The McGill Tribune TUESDAY, OCTOBER 24, 2017 | VOL. 37 | ISSUE 7
Published by the SPT, a student society of McGill University
EDITORIAL
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FEATURE
ILLUSTRATIONS
McGill must take a stand against Bill 62
Please read the policy
Common Campus Sightings Decoded
PG. 5
PGs. 8-9
PG. 7
Struggling to understand McGill’s policy against sexual violence
(Noah Sutton / The McGill Tribune)
‘Nightfall’ explores the intersection of artistry and insanity Players’ Theatre adapts classic literary horror Avery Warkentin Contributor Players’ Theatre is an independent group at McGill, run entirely by undergraduate students. Nightfall, their first production of the 2017-2018 season is a theatrical adaptation of four tales by Edgar Allan
Poe: The Raven, The Fall of the House of Usher, The Pit and the Pendulum, and The Tell-Tale Heart. The play takes us into the mind of Poe and, through a continuous, vignette-style adaptation, explores the meaning and meeting of madness and genius. An engaging and ambitious revisioning of Poe’s works, Nightfall provides strong performances, and—although suffering from
Closure plans leave SSMU building tenants uncertain
Groups say too little is being done, too late
Ari Charles Contributor In the aftermath of the announcement of the SSMU building scheduled closure on March 17, 2018, over 50 clubs and services that use the building are struggling with plans to find new offices. Clubs whose relocation plans are finalized include the Peer Support Centre, the Legal Information Clinic, and MSERT. The complete shutdown, planned to continue through the Winter 2019 semester, is necessary to construct a rooftop mechanical room,
among other renovations. While the Students’ Society of McGill University (SSMU) must relocate all of the building’s tenants, many group leaders say this assistance has come too late to be helpful. Lower-profile groups, such as the Alegria Contemporary Ballet Company, are especially concerned about slipping through the cracks in the closure. The company’s president, Zoë Goldstein, understands that SSMU is in a difficult position, yet was dismayed by the fact that her group only found out about the closure through PG. 4 word of mouth.
somewhat unpolished audio production— serves as a haunting tour of Poe’s fraught inner workings. Director Kenzia Dalie’s adaptation is one continuous act with no intermission and only small set changes separating the four storylines. The first story, The Raven, depicts Edgar Allen Poe as he sits in his study, trying to forget his lost love, Lenore. The
appearance of a raven at his window drives Poe mad as he repeatedly asks the raven painful and personal questions—questions to which the raven only responds, “Nevermore.” In The Fall of the House of Usher, an unnamed man returns to the home of a boyhood friend, Roderick Usher, only to find that the house and its inhabitants are hiding sinister secrets. PG. 12
Skepticism in climate science: Reasonable or regressive?
Three scientists who question roles in climate change, and the nature of climate change itself Emma Gillies Contributor Ninety-seven per cent of scientists agree that humans contribute to climate change. Patrick Moore, a co-founder of Greenpeace, falls into the other three per cent. “Even if we are causing [environmental change], it’s hardly anything,” Moore said in an interview with The McGill Tribune. He describes himself as a “sensible environmentalist”
and left Greenpeace in 1986 over policy differences. The study that released the 97 per cent scientific consensus on climate change in 2013 has since been popularized and widely disputed. Most studies since agree that the number is above 80 per cent, and more often above 90 per cent. Moore, however, quoted a different study by Legates et al. that stated that the number of scientists who agree recent warming is anthropogenic—
or due to humans—was 3 per cent. According to American climatologist Judith Curry, former chair of the School of Earth and Atmospheric Sciences at the Georgia Institute of Technology, few scientists deny that humans are contributing to climate change. However, Moore claims that fossil fuels are 100 per cent organic—after all, they are made from decomposed organic matter in ancient forests and seas. PG. 13