The McGill Tribune Vol. 36 Issue 12

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SPORTS “McGill Redmen hockey dominates Brock Badgers in penalty-filled contest” pg. 16

FEATURE “Drowning in addiction: The social aspects of alcoholism at McGill” pg. 08-09

The McGill Tribune

EDITORIAL: STREAMLINING OF MCGILL COUNSELLING AND MENTAL HEALTH SERVICES pg. 05

TUESDAY, NOVEMBER 22, 2016

VOL. 36 ISSUE 12

PUBLISHED BY THE SPT, A STUDENT SOCIETY OF MCGILL UNIVERSITY

McGILLTRIBUNE.COM

Opera McGill’s Alcina: A dubious experiment in orientalism Julia Loach Contributor

Florian Grond and Romain Dumoulin present during McGill Innovation Week. (Lauren Benson-Armer / The McGill Tribune)

SSMU passes global access to medicines, cost-free birth control

Two motions originally to be voted on at GA Julia Metraux Staff Writer

At its Nov. 17 meeting, the Students’ Society of McGill University (SSMU) Legislative Council voted to pass the Motion Regarding Global Access to Medicines Policy and the Motion Regarding SSMU Support for Cost-Free Birth Control Coverage. Ac-

cording to SSMU President Ben Ger, Council voted on motions that were originally supposed to be voted on by students at the General Assembly (GA), but could not be because it did not meet quorum. “As some people might know, [the] GA did not meet quorum, so we’re running an online ratification for [the]

two motions [Regarding Nomination of the SSMU Board of Directors and Regarding the Nomination of the Auditor for the Fiscal Year of 2017],” Ger said. According to Ger, the Motion Regarding Global Access to Medicines Policy and the Motion Regarding SSMU Support for Cost-Free Birth Control were heard at SSMU Council

by the request of the movers. However, the motions regarding the composition of the Board of Directors and the nomination of the auditor were ratified online by the student body on Nov. 18 by 86.7 per cent and 89.9 per cent, respectively. These motions were required to be passed by the student body, according to the SSMU Constitution.

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Smol puppers and fluffy doggos: A history of Dogspotting How the Facebook community became an international phenomenon

Calvin Trottier-Chi Staff Writer Taking pictures of dogs in public has been nothing but a casual activity for years; however, when humanity’s fascination with our canine companions merged with the reach of social media, the Facebook

group Dogspotting was born. Dogspotting is the act of ‘spotting’ dogs in public, taking a picture, and posting it online for other members to score it. Historically, there has been some debate over the rigidity of the points system. Today, there is an official rubric for scoring, but members can still spontaneously

award non-official points. John Savoia coined the term “Dogspotting” in 2006 on the Something Awful Forums, an online space for sharing hobbies and activities, usually with a comedic twist. Savoia then went on to create the Dogspotting Facebook Group in 2008. It continued as a small

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community of roughly twenty friends sharing pictures, until several Australian college students found it in June of 2014. Soon after, the social influence of Dogspotting increased exponentially and its membership exploded. Currently there are 350,000 members with about 7,000 joining each week.

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From the cultural stereotypes in Madame Butterfly to the racism in Otello, the intersection of race and culture with opera has a dark and problematic history. Given this legacy, the East Asian setting and the specific Chinese cultural influences of Opera McGill’s production of Alcina is confusing, especially given the European libretto. The production of Alcina, was, without a doubt, impressive and meticulous. The vocalists were mesmerizing, the orchestra colourful, and the dedication and preparation were evident throughout. The director, professor Patrick Hensen, reflected that Alcina is a lengthy and demanding opera. “The difficulties are the length of these Handel operas—for both the students and today’s modern audience, and the vocal demands of a few roles.” The difficulties were evidently overcome in this seamless and engaging performance. The design elements of production, however, are where the East Asian influences are clear. Hensen’s unusual setting of the opera was inspired by the Italian poem, “Orlando Furioso” by Ariosto, which inspired a 16th century Opera by Brochi, which later influenced Handel’s Alcina. “In the Ariosto, there is a subplot concerning the saracen Ruggiero and his Christian girlfriend Bradamante. He is flown away by Hippogriff to Alcina’s island “east of India” where he’s enchanted by the sorceress Alcina,” Hensen explained. It was this location that provided the inspiration for the setting.

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