The McGill Tribune Vol. 02 Issue 25

Page 1

The McGill Tribune Published by the S tu dents’ Society o f M cG ill U niversity

Fripperlecture

Vol. 2 N o. 25, Tuesday, M arch 22, 1983.

by Dan Pope An exciting evening is in store for progressive music buffs on Wednesday, March 30. Robert Fripp will give a “lecture and demonstration” in Leacock 132 at 8 p.m. Robert Fripp is the founder of King Crimson, the ground-breaking band of the late 1960s. Throughout his career, Fripp has always been well ahead of his time; his musical techniques have always been inno­ vative and influential, anticipating later groups like Yes, Emerson, Lake and Palmer, and Asia. Artists like Brian Eno, David Bowie, Peter Gabriel, Blondie and even Hall and Oates owe Fripp no little debt; his expertise in the studio (as producer) has enabled each of these performers to success­ fully capture their fullest potential. For those unacquainted with Fripp’s work with King Crimson, a “gentle" initiation can be found in “In the Court of the Crimson King” (their very first lp, 1968) and “Beat" (their most recent, 1982). Both albums feature innovative, melodic and progressive

music. Fripp’s most passionate interests, however, have not been directed towards popular accessibility; his experimentation with syn­ thesized guitar (a musical system of his own invention called “Frippertronics”) provided the focus for many of his solo ventures (“Exposure,” “God Save the Queen”); his work is aimed at “investigating the pop song” in an attempt to “change the music industry from the inside out.” Fripp’s latest release, “1Advance Masked”, is a collaboration with Police guitarist Andy Summers. The album shows Fripp once again in his most innovative mood; besides occasional percussion provided by the two, the only instruments featured are the two guitars in a duet format. We can expect that such themes will be touched upon at the lecture, and, along with his “Frippertronics” demonstrations, we can anticipate an evening of exciting and thoughtprovoking entertainment.

MUSIC for Your Fingers

Robert Fripp will be at McGill Wednesday, March io lh . Tickets are available at Sadie s.

by Gregg Gibbons •Passing by the suggestion- read ‘com­ plaint’—board in the Redpath library a cou­ ple of weeks ago, 1 noticed that there was a letter complainingabout the lack of typewri­ ters available for the common student to use. Living in residence. I’ve never had this prob­ lem as there are always typewriters to be had through begging, borrowing or stealing. But 1 can sympathize with those who aren’t so

McCord Museum—Vacation/Sedation by Brian Forsythe Todd Looking forward to your summer vaca­ tion? You can get an advance view of what your next vacation could be like at the McCord Museum this month and next. Va­ cation/ Sedation, a hilarious new exhibit by Bob de Slob examines the banality of the universal vacation and satirizes the high

hopes travellers sometimes put into their va­ cation dreams. This exhibit by Bob de Slob (alias Robert McMurtry) includes seven “packaged holi­ days" which are amusing displays of photos and mechanical devices all put in a holiday setting inside a suitcase. These “packaged holidays” use themes harped upon by travel

VAC A TIONJ SED A TION...a lifetime b f holiday horizons. (A t the McCord)

agencies such as the secluded desert island, a man standing alone in a suitcase of sand surrounded by a wooden fence, or the group package tour with hundreds of photo-people in a suitcase of waves. “The packages” can replace the holidays themselves and as the title of the exhibit says Vacation/Sedation. The exhibit also includes “Timely Tips for Travellers". 21 photos mounted in frames with convenient handles for carrying and bi­ lingual tags for easy interpretation. One such photo is of a huge cow , over whose back we see the heads of a middle-aged couple stand­ ing behind her. In the distance we see an Austin Mini and an anxious fellow traveller. The accompanying card reads, “Inexper­ ienced travellers^jften pack more gear than they really need. This only takes up car space and usually limits enjoyment.” Other photos cover many other problems faced by vaca­ tioners in a satirical if somewhat cynical way. The rest of the exhibit is made up of a series of photos entitled, “Relaxation- A Guide to Good Form." Condimentary Placemats (complete with last meal eaten) and post-vacation sunwear, combining “photo-facades” of "one’s own pictorial and verbal deceits of vacations past" and stylish sunglasses in many colours. For a hilarious look at vacations, whetherthey be north, souh, east or west, take a peek at Vacation/ Sedation at the McCord till the end of April, free for McGill students and Faculty with their i.d. card. It’s a lifetime of holiday horizons and you'll come away with a smile on your face.

fortunate. However, relief is on the way, folks. The thing to do is truck on over to Burn­ side Hall, second floor, across from the ele­ vators. Walk over to the desk and ask the receptionist fora MUSIC Boff-hour code so you can use the SCRIPT feature. If you’re not very good with typing, then this way of doing your papers is for you. You’re alloted $150 in MUSIC money and the code is ac­ cessible from 5PM to 2AM weeknights and anytime on the weekends. The great thing about using the MUSIC/SCR1PT is that you don’t need any liquid paper, erasers, or for that matter even paper. But the main thing you must do if you’re not familiar with all the different commands used with this system is go to the bookstore after you leave Burnside. But you have to go down to the basement outlet, where all the computer science stuff is. There on a shelf are some little pink pamphlets which contain anything and everything you ever wanted to know about the MUSIC/SCRIPT system but were afraid to ask. All for $ 1.25. But back to Burnside... You have to fill out a form at the recep­ tionist's desk that asks some really crucial information: name, rank. ID number, and why you want the code. The code, by the way, is your key to using the computer. It’s on a Tittle yellow piece of paper, along with the password which corresponds. Ifyou then want to ‘sign on’ you have to leave the Burn­ side because they don’t have access to MUSIC B. Your best bet is Rutherford building. On the terminal screen, you might see VM 1. Hit the ‘enter’ key so the screen goes blank. Then type in “d musicb". Hit ‘enter’ and wait. When the screen reads “MUSIC B”, hit enter again so the screen goes blank.iSlow type in “/ ID" followed by the code they gave you. Something like / ID F1TY, that’s just an example. After you hit ‘enter’ the computer will ask PASSWORD? Type in the password from the little yellow paper, hit enter and you’re on your way. But 1 strongly suggest that you go by the infor­ mation pamphlet before you start so you know what to do. Using the SCRIPT feature isn’t that hard after you practice on it for awhile. It doesn’t cost anything, except the time for practicing. And it’s easier than a typewriter.


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