Entertainment Features / 2013 by Matt Munoz

The Bakersfield Californian Thursday, January 3, 2013

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index ‘America’s Top Model’ auditions ............ 20 First Friday ................................................ 21 The Lowdown with Matt Munoz.............. 22 Ultimate Bridal Event .............................. 23 State of the music economy .................. 24 Susan Scaffidi column ............................ 24 Bruno Mars .............................................. 25 Calendar .............................................. 30-31

Pave the valley with bluegrass Weekend jam starts tonight at DoubleTree BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

ith the phenomenal success of rootsy bands like Mumford & Sons, bluegrass has never been hotter — and it looks like some of that heat has spilled over to the Bakersfield festival devoted to the music. In the six years since its inception, The Great 48 Hour Bluegrass Jam has landed a number of respected performers but none as big as Rhonda Vincent, who headlines the show with a concert at the DoubleTree Hotel on Friday. “Rhonda is the queen of bluegrass and Josh Williams is the best flat picker there is,” said festival organizer Kelvin Gregory. “That adds a whole new dimension to Rhonda’s show. Whenever you get big-time hitters like those two interested in playing, you gotta go for it.” The four-day festival — a mix of live performances, workshops and nonstop jamming through the halls of the hotel — is sponsored by the California Bluegrass Association, and most of the events are free, with the exception of tonight’s opening festivities and the Vincent concert. “If someone has never been exposed to bluegrass, they owe it to themselves to come out and see what the buzz is all about,” said Gregory, who counted 500 attendees over the course of last year’s festival, though he expects to exceed that figure this weekend. “I’d say the interest in bluegrass is bigger now than it has been in the past.” Kicking off will be the energetic Showcase Showdown concert fundraiser, featuring groups The Get Down Boys, Grasslands, Red Dog Ash and Grassfire. Proceeds from the concert benefit the Leukemia & Lymphoma Society of Kern County. The main event comes Friday night, with Vincent’s appearance in one of the hotel’s ballrooms. Among the best-selling bluegrass artists of all-time, Vincent is also one of the most heralded and comes from a family of bluegrass performers stretching back five generations. She started her career as a child in her family’s band, The Sally Mountain Show. “When I started singing at 3,

The Great 48 Hour Bluegrass Jam When: 8 p.m. today through Sunday; Rhonda Vincent concert at 8 p.m. Friday Where: DoubleTree Hotel, 3100 Camino Del Rio Court Admission: Free for most activities; tonight’s Great 48 Showdown is $20; admission to the Rhonda Vincent concert Friday is $20 Information: 589-8249, 4287044 or cbaontheweb.org

then joined the group at age 5, we had a TV and radio show and made recordings,” said Vincent during a recent phone interview. “It was more a way of life before it was a career. My dad would pick me up from school every day, and my dad, grandpa and I would play until dinner. Then friends would come over and we’d play until bedtime. This was an everyday occurrence. We would travel all over the world and perform. It was wonderful on-the-job training. My mom used to say she took us off the bottle and put us on bluegrass.” Vincent has built an empire under her own record label, Upper Management, releasing her own CDs and embracing the Internet as a way to find bluegrass aficionados. “One of the things we did when we started a website was put our tour dates up. That was such an incredible tool. Now you can go on iTunes and check out our music. Things are no longer dictated by what’s on a radio station and their playlist.” Vincent’s latest release, “Sunday Mornin’ Singin’,” her first allgospel recording, has been years in the making. The singer said the project literally took her back to her hometown church in Greentop, Mo., which has remained frozen in time. “We showed up with a film and studio crew, but the church still only had two power outlets.” Beyond some electrical ingenuity and recording equipment powered by her tour bus parked outside the church, Vincent said the project was blessed with some divine intervention. Upon its release, the album has become the highest-selling release of her career. “I didn’t expect it to be released commercially. If radio chooses not to play you, you can go online

PHOTO COURTESY OF RHONDA VINCENT

Bluegrass great Rhonda Vincent headlines a concert Friday as part of this weekend’s 48-Hour Bluegrass Jam at the DoubleTree Hotel.

and listen for yourself. Bluegrass is a music that has benefitted from that. Normally, a lot of listeners may not think they like bluegrass, but then when they hear it, they like it.” Vincent recalled one of her early visits to Bakersfield when she was beckoned by Buck Owens to give a solo performance in his office, a regular request made to artists visiting the KUZZ radio station. “Back in the ’90s, we did this radio tour and we stopped by. I met Buck Owens, which was one of the most nerve-racking experiences I’ve had. It was just Buck and I in his office. I had my mandolin. He says, ‘Sing me a song.’

From that, he called Nashville a little while after I got home and asked, ‘I wanna know what kind of mandolin that is. I want one just like it.’ And he bought one exactly like mine. Several years later when I put my first bluegrass band together, Buck Owens was in the front row of our show in Bakersfield. That was pretty cool.” Joining her band, the Rage, will be longtime flatpick guitarist Josh Williams, who makes a return to the group after a four-year absence. Following Vincent’s concert, the music continues with an addition to the schedule of free performances with the Music Caravan Mid-Night Showcase at

midnight on Friday and Saturday and featuring groups The Drifter Sisters, Hello Trouble, The Roustabouts and The Central Valley Boys. In addition, there will be a number of daytime workshops and the ever-popular open mic and band scramble, in which participating musicians will throw their name into a bucket associated with their instrument before being paired up with another musician to perform together onstage later that evening. All ages are allowed and family participation is strongly encouraged. “I’d love to invite the community out to see what we’re doing out here,” said Gregory.

Thursday, January 17, 2013 The Bakersfield Californian

Eye Street

MONSTER X TOUR

TOMORROW AND SATURDAY!

CONDORS v COLORADO FEBRUARY 1-2

PHOTO COURTESY OF MANZAREK-ROGERS BAND

The Manzarek-Rogers band, featuring the Doors keyboardist Ray Manzarek and guitarist Roy Rogers, appear Friday at the DoubleTree Hotel.

Right chemistry, right musical experience Duo come from distinguished backgrounds in entertainment BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

ay Manzarek and Roy Rogers can recall more than a few moments from their illustrious careers that command attention. Among them are collaborations with some of the most iconic names in the pantheon of blues and rock, including the Doors and Jim Morrison, John Lee Hooker, X, Bonnie Raitt, Carlos Santana and countless others. The duo plan to conjure up spirits from their musical pasts when they appear as part of World Records’ No Stinkin’ Service Charge Blues Series at the DoubleTree Hotel on Friday. Touring today as the Manzarek-Rogers band, the pair last appeared together in Bakersfield two years ago, and according to Rogers, their chemistry has never been stronger following their initial meeting nearly eight years ago. “I’ve worked with a lot of people,” said Rogers, 62, who also fronts the Delta Rhythm Kings, among an extensive list of production credits that would make any blues fanatic drool. “If it’s simpatico, you explore it, pursue it. It’s really that simple.” For Manzarek, who continues performing with surviving Doors guitarist Robby Krieger and a host of experimental acts in the Northern California area, meeting Rogers was comparable to reuniting with an old schoolmate. “We hit it off right away like college graduates. ‘Hey, I like your politics. I like your blues playing.’ And we were both liberals.” The chemistry between the two resulted in a series of live tours carrying them to their most recent album, “Translucent

No Stinkin’ Service Charge Blues Series with Manzarek-Rogers Band, Suzanne and the Blues Church When: 7:30 p.m. Friday Where: DoubleTree Hotel Ballroom, 3100 Camino Del Rio Court Admission: $30 to $35 Information: 831-3100 or shopworldrecords.com

Blues,” which Rogers said required time to ferment before it was ready for public consumption. “Ray has a certain style of playing, so we had to play together for a while. We both agree what we have has developed into a sound that really has nothing to do with anything either of us has done before. This started as a duet, but after playing a couple of other gigs we decided to keep doing it and it eventually developed into a band. It just felt right.” Manzarek’s classic Southern California blues rock keyboard style and the purity of Rogers guitar wizardry have blended to create plenty of signature sounds on “Translucent Blues,” especially when it comes to the album’s poetic lyrics. Incorporating verses written by the late Warren Zevon and poems by late author Jim Carroll, Rogers and Manzarek set out on an expedition to expand the reach of the blues beyond common boundaries with greater success than they anticipated. Manzarek recalled approaching Zevon about contributing to the project during a chance meeting between the two at Barney’s Beanery, a former haunt of the Doors. But within a few minutes of their greeting, Manzarek said Zevon dropped some devastating news. Please see CONCERT / 28

CSUB BASKETBALL VS WYOMING FEBRUARY 6

ART LABOE SUPER LOVE JAM FEBRUARY 9

HARLEM GLOBETROTTERS FEBRUARY 14

SHREK THE MUSICAL MARCH 11

JEFF DUNHAM MARCH 23

The Bakersfield Californian Thursday, January 17, 2013

Eye Street

It’s a Tour d’Oprah for Armstrong BY LISA DE MORAES The Washington Post

PASADENA — Hearing the media drumbeat grow louder and louder, Oprah Winfrey has decided to stretch her Lance Armstrong interview from one night to two. So clear your calendar for 9 p.m. today (as originally announced) — and now also Friday at 9 — for “Oprah and Lance Armstrong: The Worldwide Exclusive” on OWN network. In Tuesday’s special-inflation announcement, OWN promised that the cyclist would address the “alleged doping scandal” that has plagued his career. Armstrong is going to come clean to Oprah but not go into great detail about specific cases and events, according to USA Today. Two nights is a lot of time to fill to not go into detail about specific cases and events. Over the years, Oprah has carved out a niche as the first Station of the Cross on the Road to Redemption for celebrities. Most recently, David Letterman discussed his office affairs with Oprah — a.k.a. the Queen of the Confessional — to clean up his reputation as he was being honored by the Kennedy Center. And in 2010, Jay Leno made his pilgrimage to Oprah before returning as host of “The Tonight Show” in March of that year. Leno sought absolution after being blamed for Conan O’Brien’s resignation from the iconic NBC late-night show. Leno admitted to Oprah that he’d

BBC

David Tennant, whose own Royal Shakespeare Company performance of “Hamlet” was a huge hit, discusses the play in an episode of “Shakespeare Uncovered.”

“told a little white lie” when he announced on the air in 2004 that he would “retire” after Conan took over “Tonight” in 2009. Armstrong’s sit-down with Oprah is the only interview that the seven-time Tour de France winner has given since he was stripped of his titles and dropped from endorsement deals worth millions of dollars. That happened last year after the U.S. Anti-Doping Agency released an extensive report accusing the cyclist of doping throughout his career. Armstrong received a lifetime ban on competing professionally. Oprah told the gang on BFF

Jackson Browne

Menopause the Musical

Thursday, January 31st

Friday & Saturday March 1st and 2nd

Coasters, Drifters & Platters

Merle Haggard

Gayle King’s show, “CBS This Morning,” that she added the second night because her interview with Armstrong went on for 21⁄2 hours. The first night was scheduled for 90 minutes, she said Tuesday, which includes only 65 minutes of interview. Oprah said the interview will run over two nights because “we felt that to leave over half of this on the cutting-room floor, after millions of people have been waiting for years for many of these answers, would not be the right thing to do.”

The play’s the thing “Television doesn’t end with ‘Downton Abbey,’” Jeremy Irons

Saturday, April 13th

Sunday, March 17th

TICKETS AVAILABLE AT THE FOX THEATER BOX OFFICE, RUSSO’S BOOKS AT THE MARKETPLACE, AND THE EMPORIUM WESTERN STORE 661-322-5200 - 888-825-5484 FoxTheaterOnline.com – Vallitix.com

told a ballroom full of surprised TV critics and chagrined PBS suits. Dressed in his traditional Bronte Romantic-Lead Press Tour costume — rough cotton pants tucked into heavy black wandering-across-the-moors boots, etc. — Irons had come to plug his upcoming PBS program, “Shakespeare Uncovered,” in which he and other actors who have performed the Bard’s work discuss the roots of his plays. The show debuts Jan. 25 and features Ethan Hawke explaining “Macbeth,” Joely Richardson tackling Shakespeare’s comedies — and Irons probes “Henry IV” and “Henry V.” But what captured critics’ attention was his breezy candor about “Downton” — which, ever since PBS’ press-tour at-bat began the previous day, had been The Prettiest Girl At the Party. Since Monday morning, it had been “‘Downton’ this,” and “‘Downton’ that,” while the casts and producers of other PBS shows kept their upper lips stiff at the tour, while vultures gnawed at their bosoms. Irons wasn’t having it. Shakespeare’s plays, he said, “still speak to us, they have resonance — hundreds of plays written since then don’t,” he said. And “Shakespeare Uncovered” “opens up to this huge American audience this gold dust, and shows them (that) television doesn’t end with ‘Downton Abbey.’ If you think that’s good ... see what real writing, real

CONCERT: CONTINUED FROM 23

“Warren told me he had six months to live because of lung cancer. That was pretty heavy news. I told him I was working with Roy, and we were working on a blues project that needed a twist, an edge, and I’d love for him to write something for us. Something dark about Raymond Chandler Los Angeles film noir, something about 1948, twisted L.A. politics. He said, ‘You came to the right man. Let me see what I can put together before I exit the planet.’ He gave us two stanzas — ‘Rivers of Madness, running through L.A.’ That’s Warren Zevon.” Nearly seven years in the making before its official release two years ago, the album reflects Manzarek’s feel for lyrics, Roger said. “A lot of those lyrics are very different from what I would write, but it’s about being comfortable with what you’re doing. In any songwriting you do with someone, it’s a give and take. Someone’s got a strong idea of where the song is going. You supply a riff, where the groove is going, changing a tempo or the bridge.” Joining Manzarek and Rogers onstage Friday will be bassist Steve Evans and

authors and real characters are about.” “There’s more to TV than ‘Downton Abbey,’” he also sniffed. “Downton,” he said, warming to his theme, is like the Ford Fiesta of drama. “A Ford Fiesta will get you there and give you a good time. But an Aston Martin ...” he said, though he did not get to finish his thought as the crowd erupted in laughter. Of performing Shakespeare, Irons said that it takes projection and “practice, practice, practice — you can’t sort of mutter it in a ‘Downton Abbey’ way.” “We do love ‘Downton Abbey,’” PBS member station WNET exec Stephen Segaller, sitting on stage next to Irons, added nervously. Finally, one critic took a microphone and said he got the feeling that Irons thought “Downton” was overrated, “but I don’t want to misrepresent you when I write my little story. Can you clarify your thoughts?” “If I shot myself now, would I create enough of a diversion?” Segaller joked. Critics laughed. “I’m a terrible television snob ... . I’ve never seen ‘Downton Abbey,’ so I don’t know what I’m talking about,” the Oscar-winning actor responded happily. “I’m sure it’s splendid,” he snickered, adding: “I’m conscious you’ve all been here for 14 weeks” and that he thought he’d “stir the pot to keep you awake.”

drummer Kevin Hayes. Also making a special appearance on guitar will be Manzarek’s brother Rick, who lives in Lake Isabella. “It works out really great, because you have really great lyrics and if I do say so myself, really good musical composition from Roy and I,” Mazarek said. “The nature of what we’ve done is to try and make 21st century blues.” Rogers said he looks forward to the return show. “I’ve always had great gigs in Bakersfield, and there’s a great music scene there that people need to know more about.” Fans hoping for a medley of Doors classics may be disappointed but the duo say there will be a shot of nostalgia or two; however, Manzarek nicely asks fans to keep the shout requests to a minimum and just enjoy the show. “Yeah, it hurts me to be loved. No, it’s just great. Those are the songs they know, they love, and they’ve been listening to since, well, ‘Light My Fire’ was a number one song in July of 1967. That’s a long time ago.” Opening the show will be Los Angeles blues guitarist Suzanne Thomas and her band the Blues Church.

The Bakersfield Californian Thursday, January 24, 2013

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index Levan Lifelong Learning schedule .......... 20 Robert Burns Supper ................................ 21 Arts Alive .................................................. 22 ‘9 to 5’ review .......................................... 23 The Lowdown with Matt Munoz ............ 24 Gammies Chili Cook-off .......................... 25 Rabbit Show ............................................ 26 Calendar .............................................. 30-31

Turning failure into funny Christopher Titus enjoys knack for flipping the script BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

hristopher Titus openly admits to enjoying life’s failures in all their glory. From the rock-bottom depths of his comedic origins to being a magnet for injury, the actor and funnyman has developed an ingenious method to flip the script on many a misfortune to supply audiences with comedy gold. Bearing that in mind, local fans should be prepared for an epic dose of mayhem when Titus brings his latest cavalcade of calamity, titled “Epick Phail,” to the Fox on Sunday. “If you’ve ever been a horrible failure, if you’ve ever made that horrible mistake, you don’t want anyone to know about. The one where you stop hanging out with ‘those friends’ so no one can ever tell that story about you, I’m telling all those stories,” said Titus, 48, during a recent phone interview. A freewheeling, brazen voice for the everyday American, Titus grew to prominence during his two-year stint starring in “Titus,” his own weekly dark comedy sitcom. The show, about a dysfunctional family, was critically praised for its edgy comedy style and social commentary, with ratings to match. But following numerous battles with the censors and a creative dispute between Titus and the Fox network, the show was abruptly pulled from production. “When we did ‘Titus,’ we actually connected the story to the characters. It seems right now, that some of these new-age sitcoms they can do whatever they want, and break the rules anytime. Everything has gotten too wacky.” Eager to bring that self-deprecating style back to the stand-up stage, Titus says “Epick Phail’s” revealing look into his personal vaults pulls no punches. “The thing is that I didn’t get better as I got notoriety, I got worse. I was Darth Vader at kid birthday parties for a while, and if you can imagine how badly that

PHOTO COURTESY OF CHRISTOPHER TITUS

Comedian Christopher Titus appears Sunday at the Fox Theater. After finding fame on TV, the funny-man now hosts a weekly podcast.

Christopher Titus When: 7:30 p.m. Sunday Where: Fox Theater, 2001 H St. Admission: $25 plus service charge Information: 324-1369 or vallitix.com

went, the first and last time we did it was the same exact day. I used to do tours through some of the worst redneck areas of the country, where you if you get off your car, you keep your car running because you wanna get out as fast as you can. I even wrecked a Viper at 130 miles an hour flying off a race track with an instructor in the car.” Titus also enjoys newfound popularity as host of his own online podcast, the Combustible Lounge at tituspodcast.com, broadcast from his home studio. Every week, fans can tune in and get the latest censorship-free rants direct from the comedian’s twisted mind along with color

commentary from his girlfriend and co-host, Rachel Bradley, aka Bombshell Rae. “Adam Carolla (who also hosts his own online comedy podcast) is the one who got me into it. He said, ‘Titus, get into it right now. It will connect everything you do to the people and they can hear from you on a weekly basis, and they start to love you.’ The podcast gives me an outlet to just fume about different things, anger some people, which is always great because those are the people who always listen harder. It gives me a way out to vent, and I really like the audience and the format we have.” Titus said he can get away with so much on the podcast because he refuses to take outside money. Instead, he gets a steady flow of income selling branded merchandise. “I won’t take a sponsor; I don’t need to. The whole thing is we get to be like pirate radio. In the beginning we used to try and hustle advertising, but after hearing these great comics do a

great bit on their show, then say, ‘Buy Coke,’ we got really turned off. Could you imagine George Carlin and Bill Hicks doing a podcast and taking advertising money? “Is there a cost? Yeah, but the upside is, we get people coming to shows who discovered me through the podcast. They had no idea I did stand-up.” The comedian hopes to make a return to the small screen next year with “Special Unit,” a pet project written by Titus about a disabled unit of Los Angeles police detectives. Guaranteed to push the limits of good taste, the comedian thinks the public needs to lighten up. “I didn’t do it to mock anybody. About eight or nine years ago, there was a protest with all these little people and handicapped actors who said they never get any work. People kiss their butt, but never give them work. I pitched it to Comedy Central and they waited eight months to say no. They said it was too edgy, even though they do ‘South Park.’”

Still in production, Titus hopes to find a home for the show, which he describes as a comedy spin on popular crime dramas. “It’s basically ‘The Shield’ with handicapped people. The whole premise is, due to the Fairness and Disabilities Act, the LAPD is forced to hire four handicap undercover detectives. I play this totally (expletive) cop who to keep him off the street, basically assign him these four handicapped people and I have to teach them to become cops. What ends up happening is they become this really cool unit.” Being turned down by the network was painless in comparison to the material he plans to unleash on Bakersfield on Sunday. Rattling off a round of quick preview bits, there was one he says will leave fans counting their blessings. “I said one sentence that cost me $30 million. I’m not going to say what it was. You have to come to the show. I had 0 million dollars when I made this mistake. So, you tell me, who’s the biggest loser? Bring it on.”

Thursday, January 31, 2013 The Bakersfield Californian

Eye Street

Good guy in a black hat Country’s Clint Black keeps his mind on his music BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

lint Black’s formula for success? He doesn’t have a formula. “I do what I love and love what I do. I think that’s what makes you genuine,” said the singer, who broke out in the early ’90s around the same time as other neotraditionalists like Garth Brooks and Alan Jackson. “Tastes do change, but there will always be fans of good, genuine country. So if you stay true to what you do and love, you don’t need any formula!” Black’s eclectic career backs his claim that there’s been no master plan. The singer — who has maintained that cry in his voice reminiscent of the young Merle Haggard — has appeared on “Celebrity Apprentice” and sometimes acts alongside his wife, singer/actress Lisa Hartman Black (their most recent collaboration was the 2012 family move, “Flicka: Country Pride”). Today, Black stays busy shuffling across the country with a rich catalog of material pulled from 12 albums and more than 30 charting singles. The singer brings his act — along with his trademark smile and black hat — to the Fox Theater on Saturday. On strict voice rest between shows, Black answered our interview questions via email, offering a glimpse into his illustrious career and future. The release of “Killin’ Time” in 1989 was one of a number of hugely successful “new country” breakthroughs around that time, along with music from Garth Brooks and Alan Jackson. What do you remember from that era? I remember that time as being like a whirlwind. I was adjusting to fame and a minute-by-minute itinerary that never seemed to stop. I also remember as a country fan how much I loved the music others were making. It was exciting to watch as country music rose to its proper place on the charts and showed the industry how popular it really is. Is pursuing a major label still worth the work or does it make better business and career sense for artists today to operate completely independently? You can argue both, but I prefer to focus more on my music than on the business side, and I think most artists are that way. Balancing it all is too much, even for someone that’s been in the business as long as I have. Your 51st birthday is two days after your Bakersfield show. Would you welcome an early party thrown by local fans? The fans just showing up for the show is all I want for my birthday! Believe me, that’s a special gift to me. My whole life has been spent seeking an audience, and I remember when I had to play to two or three people who weren’t even paying attention. When they show up and listen,

KEVIN SULLIVAN / ORANGE COUNTY NEWS

Country star Clint Black performs at the Grove in Anaheim in 2010.

Clint Black When: 8 p.m. Saturday Where: Fox Theater, 2001 H St. Admission: $39.50 to $59.50, plus service charges Information: 324-1369 or vallitix.com

that’s icing on the cake! Merle Haggard has had a big influence on your musical style. Do you two keep in touch? I haven’t been in touch with Merle for some time. I think he’s as busy as I am! I will never forget the time I had with him when he was on my 1991 tour. That was way beyond what I could have wished for. What do you think of today’s country scene? Any time someone can shine a spotlight

on country music in the mainstream in a positive way, it is a good thing for the entire industry.

Lisa and I talk about acting, but not in that way. Her biggest piece of advice was to get with an acting coach.

Who are some of the new country artists catching your ear? There are quite a few; many of my favorites are not nearly as well-known as they should be. Mallary Hope is a great example; she has opened for me for a number of my shows and I’m blown away every time. Check her out!

How do you pick a set list with such a rich discography of material? There are always a certain few fan favorites that I would have to play or some fans might charge the stage. Other than that, I can bounce in and out what songs to play each show based on my mood. I guess having so many songs is an advantage in that way — at least I have options!

You’ve done some more acting recently. Is that something you’d like to keep pursuing? I love acting, nearly as much as I love music, but definitely not as much. For the time being I want to focus my energy on this tour and my next album. We’ll see what the future holds. Does your wife, Lisa, offer up tips on acting?

What’s next for Clint Black? There’s still a lot I want to do. The next year will be very exciting as I am working towards putting out my first record in seven years, going on my acoustic tour, collaborating on a Broadway play about the life of Roy Rogers, and I’ve even recently wrote the score for a touring production called “Aussie Adventures.”

Thursday, February 7, 2013 The Bakersfield Californian

Eye Street

Art of love: Jam sets V-Day mood DJ reflects on his role rock ’n’ roll’s evolution BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

rt Laboe has built a career following the hearts of music lovers around the

globe. As the beloved host of one of radio’s longest-running music dedication shows, Laboe’s syndicated “Killer Oldies” — which broadcasts Sunday evenings on Bakersfield station Hot 94.1, KISV-FM — has inspired legions of fans to get their groove on with the sounds of peace, love and silky soul. Today, after more than 50 years in the entertainment business, Laboe continues supplying the soundtrack to the perfect lovers’ holiday through his Valentine’s Super Love Jam series, which makes a return to Rabobank Arena Saturday night. “I enjoy it,” said Laboe, 87, during a phone interview from his office in Los Angeles. “There’s a lot of love going across those stage lights both ways. I don’t let it go to my head and always try to be the same guy I’ve been since the beginning.” A tireless showman, Laboe still oversees his empire of radio and entertainment-oriented ventures, including his record imprint, Original Sound, which specializes in vintage music reissues on vinyl

PHOTOS COURTESY OF ART LABOE

Art Laboe helped popularize the concept of the mix tape after a makeout session with an old love ended when the music did.

and CD. Among the label’s most popular releases are Laboe’s bestselling “Oldies But Goodies” series, featuring many of the hits handpicked from his early years broadcasting live from Scrivener’s Drive-In in Los Angeles. “Before rock ’n’ roll, it was all ballads: Frank Sinatra, Bing Crosby, Doris Day and those people in the mix. Kids began bringing me songs, mostly rhythm and blues artists like The Dominoes, Jackie Wilson, Ray Charles and Little Walter to play. Then along comes Elvis and Jerry Lee Lewis like a tremendous tidal wave, and there was no stopping it. The kids wanted it, and there I was right in the middle of it all in 1956.”

Laboe recalls many afternoons at Scrivener’s like a crazed sock hop with overstuffed cars, screaming teens and plenty of wild dancing. “It caught on like a forest fire, and there I was riding the surf on top of it, because I was the first one to play all that music out here. Here was this program in the afternoon. Nobody had every heard anything like it. Live with kids laughing, honking their horns, going from car to car talking to them and getting their requests. Some from the establishment, but I didn’t let it get any worse than it was. They thought the music was going to corrupt the youth. Looking at today’s standards, it was pretty clean.” Though the scene has changed, Laboe’s ability to remain timeless owes much to his penchant for keeping up with the needs of his listeners, inspiring, for instance, the introduction of his first music compilation years ago. “I remember being with a girlfriend, trying to be romantic and get somewhere and all of a sudden the music would stop on the old record player. She’d hit me in the ribs with her elbow and say, ‘Go fix the music.’ So I’d have to walk across the room and change the stack of 45s dropping one at a time. Eventually it’s going to run out of music. Then a lightning flashed in my mind, ‘All of these people with these songs on 45, should have them on album.’ “When I left her place, I went

Art Laboe interviews rock ’n’ roller Ricky Nelson at Scrivener’s Drive-in in Los Angeles in 1957.

back to the radio station and dubbed a bunch of songs I liked onto a tape. I thought about getting permission from all these record companies to put them all on one record and pay them for it. It worked, and the rest is history.” Like his favorite mix tape, Laboe has assembled a cross-section of love-song lovin’ artists for Saturday’s show in Bakersfield: Heatwave (“Always and Forever”); GQ (“I Do Love You”); Peaches and Herb (“Reunited”); Bloodstone (“Natural High”); The Originals (“Baby I’m For Real”); Sly, Slick and Wicked (“Confessin’ a Feelin”); Barbara Lewis (“Hello Stranger”); Eddie Holman (“Hey There Lonely Girl”); The Fuzz (“I Love You for All Seasons”); and MC Magic (“Lost in Love”). “Oldies but goodies don’t have to be from the ’50s. We released the first LP compilation in 1959, and those songs were only 5 or 6 years old. You gotta remember that with teenagers a social life begins in junior high school, so songs that are 5 years old to someone that is 18 just seems like

Art Laboe Valentine’s Super Love Jam When: 8 p.m. Saturday Where: Rabobank Arena, 1001 Truxtun Ave. Admission: $27.50 to 37.50 plus service charge Information: 852-7777 or ticketmaster.com

a long time ago. It’s the same today. A singer like Akon or Alicia Keys has been making songs for more than 12 years now, but that’s a long time ago to some kids. If you come to our shows, they’re really all ages.” Laboe has plans to publish a book about his life in radio, with chapters filled with recollections about everything from his friendship with Elvis Presley, keeping a watchful eye on a young, girlcrazy Ritchie Valens and more. “There aren’t a lot of people still around that can say they sat around and talked to Elvis. That’s a great thing to be able to do that.”

Pull up a seat and she’ll tell you a story Master practitioner uses oral tradition of W. Africa BY CAMILLE GAVIN Contributing writer

uman history began with the telling of stories. It’s something scholars refer to as oral interpretation — a recounting in words and music of where one’s ancestors came from and what they have done. Master storyteller Charlotte Blake Alston of Philadelphia will demonstrate that tradition as part of the local Harlem and Beyond program Tuesday evening at Beale Memorial Library. In an exchange of emails, Alston explained how she became a professional storyteller, musician and singer after

Family Storytelling Concert When: 6 p.m. Tuesday Where: Beale Memorial Library, 701 Truxtun Ave. Admission: Free Information: 868-0745

devoting nearly 20 years as an educator. “I learned about the West African oral tradition while I was still teaching,” she said. “Storytelling was one of many tools I incorporated to engage children, and to bring history and literature alive.” During that time she became interested in tracing the origins of folktales she read about in children’s literature. “Most were stories translated out of their languages into English by western folk-

lorists or missionaries,” she said. “I became curious to see if I could find earlier recorded versions of those tales and that’s when my journey began.” So in 1988 she made her first trip to Senegal, where she found that storytellers were still performing the ancient tales. “One evening while dining al fresco at a restaurant by the sea in Dakar, a young man sat down on a low cushion and began singing and playing an instrument with a heavenly, harp-like sound,” she said. “It was my introduction to the kora and its historic role in the recounting of history. We were mesmerized. It was then that I began to (do) research and learn more about the tradition of the griot.” In West African countries, a griot (pronounced gree-oh) is a name for a person Please see STORIES / 26

PHOTO COURTESY OF CHARLOTTE BLAKE ALSTON

Master storyteller Charlotte Blake Alston will be part of the local Harlem and Beyond program on Tuesday evening at Beale Memorial Library.

The Bakersfield Californian Thursday, February 7, 2013

Is a trip to psychic in your future? Casino hosts medium famed for connecting to other side

“I’m getting to the point that I want to be known as a ‘spiritual teacher.’ I don’t know why, but ‘psychic’ sounds as bad as ‘fortune teller.”

Sylvia Browne When: 8 p.m. Saturday and 2 p.m. Sunday Where: Eagle Mountain Casino, 681 S. Tule Road in Porterville Admission: $25 to $35 Information: 559-788-6220 or eaglemtncasino.com

BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

he classic image of the headscarfwearing gypsy fortune teller may be popular in Hollywood, but it’s not welcome in the world of Sylvia Browne. Introduced to American homes as a frequent guest on “The Montel Williams Show,” Browne remains one of the most sought-after celebrity mediums. She offers advice on just about everything, including relationships, and delivers personal messages from loved ones who’ve passed on. Though she has legions of fans, skeptics have been known to challenge her publicly — and Browne is not one to back down, either from an argument or request for spiritual services. She’ll allow folks at Eagle Mountain Casino to judge for themselves whether she’s the real thing when she stops for a one-woman show this weekend. “Honest to God, I’ve been in this all my life. I don’t know what to call it,” said Browne, 76, when asked how she prefers to be addressed during a recent phone interview. “I’m getting to the point that I want to be known as a ‘spiritual teacher.’ I don’t know why, but ‘psychic’ sounds as bad as ‘fortune teller.’ We have so many nuts running around that you don’t even wanna tell people. Through my whole life, I’ve tried to clean it up and it hasn’t done a bit of good.” Browne maintains a solid schedule of year-round public appearances and book-

— Sylvia Browne

“When I was around 19 or 20, I remember getting into a crowd of people and just being bombarded with messages: This one over there was getting a divorce, this one over there was having terrible stomach problems, and finally I just had to narrow my light. In other words, I tried to pull my soul light in closer to my body. Because, you know, we’re very vibratory. We’re actually electrical beings. We can chart that on the EEG devices that we’re electrical. But I think that our electricity can be pulled in.” Browne’s foray into the realm of psychic readings began in 1974. Along the way, she developed a rabid group of loyalists, including TV talk show Montel Williams, who featured Browne on his show during “Sylvia Wednesdays.” During her nearly 17 years of appearances on Williams’ show, Browne would take questions from audience members on a variety of topics. There also haven detractors, namely author and skeptic James Randi, who saw Browne as the perfect target for his studies and reports meant to debunk the paranormal. The two would spar regularly on national television. “Everybody has skeptics. You can let that rule your life or deal with them. People are going to love you, or they’re going to hate

signings, while tending to connections made through her website, which attracts millions of visitors a day seeking counseling. “I don’t sleep a lot. I try to answer all my questions, or at least try and get to them within a week. I just got through close to 50 on paper, letter questions, and I’ve done 10 readings over the phone, then a couple of interviews.” Browne (whose real surname is Shoemaker) credits her grandmother, Ada Coil, a noted Kansas City medium, with helping guide her through the earliest paranormal encounters of her youth. “When I knew people that were going to die, I would see their faces around me. Well, that was a horrible thing. Thank God my grandmother was still alive, because when I told her how horrible it was, she said, ‘Then, just ask God to remove that. You’ll know when people are going to die if you want to, but you’re not going to see the physical manifestation.’ That’s what I did, and it went away.” Browne said her gifts continued to develop as she grew into adulthood, as did a deeper understanding of her abilities based on both supernatural and scientific research.

READING C

PHOTO COURTESY OF SYLVIA BROWNE

Celebrity psychic Sylvia Browne appears at Eagle Mountain Casino this weekend.

you. It’s so silly. Everybody has a right to do their own thing. I don’t know why they don’t leave us alone. Of course, they’re all atheists anyway. I don’t give a darn about them. I really don’t.” Browne’s advice to those who think they, too, might have the gift is to not be afraid. “Everybody’s born with a gift. I used to say that all the time. Interviewing small children, it’s unbelievable. But it gets drummed out of them over time. It’s like I always used to say: All of us were born with a cellphone from God, but somehow we dropped it.”

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The Bakersfield Californian Thursday, February 14, 2013

Eye Street

“A MUST-SEE!” - Pete Hammond, MOVIELINE

“A CAPTIVATING STORY OF THE POWER OF LOVE AND SECOND CHANCES.” - Whitney English, SHEKNOWS.COM

Houston Jones is indie pure, but not indie blah BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

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s the popularity of Americana music surges, so does the possibility for diluting some of its most sacred musical concepts. For Castro Valley-based quintet Houston Jones, which returns to Bakersfield on Sunday, straying from a path of musical purity for mainstream success has never been an option. After nearly a decade of alchemizing American folk music, bluegrass, country, jazz — along with some seriously fiery pickin’ and humor-filled lived shows — they continue recruiting new fans, one stomp at a time. “We love to record, but the live show is what we live for,” said Houston Jones’ bassist Chris Kee during a recent phone interview. “We’re a very high-energy band. The thing that is the clincher is the ability to interact with an audience and sharing that experience. That’s what we love and what we value the most.” Coming together as mutual fans of acoustic jamming and improvisation, the group began as a

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Bay Area Americana quintet Houston Jones appears Sunday at Metro Galleries.

duo featuring guitarists Glenn “Houston” Pomianek and Travis Jones. Together they took their act around the flourishing San Francisco Bay-area roots music scene, where they crossed paths with percussionist Peter Tucker, keyboardist Henry Salvia and Kee. “The Bay Area music scene is made up of a large metropolitan area, but the music scene is very incestuous. You kind of need a flow chart and Excel spreadsheet to follow it,” Kee said. All five members of Houston Jones have logged many miles performing with a variety of other projects, including Large and In the Way, The Waybacks and others. “We bring a lot of influences to the mix because of our experience. I have a classical music background, Glenn is just a great blues player, Travis has got a background in gospel and country music, Henry is from Detroit. He brings a lot of that sensibility with him, R&B and pop. Those types of fingerprints end up on everything we do, like a sort of alchemy.” Houston Jones’ latest CD, “Queen of Yesterday,” epitomizes the sound their live shows have helped hone. From the mid-tempo blues

Houston Jones When: 4 p.m. Sunday Where: Metro Galleries, 2001 H St. Admission: $25. Wine and light appetizers will also be served during the show. Information: 6349598 or email hbenham@bakersfield.com

of opening track, “Angels on the Ridgepole,” to the quiet beauty of “I Found a Heart,” and sweet shuffle of “Lone Star Smile,” the album is a nice slice of Americana pie. The rest of the world seems to think so, too. Since its release in 2011, the CD has become an indie global success story of sorts. In the process, the group’s back catalog has also been rediscovered. “We’ve had people listening and reaching out to us in places like Prague, where we were getting airplay. I’d already written some songs with a Middle Eastern feel about the conflict in the Middle East, so we were getting airplay on this station on the border of Israel and Lebanon. There’s been some of that happening. The web has opened up the world to us. It’s just remarkable how that’s worked for a group

like us. You never know who’s listening.” Kee also said the new world of music delivery — which skews younger — has delivered new ears. “I think it’s great. What I think it speaks to is a core power and truth and honesty to the American roots music where that comes from. It has a sort of universal power and authority to it, and I think it’s great that there’s a new, younger generation that is picking that up and appreciating it.” It’s also required a more intense marketing plan as live bills have started becoming cramped. “A lot of young groups popping up are beginning to elbow us out from festival appearances that we otherwise make. But I think in the larger scheme of things it’s a great development. No hard feelings.” Despite the risk of overexposure and becoming too gimmicky, bands will always have room for a banjo, accordion or mandolin, Kee said, ensuring the genre will continue to flourish. “There’s a lot of young bluegrass geniuses coming to the scene and that promises that this music is going to continue coming out rather than become a historical document.”

The Bakersfield Californian Thursday, February 21, 2013

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index BLUE art show opens .............................. 20 nXcaffe Coffee Club 1st anniversary ...... 20 Home & Garden Show .............................. 21 Arts Alive .................................................. 22 Lenten recitals.......................................... 23 The Lowdown with Matt Munoz ............ 24 Read Across Bakersfield .......................... 25 Calendar .............................................. 29-31

This Week’s Obsessions

I can’t stop thinking about ... Welcome to This Week’s Obsessions, a regular feature debuting today that touches on what has us buzzing in Eye Street. am in a nearly constant state of experimentation, especially when it comes to music. I listen to a lot of different stuff, most of which gets shoved aside so my brain can focus on the good stuff. Life’s too short not to. The system also works for movies, TV, websites, food — heck, everything. Here’s what I’ve latched onto currently: Reckless Kelly is

What are your current obsessions? Excited about a local band, event or concert? Is there a new book, record, band or TV show that you’re obsessed with? Share with our readers by emailing jself@bakersfield.com.

coming to town Saturday for a show at the Crystal Palace. They are one of those bands that you have to see live to appreciate, and you should. They’re being joined on this tour by Micky & The Motorcars, so it will be pretty much a Braun brothers reunion

Scott Cox, who hosts a daily talk show on KERN-AM, 1180, is a regular contributor to the Eye Street section.

show. There are four of them between the two bands, and I have to take them all golfing while they’re here. Since when do country-rock stars play golf? The old iPod has been utterly dominated this week by an album called “This One’s For Him: A Tribute To Guy Clark.” Songwriter-wise, Guy is a giant walking among insects. One of the many reasons modern country music stinks is a profound lack of depth in the song department. This record has 30 of Clark’s best, sung by artists he’s influenced over the decades. Rodney Crowell, Willie Nelson, Ray Wylie Hubbard, Emmylou Harris, Robert Earl Keen: They all bring their own style to these amazing songs. This record will revive your interest in actual country music. It did for me. This record is so

Texas that the humidity will go up while you’re listening. On the tube, two new shows have captured my imagination, which is a pretty good trick considering that I’ve all but given up on TV. Not surprisingly, they’re both on FX. “The Americans” (Wednesdays at 10 p.m.) is about Russian spies living among us in the ’80s. In a world clogged up with vapid fake reality shows and cookie-cutter sitcoms, this show gives me the one thing I need: something different. The other new gem is “Legit.” Look, grafting a sitcom to a popular stand-up comic doesn’t always work, usually because networks water the shows down to the point where the essence of the comic is lost. But Jim Jeffries, the Australian star of the show, is insanely funny and FX did a great job of main-

taining the edge of his work. It’s on tonight at 10:30 p.m., right after “Archer,” which is still my favorite thing on TV. Finally, there’s a new Dewar’s chew, which is my new favorite thing in the world. Last year, Californian columnist Herb Benham and I settled the age-old argument of which flavor is best: peppermint and peanut butter, followed by almond, caramel and plain. Well, the new one is a game-changer. Dewar’s — teaming up with Tigerfight, a local organization dedicated to fighting leukemia and lymphoma — came up with the Tiger Chew (they start at $4.95 a box) to raise funds and awareness. It’s vanilla with a ribbon of orange, like a Creamsicle, only in taffy form. Never have we had a chance to eat something so good that we could feel so good about eating.

“I’ve seen a lot of bands just like Mumford & Sons who could have gotten the same lucky break they did. It really could have been anybody. Not to take anything from them, but it’s cool to see something apart from the norm get so big. It gives hope.” — Willy Braun of Reckless Kelly

Reckless Kelly stays on course Austin-based band brings its unique blend to Crystal Palace BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

n any given night, fans of all genres have the opportunity to choose from among upwards of 400 bands playing the bars, nightclubs and dives that have made the Austin music scene one of the most vibrant in the country. So to make a name for yourself among such competition is no small feat. Just ask members of Reckless Kelly, who have developed a rabid following of fans in their adopted hometown over the last two decades — and haven’t done too badly out on the road. Their latest foray from home brings them to Buck Owens’ Crystal Palace on Saturday, where the band will showcase a rich discography, including their latest release, “Good Luck & True Love.” The band is led by Cody Braun on fiddle and his brother and guitarist,

Reckless Kelly with Micky & The Motorcars When: 7 p.m. Saturday Where: Buck Owens’ Crystal Palace, 2800 Buck Owens Blvd. Admission: $13.50 to $19.50 Information: 328-7560 or vallitix.com

Willy Braun, who took time during a recent phone interview to offer some insight on the Austin mystique, where Americana music is these days, the Australian outlaw who inspired the band’s name and more. Give us a brief tour of the Austin live scene. There’s a ton of music out here. You can go out and see country, rock ’n’ roll, hip-hop, blues, industrial, electronic, folk, soul, you name it. A lot of time you see that kind of diversity on the same bill. You can always find afternoon shows, but happy hour is usually when things start to kick off.

Your sound leans more toward traditional country, not so much the country jam psychedelia coming out of Austin. What influences are you pulling from? We grew up listening to Texas guys like Steve Earle, Rodney Crowell, Billy Joe Shaver, Guy Clark, Willie Nelson, Waylon Jennings, but we come from all sorts of different places. Our drummer, Jay Nazziola, grew up on the East Coast listening to a lot of The Police. We’re all huge Eagles fans. Our guitar player, David Abeyta, has bit of a jazz background. He went to Berklee School of Music in Boston. Cody and I grew up playing honkytonk. We all have a lot of similar records in our collections, but also a lot of diversity in there, too. We just throw it all together. Is there a lot competition among local bands? There’s a certain amount of competition, but plenty of opportunities for people to go play. If you’re willing to Please see RECKLESS / 27

PHOTO COURTESY OF RECKLESS KELLY

Reckless Kelly appears Saturday at the Crystal Palace. Pictured from left: Cody Braun, Willy Braun, David Abeyta and Jay Nazziola.

Thursday, February 21, 2013 The Bakersfield Californian

Eye Street RECKLESS: CONTINUED FROM 18

put in the time and the work, you won’t have any problem finding gigs. That kind of works itself out. After you formed the band in 1997, how long did it take you to finally perform outside of Austin? It took a couple years before we decided to finally take Reckless Kelly on the road. A guy like Dale Watson tours a lot, but when he’s in town always plays at the Continental on Monday nights. We tried doing that for a while, but our schedule was so sporadic and we were out of town so often that we did that residency thing all over for a while until we got too busy to keep it up. We used to do this thing called “Wicked Wednesdays,” where we’d play for two hours during happy hour at Stubb’s BBQ, then pack up our stuff and head over to another place called Babe’s and play for another four hours. We definitely got our feet wet during those years. Since the name Reckless Kelly was inspired by Australian bandit Ned Kelly, has the band ever thought about wearing the famous Ned Kelly body armor during shows as a costume? It’s come up, but we don’t know where we would get it. One time we dressed up for Halloween as rodeo clowns for a show in Houston. It was really hot that year and two songs into the set, we were sweating so bad we looked like a bunch of murdering cheerleaders. It was gross and just really uncomfortable, but the photos were pretty hilarious. What do you think of today’s poporiented country scene? We’re not huge fans of a lot of the Nashville stuff on radio. There’s a lot of good stuff coming out of Nashville that you won’t necessarily hear on mainstream radio anymore. We’re a little old school. There’s always a trend that happens in Nashville. One moment someone writes a song about a sailboat, it becomes a hit and next thing you know everyone is writing songs about sailboats or songs about fried chicken with the same producers and writing teams. It is what it is. I’m still waiting

for the path to changes towards more traditional country sounds, but I’ve been waiting for about 25 years now. What about today’s Americana scene crossing over into pop music? As wellversed musicians, do you find yourselves being critical over the purity of their music or can you just enjoy it because it’s catchy? It’s a little bit of both. I do enjoy some of it, but it caught on really fast. It’s funny. On one hand you have people talking about how great and original some of those groups are when they’re not really breaking any new ground. On the other hand, it is more traditional and honest, and there’s really good musicianship. The songwriting is really great, so both of those things you have to take into account. I’ve seen a lot of bands just like Mumford & Sons who could have gotten the same lucky break they did. It really could have been anybody. Not to take anything from them, but it’s cool to see something apart from the norm get so big. It gives hope. What about the influence of the Bakersfield Sound on your music? When I think of Bakersfield, I automatically think of Buck Owens and Dwight Yoakam. Dwight wasn’t from Bakersfield, but he’s got that Southern California thing for sure. The 1986 crew of Dwight, Steve Earle, Roseanne Cash and Marty Stuart, all those guys made great records and we were listening to all of ’em. And Dwight was just so cool, kind of gave the finger to the standards of the industry at that point. Buck Owens was just so unique and so cool. Outside of a Willie Nelson or someone along those lines, I can’t think of anyone who has a sound to call their own that nobody’s ever been able to rip off. Will your Bakersfield show differ from a night in Austin? The Crystal Palace gives us a chance to be able to scale back the show a notch from the usual rock ’n’ roll. We can play a few more story songs, rather than blow faces off all night. It’ll be nice to play some different types of material.

ARTS: CONTINUED FROM 22

operated a flight operation business based at the Compton Airport for about 20 years. Nowadays he doesn’t fly much. “I’m content to have survived 57 years of flying without a scratch,” he said. Then with laughter in his voice he added, “The only kind of planes I fly now are radio-controlled models like this one I’ve got right here on my desk.”

Hurley plays in Tehachapi Singer-songwriter James Hurley will perform a concert on Saturday at Fiddlers Crossing in Tehachapi. The acoustic guitarist describes his work as a blend of jazz, blues, rock, pop and folk music. His last appearance in Tehachapi was several years ago when he played at the now-defunct Mama Hillybeans. In biographical material provided by Fiddlers Crossing owner Debby Hand, Hurley says he loves songs with “stories I could get lost in.” As an example, he cited “the imagery of Merle Haggard singing, ‘First thing I remember knowin’ is a lonesome whistle blowin’ completely captured my imagination. I could listen and watch as the entire movie played inside my mind. I think

PHOTO COURTESY OF DEBBY HAND

Singer-songwriter James Hurley will perform a concert on Saturday at Fiddlers Crossing in Tehachapi.

that’s when I figured out that you could say things in a song that can’t be expressed in language alone.”

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Thursday, February 28, 2013 The Bakersfield Californian

Eye Street “I can write a song like ‘Endless Summer’ about taking my daughters to the beach for the weekend. I couldn’t do that with Staind. It’s a different vein of lyrical inspiration.” — Aaron Lewis

Just a country boy on his own Lewis takes break from band Staind

When: 7 p.m. Tuesday. Sold out. Where: Buck Owens Crystal Palace, 2800 Buck Owens Blvd.

BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

Aaron Lewis

aron Lewis wants the world to know just how country he truly is. After logging miles on the road for years as the frontman for hard rock outfit Staind, the singer/songwriter and guitarist has been enjoying new-found success as a country solo act. It’s been a career transition years in the making for the selfdescribed country boy from Massachusetts. Armed with his acoustic guitar and backed by a select group of sidemen, Lewis will give local fans a chance to judge how well he has shed his head-banging persona during a special evening of pure country at Buck Owens’ Crystal Palace on Tuesday (and the fans, it would seem, are eager to find out for themselves; the show is sold out). “Country was the one thing that I could do to change up what I was doing that was in a different

Information: 328-7560 or buckowens.com

genre that wouldn’t be compared to Staind and also stay true to me and my upbringing,” said Lewis, 40, in a phone interview. “I’m happier hunting and fishing, being out in the woods. We got chickens and goats, a pig, and we live out in the middle of nowhere in a town of 1,200 people. I’m not a city boy.” Raised on a musical diet of Johnny Cash, George Jones, Waylon Jennings and Merle Haggard, Lewis credits his grandfather with filling his world with some of the genre’s most iconic sounds. “My grandfather was my baby sitter growing up and it was his country, the old stuff I was listening to. I was born in ’72, so it was everything being played on the radio at the time along with the stuff from yesteryear.”

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But Lewis’ introduction to rock eventually pulled him away from the sounds of his upbringing. He formed Staind in the heat of the nu-metal craze alongside acts like Korn and Limp Bizkit. “During the ’80s and ’90s, country kind of stayed in Vermont, so I missed that whole era. The friends that I was hanging out and discovering new music with listened to rock. That’s what led me down the road with Staind all those years.” Staind hit a winning streak at the tail end of the ’90s and on into the decade that followed with hit singles “It’s Been Awhile,” “So Far Away,” “Outside” and others from the band’s seven-album discography. But as tastes changed, so did Lewis’ longing for a new creative outlet. For a few years he hit the casino circuit and performed alone with his acoustic guitar, straddling the worlds of rock and country. “When the time came to reinvent what I was doing for another project, it was either make an acoustic record and have it constantly compared to Staind or do the only thing that was staying true to me, which was country.”

The choice to follow his heart proved successful with the release of a five-song EP, “Town Line,” which contained his first country single, “Country Boy,” featuring childhood heroes George Jones and Charlie Daniels. Other successful singles like “Endless Summer” and “Forever” helped propel his latest full length album, “The Road,” into the Billboard country Top 10. “The one thing about country is that I can go to different lyrical inspirations. It doesn’t have to be all about purging my soul. It can tell stories. I can write a song like ‘Endless Summer’ about taking my daughters to the beach for the weekend. I couldn’t do that with Staind. It’s a different vein of lyrical inspiration. I’m not trying to reinvent the wheel; just coloring the songs differently.” Lewis added that while his country aspirations seem to be taking flight, Staind is not breaking up. “We’re in hibernation, just taking a break. Just to give you an idea of the inspiration level that’s happening right now, the last Staind record we did took us six months.

PHOTO COURTESY OF AARON LEWIS

Former Staind frontman Aaron Lewis appears Tuesday at the Crystal Palace.

“This country record I just put out took like 30 hours. It’s what I’m feeling right now and where I’m at. “It’s very cool to see all the fans I’ve accumulated over the years with Staind are cool and open about it. A lot of people tell me they don’t necessarily listen to country, but they really like my record. That’s almost better than appealing specifically to a country-listening audience.”

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The Bakersfield Californian Thursday, March 7, 2013

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index Oprah loves Sweet Surrender ................ 24 42nd annual Collectors Showcase .......... 25 Arts Alive .................................................. 26 Improvised Shakespeare Company ........ 27 The Lowdown with Matt Munoz.............. 28 This Week’s Obsessions .......................... 29 ‘Shrek the Musical’ ................................ 30 Calendar .............................................. 36-37

Rick ’n’ roll will never die Springfield nearly as hot today as he ever was BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

ecades after stealing the hearts of teenage girls with his movie-star good looks and iconic ’80s pop radio gem “Jessie’s Girl,” Rick Springfield now has the street cred he’s always longed for, from what at first glance seems like an unlikely source: Dave Grohl, grunge pioneer and arguably the most respected rock star on the planet today. Grohl’s critically acclaimed documentary “Sound City,” in current release and available on pay-per-view, tells the story of a legendary recording studio in Van Nuys and features Springfield, who cut tracks there. “Dave is a music fan, and I think a musician especially is open to the good things in every genre of music,” Springfield said in an interview conducted via email. “We all basically came from the same garage at 15 years old, banging out crappy versions of Beatles songs, so we are all not far removed after all, even though we may have taken slightly different paths eventually.” But his involvement in “Sound City” isn’t the only exciting exposure Springfield has been getting lately. In April, he returns to his breakthrough role of Dr. Noah Drake on the ABC soap “General Hospital” and is promoting his latest album, “Songs for the End of the World.” His tour lands at Eagle Mountain Casino on Friday. Springfield, 63, was good enough to answer some questions about his early years at the dawn of MTV, plans for his upcoming return to acting, and how it feels to work his scream-inducing mojo in front of adoring female fans. “Working Class Dog,” your breakthrough album, is one of those perfectly crafted pop records that helped set the tone for the MTV era. Why do you think it’s held up so well after over 30 years? I think it’s a very honest, from-the-heart record and a good bunch of songs. The production still holds up and it has a slightly rough edge to a lot of the songs that I think moves it a little out of the overproduced sound that the ’80s is known for. I think it was the right album at the right time. Most people assume your career started with the release of that record, but you’d already been at it for a while in your native Australia. What can you remember of the fan mania surrounding the release of “Jessie’s Girl” in the U.S? It was a rocket ride. I had been playing, writing and performing music basically

Rick Springfield When: 8 p.m. Friday Where: Eagle Mountain Casino, 681 S. Tule Reservation Road in Porterville Admission: $25 to $35 Information: 559-788-6220 or eaglemtncasino.com

since I was 15. I didn’t realize it would take that much time again before I even made a dent so when it came in the early ’80s I was ready. I worked a lot and continued (and still continue) to write the best I can and have a great time on stage. How does it feel to be discovered by the kids of your original fan base? It’s very energizing. We have always had a very “current” live show, and people are always surprised at how hard it rocks, so new fans are getting us at our best. Is your return to “General Hospital” full time or a recurring role? It’s recurring, and very sporadically at that. I just don’t have time for a show like that. It’s just so much work, a lot of prep with all the dialogue and shooting all day. It’s a tough gig. Do you prefer acting over music? I love acting now though especially when the scripts are good like “Californication” and shows of that ilk. Music is my first love and as the Walker Brothers once sang, “First loves never, ever die.” What impact did the release of the “Sound City” documentary have on your career? I think there is added visibility obviously, and Dave Grohl and his mighty Foo Fighters have great street cred, so all that is very positive stuff. What did you initially think of the Nirvana/grunge movement when it first entered the scene during the ’90s? I loved it. It was a major change in everyone’s view of what was commercial but still maintained its integrity. It was very inspiring to me just like the original punk scene was when it landed in the late ’70s. “Working Class Dog” to me was a cleanedup punk album. My template for that album was Elvis Costello’s “My Aim Is True” the first Police record, Joe Jackson’s “Look Sharp” and bands like that. YouTube videos show proof you still drive women crazy when you’re onstage. How does that make you feel? It’s all in good fun. I enjoy having that amount of energy still around the band and the live show, and everyone has a bloody great time. How do you keep yourself rock-star fit? I love what I do in music, writing and acting. I also have read a lot about health

PHOTO COURTESY OF RICK SPRINGFIELD

Singer/actor Rick Springfield appears Friday at Eagle Mountain Casino.

and have always believed you are what you eat. I exercise and try to drink less red wine than I do. What should your audience expect on Friday? To get hot and sweaty! I switch the songs out a lot, and we have a new show with new production that also highlights the new CD, “Songs For The End of The

World.” Are you aware of any fans who have named their kids “Jessie” after your song? Yes, I get that; also ‘Noah’ and ‘Drake’ and variations of those. It’s very flattering. I mean, your kid is the most precious thing in the universe, so to be included in the naming process, I never take that lightly.

The Bakersfield Californian Thursday, March 14, 2013

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index This Week’s Obsessions .......................... 22 Bakersfield Symphony Orchestra............ 23 Arts Alive .................................................. 24 Bud Light Comedy Series ........................ 25 The Lowdown with Matt Munoz.............. 26 Broadway in Bakersfield benefit ............ 27 Longboard River Ride and Push Race ......28 Calendar .............................................. 32-33

Raising a last pint for Riley’s Downtown tavern on track for remodel, name change BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

iley’s Tavern will enjoy a true Irish sendoff this weekend to mark the end of an era and plans for a big change. Starting after its St. Patrick’s Day revelry, the bar that has served as a pillar of downtown nightlife since 1999 will begin a major makeover, which will include a remodel as well as a new theme and name. The change has been years in the making, back when husband and wife Walter and Linda Walston took over the bar from original owners Greg Humphrey, Greg Wilson and Kevin McCloskey in 2009. The Walstons said they pondered rebranding after initially moving in, but opted against making a hasty decision. “The name was already well-established after all these years,” said Walter Walston seated at the bar ready to enjoy a frosty pint just before happy hour. “We decided to settle in first and allow our plans to develop over time.” Walston is no newcomer to the bar business. His father, John Lee “Bud” Walston, also owned The Mint, which Walter inherited following his father’s death in 2007. Working by day as a phone company technician, the idea of leaving his job to become full-time bar owner was never an option. “I grew up around bars, but I never actually started going to them until I was 28,” the 34-year-old said. Accustomed to life as a busy stay-athome mother of three, Linda Walston soon took a crash course in Bar Keeping 101. “It was overwhelming, but I enjoyed it way too much, and way too fast. I became a bartender,” she said, adding that her new occupation brought to mind words of wisdom from her late father-in-law. “Bud always said, ‘You either sink, or swim.’” After a few years, the Walstons soon set their sights on expanding to a new location while continuing with daily operation of The Mint. When news that Riley’s owners were looking to leave the business, the couple made a deal to take over the property lease without interruption. “I stop by The Mint on my way to work at 6 a.m.,” said Walter. “Then Linda takes over.” “Once the kids are ready for the day, I normally stop in to handle bookwork and bartend at The Mint,” she said. Riley’s opens its doors for business at 3 p.m., except for weekends at 6 p.m., when Linda also schedules herself behind the bar. “It’s never a dull moment,” she said. In 2009, the Walstons made some upgrades to Riley’s, developing unused storage space in the 3,200-square-foot

MICHAEL FAGANS / THE CALIFORNIAN

Linda and Walter Walston sit at the bar in Riley’s Tavern prior to the final St. Patrick’s Day that will be observed before the location begins its remodel.

Riley’s St. Patrick’s Day When: 10 a.m. Sunday Where: Riley’s Tavern, 1523 19th St. Admission: Free. $5 for concert admission in Riley’s Backstage at 5 p.m. More St. Patrick’s events on Page 32.

building into Riley’s Backstage with a second room stage for live bands, complete with full bar. Pool tables were also added to a third room, along with couch seating for a lounge aesthetic. But soon after opening, the expansion began to create problems with crowd flow between the club’s main entrance, inside doorway into Riley’s backstage and two separate alleyway entrances. With a mixed bag of entertainment including DJ dance music, karaoke and live bands, patrons were having a difficult time maneuvering through the dance floor and around bar lines. “Right now our bartenders are running into each other. We need room,” said Walter. “We’ve got a lot of our inspiration from the show ‘Bar Rescue,’” added Linda. With a handle on running both bars, the Walstons say they’re ready to take the next step towards change, but not without one final St. Patrick’s Day party for Riley’s. “The original owners never got a send-

off,” said Walter. “They come in once a year or so to say hello.” Longtime employee Vincent Baltierra, 30, who’s worked at Riley’s since 2001, recalled many memorable nights at the bar wearing multiple hats when duty called. “The amount of Jagermeister that has flowed in this place is unbelievable,” he said, referring to the popular alcoholic beverage. “I’ve seen too many things to mention, but it’s been a lot of fun.” Although the Walstons are still in the drawing board stages, they did open up about a few of their upcoming plans, including the lease of the neighboring east building suite that previously operated as a video arcade. The removal of that wall, plus the walls separating the three current rooms in Riley’s adding another 1,600 square feet, plus basement, gives them plenty of room to get creative. “We want to keep the pub style feel, with more games, pool tables,” said Linda. “But we also don’t want it to feel empty with 20 people inside.” Other plans include a new stage to accommodate larger touring bands, upgraded professional sound system and new, larger restrooms. Riley’s current total capacity stands at 225. An expansion would make room for another loosely fitted 175, putting the total at 400. “It’s time to modernize,” said Walter. “Downtown is changing so much, getting really classy with all these new businesses.” “Change is good,” said Linda.

Along with adding more beers on tap and a selection of high-end whiskey and bourbons, the Walstons’ wish list includes a bar remodel, now in the concept phase. Talk continues on a newly constructed bar, built from the ground up with enough room for bartenders and a walkin cooler. “We’ve been meeting with an architect, a designer,” said Walter. “And submitting all the necessary paperwork through the city.” Another important element still in discussion is the bar’s tentative new name, Prohibition. “The prohibition-era is closely associated with the Irish. We’d like to keep those undertones.” According to the Walstons, Riley’s will remain open following St. Patrick’s Day weekend and through some of the remodeling in order to keep as much of their staff on the clock through the two-month makeover projected to begin sometime this spring. “We have a great team who take care of the bar,” said Linda. Saturday’s festivities will feature DJ Josex inside Riley’s backstage, plus dancing in the main ballroom. On Sunday, doors open at 10 a.m. and the bands start at 5 p.m. Local bands The Bird Channel, Redadare, The Nature, Crooked Folk, Leksure, and Artificial Euphoria will take over Riley’s Backstage. “I’m stoked,” said Baltierra. “Downtown’s getting fancy.”

The Bakersfield Californian Thursday, March 14, 2013

Eye Street

Longboarders set for challenge Unique sport on display Saturday

Homegrown River Ride and Push Race

BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

iders of all ages plan to push the boundaries of fun at the Homegrown Longboard River Ride and Push Race this Saturday in northeast Bakersfield. Co-organized by Homegrown Longboard owner Jonathan “J.J.” Gomez, the event is part of a growing trend in popularity for longboard riding culture seen locally over the past few years mostly through underground grassroots campaigning. “People from all walks of life longboard,” said Gomez, 26, who by day works as an online video interpreter for the deaf. “It’s a cool culture that gets people from point A to point B.” Known for their elongated design and multipurpose use in sport and as an alternative mode of public transportation, Gomez said the longboard’s uniqueness and accessibility make it primed for a local break-

When: 9 a.m. registration, races start at 10:30 a.m. Saturday. Where: Registration at The Hub, 401 Sumner St. Races start at San Miguel Commemorative Grove, Kern River Parkway (Manor Street and Denise Avenue) to Beach Park. Entry fee: $10 to $15 Information: facebook. com/LongboardBako

through. “We’ve been knocking on doors for the past three years,” said Gomez, seated in his intimate home garage workshop in southwest Bakersfield, where he operates the independent business with help from family and friends. Surrounded by tools of the trade — assorted skateboard bodies, some intact and/or cut to be recycled for art projects — Gomez’s younger brother Eddie, 23, said there’s never a shortage of helping hands. “Some days it’s just J.J., other days there’s up to 10 people working in the

garage.” Homegrown Longboard’s introduction to the world of rolling sport began four years ago, stemming from a collective interest in skateboarding between the brothers and their circle of friends. In comparison to the average skateboard, the longboard is relatively easy to get rolling on. Not as big as a surfboard, the average longboard measures between 28 inches to 48 inches in length and can suit both riders both large and small. Longboard body designs vary depending on individual preferences. From the pin tail, flat board to the concave, and drop through deck, it’s a different style of boarding complete with its own lingo and subculture. “I’ve ridden a lot of different boards and know what I like. Every rider is different,” said Jonathan. Crafting his early protoypes from raw materials not entirely suited or safe for use, Gomez eventually took the proper steps using five-layer, 1⁄8th-inch birch plywood, which next to Canadian maple is ideal for building. “We made about 20 con-

PHOTO BY SYDNEY JIRON

Riders — from left, Aaron Enns, Jesse Martinez and Bryant Walker — compete in the Homegrown Downhill Longboard Race and Slide Jam on Jan. 5.

cept boards and had the kids test them, try and break them until we were happy with what we had,” he said, adding that he also got consultation from local competitive longboard rider, Aaron Enns. “Aaron showed us what racers want in a board.” According to Gomez, it can take up to 40 hours to craft a completed longboard deck from paper

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sketch to a finished board with lacquer finish, custom art and grip tape. Prices vary according to design and can currently only be purchased directly through Homegrown Longboards. Wheels and trucks are sold separately at any local skate shop. Many of Homegrown’s latest models will be on display on Saturday. “You can’t mass produce this. Every board I do is personalized for the customer.” Saturday’s event schedule will begin with registration at 9 a.m. at The Hub in Old Town Kern. Partici-

pants will then gather at the push race 5-mile starting point at the San Miguel Commemorative Grove on the Kern River Parkway. A series of races will begin at 10:30 a.m., and spectators can follow the riders along the bike path to the finish line at Beach Park. Lunch, awards and live music will be held at The Hub following the event at 2 p.m. with performances by Dub Seeds, Woodrow, Leksure, Chase Steele and Reyes. “This is more like a community than a sport, said Eddie Gomez. “You don’t have to do tricks, just cruise and enjoy the movement.”

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Thursday, March 21, 2013 The Bakersfield Californian

Eye Street

Puppet master: Dunham back Comedian gives voice to outrageous skits BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

t doesn’t take a dummy to see that Jeff Dunham is the king of his own comedy realm. After toiling in the comedy clubs of Los Angeles through the ’80s, Dunham scored a coveted appearance on “The Tonight Show Starring Johnny Carson” in 1990, teeing off a successful stand-up career in ventriloquism that continues to be a hit with audiences. For his latest show, “Disorderly Conduct,” Dunham returns with his famed cast of naughty sidekicks, including: Bubba J, Achmed the Dead Terrorist, the manic purple creature, Peanut, Walter the Grumpy Retiree, spicy pepper Jose Jalapeno, and Peanut’s own ventriloquist dummy Little Jeff, a mini-version of the comedian himself. On voice rest between shows,

Jeff Dunham When: 5 p.m. Saturday Where: Rabobank , 11200 Stockdale Highway Admission: $42.50 plus service charge Information: 852-7777 or ticketmaster.com

Dunham answered our interview questions via email. Why do you think your act resonates with audiences so strongly after all these years? I work hard at writing funny new material to keep the show fresh. One of my goals when performing is to make the audience forget about the fact that they’re watching a ventriloquist act, thus suspending disbelief, and enjoy the characters for who they are. Most folks when they talk to one of the characters and I in a close-up situation tend to immediately forget that it’s one guy doing all the talking. And, yes, that’s the ultimate compliment.

Everyone from a guy next door, to highly respected and experienced reporters or statesmen have been sucked into the confusion, and it’s always a big joke for any of their friends or colleagues standing nearby. Sound guys or radio jocks will almost regularly put a mic in the character’s face, forgetting for a moment or two that they’re a bit misguided. What do you think the late ventriloquist legend Edgar Bergen would say about your act? I would think he’d be proud of the fact that I’m trying to put a fresh patina on and old, tired and sad art and make it hip and fun again. Edgar Bergen was my main influence. He had the number one radio program, numerous films, and merchandise featuring his characters. He made Charlie and Mortimer American icons. What’s the biggest misconceptions about ventriloquism you’d like to get clarified? The ventriloquist must simply

PHOTO COURTESY OF CHAD GILBERT

Alt rockers What’s Eating Gilbert? featuring New Found Glory guitarist Chad Gilbert, pictured above, appear at Jerry’s Pizza on Saturday. LOWDOWN: CONTINUED FROM 30

What’s Eating Gilbert? At Jerry’s Pizza, 1817 Chester Ave., Saturday, $12, 633-1000. Not to be confused with the Johnny Depp film, New Found Glory guitarist Chad Gilbert steps up to center stage with his solo project, What’s Eating Gilbert?, which hits the spring tour circuit after a rousing appearance at Austin’s SXSW festival. This endeavor joins a long list of creative detours for the 32-year-old musician, who has worked with everyone from pop rockers Fall Out Boy to hardcore misfits Shai Hulud, and has produced a number of alternative rock acts like H20. To the envy of fanboys everywhere, Gilbert is dating Paramore’s lead vocalist, Hayley Williams, since 2008, who has been known to make an occasional surprise onstage appearance with her man. Also appearing are Allison

PHOTO COURTESY OF MURS

Southern California underground rap legend MURS appears at B Ryder’s on Tuesday.

Weiss, Pentimento, Candy Hearts, Grant My Wishes. MURS at B Ryder’s, 7401 White Lane, 8 p.m., Tuesday, $15, 397-7304. The cult of MURS is something to see. Keeping it real for underground hip-hop fans, even after signing to a major label in 2008, rapper Nick Carter, aka MURS, loves his fans as much as they love him. During a previous Bakersfield visit, he gave fans all the hits, plus a Sublime cover of “Date Rape” that threw the audience into complete pandemonium. Go to YouTube.com and put in the search words “MURS Bakersfield” to see. Tuesday’s show also marks a stop on the latest “Road to Paid Dues” hip-hop tour that ends on March 30 in San Bernardino, the site of this year’s massive Paid Dues festival. Also appearing are rappers Prof and Fashawn. Highly recommended.

PHOTO COURTESY OF JEFF DUNHAM

Comedian Jeff Dunham appears at Rabobank Arena on Saturday.

learn to imitate what a voice sounds like from far away, or from whatever distance the voice is supposed to be “thrown.” But learning ventriloquism for the purpose of performing with a “vent figure” requires no “distant” illusion, since the character is usually sitting right next to the ventriloquist.

Also, learning to speak without moving the lips is also learning to speak an entirely new way. Anyone can learn ventriloquism, and just like learning any skill, the dedication to accomplish the task is in direct correlation with the ability to learn. The more you practice, the better you are and the quicker you learn.

The Bakersfield Californian Thursday, March 21, 2013

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index Matt Maher .............................................. 26 This Week’s Obsessions .......................... 27 Arts Alive .................................................. 28 Jazz Fest lineup announced .................... 29 The Lowdown with Matt Munoz ............ 30 Jeff Dunham .............................................. 31 The Great Strides Walk .......................... 35 Calendar .............................................. 35-37

“I prayed about it and I just felt in my heart, now’s the time. It just made perfect sense.” — Brian “Head” Welch, who will reunite with Korn for several upcoming concerts

Korn reborn: Welch back Semi-reunion comes as old friends find common ground BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

rian “Head” Welch isn’t the same man he was eight years ago when his addictions and a spiritual crisis forced him to walk away from Korn at the pinnacle of the Bakersfieldbred band’s success. Then again, Korn isn’t entirely the same band it was in 2005. The edge and intensity — hallmarks of both the music and the band’s personal style — are still there, of course. But below the surface, where it counts, the remaining original members couldn’t be more different. Turns out that age and maturity have a way of mellowing even the most committed hellions. Which puts Welch on the same page with old friends Jonathan Davis, James “Munky” Shaffer, and Reggie “Fieldy” Arvizu. And soon it will put them on the same stage. Welch, Davis and Arvizu have confirmed to The Californian that Korn will have its original guitar player back for a series of concerts that kick off in May. (So far, no Bakersfield dates have been announced.) “It’s kind of a weird situation, because we’re all doing it based on a trial thing,” said Welch, 42, during a recent phone interview. “Everyone is so humble now, everyone’s happy, there’s no drama at all. But at the same time, it’s been so long. We’re going in, and, if I’m free, we’re doing it as far as live shows.” Davis echoed his old friend’s sentiments: “Just gonna be playing some shows and doing what Korn does,” said Davis, also 42. “We’re looking forward to these shows with Brian and we think it’s gonna be awesome. He’s a completely different person, for the better. He’s full of life.”

Out with the old ... Welch’s reunion with his old friends is all the more remarkable

PHOTO BY SEBASTIEN PAQUET

Korn has confirmed plans for a series of reunion shows this year. Pictured above from left: Reggie “Fieldy” Arvizu, Ray Luzier, Jonathan Davis, James “Munky” Shaffer and Brian “Head” Welch.

considering the finality of his 2005 departure. To atone for what he considered grave sins committed as a rock star, he withdrew from former bandmates, friends, hangers-on — anyone who had anything to do with the hedonistic rock environment. “When I left, I was like, ‘I just wanna start over, I’m miserable, I’m not happy. I thought money and fame was everything.’ When I left and started focusing on my daughter, I thought, ‘That’s it, new life.’ Korn suffered additional turmoil in 2006 with the departure of original drummer David Silveira, who has been replaced by

Ray Luzier. Meanwhile, in 2007 Welch released a solo record and autobiography, both titled “Save Me from Myself.” “James (Shaffer) had reached out to me once or twice, but I was in this place where I just didn’t want to be connected with anybody from my old life for a while,” Welch recalled. “I feel bad that I didn’t reach back out to him, but I think he understands now that I had to go through the process. I’d lost touch with Jon (Davis) since after the last Korn tour in 2005, but I connected with him in 2006 when he was sick and he had to cancel those tour dates.”

A face-to-face meeting with Davis, the first since Welch left the group, came in 2011 when both were in Bakersfield. Davis was performing a solo show at B Ryder’s Bar and reached out to his old friend moments before the concert. “I hadn’t seen him since the last Korn tour,” Welch said. “He took me to the Korn studio in Bakersfield after my show and gave me the tour. He said, ‘We need you back, man.’ I was like, ‘Whoa, slow down, man. It’s great to see you.’ I was just so nervous. I’d always looked up to him as a singer. He’s Jonathan Davis, the quiet little guy I met before we

got famous. Just to hang out that night was surreal.” If the Bakersfield encounter was an ice-breaker, a 2012 YouTube clip showing Welch with the remaining members of Korn at a 2012 North Carolina music festival whipped fans into a reunion frenzy. Welch had intended to attend the Korn concert incognito with his daughter, Jeanne. “I thought things out first. First, I thought, ‘What if people try to get me to play a song? I just wanna go there and chill and not make a deal about that I’m there.’ I purposely didn’t tell anybody I Please see KORN / 34

The Bakersfield Californian Thursday, March 21, 2013

Eye Street KORN: CONTINUED FROM 24

was going until the day before, so there would be no time to plan anything. When I got there, I was watching Evanescence, Five Finger Death Punch, all those bands and just having a good time with my daughter.” But Welch was approached by Korn’s tour manager about paying a visit to Shaffer’s tour bus. “Seven years was long enough,” Welch said. “I went and talked to him and hung out. Next thing you know, the band is like, ‘Hey, come out to the meet-andgreet.’ I ended up going and signing about 50 autographs with Korn. I was like, ‘How is this happening? All right cool, it’s nice to see you, I haven’t seen you in forever and now I’m signing autographs.’ It just felt like I was put back into that position and it was meant to be.” The band convinced Welch to sit in for a set-closing rendition of the band’s signature hit, “Blind,” sending the crowd into celebratory chaos. “I was trying to avoid it, because I just wanted to watch from the crowd,” Welch said. “I ended up sitting behind Fieldy’s amp watching the whole show, feeling all the love from the crowd. These are my brothers that I grew up with. I felt all those emotions. There were tears and it

just touched me more than I thought it would.” Davis had a similar reaction: “It’s hard to describe that,” he said of Welch’s surprise performance. “So many overwhelming emotions. It was awesome.” A month later, Shaffer called to let Welch know the door was open. “We talked for about an hour just about life,” Welch recalled. “Afterwards, he texted me and said, ‘I’m just glad to be talking to you again. It’s not about the music. If you don’t wanna do it, it’s all good.’ I actually told him, ‘I don’t think right now is the right time, but let me go think about it.’ I prayed about it and I just felt in my heart, now’s the time. It just made perfect sense.”

Grown-ups Now in their 40s, the core Korn trio have traded strippers, booze and drama for marriage and parenthood. Like Welch, bassist Arvizu, 43, is a born-again Christian. “What happens with friendships is that if you go through the good, the bad, and the ugly with people and you’re still in their lives, the relationship is always going to be there,” said Arvizu, speaking from his home in Southern California. “We don’t see each other as much as people

think. Brian lives in Nashville, Jonathan lives in Bakersfield, I live in Laguna. We’re all in different cities and we all have our own families.” Welch will be pulling double duty on Korn’s tour, thanks to the commitments he has to his own band, Love and Death, whose new album, “Between Here & Lost,” was released last month. “I have an obligation to this record label to tour with Love and Death, so I asked Korn if it would be possible that I can bring my other band on a couple dates. That way the label’s happy, I’m happy, everyone’s happy. They’re like, ‘OK, we’ll see if we can do that.’ So, we’re kind of going on a case-by-case right now and see how that pans out.” Both Korn and Love and Death will kick off their tours May 17 in Columbus, Ohio. Korn then plays the Rocklahoma festival in Pryor, Okla., before both bands launch a European tour. As for any potential clash between Welch’s spiritual beliefs and the nature of Korn’s dark lyrics, the guitarist said he’s not looking to compromise the group’s artistic integrity. “I’m not uptight but at the same time, if it passes a certain level where it’s going to where I have to talk to my daughter about stuff and my speaking engage-

ments, then we’ll talk about that. They’re totally cool with that. There are so many Korn songs in the catalog to choose from, there’s no way that I would ask anybody to change who they are. Love is the strongest thing there is and I love everyone just the way they are.” To ensure the love lasts, Arvizu said business matters will be left to the managers. He also took the opportunity to address whether a full reunion — with the return of drummer Silveira — is a possibility. “God only knows,” said Arvizu. “There have been so many times when people have said, ‘never,’ including myself. But I’ve read where Brian said, ‘I will 100 percent never come back to Korn, and he’s playing some shows with us.’... I don’t really see anything right now or today, but tomorrow’s a new day.”

Meanwhile ... The remaining members of Korn are commuting between studios in Oildale and Southern California, putting the finishing touches on the follow-up to 2011’s “The Path to Totality.” Arivzu offered a tantalizing tease of what to expect: “Right now, I will tell you this ... we’ve done something we’ve never done before. Normally if we

do a new Korn record, we’ll normally put 12 or 13 songs and that’s how many we make. This time we’ve made 20-plus songs, and we’ll put the best of what we have on there, whatever the numbers end up being. We have so many to choose from, I think it’s going to be a little extra special this time.” Arvizu said there are no plans at this point to invite Welch to the studio. “The only things we can confirm are the shows that we got,” he said. “When we’re really confirmed on something, that’s when we let the world know. We are confirmed to do these tour dates with him, it is going down and he will be there to rock out with Korn the way everybody remembers Korn.” Next year marks the 20th anniversary of Korn’s major label self-titled debut, which has sold more than 10 million copies worldwide. Any chance the celebration of that milestone and the spirit of reunification will reach Bakersfield? Welch, for one, wouldn’t mind. “To see restoration happening in this kind of way in my life with them is just very uplifting for me and I hope it’s for the Korn fans, too. I’m down with Bako. Always was, always will be.”

Thursday, March 21, 2013 The Bakersfield Californian

Eye Street

Lots of razzmatzz in this jazz CSUB announces diverse lineup for annual festival The Bakersfield Californian

he final list of acts has been announced for the Bakersfield Jazz Festival — the city’s premier annual music event — and with greats like Roy Ayers, Billy Vera and Avance hitting the stage, the lineup is one of the most exciting and diverse in the 27-year history of the event. Vibraphonist/vocalist Ayers, known as the godfather of neo-soul, anchors the first night of the show at 9:35 p.m. Friday. Veteran blue-eyed soul singer Billy Vera and his band precede Ayers at 8:05, when they will dig into the great American songbook for their repertoire. Local performer Robin Bramlett opens the evening at 7 p.m. with selections from her latest CD, “This Is My Life.” Accompanying Bramlett will be Bakersfield saxophonist Darren Gholston. The music takes an intermission overnight before resuming at 2 p.m. Saturday, May 11 with the Kern County Honor

Health expo focusing on education THE BAKERSFIELD CALIFORNIAN

From nose to toes, from ears to rears, the human body — and how to keep it running — will be the focus of the Healthy Bakersfield Expo, presented by Dignity Health Hospitals on Saturday. More than 70 vendors representing a variety of health fields will be on hand at the event, which is free to the public. Several health screenings will be offered as well. “It is well received by the public as it’s a one-stop shop to find about all things healthy in Bakersfield,” said Mira Patel, marketing director at The Californian, one of the sponsors of the event. “It’s also a great way to spend the day with your children, all while educating them on wellness activities.” Several activities are specifically geared to children, including a 12:30 p.m. stage show by Ronald McDonald, photo opportunities with Curious George, and the Condors and CSUB Runner mascots will mingle with the crowd. In addition, the Kern

27th ANNUAL BAKERFIELD JAZZ FESTIVAL When: May 10 and 11 Where: CSUB Amphitheatre, 9001 Stockdale Highway Tickets: Two-day passes $56.50; $36.50 students; children under 12 free; Friday only: $32.50; $22.50 students; Saturday only: $37.50; $25.50 students (prices do not reflect fees); contact Vallitix at 3225200 or www.vallitix.com

Friday, May 10 Gates open at 6 p.m. 7 p.m.: Robin Bramlett 8:05 p.m.: Billy Vera Big Band

Jazz Band. Also performing that day will be Colorblind, Rob Hutchinson, Clayton Cameron & the Jazz Explosion, Lao Tizer and the show-stoppers of the evening: Avance, made up of four bilingual singers, a horn section and one of the best rhythm sections on the West Coast. Avance fuses salsa, Puerto Rican, Cuban, New York and Colombian sounds.

Healthy Bakersfield Expo When: 11 a.m. to 3 p.m. Saturday Where: Rabobank Theater, 1001 Truxtun Ave. Admission: Free Information: 395-7586

County Fire Department will display a fire engine and give tips on fire safety. “IDance will be on hand throughout the event,” Patel said. “Instructors will be available to teach your kids this great new interactive and fun exercise to get your children off the couch and moving.” For the grownups, representatives from a variety of health specialties will answer questions. Among the vendors are gyms, medical centers, health insurance companies, chiropractors, dentists, eye care experts, beauty professionals and medical colleges. The event, now in its fourth year, drew 1,250 last year. The expo runs from 11 a.m. to 3 p.m. at Rabobank Theater, 1001 Truxtun Ave. Organizers note that some of the screenings being offered require that participants fast for at least two hours before the test. The expo is sponsored by Dignity Health Hospitals, The Bakersfield Californian, Comprehensive Blood & Cancer Center, GemCare and B Well Magazine.

SUMMER CAMP LISTINGS Do you offer activities for children over the summer? Send us your information and we will run a free listing in The Californian. Information is due by April 22. Email your event to summercamps@bakersfield.com and include the following: Name of camp; address of camp; contact information (phone number, email and website of organization); dates of all sessions being offered (beginning date through end date); registration deadline; theme; age range of participants; activities; and cost.

9:35 p.m.: Roy Ayers

Saturday, May 11 Gates open at 1 p.m. 2 p.m.: Kern County Honor Jazz Band 3:05 p.m.: Colorblind 4:05 p.m.: Rob Hutchinson 5:20 p.m.: Clayton Cameron & the Jazz Explosion 6:40 p.m.: Lao Tizer 8 p.m.: Avance 9:25 p.m.: Fireworks show 9:30 p.m.: Euge Groove

Fireworks follow Avance, and then it’s on to the last act of the festival: Euge Groove, whose “House of Groove” hit the top of the Billboard Contemporary Jazz charts. Euge and his band will deliver contemporary funk/jazz grooves on a wide-ranging set, including radio hits and distinctive album tracks.

PHOTO COURTESY OF EUGE GROOVE

Euge Groove and his band will close out the 27th Annual Bakersfield Jazz Festival Saturday, May 11. Tickets are on sale now at all Vallitix outlets.

Who are the 20 to watch under 40? Magazine seeking nominations for community up-and-comers THE BAKERSFIELD CALIFORNIAN

The folks who have arrived are easy to spot: the Merle Haggards, Mary K. Shells and Kevin McCarthys have left — are still leaving — their mark on Bakersfield. But what about the hungry up-and-comers who are just getting there? Those are the community residents Bakersfield Life hopes to feature in an upcoming issue of the lifestyle magazine, a sister publication of The Californian. Nominations are now being accepted for the feature, titled “20 Under 40 People to Watch,” and the community is encouraged to send suggestions. “Since the weekend, we've received 15 completed nomination forms submitted,” said Jorge Barrientos, assistant managing editor of the magazine. “They include owners of local companies, a superintendent of a school district, doctors and business managers. One of the nominees is Andrae Gonzales, who at 30 years old is the CEO of Stewards, Inc. in Bakersfield, founder of local nonprofits Faith in Action and Children First Campaign, and Bakersfield City School District trustee.” There is no limit on the number of nominations a person or company may submit, and the process is free. The dead-

line is 5 p.m. April 12. A selection committee will choose the top 20 from the field of nominees, whose stories and pictures will be featured in the July issue of the magazine, distributed in the June 29 edition of The Californian. To nominate, go to BakersfieldLife.com and click on the contest icon on the top right side of the page. Fill out the nomination form and submit online. “We plan to recognize each of the winners highlighted in the magazine during a special ceremony that will involve the Greater Bakersfield Chamber of Commerce and the Kern County Hispanic Chamber of Commerce,” Barrientos said.

Rules/eligibility Nominees must be between the ages of 18 and 40. You can nominate an employee of your firm, a colleague, relative or friend. You can even nominate yourself (the nominator isn’t made public). An independent group selected by Bakersfield Life magazine will judge the nominees based on the candidate's professional or academic experience, leadership skills and community service. Deadline for nominations is 5 p.m. Friday, April 12. Winners will be notified in June. Names will not be made public until the “20 Under 40” section is published on June 29. For more information, contact bakersfieldlife@bakersfield.com.

★

The Bakersfield Californian Thursday, March 28, 2013

Eye Street

Index All Breed Dog Show.................................. 22 Murray Family Farms Easter events........ 23 Arts Alive .................................................. 24 BC Chamber Singers ................................ 25 The Lowdown with Matt Munoz.............. 26 Carly Rae Jepsen coming to town .......... 27 This Week’s Obsessions ........................ 28 Calendar .............................................. 30-31

Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

“To be honest, I thought we’d never make another record. The fact that we did is testament really to the fact that there’s a level of importance to this. That’s a great way to start back with an agenda of a ‘one band’ focus and that is the music again and I think that reflects in the album.” — Robert Reynolds of the Mavericks

Mavericks true to the name Reunited rule-breakers as fresh as ever BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

hen the Mavericks blazed onto the country charts in the ’90s with their fresh sound and grab bag of American, Latin and world influences, they were greeted like a breath of fresh air by fans and Nashville alike. But the country music establishment likes only so much fresh air. “When we came along, Nashville loved that we were bucking the system and all that,” said Mavericks co-founder Robert Reynolds, who will appear with the rest of the reunited group at Buck Owens’ Crystal Palace this evening on a triumphant tour to promote the album “In Time,” the band’s first collection of new material since 2003. “We may have gotten a little high and mighty,” Reynolds continued. “So, suddenly, ‘Well, hey, let’s limit that success. Let’s put a little governor on that for the boys.’ They clipped our wings a little bit. We weren’t playing the game, I’ll assure you that, and that is the marker of who gets to stay and who doesn’t get to stay and play the game. But you know, if the industry was bent on defeating all success, you wouldn’t have Tim McGraw, Kenny Chesney, Faith Hill, Garth Brooks, so I know it’s not a Nashville-wide thing. It just happens.” But the band ended up being its own worst enemy, Reynolds said. “In the old days, you had this singular sense of agenda, and after a while you’re kind of lost in the fracas of it all. I don’t want to sound like I’m boasting, but there are a lot of dangerous aspects to success with all the awards, money and stuff that starts getting thrown around.” It was in that climate of internal tensions and real or perceived industry brinksmanship that the Mavericks’ creative spark burned out in 2004. After nearly a quarter century together and a string of

The Mavericks When: 7 tonight Where: Buck Owens Crystal Palace, 2800 Buck Owens Blvd. Admission: $45 to $53.50 Information: 328-7560 or vallitix.com

hits, including “What a Crying Shame” and “All You Ever Do Is Bring Me Down,” Reynolds and co-founders Paul Deakin and Raul Malo called it a day. “To be honest, I thought we’d never make another record,” said Reynolds, 50. “The fact that we did is testament really to the fact that there’s a level of importance to this. That’s a great way to start back with an agenda of a ‘one band’ focus and that is the music again and I think that reflects in the album.” Indeed, “In Time” defies categorization, just as the band always has. With Malo’s Roy Orbison-worthy croon and Cuban flair, mixed with the rhythm section’s vintage rock shuffle and Texas swagger, “In Time” feels like a creative continuation of the band’s landmark 1995 album, “Music for All Occasions.” “We were these different guys with different influences,” Reynolds recalled of the band’s early days. “I grew up more on the Beatles than Tex-Mex records. I certainly know (Tex-Mex music icon) Doug Sahm and some of his music, but we do a blend of some pretty earthy music that’s not only part of our American but also our South American and folk music cultures. At the same time, we haven’t abandoned our British invasion passion. So, you’ll hear some melodies creep into the songwriting and they may have more to do with the Beatles or Frank Sinatra, two pretty disparate places. Raul is a big fan of the crooners, as you can probably tell.” One thing the band’s sound is not is country, but that was always an oddball designation for the Mavericks anyway. Too easy. Too dull. Please see MAVERICKS / 23

PHOTO COURTESY OF THE MAVERICKS

The Mavericks appear tonight at Buck Owens’ Crystal Palace.

Malo and gang blend pop delight Romanticism of album is overpowering BY RANDY LEWIS Los Angeles Times

From the beginning to the end of the Mavericks’ reunion album “In Time,” the genrebusting band embodies the very best of the melting-pot experience that's a fundamental component of the American character. Singer-songwriter Raul Malo and his Nashville-based compatriots draw freely, and joyously, from regional cultures spanning North and South America on a collection that will be hard to top as the year's most scintillating pop music outing. The party begins in the opening track, “Back in Your Arms Again.” A fat, twangy chord from an echo-drenched country gui-

tar shares space with a lilting strummed Hawaiian ukulele, which are quickly joined by a peppery Tex-Mex keyboard and timbales that ride along as propulsive rhythm section jumps in. Then Malo's soaring tenor arrives, bringing palpable romanticism to a tale about the sweetness of reunion that applies equally to the song's romance-

minded protagonist as his band's own return to the spotlight. The spirit of inclusiveness never lets up, infusing the pedalto-the-metal punch of “Lies,” the mariachi-spiked breakup celebration in “Fall Apart” and the Tex-Mex fiesta of “All Over Again.” And if there isn't a pop vocal Grammy Award next year for Malo's stunning display on the eight-minute operatic Latinpop-gospel epic "(Call Me) When You Get to Heaven," awards overseers ought to just pack it in and say "Adios." Malo, whose Cuban heritage comes out in the dance-mindedness of nearly every track, also co-produced the album with Niko Bolas, and they've captured a sound as tangibly uplifting as pop music gets. The Mavericks are back and indeed, just in time.

Thursday, March 28, 2013 The Bakersfield Californian

Eye Street Weather heats up, and so does Murray Family Farms BY ASHLEY FISCHER Contributing writer

ooking for an excuse to hop on over to Murray Family Farms? Easter weekend ushers in a long season of family activities at the homegrown operation east of Bakersfield. First up will be the master of gift-basket assembling himself, the Easter Bunny, who will stop by the farm on Saturday to oversee the third annual Easter egg hunt. Starting at 10 a.m., children will be divided up according to age and then let loose to scramble and collect as many eggs as their baskets can carry. After the hunt, the Easter Bunny will accept their plastic, pastel-colored bounty (no matter how many, or few, they manage to grab) in exchange for a bag of Easter goodies. “In years past, there was a sort of a ‘release the hounds’ feeling when we let the kids out into our orchard to find the eggs,” joked Jennifer Smith, media coordinator for the farm. “But this year, it should be slightly more controlled chaos. That’s what we’re going for. We want all the kids to have fun.” In addition to the hunts, which will take place on the hour until 4 p.m., kids can catch their breath and color one of the 1,500 eggs the farm ordered or decorate their own custom Easter basket. The farm will provide kids with this egg-hunting necessity. Providing entertainment throughout the day will be the talented and musically inclined members of the Murray Family Farms staff, and … you, if you’re brave enough. For the first time, coinciding with the Easter egg hunt will be a “team talent show,” and anyone is welcome to participate. So, if you have talent — juggling, dancing, singing, etc. — you’ll have two chances to show it off. The first show takes place at 11 a.m. and the second at 2 p.m. No early registration is necessary, so for those who wish to participate, “just come along and let us know,” Smith said. All of the traditional Murray Family Farm activities will also be available during the

MAVERICKS: CONTINUED FROM 20

“I definitely wouldn’t say that it was country music as most people have come to understand country music even today. I think it would freak people to think if suddenly someone rewrote it all and said, ‘this is country.’ I think they’d all return their country records. We’re definitely not delivering what the country people come to expect anymore. I think it’s pretty special that we’ve sustained a cohesion that’s survived.” During their years apart, Malo released six acclaimed solo albums, and Reynolds and the other remaining members stayed active in various endeavors, touring and recording. But the time seems right to set aside their differences, Reynolds said. “It’s really rich, really good. It’s not a flimsy, touch-and-go thing; it’s quite fulfilling. The band has been performing better than it ever has. It’s been really phenome-

Murray Family Farms Easter Egg Hunt When: 9 a.m. to 4 p.m. Saturday, March 30 Where: Murray Family Farms, 6700 General Beale Road Admission: $7.99; $3.99 kids ages 1 to 3 Information: 330-0100

Americana Music Festival When: Noon to 4 p.m. April 20 Where: Murray Family Farms, 6700 General Beale Road Admission: $15; $20 at the door; $5.99 kids 12 and under Information: 330-0100

event, including the petting zoo, jumping pillow and hay rides. The “Cal-Okie Kitchen” will be open and serving up fresh fry pies and, for dessert, fresh strawberries will be ready for picking and purchase through the farm’s “U-Pick” program. “It’s really an all-around good family day out,” Smith said. “There are not a lot of big Easter egg hunts that are happening in Bakersfield, and we’re happy to provide that for the community, so people can come out with their family, and just have lots of fun out here on the farm.” Coming up in April (along with crops of strawberries and asparagus), is the second annual “Americana Music Festival,” a joint venture between Murray Farms and the Bakersfield Center for Spiritual Living . This daylong show will feature four footstomp-worthy local artists, including, In the Nick of Time, Slideways, Banshee in the Kitchen and The Roustabouts. Tickets will be on sale soon, available for purchase at World Records and California Keyboards. “Last year, the show was a really big success,” Smith said, “so we really wanted to do it again. The bands play outside under our cool red barn, and it’s really just a lot of fun.”

nal.” Tonight’s show marks the group’s first appearance in Bakersfield since their Palace visit in 2004 (though Malo took the stage two years ago). “Buck always treated us with such a really unique, loving, caring touch. He seemed to really care about the Mavs and always came out when he could. I’m told the last time he came to see us, he quite literally had not been out to see music in over a year at that time due to his health. “Whether he was telling us about protecting yourself in the music business, publishing, or about him worrying about us having those motorcycles, which he did worry about because we did have those Harleys out on the road. Literally, with tears in his eyes would say, ‘Boys, I just worry about those. You know I lost my best friend that way.’ He meant it. It wasn’t just a good story. It was the truth. That was the last time I saw him.”

The Bakersfield Californian Thursday, April 4, 2013

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index Greater Bakersfield Green Expo.............. 20 Out, out, out and about ............................ 21 A ranchin’ writer ...................................... 22 Jets vs. Sharks.......................................... 23 The Lowdown with Matt Munoz ............ 24 This Week’s Obsessions .......................... 25 Stripped-down jazz ................................ 28 Calendar .............................................. 30-31

Still sore? Time marches on Lawrence loves city, Buck despite how last visit turned out BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

ne thing you can say about Tracy Lawrence: He doesn’t hold a grudge. Almost a year to the day since his last visit to Bakersfield — when thieves stole thousands of dollars in gear necessary for his concert — the singer is back for two shows at Buck Owens’ Crystal Palace on Wednesday. “Things happen; it’s part of being on the road,” said Lawrence, 45, during a phone interview. “Insurance covers that stuff, but to try and get things replaced in time to pull the show off, we had to beg and borrow and get some stuff shipped in. It looked like they just took anything they could grab. Some of the cables and things that they took had custom fittings for our gear. You can’t just go to the music store and get it replaced.” Lawrence’s only major complaint besides the theft itself, which occurred in the parking lot at the hotel where he was staying, was the response from law enforcement. “It took like nine hours before anyone even showed up to take a report. So how are you gonna find anything when no one even responds to your call? They really didn’t seem too dang concerned until they found out I knew how to get ahold of the press. When it hit the press and they started hearing about it, they kind of jumped through their tails. We never got any of it back.” What matters most to Lawrence now is making a return to the spotlight in an industry that forgets its stars as quickly as it elevates them. “I feel like I’m just now hitting my stride. I got a lot of great music left, so I hope the gatekeepers allow me an opportunity to have some more commercial success because I don’t feel like I’m out

Just goes to show ... ... you can’t wait to buy tickets for the really hot shows at the Palace. Still in the afterglow of the recent sellout of uber-cool band the Mavericks comes news that Old Crow Medicine Show — a must-see Americana group out of Nashville — has sold all the tickets to its April 27 concert at the venue. How about a second show, guys, for the procrastinators among us?

of touch with what’s going on.” Lawrence’s successful run on the charts through the ’90s almost never happened. Just a few months before the 1991 release of his debut, “Sticks and Stones,” Lawrence was shot during a mugging that nearly took his life. Recovered and resilient, Lawrence resumed his career with a string of best-selling releases, including “Alibis,” which spawned four singles. The hit parade continued as Lawrence enjoyed all the excesses of a young celebrity. “It was wonderful, a great time in my life. I overindulged in just about everything from girls to drugs, alcohol and everything else. I lived life hard and fast. I’m just thankful that I came out of it. I’m also glad that Twitter and Facebook weren’t around back then,” he laughed. As for his career, Lawrence is confident the time is ripe for a comeback. Fans have embraced his latest single, “Stop, Drop & Roll,” which features an edgier sound the singer said fits in with today’s youth-oriented country scene. His next full-length album, “Headlights, Taillights and Radios,” is scheduled for release in August. “I really looked outside for some younger-feeling songs. Our scene has changed. I felt like it was time to grow and get a little more progressive. Not only with the lyric content, but musically, the way we structured the tracks. I cut edgier, heavier guitars. I didn’t use traditional steel guitar. I think it fits more with the format. I wanted to stay conscious of not straying too far. I like the format that’s going on, the

PHOTO COURTESY OF TRACY LAWRENCE

Tracy Lawrence appears Wednesday at Buck Owens’ Crystal Palace.

edgier production that’s happening. I think country music is healthy right now. I just wanna get in the mix and take the ride again. I wanna have some fun.” Lawrence will preview some of the new tracks from the upcoming record along with the classics when he returns to the Palace on Wednesday. “I love the Palace. I hung out with Buck over the years, at

award shows and stuff, but I tell you what, playing golf was always the best. He knew all the ducks and geese, and used to take a loaf of bread out to the course and feed ’em. It was just cool to be in his presence. He had a lot of great stories, and he actually gave me one of his red, white and blue guitars that I have displayed in my office. He was a cool ol’ cat, man.”

Tracy Lawrence When: 6:30 p.m. and 9:30 p.m. Wednesday Where: Buck Owens’ Crystal Palace, 2800 Buck Owens Blvd. Admission: $39.50 to $48.50 Information: 328-7560 or vallitix.com

Eye editor Jennifer Self • Phone: 395-7434 • email jself@bakersfield.com

EYE ST.

S U N D AY, A P R I L 7, 2 0 1 3 • T H E B A K E R S F I E L D C A L I F O R N I A N

“A student’s eyes light up after two minutes. With a ukulele, two to three chords are all you need to create a beautiful sound.”

Herb Benham CALIFORNIAN COLUMNIST

— Kevin Birkbeck, Panama Buena-Vista educator and ukulele player

Hot fridge, cold Jacuzzi: Good to be home

ou go on vacation, you pay for it. The amount and payment schedule correspond to how much fun you’ve had. Over spring break, friends and I went surfing in Del Mar. Sunday, Sue and I had Easter brunch with our daughter, Katie, her husband, Hunter, his brother, Spencer, and their parents, Fred and Susan. Waves, laughter, fun. When we returned to Bakersfield, the power was out in the kitchen and the Jacuzzi didn’t work. Life was cattywampus. The fridge was warm and the Jacuzzi was cold. A warm fridge is one thing, but a cold Jacuzzi — now that’s serious. Sam called us on the way home from San Diego to tell us the power was out and that our vacation was officially over. “Sam, go to the electrical panel on the side of the house and check the breakers,” I said. I delivered these instructions tentatively. You don’t want to kill your son. Not when he has just moved into his new house. “What if we have to replace the breakers,” Sue said, after a somber 20 minutes between San Clemente and Laguna Niguel. “What if we have a really expensive electrical repair?” Better not to respond. Better to be quiet. Better to remain optimistic. “Don’t worry about the milk, OJ, cheese and stuff Please see BENHAM / D2

These are Herb Benham’s opinions, and not necessarily The Californian’s. His column appears Tuesday, Friday and Sunday. Call him at 395-7279 or write hbenham@bakersfield .com.

JOHN HARTE / THE CALIFORNIAN

From left, Melissa Young, Alyssa Young and Michael Sarr perform during a relaxed session of The Ukulele! Bakersfield group at the Filling Station on 24th Street in downtown Bakersfield.

You-can-play-me ukulele Carefree, everyman guitar surging in popularity BY MATT MUNOZ

Country hosts pals, but don’t say ‘bromance’

Californian staff writer mmunoz@bakersfield.com

BY BRIAN MANSFIELD Special to USA Today

NASHVILLE — Blake Shelton is looking forward to getting Luke Bryan in front of a national television audience. “Country music’s hardcore fans know his personality, how goofy he is,” says Shelton, who’ll host Bakersfield tonight’s 48th annual Acadwins ACMs emy of Country Music KUZZ and the Awards with Bryan. “But I man who books don’t think he’s had the talent at the opportunity yet for that telCrystal Palace evision audience to see that are honored, D2 Luke’s not afraid to make a (fool) of himself. Which I think is always the reason he and I have been buddies. He doesn’t take himself any more seriously than I do.” Shelton knows a few things about what good TV exposure can do for a country singer’s career. Two years ago, he was in the same place Bryan is this year, co-hosting the show with Reba McEntire. Three weeks later, Shelton appeared as a coach on “The Voice,” and his career took off. Bryan replaces McEntire, who spent 14 years as Please see AWARDS / D2

48th Academy of Country Music Awards 8 tonight, KBAK-TV, Channel 29 (CBS)

eorge Harrison’s guitar famously wept. Eddie Van Halen created a six-stringed monster named Frankenstein. And every day, B.B. King’s iconic Gibson “Lucille” has the blues. But the ukulele? Nothing that dramatic or angsty for the happy-go-lucky pipsqueak in this family of mighty stringed instruments. And the best part is, you don’t need to be a guitar god to make it do its giggle-inducing thing. Just ask Liz Sherwyn and Julia Heatherwick, who are spreading the word about the ukulele, one happy strum at a time. They’ve founded an informal club of fellow enthusiasts, calls Ukulele! Bakersfield, where the only essential musical skills required are a fun attitude and a little patience. “I love music, but I am not a great musician,” said Sherwyn, 30, who took up the instrument seven years ago. “I played piano, but never learned to read music well. I tried guitar, but my hands are small and weak. I’ve always tried to find an instrument that fit me. I found that in the ukulele.” The smallest — and least expensive — member of the guitar family of instruments, the ukulele has waxed and waned in popularity since its introduction to Hawaiian natives by Portuguese immigrants in the 19th century. The instrument still evokes the carefree feel of the islands, which explains its popularity early in the last century with fun-loving flappers, vaudevillians and comedians. Its everyman appeal was demonstrated during the Great Depression when down-and-outers,

FELIX ADAMO / THE CALIFORNIAN

After taking the ukuleles from their cases, Leo B. Hart students hold the instruments up, and then down into playing position.

Watch a video of Ukulele! Bakersfield youtu.be/1gnIZXvz8Bo

FELIX ADAMO / THE CALIFORNIAN

Panama-Buena Vista music teacher Kevin Birkbeck with his tenor ukulele.

unable to buy their own guitars, fashioned ukuleles from anything at hand, even cigar boxes. And now the well-traveled uke is back

Dining Out

They aim to please, and hit the mark Crazy success of La Mina not hard to understand BY PETE TITTL

The Dish Ben & Jerry’s offering free ice cream, and Sequoia Sandwich needs you. D7

Contributing columnist

had figured that with other La Mina restaurants in town, including the always-busy Rosedale location, that the new restaurant at the corner of Gosford and District Boulevard in the southwest would not be packed. Major miscalculation on my part. The place has instantly become a favorite. The bar itself was so packed on a recent Friday night there wasn’t a seat to

be had. Foolishly, we didn’t make reservations. I wouldn’t do that again. They told us there would be a 45-minute wait, which stretched to 90 minutes, in part because of a silverware shortage. Though our party of six could see — longingly — the unoccupied booth where our party was to be served, the hostess informed us it was against restaurant policy to seat guests Please see DINING / D7

FELIX ADAMO / THE CALIFORNIAN

Camaones en Zarape at La Mina Cantina on District Boulevard.

and bigger than ever, showing up on hit singles by the likes of Taylor Swift, not to mention a plethora of do-it-yourself YouTube clips. And, yes, some honest-togoodness ukulele shredders have emerged during the revival, showing the rest of us what the humble instrument can do. Among them is innovator Jake Shimabukuro — the Eric Clapton of the ukulele — renowned for taking the instrument’s four nylon strings to dizzying heights, mixing jazz and rock with the instrument’s island identity. Perhaps the clearest sign of the uke’s Please see UKULELE / D6

The Bakersfield Californian Sunday, April 7, 2013

FELIX ADAMO / THE CALIFORNIAN

Kevin Birkbeck’s ukulele class at Leo B. Hart Elementary is one of several in the Panama-Buena Vista School Distrct. Nick Hilderbrand is front and center with his blue ukulele.

UKULELE: Don’t be fooled by size; virtuosos can shred on this thing CONTINUED FROM D1

lasting appeal is the fact that it has now taken up residence alongside traditional schoolroom instruments like the clarinet, flute and sax in Bakersfield classrooms. Panama-Buena Vista music instructor Kevin Birkbeck has been strumming the ukulele’s praises for years, after seeing for himself the instrument’s impact on a live audience while at a Kiwanis convention in Los Angeles. “Everyone laughed at me at first,” said Birkbeck, 58, of reaction to his initial proposal to the school district. “It’s always been looked at as a novelty.” Birkbeck’s perseverance eventually prevailed. Panama-Buena Vista’s ukulele program has been in place for five years, the classes have grown to more than 1,500 students, and the district has earned national recognition for its efforts. “A student’s eyes light up after two minutes,” the educator said. “With a ukulele, two to three chords are all you need to create a beautiful sound. “The ukulele has revitalized my teaching and I couldn’t have done this without the support from the district and from other teachers.”

Adults are learning But as the Ukulele! Bakersfield players demonstrate, uke lessons are just as popular among adults. Bakersfield Guitar Center employee and guitarist Medka Thompson, 30, who teaches a free beginning ukulele workshop at the store, said the lessons have been a success since they launched in October. He gets in the neighborhood of eight to 10 people at the weekend workshops and estimates the store sells between 20 and 30 ukes a month. “A lot of younger people picked up on it after (actress/musician) Zooey Deschanel uploaded YouTube videos of herself playing and singing with a ukulele,” Thompson said. “She got millions of views and things really started picking up.” Artie Niesen, 60, who owns Front Porch Music in downtown Bakersfield, also has seen a boom in sales. “We go through about 10 or 20 a month,” he said. “Mostly the starter models, but occasionally the higher-end ones, too. They kind of fell out of grace there for a while but have definitely become popular again. A customer once bought a few of the starter models to use as centerpieces for a party because they were cheaper than buying bouquets of flowers.” Niesen, who closely follows guitar manufacturing trends, said the craze has had a major impact on the industry, with prices ranging from $29 to as high as $700-plus. The most famous of all brands is the Kamaka Ukulele company of Honolulu, which has been handcrafting the instruments from solid Acacia koa wood, mahogany and rosewood since 1916. “I do know that some of the Chinese guitar manufacturers have stopped making guitars and now only make ukuleles to keep up with the upstart companies popping up,” Niesen said. If a uke that doubles as a work of art sounds more appealing than a mass-produced Chinese instrument, Ukulele! Bakersfield regular Michael Sarr, 44, is the guy to see. He’s crafted beautiful models out of everything from raw mahogany to wooden cigar boxes. He always brings extras to

If you go to a Ukulele! Bakersfield meeting ... Make sure to ask Liz Sherwyn and Julia Heatherwick for a performance by their alteregos, Ukegottabekiddingme. The comedy duo was described as a combination of Weird Al Yankovic and the singing chickens from “The Muppet Show.” Their parody of “Folsom Prison Blues,” renamed “Chicken Prison Blues,” is as wacky as it sounds. It has to be seen and heard to be believed. “It opens up a whole new group of people. Talking politics is great, but when you play music, everyone’s happier and calmer,” Heatherwick said.

the group’s monthly meetings and doesn’t mind sharing. “I’ve played guitar for a while, and I always thought it would be cool to try and build one myself,” said Sarr as he displayed one of the 16-plus ukuleles of various styles he’s built over the past few years. “I kind of like the earlier style, circa 1920, the heyday of the ukulele. That’s what I personally shoot for. I like the woodwork.” Also eye-catching are Sarr’s unique cigar box ukuleles, a nod to the makeshift instruments built during the Depression. “It’s kind of like a guitar, except you don’t need that much wood,” said Sarr, who noted it takes about 30 hours, give or take, to build a ukulele. “Guitarmaking wood is actually getting kind of pricey nowadays. Cigar boxes a lot of the time are made of Spanish cedar, so you look for a cool one, which makes it about 90 percent aesthetics in this case. If you want something that’s going to sound halfway decent or really great, you just get yourself a regular ukulele.”

Part of his heritage Jerry Caneta, for one, would love a regular ukulele — make that any ukulele — for his Polynesian Spice dance troupe performances. For him, the ukulele is more than a guitar; it’s been a major part of his upbringing and Filipino heritage. “When I was younger, we did our shows with all live instruments, but it’s easier for dancers to use CDs now,” he said. Beyond lending authenticity to his show, Caneta, 49, said he misses the wow factor and improvisational opportunities a ukulele provides. “You can change the lyrics of a song when you’re playing a live instrument and have a lot more fun with the audience. We just haven’t had any luck finding dancers who can both dance and play. I’m hoping that will change with what’s happening today.” Caneta is on to something when he mentions the sheer ease of the instrument. Jim Scully, CSUB music lecturer and cofounder of Guitar Arts Academy of Bakersfield, calls the instrument a “portable boon.” “Pianists cringe every time a guitarist pulls out from a case his or her mini-orchestra,” said the educator, 40. “It’s amazing that something so grand can be so mobile. The uke is similar — just on a smaller scale.” But just because they’re small

JOHN HARTE / THE CALIFORNIAN

Julia Heatherwick, left, and Liz Sherwyn organize the monthly Ukulele! Bakersfield gatherings. Firsttimers need not bring a ukulele to join in.

Ukulele master comes to Bakersfield Panama-Buena Vista educator Kevin Birkbeck also organized two concerts in May by acclaimed South African bassist Bakithi Kumalo, perhaps best known for his work on Paul Simon’s classic “Graceland” album. Performances: 6 p.m. May 14, Berkshire Elementary, 3900 Berkshire Road; and 5:30 p.m. May 16, Hart Elementary, 9501 Ridge Oak Drive. Free admission.

doesn’t mean ukes aren’t capable of igniting a sonic explosion. Birkbeck, the school district educator, is a virtuoso, a fact made abundantly clear during a recent interview when he performed a medley of Vivaldi’s “Spring” and Mouret’s “Rondeau.” “The more advanced you get, the more difficult it gets,” said Birkbeck, who has recorded three self-produced CDs of ukulele music and is organizing an upcoming Bakersfield appearance by a respected South African bass ukulele performer.

Beginners welcome But for the Ukulele! Bakersfield members, it’s not about how well the player plays — just that the player plays. “It’s easy to play and doesn’t take a whole lot of training to sound like you know what you’re doing or to just have fun,” said Sherwyn, an arts educator at the Bakersfield Museum of Art. “Or maybe it’s more that I’m really lazy? I never really wanted to sit down and try to learn something too difficult. I gave up on the banjo because I don’t want to do all the plucking stuff. The ukulele was just an unintimidating instrument.” The club formed two years ago following a jam session at the home of Heatherwick, 39, who, like Sherwyn, is a respected visual artist. “People bring everything from saws, accordions and flutophones to a hootenanny, but I played (Sherwyn’s) ukulele and loved it,” Heatherwick recalled. “She said she wanted to start a group. I said, ‘Let’s do it.’” Ukulele! Bakersfield has a small, fluctuating membership

FELIX ADAMO / THE CALIFORNIAN

Kevin Birkbeck adds vocals during his ukulele class at Leo B. Hart.

of five to 10 who meet monthly at the Filling Station on 24th and F streets. Newcomers don’t even have to bring a ukulele, and easy-to-follow music materials are supplied. Within a few minutes, it’s not uncommon for first-timers to jam along to Johnny Cash’s “Ring of Fire,” Irving Berlin’s “Puttin’ on the Ritz” or more recent fare by Squirrel Nut Zippers, UB40 and others. There’s also a book of Buck Owens songs developed by Central Coast ukulele instructor and educator Jim D’Ville, who paid the group a visit for a workshop last year. “We’ve started to tailor Ukulele! Bakersfield to fit our community,” Sherwyn said. “One thing we wanted to do is bring people who had no idea what they were doing. Maybe they got a ukulele for their birthday and don’t know how to play it. We got a lot of people that just wanted to come in and learn, so we got rid of the separate beginning and advanced nights.” Sherwyn and Heatherwick are encouraged when they see the instrument’s cross-generational appeal. Melissa Young, 50, and her daughter, Alissa, 15, are a case in point: The two have been regulars since their first meeting last June. “I came home from school one day, and my mom said, ‘We’re going to play ukuleles,’ and that was it,” Alissa said. “It’s been a lot of fun.” Melissa Young said she was

UKULELE IN BAKERSFIELD Ukulele! Bakersfield, 6:30 to 7:30 p.m. first and third Monday of every month; The Filling Station, 1890 24th St.; ukulele bakersfield.wordpress.com or ukulelebakersfield@gmail.com Introduction to ukulele with Medka Thompson: Rotating Saturdays; free; for schedule information, call Guitar Center, 396-3838; Guitar Center of Bakersfield, 3428 Ming Ave. Ukulele instruction by Kevin Birkbeck: 496-9514

introduced to the instrument by Sarr. Being able to share the experience with her daughter makes actively participating especially rewarding. “We always have a great time practicing, making improvements, but I’m always distracted by baking cookies when we’re at home.” “They’ve become ‘ukuladies,’” said Heatherwick. “We’re small, but mighty.” The group hopes to bring Ukulele! Bakersfield out for public performances if interest and numbers grow but, for now, Sherwyn and Heatherwick are content meeting in a relaxed atmosphere with an open invitation for new players of all ages and skill levels. “We encourage everyone to come. It’s more about fun than talent,” Sherwyn said.

The Bakersfield Californian Thursday, April 11, 2013

Eye Street

In world of comedy, he’s Mr. Clean Regan skips sitcom route for stand-up

Brian Regan When: 7 p.m. Sunday Where: Fox Theater, 2001 H St. Admission: $37.50 plus service charge Information: 324-1369 or vallitix.com

BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

hile most comedians enjoy getting their hands — and mouths — dirty, funnyman Brian Regan still prefers keeping it clean. But it’s proved to be a winning formula as Regan continues selling out venues across the nation with an act suited for any audience. Out on the road with a new routine in the tradition of his everyman style, Regan returns to the Fox on Sunday. “I found out, hey, you can make it as a stand-up without getting anything else,” said Regan, 55, during a phone interview. “I am kind of enjoying that kind of aspect of life right now.” Regan attributes his success to a number of basics in life, one being honesty. The other: avoiding the allure of TV fame. “Back in the day, it used to be that the sitcom was a kind of trophy for having a successful standup career or for having a unique perspective as a comedian. I got caught up in that for a while. There’s nothing wrong with getting a sitcom; it’s wonderful if you can get one. It used to be some-

thing you could hold up and say, ‘Look, I must be pretty good. They gave me my own TV show.’” Though he’s avoided the sitcom route, Regan has enjoyed some TV success with four selfproduced televised comedy stand-up specials, all of which made their way into rotation on Comedy Central. It’s a marketing strategy that he says allows him the best of both worlds. “I’ve produced CDs myself, which are available solely through the website. Once your production’s costs are taken care of, the rest is all yours. The downside to that is that you’re not necessarily bringing in any new fans. If you have a Comedy Central special, new eyeballs are going to see you. The plus side is that the artist is in control, but you always want new people to see your act.” Regan added while he’s committed to keeping his act clean, he recently tested some new material targeting a number of current hot-button issues, includ-

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PHOTO COURTESY OF BRIAN REGAN

Comedian Brian Regan appears at the Fox on Sunday.

ter account, affirming his faith in sticking to comedy. “My favorite Twitter response is from way back when I first set it

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ing the most obvious: gun control. “It’s such a delicate subject and people are very passionate about it. There are some things I’m really passionate about, but when it comes to guns, people tend to yell their opinion about it. “I don’t feel that way about lunch. I love lunch. I have lunch every day, but when somebody says the word ‘lunch,’ I don’t just scream loudly, no matter how I feel about lunch.” Regan recalled performing the gun skit in Texas, assuming a cyber backlash would ensue as it had for comedian Jim Carrey following the release of a video lampooning late actor Charlton Heston and NRA activists on the Funny or Die comedy website. While his take was nowhere near as extreme as Carrey’s clip, Regan treaded with caution. “I do like to put my big toe in the water every now and then. I don’t want to be afraid. To be fair, I also have this bit where I try to see both sides. Personally, I don’t understand the difference between an assault weapon and a non-assault weapon. When somebody explains it on TV, I’m even more confused. So I do this bit where I try to explain it as a big jumbled mess. So, if I can get out alive with doing gun jokes in Texas, then I’m doing OK.” Along with guns, Regan admits to confusion navigating his Twit-

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The Bakersfield Californian Thursday, April 11, 2013

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index Brian Regan .............................................. 22 Homeless Art Show .................................. 23 Arts Alive .................................................. 24 Memphis Belle flights.............................. 25 The Lowdown with Matt Munoz.............. 26 Paint and All-Breed Horse Show.............. 27 Scott Cox ................................................ 30 Calendar .............................................. 34-35

Theater from the ‘Heart’ Beloved play balances the dark and light BY STEFANI DIAS Californian assistant lifestyles editor sdias@bakersfield.com

dultery, suicide, attempted murder, heartbreak, sisters, birthday desserts — all the makings of a great story. Those themes come together this weekend as The Empty Space opens its production of “Crimes of the Heart.” Director Bob Kempf describes the play as “a very funny and very touching look at three sisters who are each dealing with their own versions of heartbreak. When one of the sisters shoots her husband, the sisters have a hilarious (if uneasy) reunion.” That pistol-toting woman is Babe Magrath Botrelle, played by Ellie Sivesind. Fellow Empty Space veterans Cody Ganger and Amy Hall round out the Magrath sisters as wild child Meg and dutiful caretaker Lenny. If the story seems familiar, you may have seen the 1986 film starring Sissy Spacek, Jessica Lange and Diane Keaton. But Kempf

‘Crimes of the Heart’ When: 8 p.m. Friday and Saturday; runs through April 27 Admission: $15; $10 students and seniors Where: The Empty Space, 706 Oak St. Information: 327-PLAY

Also at The Empty Space ‘Kreative Allusions,” reception for artist John Kirkeby, 2 to 5 p.m. Saturday. Free.

came to the production untouched by any adaptations of Beth Henley’s play. “I have never seen the film or a stage production of ‘Crimes of the Heart,’ so I’m coming at it without any preconceptions! I am a fan of all three of those actresses, so I’ll probably watch it once we have closed.” Kempf is also a big fan of his lead actresses, who gelled in the roles, having performed together before in other Empty Space shows. “The ladies do have an existing Please see CRIMES / 32

PHOTO BY MICHELLE GUERRERO

The Magrath sisters — from left, Meg (Cody Ganger), Babe (Ellie Sivesind) and Lenny (Amy Hall) — appear in “Crimes of the Heart,” which opens Friday at The Empty Space.

Who’s average? White Band brings R&B heat to town BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

cotland was so immersed in soul and R&B in the mid1960s that if a visitor closed his eyes in a Glasgow club, he’d swear he’d been transported to Detroit or Muscle Shoals. Just ask Alan Gorrie, bassist for seminal ’70s funk outfit Average White Band, who recalls being mesmerized by the trance-like syncopation of American records from the likes of James Brown, Aretha Franklin, King Kurtis and others. Gorrie and his bandmates channeled those inspirations into some of AWB’s most potent grooves, including “Pick Up the Pieces,” “Cut the Cake” and “A Love of Your Own.” Bakersfield will get a chance to harness some of that energy into

Average White Band When: 8 p.m. Saturday Where: Bright House Networks Amphitheatre, 11200 Stockdale Highway Admission: $10, plus service charge Information: 852-7777 or ticketmaster.com

their dancing feet Saturday when the Average White Band appears at Bright House Networks Amphitheatre, kicking off the venue’s outdoor concert season. “It was pretty much the only music anyone ever went out dancing to,” said Gorrie, 66, describing the sights and sounds of the 1960s Glasgow music scene during a phone interview. “It was

Stax, Motown and Atlantic Records. Soul music was kind of the lifeblood of the Scottish music scene in the mid-to-late 1960s. If you didn’t play soul and R&B, you didn’t get many gigs.” Gorrie went into detail about musical tastes in Great Britain, which varied according to region. “London was all about the blues. The midlands were pure rock, things like Black Sabbath, Slade, and they still are to an extent, still stuck in that groove. Scotland has always been a soul country, because the background of Celtic music lends itself to the very idea of soul music.” Within a year of formation in 1972, the band became a sensation, attracting attention from the labels, after scoring a coveted spot on Eric Clapton’s comeback concert tour. Following their

PHOTO COURTESY OF AVERAGE WHITE BAND

Scottish funk legends Average White Band appear at Bright House Amphitheatre on Saturday.

American debut, “Show Your Hand,” the group’s self-titled sophomore album solidified its reputation as both a dance band and electrifying live act. Anchored by the hit single, “Pick Up the Pieces,” the album became a million-seller. Gorrie recalled the organic nature of the song, which became the group’s calling card, begin-

ning with a basic riff from guitarist Hamish Stuart. “Hamish got up one morning, started playing that upside-down kind of guitar riff, that skank soul that we threw. Then, drummer Robbie (McIntosh) joined them on drums. I got the bass out and we had the three of us playing the groove. Guitarist Onnie (McInPlease see BAND / 33

Thursday, April 11, 2013 The Bakersfield Californian

Eye Street RACE: CONTINUED FROM 21

early victory with the costume contest at 11:30 a.m. With team names like Minions, Sole Mates, Covert Action, French Toast Mafia and Valley Fever, there’s no telling what the costumes will entail, but there is a $300 prize on the line. The winner will be selected by participants via a poll text, although Cantu did not have all the details as of Tuesday. Costumes are not required but highly encouraged, Cantu noted. At noon, teams will be given 12 clues, which, once solved, will lead them to 12 locations in downtown Bakersfield. Clues could include cryptograms and other word puzzles. (See accompanying box for samples.) Cantu said people shouldn’t worry about not being able to figure out the clues. “I would say they are moderate, in between moderate and easy. We don’t want to make it too challenging. We want the average contestant to be able to solve the clues.” Teams will need at least one smartphone per team, to help solve clues, map locations and photograph themselves completing challenges. Other requirements include $5 to purchase items for charity along the race route and a bag to carry them. Although strategy is up to each group, Cantu had a recommendation: “It would be prudent to solve all the clues up front.” Teams can head to locations in whatever order they choose. At each site, volunteers will be on hand to make sure they understand the physical challenge at each location. Although tight-lipped on most details, Cantu said the feats are similar to those seen on the TV show “Minute to Win It.” (For those not familiar with the NBC program, sample challenges have included balancing pastries on one’s forehead, stacking cards or cans and bouncing pingpong balls or coins into glasses.) Contestants must document the completion of each task with a smartphone photo that features everyone in the group

Answers 1. First word: North “Jane Eyre” “Little Women” “Pride and Prejudice” “The Catcher in the Rye” “Lord of the Flies” Second word: Tampa “The Great Gatsby” “The Devil Wears Prada” “To Kill A Mockingbird” “Life of Pi” “Fifty Shades of Grey” 2. African Extravaganza

to prevent the teams from dividing up and completing tasks separately, Cantu said. When the tasks are completed, teams will gather at the finish line at On the Rocks around 5 p.m. While waiting for the results, participants can rest and enjoy free hors d’ouevres, beverages and music. Awards will be given out at the ceremony, with the top three teams winning $1,000, $500 and $250, respectively. Proceeds from the event will support Stewards Inc.’s main mission, which is assisting those on disability or retirement incomes with managing their finances. “We ensure that their income is used toward housing, food, clothing, payment of utilities and bills and their comfort,” Cantu said. “We’re like their social workers. We encourage them to become financially independent. That’s our end goal.” With plans to make this the nonprofit’s annual fundraiser — replacing a clay shoot — Cantu said a lot of hard work and planning has gone into the race. But he looks forward to a great turnout for the inaugural race. “We suggest they come dressed in costumes, well-rested and ready to have fun!”

BAND: CONTINUED FROM 20

tyre) joined in on guitar with his rhythm stuff. Then Roger Ball, our arranger, took it overnight and came back with the horn line all written out the next day. It was literally done in 24 hours.” Gorrie pointed to a key moment in the song recorded by original sax player Malcolm “Molly” Duncan. “I always really liked Molly’s sax solo. It’s really gritty, earthy and unsophisticated. I’m a big lover of things that aren’t too polished and that sax solo just resonates with me. It’s kind of like a first take. Everybody contributed a lot equally to that song.” The group continued with a string of hits over the next two decades before going on a seven-year hiatus to pursue solo projects. Today, the groups maintains a year-round tour schedule with original members Gorrie and Onnie McIntyre, plus a group of longtime collaborators that includes former Tower of Power vocalist, Brent Carter. “We’ve got a lot of new dimensions with the band as well. The live performance is always what’s kept me going.” When asked to comment on the state of today’s soul and R&B music, Gorrie didn’t hold back. “I’m really tired of hearing music that now has no instrumentation on it. Even the vocals are machines. It’s human-free and it doesn’t make the hair on the back of

Win tickets to the concert Tune in to “First Look with Scott Cox” this morning for a chance to win tickets to the Average White Band concert Saturday. “First Look” airs from 7 to 10 a.m. on KERN-AM, 1180, or watch the live video stream at Bakersfield.com. Your chance to win tickets is during the Eye Street hour from 9 to 10 a.m., when Assistant Lifestyles Editor Stefani Dias and entertainment reporter Matt Munoz run down all there is to do in town this weekend. Bakersfield band Amity Flow will stop by to do a song or two as well.

my neck stand up. That’s one of the yard sticks I’ve had all my life. To have come this far through all these wonderful musical developments, the roots of everything from New Orleans, through rock ’n’ roll, through soul, R&B, jazz, to end up with this. What an indictment of laziness. It had neither rhythm, nor blues. It’s something else and I won’t retract my statement.” Gorrie added Bakersfield needn’t worry about those concerns at Saturday’s performance. “Our fans will always get what they want, the history book, a fresh performance of all the hits and some surprises you won’t expect to hear. People can look forward to a great show Saturday night.”

The Bakersfield Californian Thursday, April 18, 2013

Eye Street

Arts, movies and happy Celebrated music films brighten local screens hour, all at Valentien BY MATT MUNOZ

BY STEFANI DIAS

Must-see music films

Californian staff writer

Movies on the Patio

Californian assistant lifestyles editor sdias@bakersfield.com

Happy Arts Hour Featuring work by Liz Sherwyn When: 5 to 7:30 p.m. Monday Admission: $15; $10, Arts Council of Kern members All events held at Valentien Restaurant & Wine Bar, 3310 Truxtun Ave., Suite 160. 864-0397.

throughout the state that have artistic significance. In late July or August, the council will charter a bus to head to the Ronald Reagan Presidential Library in Simi Valley. Goss said plans are still being finalized but the council will offer larger quarterly trips interspersed with smaller outings such as to the Huntington Library in Pasadena for a Southwest Chamber Music concert. But first up is Monday’s happy hour, which will highlight artist Liz Sherwyn. “The work is cut paper that has been cut by an X-Acto knife. All of the work is inspired by Please see MOVIES / 33

READING I

F O R M E R LY PA C I F I C T H E AT R E S

‘Marley’

Saturday: “Ratatouille” April 27: “Bull Durham” May 4: “The Sting” May 11: “Still Bill” May 18: “Singin’ in the Rain” May 25: “The Breakfast Club” Movies screened at sundown (around 8 p.m.) Saturdays

ll galleries exhibit art, but not all art is exhibited at galleries. To prove the point, Valentien Restaurant & Wine Bar, which will host the inaugural Happy Arts Hour for the Arts Council of Kern on Monday. Supporting the visual arts is nothing new for Valentien owners Jeramy Brown and Jennifer Sanderson, who also will kick off a season of Movies on the Patio Saturday. That dedication made the restaurant a perfect choice for the kickoff happy hour, said Anthony Goss, Arts Council vice president. “We chose Valentien because they are a local establishment that has a priority of highlighting local artists to give them a space to show and sell. They promote the culinary and visual arts.” Monday’s gathering is just the first in what Goss said will be a monthly Monday night event featuring local artists and performers. “We want to provide a mixer for people on the arts, to showcase local arts organizations, businesses, venues and establishments that promote the arts in our community. Each month will be educational or experiential.” Although upcoming venues may include Stars Theatre Restaurant and The Empty Space, Goss said there’s no limit geographically in the county. “Downtown is a really fun venue, but we’re trying to branch out into outlying areas and communities — the Tehachapi area, Lake Isabella, Delano — to highlight theater or performing arts groups there.” Also on tap for the summer is ArtVentures, Arts Council road trips to destinations

mmunoz@bakersfield.com

wo must-see music documentaries will be rolling through town this month: “Marley,” about the life of reggae music icon Bob Marley at FLICS at the Fox on Friday, and “Sound City,” an affectionate tribute to a storied Los Angeles recording studio that plays at Maya Cinemas on April 24 and 27. “Marley” features extensive live performance and interview footage from the late Jamaican musician, along with recollections from family members and musicians, plus lots of music from the Marley catalog. If you’ve seen previous Marley bio-docs “Caribbean Nights” and “Time Will Tell,” much of the footage may look familiar; however, the production quality of “Marley” and updated interviews present a more humanizing glimpse into the singer’s life and legacy. Friday’s showtime is 7:30 p.m. sharp. Admission is $5. Tickets are available at the box office day of show only. The Fox is located at 2001 H St. For more information call 324-1369 or visit flics.org. Dave Grohl’s directorial debut with “Sound City” is like a love letter to rock ’n’ roll. Filmed inside the famed Sound City Studios located in the San Fernando Valley, the documentary includes interviews with a number of artists who recorded within its scruffy, hallowed walls. Among the list: Stevie

When: 7:30 p.m. Friday Where: Fox Theater, 2001 H St. Admission: $5 Information: 324-1369 or flics.org

‘Sound City’ When: 7 p.m. April 24 and 10 a.m. April 27 Where: Maya Cinemas, 1000 California Ave. Admission: $6 Information: 636-0484 or mayacinemas.com

Nicks, Lee Ving of Fear, Rick Springfield, Paul McCartney, Lars Ulrich of Metallica, Rivers Cuomo, not to mention Krist Novoselic, who along with Grohl and the late Kurt Cobain recorded “Nevermind,” the record that kicked open the door for Nirvana. Only a respected musician, fan and music lover like Grohl, who now owns the actual analog Sound City sound board, could have pulled this off with such sincerity. “Sound City” is presented as part of Maya’s ongoing Independent Film Festival. Showtimes are 7 p.m. April 24 and 10 a.m. April 27. Admission is $6. Maya Cinemas is located at 1000 California Ave. For more information call 6360484 or visit mayacinemas.com.

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The Bakersfield Californian Thursday, April 18, 2013

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index Movies on the Patio ................................ 24 This Week’s Obsessions .......................... 25 Arts Alive .................................................. 26 Review: ‘Crimes of the Heart’ ................ 27 The Lowdown with Matt Munoz.............. 28 The truth about Area 51 .......................... 29 Guitar Masters music series.................. 30 Calendar .............................................. 34-35

Kern kids: Talent to burn High school students put it on the line in talent/airband contest BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

ll due respect to AC/DC, but it’s not a long way to the top if you want to rock ’n’ roll — at least not this week. It’ll just require a quick car trip downtown for dozens of talented high school kids to compete in the Phenom Best of Bakersfield Talent and Airband Competition at BHS’ Harvey Auditorium. Plugging in, playing and singing are optional. Charisma and stage presence are not. In the contest, Christopher Borges, choir director at BHS, saw a great opportunity to raise funds toward a hoped-for 2014 trip to Carnegie Hall for his students. But he’s discovered along the way that this event is a lot more than a fundraiser. It has the makings of an invaluable showcase for Bakersfield’s most talented teens. “The kids always surprise us with what they come up with,” he said. “The fact that we have involvement from across the district is great, making connections with all these kids who are doing such great things.” The contest, which runs Friday and Saturday, is modeled after every tal-

Frontier High School’s Lauren Utt, center, and her group performed a song from the movie “Pitch Perfect” at the April 5 competition.

ent competition on television today: a panel of celebrity judges will offer feedback to contestants, but the decision on who makes it to the top is in the hands of the audience. And with a cash prize for first place, there are 750 good reasons to come out on top. “I don’t want the kids to be motivated by money, but of course, getting kids from other schools to come here and perform, you have to have something that draws them other than to perform on the Harvey stage,” said Borges. “That’s kind of the Please see AIR / 32

Phenom Best of Bakersfield Talent / Airband Competition When: 7 p.m. Friday and Saturday Where: Bakersfield High Harvey Auditorium, 1241 G St. Admission: $7 Friday, $10 Saturday Information: 324-9841, ext. 71, bhschoirs.com or facebook.com/ bakersfieldphenom

ALEX HORVATH / THE CALIFORNIAN

Kelly Garrison and his band Garrison & Sons perform a Mumford & Sons hit during an airband competition on April 5 at Frontier High School. A similar event will be held this weekend at Bakersfield High.

A taste-good (and feel-good) meal Top chef preparing dinner whose proceeds help kids THE BAKERSFIELD CALIFORNIAN

andi Schwartz, presidentelect of Bakersfield East Rotary, has no way of knowing if it’s the gourmet meal prepared by celebrated Bakersfield chef Terry Maxwell that typically sells out the annual dining/wine event that has become the group’s signature fundraiser. “But it certainly doesn’t hurt.” And with a menu that features chicken Milan, osso bucco and tiramisu among other tempting dishes, Schwartz said Tuesday that tickets were going fast. But seats are still available for Saturday’s event, though “we limit it to 300,” Schwartz cautioned.

Vino Amore When: 5 p.m. Saturday Where: Leddy Hall at Garces Memorial High, 2800 Loma Linda Drive Tickets: $75 or $600 for a reserved table of six Information: 706-6663

Vino Amore evolved six years ago from a more informal pasta event the 70-member-strong Rotary East held for several years. Proceeds from the event go to a variety of good causes, like the search for a valley fever vaccine, the Ronald McDonald House, the Boys & Girls Club and the Miriam A. Jamison Center. But no beneficiaries are more grateful than the children of east

Bakersfield, who receive school supplies with money raised at Vino Amore. “I get to go to the Homeless Shelter with backpacks, and these kids have never had a backpack,” said Schwartz, a registered nurse. “They look up and say, ‘This is mine? I get to keep it?’ The things we do for kids on the eastside is just incredible.” And Bakersfield East Rotary does it as a family, Schwartz said. Not only is the cooking provided by Maxwell — owner of T.L. Maxwell’s Restaurant & Bar downtown — but the newly minted City Council member attends every lunchtime meeting, even if it mean bringing along his granddaughter. “I love my Rotary family,” Schwartz said. “They’re the family I want, not the family I have.”

PHOTO COURTESY OF BAKERSFIELD EAST ROTARY

Bruschetta will be served as an appetizer at Vino Amore.

In addition to the feast, there will be a variety of auction items available for purchase, including two guitars, one autographed by country music legend Merle Haggard and the other signed by a

number of celebrities; a oneweek stay at a condo in Carpenteria; a Charriol women’s watch that features 12 diamonds; and more items, ranging from restaurant gift cards to a portrait sitting.

The Bakersfield Californian Thursday, April 18, 2013

Eye Street

South High aims high with ‘Boeing’ Cast on its toes for joke-a-second farce BY ASHLEY VENEGAS AND RUBY CASTILLO Contributing writers

eady for take off! Starting Friday, South High School’s Rebel Acting Troupe — aka the RAT Pack — presents “Boeing Boeing” by Marc Camoietti and directed by Julie Ingram. The high-flying comedy takes place in an apartment in Paris in the 1960s. The ensemble cast is made up of Steven Stacy as Bernard the Parisian bachelor; Elizabeth Nagel as Janet the American air hostess; Carolina Aldaco as

‘Boeing Boeing’ When: 7 p.m. Friday and Saturday Where: South High School’s Performing Arts Center, 1101 Planz Road Admission: $7 at the door; $5 pre-sale and children under 12 Information: 831-3690, ext. 77851

Bertha, Bernard’s housekeeper; Kris Anderson as Bernard’s friend from America; Baylee Myers as Jacqueline the French air hostess; and Amelia Rogers as Judith the German air hostess. This fun farce is about Bernard’s successful engagement

AIR: CONTINUED FROM 22

incentive. When you have a school like Frontier giving away $500 prize at their airband competition, you have to amp it up another level.” The success of Frontier’s annual airband contest — where performers lip-synch and mimic playing instruments to pre-recorded music — inspired Borges to expand on the idea for his own show and include a second category, for live performance. “We’re going to feature top talent from participating Bakersfield area high schools who’ve won their own school talent shows,” said Borges, who announced the competition in February. “My idea was to bring it to our auditorium in the center of town with top winners from each school to compete for a city title.” Featured performers include singers, instrumentalists, dancers, actors, bands and airbands. The airband contest will feature eight performers, and 10 acts are confirmed for the live talent portion. Schools represented at the competition are BHS, Arvin, East, Foothill, Frontier, Independence, Liberty, Mira Monte and Stockdale. “We’re trying to utilize as much current technology so the kids can also help promote the show. We’re expecting a full house,” said Borges, who said he was reluctant at first to feature lip-synching and faux playing. “A parent of ours suggested the airband competition. I had mixed feelings about that, because I’ve never seen an airband, but after going to see Frontier High’s airband competition, I saw how the kids really like it because it has all the big song and dance elements. I also had a colleague stop me in the hall way at school and say, ‘When I was at Arvin, the airband competition was a big deal for us that weren’t necessarily talented, but it was a way for us to be involved too.’ I guess I never thought about it that way although I did find out many of the students are actual musicians and experienced live performers.” Friday night, each of the participating groups will get two minutes to display their best performance before a panel of local celebrity judges: musician Monty Byrom, radio personalities Scott Cox and Danny Hill, 2012 Miss Bakersfield Nashay Matthews and Bill Nelson of Nelson Media. Following

to three air hostesses from three different countries. His perfect set-up soon starts to crumble when the airplanes begin flying faster, therefore messing with his schedules. Soon all three stewardesses are in Paris at the same time, and zaniness ensues. “This is a very new character for me,” said Anderson, who plays Bernard’s friend. “He evolves into a player by the end of the play. My character really lets me have fun.” Amelia Rogers is excited about her role, because it will be her last at South. “I think a lot of people will be surprised with the maturity and flirtiness of the play.” — Ashley Venegas and Ruby Castillo are students at South High.

Carnegie Hall or bust Christopher Borges’ inspiration for the Phenom Best of Bakersfield Talent and Airband Competition is simple: He’s tired of declining, for lack of funds, invitations his students receive to concerts and festivals, including the Choirs of America Annual American Music Performance Nationals next April — at Carnegie Hall, the most prestigious concert hall in the country. “The BHS choir is pretty well-established,” Borges noted. “We have a great program, but it’s still difficult for us to get money from the district for trips, especially of this magnitude. We get regular invites to participate in out-oftown shows all the time, but I always have to say no.” The trip is expected to cost $100,000. That’s a lot of fundraisers, like the Phenom contest, which requires commitment, time and, most important: parent volunteers, like Alicia Ellsworth. “Raising funds is always a labor of love on everybody’s part,” Ellsworth said. “This is a once-in-a-life time event to see the amazing things in New York City for most of these kids.”

the show, audience members may vote via phone or text. “We’re fortunate to have some great resources with the Harvey Auditorium to help with staging. We’re going all out,” said Bakersfield High choir accompanist Alicia Ellsworth, whose son Philip is a member of the school’s choir. On Saturday, all groups will return to perform their full act on stage before a live audience. A final round of voting will begin immediately following the last performance of the evening. After votes have been tallied from both nights, three winners from the combined talent and air band categories will be recognized and awarded prizes. The grand-prize winner will take home a cash award of $750. The evening’s top three to five acts will perform an encore at the Kern High School District’s Promoting Excellence in Activities and Athletics in Kern award ceremony on May 15 at the Harvey Auditorium.

PHOTO COURTESY OF JULIE INGRAM

South High School is performing “Boeing Boeing.”

LOWDOWN: CONTINUED FROM 28

metal, psych, modern soul.” In addition to Record Store Day exclusives, Ramirez has printed up a special batch of commemorative T-shirts for sale and will be running extreme discounts on the store’s massive in-house used vinyl collection. There will also be a sidewalk sale and live spinning from local deejay collective Drftrs all day long. Going Underground Records is located at 18221 G St. For more information, call 633-0111 or visit recordstoreday.com.

Matt’s picks Lucky Ned Pepper at Buck Owens’ Crystal Palace, 2800 Buck Owens Blvd., 7 p.m. today, $14 to $20, 328-7560. Former Smokin’ Armadillo members Rick Russell and guitarist Josh Graham — now known as Lucky Ned Pepper — turned a lot of heads following the release of last year’s lone Bakersfield country music release, “Get Lucky.” The duo have since been taking the finetuned Nashville-style production of radio-worthy gems through the back roads of the industry, stirring up interest on their own terms. The hometown crowd should be out in full force, and if you’re wondering if Graham can still kick out the hick-hop jams on the Armadillo favorite, “I’m a Cowboy,” you’ll be in for a surprise. The kid’s still got it. Senses Fail at Jerry’s Pizza, 1817 Chester Ave., Friday, 7 p.m., $18, all ages, 633-1000. Still able to riff, scream and growl, these post-hardcore heroes and Vans Warped tour headliners are sure to put on a show that lives up to the hype. The band’s latest release, “Renacer,” has a

PHOTO COURTESY OF LUCKY NED PEPPER

Lucky Ned Pepper — Josh Graham, left, and Rick Russell — performs tonight at 7 at Buck Owens’ Crystal Palace.

number of fresh new approaches that deserve to be heard. Also Appearing: Such Gold, Real Friends, Major League. Phantom Stranger Inc Presents at On the Rocks, 1517 18th St., Friday, 9 p.m., $5, 327-7625. Bakersfield’s Relay for Life always brings out the charitable side of our local music scene and when it comes to wrangling in the troops for a night of mayhem with a cause, local promoter Phantom Stranger never disappoints. The lineup features alternative rock and classic punk with Bako bands Stockz & Blondz, Crooked Folk, The Cretins’ “Ramones Tribute,” the Aviators, plus an art exhibition featuring local artists Jaime Contreras, Erwin Ledford and Carlos Fierros. All funds raised will benefit Bakersfield Relay for Life.

SUMMER CAMP LISTINGS Do you offer activities for children over the summer? Send us your information and we will run a free listing in The Californian. Information is due by April 22. Email to summercamps@bakersfield.com and include the following: Name of camp; address of camp; contact information (phone number, email and website of organization); dates of all sessions being offered (beginning date through end date); registration deadline; theme; age range of participants; activities; and cost.

The Bakersfield Californian Thursday, April 18, 2013

Eye Street The Lowdown with Matt Munoz

DJ takes a spin to Coachella Festival gig of lifetime for local vinyl master

akersfield is being soundly represented at the Coachella Valley Music and Arts Festival in Indio — which enters its final weekend Friday — with the eclectic sounds of Alex Rodriguez, aka DJ Moustache, who was offered the chance of a lifetime. “I’m friends with some of the people at Goldenvoice (promoters of the festival) and I’ve been helping out the Glasshouse Record store in Pomona, which also has some affiliation,” said Rodriguez, 33, who lives his life immersed in vintage vinyl as collector, dealer and working deejay. “I got a text message that said ‘Hey, do you want to deejay at Coachella?’ My answer was ‘Ummmmm ... YES!’” Now in its 12th year, Coachella draws 80,000-plus music fans to the Empire Polo Club in Indio on two consecutive weekends for three days of non-stop music. Performing this year are Red Hot Chili Peppers, rappers Wu-Tang Clan, Yeah Yeah Yeahs, Vampire Weekend, Violent Femmes, The Selecter, Social Distortion, Metric and 169 other acts from the worlds of electro, rock, punk and whatever the latest noise on the minds of the hip and happening is. Split among two outdoor stages and three massive tents, it has to be experienced to be believed. Rodriguez, who’s attended the festival twice, was careful to keep his expectations in check when he was offered the gig. “Originally, I was told

PHOTO COURTESY OF DJ MOUSTACHE

Bakersfield deejay Alex Rodriguez, aka DJ Moustache, poses on Sunday at the Coachella Music and Arts Festival in Indio. The festival resumes this weekend.

I would be spinning in the campgrounds after the bands were done playing. I had no idea they were going to throw me on the Gobi tent. I got a text from the campground DJ manager that said ‘check the lineup.’ I checked it out and saw that it said ‘Moustache.’ I replied back to him with ‘Why does it say Moustache?’ He replied with ‘That’s you, son!’ That’s when I started hyperventilating, got crazy nervous and wanted to hide.” Listed on the official Coachella schedule, Rodriguez’s stage name is printed in the opening 11:30 a.m. Gobi tent opening slot alongside reggae icon Lee “Scratch” Perry, Odd Future’s Earl Sweatshirt and others. “Last week I played ’60s and ’70s funk and soul 45s,” Rodriguez said of the festival’s

first weekend. “I wanted to give them something they weren’t going to hear much of the rest of the weekend. The campgrounds were an eclectic mix. They applauded me when I was done. I had people come up to me all through the weekend saying that they liked my set and that it blew their mind that I was spinning 45s. I even had a couple people want to take a picture with me, which felt so weird. I’m just a dude playing records. It’s not like I’m making great music.” Speaking of celebrities, the side-stage crowd mix provided a show of its own. “I was more excited over seeing musicians I admired than celebrities. I stood next to Blake Anderson from the show ‘Workaholics’ during the Descendents set, saw Lindsay Lohan, stood next to

Matt Munoz is editor of Bakotopia.com, a sister website of The Californian that devotes itself to promoting Bakersfield’s art scene. Matt’s column appears every Thursday in Eye Street.

Chloe Sevigny during Dinosaur Jr., hung out with Bryan Migdol, the original drummer of Black Flag, and I got to meet Ian MacKaye from Fugazi to talk about music and records.” Rodriguez heads back to Coachella today to kick off another weekend of spinning, starting in the festival’s campground area. I’ll be there too, getting my groove on, preparing for the oncoming weekend heat with my girlfriend and 17,000 other brave camping friends. “Take lots of sunscreen, allergy medicine, a dust mask, scarf or bandanna to cover your face if the wind kicks up,” Rodriguez recommends for those making the trek for the first time. “Bring clothes for warm and cold weather. Also, drink lots of water. Duh?” You can catch Rodriguez back in Bako when he resumes his Beat Surrender and Wax On deejay dance night residency the second and third Friday of every month at Sandrini’s. I’ll be back with my annual Coachella review next week. Catch a streaming webcast of performances at Coachella.com during the festival beginning Friday afternoon.

Record Store Day Saturday is Record Store Day, which celebrates the art of music and the spirit of the independent music store. Since its inception six years ago, Record Store Day has become a global phenomenon for music fans hoping to fatten their collections with rarities and limited special-edition releases produced just for the occasion. Among last year’s hot picks was the Buck Owens coloring book and multicolor flexi-disc set that featured Buck Owens and the Buckaroos live at the White House in 1968. This year’s highlights include long-out-of-print vinyl releases from David Bowie, Aerosmith and others. According to Bakersfield World Records employee Bruce Jones, trying to secure these limited

releases for customers is often a matter of chance, with rabid collectors vying for many of the same items. “It’s always a question mark as far as what we can get due to the demand of the limited pressings,” he said. “We had a customer come in to order the Dave Matthews Band live four-LP box set, but our distributor was only able to get a hold of 40 copies. They’d already had over 200 requests.” World Records owner Pat Evans said once the year’s list is released a few weeks leading up to Record Store Day, orders begin to fly. “We sent our list two weeks ago and anticipate being able to get 90 percent of the orders filled. For the store I go down the list to find items that may be of interest to our customers who come in that morning. It’s an event really steered toward vinyl.” If the store comes up short on special orders, Evans added he can usually fill them a few weeks later through customer cancelations in other cities. “Compared to the first year, the list has really grown. We’ll always take a crack at getting the most in-demand releases.” World Records has also scheduled live music from 10 a.m. to 1 p.m. Saturday. Featured bands are the Flying Arvizu Brothers, the Fruit Tramps, Divided Highway and more. World Records is located at 2815 F St. For more information call 831-3100. The Intimate Downtown at Going Underground Records has planned a full day of activity from 10 a.m. to 8 p.m., also on Saturday. “Our store has tripled the amount of product from last year,” said Going Underground Records owner Ronald Ramirez. “I don’t normally do special orders, but I pretty much know what my clientele is looking for. I got nine boxes coming in the rest of the week. A lot of punk indie, Please see LOWDOWN / 32

TICKETS AVAILABLE AT THE FOX THEATER BOX OFFICE, RUSSO’S BOOKS AT THE MARKETPLACE, EMPORIUM WESTERN STORE – 661-322-5200 – 888-825-5484 – FoxTheaterOnline.com - Vallitix.com

The Bakersfield Californian Thursday, April 18, 2013

Eye Street

South High aims high with ‘Boeing’ Cast on its toes for joke-a-second farce BY ASHLEY VENEGAS AND RUBY CASTILLO Contributing writers

AIR: CONTINUED FROM 22

PHOTO COURTESY OF JULIE INGRAM

South High School is performing “Boeing Boeing.”

LOWDOWN: CONTINUED FROM 28

PHOTO COURTESY OF LUCKY NED PEPPER

Lucky Ned Pepper — Josh Graham, left, and Rick Russell — performs tonight at 7 at Buck Owens’ Crystal Palace.

SUMMER CAMP LISTINGS Do you offer activities for children over the summer? Send us your information and we will run a free listing in The Californian. Information is due by April 22. Email to summercamps@bakersfield.com and include the following: Name of camp; address of camp; contact information (phone number, email and website of organization); dates of all sessions being offered (beginning date through end date); registration deadline; theme; age range of participants; activities; and cost.

Thursday, May 2, 2013 The Bakersfield Californian

Eye Street

Lambert a pistol — with Annies or not Reigning queen of country music headlines stellar show BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

iranda Lambert didn’t get to be the reigning first lady of country music by sitting still. “Touring, touring, touring,” said the chart-topping singer when asked about the secret of her success. “I love performing live and of course writing songs.” Lambert will prove her point at Rabobank Arena on May 9 when she headlines an impressive bill of country music that includes Dierks Bentley and her fiery side project, Pistol Annies. Tickets were still available earlier this week, said Ed Dorsey, the arena’s assistant general manager, though he advised against waiting until the last minute. “The show’s initial on sale was one of the strongest we have had in a long time in the arena.” Lambert, 29, recently collected an armful of hardware at the Academy of Country Music Awards, including the prize for female vocalist of the year (a matching bookend to her husband Blake Shelton’s corresponding award for male vocalist). “It never gets old,” Lambert said. “I love being part of this wonderful country music community and to get to participate by making records, performing for the fans, and sometimes my peers nominate me for my work. Winning is the icing on the cake; as each song I perform is special to me, so are the nominations and awards.” It’s been two years since the release of Lambert’s best-selling CD, “Four the Record,” leaving Lambert time to channel creative energy into the Annies, also appearing on the tour. The group will showcase new material from the upcoming new CD, “Annie Up,” which will be released Tuesday. “When we first started writing together, all these words that most women want to say but never do just started spilling out,” Lambert said. “We knew the songs didn’t quite fit with any of our solo projects, but we also felt they were too good to not record, so we created Pistol Annies.” Lambert said the Locked & ReLoaded tour set list consists of her current hits and a collection of favorite reworked covers. “I include songs from all four of my records, and my current single, ‘Mama’s Broken Heart.’” Lambert’s knack for picking material prefectly suited to her tough-but-sensitive persona resonates with women, making the singer something of a latter-day feminist. Tackling topics like domestic abuse, as she did in the song “Gunpowder & Lead,” echoes the honest material recorded by traditional country music songwriters she’s always admired. “Two of my favorite songwriters are Merle Haggard and Loretta Lynn. They have a no-holds-barred approach to tell

ZUMA PRESS

Miranda Lambert performs in Virginia Beach in June.

real-life storytelling in their music, and their songs are timeless because of that authenticity. “The songs that I pick from other writers to record on my albums are ones that I wish I had written because I only want to sing songs that feel real to me personally. ‘The House That Built Me’ is probably the best example of that. Even though I didn’t have a hand in writing it, I feel like it draws on my past perfectly.” The Miranda Lambert brand soon will be seen walking across the nation — literally — when the singer debuts her new line of women’s footwear next year. The venture marks Lambert’s first foray into the world of fashion, but not business. Last year she opened her first clothing store, the Pink Pistol, in Shelton’s hometown of Tishomingo, Okla. Lambert has also become actively involved with animal rights activism through her MuttNation Foundation. Founded four years ago, the foundation raises funds for the care and shelter of abandoned and abused animals. “I love helping animals because they are amazing companions. I have six rescue dogs; two of them (Delta and Cher) travel with me on the road, and the others are too big to be on the bus with me full time, so it’s a cause that’s very dear to my heart. Remember to love a shelter pet.” In addition to Lambert, Pistol Annies and Bentley, performers Randy Houser and Joanna Smith will appear at the concert.

Miranda Lambert When: 7:30 p.m. May 9 Where: Rabobank Arena, 1001 Truxtun Ave. Admission: $63.55, plus service charges Information: 852-7777 or ticketmaster.com

The Bakersfield Californian Thursday, May 2, 2013

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index Stunning change at symphony................ 22 Miranda Lambert...................................... 23 Arts Alive .................................................. 24 First Friday................................................ 25 The Lowdown with Matt Munoz.............. 26 Broadway in Bakersfield .......................... 27 This Week’s Obsessions.......................... 31 Calendar .............................................. 32-33

CHAPTER TWO: Musical longing Somewhere between dreaming and reality, I started to question, “Where was I?” I knew the melody that had awoken me. I was even familiar with the pain it brought. I just wasn’t too sure who

the man was standing in the courtyard — or his reason for being there. I did know that I didn’t want to relive that longing again. I couldn’t. Not if I was to make it through another night like this.

Thursday, May 2, 2013 The Bakersfield Californian

“I get art galleries who tell me they love my work and then turn around and ask me, ‘What else can you do?’ — as if drawing was not an art form.” — David Vanderpool, artist

Drawing his way around obstacles Vision, hearing difficulties have not stopped artistic quest BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

rtist David J. Vanderpool works in precision. A study of any of his finely detailed, highly realistic drawings — including his piece at left — reveals perceptive eyes and a steady hand. Actually, make that one perceptive eye. “The only challenge was making sure the drawing was clear and sharp due to dealing with a cataract,” said Vanderpool, 52, who by day works as a graphic artist at The Californian. “I had to stop every so often and ask my wife if I was getting this right. As for the drawing itself, I wasn't too sure if I could pull this off in the short time given to complete the project. A drawing this size has always taken me a month to complete, with just a few hours a night and weekends to draw.” Vanderpool was referring to the twist thrown at Eye Gallery artists this year: Each was asked to contribute a “chapter” to a larger narrative, which will unfold every Thursday over several weeks. The artists were given reproductions of all the work that had come before and 96 hours to finish the job. And if the compressed timeframe and cataract weren’t enough, Vanderpool has been dealing with limited hearing for years, making it difficult there for a while for the artist to fully appreciate music — the loose theme of this year’s project. “As an artist that was limited to what I was able to hear for so long and only in the last few years able to hear without having to wear a hearing aid, you guys selected an artist that perhaps appreciates sound more than most people in general. I have a whole new interest and appreciation for music. In fact to hear most any sound after the surgery a few years back was a blessing, even the sound of a train in the middle of the night.” But any physical challenges the artist has dealt with have worked to heighten his sensitivity, fully expressed on paper with the help of a graphite drawing pencil. “It is relaxing, requires little to no thinking and since I was a child, it was my escape. I draw with all lines. I never use traditional blending tools to smear the graphite. I use lighter pencils to blend the darker pencils, keeping the pencils sharp and the lines close to each other as each drawing slowly comes to life on the paper.” For his Eye Gallery subject, Vanderpool chose a black-and-white performance photo taken by photographer Jeremy Gonzalez featuring Bakersfield guitarist Pablo Alaniz and a vintage 1950 Fender Telecaster guitar. “Being a portrait artist, I like drawing people I am attracted to, which means

About Eye Gallery The annual art series is a partnership between The Californian and the Bakersfield Museum of Art whose purpose is to put the work of local artists in the spotlight. This year we asked 10 artists to collaborate on a story, in words and pictures. Each was given 96 hours, a canvas and all the work that had been produced to that point. The story will unfold in Eye Street every Thursday through June 27, when the museum will host a reception for the artists and unveil other exhibitions.

character, charm and who can offer me a challenge, to avoid ‘mug shots’ when it comes to a drawing, and turn everyday people into a treasure for the generations to follow.” Given the state of your hearing and sight, how did you feel about Eye Gallery revolving around music? As for my sight, anyone that has dealt with cataract understands how it is a gradual change through time and most chalk it up as old age and get new glasses; however, being an artist I knew it was something more than that when my eyes were hurting. ... I can say I have had cataract surgery in my right eye since this drawing was completed, and so I look forward to seeing what everyone else sees once it’s on display. Explain your process/technique: I draw from photos, whether they are a local person interested in a drawing or a model from another country. This allows the model to pose once and I can draw at the oddest hours. However I use the photo as a reference and add my style to the drawing that meets the needs to the client’s interest. The trick is to focus on one section at a time. Skin tones, eyes, fabric, etc., rather than the overall subject. That way the project doesn’t become overwhelming. A grid, mirror or light table can only offer an outline. The skill is taking it to the next level, and that part can’t be cheated. You either have it or you don't. What kind of art speaks to you: I favor realistic and works from the old masters and Renaissance period. If you have to think too hard, question if the painting was hung upside down, or you left confused looking at what is in front of you, that's not my thing. When I knew art would be my passion: When I was told I had to stop drawing as a child, that boys played baseball and football and didn't paint or draw, I took that as a challenge and to prove them wrong and drew everything that sat in front of me. Yes, my way of rebelling! Work you’re proudest of? “Courting” was last year's Best in Show at the Kern County Fair, and one of my

ALEX HORVATH / THE CALIFORNIAN

Artist David Vanderpool works by day as a graphic artist at The Californian.

Next week Photographer Kristopher Stallworth is drawn to the music that seems to be coming from the mysterious figure, in Chapter Three of our story.

wife's favorite drawings so far. It's not so much being proud of it or it being better than any of my other drawings, but because I did not give up when I was told I had to stop drawing. Do you get many commissions? Yes. There are times when I have to turn down commissioned assignments because I have too many to get done, and there are times I turn down assignment because I was not comfortable with the subject matter. I draw portraits and figure drawing, but I have a limit to what I will put my name onto — even commissioned drawings that the world may never get the chance to see. And yes, there are times when there are no drawing assignments for what seems like ages. How hard is it to find a place to show your work publicly? Very hard. I get art galleries who tell me

they love my work and then turn around and ask me, ‘What else can you do?’ — as if drawing was not an art form. And then there are galleries who will tell me my work is too contemporary while another will say it's not contemporary enough; however I finally had an art gallery in London explain it best. He said that an art gallery cannot profit off a drawing like they can with a painting, because of the time variant between the two. Memory of the first time you sold a piece of work: High school. Guys would pay me $20 to draw girls they liked on pin-up bodies. Who’s been your most supportive mentor? Art teacher from junior high that I also kept in touch with through my high school. He said to create what you have passion for and there will be others who will come to you one day. Never create to meet the public needs, since most have no idea what art is. Create what you desire and introduce yourself to the world through your work. How to learn more about my work: paper2pencil.com

The Bakersfield Californian Thursday, May 9, 2013

Eye Street

Get a move on to get your groove on Jazz Festival still the music party of the year, even at slightly higher prices

Bakersfield Jazz Festival When: 7 p.m. Friday; 2 p.m. Saturday Where: CSUB Amphitheater, 9001 Stockdale Highway Admission: $60 for two-day combo tickets; $40 students; $36, $26 in advance for Friday only, $41 and $31 at the gate; $41 and $29 in advance for Saturday only, $46 and $36 at the gate. Children under 12 free on both days. Reserved tables also available. Tickets available through Vallitix.com or call 322-5200.

BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

Nailing down the lineup for the Bakersfield Jazz Festival always presents a series of challenges, but for festival talent booker Paul Perez, it’s also meant adapting to newly developed business habits. “It’s like playing a game of checkers,” said Perez of the festival — a highlight of Bakersfield’s music scene — which returns to the CSUB Amphitheater Friday and Saturday. “I have offers on different places on the board, waiting for someone to make a move. “The lineup has changed a few times. You make an offer to these artists and they have three weeks to accept or reject the offer, so I have to sit and do nothing until I hear. One artist who was on our original lineup texted me with ‘I’ll be back with some good news,’ then and hour later it’s, ‘Sorry, we just booked Japan.’” Another considerable factor in booking talent comes down to money, which means sponsorships. Though many have returned, Perez blames a noticeable jump in ticket price (up $4 to $6 from last year) on rising production costs. “Generally speaking, everything is just going up. Bringing the artists to Bakersfield alone has some big costs, depending on the size of the group and what location they’re traveling from. If you figure in travel agents, booking flights, and putting them all up, it really starts to add up. Last year, there were considerations on the table. This year, an agent is either ‘yes’ or ‘no.’” Despite those hurdles, Perez has successfully lined up a collection of artists from across the jazz genre, each with a unique style and sound. All the money raised is used to fund CSUB music scholarships. “Friday night is a party night. Saturday is more straightahead jazz and dancing. We have something for everyone.”

PHOTO COURTESY OF EUGE GROOVE

Saxophonist Steven Eugene Grove, aka Euge Groove, headlines the Bakersfield Jazz Festival on Saturday.

Friday: Robin Bramlett, Billy Vera Big Band, Roy Ayers Opening the festival main stage is Bakersfield bassist Robin Bramlett, who will be marking the occasion with the official release of her debut CD, “This Is My Life.” A funk-filled gem of contemporary jazz, “This Is My Life” kicks off with a re-worked instrumental cover of the

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Teena Marie funk classic “Square Biz.” Throughout the release, Bramlett’s melodic bass work is prominently showcased whether taking the lead voice or stepping back into the foundation of the song. Bramlett described the CD as an instrumental autobiography layered with a helping of her musical influences. “I want people to not only dig my music but to be able to spiritually connect with me after listening to my life story through my music,” said Bramlett, who will sell copies of the CD at the festival. “I’m getting many positive responses.” Bramlett will be backed Friday by Bakersfield saxophonist Darren Gholston, guitarist Darlene Moreno, bassist Nathaniel Kearney, keyboardist Andrae Alexander, and drummer Ray Moore on drums. Following Bramlett is acclaimed singer-songwriter Billy Vera, who plans to give audiences an update of the classics under the stars. After hitting the music charts with his breakup anthem “At This Moment,” the Grammy-winning artist slipped back into cruise control, staying active as a songwriter, producing and performing with his band, The Beaters. He’ll be joined by his latest project, the Billy Vera Big Band, on Friday. Starting out as a professional songwriter in the early ’60s, Vera recalled the stress of trying to craft a hit suited to each artist he wrote for. “The boss would come in and say, ‘The Shirelles are recording this week, or Tony Bennett is recording,’” said Please turn to JAZZ / 23

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Thursday, May 9, 2013 The Bakersfield Californian

Eye Street JAZZ: CONTINUED FROM 22 Vera, 68, during a phone interview. “So, you’d try to listen to some of their records, find their range and subject matter they like to sing about. If you had a hit song, you could look forward to 10 to 20 different versions of it.” But Vera’s biggest break would come decades later in 1986 with the re-release of “At This Moment,” the song that helped reignite his career as a live performer. “Every song comes from somewhere. In this case, I had just started dating this girl and she was telling me about breaking up with her previous boyfriend. So, I wrote about the first two-third of the song from what I perceived to be his point of view but I couldn’t finish it. When she dumped me about a year later, I was able to write the end.” Recorded with a full jazz ensemble, Vera’s new CD, “Big Band Jazz,” pays tribute to the jazz masters of the 1920s through the ’40s. “Someone asked me, ‘What do you know more about than anybody else?’ So, that’s why I chose that theme. Everybody and their mothers are doing a standards album these days, so how could I make mine different? I got two bedrooms full of records. I’ve been collecting since I was 11, and I love my 45s.” Expanding the party theme of Friday night to include some vintage grooves will be legendary vibraphonist Roy Ayers. Now in his fourth decade in the music business, Ayers is an iconic figure whose talents remain in great demand. Known as the Godfather of Neo-Soul, his classic recordings from the ’70s have been sampled by some of the biggest acts in hip-hop and R&B, including singers Mary J. Blige, Erykah Badu, and rapper Ice Cube. Ayers is currently the subject of a documentary in progress called the “Roy Ayers Project.”

Saturday: Euge Groove, Avance, Lao Tizer, Clayton Cameron & the Jass Explosion and more Kern County’s best jazz students start things off, followed by Bakersfield musician Rob Hutchinson, who wrote a collection of new compositions especially for this jazz festival performance. Expect intense, playful and sophisticated grooves from this local genius and his quartet. Segueing into late afternoon is Drummer Clayton Cameron and his group, the Jass Explosion, who promise to make your toes tap with a straight-ahead jazz show in tribute to Art Blakey and the Jazz Messengers. The group will feature 14-year-old piano phenom Jamael Dana Dean, of Bakersfield, along with students from the Thelonius Monk Institute of Jazz. At dusk will be the set by improvisational keyboardist Lao Tizer and his explosive mix of jazz, rock, classical and world rhythms. This year’s Latin jazz spotlight act features West Coast sizzling salsa sensation Avance, who plan to bring spectators to their feet. Formed by world-renowned Santana band percussionist Karl Perazzo in 1992, the group’s sound is heavy-hitting, dance-oriented Latin, embued with various traditional tropical and pop influences. “The concept of Avance has always been about experimenting with different styles that lend themselves to the Latin sound,” said Perazzo, who, due to a scheduling conflict, will not be joining Avance Saturday. “Content and genres of music have never been limited or censored. We can do

PHOTO COURTESY OF BILLY VERA

Billy Vera pays tribute to the masters of jazz on his latest album, which he’ll be performing at the festival.

something as traditional as Willie Rosario to Carlos Santana to Bobby Brown to Kool & the Gang back to Irakere.” The group features a trio of lead vocalists — Armando Cordoba, Jeff Cordoba and Jimmy Flores — along with a ninepiece Latin orchestra. “Bakersfield can expect interaction and participation from both parties involved: the band and audience,” Perazzo said. “We give 150 percent in everything we do and the energy is what people react to. Salsa, dancing and most of all, fun. You won’t be disappointed, guaranteed.” Following the annual fireworks display will be the electrifying climax of the festival, featuring saxophonist Steven Eugene Grove, aka Euge Groove. The wildly entertaining musician has a resume most musicians would die for, including appearing alongside Tina Turner, Elton John, Joe Cocker, Richard Marx, as well as stepping into the lead shoes for Tower of Power’s 1991 comeback album, “Monster on a Leash.” “Each one of them had a different lesson to teach; Tower of Power was definitely about energy and precision,” said Grove, 50, in a phone interview. “There’s no band that’s more energetic or more precise than that band. I really learned what a short, precise attack was about playing in that horn section, because if you messed up you’re all alone. Joe Cocker was all about passion. Richard Marx was about songs. I learned from him that you had to have a great song. Tina was all about class. I mean, she just exuded class. When she walked into a room, the room would just light up.” Even as a solo artist, Grove said he’ll always consider himself a product of his environment. “You can try to shape something as much as you want, but in the end, we’re all products of everything that we’ve been exposed to or have listened to our whole lives. I studied classic music all through college. I’ve listened to everything from Boots Randolph to Junior Walker and Gato Barbieri and didn’t start getting into the rock and roll stuff until the end of college. All that experience made what Euge Groove is.”

The Bakersfield Californian Thursday, May 16, 2013

Eye Street

Pot shots at Taft? Not from Chong Time in W. Kern custody rejuvenated comedian

Up in Smoke Tour When: 8 p.m. Friday & Saturday. Sold out. Where: Eagle Mountain Casino, 681 S. Tule Road in Porterville Information: 559-788-6220 or eaglemtncasino.com

BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

ou don’t often think of the Taft desert as a prime destination for spiritual rebirth. But for Tommy Chong, one half of the legendary comedy duo Cheech & Chong, the solitude of west Kern’s sprawling desert offered a chance to “blaze” a new path in life. Chong served a nine-month prison stint in 2003 at the Taft Correctional Institution for the manufacture and sale of his Chong’s Bongs and other smoking paraphernalia. “It was probably the most memorable nine months I’ve ever spent of my life,” said Chong, 74, during a phone interview. “It actually turned out to be a religious retreat for me because I wasn’t able to practice doing what I was doing on the outside.” Chong reteams with his longtime partner Richard “Cheech”

Marin, 66, for a pair of shows at Eagle Mountain Casino this weekend to kick-off the duo’s “Up in Smoke” tour. (Buzz kill: If, in Cheech & Chong style, you procrastinated buying tickets, both shows are sold out.) “And you know that desert area is so special,” he recalled. “I used to walk around in the yard and I couldn’t keep myself off the ground because there were so many treasures from the desert, all the different rocks and stuff. Where we were located was where the tarantulas migrated. And we had rabbits that would come to the yard. There were hundreds of them that would come in the evening. They were

like wild dogs that had been abandoned.” Following his release, Chong became an even more vocal advocate in the pro-pot movement, releasing a documentary, “a/k/a Tommy Chong,” that chronicled his arrest. “Everyone is embarrassed. Law enforcement are kind of disowning the whole thing. They’re all blaming George Bush.” But nowadays Chong is focusing on his comedy and the partner he met one fateful night in 1971 in Vancouver, British Columbia. The counterculture duo gained mainstream popularity in the States after releasing a series of best-selling albums and films, all featuring offbeat marijuana-laced themes and characters. The two abruptly parted ways in 1985 for solo careers, but their popularity as one of comedy’s most revered partnerships never faded. “Before we got together, we weren’t actors. I was a musician on the road with some band and Cheech was a singer in a band.

MATT SAYLES / AP

Comedians Tommy Chong, left, and Cheech Marin, bring their “Up in Smoke Tour” show to Eagle Mountain Casino this weekend.

Not a very good one, but our inabilities brought us together to make history.” Chong and Marin reunited four years ago, embarking on a successful tour that, according to Chong, should continue to their final puff. “I never really got over the breakup and I don’t think Cheech, he ever really got over it either. We’re deeper than brothers. So when we got back together again, neither one of our egos wanted it, but inside it was about time. We’d been apart long enough. “The great thing about our breakup was that we did it in such a way that we could get back together. “Too many groups break up and then it’s over, like the Beatles.

But Cheech & Chong, we quit early enough so that people never saw the end of the road. That’s why we’re back together, to fulfill our destiny.” Fans lucky enough to have snapped up tickets already will have the distinction of being something of a test audience for the tour, which features the bands Tower of Power and War. “We’re actually creating the new show in Porterville this weekend. This will be the first time we’re working with bands. It’s going to be more like a play than an act. There’s going to be a story, but I can’t say anything about it. I don’t want you to know before Cheech, because I can just see Cheech reading this and saying, ‘Hey, I didn’t even know that we were doing that.’”

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Thursday, May 16, 2013 The Bakersfield Californian

Eye Street

Do we have the next Nashville ‘it’ girl? BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

he road to Nashville is paved with the dreams of countless starry-eyed artists, many of whom work years to find fame with little to no success. Bakersfield country singer Whitney Wattenbarger knows it will be a bumpy ride, but with the backing of a local talent consultant with industry connections and new CD, she’s all in. “I listen to all genres of music but love country the most,” said the Centennial High grad, 20, who will perform Saturday night at the Spotlight Theatre to promote her debut CD, the aptly titled, “Just Getting Started.” “I know where I want to go. I just didn’t know the steps on how to get there.” Enter Bob Bender, who produced Wattenbarger’s album and, as an industry veteran of 30 years, is helping her plot her next move. Bender returned to Bakersfield in 2010 after working in artist development at Curb Records in Nashville for years. “As a performer, Whitney has that switch that lights up when she walks on stage and starts singing,” said Bender, 56, at his downtown Bakersfield office, filled with plaques that attest to his past successes working with

“Just Getting Started” CD Release Party When: 7 p.m. Saturday Where: Spotlight Theatre, 1622 19th St. Admission: Free Information: 326-1140

LeAnn Rimes, Ringo Starr and others. “I take on one or two projects a year at the most,” Bender said. “Most come from reference. I don’t necessarily go look for business. In a situation where an artist wants to be developed, such as Whitney or any artist, the timeline varies. On a project of this level and caliber, it takes about a year from inception to completion.” Following Bender’s strategy has already paid off for Wattenbarger if the list of high-profile appearances she’s had in the past year is any indication: She performed alongside country veterans Bryan White, Mark Wills and Pam Tillis, landed a guest spot at the upcoming CMA Music Festival and — in perhaps her biggest score yet — the singer recently opened for Darius Rucker before a sold-out crowd at the Fox. “It’s been amazing,” she said. “The experience has really helped me find myself. Everyone says

I’ve changed from the shy person I was in high school.” Ever-present by her daughter’s side is Jayme Wattenbarger. Asked during the interview to give her thoughts on the experience so far, she smiles. “It’s what she wanted to do and we want to support her.” Before her recent career surge, Wattenbarger’s public performances were limited to singing the national anthem at high school sporting events or taking up the mic for karaoke. But Bender said certain factors make up for her short resume. “They have to have that ‘it’ factor,” he said. “There are a lot of people that can get onstage and perform, but not a lot of people who can also entertain. Are they doing it by rote or are they expressing themselves and showing some passion when they perform? “In Whitney’s case, when I heard her sing, the very first thing I asked her was, ‘Who are your inspirations’ and ‘Who are the people that you listen to and help motivate you to be singer?’” Using Shania Twain and Rimes as inspiration, Bender and Wattenbarger settled on a direction and determined what kind of songs would suit the young performer, who has no original material of her own. “She’s definitely got a very pop,

PHOTO BY C&B PHOTOGRAPHY

Bakersfield country singer Whitney Wattenbarger will celebrate the release of her new CD Saturday at Spotlight Theatre.

young country feel about her, but she’s very traditional in her singing style,” Bender said. “It’s very Appalachian mountain, that type of inflection in her voice.” Wattenbarger’s work on the album in Nashville began last year after a series of creative meetings with Bender, who’d been sent 70 original song submissions to her for recording con-

sideration. After whittling the list to 10, Bender next sent a team of session musicians to record the music before adding Wattenbarger’s vocals to the mix in Nashville. “We sat down and picked the songs that would suit a 19- to 20year-old,” said Bender. The album was recorded over two three-day sessions in Please see WHITNEY / 31

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The Bakersfield Californian Thursday, May 23, 2013

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index Craft Beer Festival.................................... 22 Big change at East Hills theater.............. 23 Scott Cox .................................................. 25 The Lowdown with Matt Munoz.............. 26 Korn on personal mission........................ 26 Masterworks Chorale .............................. 28 Hobo Breakfast........................................ 29 Calendar .............................................. 34-35

CHAPTER FIVE: Seeking answers You see, this is a recurring puzzle. Like the sense of having words on the tip of your tongue but no ability to form them.

You know the answer will come when you least expect it. Until next time, my late night visitor, I will hum the tune and ponder.

Thursday, May 23, 2013 The Bakersfield Californian

“My work shows that I think outside the box. I don't paint in traditional colors and lines. I am not professionally trained, so my art is raw.” — Christina Sweet

A protagonist steps to the fore Sweet brings pensive woman into our story BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

ive chapters in to the story about a mysterious figure in a courtyard, we finally have a protagonist: a woman staring pensively into space. “I sat to write my segment of the story first,” said artist Christina Sweet of her Eye Gallery assignment. “I wanted to move the story along, closing one chapter, and leave it wide open for the next artist. I also introduced the main character as a woman. While applying the paint, I kept the layers light and watered down to allow the wood grain to be exposed. I feel it gives it an additional textural look.” Sweet, like the artists who came before her, was given 96 hours and, for reference, the chapters and artwork created to that point. Last week’s installment, by artist Al Mendez, was a striking painting of a wave, but it did represent a bit of a visual departure from the series so far, creating an opportunity for Sweet. “The biggest challenge was trying not to be too influenced by the painting just before mine, and to create something that would fit as a whole with all the preceding works. “I love a challenge. This body of work is interesting to me in that it is progressive. It could take a turn at any time.” As artist, curator and founder of The Foundry art gallery, Sweet, 34, has become a prominent voice in the local art scene in just a few short years. Sweet’s work and role at The Foundry have become a driving engine of the First Friday art walk, and she’s used her influence to help encourage the careers of the gallery’s 80-plus members while nurturing future talents, including her three young daughters: Shelby, Emily and Audrey. “It is my life's passion to encourage arts to children. At The Foundry, we are starting art education workshops to help facilitate that this summer. I'm also strongly driven to expose up-andcoming artists and help them learn how to succeed in their craft.”

Adding to her list of art-related accolades, Sweet was named The Californian’s breakout artist of 2012. “I enjoy colorful art. Artworks that tell a story all within itself speak to me most. On the other hand, I most enjoy creating art that is more representational but in an abstract style and color palette.” How long you’ve been painting: Since the age of 10. Memory of the first time you sold a piece of work: Age 14. I painted 23 characters over two walls in a baby's nursery. What were hoping to convey to the viewer with this piece: An emotion. The character is left confused and anxious, but this feeling is familiar to her and she has to move on. Favorite artists: I’d have to say my favorite artist of all time is Andy Warhol. I love his bold presentation. I can’t say I have an absolute local favorite. I enjoy the works of so many local artists, for many different reasons. When did art become a passion: I found my niche here in town just four to five years ago. I've always practiced. My mother kept me very busy as a child and teen painting murals in the house and canvas pieces. I knew from the first wall mural I did at age 10 that it was my passion. I just didn't know how to drive it. The work I'm proudest of: My piece titled “RUN!,” that was exhibited at Metro Galleries for last year’s Latination art show.

FELIX ADAMO / THE CALIFORNIAN

As artist, curator and founder of The Foundry art gallery, Christina Sweet, 34, has become a prominent voice in the local art scene in just a few short years.

Next week Our late-night visitor returns in Chapter Six, but artist Byron Rhodes senses his intentions are good.

I feel it opened a gateway for me and my new style. Your most supportive mentor: As far as biggest supporter goes, I’d have to say my team at

The Foundry. Our members are always so helpful. They truly cheer us on and make it all worth it for me. Foundry aside, I would say Don Martin of Metro Galleries. He is encouraging and has the know-how to help or give advice at every turn. He is a hardworking arts community pioneer in my eyes. What your art says about you: My work shows that I think outside the box. I don't paint in

traditional colors and lines. I am not professionally trained, so my art is raw. Some of your non-art passions: I love to bake and cook. I enjoy time in the kitchen most while home. I love trying new recipes. Feeding my family makes my heart happy. How to learn more about my work: csweetart.com and bakersfieldfoundry.com

The Bakersfield Californian Thursday, May 30, 2013

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index Theresa Caputo ........................................ 20 Menudo Cook Off...................................... 21 Arts Alive .................................................. 22 This Week’s Obsessions .......................... 23 The Lowdown with Matt Munoz ............ 24 Susan Scaffidi column ............................ 27 Victorian tea party .................................. 27 Calendar .............................................. 29-31

CHAPTER SIX: My life’s song As the waning crescent moon disappeared with the night, the sun rose to reveal my returned “late night visitor.” The hooded mystic of musical aptitude led me to the land where all emo-

tions and events of life are dissolved and infused into music. The melody that was so familiar was my life’s song. My visitor knew I was ready for a new one.

Thursday, May 30, 2013 The Bakersfield Californian

“I enjoy art that is rendered somewhat realistically but the images in the work don’t really exist in reality; or they may, but are not portrayed that way.” — Byron Rhodes

Journey takes a surreal turn Rhodes plays with reality in latest chapter BY JENNIFER SELF Californian lifestyles editor jself@bakersfield.com

he eye-catching works submitted by artists for this year’s Eye Gallery art series have been admired and scrutinized by thousands of newspaper readers. But no one has pored over them more closely than Byron Rhodes, this week’s featured artist and author of Chapter Six of our story. “I began by really working out a concept based on the narrative provided,” said the artist, 31. “This came by reading and rereading the previous artists writings and studying their artworks.” Rhodes’ stunning piece features the protagonist introduced in last week’s chapter and the mysterious figure referred to since Chapter One. “The goal of my image was to create an allegory of the journey the character chose to make, which she believes will change her life in a positive direction.” Rhodes was born and raised in Bakersfield, graduating from North High in 1999 and earning a bachelor of fine arts in studio art from Point Loma Nazarene University in 2004. The artist enjoys cycling and other athetic pursuits, as well as studying the Bible, reading, movies and studying science when he’s not working his day job at Banks Pest Control. He spends much of his spare time with girlfriend Jill Kochendorfer. Rhodes took some time out of his busy schedule to answer our Eye Gallery questionnaire: How long have you been an artist? I have been drawing for as long as I can remember and haven’t stopped. I typcially work in acrylic, graphite, pen and ink, colored pencil, watercolor. Explain your process/technique on this piece: Once I finalized a concept, I began the work of sketching out the image and making all the elements fit compositionally. This process was aided by some reference images, but the majority of the sketch was from my imagination or visual memory.

Once I had the composition laid out and I was happy with all the aspects of the preliminary sketch, I transferred the image to the final surface that I had already gessoed. At this point the painting process could begin. I started with a base color, which may not be close to the final color but it helps jump-start the piece. In this case, I worked out the colors as I went, only having a vague idea of what they would be. I wanted to include some color from the previous artworks in the narrative to create some unity for the whole show. If I was not happy with a color, I would rework that area. This process would continue until the piece worked as a whole. A final clear gloss coat was applied to make the sheen uniform and to protect the final image. What kind of art speaks to you? I enjoy art that is rendered somewhat realistically but the images in the work don’t really exist in reality; or they may, but are not portrayed that way. This would be why I am drawn to Surrealism. Favorite artist: Recently I have really enjoyed the works of Todd Schorr. Two artists that I have followed since around 2002 are Joe Sorren and Tim Cantor. When/how I knew art would be my passion: I have been drawing and creating art since I can remember. Art is something that I have enjoyed success in, whether it is private or public.

FELIX ADAMO / THE CALIFORNIAN

Artist Byron Rhodes enjoys cycling and other athletic pursuits, as well as studying the Bible, reading, movies and studying science when he’s not working his day job at Banks Pest Control.

Next week Many doors, but will she walk through? Artist Dacey Dia Villareal continues the story. Do you get many commissions? Yes, I do, but recently I have chosen not to accept them because of my busy schedule.

There are rare exceptions. How hard is it to find a place to show your work publicly? It is not hard at all. There are many opportunities to show work through shows with the Arts Council of Kern or other shows they advertise. The Bakersfield Museum of Art also organizes the Visual Arts festival annually. There are other venues around Bakersfield that

are looking for artists to become involved in presenting work. Most supportive mentor: My dad. He has given me many opportunities to create artwork for projects. I talk to him more than anyone about art philosophy, many times we actually argue about it, which I enjoy. On several occasions he has helped me articulate my artistic vision.

The Bakersfield Californian Thursday, May 30, 2013

Eye Street

Do you Twitter? Find out what issues are the hot topic of the day, and get up-to-the-minute with the latest news and events.

Alert the Padre ghost: Medium returning

twitter.com/bakersfieldcali

TONY’S PIZZA

After featuring city on show, TV star to delve deeper BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

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PART III

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t’s been about a year since Theresa Caputo’s visit to Bakersfield revealed some supernatural activity in the halls of the Padre Hotel. But Caputo — in town last summer for a taping of her television show, “Long Island Medium” — wanted to reassure Bakersfield fans about her encounter with the spirit of a young girl rumored to roam hotel hallways at night. “She was very happy,” said the manicured medium, who answered our questions via email. “She was dancing and singing and all she kept talking about was her handprint.” Caputo brings her second sight and bouffant coif back to Bakersfield, this time with a new one-woman show, “Theresa Caputo Live: The Experience.” The show takes place at Rabobank Theater on June 7. “Bakersfield was beautiful. I enjoyed the horses, but it was very hot.” Ticket sales have been brisk for Caputo’s upcoming appearance, helped in part by the return of her television show Sunday nights on TLC. She joins fellow TV medium Sylvia Browne as a big draw onscreen and off. “I choose to use my gift to help people and my wish is that they receive a message that will help them to embrace life. According to her bio, Caputo became aware of her “gift” at the age of 4. As her abilities developed, she took her mother’s advice and sought the counsel of spiritualist Pat Longo. Caputo began as an independent medium working through word of mouth, and her growing popularity drew the attention of the TLC network, which premiered “Long Island Medium” in 2011. “Everyone is different on how they connect with spirit,” Caputo said. “Sometimes a young child says things that they couldn’t possibly know. An example is if they blurt out your deceased grandmother’s favorite flower.

PHOTO COURTESY OF THERESA CAPUTO

Tickets are currently on sale for an appearance by “Long Island Medium” star Theresa Caputo at Rabobank Theater on June 7.

Theresa Caputo When: 8 p.m. June 7 Where: Rabobank Theater, 1001 Truxtun Ave. Admission: $33.75 to $83, plus service charges Information: 852-7777 or ticketmaster.com

“‘There’s Nana’s favorite gardenia!’ How would they know that? Having imaginary friends can also be an early sign. “I feel that we were born this way. We may develop it later in life, but the ability was always there.” As with most people who claim to have a pipeline to the other side, Caputo has had her share of skeptics. She takes the criticism in stride, expecting it to come with the territory. “I respect the skeptics. I get and understand that it’s hard to wrap our physical minds around what I’m able to do. I’m not here to make people a

believer in mediums or to prove or defend my gift. People don’t have to believe in what I do but they can’t deny how it has helped people. I suggest that they talk to people who have had the experience with me and see how it has been life-changing for them.” But Caputo’s popularity can’t be denied. Believers keep her busy with readings at live events and through her official website, where she interacts with fans, many of whom have adopted her trademark fashion and hairstyle. “It’s crazy. You gotta love Theresa Caputo fans. They’re awesome. I receive thousands of emails a week for people requesting to have a session.” Bakersfield can expect a full evening of Caputo, who will share personal stories and interact with the audience and any willing spirits, when she hits the stage in her signature Long Island diva mode. “I am going to show up with my hair and my nails done, great dress and fabulous shoes.”

FIRST LOOK Join assistant lifestyles editor Stefani Dias from 9 to 10 a.m. this morning on bakersfield.com for “First Look with Scott Cox.” We’ll discuss upcoming events, including Stars Theatre Restaurant’s “My Way: A Musical Trib-

ute to Frank Sinatra,” which opens Friday; the 15th annual Latin Food Festival and Menudo Cook Off on Sunday; and “Long Island Medium” star Theresa Caputo’s appearance next week at Rabobank Theater.

The Bakersfield Californian Thursday, May 30, 2013

Eye Street

Outdoor concerts: We’ve got ’em down Weather usually cooperative for some summer-time groovin’ BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

he popular Silver Creek Music Fest and Marketplace Concerts by the Fountain return next week with a full schedule of local music. Held every Tuesday and Thursday from June through August, the music showcases feature bands specializing in everything from rock and reggae, blues, Celtic, oldschool and jazz. Both series attract some of the most funloving crowds in Bakersfield. If you’ve never attended, we’ve put together some suggestions on how to best get your groove on. The Silver Creek Music Fest kicks off Tuesday with the Latin ska sounds of Mento Buru (full disclosure: I’m a member of the band). Silver Creek has plenty of room for a blanket or lawn chair, along with a nearby playground, which is within view of the concrete stage near the basketball courts. On-site parking is limited, but there is ample parking available on the street. The annual Marketplace Concerts by the Fountain series is held at the middle of the outdoor shopping center’s main court, surrounded by restaurants and places to grab a cool drink or small meal. The giant water fountain is turned off during the shows, and audiences are welcome to just listen or groove with your favorite dance partner. Local all-star jazz ensemble Chesterfield King kicks off this season’s opener on June 6. Every Thursday thereafter, listeners will be treated to a variety of entertainment

TEA: CONTINUED FROM 27

busy spring/summer for the fort, located about 40 minutes south of Bakersfield, in Grapevine Canyon. Civil War re-enactors will be back at the fort the third Sunday in June and August, though Bosley noted that the upcoming 150th anniversary of the Battle of Gettysburg, July 1-3, will likely reduce re-enactor attendance at the June event. “We stage two Civil War battles,” Bosley said. “People can speak to the soldiers, all in character. When you speak to people who are re-enactors, it’s 1862 for them.” Then the fort will host its annual Fourth of July celebration, a return to form after a thrown-together affair last year, just days after staffers learned the park would be spared. “It’s called the old-fashioned fourth of July,” Bosley said, noting the daytime event is family friendly, featuring pie-eating contests, sack races, watermelon-seed-spitting competitions and volunteers dressed in period clothing leading tours and conducting demonstrations.

The Silver Creek Music Fest 7011 Harris Road; shows at 7 p.m. June 4: Mento Buru June 11: John Hollins Band June 18: Bunky Spurling June 25: 1916 July 2: Thee Majestics July 9: Soulajar

Marketplace Concerts by the Fountain 9000 Ming Ave.; shows at 7 p.m. June 6: Chesterfield King June 13: Foster Campbell & Friends June 20: A.K.A. June 27: The Nightlife Band July 4: Thee Majestics July 11: Triple Threat July 18: Steely Dan tribute with The Blue Deacons July 25: Fatt Daddy Blues Band Aug. 1: The Mike Montano Band Aug. 8: 3 Guys Playin’ The Blues Aug. 15: Soulajar Aug. 22: The G-Sixx Band Aug. 29: Mento Buru

suitable for kids to grandparents. Early arrival is recommended and there is plenty of free parking at or near The Marketplace. There’s no bad view, so feel free to bring a picnic, some lawn chairs or a blanket and enjoy cool tunes under the warm summer moonlight. All ages are welcome, but you’ll want to keep an eye on the wee ones as there are no designated play areas around the shopping center.

In September, the fort will present a timeline of its history, starting with the mountain men of the 1830s, on through the U.S. Army years in the 1850s and ’60s, and then the ranch era. The timeline will end around World War I, when Bosley said troops were garrisoned there. Returning in October will be Peter Lebec Day, in honor of the famed mountain man killed in the Fort Tejon area by a grizzly bear in 1836. A popular candlelight ghost walk tour — a rare night event at the fort — attempts to track down Lebec’s spirit, which is a much less gruesome way to commune with the pioneer than the avenue taken by some rowdy visitors about a century ago. “Peter Lebec’s body has been dug up a couple of times,” Bosley said. “The Fox Tail Rangers, a social group from Bakersfield, dug up his body and had it sitting there for their picnic in the 1890s.” In addition to the special events, Fort Tejon State Historic Park presents living history demonstrations the first Saturday of every month.

Thursday, June 6, 2013 The Bakersfield Californian

Eye Street

PHOTO COURTESY OF CHEAP TRICK

Cheap Trick appears with Pat Benatar and Neil Giraldo at Rabobank Theater on June 14.

Still want us to want them, and we do Cheap Trick’s perfect pop/rock songs impossible to resist BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

hen the four members of Cheap Trick stepped onstage in front of 12,000 screaming fans that hot night in Tokyo to record the landmark live album “at Budokan,” little did they know the lasting impact of six slowly spoken words strung together to form what would become one of the most forceful commands in rock history: “I want you to want me.” It’s one of a number of memorable moments for Cheap Trick guitarist Rick Nielsen, whose had many over the decades. Yet he still remembers the magic of those recordings, captured on tape, over two sold-out shows in 1978. The live record is a mainstay on lists of rock’s essential albums, and Nielsen and original Cheap Trick members Robin Zander and Tom Petersson have plans to recreate some of the “at Budokan” experience when they appear at Rabobank Theater on June 14. “It was originally made exclusively for our Japanese fans,” said Nielsen, 64, during a phone interview. “The label’s college rep in Japan at the time helped put that together for Epic/Sony. When the rest of the world found out about it, it became a huge hit. That same label rep ended up becoming the president of the company.” As for vocalist Zander’s exaggerated enunciation when communicating with the audience between songs, Nielsen recalled it came by request from the show’s promoters. “They told us, ‘The Japanese wanna hear what you’re saying, so speak slowly if you

“I mean, it’s funny when people say, ‘You’re a big influence.’ Then I hear them play, and it’s like, ‘Where?’” — Rick Nielsen, Cheap Trick guitarist

would.’ So, here we are, ‘This-next-one-isthe-first-song-on-our-new-album,’ and so on all night. I think people thought we actually spoke that way.” While touted in the overheated Japanese press as the “American Beatles,” Cheap Trick has always straddled the line Stateside between being a working man’s rock band and eclectic cult music heroes. Let’s start with the band’s classic onstage image: There’s Nielsen, who, with his trademark old-fashioned baseball hat, has created the most indelible visual image for the band; bassist Petersson, the rocker known for his bushy hair and flowing open shirts; on the opposite end is Zander, chic in his signature suit and tie; and then there was chainsmoking drummer Bun E. Carlos behind the kit (Nielsen’s son, Daxx, is currently playing drums while Carlos is taking a break from the road.) Blend the visual with the music and you have one of the most memorable power pop bands of the ’70s and ’80s. The bands string of albums all include now-classic staples of popular/classic radio: “Surrender,” “I Want You to Want Me,” “If You Want My Love,” “Dream Police,” “The Flame,” and others. “We’re always workin’ our tails all over the place to think about much other than make music. I don’t think we’ve ever rehearsed. We all have our own lives. We’re on the road all the time, so we don’t really Please see CHEAP TRICK / 27

Thursday, June 6, 2013 The Bakersfield Californian

Eye Street CHEAP TRICK: CONTINUED FROM 19

think about things like what keeps the group together. We just are.” Heading into the group’s fourth decade, Nielsen is humbled about the universal praise Cheap Trick has been getting as an influence on rock’s current young guns. Musician Dave Grohl offered the latest tribute by including Cheap Trick in his acclaimed documentary, “Sound City.” “That stuff is great. I certainly don’t wanna influence any older bands. Ya know, I don’t really think about it. I mean, it’s funny when people say, ‘You’re a big influence.’ Then I hear them play, and it’s like, ‘Where?’” Cheap Trick has yet to be inducted in the Rock and Roll Hall of Fame, a snub that has a lot of fans speaking out on behalf of the band. But whether their induction happens next year, in another 10 or never, Nielsen doesn’t pay it any mind. “We’re still playing. That’s all that matters. I have no control over the hall of fame. I can be mad, laughin’, or be OK if it doesn’t happen. It’s like, why do we deserve it more than the next band? We’ve made a bunch of records, some of them have been good, some OK, and the fact that we’re still playing — that’s a Rock and Roll Hall of Fame. I mean, I played with John Lennon. The guitar that I gave him is at the museum. People say, ‘I was at Woodstock.’ Well, there were a lot of people at Woodstock, but there are 10 times more people that said they were there.” Before leaving our interview, Nielsen recalled a chance meeting with a member of the Beastie Boys, who’d used a sample from “at Budokan” to kick off the rappers’ 1992

SHIFLETT: CONTINUED FROM 23

Cheap Trick, Pat Benatar and Neil Giraldo When: 7:30 p.m. June 14 Where: Rabobank Theater, 1001 Truxtun Ave. Admission: $33 to $88, plus service charges

album, “Check Your Head,” without the group’s permission. “I was in Italy about 10 years ago at a place called Radda in Chianti out in the middle of nowhere. I stopped into this place I like having ice cream at, and up runs up one of the Beastie Boys. I told him, ‘I should be chasing you to get the royalties for that.’ He started laughing. We never got anything out of it, but it wasn’t like they were making fun of us. It must’ve meant something to them. It’s cool.” Also appearing on the bill with Cheap Trick is singer Pat Benatar. One of the most iconic women in rock music, Benatar has sold more than 30 million records and won several Grammys over the course of her career. After bursting onto the scene with a mix of classically trained vocals and energetic rock style in the ’70s, the pint-sized singer became synonymous with the decade to follow with a string of hits, including “Hit Me With Your Best Shot,” “Love Is a Battlefield,” “Heartbreaker,” “Promises in the Dark” and “We Belong.” She and husband/guitarist Neil Giraldo have been inseparable since Giraldo was hired to assemble Benatar’s first backing band in 1977.

“The initial idea for the Dead Peasants I had during that tour was that we should learn a bunch of old honky-tonk cover songs and get a residency for a month in Bakersfield and play every Tuesday or something. We never had a chance to do that, because logistically it would have been too challenging. Then I thought maybe we should go play up in Bakersfield and record one of our gigs, and put out a live record. We eventually ended up in the studio.” Kicking off the 10 tracks on “All Hat and No Cattle” is a cover of the Don Rich/Buckaroos classic, “Guitar Pickin’ Man,” followed by Del Reeves’ “Good

LOWDOWN: CONTINUED FROM 22

the time. But working with Norman Whitfield was really a joy. Like a dream.” With 14 studio albums to their credit and almost as many compilations, live records and singles, Bridges feels blessed to be remembered among the flood of current artists. “This is all I’ve done since I was 16. The music in our days, from the ’60s to the ’70s and even into the ’80s, all told stories. I don’t mean to sound like an old fogey, but I just don’t like much of today’s music.” Saturday’s showtime is 8 p.m. Tickets are $10. Bright House Networks Amphitheatre is located at 11200 Stockdale Highway. For more information call

Time Charlies.” Shiflett pays his homage to Merle Haggard with “Skid Row” and covers Buck Owens’ “King of Fools,” before tearing into Waylon Jennings’ “Are You Sure Hank Done It This Way?” The album comes off not as a vain attempt at modernizing the classics to appeal to hip crowds, but as a heartfelt love letter to a bygone era of whiskeysoaked honky-tonk. This set may turn some young heads, but it’s sure to please the purists as well. “It’s very special to us that we’re not only finally playing in Bakersfield but it’s at the Crystal Palace. We’re going to be playing as long as they’ll have us. It’ll be a good time for sure.”

852-7777 or visit ticketmaster.com.

Matt’s pick Cabaret Voiler at the Empty Space, 706 Oak St., 8 p.m. Friday, $20, 327-7529. Not a burlesque show, but a classic music, comedy and dance cabaret show featuring live performances from local artists Johnny Monroe, Robyn lace, Jessica Jans Aleman, Eric Tolley, Michelle Guerrero and Alison Martin. Also scheduled to appear: Bahiyya Almas belly dancers and the Simply Irresistible Pole Fitness dancers. According to the show’s organizers, there is no nudity and with the exception of a few words and suggestive dance moves, the show is rated PG-13.

Thursday, June 6, 2013 The Bakersfield Californian

Eye Street

PHOTO BY MICHAEL ELINS

Foo Fighters’ guitarist Chris Shiflett will appear with his country side project, the Dead Peasants, at Buck Owens’ Crystal Palace on June 13.

Foo for thought: Rocker explores country side Guitarist has good sense to know Bakersfield is best place to start BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

hen Foo Fighters returned from their latest tour around the globe, guitarist Chris Shiflett didn’t just go home. He went country. Shedding his hard-rocking persona for a project dear to his musical roots, the busy musician set his sights on hitting all the right notes with a new tribute to classic country, focusing on the Bakersfield Sound. Backed by his band, the Dead Peasants, Shiflett will showcase material from the group’s upcoming new album, “All Hat and No Cattle,” with a free show at Buck Owens’ Crystal Palace on June 13. “Bakersfield is kind of the spiritual home of my favorite country music, whether it’s Merle Haggard and Buck Owens, Wynn Stewart, Lefty Frizzell, all those cats that were around that scene,” said Shiflett, 42, during a phone interview. “That’s really the stuff I like the most and the biggest influence on what we’re doing right now.” Shiflett is no stranger to the streets of Bakersfield. Over the years, he and Foo Fighters bandmate Dave Grohl have been spotted at various locations between tour rehearsal sessions at Rabobank Arena, a venue that’s become a popular woodshedding hideaway for the platinum-selling act. “I’ve actually been through Bakersfield a lot. I drove up there and saw the Pixies play at the Fox one night, I saw Merle Haggard a couple years ago. I always pop up into Front Porch Music. They have a great selection of Mosrite guitars in there. Most of them, for some reason, aren’t for sale. I

Chris Shiflett & the Dead Peasants When: 7 p.m. June 13 Where: Buck Owens Crystal Palace, 2800 Buck Owens Blvd. Admission: Free Information: 328-7560

still like to go in and look at ’em.” Shiflett is such a regular, he knows where to go to get the good stuff when it comes to food and confections. “There’s those great Basque restaurants, and Dewar’s. Every time I’m in Bakersfield I stock up on the saltwater taffy.” Shiflett described the formation of the Dead Peasants as the result of an ongoing journey dating back to his early years. “I grew up listening to rock and roll and heavy metal. But I always liked the early Beatles, the Stones and Elvis, who had that twangy thing going on. It always appealed to me. I was a fan of the Stray Cats and Robert Gordon. Through that I discovered a lot of the obvious Sun Records music.” Helping bridge the gap was a friend of Shiflett’s who pointed him to the recordings of Buck Owens, Merle Haggard, and the Bakersfield Sound, which took hold of his creative spirit. “I just dug into those catalogs. It all just struck a chord with me. It’s like, how do you describe what it did to you emotionally? I don’t know why; it just does.” After a few intense years touring and recording with the Foo Fighters, Shiflett debuted the all-star Dead Peasants lineup in 2010 with a self-titled album of originals, which were met with critical acclaim. But following the release of the Foo Fighters “Wasting Light,” Shiflett pulled back on his side project. Please see SHIFLETT / 27

Thursday, June 6, 2013 The Bakersfield Californian

Eye Street CHEAP TRICK: CONTINUED FROM 19

SHIFLETT: CONTINUED FROM 23

Cheap Trick, Pat Benatar and Neil Giraldo When: 7:30 p.m. June 14 Where: Rabobank Theater, 1001 Truxtun Ave. Admission: $33 to $88, plus service charges

LOWDOWN: CONTINUED FROM 22

852-7777 or visit ticketmaster.com.

The Bakersfield Californian Thursday, June 13, 2013

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index Boz Scaggs & Michael McDonald............ 24 Arts Alive .................................................. 25 ‘Man of Steel’ review .............................. 26 ‘This is the End’ review............................ 27 The Lowdown with Matt Munoz.............. 28 This Week’s Obsessions .......................... 29 Billy Mize movie fundraiser .................. 30 Calendar .............................................. 33-35

CHAPTER EIGHT: A dark turn And I won’t. There is no coming back. You deceived me while living and you insist on haunting me now. I despise being a widow, but I do not miss being your wife.

I learned to live alone by living with you. So it would be perfect — if you go chase them now. And stop this music. Your song is useless. Remember… we never danced.

Thursday, June 13, 2013 The Bakersfield Californian

“Painting was always there for me when nothing else was. Like a best friend who readily listens quietly without judgments.” — Betty Leonor

Betty Leonor: Mistress of mood Stunning work takes story into wonderfully pulpy direction BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

ur Eye Gallery story — all shadows, mysterious figures and haunting music — has been flirting with darkness from the beginning, but the saga has finally gone full-tilt noir, and Betty Leonor was just the artist to do it. Conveying mood is a specialty of Leonor’s, evident in all her work, and she uses that gift to give Chapter Eight of the ongoing narrative a sense of regret and loss. Using her trademark warm palette and sensual eye, the artist jump-starts the plot by offering detailed imagery and text where prior artists offered only hints. Our protagonist is shown sitting on a bed, languidly smoking a cigarette as she studies newspaper clippings detailing the tragic end of a couple whose lives were a painful reminder of her own lost love. A wine bottle lies empty on the bed. “Trying to find a backbone to the story was the challenge,” said Leonor, who, like all the Eye Gallery artists, was given the opportunity to study the artwork and text up to her point in the series. “So when I noticed that I needed to urgently create a solid base for the story, I gathered all the writing, avoided looking at any of the pictures, and came up with something less familiar and more concrete.” Her analytical approach to the project makes sense, given Leonor’s field of study was business, not art. “Discipline, focus and determination to grow are key elements. Maybe I was fortunate to have attended school for business and not art, or perhaps it all adds up the same. Not having an art training has been my biggest battle, but I do see more and more trained artists struggle with the business end of it.” Born in New York, Leonor — of Dominican heritage — spent a lot of time overseas growing up, in places as far-flung as Santo Domingo and Spain. “I was not raised around art at all. I don’t even recall knowing there was such a thing as being an artist. I knew of creative careers like designers, interior decorators, architects, musicians, writers, but to paint was in the hobby category, like crocheting or horseback riding. As a child, I thought I was just a heavy dreamer, inclined to draw, simply because I needed a place to put all my dreams.” Over the last several years the representations of her dreams have been displayed on the walls of galleries across the western United States, including her first exhibition in Las Vegas and several one-woman shows here in Bakersfield, where Leonor

moved six years ago. She remembers selling her first painting in 1996, when she was a struggling single mother. The buyer, it turned out, was after more than her work. “I sold it to a man that wanted a chance to take me to dinner. He thought it clever to use the excuse of wanting to see my work and buy a painting. I was a single mom, going to school and working two jobs to make ends meet. That sale paid that month’s rent and I’ll never forget the joy and relief.” While she never obliged the man's offer for dinner, she did continue to paint and 12 years later found herself taking the plunge to become a full-time artist. During her first exhibition in 2008, a respected mentor advised Leonor that she needed formal training, forcing the artist back to the drawing board. “After being offended and in total denial for a little over a week, I went and did what he said, but my way. I bought every drawing book on the market and even read most. But I began faithfully drawing night and day. Today, five years later, I do know what he meant, and consider it one of the best pieces of advice ever given to me.” Explain process/technique on this piece: A good portion of the time was spent collecting the images that would make the background. I had to find newspaper clippings of a band, a crash, a good image of a woman that was the opposite from the one telling the story on the bed and different photos of the same man. Once found, I combined, edited, and sized everything with Photoshop into one background piece. This background was printed in archival digital paper and adhered with acrylic medium to the primed wood. I glazed the background several times and let it dry. Then came the painting part — I designed the room with different complementary light hues and gave it textures using different acrylic mediums and a palette knife. The woman in the bed, lamp, and the remaining the items were all painted traditional-style with a brush. I painted a mustache on all the images of the man. Those images were actually of the actor Gary Cooper.

ALEX HORVATH / THE CALIFORNIAN

Born in New York, Betty Leonor — of Dominican heritage — spent a lot of time overseas growing up in places as far-flung as Santo Domingo and Spain.

Next week Artist Adel Shafik wonders about opening another door in Chapter Nine of our story.

When did you know art was your passion? There was no epiphany. Painting was always there for me when nothing else was. Like a best friend who readily listens quietly without judgments. Very intimate and personal. It never occurred to me to live without it and I didn’t begin painting for the sake of art; I began for the sake of me. So while some people paid a shrink, I just bought more canvas. What kind of art speaks to you? I have the most respect for realism. It isn’t easy and you get no breaks. I am

blown away by paintings that clearly show me the artist’s eye and how they can highlight subtly their subject, capture a mood and/or masterfully place brush strokes that seem effortless. What does your art say about you? Although I use my own life and personal experience as reference, it is the universal emotion that I try to capture and frame. I love when I hear someone say, “Oh my God! That can be me, I’ve been there,” or “That’s exactly how I feel.” I know then I have accomplished my goal. Beyond art, what else are you passionate about? I enjoy designing my own clothes and making them. Cooking my signature gourmet fusions is now a regular event in my home. Traveling to foreign countries has always been fascinating. Love books, so reading is on the list

The Bakersfield Californian Thursday, June 13, 2013

Eye Street

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t’s a voice so unique and soulful that it has the power to take millions of baby boomers to the streets while triggering uncontrollable fits of laughter in the children of said baby boomers. But no one is happier than Michael “Yah Mo B There” McDonald that his baritone still has cultural currency as a popular punch line in comedies like “The 40-Year-Old Virgin” and “Family Guy” and countless YouTube videos poking fun at his genre of music, affectionately dubbed “Yacht Rock.” “I think they’re great,” McDonald said. “I was introduced to those by my kids who love to laugh at me. They were much younger when they came out, and we also got a big kick out of the ‘Family Guy’ stuff and all that.” McDonald can be a good sport about the mockery because his success as a solo artist and in The Doobie Brothers is proof enough that his voice endures, as does that of his old friend Boz Scaggs. The two will play for Bakersfield audiences at Rabobank Theater June 19. McDonald and Scaggs are used to sharing a venue, most recently touring for a lengthy trek under the name Dukes of September Rhythm Revue, with Steely Dan keyboardist Donald Fagen. With the trio now broken down to a pair, McDonald, 61, said he looks forward to this go ’round. “This trip, we’ll have two separate bands. It’s always fun to play with Boz. There’s always been a kind of kindred spirit in our music and the era that we found some big success.” Both vocalists enjoyed most of their success in the 1970s and ’80s, McDonald as a pianist and vocalist for The Doobie Brothers and a vocalist for Steely Dan, Scaggs as a guitarist and sometimes lead singer for the Steve Miller Band. Looking back, McDonald said he was happy to play a background role until one day in 1975, following a studio playback with Steely Dan for the album “Katy Lied.” “I noticed I had something different when I sang ‘Bad Sneakers’ for that record. It was the first time I’d heard myself alone in a background capacity. Somehow my voice took on a sort of ethereal sound because of the timbre of it. Donald (Fagen) liked the sound a lot.” Scaggs, meanwhile, said he was

PHOTO COURTESY OF MICHAEL MCDONALD

Michael McDonald appears with Boz Scaggs at Rabobank Theater on Wednesday night.

Boz Scaggs and Michael McDonald When: 7:30 p.m. June 19 Where: Rabobank Theater, 1001 Truxtun Ave. Admission: $38 to $98, plus service charges Information: 852-7777 or ticketmaster.com

inspired to follow in the footsteps of blues guitar greats Freddie King, TBone Walker and B.B. King, talents whose determination pushed them to the stage night after night, fueling creative fires during long days of recording. And while today’s technology may help lighten the workload, said Scaggs, 69, there are other problems his musical forefathers couldn’t have imagined. “It’s an ever-changing thing,” Scaggs said. “It’s like our way of living has been pulled from under us, but it’s also a way to get our music out. What you try to do as an artist, you try to find an audience. As you find or expand an audience, you are able sustain what you do. As long as you

can do that, you can continue being an artist.” But Scaggs does have his limits when it comes to the modern age of social networking. “I think it’s fantastic how people are keeping up with each other,” he said. “I don’t do that, because I don’t have time. I’ve never sent a Tweet in my life, and I don’t even know what Facebook is. I just go make records with my friends and go out on tour. I know that’s over simplifying to some degree, but I just do it the way I’ve always done it.” With that in mind, Scaggs creates a set list for his shows that spans his long career. “We’ll be pulling music from ‘Silk Degrees,’ my new ‘Memphis’ album, plus a lot of the requests I get from fans. It’s all over the place.” McDonald, too, plans his concerts around meeting listeners’ expectations. “There are fans that like to hear stuff they haven’t heard in awhile or the ones who like a certain grouping of songs, which usually works with most audiences. The real trick is bringing out songs from the past and new ones to put in the show.”

The Bakersfield Californian Thursday, June 20, 2013

Eye Street JAM: CONTINUED FROM 18

This Week’s Obsessions

This Foo Fighter would do his honky-tonk heroes proud I went to the Crystal Palace last Thursday to see Foo Fighters guitar player Chris Shiflett. It seems Chris and some friends decided to devote a year to proper honky-tonk music. The tour they’re on is obviously to get comfortable with the material in advance of their album, “All Hat and No Cattle,” which comes out in July. I’ve only heard a few rough cuts of the songs on the record, but they’re fantastic, and it was great seeing them play live at the Palace. Their set list was a virtual who’s who of country greats, from Hank Williams to Buck and Merle, with some Waylon thrown in for good measure. The

combination of reverence for the material combined with their very personal spin on the songs is fantastic. Buck would’ve loved this band. Also cool was seeing Chris chatting with folks after the show, and even better was watching him tearing down and carrying his own gear. I’m guessing that he doesn’t do much of either when touring with the Foo Fighters.

Scott Cox is host of "First Look with Scott Cox," which airs from 7 to 10 a.m. weekdays at bakersfield.com and KERN-AM, 1180.

Helping history I went out to the Aviator Casino in Delano on Saturday night for the big fundraiser to help finish the movie about the Bakersfield Sound and Billy Mize’s contribution to it. It was a great time. I don’t know how much we raised exactly, but organizer Joe Saunders told me that it exceeded his expectations, which is plenty good enough for me. We have to make sure that this little chunk of local history gets made, so go watch the trailer at billymizemovie.com. And, if so inspired, contribute. And finally, what tribute to our place in music history would be complete without a visit from one of the guys who made it happen? Well, Merle was in town to receive his honorary degree from Cal State. He even made a few social visits around town, including a stop at the Ronald McDonald House. Very cool.

he really is good. In energy, enthusiasm and fun for the song, he’s a 10, without a doubt.” After some prodding, Flores — who diplomatically noted that all the performers are great — singled out a few, including trumpet player Lemucchi (“he’s really, really good”), and Buckley Radio’s Tony Lee, who knocks it out of the park with his covers of “Your Man” by Josh Turner and “Corazon Espinado” by Santana. Another standout is KGET sales rep Angela Barton, who will be performing the Amy Winehouse version of “To Know Him Is to Love Him.” “She came in and she just schooled us on how to arrange a song like that. That one was really different for us.” Flores promised the evening will hold many surprises, mostly for the audience, which rarely has the opportunity to glimpse the playful side of the men and women who bring them news and information every day. “To see them out of their element, the serious work of the day they do with the news — to see them in this setting is going to be a cool thing to do. To hear them sing or play an instrument — these people are just good.” But that doesn’t mean they’re immune to butterflies. Spanks, for one, will fuel up with a little liquid courage, only appropriate for a man singing about the bliss-inducing affects of tequila (and if Spanks — born Daniel Litterall — gets enough liquor in him, have him tell you the story of how he came up with his radio name). “I’m just looking at it like an opportunity to have a good time,” said the radio pro and father of two teens. “And any people who get a chuckle out of me, I’m sure I’ll get a chuckle out of them, too.” And though making it to the Crystal Palace stage is a coup for any performer, the show this weekend will not be Spanks’ first performance there. “It was a Christmas party, and it was karaoke and I did ‘Like a Virgin.’ It was with co-workers and everyone enjoyed it. Maybe next year.”

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Thursday, June 20, 2013 The Bakersfield Californian

Eye Street

Lorrie story: What a tale Country singer on even keel after ups, downs

Lorrie Morgan When: 2 p.m. Sunday Where: Kern County Museum, 3801 Chester Ave. Admission: $15 to $58, plus service charges. Discount tickets for children available for $10 at gate on day of show. Information: 865-9689, 6349474 or purplepass.com.

BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

Love gone wrong, tragedy and redemption: Lorrie Morgan doesn’t just sing country music, she lives it. In fact, Morgan’s life and career have been full of highs — a string of radio-friendly hits in the ’90s — and lows, including failed high-profile romances with the likes of former Dallas Cowboys quarterback Troy Aikman, actor/senator Fred Thompson and fellow country singer Sammy Kershaw. And then there was the alcoholrelated death in 1989 of her husband Keith Whitley — just as Morgan was about to break out with her own chart-topping success. Through it all, Morgan, 53, said she’s always tried to keep life and work in perspective, never giving in to despair. Taking another chance at love, the singer took her sixth walk down the aisle three years go. “I’m at a place in my life where I feel more confident, more comfortable and more settled. I have more control over the music I want to record and perform, and there’s no urgency.” But that doesn’t mean the fire has gone out of her stage show, she said. She means to prove it to Bakersfield

PHOTO COURTESY OF LORRIE MORGAN

Country singer Lorrie Morgan appears at the Kern County Museum on Sunday.

audiences with a pair of engagements over the next few days: first at a concert at the Kern County Museum Sunday and then a more intimate show at Trout’s on Tuesday. Morgan said she’ll sing a selection of tunes that span her career, including the ones that came at her peak. “The ’90s were explosive, fastpaced and fun, and the great memories are far too many to mention,” said Morgan during a recent interview. “But I’m kind of enjoying my

career where I am now.” Morgan’s 1989 major label debut, “Leave the Light On,” featured the singer’s first No. 1 single, “Five Minutes,” which kicked off a string of sassy hits like “Watch Me,” “What Part of No,” “I Didn’t Know My Own Strength,” and “Go Away,” cementing her reputation as a self-empowering industry survivor and playful diva. Following the example of his mother and father is singer/songwriter Jesse Keith Whitley, 26, who is opening for Morgan on her current tour. Born two years before his dad’s death, the aspiring singer has country music in his DNA, plus a new CD, “Kentucky Thunder.” Like any proud mother, Morgan is her son’s biggest fan. “He’s pretty special; he’s an extraordinary talent and I’m excited to see where his music career takes him. I will be right behind him, every step of the way,” she said. Please see MORGAN / 27

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Eye Street MORGAN: CONTINUED FROM 19

While Morgan is helping to open the door for her son, she’s also making new fans too young to remember her early hits when they were originally released. She said she couldn’t have done it without the help of the digital age, and the new opportunities to reach music lovers directly, rather than going through the industry suits. “It has enabled the country genre as a whole to broaden its audience to highlight new trending artists, as well as welcome the return of the traditional sounds, introducing it to a younger audience yearning to hear some of the more rootsy music. We’ve gained a lot of new fans who have found us on the Internet; it’s so nice to see the college kids in the crowd sing the words to some of my songs!” Morgan’s upcoming release, “Dos Divas,” set for a July 23 release, is a collaboration with veteran country singer and gal pal Pam Tillis, with whom she has already starting touring. “I’m enjoying my Grits & Glamour tour dates with Pam, my independent shows are filled with friendly, familiar faces each and every night, and then when I get home, I spend quality time with my husband, my children and my grandbabies.” Morgan and Tillis, who have known each other since childhood, were born into country music families and spent many evenings together backstage watching their parents in the spotlight. Morgan is the daughter of the late Grand Ole Opry favorite George Morgan, and Tillis’ dad is singer/songwriter Mel Tillis. “We are two women who absolutely do

LOWDOWN: CONTINUED FROM 22

renewed sense of awareness and love of family. “There were moments when I was songwriting with Mars Volta that I was asked to do something a little more straight or give a second or third wind to the band. I don’t know, but I always came up short. I always just hid behind my old bag of tricks.” Bixler-Zavala was an electrifying performer with Mars Volta, the popular progressive alt-rock group he founded with guitarist Omar Rodriguez-Lopez in 2001 following the breakup of their previous band At The Drive-In. All six of Mars Volta’s best-selling albums were filled with tidal waves of imagery and cryptic messages, which fans studied and critics debated their relevancy. “There isn’t one person I’ve had a conversation with who hasn’t had some kind of polarizing opinion about what I’ve done in the past. I think it’s very difficult to understand, but a lot of times it was done purposeful, kind of a court jester approach. I definitely took a lot of cues from Captain Beefheart who had fun with words, and the meaning came second. I’ve also agreed with people who’ve said I written phrases with 25 meanings. I’m OK with that.” Following the abrupt breakup of the Mars Volta earlier this year, Bixler-Zavala says life was already at a crossroads. Enjoying sobriety, he credits marriage and his sprouting family with inspiring his rebirth. “I wasn’t preoccupied about trying to steer clear from the responsibility of having a family. I love my wife so much that babies were the next natural progression, and that would also whip my (expletive)

Encore performances Jesse Keith Whitley will be performing at Trout’s Sunday evening at 8 p.m. Tickets prices are $20 to $50. Lorrie Morgan will be making an encore appearance at Trout’s at 7 p.m. Tuesday. Tickets are $100 to $150. Tickets for both shows available at Trout’s or Emporium Western Store in Bakersfield.

things our own way, but we both bend to give to this unique and special relationship. We both respect each other’s artistry, we respect each other as women, and we help each other if we’re not feeling well. We share some spunk! It’s part of the tradition that we were brought up in.” As country fans await the release of “Dos Divas,” Morgan promises her solo show at the Kern County Museum will be a great appetizer. “We’ll perform some of the fan favorites and some of my personal favorites; Bakersfield can expect a cross between contemporary and traditional country, where ‘Cougar Town’ connects with Broadway!” Sunday’s concert will be staged at the museum’s log cabin green. Also appearing are Garrison-Kennedy, the Blackboard Playboys, Noah Claunch, Mark Madewell and more. A portion of the show’s proceeds will benefit Make-A-Wish of Central California. Seating is provided but patrons may bring their own foldout chairs to the venue. Food, and drink vendors will be selling soft drinks, beer and wine.

into shape, and it really has. Having her point of view artistically, and understanding what a challenge it is to take your art and actually communicate something with it rather than just throw it against the wall and be like, ‘Yeah, that’s what I meant.’ I did that for 10 years.” Bixler-Zavala described his new material as an homage to his parents’ music collection. “My parents were probably part of that record-of-the-month club where you pay a penny and get an eight-track tape. So, as a kid, I had Kiss’ ‘Love Gun’ and ‘Destroyer,’ and my parents had (Fleetwood Mac’s) ‘Rumours,’ certain Bee Gees records. I’ve always liked listening to softer material like that. Maybe it’s also growing up in Mexican culture where you have a lot of cholos who live an aggressive lifestyle, but at the end of the day, they listen to slow dance material. It probably just rubbed off on me.” Fans expecting a Mars Volta reunion anytime soon shouldn’t hold their breath. “I think what people should understand is, it’s not a thing of spite. You realize, there’s a certain era to see it, and you learn from your past. Maybe reunions don’t always work. It is what it was, and people had a chance to see it. You should’ve gone when you had the chance. I have to put the same effort that I used to put into being Omar’s friend into my family, because that family is much lucrative for me spiritually and has a lot more positivity and that’s just where I’m at right now.” Wednesday’s all-ages show, also featuring Dot Hacker, begins at 8 p.m. Tickets are $13. Elements Venue is located at 3401 Chester Ave. For more information, visit timgardeapresents.com.

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Love-song duo going strong, with new material, musical BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

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hat do the sedate pop love songs of Air Supply and hell-raising party anthems of AC/DC have in common? Musically, absolutely nothing. But for hordes of multifaceted fans packing the clubs of Sydney, Australia, during the ’70s, devil-horned hand gestures were as common as slow dancing. “There weren’t many gigs in Australia, so you had to get whatever work you could to stay alive,” said singer-songwriter Graham Russell, one-half of best-selling vocal duo Air Supply, who appear at Bright House Networks Amphitheatre on Saturday. “I remember us opening for AC/DC a couple of times at a famous bar in Sydney called the Bondi Lifesaver. It used to get packed with several thousand people.” Russell, 63, and bandmate Russell Hitchcock, 64, went on to become one of the biggest-selling acts Down Under before conquering the States, a badge of honor Russell wears proudly. “We got thrown to the lions really quick. We thought we were going to get killed, but we stuck it out. Just really cool guys. I think they’re the greatest rock and roll band in the world.” While AC/DC perfected the art of the rock hook, Air Supply rewrote the book on pop ballads after first meeting in 1975 during a production of “Jesus Christ Superstar” both had starred in. “We were the only two guys that hadn’t been in a stage show before, so we were kind of the outcasts, always hanging out together. We both loved The Beatles, both had the same name, born in the same month. All these things were kind of building up. When I heard his voice in the chorus for the first time, I heard something great no one else did.” The duo took their newly developed act to any available open mic. On stage, Russell’s soft mid-range complemented Hitchcock’s dramatic high-pitched leads, making them an instant hit. Within a few months of their formation, the two were signed to a major label on the strength of their hit, “Love and Other Bruises.” “Australia is a tough place, especially for a rock and roll band,” Russell said. “Back then, we were a little softer. Even with a radio hit, we had no choice but to build a following from the ground up.” To some degree, Air Supply was following the playbook written by fellow Aussies Little River Band, which had already enjoyed some success in the States.

PHOTO COURTESY OF AIR SUPPLY

Air Supply appears at Bright House Networks Amphitheatre on Saturday.

Air Supply When: 8 p.m. Saturday Where: Bright House Networks Amphitheatre, 11200 Stockdale Highway Admission: $36.50 TO $52.50 plus service charge Information: 852-7777 or ticketmaster.com

“Back in those days, you kind of left bread crumbs for everyone else to follow. Little River Band certainly made it easier for us. One day I ran into Glenn Shorrock (of Little River Band) and he said, ‘Whatever you do, get out of Australia. Get over to the U.S.’” Russell and Hitchcock took that advice, scoring a coveted tour slot opening for Rod Stewart in 1977, but the reception from audiences was lukewarm. “We thought we were unstoppable back home, but of course being big in Australia means nothing on the world scene.” But that wouldn’t last. The world was about to catch up, after the launch of a string of singles that would become defining hits: “Lost in Love,” “All Out of Love,” “Every Woman in the World,” “The One That You Love,” “Here I Am,” “Even the Nights Are Better,” “Making Love Out of Nothing at All.” “When we did finally break, we were ready. We had the songs, everyone loved Russell’s voice, Australia was hip, suddenly love songs were very hip, and, I think, it was a new decade. People were ready for something different and new like they are at the turn of a new decade. People just latched onto us.” Like Little River Band and AC/DC did for Russell and Hitchcock, Air Supply paved the way for an Aussie

invasion into the ’80s, with acts such as Men At Work, INXS, Midnight Oil and more following their lead. “Everyone is so different, but we share so much of the same in terms of how we got here. I happen to write a lot of romantic songs because I think I’m that type of person. If, during your lifetime, you dot the i’s and cross the right t’s, things happen. The feeling was incredible. We were doing our dream job, and we rode that wave for five years. Then, of course, people stop playing your records and things change.” Adapting to changing tastes, Air Supply continued on the live circuit, finding fans in places they’d never imagined. “Vietnam, China, Taiwan, Colombia, all distant places. They knew everything about us. It was chaos, like Beatlemania. There were 300 to 400 people outside the hotel at any moment. We couldn’t get out. Once, in Vietnam, they made this human tunnel for us to run through to get to our car.” Russell and Hitchcock are happy to continue playing the hits, but they’ve got some new music up their sleeve as well: a new set of dance-oriented tracks set to be released later this summer. Also in production is a new Broadway musical set to the duo’s catalog of hits. “We’re in an age when radio is not going to play your music, so it’s up to the artist. We’ll play all the hits, but our new stuff is going to turn some heads for sure.”

Win Air Supply tickets! Listen to “First Look with Scott Cox” this morning for your chance to win tickets to Saturday’s show. Visit Bakersfield.com or tune in at KERN-AM, 1180.

Thursday, July 11, 2013 The Bakersfield Californian

Eye Street

Live from Texas, via Bakersfield Stage vet Spanke to play rare show for CD release BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

hen seasoned Bakersfield vocalist Theresa Spanke began thinking about where to record her latest CD, she went back and forth between studio and stage. And then she realized the stage is her studio. Over the decades, the singer has graced many a theater, nightclub and honky-tonk, performing to crowds of every kind. On stage is where she feels most at home. “I am very pleased and excited about it,” said Spanke of her new CD, “Live from Texas.” Spanke will give Bakersfield audiences the somewhat rare pleasure of seeing her perform Wednesday evening at Buck Owens’ Crystal Palace. “Since it was a live performance, I had the opportunity to sing an eclectic collection of songs from the ’40s through the ’80s. The CD includes some old classic standards, some country, blues, pop, Top 40, even a show tune.” The ability to leap from genre to genre has always been one of Spanke’s strengths and one that runs in her family: father Ted Sr. played piano and organ, mother Bonnie played the standup bass, and brothers Roger and Teddy are well respected in local music circles.

‘Live From Texas’ CD Release Party When: 7:30 p.m. Wednesday Where: Buck Owens Crystal Palace, 2800 Buck Owens Blvd. Admission: Free Information: 328-7560 or theresaspanke.com

“I’m very proud of my family. They are all excellent singers as well. They only knew that I went to Texas to do a show; however, they did not even know about this CD until after the fact.” The songs were recorded in February by producer/engineer Tony Brown in front of a live audience at famed music venue Theatre 166 in Carrollton, Texas. Spanke said the idea to release the full live recording never came to mind until playback. “We realized that we had captured some pretty cool stuff. We also included some of the talking that I did with the audience and band members. It was blessed to have some amazing Texas-based players on the gig, and the CD shows off the talents of these great musicians as well. It was a very fun evening.” Among the classics included on the 10-track CD are live reinterpretations of “Fly Me to the Moon,” covers of Bruce Springsteen’s “Fire,” Delbert McClinton’s, “Two More Bottles of Wine,” Bob Dylan’s “I’ll Be Your Baby Tonight.”

PHOTO COURTESY OF THERESA SPANKE

Bakersfield country singer Theresa Spanke will be celebrating the release of her new CD “Live From Texas,” Wednesday at Buck Owens’ Crystal Palace.

After mixing the raw tracks in Dallas with Brown, Spanke recorded an additional two tracks, including a cover of the Buck Owens’ classic “Together Again” as a duet with singer Rudy Gatlin of Gatlin Brothers fame. “It was such an honor and a thrill for me, because I used to practice harmonies listening to the Gatlin Brothers, who were among my musical idols. Rudy (Gatlin) told me a story about

when the Gatlin Brothers performed at the Crystal Palace. He said he felt as if he was channeling Buck when he sang ‘Together Again.’” Spanke is currently in Texas, where she will be performing at Theatre 166 on Saturday. She then heads back to Bakersfield for Wednesday’s Crystal Palace show, where she will backed by local veterans the Tex Pistols, fronted by brother Teddy on guitar. Roger

Spanke will be joining the group for the performance. “I would say to expect a lot of fun and a large variety of music. It has been a while since I worked around here, and the response has been overwhelmingly positive. It has been a very long time since all three of us have been on stage at the same time, and it will be a real treat, especially for my parents, who have not seen us perform together for years.”

Thieves exit stage left with $5,000 in property But theater humbled by generous response BY JENNIFER SELF Californian lifestyles editor jself@bakersfield.com

The donation-supported Empty Space has long been accustomed to relying on the kindness of strangers, which is why the recent theft of about $5,000 in money and property has shaken the Oak Street theater, where until now the only thievery has been a little good-natured scene stealing. But taking a cue from the production that ended last weekend, patrons have been showing sweet charity in response. “People who don’t normally even come to the theater are

donating extra when they come in,” said communications director Kayleigh Peaker. “I was working the door for ‘Sweet Charity’ and we had a family come in and the mother said, ‘Here’s our normal donation, but we heard you got broken into, so this is an extra $10.’ That warms our heart.” On July 3, artistic director Bob Kempf arrived at the theater to discover the east entrance doors had been pried open, according to a media release prepared by the theater’s board of directors. Peaker believes the break-in occurred sometime after 10 p.m. July 2 and before Kempf’s arrival the next afternoon. Among the missing items — most of which were property of the theater — was $150 in petty cash, two microphones that had been used only once, two

iPhones used for credit card purchases, construction equipment and a bag of vintage costumes and props that belonged to Kempf. “They’re not pieces you could find in a costume shop,” Peaker said. “You have to really search for them. He (Kempf) was really bummed about it.” Peaker said the data on the iPhones contained only the amount of each purchase, not personal information of credit card users. The theater does carry liability insurance, Peaker said, but the board was just beginning the claims process and doesn’t know how much, if any, restitution will be forthcoming. A police report has been filed. The theater’s security consists of locks and dead bolts on all the

doors, though no alarm system is in place, said Peaker, who cited the prohibitive cost. The theater had purchased security cameras before the break-in, but they had yet to be installed. “Luckily, when the thieves broke in, they didn’t take those or didn’t know we had them,” said Peaker, who believes at least two thieves were involved because some of the items were too heavy for one person to carry. Located in a rundown strip mall, the theater counts among its neighbors Pizzaville, Subway, a liquor store and an Internet sweepstakes cafe. Peaker said the theft has the board again contemplating the question of whether to move, perhaps to the Arts District downtown. However, the board has sunk a lot into capital improvements, including a

recent renovation that added a passage behind the audience for the actors to use and improved lighting for the art gallery that shares the space. “The possibility of moving has been on our minds for quite a while,” Peaker said. “But being a donation-based theater makes it really difficult. It might push our efforts a little more. But since we did the remodel, I’m not sure.” Meanwhile, money raised from this weekend’s production of “The Role I Was(n’t) Born to Play” will go into a fund to replace the items, Peaker said. The revue is at 8 p.m. Friday and Saturday. Admission is $20. For more on the comedy, turn to Page 22. The theater also is accepting donations of money and replacement items on its website, www.esonline.org.

Thursday, July 11, 2013 The Bakersfield Californian

Eye Street

Music with a side of fresh air Gardens at Mill Creek a haven for artists BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

downtown Shangri-La is about to open its gates for artists and the people who love them. The Gardens at Mill Creek, an outdoor park-like venue at 19th Street near R, already has become a popular spot for weddings and other private affairs, but the property has been revamped to host entertainment events open to the public, said property manager Edith Gibson, of 19th & R Investment Group, LLC. “Weddings and parties were booked every Saturday night since spring, so when we saw some openings, we reached out to begin the idea of music and dramatic arts in the Gardens.” The Kern County Black Chamber of Commerce will get the ball rolling on Friday by sponsoring Jazz in the City, featuring saxophonist Darren Gholston and Stacy “Big Sax” Garvin. On Saturday, roots rocker Grant Langston, with guests the Groovies, will appear for a free acoustic show. “This is an experiment,” added

PHOTO COURTESY OF DOUG DAVIS

Darren Gholston performs with Jazz in the City and Stacy “Big Sax” Garvin on Friday night at the Gardens at Mill Creek.

PHOTO COURTESY OF EDITH GIBSON

Gardens at Mill Creek is known for weddings, but other events will also be held at the venue.

Gibson, who has enlisted the help of some heavy hitters from the local arts and entertainment scene, including Don Martin of Metro Galleries, who will be coordinating and promoting the events. Next month, Jazz in the City is back on Aug. 23 with an act to be

announced. Langston also returns, this time with his full band, on Aug. 24. On Aug. 30 and 31, the Gardens will feature singer and actress Kama Ruby in a production of “Streetcar Named Desire.” Food and refreshments will be available on all occasions, provided by outside

caterers, including B Ryder’s Bar & Grill, the bar vendor for this Saturday. The complex includes a historic building — once the site of the city’s first hospital — which houses a number of suites that Gibson hopes to rent to artists Please see GARDEN / 27

Concerts at the Gardens at Mill Creek 712 19th St. Friday: Jazz in the City with Darren Gholston and Stacy “Big Sax” Garvin; 6 p.m.; $10 members, $15 non-members of Kern County Black Chamber of Commerce; 326-1529 Saturday: Grant Langston and the Groovies; 8 p.m.; free; 3199254

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Thursday, July 11, 2013 The Bakersfield Californian

Eye Street

Popular Latination show seeking artists THE BAKERSFIELD CALIFORNIAN

Metro Galleries is putting out the call for artists young and old to enter their work in Latination, the centerpiece of September First Friday, traditionally one of the most popular Arts District events of the year. Now in its fifth year, Latination features talent from Kern County and throughout the rest of the state. The objective is to capture the essence of all things Latin. The show has been given themes in the past, but Metro Galleries President Don Martin said he wanted this year’s entries to be left to the artists’ imagination, under the banner of “Cinco de Latination.” “Show us what truly is ‘Latin’ life,” Martin said. “What is Latin food, who are the leaders? What does the Latin community look and feel like. That’s the passion we want to see from the artists. We want to

know who they are and what they feel.” New this year is the children’s category. Artists ages 6 to 16 are encouraged to submit art created specifically for Latination. All children’s works will be displayed during opening night in the Metro’s newly expanded Eye Gallery. The annual show, which falls on Sept. 6 this year, is judged by local community members. Four cash prizes will be given to artists in the categories of best in show, best new artist and first and second place. The show is co-sponsored by Bakersfield Life Magazine, a sister publication of The Californian. For information, guidelines and an entry form, artists should visit themetrogalleries.com. Entries are due Aug. 28. — Information adapted from a Metro Galleries media release

GARDEN: CONTINUED FROM 21

and musicians. “We would love to see a community develop where artisans can subscribe for a lower monthly fee than an office, by sharing the space. They can have use of the offices and gardens for rehearsals, visual arts and music.” The Gardens is 10,000 square feet and holds up to 600 seated guests for concerts. Lighting and sound systems are available for rent, and the investment group is hoping to expand the refreshment offerings to include food on a regular basis. Rental fees vary depending on the type of event, Gibson said. “We are working with musicians and other artisans to make it possible to do with a percentage back to the house.” With its proximity to the downtown entertainment scene, Gibson believes the space can be an enticing outdoor alternative for those who enjoy their art with a side of fresh air, even with the heat. “I was at the venue at 8 p.m. the other night and it was beautiful. Even though it had been a hot day, the breeze was blowing through the Gardens, it was totally

OBSESSIONS: CONTINUED FROM 20

25 years old and had stopped running. I figured I had nothing to lose by taking it apart. I did some research and learned how to clean some of the gunk out, and even how to polish the crystal. I did both of those things and excitedly put it back together. It still doesn’t work. But I found some places online that have old watch guts and stuff, so I wanted to try it again. I found a group of 14 watches on sale for $30, and got two of them running. I think a lot of people find Grandpa’s old watch in a drawer someplace and assume that it’s never going to run again. Well, not me. If I can tinker around with one of these crazy things for an hour and get them ticking, that’s a really big deal to me. These things have character. And I like knowing that somebody owned these things way

Go & Do Today Bastille Week, celebrate all week with live entertainment, food samples, costumed waiters, 4:30 to 9 p.m. now through Saturday, Valentien Restaurant, 3310 Truxtun Ave., Suite 160. Free. 864-0397. Concerts by the Fountain, classic oldies and Beatles covers with Triple Threat, 7 to 9 p.m., The Marketplace, 9000 Ming Ave. Friends of the Kern County Library Used Book Sale, public sale, 11 a.m. to 8 p.m. today, 10 a.m. to 5:30 p.m. Friday and Saturday (half-price day Saturday), Beale Memorial Library, 701 Truxtun Ave. kerncountylibrary.org or call 868-0796.

Friday Movies in the Park, presents “Dolphin Tale,” begins at dusk, Pin Oak Park, 3101 Pin Oak Park Blvd. Free. 326-3866. “Spank! A Fifty Shades Parody,” 8 p.m., Bakersfield Fox Theater, 2001 H St. $35. vallitix.com or 322-5200. Friday Family Night Swim, 6 to 8 p.m., Bakersfield College, 1801 Panorama Drive. $5 for two adults, 2 children; $1 each additional child, $3 each additional adult. 3954663. Friday Night Test & Tune, 8 p.m. to midnight, Famoso Raceway, 33559 Famoso Road, McFarland. $15; kids 12 and under are free. 399-5351 or 399-2210. Lantern Light Tour & Ghost Hunt, 8 to 10:30 p.m., Silver City Ghost Town, 3829 Lake Isabella Blvd., Bodfish. $12 per person of all ages. Children must be accompanied by an adult. 760-379-5146.

Saturday

PHOTO COURTESY OF GRANT LANGSTON

SoCal roots rocker Grant Langston appears at the Gardens at Mill Creek on Saturday.

shady, and it will be lovely evenings.” For inquiries about the Gardens at Mill Creek, visit themetrogalleries.com, text Rick Gomez at 850-758-9707 or email rentalinfo@themetrogalleries.com.

before I got them. It’s like carrying around a piece of somebody’s history. Here’s a perfect example. I bought two Gruen watches on eBay for $45. They had the original invoice and everything. They were bought in 1939 at a jewelry store in Chicago. I don’t know what happened to them after that, but I figure that World War II might have been a factor. Then they popped up 70 years later in Katy, Texas. I doubt I’ll ever know the history of them, but it sure is fun to speculate. I got one to run intermittently, and the other is still on my workbench. They look fantastic, and I’ll wear them even if they don’t tell time. Maybe both at the same time. That look could catch on. And in the meantime, I’ve got a bid in on a shell-pink art deco Waltham from the ’40s. I’ll keep you posted.

Charity Event for Kern Wounded Heroes and Honor Flight Kern County; shooting competition, vendors, raffle, food, 9 a.m. to noon Saturday, 420 Club, 3910 Alfred Harrell Highway. Free for spectators. 374-1180. Bakersfield Speedway, Modifieds, Hobby Stocks, Sport Modifieds, American Stocks, gates open at 4 p.m.; races begin at 6 p.m., Bakersfield Speedway, 5001 N. Chester Ave. $10; $5 ages 6-12; under 5 free. bakersfieldspeedway.com or call 393-3373. Certified Farmers Market, 8 a.m. to noon, next to Golden State Mall, 3201 F St. Democratic Women of Kern Monthly Meeting, 9 a.m., The Garden Spot, 3320 Truxtun Ave. $5 members; guests are free. Visit demwomenofkern.com or 322-7411. Free Home Improvement Workshops, “Install Tile,” 10:30 to 11:30 a.m. Saturday; “Laminate Flooring,” 1 to 2:30 p.m. Sunday, Home Depot locations. homedepot.com or call 800-430-3376. Pet Adoptions, cats from The Cat People, 10 a.m. to 3 p.m., Petco, 8220 Rosedale Highway. $65 includes spay/neuter, vaccines and leukemia testing. 327-4706; pets from the Shafter Animal Shelter; 11 a.m. to 3 p.m., PetSmart, 4100 Ming Ave. $75, includes spay/neuter and vaccines. 7462140. Ramon Ayala, 8 p.m., Rabobank Theater & Convention Center, 1001 Truxtun Ave. $40 to $80 plus fee. ticketmaster.com or 800745-3000. Saturday Night Nitro, 8:30 and 10:30 p.m. sessions, Famoso Raceway, 33559 Famoso Road, McFarland. $20; kids 12 and under are free. 399-5351 or 399-2210.

Summer Movie Series, presents "Raiders of the Lost Ark," noon, Bakersfield Fox Theater, 2001 H St. $1, cash only. 324-1369. Summer Bazaar, vendors, carnival, 9 a.m. to 4 p.m., Kern County Fairgrounds, fine arts building, 1142 S. P St. Free. Proceeds benefit Relay for Life. 381-1581. Twilight at CALM, bring a picnic dinner and dine with the animals and enjoy them during their active dusk hours, 5 to 8 p.m., CALM, 10500 Alfred Harrell Highway. $9 adults; $7 seniors; $5 ages 3 to 12; children under 3 are free; CALM members are free. calmzoo.org or 872-2256. Yokuts Park Fun Run, practice racing and earn points, 7 a.m. Saturday, Yokuts Park, Empire Drive off Truxtun Avenue. Free. bakersfieldtrackclub.com or 203-4196 or 3917080.

Sunday Greater World Gift, with jewelry, baskets, gift items from Third World countries; 11 a.m. to 12:30 p.m., First Congregational Church, 5 Real Road. 327-1609.

THEATER “Spamalot,” 7:30 p.m. Friday and Saturday, 2 p.m. Sunday, Stars Dinner Theatre, 1931 Chester Ave. Adults dinner/show: $54$59; $38 show only; students dinner/show: $39; $23 show only. 325-6100. “Star Spangled Patriotic Blast,” 7 p.m. Friday and Saturday, Gaslight Melodrama Theatre & Music Hall, 12748 Jomani Drive. $12 to $23. 587-3377. “The Role I Was(n’t) Born to Play,” a gender-bending, role reversing musical review, 8 p.m. Friday and Saturday, The Empty Space, 706 Oak St. $20. 327-PLAY. Improv Comedy Show, with Center For Improv Advancement, 8 p.m. Fridays, JC’s Place, 1901 Chester Ave. $5. 322-8209. Major League Improv, improvisational comedy show, appropriate for families, 6 p.m. Saturdays, The Empty Space, 706 Oak St. $10. 327-PLAY.

ART Art Exhibit “Layered Beauties,” by Dacey Dia Villarreal, now on display through July, Bakersfield Art Association Art Center, 1817 Eye St. 869-2320. Art for Healing program, classes that alleviate stress, resulting from illness or grief. All classes are free but some suggest a donation and are held at Mercy Hospital, Truxtun Campus, Truxtun and A Street. Visit mercybakersfield. org/art or to register, 632-5357. Basic Drawing & Coloring Workshop, for ages 7 to 12, 9 to 11 a.m. Monday through Friday, The Foundry, 1608 19th St. $100. Reservations sweet@bakersfieldfoundry.com. Children’s Calligraphy Class, for grades seventh through 12th, 4 to 6 p.m. Thursday, Bakersfield Art Association Art Center, 1817 Eye St. Free. 869-2320. $20, includes supplies. Email cynbad1000@att.net or 3032372. Clay Cupcakes Ceramics Class, for ages 8 and up, 9 to 11 a.m. Saturday, The Foundry, 1608 19th St. $40, supplies included. Reservations, email art@bakersfieldfoundry.com. Please see GO & D0 / 28

Thursday, July 18, 2013 The Bakersfield Californian

Eye Street

Christian fans? Pop fans? Just Amy fans Grant does unthinkable by blurring boundaries BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

ew artists have been as successful as Amy Grant at escaping the creative straitjacket that is standard issue in the music industry. Moving seamlessly among pop, contemporary Christian, even country circles, the singer — as fresh-faced today at 52 as when she burst onto the charts decades ago — avoids labels by ignoring them herself. Consciously or not, Grant has built her career on the best piece of advice her mother ever gave her: “Sing something that matters.” That credo was the guiding principle on “How Mercy Looks from Here,” Grant’s first fulllength studio album in 10 years. She’ll be playing selections from her return to praise and worship music in a career-spanning concert at the Fox Theater on Wednesday. “I still love everything about music and am happy being in the audience as much as I am onstage,” said Grant during a recent phone interview. “I also love being inspired by people who are much better than I am. That’s why it’s always fun to be in different circles.” Grant enlisted some of her favorite singers and songwriters in what critics have hailed as the singer’s most impactful release to date. The impressive roster of talent includes singers Sheryl Crow, Carole King, James Taylor and her husband, Vince Gill. For most of her early career, Grant stood alone as the Queen

“They grew up listening to me, but it’s their game now, and I get it. You still have to have a certain amount of competitiveness to go, ‘Oh yeah, well I’m gonna go home and write a good song too.’” — Amy Grant

of Christian Pop, a title she jokes about but humbly accepts. No other artist has risen to the heights of Grant’s success in the Christian music world since. In fact, it’s hard to imagine contemporary Christian music before Grant, who has sold millions of records that have since become standards of praise and worship. From the serene melodies of “El Shaddai,” and “Father's Eyes” to the sugary pop of “The Next Time I Fall” and “Baby Baby,” Grant’s pioneering crossover career into secular music provided a road map for today’s biggest contemporary Christian artists, who’ve made similar leaps to the mainstream. “I’ve gotten a lot of hugs from a lot young artists who say, ‘I grew up on your music.’ That happened the first time I met Katy Perry. I went to see her movie with my daughter and later told Katy, ‘I’m so sorry your parents never let you listen to anything else.’ There was so much good stuff happening.” At home in Nashville, Grant said she continues to be inspired by the vibrant state of the city’s music and arts scene, whose

diversity offered the perfect backdrop for her beliefs. “I think it’s great. There are so many unsung treasures. When I look at the Nashville music, theater and literary scenes, it’s amazing. We have so many great universities that we have all these students who come here and want to stay after they graduate and be part of and contribute to the scene.” One of those artists contributing to the fabric of Nashville is Grant’s husband, country singer and guitarist Vince Gill. “Vince is working on something almost every day. He has an amazing guitar collection and I love having him play those guitars. We have a studio at the house, and something is always going on. Everything is based on who you know in both the songwriting community and musician community in Nashville. I get to make coffee for everyone.” While most people assume the busy couple spends free time singing in the kitchen, Grant describes their home life as that of a typical American household. “I’ll have the few things that have to be done, I know what they are, but then I try to be available to whatever the day holds. That removes so much stress. The one thing about being creative is you have to have time to be alone, but not I’m not an introvert and we don’t book time by the hour. “A lot of important things in my life happen spontaneously like putting this record together.” Grant hopes the Christian market will embrace her decision to include mainstream pop and country artists on her album. “Now that I’m back on the promotion trail, I’m meeting young

PHOTO COURTESY OF AMY GRANT

Contemporary Christian music and pop singer Amy Grant appears Wednesday at the Fox.

Amy Grant When: 8 p.m. Wednesday Where: Fox Theater, 2001 H St. Admission: $49 to $69 Information: 324-1369 or vallitix.com

Win Amy Grant tickets! Tune in to “First Look” at 9 this morning to win tickets to the show. Just hit up bakersfield.com for the live video stream.

artists. What I see is such a compassionate, informed faith and spirituality. It’s not the kind of weird judgment that I grew up under.” But don’t think Grant’s role as big sister to those young artists has changed her outlook on keeping her music catchy and appealing.

“I feel their energy. They grew up listening to me, but it’s their game now, and I get it. You still have to have a certain amount of competitiveness to go, ‘Oh yeah, well I’m gonna go home and write a good song too.’ It’s a great thing, because you just have the thrill of somebody else loving and doing the same thing that you love. That’s exciting.” Looking ahead, Grant plans to continue working with the man upstairs as her guide and a loving family as her earthly foundation. “Vince and I are going to drive six hours to drop off our daughter at camp, six hours back, then I leave at the crack of dawn to promote the record and tour. My husband and I love what we do. I don’t know anybody else that I could be a partner with that would understand the craziness. But because he understands, you just love what you love.” Opening Wednesday’s show is singer Brandon Heath.

Small bar hosting big-time competition 11 singers in one night? That’s entertainment BY JENNIFER SELF Californian lifestyles editor jself@bakersfield.com

Nearly a dozen aspiring country singers are ready to take the Bull Shed by the horns Friday at the 32nd Annual Texaco Country

Showdown, a nationwide competition that helped make stars of unknowns like Brad Paisley and Miranda Lambert. But don’t tell the capacity cops. The small bar, at Camino del Rio Court and Rosedale Highway, just may bust at the seams trying to contain the contestants, their respective cheering sections and unsuspecting regulars wondering

what all the fuss is about. “The opportunity to go out and see 10 or 11 different acts in one evening doesn’t happen,” said Kris Winston, program director at 92.1 KIX Country, the radio station hosting the local leg of the competition. “When you go to a club, you see a band, one or two performers. You don’t get to see this buffet. If

you’re really into music, it’s a unique opportunity to sit there.” The call for entries went out to artists a few weeks ago, and Winston said the station received many submissions, via CD, MP3 and videos. Judges not affiliated with KIX selected the group of 11 finalists: JD Hardy, Whitney Wattenbarger, Marc Madewell, LauPlease see SHOW / 19

32nd annual Texaco Country Showdown What: Contest featuring 11 country music singers When: 7 p.m. Friday Where: The Bull Shed, 2400 Camino del Rio Court Admission: Free

Thursday, July 18, 2013 The Bakersfield Californian

Eye Street

Christian fans? Pop fans? Just Amy fans Grant does unthinkable by blurring boundaries BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

PHOTO COURTESY OF AMY GRANT

Contemporary Christian music and pop singer Amy Grant appears Wednesday at the Fox.

Amy Grant When: 8 p.m. Wednesday Where: Fox Theater, 2001 H St. Admission: $49 to $69 Information: 324-1369 or vallitix.com

Win Amy Grant tickets! Tune in to “First Look” at 9 this morning to win tickets to the show. Just hit up bakersfield.com for the live video stream.

Small bar hosting big-time competition 11 singers in one night? That’s entertainment BY JENNIFER SELF Californian lifestyles editor jself@bakersfield.com

Nearly a dozen aspiring country singers are ready to take the Bull Shed by the horns Friday at the 32nd Annual Texaco Country

32nd annual Texaco Country Showdown What: Contest featuring 11 country music singers When: 7 p.m. Friday Where: The Bull Shed, 2400 Camino del Rio Court Admission: Free

Thursday, July 18, 2013 The Bakersfield Californian

Eye Street SHOW: CONTINUED FROM 15

ren Ashley, Jeff Schmidt, Dillon James, Noah Claunch, Rick McKay, Dan Talbot, Calboy Calvin and Highway Down. Most of the artists are from the area, Winston said. The judges for Friday nightâ&#x20AC;&#x2122;s event are songwriter and producer Steven Sharp; Bakersfield singer Deedra Patrick; and musician Todd Brumley (son of the late BuckaJames roo great Tom Brumley). The public, too, will have a chance to be heard, though the popular vote will not affect the judges, who will score the artists on scale of 1 to 10 in the categories of overall talent; marketability in country music; vocal/instrumental ability; originality of performance; and stage presence/charisma. Performers singing original material stand to gain up to another three points if the judges like what they hear. The winner and runnerup receive cash prizes, but the real perk is advancing to the next phase of competition at Knottâ&#x20AC;&#x2122;s Berry Farm and maybe on from there. The grand prize of the entire contest is $100,000. Two of the local contestants â&#x20AC;&#x201D; Lauren Ashley and Dillon James â&#x20AC;&#x201D; will be hoping for an edge by singing their own songs at the competition. Though Ashley is just 18 and James 20, both have years of experience playing guitar and writing songs, starting as children. â&#x20AC;&#x153;I remember the first time I performed,â&#x20AC;? said Ashley, a newly minted Highland High graduate. â&#x20AC;&#x153;It was at American Sound Recording, I was 13, I was playing all my original songs and I got up there and I was just shaking so bad. But my dad was there with me and it made it better. I wasnâ&#x20AC;&#x2122;t always superconfident on stage, but it gets better.â&#x20AC;? Ashleyâ&#x20AC;&#x2122;s poise and determination belie her youth. She convinced respected singer/musician Monty Byrom to produce her CD, has shot three music videos and estimates her songwriting catalog stands at 300 compositions. As a preteen, she had the pluck to contact â&#x20AC;&#x153;American Idolâ&#x20AC;? finalist

ARTS: CONTINUED FROM 17

GO & DO â&#x20AC;&#x2DC;Charmâ&#x20AC;&#x2122;

er; and Jim Bates, finance. Toni Lott serves as manager of the Art Center, the associationâ&#x20AC;&#x2122;s gallery in downtown Bakersfield.

When: 8 p.m. Friday and Saturday Where: The Empty Space, 706 Oak St. Admission: $15, $12 students Information: 327-PLAY

Tree-drawing class

PHOTO COURTESY OF LAUREN ASHLEY

Texaco Country Showdown contestant Lauren Ashley recently graduated from Highland High School.

See Lauren Ashley perform today The aspiring country singer, who describes her style as â&#x20AC;&#x153;a little bit of pop flair, a little spunkyâ&#x20AC;? will sing for the Eye Street crew and our listeners on â&#x20AC;&#x153;First Look with Scott Coxâ&#x20AC;? this morning at 9. Visit bakersfield.com to see her live or tune in to KERN-AM, 1180.

and Bakersfield resident Amy Adams about teaching her the ropes. â&#x20AC;&#x153;I heard she was doing vocal lessons, so I called her myself â&#x20AC;&#x201D; I always took the reins, sometimes to my parentsâ&#x20AC;&#x2122; dismay.â&#x20AC;? She said she values the self-confidence she gained by working with Byrom and Adams, a trait sheâ&#x20AC;&#x2122;ll no doubt call upon when she leaves the security of her close-knit family and heads to college in Los Angeles at the end of the summer. â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;m going to be a music attorney. I like to read about the copyrights and all that and I figured if Iâ&#x20AC;&#x2122;m doing that for my career, why not do it in college.â&#x20AC;? But to make it to the next round, Ashley will have to outshine 10 others, including Dillon Galanski, who goes by the stage name of Dillon James. â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;m planning on singing two songs. One is the Darius Rucker song â&#x20AC;&#x2DC;Wagon Wheelâ&#x20AC;&#x2122; and one is mine,â&#x20AC;? said the Ridgeview High graduate. â&#x20AC;&#x153;I thought it would be more fun to play a more peppy, upbeat song that everybody knows. Iâ&#x20AC;&#x2122;ll end it with my own, which is kind of a slower, more heartfelt song.â&#x20AC;? Music, though his first love, is not Jamesâ&#x20AC;&#x2122; only foray into entertainment.

Heâ&#x20AC;&#x2122;s up for a part in a Lifetime movie starring Dolly Parton and gets work from time to time as a model. â&#x20AC;&#x153;My plans are to try to make it onto a major label doing music and move to Nashville.â&#x20AC;? In the meantime, James will shop around the demo he made after winning another singing competition and work on new material. â&#x20AC;&#x153;When I first started writing, I wrote because I wanted to try to write. As I got older, it became more of a venting process, if I was bothered or stressed out, or even in happy times. All my songs are pretty much based on experiences in my life.â&#x20AC;?

Whether itâ&#x20AC;&#x2122;s an element in a rural landscape or an advertisement for a model home, trees add a special touch to a drawing. So says Duane Anderson whoâ&#x20AC;&#x2122;s teaching a workshop devoted to drawing and coloring trees on Saturday at The Foundry. â&#x20AC;&#x153;Theyâ&#x20AC;&#x2122;re the eye candy in the entourage,â&#x20AC;? the Bakersfield College professor said in a recent phone conversation. â&#x20AC;&#x153;In an architectural drawing trees frame the scene, bring warmth to it and give (the viewer) a sense of place, of belonging.â&#x20AC;? No previous experience is necessary to enroll in the one-day workshop. It is designed for ages 13 and older. â&#x20AC;&#x153;The only thing (participants) need to bring is the materials and a sense of curiosity,â&#x20AC;? he said. â&#x20AC;&#x153;My teaching (philosophy) is that it should be fun.â&#x20AC;? Essential materials include a fine point and an ultra-fine point black Sharpie, a Prisma colored-pencil set, a 9-by-12-inch bond paper pad, plus about five graphite pencils and watercolors, if desired. Emphasis will be on learning the structure of three types of trees â&#x20AC;&#x201D; palms, conifers and deciduous â&#x20AC;&#x201D; and then guidance in drawing each species. During the school year at BC, Anderson teaches introductory courses in architecture and hand-drafting as well as color rendering and graphic drawing. He devotes his free time to fine art painting in his home studio and is preparing for a solo show at The Foundry in August. Originally from Tennessee, he came here 45 years ago to attend Bakersfield College and later taught there on a part-time basis for a number of years before taking a full-

Pr u P e nt â&#x20AC;Ś.

â&#x20AC;&#x2DC;Treesâ&#x20AC;&#x2122; When: 9 a.m. to 3 p.m. Saturday Where: The Foundry, 1608 19th St. Admission: $60 Information: 388-0278

â&#x20AC;&#x2DC;On the Tableâ&#x20AC;&#x2122; Bakersfield Art Associationâ&#x20AC;&#x2122;s Call to Artists When: Registration deadline, 10 a.m. to 4 p.m. Monday Admission: $20, $15 BAA members Information: 664-1931

Art Gala & Auction When: 5 to 9 p.m. Tuesday Where: The Foundry, 1608 19th St. Admission: $5, $4 seniors and students Information: 388-0278

time position nine years ago. â&#x20AC;&#x153;My love of painting made me leave architecture, my chosen profession, to concentrate on architectural illustration,â&#x20AC;? he said. â&#x20AC;&#x153;That proved to be a good decision as I was able to combine my passion for painting with my love for architecture.â&#x20AC;? To reserve a place in his workshop, send an email to art@bakersfieldfoundry.com and write â&#x20AC;&#x153;Trees 7/20â&#x20AC;? in the subject line.

TONYâ&#x20AC;&#x2122;S PIZZA

Y 5, 6, 7, 12, 13, 14, 18, 19, 20, 25, 26, 27 Telling the legendary tale of King Arthur and the Knights of the Round Table, and their quest for the Holy Grail, Monty Pythonâ&#x20AC;&#x2122;s SPAMALOT features a chorus line of dancing divas and knights, flatulent Frenchmen, killer rabbits and one legless knight.

M n Py h n H Gr i us !

COMING SOON TO STARS!!! LES MISERABLES Opening Night Sept. 27th Reserve your seats today! 325.6100 / bmtstars.com

NORTHEAST

3615 Mount Vernon Ave.

(661) 871-3556

CENTRAL

4130 California Avenue

(661) 325-4717

NORTHWEST

4750 Coffee Road

(661) 588-4700

SHAFTER

300 Lerdo Hwy.

(661) 746-9244

www.tonyspizzabakersfield.com

The Bakersfield Californian Thursday, July 18, 2013

Eye Street This Week’s Obsessions

If I give you a cookie, will you be my friend? U

ntil recently I worked out of a radio station where I’d been for more than 10 years. For better or worse, I’d gotten to know everybody who worked there. I knew what kind of dog everybody had and how good they were at softball. It's nice knowing all your co-workers. Though I still technically work for the radio station, my workplace itself has changed in recent months (hello, Bakersfield Californian newsroom!), and with that extreme makeover came a whole new cast of characters, most of whom didn’t know what to make of me. All they knew was that I was some idiot from the radio, and that the powers that be had turned their conference room into a broadcast studio. Oh, and I had a parking space, which not everyone around here gets. Over the last few months, I have actually gotten a few of these people to talk to me. And the more I get to know these people, the more horrible stuff I learn about them. So this week my obsession has been about helping these poor hapless people.

(Not Lois Henry though. She's beyond help.) But first a little background about this place: They’re constantly having potlucks at the paper. I’m not sure who goes or what they bring, because I don't get invited. But I hear about them. And here's the thing they don't know: My wife is a very talented cook. So the other day on the amazing “First Look with Scott Cox” we were talking about one of the thousands of books sent on a weekly basis to the Eye Street editor, who neither wants, needs nor asks for them. So we give them away. But this particular freebie, an Amish cookbook, got me thinking about how I (meaning my wife) could bring a ray of sunshine into their otherwise dismal days.

Scott Cox is host of "First Look with Scott Cox," which airs from 7 to 10 a.m. weekdays at bakersfield.com and KERN-AM, 1180.

On the cover was a picture of these fantastic-looking oatmeal sandwich cookies. I just assumed that most people would see that picture the way I see pictures of Ferraris: amazing but unattainable. I announced to everyone in the room that I would be bringing those cookies into work. Not someday, but tomorrow. I printed out the recipe from the book and took it home, and as luck would have it, the little woman was doing some baking that night anyway. And thus, in exchange for promising to clean up the kitchen, I showed up at work the next day with a Buffy the Vampire Slayer lunchbox stuffed with Amish oatmeal sandwich cookies. I'm assuming there's some irony there. The sense of shock that I’d actually made good on the cookie promise (these newspaper types are a skeptical bunch) quickly gave way to unbridled amazement at how good these things were. All the “First Look” crew got one before word eventually got out that there were top-shelf home-baked goods in the building. Pretty soon people from all departments were showing up for a taste. After the show I took the remaining cookies around and hand-delivered them to the folks who'd been out of the cookie loop or, worse yet, couldn't leave their cubicles.

PHOTO BY SCOTT COX

The best way to make new friends at work: a batch of cookies.

By the time it was all over, word had spread like an oil slick fire to all corners of the building, and soon the tales were being retold. Tales of the horrible bald monster-man and his amazing baked goods. And while I’m sure that many of them believe that I did all this in an attempt to win the respect, or at least tolerance of my co-workers, or better yet just to spread good cheer around the newsroom, the truth is that I know that the word of my wife's baking will reach those elitists who organize the potlucks. And they'll want me to join them next time. But I won't. Oh no, they had their chance. I will keep bringing the best homemade baked goods in town to everyone who wants them, until they're lined up outside the studio like crack-addled

lab rats fighting each other over the next stray crumb. Then I will be totally in control of a legion of pastry-addicted followers ready to do my bidding. At that point I’ll only need to suggest that going to the potlucks might endanger the cookie supply chain, and that will be the end of the potluck menace forever. And if you think revealing my evil plan, Bond movie-style, will doom it to failure, you haven't tasted my wife's cooking. And I will have done it without even having to resort to brownies, cupcakes or tarts. Perhaps best of all, the people who thought I was a horrible person all along will be proved right, so it's like I’m helping them too. I just hope they appreciate the gesture.

Built to last while having a blast Texas indie band doesn’t cave to industry demands BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

The intensity involved with working your music to radio can bring some artists to their knees. Not Josh Abbott. The country stalwart sticks to his artistic beliefs without bowing to the demands of the industry, and that sets him apart. With a built-to-last Texas attitude, Abbott is a vital figure in the independent country movement, with a backing band of friends ready to throw down at a moment’s notice. “I definitely think the radio industry is dependent on the

Josh Abbott Band When: 7 p.m. Tuesday Where: Buck Owens’ Crystal Palace, 2800 Buck Owens Blvd. Admission: $10 Information: 328-7560 or vallitix.com

Win Josh Abbott tickets! Tune in to “First Look” at 9 this morning to win tickets to the show. Just hit up bakersfield.com for the live video stream.

Nashville labels for its food source,” Abbott said in an interview before his return to Buck Owens’ Crystal Palace Tuesday.

“I've noticed too many guys wearing girl jeans and, quite frankly, it needs to stop. It annoys me when ‘country’ bands don’t really look country.” — Josh Abbott

“Not very many are willing to take a big chance on a tune if it isn't promoted by a label. ... You just have to find the stations that believe in the song and really work with them and be grateful for whatever spins you can get.” The band’s latest, “Small Town Please see ABBOTT / 22

PHOTO COURTESY OF JOSH ABBOTT

The Josh Abbott Band appears Tuesday at Buck Owens’ Crystal Palace.

The Bakersfield Californian Thursday, July 18, 2013

Eye Street ABBOTT: CONTINUED FROM 18

danashousekeeping.net

favorite musical comforts. “I can depend on Terry Allen’s ‘Lubbock (On Everything)’ to put me in a good mood, Pat Green’s ‘Three Days’ or ‘Dancehall Dreamer’ albums.” To prove how grassroots he truly is, Abbott said he handles most of the band’s social networking sites. If your post or Tweet gets a response, chances are you’re interacting with the man himself. “Honestly, it’s me. Our management makes most posts on Facebook, but I alone handle the Twitter, Instagram and Vine. It’s a chore sometimes to keep up but it’s such a great medium to connect with fans.” That web interaction has also helped inspire Abbott to write new material, with topics and themes pulled directly from daily web surfing. “Spontaneity in relationships and the adventures of being young. So, trying to write fun upbeat songs along with a few sex songs.” As for what local fans can expect, beyond hearing the band’s latest single, “She Will Be Free”: “Original music, written, recorded and performed by the same people. I think fans can hear authenticity in a band when they play live and I think that’s why people dig our band. The Crystal Palace has a lot of history, so it’s a must-stop when coming to California.”

TICKET ROUNDUP Rabobank 1001 Truxtun Ave. ticketmaster.com or 800-745-3000. (Listed ticket prices do not include additional fees.) July 26: Jerry Seinfeld, 7 p.m. in the theater, $45-$75.

Aug. 20: WWE Smackdown, 7 p.m. in the arena, $15-$95. Sept. 5-8: Ringling Bros. and Barnum & Bailey Circus, show 7 p.m. Thursday and Friday; 11 a.m., 3 and 7 p.m. Saturday; 1 and 5 p.m. Sunday. $20-$75. Sept. 15: Gary Allan and Sheryl Crow “Free & Easy Tour,” guest Drake White, 7 p.m. in the arena, $33-$73.

▲

Family Dream,” boasts all the ingredients of the group’s signature style. And if radio doesn’t want them, there’s always the road. Back home in Texas, the group notched its first official sellout (6,000 seats) in 2010 at Billy Bob’s, the world's largest honky-tonk. That’s a lot of Wranglers and belt buckles and, for Abbott, a sight edging toward extinction. “I've noticed too many guys wearing girl jeans and, quite frankly, it needs to stop. It annoys me when ‘country’ bands don’t really look country.” Joining Abbott are long-

time compadres Preston Wait, fiddle; Edward Villanueva, drums; James Hertless, bass; Caleb Keeter, guitar; and cofounder Austin Davis, banjo. To help break the monotony of the road, Abbott has made the tour bus like a home away from home, tailoring it with typical “guy” comforts. “If we're on the bus, someone is usually playing Xbox. Several of us golf, so we’ll do that once a week or two. And I love to fish, so if I get the chance I’ll hire a guide and bring some of the guys for a fishing trip.” He also counts on his

Oct. 6: “The Four Preps,” presented by Bakersfield Community Concert Association, 3 p.m. in the theater, $80 for eight concerts. bakersfieldcca.org or 2058522 or 589-2478. Oct. 19: Guns N’ Hoses Charity Boxing, 6 p.m. $10-$35. Nov. 1: Mike Epps, 7 p.m. in the theater, $44-$51. Nov. 3: “Golden Dragon Acrobats,” presented by Bakersfield Community Concert Association, 3 p.m. in the theater, $80 for seven concerts. bakersfieldcca.org or 205-8522 or 589-2478. Dec. 8: “Eve Selis,” presented by Bakersfield Community Concert Association, 3 p.m. in the theater, $80 for six concerts. bakersfieldcca.org or 205-8522 or 5892478. Jan. 31: The Fresh Beat Band concert, 6:30 p.m. in the theater, $18 to $38.

Sept. 14: Dru Hill with Case and H Town, 8 p.m. $28.50-$68.50. Sept. 21: Kenny Loggins, 7:30 p.m. $59.50-$99.50. Oct. 5: Country Roads: A John Denver Celebration, 8 p.m. $26-$69. Oct. 26: 3 Faces of the King: An American Legend, celebrate the music, life and legacy of Elvis Presley, 8 p.m. $26$69. Nov. 11: Moscow Ballet's Great Russian Nutcracker, 7:30 p.m. $27.50-$175. Dec. 7: An Irish Christmas, 7:30 p.m. $26$51.

Kern County Fairgrounds 1142 S. P St., Budweiser Pavilion The concerts are free with Kern County Fair paid admission. All shows at 8 p.m., unless specified. Sept. 18: Uncle Kracker Sept. 19: REO Speedwagon Sept. 20: Zendaya Sept. 21: Jo Dee Messina Sep. 22: Mickey Thomas Sept. 23: Los Lobos Sept. 24: The Four Tops Sept. 25: Dustin Lynch with Lucky Ned Pepper Sept. 26: Kutless Sept. 27: The Hollywood Stones Sept. 28: Lonestar

Buck Owens’ Crystal Palace

Sept. 29: Banda la Costena, with special guest Ana Victoria, 7 p.m.

2800 Buck Owens Blvd. vallitix.com or 322-5200. (Listed ticket prices do not include additional fees.)

Kern County Museum, 3801 Chester Ave.

July 23: Josh Abbott band, 7 p.m. $10.

Sept. 7: Village Fest 2013, 6 p.m. $65.

July 30: Asleep at the Wheel, 7 p.m. $20.50-$28.50.

Outside The Box Film Festival

Aug. 1: Charlie Worsham, 7 p.m. Free

Nov. 8: Panels & Workshops, Spotlight Theatre, 1622 19th St. $25.

Aug. 9-10: Buck Owen's Birthday Bash, 7 p.m. $30-$40. Aug. 15: Joel Crouse, 7 p.m. Free. Aug. 29: Phil Vassar, 7 p.m. $30.50$38.50.

Fox Theater 2001 H St. vallitix.com or 322-5200. (Listed ticket prices do not include additional fees.)

July 24: Amy Grant, guest Brandon Heath, 7 p.m. $40-$60. July 26: Jo Koy, 8 p.m. Friday, $29. July 31: Billy Currington, 7:30 p.m. $35$60. TICKETS AVAILABLE AT THE FOX THEATER BOX OFFICE, RUSSO’S BOOKS AT THE MARKETPLACE, EMPORIUM WESTERN STORE 661-322-5200 888-825-5484 - FOXTHEATERONLINE.COM - VALLITIX.COM

Sept. 13: Anjelah Johnson, 8 p.m. $30.50.

Aug. 24: Courtney Love, 8 p.m. $28-$48.

vallitix.com or 322-5200.

Nov. 8-10: 3 Day Festival Pass, 9 a.m. Friday through 5 p.m. Sunday, Fox Theater, 2001 H St. $175 adults; $90 students. Nov. 8: Outside The Box Film Festival: Feature Film Movie, 8 p.m., Fox Theater, 2001 H St. $15 adults; $7.50 students. Nov. 10: Outside The Box Closing Night Wrap Party, 9 p.m., The Padre Hotel, 1702 18th St. $100.

Eagle Mountain Casino 681 S. Tule Reservation Road, Porterville. eaglemtncasino.com or 559-788-6220. All shows 8 p.m. $25 general; $35 reserved, unless specified. Saturday: Sara Evans, 8:30 p.m. Aug. 30: Trace Adkins, 9 p.m. $30-$40.

Thursday, July 25, 2013 The Bakersfield Californian

Eye Street

Same night? No problem for him Comedian delighted his inspiration is also in town BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

hat do you do when your comedy idol is performing in the same city, on the same night as you? Thatâ&#x20AC;&#x2122;s the dilemma funnyman Jo Koy was presented with after learning heâ&#x20AC;&#x2122;d be sharing Bakersfieldâ&#x20AC;&#x2122;s comedy fans with television and standup icon Jerry Seinfeld. Should he launch a campaign to woo Seinfeld fans from Rabobank Theater to his appearance at the Fox on Friday or just play it cool, relying on the loyalty of his own (smaller) following? Koy isnâ&#x20AC;&#x2122;t sweating it. â&#x20AC;&#x153;What an honor, are you kidding? For Seinfeld to be performing on the same night as me in a different theater is like, â&#x20AC;&#x2DC;Hey, I made it,â&#x20AC;&#x2122;â&#x20AC;? said Koy during a phone interview. â&#x20AC;&#x153;Heâ&#x20AC;&#x2122;s one of my inspirations and one of the reasons that I got into comedy in the first place.â&#x20AC;? These days the comedian is everywhere. When heâ&#x20AC;&#x2122;s not poking fun at celebs as a panelist on Chelsea Handlerâ&#x20AC;&#x2122;s self-titled chatfest on E!, you can always find the comedian â&#x20AC;&#x201D; born Joseph Glenn Herbert â&#x20AC;&#x201D; surfing the social net-

Jo Koy When: 8 p.m. Friday Where: Fox Theater, 2001 H St. Admission: $37.50 Information: 324-1369 or vallitix.com

working webosphere, where his visibility translates into a packed tour schedule. â&#x20AC;&#x153;If I take three or four days off, Iâ&#x20AC;&#x2122;m fiending, man. I gotta get on stage. A few weeks ago I took my first vacation in over three years.â&#x20AC;? Pulling the brakes, even temporarily, offered some perspective for the ever-hustling entertainer. â&#x20AC;&#x153;I wanted to take my son and the family to Hawaii and when a promoter found out I was going, they tried to book me for a show while I was there. Here I was in the middle of signing this deal, but is it really worth it? I like my fans, but I wanted this to be all about my son and family.â&#x20AC;? Still, within a few days, the itch was almost too much to bear. â&#x20AC;&#x153;It was the best time of my life, but by Sunday, though, I was ready to jump on a plane to Cleveland for five shows, which I did afterwards. I donâ&#x20AC;&#x2122;t know who would say that.â&#x20AC;? Koy began his career on the

TONYâ&#x20AC;&#x2122;S PIZZA

strength of his own shoe leather, selling show tickets door to door to fill seats. Even with his mounting success, the pint-size performer wonâ&#x20AC;&#x2122;t rest on his laurels. â&#x20AC;&#x153;This is my 20th year in standup. Thatâ&#x20AC;&#x2122;s a lot of Top Ramen and hot dogs, man.â&#x20AC;? Onstage, Koy gets laughs by bringing the audience into his world â&#x20AC;&#x201D; real-life family bits that spare no one, not his outspoken, fiercely traditional Filipino mother or his curious 10-year-old son. â&#x20AC;&#x153;When Iâ&#x20AC;&#x2122;m on â&#x20AC;&#x2DC;Chelsea Latelyâ&#x20AC;&#x2122; we talk about the current topics. When Iâ&#x20AC;&#x2122;m on stage, I want to separate myself from that. Stuff that belongs to me and that nobody else can do. Everybodyâ&#x20AC;&#x2122;s gonna have a Zimmerman joke. I donâ&#x20AC;&#x2122;t wanna do that.â&#x20AC;? Itâ&#x20AC;&#x2122;s a road-tested formula that Koy said allows everyone to feel comfortable laughing wherever he appears. â&#x20AC;&#x153;When I go to a place like Nashville, there are no Asians in the audience, only white and black people, but all these cowboys are yelling out some of my bits. It makes me happy. I always wanted to tell my stories and everyone get it, not just to Filipinos.â&#x20AC;? If his standup leaves fans wanting more, soon theyâ&#x20AC;&#x2122;ll get it: Koy plans to add â&#x20AC;&#x153;podcasterâ&#x20AC;? to his list of occupations, when he

PHOTO COURTESY OF JO KOY

Jo Koy appears Friday night at 8 at the Fox Theater.

debuts his audio podcast with fellow comedian and â&#x20AC;&#x153;Chelsea Latelyâ&#x20AC;? co-panelist Michael Yo. â&#x20AC;&#x153;He and I have been friends for a while. Michael is like Dean Martin, and Iâ&#x20AC;&#x2122;m like Jerry Lewis. Iâ&#x20AC;&#x2122;ll be throwing punches at him the whole time.â&#x20AC;? Tipped off to this weekendâ&#x20AC;&#x2122;s massive Philippine Weekend celebration in Delano, the comedian said his schedule prevents him from stopping by but that heâ&#x20AC;&#x2122;ll be

sure to feast on his favorite dish as a cultural shout-out. â&#x20AC;&#x153;Filipinos are notorious for their soup. We love tamarind and have a soup called Sinigan. I canâ&#x20AC;&#x2122;t even explain how good this soup is. Itâ&#x20AC;&#x2122;s made with pork or beef. I got family in Bakersfield, so Iâ&#x20AC;&#x2122;m sure thatâ&#x20AC;&#x2122;s what theyâ&#x20AC;&#x2122;re going to cook me before showtime. So, Iâ&#x20AC;&#x2122;m gonna go onstage bloated with tamarind and salt.â&#x20AC;?

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Thursday, July 25, 2013 The Bakersfield Californian

Eye Street

PHOTO BY DEBBIE BOHAN

Bakersfield singer-songwriter Dillon Galanski, who goes by the stage name of Dillon James, was the winner of the Texaco Country Showdown on Friday at the Bull Shed.

‘I did what I do’ — and won the big contest Country competition picks singer from solid field BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

t was a tough decision for judges when the Texaco Country Showdown rolled into the Bull Shed on Friday. After a series of rousing performances by 11 competitors, all of whom brought cheering sections that filled the venue to capacity, 20-year-old singer Dillon Galanski of Bakersfield — who goes by the stage name of Dillon James — was named the winner. “I felt like I had a good shot,” said Galanski, still reeling on Monday from his win. “There were a lot of good people there. It was a real competition.” Among the talent pool was first runnerup Noah Claunch, who, like Galanski, walked away with a cash prize. “The crowd was into it, big time,” said Kris Winston, program director at 92.1 KIX Country, the radio station which hosted the local leg of the competition. “When Dillon won, the place erupted and I saw several of the contestants immediately congratulate him. Every performer got cheers, which was nice.” Competing against Galanski and Claunch were JD Hardy, Whitney Wattenbarger, Marc Madewell, Lauren Ashley, Jeff

Schmidt, Rick McKay, Dan Talbot, Calboy Calvin and Highway Down. Galanski will next head to the state finals at Knott’s Berry Farm on Aug. 17. The three judges scored the artists on a scale of 1 to 10 in the categories of overall talent; marketability in country music; vocal/instrumental ability; originality of performance; and stage presence/charisma. “They said I had a great song, and I had a lot of marketability and stage presence,” said Galanski of the judges’ feedback following his performance of a Darius Rucker cover and an original ballad, “I’m a Changed Man.” “I was hanging out with a lot of family most of the night. I ate some food, then grabbed my guitar when they called my name to perform. I calmed down and did what I do.” Winston is hopeful the overwhelming response in Bakersfield will bring the national competition back to the city next year. Following the competition, Highway Down performed for the crowd and the celebrating continued to closing time. “I feel very confident that we’ll do it again, bigger and better,” Winston said. While Galanski hasn’t been given any other details regarding the next phase of the competition, he said he’s already started doing some prep work. “I’m going to find some good songs, maybe write something new, and go out and have fun and hopefully do well again.”

FIRST LOOK Join the Eye Street crew this morning as we discuss the new Vince Gill album that pays tribute to Buck and Merle. We’ll play some snippets from “Bakersfield” to give you a sneak peek before

the record comes out Tuesday. And listen to win some summer reading. Just hit us up at 842-KERN and be sure to watch on Bakersfield.com.

The Bakersfield Californian Thursday, August 1, 2013

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index 16th annual Lowrider Nationals .............. 16 48 Hour Film Project ................................ 17 Arts Alive .................................................. 18 First Friday ................................................ 19 The Lowdown with Matt Munoz ............ 20 Women’s Equality Day.............................. 21 This Week’s Obsessions ........................ 22 Calendar .............................................. 26-27

Fjorged in Bakersfield Norwegian tribute band honored guests of annual Buck Bash BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

here’s been a noticeable change in rhythm to this year’s Buck Bash. Beginning with the absence of a major headlining act, the popular all-star musical event and birthday tribute to Owens has also been extended to two days, Aug. 9 and 10. Over the years, the event has pulled in sellout crowds featuring some of country music’s biggest acts, from Dwight Yoakam and Trace Adkins to Brad Paisley and Asleep at the Wheel, as well as rising star Joe Nichols. Few annual events stack up to its level of entertainment in celebration of Owens’ musical legacy, which may have some questioning the move to scale back the festivities. Fans needn’t worry, said Buckaroo keyboardist Jim Shaw, on whether the party will be anything short of the revelry from years past, with the spirit of Owens being the guest of honor at next weekend’s Buck Bash at the Crystal Palace. (Aug. 12 is the 84th anniversary of Owens’ birth.) “We decided to do something different,” said Shaw. “This is more of a real Buck tribute than having a big-name artist coming to do concert. Everyone is really going to enjoy it.” Appearing both evenings will be Buddy Alan Owens and the Buckaroos, along with Norwegian Buck Owens tribute band Bakersfield. “Lots of people love Buck and do his songs, but nothing like this.” Fronted by vocalist and guitarist Odd Lauritsen, the Bakersfield tribute is no ordinary homage to his idol but a detailed recreation of the group’s classic 1960s era with a stage show down to the flashy suits. “I love Buck Owens,” said Lauritsen, 50, during an interview from his home in Sarpsborg, Nor-

PHOTOS COURTESY OF ODD LAURITSEN

Norwegian Buck Owens tribute band Bakersfield will be performing at this year’s Buck Bash at the Crystal Palace on Aug. 9 and 10.

Buck Bash When: 7 p.m. Aug. 9 and 10 Where: Buck Owens’ Crystal Palace, 2800 Buck Owens Blvd. Admission: $30 and $40 Information: 328-7560 or buckowens.com

way, located just outside of capital city of Oslo. “Ever since I was a little boy, my parents had a lot of his records and that music has been with me all these years.” The idea that Norway would be a hotbed for Owens’ music may surprise some, but not for Lauritsen, who, speaking with a thick accent, sounds like an authority

on all things Buck. “He was ahead of his time. He created something new. It was different from the Nashville sound. It was closer to what would be considered rock ’n’ roll back then. Here come these two guys with Telecasters, looking sharp, with a lot of treble in the guitar. That was something really different. His music is timeless.” Lauritsen added that while Owens had a huge fanbase in Europe, influencing artists such as The Beatles, Norway had its own version of Buckmania. “He was very popular in Norway and sold tons of records here in the ’60s. If you really look into it, Buck was probably one of the most popular and biggest-selling country artists in the world, and Please see BASH / 25 Odd Lauritsen meets his idol, Buck Owens, in Bakersfield in 2000.

Thursday, August 1, 2013 The Bakersfield Californian

Eye Street LOWDOWN: CONTINUED FROM 20

and Kathy Sierra continue perfecting a formula of Celtic harp, guitar, octavemandolin, mandolin, accordion, violin, pennywhistle and bodhran instrumentation for audiences of all ages. “There was definitely a greater interest in Celtic music after ‘Riverdance,’” said Butler. “‘Braveheart’ also helped pique the interest in Scottish music and culture. The movie ‘Brave’ has brought a new wave of interest in Scottish and Celtic music and culture. We see this at festivals and Highland games. In Ireland and Scotland, the young musicians continue to breathe fresh

and new life into the music.” Over the course of their career, members of Golden Bough have collaborated with artists such as Linda Ronstadt, The Chieftains’ Derek Bell, as well as a recording with worldrenowned Egyptian percussionist Hossam Ramsey, among others. “We had planned to make music our career, so we certainly hoped Golden Bough would keep going. Now it seems we can’t stop. We returned to Europe four years ago for our 30th anniversary and have returned annually since. We plan to keep this going until we just can’t lift an instrument anymore.” The band’s website at

goldenboughmusic.com is filled with information on the group, including the band’s arts and activism side promoting music in schools. The group makes regular appearances at public schools sharing their tradition with young audiences. “It’s unfortunate for the students, as they are not exposed to the same musical influence that we had when we were in school. That is why we feel dedicated to bringing live music into the schools.” Opening the show is veteran Bakersfield Celtic music quartet Banshee in the Kitchen, which will join Golden Bough for a few collaborations onstage. “We feel pretty honored

when other musicians approach us and tell us that we inspired them to start performing or get back into it. That’s one of the nice things about having been around for so long.” Saturday’s showtime is 7 p.m. Admission is $15 in advance or $20 at the door. American Sound Recording Studios is located at 2231 R St. For more information,

call 477-2577.

Matt’s pick Tanked and Crooked Folk at Sandrini’s, 1918 Eye St., 9 p.m. Saturday. $5, 322-8900. If there’s ever a book written on Bakersfield punk rock in the ’90s, Active Ingrediants would certainly be deserving of their own chapter. After a few breaks and reunions,

members Scott Burton, Dennis Harrison and Jeremy Cravens have returned as Tanked, performing steadily at local watering holes just like the good ol’ days. They’ve also released a cool 7-inch vinyl, which can be picked up at the show. Check out a preview at reverbnation.com/ tankedband. Also appearing are local hooligans, Crooked Folk.

Ask A Professional

We feature local experts to answer your questions. For info contact: Lisa Whitten at 661-395-7563

Healthcare BASH: CONTINUED FROM 14

I’m not saying that because I’m a fan. He came to Norway for the first time in 1969 and came back the next year. There were two shows and both shows were packed.” Lauritsen formed the idea to start the band in 1998 after years of playing country music in pubs, singing in his native language. During this time, Owens’ career was in a down gear with artists such as Garth Brooks and others ushering in the new country movement. Unaware that an Owens comeback was on the horizon, Lauritsen sprung into action following some inspiring news. “I heard this disc jockey in the late ’80s say that Buck Owens was back with this young rebel country musician named Dwight Yoakam, who’d been up to Bakersfield to pull ol’ Buck from the rocking chair. After I heard that, I went and started to find his records again.” It would be a few years before his project would come to fruition. But through a strange twist of fate, Lauritsen was given the chance of a lifetime to meet his idol in Bakersfield after assisting with a compilation of Owens’ hits in 1998. “EMI released a special collection, and I gave them a hand with some pictures. I told EMI that I had plans to go to Bakersfield and see Buck Owens one day. One day I got a call that the collection had reached platinum, and asked if I would go to Bakersfield and present him the award.” Lauritsen vividly recalls the 2000 trip. Fatigued and nervous after the 5,000-plusmile flight from Norway to Bakersfield, Lauritsen described watching the iconic musician who’d inspired him to pursue music enter with a swagger suited to his image. “I went to Jim Shaw’s office there, and after about 10 or 15 minutes, Buck walked in. It was one of the biggest moments of my life as a fan.” Extending his hand for a hearty Bakersfield welcome, Lauritsen said Owens’ greeting remains etched in his mind forever. “The first thing he asked was, ‘How’d you learn your English? I told him ‘Love’s Gonna Live Here,’ is the first song I

remembered. He took Jim Shaw’s red, white and blue guitar and started singing the song in his office. I started singing a few lines with him, then he stopped and said, ‘You come to the sound check tomorrow, rehearse the song and you can sing it later in the show.’” Three years later, Lauritsen met steel guitarist Steiner Schroder, who happened to be an old friend of late Buckaroo steel guitarist Tom Brumley. Well-versed in Brumley’s technique, Schroder was also instrumental in getting the band’s flashy, Nudie-inspired suits like those of the original Buckaroos. An airline pilot, Lauritsen found a tailor during a work trip to Bangkok who could make similar suits, which have been a big hit since the beginning. “That’s how that got started. Now there were two of us who could put together a full set of Owens songs, and by 2005 we had the suits and everything.” Rounding out the lineup is drummer Luis Borgli, bassist Hans-Petter Jahr and lead guitarist Terjie Schroder, who recently added the fiddle to the stage show that also includes Owens’ signature hits, and then some. “We like to play songs from his catalog before he was famous. Songs like ‘Under Your Spell Again’ and ‘Above and Beyond’ were more or less keys to success for him, about 26 to 30 songs.” “I’ve known Odd for many years,” said Shaw. “But I considered him more of a guitar player, until I heard him sing the first time. I didn’t realize he sounded so much like Buck. “Every now and then a little accent pops up, but he gave me goosebumps when I heard him, just blew me away. They’ve been working towards getting the right players for the group. Steiner is amazing on the steel. I just love them.” This marks Lauritsen’s third trip to the Crystal Palace and Bakersfield’s second full band performance after performing at the venue last year. “We’re really looking forward to coming back to Bakersfield,” said Lauritsen. “I don’t know anybody who sounds like this group with the visuals and all. It’s the real deal,” said Shaw. For more information on Bakersfield, visit the band’s website at bakersfield.dk.

Q: A:

Marie writes, “I am so flustered. I’m not sure what my Mom needs. I’m ready to cry.” I contacted Marie to assure her that many of our calls involve not knowing where to begin or what to ask for.For anyone who is “flustered”,just give us a call & we will help you understand what type of assistance will meet your needs.Our nearly 20 years of service has provided us with a wide array of how to best assist anyone.Don’t wait to get to the “flustered” stage.As soon as you suspect something isn’t right, give us a call.

Darlyn Baker, RN

4801 Truxtun Ave. Bakersfield, CA (661) 395-1700 www.interimhealthcare.com

IRA’s and Rollovers

Q: A:

What are some of the tax advantages of an IRA? Because IRAs are not subject to capital gains taxes, investors enjoy the tax advantages of institutional over individual investing. In other words, when it comes to selling investments, clients and their advisors can make decisions based solely on investment performance and expectations rather than having to worry about the current income tax exposures associated with selling an investment for a capital gain or loss.

John Bush, Vice President/ Investments Stifel, Nicolaus & Company, Incorporated Member SIPC & NYSE

5060 California Avenue, Suite 1140 Bakersfield, California 93309 (661) 321-7300

Roofing

Q: A:

My wife and I are getting ready to retire and we are considering having solar installed on our roof. We have a price from a reliable, national solar company. They propose that we have the solar installed over our original wood shake roof. What would you advise? If this wooden shake roof is the original, don’t walk away from this proposal - - RUN. Wood shakes were popular in the 70s to early 90s. They were a 15 year product. If you were to have solar installed today, within the next few years you would be replacing the roof and have the added expense to remove and reinstall the solar panels in order to re-roof your home.

#4 “P” Street Bakersfield, CA 93304-3192 (661) 327-ROOF (7663) www.bswroofing.com

Jerry Ennis

Lic. 828481

The Bakersfield Californian Thursday, August 8, 2013

Eye Street “I started doing stand-up in college for Top Ramen money and to impress girls. It got me a lot of Top Ramen.” — Joe Alaniz, Bakersfield comedian

Comedy in Bakersfield? It’s a funny business Comedians here, but fans, venues a little more scarce BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

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rying to pull a serious answer from a pair of comedians isn’t easy, but what fun would that be anyway? For aspiring funnymen Danny Hill and Joe Alaniz of Bakersfield, holding a serious tone while engaging even the smallest audience is comedy poison, a situation to be avoided at all costs. At least that’s the plan that will guide the duo tonight, when they take the stage at Prospect Lounge inside the Padre Hotel for an evening of live stand-up comedy. “If I don’t perform at least three times a week, I start to tell jokes to my 6-year-old niece. Most of it goes over her head,” said Alaniz, 27. “I will start telling jokes to telemarketers who call me. They are paid to listen, and I’m not cutting the checks, so win-win.” Alaniz has been making the standup rounds after getting the bug during his starving college years at Fresno State. “I started doing stand-up in college for Top Ramen money and to impress girls. It got me a lot of Top Ramen.” Rimshot. Hill, 33, started his fledgling standup career in high school — to decidedly mixed reviews. “One of my history teachers ran for local office and lost. So at the next pep rally, I was leading and I addressed it in front of the school. ‘Mr. Robinson, I heard you ran for City Council; I voted for you. But then again you’re my teacher, so I’m not as educated as the people who didn’t.’ He didn’t laugh, and I got suspended.” Ouch. That early desperation for laughs may have made them the butt of their own jokes, but today both have garnered new laughs from the stage to the airwaves. Early risers know Hill as host of the KLLY 95.3 morning show, and Alaniz has been instrumental in helping cultivate the local comedy scene for some time now. Together, they’ve forged a bond in their mission to put Bakersfield’s burgeoning stand-up scene on the map, organizing shows such as the Padre showcase.

MATT MUNOZ / THE CALIFORNIAN

Bakersfield radio personality and comedian Danny Hill, left, and Joe Alaniz appear at the Prospect Lounge inside the Padre Hotel tonight.

Comedy at the Prospect Lounge When: 8 tonight Where: Padre Hotel Prospect Lounge, 1702 18th St. Admission: $5 advance or $10 at the door Information: 427-4900 or 559213-0173

“Not a lot of people know there is comedy in Bakersfield,” said Alaniz. “I have run into fellow Bakersfield natives at shows in L.A., and they have had no idea they could have seen one of the acts (me) right down the street from them.” But where visibility among the general public is low, the camaraderie and support among fellow comics runs deep. “They call each other for gigs, share jokes and constantly promote,” Hill said. “Over the last three years I’ve seen an increase in comics and shows in Bakersfield. Business owners realize it’s cheap, easy and packs an early drinking crowd.” Bakersfield’s large venues — the Rabobank and Fox — regularly compete to satisfy the city’s appetite for humor, booking big names like Jerry Seinfeld, George Lopez, Ron White, Mike Epps, Gabriel Iglesias and Jo Koy. Alaniz would love for smaller

clubs to start thinking about jumping on board. “I wish local venues would get behind comedy. There is potential to have a great scene locally. There are not a lot of comedians because there is no stage time, and there is no stage time because there are not a lot of comedians.” While the problem of finding a free stage with one microphone doesn’t sound like a big production, it’s not as easy as it sounds to convince club owners to roll the dice on any live entertainment. “There needs to be a place for people who are interested in doing comedy to go and try it out in a no-pressure fun environment. Maybe I need to be the person to open a place for people like me.” A few local venues — Prime Cut, On the Rocks, Jerry’s Pizza — have opened their stages for some midweek comedy stints. And if comedians can’t get stage time in Bakersfield, there’s always the Hollywood Improv, Jon Lovitz Comedy Club and Pasadena Ice House, which are always on the hunt for the next Pryor, Tosh or Lopez. Hill and Alaniz make out-of-town open-mic pilgrimages regularly. “I was emceeing a show at the Ventura Harbor Comedy Club once, and I go on stage to do a few jokes and intro the next comedians and it starts Please see COMEDY / 24

The Bakersfield Californian Thursday, August 8, 2013

Eye Street LOWDOWN: CONTINUED FROM 20

Matt’s picks Atlas Genius, 7 p.m. today at B Ryder’s, 7401 White Lane. All ages, $12, 397-7304. This weekend’s Outside Lands festival in San Francisco may be sold out, but many bands slated to appear have opted to add some one-off appearances en route to Golden Gate Park. One such act is the Australian brother duo of Atlas Genius, making a rare stop into B Ryder’s. Their 2012 single, “Trojans,” can still be heard in regular rotation on top college playlists. Also appearing is Los Angeles quintet Cayucas. Return of the ’90s Cover Show, 9 p.m. Friday at Sandrini’s, 1918 Eye St., $5, 322-8900. It was an era of grunge, flannel, emo and nu-metal music, but for Bakersfield musicians Salvador Galindo, Pablo Alaniz, Zachary Spier and Jason Blakely, it was a prime time for teen self-discovery, zits, girls and first gigs. Not sure

COMEDY: CONTINUED FROM 16

raining ‘boos,’” recalled Alaniz. “I could barely hear myself because they were booing so loud. I started to think, ‘Was I really that bad?’ When I got off stage I realized that I went on stage with a 49ers hat, and the show sold a ton of tickets to a Raiders booster club. It was relieving to know they were not booing my comedy, just my hat.” As the host of his own morning radio show, Hill understands he has a rare opportunity to test new material in an environment open to improvisation; still, there’s a downside when the communication is one-way. “If a joke bombs on the radio, I’ll

ARTS: CONTINUED FROM 18

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a contest to see who can keep theirs on the longest.” Tevye’s five daughters are played by Emily Kopp, Britta Lowry, Jordan Whitehead, Sophia Resolme and Natalie Ochoa. Others in supporting roles include Nyoko Brown as Yente, the matchmaker; Avery Hansen as Motel, the tailor; Logan Burdick, a radical student; Colin Pickering as Laser Wolf, a prospective bridegroom; and Abigail Resolme as Golde’s dead grandmother. Char Gaines is vocal coach. Cast

PHOTO BY FRANK-MADDOCKS

Australian alt-rock duo Atlas Genius appear at B Ryder’s tonight.

what their set list will be, but you can expect a lot of “That’s my song!” heard in the crowd. For those eager to reminisce about terrestrial radio’s last

hurrah before the arrival of robot programming, MySpace and hipsters, pack up the car with your best mates and get your sing-a-long on.

never know. If I’m on stage you will know instantly. The radio audience is mixed with kids, moms, dads and so forth. So you have to be very middle of the road. On stage I can do what ever I want. It’s very freeing.” Fans of classic observational Cosby-esque humor — which veers occasionally into blue Carlin territory — should expect similar styles from Hill and Alaniz, who will be joined this evening by comedians Eulalio Magana and Joey Valenzuela. “Joe (Alaniz) is hilarious and is the reason I started comedy in Bakersfield. A funny guy and good friend,” Hill said. “He is very smart and doesn’t need much to shine. Joe

Valenzuela is a local boy that has gone from newbie to experienced comic in the last two years. He is very raw and funny; his family and life is what he pulls from, great to watch. Eulalio is a very funny host with straight-faced, dry humor that throws the audience for a loop.” Touched by Hill’s comments, Alaniz was happy to reciprocate. “Joey Valenzuela is also a Cincinnati Bengals fan. I guess comedy does stem from tragedy. I am glad I do not have to introduce Eulalio. His name has too many vowels for my dialect. Danny is really funny, too. He has the voice for radio and the face for … I am just going to stop here.”

members sing the songs live with a recorded instrumental accompaniment. Dallas White serves as assistant director, and Kathi Lowry did the costumes.

tion of the musical opened on July 27 and will have its final performances this evening and Saturday. Payton Meyer plays the part of the red-haired mermaid, and Jack Prince, the son of artistic director Michael Prince and his wife, Jennifer, plays Captain Slappy, one of the sailors in the show. “Jack’s been in every children's theater production we’ve done since he was 3 years old,” Michael said. “I actually got to play King Triton in ‘The Little Mermaid’ and it was a lot of fun getting to share the stage with him.”

‘Little Mermaid’ This charming, fantasy-like version of a Hans Christian Andersen tale is an adaptation, written by Kathryn Schultz Miller. It’s the story of a beautiful mermaid who longs to rise above the sea and live on land. Gaslight Melodrama’s summer Children’s Theatre Workshop produc-

MILLERS: CONTINUED FROM 14

make his selfish, glib drug dealer sympathetic, as well as humorous, and suggests he could have a future with more dramatic parts. Aniston, continuing her foray into racy comedic roles (after 2011’s “Horrible Bosses” and last year’s “Wanderlust”), finds nuance in what could have been a thankless part. Roberts and co-stars Helms, Nick Offerman and Kathryn Hahn also turn in strong work. But no one else on screen comes close to the performance delivered by

‘We’re the Millers’ ★★★ Cast: Jason Sudeikis, Jennifer Aniston, Will Poulter Running time: 110 minutes Rated: R

the British Poulter, who is all but unknown to American audiences (he was the lead in the little-seen 2007 gem “Son of Rambow”). His Kenny is a figurative and literal punching bag

for almost every other character, but Poulter conveys dignity and childlike wonder at every turn, even during some of the most outrageous sequences. It’s a terrific piece of acting — even his spot-on rendition of TLC’s “Waterfalls” — and like Zach Galifianakis’ turn in the original “Hangover,” one that will mark his arrival in Hollywood. “We’re the Millers” arrives at a familiar destination, but as summer comedies go, the scenery along the way is riotously, refreshingly funny.

The Bakersfield Californian Thursday, August 22, 2013

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index This Week’s Obsessions .......................... 22 Carnales Unidos Club Car Show .............. 23 Arts Alive .................................................. 24 ‘Damn Yankees’ review ............................ 25 The Lowdown with Matt Munoz.............. 26 Scott Cox .................................................. 27 ‘The Mortal Instruments: City of Bones’..28 Calendar .............................................. 30-31

A bright future cut short Death of guitarist at 38 stuns Bakersfield music scene BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

There was never any doubt that guitarist Jim Fendrick was born to rock. Arms tattooed and hair slicked back, he commanded the stage with electric riffs as leader and sideman in several Bakersfield bands over the years. His talent and rock star charisma seemed to signal a bright future, which makes his death earlier this month at the age of 38 difficult for his family and friends to accept. “Once he got his mind made up that he was going to player guitar, that was it. He was gonna play guitar,” said Jim’s father, David Fendrick, recalling the moment his son first picked up an electric guitar at 19. “He would just sit, and like a kid who’s involved with music, would just sit for hours and hours and just keep grinding away on this guitar.” With no personal instruction, the young guitarist developed his skills playing along with his favorite records, his father said. “He liked rock and roll, all genres. Eventually he started making music, and stuck with it for the next 20 years. My favorite song that he used to play on acoustic guitar was ‘Blackbird’ by Paul McCartney. I just loved to hear him pick that out.” Though Fendrick lived in Huntington Beach at the time of his death, he never strayed too far from the roots he established in his hometown of Bakersfield, burning up the I-5 in his backand-forth commutes. At the time of his death, he was in two local bands, the alt-country outfit The Iron Outlaws and alternative rock quintet Karmahitlist, which made a lot of noise about a decade ago before reforming in recent months. But he also maintained a lot of informal connections with musicians in the local scene and was always willing to sit in with friends in need of his unique musical vision and incredible range. Danny Garone, Fendrick’s Iron Outlaws bandmate, considered the guitarist not just a friend but a mentor. “His attitude toward being in a band was a gift. His attitude was always very positive. He had goals of getting recordings done, being a team player, things like that. That’s the way he always was. He had other jobs that paid better than playing music, but he wasn’t really into that. He wanted to play music and be a

PHOTOS BY JESSICA MONCRIEF

Jim Fendrick, in a solo show at B Ryder’s in February 2012, was a member of local bands The Iron Outlaws and Karmahitlist.

guitar player. To play with him in a band years later was great. He was the guy who got me started. He was a mentor in music and life.” Fendrick’s Karmahitlist bandmate, deejay Alex Garza, said plans are in the works to compile a collection of previously unreleased Karmahitlist material featuring Fendrick, including demos, video footage and other recordings. Garza and Fendrick were childhood friends who attended Sandrini Elementary together. Fendrick eventually graduated from Bakersfield High School in 1993. “We used to ride our bikes together and go to school. I never thought we’d end up in a band, years later. Everything was ‘so rad’ to Jim when we would rehearse or have a show. ... He’s definitely going to be missed.” Fendrick leaves behind two young sons, Myles and Cole. Fendrick’s father, who lives in the Northern California city of Windsor, said his son was a tremendous role model for his children. Please see FENDRICK / 31

He could make them weep Bandmate recalls the music, magic BY CESAREO GARASA Contributing writer

Man, that cat could play. Jim Fendrick was a soldier for art: 100 percent packed pure nitro, a sleek 5’9” tattoo-covered turbo engine whose main purpose was to play music. He would drive two to three hours to play a show/rehearse/write music/record, sometimes sleep an hour or two and then drive back to Orange County because he had to be at work at some ludicrously early time or to be there to pick up his kids. His work

From his performances to his relationships, Jim Fendrick, seen here in 2012, was completely genuine.

ethic was constant, trying to be everywhere at the same time like he had no time to lose. He did this nonstop for the nearly 12 years I knew and played music with him.

He never faltered. Never. One of the best shows of my life was a month ago when Jim and I played with our band The Iron Outlaws. I Please see TRIBUTE / 29

Thursday, August 22, 2013 The Bakersfield Californian

Eye Street TRIBUTE: CONTINUED FROM 20 they were intended for. He’d write pro-

TICKET ROUNDUP Rabobank 1001 Truxtun Ave. ticketmaster.com or 800-745-3000. (Listed ticket prices do not include additional fees.) Saturday: Roller Derby for Ronald McDonald House, 5 p.m. $10-$18. Sept. 5-8: Ringling Bros. and Barnum & Bailey Circus, show 7 p.m. Thursday and Friday; 11 a.m., 3 and 7 p.m. Saturday; 1 and 5 p.m. Sunday. $20-$75. Sept. 15: Gary Allan and Sheryl Crow “Free & Easy Tour,” guest Drake White, 7 p.m. in the arena, $33-$73. Sept. 8: Intocable, 8 p.m., $25-$85. Oct. 3-6: “Disney on Ice: Passport to Adventure,” 7 p.m. Thursday and Friday; 11:30 a.m., 3:30 and 7:30 p.m. Saturday; 1 and 5 p.m. Sunday, $9-$48 (Thursday only); $18-$48 (Friday through Sunday). Oct. 6: “The Four Preps,” presented by Bakersfield Community Concert Association, 3 p.m. in the theater, $80 for eight concerts. bakersfieldcca.org or 2058522 or 589-2478. Oct. 19: Guns N’ Hoses Charity Boxing, 6 p.m. $10-$35. Oct. 25: Vince Gill, 7:30 p.m., in the theater, $35-$58. Nov. 1: Mike Epps, 7 p.m. in the theater, $44-$51. Nov. 3: “Golden Dragon Acrobats,” presented by Bakersfield Community Concert Association, 3 p.m. in the theater, $80 for seven concerts. bakersfieldcca.org or 205-8522 or 5892478. Dec. 8: “Eve Selis,” presented by Bakersfield Community Concert Association, 3 p.m. in the theater, $80 for six concerts. bakersfieldcca.org or 205-8522 or 5892478. Jan. 9: Jason Petty’s “Hank & My Honky Tonk Heroes,” presented by Bakersfield Community Concert Association, 7:30 p.m. in the theater, $80 for five concerts. bakersfieldcca.org or 205-8522 or 589-2478. Jan. 31: The Fresh Beat Band concert, 6:30 p.m. in the theater, $18 to $38.

Kern County Fairgrounds 1142 S. P St. The events are free with Kern County Fair paid admission, unless noted. All shows at 8 p.m., unless specified. Sept. 18: Uncle Kracker Sept. 18: Luis Miguel. $59-$149 plus fee. Tickets available at Jalisco Jewelers or vallitix.com or 322-5200. Sept. 19: REO Speedwagon Sept. 20: Zendaya Sept. 21: Jo Dee Messina Sept. 22: Mickey Thomas Sept. 23: Los Lobos Sept. 24: The Four Tops Sept. 25: Dustin Lynch with Lucky Ned Pepper Sept. 26: Kutless Sept. 27: The Hollywood Stones Sept. 27-28: PRCA Rodeo, 7:30 p.m. Friday and Saturday, $10-$15 plus fee. vallitix.com or 322-5200. Sept. 28: Lonestar

Sept 29: Fiesta Rodeo, 6 p.m., $5. vallitix.com or 322-5200. Sept. 29: Banda la Costena, with special guest Ana Victoria, 7 p.m.

Buck Owens’ Crystal Palace 2800 Buck Owens Blvd. vallitix.com or 322-5200. All shows at 7 p.m. (Listed ticket prices do not include additional fees.) Aug. 29: Phil Vassar. $30.50-$38.50. Sept. 12: Wade Hayes. $12.50. Oct. 23: The Mavericks. $45-$53.50. Nov. 23: Mark Chestnutt. $21-$28.

Fox Theater 2001 H St. vallitix.com or 322-5200. (Listed ticket prices do not include additional fees.) Sept. 13: Anjelah Johnson, 8 p.m. $30.50. Sept. 14: Dru Hill with Case and H Town, 8 p.m. $28.50-$68.50. Sept. 21: Kenny Loggins, 7:30 p.m. $59.50-$99.50. Oct. 5: Country Roads: A John Denver Celebration, 8 p.m. $26-$69. Oct. 9: Steven Curtis Chapman, $23$43. Oct. 18: Bryan Adams, 8 p.m., $29.50$75. Oct. 26: 3 Faces of the King: An American Legend, celebrate the music, life and legacy of Elvis Presley, 8 p.m. $26-$69. Nov. 11: Moscow Ballet’s Great Russian Nutcracker, 7:30 p.m. $27.50-$175. Nov. 16: The Bob & Tom Comedy Show, 8 p.m., $27.50. Dec. 7: An Irish Christmas, 7:30 p.m. $26-$51. Dec. 10: The Black Crowes, 7:30 p.m. $35-$75. Dec. 23: The Brian Setzer Orchestra — Christmas Rocks!, 7:30 p.m., $40-$80.

Kern County Museum 3801 Chester Ave. vallitix.com or 3225200. (Listed ticket prices do not include additional fees.) Sept. 7: Village Fest 2013, 6 p.m. $65.

was on drums, Jim on guitar. It was the second gig I played with him this year (the other being Karmahitlist’s reunion on Feb. 2). The audience lost their minds: people singing along, yelling, pushing back and forth into the front of the band like an unbreakable wave. Some people were weeping — at a rock and roll show. This is a very rare thing these days, especially when the musicians onstage are over 20. But eliciting that kind of reaction from the crowd was just another day on stage for Jim. It didn’t matter how long we had been playing a show, the gig didn’t start until he literally became airborne. He had this signature stage move that I called “the kick,” where he would hop around lightly, like a boxer, and then, BOOM, stomp on the ground. Then, and only then, would the rest of the band show up. He proved this power over and over again, in different bands and on countless stages, from here to Arizona to Nevada. There’s little recorded evidence of his talent, but most of what he laid down can be found during his time with Karmahitlist at www.reverbnation.com/karmahitlist. He wasn’t the guy who practiced sweeps and knew every scale; in fact his musical knowledge — though far from basic — was concentrated on unique chordings and fluidity. His riffs would sound odd on their own but they would fit perfectly within the context of the song

gressions that, when broken down, displayed extremely sophisticated songwriting that would combine edge and texture; easy to play and listen to, but difficult to replicate accurately. Believe me, I tried. He was as stoic as Johnny Cash, as natural a mystic as Bob Marley. He had the dangerous puma swagger of Miles Davis and the gentle sweetness and mystery of a George Harrison (years ago, Jim told me that most of his tattoos were based on his belief in God). These aren’t overblown comparisons; it’s rare to find anyone with some of these traits. To know someone with all of them, to consider them a close friend, is a gift. After the show in July — the last we would play together — I told my dear friend Jim Fendrick that when I die, I wanted him to play his haunting song “Faith a la carte” at my funeral. This affected him deeply. He hugged me and said, “I love you, brother.” I got to tell him the same. There was no forced love from him; it was all genuine. From his playing, to his smile, to the way he loved his two boys, he had so much soul, so much heart he couldn’t keep it all cooped up in a human body anymore; he just upgraded. He couldn’t be everywhere like the soldier he was. Now he can. — Cesareo Garasa is a Bakersfield drummer who plays in a number of bands around town

Ask A Professional

We feature local experts to answer your questions. For info contact: Lisa Whitten at 661-395-7563

Wills, Trusts and Probate

Q: A:

I’m thinking about doing a living trust. Who should I choose to help me? You should always seek the counsel of a licensed estate planning attorney first and foremost. They have the knowledge to answer your questions from a legal standpoint. Although there are certain “services” out there that can draft your documents, usually they are not associated with a lawyer, so they are really unable to give you legal advice. There have been instances when the documents were not drafted properly and because of that the entire trust and the plan of distribution were defeated. The adverse impact usually causes court involvement causing great distress and expense. If you want to know more, contact my office. I offer free 30 minute consultations for those without existing estate plans.

Outside The Box Film Festival

The Law Office of

vallitix.com or 322-5200. (Listed ticket prices do not include additional fees.) Nov. 8: Panels & Workshops, Spotlight Theatre, 1622 19th Street. $25. Nov. 8-10: 3 Day Festival Pass, 9 a.m. Friday through 5 p.m. Sunday, Fox Theater, 2001 H St. $175 adults; $90 students. Nov. 8: Outside The Box Film Festival: Feature Film Movie, 8 p.m., Fox Theater, 2001 H St. $15 adults; $7.50 students. Nov. 10: Outside The Box Closing Night Wrap Party, 9 p.m., The Padre Hotel, 1702 18th St. $100.

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Reverse Mortgages

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We read that the President signed a bill that had something to do with Reverse Mortgages. Is this going to change the way the program works? T.P.Kernville Yes, eventually, it will have an effect on the way the program works. The President signed a reverse mortgage reform bill into law known as The Reverse Mortgage Stabilization Act.We still do not know exactly what changes will be made. There is speculation that in the future you may have to pass some financial requirements and also be willing to set aside a portion of your proceeds for future payments on your taxes and insurance. Now might be a good time to consider getting into the program.

Eagle Mountain Casino 681 S. Tule Reservation Road, Porterville. eaglemtncasino.com or 559-788-6220. All shows 8 p.m. Aug. 30: Trace Adkins, 9 p.m. $30-$40.

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Thursday, August 22, 2013 The Bakersfield Californian

Eye Street GO & D0: CONTINUED FROM 30

Studio 9 Dance, 4000 Easton Drive, Suite 9, 619-1003; basic West Coast swing, 7 p.m. Wednesdays, ballroom, country, two-step, 7 and 8 p.m. Thursdays. Trouts & The Blackboard Stages, 805 N. Chester Ave., 399-6700; two-step, West Coast swing, line dance lessons, 7 to 9 p.m. Tuesdays; West Coast swing, 6 p.m. Fridays. $5.

DJ Bellvedere Cocktail Lounge, 3090 Brundage Lane, 325-2139; DJ Brian, 7 to 11 p.m. Tuesday. DoubleTree by Hilton Hotel, 3100 Camino Del Rio Court. 3237111; live in the mix: old school, ’80s and ’90s music, 9 p.m. to 1:30 a.m. every Saturday. Le Corusse Rouge, 4647 White Lane, 834-1611; with DJ Chill in the Mixx, 5 p.m. every Friday until 2 a.m. Saturday. On the Rocks, 1517 18th St., 3277625; DJ Chuck One, 9 p.m. Friday to 1 a.m. Saturday. Free. The Bull Shed Bar & Grill, at Hotel Rosedale, 2400 Camino Del Rio Court, 327-0681; with Meg, 7:30 p.m. Fridays and Saturdays.

Jazz Cafe Med, 4809 Stockdale Highway, 834-4433; Richie Perez, 7:30 to 11 p.m. Thursdays. Imbibe Wine & Spirits Merchant, 4140 Truxtun Ave., 633WINE; live music & wine bar with featuring local artist and Jazz Connection, along with 24 wines, 6 to 8:30 p.m. Tuesday and Thursday; 6:30 to 9:30 p.m. Friday and Saturday. King Tut, 10606 Hageman Road; live instrumental and vocal jazz, 6:30 to 7:30 p.m. each Friday and Saturday. Free. Le Corusse Rouge, 4647 White Lane, 834-1611; Bakersfield Jazz Workshop, 6:30 to 10:30 p.m. every Wednesday. Que Pasa Mexican Cafe, 2701 Ming Ave., 832-5011; Jazz Invasion, 9 to 10 p.m. every Saturday. The Nile, Jazz Music, 6 p.m. every Sunday. Cost $10 at 1721 19th St. 364-2620. Wiki’s Wine Dive & Grill, 11350 Ming Ave., 399-4547; Mauro, 7 to 10 p.m. Saturday; Zanne Zarow, Steve Eisen, Mark Meyer, 11:30 a.m. to 2:30 p.m. Sunday.

Karaoke Banacek’s Lounge, 4601 State Road, 387-9224; 9 p.m. to 1 a.m. Fridays.

Bellvedere Cocktail Lounge, 3090 Brundage Lane, 325-2139; 9 p.m. to 1 a.m. Thursdays and Sundays. Best Western, 2620 Buck Owens Blvd., 327-9651; The Junction with host Mac Clanahan, 8:30 p.m. Tuesdays through Fridays. Big Daddy Pizza, 6417 Ming Ave., 396-7499; 7 to 10 p.m. every Tuesday; 8 to 11 p.m. every Friday. Cataldo’s Pizzeria, 4200 New Stine Road, 397-5000; 6:30 to 9:30 p.m. Thursday. Cataldo’s Pizzeria, 6111 Niles St., 363-7200; 6:15 to 10:15 p.m. Tuesdays. Chateau Lounge, 2100 S. Chester Ave., 835-1550; 9 p.m. every Saturday. ka City Slickers, 1001 W. Tehachapi Blvd., 822-4939; 7 p.m. Tuesdays and Thursdays. Don Perico Restaurant, 2660 Oswell St., Suite 133, 871-2001; 7 to 11 p.m. Thursdays. DoubleTree by Hilton Hotel, 3100 Camino Del Rio Court; 3237111, 8 p.m. to midnight Tuesdays. El Torito Restaurant, 4646 California Ave., 395-3035, Karaoke with Irish Monkey Entertainment, 8 p.m. Saturdays. Elevation Lounge, 818 Real Road, 325-6864; 9 p.m. Wednesday. Ethel’s Old Corral, 4310 Alfred Harrell Highway, 873-7613; 6 to 9 p.m. every Wednesday. Iron Horse Saloon, 1821 S. Chester Ave., 831-1315; 7 to 11 p.m. Wednesdays and Thursdays. Julie’s The Branding Iron Saloon, 1807 N. Chester Ave., 6 to 10 p.m. every Friday. Le Corusse Rouge, 4647 White Lane, 834-1611; A to Z Karaoke, 8 p.m. to midnight Tuesdays. Lone Oak Lounge, 10612 Rosedale Highway, 589-0412; 10 p.m. Friday to 1 a.m. Saturday. Long Branch Saloon, 907 N. Chester Ave., 399-8484; 8 p.m. every Wednesday. Magoo’s Pizza, 1129 Olive Drive, 399-7800; 6:30 to 9:30 p.m. Tuesday. Maria Bonita Mexican Restaurant, 10701 Highway 178, 3663261, 7 to 11 p.m. Fridays. All ages. McMurphy’s Irish Pub & Sports Bar, 14 Monterey St., 869-1451; 7 p.m. to 1 a.m. Tuesdays. Pour House, 9 p.m. Fridays and Saturdays at 4041 Fruitvale Ave. 589-9300. Pyrenees Cafe, 601 Sumner, 3230053; 8 p.m. to midnight Saturdays.

FENDRICK: CONTINUED FROM 20

“Even though he was divorced, he never divorced his kids. He was always very attentive, and a father who set limits and boundaries, held his kids to them, and they respected him for it. He was a great dad. His whole life was around those kids.” Bakersfield photographer Jessica Moncrief, who captured numerous images of

Replay Sports Lounge & Grill, 4500 Buck Owens Blvd., 3243300; 8 p.m. every Wednesday. Rocket Shop Cafe, 2000 S. Union Ave., 832-4800; 8:30 p.m. to midnight Saturday. Rocky’s Pizza & Arcade, 2858 Niles St., 873-1900; Joey Zaza’s Karaoke and Stuff, 5:30 to 9:30 p.m. Tuesdays. Round Table Pizza, 2060 White Lane, 836-2700; 6 to 9 p.m. Tuesday. Round Table Pizza, 4200 Gosford Road, 397-1111; 6 to 9 p.m. Wednesdays. Rusty’s Pizza, 5430 Olive Drive, 392-1482; 6:30 to 9 p.m. every Wednesday. Sky Bar and Lounge, 4208 Rosedale Highway, 633-1116, Karaoke with Ben Lara, 7 to 11 p.m. Tuesdays. Sports & Spirits, 6633 Ming Ave., 398-7077; 9 p.m. Thursdays and Saturdays. Syndicate Lounge, 1818 Eye St., 327-0070; with Alisa Spencer, 9 p.m. every Wednesday. Tejon Club, 6 to 10 p.m. every Saturday at 117 El Tejon Ave. 3921747. The Bull Shed Bar & Grill, at Hotel Rosedale, 2400 Camino Del Rio Court, 327-0681; 7 p.m. Tuesdays and Thursdays. The Junction Lounge, 2620 Buck Owens Blvd., 327-9651; 8:30 p.m. Tuesdays through Saturdays. The Old River Monte Carlo, 9750 Taft Highway, 837-0250; 8:30 p.m. every Thursday. The Playhouse Lounge, 2915 Taft Highway; 397-3599; 7 to 10 p.m. Sundays. The Pourhouse, 4041 Fruitvale Ave., 589-9300; 9 p.m. every Friday. The Prime Cut, 9500 Brimhall Road, 831-1413; hosted by Ed Loverr, 9 p.m. to midnight Friday. The Regent, 2814 Niles St., 8714140; 8:30 p.m. Fridays. The Wright Place, 2695-G Mount Vernon Ave., 872-8831, 8 p.m. every Thursday. Tomi’s Cowgirl Cafe, 7 to 10 p.m. Friday, 1440 Weedpatch Highway. 363-5102. Trouts & The Blackboard Stages, 805 N. Chester Ave., 399-6700; 7 p.m. Mondays and Thursdays, 8:30 p.m. Tuesdays, Wednesdays, Fridays, Saturdays and Sundays.

Latin Wiki’s Wine Dive & Grill, 11350

Fendrick onstage, was impressed with the musician’s devotion to family. “On the weekends he couldn’t wait to get back to his kids. We used to ask him if he was gonna stay over and have brunch before heading home, and he’d say, ‘No, I gotta get home.’ People that hung out with Jim had an instant connection because that’s the type of person he was. He had an inviting personality and was very open.”

Ming Ave., 399-4547; Mauro, Rico Velazquez, 7 p.m. Friday and Saturday.

Mariachi

Trouts & The Blackboard Stages, 805 N. Chester Ave., 3996700; The Blackboard Playboys, 8:30 p.m. Friday and Saturday. $5 after 8 p.m.

Camino Real Restaurant, 6 to 9 p.m. every Sunday at 3500 Truxtun Ave. 852-0493.

UPCOMING EVENTS

Music showcase

Tuesday 8/27

The Prime Cut, 9500 Brimhall Road, 831-1413; featuring local artists, 7 to 10 p.m. every Wednesday.

Old School Que Pasa Mexican Cafe, 2701 Ming Ave., 832-5011; Al Garcia & the Rhythm Kings, 8 to 11 p.m. Thursday.

Open mic Fiddlers Crossing, 206 E. F St., Tehachapi, 823-9994; 7 p.m. Wednesdays. $5. On the Rocks, 1517 18th St., 3277625; musicians, spoken word, poets, comedians, 9 p.m. every Wednesday. Free.

Bakersfield Blaze vs. Stockton, 7:15 p.m. Tuesday through Thursday, Sam Lynn Ballpark, 4009 Chester Ave. $7-$12. bakersfieldblaze.com or 716-HITS. Painting Workshop with Sharon Schwenk, for all levels, demonstrations, lessons, handout materials, sessions with individual attention, 9 a. m. to 4 p.m. Tuesday through Thursday, Bakersfield Museum of Art, 1930 R St. $325. 323-7219.

Wednesday 8/28 Independent Film Festival, see the movie “Kings of Summer,” 7 p.m. Wednesday and 10 a.m. Saturday, Maya Cinemas, 1000 California Ave. $6. 636-0484.

R&B

Thursday 8/29

Señor Pepe, 8450 Granite Falls Dr., 661-588-0385, Rebecca Aguilar and Lost Vinyl, 7 to 10 p.m. Thursday.

“Damn Yankees,” 7:30 p.m. Thursday through Saturday, Stars Dinner Theatre, 1931 Chester Ave. Adults dinner/show: $54-$59; $38 show only; students dinner/show: $39; $23 show only. 325-6100. Concerts by the Fountain, Jamaican ska, rock, salsa and funk with Mento Buru, 7 to 9 p.m., The Marketplace, 9000 Ming Ave. Phil Vassar, 7 p.m., Buck Owens’ Crystal Palace, 2800 Buck Owens Boulevard. $30.50-$38.50 plus fee. vallitix.com or 322-5200.

Rock B. Ryder’s Sports Bar & Grill, 7401 White Lane, 397-7304; Amity Flow, 9 p.m. Friday. $5. 21 and over only. On the Rocks, 1517 18th St., 3277625; Aviators with guest Adam Bones, 9 p.m. Friday. $5.

Soft rock Steak and Grape, 4420 Coffee Road, 588-9463; 7 to 10 p.m. Thursday through Saturday. Free.

Songwriters The Bistro, 5105 California Ave., 323-3905; Brent Brown, 6 to 8 p.m. Fridays.

Trivia night Bellvedere Cocktail Lounge, 3090 Brundage Lane, 325-2139; 7 p.m. Tuesdays. Chuy’s, 2500 New Stine Road, 833-3469; 7 p.m. every Tuesday. On the Rocks, 1517 18th St., 3277625; 8 to 10 p.m. Monday.

Variety Golden State Mall, 3201 F St., 872-2037, Joe Loco Duet, 2 to 5 p.m. Sundays.

Moncrief said the single-minded focus he brought to his sons was evident elsewhere in Fendrick’s life. “I remember a conversation we had about that his New Year’s resolution was to play more guitar. That conversation stuck with me because he did. He was the kind of person, who, when he put his mind to something, that’s what he did.” The results of an autopsy are pending,

Friday 08/30 “Rocky Horror Picture Show,” presented by The Velvet Darkness, midnight Friday and Saturday, The Empty Space, 706 Oak St. $10. 18 and over only. 327-PLAY. “Rosedale,” 7 p.m. Friday and Saturday; 2 p.m. Sunday, Gaslight Melodrama Theatre & Music Hall, 12748 Jomani Drive. $12 to $23. 587-3377. River Rhythms Concert Series, music by Banshee in the Kitchen, 6:30 p.m., Riverside Park, 10 Kern River Drive, Kernville. Free. 760379-0764. Trace Adkins, 9 p.m., Eagle Mountain Casino, 681 S. Tule Reservation Road, Porterville. $30 general; $40 reserved. Visit eaglemtncasino.com or 559-7886220.

Fendrick’s father said. “He was fit, lean, always worked out and ate right. He was complaining of chest pains for a couple of weeks before, but that’s all we know. For someone as young as he was to die so suddenly will take some time to find out what happened.” The family is planning a memorial service on Sept. 14 in Huntington Beach, said Fendrick’s father.

THURSDAY, OCTOBER 3, 2013 | Editor: Jennifer Self • Phone: 395-7434 • Email: jself@bakersfield.com

Eye Stre reet

AT A GLANCE First Friday . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 James Dean Was Here. . . . . . . . . . . . . . . . . . . . . . . 22 Bakersfield Symphony Orchestra. . . . . . . . . . . . . . 23 The Lowdown with Matt Munoz . . . . . . . . . . . . . . 24

Garces High School Annual Fall Barbecue . . . . . . 25 Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Disney on Ice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29-31

Art: Takin’ it to the streets Community fest feels like a big group hug BY MATT MUNOZ Contributing writer

ransforming the asphalt grounds of The Marketplace parking lots into an Italian canvas begins hours before most frothy lattes are served for the day. But it’s an early morning schedule required of artists descending on the southwest shopping center for this weekend’s Via Arte Italian Street Painting Festival. Now in its 15th year, the free community event presented by the Bakersfield Museum of Art, draws thousands of people to marvel at renditions of classic masterpieces and original works brought to life by a gathering of professional, amateur and student artists. “This is absolutely my favorite weekend in Bakersfield,” said Bakersfield Museum of Art curator Vikki Cruz, who lends her own skills as an artist to the event. “Nowhere else can you find the talent of high school students, local professional artists and traveling artists.” After days of intense preparations to clean and measure the area, artists will begin to arrive as early as dawn on Friday to commence work, using only a box of colored chalk and pure artistic skill. More than 150 pieces will be rendered on squares measuring from 4-by-6 feet to 15-by-18 feet. “Even though the works they are creating only last for a few days, the bonds and friendships developed last a lifetime,” added Cruz. “This is truly an event made for everyone in our community." By Saturday morning the grounds will begin filling with a mix of both artists and spectators. The Via Bambino area of the festival allows parents to buy small squares and chalk so that any budding young artists can create their own masterpiece. Setting the mood with music will be several Bakersfield bands, plus local dance troupes, near The Marketplace fountain. As artists put the finishing touches on their works Sunday, celebrity judge Robert Townsend will begin the difficult task of judging in three categories: Visiting Artist, Artist’s Copy, and Original Art. (Townsend’s work is currently on display as part of the BMoA’s fall exhibitions.)

THE CALIFORNIAN

Katrina Rocha and Jeni Nusser participate in the high school Via Arte Italian Street Painting Festival in 2010.

Via Arte When: Saturday and Sunday Where: The Marketplace, 9000 Ming Ave. Entertainment Saturday: Tony O’Brien, The Mike Montano Band, Triple Threat and Mento Buru, Claydoh the Clown and Bahiyya Almas Belly Dancers (both days) Sunday: Lawanda Smith Jazz Quartet, 3 Guys Playin’ the Blues, Fat Daddy Blues Band

Bakersfield artist Beth Chaney, 28, took home first place in the Artist’s Copy category at last year’s festival with a 7-foot-by-7 foot black-and-white chalk portrait of singer Bob Dylan. “I’ve been involved since I was a junior at Centennial high, so it was pretty exciting to win,” Chaney said. “For me, it’s always been a challenge and really interesting. Dylan was featured on the cover of Rolling Stone last year and everyone knows him as the young icon from classic photos. I wanted to show the old cowboy

Bob. I also like the contrast of my black-and-white piece with all the other colorful pieces.” Chaney, who studied art at CSUB, now works as an art teacher and yearbook advisor at West High. Despite her new role as instructor, she plans to work alongside her students. “I love it. It’s going to be a little different this year, since I’m going to be coaching about 10 students. This year’s piece will be a portrait of some kind, I’m just not sure yet.” While she expects to narrow her artwork decision before Friday, Chaney said it’s not so much the art but the camaraderie that makes Via Arte a fulfilling experience. “I consider it almost a performance piece where you can work on it and have people view your progress start to finish, and I enjoy being part of the draw of the local art community.” All proceeds from art squares and festival sponsorships will go to support ongoing BMoA art education programs. — Matt Munoz is the marketing director for the Bakersfield Museum of Art.

Via Arte brings together professional, amateur and high school artists who devote countless hours to completing their work before the judging on Sunday afternoon.

Thursday, September 5, 2013 The Bakersfield Californian

Eye Street

FLICS: Raising bar for film lovers for 32 years Artsy, foreign selections favor story over flash BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

ver wonder how FLICS finds its flicks? For Phil Neufeld, the man responsible for bringing international cinema to the Fox Theater through the popular film series, the mission to secure his ideal lineup begins before the popcorn leaves the kettle. “We start before the season is over, and always receive suggestions from people who come in. We compile a list of those titles before doing the research on what will work.” As the suggestions come in, Neufeld begins scouring the web for reviews before cutting down his own list and reaching out to film distributors for market availability and potential scheduling. The distributors range from big companies that carry major and independent films of every genre to more scaled-down operations. “It’s a really big business to follow, but sometime you get the impression it may be some guy who has an apartment and he just happens to have the rights to a film and he has all the copies in his closet.” This Friday’s selection, which opens the series’ 32nd season, is “Blancanieves” from Spain, a critically acclaimed, black-and-white silent retelling of the classic Snow White fairy-tale. Though the selection is not as wellknown as last year’s Oscar-winning FLICS opener, “A Separation,” Neufeld is hoping for a big response from the audience. “There was a lot of buzz with ‘A Separation’ last year, and we had a great crowd. ‘Blancanieves’ may not be as well-known, but it’s beautiful. I think a lot of people will want to see

PHOTO COURTESY ZENTROPA ENTERTAINMENTS

Danish historical drama “A Royal Affair” appears at FLICS on Jan. 10.

FLICS season opener When: Friday; opening reception at 6 p.m.; feature presentation “Blancanieves" at 7:30 p.m. Where: Fox Theater, 2001 H St. Admission: $5 or $50 for all 17 films in the series. Information: flics.org or 4280354

this film if they’ve seen ‘The Artist.’ As nice as that film was, this is just as good. It’s a familiar story, but closer to the Grimms’ version, not Disney.” Through its weekly independent film series, Maya Cinemas has begun to offer some of the same fare as FLICS. In order to avoid any redundant screenings, Neufeld schedules accordingly. “If a film is part of a festival series somewhere, it may not be available for distribution early. FLICS operates at the non-theatrical echelon of distribution. I think it’s great that these amazing films are being given opportunities to be viewed.”

PHOTO COURTESY OF ARCADIA MOTION PICTURES

FLICS opens Friday with the Spanish silent film, “Blancanieves,” a retelling of the Snow White fairy-tale.

Recalling some of his favorite moments in the history of FLICS, Neufeld said an early brush with an up-and-coming director named Greg Mottola still ranks as a highlight. “Greg had made a film as a student project when he was in film school Please see FLICS / 27

Extras special: Film widens casting call The Bakersfield Californian

If you’ve wanted to see your face — or car — in a major studio feature film, you’re in luck. The filmmakers behind “McFarland,” which chronicles that city’s championship high school cross-country teams of the 1980s and ’90s, are still looking for extras. As opposed to prior casting calls, which seemed to focus on bilingual Hispanics, the net is being spread wider this time. Though a media release said the production is still

looking for “migrant workers and their families,” two upcoming casting calls seek “men and women ages 18 and over; all ethnicities welcome.” No acting experience is necessary, but attendees should bring a photo ID, Social Security number and must be eligible to work in the U.S. There is no fee. Filmmakers also are looking for 1980s-era cars; no makes, models or other specifics were mentioned in the release. The film is scheduled to begin

shooting in McFarland in October, according to the release. Actors Kevin Costner and Maria Bello have been attached as stars. The casting calls are: 9 a.m. to 6 p.m. Saturday at the McFarland Community Center, 103 W. Sherwood Ave. in McFarland. 9 a.m. to 6 p.m. Sunday at the DoubleTree by Hilton, 3100 Camino Del Rio Court, in Bakersfield. For more information, visit facebook.com/mcfarlandextras

Thursday, September 5, 2013 The Bakersfield Californian

Eye Street 2013-14 FLICS SEASON All features start at 7:30 p.m. at the Fox Theater, 2001 H St. Admission is $5, and season memberships are available: 428-0354 Sept. 6: “Blancanieves” Sept. 20: “The History of Future Folk” Oct. 4: “Barbara”

Oct. 25: “Tabu” Nov. 1: “Sister” Nov. 15: “Starbuck” Nov. 22: “The Jewish Cardinal” Dec. 6: “2 Autumns, 3 Winters” Jan. 10: “A Royal Affair” Jan. 24: “Happy People:

FLICS: CONTINUED FROM 23

called ‘Swinging in the Painter's Room,’ and it showed on PBS. Somebody who knew about FLICS saw it and tracked Greg Mottola down and called him in New York and said, ‘I know this film society who would love to show your film.’ He was so taken that someone was interested in showing his film that he sent us a 16-millimeter copy of the movie himself.” (The collegiate effort from Mottola was just a sign of great things to come from the director. Since his debut at FLICS, Mottola has gone on to direct the box office hit “Superbad,” the slacker comedy “Adventureland,” episodes of HBO's “The Newsroom,” the Fox-turned-Netflix series “Arrested Development,” among other impressive credits.) In the end Neufeld is happy to help artists when and where he can but sees his real mission as opening the eyes of local

A Year In The Taiga” Feb. 8: “The Attack” Feb. 21: “Tattoo Nation” Mar. 7: “In The House” Mar. 21: “Graceland” April 4: “Ai Kwei: Never Sorry” April 18: “Stand Off”

moviegoers to the world that exists beyond the box office hits. “I like all kinds of films. I like to watch independent films and foreign films. I think they really reflect more the art of film rather than the commerce of film. When you have an independent film being made, they may have a limited budget and don’t concentrate on flash. They’d rather put the budget towards telling a good story. I’d rather see that instead of buildings being blown up.” After more than three decades of putting indie films in front of Kern County audiences, FLICS has been able to take its successes and stake a financial claim in the future of local arts and cultural entertainment. “To date we’ve been able to donate over $75,000 back into the community. We’re nonprofit, but we hope the community has profited from us.”

Great Hole-In-One Prizes!

Space is limited to first 36 teams!

One of the best Bakersfield traditions at a great course, Bakersfield Country Club!

Send your form in today!

The 16th Annual Plank Foundation Golf Tournament Presented by Don & Earlene Barnes

Monday, October 7, 2013 Bakersfield Country Club Lunch & Player Check-in 11am Shotgun Start 12:30 pm

Entry Form

5 SPONSORED BY

____ Foursome & Tee Sponsor* $900 ____ Foursome $800 ____ Player $200 ____ Player & Tee Sponsor* $300 ____ Tee Sponsor* Only $125 I am unable to play but have enclosed a donation for $_____________ Space is limited to the first 36 teams – Send in your form today! Player 1 Address Daytime Phone

Shirt Size Handicap Home Course

Player 2 Address Daytime Phone

Shirt Size Handicap Home Course

Player 3 Address Daytime Phone

Shirt Size Handicap Home Course

Player 4 Address Daytime Phone

Shirt Size Handicap Home Course

Please make check payable to The Plank Foundation and return to: The Plank Foundation Golf Classic – P.O. Box 173 –Bakersfield, CA 93302 or fax to 661-327-2499 Tax I.D. #77-0114147 The Plank Foundation is a 501(c) Charitable Public Foundation and the value received is $100 per golfer. *Tee Sign Name as you would like it to appear __________________________________________

For additional information please contact John Wells at 661-395-7227 or Bob Parker at 661-301-0345

The Bakersfield Californian Thursday, September 12, 2013

Eye Street Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Index BC Alumni Association barbecue ............ 22 This Week’s Obsessions .......................... 23 Arts Alive .................................................. 24 Mexican Independence Day .................... 25 The Lowdown with Matt Munoz.............. 26 Ticket roundup ........................................ 27 Tiler Peck in Vanity Fair .......................... 28 Calendar .............................................. 31-33

Country’s king of Cali cool Growing up in LA, Gary Allan faced long road to Nashville BY MATT MUNOZ Californian staff writer mmunoz@bakersfield.com

ou can take the boy out of California, but you can’t take California out of the boy. At least that’s what can be gathered from country singer Gary Allan, who looks forward to more than just making music when he’s back on his West Coast home turf. No matter how crowded the tour bus gets, one piece of luggage always makes the cut: his surf board. “When I go back home now, I spend a lot of time at the beach, hanging out at all the old spots I used to surf,” said Allan, 45, of his hometown of La Mirada during a recent interview from his current home in Nashville. “The pier in Huntington Beach is my favorite because it’s where I grew up and pretty much lived day in and day out.” His traveling companion for this trek west is Sheryl Crow, the other half of a potent double-bill that rolls into Rabobank Arena Sunday night. But for music lovers scratching their heads at what looks like an odd rockmeets-country pairing, relax: Crow has gone country. Or, more precisely, she’s gone more country. Even casual listeners can’t miss the down-home rootsiness that has always been present in the Midwesterner’s work. She’s just making it official with the release of her first full-on country album, “Feels Like Home” (see accompanying story). “This tour is super cool,” Allan said.

Gary Allan and Sheryl Crow, with Drake White When: 7 p.m. Sunday Where: Rabobank Arena, 1001 Truxtun Ave. Admission: $42.65 to $85.05, plus service charges Information: 852-7777 or ticketmaster.com

“Sheryl’s band is classy and really great, some amazing musicians. I can’t wait to hit the road again.” And as far as Crow going her own way, Allan can relate. He’s a rebel himself. After all, most Next Big Things who take Nashville by storm come from the South or Midwest, not California. In fact, beyond Buck Owens and Merle Haggard, few performers from the left coast have ever made much of a noise in country music and, let’s face it: the two Bakersfield Sound greats became stars without any help from Nashville. So Allan knew that if he was going to become a somebody in Music City, he’d have to find his own way — by starting in the Los Angeles bar scene, where he captured the attention of a major label before heading east. “I’ve always felt like I was an outsider when I got here, but I had a deal before I came over. I never had to deal with any problems from Nashville after that.” Allan came of age professionally during country music’s conquest of the masses, just after the 1980 film “Urban Cowboy” got untold numbers into stores to buy their first Stetson hat and pair of Wranglers for Please see ALLAN / 31

PHOTO COURTESY OF ERIC ADKINS

Gary Allan has won over legions of fans and music critics with his swagger, gritty vocals and renegade spirit.

Crow taking the twang thang all the way Country has always influenced singer, but album makes it official BY BRIAN MANSFIELD Special for USA Today

ince Sheryl Crow moved to Nashville eight years ago, people keep telling her if she had put out songs like “All I Wanna Do” and “If It Makes You Happy” today, they’d have been promoted as country records. So, Tuesday she released “Feels Like Home,” which contains the Top 20 country single “Easy,” along with tunes that range from revved-up country

Win Gary Allan tickets and CD Tune in to “First Look with Scott Cox” for the Eye Street hour at 9 a.m. today for your chance to win tickets to the Gary Allan/Sheryl Crow concert Sunday. We also will give away a copy of Allan’s CD, “Set You Free.” Listen for your cue and call 842-KERN.

rockers like “Shotgun” to “Waterproof Mascara,” a heart-tugging song of single motherhood in the vein of Tammy Wynette’s ballads with producer Billy

Sherrill. Here are a few facts about Crow’s first country album that may not be obvious just from listening. Brad Paisley’s the guy who got her to record a country album. “He kept saying, you ought to make a record for the format,” Crow recently told a group at a prerelease listening party. “Your records would have been released here had there been a format that existed like this then.” He co-wrote “Waterproof Mascara,” too. The first line in the chorus of opening song “Shotgun” — “Drive it like it’s stolen, Please see CROW / 31

BRIAN CAHN / ZUMA PRESS

Sheryl Crow performs during the Country Music Hall of Fame and Museum fundraiser in Los Angeles in 2011.

Thursday, September 12, 2013 The Bakersfield Californian

Eye Street Bakersfield Racquet Club

Go & Do Today Wade Hayes, 7 p.m., Buck Owens’ Crystal Palace, 2800 Buck Owens Blvd. $12.50. Vallitix.com or 322-5200. Kern Adult Literacy Council’s events at Barnes & Noble: Kern Adult Literacy Day (more on Page 28). Poetry Open Mic, with author Ann Williams of “Into the Meadow,” others welcome to bring prose and poetry, signups begin at 6:20 p.m., readings begin at 6:30 p.m., Russo’s, 9000 Ming Ave. 665-4686.

Friday Anjelah Johnson, 8 p.m., Fox Theater, 2001 H St. $30.50 plus fee. vallitix.com or 322-5200. Book Signing, with author Lee Bacon of the “Joshua Dread” series, 6 p.m., Barnes & Noble, 4001 California Ave. 631-2575. Friday the 13th with Cholo Biafra, see the movie “Friday the 13th: The Final Chapter,” before the music begins, 8 p.m. Friday to 2 a.m. Saturday, On the Rocks, 1517 18th St. $5. 327-7625. Games Day, play bridge, bunco, poker, refreshments, noon, Bakersfield Community House, 2002 R St. $8. Reservations, 327-8835. Silver City Ghost Town Lantern Tour & Ghost Hunt, 8 to 10:30 p.m.,

ALLAN CONTINUED FROM PAGE 20

the sake of looking the part at any one of the brand-new honky-tonks built to meet the boot-scooting demand. “There were actually a lot of places to play. The ‘Urban Cowboy’ thing kind of kicked off something that lasted about 10 to 12 years. Every little bar had a band, and I was in a house band at a place called Lion D’or in Downey. Dale Watson was also in a house band at a place about half a mile away from there. I never got to meet him or some of the other guys, but I knew they were always on the circuit that I was on.” But like all trends, the Los Angeles honky-tonk craze had a shelf life. “There were about five to six bands that worked all the time,” he said.

CROW CONTINUED FROM PAGE 20

park it like it’s rented” — is a favorite saying of Crow’s father. Crow has not spoken with Jack Johnson since calling him “the new Don Ho” in single “Easy.” “It’s the highest of compliments,” she insists. “Give It to Me” features Vince Gill and Ashley Monroe on vocals. “His wife is one of my best friends,” Crow says of Gill. That would be Amy Grant. “Waterproof Mascara,” the first song written for “Feels Like Home,”

Mon, Wed, Thurs 5:30pm • Sat 8:30 am

Silver City Ghost Town, 3829 Lake Isabella Blvd., Bodfish. $12. Children must be accompanied by an adult. 760-379-5146.

Saturday Bakersfield Family Picnic, presented by Bakersfield Elementary Teachers Association; entertainment, booths, music, 11 a.m. to 2 p.m., Central Park at Mill Creek, 600 21st St. Bring seating, snacks. Free. 327-4567. Bakersfield Rock & Rod, (More on Page 26). Bakersfield Sister City Gala Dinner & Fundraiser, honoring veterans and wounded heroes, appetizers, dinner, entertainment, drawing, 6 to 9 p.m., Bakersfield Country Club, 4200 Country Club Drive. $100. Visit bakersfieldsistercity.org or 332-9582. Bakersfield Speedway, Modifieds, Sport Mods, Street Stocks, NMRA, CDCRA, Mini Dwarfs, gates at 4 p.m.; races at 6 p.m., Bakersfield Speedway, 5001 N. Chester Ave. $12; $6 ages 612; under 5 free. bakersfieldspeedway.com or call 393-3373. BC Football vs. Mount San Antonio College, 7 p.m., Bakersfield College, Memorial Stadium, 1801 Panorama Drive. $3-$15. 395-4326. Democratic Women of Kern Monthly Meeting, discussing immigration reform, 9 a.m., The Garden Spot, 3320 Truxtun Ave. $5 members;

guests are free. Visit demwomenofkern.com or 322-7411. Don’t Stop the Music Fest, multiple bands, 2 to 9 p.m., Jerry’s Pizza, 1817 Chester Ave. $5. 633-1000. Dru Hill with Case and H Town, 8 p.m., Fox Theater, 2001 H St. $28.50$68.50, plus fee. vallitix.com or 3225200. Electronic Waste Recycling Event, 9 a.m. to 1 p.m., Kern Schools Federal Credit Union, 9500 Ming Ave. Free. Nlagness@yahoo.com or 873-4011. Family & Friends Reunion, music by Donald Factory and Don Hicks, refreshments, games, worship, prayer, fellowship, 3 p.m., Yokuts Park. Bring a chair. Email savestjohn2012@gmail.com. Fort Tejon Historical Timeline, covering eras from the 1850s to mid1930s, 10 a.m. to 3 p.m. Saturday and Sunday, Fort Tejon State Historic Park. $7 adults; $3 children; free for children under 6. Forttejon.org or 248-6692. Fourth annual Bill Brannon Memorial Car Show (More on Page 21). Gourmet Cinema, enjoy classic flavors by three different chefs, choose from three movies: “Julie and Julia,” “The Wizard of Oz,” or “Oz: The Great and Powerful,” 6 p.m., Urner’s Appliance Center, 4110 Wible Road. $100. Halfway to St. Patrick’s Day (More on Page 26). Please see GO & DO / 32

“There was the Crazy Horse, the Palomino and several places in and around Los Angeles in the some of the oddest locations. People would ride their horses to these clubs. It’s amazing how much horse country there still is.” Taking up a day job as a car salesman to make ends meet, Allan said his luck took an interesting turn after a customer found a copy of his demo inside a vehicle the aspiring singer sold. After giving the CD a listen, the customer returned to the lot to inquire about the mystery disc. “I told her it was me, kinda told her my life story about wanting to go to Nashville to record, because I’d done everything in town. She asked, ‘Well, what’s that gonna cost?’ I told her about 10 to 12 grand. She wrote me out a check for 12 grand. True story.” Following the 1996 release of his

debut album, “Used Heart for Sale,” Allan has had continued success with an impressive string of hit singles like “Smoke Rings in the Dark,” “Tough Little Boys,” “Nothing on But the Radio” and recent smash “Every Storm (Runs Out of Rain).” Often compared with two other California country legends, Buck Owens and Merle Haggard, Allan said that while he feels honored to be mentioned in the same sentence, the only similarity is their West Coast roots. “I met Merle Haggard once outside his bus. Didn’t really talk much. He just seemed a little grumpy and tired. “But Buck Owens, when I met him, he was always full of energy. I’m a big fan. He always treated us like gold. And that was interesting, because he always had some sort of side deals going on.”

made Gill cry. He sang on the track, and Harold Bradley, who played tic tac bass on Patsy Cline’s “Crazy” and a few thousand other Nashville records, played on this one, too. "I got to visit with him, and he’s amazingly generous with his stories," Crow says of Bradley. Crow considers “We Ought to Be Drinkin’” a sister song to “All I Wanna Do.” “My first big song was about sitting in a bar, drinking, and it had pedal steel in it from the very beginning to the very end,” she says. “So ‘We Ought to Be Drinkin’ is kind of the laid-back post-cursor to that

song. If that’s a word.” And if the acoustic guitar that starts the song reminds you of Bobbie Gentry’s 1967 “Ode to Billie Joe,” well, that’s intentional. That’s Sheryl whistling on “We Ought to Be Drinkin’.” Bonus fact: “Every song I’ve ever written that made me any money, I wrote on the same guitar,” Crow says. It’s a 1964 Gibson Country and Western acoustic guitar, and it was the first guitar she ever bought. “I call it The Moneymaker. It’s all over the record. It’s one of the things I just gravitate toward.”

New Classes Starting Sept 17th Riverlakes Community Center Tues, Thur 9 am For more info:

589-8950 or Jazzercise.com

This Sunday Morning. Renew.

10:10 at First United Methodist Church 4600 Stockdale Highway Have kids? Bring them to Kids’ Church - also at 10:10. www.fumcbakersfield.org

TONY’S PIZZA

NORTHEAST

3615 Mount Vernon Ave.

(661) 871-3556

CENTRAL

4130 California Avenue

(661) 325-4717

NORTHWEST

4750 Coffee Road

(661) 588-4700

SHAFTER

300 Lerdo Hwy.

(661) 746-9244