The McGill Tribune TUESDAY, NOVEMBER 13, 2018 | VOL. 38 | ISSUE 10
Published by the SPT, a student society of McGill University
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EDITORIAL
FEATURE
NEWS
The student Code requires student input
LORD, Give Me COFFEE To Change The Things I CAN, And WINE To Accept The Things I CAN’T
Trib Explains: The GSVP
PG. 5
PGs. 8-9
PG. 4 (Leanne Young / The McGill Tribune)
The Creative Supplement: Fall 2018
See insert
‘First Man’ shoots for the moon Andras Nemeth News Editor Halfway through First Man, Janet Shearon (Claire Foy), wife of astronaut Neil Armstrong (Ryan Gosling), confronts a NASA official (Kyle Chandler) to demand information about her husband after a near-fatal test mission. Her response to the official’s attempt at reassurance
is one of the film’s more memorable lines. “You’re a bunch of boys making models out of balsa wood,” Shearon says. “You don’t have anything under control!” Director Damien Chazelle invites his viewers to agree. First Man, adapted from James R. Hansen’s book of the same name, is pervaded by a feeling of insecurity. Recounting the lead up to the 1969 Apollo 11 mission,
Tribune Tries: Death and cake Leyla Moy Contributor “I love the brownies.” “I’m interested in learning about death.” These are the icebreakers at the November session of McGill’s Death Cafe. Though the event drew a varied crowd, commonalities developed between the full room of people intrigued by both creature comforts and talk of mortality.
with their performances as Armstrong and Shearon. We first see Gosling as the titular hero on a high-altitude flight that nearly ends in disaster. His subsequent indifference to the ever-present danger of the space program, and his disregard for the distress of his loved ones become Armstrong’s most defining character traits—throughout the film, he remains enigmatic and distant. PG. 11
Follow your nose
Death Cafe provides a cozy space to contemplate mortality On a rainy evening, participants filtered into an airy room with plants on the windowsill, past a table of pastries, berries, and fixings for tea. The contrast between conversations about death and a comfortable space with a whistling kettle and homemade baked goods is intentional, says facilitator Kit Racette. “Death tends to separate us, and food brings us back together
the film subverts other cinematic treatments of outer space. Chazelle swaps the mystery and majesty of space films like 2001: A Space Odyssey, Solaris, and Apollo 13 for an intense, shaky immediacy, placing the viewer inside the claustrophobic cabins of the spacecraft as they rattle their way skyward. The story’s human drama is equally intimate, and Gosling and Foy tether the film
Study identifies areas of the brain that link
again,” Racette said. The café held on Monday, Nov. 5 was the second of a series hosted at McGill’s Building 21. Death Cafe’s stated aim is to make people more aware of death to help them maximize their life. The sessions at McGill are organized by Amanda Brown and Daniel Almeida in conjunction with Racette, who has hosted many death cafés across Montreal. PG. 7
Oceáne Marescal Contributor
Those who can easily navigate new cities and unfamiliar locations might also find that they have an unusually-precise ability to accurately identify a plethora of different smells, ranging from basil and cinnamon to strawberry and
peppermint. A recent study conducted at the McGill Department of Psychiatry demonstrated the surprising link between navigation and olfaction, the chemical reaction that grants us our sense of smell. To capture the experience of a tourist in a new area for the first time, the study asked participants to explore a
virtual city and discover its important landmarks including streets, schools, and shops. To test their navigational skills, participants had to find the most direct route between different landmarks. In a separate test, the study assessed participants’ olfactory skills by asking them to identify over 40 different smells. PG. 13