EDITORIAL
Tuesday, October 28, 2014
Divisive General Assembly yet another sign of SSMU-student disconnect pg. 8
Volume No. 34 Issue No. 9
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SSMU GA p. 2
Raptors match preseason win record in Montreal
NBA Canada series continues to draw crowds to the Bell Centre ELIE WAITZER Sports Editor
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(L-A Benoit / McGill Tribune)
Fall General Assembly sees heated debates, over 700 in attendance Student files Judicial Board petition against SSMU executives, Board of Directors, Elections SSMU
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NOAH SUTTON Contributor
n Sept. 22, U3 Arts student Alexei Simakov filed a Judicial Board (J-Board) petition against the Students’ Society of McGill University (SSMU) Executives, Board of Directors, and Elections SSMU, claiming that SSMU had violated its bylaws and constitution by
failing to appoint Chief Electoral Officer (CEO) Ben Fung through a Nominating Committee and a ratification by the Legislative Council. “The contract of Mr. Ben Fung in the capacity of CEO expired on 30th May 2014, and was automatically rehired by President of SSMU, against article 2.4 of SSMU bylaws,” Simakov’s petition reads.
According to SSMU President Courtney Ayukawa, however, Fung was rehired for the 2014-2015 year by the previous executives after the job position had opened and he had reapplied. “The decision was made before the current, 2014-2015 SSMU Executives’ terms had even started,” Ayukawa said. “Based upon a plain reading of the bylaws, the 2013-2014 Executive Com-
mittee’s decision to renew Ben Fung’s contract did not require a meeting of a Nominating Committee, given that the contract was a renewal, not a new hire.” Fung affirmed that he was not a part of the processes by which he was rehired, stating that he merely applied for the position after it had reopened.
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fter a two-year hiatus, Canada’s team returned to the Bell Centre to play an exhibition game against the New York Knicks in Montreal this past Friday, Oct. 24. The Raptors came into the game blistering hot, and did not leave the sold-out crowd disappointed, scratching out an 83-80 win despite poor shooting performances from several key players. With the win, Toronto finished off the pre-season sitting atop the league standings with a record of 7-1—tying its franchise record for most pre-season victories. For Kyle Lowry and DeMar DeRozan, the heartbreak and agony of last year’s Game 7 loss is quickly receding into the distance. The Raptors are ready to shed their underdog identity and embrace the ways of a winning franchise. Montreal was the second stop in Canada for the Raptors this preseason, after facing off against the Sacramento Kings in Vancouver on Oct. 5. Toronto’s General Manager Masai Ujiri hopes it will not be the team’s last visit.
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Pop rhetoric: The death of dialogue MAX JOSEPH Staff Writer
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he Death of Klinghoffer, composer John Adams’s opera about the Palestinian Liberation Front’s 1985 hijacking of passenger ship MS Achille Lauro and subsequent murder of handicap passenger Leon Klinghoffer, began its run at New York’s Metropolitan Opera Monday night. It was greeted by hundreds of protesters demanding that the company cancel the opera on
the grounds of it being anti-Semitic and sympathetic to terrorists. Despite the protestors’ noble intentions, there are several major problems with this. First of all, as cited by classical music critic Fred Plotkin in his WQXR article “The Depth of Klinghoffer: What Does the Controversy Say About Freedom of Expression,” most of the protestors have not seen the opera staged, heard its music, nor read its libretto. Without having experienced the work, there’s simply no way for the
protestors to fairly assess whether or not it’s anti-Semitic. Their unfamiliarity with it means that they are judging the opera solely based on second-hand accounts, which themselves are likely to be highly biased. The protesters’ lack of understanding also makes it difficult to engage them in dialogue, because their opinions are drawn from emotional instincts rather than facts. They’re calling for censorship, but they have a limited conception of what it is they want to censor. Rather, they are
operating based on the sort of thinking that has fuelled censors for hundreds of years—they want to suppress art solely based on its potential to propagate opinions contrary to theirs. Of course, not all of the protesters are wholly unfamiliar with Klinghoffer, but the arguments of the more informed dissidents are still unsettling. Former New York City mayor Rudy Giuliani, in his Daily Beast article “Why I Protested The Death of Klinghoffer,” claims to have listened to a re-
cording of the opera and read its libretto multiple times. Though he admires the music, he refers to the libretto as “factually inaccurate and extraordinarily damaging to an appropriate description of the problems in Israel and Palestine, and of terrorism in general.” His disgust led him to join the protestors in calling for the Met to cancel their scheduled stagings.
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