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‘What Rough Beast’ explores the power and pitfalls of political discourse Alice Abracen’s thought-provoking play challenges empathetic dialogue on campus
Sofia Gobin Contributor
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Audiences watch as characters both dehumanize each other and attempt to “reach across the gap.” Abracen initially began writing the play in college, intending for the script to be written “by and for students,” with no adult characters ever actually appearing on stage.
In a unique chance for young people to access theatre, Centaur Theatre hosted a mid-afternoon matinee in addition to evening performances, allowing groups of high school students to experience the power of live performance. The students sat on the edge of their seats, deeply engrossed as they whispered to their friends, gasping and laughing at outrageous lines.
In a talk-back panel after the show, the director noted a personal interaction she had with a 13-year-old student after the show, claiming he related strongly to the white, privileged characters and expressed frustration over the play, annoyed that there was “no right answer” or character.
What Rough Beast provokes difficult conversations, delving into the challenges of creating dialogue and empathy within a small, polarized community. Despite the weighty subject matter, the plot is surprisingly dynamic and colourful. According to
Abracen, the script’s tone is “a marriage of humour and humanity with political horror,” and this is evident in its bold and raunchy style that manages to make up for any awkward dialogue.
Charlotte Dennis delivers a particularly poignant and heart-breaking performance as Alyssa, capturing the anguish of a sister watching her brother’s rapid descent into right-wing extremism and critical mental health issues. Her portrayal of Alyssa’s struggles is both nuanced and raw, conveying the complexity of emotions—guilt, helplessness, and fear—that comes with watching a loved one slip away. Dennis’s performance highlights the devastating impact of radicalization and mental illness on families and communities, leaving a strong, lasting impression on audiences.
The immersive experience of live theatre allows audiences to connect in a more authentic way, especially in an era where screens mediate much of our communication and dialogue across differences. By investing in younger audiences and creating spaces for them, Centaur Theatre is helping to cultivate a new generation of theatre-goers who are eager to engage in meaningful conversation.
The plot and conflict of the play exhibit haunting parallels with the demonstrations that took place on McGill’s campus against the “Sex vs. Gender (Identi-