Architectural Work Sample by Maxwell H. Strauss

MAXWELL

STRAUSS

GRADUATE PORTFOLIO | 2020

ECUADORIA

TETH_ERED

TOWER UYUNI

Centrally located in a changing industrial landscape, this proposed addition respects a deliberately authentic environment while fully integrating an opposing component in the program.

A competition submission for Evolo, recognizing outstanding ideas that redefine skyscraper design through implementing novel technologies.

Program: New center for government

Program: Boxing gym and editation center

Program: Self-sufficient desalination structure

FRAGMENTED REALITY

FRIESENHEIM SURROUND

PERPETUAL TENSION

A design-build collaborative project in coordination with Architecture Studio III: Structural Applications.

Located on one of the most important paleontological sites in the United States and still actively studied by Concordia university, this collaborative studio course builds on the study of structural systems.

As a submission for the ACSA steel compotition, this studio course explored the many varied functional and aesthetic uses for steel as a building material. to envelope a particular program and function.

Program: Habitable pneumatic structure

Program: Research facility and museum

Program: Museum of modern sculptural art

REVEALING VOID

MEMENTO MORI ( TORIUM )

SELECTED WORK

This studio course concentrates on the issues raised by creating new architecture in existing high density urban contexts with complex social and cultural characters.

Through conceptual development, this studio course focuses on how the nature of structural systems affect and inform architecture.

Academic work and professional experience from my time at Kohn Pederson Fox Associates (KPF) in New York and BOKA Powell in Austin.

Program: Residential and commercial mid-rise

Program: Experiential spiritual interconnection

ECUADORIA

When speculating on the future of water infrastructure for the next 50 years in the capitol city of Ecuador, the reciprocity between Quito’s need for a water infrastructure and how that form transforms the shape of the city remains the site for engagement. This project examines the architectural expression of a unified government, where all decisions are made within the public realm. Located in a rapidly growing city where a broken system has created a lack of trust from the people of Quito towards the current government, how can architecture define a level of transparency and accountability in a field that is typically closed off and private? This new center for government represents a step toward a new culture, an everyday symbol of what can happen when the whole country assembles towards one common goal.

Program: Water treatment tower, government offices, and public assembly Location: Quito, Ecuador Advanced Studio I Fall 2019

ECUADORIA

CONCEPT In traditional practices, the vertically-oriented symbol of power is arranged above the national assembly, where the public plaza is typically positioned looking onward. The modernist approach is to place the monument beside the assembly, with the public still located at an onlooking position. This proposal takes an opposite approach by seperating government offices from the country’s element of wealth, giving clean water - and power - back to the people. TRADITIONAL

Right: Conceptual diagram of proposed organization Below: Longitudinal and transect site sections

MODERNISM

PROPOSED

SCHEMATICS

ECUADORIA

ORGANIZATIONAL DEVELOPEMENT As an intervention into a pre-existing reservoir located in the area projected to be Quito’s future city-center of Cumbayá, the tower provides a vertical representation of the water treatment process to be seen throughout the region. The concept of Reimann Summation is then used to organize the places of private action in order to maximize their impact on the tower face. Government officials exist within these places of private action before law is brought to the public. Above: Site perspective looking back from tower Right: Formal diagram of water treatment tower; site plan

RESEVOIR

TOWER

COAGULATION

FLOCCULATION

SEDIMENTATION

PLATFORM FILTRATION GOVERNMENT ADMINISTRATION DISINFECTION

ASSEMBLY

PROCESS

PINCHINA VOLCANO

EL PANECILLO

BASILICA DEL VOTO NACIONAL

PROPOSED SITE IN CUMBAYÁ

LOCATION DIAGRAM

APPROACH PERSPECTIVE

EXPLODED SITE DIAGRAM (Highlighting public space)

TETH_ERED

Almost like two boxers dancing with one another in the ring, two forms detached from a single object representing both sets of program - appear tethered to eachother, almost mimicing one's own moves. Almost as a conceptual invertation of the two boxers throwing multi-versitive moves at one-another within a static perimeter, the interior program is held within five containers; superimposed through dynamic shells that mimic the jabs and dents that arise during a fight. Programmatically seperate, the two forms are connected through a single primary axis, centering on the key elements - the main boxing ring and corresponding audience.

Program: Boxing gym and meditation center Location: Austin, Texas Vertical Studio IV Spring 2018

TETH_ERED

PROCESS As an exploration of form and structure, these initial projects introduced concepts of formal identification and an investigation into creative techniques for wood construction. .Through the use of 3D printing, an abstract organic module is resused in a way that represents each piece of the classic Staunton chess set. The faceted pavillion became a formal exercise that transcended into the final product. Above (left to right): Chess set (Pawn, Rook, Knight, Bishop, Queen, King) Far Right: Photographs of pavillion model (scale bass wood)

PROCESS

TETH_ERED C

SCHEMATICS

BL VD

While the meditation center and rock garden are pushed to the back in an attempt to create privacy, the primary ring of the boxing gym is pushed front-and-center; this is key in maintaining a direct connection to the street that makes Richard Lord’s gym unique and world famous. Parking is arranged on the northern side in order to take it off the street and allow users with direct access to both entities. Above: Site Plan Left: Current site location of Richard Lord’s boxing gym

100

600

100

1600

600

1600

SCHEMATICS

SITE SECTION A

SITE SECTION B

SITE SECTION C + D

BOXING GYM INTERIOR

TETH_ERED

MEDITATION CENTER

BOXING GYM APPROACH

TOWER UYUNI

Circumstances Water is becoming an increasingly valuable commodity for our planet. We are creating innovative ways to lower our consumption of Earth's resources however our freshwater is still steadily depleting. In order to further sustain life, we as a human race need to create an innovative means of supplying fresh and potable water to people on a global scale. Freshwater collection is essential to human life and absolutely necessary to extend the lifespan of our species. The war on petroleum will eventually come to an end as oil is phased out of consumption, but with its end, the war on water will begin. As oceans rise and continually produce more saltwater, it is essential to take advantage of that as best we can. Freshwater is our most precious resource on this planet and this tower attempts to provide a solution for this detrimental problem.

Program: Self-sufficient desalination structure Location: Salar de Uyuni, Bolivia Evolo 2017 Skyscraper Competition Winter 2017 Collaboration with Brian Poticny, Keertan Aksha, Olivia Vargas, Rasmus Salomonsson, Sam Crawford, and Sebastian Fuentes

TOWER UYUNI

SITE LOCATION We have designed a desalination structure to catalyze the development of water purification systems and how they may be implemented in sustaining emergent areas of the Earth. This skyscraper is located on Salar de Uyuni, the largest salt flat on Earth, in southeast Bolivia within the crest of the Andes Mountains. Lithium extraction from a pool of brine beneath the salt crust contributes to approximately 43% of the Earth's lithium supply, but does not contribute to the surrounding underdeveloped communities on the outskirts of the salt flat. These communities thrive almost entirely off of tourism with little subsistence farming to meet economic needs. Organic life ceases to thrive on this desolate land and a self-sufficient structure would potentially reestablish life. Left: Site location and analysis Below: Morphology diagram showing building development

PROCESS

EXECUTION The desalination skyscraper would harvest saltwater from the aquifer below the lithium brine. The freshwater produced would supply the communities consumption and be applied to a multi-tiered hydroponic system integrated into the towers interior. The salt byproduct from desalination would be dispersed and distributed onto a building envelope where natural salt crystals will form, providing a translucent skin to prohibit excess sunlight reflected by the salt flat. Over time the salt will accumulate on the structure and the communities may harvest it to further fuel their economies. Above: Diagram showing building structure derive from cell structure of indigenous cacti; Process of crystalization growth on building envelope Right: Section displaying desalination process; Developmental floor plan: interior circulation and internal space for hydroponic irrigation) 0

FRIESENHEIM SURROUND

Background This collaborative proposal for the Friesenheim Cave Research Center & Museum is located on one of the most important paleontological sites in the United States, specifically for its variety of Pleistocene vertebrate fossils , and is still actively studied by Concordia university. The cave is a sinkhole formed in the region’s karst topography where the only entrance, as documented since the earliest twentieth century exporations, is a vertical twenty-eight-foot shaft at the center of the four-acre site. Split between two structures that surround the cave enterance, we explored ways in which the form or structural components of the project could start to influence its programatic spaces within. As the long penetrated facde of the systematically-partitioned research facility filters guests into the site at the lower level, the museum at the opposite end creates a whimsical environment mimicing the publicly-unaccessable cave beneath while reacting to moments at the park above.

Program: Research facility and museum Location: San Antonio, Texas Integrative Advanced Studio Fall 2018 Collaboration with Hannah Ahlblad

FRIESENHEIM SURROUND

PUBLIC SPACE PRIVATE SPACE COURTYARD SPACE EGRESS + BOH

Programmatic Organization The programmatic requirements were broken into two categories: research and play. The research building became a frame for modular effeciency with a secondary skin that reacts to its interior program and solar direction. The landform at the opposite end of the cave enterance is formally driven by its site conditions; the structure creates a whimsical environment mimicing the publiclyunaccessable cave beneath while honoring moments at the park above.

Above: Site plan Right: Site exploded programmatic diagram

DESIGN DEVELOPMENT

SITE PERSPECTIVE

APPROACH PERSPECTIVE

EAST ELEVATION

FRIESENHEIM SURROUND

RESEARCH PLAN - LEVEL 02

RESEARCH SECTION

SCHEMATICS

RESEARCH PLAN - LEVEL 01

LANDFORM SECTION

FRIESENHEIM SURROUND

SCHEMATICS

FRAGMENTED REALITY

A design-build collaborative project in coordination with Architecture Studio III: Structural Applications. Through an exercise of structural exploration, we designed and fabricated a habitable pneumatic structure to explore how site(less) and program(less) architecture can be easily transported and placed in any location or orientation. Distributed into equally sized groups from shortest to tallest, we learned vital collaboration skills while designing and fabricating a pneumatic structure large enough to fit at least every member of the team. In conjunction with the idea of site(less) and program(less) architecture, painted sections are used to blur, or 'fragment,' a certain location or ideology and enhance the overall experience of the user.

Program: Habitable pneumatic structure Location: Savannah, Geogria Architecture Studio III Spring 2016 Collaboration with Gabriela Alvergue, Lubaina Gillani, and Minji Kim

FRAGMENTED REALITY

FABRICATION

After finalizing a design large enough to meet the requirements of the project and able to translate the proposed concept, we fabricated the pneumatic structure through the use of clear polystyrene sheeting, white duct tape, and two colors of spray paint.

PROCESS

PERPETUAL TENSION

A suspended museum of sculptural art that acts as a continuation of the mountains, while treating the environment Perched upon a foothill of the Blue Ridge mountain range in Asheville, North Carolina, the Asheville Museum of Sculptural Art optimizes access to northern light while providing users with an open view of the French Broad River and urban environment beyond. Emulating the shallow slopes of the nearby mountains, the museum responds to site conditions by creating a depressed entrance plaza with a terraced intertwining arrival. This allows visitors to experience several perspectives of the building and surrounding mountain valley. As industrialization swept across the region in the 18th century, pollution increased accordingly with urban development from the unsafe disposal of coal ash, threatening the long-term health of one of the most polluted rivers in north america and its surrounding environment To help invert the process, the reflecting pool doubles as a reverse osmosis purification system that uses greywater collected from retention and contaminated liquids redirected from the French Broad.

Program: Museum of modern sculptural art Location: Ashville, North Carolina Architecture Studio VI Spring 2017

PERPETUAL TENSION

TRANSVERSE SITE SECTION

SITE HYDROLOGY SECTION

STRUCTURE In addition to engaging the morphological qualities of the site, the form exaggerates its structure through exposed tension rods. This allows the partially-suspended gallery space to be free of oversized columns at the same time maximizing natural light exposure from its northern face.

Above: Morphology development; site sections highlighting structural and hydrological concepts Right: Structural section 0

Northern Facade Curtain Wall

eE tur Fu io ns

a xp

Fiber Reinforced Polymer Panels

Permanent Collection (8,000 sqf) Space Framing

Observation Floor Restrooms

Steel Columns and Suspension Core

Permanent Collection (23,000 sqf) Transition Gallery Mezzanine Gallery Restrooms

Entry Lobby (1,000 sqf) Ticketing Coat Room Information Giftshop (1,500 sqf) Auditorium (2,500 sqf) Restaurant (1,500 sqf) Kitchen (1,500 sqf) Restrooms Administration (2,500 sqf)

Steel Floor Framing

Egress Core and Parking Deck Temporary Exhibition (18,000 sqf) Loading Area (500 sqf) Workshop (400 sqf) Storage (2,000 sqf) Breakroom Restrooms Electrical Mechanical

REVEALING VOID

A residential apartment and office building that remains imperceptible in the context of Charleston's historic district. Derived from the intricate dwellings unveiled within the regulated blocks that make up Charleston, South Carolina, The Revealing Void appears orthagonal from the exterior, yet opens to a unique space within. Other forms of this expression are portrayed through perforated panels that slide open to provide residents with additional natural light and close to present an organic design to passersby at night.

Program: Residential and commercial mid-rise Location: Charleston, South Carolina Architecture Studio IV Fall 2016

REVEALING VOID

FORM DEVELOPMENT In Charleston, regulated facades conceal open spaces within each gridded block. As an exercise of urban contextual study, this residential and commerical mid-rise acts as a unit representing a whole. The form visible from the surrounding streets remains orthagonal; however, upon arrival, a dynamic open tract featuring several unique amenities is revealed to its residents. Far Right: User-controlled skin diagram Above: Site location and proximity study diagram; Morphology diagram as discerned by city context GEORGE STREET

PROCESS

Setback

Maximum height for workforce housing

Active void

Maximized access to direct sunlight

Height determined by neighboring street heights

Residential

Commercial

Neighboring property easement separates design

Panel remain flush

Hydraulics pull panel back

Exterior skin application determined by privacy

Frame slides panel behind

REVEALING VOID

Composite steel cores

Exterior skin application

Structural steel framing

Composite steel floors

LONGITUDINAL INTERIOR COURTYARD SECTION

SCHEMATICS

PROGRAMMATIC DEVELOPMENT Situated in a college environment, this residential mid-rise presents ground activators that appeal to local students, and live-work opportunities in a city that lacks workforce housing. Unique amenities capitalize on direct sunlight through an open centralized void that shifts towards the southern direction. Upperend apartments open to the south to profit from direct sun exposure, while lower-end housing receives diffused lighting options with a communal circulation. The seven story above-grade structure of the residential and office complex is composed of a two story composite steel base with structural steel framing above. One of the more prominent features, the sliding perforated panels, extend from the perimeter beams and attach back to each floor.

Far Left: Structural assembly diagram ROOFTOP TERRACE

WEST ELEVATION

MEMENTO MORI ( TORIUM )

A non-physical connection between past and present. Memento Mori, latin for Remember (that you have) to die, is an object that serves as a warning or reminder of death. The Memento Mori (Torium) is a form of architecture in which death, or the termination of earthly existence, is celebrated. It is a place for the contemplation or experiential connection between this world and the next. As one must visit the past before understanding the presence of the future, multiple nodes - acting as connections between earth and the heavens - bypass the hyperspace of the present in order to connect one directly to the ancestors above. By creating tension through tight spaces within the Momento Mori (Torium), users feel an overwhelming presence that reminds them of the people that came before.

Program: Momento-Mori (Torium) Location: Siteless Architecture Studio III Spring 2016

MEMENTO MORI ( TORIUM )

SITE ( LESS ) ARCHITECTURE Just as the remembrance of death can happen in many different ways, the Memento Mori (Torium) is siteless - not as a movable architecture - but as something that could be constructed in any orientation, on any topography, or at any location to remind occupants and observers of the Momento Mori theme.

Right: A progression through the Momento Mori (Torium) as shown in multiple locations in order to portray its siteless characteristics. APPROACH

SOUTH ELEVATION

EAST ELEVATION

CONCEPT

DESCENT

NORTH ELEVATION

EXPERIENCE

WEST ELEVATION

SITE PLAN

TRANSCENDENCE OF TIME

MEMENTO MORI ( TORIUM )

PRESENCE OF THE FUTURE

OBSERVER

AC HYPERSP

E OF THE

PRESENT

REFLECTION OF THE PAST

CONCEPTUAL DEVELOPMENT Gottfried Semper's theory describes a building as a woven fabric, where a knot is seen as a primordial joint and style is the coincidence of a structure within the purpose of its origin. In the Memento Mori (Torium), a depressed ground plane allows users to experience the previous existence of their ancestors, where tight spaces between tall, overhanging forms encourages the connection with their predecessors in the heavens above. Above: Conceptual diagram of the Memento Mori (Torium) Right: Diagrams for the defining conceptual elements

PAST REMEMBERENCE

PRESENCE ABOVE

AXIS MUNDI

DESIGN DEVELOPMENT

CONSTRUCTION In a way to depict its site(less) characteristics by creating an easily transportable design, white translucent resin panels are attached to a tube steel skeletal frame by way of rigid steel joints. When natural light is non-obtainable, all four nodes are artificially lit from the inside and experienced through both layers of white translucent resin panels in order to, hypothetically, continue the non-physical connection.

Left: Exploded two-point perspective of the construction Below: Section perspective of observer experience

SELECTED WORK

ONE VANDERBILT

Set to become the tallest office tower in Midtown after its initial completition in late 2020, One Vanderbilt will skillfully meet the market demands of Midtown East as it transforms the civic experience by bringing access from the Long Island Railroad (LIRR) to the Grand Central District. Following the layered architectural language of neighboring New York City icons surrounding the site, Midtown’s new 1401 foot supertall will set LEED Gold standards while creating an unprecedented work experience with floor-to-floor heights reaching 17 feet. For most of my time on this project I would assist in creating design studies as changes came up or more detailed elements came into focus. In addition, I was incharge with keeping the 3d Rhino model up-to-date as more changes became resolved, this model was used for further studies and VR development. I would eventually assist with punchlisting, redlines, and keeping track of construction changes in Revit that were to be sent out as ASI (architect’s supplemental instruction) deliverables to the contractor and the DOB (department of buildings) for approval.

Program: Office, amenity, retail | 1.8m gsf Location: New York, New York Phase: Construction administration Length of Involvment: 5 1/2 months`

Image borrowed from Kohn Pederson Fox Associates (KPF)

ONE VANDERBILT

OPTION 01 AREAS OF ART

AREAS OPTION OF ART 01 AREAS OF ART B

25’ - 5 1/4”

98’ - 10 1/2”

20’ - 2” 21’

25’ - 5 1/4”

A MADISON LOBBY 20’ - 2”

98’ - 10 1/2”

20’ - 2”

98’ - 10 1/2”

B VANDERBILT LOBBY 21’

A LOBBY AMADISON MADISON LOBBY

B VANDERBILT LOBBY B VANDERBILT LOBBY

B VANDERBILT LOBBY

KOHN PEDERSON FOX ASSOCIATES (KPF)

1’ - 1”

0’ - 3”

1’ - 1”

0’ - 10”

0’ - 3”

21’-0”

0’ - 10”

1’ - 1 7/8” 0’ - 5”

0’ - 5” 3’ - 4”

0’ - 3”

16’-0”

0’ - 5”

As the inital completition date approached, the team took a closer look at refining the lobby art wall design.

1’ - 6”

ONE VANDERBILT

58th Floor

Photo Op 4: The North View Media Wall:17’-4” x 6’-4”

DESIGN STUDIES

WWT

Photo Op 3: The Ledge

58th Floor

Media Wall:17’-4” x 6’-4”

WWT

58th Floor

WWT

Photo Op 4: The North View

WWT

Photo Op 4: The North View

WWT

WWT WWT

Photo Op 3: The Ledge Photo Op 2: The Ledge Photo Op 3: The Ledge

Media Wall:17’-4” x 6’-4” Media Wall: 62’ x 25’ Photo Op 1: Levitation

WWT

Photo Op 2: The Ledge

Photo Op 1: Levitation

WWT

WWT WWT

Media Wall: 62’ x 25’

Photo Op 2: The Ledge

Media Wall: 62’ x 25’ Photo Op 1: Levitation

SL Green, our client, asked us to look at adding glass ledges on one of the OB deck amenity floors. Working with Snohetta, the interior OB Deck architect, we looked at several locations and contruction types throughout the process - eventually landing on two single-module ledges with glass floors Putsuspended short plan here from beams above. In another instance, they asked that we look at privacy fritt options for the third floor guardrail overlooking the grand central plaza. We proposed several options and aquired physical samples, looking at scale and Put short plan here opacity. Left: study Put Design short plan here for addition of OB deck ledge Below: Amenity terrace guardrail fritt options

Abu Dhabi Investment Authority (ADIA) HQ expansion 1:500 scale 3d print model sent to Abu Dhabi for review

ONE BANGKOK FORUM

FORM DEVELOPMENT Through the use of heavy timber and painted alumnimum panels, the audtorium was seen as a void at the center of an exoshell. As the surrounding pre-funtion space becomes active at night, the forum acts as a becon; an icon for the city of Bangkok. As the overall form ‘lifts’ towards the plaza at the southwest corner, the branching modules thin at the top - fading from the exposed structural underside. Restrained by the column grid, each module retains seven sub-branches at the lowest level and lessens to three at the top within a larger floor-to-floor height. The change in color is also prevelant from the base to the upper levels. Left: Rendered roof plan and detail plans Below (left to right): Rendered elevations (west, south, east, north)

20 m

KOHN PEDERSON FOX ASSOCIATES (KPF)

20 m

LONGITUDINAL SECTION LOOKING EAST

DOMAIN TOWER III

In order to expand the Domain complex, BOKA Powell was engaged to design a second office tower adjacent to Domain I. Upon completion, this glass curtinwall office building will be 19 stories with retail and restaurant space incorporated at the ground level. There are 9 levels of structured parking beneath the office space, with an additional below grade level reserved for executives. A two story amenity space on floors 10 and 11 will feature floor to ceiling glass windows, and additional greenspace. The project hopes to achieve LEED certification. In addition to working on the design developement and LEED document sets during my involvement on this project, design studies included modifications to envelope and garage ventillation, vertical circulation, design of the amenity level, and studies on the porte cache at ground level.

Program: Office, amenity, retail | 347,000 gsf Location: Austin, Texas Phase: Design Development Length of Involvment: 4 months`

Image borrowed from BOKA Powell

DOMAIN TOWER III

6.5

7.5

8.9

ROOF EL. 255' - 0"

LEVEL 19 EL. 240' - 0"

C:\BOKAP\REVIT_PROJECTS\ARCH_17044_DOMAIN_TOWER_II-CENTRAL_v18_mstrauss.rvt

GENERAL N architecture interiors 6planning graphics

6.5

THE FOLLOWING NOTES A MATTER OCCURS. LIMITS O FOR LIMITS OF WORK.

1. 2.

303 Colorado St., St. 2575 Austin, Texas 78701 Tel 512.687.0699

Fax 512.687.1097

GLAZED SPANDRE

These documents are issued for pricing only and are not for regulatory approval, permitting or construction.

LEVEL 17 EL. 210' - 0"

LIMESTONE VENEE GREEN WALL

LEVEL 16 EL. 195' - 0"

OWNER STONELAKE CAPITAL PARTNERS 100 CRESENT COURT, 850 DALLAS, TEXAS 75201 (214) 965 - 0630

LEVEL 17 EL. 210' - 0"

LEVEL 16 EL. 195' - 0"

OWNER HPI 3700 N. CAPITAL OF TEXAS HWY #420 AUSTIN, TEXAS 78746 (512) 835 - 4455

LEVEL 15 EL. 180' - 0"

STRUCTURAL ENGINEER CARDNO 5113 SOUTHWEST PARKWAY #295 AUSTIN, TEXAS 78735 (512) 306 - 9669

LEVEL 14 EL. 165' - 0"

LEVEL 13 EL. 150' - 0"

LEVEL 14 EL. 165' - 0"

MEP ENGINEER HMG & ASSOCIATES 9606 N. MOPAC SUITE 350 AUSTIN, TEXAS 78759 (512) 794 - 8234

LEVEL 12 EL. 135' - 0" AMENITY DECK ROOF EL. 132' - 7" LEVEL 11 EL. 120' - 0"

LANDSCAPE ARCHITECT DWG 912B CONGRESS AVENUE AUSTIN, TEXAS 78701 (512) 320 - 0668

LEVEL 10 EL. 105' - 0"

LEVEL 13 EL. 150' - 0"

CIVIL ENGINEER PAPE DAWSON 10801 N. MOPAC SUITE 200 AUSTIN, TEXAS 78759 (512) 454 - 8711

LEVEL 9 EL. 93' - 6" LEVEL 8 EL. 84' - 0" LEVEL 7 EL. 74' - 6"

LEVEL 12 EL. 135' - 0"

LEVEL 6 EL. 65' - 0"

project

LEVEL 5 EL. 55' - 6"

DOMAIN TOWER II 11400 BURNET RD. AUSTIN, TEXAS

LEVEL 4 EL. 46' - 0" LEVEL 3 EL. 36' - 6"

LEVEL 11 EL. 120' - 0"

The drawings and written material herein constitute original work of the architect, and as intellectual property and instruments of service, are subject to copyright and may not be reproduced, distributed, published or used in any way without the express written consent of the architect.

LEVEL 2 EL. 26' - 0"

original issue LEVEL 1 MEZZANINE EL. 13' - 0"

LEVEL 10 EL. 105' - 0"

revisions

6.5

1/30/2021 1:35:02 PM

E Texas 78701 303 Colorado St., St. F 2575 Austin,

LEVEL 17 EL. 210' - 0"

LEVEL 16 EL. 195' - 0"

LEVEL 15 EL. 180' - 0"

LEVEL 14 EL. 165' - 0"

LEVEL 13 EL. 150' - 0"

LEVEL 12 EL. 135' - 0" AMENITY DECK ROOF EL. 132' - 7" LEVEL 11 EL. 120' - 0"

LEVEL 10 EL. 105' - 0" LEVEL 9 EL. 93' - 6"

LEVEL 6 EL. 65' - 0" LEVEL 5 EL. 55' - 6" LEVEL 4 EL. 46' - 0" LEVEL 3 EL. 36' - 6" LEVEL 2 EL. 26' - 0"

B.9

B.1

title

SCALE: 1/16" = 1'-0"

Arch: Donald R. Powell, Jr. Reg. No.: 7206 Arch: Chris W. Barnes Reg. No.: 10147 Arch: John E. Orfield Reg. No.: 11164 Arch: R. Andrew Bennett Reg. No.: 18129

OWNER STONELAKE CAPITAL PARTNERS 100 CRESENT COURT, 850 DALLAS, TEXAS 75201 (214) 965 - 0630 OWNER HPI 3700 N. CAPITAL OF TEXAS HWY #420 AUSTIN, TEXAS 78746 (512) 835 - 4455 STRUCTURAL ENGINEER CARDNO 5113 SOUTHWEST PARKWAY #295 AUSTIN, TEXAS 78735 (512) 306 - 9669 MEP ENGINEER HMG & ASSOCIATES 9606 N. MOPAC SUITE 350 AUSTIN, TEXAS 78759 (512) 794 - 8234 LANDSCAPE ARCHITECT DWG 912B CONGRESS AVENUE AUSTIN, TEXAS 78701 (512) 320 - 0668 CIVIL ENGINEER PAPE DAWSON 10801 N. MOPAC SUITE 200 AUSTIN, TEXAS 78759 (512) 454 - 8711

PARAPET EL. 259' - 0"

Unnamed

ROOF EL. 255' - 0"

LEVEL 19 EL. 240' - 0"

LEVEL 18 EL. 225' - 0"

LEVEL 17 EL. 210' - 0"

LEVEL 16 EL. 195' - 0"

project number

architecture interiors planning graphics 303 Colorado St., St. 2575 Austin, Texas 78701 Tel 512.687.0699

Arch: Donald R. Powell, Jr. Reg. No.: 7206 Arch: Chris W. Barnes Reg. No.: 10147 Arch: John E. Orfield Reg. No.: 11164 Arch: R. Andrew Bennett Reg. No.: 18129

17044.100

date

Fax 512.687.1097

www.bokapowell.com

OWNER STONELAKE CAPITAL PARTNERS 100 CRESENT COURT, 850 DALLAS, TEXAS 75201 (214) 965 - 0630

sheet

SK.100

OWNER HPI 3700 N. CAPITAL OF TEXAS HWY #420 AUSTIN, TEXAS 78746 (512) 835 - 4455

LEVEL 15 EL. 180' - 0"

STRUCTURAL ENGINEER CARDNO 5113 SOUTHWEST PARKWAY #295 AUSTIN, TEXAS 78735 (512) 306 - 9669

LEVEL 14 EL. 165' - 0"

MEP ENGINEER HMG & ASSOCIATES 9606 N. MOPAC SUITE 350 AUSTIN, TEXAS 78759 (512) 794 - 8234

LEVEL 13 EL. 150' - 0"

LEVEL 12 EL. 135' - 0" AMENITY DECK ROOF EL. 132' - 7"

LANDSCAPE ARCHITECT DWG 912B CONGRESS AVENUE AUSTIN, TEXAS 78701 (512) 320 - 0668

LEVEL 11 EL. 120' - 0"

CIVIL ENGINEER PAPE DAWSON 10801 N. MOPAC SUITE 200 AUSTIN, TEXAS 78759 (512) 454 - 8711

LEVEL 10 EL. 105' - 0" LEVEL 9 EL. 93' - 6"

project

DOMAIN TOWER II 11400 BURNET RD. AUSTIN, TEXAS The drawings and written material herein constitute original work of the architect, and as intellectual property and instruments of service, are subject to copyright and may not be reproduced, distributed, published or used in any way without the express written consent of the architect.

LEVEL 7 EL. 74' - 6"

project

LEVEL 6 EL. 65' - 0"

DOMAIN TOWER II 11400 BURNET RD. AUSTIN, TEXAS

LEVEL 5 EL. 55' - 6" LEVEL 4 EL. 46' - 0"

original issue

LEVEL 3 EL. 36' - 6"

revisions

LEVEL 2 EL. 26' - 0"

LEVEL 1 MEZZANINE EL. 13' - 0"

LEVEL 1 EL. 0"

BASEMENT EL. -13' - 0"

LEVEL 11 EL. 120' - 0"

LEVEL 10 EL. 105' - 0"

LEVEL 9 EL. 93' - 6"

LEVEL 8 EL. 84' - 0"

LEVEL 7 EL. 74' - 6"

LEVEL 6 EL. 65' - 0"

LEVEL 5 EL. 55' - 6"

LEVEL 4 EL. 46' - 0"

LEVEL 3 EL. 36' - 6"

LEVEL 2 EL. 26' - 0"

original issue revisions

LEVEL 1 MEZZANINE EL. 13' - 0"

LEVEL 1 EL. 0"

title

Unnamed

LEVEL 12 EL. 135' - 0" AMENITY DECK ROOF EL. 132' - 7"

These documents are issued for pricing only and are not for regulatory approval, permitting or construction.

LEVEL 8 EL. 84' - 0"

LEVEL 8 EL. 84' - 0" LEVEL 7 EL. 74' - 6"

C.9

Fax 512.687.1097

www.bokapowell.com

These documents are issued for pricing only and are not for regulatory approval, permitting or construction.

ROOF EL. 255' - 0"

LEVEL 18 EL. 225' - 0"

1 ELEVATION - WEST Copy 2

Tel 512.687.0699

PARAPET EL. 259' - 0"

LEVEL 19 EL. 240' - 0"

plotted:

architecture interiors planning graphics

C:\BOKAP\REVIT_PROJECTS\ARCH_17044_DOMAIN_TOWER_II-CENTRAL_v18_mstrauss.rvt

1/31/2021 2:32:15 AM

7.5

LEVEL 9 EL. 93' - 6"

BASEMENT EL. -13' - 0"

plotted:

C:\Users\mstrauss\Desktop\ARCH_17044_DOMAIN_TOWER_II-CENTRAL_v18.rvt

LEVEL 1 EL. 0"

8.9

METAL WALL PANE

GLAZED VISION P

Arch: Donald R. Powell, Jr. Reg. No.: 7206 Arch: Chris W. Barnes Reg. No.: 10147 Arch: John E. Orfield Reg. No.: 11164 Arch: R. Andrew Bennett Reg. No.: 18129

LEVEL 18 EL. 225' - 0"

REFER TO OVERALL REFER TO FLOOR PL SECTIONS ARE CUT

MATERIAL L

www.bokapowell.com

title

Unnamed

GLAZING TYP

GL-1: Ground Level fenestra • 1” IGU, Guardian • VLT = 71 • U-Value w/ Argo • SHGC = 0.39 GL-2: Ground Level fenestra • 1” IGU, Guardian • VLT = 68 • U-Value w/ Argo • SHGC = 0.38 GL-3: Office levels fenestrati • 1” IGU, Guardian • VLT = 44 • U-Value w/ Argo • SHGC = 0.22 GL-4: Office levels fenestrati • 1" IGU, Guardian low-e coating on GL-5: Garage levels fenestra • ¼” monolithic, G

BOKA POWELL ARCHITECTS

DAYLIGHTING In order to achieve LEED daylight and quality views credits for the project, I analyzed each floorplate to prove a minimum qualifing ratio. The green area in the amenity level plan to the left represents locations in which there is ateast 90 degrees of access to exterior views.

Left: Double-hieght amenity sapce with daylighting analysis Far Left Overall and enlarged building elevations

PARALLEL FLUX

INSTALLATION IN NATURE The distance between the parallel frames grows as the visitor moves through the installation and towards the center. At the right moment, the structure opens up to reveal the serenity of the pond. The pause in rhythm and opening between the frames allows one to simultaneously experience the dynamic energy juxtaposed to the larger peaceful setting of the garden. Materials: Yellow pine, blackened steel, neon bungee, UV Right: Installation, as seen from across the pond at the UMLAUF, illuminated by blacklight (Bret Brookshire)

BOKA POWELL ARCHITECTS

SELECTED WORK

TRAVEL PHOTOGRAPHY

Good architecture not only relies on the application of thoughtful design , but also requires a thorough understanding of the environment. Through artfully capturing various moments at unique perspectives, photography has allowed me to perceive details that I would not have otherwise noticed. Pieces have been selected from my travels, here and abroad, over the past few years.

6th Avenue | New York, New York | Spring 2016

Gardens of Versailles | Versailles, France | Fall 2015

TRAVEL PHOTOGRAPHY

One Vanderbilt, 56th Floor | New York, New York | Summer 2019

Bay Harbour | Petoskey, Michigan | Winter 2017

Plaza de San Francisco | Quito, Ecuador | Fall 2019

Notre-Dame de Paris | Paris, France | Fall 2015

SELECTED WORK

PRODUCTION Through forming layers of information with a KUKA robotic arm, I explored ways in which heat-formed iridescence could be projected on an opposing surface. By combining the use of “bare-risen” areas and applying parametric ‘dimples’ to highlight deeper crevices, I could create higher contrasting reflections. Above: Photos of the final product, after and before application Right: Sectional diagram and effect process imagery Far Right: System construction-exploded diagram

EXPLORATION

MAXWELL

STRAUSS

ARCHITECTURAL PORTFOLIO | 2020

ADDITIONAL EXPERIENCE AIA AUSTIN 2020 DESIGN SHINE INSTALLATION | WINNER | OCT 2020 EVOLO 2017 SKYSCRAPER COMPETITION | FEB 2017