauce as husband, Raymond, stirs the Cantina De Los Grandes menudo at the Latino Food Festival and 12th Annual Menudo Cook-off in 2010.

Latino Food Festival and 13th Annual Menudo Cook-off When: 11 a.m. to 6 p.m. Sunday Where: Kern County Fairgrounds, 1142 So. P St. Admission: $8 advance, $10 at the gate; children under 5 are free. Information: 633-5495 or kchcc.org

it,” he said. “I used to watch my sisters make it and made changes according to what I thought would work for me. My style is no secret. Everyone watches me make it.” Cadena, who works by day as a house painter, gave a partial list of some of his favorite basic ingredients, but put one at the top of the list: garlic. And foodies don’t have to wait all year to try some of Cadena’s soup. He serves it up for free every Sunday during the NFL season at eastside watering hole, Stella’s Sandtrap. It’s a tradition he started a few years ago for friends and bar regulars. Naming his cook-off team “Tejano y El Gringo,” in reference to his Texan upbringing and Stella’s Sandtrap bar owner and team

sponsor Dearl Spreague, Cadena says he wouldn’t mind retaining his title. “I’m gonna try and win again.” For children in attendance, there will be Kids Camp, with face painting, bounce houses, rock climbing and more. The jaw-dropping jalapeno-eating contest also returns with some of the area’s strongest stomachs lining up to test their endurance. If menudo and extreme peppers are a little out of your palate range, there will be plenty of other food vendors and ice cold beverages to enjoy while you dance the afternoon away to live music by Mariachi San Marcos, Hind Site, local Latin ska band Mento Buru, funk legend Tierra and 2011 Grammy winner, Tejano music pioneer Little Joe Y La Familia. “We’d like to invite the community to come out, enjoy some culture, and share it with the whole family,” Tamsi said. The Kern County Hispanic Chamber of Commerce is an organization that promotes Hispanic and minorityowned businesses. Founded in 1985, it now boasts more than 400 members and is affiliated with both the California and United States chambers of commerce.

June Special

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Thursday, June 9, 2011 The Bakersfield Californian

Eye Street

Get your kicks with Dan Hicks BY MATT MUNOZ

GO & DO

Bakotopia.com editor mmunoz@bakersfield.com

Dan Hicks & His Hot Licks

et ready to take a trip back in time with some hothouse jazz during an outdoor concert with Dan Hicks & His Hot Licks at Bright House Networks Amphitheatre at the Park at River Walk on Saturday night. Hicks hasn’t changed his tune since making a splash in the folk music era of ‘60s San Francisco. He’s still slow-churning out his smooth and swingin’ melodies blended with his signature wit and charm. Growing up in Santa Rosa, Hicks became drawn to the folk troubadour sounds of Pete Seeger and The Kingston Trio as a young college student at San Francisco State, where he majored in broadcasting and radio. Picking up drums and toying around on the guitar, he took a detour after graduating in ’65 to become a member of psychedelic rockers The Charlatans, where he made a modest living as the group’s drummer. Leaving the band to pursue his love for a more vintage sound, Hicks formed the Hot Licks in ’68 stepping up front as both guitarist and lead vocalist. Releasing three critically acclaimed albums before making the abrupt decision to disband the original Hot Licks in ’74, Hicks continued making music as a solo artist and in various groupings. Hicks, who still lives in his hometown, may have changed his mind on being a band leader on occasion, but one thing hasn’t wavered: his love for the music of his youth. “I got into jazz in high school, when I was playing drums,” said Hicks via telephone. “Benny Goodman, Glenn Miller, the big band stuff, Dave Brubeck, those artists. I

When: 8 p.m. Saturday Where: Bright House Networks Amphitheatre at the Park at River Walk, 11200 Stockdale Highway Admission: $10 Information: 852-7777 or bakersfieldamphitheatre.us

PHOTO COURTESY OF DAN HICKS

Dan Hicks & His Hot Licks will perform at Bright House Amphitheatre at the Park at River Walk on Saturday. didn’t really get into rock and roll as much could be the reincarnation of Django Reinas everyone was.” hardt had the legend been born in the rich A young artist with an old soul in the bluegrass areas of Kentucky. dizzying ’60s, Hicks’ early popularity helped “I keep it light, and we’re kinda funny. score him a coveted spot on the cover of Kinda deadpan stuff, and nothing serious,” Rolling Stone three times. Recognizing he he said. String bass, mandolin, violin. I does possess a certain degree of bragging always liked the jazz fiddle, and there wasn’t rights for that, he’d much rather just play a lot jazz fiddle back when we started. Keep music and leave the glitz to the rock stars. it acoustic is always great for me. It gets a lit“I like being me and I like whatever taltle loud sometimes.” ents I’ve been given.” Not accustomed to his status as roots In conversation, Hicks’ voice and music hero, Hicks has an almost cult-like demeanor are as mellow as his melodies — following with an influence among underFrench coffeehouse-style chic with a dash ground heroes. In 2000, Hicks released one of country twang and gypsy-like flair, he of the biggest records of his career, “Beatin’

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the Heat,” a project that teamed him with fellow groundbreakers Elvis Costello, Rickie Lee Jones, Bette Midler, Tom Waits and Brian Setzer. Hailed as his comeback into the mainstream, he’s done his best to up the ante on his latest CD, “Tangled Tales.” Sounding as feisty and tight as ever with the latest incarnation of the Hot Licks, it kicks off with the shuffling “Who Are You,” and keeps on simmering with some help from his chirpy backup vocalists, the “Lickettes.” It’s so undeniably Dan Hicks, it’ll remind you of a balmy afternoon in Georgia with a cool tall glass of sweet iced tea. Hicks says listeners will be happy to know he hasn’t lost his knack for keeping good company in the studio and onstage, considering the caliber of players on the disc. “I try to get guys that can cut it. I need someone who’s open enough to take suggestions. It’s like a compromise. Feel is definitely a part of the music I do. You just don’t jam on every song.” Saturday’s show will be Hicks’ first appearance in Bakersfield, and he hopes to make a lasting impression. “I pay attention to trying to make sure the crowd was glad they showed up and smiling on their own way home.”

The Bakersfield Californian Wednesday, June 15, 2011

Local news

Dancer under bright lights of TV show BY MATT MUNOZ

HOW TO WATCH

Bakotopia.com editor mmunoz@bakersfield.com

A spot on the world tour of “American Idol” finalist Adam Lambert was proof enough that Bakersfield dancer Sasha Mallory has some pretty fierce moves. But it’s the television competition “So You Think You Can Dance” that might launch her from the chorus line to solo stardom. Bakersfield viewers can judge for themselves when Mallory appears on the Fox dance competition tonight. She’s reached the show’s Top 20 lineup already and will face celebrity judges Nigel Lythgoe, Mary Murphy and other judges in Los Angeles. “Everything’s been so exciting,” said the spiky-haired 23-year-old. “I’m just taking it all in, meeting new people, working with new dancers. Everyone’s so good this season.” The oldest of three children, Sasha recalls how she, her sister, Natalia, and brother Yannis spent much of their youth in motion. “My mom taught modern dance. She’s from Trinidad. Her family couldn’t afford lessons when she was growing up, so she definitely wanted her kids to dance. She gave us the choice as we got older to stay with it. We took classes at home.” Sasha’s instruction began to intensify once she enrolled at the now-defunct Ashby Academy of Dance in Bakersfield. “That’s where my dance life got started,” said Sasha, who noted that she and her sister

“So You Think You Can Dance” When: 8 p.m. tonight Where: Fox Channel 58

work as instructors at Bakersfield Civic Dance Center when time permits. After unsuccessfully auditioning for “Dance” a couple of times, Sasha got a real break when she was referred to Lambert’s camp by a previous instructor. “They needed an ethnic-looking girl that could dance. Adam saw me dance and said, ‘Yes, yes and yes.’ Those were his words.” Sasha credits the tour with helping her emerge from her shell as she trekked with the singer’s pop spectacle around the world. “It was supposed to be just for a small promotion, but I ended up in his videos and the whole tour. I saw the world and saw things that opened my eyes. Before, I was concerned how I was looking more than feeling. I was the kind of person who hated things like my feet and my arabesque positioning.” With invaluable instruction in freestyle dance and choreography courtesy of the tour, the Mallory sisters headed to Los Angeles to audition for “Dance.” “We actually got there late to the auditions because we had to teach a class. The line was already inside of the theater. We sat in chairs for a really long time,” Natalia said.

But the sister team got the green light to head to Vegas for the next round, which was a grueling trial by dance intended to cut the 30 contestants to 20. “You first dance solo, then hip-hop, Broadway, ballroom, group, contemporary, then solo again,” Natalia said. “Every morning we’d wake up at 7:30 a.m. for breakfast, then dance to lunch, dinner to midnight. That’s a different level of work. We’re dancing all day. Your muscles get really sore.” But the news, alas, was mixed: Sasha had made it, but Natalia had not. And that wasn’t all. Natalia, who hadn’t wanted to ruin the audition process, revealed to her sister that she had recently discovered she was pre-diabetic. “I had already started feeling sick and went to do tests,” Natalia said. “The group round was weird. We had to stay up all night. Sometimes when I don’t get my sleep, I’ll start feeling sick.” Tonight’s Top 20 finalists will be paired to perform inspired pieces choreographed by some of the biggest names in professional dance during the weekly two-hour performance shows. Following the episodes, viewers will be able to vote for their favorite dancers via phone lines, text messaging and online ballots. On Thursday night, the live results show will reveal who keeps dancing and who goes home. Each week, the three couples at the bottom are given a chance to perform solo routines. The judges then decide which

COURTESY OF “SO YOU THINK YOU CAN DANCE”

Bakersfield dancer Sasha Mallory is in the running on Fox’s “So You Think You Can Dance.”

dancers stay in the competition and which dancers are eliminated. If a couple is split, the two individual dancers who remain become a couple the following week. Two of tonight’s finalists will be eliminated from the competition on Thursday. Natalia is firmly in her sister’s corner and notes that she and her family have a promotional team. “We’re just trying to get as much advertisement around town, get her name out there and have everyone vote,” Natalia said.

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Sunday, June 19, 2011 The Bakersfield Californian

Eye Street

Herb Benham CALIFORNIAN COLUMNIST

Lifestyles editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

HENRY A. BARRIOS / THE CALIFORNIAN

Verner Stenderup is a farmer in the south Edison area. His family farm has 40 acres of grapevines that date back about 100 years.

Vines ugly but they’re here to stay I CASEY CHRISTIE / THE CALIFORNIAN

Bob Iorio performs for customers at Frugatti’s on Fridays and Saturdays. Before being seated for dinner, this youngster checks out the performer while his mom checks in at the front counter.

He has keys to a romantic evening Accordionist delights diners at Frugatti’s

n the winter, it might be a good idea to skip the stretch of South Edison Road in Weedpatch between Sunset and East Bear Mountain Boulevard, especially if the car in which you are riding includes a passenger with a delicate constitution and predilection for nightmares. Nothing wrong with the 60 acres of cotton; however the next field, which contains nearly 100-year-old grapevines on the west side of the road, are the stuff of Middle-earth. An agricultural Twilight Zone. The grapevines are twisted, gnarly, stark and furry with strips of gray bark. These are the Bristlecone Pines of grapevines, beautiful in an ugly sort of way. “A couple winters ago, (neighboring farmer) Jeff Thomson passed by,” said Verner Stenderup, whose family has owned the property, which includes the 40 acres of grapevines, since 1960. “He said Verner, those things are ugly. Why don't you take them out and replant?” No. And why no? Because the Thompson Seedless grapevines, which Stenderup estimates were planted in 1917, still produce more than 12 tons of grapes per acre and either match or outproduce younger, fancier Please see BENHAM / D6 These are Herb Benham’s opinions, and not necessarily The Californian’s. His column appears Tuesday, Friday and Sunday. Call him at 395-7279 or write hbenham@ bakersfield .com.

BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

ike clockwork every Friday and Saturday, accordionist Bob Iorio shows up at Frugatti’s Italian Eatery at 4:45, sits down at the bar and has one cup of coffee. “Only one cup, because if he had two cups, he’d have to go to the bathroom,” said restaurant owner Ralph Fruguglietti. After his dose of caffeine has kicked in, the musician warms up his handcrafted instrument and starts to play. No stand. No stool. No stopping. “I can play five hours without breaks,” said the uber-committed Iorio, 74. “I read all my music and don’t play by ear. No repeat songs either. I don’t stroll and there’s no tip jar; it cheapens the place.” The joyful and romantic sounds Iorio so effortlessly coaxes from his accordion have made a weekend trip to Frugatti’s more than a sure-fire way to satisfy a pasta craving. “He’s like family,” Fruguglietti said. “Such a wonderful, wonderful guy, and the customers just love it. You can’t even put a value on it. He elevates the atmosphere. I’ve got two hosts at the front door. He’s my third host.” Boasting a rare Italian-made Borsini brand accordion that weighs 30 pounds, Iorio and his nimble fingers provide the perfect evening soundtrack as diners at the northwest restaurant sip their vino and sample house specialities like the Bayou Ridge Fettuccine. The ivory-keyed hand-crafted instrument comes with an electronic midi, allowing Iorio to transform the instrument into an entire backing band

Arts groups are hoping budget is kind to them BY DIANNE HARDISTY Contributing writer dhardisty@bak.rr.com

Bob Iorio takes a few requests from Alyssa Delgado during a Friday night performance. Iorio, 74, refuses to take breaks while entertaining Frugatti’s diners.

Bob Iorio at Frugatti’s Italian Eatery When: 5 to 9 p.m. Friday and Saturday Where: 600 Coffee Road Information: 836-2000

with the push of a button. “There are only two of these on the West Coast,” Iorio said of his $22,000 accordion. “These don’t come off the line at the

factory. If you want one of these, you have to special order them from the factory. The keys are ivory and the reeds inside are all handmade.” The entertainer tries to mix things up, so he always has a sheaf of sheet music at hand. But he rarely misses the opportunity to play favorites like “The Godfather” theme and the gorgeous “La Vie En Rose,” a song that “helps sell a lot of wine.” Opening up an antique booklet for the song “Marsala Mia,” Iorio showed Please see IORIO / D9

In these tough economic times, the budgets of public agencies, private companies and individuals are being stretched to the limit. The call is to pay only for the “necessities,” and cut the rest. But in the case of local government, “necessity” is wide open to interpretation. Advocates of the arts contend concerts, art exhibits, dance performances and the like are “necessities” that make a community livable. The debate takes on increased importance at this time of year, when Kern County supervisors begin forging a new spending plan that will affect every government service residents receive — from the deputy who knocks on their door to the doctor who tends their wounds at Kern Medical Center. Scarce local tax dollars and spending demands passed down from Sacramento and Washington, D.C., have created a succession of years when county officials have been forced to cut more and more local government services. Last week, a preliminary county budget for fiscal year 2011-12 was presented to superviPlease see ARTS / D2

Dining Out

Noodling their way to great food Chef’s Choice stakes claim downtown BY PETE TITTL Contributing columnist ptittl@bakersfield.com

was pretty interested in the new move to replace the traditional food pyramid with the food plate, as nutritionists try to shift the American diet from something where meat and potatoes share the starring role and vegetables are relegated to bit-player status. I know in the eyes of many this is social engineering, a politicially correct infringement on our freedom to consume whatever the heck we

want. But if it does help public health to rethink what a complete, satisfying meal is, it will be worth it. (You can check it out at www.myplate.gov.) You won’t have to fight the power at Chef’s Choice Noodle Bar downtown, a wonderful new place where pastas, vegetables and protein sources are found in proportions that fit the new culinary guidelines. This moderately priced but elegant restaurant — on 19th Street in the former location of Capistranos and the Doo Wop Diner — has a mix of Thai and Japanese noodle and rice dishes, all available with tofu, beef, chicken, pork or shrimp. And Please see DINING / D6

FELIX ADAMO / THE CALIFORNIAN

Nick Panici, manager of Chef’s Choice Noodle Bar, serves lunch to Ray Martinez and Norma Gonzalez.

Sunday, June 19, 2011 The Bakersfield Californian

IORIO: Has never missed a show CONTINUED FROM D1

off the 1929 handwritten date by his father, Romeo. “I used to sit and listen to my father play from sheet music like this all the time. I get a lot of requests for certain songs. If I don’t know it I usually tell people to come back next week and I’ll know it. ... Country, ballads, standards.” Iorio can blaze across the ivory keys with ease, as he did in an impressive run-through of the 1917 Brazilian classic “Tico-Tico no Fubá.” “How many 74-year-olds do you know with fingers this PHOTO COURTESY OF BOB IORIO limber,” he said. “I was told I’d never make it Bob Iorio at age 14. He startas an accordion player in Bak- ed playing the accordion as a boy of 9. ersfield because this is too much of a western town.” “We’re full-blooded Italian, so when I think of our family Dreams of performing — the music, the food — it’s Iorio’s commitment to just so neat. He’s carried on music started at the age of 9 when he and his mother, Mary, would board a train every week to travel 100 miles from their Altoona, Pa., home for his music lessons. He practiced up to eight hours a day. “I had three big dreams when I was in the third grade: to be a musician, a professional groundskeeper or a priest. I think every Catholic mother wanted that, but it didn’t quite work out for me,” he smiled. Iorio’s parents were content with their son’s hobby, but trying to convince them it could provide a viable career was another mission altogether. “I always told my parents I wasn’t going to be ‘that guy,’ meaning I was going to make something with my music and not waste any time,” he recalled. He made his first public appearance in 1950 at age 12, performing at a local amateur night talent contest. He won a $25 bond for his rendition of the spiritual hymn “Whispering Hope,” a taste of success that deepened the young artist’s resolve to practice even harder. “I was pretty small, but pretty good for my age,” he said. Iorio moved with his family to California at 16 and became a full-time musician, hitting the cocktail lounge circuit through the 1960s and ’70s. He came to Kern County in 1978, and married his wife, Freddie, who encouraged him to settle down a bit. “My wife told me I need to get a job with benefits,” he said. “She stood by me. Not everyone makes it to the top, and you do have to have something ready for your retirement.” In 1982, Iorio landed a job with the county as a park groundskeeper. He worked as a landscaper at Kern Medical Center until his retirement in 2005. But full retirement was never in the plans for this musician.

Right place, right time Though Iorio had played semi-regular gigs at Frugatti’s for years, it was a fortuitous meeting with Fruguglietti in 2006 that made the arrangement more permanent. “I had a couple shows booked there, but Ralph asked if I could stay. We had to work out a deal, so I asked him how long he wanted me to play. He said, ‘I never want you to leave.’ We had a handshake and I’ve been there ever since. I was the happiest guy.” Fruguglietti said he’s become accustomed to Iorio’s personal schedule. After all, what can be more ideal than an employee who requires no breaks? “Bob will say, ‘You’re not paying me to take breaks,’” Fruguglietti said. “And that’s what he does every week. Customers come up to me and say, ‘You know you really should give him a break.’ I say, ‘You try to give him a break. We have tried!’ He’s all about commitment, just like what my dad taught me.” Iorio has two children from a previous marriage — Robert and Annette McCaulley — who tell similar stories of growing up watching their father play. Robert, who lives in Southern California, recalled a recent trip to Bakersfield. “It’s pretty amazing how he’s been able to master that instrument and see how people love to hear him play. He’s got a one-of-a-kind talent.” For Annette, pride in her father extends to their rich Italian heritage.

the Italian tradition with that sound. “My grandmother would tell us about how they would scrape up money for my dad’s lessons. They would be so proud of him. The sad thing is that we’re a few hours away, and I wish I could just pop in and see him.” Iorio has never missed a show since his Frugatti's debut, even after the death of his father in 2008. “My parents would have said, ‘stay and do your job.’” When he’s not performing, Iorio takes care of his loving wife who today suffers from Alzheimer’s disease. “I made a commitment to my music the way you make a commitment to marriage,” he said. “I have a strong faith in CASEY CHRISTIE / THE CALIFORNIAN God, who gives me strength Accordionist Bob Iorio with his rare accordion, valued at $22,000. to carry on.”

Thursday, June 23, 2011 The Bakersfield Californian

Eye Street

Terry & ’s Charlotte

Life’s a cabaret for singer Homecoming gig set for classically trained talent BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

akersfield singer-songwriter Emily Nicholas will be bringing her trio, Emily Danger, for a two-night stand at The Empty Space on Friday and Saturday night. Nicholas, who now makes her home in Queens, N.Y., has been performing only a few shows with her new group, but after creating a buzz in her Manhattan stomping grounds, she decided it was time to bring it on home to friends and family. “We’ve only done three shows, but it just kind of evolved,” said Nicholas via cellphone. “Our sound is pretty unique.” A veteran of various Bakersfield theater companies since her youth, the energetic vocalist could be seen and heard gracing productions from Stars to the Melodrama. After graduation from Bakersfield High School in 2002, Nicholas decided it was time to pursue her passion in the Big Apple. Attending the prestigious Manhattan School of Music, she received her master’s degree in classical voice in 2010, all the while adapting to the fast pace of New York. “I always felt like I belonged in a bigger city. I am lucky to have such a great home base,” she said. “My family has always been supportive of my musical goals and I’ve had every type musical education you can get. It all just felt very natural for me to be here. It’s actually more of a supportive music community than you’d expect. The competition is there, but not cut-

PHOTO COURTESY OF EMILY DANGER

Emily Danger — from left: Emily Nicholas, Ryan Nearhoff, Bryan Langlotz — will perform Friday and Saturday at The Empty Space.

throat.” Raised on a steady diet of James Taylor, Joni Mitchell and Carole King, her classically trained voice owes as much to the troubadours of her parents music collection as it does to the soul of Aretha Franklin and Ray Charles. Strong enough to fill a concert hall, she can switch the mood of her musical repertoire to fit a small club effortlessly with help from guitarist Ryan Nearhoff and drummer Bryan Langlotz. “After we played Radiohead’s ‘Lucky’ the first time together, we were like, ‘yeah.’ Everything just vibed together really well. I call our music dark cabaret, because of my classical training. It’s a great group to hang out with.”

Making their debut in March after Nicholas’ residency at New York’s legendary Duplex Cabaret Theater, the three decided to name themselves after the singer’s karaoke bar alter-ego. “I started doing a lot of karaoke when I came to New York,” she said. “A friend of mine who was the bartender used to introduce me as ‘Emily Danger.’ It comes from James Bond — ‘danger is my middle name.’ Everyone at grad school would call me that when they’d see me in the hall. We did a poll with all our friends and it just kind of stuck.” This weekend Nicholas will be performing a set of both originals and reworked covers from Tom Waits and Bjork, among others. “I have 12 songs of my own mixed in with lesser-known material most won’t be used to hearing coming from an operatic girl like me,” she said. Nicholas added that the success of the group’s March debut has led to a string of July dates back at the Duplex. There are also plans to head into the studio, following an important date on her calendar. “I'm getting married in September, so I’m gonna do that before we start recording.” Filling in for drummer Bryan Langlotz on both nights will be Bakersfield drummer Brian Boozer from local band Soulajar.

Emily Danger When: 7 p.m. Friday and Saturday Where: The Empty Space, 706 Oak Street Admission: $20 Information: 327-7529 or emilynicholas.com

A little dab of crab will do ya That’s the theory behind CSUB benefit BY JENNIFER BURGER Contributing writer

ver the years, CSUB Athletics has become famous for its semi-annual barbecues. Now, the fundraiser menu is expanding, adding a bit of surf to the turf. The inaugural Crab Fest 2011 takes place Saturday at Noble Park. There will be crab, there will be bibs, and there will be wet naps. There will also be beer tasting from 11 domestic breweries featuring a selection of IPA, porters, pale ales and summer brews. But back to the main course. Event organizers are ordering in pre-cooked and cracked Dungeness crab on ice, by way of Pacific Seafood. The Ore-

Crab Fest 2011 When: 6 to 10 p.m. Saturday Where: Noble Park, 700 S. P St. Admission: $50 Information: 654-3473 or gorunners.com

gon-based company prides itself on its sustainable fishing practices and supplies the Western U.S. with all the makings for crab and cioppino feeds. The Dungeness crab will be served with melted butter and cocktail sauce, along with pasta, salad and sourdough rolls. The meal tops off with cupcakes by local company Flair, owned by CSUB alum April Nuckles. Proceeds from Crab Fest 2011 will benefit Kern County Shrine Club and Masonic Charities, as well as the CSUB Student-Athlete Scholarship

Fund. The partnering charities are providing the venue and a crew of volunteers. CSUB student-athletes will also be helping out. The plan is to make Crab Fest an annual event that adds to the appetite of CSUB Athletics’ community of supporters, said event coordinator Mark Mayes. “When the Spring Barbecue started 39 years ago, 300 people attended. Now we get 3,000. So we’re starting this out as a first-time event and hopefully we will grow it as time goes on,” he said. Door prizes include a flat-screen TV, a resort stay, theme park tickets, golf packages, dining gift certificates and more. Tickets are $50 per person at gorunners.com or by calling Mark Mayes at 654-3473. — Jennifer Burger is the public affairs coordinator at Cal State Bakersfield.

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Named Bakersfield’s Favorite Pizza in The Californian’s 2011 Readers Survey

The Bakersfield Californian Thursday, June 30, 2011

Eye Street “I didn't realize how many friends I had until this happened. It really makes me feel good.” — Oscar Whittington

Swinging into action for friend Musicians rally for benefit after fire BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

hotos, memorabilia, keepsakes: It took a fire only moments to destroy what it took Bakersfield Sound fiddle player Oscar Whittington a lifetime to collect when the musician watched helplessly as his mobile home burned to the ground earlier this month. But beyond being thankful that he escaped unscathed, Whittington is grateful a few of his belongings made it out as well, including his prized five-string fiddle. “That was the most important thing to me,” he said of the instrument, saved by a friend who was outside and noticed the fire. “I said, ‘Don’t get excited!’ And we were gone. Then she handed it to me. She must’ve just grabbed it on the way out.” Whittington and his friend had just returned to his east Bakersfield mobile home after grabbing a milkshake. Whittington, 83, was drifting off to sleep when his friend rushed in to alert him to the fire. According to Whittington’s son, Joe, a local attorney, a truck in his father’s driveway had caught fire, and the flames spread. And while circumstances surrounding the fire are being investigated for insurance purposes, Whittington’s son said that arson has been ruled out. The musician, who lives on a fixed income, is living with his sister until other accommodations can be arranged. “When I arrived, he was just sitting there with a stare of disbelief on his face,” Joe Whittington said. “He lost just about everything he had in that place, but we salvaged what we could — mostly just some memorabilia and photos.” After news of Whittington’s loss began to circulate, friends and fellow musicians sprang into action, planning a tribute concert and benefit to help the aging icon. The show is scheduled for next Thursday, July 7, at Buck Owens’ Crystal Palace. The outpouring of support has touched Whittington, who has been living a relatively quiet life away from the spotlight after years playing alongside legendary country pickers like Bill Woods, Buck Owens and Hank Thompson, among countless others of the genre.

Oscar Whittington tribute and benefit When: Doors open at 5 p.m., show at 7 p.m. July 7 Where: Buck Owens’ Crystal Palace, 2800 Buck Owens Blvd. Admission: Free with donations being accepted at door Information: 328-7560 or buckowens.com

“I didn’t realize how many friends I had until this happened,” said Whittington. “It really makes me feel good.” Longtime friend and guitarist Tommy Hays, working feverishly to organize the show, said he and his fellow musicians felt a strong obligation to come to the aid of Whittington, whom they hold in high regard. “It’s simple. Musicians — we all wanna help each other out and do something. Oscar’s a real decent guy. I knew his dad and all of his brothers. Everybody loves him.” Hays and Whittington go way back, to the 1940s, when the two young musicians earned a living playing The Blackboard and Lucky Spot, among other local nightclubs, as well as the occasional road show. Soon they would join a group of other young hot shots, who would create a genre of music, later to be coined the Bakersfield Sound. “I started Tommy Hays and the Western Swingsters in 1947, and Oscar was in the original band. We were both young and good lookin’ and had a lot of fun. Oscar sure was a prankster,” Hays said. “We were all trying to make nickel back then — Buck, Merle and Red Simpson, all of us. My band made $10.50 each a night. That was union scale for a full ninepiece band at weddings, rodeos and store openings.” Whittington made a name for himself with his own band, performing and recording throughout the ‘50s. Whittington’s son fished in his pocket during a recent interview for his iPhone and cued up a rare gem called “Louisiana Swing,” recorded by his father in 1954 with country singer Bud Hobbs for MGM Records. The recording, which can still be found for download online, features Whittington and Jelly Sanders on fiddle, Bill Woods on piano, and Buck Owens on guitar, all in the prime of their

CASEY CHRISTIE / THE CALIFORNIAN

Bakersfield Sound pioneer Oscar Whittington tunes his fiddle.

youth. The song is regarded by many as the first recorded documentation of the Bakersfield Sound. While memories of the session may be a little foggy to Whittington, the sound of his playing reminds him of advice his father Claude used to offer up. “Play that bow smooth. It’s the only way to put your soul into it.” Plans for the July 7 concert are growing by the day, according to Hays, with musicians calling in with offers to help. In addition to plenty of music, there will be a raffle for autographed guitars and CDs donated by Hays and other featured performers. Among the confirmed talent will be local country groups Valley Fever and The Moosehead Band, plus an all-star cast of special guests throughout the evening, including Hays, Red Simpson, Theresa Spanke, Barbara Cheatwood, musicians Brian Lonbeck, Pat Bannister, Mark Yeary, Mike Hall, Randy Sears, slide guitarist Larry Petree and many others. “You never know who’s gonna show up,” said Hays. “Some are traveling all the way from Nashville.”

PHOTO COURTESY OF KERN COUNTY MUSEUM

Oscar Whittington and Tommy Hays sing at the Beardsley Ballroom, which burned down in 1950.

Hays said a full house is expected and advised calling for reservations. All proceeds from the event will go directly to Whittington, who is trying to start over.

“My dad has such a positive attitude about all this,” said the younger Whittington. “We’re all proud of him.”

Thursday, June 30, 2011 The Bakersfield Californian

Eye Street

A side order of terror with your meal Restaurant showing ‘Jaws’ with special dinner BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

an-eating shark? Try shark-eating man when Valentien restaurant turns the tables on the villain of the granddaddy of all summer blockbusters with the dinner-and-a-movie screening of “Jaws” on Saturday. Call it payback for the terror unleashed on the movie-going public when that dorsal fin, accompanied by the ominous duh-duhduh theme music, made us jump out of our skins that summer of 1975. This time, the hunter becomes the hunted. “Mako or thresher shark, depending on what’s in season,” said co-owner Jeramy Brown of the menu’s star attraction. “We have a company who ships them in overnight fresh from Santa Barbara. We’ll grill it with some kiwi strawberry habanero sauce over the top.” Brown added that while red wine might seem the obvious choice to play off the crimson waters seen in the film, white goes better with shark. “We have a special wine already picked out. It’s a French white wine called Alsace from east of Paris. It’s a dry Riesling — clean and has a little sweetness. It’s going to pair beautifully.” It’s difficult to explain to a generation that expects — even demands — a minimum of 13.4 loud action blockbusters every summer just how fresh and exciting “Jaws” was. You could call it a game changer, but that really isn’t accurate. It created the game. During its initial release in 1975, “Jaws” was the most horrifying thing to come to the movies ever. Sure, the shark — whom the

Cinema Saturday presents ‘Jaws’ When: Dinner is served after 5 p.m. and movie begins promptly at dusk Saturday Where: Valentien Restaurant and Wine Bar, 310 Truxtun Ave. Admission: Free Information: 864-0397

filmmakers nicknamed “Bruce” — looked like a clumsy piece of rubber once it surfaced, but it was the suspense that made us squirm. I was 7 years old when I saw “Jaws” at the old Stockdale Six, and looking back I’m embarrassed to admit just how scared I was to even look at water after the experience. I thought there were sharks in the lake, my neighbor’s swimming pool, even in the bathtub. Then there’s that scene where old Ben Gardner’s severed head falls out of his capsized fishing boat. Gimmee a break. I was only a kid. And I’m not alone. “I hated swimming in the ocean after seeing ‘Jaws,’” Brown remembered. “Anything that touched my feet or leg freaked me out. The music alone was enough for me. Up until then we had scary movies about animals that were huge, like giant ants or monsters. This was a simple shark, but even though it was big, it was something tangible and something that could happen.” Pablo Alaniz of Bakersfield, who considers “Jaws” one of his all-time favorite films, recalled a time when the mere mention of the movie caused him nightmares. “I must have been about 4 or 5 my first time seeing it. I swam about every single day, but after I saw that movie I couldn’t go in the water. My father even explained to me how logistically there was no way a shark could fit in my grandma’s pool. He

UNIVERSAL PICTURES

Richard Dreyfuss, left, and Robert Shaw battle the shark in “Jaws.”

used factoids from the movie the way Richard Dreyfuss’ character, Matt Hooper, described how big the shark was, and that there was no salt water in the pool. That wasn’t good enough for me. I didn’t swim for a year. Even to this day I think about a shark biting me on the foot.” Alaniz’ fiancée, Lucy Rodriguez, who plans to attend Saturday’s screening, said that paranoia hasn’t been an issue heading to the beach since she and Alaniz have been together, but that she’s prepared to take matters into her own hands if it’s warranted. “Next time we go swimming, I’m putting some floaties on him, hold his hand and pull him wherever he wants to go. I’m kidding.”

Brown encouraged diners to arrive early. “We’ve had great crowds with great people. It becomes a very social event. Come out and have some wine and enjoy it. It’s something different than the same old thing. The restaurant’s popular Cinema Saturday series, which kicked off for the season in March, matches a gourmet meal and wine pairing with the theme of the featured presentation. The movies are shown in the restaurant’s courtyard and begin at dusk. “This is our third year doing this,” Brown said. “It’s been really consistent and getting bigger through word of mouth. You’re going to see a movie outside on a big screen with a great sound system.”

How well do you know ‘Jaws’? Take a bite out of our quiz To keep track of all the “Jaws” fans, you’re going to need a bigger boat. To whet your appetite for Valentien’s screening, here’s some trivia. See answers on Page 31. 1. In the beginning of the movie, a woman goes swimming. She is attacked by a shark and killed. What is her full name? 2. When we first see Quint he is walking into a pub. What is the pub called? Seaside Pub Lobster Lagoon Oysters Cove Whaler’s Tavern 3. Are there waves in the ocean throughout the entire movie when people are swimming? 4. The first time you see Sean Brody on the beach he is singing a song. What is

the name of that song? “Itsy Bitsy Spider” “Do You Know The Muffin Man?” “Hush Little Baby” “Row, Row, Row Your Boat” 5. In the scene where a teenage boy is throwing a stick to his dog, what is the name of the dog? 6. What is the name of the little boy who got killed? 7. How does Quint get the town’s attention when he enters the town meeting? Gives off a piercing whistle Yells for the people to be quiet Rakes his nails on the blackboard Claps his hands five times 8. How much money does Quint want to kill the shark? $100,000

famous fisherman on the island? Ray Gardner Barry Gardner Tad Gardner Ben Gardner 10. After the town meeting, 15. When Hooper is at the there is a scene where you Brody residence, he tells see two men on a dock Ellen that he was leaving the trying to catch the shark for next day to spend 18 $3,000. The men are using a months on a boat. What is piece of meat. What kind of the name of the boat? meat are they using? Nautile Pork Roast Aurora Turkey Jason Roast Beef Sea Wind Holiday Roast 16. When Hooper and Brody go to perform the autopsy 11. Who is the Harbor on the tiger shark, a license Master of the island? plate was pulled out of the 12. What is the name of the fish. What did the license island? plate read? 13. What does the name of North Carolina 852 g 654 the island mean? Louisiana 007 o 981 14. Who was the most Louisiana 753 b 951 $3,000 $1,000 $10,000 9. Finish this quote by Quint, “For that much you get the head, the tail, _______.”

New Jersey 339 e 446 17. After the autopsy of the tiger shark, Hooper and Brody decide to look for the real shark. While on the boat what is Hooper eating? Pretzels Cheese curls Potato chips Onion rings 18. What city in Australia was Hooper supposed to go to? Melbourne Sydney Brisbane Perth 19. When Brody is about to board Quint’s boat, Ellen asks him what she should tell the kids. What does he tell Ellen to tell the kids? “Tell them I went deep sea diving.” “Tell them I went sharking.”

“Tell them I went fishing.” “Tell them I went crabbing.” 20. On the first try, how many barrels is the shark harpooned with? Two One Three Four 21. What song does Quint always sing? 22. On the last try, how many barrels is the shark harpooned with? One Four Six Three 23. How many life jackets did Quint bring out on deck? Three One Zero Two

The Bakersfield Californian Thursday, July 7, 2011

Eye Street

Index Monkees . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Sundai Love . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Bunnell Strings . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 ‘The Wild Party’ . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 The Lowdown with Matt Munoz . . . . . . . . . . . . . .22 Art for Healing . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26-29

Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Ax man still swinging away Teddy Spanke recalls vibrant nightlife BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

he golden era of honky tonkin’ kind of sounds like a scene from “The Blues Brothers”: Some of the best musicians in town — and these guys could play — would hit the stage every night of the week to entertain dancers, drinkers and brawlers, the air thick with country music and the smoke from 100 Marlboros. But the reality wasn’t all fists and whiskey in Bakersfield, according to guitarist Teddy Spanke. Still a familiar face on stages throughout the city, the veteran musician recalls a time when playing music afforded full-time employment. Today it’s a rare occupation in Bakersfield, even for the busiest of sidemen. “You could actually make a living like that, playing music five nights a week, 9 to 1:30 a.m.,” he said from his day job as a general contractor before hitting the road again. “We had a club scene. Places like Casa Royale on Union Avenue, the Country Star, Bakersfield Inn, Howdy House, the Funny Farm, Suds and Rockabilly’s.” A transplant from Vancouver, Wash., Spanke comes from a family of musicians well known in the Bakersfield music scene. “My dad, Ted, was a pianist, but he didn’t believe it was a trade. He came from a strict Catholic home — everyone had to learn to play an instrument. My mom, Bonnie, played stand-up bass in the USO. My brother, Roger, plays guitar, and my sister, Theresa, is a singer,” he said. Spanke said the music bug bit him relatively late, even after taking lessons from Mark Moseley, nephew of Mosrite guitar builder Semie Moseley. “I had my first guitar lesson when I was 15 years old from Mark. It just wasn’t my thing at the time. I was a studious kid. A troublemaker, but I was a straight-A student,” he laughed. Like most teens, the Bakersfield High School student was more interested in cruisin’ Chester with friends and chasing girls. But one late night during his junior year in ’79, Spanke nearly lost his life behind the wheel of his prized

FELIX ADAMO / THE CALIFORNIAN

Teddy Spanke plays a few licks on Dorothy. Spanke recalls the good old days when a musician could make a living playing on local stages.

1970 Oldsmobile 442. “It was a really fast car and I was being young and reckless, hot rodding down Truxtun Avenue. We had just come from cruising Chester. No drinking. It was about 2 in the morning and me and my buddies didn’t see anyone around. There was water in the street and I spun out in front near the old Hill House.” After suffering a broken neck, Spanke endured a lengthy recovery and began working at his father’s custom stainless steel business for a few years. Unsure of his future, the then20-year-old found renewed interest in music after meeting guitarist Eugene Moles for the first time. “I saw Eugene play at the Junction (now the Best Western) on Pierce Road back in ’81. I knew I wanted to be able to play like that — country rock. He was playing with someone I knew, so we became friends. Music actually

became secondary. We became inseparable.” That friendship would ultimately lead Spanke to the purchase of his first guitar — a ’61 Gibson SG. Soon, he began finding a way into the music scene thanks to Moles. “I would go out to Trout’s and it was busy all the time, rowdy and packed. It was stereotypical of a country-western bar. We didn’t have a mechanical bull though. Bobby Durham would play along with Eugene and his now-ex-wife, Sherry, was on the keyboards. When she took a break, I’d play guitar, keys. I became a hired gun.” In subsequent years, that hired gun status would help Spanke become a full-time ax man along with brother, Roger. “Roger was touring at the age of 17 with some local guys like Don Kidwell and others. They had a booking agent and were touring all over the place.”

‘Music has no color’ Spanke knew just how to make the most of a gigging opportunity in the busy scene of club life in the ’80s. After mastering country-style playing, he began experimenting with the rock, funk and soul being played in the multiracial club scene by bands like Straight Away, Street Legal, The Press and others. “Music has no color. I listened to everybody — Tower of Power, Eddie Van Halen, Frank Zappa, even Little River Band.” Because of that love of all styles, Spanke’s resume reads like a who’s who of heavy hitters of the Bakersfield music scene. “Monty and Tanner Byrom, Pat Bannister, Rick Reno Stevens, David Frizzell, Mark Yeary …” he said before stopping to share one of his favorite duets. “I got to jam with Buck once. He used to come in at noon to the Crystal Palace. He was sick one afternoon and there was a busload of Japanese tourists that came

through town. The place was closed, but Buck came out and asked if I had my acoustic guitar. So we sat in the mezzanine and we played to the people. He said, ‘These people came a long way …’ We played for about 45 minutes to an hour.” But Spanke’s talents haven’t been relegated to just local stages. Over the years he’s performed throughout Nevada, Nashville, along the East Coast and Europe. Today, the 49-year-old can be seen regularly with his band Teddy Spanke & The Tex Pistols, a group that goes back to the ’80s with Durham. He also plays at New Life Christian Center on Sundays. Making sure the next generation of Spankes carries on for the family, he’s shared his love of guitar with his two sons, Michael and Ryan. “I’m really proud of them both. They’re both great fathers and great players. I’ve been blessed,” he said.

Thursday, July 7, 2011 The Bakersfield Californian

Eye Street

Siblings tug at heartstrings

Presents

Warren Dobson’s

Star-Spangled

Musical quintet sticks together through loss

Patriotic Blast

BY SUSAN SCAFFIDI Contributing writer

Warren Dobson

ore than blood binds the five Bunnell siblings. The quintet, known professionally as the Bunnell Strings, share a story of love, tragedy and music. Keren, Kimberly, Corrie, Cara and Ross Bunnell have been performing together since they were very young, and the San Diego natives are still very young: The oldest, Keren, is 22, and Ross, the youngest, is 16. They are also on their own. The Bunnells lost their father to cancer in 2007 and their mother to cancer in 2010. Keren was given custody of Ross and Cara, who was 17 at the time. But the Bunnell siblings are more than their tragic loss. They are fine musicians and a close-knit family who are able to make a living and stay together because of gift their parents gave them. The Bunnell Strings will perform in concert in Bakersfield on Sunday at First Presbyterian Church. “There was a program at our church that was a string orchestra,” Kimberly Bunnell said. “And it had little kids in it and Mom got us started in that. “The teacher said to do this, and Mom made us do it,” Bunnell said. “We loved it.” Bunnell said the director of the orchestra also taught private lessons and started the children with the Suzuki instructional method, which, among other things, targets attempts to teach children as young as 3 to play an instrument the way children learn spoken language — by ear. “It’s really good because (the Suzuki method) starts with learning the instrument first and then reading music a little later,” Bunnell said. Educated at home, Bunnell said the siblings were also practicing as a quintet, and about 10 years ago discovered they could make money at it. “The first thing we did was a wedding for a friend,” Bunnell said. “And

For reservations

587-3377 12748 Jomani Drive

WWW.THEMELODRAMA.COM

PHOTO COURTESY OF THE BUNNELL STRINGS

The Bunnell Strings, from left: Keren, Kimberly, Corrie, Cara and Ross.

Bunnell Strings When: 6:30 p.m. Sunday Where: First Presbyterian Church, 1705 17th St. Admission: Free; donations accepted

then we realized we had a lot of repertoire and we could do this a lot.” Bunnell said their mother acted as their manager, and soon the group was playing all types of services, mostly in the San Diego area, including corporate and civic events, fundraisers and other engagements. They also performed in the San Diego Youth Symphony and similar ensembles, and won awards in various music competitions. With the loss of their parents, the siblings have had to pull together, and have made performing a full-time occupation, even while the eldest have been attending a local community college. “We’ve always been close, playing together and practicing together,” Bunnell said. “And especially this last year.

“It’s drawn us even closer together,” Bunnell said. Their lives certainly are full. Bunnell said their weekly schedule is divided between lessons, coaching and rehearsals in the first part of the week and performances from Thursday to Sunday. Keren is the head of the family; Kimberly handles the bookings; and Corrie has proved to be a talented composer and arranger, writing the quintet’s original material, which the Bakersfield audience will get to hear. “We’re doing some classical,” Bunnell said. “The majority of the concert, we’ll be performing the things Corrie has done.” Bunnell said that will include pop songs, movie themes, original music and sacred hymns, all composed or arranged for the quintet. In the fall, the family will add another dimension to their lives. They will all be attending California Baptist University in Riverside, where the family will serve as quintet-in-residence. “We met the director at a concert and we talked to him,” Bunnell said. “He offered us this opportunity.” “We’ll be playing together all the time,” Bunnell said.

Encore for famed guitarist — and his tuba BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

he recent appearance by famed guitarist Freebo during the weekly Songwriters' Showcase at The Prime Cut was such a success that plans are already being arranged for an encore performance on July 13. "We've had some luck with different artists stopping by, but he was certainly one of the biggest," said host Chuck Seaton of the singer/songwriter, most notable for his work with Bonnie Raitt among others. “He's met a lot of new musicians

July 1st – 2nd July 8th – 9th All showtimes 7 p.m.

and made some new friends in Bakersfield. He's going to try and get Tanner Byrom on drums, Bunky Spurling on guitar, and horn player John Hollins to sit in this time around. He's got a really nice collection of originals that he delivers really well on acoustic and a tuba, which is odd to see walk in. He even played a Hot Taco song on tuba and rocked it really well." The weekly showcase, co-hosted by Bakersfield guitarist Billy Russell, features local and out-of-town artists. Musicians are welcome to perform original material, as well as share sto-

ries with the audience. Started last year by Seaton and Russell, the event has grown into a busy midweek gathering. “One of the things I'm observing are Wednesday nights kind of run themselves now. Before, we had to recruit players, but now we have people showing up. Freebo contacted us, and since he's been concentrating on songwriting, it worked out really well.” The Songwriters' Showcase is held every Wednesday and starts at 7 p.m. The Prime Cut is located at 9500 Brimhall Road. For more information call 831-1413.

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Thursday, July 14, 2011 The Bakersfield Californian

Eye Street

CLOSING !!! WEEKEND

Friday and Saturday Evening, Sunday Matinee! Purchase tickets online, by phone, or at the Theatre Box Office

STARS THEATRE RESTAURANT 1931 CHESTER AVENUE

PHOTO COURTESY OF CASH’D OUT

Cash’d Out will perform on Saturday night at Fishlips Bar & Grill.

325-6100 bmtstars.com

Tribute group walks the line for Cash BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

“H

ello, I’m Johnny Cash.” With that line, a swell of applause would greet the icon of all American icons as he’d tear into “Folsom Prison Blues” or any one of the other classics forever linked to his name. And though Doug Benson, lead vocalist of tribute band Cash’d Out, is no Johnny Cash — c’mon, there’s just the one and only — if you squint a little and really listen, you’d swear it was the baritone of the Man in Black himself leading that freight-train chug-achug-a rhythm made famous by the Tennessee Three. The popular show band, which returns to Fishlips Saturday, has been called the closest thing to the real deal since debuting in San Diego in 2004, a year after the singer’s death. “I’m not trying to imitate him. I’m trying to educate people,” said Benson via cellphone. A longtime fan of Cash’s music and life story, Benson said growing up among the local surfer crowd wasn’t the most country-friendly environment. But after becoming acquainted with the icon’s repertoire one summer, his musical palate soon changed. “I can remember enjoying his music as a kid and that I liked his voice. My friend brought over a tape to a little getaway spot we had back in

Cash’d Out When: 9 p.m. Saturday Where: Fishlips, 1517 18th St. Admission: $10 advance; $13 day of show Information: 324-2557 or vallitix.com

’98. We listened to that tape for four days straight, and I just really fell in love with it. Since then, it’s been nothing but Johnny Cash, Willie Nelson and Waylon Jennings for me.” In the years that followed, Benson says he considered himself just another casual fan, hitting karaoke nights and singing along to some of his favorite Cash classics. After awhile, he noticed people began giving him a second look. “People used to tell me I sounded like Johnny and looked like him when I sang, but I didn’t think much about it.” Benson bought his first guitar in 2001 and began teaching himself basic chords. He decided to take his love for the icon’s music and their uncanny resemblance to the next level and put out the word that he was interested in starting a Cash tribute band for weekend kicks. “My initial goal was to start a band that my friends could come hang out and watch once every couple months, drink some beer and have some fun. The look just happened. It’s

just a matter of slicking my hair back and puttin’ on some black — my favorite color. After the first six shows, we started selling out all these venues where they would jam people in past capacity. ” Seven years later and with a boost from 2005 biopic “Walk the Line,” which helped reignite the late singer’s popularity with crossover audiences, Benson now performs full time to sold-out crowds wherever he goes. Bringing to life all of Cash’s hit songs, including, “A Boy Named Sue,” “Ring of Fire” and “Folsom Prison Blues,” among many others, the group’s homage goes deep. “I probably know about 200 songs, but 150 of those we do all the time,” said Benson. “We also pull out a lot of songs that aren’t as well known but that longtime fans should recognize.” Joining Benson onstage will be Sean Glitherow, bass; Kevin Manuel, guitar; and George Bernardo, drums, along with an appearance by one of the four rotating singers portraying June Carter Cash. Benson, who said he’s been given the thumbs-up by surviving members of the Cash family for his onstage portrayal of their father, is always trying to build on the act with requests for renditions of some the singer’s ’90s comeback-era material. “We haven’t got there yet. I mean, where do you even start when you’re trying to do a full Johnny Cash tribute?”

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Thursday, July 14, 2011 The Bakersfield Californian

Eye Street “A lot of music camps are intense. Ours is much more laid back. ... The teachers may go off with the students and do some jamming. It really is just like this feast of music.” — Debby Hand

Putting play in playing music Music camp emphasizes fun and improvisation BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

usicians of all ages and skill levels are invited to play in the mountains during the upcoming Camp Kiya Family Traditional Music Camp, taking place July 24 to 27 at Tehachapi Mountain Park. Now in its third year, the musical instruction and recreation camp offers multilevel workshops, concentrating primarily on stringed folk instruments, including fiddle, guitar, cello, acoustic and electric bass, dulcimer, banjo, as well as accordion. Camp director Debby Hand looks forward to another healthy turnout but added there’s always room for more. “We’d like to double what we have signed up already. The last two years we’ve had some great turnouts, with a lot of people returning this year.” Described as an exploration of music “from the inside out,” Hand says the camp’s easygoing atmosphere among the beauty of the mountain surroundings helps ensure four days of melodic tranquility. “A lot of music camps are intense. Ours is much more laid back. There’s music everywhere. After the workshops, people are very free to go play where they want to in the mountains. “The teachers may go off with the students and do some jamming. It really is just like this feast of music.” The camp opens for its first session on the afternoon of the 24th, a Sunday, and resumes each morning at 8 a.m. with breakfast followed by the early beginner workshops, which lead into classes through the afternoon. After dinner, there’s a special contra folk dance session, ending with a campfire gathering with more music and opportunities to jam in the moonlight. “We place a lot of emphasis on the concept of jamming and playing from within yourself, and not just on music from a page of music. We’ve had quite a few classically trained musicians who’ve only played sheet music. Once they’ve done this, people say, ‘Wow.’ It’s pretty exciting.” Camp organizers have assembled an extensive list of instructors, including: Andrea Beaton, who specializes in Celticstyle Cape Breton fiddling, as well as traditional step dancing; professional cellist Alex Wilson, who’s worked extensively

Camp Kiya When: July 24 through 27 Where: Tehachapi Mountain Park, Tehachapi Cost: $200 includes cabin camping, meals, and workshops Information and online registration: 823-9994 or campkiya.com

with the Bakersfield Symphony; and accordionist Michael Gutin, who also specializes in contra dance instruction. For those looking to expand their range, vocal instructor Candace Semasek will be offering a special class titled “So You Think You Can’t Sing?,” designed to help aspiring vocalists; and gypsy and Irish dancing instructors Brynn Albanese and Aria Curzon are on the teaching roster as well. According to Hand, more levels of fiddle and guitar instruction will be offered this year. Instructor Jan Tappan will be in charge of the program, and campers will have a choice of learning tunes by ear or by using sheet music. Guitarist Zac Leger, who taught for the first two years of Camp Kiya, will head up the guitar program, teaching intermediate and advanced Celtic guitar. This year there will be four guitar teachers, including Tehachapi bassist Max Valentino, who will teach a workshop for beginners, as well as join with camp adviser and self-described “creative madman” Joe Craven for a class on “looping” technology. When it’s time to take a break, nature and American-Indian culture instructor John Hammond will be leading interested parties on various nature walks to some of the areas surrounding historical destinations. “The name ‘kiya’ is a Kawaiisu Indian word meaning “fun in laughter,” said Hand also referring to the tribe native to the Tehachapi valley region. “We have some incredible teachers joining us, and you don’t have to be a pro.” Once campers have worked up a big appetite, all meals will come courtesy of resident cook Holly Hart. “The food here is excellent and real gourmet stuff,” Hand said. “Everyone will love her cooking, guaranteed.” The cost for attending all four days is $200, which includes cabin camping and meals, although there are optional packages available, including special workshops. Plus, there are family plans available, along with financial assistance from the

PHOTO COURTESY OF CAMP KIYA

Camp Kiya Family Traditional Music Camp emphasizes play and improvisation as much as structured lessons. Here, campers bang on some pots and pans in the kitchen.

Kern County Scottish Society, which stepped in to help. Information on individual workshops, financial aid and pricing, a full list of

instructors, events, camping info, and contact information can be found by visiting the Camp Kiya website at campkiya.com, or calling 823-9994.

w w w. b a k e r s f i e l d . c o m / j o b s

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The Bakersfield Californian Saturday, July 16, 2011

MUNOZ: Soundtrack STARGAZING: Mercury about to leave our view to be available at iTunes CONTINUED FROM E1 knowing the internal struc-

CONTINUED FROM E1 and you wanna do some-

She’s known for always having had good luck, but her life has taken a different turn. She’s not a star in high school anymore. In the scene, she looks into the mirror and says in a sarcastic way, ‘Lucky Laura.’ I listened to the score as I was writing to get the right feel,” said Chapman, who attended the film’s premiere Thursday in Los Angeles. “When you’re growing up

thing big, you dream about something like this happening. I wanna share this with friends and family.” The soundtrack also features three new tracks by The Wallflowers’ Jakob Dylan and will be available for digital download through iTunes and more on Tuesday. “A Little Help” opens in theaters next Friday. More info at celeighchapman.com.

its rocky surface) while Vesta is more evolved and very dry. Why are they so different? How did their size and the amount of water affect their development (and by extension the planets)? Dawn uses a newer type of propulsion once found only in science fiction stories called “ion propulsion” instead of the usual chemical rockets. Dawn shoots a beam of Xenon gas out the back end at a speed 10 times greater than the usual rocket’s propellant. The “ion” part of the name comes from the Xenon is charged while it is accelerated to such incredible speeds (the Xenon is neutralized as it leaves the spacecraft). Despite such fast speeds, the overall thrust is very small — about as much as a piece of standard computer printer paper pushing down on your outstretched hand. Ion propulsion achieves speeds much faster than chemical rockets by accelerating a long time. Its changes in speeds (including orbit insertion) are very gradual. We won’t know that Dawn is in orbit until a few days after the fact because only very careful measurements will show when Vesta’s gravity has changed Dawn’s speed enough to put it in orbit.

ture would enable us to know how to best nudge an asteroid away from a collision with the Earth. Unlike what you see in the movies, we can only give small nudges to asteroids and comets heading our way and trying to blow them up would more likely lead to multiple (smaller) chunks heading our way instead of just the one larger piece. Also, the internal structure will determine how the asteroid or comet would absorb the energy of a nearby blast from a nuclear warhead — a rubble pile responds differently than a single solid, stiff piece the same size as the rubble pile. If the small nudge is given while the asteroid is still far away from the Earth, the asteroid will cross the Earth’s orbit at a significantly different place than where the Earth would be.

Are we in danger?

Finally, speaking of asteroid collisions, are there any dangerous asteroids heading our way? No. No large ones that are going to hit the Earth in the next 100 years at least. Large asteroids a 100 meters to a kilometer in size would cause tremendous damage on a local scale. Larger than that, the effects of a collision would be global. The asteroid that buzzed Importance of by Earth on June 27 was only asteroid missions 5 to 20 meters in size. Every so often I will get a Asteroid missions like that of the Dawn spacecraft help call from someone worried us to determine the mineral about some upcoming asterresources available for possi- oid or comet collision they ble future extraction and the heard about on a website, in an email message or on a TV internal structure of the show (those stories seem to asteroids. Besides all of the scientific information, come about as often as the

end-of-the-world stories). Usually, the story has taken a grain of truth and blown it all out of proportion. To find the grain of truth, here’s what I do: I check out the news headlines on NASA’s Near Earth Object Program website at neo.jpl.nasa.gov and the IAU’s Minor Planet Center at minorplanetcenter.net. I will also look at Sky and Telescope’s news section at skyandtelescope.com for something that hasn’t been reported yet in the weekly news email they send out. Take a look at the NEO and MPC websites when evaluating any scary story of an upcoming collision. There are a lot of “junk science” websites and TV shows out there, most designed to capture your attention by scaring you in order to sell the products advertised on the website or show. Such techniques also work in political campaigns, too, but let’s get to that later when we’re in the midst of the election year in 2012.

In our night sky Saturn and Mercury grace our sky this evening. Both are in the western sky by the time the sky gets dark enough to see them. Mercury will be low near the western horizon by a half hour after sunset. It will be the brightest star low in the west. Up a little higher will be Regulus at the end of the sickle part of Leo. We have about five more evenings of decent viewing of Mercury before it drops back down toward the sun. By July 26, Mercury and Regulus will be close enough together to comfortably fit within the same field of view

of your binoculars. Saturn will be in the southwest about a third of the way up in the sky on the right side of Virgo. To its left will be Spica on the left side of Virgo. The stars of Scorpius, Sagittarius and Ophiuchus and the central bulge of our galaxy, the Milky Way, will be rising in the southeast at that time. They will be in the south by about 10 p.m. The waning gibbous moon will be rising at about 9:30 p.m. with the stars of Capricornus. Above the moon will be the bright stars of the Summer Triangle: Deneb on the left in Cygnus, Vega at the top middle in Lyra, and Altair on the right in Aquila. Above Vega and almost directly overhead will be the bowtie or butterfly shape of the central part of Hercules. The southeastern view is shown in the attached star chart. The king of the planets, Jupiter, rises at about 1:30 a.m. between the dim stars of Pisces and Aries. Orangered Mars is now midway between the horns of Taurus. On the morning of July 25, Mars will be on the line between the tips of Taurus’ horns. The waning crescent moon will be next to the Pleiades star cluster at the shoulder of Taurus, close enough to fit within the same view of your binoculars. Two early mornings later an even thinner crescent moon will be right next to Mars. Star charts for the early morning and view just after sunset are available in the Night Sky section of the Planetarium’s website at bakersfieldcollege.edu.

SHIELL: Be on lookout for destructive caterpillars dormant spraying in winter. The thing about sprayers, anyone who does a fair bit of gardening should own at least two of them; one for herbicides and the other for everything else. The slightest trace of weed killer left in a sprayer can give a nasty surprise if it gets applied to roses or other sensitive plants.

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doesn’t dull), has triangular serrations on one side (for cutting weed roots) and is very sturdy. Mine came mailorder with a neat, black leather holster. The blade isn’t flat; it curves from side to side so it works as a trowel. Since getting the soil knife, I don’t use a plain trowel anymore. This tool is handy for all kinds to jobs, from planting to weeding to pest eradication. I bought a second one for times when another family member helps (wishful thinking). Together with the soil knife I grab a kneeling pad. It’s a rectangle of foam rubber covered in dirt-repelling flexible plastic. These pads are available in wide versions for both knees or the thin version I have that fits underneath one knee. Just set it between plants and you can kneel comfortably. Garden aficionados discover many different types of shovels. The trenching spade is my favorite. I gave my father-in-law a fiberglasshandled one for Father’s Day a few years ago. The blade is longer and thinner than a standard shovel, resembling an oversized trowel, and it weighs less than most shovels, and balances better. Although it’s designed for digging irrigation trenches, it

Caution on caterpillars Speaking of spraying, summer is caterpillar season. If you have petunias with no flowers, or fruit trees with raggedly chewed foliage, look closely for caterpillars. Petunias get tobacco budworm, a PHOTO COURTESY OF RICHARD SHIELL well-camouflaged caterpillar, Some essential gardening items: tools, raffia lifeguard hat, and stone fruit trees can become infested with red kneeling pad, soil knife, plastic tub and a trenching spade. humped caterpillars, which, handy. I’ve mixed potting serves for any purpose sure enough, have a reddish soil, harvested fruit, lugged requiring some finesse in bump on their back. tools and fertilizer, earthwork, like removing Either one can be sprayed schlepped loads of weeds aggressive weeds between with Bt, a material cultured other plants, or transplanting and performed dozens of from bacteria that only other odd jobs. Even plastic bushes. I wouldn’t think of effects caterpillars. Bt goes by moving a rose bush with any bins can become “real” to the many brand names, all are other shovel, as the trenching avid gardener. effective. Just find a targetAlthough I own a few gasspade cuts roots cleanly, goes specific caterpillar killer powered gadgets like a chip- that’s labeled as safe or deeper with each thrust of the blade, and doesn’t make a per and tiller, I can’t say I’m organic. It works on tomato on a friendly basis with any of hornworms, too. mess of the soil, leaving a smooth-sided planting hole. them. Sprayers, too, are awkward at best, yet I own sever- Richard Shiell is a professional Not typically considered photographer who has a BA in al; a little half-gallon one for garden implements, the biology from UCSB and a heavy duty rectangular plas- spot applications, a couple of master’s in landscape mid-sized, and a backpack tic tubs restaurants use for architecture from Cal Poly type that serves mostly for busing dishes come in very Pomona.

DAVIS: Pup’s bad behavior must be corrected CONTINUED FROM E1 insecure and fearful or has

because their kids will be responsible for the dog’s care, I make it very clear to them that while I am happy to work with the children, the parents must be there for the lessons, and ultimately, it is their responsibility for the dog’s progress. While there are exceptions, the average child or teenager has so many things going on in his or her life between school, sports, friends, etc., that often after the novelty of the first few lessons, proper exercise, adherence to housebreaking schedules, and reinforcement of commands is neglected due to other interests. The first consideration that should be made when bringing a baby into a home with a dog is the dog’s temperament and its relationship with the owner. There are many books available about how to prepare the dog for the smell and sounds associated with a new baby, but if the dog is

shown any signs of possessive or territorial aggression over food, toys or sleeping places it is important to get professional help. No matter how much your dog loves you, assuming he/she will automatically understand that this is your baby and love it too can be naive. While some dogs love every child they meet, others do not and see them as competitors for resources. Dogs must accept and respect a baby as belonging to the owner. They cannot be allowed to compete for attention, possessions or space, and while it is natural for the dog to feel displacement if all of the owner’s attention is centered on the child, owners cannot simply chalk up the dog’s behavior to jealousy or banish the dog to the backyard. Prior to bringing a new baby home, dogs should be reliable in basic obedience, be taught to move from an area or furniture on command, be discouraged from

jumping up and grabbing food from hands, and be proficient in obeying the command to “leave it.” Dogs should accept being crated or confined behind a puppy gate without barking or whining. And under no circumstances should a baby ever be left unsupervised with any dog. A new dog’s arrival can cause great excitement for the dog and child, so it is important from the very beginning not to allow behaviors that are unacceptable. If a new pup is allowed to chase children or nip while it is small, then it will be harder to unlearn the behavior when in a few months it is big enough to rip the clothes of a running child or knock him to the ground. Letting a small puppy jump up for petting or treats seems harmless until the puppy starts packing on weight and jumps up to get attention or grab something it wants.

And remember, if your puppy thinks it’s OK to jump, nip or chase your children, he will probably do so with your children’s friends. Owners should supervise all play sessions with children and dogs to make sure proper behavior is reinforced and bad habits are not established. Crate training is highly recommended for puppies and older dogs when bringing them into a new environment. This gives them a place to rest and calm down when over-stimulated, as well as learning to accept confinement without complaint. Next time: Are there are better breeds than others for children? What should parents teach their children about approaching strange dogs? Sherry Davis is a dog trainer/owner of CSI 4 K9s. Email her at doglady@bakersfield.com or follow her on Twitter @csi4k9s. These are her opinions and not necessarily The Californian’s.

Saturday, July 16, 2011 The Bakersfield Californian

Eye Street

Stargazing M13 (Hercules Cluster) “bowtie”

Serpens Caput

Hercules Vega Lyra Summer Triangle

Cygnus

Ophiuchus

Albireo

Vulpecula

Sagitta

Serpens Cauda

Lifestyles editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com Altair Aquila

Delphinus

Matt Munoz CONTRIBUTING COLUMINST

Antares

Scutum X

Scorpius

Galaxy center

Equuleus

Sagittarius “teapot” Corona Australis Moon Capricornus

Tonight at 9:45 p.m.

Source: Nick Strobel, BC planetarium

THE CALIFORNIAN

Probe nears asteroid ahead of dwarf planet

PHOTO COURTESY OF MARIANA BLANCO

Bakersfield singer-songwriter Celeigh Chapman is featured on the soundtrack to the upcoming film “A Little Help.”

‘Lucky’ local singer graces soundtrack A well-crafted compilation soundtrack can complete a great film and — at times — transcend a

bad one. Some of my favorites: “American Graffiti,” “Purple Rain,” “Saturday Night Fever,” “Repo Man” and “The Harder They Come.” These collections are so good, you can drop them on at any party for the perfect reggae, punk, funk, rock or dorky disco playlist. I discovered The Shins after watching the movie “Garden State” back in ’05. Remember the scene where Natalie Portman’s character tells the guy played by Zach Braff, “You gotta hear this one song. It’ll change your life, I swear.” That was “New Slang,” a tune that still sneaks onto every mix CD I burn. It fit the film’s many moods perfectly — life, change, depression, humor. The soundtrack was so good it won a Grammy that year and helped revive the pop soundtrack from extinction. Unfortunately, we haven’t had another great collection like that since “Juno.” Most films today prefer the less-is-more concept of random noises sprinkled in a scene and released as a 45-second “song.”

Bakersfield singer-songwriter Celeigh Chapman, who scored a big break after getting the call to be included on the soundtrack to the upcoming indie comedy/ drama “A Little Help,” says she narrowly avoided being a blip on the screen after contributing the original song,“I’m Lucky,” co-written with the film’s composer, Austin Wintory. Old college friends from the prestigious Thornton School of Music at USC, the two went separate directions after graduation in 2004. Chapman, 26, began honing her writing and performing skills all over Los Angeles before settling into the hip Silver Lake section of Hollywood, where she also works as a music scout for Columbia Records and performs with her roots music duo, Coyol. “I live just a stone’s throw from all the cool venues, surrounded by all that art and music,” said the East Bakersfield High graduate. “Coming from Bakersfield, I’m used to that neighborly mentality. I thought people would be artsy and snobby, but it hasn’t been that way at all.” Two old friends crossed paths again via MySpace, where Chapman could be found promoting her music. Wintory asked if she was interested in the soundtrack project. The film follows the comedic experiences of a dental hygienist named Laura, played by Jenna Fischer (“The Office”), after the sudden death of her husband. “Austin’s message was, ‘I’d like to collaborate with you —

ZUMAPRESS.COM

Celeigh Chapman appears at the “A Little Help” premiere Thursday in Culver City.

hit me up,’ she said. “I’d never written a song for a movie.” Chapman’s soft melancholy vocals with piano accompaniment turn “I’m Lucky” into a gentle, reflective lullaby. Originally a brief interlude, producers were so impressed by what they heard, Wintory and Chapman were asked to complete the song and prepare it for release. “Basically, we tried to dig into the main character of the movie, her heart, her subconscious. Please see MUNOZ / E2

Gardeners need a few favorite things E once the best tennis shoes I ever owned. They stay in the garage nowadays and serve as slip-ons over bare feet to go pick a couple of lemons or some herbs. The hat I wear in the garden replaced an identical one that literally came apart after a decade or two. It’s a lifeguard hat woven of raffia. It’s waterproof, quite flexible, organic, wide brimmed and super cool (more or less). When you have such a thick thatch of missing hair as I, it’s important to keep your head out of the sun. After putting on the old boots or garden shoes I’ll usually grab a tool or two before heading outdoors. The Felco #12 pruning shears in their minimalistic conical leather holster almost always come along, just in case something needs snipping. I’m so used to their ergonomic rotating grip (the lower handle turns as they close) that ordinary pruners feel as if something’s missing. The Japanese soil knife is a wonderful implement. It’s not particularly sharp (so it

Please see SHIELL / E2

Please see STARGAZING / E2

Nick Strobel is director of the William M. Thomas Planetarium at Bakersfield College and author of the award-winning website astronomynotes.com

Sherry Davis CONTRIBUTING COLUMNIST

Richard Shiell CONTRIBUTING COLUMINST

veryone has their favorite old wellworn things, from kitchen implements to comfy furniture to lucky hats. These are “real” in the sense of the Velveteen Rabbit children’s story: items so familiar, so much a part of us, that they transcend their status as inanimate objects. They do exactly what we need, without fail, without surprises, and are always there for us. When we need to relax, to do a chore, to prepare a meal, there they are, and they are just right. People who garden have our own sets of favored knickknacks. My wife would love to throw out some of my gardening clothes, the ones my 100-plus roses have attacked, especially garments older than our children. Long-sleeved shirts (to keep the sun off) with holes or barelyattached cuffs (gotta have ventilation), and lightly shredded khaki pants. The boots that used to have a nice traction pattern underneath now worn completely smooth. Either best or worst of all, depending on your perspective, my original pair of Nike Air Aces,

efore taking a look at our night sky, we look further into space exploration. In the next few weeks, the Dawn spacecraft is expected to begin orbiting the third largest asteroid, Vesta. Dawn’s main goal is to figure out the formation process of the planets. During their formation, the planets grew from dust grains clumping together to form rocks that in turn stuck together to make boulders. Those boulders accumulated into protoplanets that then collided to make the planets. In some parts of the solar system, this process proceeded faster than other parts. Jupiter was able to grow very fast and its enormous gravity stirred up the protoplanets between it and Mars sufficiently enough to prevent those bodies from becoming a planet. Vesta and the dwarf planet Ceres are the two most massive protoplanets in the asteroid belt (Pallas is slightly larger than Vesta but less massive). Ceres will be investigated by Dawn in a few years after Dawn finishes exploring Vesta for a year and then slowly accelerates away toward Ceres on the other side of the asteroid belt. Such a trajectory would be impossible with chemical rockets but is no problem for ion propulsion with a bit of patience. Ceres and Vesta appear to be quite different from each other: Ceres is more primitive and seems to have a lot of water (perhaps as much as a 100kilometer frozen layer below

Kids, dogs aren’t always a match made in heaven

ay the words “children and dogs” and some of the first images that may come to mind are that of “Lassie Come Home,” “Air Bud” or the “Incredible Journey.” Or maybe it’s the latest YouTube video showing a baby hysterically giggling at the family pet’s antics, or the news story of a heroic dog that has saved the life of a child by putting itself in harm’s way. But in spite of all of the heartwarming stories that bring a smile to our face or a tear to our eye, there’s a lot of evidence to suggest that children and dogs, that match made in heaven and the silver screen, is not without its problems. I don’t believe that giving a child a dog teaches responsibility. I think children or teenagers must prove they are responsible first, before being entrusted with the care of a dog, and then always under the supervision of an adult. When I am contacted by owners of a new puppy who tell me they want their children involved in the training Please see DAVIS / E2

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PHOTO COURTESY OF RICHARD SHIELL

Be on the lookout for caterpillars, like this tobacco budworm, that aim to feast on your summer blooms.

Eating out remains one of our favorite pastimes, even in this challenging economy. But the food is only part of the reason we make tracks to our favorite local restaurants. It’s the waiters and waitresses who have the ability to turn a meal into a memorable experience. Who are the most charming/capable/friendly/caring/funny servers in town? Send us your nominee and include your name and phone number, the server’s name, the restaurant’s name and why this server is so great (250 words, max). The top server has the chance to win a $50 gift card to Goose Loonies and a fourpack of tickets to the Monterey Bay Aquarium. Email Lifestyles Editor Jennifer Self at jself@bakersfield.com.

The Bakersfield Californian Thursday, July 21, 2011

Eye Street The Show Must Go On!

Dancer stays on her toes Vote for Sasha, family urges Bakersfield fans BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

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It took some fancy footwork for Bakersfield’s Sasha Mallory to avoid elimination last week on the “So You Think You Can Dance.” But that nail-biter has mobilized Mallory’s mother and supporters, who are asking that Bakersfield residents show Mallory a little love by voting to keep her in the hunt. Dawn Mallory will find out how successful that campaign is tonight, when the next dancer is eliminated from How to the popular Fox-TV show. But already watch she can congratu“So You late her daughter Think You on breaking Can Dance” through to the top When: 8 10. p.m. tonight “Every time I Where: Fox think about how Channel 58 far she’s come, I get goose bumps,” Dawn Mallory said. “She’s been working really hard. She had a couple of downfalls, but we knew she’d be all right. It’s a big feat to be where she’s at. I don’t think the city really knows that Sasha’s representing Bakersfield. I just wanted everyone to know.” Auditioning for the show in Las Vegas with her sister, Natalia, Sasha alone was given the green light to continue. Since the premiere of season 8 in June, the seasoned dancer — who has also toured with “American Idol” finalist Adam Lambert — has been wowing judges and gaining fans, who have voted to keep her in the competition every Wednesday. “We made these shirts with ‘Team Sasha’ on them,” said Natalia. “We have fliers to put up in different places to let everybody know they need to participate and vote.” The Californian reached out to Mallory before this week’s performance round on Wednesday, but the dancer’s hectic rehearsal schedule made an interview impossible. That certainly wasn’t stopping her mom. “I get to talk to her regularly. She’s taking it day by day, making great friends, and working with some great choreographers. She’s having the time of her life.” Finalists are paired to perform pieces choreographed by some of the biggest names in professional dance

PHOTO COURTESY OF FOX

Bakersfield dancer Sasha Mallory is still in the running on Fox’s “So You Think You Can Dance.”

during the weekly two-hour shows. Viewers vote for their favorite dancers via phone lines, text messaging and online ballots. Tonight, the live results show will reveal who keeps dancing into the Top 8 and who goes home. Each week, the three couples at the bottom are given a chance to perform solo routines. The judges then decide which dancers stay in the competition and which are eliminated. If a couple is split, the two individual dancers who remain become a couple the following week. Two of Wednesday’s finalists will be eliminated from the competition. No matter what the outcome of tonight’s results, Mallory’s top 10 status guarantees her a slot on the fall “So You Think You Can Dance” tour, giving friends and family even more to cheer about.

“First I was excited about her making it on the show. Now she’s got a guaranteed job to go on tour with the show’s favorites,” said Natalia, who has been trading off with her mom for the two weekly tickets each competitor receives for the telecast. Back at home, mother Dawn said Team Sasha will be cheering. Rapper Snoop Dogg is tonight’s special guest performer. “Everything else is like icing on the cake,” the proud mother said. “Sasha’s wonderful in whatever she does.” Fellow Top 10 competitor Caitlynn Lawson was also born in Bakersfield but moved to Moses Lake, Wash., as a baby. Lawson’s grandmother Dottie Hinds, who’s been following the competition with local family, says all of Bakersfield should be proud of both talents.

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BEST SERVER Eating out remains one of our favorite pastimes, even in this challenging economy. But the food is only part of the reason we make tracks to our favorite local restaurants. It’s the waiters and waitresses who have the ability to turn a meal into a memorable experience. Who are the most charming/capable/friendly/caring/funny servers in town? Send us your nominee and include your name and phone number, the server’s name, the restaurant’s name and why this server is so great (250 words, max). The top server has the chance to win a $50 gift card to Goose Loonies and a four-pack of tickets to the Monterey Bay Aquarium. Email Lifestyles Editor Jennifer Self at jself@bakersfield.com.

Thursday, July 21, 2011 The Bakersfield Californian

Eye Street

Ride to raise money for autism center Growing awareness of problem increases interest

Ride for Autism to benefit Valley Achievement Center When: Registration at 8 a.m.; ride starts at 10 a.m. Saturday; party in the park starts at 11 a.m. Where: Yokuts Park, just off Empire Drive Registration: $20 for single riders; $30 for double riders

BY MIRANDA WHITWORTH Contributing writer

It’s time to gear up, get on that bike and be sure you are ready to party for the firstever Ride for Autism at Yokuts Park on Saturday. The event is aimed at providing help for families and those living with the developmental condition but it also promises fun in the sun for motorcyclists looking to show off their skills and families looking for an afternoon of games and entertainment. Event organizer Charles Jenkins of The Fundraiser Guys has teamed up with Valley Achievement Center as a way to provide funding for the organization and to draw attention to autism. “If you look at numbers for Kern County, one in every 110 kids born here will be diag-

nosed with autism,” Jenkins said. “A family will have three kids. The oldest one could have autism, the middle child will be fine and then the youngest one could have autism and no one really knows why.” While the event itself has a very serious message and mission the day will be filled with fun and games. Registration for the motorcycle run starts at 8 a.m. and the ride itself kicks into high gear at 10 a.m. The rid-

ers will make five separate stops before returning to Yokuts Park, where the festivities await. Friendly competition includes a cleanest and dirtiest bike contest and a men’s wet T-shirt competition. For riders who think they have their balancing act perfected, a competition will also be held to reward riders who know how to keep their bike on two wheels. “The Slow Drag is a race for the slowest. Riders have a 30- to 40-foot track and the winner is decided by who can travel it the slowest without laying their bike down or putting down their feet.” North Hollywood bands Nektare and Autumn Twilight will be lending their classic rock and hip-hop stylings to the event, and Budweiser will be on tape offering adult refreshment in designated areas. But the day isn’t just for riders. Amazing Bounce will be set up at the park with bounce houses for children, and there are plans for a dunk tank. Ben & Jerry’s will scoop up the ice cream, and Smokey Lane

Not versed in poetry? Come to Russo’s anyway

LOWDOWN: Bands bring party to Riley’s Backstage CONTINUED FROM 26 don’t dance,” shoe gazer, all three

cians, we all share a common bond outside of our personal tastes and artistic views. We all deserve respect, and as long as we support each other regardless of success or age, I foresee better conditions for all.

BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

Berets and bongos are requested for two poetry events coming to Russo's Books in Bakersfield this Saturday and July 30. The first event will feature poet Michael Luis Medrano, author of “Born in the Cavity of Sunsets,” who will headline an evening of spoken word from participating students of the CSUB OLLI proCSUB OLLI Poetry gram poetry workshop, Workshop events co-host of the event. “The OLLI poetry When: 6 p.m. workshop and events Saturday and July 30 are set up to empower Where: Russo's students in both writBooks at The ing and performance,” Marketplace, 9000 said workshop profesMing Ave. sor Nick Belardes. “I'm Cost: Free so glad the students Information: 665can be exposed to such 4686 or email great out-of-town talnickbelardes@yahoo. ent. They, like I have com been, will be inspired.” Medrano's work has been published by Arizona State University's Bilingual Press, showcasing the new wave of Latino poets rising from the Central Valley. Born and raised in Fresno, Medrano is a graduate of the University of Minnesota. He has performed across the country and will be fresh off teaching a special poetry workshop at CSUB prior to the event. The following Saturday, July 30, eclectic Los Angeles poet Rich Ferguson will be the featured performer. Ferguson has toured the country for years sharing the stage with a number of rock music icons, including Patti Smith, Frank Zappa drummer Terry Bozzio, among many other esteemed poets and musicians. Ferguson's resume includes appear-

BBQ is on spatula duty. Proceeds from the event will benefit Valley Achievement Center, which has three locations that address the day-to-day and educational needs of those living with autism and their families. Valley Achievement Center programs include social skills training through preschool and afterschool activities. The center also provides one-on-one interaction by staff members trained to work with autistic children. Jenkins hopes the lighthearted event will send a serious message about autism and the local organizations and support staff there to help families and those living with the condition. “A lot of parents who have children with autism work full time to support their families. Long hours make it hard for parents to give an autistic child all the care they need completely on their own. That’s where Valley Achievement Center comes in. We want everyone to come out and support them. But have a good time while they do.”

Matt’s pick

PHOTO COURTESY OF JERRY BUTTLES

Michael Luis Medrano is one of the featured poets appearing at Russo's Books Saturday.

ances at the New York City International Fringe Festival, South by Southwest Music Festival, and he has been a featured lecturer on various California college campuses. Ferguson studied with late poet Allen Ginsberg, has been published in the Los Angeles Times, spotlighted on PBS' “Egg: The Art Show,” and is a regular contributor and editor for the online literary journal The Nervous Breakdown. “Michael Medrano and Rich Ferguson represent two exciting poets with a diverse style,” said Belardes. “Medrano represents an emerging Central Valley Latino voice that can really inspire Bakersfield poets to write about their lives in the San Joaquin. Ferguson's sheer ability to perform and wow a crowd will be dynamite.” Student poets of the CSUB OLLI poetry workshop also will perform various works before the readings and performances by Medrano and Ferguson. During the event, Belardes will have information on new Bakersfield online literary website and zine Commanauts.com. The CSUB OLLI poetry workshop is a five-week CSUB summer extension course as part of the school's Osher Lifelong Institute. For more information on upcoming workshops, visit csub.edu/olli.

Choirs, The Volume, The Architecture at Backstage at Riley’s Tavern, Wall Street Alley, 6 p.m. Sunday, free. Sometimes it’s better to have a good party rather than worry about money, and that’s precisely what this weekend roundup is shaping up to be. A triple bill of new local indie rock bands, all armed with new original music for both the thinking man and “I

are worth a listen. The Architecture are fronted by part-time stand-up comedian Dane Forst and features the cello, trombone and keyboard talents of Johansen Ng. The Volume are a multi-layered guitar feast with vocals from Colin Cook. Headlining are Choirs, who dropped off a cool two-song demo. I spend most of my day sifting through new music, so one of my dilemmas is pointing out originality. Their songs “Modus Operandi” and “It’s Somewhere in the Details” didn’t completely grab my ears, but in a day when bringing something new isn’t easy, both arrangements are impressive with some strong vocals.

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The Bakersfield Californian Thursday, July 28, 2011

Eye Street

Index Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17 Dollmaker Lynn Cartwright . . . . . . . . . . . . . . . . . .18 Philippine Weekend Festival . . . . . . . . . . . . . . . . .19 Comic-Con . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 The Lowdown with Matt Munoz . . . . . . . . . . . . . .22 CSUB art complex . . . . . . . . . . . . . . . . . . . . . . . . . .23 Scott Cox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26-29

Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Sheryl shoots from the hip Superstar talks music, controversy and Buck BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

t was a balmy 90 degrees at the opening of the annual Frontier Days Rodeo in Cheyenne, Wy., on a recent Friday as Sheryl Crow prepared to headline the opening day concert with friend and collaborator Kid Rock. But sitting on her tour bus en route to the evening’s show, the multi-platinum, Grammy-winning artist had a little more on her mind than just which cowboy hat she’d be sporting. Facing a mountain of criticism from animal rights activists for agreeing to appear at the rodeo, Crow attempted to make amends by donating a portion of the show’s proceeds to an organization protecting endangered wild mustangs. Many of her critics were not appeased, but Crow chooses to take the uproar in stride, perfectly in keeping with her laidback, live-and-let-live vibe. “I can expect that, because there are a lot of people who just don’t want to believe the truth and that’s the reality that no matter how much you convey the truth, there are people who are just going to hate me for whatever reason and they’ll find a reason, and today the reason is the horse thing,” said Crow in a telephone interview to promote her show tonight at Bakersfield’s Fox Theater. “The reality is, is that wild mustang horses from the open territories of America are not allowed nor would they be allowed in the rodeo, and I’ve been extremely supportive of open range horse herds, so people are gonna believe and hold onto what they want to.” Crow’s honest, direct approach to music and stardom has been a hallmark of her career, from her first big break as a backup singer with Michael Jackson to her status today as one of the most successful female solo artists of all time. “It’s just part of being a highprofile person, people make up their mind about who you are well before you ever come in contact with them, and that’s basically the attitude they cling too,” she said.

Sheryl Crow When: 8 tonight Where: Fox Theater, 2001 H St. Admission: $51 to $86 Information: 324-1369 or vallitix.com

Crow started her climb to super-stardom in 1993 with the release of “Tuesday Night Music Club,” an album that overcame a slow start and blasted her up the international pop charts on the power of the singles “All I Wanna Do” and “Leaving Las Vegas.” Seven albums later, she’s most comfortable doing things her way, rolling with the punches of stardom.

‘A project of joy’ Crow’s latest record, “100 Miles from Memphis,” marks another chapter in her illustrious career. An ode to the 49-year-old rocker’s Southern soul roots, the album’s spirit conjures the spirit of 1960s Stax Records with solid rhythm and blues, along with reggae and ballads, all presented with her unmistakable breathy urgency present in much of her best work. It’s an artistic departure from hit singles like “If It Makes You Happy,” “Soak Up the Sun,” “First Cut Is the Deepest,” “Leaving Las Vegas,” and “Every Day is a Winding Road,” songs that have helped make her a radio darling for nearly two decades. Still, the album is undeniably Sheryl Crow and a bit of an antidote to the heavier themes of her recent recordings, which reflected struggles in her personal life like her 2006 battle with breast cancer and the end of her engagement with cyclist Lance Armstrong. “My last record was a much heavier record. It was very personal. It was about going through the breast cancer experience, having gone through a public breakup. Also, it definitely dealt with what was going on in our nation and in the world. There were a lot of different statements made on that record, and coming off that record I just always felt like I wanted to be less cerebral and a little more emotional. I had been listening to a lot of my early influences, which were coming out of Memphis, because I grew up so close to

JOHN HELLER / PITTSBURGH POST-GAZETTE

Sheryl Crow performs in June at the First Niagra Pavilion in Burettstown, Pa.

there. It felt it was time to reinvest in my early influences to make that record. I just loved every minute of it. It was just a project of joy for me to make...” That buoyant spirit was a welcome return for Crow, a smalltown Missouri girl who became a bonafide Angeleno when she began pursuing her musical dreams. She still recalls the simple pleasures of the real Tuesday Night Music Club gatherings, where strumming with pals and a 12-pack was a regular evening plan. “I have great friends that I still do that with. I don’t live in LA anymore; I have different friends

now. And you know life changes when you have kids and there’s a little less beer drinking for sure, a little less spontaneity, but you know it’s a trade-off. But I have great collaborators, people I love writing with, people that are kindred spirits, so I can’t say that I miss it, because it’s still very much a big part of my life.” Another thing she said remains a big part of her life is the long line of influential performers who helped shape her artistry, namely a certain Bakersfield legend. “Buck Owens is part of my upbringing. I used to watch him all the time, and seen him at the

Grand Ole Opry on numerous occasions, watched him on ‘Hee Haw’ and grew up always knowing who he was,” she said, adding that she’s excited to finally make her first appearance on her idol’s home turf. “I’m excited to get there. I feel a connection to Bakersfield because it’s part of really the first times I ever got played at the radio. I got tons of radio with ‘Leaving Las Vegas’ there, so yeah we’re looking forward to getting there.” Any chance of a tribute to Buck somewhere in the evening’s set? “You never know,” she said slyly.

Sunday, July 31, 2011 The Bakersfield Californian

Eye Street

Herb Benham CALIFORNIAN COLUMNIST

Lifestyles editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

“My dad came to see me with Monty once. I didn’t know where he was, but I heard an ‘ahem’ in the audience. That sounded like my dad, and there he was behind the third pillar to my left. I could see his cowboy hat and big belt buckle shining. I’ll never forget that night. I still always look in that direction at every show.” — Jennifer Keel

Spirits of past guide ‘angelic’ singer Memories inspire her performances

A life shaped by one man’s generosity

BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

Another full house on a recent Saturday night at Buck Owens’ Crystal Palace, and Bakersfield singer Jennifer Keel is just minutes away from show time. Seated in the small backstage sanctuary above the venue’s production office, where countless performers have found a moment of Zen before the lights go up, Keel patiently smiles and sips a hot cup of tea to warm her vocal chords. It’s a ritual she repeats before every one of her bimonthly shows, but only after goodbye kisses with her husband, Allen, and kids, Katie and Tyler. The consummate professional, every moment is accounted for in Keel’s busy world. Now with just a few seconds to downbeat with set-list in hand, there’s just one last order of business. “I gotta check my makeup,” she says, taking a quick glance in the hallway mirror before stepping down into the main ballroom. “I still get a little nervous before each show. It’s a healthy nervous, just so I can stay on my toes.” A scene of cowboy hats, cameras and tourists awaits the band as Keel takes the mic to greet the crowd. “Welcome to Buck Owens’ Crystal Palace,” the sprightly Keel says, waving as Buckaroos drummer David Wulfekuehler counts off the band’s official theme, “Buckaroo.” For the next 90 minutes Keel, along with keyboardist Jim Shaw, steel and lead guitarist Terry Christofferson, bassist Doyle Curtsinger,and guest vocalist/guitarist Monty Byrom carry on a weekend tradition started by Owens in 1996, the year the Palace opened its doors. Harmonizing on a few covers led by Curtsinger, Keel handles with ease a rendition of the Judy Collins classic “Someday Soon” before returning to harmonies with Byrom. As soothing on ballads as it is rockin’ the blues, Keel’s voice has a dash of Dolly Parton, Tammy Wynette and Linda Rondstadt, though the inflections, phrasings and fragile but strong quality of her alto soprano are uniquely her

few years ago, when Darren Chaney was approaching 50, he wanted to get in touch with people who had been important to him. Martin Starr was at the top of his list. Starr had volunteered through the Big Brother organization and was Chaney’s big brother between 1970 and ’74, starting when Chaney was 10. Chaney was a mess then — or at least that’s what his mom thought. Today, he would have been referred to as “at risk” and, given that Chaney had grown up in the east Bakersfield neighborhood of La Loma, which was tough even then, “at risk” fit. Chaney never met his dad, and his mom rented out rooms in a house on Bernard that later became Jason’s Retreat, a substance abuse treatment center. More than “at risk,” Chaney was lonely and looking for something he had not experienced yet — a regular family life. “We didn’t have a phone or a car,” he said. “I had nobody to play ball with.” Scared that her son might end up in a bad way, Chaney’s mom, Marcel Chaney, signed him up for Big Brothers. He was paired with Starr, a CPA, who lived in Park Stockdale. “Park Stockdale was a different world, and the Starrs were an Ozzie and Harriet family,” Chaney said. “My friends’ houses were filled with drinking and yelling.” He saw Starr and his family once a week. Chaney’s mentor told the boy to call him any time, even during tax season. Starr encouraged him to do his homework and helped Please see BENHAM / D2 These are Herb Benham’s opinions, and not necessarily The Californian’s. His column appears Tuesday, Friday and Sunday. Call him at 395-7279 or write hbenham@ bakersfield .com.

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PHOTO COURTESY OF JEREMY GONZALEZ

Bakersfield singer Jennifer Keel performing with The Buckaroos at Buck Owens’ Crystal Palace on July 23.

Jennifer Keel with Monty Byrom and the Buckaroos When: Rotating weekends Where: Buck Owens’ Crystal Palace, 2800 Buck Owens Blvd. For show dates and other information: 328-7560 or buckowens.com

Please see KEEL / D7

Dining Out

Taste has checked out of hotel Cafe disappoints, from appetizer to dessert BY PETE TITTL Contributing columnist ptittl@bakersfield.com

ome of you may remember what a big splash the Red Lion made when it opened its hotel and restaurant complex on Rosedale Highway back in the ’80s. The chain made a particular point of offering restaurants good enough to compete with the best in town. It was a corporate philosophy, and sure enough, both the formal dining room and the coffee shop were quite amazing. In those days, the formal dining room could compete with the big

CASEY CHRISTIE / THE CALIFORNIAN

Darren Chaney had a positive experience with Marty Starr through the Big Brother organization. Thirty years later Chaney found Starr and thanked him before Starr died.

boys in town: Patrick’s, The Blue Note and The Bistro, as well as Lemucchi’s Tam O’Shanter. The coffee shop, using the same kitchen, was an exceptional value. The Sunday brunch at one time was the best in town. Along the way, Red Lion sold the property to DoubleTree and those high-minded goals slipped away. Things changed. The formal dining room became part of Club Odyssey, and the coffee shop became something mostly to satisfy hotel guests. I actually haven’t written about either in years, so I thought I’d check them out. It was late on a Sunday and the free salsa lessons were wrapping up in Club Odyssey, the great Please see DINING / D2

THE CAFE AT DOUBLETREE HOTEL 3100 Camino Del Rio Court. 323-7111 doubletree1.hilton.com/ en_US/dt/hotel/ RLBK-DT-DoubletreeHotel-BakersfieldCalifornia/dining.do#1 Hours: 6 a.m. to 2 p.m. and 4 to 9 p.m. every day. Prices: Appetizers $5 to $10, salad $9 to $12, sandwiches and burgers $9 to $12, “value menu” $12.50 to $17, entrees $11.50 to $23. Child’s plate available. Payment: MasterCard,

Visa, American Express, Discover and personal checks accepted. Dress: Casual. Amenities: Wheelchair accessible; beer and wine served; some vegetarian options. Food: ★1⁄2 Atmosphere: ★★★ Service: ★★1⁄2 Value: ★★

Next week: Mom n’ Dems

Eating out remains one of our favorite pastimes, even in this challenging economy. But the food is only part of the reason we make tracks to our favorite local restaurants. It’s the waiters and waitresses who have the ability to turn a meal into a memorable experience. Who are the most charming/capable/friendly/ caring/funny servers in town? Send us your nominee and include your name and phone number, the server’s name, the restaurant’s name and why this server is so great (250 words, max). The top server has the chance to win a $50 gift card to Goose Loonies and a fourpack of tickets to the Monterey Bay Aquarium. Email Lifestyles Editor Jennifer Self at jself@bakersfield.com.

Sunday, July 31, 2011 The Bakersfield Californian

KEEL: Dad’s love of music rubs off on daughter CONTINUED FROM D1

own. “We’ve had the privilege of working with several great singers over the years, and I’ve always though that Jennifer sings like an angel,” Shaw said. “She just has this beautiful, soaring voice.” That talent emerged early, in large part due to the encouragement of her father, Dan, who filled the family home with music. “He’d always get out the guitar singing his favorites — George Jones or Merle Haggard. My dad loved having people around singing. I started to gravitate to those moments, and a lot of time it would just be me and my dad. He would say, ‘Come listen to this, come listen this,’ and put on Hank Snow or some gospel on the hi-fi player. I’d put two chairs together and fall asleep there listening.” But despite Keel’s lifelong love of music, her regular Crystal Palace performances are actually a return to the stage after several years of devoting most of her energy to family and developing her career in business. Keel is quick to acknowledge that she has a pretty full plate, what with singing, childrearing and as executive director for California Central Valley Economic Development Corporation. But an artist has to have an outlet, and offers to sing with the Buckaroos don’t come around every day, so she doesn’t plan on quitting singing anytime soon. “I’m one of those people who remember the good stuff, and Bakersfield has always been good to me. I’ve always said that if you practice your craft, you can always come back.”

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PHOTO COURTESY OF JEREMY GONZALEZ

Monty Byrom and Jennifer Keel perform with The Buckaroos at The Crystal Palace.

PHOTO COURTESY OF JENNIFER KEEL

Jennifer Keel with her father, Dan, in 1984.

I really didn’t want to be a music teacher. I really didn’t know what else I could do,” she said. She did, however, finish her education at CSUB, earning a degree in business and marketing while forging ahead with her music career. She won a national country talent show and even branched out to singing jazz. About that time, a mentor of First applause Keel’s, Gary Ward of The Sweet Water country band, One of six children, Keel suggested she talk to the said her coming of age in Dooley Brothers, a popular Bakersfield during the ’70s and ’80s was similar to what and respected Bakersfield country band in the 1980s most teens experienced, and ’90s. with family vacations “He said, ‘You need to sing planned by her father and mother, Sarah. In fact, Keel’s with someone like the Dooleys.’ He introduced me, but introduction to the stage they weren’t used to having a came during one of those girl singer. I loved their harsummer trips. monies, and I added a third “I remember traveling to El Paso when I was about 15. to their voicing.” Keel got the gig and togethI was skating through the hotel we were staying at, and er with Dooley brothers there was a live band in one Andy, Mark and Tim, the of the halls. My sisters would group became the hot ticket in town when new country tease me and tell the band artists like Garth Brooks and they should let me sing. I stepped in through the back Highway 101 were helping room and sang ‘You Light Up reignite the genre. Packing out local clubs of the day like My Life,’ and I got my first Borrowed Money, Porter’s applause.” House and the Executive While performing in the Lounge, the band allowed Bakersfield High choir and orchestra, Keel also became Keel to showcase her own proficient on the flute, earn- originals, some of which ing a scholarship to Cal State were included on her solo self-titled 1989 studio debut Northridge upon her high that spawned the nationally school graduation in 1981. aired single, “Someone Else,” But after a year of intense study that included instruc- backed by the Buckaroos. Branching out during the tion from world-renowned flutist James Galway, she had latter part of the ’90s to front her own group, Jennifer Keel a change of heart. “At the end of the first year and Branded, she remained

part of the Dooley fold, opening shows for popular artists of the time like John Anderson, David Frizzell, Sweethearts of the Rodeo, Doug Stone, Dan Seals and Chris Ledoux. Still, though she had become established among her musical peers, Keel’s personal goals began to change. “At the time I was working with the Dooleys I was thinking about a career. Then music became more of a hobby. Because I was in Bakersfield, I was able to have both. David Frizzell told me once, ‘You gotta do it because you love it,’ and that’s what always stuck with me. I watched and studied artists as they came through for shows and at a certain point I just kept ‘practicing the art’ without pursuing a full-time career in singing. Things I would observe took the glamour out of the ‘fame’ part. To me it’s much more fun to be a part of the big musical family of country music.” After the Palace opened, Keel and Branded began working as the house band between appearances by Owens, and she also got the call from time to time to fill in for Kim McAbee, the Buckaroos main female vocalist. Keel still looks upon the opportunities that were handed to her with a great deal of gratitude and can’t help but get a little wistful when she recalls the kindness of Buck Owens, whose final words to her she still remembers.

“We sang Tammy Wynette and George Jones’ ‘When I Stop Dreaming’ during rehearsal and as he was walking down the hall to leave he said, ‘You know, your harmonies remind me of the way my momma used to sing.’” Owens died the following week, in March 2006, leaving the future of the Buckaroos and Crystal Palace in doubt. “He mostly just came in and left after each show, but there were times when he was really personable. If people wanted to come and talk to him, he would always invite them. He was always very aware of his fans. It really impacted me when he died, and I never thought I would be singing again. It was really the end of an era. I don’t think people thought about that.”

‘Best harmonies ever’ Following Owens’ passing and some reorganization, regular weekend appearances by the band are still very much a part of the Crystal Palace experience, as the Buckaroos are joined by two rotating leads: Buddy Alan Owens and McAbee, and Byrom with Keel, a team since 2007. “Jennifer does the best harmonies ever,” said Byrom backstage before a recent show as the two discussed the evening’s song choices. “No matter what song we do, even if it’s something she’s never sung before, it only takes one go-round for her to jump right in.” Those harmonies have their DNA in those living room jamborees with her father when she was a kid. The singer, wife, mother and daughter still feels her late father’s proud presence in the audience when she takes the stage. “My dad came to see me with Monty once. I didn’t know where he was, but I heard an ‘ahem’ in the audience. That sounded like my dad, and there he was behind the third pillar to my left. I could see his cowboy hat and big belt buckle shining. I’ll never forget that night. I still always look in that direction at every show.”

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This copy editor is a man of style placement of commas and the appropriate use of an apostrophe. Since taking over In its modern, digital the column from its founder, forms, writing has become Norm Goldstein, Minthorn something like an untended has answered more than garden. It’s overgrown with 8,000 of these queries, offertext-speak and crawling with ing brief but definitive invasive species like tweets responses to questions such and dashed-off e-mails. as: OMG, it’s a mess. “What is the plural of So think of David Minthorn meatloaf? Meatloafs? Meatas a linguistic gardener, loaves? It isn’t in the dictiondoggedly cultivating this ary.” Minthorn replied that weedy patch in the hope of AP’s style is “meatloaves,” restoring some order and noting that this “makes maybe coaxing something sense because the dictionary beautiful out of it. lists loaves as the plural of Minthorn’s mission is the JENNIFER S. ALTMAN / maintenance of English THE WASHINGTON POST loaf, the food.” “I feel a little bit of an obligrammar, the policing of David Minthorn, AP’s deputy gation to answer as many of punctuation and the enforce- standards editor, is sincere ment of a consistent written in his efforts to help writers. these questions as I can,” says the mild-mannered style for one of the world’s “I feel a little bit of an oblilargest news organizations. gation to answer as many of Minthorn. “I don’t get to all of them. But I try my best. PeoAs the Associated Press’ these questions as I can.” ple really want to know. deputy standards editor, he’s tian and Sally Jacobsen, are “We get hundreds of sugthe news wire’s word nerd, the Stylebook’s editors. They gestions a year (for changes). the go-to guy for settling all spend all year arguing about We adopt the ones that we manner of niggling usage what to include, updating the think have reached a critical questions. Is it “e-mail” or book to take account of new mass.” “email”? “Smart phone” or All told, Minthorn, who is “smartphone”? “Tea Party” or words and phrases such as “geotagging,” “unfollow” and 69, exerts a subtle yet pro“tea party”? According to found influence on the way Dave Minthorn, it should be “Internet-connected TV.” For the past four years, words appear online and in the latter in each case. Minthorn has also been the print. His judgments guide His distilled wisdom is the author of AP’s “Ask the EdiAP’s dispatches, which is no AP Stylebook, the bible for tor” feature, in which persmall thing. The New Yorkcorrespondents and editors plexed writers from all walks based news service, a nonand a best-selling volume in of life (and all corners of the profit cooperative owned by its own right for the past member news organizations, three decades. Minthorn and globe) seek his counsel on two colleagues, Darrell Chris- such pressing matters as the has 3,700 employees in 300

BY PAUL FARHI

The Washington Post

bureaus around the world. On a given day, it claims, its work is seen by half the world’s population. Because of this ubiquity, Minthorn’s Rules of Order are about as close to a universal code of English usage as there can be. The questions Minthorn fields from the public come from just about everywhere and everyone. Newspaper copy editors write to him, as do public-relations executives, students, teachers, corporate and military types, librarians and “just plain word nuts.” And, yes, they can be a little nutty about this stuff. Minthorn, Christian and Jacobsen kicked up quite a ruckus recently when they agreed to refer to electronic mail as “email” instead of “email.” The pro-“e-mail” faction protested the hyphen-ectomy, but the AP style mavens declared that the extra character was unnecessary because it slowed writers down, if only by a fraction of a second. “We spend a lot of time debating these things,” Minthorn says. Conversely, the punctuation gods ruled that the proper form of “bed and breakfast” is “bed-andbreakfast,” a change sure to please the hyphen lobby. Go figure.

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The Bakersfield Californian Thursday, August 4, 2011

Eye Street

Index Tehachapi Food and Wine Festival . . . . . . . . . . . .18 Cristian Castro . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18 14th annual Lowrider Nationals . . . . . . . . . . . . . .19 Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Friendship Force . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 The Lowdown with Matt Munoz . . . . . . . . . . . . . .22 First Friday . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26-29

Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Tune’s still sweet for Evans World Records ‘in it all the way’ for nearly 30 years BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

edged between Village Grill and Beverly’s Fabrics in Westchester, World Records, the tiny music store with big dreams, prepares for another day of business. Pulling up to the spacious parking lot, the building’s single door is both an invitation and a reminder of the fiercely independent spirit of World Records, which has weathered changes in music sales with an emphasis on customer service and concerts for nearly 30 years. The scent of a mixed incense display and sight of two life-sized cutouts of singers Christina Aguilera and Beyonce, staring down near the ceiling like guardians, greet you upon entering owner Pat Evans’ domain. Moving some of the newly arrived stock of CDs, Evans stops to greet his first customers of the day. “Do you have any Diana Krall?” the customer asked Evans before reminiscing about hanging out as a young skateboarder at the store’s original location off Oswell in east Bakersfield back in the ’80s. Smiling back in appreciation and offering up some information about the store’s upcoming B-Town Blues Fest, it’s an encouraging sign. “This is where it all goes down,” said Evans, pointing down to the store’s glass counter. “If you believe in something you have to stay with it, and we’re in it all the way.” The store, now in its fourth location, has come a long way since opening its doors on June 12, 1982, a date Evans can recall as if it was yesterday. Working as a financial analyst for Shell Oil at the time, the North High graduate was also fresh out of Santa Clara University, where he also worked as a DJ at the campus radio station. Hanging out one night at The Tam O’Shanter restaurant with longtime friend Scott Schwebel taking in some of the evening’s entertainment, Evans said the two had a premonition. “That night he said, ‘We’re opening a record store.’ Scott was the guy with the crazy idea. I ended up quitting my job at Shell, much to the dismay of my dad.” With no previous retail business

CASEY CHRISTIE / THE CALIFORNIAN

World Records owner Pat Evans is ready for business at his new location at 2815 F St. in Bakersfield. The larger building is being tailored to host live music events as well.

World Records 2815 F St. 831-3100 or shopworldrecords.com Hours: 10 a.m. to 6 p.m. Monday through Friday, 9 a.m. to noon Saturday

experience, the two found their first storefront in a shopping center off Oswell and Auburn on the east side and soon headed into the competitive world of independent record stores. It became a regular hangout for area college and high school students who didn’t have the car or bus fare to make it to the Valley Plaza to pick up their favorite tunes. “I can remember when we found the Oswell venue, people were trying to talk us out of it,” recalled Evans. “We must have spent the first few months in the back drinking beer.” But as time progressed, the idea caught on and after some research visiting major chains of the period like Licorice Pizza, Wherehouse and more, Evans knew what would

elevate World Records above the rest. “The first thing I noticed was that no one said, ‘Hi,’ when I walked in, and the stores were always dirty.” Expanding his work force beyond just a duo, World Records’ bumpy introduction its inaugural year would be the first in a series of learning experiences. “Our qualification for having the store was that we like music,” said Evans. In subsequent years, World Records became known just as much for its in-store events as for its valued customer service. Moving to Stockdale and Coffee, concerts were often held outside in celebration of a new major release, such as when Bakersfield nu-metal band Korn released its fourth album, “Issues,” in ’99. It was also the year that online music swapping site Napster was about to revolutionize the way people had access to music and ultimately lead to the demise of the chain music store. Through the decade, Evans kept himself afloat adding

music promoter to his list of suboccupations, holding outdoor concerts with music legends Dick Dale, Bo Diddley and The Monkees, among many others. A fan of the blues, he also started a regular blues concert series featuring big name artists like Joe Bonamassa, dubbing it “The No Stinkin’ Service Charge Blues Series,” in protest of the ticket surcharges added by ticket brokers. But even World Records couldn’t avoid feeling the financial squeeze brought on by the popularity of MP3s and vanishing CDs, and off it was to downtown where he and longtime employees Bruce Jones and Chris O’Brien moved again and stayed for three years before finally relocating to Westchester in April. Evans has always been resilient about continuing business without bringing too much attention upon himself, which was evident when he vacated his G Street location without much prior notice. Reserved about discussing too much in-depth business, the one thing he is happy to share are

some of his plans for the future of World Records, which turns 30 next year. “Life happens when you’re busy making plans. It’s been time to close a record store for some time. You’ve gotta find a reason to hold on. ” Among those reasons is the brick-by-brick community sponsorship drive to help with furthering Evans’ vision for having live shows in the building’s back showroom, which will also double as a music education center for traveling exhibits. There’s also the successful B-Town Blues Fest, which returns for a seventh year at the CSUB Amphitheater on Sept. 17. But mostly, it’s all about continuing the tradition he and his buddy started years ago. Stop in anytime, and you’re guaranteed to find the latest new and classic releases on CD and reissued vinyl. And just in case it’s not in stock, Evans says he’ll be sure to find it for you. “We’ve built so many relationships over the years, and the customer experience never gets old.”

The Bakersfield Californian Thursday, August 4, 2011

California Vascular & Vein Center

Eye Street

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The best of Tehachapi Region’s tastiest wines, foods highlighted at annual event

Mallik Thatipelli, MD, FACC, FSVM

BY ASHLEY FISCHER Contributing writer

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Fifth annual Tehachapi Food and Wine Festival When: 6 to 10 p.m. Saturday, VIP entry starts at 5:30 p.m. Where: 122 E. Tehachapi Blvd., Suite C, Tehachapi Admission: $40; $50 at the gate; $100 VIP, includes optional Friday welcome reception and Sunday brunch at Indian Point Ostrich Ranch Information: tehachapifoodandwine.com

8 5 5 Mexican crooner heads to Fox Theater 3D $11.00

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and Triassic Legacy — and both are pioneering new growing techniques specifically tailored to suit growing premium wine grapes in Tehachapi’s high mountain elevations. Knowing that a festival cannot be run on two wineries alone, McDemas also recruited more than 20 other wineries from the Central Coast and other nearby winemaking regions to help keep guests happy and their glasses filled with a variety of premium wines produced in wineries only a few hours drive away. Also, unlike many wine tastings, guests will be able to purchase many of the wines they taste that day through the Tehachapi Wine and Cheese Cellar, which will have a merchant area at the event. There will also be two stages featuring music and live entertainment, including Bakersfield’s own Soulajar, an Elvis impersonator and other local acts. Other features of the evening include a beer garden, an art gallery, local farms serving samples of their fresh produce, basket-weaving demonstrations, a viticulture expert from UC Davis, and even festival fairies — young girls bestowing guests with bead necklaces, for that extra

$ 50 $ 50 $ 50

(11:00AM, 11:55AM, 12:40, 1:40, 2:35, 3:20, 4:20, 5:15), 6:00, 7:00, 7:55, 8:45, 9:40, 10:30

PHOTO COURTESY OF ANTHONY MCDEMAS

The Tehachapi Food and Wine Festival showcases the very best of what area farmers, winemakers, artists and businesses have to offer.

SENIORS (55+) AND KIDS ONLY

COWBOYS & ALIENS I

ver the past few decades, California has seen the creation of numerous events celebrating our love of fresh foods and fine wines. But none of these many festivals can provide an experience that is “uniquely Tehachapi” as the Tehachapi Food and Wine Festival, happening Saturday. The festival, which began as a modest wine tasting event in 2007, has now expanded into a full day’s worth of events showcasing the very best of what Tehachapi farmers, winemakers artists and local businesses have to offer. Hoping to attract both wine-lovers and “foodies” from the rest of Kern County and beyond, event creator and manager Anthony McDemas proposed the idea of holding a wine festival four years ago, to celebrate Tehachapi’s first local winery, in addition to the unique local restaurants. The idea quickly garnered the support of city officials and the rest of the community, and has been growing ever since. “I moved here in 2004, and I saw the writing on the wall for where we were heading, as a kind of agri-tourism destination,” said McDemas. “When we first started, we were a tiny little event, with one winery and eight restaurants. Now, we sell out every year. That first year, we were hoping we’d get 250 people, and we closed the gates at 300. Last year we targeted 1,000 people, and closed the gates at 1,200.” The number of attendees isn’t the only thing that’s grown, either. Those eight original restaurants have increased to nearly 30 local, independently owned eateries (including a couple from Bakersfield). As for the wineries, there are now two located in Tehachapi — Souza Family Vineyard

touch of whimsy. “That’s the festival,” McDemas said. “Bigger and better than ever.” Another feature set to debut this year is the Farm to Fork live cooking demonstration. Two top chefs from Los Angeles, Rich Mead and Yannick Marchand will each use a box of local produce to create a unique and delectable dish. “The whole idea to connect the dots from where the food comes from. There’s real people growing your food, and up here it’s unique in that it’s such a high elevation. The seed in Tehachapi endures a lot more stress, so it develops richer flavors, colors and textures. Foodies and chefs love that.” Costs are kept lower than many other food and wine festivals (tickets are $40 per person), so anyone can come and explore Tehachapi while enjoying some of the finest food and entertainment our friendly neighbors have to offer. “This is quintessential Tehachapi. This festival couldn’t be anywhere else. I want people who come here to feel that they’ve been transported to someplace truly different,” said McDemas. “We just want to create a magical evening where everybody can enjoy themselves, and feel welcomed not just by the festival, but by the entire community.”

I Pass/Discount Restrictions Apply

Showtimes Valid Only 8/4/11

THE BAKERSFIELD CALIFORNIAN

rammy-nominated Mexican star Cristian Castro continues his lengthy “Viva El Príncipe” tour with an appearance at the Fox Theater Sunday night. The son of renowned actress and singer Veronica Castro and comedian Manuel “El Loco” Valdes, Castro started his career as a teen appearing on popular telenovela soaps throughout Latin America, before becoming a popular singer and sex symbol in the ’90s. Releasing 13 best-selling albums since his debut, “Agua Nueva,” he has majorly revamped his image many times. No longer a teen idol, he’s now a suave crooner switching from traditional mariachi music to romantic

Cristian Castro When: 7 p.m. Sunday Where: Fox Theater, 2001 H St. Admission: $35 to $75 Information: 324-1369 or vallitix.com

ballads, in the manner of fellow Mexican star Luis Miguel, who joins him as one of the country’s best-selling acts. His current album, “Viva El Príncipe,” spent seven weeks at No. 1 on Billboard’s Top Latin Albums chart and has remained among the top 10 most-sold albums on the chart since its release last year December. The album features Castro’s rendition of songs popularized by Mexican icon

PHOTO COURTESY OF UNIVERSAL MUSIC LATINO

Grammy-nominated Mexican singer Cristian Castro will perform at the Fox Theater on Sunday night.

José José, who performed alongside Castro during this year’s Billboard Latin Music Awards.

Thursday, August 4, 2011 The Bakersfield Californian

Eye Street

How low can they go? Lowrider Nationals aims for family fun BY MIRANDA WHITWORTH Contributing writer

ly cars and family fun await as custom car builders head to Bakersfield to show off their skills at the 14th annual Lowrider Nationals Sunday at the Kern County Fairgrounds. This year, the annual celebration of urban car culture embraces the family tradition of taking cars to the next unbelievable level, according to event producer Rick Munoz. “There’s three generations when it comes to car building. You have grandfathers, fathers and sons all working together, and it’s really about family when you think about it.” Munoz, who has produced the Lowrider Nationals event for five years, has watched the custom scene evolve to what it is today. The younger generation that has learned the custom art from their families has now branched off in wild new directions all their own. “This event used to mainly feature lowrider cars, Chevys from the ’60s. But now with movies like ‘The Fast and the Furious’ and the cars in the hip-hop world you are seeing these younger guys bring in the imports

14th annual Lowrider Nationals When: 11 a.m. to 5 p.m. Sunday Where: Kern County Fairgrounds, 1142 P St. Admission: $17 in advance (at lowridernationals.com); $20 at the gate or $15 with donation of canned food item between 11 a.m. and noon; free for children 6 and under Information: lowridernationals.com or 818810-9072

like Hondas or SUV-style cars.” While the event has grown to include 350 categories for competition with cars ranging in age from the 1930s to the 2000s and in makes from across the globe, there is still a common theme that Munoz said is undeniable: lowered frames. “When you see all of the cars side by side, whether they are Euros, imports or dubs, they are all lowered; even if they aren’t in the Lowrider class they are all lowered to the ground. Lowriders aren’t just a category, they are the foundation.” With the event touted as a family affair, this year’s Lowrider Nationals is being billed as the most familyfriendly edition yet. Ticket prices have been lowered to make room in

tight family budgets, with general admission dropping to $20 (from $25 last year) and free for children 6 and under. Those interested in attending also have the opportunity for a further admission discount during the event’s first hour, Munoz said. “We wanted to help support the community that helps support us. So people can bring donations of canned food for a $5 discount. All the donations stay here locally and you are getting in for $15,” said Munoz. In addition to the cars, vendors will be on site with merchandise ranging from clothing to auto accessories. A lineup of entertainment has been arranged as well featuring rappers WC, Mann, Amanda Perez and a few local acts sprinkled throughout. Keeping with the family feel, the event will feature a Fun Zone for kids and adults with a water slide, bounce houses for the little ones and even large bounce houses for adventurous adults who would like to get in on the action. “The discounted tickets, the food drive, the Fun Zone — it’s all about family and making it affordable for the whole family to have fun. This has always been a family-oriented event, but this year we are really making it happen.”

The Show Must Go On!

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Call for local drummers to hit the skins BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

alling all local beat masters: Signups have begun for the 23rd annual Guitar Center’s DrumOff competition. Bakersfield drummers can sign up at Guitar Center’s Ming Avenue store for the chance to participate for a chance to win thousands of dollars in prizes and the coveted title of being called Guitar Center’s Drum-Off Champion. Local competitions will be held at each of the 220 Guitar Center locations nationwide, with store preliminaries at 6 p.m. Sept.13, 20 and 27. Store finals will be held Oct. 4. All store, district and regional finalists will win significant prize packages, including instruments, drum equipment and accessories and gift cards. The grand prize package, valued at nearly $50,000, includes $25,000 cash, a custom drum kit, product endorsement deal, a feature in Modern Drummer Magazine and more. “It’s super exciting to finally give drummers the spotlight,” said Bakersfield Guitar Center sales associate and drummer Cameron Poehner. “So many drummers come in and just kill it.” For each preliminary competition, each contestant will be required to give

MICHAEL FAGANS / THE CALIFORNIAN

Cory Perry was the winner of the 2010 Guitar Center Drum-Off competition and went to the regionals.

a performance on a five-piece drum kit, with the option of using the Roland SPD-30 percussion pad, and will be judged on originality, technique, style, stage presence and groove. Ten contestants will compete during each preliminary round. One winner from each of those rounds will move to the store finals along with two other finalists. The winner of the store finals will move up to district competitions (taking place at 25 different Guitar Center locations on Oct. 25), followed by regional finals (taking place at five dif-

ferent Guitar Center locations on Nov. 15), and culminate in Guitar Center’s Drum-Off finals competition slated for Jan. 7 in Los Angeles. There, the five finalists will open up for A-level artists and perform in front of a live audience and panel of celebrity judges. “Don’t be afraid and sign up early, because it’s going to be a blast,” added Poehner. Last year Bakersfield drummer Cory Perry qualified for the competition’s Rancho Cucamonga district finals but was eliminated during that round. Guitar Center’s Drum-Off is known for helping jump-start the careers of a number of professional drummers over its 23-year history, including those of Tony Royster Jr., whose resume includes tours with Prince, Beyoncé and Jay-Z. In years past, a number of the world’s best and most renowned drummers have participated in and supported the competition as clinicians, including Chad Smith of Red Hot Chili Peppers; Guns ‘N Roses’ Matt Sorum; Questlove of The Roots and “Late Night With Jimmy Fallon”; and more. For more information, call Guitar Center on Ming Avenue at 396-3838, or visit guitarcenter.com.

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4915 Stockdale Highway • 661-834-3068 Monday - Friday: 10-6 • Saturday: 10-5

Thursday, August 4, 2011 The Bakersfield Californian

Eye Street CONTINUED FROM PAGE 28

B.Ryder’s Sports Bar & Grill, 7401 White Lane, 397-7304; 8 p.m. Thursdays and Tuesdays. Cactus Valley Mexican Restaurant, 4215 Rosedale Highway, 633-1948; 6:30 to 9:30 p.m. Thursday; beer pong and happy hour all day Sunday. Cataldo’s Pizza, 4200 New Stine Road, 397-5000; 6:30 to 9:30 p.m. Thursday. Corona’s Cantina, 9817 S. Union Ave., 345-8463; 7 to 10 p.m. Thursdays. Don Perico Restaurant, 2660 Oswell St., Suite 133, 871-2001; 7 to 11 p.m. Thursdays. B. Ryder's Sports Bar & Grill, 7401 White Lane, 397-7304; 8 p.m. Tuesday. Pour House, 4041 Fruitvale Ave., 5899300; 9 p.m. Thursday through Saturday. T-Bones Steakhouse, 8020 District Blvd., 398-1300; with Irish Monkey Entertainment, 6:30 to 11 p.m. Thursdays. The Old River Monte Carlo, 9750 Taft Highway, 837-0250; 8:30 p.m. every Thursday. The Wright Place, 2695-G Mount Vernon Ave., 872-8831, 8 p.m. every Thursday. Tomi’s Cowgirl Cafe, 1440 Weedpatch Highway, 633-1949; Karaoke King Show, all ages, 7 to 10 p.m. Thursdays and Fridays. Maria Bonita Mexican Restaurant, 10701 Highway 178, 366-3261, 7 to 11 p.m. Fridays. All ages. The Pourhouse, 4041 Fruitvale Ave., 589-9300; 9 p.m. every Friday. The Prime Cut, 9500 Brimhall Road, 831-1413; hosted by Ed Loverr, 9 p.m. to midnight Friday. The Regent, 2814 Niles St., 871-4140; 8:30 p.m. every other Friday. Chateau Lounge, 2100 S. Chester Ave., 835-1550; 9 p.m. every Saturday. Del Rio Cocktail Lounge, 5840 State Road, 393-0262; 8 p.m. every Saturday. Pyrenees Cafe, 601 Sumner, 3230053; 8 p.m. to midnight Saturdays. Rocket Shop Cafe, 2000 S. Union Ave., 832-4800; 8:30 p.m. to midnight Saturday. Sports & Spirits, 6633 Ming Ave., 398-7077; 9 p.m. Thursdays and Saturdays. Tejon Club, 117 El Tejon Ave., 3921747; 6 to 10 p.m. Saturday. The Playhouse, 2915 Taft Highway; 397-3599; 7 to 10 p.m. Sundays. Rockstarz Party Bar, 7737 Meany Ave., Suite B5, 589-6749; 8 p.m. Mondays through Wednesdays. Diana’s Pit Stop, 10807 Rosedale Highway, 587-8888; 8 p.m. Mondays and Thursdays. Rockstarz Party Bar, 7737 Meany Ave., Suite B5, 589-6749; 8 p.m. Mondays through Wednesdays. The Wrecking Yard, 9817 S. Union Ave., 827-9192; 7 to 10 p.m. Mondays, Tuesdays and Thursdays. Best Western , 2620 Buck Owens Blvd., 327-9651; The Junction with host Mac Clanahan, 8:30 p.m. Tuesdays through Fridays. Cataldo’s Pizzeria, 6111 Niles St., 3637200; 6:15 to 10:15 p.m. Tuesdays. City Slickers, 1001 W. Tehachapi

Blvd., 822-4939; 7 p.m. Tuesdays and Thursdays. DoubleTree Hotel, Club Odyssey, 3100 Camino Del Rio Court; 8 p.m. to midnight Tuesdays. Le Corusse Rouge, 4647 White Lane, 834-1611; A to Z Karaoke, 8 p.m. to midnight Tuesdays. Lone Oak Inn, 10612 Rosedale Highway, 589-0412; 8 p.m. Tuesday and Thursday. Magoo’s Pizza, 1129 Olive Drive, 3997800; 6:30 to 9:30 p.m. Tuesday. McMurphy’s Irish Pub & Sports Bar, 14 Monterey St., 869-1451; 7 p.m. to 1 a.m. Tuesdays. Round Table Pizza, 2060 White Lane, 836-2700; 6 to 9 p.m. Tuesday. The Bull Shed Bar & Grill, at Hotel Rosedale, 2400 Camino Del Rio Court, 327-0681; 7 p.m. Tuesdays and Thursdays. Trouts & The Blackboard Stages, 805 N. Chester Ave., 399-6700; 7 p.m. Mondays and Thursdays, 8:30 p.m. Tuesdays, Wednesdays, Fridays, Saturdays and Sundays. Ethel's Old Corral, 4310 Alfred Harrell Highway, 873-7613; 6 to 9 p.m. every Wednesday. Iron Horse Saloon, 1821 S. Chester Ave., 831-1315; Ben and Janet Lara, 7 p.m. Wednesdays.

Latin/Salsa Latin Salsa Dancing, 8 p.m. Thursdays, DoubleTree Hotel, Club Odyssey, 3100 Camino Del Rio Court. 323-7111. Tam O’Shanter, 2345 Alta Vista, 3246774: Salsa dancing, 7:30 p.m. Fridays and Saturdays. DoubleTree Hotel, Club Odyssey, 3100 Camino Del Rio Court, 633-1949; various levels, 3 to 9 p.m. every Sunday. $5 per person, per lesson.

Mariachi Camino Real Restaurant, 3500 Truxtun Ave., 852-0493; Mariachi Imperial, 6 to 9 p.m. Sundays.

Music Showcase The Prime Cut, 9500 Brimhall Road, 831-1413; featuring local artists David Carpenter and friends with special guest Tony Vice, 7 to 10 p.m. Wednesday.

Oldies KC Steakhouse, 2515 F St., 322-9910; Jimmy Gaines, Bobby O and Mike Halls, 6:30 p.m. Thursday through Saturday.

Old School Que Pasa Mexican Cafe, 2701 Ming Ave., 832-5011; Al Garcia & the Rhythm Kings, 8 to 11 p.m. every Thursday. Narducci’s Cafe, 622 E. 21 St., 3242961; Savor featuring Valerie Rubin, 8 p.m. Saturday.

Open Mic Fishlips, 1517 18th St., 324-2557; Bakotopia Unplugged Open-Mic Night, 8 p.m., sign-up sheet begins at 7:30 p.m.

Pool Tournament Bellvedere Cocktail Lounge, 3090 Brundage Lane, 325-2139; 7 to 10 p.m.

every second Monday. $5 buy-in. $2 goes toward Relay for Life.

R&B Sandrini’s, 1918 Eye St., 322-8900; Rhythm Epkins, Mind, Body & Soul, 9 p.m. Thursday.

Rock Rockstarz Party Bar, 7737 Meany Ave., Suite B5, 589-6749; live bands, 9 p.m. every Thursday. Jerry’s Pizza, 1817 Chester Ave., 6331000, A Night in Hollywood, $10, 6 p.m. Friday. Sandrini’s, 1918 Eye St., 322-8900; Holy Beast, 9:30 p.m. Friday. B. Ryder's Sports Bar & Grill, 7401 White Lane, 397-7304; Back Up Johnny, 9 p.m. Friday. $5; 21 & over only.

Ska/reggae Sandrini’s, 1918 Eye St., 322-8900; Mento Buru, 9:30 p.m. Saturday. $5.

Top 40 DoubleTree Hotel, Club Odyssey, 3100 Camino Del Rio Court. 323-7111; 9 p.m. to 1:30 a.m. every Friday.

Trivia night Bellvedere Cocktail Lounge, 3090 Brundage Lane, 325-2139; 7 p.m. Tuesdays. Chuy’s, 2500 New Stine Road, 8333469; 7 p.m. every Tuesday. Sandrini’s, 1918 Eye St., 322-8900; Trivia Night with Dave Rezac, 10 p.m. Tuesdays.

Variety Crest Bar & Grill, inside Bakersfield RV Resort, 5025 Wible Road, 8339998; Jim Robinson, 6 p.m. Saturday. Iron Horse Saloon, 1821 S. Chester Ave., 831-1315; Noah Claunch Band, 9 p.m. Saturday Golden State Mall, 3201 F St., Dance to Joe Loco, 2 to 5 p.m. Sundays.

UPCOMING EVENTS Monday 8/8 American Girl Book Club, 7 p.m., Barnes & Noble, children’s area, 4001 California Ave. 631-2575. Avenues to Awareness presents the audio of Eckhart Tolle’s “Living a Life of Inner Peace,” 7 to 9 p.m., Juliana’s Art Studio & Gallery, 501 18th St. 378-5075. Cardio Kickboxing Classes, with heavy Muay Tai bags, 6 p.m. Monday through Thursday; 7 a.m. Saturday, Kickboxing Bakersfield, 9601 S. H St. 374-5728. Cartooning & Scrapbooking with Jeanie Truitt, for ages 7 to 12, 10 a.m. to noon, Bakersfield Art Association Art Center, 1817 Eye St. Free, materials provided. 869-2320. Health Fair, 11 a.m. to 1 p.m., Fiesta Latina Market, 1220 7th St., Wasco. 758-2263. Kids & Critters Day Camp, for ages 8 to 11, obedience training, grooming, shelter care for pets, activities and more, 9 a.m. to 4 p.m. Monday through Friday, Bakersfield SPCA, 3000 Gibson St. $150 for week. 323-8353 ext. 2.

PHOTO COURTESY OF DRAFTHOUSE FILMS

Filmed entirely in Frazier Park, “The FP” makes its local debut with a free outdoor screening Saturday.

Local sci-fi in the south Kern sky BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

ult film fans should make plans for a trip to Frazier Park Saturday for a free outdoor screening of independent sci-fi action film “The FP.” Sponsored by Drafthouse Films, a distribution branch of Austin-based Alamo Drafthouse, filmmaking brothers ‘The FP’ Jason and Brandon Trost return to unveil their film to a homescreening town audience. Frazier Park figWhen: 9:30 p.m. ures prominently as the titular Saturday setting for the film’s near-postWhere: Tait Ranch, apocalyptic future, serving as a 3344 Frazier character itself. Mountain Park Road, “The FP”centers on two rival Frazier Park neon-clad gangs waging an underground turf war for domi- Admission: Free nance of Frazier Park. NickInformation: named The FP, the gangs fight in 245-6315 or the deadly arena of “Beat-Beat drafthousefilms.com Revelation” — a competitive dance-fight game, based on Konami’s popular “Dance Dance Revolution” arcade game. The film is a nod to ’80s sci-fi action genre fare in the tradition of Troma Films’ “Class of Nuke ’Em High,” filled with over-the-top good- and bad-guy characters. In one scene, the “Welcome to Frazier Park” sign is visible as one of the movie’s main characters is about to enter the city. There’s also plenty of campy silliness, with “Rocky”-like training scenes through the mountainous Frazier Park terrain, plus high-intensity Ab Doer Twist workouts to techno music before the big showdown. Pure popcorn fluff, “The FP” is billed as no-brainer fun that’s poised to earn midnight movie status. Directors Jason and Brandon Trost’s previous credits include working as cinematographers on films “Crank 2: High Voltage” and the upcoming “Ghost Rider 2: Sprit of Vengeance” with Nicolas Cage. Executive produced by Jason Blum and Steven Schneider of “Paranormal Activity” and “Insidious” horror fame, Drafthouse Films will have a limited theatrical release for “The FP” sometime early next year. In another local connection, former Bakersfield residents Tim and Karrie League ran the historic Tejon Theater on Baker Street in Old Town Kern from 1994 to 1996. Now a converted church, it was the Leagues’ first foray into the cinema/concert business before moving to Austin, Texas to build the successful Alamo Drafthouse franchise. Last year, their Rolling Roadshow presented a screening of the 2009 oil epic “There Will Be Blood” at the Kern County Museum. The filmmakers and actors from the film are scheduled to be in attendance for the screening. Attendees are asked to bring their own chair or blanket, as seating will not be provided. There will be no concessions on site. Picnic food and beverages are welcome.

Wednesday, August 10, 2011 The Bakersfield Californian

Local news

Dancer steps from glory BY MATT MUNOZ

â&#x20AC;&#x2DC;SO YOU THINK YOU CAN DANCEâ&#x20AC;&#x2122; VIEWING PARTY

Bakotopia.com editor mmunoz@bakersfield.com

Itâ&#x20AC;&#x2122;s the dance-off to end all danceoffs, and itâ&#x20AC;&#x2122;s going down tonight for Bakersfieldâ&#x20AC;&#x2122;s Sasha Mallory, who has survived weeks of rigorous competition to reach the finals of the popular talent show â&#x20AC;&#x153;So You Think You Can Dance.â&#x20AC;? But before she can hope to waltz off with the prize, she needs her friends back home to step up one last time. Consider it done. Several members of a local dance studio whose children have received training from Mallory are throwing a viewing party at the Fox Theater, starting at 7 p.m. today. And theyâ&#x20AC;&#x2122;re hoping the collective excitement will translate into texts and online votes. â&#x20AC;&#x153;What we wanna do is have people start on their cellphones at the Fox, then get home and continue at home or another location,â&#x20AC;? said co-organizer Kim Boyt. â&#x20AC;&#x153;So get your phones charged up and computers logged on.â&#x20AC;? Boyt and Dahlia Carmona-Garcia sprang into planning mode following last weekâ&#x20AC;&#x2122;s results announcement that Mallory made the showâ&#x20AC;&#x2122;s Top 4, along with finalists Marko Germar, Melanie Moore and Tadd Gadduang. Boyt reached out to other mothers in the Civic Dance Center circuit where Mallory, her sister, Natalia, and their mother, Dawn, teach. After the group booked the Fox for both tonightâ&#x20AC;&#x2122;s party and for the results show Thursday, it was just a matter of pulling together some funds to cover the venueâ&#x20AC;&#x2122;s tech team and utility

When: Doors open at 7 p.m.; telecasts at 8 p.m. tonight and Thursday Where: Bakersfield Fox Theater, 2001 H St. Admission: Free Information: 324-1936 or foxtheateronline.com To watch at home: 8 p.m. tonight and Thursday on KBFX-TV, Fox 58

Mallory

expenses. Garciaâ&#x20AC;&#x2122;s husband, John, who owns EMD Farms in Bakersfield, kicked in $750 to cover costs. Malloryâ&#x20AC;&#x2122;s breakout run on the Fox television show has led to a crash course in marketing and publicity for her family, which has rallied the troops under the Team Sasha banner with a campagin to get out the vote. â&#x20AC;&#x153;I think itâ&#x20AC;&#x2122;s really cool that everyone is coming out to support Sasha at the Fox,â&#x20AC;? said Natalia. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s just crazy that sheâ&#x20AC;&#x2122;s in the Top 4. Sashaâ&#x20AC;&#x2122;s really happy, but also in shock a little bit. We grew up watching that show and now all this has happened. Every vote counts from the fans. This is it.â&#x20AC;? The showâ&#x20AC;&#x2122;s voting procedures have changed this season to favor voters over the celebrity judges. Fans are allowed 50 votes through

Fox.com/dance, and texting is unlimited. Lizette Swanson, another Bakersfield dance mom, urged supporters to act quickly after tonightâ&#x20AC;&#x2122;s show because voting ends at midnight. Then on Thursday night, fans are invited to gather at the Fox again for the live results show. â&#x20AC;&#x153;Many of us supporters have had a lot of individual parties,â&#x20AC;? Swanson said. â&#x20AC;&#x153;Letâ&#x20AC;&#x2122;s get everyone and vote together for Sasha. This is major. One person voting for 50 times online doesnâ&#x20AC;&#x2122;t even make a dent, so if we can get a lot of people all at the same time, we might bring it in Sashaâ&#x20AC;&#x2122;s favor. Text voting is easier and is unlimited and you can vote at least 1,000 times, and it's so easy.â&#x20AC;? Although admission is free for both nights, a $5 donation will be accepted in the theaterâ&#x20AC;&#x2122;s lobby to help fund a party upon Malloryâ&#x20AC;&#x2122;s return home.

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The Bakersfield Californian Thursday, August 11, 2011

Eye Street

Index Nelson Varon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17 Michael Armendariz . . . . . . . . . . . . . . . . . . . . . . . .18 Bakersfield Community Theater season . . . . . . .19 Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Young Audiences workshop . . . . . . . . . . . . . . . . . .21 The Lowdown with Matt Munoz . . . . . . . . . . . . . .22 BC planetarium schedule . . . . . . . . . . . . . . . . . . . .23 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26-29

Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

She knows the tune by heart Amy Adams gets back on the mic for benefit show BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

n her journey from the bright lights of reality TV to the glimmering stages of big production musicals, Bakersfield singer Amy Adams believed she’d never stop singing. Adams made her initial splash as a finalist on the third season of “American Idol,” where she emerged as a wild-child favorite with her attitude and multi-colored spiky hair. Though she didn’t reach the show’s final competition, opportunity continued knocking in the form of the “American Idol” concert tour and a high-profile stint on a touring production of Andrew Lloyd Webber’s “Joseph and the Amazing Technicolor Dreamcoat” in 2005. But even Adams’ golden pipes couldn’t withstand the rigors of touring and relentless production schedules. Before she knew it, she was being sent home on strict voice rest after injuring her vocal chords. It’s a secret she tried hiding from her fans for nearly five years. But given a clean bill of health from her doctor to begin again at full range, the 32year-old is excited to raise her voice once more, this time for a good cause, when she appears tonight at the Helping Little Hearts benefit concert at Buck Owens’ Crystal Palace. “I was forced to take two years off by my doctors,” said Adams of her 2006 medically imposed exile, which took her off the road and into quiet life in Bakersfield. “I was under contract and I had a vocal hemorrhage. It was a pretty strict contract, so everything I did had to be cleared by a doctor before I could do anything. It was scary because singing was my livelihood.” Though she played small gigs to stay in the public eye, Adams said pulling the plug on her ambition made life difficult, but not impossible. “It was an interesting adjustment. Because my vocal chords didn’t heal naturally, I had to wait until I could have the surgery needed, which was January of last year. I just received my vocal clearance when I went back to the doctor.” During her extended break, Adams wasted no time. She charted a course for her professional return, which includes the upcoming release of her long-awaited new CD, more singing appearances, and continuing the local music mentoring program she founded through a partnership

“I was under contract and I had a vocal hemorrhage. It was a pretty strict contract, so everything I did had to be cleared by a doctor before I could do anything. It was scary because singing was my livelihood.” — Amy Adams

with Garden Pathways two years ago. “‘American Idol’ gave me so many tools, but what about these kids who have the dreams I had growing up? I came from a place where I didn’t know about available resources. That was my soul food. I couldn’t put all my stuff in my voice anymore, so I found these kids with all these dreams.” Adams began her latest mentoring session with the budding performers on Monday. Students are offered workshops in voice, music theory, performance and insights into the music industry, among other courses. “I started teaching safe voice singing, which I did a lot of while I was injured. This was something that students need to know. When I see these kids come in singing random songs that they hear on the radio, I also show them they can write their own, because I taught myself. That’s the stuff I care about — helping these kids find their own voice as an artist and who they’re gonna be. I just started the first camp for this year and the kids are unbelievable.” Lending a hand at tonight’s benefit concert is another way Adams can contribute to a worthy cause, and this one hits close to home. She’ll be singing with her friend Monty Byrom, whose 6-year-old son, Jake, has a congenital heart condition. “When my friend Monty asked if I would partner for the event I said, ‘Of course I would.’ My son, Harrison, is the same age as his son. Every time I look at Jake, I see my son. The hardest thing to do is trying to tell your kid what they’re going through, and it’s important to have these support systems for kids and parents that have to deal with all the emotions involved. Mended Little Hearts has camps for kids who will have scars forever from open-heart surgeries. Your heart breaks for the things that they have to go through.”

PHOTO COURTESY OF AMY ADAMS

Bakersfield singer Amy Adams appears at Buck Owens’ Crystal Palace tonight.

Helping Little Hearts Benefit When: 6 tonight Where: Buck Owens’ Crystal Palace, 2800 Buck Owens Blvd. Admission: $75; includes dinner Information: 304-2173 or Bakersfield.mendedlittlehearts.net.

For the evening’s entertainment, both Adams and Byrom will take turns at the mic as well as perform together on a few numbers, namely Byrom’s “Love Ain’t Easy,” which he contributed to Adams’ upcoming CD, “Never Looking Back.” Slated for release later this year, the CD may be pre-ordered at tonight’s show, with a portion of each purchase benefitting Mended Little Hearts. Byrom appreciates Adams’ involvement in the fundraiser, adding that bringing

awareness to support groups like Mended Little Hearts, which offers education and support for kids and families dealing with congenital heart defects. “We did a little research and found out that there are about 1,000 to 2,000 of these heart babies in Kern County, and most of the families don’t know there is support available,” Byrom said. “It’s amazing how these kids bounce back from treatment. When you see them run and throwing a baseball, it’s all worth it. I’m proud of my little guy. We hope this event is the first of many.” Also scheduled are live and silent auctions for autographed guitars from Merle Haggard, James “Munky” Shaffer of Korn, special party gift baskets, Xbox video gaming system and more. And if you can’t catch Adams tonight, head to the Spotlight Theatre, where she’s starring in the comedy “Dirty Rotten Scoundrels.”

The Bakersfield Californian Thursday, August 18, 2011

Eye Street

Index Martin Yan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25 Scott Cox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26 Opera preview . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27 Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28 The Lowdown with Matt Munoz . . . . . . . . . . . . . .30 Third Thursday . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31 Jerome Lazarus exhibit . . . . . . . . . . . . . . . . . . . . . .32 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36-37

Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

“One of the things that I point to when people ask me, ‘What’s the most special thing that you lost in that fire?’ — it’s that red, white and blue guitar that Buck gave me.” — Trace Adkins

A bond built to last Adkins lost gift from Buck, but memories still with him BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

he devastating June fire that leveled the home of Trace Adkins was a pretty intense reminder for the country star that nothing matters more than the safety of his children, who escaped the flames unharmed. Surveying the damage, the singer’s wife aptly summed up the situation for a television news crew: “Stuff is stuff.” But in the weeks following the fire, Adkins has found that some stuff matters more than he thought. He’s just now beginning to feel the incalculable loss of a special piece of red, white and blue memorabilia that was lost along with everything else in his Brentwood, Tenn., home. That treasure — which Bakersfield country music fans would recognize anywhere as the signature guitar of favorite son Buck Owens — was given to Adkins by his mentor. But though the guitar is gone, the connection Adkins feels to his hero endures, and so he has agreed to return to the Crystal Palace tonight to headline Buck’s Birthday Bash. Aug. 12 was the 82nd anniversary of Owens’ birth. “Anytime I have a chance to do anything associated with the name Buck Owens, I’m always honored to be a part of that,” said Adkins in a telephone interview from Pittsburgh. “The friendship that I had with Buck Owens is one of the things I cherish that’s come to me from being in the business all these years. One of the things that I point to when people ask me, ‘What's the most special thing that you lost in that fire?’ — it’s that red, white and blue guitar that Buck gave me. It was displayed in my family room there in my house, and everything that was in that room is gone. Something like that just cannot be replaced.” Two weeks into a media whirlwind to promote his new CD, “Proud to Be Here,” the 49-year-old father of five said the gratitude he feels for his family’s safety has helped him navigate through the pain. “It’s been easy for me to deal with it because my focus as a father has just been for the welfare of my kids, and their state of mind has been my number one concern, my main focus, so that’s really what

Buck’s Birthday Bash with Trace Adkins When: 7 tonight. Sold out. Where: Buck Owens’ Crystal Palace, 2800 Buck Owens Blvd. Information: 328-7560 or buckowens.com

I’ve busied myself. It’s kind of kept me from dealing with my own loss. Now, as I get farther away from the event and I realize that the kids are OK, I describe it as the ‘gift that keeps on giving.’ Every day there’s something that I don’t have now. It just continues to bother you and it just doesn’t seem to ease up.” A Grammy-nominated artist and recipient of several ACM and CMT awards, the deep-voiced giant has carved a niche for himself in the music industry over the last two decades. That’s a long way from his early days as a rough young hell-raiser and star athlete in his home state of Louisiana. A major car accident put a halt to any college football aspirations, a dark period he writes about in his book, “A Personal Stand: Observations and Opinions from a Freethinking Roughneck,” where he also discusses being shot by his second wife. But lately he has enjoyed success outside music, with a featured role as a bike gang member in the recent Matthew McConaughey film, “The Lincoln Lawyer.” Actually, Adkins thinks his own rough-and-tumble life story would make a pretty decent big-screen biopic, and he already has someone in mind to star. “Nick Nolte. He’d be perfect playing me,” Adkins laughed. And then there was Adkins’ respectable showing on a recent season of NBC’s “Celebrity Apprentice,” which allowed the good ol’ boy to show off his business acumen to none other than Donald Trump, the part-time mogul and full-time selfpromoter who was in the news several weeks ago weighing a potential presidential nomination. “It would be the most entertaining presidency in the history of this country, there’d be no question about that,” said Trump’s one-time protege. “We’d probably have to be apologizing a lot for things he’s said to world leaders. I think it would be a blast. I think it would be hilarious. I’d vote for him just because of how fun it would be.” But those forays into film and TV came long after Adkins’ start as just a face in the crowd coming out of the Nashville

JASON MOORE / ZUMA WIRE

A Grammy-nominated artist and recipient of several ACM and CMT awards, Trace Adkins has carved a niche for himself in the music industry over the last two decades.

machine. It was during that pivotal time, on a visit to Bakersfield in 1996, that Owens commanded the up-and-comer to perform an impromptu talent test. “I came by KUZZ that day and it was raining, so he wasn’t playing golf and he was there that day. When Buck saw me with a guitar in my hand, he got on the PA and said he wanted everybody to come to the conference room. He sat me right up front and then he took a chair and literally sat 10 feet in front of me, faced me and he said, ‘OK, play me your favorite Merle Haggard song,’ and I played it. Then he said, ‘Now, play one of mine,’ and I played it. And then he said, ‘Now, play your single.’ I played it. Then he just stood up and said, ‘Thank God, they sent us one that could sing.’ I’ll never forget that, ever.” In the years that followed, the two remained close friends until Owens’

death in 2006. “He always reached out to me and made sure that I knew he cared about me. One of the biggest honors I’ve had in this business was singing at his funeral. You know, I don’t have any connections with any of the legends in this business, really, that can compare with the connection that I had with Buck Owens.” And to make it a true birthday bash, Adkins is ready to pull out all the fan favorites tonight. “We’ll come in there and try and do a greatest hits show for ’em. Like, if I went to see old Buck and he didn’t do ‘Tiger by the Tail,’ I’d be pissed, and I’m the same way. I know that those fans wanna hear those songs that they’ve heard on the radio over the years, and so we’ll give ’em that, and maybe throw two or three things of this new album in the mix so they get a taste of it.”

The Bakersfield Californian Thursday, August 18, 2011

Eye Street Get a jump on fun at fairgrounds BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

e’re just a month away from the Kern County Fair, but you can get a jump on family fun at the fairgrounds Sunday at the 17th annual Kern County Hispanic Chamber of Commerce Business & Consumer Trade Show. Along with bounce houses, games, kiddie rides, face-painting and food vendors, there’s also a back-to-school giveaway. To highlight the importance of education and school preparedness, 500 free backpacks and supplies will be distributed to the first 500 children from pre-kindergarten to junior high. This is the first time for the backpack giveaway, but in light of the economy and desire to help families, chamber president Jay Tamsi said many chamber members and business sponsors wanted to give back and help. “Our chamber members have been working hard to collect as many backpacks and school supplies for Sunday’s trade show. The donor support has been amazing. We even had one gentleman, a former Bakersfield resident and Foothill High School class president who lives in the Bay Area, mail backpacks and school supplies to help about 50 children; he learned about our efforts through Facebook. It’s just inspiring how people are responding.” Live entertainment will include Thee Majestics, Mento Buru, Lost Vinyl, Ballet Folklorico Huaztecalli and Mariachi Juvenile de Aztlan. Chamber chairman Risto Rubio said the trade show is expected to connect families to many local businesses offering a variety of services such as retail items, real estate, banking, insurance, law enforcement outreach and health and wellness booths. “We are excited about linking our consumers with local businesses,” he said. “Aside from the dozens of exhibitors, there will be lots of activities for families to come and enjoy. It’s going to be a great family-filled event.” Admission and parking to the event is free. Exhibitor booths and sponsorships are still available. Potential vendors as well as sponsors are being asked to contact the KCHCC office at 633-5495.

KCHCC Business & Consumer Trade Show When: 11 a.m. to 4 p.m. Sunday Where: Kern County Fairgrounds, 1142 South P St. Admission: Free Information: 633-5495 or kchcc.org

GO&DO Today Concerts by The Fountain, top 40 hits with A.K.A., 7 to 9 p.m., The Marketplace, 9000 Ming Ave. Bakersfield Blaze vs. Lake Elsinore Storm, 7:45 p.m. Thursday-Sunday, Sam Lynn Ball Park, 4009 Chester Ave. $8$12.50. bakersfieldblaze.com or 716-HITS. Third Thursdays Faire (more on Page 31) Read the Classics, for young readers ages 8 to 12, 4 p.m., Barnes & Noble, 4001 California Ave. 631-2575. San Joaquin Sport Divers Meeting, for those interested in free diving, snorkeling and scuba diving, 7:30 p.m., Rusty’s Pizza, 6675 Ming Ave. 589-3334.

Friday Dave Alvin & The Guilty Ones (more on Page 26) Movies in the Park, presents “The Longshots,” dusk, Dr. Martin Luther Jr. Park, 1000 S. Owens St. 326-3866. “Opera Fever,” (more on Page 27). Third annual Center of the World Festival (more on Page 32). 2011 Tehachapi Mountain PRCA Rodeo (more on Page 33). Fantastic Friday Storytime, with Miss Olivia, 10 a.m., Barnes & Noble, 4001 California Ave. 631-2575.

Saturday Randy Rogers Band & Reckless Kelly (more on Page 26) 26th annual “The Rockin’ Ride for Life” Poker Run, benefitting Muscular Dystrophy in Kern County; (more on Page 33) 48th annual Tehachapi Mountain Festival, pet parade, carnival, arts and crafts booths, pancake breakfast, gem and mineral show, parade, beer garden, car show, PRCA rodeo and entertainment, Saturday and Sunday, Philip Marx Central Park, Tehachapi. tehachapimountainfestival.com or 822-4180. Golden Days of Spain Renaissance Faire, with food, music, and revelry, 10 a.m. to 6 p.m. Saturday and Sunday, Tait Ranch, 3344 Frazier Mountain Park Road, 31⁄2 miles west on Interstate 5, Frazier Park. $7.50 adults, $5 children 10-17, $5 seniors (65+), children under 9 are free; $2 parking. fmrf.info or 858-367-9708. Handcrafts Festival, 10 a.m. to 5 p.m. Saturday and 10 a.m. to 4 p.m. Sunday, Railroad Park, Tehachapi. 822-6062. Raider Jam 2011, Super Bowl champion Rod Martin, music by

Rock A Mole, Raiderettes, food, vendors, refreshments, entertainment for kids, DJ Raw One, waterslide, 11 a.m. to 5 p.m., Noble Park, 700 South P St. 3407167. Second annual Makeover Mania, chair massages, haircuts, vendors, fresh fruit and refreshments, 10 a.m. to 2 p.m., Columbus Estates, 3201 Columbus St. Free. 872-5855. Shop Til You Rock, (more on Page 31) The Sacred Work Sabbath, fellowship, speakers, video presentations, musical guests, 10:30 a.m., the theater at Rabobank Convention Center, 1001 Truxtun Ave. sjch.us or 8696562. “The Usual Suspects” Cinema Saturday, sundown, Valentien Restaurant & Wine Bar, 1310 Truxtun Ave., Suite 160. 8640397. Bakersfield Green Thumb Garden Club, meeting with Bill Moffatt from Kern Audubon Society, discussing “Attracting Birds & Butterflies to Your Garden,” 9 a.m., Church of the Brethren, in the social hall, 327 A St. 393-3657. Certified Farmers Market, 8 a.m. to noon, next to Golden State Mall, 3201 F St. Eagles 2011 Fun Fair, Car Show & Membership Drive, bounce houses, 50/50 raffles, entertainment, karaoke, music, games, vendors, drink specials, begins at noon, Eagles Hall, 1718 17th St. 747-1628. Farmers Market, 9 a.m. to 1 p.m., Brimhall Square, 9500 Brimhall Road. Gorgeously Green Beauty Routine Workshop, with Sophie Uliano, 2 p.m., Greenshops, 4821 Stockdale Highway. $42 workshop fee includes goodie bag. Reservation required, 834-6477. Green Workshop: A Very Green Mommy’s Morning, with Sophie Uliano, 11 a.m. to 1 p.m., Greenshops, 4821 Stockdale Highway. $42 workshop fee includes goodie bag. 834-6477. Ice Cream Zoofari, wildlife presentation, free rides on the railroad, 5 to 8 p.m., CALM, 10500 Alfred Harrell Highway. CALM will close at 4 p.m. and reopen for the Zoofari. $10 adult members, $8 children (ages 3 to 12); $15 non-members, $12 children. calmzoo.org or 8722256. Kids Discover Music, classically trained musician performs, reads a story and teaches kids about the music and instrument, 11 a.m. to noon, Russo’s, 9000 Ming Ave. 6654686. Low-Cost Dog Spay/Neuter Clinic Program, 7 a.m. to 4 p.m., Vons, parking lot, 5610 Lake Isabella Blvd. Free. To schedule an appointment and to

verify income qualification, call 1888-504-7729.

Sunday 14th annual Thunder on the Mountain annual Car & Truck Show, trophies, raffles, 50/50 drawing, event parking begins at 7 a.m., show 9 a.m. to 3 p.m., Downtown Tehachapi. $35 entry fee. thunderonthemountain.net or 821-1781. Buena Vista-North Kern Men’s Golf Club Tournament, individual stroke play begins at 9 a.m., Buena Vista Golf Course, 10256 Golf Course Road. $15 per person, plus green fees ($36.50). 398-9720.

THEATER “A Chorus Line” 7:30 p.m. Thursday through Saturday, Stars Dinner Theatre, 1931 Chester Ave. $45 to $55; show-only tickets $35; matinee $46 to $50.

Closing Reception for “Heart” Photography, photography by Jerome Lazarus R., Simon Cardoza and Mitch Reiter, 7 p.m. Friday, Reiter Gallery, 1914 Chester Ave. 862-0059.

MUSIC Acoustic Kern River Brewing Company, 13415 Sierra Highway, Kernville, 760-376-2337; Slideways with Eric Hershkowitz and Tom Corbett, 7:30 p.m. Friday.

Blues Kern River Blues Society Jam, 2 to 8 p.m. every third Saturday, Trout’s, 805 N. Chester Ave. 8727517. Sinaloa, 910 20th St., 327-5231; Glenda Robles, 8 to 11 p.m. Saturday. Pyrenees Cafe, 601 Sumner, 323-0053; Swamp Katz, 1 p.m. Saturday.

325-6100. “Beirut” 11 p.m. Friday and Saturday, The Empty Space, 706 Oak St. $5. 327-PLAY. Improv Comedy Show, with Center For Improv Advancement, 8 p.m. Fridays and Saturdays, Ice House, 3401 Chester Ave., Suite M. Adults: $5 on Friday and Saturdays, children under 12 are $1 every day. ciacomedy.com.Comedy. “Saved in The Nick (Tickle) of Time” 7 p.m. Friday; 2 p.m. Saturday, The Empty Space, 706 Oak St. Visit tonicism.com. “Seussical Jr. the Musical” 7 p.m. Friday and Saturday; 2 p.m. Sunday, Bakersfield Community Theater, 2400 S. Chester Ave. Pre-sale $10; $15 adults; $12 children. 831-8114. “The Show Must Go On,” followed by the vaudeville revue “Hot Summer Nights” 7 p.m. Friday and Saturday; 2 p.m. Sunday, Gaslight Melodrama Theatre & Music Hall, 12748 Jomani Drive. $12 to $23. 5873377. “Dirty Rotten Scoundrels: The Musical” 7 p.m. Friday and Saturday, Spotlight Theatre, 1622 19th St. $25; $22 students/seniors. 634-0692 or thespotlighttheatre.com. Major League Improv, improvisational comedy show, appropriate for families, 6 p.m. Saturdays, The Empty Space, 706 Oak St. 327-PLAY.

ART “Connections,” an exhibition of works by artists participating in the visual arts festival. Bakersfield Museum of Art, 1930 R St. 10 a.m. to 4 p.m. TuesdayFriday; noon to 4 p.m. Saturday and Sunday. Closed Mondays. 323-7219. Artwork on Display, “I Dream of Art,” now until Aug. 27, The Empty Space, 706 Oak St. 327PLAY.

Classic Rock Banacek's Lounge, 4601 State Road, 387-9224; Usual Suspects, 9 p.m. Friday. Bellvedere Cocktail Lounge, 3090 Brundage Lane, 325-2139; Billy Russell Band, 9 p.m. Friday; Left Coast Groovies, 9 p.m. Saturday. T-Bones Steakhouse, 8020 District Blvd., 398-1300; Elevation 406, 7:30 to 11:30 p.m. Friday and Saturday. The Old River Monte Carlo, 9750 Taft Highway, 837-0250; No Limit, 9 p.m. Friday and Saturday. Iron Horse Saloon, 1821 S. Chester Ave., 831-1315; The Press, 2 p.m. Friday. Crest Bar & Grill, inside Bakersfield RV Resort, 5025 Wible Road, 833-9998; Mike Montano, 6 to 9 p.m. Saturday.

Comedy Elevation Lounge, 818 Real Road, 325-6864; Improv Tuesday - Live comedy with DJ after party, 9 p.m. Tuesdays.

Country Trout’s & the Blackboard Stages, 805 N. Chester Ave., 399-6700:, offers karaoke, line dancing, West Coast Swing among other various activities. Call for times and days. Buck Owens’ Crystal Palace, 2800 Buck Owens Blvd., 3287560; Monty Bryom & the Buckeroos, 7:30 p.m. Friday. $5 per night. Ethel’s Old Corral Cafe, 4310 Alfred Harrell Highway, 873-7613; Twang Bangers, 7 p.m. Friday; Valley Fever, 3 to 7 p.m. Sunday. Ethel’s Old Corral Cafe, 4310 Alfred Harrell Highway, 873-7613; Nightlife with Pairs and Spares, 7 p.m. every Sunday. $5 members; $7 nonmembers. Tejon Club, 117 El Tejon Ave., 392-1747; Crossroads, 6 to 10 p.m. Sunday.

Thursday, August 25, 2011 The Bakersfield Californian

Eye Street

No lie: ‘Honestly’ worth a listen BY MATT MUNOZ

‘Honestly Speaking’ CD Release Concert

Bakotopia.com editor mmunoz@bakersfield.com

After two years of intense musical study, local jazz saxophonist Isaiah Morfin is ready for a progress report. Holed up inside Bakersfield Music & Recording Studios, where he’s been putting finishing touches on his debut solo CD, “Honestly Speaking,” the gifted musician will celebrate the fruits of his labor Friday night with a release party and concert at Metro Galleries. It’s also another last hurrah before the 21-year-old jumps on a plane back to Boston to continue his studies at the prestigious Berklee College of Music. “I’m really excited about this project,” said Morfin, who arrived smiling and fashionably late to Monday’s final recording session, where he and other musicians awaited the first take of the day. “I’ve been waiting to say something musically for some time, but wanted it to be the right time.” Rising as a hot shot in the musical community during his teens at the Bakersfield Jazz Festival and at impromptu street festival concerts, Morfin’s dedication to his

When: 7 p.m. Friday Where: Metro Galleries, 1604 19th St. Admission: $10 Information: 634-9598 or Isaiahmorfin.com

craft and the concepts of jazz music are mature beyond his years. Able to improvise like a seasoned pro, he says his experience at Berklee so far has helped him grow artistically as well as get him accustomed to big city life. “It’s still hard to find a balance between working on either music or just gigging in Boston. I’ve gotten pretty good at it, and did a lot of gigs last semester. I’ve also been more into composition and how building songs work.”

CD captures Morfin’s evolution Those newfound skills can be heard throughout the eight instrumental tracks featured on “Honestly Speaking.” All composed by Morfin — with the exception of the gospel hymn

“His Eye Is on the Sparrow”— the disc shows off his talents with some traditional and modern twists in the jazz vein. From the funky shuffle of “Gratefullness,” to the steady groove of “New Life,” before soulfully mellowing out on “One Day at a Time,” the collection is a testament to Morfin’s evolution as an artist and composer. Well-versed in some tasty bebop-inflected solo runs, one of his noticeable strengths is that while he does possess the skills to burn through the changes, he’s not overbearing. It’s an approach Morfin has taken to heart when it comes to the genre. “A lot of jazz today is show tunes and standards. This music is what I feel is honest to me and relevant to what’s going on today. Jazz needs to keep progressing.” Like late sax legend John Coltrane — whose “A Love Supreme” was inspired by his spiritual beliefs — Morfin, a devout Christian, said his CD follows a similar path. “Art reflects something greater that we can’t express in words. I’ve been through a lot the last couple of years, and there have been some obstacles along the

PHOTO COURTESY OF ISAIAH MORFIN

Saxophonist Isaiah Morfin appears at Metro Galleries Friday night.

way. The whole idea behind this music is to show that even when the life looks bleak and hopeless, there’s always a reason to find joy in life.” Joining Morfin on Friday will be some of the artists on the CD, including drummer Canaan Duffie, keyboardist Ezekial Victor, and other special guests.

Morfin says as he continues his pursuit of higher music learning in Berklee, listeners should anticipate many more releases and surprises in the future. “This is just the beginning of my journey.” Copies of “Honestly Speaking,” will be sold for $15 at Friday’s show.

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Thursday, September 1, 2011 The Bakersfield Californian

Eye Street

Rock icon keeps it simple

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Ronnie Montrose living the quiet life offstage BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

hat does a rock ’n’ roll guitar god like Ronnie Montrose do when he’s not laying down riffs of thunder? He goes fishing, of course. After nearly 40 years as a frontman and session wiz, the heavy rock guitarist is still making music and touring the world. Appearing Wednesday at the Fox Theater, he joins other ’70s veterans being rediscovered by fans via the Web and the ever-popular classic rock radio format. But for all the accolades he continues to be showered with for his musical innovations, this shredder is quite content living the simple life offstage. “David Bowie said in his song, ‘Changes’: ‘Look out you rock ’n’ rollers, don’t grow up and out of it.’ Guess what, David, you’re wrong. I’m happy to grow up and out of it,” said the 63-year-old from his cellphone aboard a fishing boat in Copperopolis, Calif., where he’s currently on vacation. “It’s something I’m very fortunate and blessed to be able to do, and I’m glad people like to hear me strum those six strings.” Starting out knee-deep in the mix of the Bay Area’s flourishing ’60s psychedelic music scene, a young Montrose was also signed to promoter Bill Graham’s Fillmore Records at the time with his first band, Sawbuck. But just before the release of their debut, he was recruited by Irish singer-songwriter Van Morrison to join him in the studio recording his landmark record “Tupelo Honey.” Following the success of that record, Montrose soon became one of the most sought-after session guitarists with the likes of the Edgar Winter Group, Boz Scaggs and Herbie Hancock before forming his own group, Montrose. Signed to Warner Bros. Records, the band released the album that would become a cornerstone of heavy rock, “Montrose.” Overlooked at the time of its release in ’73, today it’s revered as a rock masterpiece for introducing the world to a young vocalist by the name of Sammy Hagar. It’s also been credited with pioneering a new subgenre called “heavy metal,” a label he disagrees with. “I always shied away from the label of ‘heavy metal,’ because I considered Montrose heavy rock. Heavy metal to me is bands like Metallica and Megadeth in the ’80s. My heroes were Zeppelin, Free and Deep Purple. In my mind, because of my own sensibilities, and my — for lack of better terms — nomenclature and sematics, all of us, including Aerosmith, were not metal. It was all heavy rock.” After parting ways with Hagar, Montrose formed Gamma, a group that also incorporated the use of

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Rock guitar icon Ronnie Montrose will appear with his band Wednesday at the Fox Theater.

Montrose When: 8 p.m. Wednesday Where: Fox Theater, 2001 H St. Admission: $19.50 to $25.50 Information: 324-1369 or vallitix.com

modern electric keyboards into their sound just before the dawn of MTV. In subsequent years, Montrose never stopped playing, releasing several solo records. Put in a YouTube search and you’re bound to find some vintage clips along with unusual tributes from musicians he’s influenced. But does he pay attention to his musical legacy streaming online for the world to see? “No, I don’t, but I get so much feedback from my fans who email me about what my music has done in their lives, and I get people who send me their tribute bands. I’m very flattered and honored that music I penned in my 20s, now some 40 years later, is still being listened to. That’s a great feeling to have — that they’ve stood the test of time.” Another question he’s frequently asked is whether he and former bandmate Sammy Hagar will ever reunite in the future. Montrose said he’s always up for tearing up “Bad Motor Scooter” and “Rock Candy” again with his old buddy, if time per-

mits. “There will never be any recording or touring in that sense, but Sammy and I still talk. He’s busy doing his thing and I’m doing mine. We may do a reunion show for fun, and literally at this point in our lives it would be just for fun. I’m sure there will come a day when Sammy and I will share a stage together and play some of the old songs.” After all the hits and deep album cuts next week, a guitar used during the show will be autographed by Montrose and donated for the Bakersfield Police Activities League’s “Hometown Heroes” dinner and auction. The event is set for Sept. 24 at the Petroleum Club. The donation is part of an ongoing program started by the guitarist and sponsors TonePros and Dean Markley for this year’s tour. “Every community has a lot of specific needs, but I want to keep it local in the communities that I come and play to. The idea is to get the biggest bang for the guitar that my friends help me give away. That’s what’s beautiful about this program.” Joining Montrose onstage will be drummer Steve Brown, bassist Dan McNair and vocalist Kevin Casey. “These three guys have grown into my goal. We’re killing it every time we go up on stage, and we have one mission: to leave everybody ecstatic that we give everyone 150 percent.”

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Thursday, September 8, 2011 The Bakersfield Californian

Eye Street

Great fun brewing for ‘party of the year’ Village Fest returns as a key social event of Kern’s fall BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

t’s the one time of the year where guiltfree indulgence and fall fashion meet to play in the park. It’s also a place where beer, wine and food connoisseurs gather to whet their appetites, all for a good cause. But even as the message of goodwill gets clouded in the rhythmic dance of mass alcoholic consumption, there’s no denying the charitable allure of Village Fest. Labeled “The Party of the Year,” Bakersfield calenders are marked for this weekend’s annual brouhaha. Returning this Saturday to the Kern County Museum for the 17th year, the event is expected to draw up to 4,500 paid attendees. “My gut feeling is we’re going to sell out this year,” said Rick Peace, co-founder of the event with Ralph Fruguglietti, of Frugatti’s restaurant. “Sponsorships and interest is really up this year.” At its inception in 1994, beer was the main attraction with a small number of craft brewers filling the drink menu along with big brand names. But as the years went on and restaurants became a big draw of the event, an equal emphasis on food and drink emerged. Today the event still boasts more than 60 breweries and 100-plus brews, but also features more than 25 Central Coast wineries with upwards of 50 wines, plus food from about three dozen Bakersfield restaurants. “The changes we’ve made are always done after our first meeting in November. We make a list of pros and cons, along with notes of improvement,” said Peace. “There are a number of factors which affect each year … a steady economy, local agriculture, etc.” Another highlight is the collection of musical talent being featured, with 17 local blues, rock, reggae, jazz and Latin bands performing throughout the grounds. Some of this year’s artists include Rick Reno Stevens, The Councilmen, Fatt Katt and the Von Zippers, Thee Majestics, Soulajar and The News Brothers, among others. Performing on five different themed stages matched to suit each lawn area, there’s music for every taste. “Our music community is so tied to this,” added Peace. “We make sure they have easy routes to each stage and ice chests full of water.” Bakersfield saxophonist Dennis Wilson, who pulls double duty on the Micro Blues Stage, performing with bands Foster Campbell and Friends, and Rough Edges, said it’s one of the best gigs in town for a band to score. “They go first rate on sound and stage,

CALIFORNIAN FILE

Village Fest, one of Bakersfield’s most popular social events, draws several thousand guests to sample beer and wine — and lots of food. Volunteers Rick Alvarado, left, and Richard Snow serve samples from Justin Vineyards and Winery.

Village Fest 2011 When: 6 p.m. Saturday Where: Kern County Museum, 3805 Chester Ave. Admission: $63 advance; $68 day of event. Tickets available at Frugatti’s, Lengthwise Brewery or Vallitix.com Information: 323-2739 or bakersfieldvillagefest.com Note: This is a 21-and-over-only event

the audience is always jumping, and it’s fun. I have so many memories from all the years I’ve played. Once we played in front of 1,500 people, just dancing and rockin’ out. We threw out so many beads, I bet there are probably still some in those trees,” he said with a laugh. Requiring 11 months of preparation, including hours of phone calls, lining up sponsors and keeping track of volunteer requests, a breakfast gathering the Monday before the event kicks off the big week for Peace and his crew. “A small group of us meet early at 24th Street Cafe, then start building Gilligan’s Lounge at the museum. Getting the grounds ready requires mapping, cleaning, a lot of decorations, so when you walk in, the whole place comes alive. We have 30 on our steering committee, over 400 volunteers and a list of 200 more volunteers on a waiting list.” First-time volunteer Mary Barron of Bakersfield said that while she has attended as a guest many times, this year she wanted to offer a helping hand. “I’ve been going since it was called Brews on the Roof. I’ve always gone for the

fun atmosphere and the good food. It’s not just a drinking fest. To me, it’s almost like a high school reunion, where you get to socialize with people you haven’t seen in a while. Raising money for charities just makes it that much more special.” Also returning is Rebecca Esparza, who always plans a big birthday date night with her husband, Anthony, around the event. Recalling a few of her favorite moments, Esparza said it was her “match-making year” that stands out “My best friend who lives in Fresno has always gone with us, and every time we always hoped to introduce her to a cool Bakersfield guy. Two years ago she met someone at Village Fest and danced to the song ‘Camisa Negra’ at the La Cantinaville area. Next thing you know, they fell in love and got married. It always lands on my husband’s birthday weekend, too, so that makes it perfect.” Since the festival’s inception, all money raised goes to benefit CARE (Children’s Advocates Resource Endowment), a nonprofit organization founded by Peace and Fruguglietti Some of the charities CARE has benefited include: Camp Blue Jay; the Society For Disabled Children; CASA of Kern; the Epilepsy Society of Kern County; Operation School Bell; and more. “We’ve allocated over half-a-million dollars to charities since our first year. The thank you letters we get make all the hard work worth it,” Peace said. Taxis will be out in full force throughout the evening, along with sober driving services offered by Village Fest. “If you haven’t been yet, you’ve missed out on almost two decades of fun,” Peace said. “We hope to see you there this year.”

Thursday, September 8, 2011 The Bakersfield Californian

Eye Street

BC alumni coming together for barbecue Event benefits college’s scholarship fund BY MIRANDA WHITWORTH Contributing writer

he Bakersfield College Alumni Association’s 57th Annual Barbecue takes place next Thursday and Mike Stepanovich, executive director of the Bakersfield College Foundation, said the event is joyride down memory lane. “This is a celebration of everyone who has attended Bakersfield College. It’s a chance for you to get out and see the grounds again, run into people you haven’t seen in years and really just catch up.” While catching up, attendees also have the chance to get in touch with what the college is offering students now. That includes a culinary program that will be putting the skills of its star chefs and pupils to the test as they roll out a gourmet barbecue for hundreds. Chef Pat Coyle, head of the culinary arts program, will be flanked by chef Suzanne Davis and chef Alex Gomez as they man the grill, turning out steaks, chicken and myriad side dishes from salads to desserts. It’s a feast that Stepanovich said is worth the price of admission alone. “You taste their creations and see what they do and you realize they could be executive chefs at any hotel or country club in the nation. But they love to teach and they are here because they love the students.” In addition to the chefs, Bakersfield College athletes will be on hand to help organizers keep the fun rolling. Stepanovich encourages attendees to take notice.

Bakersfield College Alumni Association’s 57th Annual Barbecue When: 5:30 to 9 p.m. Sept. 15 Where: Bakersfield College football practice field, 1801 Panorama Drive Tickets: $25; seniors $2; students $15; children 12 and under $5; available at the BC ticket office, foundation or at the gate Information: 395-4326 or 395-4800

“The person busing your table for you may be a star volleyball or football player. You never know.” In addition to the food, friends and athletes, classic rock and oldies cover group the Tony Ernst Band will be hitting the stage. Attendees are encouraged to dance the night away in the Bakersfield College Football practice field. Attendance for the barbecue averages between 800 and 1,000, so get ready for a party fueled by decades of tradition. Proceeds from the event go to the Bakersfield College Alumni Association and its scholarship fund. For decades the organization has been helping students keep up with the price of a higher education. With tuition at colleges and universities on the rise, the Alumni Association is in need of the community’s support, said Stepanovich. “It’s becoming more and more important as college costs increase. The more people that come out, the more funds we are able to raise and the more scholarships the association is able to provide.”

Mexican rockers to play Bako BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

Stopping in for a rare show this Friday night at La Fiesta Night Club is popular Mexican alt-rock band Zoé, which just hit double-platinum status with its latest release, “MTV Unplugged/Música de Fondo,” an album that bumped Britney Spears from the top spot on Mexico’s pop chart upon its release this year. Compared to fellow south-of the-border superstars Maná, who’ve broken just about every record for both sales and international tour receipts in the genre, Zoé seem poised for similar heights. It has perfectly crafted pop songs with a style that makes women love them — a big selling point — but they’re cool enough for the guys. Both grungy but refined enough for radio, it’s some passionate stuff. One of my favorite releases by the group is the AOL-produced “Dejando Huellas,” a seven-song collection that showcases exactly what this group is capable of live. I recommend it for fans of The Killers and Franz Ferdinand. Now, about this Friday’s show: What

PHOTO COURTESY OF ZOE

Multi-platinum Mexican rock band Zoe bring its “unplugged” show to La Fiesta Nightclub on Friday night.

puzzles me is the choice of venue. No offense to the La Fiesta Night Club, as it has consistently hosted some big-name regional Latin acts, but a band of this caliber should be performing at the Fox or Rabobank Convention Center. I caught it on the Coachella main stage last year in front of thousands of eager fans who stood in the 100-plus-degree heat and erupted as the band started. Let’s hope the Bakersfield experience is just as electric.

The Bakersfield Californian Thursday, September 15, 2011

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index BMoA Fall exhibitions .............................. 23 Buttonwillow Festival .............................. 25 Arts Alive .................................................. 26 The Lowdown with Matt Munoz.............. 28 Johnny Mathis .......................................... 29 Fun in the Sun .......................................... 31 Tuscany at Twilight ................................ 32 Calendar .............................................. 33-35

Bakersfield has case of blues 7th annual festival brings hot artists to CSUB stage BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

he blues is pure American music, a soundtrack to working-class struggles that has influenced slide guitarists and pickers around the world who continue to lay down new sounds based on the traditions of the music’s stateside forefathers. For Bakersfield blues loyalists, the BTown Blues Fest is an extension of that tradition. Promoter Pat Evans of World Records has assembled a trio of the best acts currently on the circuit for year seven of the festival. But Saturday’s concert is more than a family-friendly event. There’s a worthy cause on the line as well. “There are three things we hope to accomplish every year: one is a great blues fest with top artists; two is to raise a significant amount of money for the Houchin Blood Bank and bone marrow registry; and three is to get people to become regular blood donors,” he said. “This will be the third time doing a blood drive.” Evans spends months planning the festival. In fact, work on the following year’s festival starts as soon as the current show ends. “It’s a year-round thing,” he said. “We have our meeting shortly afterwards to see how well we put it on, and how we did on raising money. We tune in and tune up. We have 60 people on our volunteer staff. It started with just friends, but got too big in year five, so we did a series of meetings and a campaign to get more people interested in helping. Now it’s all kinds of people — customers, family.” Apart from his immediate staff, Evans said he relies on his customers for tips on acts to book. “We talk to people who’ve been to blues festivals in Chicago and New Orleans. They tell us ours is as fun as anything they’ve been to, but more relaxed. We also read up on what’s going on and who everybody’s listening to.” This year’s lineup brings some familiar faces back to town, acts that showcase the evolution of the genre since its gritty beginnings in the Deep South. Headlining the event will be acclaimed blues singer and guitarist Joe Louis Walker. One of the most celebrated blues artists working today, the San Francisco-born ax man has released more than 20 albums and has a resume long enough to circle the globe. Absorbing every ounce of rhythm ’n’ blues after picking up the guitar at the age of 8, he turned to his musical family to help take him from yard jamming to the world stage. Spending a major portion of his early years with jazz and blues icons John Lee

PHOTO COURTESY OF JOE LOUIS WALKER

Joe Louis Walker headlines the seventh annual B-Town Blues Fest on Saturday at Cal State Bakersfield.

7th Annual B-Town Blues Fest When: 5 to 10:30 p.m. Saturday Where: Cal State Bakersfield Amphitheater, 9001 Stockdale Highway Tickets: $40 for reserved table seating; $30 for adults, lawn seating; $25 for military, seniors and students; free for 17 and under. Dinner tickets $10. Information: 831-3100; shopworldrecords.com

Hooker, Thelonious Monk, Muddy Waters and others, he was also the longtime roommate of influential guitarist Mike Bloomfield, known for work with The Paul Butterfield Blues band. Evans considers Walker to be the living embodiment of the genre. “Joe has performed a couple times for us,” said Evans. “Out of all the shows we’ve done, just watching Joe and his band just blows us away. Here’s a guy who’s one of the last connections to the originators of the blues. He’s studied at the feet of guys like Albert King and B.B. King. They were ready to knight him. He puts on about 20 shows a year and we are so fortunate to

have him headline the festival.” Walker’s latest album, “Between a Rock and the Blues,” features blazing licks and jumpin’ blues styles, but with an all-star band that includes former Jay Leno bandleader Kevin Eubanks on guitar, plus keyboardist Bruce Katz. On “I’ve Been Down,” you’d think Keith Richards of the Stones had handled the arrangement, with Walker’s fiery vocals driving the message home effortlessly. It’s the type of release that’ll have you shuffling across the floor. Opening the show will be rising vocalist and harp player John Nemeth. Making his return after appearing at Evans’ “No Stinkin’ Service Charge” concert series at the Doubletree in January, he also hails from the Bay Area. Nemeth’s blue-eyed vintage soul is clean and refined, especially on his latest release, “Name the Day,” reviewed in The Californian upon its release. Live, Nemeth explodes with emotion as you’ll find in one of his many YouTube concert videos. He can groove out loud like it’s nobody’s business, but it’s when he slows down on songs like “I Said Too Much” and “Name the Day” that he begins to live up to the hype.

PHOTO COURTESY OF JOHN NEMETH

Bay Area blues singer-songwriter John Nemeth appears Saturday.

“John Nemeth has been getting a lot of ink in the blues world for his music,” said Evans. “We hope that with the young bands like his, other young musicians around town will say, ‘Well, there’s a style of music I haven’t Please see 24

The Bakersfield Californian Thursday, September 15, 2011

Eye Street CONTINUED FROM 22

Judas Priest, X set local dates BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

PHOTO COURTESY OF HOLLY CARLYLE

ickets go on sale at 10 a.m. Friday for an Oct. 25 concert by rock icons Judas Priest at Rabobank Arena. The show is part of the band’s global farewell tour, which began earlier this year. Known for some of the most outrageous rock spectacles of all time, Judas Priest’s screaming lead vocalist Rob Halford still sports his signature black leather outfits atop a revving motorcycle. “We’re pulling out all the stops,” Halford said in a recent interview with Rolling Stone. “We’ve built a brand new stage set, we’ve got all the effects that people love us for — the lasers, the fire, the bombs, the smoke, new costumes, and the bike. It’s just a full-on metal extravaganza.” During their nearly 40-year career, Judas Priest has released some of heavy rock’s biggest records, including “British Steel” and “Screaming for Vengeance.” In 1990 the band was the subject of controversy after being accused of inserting subliminal messages into their

X bassist John Doe performs during a show at the Crystal Palace on Dec. 27.

ZUMA PRESS

Singer Rob Halford performs at a Judas Priest concert Sunday in Brazil.

records. Later, the group reportedly was the inspiration for the 2001 Mark Wahlberg film “Rock Star.” Opening acts will be Black Label Society and a newly reformed Thin Lizzy. Tickets will be $24 to $74, plus service charge, available at the Rabobank box office, 1001 Truxtun Ave., or by calling 852-7777. For more information visit ticketmaster.com.

X at the Palace Also just announced is a

show by Los Angeles punk rock veterans X, who return to Buck Owens’ Crystal Palace on Dec. 28. Selling out their show at the country music theater at the end of last year, the band’s original members John Doe, Exene Cervenka, DJ Bonebrake and Billy Zoom have kept their reunion trek going ever since. The show was given a glowing review last year in The Californian after the band performed the landmark record “Los Angeles” in its entirety. After proclaiming his residential status in Oildale onstage during that show, it’s unclear whether bassist John Doe still lives in these parts. We’ll have to wait and see. Opening the show will be Sean Wheeler and The Black Tibetans. Tickets are currently on sale and run $18 to $24. They can be purchased at Buck Owens’ Crystal Palace, 2800 Buck Owens Blvd. For more information visit vallitix.com or call 328-7560.

explored yet’ and go seek it out more.” Blues isn’t just for the guys, either. Philadelphia songstress Gina Sicilia is one such singer-songwriter hot on the radar of international fans. After releasing her debut in 2007, JazzReview.com called her, “the best blues singer on the music scene today.” Sicilia’s gritty metropolitan flair gives her an advantage. She’s a sexy Italian chanteuse with a hot set of originals that range from the traditional down and dirty of “Addicted,” the first track on her new record, “Can’t Control Myself,” to some unexpected Jamaican ska on “Before the Night Is Through.” Sicilia’s band features guitarist, producer, and boyfriend Dave Gross, a blossoming talent himself with three releases under his belt. “They were here two years ago,” Evans said. “Just a hot young group of musicians. They’re just gonna kill it onstage.” Providing the evening’s downbeat festivities will once again be The Flying Arvizu Brothers, featuring cousins Tony, John and Scott Arvizu. Regular performers of the fest, their appearance has become a tradition closely tied to the longtime friendship Evans had with late Bakersfield saxophonist Ray “Daddy” Arvizu.” A popular local blues and rock horn player through the ’70s and ’80s, Arvizu performed alongside guitarist Elvin Bishop and harpist Charlie Musselwhite for years before his death 10 years ago. “It kind of started as a tribute to Ray after he passed away,” Evans said. “When the cousins are onstage, they have a big blow-up photo of Ray, his sax, and get things going. It helps set the tone right. They also help get the dirty work weeks before, putting signs up all over town for advertising.” In addition to music, vendors will be

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• Pilot & Manufacturers Demos • Pyrotechnic Show • 6 Flight Lines • Food on Site

PHOTO COURTESY OF GINA SICILIA

After Gina Sicilia released her debut in 2007, JazzReview.com called her “the best blues singer on the music scene today.”

cooking up authentic southern, TexMex and Italian cuisine, along with traditional snack and dessert fare available for purchase courtesy of Jake’s Tex-Mex, Frugatti’s, Coconut Joe’s and more. Houchin Blood Bank will be holding a B-Town Blues Fest Blood Drive from 5 to 8 p.m. tonight, featuring local band Blonde Faith and catering from The Prime Cut. Everyone who donates blood will be entered into a raffle for a guitar donated by California Keyboards, autographed by all the B-Town Blues Fest artists. Houchin Blood Bank is located at 5901 Truxtun Ave. “We give $10 discounts on lawn seats if you donate blood,” said Evans. “Last year we doubled the number of discount coupons we took in. “Blues is the skeleton of all western music. If you like rock ’n’ roll, you will love the B-Town Blues Fest.”

Now available at Bakersfield’s original

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The Best In The West Jet Rally is an AMA Sanctions Event. Net proceeds benefit the Make-A-Wish Foundation of Greater Los Angeles.

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4915 Stockdale Highway • 661-834-3068 Monday - Friday: 10-6 • Saturday: 10-5

The Bakersfield Californian Thursday, September 15, 2011

Eye Street CONTINUED FROM 22

Judas Priest, X set local dates BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

PHOTO COURTESY OF HOLLY CARLYLE

X bassist John Doe performs during a show at the Crystal Palace on Dec. 27.

ZUMA PRESS

Singer Rob Halford performs at a Judas Priest concert Sunday in Brazil.

X at the Palace Also just announced is a

COME SEE RADIO CONTROLLED,

22nd Anniversary of Stars! one of the best musicals ever made!

TURBINE JETS FLY! Featuring the Best Pilots In The World including, Ali Machinchy from the UK and David “Shui” Shulman from the U.S.

• Pilot & Manufacturers Demos • Pyrotechnic Show • 6 Flight Lines • Food on Site

PHOTO COURTESY OF GINA SICILIA

After Gina Sicilia released her debut in 2007, JazzReview.com called her “the best blues singer on the music scene today.”

Now available at Bakersfield’s original

Brighton® store.

Vendors Spectator’s Choice Line-up Spectator Seating (limited seating) Camping on site (no hookups) 3,260 x 50 foot paved runway No Fly Restrictions Raffle Prizes and 50/50 Tickets

Awards dinner and Auction Banquet Show Announced by “World Famous” Sam Wright

SEPT. 9, 10, 11, 16, 17, 18, 22, 23, 24, 29, 30, OCT. 1 STARS DINNER THEATRE 1931 CHESTER AVENUE 325-6100 bmtstars.com

The Best In The West Jet Rally is an AMA Sanctions Event. Net proceeds benefit the Make-A-Wish Foundation of Greater Los Angeles.

www.shopchristines.com

4915 Stockdale Highway • 661-834-3068 Monday - Friday: 10-6 • Saturday: 10-5

Thursday, September 15, 2011 The Bakersfield Californian

Eye Street Tap, Ballet, Acrobatics, Hip Hop and Jazz Ages 2-Adult

Chances are, he’ll be great

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Mathis plans elegant night of velvety vocals

Exclusive dance studio for the Gaslight Melodrama Theatre

BY MATT MUNOZ

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Bakotopia.com editor mmunoz@bakersfield.com

here are few voices that transcend generation gaps like that of velvety balladeer Johnny Mathis. Still performing regularly, the 75year-old entertainer appears Sept. 22 at the Fox. The stage is set for an evening of elegance with an homage to the music of his upbringing, though he will be singing his careerspanning classics and songs from a new collection, titled “Let It Be Me: Mathis in Nashville.” “My dad was from Texas, and those types of country songs were the ones that I first heard when he sat down at the piano and started playing and singing for me,” Mathis said during a telephone interview with The Californian. “I really love being able to sing music that reminds me of my dad and my mom.” A star track athlete in the Bay Area before being discovered at a jam session, Mathis made a critical decision as a teen when confronted with the choice of trying out for the U.S. Olympic team or cutting his first album. He followed his instincts, which took him to a recording studio in New York, and never looked back. “I was hanging out with Bill Russell and K.C. Jones, great basketball players. They went to USF, and I went to San Francisco State. We used to meet at the track meets all the time. I wanted to go to the Olympics because they were going as basketball players.” But jumping on the plane that day proved to be the right decision. Soon after, Mathis was being groomed to become a pop idol and teamed with some of the industry’s top songwriters. With early hit like “It’s Not for Me to Say,” “Chances Are” and “Misty,” there wasn’t another artist that could stop his winning streak on the chart in the decades to follow. “I’m so glad that I have some pretty decent music to sing. And you know, you’re always a product of all the people along the way that you’ve met. And I just happen to fall into some really pretty extraordinary people that kind of gave me good songs to sing and sat back and listened and saw how I did with them and whether I could carry them off,” he said. Mathis said that at one point he tried expanding his musical palate beyond ballads, but he came to understand that sometimes you have to stick with what you know. “I’ve tried everything. I wanted to be James Brown for a while. Of course while you’re doing it, it sounds passable and then all of a sudden someone will play it back for you and you’ll say, ‘Oh no, no, no…’ Or after you sober up,” he laughed.

12748 Jomani Drive Bakersfield, CA 93312

661-589-8208

photo by: Monica Slikker

Grand Opening

PHOTO COURTESY OF JOHNNY MATHIS

Our New Address: 6801-B1 White Lane • 661-836-0070 www.RandDLeatherFurniture.com

Johnny Mathis has sold more than 350 million records worldwide, according to the Guinness Book of World Records.

Johnny Mathis

Win Johnny Mathis tickets

When: 7:30 p.m. Sept. 22

Tune in to Californian Radio at KGEO 1230 AM from 10 to 11 a.m. today to win tickets to Mathis’ concert Sept. 22 at the Fox Theater. In addition, Lifestyles Editor Jennifer Self will chat with Kern County Fair CEO Bill Blair about the attractions, food and excitement that awaits attendees when the fair opens Wednesday. Plus, Assistant Lifestyles Editor Stefani Dias and Bakotopia.com Editor Matt Munoz will help preview all the best in entertainment and culture this week. Call 631-1230 during the show to win the tickets.

Where: Fox Theater, 2001 H St. Tickets: $50.50 to $138.50. Special pricing available for seniors 55-plus through Friday. Information: 324-1369 or vallitix.com

For “Let It Be Me”— a record decades in the making — Mathis’ soft voice is perfect on ballads like “Crazy” and “You Don’t Know Me.” He also holds his own on duets with angelic bluegrass vocalist Alison Krauss and country/jazz singer Lane Brody. “When I first signed in 1966, all the country guys were coming into their own. We had a roster on Columbia — Marty Robbins and a few of the others. We used to run in and out of the recording studios all the time and I used to hang out with these guys. Every year, Columbia would have a celebration of all the artists and I used to hang out and go down to Nashville, see how they lived and what they did for fun.” Still an avid athlete when he’s offstage, Mathis’ golf game has earned

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him the 38th spot on Golf Digest’s ranking of the “Top 100 in Music.” But even after selling more than 350 million records worldwide, according to the Guinness Book of World Records, are there any regrets about skipping the Olympic trials that fateful day? “I kind of have an insight of how hard those guys have to work and how talented they are, and how lucky you have to be that no injuries pop up. I am very content to sit back and watch everybody else,” he said.

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The Bakersfield Californian Thursday, September 22, 2011

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index Buck Owens: Bound for Bakersfield ........ 19 Salt-n-Pepa................................................ 21 Arts Alive .................................................. 22 Theater on Kern........................................ 23 The Lowdown with Matt Munoz ............ 24 Doobie Brothers ...................................... 25 Community Concert Series ......................26 Calendar .............................................. 29-31

“I’m not a little Mexican that’s just gonna play piñata music — that’s not gonna happen. I was never that. I love piñata music and I love being Mexican, but you can’t reduce me to that.” — Carlos Santana

Santana’s still supernatural Guitar icon refuses conventional ways, ho-hum creations BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

arlos Santana still travels like a rock ’n’ roll shaman guided by the powers of the universe. After 40-plus years on the scene, his enigmatic presence resonates the same as it did at the original Woodstock, when the young teen from San Francisco was introduced to the world. Invoking the gods of rhythm in front of a sea of psychedelic humanity, his show-stopping performance of “Soul Sacrifice,” captured in the landmark documentary film “Woodstock,” transformed him into an almost mythic figure. Fans continue to follow his every nomadic move. Appearing Tuesday night at Rabobank Arena, the 64- year-old rock icon will be bringing all the colors of his life, his art and spiritual musings that have traveled to the ends of the earth and back. “I follow the green light, and the green light has been taking me to Jerusalem and to Russia and other different places because my family has really grown — the family that I am,” he said during a telephone interview with The Californian. “Right now, the green light takes me to Bakersfield.” Besides being heralded as one of the greatest rock guitarists, Santana enjoys one of the most enduring careers in music. He laid the foundation for Latin rock with reworked covers of Willie Bobo’s “Evil Ways,” Fleetwood Mac’s “Black Magic Woman” and Tito Puente’s “Oye Como Va,” early records that became big commercial successes. In the decades to follow, touring would become much of Santana’s bread and butter, with virtually none of his music heard on radio. Delving into jazz and experimental music, and teaming with artists John McLaughlin, Miles Davis and others outside of rock, he put out music that required something

Santana When: 8 p.m. Tuesday Where: Rabobank Arena, 1001 Truxtun Ave. Cost: $28 to $88 plus service charge Information: 852-7777 or ticketmaster.com

more from the average listener. “I’ve been accused of committing career suicide at least seven times because of the people that I’ve chosen to play with,” he said. “Whether it’s Miles or Alice Coltrane or John McLaughlin, but I need to grow. I’m not a little Mexican that’s just gonna play piñata music — that’s not gonna happen. I was never that. I love piñata music and I love being Mexican, but you can’t reduce me to that.” All those years on the road have generated a rabid following of fans and, like fellow jam rockers The Grateful Dead, Santana has become something of a business and lifestyle brand himself. “When people see who we are and what we do, it’s so different than with all respect to other bands. Because other bands, they don’t have as powerful passion for compassion, or passion for just, excuse the expression, ‘Whoopin’ some serious (expletive.)’ Because a lot of bands my age, and even bands half my age, they don’t play for three hours with that kind of intensity. You know, they do the rope-a-dope a lot and they kind of put it on cruise control. We like to put it on all cylinders hot.” That commitment to the live experience may have been good enough to keep the artist going, but a meeting with music producer Clive Davis would prove to Santana that his life on the charts wasn’t over. Yet before he signed on for what would become the smash of his career, the megaselling “Supernatural,” he did some serious soul searching. “Clive Davis was the first to tell me, ‘I’ve seen you live. You have something that is really incredible and we haven’t worked together in a long time. Do you have the willingness to go into a different

arena and invite and allow Rob Thomas, Lauryn Hill, everyone to write a song with you and for you?’ And I said, ‘Yeah.’ And he said, ‘OK, because what you do live, you’re incredible in the ring. But there’s another ring — it’s called radio, and you haven’t been there since ’73 or ’72. And it has changed, so I wanna know if you have the capacity to have willingness to open yourself up to these new young writers and producers to come and share with you?’ And I was like, ‘Yeah, I have the willingness.’” Upon the release of “Supernatural” in 1999, there was no escaping radio singles like “Smooth” and “Turn Your Lights On.” With the chart success and the nine Grammys the collection would win, Santana recalls the time as nothing short of otherworldly. “It just happened — 25 or 27 times platinum. It’s the same thing that Cesar Chavez used to say, ‘Solo se necesitan ganas’ — ‘You only need willingness.’ With willingness you can create the miracle.” Though his subsequent releases have enjoyed some success, nothing has lived up to the sensation of “Supernatural.” Still, some fans longed for the unpredictability of early albums “Caravanserai” and “Borboletta.” “You know, from ’73 to ’99 I did all of that, so I’m not a water boy for people to tell me what to do. I have to follow my own voice.” On a personal level, Santana has achieved peace with his recent marriage to drummer Cindy Blackman. “I found this person — we both love the same things and we’re both serious musicians. But the reason I’m really happy is because I’ve accepted a whole different perception about my life than what I used to be. I used to think I had to fight really hard being a Mexican. I grew with a distorted way of looking at myself. I had to fight all the time, like the Black Panthers, or Cesar Chavez and Dolores (Huerta.) But you really don’t have to fight anything. All you have to do is accept that if you have hope, faith and trust, that you open your arms and your heart, and the universe is ready to give you way beyond

ZUMA PRESS

Besides being heralded as one of the greatest rock guitarists of all time, Carlos Santana enjoys the distinction of having one of the most enduring careers in music.

what you think that you can get.” The new Mrs. Santana, who has worked with Lenny Kravitz, is expected to put in some time behind the drums at some point during Tuesday’s show, which will be one of the performer’s last of the year. “The best is yet to come. I’m possibly doing a song with John McLaughlin and Jeff Beck. There’s also an album I wanna do with just my band, kind of electric jungle music. I’m gonna stay in the studio and just record a lot, possibly with Willie Nelson doing Bob Marley songs. And you know, I can play Norteno music, but I would have to put the ska in it.”

Win Santana tickets Tune in to Californian Radio from 10 to 11 a.m. today for the chance to win two pairs of tickets to Carlos Santana’s show Tuesday at Rabobank Arena. Lifestyles Editor Jennifer Self will also interview Buckaroo Jim Shaw on a new collection of the earliest recordings made by country music icon Buck Owens, and we’ll give that CD away to a lucky caller. Tune in to 1230 AM and call 631-1230 during the show with questions and listen for your chance to win.

Thursday, September 22, 2011 The Bakersfield Californian

Eye Street

Salt-N-Pepa still mighty spicy Revolutionary duo back, playing Monday night

n a nice change-up from the typical classic rock and country acts booked every year, the Kern County Fair will present groundbreaking duo Salt-N-Pepa, who, since their explosive debut in the 1980s, opened the door for just about every female rapper since. We asked a couple of fans — DJ Noe Garcia and Tai Coronado — to tell us what Salt-N-Pepa have meant to the scene and to themselves personally.

Noe Garcia I was in a store in town called Eastside Records when I first heard one of the first female rap songs called “Push It” by Salt-nPepa. I was amazed that the sound of what became a big club hit was actually produced by one of the first-ever female rap group artists. The group, consisting of Cheryl James, Sandy Denton and Deidre “Dee Dee” Roper (DJ Spinderella), would go on to win Grammys

PHOTO COURTESY OF NOE G

Noe Garcia

and influence several other women, including Queen Latifah and Roxanne Shante. When I heard they would be performing at this year’s Kern County Fair, I was so excited, knowing that a rap group I’ve been following since the ’80s and whose hits I still have in my playlist would be here.

It brought back many memories of all the house parties, clubs and weddings I deejayed at. I would mix the main song everyone knows, “Push It,” and watch all the people on the dance floor go nuts. In 2002, the group called it quits with no reason given. Salt had found God and Pepa kept it on the grind, appearing on season five of “The Surreal Life,” on VH1. It looks like they overcame their differences and are giving it another go at performing. Hopefully, God can keep these two talented female rappers together again. So, twist and cut your hair on one side, get out your high-top sneakers and make sure you catch them live at this year’s Kern County Fair.

Salt-n-Pepa When: 8 p.m. Monday Where: Kern County Fair Budweiser Pavilion Cost: Free with fair admission Information: 833-4900 or kerncountyfair.com

PHOTO COURTESY OF TAI CORONADO

Tai Coronado

During a time when hip-hop was still finding its way, only a handful of females dared to enter the male-dominated industry. MCs like Queen Latifah, Monie Love and Mc Lyte, came hard and held their own lyrically against their male counterparts. But it was Salt-N-Pepa that used their

femininity and sex appeal to make their mark on hip-hop. As a product of the “Yo! MTV Raps” era, I was raised on the classics. Who can forget “Shoop,” “Let’s Talk About Sex” and my personal favorite, “I’ll Take Your Man.” Salt-N-Pepa’s contributions to

the hip-hop culture are undeniable. Not only were they the first female rap crew (can’t forget about DJ Spinderella) they were the first female hip-hop artists to win a Grammy. Most recently the two appeared on their own reality show on VH1 called “The Salt-NPepa Show,” where viewers watched them as they hashed out their issues and reunited. They are also currently touring on the the Legends of Hip Hop Tour with Doug E. Fresh and other legends. Feeling a little nostalgic? Not to worry, fellow ’80s babies. You can see the legends of hip-hop in our own backyard on Monday at the Kern County Fair.

Thursday, September 22, 2011 The Bakersfield Californian

Eye Street

Grand Opening

Rockin’ down the highway to Bako Venerable Doobie Bros. are still going strong

Our New Address: 6801-B1 White Lane • 661-836-0070

BY MATT MUNOZ Bakotopia.com editor

www.RandDLeatherFurniture.com

mmunoz@bakersfield.com

he Doobie Brothers have always been a band that knows how to roll with the punches. Starting as a power trio catering to biker crowds, they grew into an unstoppable super-group of the 1970s, featuring a revolving cast of distinctive multitalented songwriters, vocalists and musicians. Their first single, “Listen to the Music,” ushered in a Doobies decade of hits like “China Grove” and “Long Train Running,” securing a spot for themselves on every FM playlist in the country. The Doobies’ American blend of Bay Area roots rock and country soul is reflective of their San Jose origins. Still plugging away in an industry that barely resembles the music culture of those prime years, this older and wiser band of brothers take the stage of the Budweiser Pavilion at the Kern County Fair Friday night. “The band is better than it used to be in the old days,” laughed singer and guitarist Tom Johnston during a telephone interview. “Because everyone is a lot more intent on practicing and there’s also the partying that’s not going on anymore. I think everyone is a lot more serious and proud of what we’re doing right now.” Home on break from a summer tour in support of their 13th album, “World Gone Crazy,” Johnston’s voice is featured on the Doobie Brothers’ early run of hits. One of the founders of the group, he was a primary songwriter on most the band’s best-sellers. “We’ve been out a lot lately. I don’t wanna use the word ‘brutal,’ but we’ve been through a lot of towns, doing a lot of dartboard touring, from East to West Coast,” he said. If you follow the group’s history, you’ll know there are two eras of Doobie Brothers popularity: Johnston’s and the one featuring keyboardist Michael McDonald. The latter formation drew some heat from some fans, who criticized the group for becoming a glorified backup band for McDonald. Johnston, who had left the group in 1975, said his absence was out of necessity, not internal conflict. “I had a bleeding ulcer, so I had no choice of the matter but to leave,” he said. “I came back after things had calmed down inside me. When I came back, touring resumed, but I was still having problems. I said, ‘You know what? I’m going to hang it up

PHOTO COURTESY OF THE DOOBIE BROTHERS

The Doobie Brothers appear Friday at the Kern County Fair. Pictured from left: John McFee, Tom Johnston, Patrick Simmons and Michael Hossack.

The Doobie Brothers When: 8 p.m. Friday Where: Kern County Fair Budweiser Pavilion Cost: Free with fair admission Information: 833-4900 or kerncountyfair.com

for a while.’ I went home and started playing softball and getting myself back in shape.” After McDonald left for a solo career, the Doobie Brothers disbanded, leaving them to seek their own fortunes with moderate to no success. As with all great rock stories, the breakup was not to last and seven years later, upon the request of drummer Keith Knudsen, they reunited with both vocalists for a concert fundraiser to benefit Vietnam veterans. After that show, the original lineup extended the reunion for a few more concerts. “We needed a catalyst to bring everyone together,” said Johnston. “Had Keith not called about doing that benefit, I don’t think we would have ever reunited. We did two more shows afterwards to pay for getting all of us together to rehearse.” The following year, Johnston and bassist Patrick Simmons continued performing as the Doobies in various incarnations, but with the permanent return of guitarist John McFee and drummer Michael Cossack, the band was back to its core, minus the very distinctive voice of McDonald, who still is not touring with the band. “I think we’re very fortunate to have a new album out and still be

around after 40 years and still have an audience. Airplay is what keeps bands around. We just dropped the new album and single, and that’s kind of what’s made the band continue to do as well as it does. If you go out and tour behind it, you’ve got that much more strength and it keeps you on the audience’s mind.” Their first new collection in 10 years, “World Gone Crazy” features special appearances by Willie Nelson and Michael McDonald, and comes with a DVD documentary on the history of the group. It’s a fine representation of a band with a legacy few other groups can ever hope to achieve, even if the Rock and Roll Hall of Fame hasn’t come calling yet. Not that Johnston cares. “I don’t spend that much time on it,” he said, though the band was included in a list compiled by Time magazine of the top snubs by the hall of fame. “It’s kind of pointless. I know who runs it and that there’s a reason that this is going on. There’s much more things to worry about — what you’re going to do onstage, writing songs, then the ‘honey, do’ list — paying bills, fixing the refrigerator.” For fans preparing for a big a singalong of their favorites on Friday, Johnston said to get ready for a little bit of the new and a lot of the old. “We’re very grateful for those fans. We hear from them on a regular basis and we see them at shows all over the country. We have a set list we wake up to every day and it’s up to us to deliver those 90 minutes of solid music to the best of our ability. No one’s complained yet and the people are up screaming and dancing every show.”

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The Bakersfield Californian Thursday, September 29, 2011

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“I love Loretta Lynn, Kitty Wells, Willie and Waylon, Merle. I love those classics. If I could walk into a studio and do what I want, it would be the most country record you’ve ever heard.” — Kellie Pickler

The new (and improved) Pickler ‘American Idol’ beauty gets tough after charmed start BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

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fter charming the boots off audiences on “American Idol,” country singer Kellie Pickler is currently experiencing life in reverse. Finishing sixth on the television competition five years ago, the North Carolina gal’s launch seemed as effortless as that of her fellow “Idol” alum Carrie Underwood. Like her friend, Pickler is beautiful and talented and has enviable crossover appeal, as she proved with her first single, “Red High Heels.” But even those elements aren’t always enough to sustain a career in an industry racing to keep up with fleeting music buyers in an age of digital piracy. “With ‘American Idol,’ you kind of become a star before you even have a reason to be one,” she said during a telephone interview from Nashville. “You develop backwards. So, now I’m trying to go back and do what I didn’t get the opportunity to do, and that is really try to develop as an artist. I love country music. I know what I love and I’m working hard to get to the place where I can do exactly what I wanna do.” The title of Pickler’s latest single is an apt description of her new outlook: “Tough.” She’s excited to show Bakersfield audiences the new Kellie when she appears on the Budweiser Pavilion stage at the Kern County Fair Saturday night. “It’s definitely been hard to adjust, because it happened so quickly with ‘American Idol,’” said Pickler, 25. “I don’t think people realize what a drastic change it is literally overnight. I was 19 years old, and I was just a Sonic car-hop waitress. My audition aired and the next day after I woke up, my whole life did a 180.” Pickler’s immediate rise also transformed her into a bombshell of a diva, complete with sexy makeover. But her songwriting talents have also garnered her acclaim, especially for tracks “I Wonder” and “Best Days of Your Life,” a song she co-wrote with Taylor Swift. Flattered by the accolades, she accepts them with a grain of salt. “I went from people treating me

PHOTO BY ROBERT ASCROFT

Kellie Pickler has reinvented herself and will put that personality on display in her show Saturday at the Kern County Fair.

Kellie Pickler When: 8 p.m. Saturday Where: Kern County Fair Budweiser Pavilion Cost: Free with fair admission Information: 833-4900 or kerncountyfair.com

like I was just nothing special at all. Then all of sudden you’re in everybody’s living room. It’s not like in the old days, where you moved to Nashville and play in the honky-tonks and hopefully get discovered at the Blue Bird Cafe, singin’ all the bars. You pay your dues in a different way.” But speaking of the dues paid by legends who came before her drew Pickler to a topic near to her heart: classic country music. “I love Loretta Lynn, Kitty Wells, Willie and Waylon, Merle. I love those classics. If I could walk into a studio and do what I want, it would be the most country record you’ve ever heard. I love steel guitar. Tammy Wynette is one of biggest reasons I fell in love with country music. She can make me cry.” That return to the genre’s roots could be good prescription for what what’s ailing the industry, in Pickler’s view.

“I think everyone right now is just trying to figure out what they can cut to get played on the radio. Record companies are shutting down so fast, because people don’t buy records anymore. And I don’t think people realize how crucial it is, when people just get the songs off the Internet for free without paying for it. It’s like walking into a store and taking a shirt off the rack and just walking out with it without paying for it.” When she’s not bare-knuckle ready to stand up for what’s right, Pickler has plenty to smile with a new marriage and music she’s anxious to preview for fans. “It’s great to throw those songs in and see people’s reaction to it. If it’s not such a great response, then maybe we won’t put it on the record.” And while those fans helped make “Red High Heels” her first hit, she’d like everyone to know she prefers casual wear on the weekends these days. “That song came out when I was 19 or 20, and it was about a bad breakup and how, you know, ‘I’m gonna go out and show this guy what he’s missing out on.’ Today, people expect I’ll be in red high heels every time they see me. I’m like, ‘I’m at the grocery store. I’m not wearing stilettos and a rhinestone dress. I am in jeans, a hat and flipflops.’”

The Bakersfield Californian Thursday, October 20, 2011

Eye Street

Third Thursday goes out with festive bang

Motivation without Medication™

PATHWAYS HYPNOSIS Vaughn Barnett

Children encouraged to break out costumes

C.Ht., NLP, BA Alpha Chi Honor Society American Hypnosis Assoc.

BY STEFANI DIAS Californian assistant lifestyles editor

661.322.0077

Third Thursday When: 5:30 p.m. today Where: Central Park at Mill Creek, 21st and R streets Information: 325-5892

sdias@bakersfield.com

PathwaysHypnosis.org

Named Bakersfield’s Favorite Pizza in The Californian’s 2011 Readers Survey

Brighton has created our exclusive Power of Pink Bracelet. For each bracelet purchased we will donate $5 to support Breast Cancer Research and Awareness. Limited quanities, while suplies last.

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ombies, princesses and all manner of spooky and sweet costumed kids will be on the march this Thursday. What do they want? Candy, of course. And downtown businesses will provide as part of the final Third Thursday of the year. That stroll, which runs from 5:30 to 7:30 p.m., is one of the ways to get into the Halloween spirit for the event-themed Pumpkin Festival. Parents are encouraged to bring their little ghouls and boys in costume to visit participating businesses and groups to receive candy or other treats (including coupons that Mom and Dad might appreciate). Start at the booth for Valley Yellow Pages, the event sponsor, which is on 19th Street across from the park. Participants include Community Action Partnership of Kern and Adobe Krow Archives at Mill Creek; and Penn Point Dance Academy, Mill Creek Florist & Balloons, Blacktop Cyclery, Gorilla Airsoft and All Tied Up on 18th Street. On R Street, the Corvette Club of Bakersfield and Three-Way Chevrolet will host a trunk or treat,

Drillers really know how to party Alumni hosting event on Saturday at Fox Theater BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

www.shopchristines.com

4915 Stockdale Highway • 661-834-3068 Monday Friday: 10 6 • Saturday: 10 5

and the Bakersfield Fire Department and GET (with a haunted house) will also take part on 19th Street. Children eager for more treats, which will be most of them, can also enjoy a free horse-drawn wagon ride to Log Cabin Florist and the Bargain Box Thrift Shop, both of which will be doling out candy and coupons. With treats gathered, children can strut their stuff for the costume parade at 7 p.m. The walk will lead through the park and end in the pumpkin patch, at R and 21st streets next to the returning Boot Scootin’ BBQ. The pumpkin patch will also host a coloring contest for children from 6 to 7 p.m. and carnival games. For those who love to see animals in costumes — and who doesn’t? — Biscuit Doggie Boutique & Spa will host a doggie Halloween costume contest at the Mill Creek bridge in the park. If the idea of pups in ponchos is more frightening to you than the house that gives toothbrushes to trick-or-treaters, you may also have a

story to share at The Porch story slam. The Bakersfield Museum of Art is looking forward to a spooktacular time with its latest story-telling event on the topic “It Creeped Me Out.” If you’ve got a true scary story to tell, head out to the event, which starts at 7 p.m. After the scary stories, adults can up the creep-out factor with the zombie crawl, starting at 8:30 p.m. It heads from the museum to Mill Creek Deli & Pub, where there will be a costume contest at 9 p.m. for those 21 and older. Wrapping up a season of Third Thursday, which replaced the street fairs on Chester Avenue, organizers are pleased with the results so far. “I think overall it’s been a success,” Cathy Butler, president of the Downtown Business Association. “Vendors seem to be happier (at Central Park) than being out in the street. With the new improvements with the park, the water element, it’s been familyfriendly. It was also lovely to tie in with the Bakersfield Museum of Art and Bakersfield Community House.” Events like Third Thursday, First Friday and last week’s Party on the Plaza, which kicked off the Bakersfield Condors season at Rabobank Arena, are a way to invigorate downtown. “Creating different activities in the different areas (of downtown), it’s a strong heartbeat for the community.”

hen Bakersfield High alumnus Rick Harrison was informed last year that there would be no 35th reunion for his class of 1975, he took matters into his own hands and threw a party himself. “I called up Coconut Joe’s and rented out their place, put together an invitation on the Internet and we ended up having 250 people show up,” said Harrison, who planned the shindig from his home in San Jose. And now that the party has started, there’s no stopping it. Harrison’s inspired idea has mobilized other Drillers into action, and the result is a huge party at the Fox Theater on Saturday called Driller Bash. Not your typical class reunion, the

BHS Driller Bash When: 6 p.m. Saturday Where: Fox Theater, 2001 H St. Cost: $55 single or $100 couple; includes dinner and entertainment Information: 333-1001 or vallitix.com

atmosphere will be more than welcoming as grads (and not-quite grads) from several decades gather to reminisce and dance the night away. “The whole concept is to have a big party rather than a reunion, and it just caught on that way,” Harrison said. “People normally don’t like reunions. People feel pressure to lose weight or maybe they lost their job. With it being a party, everyone’s more likely to get into it.” Co-organizer Lori Larrew-Crown, who graduated with Harrison, said members of all classes from the 1960s,

“The whole concept is to have a big party rather than a reunion, and it just caught on that way.” — Rick Harrison, Bakersfield High alumnus

’70s and ’80s are invited. “Reunions are fun, but it’s a lot more fun to see people from other classes. It’s like going to an old school dance at the cafeteria and everybody’s just tickled to see each other. As we get older, we appreciate seeing each other more.” Bakersfield singer-songwriter Monty Byrom, BHS class of ’76, will head up the entertainment, which is appropriate since he credits his musical career to the education he received at Bakersfield High. At the top of his Please see 29

Thursday, October 20, 2011 The Bakersfield Californian

Eye Street

BC choirs staging tribute Famed composer will lead ‘Shining Night’ on Friday

Shining Night: Music of the Masters with BC choirs When: 7:30 p.m. Friday

BY SUSAN SCAFFIDI Contributing writer

he Bakersfield College choirs usually save their “big” programs for the spring, after student singers have had most of the school year to polish their skills. But the big program comes instead this Friday evening, when the choirs will perform an extraordinary concert they are calling “Shining Night: Music of the Masters.” It’s the kickoff to a very big year for the BC choral program, with the inauguration of a new chamber choir that now includes singers from the community, and a chance to work with eminent composer Morten Lauridsen, whose music will be featured at Friday’s concert at St. John’s Lutheran Church, 4500 Buena Vista Road. “It’s essentially a tribute to Dr. Morten Lauridsen,” choir director Ron Kean said. Lauridsen’s music has dominated the choral world for several decades. Lauridsen is a professor of composition at USC, and served as composerin-residence for the Los Angeles Master Chorale from 1994-2001. His works are among the most performed in the United States, and have earned him such accolades as “American Choral Master,” by the National Endowment for the Arts, and the

Where: St. John’s Lutheran Church, 4500 Buena Vista Road Tickets: $10; $5 students, seniors and active military with ID. Tickets available at the door.

National Arts Medal by President George W. Bush. The choirs will perform Lauridsen’s famous “Lux Aeterna,” “Sure on This Shining Night,” and “Dirais-ton.” Kean has also programmed music by composers who influenced Lauridsen’s work, including the motet “Os Justi,” by Anton Bruckner, “Schaffe in mir, Gott,” by Johannes Brahms, and Benjamin Britten’s “Rejoice in the Lamb.” The choirs, who will be accompanied by organist and pianist Liz Cervantes, will also perform a new work, “Clap Praise,” a gospel-style work by Los Angeles-based composer Diane White-Clayton. The piece includes a section of extremely complex handclapping that is the centerpiece of the work. Kean said White-Clayton came to BC to work with the choir. “She worked with us on the rhythms,” Kean said. “She also worked with us on style.” White-Clayton is a distinguished performer and educator and is also

the choir director at the famous Faithful Central Bible Church, which meets at the Forum in Los Angeles. “She’s an amazing pianist and has an incredible ear for gospel music,” Kean said. “(‘Clap Praise’) is just one of the happiest pieces you can ever imagine.” Kean admits he is pushing the choirs, but with good reason. Next month, the singers travel to the Music Association of California Community Colleges (MACCC) annual conference, where they will work with Lauridsen and sing the same compositions. “This ends my tenure on the board (of MACCC) and so I wanted to go out in a big way,” Kean said. “So I asked Dr. Lauridsen if he would be our composer-in-residence at the conference, and he agreed.” “So this is really a big program for us,” Kean said. “I wanted my students to be prepared for when they work with Dr. Lauridsen.” Kean has a personal connection with Lauridsen, one of Kean’s professors while earning his doctorate at USC. “I look back and I was really lucky, my gosh,” said Kean, who is dedicating the concert to Armando and Heladio Ramirez, both of Arvin, who died last week in an industrial accident in Lamont. Kean said he is trying to contact the young men’s family. “I just them to know we care about them,” Kean said.

Opens Sept 23rd through Nov 12th 12748 Jomani Drive

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list of mentors was the late Driller band director Colonel Wes Moore. “You didn’t just respect the Colonel, you loved him. He made you feel like you’re the most important thing in the world. I can’t really think of figures that would make you wanna go to school the way he did. I still get emotional when I think about him. That big boomy voice. … He’d always call me Byrom.” Byrom has assembled a band of local musicians, including his brother Tanner on drums, bassist Billy Haynes, keyboardist Chris Neufeld, guitarist Chris Pence, vocalist Leonard Thomas, trumpeter John Hollins and Dennis Wilson on sax. “I was in every music class they had there — orchestra, jazz, choir. Whatever group they let me in. I was a great student and a terrible student,” Byrom laughed. “We’re going to be playing a lot of grooving ’70s music, maybe some ’80s and probably have some other alumni jump onstage if they’re feeling it.” For the price of admission, attendees will enjoy dinner by Luigi’s, a DJ and live dance music throughout the evening, plus a lot of opportunities to recall glory days. “We have someone in charge of bringing out old yearbooks and historians on hand to share information and photos,” Harrison said. “You don’t realize how much these things mean to you until you’re gone.” Harrison said his twin sisters, Susan and Nancy, as well as brother Craig — now a priest at St. Francis of Assisi Catholic Church downtown — were active participants on campus, both in athletics and student government. Their father, Don, also happened to be the school’s athletics director and vice principal when they attended. “I was voted ‘the one who got away with the most’ and ‘class clown.’ I had a good time. That’s why you gotta have someone like that organize something like this. My brother Craig was student body president and big man on campus.

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Bakersfield High School graduate Monty Byrom, shown performing at Buck Owens’ Crystal Palace in July, has put together a band to play at the Driller Bash.

I always tell him, ‘I think I made you become a priest, because I was such a hard act to follow.’” Funds raised from the event will benefit Bakersfield High music, arts and athletic programs. Harrison, who plans to make the party an annual event, would like to remind other alumni to help spread the word. “We all have strong bonds to the teachers and coaches that have had a lot of influence on our life. It’s a great way to give back and have a lot of fun doing it.”

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The Bakersfield Californian Thursday, October 20, 2011

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index Scary for Charity ...................................... 23 Third Thursday ........................................ 24 20th annual Fall Home Show .................. 25 Arts Alive .................................................. 26 “Toy Story 3” on ice ................................ 27 The Lowdown with Matt Munoz.............. 28 Boo at the Zoo ........................................ 30 Calendar .............................................. 35-37

Hell bent for leather Metal titans Judas Priest grinding it out BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

fter nearly four decades of leather-wearing, fist-pumping, heavy metal mayhem, veteran British rockers Judas Priest have decided to pull the brakes. The group announced last year that the current tour would be the final major spectacle and immediatly began planning a massive show poised to out-pyro all previous productions. Bakersfield will get a chance to feel that heat when it blazes into Rabobank on Tuesday. Weary of the incessant touring fans have come to expect since the 1974 debut of “Rocka Rolla,” original members Rob Halford, Ian Hill and Glenn Tipton are out to prove they still pack a mighty punch. And although the tour is called “Epitaph,” this is in no way the band’s swan song. “We don’t want to create confusion. All we’re saying is, we’re not going to do a world tour again that takes 18 months out of your life,” Tipton said during a phone interview with The Californian. “Maybe it’s the beginning of the end, but it’s certainly not the end.” Like The Beatles years before, Judas Priest was part of another British invasion that included Def Leppard and Iron Maiden, acts that followed the lead of the granddady of all metal bands, Black Sabbath. Halford’s operatic screams and love for motorcycles, as well as his fondness for S&M leather and studs, helped the band stand out in the crowd. But it wasn’t so much the bad boy antics as it was the twin lead guitars of Tipton and K.K. Downing that would profoundly influence American bands like Metallica and Slayer. “I think if along the way we’ve helped to inspire some young musicians, then that’s something we’re very proud of,” Tipton said. Pumping out razor-sharp anthems like “Breaking the Law,” “You’ve Got Another Thing Comin’” and “Love Bites,” Priest has released 16 studio and six live records, some featuring replacement band members, most notably vocalist Tim “Ripper” Owens, who stepped in after Halford left to pursue other projects.

PHOTO COURTESY OF JUDAS PRIEST

Judas Priest, which will be at Rabobank Arena on Tuesday night, was part of a British invasion that included Def Leppard and Iron Maiden, acts that followed the lead of the granddady of all metal bands, Black Sabbath.

Judas Priest with Black Label Society and Thin Lizzy When: 6 p.m. Tuesday Where: Rabobank Arena, 1001 Truxtun Ave. Cost: $30 to $90 Information: 852-7777 or ticketmaster.com

Halford eventually returned and, through it all, Tipton said fans have stayed fiercely devoted. “It’s something to be really proud of,” said Tipton. “A Judas Priest night is the whole thing, it’s not just us and the audience — it’s us and the audience together. So many young factions in the crowd, it’s just wonderful, really. They sing along, not just with the choruses, but with the lead breaks.” Reflecting on the group’s humble beginnings in the workingclass trenches of Birmingham, England, Tipton recalled a few of those early struggles.

“We were just like every other young band. We’d do one gig, and get enough gas money to maybe buy a bag of chips between us and get to the next gig. When we did our first album it wasn’t much better. I remember sleeping in the van outside the studio in the middle of London on top of the equipment, and we were allowed two meal tickets a day to eat at the studio canteen. Things looked up eventually.” After achieving arena stardom, Priest became the focus of controversy in 1990, when the band was pulled into court, accused of including a subliminal message on an early cover of the song, “Better by You, Better than Me.” The band was accused of complicity in the suicide attempts of two Nevada teenagers. The case drew headlines and was eventually dropped, but the notoriety put Priest at the forefront of the controversial campaign to force record labels to put parental advisory stickers on some rock and rap albums. “You know, it just didn’t make

sense. But having said that, it was a serious six weeks to two months in court and we came out of it, proving that we hadn’t put any reverse messages on the album. We flew the flag, not just for heavy metal, we felt, but every album that was recorded, every album that was designed, every book, every book cover — even films. Because I think if we’d have lost that case it would have set a precedent that would have started a roller coaster of lawsuits. It was a tragic case of two kids and their families who had been talked into going on trial when there was no case, really.” The band’s latest double-album, “Nostradamus,” continues in the tradition of Priest’s recent conceptual works, and for Tipton it’s every bit as good as even their signature work. “Like it, love it, hate it, understand it, this record certainly was a mammoth project that stands alongside some of our best records.”

Win Judas Priest tickets Tune in to “Californian Radio” on KERN 1180 AM at 9 a.m. today for your chance to win tickets to the Judas Priest concert Tuesday at the Rabobank Arena. Just listen for the cue to call and then phone 661-842-KERN.

Tipton said fans can expect more new music after the tour wraps in April, though Tuesday’s show will have a retrospective feel to it. “It’s going to be a Priest extravaganza. We’re doing a track off of every studio album and playing songs we’ve never played before live like “Blood Red Skies,” plus everyone’s got their favorites — just a rockin’ night of great metal not to be missed.” Also performing in the current lineup are drummer Scott Travis and guitarist Ritchie Faulkner. Opening acts are Black Label Society and Thin Lizzy, featuring original guitarist Scott Gorham.

bakersfield.com

Thursday, October 27, 2011

LOCAL 3

N AT I O N 4 8

SPORTS 52

OBITUARIES 18

COMICS 42

75 cents

M OV I E S 29

CLASSIFIEDS 72

WHO GAVE WHAT? A look at the donations given to presidential hopefuls, Page 11

Sasha Mallory brings her moves to Rabobank Eye Street, Page 22 Sasha Mallory and Jess LeProtto perform during the “So You Think You Can Dance Tour 2011” Sept. 21 at Time Warner Cable Arena in Charlotte, N.C. Mallory, of Bakersfield, joins 10 finalists from season eight of the Fox TV show for a live performance at the Rabobank Arena Tuesday night. Mallory, 23, was the runner-up in the last cycle of competition. Subscriber services 392-5777 or 1-800-953-5353

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To report a news tip 395-7384 or 1-800-540-0646 or local@bakersfield.com

The Bakersfield Californian Thursday, October 27, 2011

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index Halloween events .................................... 23 Parade of Ponds ...................................... 24 Arts Alive .................................................. 26 McDonald’s singer .................................. 27 The Lowdown with Matt Munoz.............. 28 Scott Cox .................................................. 29 Bakersfield Celtic Music Festival .......... 33 Calendar .............................................. 35-37

Free up your dance card Local finalist on Fox dance show to perform BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

fter reaching the finals of “So You Think You Can Dance?,” Bakersfield dancer Sasha Mallory is eager to say thank you to the local fans who helped get her there in the most expressive way she knows how: through dance. Mallory will join the other top 10 finalists from season eight of the Fox competition at the Rabobank on Tuesday. In a phone conversation before a tour stop in New Orleans, Mallory, despite being exhausted from the relentless dancing, wanted to make sure her local fans knew how appreciative she still is. “The reaction from people was so awesome,” she said during a phone interview before a tour stop in New Orleans. “I just couldn’t believe it. I’m so thankful for all the support.” It’s been a whirlwind of a year for the 23-year-old, who became a show favorite after wowing judges with her athletic grace and charm. Originally joined at the auditions by her sister, Natalia, she continued alone in the competition, rising through the ranks to become the show’s runner-up. Mallory’s popularity was given a boost thanks to a ‘Team Sasha’ campaign led by family and online supporters, some of whom reached all the way to Trinidad, where much of her family resides. Preferring to avoid getting caught up in the hype, the spiky-haired dancer with the bright smile said she intentionally steered clear of the press and Internet in order to stay focused. “I can’t believe how big it got and how many people wanna know more about me. I’m just this goofy person. I just handle myself and go with the flow. I’m not really an online person, so when I saw the ‘Vote For Sasha’ posts, I couldn’t believe it. Apparently people liked the way I dance, which is kinda cool.” On the show, Mallory and the other contestants were paired to perform pieces choreo-

graphed by some of the biggest names in professional dance during the weekly two-hour performance shows. Following each episode, viewers were able to vote for their favorite dancers. Eliminations were announced the following night. The grueling pace continued until the announcement of the final four: Mallory, Marko Germar, Tadd Gadduang and Melanie Moore, who would win the competition. Recalling that final moment, Mallory described herself as more relieved than disappointed over the results. “I was just so thankful. It could have gone either way and I would have had the same feelings because of how much I learned and the friendships and memories I made —so many connections, too.” But despite Mallory’s joy, there was no time to savor the experience. Rehearsals for the 32-date tour began immediately following the August finale. “After I saw myself on a billboard, it just freaked me out,” she said. “I’ve never been the center of attention before. The show that we’re doing right now is full-on dance from beginning to end. There’s one break between the first and second half. People seem to enjoy the show a lot. It’s just fun to see the crowd reactions to what we put together. Our bodies are just dying from all the rehearsing and work, but we’re having a blast.” Following the completion of the tour, Mallory said she plans to move to Los Angeles to work with an agent. “I have a few teaching jobs lined up, and I’m going to be choreographing and teaching on faculties of competitions and convention-type deals — just kind of traveling and doing that. I’d also like to take some acting classes and get into acting.” Mallory added that she’s having a hard time containing her excitement for Tuesday’s show and looks forward to seeing all her family and friends again. “I’m so excited to perform in Bakersfield and I hope everyone can go. Please just cram into the arena. I just wanna dance in front of you. I cannot wait for the show.”

JEFF SINER / CHARLOTTE OBSERVER

Sasha Mallory and Jess LeProtto perform during the “So You Think You Can Dance Tour 2011” at Time Warner Cable Arena in Charlotte, N.C., in September.

‘So You Think You Can Dance Live’ When: 7 p.m. Tuesday Where: Rabobank Arena, 1001 Truxtun Ave.

Tickets: $37 to $57 Information: 852-7777 or ticketmaster.com

Thursday, October 27, 2011 The Bakersfield Californian

Eye Street

Motivation without Medication™

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FELIX ADAMO / THE CALIFORNIAN

McDonald’s employee Maureen Recalde sings at an East Rotary meeting in downtown Bakersfield.

She’s got McStar power Tehachapi McDonald’s worker competing for singing title BY MATT MUNOZ Contributing writer

here’s no doubt she knows a thing or two about flipping burgers, but a Tehachapi fastfood manager has the golden opportunity to show some real McStar power. And you can help. Maureen Recalde took the title of Southern California regional winner in the “Voice of McDonald’s” national singing competition last month. She was chosen from more than 800 singers who submitted music videos in the competition, which is open to all employees of the chain. And though the win was a big one, the 22year-old needs community support to advance further in the contest. Online voting begins Tuesday. Recalde, who’s worked at the Tehachapi location for six years, was raised around the Golden Arches by her mother, store owner Mary Ann Paciullo. Singing since the age of 3, Recalde was a member of several scholastic music groups and studied ethnomusicology at both UC Santa Barbara and the University of Sussex in England. Upon her return, she resumed work at the restaurant and was named general manager a year ago. “I’d heard of the contest over the past four years but never entered it,” she said. “I wasn’t really working when I was in college. Once I started again, I saw the fliers in the break

How to vote To support Tehachapi “Voice of McDonald’s” contestant Maureen Recalde, go to voiceofmcdonald’s.com. Voting is open from Nov. 1-30 and there is no limit. The top 16 contestants will become global semifinalists and eligible to compete in the final rounds. Top prize is $25,000.

room. I had encouragement from my crew after they heard me sing.” Shot at Bakersfield’s ASR studios in August, Recalde’s video — available on YouTube — features a performance of Smokey Robinson’s “Who’s Lovin’ You,” a song famously covered by Michael Jackson. Recorded and filmed without overdubs, the song showcases Recalde’s voice, so soulful and naturally in tune that many viewers have questioned whether any studio manipulation was employed. “A lot of people have asked, but there was none. I wanted to show people what I sound like. I chose the song because I had a personal connection to it and that’s probably why I sound so relaxed,” she said. It was good enough to grab the attention of the judges, who chose Recalde along with 21 other regional hopefuls from across the nation. For the next round, Recalde was sent with the other competitors to record at Jim Henson Studios in Hollywood. Presented a list of song choices, she went with Whitney Houston’s “So Emotional,” another favorite.

“That was the most incredible experience for me. ‘We Are the World’ was recorded there. This time they had seven cameras in the room all around me. I tried not to look around and just concentrated on my voice. They’re in the process of getting all the videos edited right now.” Once the videos are complete, viewers can get a glimpse of each and vote for their favorite at voiceofmcdonalds.com, Nov. 1 through 30. According to official rules, unlimited voting is allowed, but a judging panel also will be weighing in on singing ability, creativity and stage presence. The top 16 contestants will become global semifinalists and eligible to compete in the final rounds at McDonald’s 2012 convention in Orlando. Top prize is $25,000 cash. “The whole thing is 50/50, between voting and the judges,” Recalde said. Right now, they’re just telling us to get people to vote. McDonald’s employees all know, but anyone who has access to the Internet can vote. Winning regionally, it’s pretty exciting, but to represent the whole United States would be amazing.” Regardless of the outcome, Recalde said she remains loyal to the McDonald’s brand of her upbringing. After all, a job at McDonald’s was a stepping stone for some other big talents whose careers she wouldn’t mind emulating: Shania Twain, Jay Leno and actress Rachel McAdams, among others. “Music will always be a passion of mine, but I’d like to own my own McDonald’s franchise someday.”

Named Bakersfield’s Favorite Pizza in The Californian’s 2011 Readers Survey

BROADWAY REVUE! October 29th at 8:00pm October 30th at 2:00pm November 6th at 2:00pm

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Thursday, November 3, 2011 The Bakersfield Californian

Eye Street

Band goes dark for haunting video Metal act Nyceria catches eye of industry heavy hitters BY MATT MUNOZ Bakoptopia.com editor mmunoz@bakersfield.com

ocal hard rockers Nyceria have always had big dreams of taking over the world, one riff at a time. Now with the release of their new music video, the Bakersfield quartet is moving another small step closer to fulfilling that goal with a boost from some reputable names in the industry. Filmed and directed by Ricardo Moreno of Silver Culture Pictures in Los Angeles, the video for the band’s song “Scathe” is a slickly produced music short that resembles anything they show on MTV or Fuse. It’s dark, disturbing and could easily be wedged between a “Headbangers Ball” rock block of Metallica videos. But the story behind how this group of friends ended up in the office of busy music producer Luigie Gonzalez, who helped spark the project, begins in the garages of Bakersfield eight years ago. Originally formed by brothers Aaron and Adam Crowell, along with buddy Matt House, Nyceria literally started from the ground up. They played no instruments and had no previous musical knowledge other than to claim as an influence their favorite band, locally grown Korn. Soon it was decided that Aaron would sing, Adam would sit behind the drums, while House thumped the bass. Wood-shedding daily, they became proficient enough to call themselves a band — or at least aboveaverage noise. During that time, future guitarist Alex Pennock had just arrived in Bakersfield, following his then-girlfriend from Idaho. After the relationship dissolved, Pennock was approached by the guys to join the group, rounding out the lineup. But after two years, just as they began to build a local buzz among young fans anywhere they could find a power outlet, they abruptly broke up. “That period apart really ate at me,” said Aaron. “Because I really can’t picture myself doing anything else than working with this band. This time if we were gonna do it, we agreed to keep going until we’d done it all.” “I hadn’t seen my family in years,” added Pennock. “If I hadn’t met these guys, I probably would have left a long time ago.”

‘... it’s really not that metal’ After setting aside their differences, the band began refining their rough edges into a solid rock outfit, heading into the studios before hounding local radio stations for some airplay even as formats began embracing a more indie alternative sound. “This town actually has a lot more metal fans than you think,” said Adam, “But if you listen to our stuff, it’s not really that metal. People just need labels sometimes and that sometimes hurts bands.” But Los Angeles music producer Luigie Gonzalez happened to be a fan of heavy metal and of Nyceria’s music in particular after being given a sampler of their music by colleague Mike Burns of entertainment

PHOTO COURTESY OF SILVER CULTURE PICTURES

Eric Crowell appears in the video for “Scathe” by Nyceria.

Nyceria When: 9 tonight Where: Fishlips, 1517 18th St. Admission: Free Information: 324-2557

website A&R Select. Gonzalez took a listen to their original demos and decided to retool their entire sound. “Nyceria was a special case,” Gonzalez said. “I usually don’t work with bands that don’t have a label, but I had a feeling they were really trying to get out of the garage. They were spending every little dime that they had on studio time and promotion. They just wanted to become better and that’s something that I encourage a lot and why I chose to work with them,” Gonzalez said. Without a major budget, Gonzalez and the band entered his studio last October. “The first day was traumatizing,” said Pennock. “He listened to our album and said it sounded like (expletive.) What he did was simplify everything and fine tune what he liked.” A few months into the sessions, Gonzalez reached out to video director Ricardo Moreno to see about a possible treatment for a song of his choice. “He called with the guys in the room on speaker phone,” Moreno said. “Of course I’m going to say yes. He sent me all the songs, I listen to them and there was one that got my attention. The band had very little money, but the music Luigie produced impressed me. They were also very persistent and some of the nicest guys.”

The group met with Moreno to discuss the concept and location and then consulted Craigslist, which led them to an abandoned home used for film shoots. “I wanted to do something dark and surrealistic,” said Moreno of the $3,000 video. “I told them about the process and budget. We couldn’t do big set-ups or ideas. We just needed to represent what the song is about. That’s how we did it.” Joined by a makeup artist, plus friends and family, who helped with hauling equipment and catering, the bond shot “Scathe” in seven hours in the sweatiest of conditions. Starring not just all four members in performance mode, it also features Crowell’s kid brother Eric and friend Gordon “Stitch” Jackson as young and old versions of Aaron, who plays a lead role in the storyline. Using props taken from Moreno’s home, the video takes place in what resembles an isolated room with just a table, chair and small wooden box filled with random objects representing various stages of life. “The guys put everything into it with a lot of trust,” said Moreno a veteran of highprofile productions for Mexican artists Cristian Castro and Marco Antonio Solis, among others. “I put my work into it. When you take a project, you have to put 100 percent regardless of money. It was a good atmosphere.” “I was blown away the first time I saw the video,” said Crowell. “We wouldn’t change anything about it.” The video can currently be seen on YouTube and has been getting rave reviews from fans, many of whom are discovering the group for the first time. Both Gonzalez and Moreno plan on working again with

PHOTO BY FAUSTO GONZALEZ

Nyceria pictured above from top left: Matt House, Adam Crowell, Alex Pennock and Aaron Crowell.

Nyceria in the future. “They’re very authentic and humble with a lot of integrity, and in this business you rarely get to work with bands like that,” Moreno said. The band has a few gigs lined up beginning with a show tonight at Fishlips. They’ll be heading south on Nov. 19 to play the legendary Whisky A Go Go in Hollywood. “People are itching for something new, and we’d like to give it to them,” Crowell said.

The Bakersfield Californian Thursday, November 3, 2011

Eye Street

This is his story, this is his song Rich imagery, detail enrich Lightfoot’s art BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

here’s something about the music of Gordon Lightfoot. Penning songs about love, shipwrecks and distant lands, the gentleman with the gentle baritone vibrato dominated radio in the 1970s. For bell-bottom-wearing fans of his music, he had the perfect blend of poetry and romance. Heralded as one of the best singer-songwriters of that era, he’ll be performing hits like “Sundown,” “The Wreck of the Edmund Fitzgerald” and “If You Could Read My Mind,” to name a few, as he presents a retrospective of his illustrious career at the Fox Theater on Sunday. Starting out as a young troubadour in the pubs and coffeehouses of his native Canada, Lightfoot took off early in the folk rock movement. Today, at age 72, he’s still traveling, celebrating his long career, which includes more than 20 fulllengths albums. “I love to work. It’s that simple,” he said during a phone interview with The Californian. “The entire time I’ve been doing

Gordon Lightfoot When: 8 p.m. Sunday Where: Fox Theater, 2001 H St. Tickets: $30 to $55 Information: 324-1369 or vallitix.com

this I’ve been writing these songs. The recognition they receive is greatly appreciated.” Covered by everyone from Bob Dylan and Johnny Cash to Elvis Presley, who recorded a popular version of “Early Morning Rain,” he’s been both celebrated and parodied. “I never heard a cover that I didn’t like. The results are amazing but always interesting. I heard a cover of my song ‘Bitter Green’ by a 5-year-old, and it came out sounding like ‘Bitto Gween.’” When he’s not on the road, Lightfoot is a news junkie of sorts, listening to talk radio and catching up on world news. “It’s almost like osmosis. As you listen to the media, you’re absorbing and I feel a sense of urgency that I always take with me to the stage. I can feel it in the crowd here in Canada and down there in the States.” As for Sunday’s show, Lightfoot said Bakersfield fans will get a cross section of favorites.

PHOTO COURTESY OF GORDON LIGHTFOOT

Gordon Lightfoot appears at the Fox Theater on Sunday.

He also wanted acknowledge his admiration for one of his (and Bakersfield’s) personal favorites,

Buck Owens, before leaving the conversation. “I saw Buck at O’Keefe Center

in Toronto many years ago and that was one of the best shows I ever saw.”

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Thursday, November 10, 2011 The Bakersfield Californian

Eye Street

Bakersfield in his blood A resident by choice, not birth, singer draws on inspiration BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

ountry music is filled with working man poets like Stephen David Austin. Absorbing the reality of his surroundings and putting them to song, the Tehachapi singer/songwriter continues a well-traveled musical tradition. Equally influenced by the Dust Bowl narrative of Merle Haggard and the honky-tonk twang of his idol Buck Owens, Austin hopes to touch fans the same way with his debut solo CD, “A Bakersfield Dozen.” A gritty ode to the American experience told through the eyes of a wandering troubadour, the collection is a reflection of Austin’s life and the figures he’s encountered who have helped color the way. From late-night whiskey jams to the pains of love and defeat, the material is, in part, the product of two brief conversations Austin had with singer/guitarist Dave Alvin. “I told Dave how much his music was like my life story. Then we started talking about Okie history. At one point he said it sounds like Merle Haggard wrote what I was saying. I met him again at Fishlips when he was in town and we started talking about those same things again. He finally said, ‘You should write your own life story.’” Turns out, Austin, 56, had already been doing that through a series of half-written songs, most of which ended up on “A Bakersfield Dozen.” “They were written in bits and pieces. I’d been sitting on them for some time. I started out with 13 songs and was going to call it a “Bakers Dozen,” but two of the songs didn’t quite fit. When I had it pared down to 11, I figured anyone who’s done any time in Bakersfield would get the irony.” Unbeknownst to Austin, Bakersfield Sound musician Red Simpson already had an album of the same name, purely coincidental, Austin said. In truth, Simpson’s 1967 album and Austin’s release bear little resemblance to each other. But if anyone was to dispute Austin’s intentions, consider it more of an homage than misappropriation. “It certainly wasn’t theft,” Austin said. Austin was born in Omaha, Neb., but he moved around a lot, thanks to the demands of his dad’s job as an agricultural chemical salesman. The family eventually settled in Southern California, but Austin can still recall those long drives with his father and the sounds of country music on the radio during work calls. His father’s favorite: “El Paso” by Marty Robbins. “That’s where I think I learned to love the open road and got to know a lot more

To buy the album “A Bakersfield Dozen” can be purchased at cdbaby.com and also available for download on iTunes. For more information visit stephendavidaustin.com.

about my father. All my life I’ve been exposed to what he always listened to — Buck and Merle, Tennessee Ernie Ford, Tom T. Hall, Hoyt Axton. I just loved music. I never really drew a line as to what was cool — I just loved the way stories could be told. There was always depth and a great pathos in country music you couldn’t find in rock music.” His parents enrolled him in music lessons at age 9, when he was presented his first Sears guitar. But as time went by, he was ready to call it quits. “My teacher wanted to teach me how to finger pick and read music. I just wanted to play songs.” Among the songs that influenced his early playing was The Beatles cover of Buck Owens’ “Act Naturally.” “I started noticing how George Harrison played so much like Don Rich from the Buckaroos. That was my introduction to the Bakersfield Sound, like most people around (Southern California).” In years to come, Austin found himself playing in various rock bands before discovering the burgeoning Americana music movement in Hollywood during the ’80s. Exciting, raw and unconventional, bands like The Blasters, The Beat Farmers and Lone Justice were reinventing the country wheel. “I loved the energy, but I never took steps to get involved. I think a lot of it was about finding the right players,” he said. After relocating to Bakersfield that decade, he continued making the music rounds as a member of various bar bands before finally stepping out on his own to begin working on “A Bakersfield Dozen” last year. “I spent about a year in my basement alone before I realized I need to get out and really get this thing going.” He managed to assemble some top country session players for the project. At

FELIX ADAMO / THE CALIFORNIAN

Country artist Stephen David Austin was member of various bar bands before finally stepping out on his own to begin working on “A Bakersfield Dozen” last year.

the top of the list is steel guitarist Marty Rifkin, whose recording credits include sessions with Tom Petty, Dwight Yoakam and Bruce Springsteen. “Marty’s parts were done at his studio in Santa Monica, where we also mixed and mastered the CD. It was the only time I’ve ever seen quadruple platinum cassette tape on the wall for Bruce Springsteen. I feel so great to consider him a friend now. It was fun and totally painless working with him.” Others on board include bassist Paul Marshall, guitarist Dave Currall, pianist Skip Edwards, drummer Shawn Nourse, vocalist Teresa James and Brantley Kearns on fiddle. Together they make one powerhouse of a backing band. “When you’re playing with people this great, it always raises the bar.” That being said, all the songs on “A Bakersfield Dozen” make for a cohesive musical statement. The album opens with the humorous “Best Ex I Ever Had,” a song inspired by a Bakersfield bartender. It’s followed by “Heroes and Heroin,” a cautionary tale about the tragic lives of musicians Charlie Parker, Gram Parsons and Jerry Garcia. “That song had a bunch more verses about a lot of guys that were musical heroes that had done a lot of horrible things. I had to pare it down. Always makes me think of a quote from Henry Rollins, who said, ‘How many people Keith Richards has killed just for being Keith Richards?’” On the upside, “Dance With No Pants” is a burner that would make a hilarious music video with its redneck storyline, while “Back to Bakersfield” is a reminder of

the city’s mythical draw. “The Grapevine, Panorama bluffs — it was just short of the ‘Grapes of Wrath.’ It’s all about migration and how people always end up coming back once they leave.” Among the CD’s standouts is a track about Wichita’s methamphetamine problem, called “Kansas Ain’t in Kansas Anymore,” co-written by drummer and Californian staff writer Steven Mayer. “A lot of my stuff is poetic license. Steven had done a story on the meth labs taking over. It was a quote from someone he interviewed.” “The Day Buck Owens Died” opens with a riff from the legend’s signature tune “Buckaroo,” before Austin recounts the moment he was given the sad news. “I did it as a tribute to his sound. In his lifetime, he accomplished more than what 20 musicians could. He passed away on my birthday.” “A Bakersfield Dozen” closes with “Bad Dog,” featuring Austin’s grandson, Kayleb, who was only a year old at the time it was recorded. “Bad Dog” was one of the only things he could say. I had to hold him on the mic. I put it on there to show I’m not all Holden Caulfield. Kayleb is the light of my life and the source of my inspiration. Everything’s new to him, and I’m kinda jaded.” Austin said there are plans to perform the songs as they were recorded, but for now he hopes his music will continue to circulate. “I’ve always said that my idea of making it is walking into a bar where I know no one, and they get up and play my song on the jukebox.”

Saturday, November 12, 2011 The Bakersfield Californian

Eye Street Lifestyles editor Jennifer Self | Phone 395-7434 | Email, jself@bakersfield.com

mystyle

PHOTO COURTESY OF NEWSBOYS

A series that spotlights the chic among us

Newsboys headlines the Winter Jam concert Thursday at Rabobank Arena.

Bands keep the faith, still rock at Winter Jam BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

FELIX ADAMO / THE CALIFORNIAN

Ashley Langham shows her style. Left: Sequin bolero and top combination ($16.99, Kohl’s); gray skinny jeans ($12.99, Target); black boots ($29, Target) and hair bow (homemade by Mom). Right: CeCe and Rocky black-and-white blousy top ($14.99, Target); white camisole ($7.99, Kohl’s); black skinny jeans ($12.99, Target); sequin ballet flat ($17.99, Target); pirate skull earrings ($9.99 for a multipack, Claire’s, Valley Plaza Mall); and hair bow (homemade by Mom).

Style lessons for the next generation D BY MIRANDA WHITWORTH Contributing writer

1. Justice (in Valley Plaza Mall) 2. Target 3. Kohl’s

4. Old Navy 5. Tilly’s (Valley Plaza Mall or tillys.com)

Sequin scarf ($9.99, Justice at Valley Plaza Mall; pink sequin long-sleeved knit top ($19.99, Justice); pink purse ($12.99, Justice) and blue jeans ($12.99, Target).

2. Point out styles and items that will look good, but let them pick out the color so they have some say in the shopping process. 3. Know your kid and their attitude. Realize how active they may be and always be sure they dress appropriately. Girls who love to run around don’t need to dress like tomboys. Instead of a skirt and tights, put them in skinny jeans and knee-high boots — it’s a great girly outfit that can take the abuse.

Pink ruffled dress ($29.99, Justice at Valley Plaza Mall) and white wedge sandals ($17.99, Target).

Ashley’s style icons The CeCe and Rocky Collection at Target, which is inspired by the Disney Channel series “Shake it up.” The clothing line is something Ashley looks for when she shops as a way to get in on the style action she sees on TV. “The show is about two girls who like to sing and dance and they have their own show. They wear really cute stuff and you can get clothes like that now.”

tips from Mom Mary Langham shares her advice on parenting a fashion-forward child: 1. A lot of stores have great kids sections online. Tilly’s at the Valley Plaza Mall doesn’t have children’s clothing but they have a great online section for kids and you can shop clearance first so it saves a lot of time and money.

CeCe and Rocky pink sequin animal print bag ($12.99, Target); sequin peace sign Converse hightops ($29.99, Target); silver and purple rhinestone belt ($8.99, Claire’s at Valley Plaza Mall) and hair bows (by Mom).

4. Don’t be too controlling. You need to teach your child the basics but allow them to make enough decisions that their own personality shines through. Teach them the rules of style at a young age when they are still interested in what you have to say. They will hold onto those ideals and them make them their own. 5. Go shopping together!

Please see JAM / D2

Get out Today “Menopause The Musical,” doors open at 7 p.m., show 8 p.m., Bakersfield Fox Theater, 2001 H St. $28 plus fee. vallitix.com or 322-5200. 13th annual “Stockdale Band Spectacular,” honoring local veterans and active military, gates open at noon, Stockdale High School, 2800 Buena Vista Road. $8; $6, seniors/students with ASB cards; $5, children 5-12; children under 5 are free. 665-2800 ext. 65. Trout Fishing Derby, 6 a.m. to 2 p.m., Buena Vista Aquatic Recreation Area, Lake Evans, Highway 43, 25 miles southwest of Bakersfield. $20; $10 children 14 and under. 765-2165. “The Giver,” 7 p.m. today; 2 p.m. Sunday, Bakersfield Community Theater, 2400 S. Chester Ave. $12; $10 for 12 and under; free for children 5 and under. 831-8114. “First Fall,” 8 p.m., The Empty Space, 706 Oak St. $15; $10 students/seniors. 327-PLAY. “Love, Sex and the IRS,” doors open at 6 p.m., show 7:30 p.m., Stars Dinner Theatre, 1931 Chester Ave. $45 to $55; show-only tickets $35. 325-6100. “The Phantom of the Melodrama,” 7 p.m. today; 2 p.m. Sunday, Gaslight Melodrama Theatre & Music Hall, 12748 Jomani Drive. $12 to $23. 5873377. “Dr. Jekyll & Mr. Hyde,” 7 p.m., Spotlight Theatre, 1622 19th St. $15. 634-0692.

▲

o you remember what you loved to wear when you were 8 years old? For many people, the wardrobe you owned at that age is a distant and foggy memory. But the fashion values you hold today most likely reflect the first style lessons you learned back in elementary school. For Ashley Langham, a third-grader at Patriot Elementary School, her wardrobe is in the here and now. The 8-year-old happily dons sequins, sparkles and skinny jeans, styling herself under the watchful eye of her mother, Mary. “My mom helps me pick stuff out. I tell her what colors I want and she helps me find it. We go shopping together a lot.” Ashley is a true girly girl, leaning away from the tomboy trends and embracing blousy tops, sequin scarves and embellished tennis shoes. She wears dresses and low wedges, complimented by purses and unique hair bows — made by her mom — that match every occasion. For Ashley it’s not about one outfit in particular but about loving her entire closet. “I don’t think I have a favorite outfit. I have bunch of different things and it all goes together. I like to pick out stuff that goes with everything.” Seeing the value in separates is a lesson Ashley’s mother has driven home hard. “I try to show her what colors go together, how to wear prints and to think about what she’s buying and how she’ll wear that item when she gets it home.” Like every parent, Langham knows there will come a day when there won’t be much she can say to Ashley about her clothing choices. She just hopes that while her daughter is young and still takes her advice on fashion she can steer her in a positive direction and keep her on that heading. “Even at her age, some of the clothing I see out there is pretty grown-up looking,” Langham said. “Short shorts and short skirts are everywhere. I have taught her that you don’t have to wear revealing clothing to look good. You never want to show too much of yourself.” Hemlines aside, according to Ashley, the most important style lesson she’s learned from her mother is a tried-and-true rule of thumb: “Black goes with everything.”

Favorite places to shop

hristian music has changed a lot since the days of church hymnal sing-a-longs with piano accompaniment to the tune of “Bringing in the Sheaves.” Today, the music has evolved by incorporating a lot of the sounds heard on mainstream radio. From pop to alternative rock and heavy metal, the music even boasts its own traveling Lollapalooza-like tour called Winter Jam, making a stop at Rabobank Arena on Thursday. Headlining the massive event will be pop rock act Newsboys, one of the genre’s most enduring groups. Having released 14 studio albums over the Winter Jam course of their career, the quartet originally formed When: 6 p.m. in Australia before reloThursday cating to Nashville. LongWhere: Rabobank time keyboardist Jeff Arena, 1001 TruxFrankenstein, whose been tun Ave. a member of the group Admission: $10 since the mid-1990s, has at the door only, seen some big changes no tickets required after watching pioneer Information: acts like Petra, The Rez 852-7777 or Band, and Undercover jamtour.com help usher in Christian rock almost three decades ago. “I kind of appreciated the ’80s,” he said via telephone during a tour stop in Albuquerque. “It was like the wildest west back then. Now, it’s started following the trend the music industry has. Record companies have shrunk and sales have gotten so small but, yet, the touring part has gotten bigger than ever. There are still a lot of great artists making great music, but it’s the way it’s being heard that has changed a lot.” Making its West Coast debut this year, Winter Jam is the biggest Christian music tour of its kind. Showcasing 11 acts ranging from rock, acoustic and rap, the tightly arranged show also features: Kutless, Matthew West, Red, Fireflight, KJ-52, Dara Maclean and others. Plus an appearance by VeggieTales’ characters Bob and Larry. “It’s like a buffet and a good cross section of what’s happening in the Christian genre, which has always been weird to me, because it’s like the only genre classified by its lyrics rather than what it sounds like,” Frankenstein said. “It’s a wide mix of bands and people.” The event ranks as one of the year’s most profitable treks, alongside U2 and Lady Gaga. Plus, with no assigned seating (the $10 tickets are available at the door only), Frankenstein said that fans should plan on lining up early. “You show up at the door and you get in. First come, first served. It’s a killer deal. In the spring we turned away 3,000 to 5,000 people. It kind of runs like an awards shows. If you don’t like something, stick around and the acts will change.” Newsboys’ new release, “God’s Not Dead,” hits stores on Tuesday. For Frankenstein and his bandmates — guitarist Jody Davis, drummer Duncan Phillips and vocalist Michael Tait — the record stands as a reminder of the group’s commitment to their faith.

Please see GET OUT / D2

The Bakersfield Californian Saturday, November 12, 2011

Sherry Davis CONTRIBUTING COLUMNIST

Be smart when looking at ads for dogs for sale T

he Latin principle of caveat emptor states: “Let the purchaser beware, for he ought not be ignorant of the nature of the property which he is buying from another party.” It goes on to say that “the seller of a product cannot be held responsible for its quality unless it is guaranteed in writing.” Like many dog lovers, I

am a regular reader of dogs for sale ads, so it is often disturbing to see certain phrases or statements that can be misleading or confusing to the first-time or uninformed puppy buyer. And regardless of whether it is the seller’s intent, or because of their own lack of knowledge, it is up to the buyer to refrain from ignorance in their purchase of a pet.

NOW PLAYING AT THEATRES EVERYWHERE! CHECK DIRECTORIES FOR SHOWTIMES NO PASSES ACCEPTED

Here are my thoughts on some of the most commonly used phrases.

‘8 week-old male, show quality’ A puppy can realistically only be considered “show potential” at the age of 8 weeks, with that claim being made based on the winning or producing record of the parents or grandparents, not one dog five generations back. And a lot of things can happen as a puppy matures that can effect its ability to be shown, such as its bite going off, being over or undersize according to its standard or, in the case of a male puppy, failure of its testicles to drop. Since a show pup sells for more than a pet puppy, if it develops a breed disqualification that would prohibit it from being shown, an ethical breeder will normally offer to sell the owner another puppy at a reduced price, or less likely, a refund based on the difference between pet and show. All terms of sale and guarantees should be covered in a written contract.

‘6 weeks old, ready to go’ This ad tells me the mother has weaned the puppies and is no longer cleaning up after them. They are costing money to feed and vaccinate, peeing and pooping non-stop and the breeder wants them gone. This is a key psychological period in puppies’ lives as they develop bite inhibition and get feedback during dogon-dog contact, and separation anxiety and dog aggression are just some of the issues that result from puppies being taken from their litter prematurely. If the breeder won’t hold the puppy with a deposit for a couple of weeks, shop elsewhere.

DREAM HOUSE C 12:40, 3:30, 7:15, 10:05 ABDUCTION C 12:15, 2:40, 5:10, 7:40, 10:10 DOLPHIN TALE 3D B 11:30, 1:50, 4:10, 7:00, 9:30 DRIVE E 11:55, 2:30, 5:00, 7:30, 10:00 CONTAGION C 11:40, 2:10, 4:45, 7:25, 10:00 DON’T BE AFRAID OF THE DARK E 5:45, 8:30 30 MINUTES OR LESS E 1:00, 3:10, 5:30, 7:50, 10:15 THE HELP C 12:10, 3:20, 6:30, 9:40 RISE OF THE PLANET OF THE APES C 12:00, 2:25, 4:50, 7:20, 9:50 THE SMURFS B 11:45, 12:45, 2:15, 3:15, 4:40, 7:10, 9:35

‘T-cups’

Showtimes for November 12-13

F O R M E R LY PA C I F I C T H E AT R E S

VALLEY PLAZA MALL, WIBLE ROAD AT HI-WAY 99 “LIKE” READING CINEMAS VALLEY PLAZA 16 ON FACEBOOK FOR SPECIAL PROMOTIONS! ADVANCE TICKETS AT READINGCINEMASUS.COM 1-800-FANDANGO #2703

KER SFIE BEST M OVIE VLD’S ALUE

Toy dogs, like other breeds, have a written standard that includes their size in height and/or weight. Traditionally, weak and undersized puppies were called runts. Because the mother’s instincts told her only the strongest should survive, she would often

8 5 5

$ 50 $ 50 $ 50 3D $11.00

$ 00

3D $8.00

BUY 1 KIDS TRAY COMBO ND AND GET 2 TRAY FREE

ALL KIDS AGES 3-11

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(R)

(10:30AM, 11:30AM, 1:00, 2:10, 3:30, 4:50), 6:10, 7:20, 8:35, 9:50, 11:10

JACK JILL J.EDGAR AND

(10:25AM, 11:25AM, 12:40, 1:40, 2:55, 3:55, 5:00), 6:05, 7:05, 8:15, 9:15, 10:20, 11:20

PET OF THE WEEK

A rabies vaccination clinic will be held from 9 a.m. to noon today at Beale Park, Oleander Avenue between Dracena and Palm streets in Bakersfield. Cost is $5 for all dogs. License must be purchased at the time of vaccination. All dogs must be on a leash. Aggressive dogs must be muzzled. For additional information, call Kern County Animal Control at 321-3000.

Hundreds of cats and dogs are awaiting adoption in local animal shelters. Each Saturday we feature a selection of them. You can find more posted online at Bakersfield.com/youreport. Hi, my name is Libby. I am a female puppy about 3 months old. I am not expected to get too big. I am super-lovable and friendly. It was hard to get a picture of me because I kept running up and licking the camera and giving kisses to the camera person. I even gave my animal control officer a couple of kisses. I love to make people happy. Please visit me and my friends. We are well worth the short drive.

push the runt away, refuse to nurse it and it would die. If it managed to survive, it was given away as a pet, and since runts were usually plagued with health problems there was little chance of fallout from the new owner who got the dog for free. Now in the 21st century, due to the public infatuation with anything miniaturized, we have seen the popularity of tiny dogs soar with advertisements touting puppies that will mature to 1 or 2 pound adult weights. In other words, fit into a teacup. Just some of the health problems that these teeny-tinys often suffer from are hypoglycemia, seizures, colon or liver problems or difficulty in chewing or swallowing food to name a few, and the buyer who pays more to own one may have to dig substantially deeper to afford the veterinary costs associated with their care. My recommendation: Trust Mother Nature and pick the puppy that fits the breed standard.

‘Hypo or nonallergic breed’ It wouldn’t bother me if sellers said something like “good breed for allergy sufferers,” but to make such a broad statement as non-allergic is not completely truthful. Dogs are born with either double or single coats, and all dogs have skin dander, which is the real allergen. Since single-coated dogs don’t have undercoats, there is no shed hair containing dander to combine with other irritants like house dust. And although this makes them less likely to trigger allergic reactions, it is

no guarantee. The hairless Xoloqitzcuintli is probably the closest any breed of dog comes to being nonallergic, but since there are many breeds to choose from that are single-coated, the buyer need not be limited in their choice or pay inflated prices to breathe easier. Interestingly, over the years I have noticed that many of my clients were not in fact allergic to their dog’s dander, but to its saliva.

‘Parents on site’ While not of financial concern, the importance of seeing the parents of the puppies is not only to get an idea of how they will look as adults, but also to observe their temperaments. Since the mother has the most influence on the litter she should be confident and well-socialized and you should be able to interact with her when you visit the breeder. If she appears fearful or retreats from any social contact, you may want to continue your search elsewhere. Ditto if the breeder locks one or both up with the excuse that “they only get aggressive when people come near the puppies.”

‘Papers’ This refers to the transfer of ownership from the breeder to the new owner of a pure-bred dog. This slip is filled out and sent to the registry the parents are listed

Wasco Animal Shelter, 5409 Seventh St., 7587240. Open 7 a.m. to 4 p.m. Monday through Friday. PetSmart adoptions, 11 a.m. to 3 p.m. Saturdays, 4100 Ming Ave., Bakersfield. Because these photos were taken a few days before publication, there is a chance the animal has already been adopted.

with and a certificate of registration is sent back to the owner in return. The most well-known registry is the American Kennel Club. A registry does not guarantee the health or quality of an individual dog, only the fact that it is pure bred and as such, is eligible to be shown at its licensed shows. A limited registration will indicate a dog that the breeder feels should not be bred and any puppies it produces will be ineligible for registration, but it will be eligible for competition in performance events. The pedigree is the family tree that shows the genetic line of the sire and dam of the puppy for three, four or five generations. If the seller asks a higher price for pups “with papers” versus without, walk away. As my dear friend and author Mordachi Segal once said, “the purchase of a pet is the only time you get to select a family member.” So choose wisely, and as the buyer, beware. Sherry Davis is a dog trainer/owner of CSI 4 K9s. Email her at csi4k9s @yahoo.com or follow her on Twitter @csi4K9s. These are her opinions, not necessarily The Californian’s.

GENERAL MATINEES SENIORS (55+) ADMISSION BEFORE AND KIDS 6PM ONLY ONLY ONLY

JAM: Goal is to fill emotional void in people’s lives

ALL KIDS TICKETS, AGES 3-11 ARE ONLY $5 EVERY SATURDAY SHOW BEFORE NOON

Rabies clinic

(PG)

TOWER HEIST (PG-13) (10:15AM, 10:55AM, 11:50AM, 12:35, 1:20, 2:15, 3:00, 3:45, 4:40, 5:30), 6:15, 7:15, 8:00, 8:40, 9:40, 10:25, 11:00 A VERY HAROLD & KUMAR CHRISTMAS (R) 3D: (10:30AM, 12:45, 2:50, 5:00), 7:10, 9:20, 11:30 2D: (11:35AM, 1:45, 3:55), 6:10, 8:20, 10:30 PUSS IN BOOTS (PG) 3D: (11:00AM, 1:10, 3:20, 5:30), 7:45, 9:55 2D: (11:40AM, 12:30, 1:50, 2:40, 4:00), 6:10, 7:05, 8:25, 9:10, 10:35, 11:25

(10:15AM, 1:10, 4:05), 7:00, 9:55

(R)

IN TIME (PG-13) (10:35AM, 1:00, 3:30), 6:00, 8:30, 10:35 FOOTLOOSE (PG-13) (10:10AM, 4:45) PARANORMAL ACTIVITY 3 (R) (11:15AM, 1:15, 3:15, 5:20), 7:25, 9:25, 11:25 REAL STEEL (PG-13) (10:40AM, 1:25, 4:10), 7:00, 9:50

TWILIGHT SAGA: ECLIPSE Tues., 7:30pm & Thur., 8:45pm • ADVANCE SHOWING of BREAKING DAWN Thurs. Night, Midnight. Bargain Shows in ( ) I Pass/Discount Restrictions Apply Showtimes Valid Only 11/12/11

CONTINUED FROM D1

Described as a worship album for the church to sing along with rather than rock out to, the album features a mix of 12 originals and covers. “I think if you ask most people in America if they believe in God, they would say yes. But in their lives, it’s almost like he’s dead, because they’re trying to find, ‘What place does God play in my life? Is he relevant? Is religion relevant?’ And I think at the same time we’ve become a culture that’s become self-consumed. We can’t stop enter-

Presents The 22nd Annual

Holiday Home Tour

taining ourselves. We keep feeling empty inside and wonder why that is. So the album is a message of hope.” Also recognizing that many acts may need to change up their style and image to reach more listeners, Frankenstein said there should be no middle ground when it comes to being a Christian performer. “There’s a lot of confusion out there among bands. They call themselves a Christian band, but then you listen to them and they don’t really sound or aren’t saying anything different than any band out there. If you’re going to do Christian music, then let’s talk about it blatantly and not worry about what people think. We’ve always done that.” As for communicating their message to young peo-

PHOTO COURTESY OF FIREFLIGHT

Fireflight will be among the bands performing at the Winter Jam concert Thursday at Rabobank Arena.

ple today, Frankenstein added it can get challenging but for fans coming to Winter Jam, everyone will find a common bond. “Of course, we can’t force

it down anyone’s throat, but I feel like if we put it out there and present it through music, it becomes a powerful connection through people’s lives.”

GET OUT: Charity events scheduled

December 2 & 3, 2011 • 10am to 4pm CONTINUED FROM D1

Tour 3 Area Homes Coffee, Snacks and Great Shopping at Assistance League® of Bakersfield

1924 Q St.

(R Street Entrance)

Tickets available at: Bargain Box - 1924 Q Street • Pappagallo - Stockdale Fashion Plaza Country Club Liquors & Delicatessen - 3737 Columbus Olcotts - the Marketplace • SugarDaddy’s - Stockdale Village Miss Holiday - Calloway & Brimhall Rd. No cell phones, photography, high heels, wheel chair access or children under 12

for information only: (661) 861-9223 Ticket Price: $35.00 PROCEEDS BENEFIT OUR PHILANTHROPIC PROGRAMS

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Improv Comedy Show, with Center For Improv Advancement, 8 to 9:30 p.m., Ice House, 3401 Chester Ave., Suite M. Adults: $5, children under 12 are $1. Major League Improv, 6 p.m., The Empty Space, 706 Oak St. Free but donations are accepted. 327-PLAY. Farmers markets: 8 a.m. to noon, next to Golden State Mall, 3201 F St.; 9 a.m. to 1 p.m., Brimhall Square, 9500 Brimhall Road. I’m With the Band Fundraiser, with Mento Buru, food by Chef’s Noodle Bar, 6 to 10 p.m., Metro Galleries, 1604 19th St. $40. imwiththeband.org. CSUB Jazz Ensemble, 8 to 9

p.m., CSUB, Dore Theatre, 9001 Stockdale Highway. $10, $5 seniors/students, free for CSUB students with ID. 654-2156. DRB Roller Derby vs. Sin Cal Visalia Roller Girls, 7 p.m., Saunders Park, 3300 Palm St. $12 at the door; $5 seniors/children. 706-0984. Educational Open House, 10 a.m. to noon, Bakersfield Museum of Art, 1930 R St. Free. bmoa.org or 323-7219. Kern Audubon Society, field trip to Pixley National Wildlife Refuge, meet at Costco parking lot on Rosedale Highway, 3 p.m., $10. kernaudubonsociety.org or 805-0232. KV Golf Course’s 50th Anniversary Open House, from 1 to 4 p.m., Kern Valley

Golf Course, 9472 Burlando Road, Kernville. 760-376-2828. Model Railroad Month Celebration, open house, 10 a.m. to 2 p.m., GEHAMS Clubhouse, 1534 19th St. 331-6695. Star Party with Kern Astronomical Society, 8 to 10 p.m., The Marketplace, 9000 Ming Ave. 487-2519. Tehachapi Loop Railroad Model Train Show, 10 a.m. to 5 p.m. today and 10 a.m. to 4 p.m. Sunday, West Park, Recreation & Parks District, 491 W. D St., Tehachapi. Free. 821-5271. Veterans of Foreign Wars Post 10859, Rosedale & Ladies Auxiliary, 9:30 a.m., Greenacres Community Center, 2014 Calloway Drive. 588-5865.

The Bakersfield Californian Thursday, November 17, 2011

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index Piccadilly Circus ...................................... 24 Animal House art exhibit ........................ 25 Arts Alive ..................................................26 Dr. Jekyll and Mr. Hyde ............................ 27 The Lowdown with Matt Munoz.............. 28 Winefest .................................................. 29 Yo Gabba Gabba ...................................... 30 Calendar .............................................. 34-35

“All I know about Bakersfield is the Crystal Palace and you guys have a lot of onions there.” — Joey Santiago, Pixies guitarist

Heading to our ‘Lost City’ Fox gets coveted slot from Pixies, and fans snap up every ticket BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

akersfield drummer Cesareo Garasa still remembers his first concert. It was 1989, he was 15 and he and thousands of other fans packed into Dodger Stadium to see The Cure and opening acts Love and Rockets and the Pixies, a fairly new foursome out of Boston. Garasa had heard the band’s album but didn’t really know what to expect from the Pixies, other than that they were sure to play their biggest hit, “Here Comes Your Man.” Because that’s how it works, right? As it turns out, the young Garasa was about to get a bit of an education on independence. “It was the first time I had ever seen a band not selling out, because they didn’t play their biggest song. It was their single and being played on MTV every single freakin’ day and they refused to play it. This brainy group of four musicians from Boston were having as much attitude as Motorhead when it came to certain ethics of the music business.” Even today, after years of breaking up and (mostly) making up, critical success and fierce devotion among fans, the band still does things its way. On the road to celebrate the 20th anniversary of the landmark album, “Doolittle,” the band will play the Fox Theater on Friday. Dubbed the “Lost Cities” tour, the trek continues in the spirit of the band’s impulsive search for the unknown, said guitarist Joey Santiago. “We’ve never played Bakersfield, so that’s the whole idea. We have this full production for ‘Doolittle’ and we just want to take it to every city we’ve never been to and where there was a demand. All I know about Bakersfield is the Crystal Palace and you guys have a lot of onions there.” Bakersfield apparently is a little

The Pixies with Imaginary Cities When: 8 p.m. Friday Where: Fox Theater, 2001 H St. Admission: The last tickets were sold Wednesday Information: 324-1369 or vallitix.com

more familiar with the band: As of Tuesday, only 10 tickets remained for Friday’s concert. “It’s crazy that they’re coming to Bakersfield, and I have a feeling it’s the last time they’ll come to Bakersfield and may be the last time they tour at all,” Garasa said. “They barely tolerate each other.” The tension between the group’s leaders, vocalist Frank Black and bassist Kim Deal, is legendary. After six releases, the Pixies, which also includes drummer David Lovering called it quits in 1993, with all four pursuing their own musical outlets alone. But band politics aside, the attraction of performing their material before audiences was too much to ignore and they reunited in 2004. “The band will be coming out for B-sides first, and then we go right into the album front to back with various films behind us.” The band continues to be cited as an influence on artists like Nirvana’s Kurt Cobain, who credited the sound of “Smells Like Teen Spirit” to the Pixies’ style. Santiago said he’s flattered, but not overwhelmed by the accolades. “I feel good about it, but at the same time we were influenced by other bands and we do what we do. It’s kind of weird. It’s like complimenting me for the way I walk. It is what it is — very natural.” Commenting on the state of today’s indie music scene, the guitarist said he’s fascinated with how much technology has affected the DIY ethic in contrast to the scene in the 1990s. On the band’s official website, pixiesmusic.com, fans can download countless live concerts recorded throughout the various stages of the reunion all for free. “As far as being adventurous, the scene is even more so now with people being able to pro-

PHOTO COURTESY OF CHRIS GLASS

The Pixies will perform on Friday at the Fox Theater. From left, Kim Deal, David Lovering, Joey Santiago and Frank Black.

mote themselves all the time. A lot of people don’t necessarily have to make a hit. Not that it’s the indie way anyways. But, it’s getting out there through the Internet, and that’s kinda cool. The kids don’t like to be force-fed what’s on the radio anyway. They like to discover stuff on their own.” Garasa remembers those preInternet days when discovering new music wasn’t that easy. “The real reason I liked ‘Doolittle’ was because Columbia House sent it to me,” he said of the music club. “I’m not that cool. The Pixies came to me by accident.” Santiago added that there are

no current plans to do similar tours to commemorate the rest of the band’s discography, which includes “Come On Pilgrim,” “Surfer Rosa,” “Bossanova” and Trompe le Monde.” “‘Doolittle’ is our most popular record, but honestly I like ‘Bossanova.’ That’s my favorite one.” Asked whether fans can expect any new music from the band, Santiago remains optimistic given the group’s shaky existence all these years. “We’re just in the discussion phase of it. That’s a start. If we were to do it, I think our goal would be to not have people go to the bathroom when they hear

it.” As for Garasa, Friday’s concert marks only his second live encounter with the band, after that day so long ago at Dodger Stadium. But, honestly, seeing the Pixies will be only half the fun. “The main thing isn’t so much what I want to hear; it’s about seeing the people who are going to be there,” Garasa said. “I missed the X concert last year (at Buck Owens’ Crystal Palace), but I know that these concerts all bring out fans that don’t usually come out. They want to go out and be reminded what it was like to be 15 all over again.” — Californian Lifestyles Editor Jennifer Self contributed to this report

The Bakersfield Californian Thursday, November 17, 2011

Eye Street Presents The 22nd Annual

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Piccadilly Circus appears tonight for two shows at the Kern County Fairgrounds and features the Elephant Extravaganza, where you’ll witness Oka, a 9,000-pound Asian pachyderm standing atop a 3-foot-round ball before rolling across the ring.

Be amazed, wowed and amused at circus Traveling group celebrates 25 years in North America BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

adies and gentlemen, boys and girls: Piccadilly Circus is in town tonight. Not the popular London shopping district, but a real traveling big top of trapeze artists, daredevils and exotic animals complete with all the glitz and crowdpleasing excitement audiences have come to associate with the circus. According to a news release, Piccadilly Circus is celebrating 25 years entertaining families throughout North America. One of the busiest traveling circuses today, it boasts acts ranging from the traditional to the sublime. Among them: the Elephant Extravaganza, where you’ll witness Oka, a 9,000pound Asian pachyderm standing atop a 3-foot-round ball before rolling across the circus ring; Motorcycle Madness, where two-wheeled daredevils somersault and

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Piccadilly Circus When: 4:30 and 7:30 p.m. today Where: Kern County Fairgrounds, 1142 S. P St. Admission: $28; free for 13 and under with coupon. Limited VIP ringside is $35 for adults and $7 for children. Tickets available at box office. Information: 833-4900 or 941-5529952 or thefuncircus.com

spin inside the giant Globe of Doom. For those who prefer being up close and personal with bizarre beasts, there’s Katunga, the giant jungle monster; the White Tiger Spectacular; and Rocky, a 250-pound kangaroo who enjoys comedic audience participation. High atop the flying trapeze, you’ll be astounded by a troupe of acrobats, plus world-renowned contortionists the Mongolian Angels, who can pretzel themselves with ease. Of course, no circus would be complete without clowns, who will keep you in stitches as they try making the big top rounds in a 1923 Model T Ford with a “mind of its own.” Doors open one hour before show time, and each show runs 90 minutes. Special pricing is available.

The Bakersfield Californian Thursday, December 1, 2011

Eye Street MAKE HOLIDAY WISHES COME TRUE

TAKE A PART-TIME JOB THIS SEASON

Comedian finds perfect setup to punch line: life BY MATT MUNOZ Bakotopia.com editor

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lmost anything goes in the house of Jo Koy. And there’s no denying his twisted wit as he describes life’s most embarrassing moments onstage or when he’s poking fun at celebs as a panelist on the “Chelsea Lately” show on E!. With stories ranging from his karaoke-singing uncles to an overly imaginative son reporting ghosts in the restroom, he plans on bringing fans into his wacky world when he returns to the Fox Sunday night. Speaking of which, the last time we interviewed Koy, he was standing guard in the bathroom while his frightened 7-year-old son was bathing. That was two years ago, but not much has changed apparently. “The last time I came to Bakersfield, my son was obsessed with that show ‘Ghost Adventures,’ and he couldn’t be alone anywhere. I do remember doing the interview sitting on the toilet, while my son threw water at me,” he said during a recent phone conversation with The Californian. “Well, now he carries around a crucifix. Not a necklace. I’m talking about a churchsized cross.” Although there have been no reports of paranormal activity at the Koy household, there have been other disturbances. “One night, I heard this big crash in the bathroom. It was the cross. My son had accidentally dropped it and along the way took a lot of stuff with it on the way to the floor. No ghosts.” Those types of mishaps offer prime material to Koy, 40, a pint-sized character who started his career by throwing live shows in Las Vegas, selling tickets door to door to fill seats. Discovered by a talent scout while onstage, he scored high-profile slots on BET before ultimately making it to Comedy Central, where he’ll be premiering his second full-length special, “Lights Out,” in January. “This show is a sneak peek of what my hour special is going to be like. I have to do it all now, because once the show airs, I have to retire it all and start working on new stuff.” Not up to previewing any of that material over the phone, Koy said it’s part of his style — keep it fresh to the last laugh. “Last tour there were a lot of stories I

Jo Koy When: 7 p.m. Sunday Where: Fox Theater, 2001 H St. Cost: $29 Information: 324-1369 or vallitix.com

wanted to tell but didn’t have enough time for, so I held off. You’re gonna love this stuff.” Given a big boost in part to his association with comedian Handler, Koy is quick to shower praise upon his friend, who’s coming off her own hugely successful year. “She’s just so powerful right now, it’s pathetic. Just so amazing, nice and generous. You know, she gave all her employees a $1,000 bonus when she signed the deal with E! and I think she has over 130 people working for her. She paid them all in cash, no check. She’s got that bitchy persona and that tough exterior on TV, but she also has that soft interior — just a wonderful person.” Koy has been hard at work trying to land his own sitcom, most recently under the direction of his idol, Bill Cosby. Testing the limits of his patience, he’s confident that day, or year, will come despite some letdowns. “Dave Chappelle once said in an interview he had eight failed sitcom deals before he got to do ‘Chappelle’s Show.’ This will be my third failed pilot and I don’t care. That’s the way it is in this industry. You get deals, but TV is so fickle now and things don’t last that long anymore. Every year I get some new deals, but I’m always gonna have stand-up and my fan base. I figure I have five more shots before I have to quit,” he laughed. And just in case acting and comedy don’t provide enough job security, there’s always singing. In one video on his official YouTube channel, Koy can be heard belting out some impressively soulful vocals on a cover of “Just Friends,” by Musiq Soulchild. “If you’re Filipino, that’s nothing. We love to sing. But you know how many uncles I have that can’t sing that won’t get off the karaoke machine? It’s non-stop. It’s always the worst who wanna sing the most.”

SEND US YOUR SANTA PHOTOS Sitting on Santa’s lap can be a joyous experience in a young life. Or it can be sheer terror. Either way, we’d love a photo of you or a family member meeting the jolly old elf. Tell us the identities, from left to right, of everyone in the photo, the year it was taken, if you know it, and a short memory (100 words, max) of the event. Include your

name and a phone number where you can be reached (which will not be published). Email is preferred. Send the photo and information to msorto @bakersfield.com. Photos may be dropped off at The Californian, 1707 Eye St., or mailed to The Californian, c/o Marisol Sorto, PO Bin 440, Bakersfield, Calif. Photos will not be returned. All material is due by 5 p.m. Dec. 14.

Thursday, December 8, 2011 The Bakersfield Californian

Eye Street

Heâ&#x20AC;&#x2122;s a little older, a little wiser, dude Heyday gone, but Shore still looks for laughs BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

f you can recall when MTV actually played music videos, chances are you remember the antics of comedian Pauly Shore. A fixture on the cable network during the â&#x20AC;&#x2122;90s and host of his own comedy show, â&#x20AC;&#x153;Totally Pauly,â&#x20AC;? the lovable misfit was impossible to avoid. His character, â&#x20AC;&#x153;the Weaselâ&#x20AC;? â&#x20AC;&#x201D; part surfer dude and Sunset Strip social butterfly â&#x20AC;&#x201D; became a pop culture phenom. Along the way, Shore starred in a series of B-comedies like â&#x20AC;&#x153;Encino Manâ&#x20AC;? and â&#x20AC;&#x153;Son in Law,â&#x20AC;? filmed partly on the outskirts of Wasco. Nearly two decades later, Shore remains active on the stand-up circuit, doing what he does best (or worst, depending on your point of view): being himself. His new live show, â&#x20AC;&#x153;Pauly Shore and Friends,â&#x20AC;? stops at Fishlips tonight. Older and wiser, the 43year old comedian/actor said in a recent telephone interview that fans might be surprised by his latest incarnation as a seasoned prankster. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s just more in the pocket, more relatable, and just more stripped down Pauly. More per-

PHOTO COURTESY OF PAULY SHORE

Comedian Pauly Shore appears tonight at Fishlips.

sonal stuff, now Iâ&#x20AC;&#x2122;m older, now I got that kind of Bill Cosby-esque vibe where I can kind of look back and talk about my life, you know? And I think the autobiographical stuff is what people are really feelinâ&#x20AC;&#x2122; more nowadays.â&#x20AC;? Shore grew up basking in the genius of comedians like Richard Pryor and Robin Williams, who performed at The Comedy Store, a Hollywood club owned by his mother, Mitzi Shore. Not that he cares to showboat about his

upbringing. On the contrary, Shore said he paid his dues just like everyone else, with no preferential treatment. â&#x20AC;&#x153;You know, whether my mom owned the club or not, I was inherently a funny kid. I stayed away from The Comedy Store for years when I first started working around town as an adult. I didnâ&#x20AC;&#x2122;t wanna be known as Mitziâ&#x20AC;&#x2122;s son. I actually almost had to become famous before I became a paid regular. She made me work pretty

hard for it.â&#x20AC;? Still, not too many people can boast that Sam Kinison was their baby-sitter. â&#x20AC;&#x153;I was around guys like that â&#x20AC;&#x201D; Letterman, Eddie Murphy â&#x20AC;&#x201D; all the time, but I knew I was destined to do this. One thing about my mom is that if she likes you and thinks you have something, sheâ&#x20AC;&#x2122;ll let you work at the club as a phone person or parking the cars or seating people. That was her way of saying, â&#x20AC;&#x2DC;Youâ&#x20AC;&#x2122;re funny, but now the work begins.â&#x20AC;&#x2122;â&#x20AC;? And work he did, which eventually landed him at MTV, which gave the comedian a shot at producing his own show with only a few years of stand-up under his belt. Young and fearless, Shore packed up his friends and a video camera with no plan but to â&#x20AC;&#x153;find the funny.â&#x20AC;? â&#x20AC;&#x153;I literally just said, â&#x20AC;&#x2DC;Letâ&#x20AC;&#x2122;s go on the street, and we started filming.â&#x20AC;&#x2122; It started with â&#x20AC;&#x2DC;Sunset Strip weekâ&#x20AC;&#x2122; to show everyone where I grew up. We went back to see the tape and said, â&#x20AC;&#x2DC;This is going to be the worst piece of (expletive) ever, or itâ&#x20AC;&#x2122;s going to be really funny.â&#x20AC;&#x2122; Luckily it was funny.â&#x20AC;? Acting as â&#x20AC;&#x153;the Weasel,â&#x20AC;? Shore would introduce music videos between improvisational street skits featuring random celebs and passers-by. â&#x20AC;&#x153;It was almost like that Reeseâ&#x20AC;&#x2122;s Peanut Butter Cup commercial where two things collide and

Pauly Shore and Friends When: 8 p.m. tonight Where: Fishlips, 1517 18th St. Cost: $20 Information: 324-2557 or vallitix.com

work. The Weasel character literally started on the show. I was like, â&#x20AC;&#x2DC;Woo-hoo, Iâ&#x20AC;&#x2122;m in a video, bro.â&#x20AC;&#x2122; That was it. It was the first reality show MTV ever had. Nothing was planned.â&#x20AC;? But after five years of spring break parties and groupies, the network pulled the plug on the show, sending Shore on his next adventure: movies. â&#x20AC;&#x153;It was the perfect segue, because I told them they had to come to film â&#x20AC;&#x2DC;Totally Paulyâ&#x20AC;&#x2122; on the movie set when I was just starting to get going. It was seamless. Youâ&#x20AC;&#x2122;re a kid in your 20s starring in films. I was stoked. It was like Willie Wonka, man.â&#x20AC;? While â&#x20AC;&#x153;Bio-Domeâ&#x20AC;? wonâ&#x20AC;&#x2122;t be remembered for being anything close to Oscar-worthy, Shore has continued writing and producing, plus making regular appearances on the club circuit. Content with the niche heâ&#x20AC;&#x2122;s carved out for himself, Shore said his life could have been yours, dude. â&#x20AC;&#x153;I was just another kid who was watching MTV and said, â&#x20AC;&#x2DC;I gotta be on there.â&#x20AC;&#x2122; You keep pushing for something, itâ&#x20AC;&#x2122;ll happen.â&#x20AC;?

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Thursday, December 15, 2011 The Bakersfield Californian

Eye Street

You ought to be in pictures Disney casting for film on McFarland High runners BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

n open casting call will be held Saturday for an upcoming Disney film based on the feel-good story of McFarland High’s championship crosscountry teams of the 1990s, appropriately titled “McFarland.” According to a press release from the Kern County Film Commission and Disney, the film’s casting director is specifically seeking Hispanic men ages 17 to 23, who are athletic and enthusiastic. The film will be based on a 1997 Los Angeles Times article about high school coach Jim White, who inspired students by forming a cross-country team at McFarland High. The school won nine state cross-country titles between 1987 and

2001, including five during the 1990s. The program was also the subject of a Sports Illustrated feature in 2004. The open auditions will be held at the East Bakersfield Veterans Building, 2101 Ridge Road, from noon to 3 p.m. Saturday. Photos will be taken at no charge and everyone has been asked to bring identification and a pen to use while filling out various questionnaires. All minors are required to have a work permit and be accompanied by a parent or legal guardian. No cellphones will be allowed during auditions. While several news stories have circulated over who would be directing the film, the latest online entertainment trades point to New Zealand director Niki Caro, best known for directing 2002’s “Whale Rider” and 2005’s “North Country.” The film will be produced by Mayhem Pictures, which has had much success in the inspirational sports film genre with movies like “Miracle,” “Invincible” and last year’s “Secretariat.”

McDonald’s singer is golden

Some sweet deals for National Cupcake Day THE BAKERSFIELD CALIFORNIAN On the off chance you’re not getting your fill of sweets this holiday season, the folks in charge of designating national days of honor are giving us a sugar rush: Today is National Cupcake Day. And at least three local cupcake shops are getting into the spirit today.

BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

After a month of intense online competition and campaigning, Tehachapi’s Maureen Recalde has been named one of three national finalists in the Voice of McDonald’s singing competition. “I am just so happy and grateful for the people who sat on their computer and voted for me,” said Recalde of the outpouring of support she received. “Social media definitely helped and having laptop stations in our stores. It helped get the word out about voting.” Voted into the top three from a group of 22 regional entries representing the United States, the Tehachapi store manager was among 800 McDonald’s employees who entered the competition in August. Now, she and 15 other winners from the U.S., Canada, South America, Europe and APMEA (Asia/Pacific/Middle East) will compete for the Global Voice of McDonald’s title in April during the McDonald’s Worldwide Owner/Operators Convention in Orlando. In the initial round of competition, Recalde, 22, impressed the celebrity panel of judges with her video submission: a cover of Smokey Robinson’s “Who’s Lovin’ You.” After being named Southern California Regional winner, she was sent to Hollywood to cut a video, this time a cover of Whitney Houston’s “So Emotional.” For the second round, the public was invited to vote for their favorite during the month of November at voiceofmcdonalds.com. “I’m so proud of Maureen,” said her

CASEY CHRISTIE / CALIFORNIAN FILE

McFarland cross-country coach Jim White shakes hands with Julio Olvero during a 2003 practice. White and his program are the focus of an upcoming Disney film.

Frosting, Ink PHOTO COURTESY OF MAUREEN RECALDE

Tehachapi’s Maureen Recalde is one of three national finalists in the Voice of McDonald’s singing competition.

mother, Mary Ann Paciullo, who owns the Tehachapi restaurant where her daughter works. “I knew since she was 3 years old that she was talented. I used to drive from Tehachapi to Santa Barbara when she was in college to watch her sing. I knew that some day that she was going to be able to accomplish something like this.” After being notified of her win on Dec. 2, Recalde said she took some time to celebrate, but now has her eyes set on the weeklong trip to Orlando, where she’ll compete for the $25,000 cash prize before an audience estimated at 16,000. “I do know they’re going to have a choreographed show planned for us, so that makes me nervous. At least we all have something in common — we all work at McDonald’s.” For her final song choice, Recalde said she’s already begun scrolling through her library. “I’m thinking about a pop song, maybe something jazzy. It probably won’t be country. It’ll take some time to choose it, but I know it’ll be good.”

The downtown shop’s “cupcake fairies” will hand out free cupcakes near the corners of 18th and G streets from 11 a.m. to 1 p.m. to anyone who brings a canned good to benefit the Community Action Partnership of Kern Food Bank. “At Frosting, Ink we’re always looking for opportunities to give back to the community,” owner Sheila Heninger said in a media release. “As the holidays approach, we felt it was a perfect opportunity to support the Community Action Partnership of Kern Food Bank in conjunction with National Cupcake Day.” While Heninger encourages people to bring a canned good, no one will be turned away hungry.

Cupcakes-n-Crema Houchin Blood Bank, 5901 Truxtun Ave., is teaming with the northwest Bakersfield cupcake shop at a blood drive from 5 to 8 p.m. this evening. Show up at the blood bank, roll up your sleeve, and be entered to win a cupcake bouquet ($45 value). The first 50 donors will receive a buyone-get-one-free Cupcakes-n-Crema coupon, and the shop is providing 120 cupcakes for sampling. Donors also will receive a winter-

CASEY CHRISTIE / THE CALIFORNIAN

Fancy cupcakes on display and ready for consumption at Cupcakes-n-Crema.

themed T-shirt, and light hors d’oeuvres and beverages will be served. “They have to eat something sweet after giving blood, so we were happy to help,” said Sharon Brandon, owner of Cupcakes-n-Crema, which has been open at 4715 Coffee Road since April.

Gimmee Some Sugar Stephanie Caughell-Fisher, who owns the downtown cupcake shop, was caught off guard when informed Wednesday of the big day, but in true entrepreneurial style, she came up with a plan on the spot: “We’ll do a special cupcake, just for tomorrow. A cupcake surprise!” Caughell-Fisher said she would offer the special cupcake for $2, a savings from the regular $3 price, during business hours from 11 a.m. to 3 p.m. today. Gimmee Some Sugar is located at 2100 19th St.

Thursday, December 15, 2011 The Bakersfield Californian

Eye Street

You ought to be in pictures Disney casting for film on McFarland High runners BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

McDonald’s singer is golden

BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

CASEY CHRISTIE / CALIFORNIAN FILE

McFarland cross-country coach Jim White shakes hands with Julio Olvero during a 2003 practice. White and his program are the focus of an upcoming Disney film.

Frosting, Ink PHOTO COURTESY OF MAUREEN RECALDE

Tehachapi’s Maureen Recalde is one of three national finalists in the Voice of McDonald’s singing competition.

CASEY CHRISTIE / THE CALIFORNIAN

Fancy cupcakes on display and ready for consumption at Cupcakes-n-Crema.

The Bakersfield Californian Thursday, December 15, 2011

Eye Street

The Daliens appear at Le Corusse Rouge Sunday. Pictured are Silvia and Brett Neal. PHOTO BY BEN CURRY

Honky-tonk homecoming With Oildale in their DNA, Texas twangers return BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

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arth to Bakersfield: The Daliens are coming. But don’t be alarmed, these country romantics don’t carry lasers — it’s just the husband and wife music duo of Brett and Silvia Neal landing at Le Corusse Rouge Sunday. Their name may sound unusual, but it suits the traditional country musicians and their eclectic style just fine. The name pays homage to the band’s city of origin — Oildale. “The name ‘Oildale’ means a lot of different things to people,” said Brett via telephone from their current home in Austin, Texas. “We wanted an interesting name, so we took the ‘Dalien’ nickname people always use. Red Simpson does ’Dale jokes in Vegas and gets a laugh. People everywhere seem to know about Oildale.” Like their name, the back story of how these two distinctly different personalities met begins interestingly enough three years ago in the basement of Trout’s, during the club’s weekly Songwriter’s Night. Silvia, who was living in her hometown of Livermore at the time, had already been making music as part of another roots music duo named The Heartache Valley Girls. Drawn to Bakersfield after coming across news regarding the whereabouts of country legend Red Simpson, Silvia and her partner jumped in their car and headed south for Oildale. “As a group, we didn’t really get paid. We played rodeo parades, nursing homes, etc. Somehow we heard Red Simpson was playing in Bakersfield,” she recalled. “We were all excit-

The Daliens When: Sunday 6 p.m. Where: Le Corusse Rouge, 4647 White Lane Cost: Free Information: 834-1611 or thedaliens.com

ed. We didn’t know he was still alive. So, we drove all the way to find him.” It wouldn’t be the last time Silvia and her bandmate would make the trek to jam with Simpson. After a few more visits, she and Brett would also eventually cross paths. “It just so happened I was in that circle one night in the basement,” recalled Brett. “I went there to deliver a CD to a guy. (Trout’s club owner) Rockwell brought Silvia and Meghan in. I think people thought they were cute. Then they started playing. I couldn’t believe how tight they were. Right then, I knew I had to find out what they were doing here.” After talking The Heartache Valley Girls into opening for his group at Ethel’s Old Corral, Brett and Silvia began flirting with plans to start their own project. With a mutual admiration for classic country, the chemistry was instant. “As it turned out, my original bass player had moved. Silvia wanted to play more music than her partner. It took a little while to happen, but we found a couple different places to play a few times a month. Silvia did a lot of driving from Livermore.” Music wasn’t the only thing brewing onstage. “We met in April, began playing, and by June we realized that it would be more than a business relationship,” said Brett. Marrying a year later in Livermore, they celebrated locally at Trout’s,

where they met. If you’re envisioning a re-creation of Bud and Sissy’s reception scene from Urban Cowboy, Brett says forget it. “I’ve seen about 20 minutes of that movie. No.” They continued performing in Bakersfield, garnering a modest fan base, before deciding on a change of address best suited for their act: Austin. “It was meant to be. There’s a lot of places to play. We found a great place here for us,” he said. “You don’t go halfway across the country to not make it happen. We’ve hung in there.” “This is both our passion,” added Silvia. “The only time we ever argue is over music, never about money or other things.” Performing as both a duo and a quartet, depending on the availability of musicians, The Daliens’ sound is stripped-down honky-tonk purity on their five-song demo. “Oscar’s Tune in D” is an original two-stepper sung by Brett, while Silvia steps up to the mic on “You Had Your Chance.” In addition to originals, they also include covers of Red Simpson’s “Why Don’t You Just Be You?” and “Close Up The Honky Tonks” before wrapping things up with a Billy Jo Spears favorite, “Get Behind Me Satan and Push.” For Sunday’s show, both say to expect some of their newfound Texas flavor in the mix, along with plenty of love for Bakersfield. “We found each other and our voices in Oildale. In our hearts, our home is still there,” said Brett. “Right now, we’re just doing what we can to keep our music alive.” Joining The Daliens will be Bryan Calande on lead guitar and Scott McArthur on drums.

Thursday, December 22, 2011 The Bakersfield Californian

Eye Street

Live music isn’t dead Despite loss of Fishlips, acts still have local venues to play BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

ith the closure of Fishlips just as holiday partying was shifting into high gear, it’s been a blue Christmas for musicians and fans deprived of a reliable local venue for live music. But now that patrons of the downtown club have had a couple of weeks to cry in their beer, we’ve done some legwork to determine if there are any viable heirs to Fishlips, which was renowned for booking a wide variety of talent, both local performers and touring acts. To gauge the current scene, we reached out to a sampling of venues across Bakersfield and asked for information on their operating policies. What we found were some familiar venues primed for shows, with many already booked into next year. Every venue stressed the importance of bands having it together before approaching management about booking a show: samples of music, background and other promotional material must be presented before a show is scheduled. Compensation usually consists of either a portion of the door receipts or direct pay from the club (as every musician will tell you, you take the best deal you can get).

Trout’s The Oildale honky-tonk is no stranger to live music, and according to the venue’s president and spokesman Tom Rockwell, they’re hoping new bands will help keep that tradition alive. Known primarily for country music, Trout’s is looking to expand its reach to other genres with local and national touring acts. “Multiple halls and stages make that happen very easily,” said Rockwell of the legendary nightclub, open since the 1940s. “We already do this. This weekend was a prime example. Over 40 artists performed at Trout’s. What a treat.” With one of the most active live schedules, there really is no shortage of entertainment at the spacious nightspot. From the traditional country sounds of Red Simpson to regular jams by the Kern River Blues Society and the many house bands that take the stage each week, the Trout’s sound system rarely gets a break. “(The venue features) at least 16 stage nights each week,” he said via email. “Two stages live seven nights a week, and a third room that is live two nights. Having so many options means that events can be catered to the actual event of a full band, individual artist, or a special private event. We have the ability and fill the stages every day of the week with live entertainment.” Rockwell said Trout’s popularity generates many requests from bands to play there, making a persuasive pitch and promotional kit vital. “Every artist/band has its own package to offer and we work out the details together and accordingly,” Rockwell said. “You

PHOTOS BY ROBERT BEJIL

Trout’s president Thomas Rockwell said his popular country music venue is looking to expand its reach to other genres with local and national touring acts.

are offering a product. Show the venue what you really have, by the best means that you can. Know that Trout’s is contacted by at least 20 traveling bands each week, and many local artists each day.” Trout’s & The Blackboard Stages: 805 N. Chester Ave.; 399-6700, troutsblackboard.com. Capacity 300; sound and lighting available, along with a small food menu. Hours: 11 a.m. to 2 a.m. every day.

B Ryder’s The southwest Bakersfield bar and grill features an array of acts from rap rockers Kottonmouth Kings to country roots sensation Ryan Bingham, plus some of the bigger draws among local acts. Most of its booking is handled in house by promotions manager Mike Keehl, but it does open its doors to outside promoters. B Ryder’s spacious stage is large enough to accommodate small to large groups and includes a drum riser. According to club owner Brian Ryder, business has improved steadily over the past year with a recent surge since the closure of Fishlips. The two venues had similar booking patterns and shared much of the same audience. “I believe it’s just a matter of getting the word out so that the people know who is playing where. We have had a lot of very good touring bands playing in front of some very small crowds.” Ryder has remodeled to accommodate larger audiences this year but acknowl-

B Ryder’s promoter Mike Keehl and club owner Brian Ryder offer a stage that’s large enough to accommodate small to large groups, and includes a drum riser.

edged that there’s more to be done to reach his most ambitious goals. “We’re trying to be the premier live music venue in Bakersfield. It is a work in progress, so eventually we will get this place completely dialed in.” The club has no permanent sound or lighting system, so bands are asked to supply their own. Management is open to negotiating deals on all potential shows. “We offer a cool, comfortable, safe environment for anyone to come and see a

good show. There’s not a bad seat in the house and we have good food and reasonably priced drinks. Also, a lot of people have told me that we have one of the bestsounding venues in town. We also offer a lot of free shows as well.” B Ryder’s: 7401 White Lane; 397-7304; a new website is in the works. Capacity: 265; lunch and dinner menu. Hours: Noon to 1 a.m. Monday through Friday; 11 a.m. to 1 a.m. Saturday and Sunday. Please see 27

Thursday, December 22, 2011 The Bakersfield Californian

Eye Street

Ask A Professional

We feature local experts to answer your questions. For info contact: Linda Petree at 661-395-7621

Assisted Living

Q: A:

The Prime Cut The northwest eatery has been accelerating its live music program after the success of the Wednesday night Songwriter’s Showcase, originally hosted by Bakersfield guitarists Chuck Seaton and Billy Russell. Now continuing under a different name and with a rotating roster of hosts, the new Music Showcase format offers a variety of performers on the restaurant’s cozy stage. Always open to suggestion and new ideas for entertainment, co-owner Michelle Crist handles band bookings. “The difference is we have a wider variety of hosts,” she said. “We still offer an open mic of sorts for those who would like to sing and play an instrument. There are singles to small jam sessions that happen on stage. It is a beautiful thing to see someone or a group really mesh and get the crowd moving to the music.” Saturday is also a prime night for live music from blues to rock and Latin. “We enjoy all and are open to most genres,” Crist said. “However, metal and rap don’t really fit our theme.” While you’re there to book your band, have a seat and try the gumbo. Not saying that’ll score you points, but you never know. “Bring in your demo and contact info. If we book, make sure you promote, promote, promote and bring in the crowd. Make sure your sound check is done early and that you start on time. If the night is a success, you will be asked back.” Famed Bonnie Raitt bassist Freebo is scheduled to be a host for the Music Showcase, and Crist said she welcomes out-oftown acts. The Prime Cut: 9500 Brimhall Road; 8311413, primecutonline.com. Capacity: 175. Small sound and lighting system and full menu available. Hours: 11 a.m. to 11 p.m. Sunday through Thursday; 11 a.m. to 1 a.m. Friday and Saturday

Riley’s Backstage Popular amongst the indie crowd for holding semi-regular shows, Riley’s Backstage is now downtown’s only fully functioning live venue. Connected to Riley’s Tavern, it has a stage, sound and lights, plus its own bar. Booking manager Drew Willingham, who has been working to bring the venue more exposure since it opened a few months ago, said all genres are welcome, including local and touring acts. “We want it all. We love the live music scene. Everyone is always welcome as

along as they’re over 21.” The acoustics at Riley’s Backstage are actually quite good, even with the neighboring DJ, who blares the bass on weekends. The ambience is one of its strong points and will remind you of those cool hole-in-the-wall hipster lounges in Hollywood. It has potential, but unless you are from the area and know someone connected to the venue, it may be difficult to make contact for a booking. Riley’s Tavern and Riley’s Backstage: 1523 19th St.; facebook.com/rileysbakersfield; Capacity: 85. Hours: Open every day, though hours vary

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End-of-Life Care

Q: A:

If I decide to start hospice service, does my insurance company direct which hospice I use? You have the right to choose your hospice provider, according to the U.S. Department of Health and Human Services. Insurance providers, physicians or caregivers may recommend a hospice, but patient choice must be honored. When looking for a hospice provider, it’s important that patients have access to all available options.

Narducci’s Café This Old Town Kern institution is still serving up classic Italian and Basque meals to full crowds every week, and its main banquet room transforms into an intimate music and dance hall after all the tables and chairs are removed. With the addition of the extended covered patio and yard area, co-owner Julie Shine said bands are welcome to stage shows anytime there’s an opening. “I’d have live music here seven nights a week if I could fill the place.” Most of the recent shows have been booked by local promoter Tim Gardea, who recently brought in country-punk act Supersuckers. But Shine said you don’t have to be experienced. “We try to accommodate everyone that comes in with a show plan.” The original corner stage has been extended the full length of the room, and the acoustics offer a warm sound. The original overhead house lights offer the only stage illumination. Compensation ranges from door take to direct pay from club. Narducci’s Café: 622 East 21st St.; 3242961. Capacity: 100 in banquet room, not including bar and separate dining area, which can hold an additional 100 patrons. No sound system or lights. Hours: 9 a.m. to 2 a.m. every day Other venues advertising regular to occasional live music bookings are: Sandrini’s Basque and Italian Restaurant, 1918 18th St.; Jerry’s Pizza, 1817 Chester Ave.; The Iron Horse Saloon, 1821 S. Chester; Vinny’s Bar, 2700 South Union Ave.; The Dome, 2201 V St.; Buck Owens’ Crystal Palace, 2800 Buck Owens Blvd.; the Padre 1702 18th St.; Manny’s Tam O’ Shanter, 2345 Alta Vista Drive; and T-Bones Steakhouse, 8020 District Blvd. Contact venues directly for entertainment schedules and booking policies.

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PHOTO BY ROBERT BEJIL

Servers Ramona Fries and Jennifer Lund, and co-owner Julie Shine are seen at Narducci’s, an Old Town Kern institution. CONTINUED FROM 17

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IRA’s and Rollovers

Q: A:

What is the tax advantage of an IRA? The one thing that makes all IRAs similar, regardless of type, is the transactions inside the account incur no tax liability. IRAs shelter interest, dividends and capital gains earnings realized in the IRA until their owners withdraw the money.

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Senior Care

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I just came back from my parents’ house and their health has deteriorated since our last visit. I need help managing all of the Doctor’s appointments, bills, house cleaners, gardeners, physical therapy appointments ect. Where can I go for help? Managing your parents’ care from afar can be overwhelming. I recommend a combination of a Home Instead Senior Care CAREGiver and the expertise of a certified Geriatric Care Manager such as Continuum Care Management. A CAREGiver can provide day to day assistance and help getting to and from Doctors’ appointments. A Geriatric Care Manager can assist with negotiating the senior care medical maze. Another complementary resource for advice is www.caregiverstress.com.

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Thursday, December 29, 2011 The Bakersfield Californian

Eye Street

The artists of the year are ... Both rookies and vets broke through in 2011 THE BAKERSFIELD CALIFORNIAN

hen it comes to producing art, passion is its own reward. Literally. As in, often there’s little, if any, money in it. Which is all the more reason why the staff of Eye Street is unveiling a new feature, called People of the Year, to show our appreciation for the dedicated artists in our county who play music, perform in theater, put on art shows and pursue any number of other creative outlets — often with no compensation — while we watch in awe and clap in appreciation. We used no fancy metric or other complicated mathematical formula to determine who made the list. These are people we’ve featured over the course of the year who impressed us with their talent and passion, and who seemed to break through in a big way. Who were your favorites? Click on the this story on Bakersfield.com and share your choices in the comment section.

Entertainer of the year Sasha Mallory had an amazing year dancing her way into the finals of the television competition “So You Think You Can Dance,” making her our pick for Entertainer of the Year. What’s exceptional about Mallory is that dancers have so few opportunities to break out, but the 23-yearold managed to win fans all over the country and rally her hometown. Mallory’s journey started in April in Los Angeles, where she auditioned with her sister, Natalia, who eventually was eliminated before the Fox reality show aired. “Bako, Bako, I love me some Bako,” said Mallory, who had just returned from a tour dancing with “American Idol” finalist Adam Lambert. Mallory’s fierce athleticism and powerful dance moves made her a favorite every week. She landed in the bottom three only once, in July, before finishing as runnerup and securing a spot on the national “So You Think You Can Dance Live” tour, which recently made a stop in Bakersfield. “It’s a big feat to be where she’s

HENRY A. BARRIOS / THE CALIFORNIAN

Chuck Seaton performs an original piece during the Songwriters Showcase at Prime Cut. PHOTO COURTESY OF MAUREEN RECALDE

Maureen Recalde of Tehachapi is one of three national finalists in the Voice of McDonald’s singing competition.

at. I don’t think the city really knows that Sasha’s representing Bakersfield. I just wanted everyone to know,” said Mallory’s proud mother, Dawn, during a July interview. “Everything else is like icing on the cake. Sasha’s wonderful in whatever she does.” Superstitious, Mallory assiduously avoided the Internet during her run on the show. “I was just so thankful. It could have gone either way and I would have had the same feelings because of how much I learned and the friendships and memories I made — so many connections, too.” With the show behind her and the tour winding down, Mallory is looking forward to the next phase of her life, which includes working with a talent agent and taking acting classes in Los Angeles. — Matt Munoz

Music Maureen Recalde Singer Maureen Recalde is Tehachapi’s golden (arches) girl. The charismatic 22-year-old is one of three national finalists in the Voice of McDonald’s singing competition, chosen from more than 800 singers who submitted music videos in the competition, which was open to all employees of the chain. The singer stole the thunder from contestants in bigger cities with her video performance of Whitney Houston’s “So Emotional,” which showed off her golden voice and charm. Now, she and 15 other winners from the U.S., Canada, South America, Europe and APMEA

(Asia/Pacific/Middle East) will compete for the global title in April during the McDonald’s Worldwide Owner/Operators Convention in Orlando. — Matt Munoz

Chuck Seaton Few local musicians stay as busy as guitarist Chuck Seaton. After wrapping up a successful year-and-a-half run of his popular Songwriter’s Showcase at The Prime Cut, he remains active in a variety of bands, including local rhythm and blues outfit Foster Campbell and Friends, which recently jammed on a cruise to Mexico and opened for B.B. King. But perhaps Seaton’s biggest score came in November, when he got the call to fill in for Buckaroo guitarist Terry Christofferson, who is taking some time off to deal with health issues. Seaton will be back at it with the Buckaroos at the Crystal Palace when the band’s performance schedule resumes in February. — Matt Munoz

Danny Wayne Bakersfield rapper Danny Wayne was heard in the latest Tyler Perry film, “Madea’s Big Happy Family.” Released in April, Wayne’s performance of “Thru the Roof” can be heard during a riotous scene in the film when the character of Madea, played by Perry, visits the Maury Povich show. Wayne has the proud distinction of being the only rapper to ever be chosen to participate on a Tyler Perry film soundtrack. Wayne’s music was also featured in Perry’s film “For Colored Girls.” — Matt Munoz

Nyceria Local hard rock quartet Nyceria released a haunting music video

JEFF SINER / CHARLOTTE OBSERVER

Sasha Mallory, left, and Jess LeProtto perform during the “So You Think You Can Dance Tour 2011” on Sept. 21 in Charlotte, N.C.

this year, much to the surprise of fans and viewers. Filmed and directed by Ricardo Moreno of Silver Culture Pictures in Los Angeles, the video for the band’s song “Scathe” is a slickly produced music short that resembles anything you see on MTV or Fuse. Produced by Hollywood studio wiz Luigie Gonzalez, the video also featured the singer’s younger brother in a lead role. The result is a dark and twisted headbanger with a catchy melody to complement its visuals.

tion. Ultimately, Haney was chosen. “It was (BSO conductor John Farrer’s) decision,” Brooks said. “But it was unanimous.” “Even the ones who were under consideration kind of figured she was the one,” Brooks said. “I am very fond of Julia; we all love her,” Brooks said. The assistant concertmaster is the second in command of an orchestra, and must be prepared to take over if the concertmaster cannot perform. The concertmaster serves as the principal violinist for the orchestra, tunes the orchestra before a rehearsal or performance, and, with the assistant, has a great deal of influence in how the orchestra sounds. “John used to say to me and Jean, ‘You sound like one violin,’” Brooks said. “It’s probably harder for him trying to match that.” — Susan Scaffidi

— Matt Munoz

Theater

Julia Haney Bakersfield Symphony assistant concertmaster Julia Haney has had some big shoes to fill. This season, Haney was named the permanent successor to Jean Dodson, who occupied the assistant’s chair for 48 years. Haney earned the seat after a lengthy audition process during the 2010-11 season. Haney, along with other candidates for the position, played next to concertmaster Rebecca Brooks for a concert, a kind of on-the-job audi-

Brian Sivesind If you haven’t seen Brian Sivesind around town this year, then you haven’t been enjoying local theater. The actor and director has been involved at the Spotlight Theatre, directing a Radiohead-infused “Hamlet” in March; Bakersfield Community Theatre, delivering a powerful performance as Father Flynn in “Doubt: A Parable” in October; and The Empty Space, designing the lights for “Stage Door” and directing a Please see 24

The Bakersfield Californian Thursday, December 29, 2011

Eye Street CONTINUED FROM 17

stripped-down “Charles Dickens’ A Christmas Carol.” His most demanding role this year, though, is returning as the executive director at The Empty Space, the theater he founded in 2003. He’s prioritized improvements both on stage Sivesind (seeking audience feedback on mainstage shows) and off (renovations for the Oak Street theater, including a new air conditioner, for which Sivesind said they have raised about $500 so far). Along with overseeing operations, he’s continuing to direct, again at multiple theaters. First up is “The Drowsy Chaperone” in January at Stars. He’ll also helm a production of William Shakespeare’s “The Tempest” in March. Of the upcoming show, he said, “I am looking to meld three time periods into one: the Greek origins of theater (Prospero and the spirits on the island), the Renaissance (the clowns as commedia del arte characters) and the modern era (all the nobles in modern garb). “‘Tempest’ is a play very much about art, and I’m interested in how the different time periods speak to each other and interact.”

PHOTO COURTESY OF BAKERSFIELD COMMUNITY THEATER

Maceo Davis appears with Tomeka Powell in “A Raisin in the Sun.”

If his earlier adaptations of the Bard — “Hamlet” and last year’s “Romeo and Juliet” — are any indication, the island tale will be a standout in 2012. — Stefani Dias

Steven Littles It ran for just two weekends in November, but if you were lucky enough to catch Spotlight’s “Jekyll and Hyde,” you experienced a compelling performance. One that almost didn’t come to pass. “I wasn’t originally slated to do it,” Steven Littles said. “I had just come back from Texas (visiting family and going to school). I only had two weeks of rehearsal.” Theatergoers may get a chance to see Littles as one of the colorful manifestations of Jekyll’s alter ego this summer, either at the downtown theater or Theatre/Theater in Los Angeles.

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Littles said he was also proud of his role as Curtis Taylor Jr. in Spotlight’s “Dreamgirls” in June. “I’m an advocate of making sure we have diversity on stage. I’ve felt there weren’t always opportunities.” Littles also took a small role this spring as Lacey, a servant in The Empty Space’s “Cat on a Hot Tin Roof,” a part his brother Jamaal performed for the last weekend while Steven continued his run in “Curse of the Flightless” at Spotlight. His brief stage time also earned him an Empties nomination. Although Littles is sure to be on stage next year, so far he could confirm more work behind the scenes, including assistant directing “Zanna Don’t,” which will open next Friday at Theatre/Theater, part of the Spotlight’s effort to draw tourism to Kern County. Littles, who is the interim coordinator and assistant to the artistic director at Spotlight, will also work with Franklin Killian on the theater’s student program over the summer. — Stefani Dias

Maceo Davis It’s been a pleasure to see the growth of Maceo Davis as a lead actor this year in two very different productions. In February he gave a masterful performance as Citizen Barlow in “Gem of

the Ocean” at Bakersfield Community Theatre, not an easy task given the lengthy speeches and the complexity of the August Wilson play. As I said in my review of the show, Davis was most compelling when expressing his anguish but was equally convincing in the play’s more lighthearted moments. Two months later he portrayed Hoke Coleburn, the chauffeur, in “Driving Miss Daisy,” with humor and dignity. And in true “the show-must-go-on” fashion, Davis managed to complete the show’s final weekend run despite having had an emergency appendectomy only four days before. Davis, 33, is a concierge at Bakersfield Family Medical Center. He’s gotten most, if not all, of his training in theater arts at local schools, starting out by participating in the Oral Language Festival at Bessie Owens Elementary, and then acting in plays at Emerson Junior High and Bakersfield High. He also has a strong singing voice and starred more than 10 years ago in Bakersfield Music Theatre’s “Big River,” a musical version of “Huckleberry Finn.” His most recent supporting roles have been in Stars’ outstanding productions of “La Cage aux Folles” and “Into the Woods.” When I asked what his dream role would be, he

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Betty Finch’s crowning achievement this year was being named Best in Show for “Chihuahua” in the Arts Council of Kern’s juried exhibit, “Animal House.”

couldn’t choose just one. First up would be Tom Collins in “Rent” and the second, Dr. Frank-N-Furter, the mad scientist in “The Rocky Horror Picture Show.” “I love ‘Rocky Horror,’ “he said, “and Frank-NFurter is totally out of the box (compared) to what people are used to seeing me do.” — Camille Gavin

Visual art Betty Finch Visual artist Betty Finch has become an internationally known expert at creating sculptures out of organic material, namely, gourds she grows in her garden in northwest Bakersfield. Her crowning achievement this year was being named Best in Show for “Chihuahua” in the Arts Council of Kern’s juried exhibit, “Animal House.” In presenting the award, the judge described Finch’s sculpture as “simply wonderful craftsmanship, coupled with a unique sense of humor.” Finch used 10 different gourds to make “Chihuahua,” which looks very much like a real dog. The perky ears were made from two halves of one gourd. The shape was achieved genetically by crossing a Miniature Nigerian Bottle Gourd with a Liliputz. The sculpture also has an internal structure that was built through the holes where the legs are attached. In addition, she added weight to the back legs to compensate for the weight of the head. A retired technical investigations sergeant with the Kern County Sheriff’s Department, Finch has won numerous awards in vari-

ous states for her artwork. In 2005 she was invited to participate in a festival in China. As a result of that visit, she co-authored a book about a noted Chinese gourd artist, “The Immortal Molded Gourds of Mr. Zhang Cairi.” — Camille Gavin

Nicole Saint-John Nicole Saint-John has long been a favorite of Bakersfield art lovers for her penetrating eye, which perfectly captures the spirit of her subject. She’s as masterful at conveying whimsy as she is Saint-John darker, more serious themes. But it is with her visionary brainchild, called the Creating Community Program, that she is making a difference for local artists (and distinguishing herself as a real spark plug at the Arts Council of Kern, an organization in need of the fresh ideas Saint-John offers). The yearlong program combines arts with activism, helping participants channel their viewpoints on an array of community issues into meaningful art. Along the way, Saint-John mentors the artists and provides them access to professionals who offer useful lessons on brass-tacks topics that are often alien to the creative mind: organizing a show, getting people together, marketing one’s work, etc. But the real gauge of the program’s success is in the glowing reviews offered by the artists who have benefited from it. — Jennifer Self