Long Story Short

Page 1

Matt Wasson

LONG STORY SHORT for chamber ensemble

Transposed score


COMPOSER’S NOTE The title of this piece is a tongue-in-cheek reference to my own inability to make a long story short. Inevitably, stories that should be rendered as respectfully brief anecdotes are fleshed out by increasing levels of detail and backstory that – while ultimately superfluous to the crux of the story – feel essential at the time. The intentional irony of this piece is that despite its relatively short duration, the musical material is actually organized as a “short story long.” This consists of a six-note pattern (which itself is a three-note pattern repeated again at a lower pitch level) serving as a kind of cantus firmus for the different sections of the piece. Thus, each section is part of a larger expression of this pattern while also containing variations of that pattern. Additionally, this piece was indirectly influenced by a job I took working in print media, which got me thinking about stories. Humans have been telling stories for as long as we’ve existed, and although the means and styles of communication (oral tradition, carrier pigeons, books, newspapers, telegrams, telephones, emails, Tweets, and even music) have changed dramatically, it seems to me that in some ways the stories themselves are fundamentally the same. Our natural impulse to keep telling them is what makes them essential. This piece was written for Latitude 49.

INSTRUMENTATION Soprano Saxophone in B flat (doubling Tenor Saxophone in B flat) Clarinet in B flat (doubling Bass Clarinet) Percussion (1 player): Suspended Cymbal Claves Kick Drum Glockenspiel Vibraphone (with bow) Marimba

Piano Violin Violoncello

Duration: c. 6 minutes


LONG STORY SHORT Transposed score

Matt Wasson

for chamber ensemble  = 112

Bass Clarinet

3

 4 4

3

3

3

 

   

  

 

 harshly

Soprano Saxophone

3

3 3 4    4    

3

       



    

 harshly

pedal with slurring

Vibraphone

4  4 

 

 

  

 placidly, without much phrasing

3 44         

Piano

3

        

      

     

 harshly 3

3

 44           

Violin

3

3

    

 3   4 4       

3

3

  

 

  

sim.

 3 

3

3

  

 

       

 3    

  

    

 harshly

Violoncello

  4   4 

3  

  

 harshly

2016

3  

   

sim. 3

 

     


6

B. Cl.

 

3

3

 

S. Sax.

Vib.

 

 

 





 

  

3

   



3

3



 

3

3

 

3

3

    

  

 

3

 

 

3

  

3

 

  

 

 

Pno. 3

3

 

Vln.

 

  

3

2

  

  

3

   

 

  

 

   

3

   

3

  

3

  

3

3

3

Vc.

  

 

3

     

2016

3

  

 

 

  


10 B. Cl.

S. Sax.

 



     

42 

 43

  42 

 43

2  4

3  4

placidly, without much phrasing until mm. 19

   

2  4

3  4

 placidly, without much phrasing until mm. 19

Vib.

 

42   

43 



42  

43    

  

3

        

3

3

   

 42

 42

42

43   

3

42

42

 2 4 

    

43 

      

43 

   

43 

     

43 

      

Pno. 3

3

         

Vln.

 

   

   

3

43    

 43      

3

  



Vc.

       

    

42

 34     

   42 

 



2016

3


3

15

B. Cl.

      

 S. Sax.

Vib.

 42

 

  42 

43 

2  4



 



42 

 

44

4 4



44

3

 

 43  

  

43 

3

2 3  4 

   42 

3

2   4 

42

43    

42

 

44

42

 

44

42

44

42

44

 

Pno. 3

3

 

  

Vln.

     



      

4

 42   





Vc.

 

 42    



2016

43   

 

 43    

 

 43    

 


21 6

20

B. Cl.

 4 4 

    

 

S. Sax.

4  4 

 4 4

3 8

  4 4

 



 

3 4

 3

5



Vib.

83

3



 43 

      

4  4   

    83 

   3    4  

 

44

3

  

3

4 4 

   

 

34    

 



 

  83

     

44

44

    

44



Pno. 3

 44     

  

   

pizz.

Vln.

 4  4     

   43  

3

       

arco

pizz.

 43    

   

  83     

arco

     

  

pizz.

83



Vc.

 44       

 pizz.       

arco

pizz.  3  4   

   

arco

    

pizz.

83

   

44



2016

5


24

B. Cl.

 

 4 4

   

   

4   4

 42

44

3



S. Sax.

43

 

3 4

still in the background

2  4

4 4

3

 still in the background

Vib.

4 4

 

 

 

 

 

43

   

42 

 

 24    

 

 

44

3

 

 

  

3

4 4

 

43

 



 



  

44

 

Pno. 3

 44

 4 4

    

Vc.

6

 44 

43  

 

 

pizz. 3

  

44

 pizz.   42   

44

arco

  

 24  

arco

arco

      

 

43

pizz. 3

arco

Vln.

  

 

43

  

2016

pizz.

   

42 

  

44


27

B. Cl.

 4  4

43

 3

     42

  

 

44

  42    

4 4

  3

S. Sax.

4    4

3 4

 

 

3



Vib.

4 4 

  4   4

 

 

  

 

   

43

43

  

to Glock.

       

42  

44

 42 

  

44

24       

44

 

Pno.

 44 

Vln.

 4 arco  4  

      

43

pizz.

  

     

 3  4 

arco

  

  2  4  

     

44

arco

Vc.

 44    

pizz.

  

     

 3  4 

arco

  

 2   4  

     

44

2016

7


30 B. Cl.

 4 4 

3    4  

 

 

 

42

44  

S. Sax.

 3    4  

4    4

  

   

2 4

4 4

2 4

4 4

42

44

42

44

42

to Vibes

5

Glk.

 4  4 

 

 

 

3 4



Vib.

44  

43

to Claves

  

4 4 

 

 

      3 4   

   

     



Pno.

4 4 

     

   3    4 

    

 

   

44



Vln.

 4 4 

     43 

Vc.

4   4

     43 

 

   

42

 

42

 

 

 44 

8

2016

44


33

B. Cl.

 4 4 

43 

3 4 

 4   4

 

()

S. Sax.

     

4    4 3

3

Clv.

  

   3

 3

 44 

    43 

 

 

4 4

 

 

 

   44 

3





     

  4  4 

    

43

   

  5

 3

 Pno.

44





      44

 

 

   

Vc.

 44 

 43          

34 

 

44



5

 

  

2016



  44 

9


36

B. Cl.

 4 4 

S. Sax.

4   4

43 

   

 

  





3 4 

2   4

44

       42 

    44

 





5





to Glockenspiel

Clv.

 44 

  

3 4  



     4  4  3

        3

44

           42  

6

              3  44          4    3

  



43 



Pno.

  42 

 

   

44

    42 

44



3



Vln.

 4 4

43

42

         44  on the string

Vc.

10

  44   

  

 43

2016

 

   42

44


39

B. Cl.

 4 4   

 



43 

42



2 4

44





S. Sax.

       43   

4       4

 





Glk.

 43

to Vibes

  

  

 42   

44

5

 4 4 

4 4



4 4

           43   

     42

     

44

44



Pno.

 44   

 

   

 43  

    

 2 4

      

(still on the string)

Vln.

 4          3       4  4 

42

44

     





on the string

Vc.

4   4



43 

42

   

44



2016

11


40 A little faster  = 124 42

B. Cl.

to B Clarinet

5

 4  4 





44     

   

 

  S. Sax.

4   4

  

4 4

 

           



Vib.

4 4

44

                  

   

 4 4

     

44

    

   

 Pno.

Vln.

    

    44     

    

  44  44                 

   

 4 4     

Vc.

         

44

 44       

 

2016





12

 


45

S. Sax.

Vib.

       

         

          

        

 

 

 

 

 

pedal lightly, ad lib.

 



 



  





 Pno.



 











pizz.

Vln.

 

 

  

pizz.

Vc.

 

  

 48

S. Sax.

Vib.

                    

            

 

 

   

     

 

 

 

             

  

      

42

42

     

        42   

Pno.

 

 

  

       

 

   

 

   

  

42

  arco

Vc.

 

 

42

 2016

13


49 51

S. Sax.

 

2 4 

44 

   

 

   



Vib.

 42

4                 4 

   

 marcato

  2 4

  

44  

    

 

3



 

   

44  

  

 

  4 4 3

 

 

 

pizz.

Vln.



5

5

arco

  

  

       

 2 4 

 3

 2  4

5

Pno.



5

arco, sul tasto

 



  

 



arco, sul tasto pizz.

   

 Vc.

     2  4

  44

3

14

2016

 


54

    

S. Sax.

Vib.





  

      

 

  

 

  

   

 

                      

5





 

 

  

5

 

 

  



 

 

5

Pno.

   

 

  

  





5

Vln.

 



    Vc.



  

 

5

   

   

 

 

5

   

  

     

   

 

 



 

 

2016

15


57

S. Sax.

            

  

   

 

     

43

to Sus. Cym.

Vib.

3  4                               

 

  





5

5   

 

  





43



  





43

5

 Pno.

 

   

 

 

   

5

Vln.

  

    Vc.

16

5

   

  

    

5

    

   

 

    

 

   

 



 43 

   43

2016


58 60

B♭ Cl.

5

 3 4 

     44        5

 S. Sax.

3     4

4  4

 



Vib.

3 4

4  4



    

  

 

  



Sus. Cym.

Drs.

 

 43 

to Vibes

44

3 4

 44 

 

 



Pno.

 3 4

on the string

Vln.

 3 4 

        

  



44

 



      44     

      

Vc.

 3   4

on the string        4          4

     

2016

17


62

 S. Sax.

 



 

 

 

 





Vib.

   

 

 



  

 

 

 

  

  





   

    

Pno.

  





  



Vln.

 

         

         Vc.

  

                  (no diminuendo)

18

2016


64

B♭ Cl.

  

   

       

3

3

             

3

3

3

3

3

3

 boisterously

S. Sax.

 

   

 

 

 

 

    

 

sim.

Vib.

      

 



  

 





 



 

Pno.

  





 

 

 

 

pizz.

Vln.

  

 

 

 

 



   

 



 3

66

B♭ Cl.

        

      

3

3

3

S. Sax.

Vib.

Vln.

 

 

 



 

3

  

2016

 

  



   

 

 

  

   

3

      

 

3

3

 

   

 

 

 

 

   

19


3

68

B♭ Cl.

66

3

   

3

3

     

 3             3

     3 

3

 



S. Sax.



 

 



to Marimba (same mallets)

Vib.

 

   

  

 

 

 Mrm.

 

 

 

3

Pno.

        3

  



Vln.

   

 

 

 

 

 

 cantabile

 Vc.

 

 

 

20

2016


3

70

B♭ Cl.

       3

   Mrm.

3       

3

  

  

    

3

  

3

3

  

 

    3

 

    

3

   

3

   3

       3

  

    

3

3

 3    

3

Pno.

 

 Vc.

3       

3       



3

    



 

2016

21


72

B♭ Cl.

3

3

 

 

3

  

3

3

   

 

3

3

3

   

  

  

  

3

   

  

3

3

 

 

 

 



 Mrm.

3

3

3

 

  

3

3

     

 

  Pno.

 

 3     

3

3

        



 Vc.

22



2016

 

     

 


3

74

B♭ Cl.

 3     

3     

3

            3    

43

 S. Sax.

3

3

   

 

 

3 4



Mrm.

         

 

                       43 

3 3  3 3 3 3 3                              3

43

43

Pno.

 

3       

 Vc.

   43

2016

23


78 77

B♭ Cl.

 3 4

44 

3  4  

42

plainly, almost in the distance

S. Sax.

34  



4 4

3 4

2 4

arco, always let vibrate pedal each new note

Vib.

 3 4

4 4

  43     42

 

to Vibes (arco)

Mrm.

3          44  4

3 4

 44      

   

           



Pno.

 43

44      

43

42

 43    

42

 34    

42

 43    

42

 34    

42

               

arco

Vln.

 3 4

        44               



Vc.

 43  

  

     4       4                

  



24

 

2016


82

B♭ Cl.

 42

4  4

Vib.

2 4

4 4

2 4

44 

                

3 4

4 4

3 4    

4 4

    

43

44

    

43

44

    

43

44

    

43

44



  



Pno.

Vln.

 42

44 

               

 2 4

44 

     

     



  

  

Vc.

2  4

44 

    

     



   

2016

25


87

B♭ Cl.

 4 4 

S. Sax.

4  4



  

Vib.

4 4

  

  

  4 4 

 

 

   

  

  

    

  



Pno.

 44 

      

sul tasto

Vln.

   

 4 4 

       

       

    

ord.       

Vc.

ord.

 

     

26

  



sul tasto

4         4  

   



2016

  

   


90 B♭ Cl.

*N.B. Pulse on every accent within cresc./decresc. Pulse should alter volume but not pitch.

       





5

3

 









 



*N.B. Pulse on every accent within cresc./decresc. Pulse should alter volume but not pitch.

 S. Sax.





  



 





   

5



     

3

3



3

also to Kick drum

 Vib.

 

  

   

   

   

      

   

Kick drum

Drs.

Pno.

 

  

          

             

     

Vln.

 

 

     

    

   

   

      

    

   

   

     



Vc.

 

 

      

2016

27


94

B♭ Cl.

         5



3

3

3





     

  

 







 

3

S. Sax.

   

   

3

3

5

                











3



Vib.

 

   



   



  

       

   

 

        3

 

3

                             3 3 

Pno.

 

 Vln.

 

3



         

   

 







sul pont. 5

 3

    



Drs.

   

5

5

             5

 3            3

Vc.

 

   

  

sul pont.

    

    

 

 5

28

5

 

2016


100 99

B♭ Cl.

More relaxed  = 112

3

  





44  



S. Sax.

 





4  4  



pedal with slurring take mallets

Vib.

 

 

 

44         3



             

3

3





5



pedal with slurring

44              

 

5

3

3

Pno.

Vln.

44          

       

3

ord., always on the string when not staccato 5   

 



44

  

 



3

3

3

        

5

 

 



ord., sul D 5

Vc.

      

  

44 

2016

29


102

Vib.

3

3

3

3

3

Vln.

3

 

3

5      4

 

   

       



5

3



 

   

45

3

4        4      



 Vc.

4  4  



 



5             4

  

44               

 5

Pno.

5

  45

           

 

 



 44

 105

3

Vib.

3

3

        

5

 

 

          43          



5

Pno.

3

          

3

Vln.

    

   

Vc.

30

44

44

44

44



3     4    

 5

 

 

 

3

3

3

                    

43 





3

             



 

43

2016


109 Delicate at first, but gathering energy always very legato when not staccato 3

B♭ Cl.

 4        4 3

5



 S. Sax.



Vib.



   





always very legato when not staccato 3                  



3

5

3





 44



3



4    4

3

            

  

3







5 3 3                  



3



Pno.

 44



 





5           

3



Vln.

 4 4



 





   

3





ord.

Vc.

4  4





 

2016

31


very gradually getting faster until mm. 130 112

B♭ Cl.

 

 



         

3



S. Sax.





3





5



 



3

          

3



3

     

3

Vib.



     

3

       

5





3





5

         

 3



3

Pno.





3







       

    

3



Vln.

 







5

     

3

3

3

             3

Vc.

32









2016







    


118

 = 114 gradually getting faster 115

B♭ Cl.

5

 

 



3

 = 116

3

   

        

3

S. Sax.

 



 





5         

3



3

Vib.

  

    

       

3

Pno.

5 3 3 3                                 3

Vln.

 





5

   



3





3

3

   

3

                    



3

Vc.





 

 

2016

33


 = 118

gradually getting faster 119

B♭ Cl.

5

  

   

        

3





3

S. Sax.

       

 

3



5

Vib.

3

3



5



             

3

3



3

3

                     

        



3 5 3 3                          



 

3

    







 

34

3

3

                      

Vc.



3

5

Vln.

3

 

Pno.

5

                  

2016


 = 120

gradually getting faster 123

B♭ Cl.

 

3

       

3                           3 5





3

S. Sax.

  

    

   

Vib.

3

   

          

3



Pno.



3

   

  

5

         

3



5            





 

5

       

3



gli ss.

Vc.

        

Vln.

3

3 3                 

3



3



3

5

5



3

                 3    

3



3

3



gl iss.

 

 





 



2016

35


 = 122 gradually getting faster 127

B♭ Cl.

  





3

                 

3

5

     

 

Vib.

 

5



     

3

3



 

3

    





          43

3

5



        

36

 





   

43

3

5

Vc.

 

3 3 3                 



5



Vln.

3

3 3               3 4

  

 

3 4

3

        

3



  





                 3    

3

Pno.

3

43

   

3



 S. Sax.

3





   5 5 5       3                  4                    5   

2016


130  = 124 B♭ Cl.

 3 4

3

44  







 



S. Sax.

 

3

3  4

3





3



3

4       4  

 







Vib.

3 3 44                   



Pno.

44    

 

 

 

Vln.

44   

44

3

 

   

3

5

 

 

 

    

3

  



5

3  4





Vc.

    

 

         

3

 3 4

 

3

    

3

3

5

3 4

 

5

 



3 4

   

5

              

5

        

   



2016

37


133

B♭ Cl.

Grinding to a halt step by step  = 114

   

 = 104

5

5

5  4

44  



S. Sax.

  











5 4

4   4

2 4

42

42

42

42







   



3

   

42

3

Vib.

      





3

 

45

 

44  

  

        



3

Pno.

   

45  

3 3 44        

 

Vln.



3 3  5         4      

sul G and D

3

  



5

3

3

44                        





5

Vc.

     

45   

5 5 44                



38

2016


 = 94

 = 90

137

B♭ Cl.

  2 3  4      4

44    

2  4   

44

4 4

5



S. Sax.

      42

    43

4  4





 

2 4

3



3

Vib.

 42

43 





44  



Pno.

Vln.

 

 

3 3   44        





5  2 3 4      4    

 

 

 42

44

42

44

42

44

 

3 3 24 3        4     

take four mallets

3

 

3

5 3 44          





sul tasto

Vc.

5 3  42 4         

5

44

          



5

  42 

44

   

2016

39


142 Blissfully  = 84 B♭ Cl.

 

3

3

                

       

to Tenor sax

      S. Sax.

 

    

5



Vib.

        

 

 

 

 

3

   

     

  

   

                 

   

  dolce

Pno.

           

sul tasto 3

Vln.

      

  

          

 

  

   

 

         

  

 



 Vc.



 

40

  

2016

 

 


146

B♭ Cl.

Vib.

                 

 





      

 

  

  

    

 

      





            

 

          

          

         

         

43

 

3 4

43

43

Pno.

Vln.

 

     

 

 Vc.

 



    

 

  

 3     4  

  





 

2016



43

41


151

150

B♭ Cl.

 3 4

6 3

44 

6

3



       



T. Sax.

  4   4



Vib.

  

 

  



 

 

ord.

Vln.

 

 

44 

 

3  4

    

  44      

42

    

ord.

Vc.



  

 3  4  

   

44 

   



3 4

6



3   4

6



2016



 


153

B♭ Cl.

 

                       9

 

            

9





 

 T. Sax.



  

 

 



Vib.

 

  







Vln.

Vc.

 

 

  

   





  

  





2016

 

 

 

 

43


155

B♭ Cl.

 

        





     



      T. Sax.

   



  

 

    

  

 

dramatically slow down tremolo speed

Vib.





 

 

 

 

 

 



    

Pno.

Vln.

  

 

 

 



                   



 



 

 



Vc.

      

   

 

44

2016

 


A quiet, steadily murmuring texture  = 76

161

rall. 159

B♭ Cl.

           43      

 

44 

 

  

 



    T. Sax.



3    4

 4  4



  

  



 

     4     4  

43  

5



 

43

   

 



play run as fast as comfortably possible, but not accented

Vib.

 

   



   

5

keep pedal down until the end

         

44

arco don't let sound "flare" until last note

 molto dolce Pno.

43

44

          

extremely even bow strokes, very little phrasing

  Vln.

 

43

 

44

 

  

 

 

 extremely even bow strokes, very little phrasing



 

   

Vc.

 

43

44 5

5



2016

45


163

B♭ Cl.

   

  

 

    

 



  

  

 

 

 

       

 

  

 

 

      

    

  

 

  

 Vib.

  

 T. Sax.

 

Pno.

   

  

  

(sul D)

  Vln.

  

  

  

 

 







 



 

Vc.

 

 

5

5



46

2016



 5




166

B♭ Cl.

  

 

  

  

   

  

    

  

  

 T. Sax.

Vib.

   

 

    

    

 

 

  

 



 



   

     

 

    



  



 

 

Pno.

  

(sul D)

Vln.

  

 

   

Vc.

  

5

 





 

 

5

2016



5

47


169

B♭ Cl.

  

    

 

 poco

T. Sax.

    

   

 

 

 

 poco

let ring

Vib.

  

 

   

  



   

 poco

        

       





Pno.

         

Vln.

   

  

  

  

5

Vc.

  

  









  

  

poco

  

  

48

2016

poco


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