The Bristol Magazine March 2022

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THE

THEBRISTOLMAG.CO.UK

£3.95 where sold

Issue 208

I

MARCH 2022

MAGAZINE

MAKING A SPLASH Former Strictly pro Kevin Clifton talks Singin' in the Rain

HOLDING THE BABY Photographer Polly Braden brings powerful portraits to Arnolfini

EMBRACE YOUR SPACE Bristol's design, decor & DIY experts deliver new season style

PASSION FOR FOOD Chef Larkin Cen delves into his Great British Menu journey

the joys of

Spring

PLUS...

SO MUCH MORE IN THE CITY’S BIGGEST GUIDE TO LIVING IN BRISTOL

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THE BRISTOL HIPPODROME

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50 48 BBC/Optomen Television/Ashleigh Brown

Contents March ‘22 REGULARS ZEITGEIST

HOLDING THE BABY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

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Top activities for the month ahead

CITYIST

BURST RADIO TURNS 25 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

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Catch up on local news and meet the Volunteer and Member Coordinator at The Bristol Bike Project, Lucia Thompson

... makes meaningful connections .....................................................................

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What’s showing, and at which of our local galleries you can see it

BRISTOL UPDATES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

EXPLORE THE SOUTH WEST LAKES

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PASSION FOR FOOD

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HIGH HOPES FOR NEW HEAD

EDUCATION NEWS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Jeremy Blackmore chats to the new head of Gloucestershire County Cricket Club, Dale Benkenstein

Updates from the city’s schools and colleges .......................................................

50

Andrew Swift takes us on an inspirational urban exploration

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16

Melissa Blease chats to former Strictly Come Dancing pro Kevin Clifton ahead of his appearance in Singin’ in the Rain

REGENCY THRILLS RETURN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Melissa Blease looks at whether Netflix hit, Bridgerton, can break new records with second series

RIPPLES IN TIME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Bristol-based BBC journalist Jon Kay tells us all about his brand new chart-topping true-crime podcast about a local family

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INSPIRING THE FUTURE

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Jeremy Blackmore looks into a pioneering new initiative providing more opportunities for young Black cricketers

HABITAT

FEATURES SIMPLY SPLASHING

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Great British Menu’s Larkin Cen tells us all about his time on the show and what’s next in the pipeline

The latest news and views from the city...

GREEN CORRIDORS

44

Bristol-born author Freya Berry lets us in on the inspiration behind her debut novel, The Dictator’s Wife

Camping, walking, fishing or sailing – South West Lakes offers it all.

Browse some glorious options for your next spring break

A selection of interesting things to do and happenings in the city

ARTS & EXHIBITIONS

Head of Production Xander Brett takes us back in time as the University of Bristol’s student station celebrates a milestone

BEHIND A SMILE

BARTLEBY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 WHAT’S ON

Take a closer look at award-winning documentary photographer Polly Braden’s powerful portraits – now showing at Arnolfini

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EMBRACE YOUR SPACE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72 Bristol’s design, decor and DIY experts tell us what we can look forward to this season

GARDENING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82 Elly West welcomes back the first flowering perennial: the primrose

ON THE COVER Wallpaper in Verona Green colourway from designer Justyna Medon’s latest collection, Harmony. Also available as an eco paint colour in collaboration with Victory Colours. addictedtopatterns.uk; victorycolours.co.uk

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from the

EDITOR

Van Gogh: The Immersive Experience, a 360 degree digital art experience, will launch in Bristol following successful runs across Europe, America and Asia

I

t being March, this is of course our big Spring interiors issue. The city’s design, decor and DIY experts have come together to celebrate the turn of the season and give us some insight into what their businesses will be offering over the coming months (p.72). Most wonderfully, high-end furniture and lighting retailer, Holloways of Ludlow, which has recently opened its first showroom in the South West, just a stone’s throw from Bristol, has let us in on some of its most alluring new products – all of which are a beautiful blend of art and design and definitely worth a look (p.70).

Our front cover by Bristol-based studio, Addicted to Patterns, is one crafted in exquisite detail. The hand screen-printed wallpaper, designed by Justyna Medon, was selected from her latest collection, entitled Harmony. Inspired by the Japanese art of flower arrangement, Ikebana, the collection encourages us to find balance and beauty in the warmer months ahead. As arranging flowers has always been considered a way of harmonising humanity and the natural world, Justyna’s work reminds us to reconnect with nature whenever possible, which can offer a thousand simple pleasures in these uncertain times.

From cover to cover this month, you will see there is a distinct focus as you flick through. The city is burning with a desire to create something extraordinary this year. Our interviewees all share the same level of excitement for what they’re doing; a true love of what they’re creating. Melissa Blease speaks to former Strictly Come Dancing professional Kevin Clifton ahead of his appearance in the uplifting production of Singin’ in the Rain – coming to the Bristol Hippodrome in May. Starring as Cosmo Brown, famously played by American dancing, singing and acting superstar Donald O'Connor, he talks passionately about his appreciation of the arts and love for singing, dancing and live acting. For Kevin, performing is the expression of insuppressible instinct – and we can’t wait to see him on stage (p.16) In much the same way, Larkin Cen – founder of the brilliant Bristol Woky Ko restaurants, Masterchef finalist and now Great British Menu chef – tells us about his passion for cooking on p.48. From working in his parents’ Chinese takeaway in Cardiff as a small boy to becoming one of Britain’s best-loved culinary talents, Larkin speaks eloquently about his recent GBM journey and his decision to give up a career in law to follow his dreams. He also offers great advice for aspiring young chefs. “I am a firm believer in the fact that most people who “make it” are the ones who are passionate and therefore persist at their craft and come up with all the intellectual solutions to problems on the way,” he says.

What I find most extraordinary this month, however, is award-winning documentary photographer Polly Braden’s latest exhibition, currently showing at Arnolfini. Her powerful portraits celebrate the strength of single-parent families, bring the inequalities they face to the fore and explore the issues that are often left out of the national conversation. Through these family stories, we are reminded that everyone, regardless of their gender, race, nationality or creed, ultimately wants the same thing in life: a sense of home and belonging in a peaceful society. It’s universal – let that unite us…

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Millie Bruce-Watt Follow us: @thebristolmag @thebristolmag thebristolmag.co.uk

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ZEITGEIST

top things to do in March

Watch

Dance On 26 March, join celebrity guests including Bake-Off star Briony May Williams and winner of Britain's Got Talent, Lee Ridley, at the Paul's Place Charity Ball.

Enjoy a delicious dinner and a fabulous auction before dancing the night away to live music. Paul's Place is a charity that enhances life for physically disabled adults. It provides social activities that connect people, which in turn reduces social isolation and gives people the opportunity to develop new skills, enjoy new experiences and live life to the full.

• Tickets can be booked as individuals, small groups or whole tables (for £49.95 per person). Visit the charity’s website at: paulsplace.org.uk

Bristol Film Festival is back screening classic films in some of the city’s most iconic locations.

Whether you’re watching Airplane! beneath the wings of Concorde, Jurassic Park in Bristol Museum, or horror movies in Redcliffe Caves, each event is an unforgettable unique experience. The festival’s ‘Vintage Screenings’ pair classic films with thematically linked wine tastings to create unique evenings in the stunning setting of Averys Wine Merchants’ historic wine cellar. Following a sparkling wine reception, the film will be accompanied by a tasting of four carefully selected wines courtesy of Averys’ resident experts. The March screenings conclude with the deliciously dark comedy The Devil Wears Prada. In keeping with the film’s theme, the festival will be pairing it with wines from the home nations and regions of some of the all-time great fashion houses.

• Book tickets at: bristolfilmfestival.com

Enjoy At Bristol Beacon Foyer on 17 March, Emily Breeze is set to deliver her alluring pop-noir with effortless glamour, dark humour and a twinkle in her eye. The Bristolian musician released her debut album Rituals to resounding acclaim, encapsulating “the seedy kitchen sink romance of Pulp, the glamorous artful tragedy of Nick Cave” (God Is In the TV). With her husky vocals and evocative storytelling, Breeze “is a bona fide star, her intense musical vision is a jaw dropping experience” (Louder Than War) and her irresistible charisma makes for a spellbinding live show.

• bristolbeacon.org/whats-on/emily-breeze

Explore

Listen Hilary Campbell returns with the Bristol Choral Society for a very popular all-Mozart concert at Bristol Cathedral on 26 March.

The concert will be performed with the British Sinfonietta, and with soloists Frances Israel – Soprano, Nancy Cole – Alto, Peter Davoren – Tenor, Jamie Hall – Bass, Richard Moore – Chamber organ.

This all-Mozart concert includes some wellknown favourites, such as the Coronation Mass, but also some less frequently performed gems, including Regina Coeli, written when Mozart was in his teens, and the sacred offertory Alma Dei Creatoris.

This month, discuss ideas and connect with others in We The Curious’ event, How Can We See Baby Stars? Go and explore the early universe and the birth of stars. Join the Live Science Team as they celebrate the launch of the James Webb Space Telescope; they’ll use infrared to peer through clouds of smoke to discover some of the fascinating missions that the James Webb Space Telescope will undertake. Take part in the demo yourself and chat with the team about the life and death of stars; both what we hope to learn from the new James Webb Space telescope in the future, and what its predecessor the Hubble telescope has discovered.

Running on weekends until end of March. Perfect for kids aged 7+ but also good for older children and adults, a great way for the whole family to get involved.

• 3choirs.org/whats-on/bcs-mozart-treasures • wethecurious.org/event/how-can-we-see-baby-stars 8 THE BRISTOL MAGAZINE

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ist

THE CITY

My

BRISTOL Meet the Volunteer and Member Coordinator at The Bristol Bike Project, Lucia Thompson

I have to be honest, I'm not very good at settling down in a place, I’ve been here for five years. What I like most about Bristol is the variety of off-piste venues and events, and that I can cycle everywhere and there's a river I can swim in.

I'm the Volunteer and Member Coordinator at The Bristol Bike Project: my day-to-day is a mixture of meetings with people inside and outside the organisation, strategic thinking and planning and day-to-day tasks. It's always having fingers in many pies.

Bristolians help bring running water to African village Villagers from a remote part of Mozambique have said that a borehole part-funded by generous Bristolians has “changed everything for our village”.

When Bongai Munguni, a University of Bristol and University of Cape Town joint PhD scholar, asked Bristol people to help get running water to her village for the first time, they stood up to help in their droves. With £3,500 raised – combined with a small loan and £4,500 of Bongai’s own money, saved from her university stipends – Bongai and her family were able to sink a borehole into the ground and connect hundreds of families to running water for the first time.

Until now, the women had to walk two hours a day to fetch water from a dirty stream, carrying 20 litres of water at a time on their heads, often with babies strapped to their backs. Now they not only have safe drinking water but can spend more time harvesting their crop, looking after their children and planning ahead for the village.

Bongai is part of Bristol’s School for Policy Studies, where she researches the impact of poverty, particularly on women.

As a child, she walked eight hours every day to go to primary school and did her homework by the light of fires in her Mozambique village. The courageous student and human rights advocate will graduate from Bristol and UCT in two years’ time with a PhD from each.

Bristol Bike Project was born in 2008 when two friends returned from their first cycling tour with a new-found love of bikes and a desire to help their community. James Lucas and Colin Fan had identified a need for affordable transport among asylum seekers in Bristol many of whom were struggling to get about the city to make important appointments and received very little support from the government. Having experienced for themselves the freedom a bicycle can bring, the solution became clear: help people get out on two wheels. They put up posters asking for unwanted bicycles, teamed up with Bristol Refugee Rights to spread the word among their members, and within days were spannering away and rehoming spruced up bicycles with delighted new owners.

• Bongai and her village are still welcoming donations to help connect more families to running water and to help finance the school. Donate at: justgiving.com/crowdfunding/community -water

Seeing the new sign up on the front of our Stapleton Road shop entrance was a highlight for me because I know how many meetings, conversations, collaborations, time, love and commitment had gone into making it happen, all on a shoestring and it looks so great!

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We are a comprehensive community bike project, repairing and rehoming unwanted bicycles. We aim to help people from all walks of life get out on two wheels and we empower people within our community by providing access to affordable and sustainable transportation, encouraging an ethos of DIY and DIT (Do It Together!). We also try to strengthen our community by providing a vibrant and supportive workshop environment for people from all backgrounds to come and work alongside one another. The Bristol Bike Project promotes sustainability by saving bicycles and their working parts from landfill and always encourages reuse wherever possible, offering an alternative to buying new.

No 208

This year, we're bringing young people back into the workshop for Friday's After School Bikes drop in, restarting Social Cycle and putting on an Open Day (watch this space) to welcome the local community into the workshop. We're also going to be creating a mural on the wall outside our workshop.

I think Baraka Café in Easton deserves a shoutout. It has been providing food for people every week throughout the pandemic, and is run by Esther and a great team. Also Rising Arts Agency is a community of young creatives, mobilising others for radical social, political and cultural change.

I’m currently reading To Paradise by Hanya Yangihara – I love her writing. I also just watched Can You Hear Me on Netflix and highly recommend it.

If I could have dinner with anyone from any era, I would have dinner with Audre Lorde, an iconic Black lesbian feminist scholar and poet. I would be shy to talk to her but would love to hear her read or in conversation – I am in awe of her work.

My philosophy in life is: try to approach everything with love and boundaries.

• thebristolbikeproject.org

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THE

B R I S TO L MAGAZINE

Contact us: Publisher Email:

Steve Miklos steve@thebristolmagazine.co.uk

Financial Director Email:

Jane Miklos jane@thebristolmagazine.co.uk

Editor Tel: Email:

Millie Bruce-Watt 0117 974 2800 millie@thebristolmagazine.co.uk

Assistant Editor/Web Editor Daisy Game Email: daisy@thebristolmagazine.co.uk Production Manager Email:

Jeff Osborne production@thebristolmagazine.co.uk

Advertising Sales

Liz Grey liz@thebristolmagazine.co.uk

For advertising enquiries please contact us on: 0117 974 2800

Email: sales@thebristolmagazine.co.uk

The Bristol Magazine is published by MC Publishing Ltd. An independent publisher.

Every month The Bristol Magazine is hand delivered to more than 15,000 homes in selected areas. We also deliver direct to companies and businesses across the city.

Additionally there are many places where we have floor-stands and units for free pick-up:

The Bristol Magazine Tel: 0117 974 2800 www.thebristolmagazine.co.uk © MC Publishing Ltd 2022

2 Princes Buildings, George Street, Bath BA1 2ED Disclaimer: Whilst every reasonable care is taken with all material submitted to The Bristol Magazine, the publisher cannot accept responsibility for loss or damage to such material. Opinions expressed in articles are strictly those of the authors. This publication is copyright and may not be reproduced in any form either in part or whole without written permission from the publishers.

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LOOK OUT FOR:

Immersive Van Gogh exhibition set to arrive at secret Bristol location On 9 April, Van Gogh: The Immersive Experience, a 360-degree digital art experience, will launch in Bristol – at a location yet to be announced – following hugely successful runs across Europe, America and Asia.

The exhibit invites visitors to step into more than 300 of Van Gogh’s sketches, drawings, and paintings by using floor-to-ceiling digital projections, made possible by state-of-the-art video mapping technology. As well as a 20,000 square foot light and sound spectacular, featuring two-story projections of the artist’s most compelling works, the exhibition also includes a one-of-a-kind VR experience in a separate gallery.

The exhibition first premiered in a cathedral in Naples, Italy, in November 2017. Since then, it has travelled to Brussels, Beijing, Tel Aviv, Austria and Belgium before moving to New York, Washington DC, Philadelphia, Dallas, Atlanta, Miami, Boston and Houston.

Animated visuals for Van Gogh: The Immersive Experience were created in collaboration with the world-renowned digital media artists Dirty Monitor whose work has been the centrepiece of events such as the Bordeaux Wine Festival, the Beijing International Film Festival, and the new year’s celebrations at the Burj Khalifa in Dubai.

Live music at Rainbow Casino

• Tickets are on sale now and can be purchased at: vangoghexpo.com/bristol

“For the price of a chocolate bar...”

The Bristol 500 – a pioneering community group in which members pay £1 a week – has been handing out £500 to at least one different local cause every month. Hundreds have already had a say in which community group, person, family in need or charity should receive funds. Recipients so far include a family fleeing domestic violence, a forest school for children with disabilities and charity Suicide Prevention Bristol. The group has been such a success that its founders have now set themselves the ambitious task of maintaining their current rate of doubling handouts to £1,000 a month. Bristol-based friends Holly Maurice, Colse Leung, Beth Rowley and Dionne Rees run the group voluntarily, and have seen it grow to include members from all across the city.

“It gives people a brilliant way to help those in need on their doorstep,” said Holly.

“We have given £8,000 so far to individuals, families and organisations finding themselves in financially challenging times. But we'd love to be able to do more. For the price of a bar of chocolate a week, you can make a massive difference in someone’s life.”

Holly, who set up Bristol Young Heroes Awards in 2013, said they were inspired by actor Joe Sims' 500 Reasons group, which has given away over £130,000 since it started in 2017 and is a massive supporter of this new group.

This March and April, Rainbow Casino is supporting the best local talent from Bristol and the surrounding areas. From guitarists and jazz soloists to saxophonists and singers, the live music events every Friday and Saturday night are offering something for everyone. Music starts at 8pm, so make sure to get there early to get a good seat.

On 12 March, Bristol based Luke Greenhalgh will be livening up audiences’ Saturday night with a bit of swing, jazz and pop. Elsewhere on the line-up, Chrissie Huntley – arguably one of the most exciting upand-coming vocalists in Bristol right now – will be appearing at the casino on 18 March.

Having headlined Bristol’s O2 Academy and performed on BBC One, she is not one to miss.

Jukebox James is also an exciting solo act from Swindon and will be performing a range of pop classics and rock favourites on 19 March.

Ultimately, whether you’re a Bristol-based musician looking to gig at one of the city’s most lively venues or simply looking to ring in the weekend with some live music, these events are for you.

• For more information about the line-up at Rainbow Casino, visit: rainbowcasino.co.uk

• Find out more about The Bristol 500 at: facebook.com/TheBristol500

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Building bonds

A

s I write this, the Russian army is advancing into Ukraine.

With the threat of Covid apparently diminishing, you’d think we might be allowed a year off from death and disaster, but instead we’re faced with war in Europe. We’ve spent decades telling each other, ‘This must never happen again!’. But it is.

I’ve been aware of trouble brewing in eastern Ukraine for quite a while, not because I have a part-time gig as a roving correspondent but because our youngest had a Ukrainian friend at primary school. At the time the school was distinctly average in some ways. If it had been a football team it would have been hovering around the bottom of the table. But just as small teams often have the most devoted and tightlyknit supporters, so the school supported a wonderful community of kids, staff and parents – not to mention the dinner ladies, one of whom still lives near us. She had – still has – a booming voice, and when kept awake by partying students would appear on her doorstep the following day and harangue them as they scuttled past to the shop.

Ambitious local parents avoided the school. They took the narrow view that growing up is all about academic achievement, but what attracted us to the place was its strong community and the extraordinary mixture of kids who went there. When our eldest was in Year Three someone did a survey and found there were seventeen languages spoken (as a first language) by children at the school. There were children whose families came from Somalia and other parts of Africa, and others who had recently arrived from central and eastern Europe.

When a girl from Slovenia arrived unable to speak English, the class teacher sat her next to our eldest, who helped her out. I mentioned this to another parent, who was appalled that our daughter’s ‘education’ was being sacrificed in this way. We felt she was learning as much as the girl she was helping, but unfortunately there is no SAT for empathy or kindness. What the kids learned informally from their classmates about other cultures was likewise never tested. But we felt fortunate that the world had been brought to our doorstep.

As a port, Bristol has always looked outwards. The city’s involvement with slavery has rightly provoked debate in recent years, but we should also remember the long history of positive international relationships.

At the time of the Spanish Armada, Bristol had a closer connection to Bordeaux and Porto than it had to London. You could walk into one of the old pubs on the harbour and have a glass of sherry straight from the barrel. Before the City Docks closed in the late 1960s there was nothing unusual in seeing a group of sailors from West Germany or Sweden strolling down Corn Street.

Despite Brexit you still hear people speaking Spanish or Polish in the street or in the park, and I know there are Ukrainians here in the city who are going through hell right now. If I remember rightly the family we got to know a decade or so ago had moved to Bristol from a town in Poland, but the mother was from Lvov, which lies just across the Ukrainian border. The parents were keen to practise their English so we had long conversations about our kids’ various ailments, the trials of homework, etc.

Knowing almost nothing about Ukraine I asked the mother what the country was like, a casual sort of question that elicited a long and impassioned answer. There were a lot of problems, she explained, but the chief one was that people in the eastern regions wanted to make the country part of Russia. Feeling very ignorant I went home and got the old globe down from a shelf to check Ukraine’s exact whereabouts. It took a while to find it, hidden within the pinkish mass of the Soviet Union. ■

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Simply splashing Singin’ in the Rain – one of the most joyously uplifting, inventive musicals of our time – is touring the UK, bringing a star-spangled cast to The Bristol Hippodrome in May. Melissa Blease sits down with the show’s main man, Cosmo Brown, played by none other than former Strictly Come Dancing pro, Kevin Clifton...

R

ain: we've all had enough of it. But spring is just around the corner, bringing showers that we can actually look forward to when Jonathan Church's critically-acclaimed production of Singin' in the Rain bursts into the Bristol Hippodrome. Based on MetroGoldwyn-Mayer's legendary 1952 musical of the same name, the production is starring none other than Kevin (Strictly Come Dancing; Burn The Floor; Rock of Ages) Clifton in the iconic role of super-smart, mega-energetic Cosmo Brown.

“Singin' in the Rain has always been one of my favourite movies, and my love of it goes way, way back to when I was little,” says Kevin. “It's one of those amazing musicals that really, really 16 THE BRISTOL MAGAZINE

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influenced me – and it's so uplifting! But the really special thing about doing the live production is that I was always a little bit obsessed with the character of Cosmo...”

But it wasn't Kevin's obsession with the role (played in the film by American dancing, singing and acting superstar Donald O'Connor) that led him to 'being' Cosmo; indeed, that backstory in itself is the stuff that musicals are made of.

“When we were in full lockdown over Christmas 2020, my girlfriend Stacey and I were determined to make it feel Christmassy even though it was just the two of us,” Kevin recalls. “I noticed that Singin' in the Rain was on TV and said, we'll watch that – and when Stacey said she'd never even heard of it, I honestly thought she was

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THEATRE

I've danced all kinds of styles in my life, but never tap. I said to my agent, give me a couple of weeks and let's see how I get on

Charlotte Gooch and the Singin’ in the Rain company

joking! Anyway, we watched it, and she loved it too, and we had a laugh, with her videoing me singing and dancing along with Cosmo.

After we'd watched it, Stacey said, 'd'you know what, Kev? I think your perfect role would be Cosmo; I think it's made for you'. I told her that would be my absolute dream come true! But I didn't think too much about what I'd said at the time...”

Kevin may not have given too much thought to that Christmassy conversation – but the universe was definitely listening. “A couple of months later, my agent called me out of the blue and said, 'here's an interesting one: how do you feel about auditioning for Cosmo in Singin' in the Rain?' – just like that! But there was one major obstacle: I'd never tap danced in my life!”

Now it's at this point that the Kevin/Cosmo story takes a really surreal turn. Kevin Clifton – a Strictly Come Dancing professional who appeared in multiple finals over seven years before finally bagging the winner's gong with his celebrity partner and nowgirlfriend Stacey Dooley in 2018 – couldn't tap dance?

“I've danced all kinds of styles in my life, but never tap,” he says.

“But I said to my agent, give me a couple of weeks and let's see how I get on...” And if you're looking for a role model in how ambition can turn your dreams into reality, look no further.

Kevin immediately went online and ordered a tap board and tap shoes, and started learning tap dancing on YouTube (“I was tapping away 24/7, driving Stacey nuts!”). Then – when he'd got the hang of

the basics – he used his contacts to find a professional tap dancing teacher. “I found this brilliant guy called Ryan, but I wasn't sure if I was allowed to say what I was auditioning for,” he says. “But Ryan said, 'I've got a hunch of what you could be doing, so I'll give you some information about me and you can decide if I'm the right person to teach you: I'm the Assistant Dance Captain on Singin' in the Rain, and I think you want to audition for Cosmo' – yet more synchronicity!

So Ryan came round to my garden (we still couldn't take people indoors, remember) and gave me lessons at all hours of the day; I must have driven the neighbours mad! I eventually mastered a bit of a routine, and they sent me to Pineapple Dance Studio to audition. The show's Musical Director [and legendary dancer and choreographer] Adam Cooper was there, and I could hear the person before me Riverdancing away, and I thought, have I bitten off more than I can chew? But my agent said, 'look, you'll regret it forever if you don't go in there now; at least give it a go'. And I got offered the part. I've never been so excited in all my life, but it definitely felt like fate – from what Stacey said on Christmas day, to all of this!”

The 'all of this' that Kevin refers to is one of the most joyously uplifting, inventive musicals touring the UK today, featuring a starspangled cast including Sam Lips, Charlotte Gooch and Jenny Gayner... plus 6,000 gallons of water for a spectacular reinvention of the show's seminal title number and a riotously splashy encore. Top tip: pack a mackintosh if you're sitting in the front few rows.

But even when he's out of the rain Kevin's a very busy man, touring the hugely successful high-voltage theatrical dance experience Burn The Floor, preparing to star in Jeff Wayne’s musical version of The War of The Worlds and poised for a UK tour of Strictly Ballroom, directed by Strictly Judge Craig Revel Horwood.

“It's a busy time indeed,” he says. “Because all the scheduled shows were delayed due to the pandemic, they're now back-to-back for the next eighteen months. It's tiring, but it's so exciting to be back in the theatre again – once you're there, live on stage, energy is not a problem.” But in amongst all the live dance action, does Kevin have the time to miss Strictly?

“I loved every second of my Strictly years,” he says. “But in my last season, I could feel that there might be a time for moving on coming up, not because I was falling out of love with it – far from it! – but because I wanted to go back to doing more theatre. I've always had a THEBRISTOLMAG.CO.UK

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When I got offered the part [of Cosmo], I've never been so excited in all my life – it definitely felt like fate

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huge passion for singing, dancing and live acting, and I was being offered opportunities that I was having to turn down because Strictly takes up so much time. But I really enjoy watching the show now; I know what they're all going through and the work that they're putting in, and the thought processes behind the choreography. I thought I might be too busy with other things to watch it, but I literally became an obsessed superfan within two weeks; I now know what watching Strictly is like!”

And as I come to realise, Kevin is a multi-tasking, multi-faceted character with multi-faceted tastes. For a start, there's the slightly unexpected Meatloaf (yes, Meatloaf!) influence...

“Bat Out of Hell II was the first album that I ever bought as a kid, with my own money,” Kevin tells me when I ask about the moving tribute that he shared with the world when the news broke that the larger-than-life, uniquely theatrical American rock star had died unexpectedly in January of this year. “Meatloaf was truly amazing. He was so operatic and theatrical, and he was really into storytelling through his music. He influenced my musical tastes, and introduced me to rock'n'roll, which I've been into ever since I bought that album. And

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Kevin Clifton and the Singin’ in the Rain company

I thought I might be too busy with other things to watch it, but I literally became an obsessed superfan within two weeks; I now know what watching Strictly is like

then he came to see Burn The Floor in 2009 on Broadway: it turned out that this huge rock'n'roll star who I'd always looked up to really loved our show! He was a lovely, lovely guy; he'll be so missed, forever.”

From Meatloaf to football to... WWE (that’s World Wrestling Entertainment to those of us who aren't familiar with the infamous spandex-clad titans of the wrestling ring). “I'm a massive prowrestling fan – it's another form of live theatre, isn't it? I've always loved it. And football! My happy place is sitting on the sofa with a cup of tea watching Match Of The Day or WWE.” Be careful what you say, Kevin. As we've already established, somebody up there may be listening. Kevin Clifton: premiere league footballer, WWE wrestler... star of Meatloaf: The Musical? Let's not get too ahead of ourselves. Right here, right now, Kevin is Singin' in the Rain's Cosmo Brown – tip-top tapper and all-round strictly lovely guy. ■ • Singin' in the Rain, Bristol Hippodrome, 16-21 May. Book your tickets via The Bristol Hippodrome’s website: atgtickets.com/shows/singin-in-the-rain/bristol-hippodrome

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SHOPPING | SHOW MUM SOME LOVE

Always my mother, forever my friend Mothering Sunday is on 27 March - show her some love and appreciation.

She’ll say “don’t bother spoiling me” – but for once, you probably know best

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1. Hand thrown terracotta and acacia wood jug or bottle sourced from India - £44.99 each, from local online retailer storewalla.com 2. Alex Blanket UK designer Anna Lisa Smith (Libertys of London, Tate Edit Series) Prices from £225, visit: artisanhomeware.co.uk 3. Silver ’S’ Bangle made from 9mm oval Sterling silver - £205, available from nicholaswylde.com 4. Beautifully packaged treats from local producers. Choose a ready-made set or build your own. Prices start at £15.00, boxlocal.co.uk 5. 18ct Rose Gold Turquoise, Quartz and Diamond Pendant - £1800, from mallory-jewellers.com 6. Zing Silk Scarf - £90 from cherrybizarre.com/store 7. A tiny silver cage charm, containing a coloured cubic zirconia that moves freely around - £53, visit: dianaporter.co.uk 8. Bitter Mandarin Cologne 50ml RRP - £76 (100ml RRP - £112) by jomalone.co.uk 9. 18ct Rose Gold Moonstone, Quartz and Diamond Earrings - £1435, visit mallory-jewellers.com

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Give mum something unforgettable this Mother’s Day with Yuup!

Looking for a local, sustainable, and out-of-the-ordinary Mother’s Day gift? Browse hundreds of unforgettable experiences with Yuup and Bristol’s best creative small businesses. Give mum a special gift just for her or plan a special date to spend together, from woodland foraging and cocktails to wine and cheese night and pottery workshops to world cookery classes.

For the foodie mum: Foraging masterclass with a chef’s lunch at Combe Hay Vineyard

For the crafty mum: Try out wheel-throwing and hand-building pottery with Ridgeway Studios

In Combe Hay Vineyard’s private woodland, mum will be taught the basics of wild food foraging and will embark on a foodie adventure of gathering seasonal delicacies with a professional forager. In this peaceful experience, she’ll discover the magic of seasonal and sustainable produce and the surprising flavours to be found in the British countryside.

Ridgeway Studios in Fishponds is a community of ceramicists and artists that are delighted to share their love of pottery with curious crafters in Bristol.

Once she has returned to the vineyard she will be greeted by the vineyard’s chef and a wild cocktail, followed by a grazing board and light lunch prepared on an open fire with local and foraged ingredients.

In a casual setting, a team of artists that specialise in different areas of pottery will help mum create beautiful stoneware pottery that can be fired and glazed to be food and dishwasher safe. She’ll have freedom to create what she wants with support from the team, will learn the basics of wheel throwing, and will create a number of ceramics pieces with different techniques.

From £75 per person

From £40 per person

For the fashionable mum: Create a silk scarf with Indonesian batik textile design

For the adventurous mum: An evening wildlife safari in the Forest of Dean

For the mum that loves to dress to impress this beginner’s class in batik will be sure to delight. There’s nothing like wearing something one-of-a-kind that one has created themselves.

In this workshop mum will be given silk, wax, and batik inks to work with.

Knowledgeable host Sarah will guide her through the ancient Indonesian art and will help her create a showstopping silk scarf that is as bright and lovely as mum.

In this evening wildlife safari, mum will join wildlife detective Ed Drewitt in the stunning Forest of Dean for an exciting experience discovering the elusive creatures that reside there.

From £45 per person

Ed will teach mum how to identify the songs of British wild birds and will take her to the forest’s hotspots for sighting wild boars and their humbug striped boarlets, fallow deer, bats, foxes, pine martens and more.

From £40 per person

With over 500 unique local experiences you’re sure to find something for everyone.

Discover more great experience gift ideas and gift vouchers at yuup.co

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TELEVISION All images courtesy of Liam Daniel/Netflix Anthony Bridgerton is a lot darker this season in his colour palette; Kate Sharma dresses in the dual colours of India and the ton

Regency thrills are back The global phenomenon of Bridgerton returns this month. The first installment of the West Country-filmed production became the most-watched series on Netflix, with over 82 million households bingeing all eight episodes. Writer Chris Van Dusen describes the latest release as “romantic, fraught, charged and transporting” – can records be broken? asks Melissa Blease

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ust off your ballgowns, powder your wigs, double-lace your corsets and prepare to swoon: Bridgerton – the super-steamy, super-sumptuous Regency-era high society drama series that gave us more melodrama and gossip than any other period-setting TV series before or since – is back for a second season this month.

Based on American author Julia Quinn’s multi-million selling novels, the first series of Bridgerton became the most-watched on Netflix at the time of its premiere, and remains the second mostwatched on the platform with a viewership of over 82 million households. Can the second series break new records?

Picking up where we left Lord Anthony, Lady Danbury, the Featheringtons and all the other related (or are they...?) lords, ladies and licentious tittle-tattlers hanging, and introducing several intriguing brand new characters to the labyrinthine, behind-the-scenes machinations that keep those high society wheels rolling, the odds are that the second series of Bridgerton could be brighter, bolder and even more addictive to watch than the original one was... As an extra-added bonus for those of us who live in the West Country, you’ll spot many familiar locations (including the Holburne Museum in Bath and many more of the city's highways, byways and historic squares) all given a Bridgerton makeover to offer a living, breathing glimpse of our heritage and surroundings in a way that we've never seen them before.

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Without giving too much away, the second series follows English nobleman Lord Anthony (Jonathan Bailey) Bridgerton’s search for a suitable wife. Things aren’t going too well for Lord A until Kate Sharma (Simone Ashley, Sex Education and Broadchurch) and her younger sister Edwina (Charithra Chandran) arrive from India. But when Anthony begins to court Edwina, Kate discovers the true nature of his intentions (which we have no intention of revealing here) and does everything in her power to stop the union. But in doing so, Kate and Anthony’s verbal sparring matches take a very interesting turn.

Meanwhile, on the other side of Grosvenor Square, the Featheringtons must welcome the newest heir to their estate – and we all know that that won’t be a task that comes without all manner of challenges.

Alliances are forged, vows are made and swiftly broken; secrets are revealed and swiftly covered up again; frocks and breeches are flung off faster than they’re laced up; tongues are wagging in all the places that tongue-wagging really shouldn’t happen... but rest assured, narration courtesy of the scandal-hungry, infamous gossip columnist ‘Lady Whistledown’ will once again keep us all up to date at the back.

“I love the fact that you can enjoy Bridgerton on many different levels,” says Adjoa Andoh, who we all know and love as the series’ indomitable dowager Lady Danbury. “If you like a good costume drama, or love a historical romp, or are thrilled by a romantic will they/won’t they saga, it’s for you. But if you want to look for

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elements that are more reflective, you can. There are many different races represented, and gay love affairs, and women who want to do things other than get married; it’s a broad remit that says to everybody, ‘come on in, you’re welcome!’” And this time around, that all-inclusive welcome is even warmer.

“We’ve done a couple of extra special, amazing things that I think fans will be excited about this season,” says Shonda Rhimes, one of Bridgerton’s three Executive Producers. “The glamour of the balls, the beauty, the stunning hair and make up – all the things that everybody has come to expect from the show is all there. But we’ve upped our game a little bit in terms of how we’re telling this story. In the first season, we had to introduce everybody to the Bridgerton world; now, people know what this world is, so our goal is to bring them in even deeper, give them more of a sense of what’s going on, and let them really see how this world works – and that’s exciting.”

Indeed it is.

How has the experience been for Jonathan Bailey (yup, Lord Anthony Bridgerton himself)? “Coming back together for a second season as the Bridgerton ‘family’ has been amazing,” he says. “Right now, there’s a sense of calm, like being in the eye of a storm. It just feels nice and safe with everyone here, so that’s been really lovely.

And for me, knowing that this season was going to go straight into Anthony’s story... he’s really honed in on his decision to find a wife!

He makes his decision, he knows exactly what he’s going to look for, and he’s thinking about the future of his lineage. But he’s going to make sure that love plays no part, because he’s seen how distressing losing his father was for his mother. And he’s got a new haircut and shaved off his chops!”.

But Jonathan has delved far deeper into his character’s personality to bring much more than an update of that all-important Regency image to the role. “It was clear from the beginning that Anthony was incredibly complicated and had a rich psychological landscape,” he says. “There’s a lot of unpacking for him to do this season, but he’s a victim of a patriarchal system in which men weren’t encouraged to

talk about their feelings. But I think Anthony’s ultimately very kind and full of love.” And Anthony’s going to have to make sure that he has enough of that love to go around when sisters Kate and Edwina enter the Bridgerton fray...

“As a South Asian actor, to be offered a role like this has been incredible,” says Simone Ashley, who plays one of the season’s new characters, Kate Sharma. “That’s really down to our incredible writers and showrunner Chris Van Dusen, who was adamant about encouraging a diverse writers’ room. I’m really grateful for that, because it just shows that having a thought, an idea, that ripples out has led to me sitting here today. And I love Kate! She’s incredibly smart, and she’s got her priorities figured out. She’s also wise and has humility; she knows she’s not perfect, and doesn’t always steer the ship perfectly; I really like that about her, too.”

“I think every actor in Bridgerton brings something of themselves to any given character,” says Adjoa Andoh. “I love Lady Danbury’s appetite for life because I salute people who don't get wearied or downcast but remain hopeful and optimistic, which can be quite a challenge. And I’m playing Lady Danbury as a black woman, so I think about the challenges that a woman and a woman of colour would have had in the Regency period. She understands that world, she has status in that world, and she navigates that world very well.

But she knows the bohemian side of the world she lives in as well – the artists, and the drinking clubs, and all that goes along with that.

And she’s fun! She likes a good party, and she likes a good frock, and she likes knowing what’s going on, and she can put her shoulder to the wheel if she wants things to happen, or change; she’s an absolute delight to play. I guess, overall, I just want Lady Danbury to celebrate sturdy women – and she most certainly does that!”

The celebrations, on so many levels, are poised to begin! Ballgowns dusted, wigs powdered, corsets laced? We’re more than ready to swoon over Bridgerton, all over again. n • Bridgerton Season 2 will be released on Netflix on 25 March

New characters Kate (Simone Ashley) and her younger sister Edwina (Charithra Chandran) Sharma arrive from India

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FASHION

Spring’s style reset The Whistles Spring Summer ’ 22 collection brings us a unique and unwavering collection with a newfound sense of freedom. Relaxed in essence, the collection’s silhouettes and fabrics create a sense of comfort and sophistication, adorned with texture, colour, and print to deliver bursts of optimism.

Discover the Whistles new season collection below…

Right (left): Tori Stripe Cotton Voile Dress, £149; Renzo Suede Sandal, £159; Cord Cap, £39; Statement Chain Necklace, £29

Right: Sun Hat With Tie, £49

Below: Marie Slipon Mule (left), £135; and Renzo Suede Sandal (right), £159

Above (right): Shibori Dress, £169; Ren Woven Sandal, £115; Eames Chain Bag, £139; Molten Drop Earring, £35

Above (left): Denim Jacket, £99; Ella Essential Trousers, £99; Ren Woven Sandal, £115

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Above (right): Patchwork Crochet Jumper, £149; Lucy Flared jean, £109; Nessie Slouchy Cube Bag, £145; Bodie Double Buckle Slide, £125

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Sustainable shopping: where to start?

Hannah Hill – founder of LIFESTYLISH, a Bristol-born business providing bespoke styling and shopping solutions – looks at how to shop sustainably as we enter the new season

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he word “sustainable” is everywhere right now.

It’s difficult to find any organisation not laying claim to their green credentials, and clothing brands are no exception. But what does being sustainable mean? The literal definition of the word, “able to be maintained at a certain rate or level” doesn’t really seem to go handin-hand with an industry based on consumption, so it’s understandable that many of us are sceptical when it comes to trusting the promises of the green or eco ranges of stores that lack transparency in production methods for the rest of their product lines.

Unless you’re willing to do a lot of digging yourself, it’s difficult to know who is actually striving to do better. The good news is there are lots of simple ways you can change your consumer habits to shop more sustainably without having to turn yourself into Sherlock Holmes to do it!

Reduce/Reuse/Recycle Reduce the amount of clothes you’re buying. A large percentage of what’s in our wardrobes is hardly worn so really think about whether you need something new. Reuse items. It’s easy to give something a new lease of life with a simple alteration or quick mend.

If you don’t have the skills, find someone who can help you. Recycle anything that you can no longer wear. Anything that’s got life left in it can be listed on pre-loved clothing platforms or donated to charity. Anything else could be recycled at a clothing bank or cut up and made into cleaning cloths.

Buy better When you need something new, invest in quality. Spending a little more on something that’s going to last will save money and unnecessary waste in the long run.

Persevere with pre-loved platforms While it might take a little longer to find exactly what you’re looking for, pre-loved platforms like Depop, eBay and Vinted can be great for grabbing yourself a bargain – you might even find something brand new at a great price!

Be informed If you are set on buying something new from a sustainable brand, do your research. Green-washing – where a brand is marketed deceptively to make customers believe that it’s ethos and practices are environmentally conscious – is sadly becoming all too common.

Thankfully, brands that truly are doing better with sustainability are shouting about it and will usually happily make this information accessible on the homepage of their website.

Shop your wardrobe Make the most of the clothes you already have. If you’re feeling uninspired, why not get some advice from a professional? I’ve helped so many clients rethink their existing items and find new ways to make unworn pieces work for them in a different way! n • lifestylish.co.uk THEBRISTOLMAG.CO.UK

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PODCASTS

Ripples in time In a chart-topping new podcast, BBC reporter Jon Kay tells the tragic story of a Bristol family who have endured a lifetime of heartbreak since their baby sister disappeared on a beach in Australia 52 years ago. In an eight-part series, Jon delves into the twists and turns of the investigation, telling the extraordinary story of three-year-old Cheryl Grimmer and her family’s fight for answers...

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ix years in the making, Fairy Meadow is one of the latest truecrime podcasts to top Apple charts around the world. Narrated

by Bristol-based BBC journalist Jon Kay, listeners are taken back to the fateful day of 12 January 1970, when the lives of one Bristol family were changed forever.

Three-year-old Cheryl Grimmer was playing on the soft sands of Fairy Meadow beach in Wollongong, an hour south of Sydney, with her mother, Carol, 26, and three brothers, Ricki, 7, Stephen, 5, and Paul, aged just 4. The young family, along with father Vince, 24, had recently emigrated to Australia under the ten pound assisted passage scheme funded by the British and Australian governments. Known widely as ‘Ten Pound Poms’, more than one million Britons headed Down Under between 1947 and 1981. As the name suggests, the scheme allowed for affordable travel to Australia, with the cost of an adult ticket a mere tenner, and all children travelling for free. The scheme was part of Australia’s ‘populate or perish’ nation-building initiative. Upon arrival, many migrants lived in camps while looking for permanent accommodation. The Grimmers lived in one just 300m from Fairy Meadow beach – a suburb named after its fairy-like beauty. To the family from Brislington, it was a utopia.

On the afternoon of 12 January, when a wild wind suddenly swept the coastline, as it frequently did, the Grimmer family, along with many others, quickly packed up to head home. Cheryl and her three brothers were told to wait for their mother by the changing room block at the top of the beach. When Cheryl cheekily ran into the female toilets, rejecting her eldest brother’s pleas to come out, Ricki ran back to get his mother. When they both returned 90 seconds later, Cheryl had disappeared without a trace.

The case sparked one of the country’s biggest ever manhunts but Cheryl was never found. Since that day, 52 years ago, the family –

BBC journalist Jon Kay standing on Fairy Meadow beach, an hour south of Sydney, Australia

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The four Grimmer children on the beach – just arrived in Fairy Meadow from Bristol.

Ricki is on the far right. Cheryl next to him.

especially Ricki, who has always felt immense guilt for leaving his sister alone – have endured a life sentence of heartbreak. Despite thousands of hours of searching, no one has ever been convicted. In 2011, Cheryl was declared dead in absentia.

Although Ricki and his brothers have never given up hope, this Bristol story had lain dormant for decades. It wasn’t until a news notification pinged Jon’s phone in 2016 that he first learned of Cheryl’s disappearance. Most extraordinarily, though, as Jon started to explore the twists and turns of the case, reaching out to family in Bristol and New South Wales, connecting with Ricki and his brothers, the investigation suddenly started to regain momentum.

At the beginning of the podcast, we find out that the local police have come across a confession made a year after Cheryl’s disappearance by a man they code-named Mercury – a court order prevents him from being named. As the eight-part series unfolds, we follow Jon on his trips to Australia to meet Ricki and his brothers, their children and grandchildren. He speaks to the former detectives who once stood at the helm of the investigation, he tracks down new witnesses who have never before spoken about their memories, talks to those who helped look for Cheryl and retraces the last steps that Ricki took with his baby sister; all in a bid to uncover the truth. It’s a heart-wrenching story from the outset; one full of possible sightings, bizarre claims, false leads and a mysterious ransom note, but mainly one of a local family stricken by grief, desperate for answers, but too often left hanging on the brink of a breakthrough.

“This story has definitely gripped me and obsessed me over the last few years,” says Jon. “I first heard about the Cheryl Grimmer case when I was covering the disappearance of Madeleine McCann for BBC News. In some ways, the cases are hauntingly similar. I think anyone who's ever lost sight of a child will know that heart-stopping feeling when you suddenly can't see them – even if it's only for a few seconds.

But what if that feeling goes on forever?

“When I was a kid, my baby brother was taken by a stranger.

Thankfully, he was found, safe and sound, a short time later, but I've always wondered, what happens to a family when there is no conclusion?”

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As Jon peels back the layers of this complex case, it soon becomes clear that the fallibility and malleability of people’s memories certainly played a part in stalling the investigation. Sadly, each time the trail went cold, the consequences were profound.

What’s more, many of the eyewitnesses were themselves migrants, living in the camp for only a short while. When they found a permanent place to live and moved out of Fairy Meadow, they took their memories – and any useful information – away with them.

“It’s really hard to overstate how important migration was in that community,” says Jon. “The camp where the family lived with hundreds and hundreds of other migrant families was full of rows and rows and rows of huts. Everybody there had come from somewhere else and they were in and out. Part of the challenge for the police at the time, and part of the challenge for us trying to find people, was that families were there for three days, three weeks, three months before moving elsewhere, maybe changing their names, maybe going back home. People’s memories of that day were dispersed all over Australia and all over the world,” Jon explains.

“Ricki repeatedly says his memories of that day are tattooed in his mind, but we’ve heard from people since we launched the podcast who have conflicting memories of the same sort of day and the same sort of time. Trying to find consistent memories has been so difficult."

I think anyone who's ever lost sight of a child will know that heart-stopping feeling when you suddenly can't see them – even if it’s only for a few seconds. But what if that feeling goes on forever?

Furthermore, as the series continues and Jon begins to meet the members of the wider Grimmer family, we hear the pain in the voices of Ricki’s children and grandchildren, cousins and distant relatives, many of whom weren’t even born until decades after Cheryl’s disappearance.

The ripple effects of that tragic day, however, have never entirely ceased and the memories of 12 January clearly live on through each generation.

“There are relatives here in Bristol, younger cousins, teenagers, the great nieces and nephews of Cheryl Grimmer, who might not have ever met Ricki but know about what happened to their great auntie on a beach on the other side of the world. They say it affects the way they’ve been brought up today, their parents have always been really anxious about them and their safety. It is amazing how the legacy of a split second can dominate lives, young lives, even today.”

Jon, a regular presenter on BBC Breakfast’s red sofa, is one of the corporation’s most respected journalists. He has worked on big crime stories all over the world, including the murder trial of Bristol

Cheryl with her dad, Vince, who was Bristol born and bred. He got a job in the Australian army just a few days before his only daughter disappeared

businessman Shrien Dewani in Cape Town, which gained worldwide attention. Based in Bristol for the last 20 years, he has completed stints in Washington DC, Los Angeles, Iraq and across Europe, and built a reputation for producing powerful and insightful, yet respectful, journalism. Cheryl Grimmer’s case is very much a Bristol story and Jon was determined to establish this project in the city where she was born.

“I think it helped Ricki and the family in Australia that I literally knew where they were coming from. They are a Bristol family, Cheryl Grimmer was one of us, she was a Bristolian. Ricki took me to the house in Brislington where they’d grown up and to Victoria Park where he used to push Cheryl on the swings. I think he feels a special connection to her when he’s in Bristol because it reminds him of the normal life he had before she disappeared.

“It was also important to me that we made the podcast in Bristol.

It was made by BBC Audio in Bristol. Chris Ledgard, the producer, is based in the city and Elizabeth Purnell, who composed the beautiful music, lives in Harbourside, so it was very much a Bristol project.”

After six years of research, four hours of tightly focused storytelling, we wonder whether Jon will ever be able to overcome his obsession with the case. “No, definitely not,” he says. “We’re still getting emails now from people who think they have information. Every time one appears, I just wonder if it could be relevant. I’m not claiming that we’re going to solve it but we’re encouraging anyone with information to talk to the police – there’s a AU$1,000,000 reward in Australia at the moment. It would be fantastic if the profile from this podcast gets someone to come forward with information that helps the police.”

As for the Grimmer family, Jon says that although parts of the process have been painful and difficult to hear, the family are pleased the story is out there. “It’s been number one on the Apple chart in all categories in Australia. This means that in the country where she disappeared, in the country where someone might have information, the story is being heard.” ■ • Fairy Meadow is available on BBC Sounds, Apple Podcasts and Spotify

A drone shot of Fairy Meadow beach today.

The changing rooms where Cheryl Grimmer was last seen are the open-roof building in the foreground

Scan the QR code to start listening...

All images courtesy of BBC THEBRISTOLMAG.CO.UK

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Gemma, a university administrator, with Freya, 8, Jack, 6 and Elsie, 2. She met her partner at university. They lived together, graduated together, got jobs together. He left her with three children. “I was always in awe of single mothers. I couldn’t imagine having to do it all by myself. Now I’ve come to realise that actually I was doing it all myself anyway.”

Jana with Izaan 5, and Yanna, 2. Now a university student, Jana fled an arranged marriage. “Two years ago, if someone had told me I'd be living in London by myself, taking care of my children by myself, and had a place at one of the best universities in the world, I would have never believed it.”

Barbeline on her way to a meeting with a possible investor in her business

Charmaine with Kai, 13, and Esme, 11. Charmaine and Aaron (who is also part of the exhibition) met at drama school when they were 18. They separated eight years ago, and now share the care of their children, each having them half of the time

Carike, an SEN classroom assistant, with Seren, 4. Carike didn’t plan to have a child. “I was 40, I decided fine, it’s alright, I can do it. I don’t need him to be in our lives.”

All images by Polly Braden Courtesy of the artist

Barbeline, a print designer, and Elijah, 10. Barbeline grew up in care and had Elijah when she was 18. She was with his dad for two years. She set up a business producing designs for clothes, cushions and wallpaper in 2012

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ART EXHIBITION

Holding the Baby Documentary photographer Polly Braden’s latest exhibition, Holding the Baby, explores the day-today reality of what it means to be a single parent in the UK. Now open at Arnolfini, we take a closer look at this powerful collection of portraits and speak to Polly about the extraordinary expression of stoicism, anger, exhaustion, pride, compassion and love she witnessed along the way...

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e need a system that’s kinder, less judging and not set up to punish those who stayed,” says awardwinning documentary photographer Polly Braden, who has recently opened her latest exhibition, Holding the Baby, at Arnolfini. After spending time in the homes of seven single parents – six mothers and one father – Polly’s poignant photographic work celebrates the strength of singleparent families, brings the inequalities they face to the fore and explores the issues that are often left out of the national conversation.

The inspiration for the project came in the form of a 2019 United Nations report by poverty expert Philip Alston, which stated that single parents have been hardest hit by austerity measures imposed by the government. It’s important to note that single parents are no longer a small minority in Britain. In fact, according to charity Gingerbread, there are around 1.8 million single parents in the UK, which accounts for nearly a quarter of all British families. With those figures in mind, Polly – a single parent herself – began delving deeper into the policies that must be endured by those who are left “holding the baby”. She started documenting the lives of single parents in London, Liverpool and Bristol, including mother-of-one Carike and mother-of-three Gemma, who live in Easton. When Covid-19 stopped visits, she set up cameras and lights so they could take photos themselves. Polly’s work beautifully encapsulates the families’ sense of adventure, optimism, creativity and ambition that transcends the often difficult situations they encounter. Through their stories, the exhibition transforms national politics into a local concern and places the current childcare system under a microscope, highlighting the desperate need for reform.

This seamless collaboration of extraordinary minds has made for one of the exhibition’s greatest accomplishments: exposing and celebrating the universality

All images by Polly Braden. Courtesy of the artist

of everyone’s lives

“First and foremost I wanted to show single parents in a really positive light, to show what they are able to create,” says Polly. “And through people’s stories, I wanted to explain the inequalities that singleparents face and show the harsh realities of the government’s policies – like how the child maintenance support is really not fit for purpose in this country. But I didn’t want to shout about it, I wanted the stories to tell themselves. I want people to come in, enjoy these families’ lives, get a glimpse of these brilliant people and learn some facts along the way.”

Although the pandemic brought the project to a halt in March 2020,

lockdown, without a doubt, accentuated the resilience of single-parent families. Nodding in agreement, Polly says: “Gingerbread did a report saying that single parent families were three times more likely to rely on food banks during the pandemic; 1 in 10 fell out of work. Then there was just the fact of being alone at home, trying to work, trying to home-school. If there’s two people, you can juggle everything but if you’re alone, how do you do that?”

And yet they did it. “I suppose this project was really particular because of Covid. Like the other single parents, I was on my own with my kids, so it was very, very personal. It was really nice to be with other single parents, to spend time with them and to be understood by them.”

The exhibition at Arnolfini is the final instalment of the series, following shows in London and Liverpool. Holding the Baby was originally created by Museum of the Home in London and curated by Sinéad McCarthy. Each intimate story is accompanied by revealing and tender excerpts from interviews with the parents conducted by journalist Sally Williams, alongside reflective words from a wider group of single parents instigated by writer Claire-Louise Bennet, and data from statistician Rob Minto outlining the daunting reality of what it means to be a single parent in the UK today. This seamless collaboration of extraordinary minds has made for one of the exhibition’s greatest accomplishments: exposing and celebrating the universality of everyone’s lives. “It is the will to make a really good home for your kids that is very universal,” adds Polly.

The award-winning photographer is renowned for exploring the relationship between everyday life, work, leisure and economics and Holding the Baby is simply the most recent piece of work in a long line of deeply moving and thought-provoking projects. In 2016, Polly’s national exhibition, Great Interactions, looked to engage decisionmakers and the wider public to ensure that people with learning disabilities received the same opportunities as anyone else.

In 2018, she further explored what would happen to individuals if they didn’t receive the right support. Her exhibition, Out of the Shadows, saw Polly once again collaborate with Sally Williams to offer a very different view on the human cost of imprisoning people with learning disabilities and/or autism. Her work not only drew attention to the sheer number of people currently trapped within the criminal justice system but it provided a springboard for debate and discussion.

Today and as always, Polly’s work is stitched together by those courageous enough to tell their stories, from women who have escaped abusive marriages to foster carers who have become single parents via sperm donors to divorced couples who have successfully forged coparenting relationships. What’s more, in spite of carrying the full weight of a cruel system on their shoulders, suffering from benefit sanctions, welfare cuts, discrimination and all its associated ills, Polly makes it clear that single-parents are able to succeed in giving their children the most important thing of all: a sense of home and belonging. ■ • Polly Braden: Holding the Baby is running at Arnolfini until 12 June.

The exhibition will be accompanied by a pop-up version at Baraka Café in Easton. Polly’s accompanying book of the same name, with words by Sally Williams and Claire-Louise Bennett, will be published by Dewi Lewis on 31 March and available to buy at: dewilewis.com THEBRISTOLMAG.CO.UK

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LOOKING BACK

Students broadcasting from Burst’s old studios in an annex at St Paul's Church in 2000

Burst turns 25 This year, the University of Bristol’s radio station, Burst, celebrates its 25th anniversary. Here, Head of Production, Xander Brett, catches up with Burst’s founder and looks at why student radio is now more important than ever...

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t the studios of Burst Radio, there’s a constant stream of presenters. With over 75 live radio hosts, and even more recording podcasts, the station (during term time) is on air 24 hours a day, broadcasting its own schedule from 10am-10pm before joining the award-winning community station, BCfm, overnight. Burst itself is award-winning, receiving prizes from the Student Radio Awards and attracting the attention of national presenters including Jeremy Vine, Jo Whiley, Steve Lamacq, Scott Mills, Cerys Matthews and Phill Jupitus.

This year, Burst turns 25. To celebrate its anniversary, we caught up with founder Paris Troy, who saw the birth of Burst as his way out of studying law. After graduating, Paris went on to host the Heart Bristol breakfast show before enjoying a long and illustrious career in local radio. Looking back, he fondly remembers the early days of Burst, which finally came to fruition in 1997 after a UWE radio station collaboration came to an end.

“UWE had been running Fresh FM for some time,” he explains.

“They were very developed. They brought Bristol uni students onboard to contribute but we were very much on the UWE coat-tails.

The Bristol University Student Union wanted to start its own station, and it advertised for a meeting. I went along, thinking there’d be loads of people there. When I got there, I was literally the only person.

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I walked into an empty room. The General Secretary said: “Well, do you want to do it?” I said, “yeah…” And that was it. I got some friends involved, we managed to get a short-term licence, we enrolled for presenters, producers, runners and coffee makers and built up a team of almost 50 people.”

Next came the name. Which, Paris says, was “remarkably hard”.

Sitting in a pub, the team came up with Burst, standing for ‘Bristol University’s Radio Station’. “I worked on Burst for a couple of years, managing it and presenting on it,” says Paris. “When I left university, other people took the reins. It’s fantastic to know that it’s still going strong.”

Most prominently, comedians Marcus Brigstocke, Danny Robins and Dan Tetsell found their voices on Burst, hosting a breakfast show in the early 2000s

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LOOKING BACK

Presenters taking part in an outside Christmas broadcast in 2010

Beaming out across the city, Burst has enjoyed many memorable moments over the years – a collaboration with BBC Radio 6 Music in 2007; a broadcast on every UK student station in 2018, while hosting the Student Radio Association’s chart show; and even contributions from BBC Radio 2’s Johnnie Walker and BBC Radio 4’s Jenni Murray and Jonathan Dimbleby.

Often collaborating with Epigram, the University of Bristol’s student newspaper, and with UBTV, the student YouTube channel, Burst has been there for the big events in Bristol’s history. Today, Station Manager George Ruskin says reflecting local culture remains “at the heart of Burst’s programming”. In February 2020, it reported on Greta Thunberg’s protest from the midst of the march.

A month later, when the pandemic hit and the university closed its doors, the students' dedication to the station prevailed and they created a pop-up stream, with presenters contributing from their homes all across the country.

Notable former broadcasters As the University of Bristol boasts a long list of notable alumni, Burst’s airwaves have, too, enjoyed the sultry sounds of some of the nation’s now much-loved personalities. Most prominently, comedians Marcus Brigstocke, Danny Robins and Dan Tetsell found their voices on Burst, hosting a breakfast show in the early 2000s. World-renowned magician Chris Cox also made an appearance during his student days, recently returning to the station to host a Christmas show.

Tune in Burst weekdays begin with an hour-long breakfast show, and weekends with a two-hour brunch show. Then, on weekdays, listeners can enjoy some light music before the signature two-hour Hangover Brunch starts up, leading to a current affairs programme, two hours of entertainment, a topic-focused show, a drive-time programme, and a specialist music show until the overnight handover. Every hour, a national news bulletin is broadcast from the Sky News Centre. Breakfast, brunch and Hangover Brunch shows are also punctuated with local travel, weather and sport updates, as

The 2015 team working in Burst’s current studios in the Richmond Building

[Burst] acts as a training ground for all involved in the process; it harnesses and nurtures the talent of all who pass through its doors and, most crucially, it allows student voices to be heard

well as information on student events and upcoming gigs, plays and films in the wider city. Over the coming months, to mark the milestone, listeners will be also be able to tune in to hear all about Burst’s best bits.

Bristol’s hospital radio, BHBS, is also set to celebrate 50 years on the airwaves this year. The station was the home of Bristol Sport until the launch of BBC Radio Bristol, and their work with Burst and the community stations ensures this city is one of creativity and collaboration.

Over the last 25 years, Burst has produced a canon of work that has celebrated the student population, often tuning in to hear from those studying abroad. Its creations have regularly been recognised

by BBC Radio Bristol and many of its presenters, producers, writers and reporters have gone on to work for the corporation.

In a time when we’re rightly questioning the value of local outputs, given their often-unjustified cost and tiny editorial areas, independent student radio is more important than ever. It acts as a training ground for all involved in the process; it harnesses and nurtures the talent of all who pass through its doors and, most crucially, it allows student voices to be heard.

• Happy Anniversary Burst Radio! Tune in live every day at: burstradio.org THEBRISTOLMAG.CO.UK

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LOCAL EVENTS

WHAT’S ON IN MARCH Matilda Mann at The Louisiana

Bristol Light Festival

Bristol College of Massage and Bodywork n Throughout March Bristol College of Massage and Bodywork offers high quality training in the heart of Clifton. Founded in 1986, it runs a variety of different courses including: monthly holistic massage introductions for beginners; professional training in holistic, remedial and sports massage and Indian head massage; varied CPD workshops for qualified therapists; and a low cost graduate massage clinic every Thursday. bristolmassage.co.uk Bristol Film Festival: Little Women n 4 March, Arnos Vale Cemetery Join Bristol Film Festival in Arnos Vale Cemetery, Bristol’s very own Victorian Garden Cemetery, for a screening of Greta Gerwig’s (Lady Bird) 2019 adaptation of Louisa May Alcott’s coming-of-age classic Little Women, which saw both Saoirse Ronan and Florence Pugh receive Oscar nominations. bristolfilmfestival.com

The Royal Photographic Society: Meet John Hajdu MBE n 6 March, at RPS and online John Hajdu is a survivor of the Holocaust in Hungary and lived under the subsequent socialist regime in Budapest. Having lived in the UK since 1957, John’s experiences of life after the Holocaust and as a refugee tell of the turmoil of post-World War II Europe.

John will talk about his life in Hungary and UK. The event is live and also streamed via Zoom. rps.org

ShangrilART n 5 March, Lost Horizon Celebrating powerful female energy and creativity ahead of International Women's Day. An all- girl line up will be taking over Lost Horizon for an afternoon of local talent. Buy affordable art from independent artists, grab yourself some tasty street food and hang out for a drink or two, soundtracked by live DJs. shangrilart.com

Moishe's Bagel n 10 March, St George’s Bristol Folk favourites Moishe’s Bagel return to St George’s with their specially commissioned live score for Mikhail Kalatozov’s 1931 Soviet documentary, Salt for Svanetia. Set in the remote Caucasus mountains of Georgia, the visually stunning film tells the story of the indigenous Svan people and their ancient traditions, set against the context of Soviet modernisation and the first five year plan.

Bristol Light Festival n 1–6 March, around Bristol Bristol Light Festival will return to fill the 32 THE BRISTOL MAGAZINE

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city with light and colour, and showcase Bristol as the vibrant, playful and creative city that we know and love. This year, the festival will feature six world premier works, brand new for Bristol, alongside some of the best of the UK’s talent, all making their Bristol debut at carefully selected locations across the city centre. Visitors can wander and explore the city’s streets to see the light art works come to life and enjoy Bristol’s wonderful retail and hospitality businesses along the way. Everything is free to attend and open to everyone across the full week. bristollightfestival.org

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Formed in Edinburgh in 2003, Moishe’s Bagel combine the energy and passion of world folk with the excitement and soul of improvisation, and they absolutely love playing at St George’s. stgeorgesbristol.co.uk Bristol Bach Choir n 19 March, St Mary Redcliffe In its much-anticipated return to the beautiful environs of St Mary Redcliffe, Bristol Bach Choir will present a programme of unsurpassed beauty, tranquillity and serenity.

Maurice Duruflé’s setting of the Requiem text is regarded as one of the glories of 20th century choral repertoire. In this performance, there will be a virtuosic accompaniment on the magnificent Harrison and Harrison organ.

Morales was the leading Spanish composer of sacred music in the mid-16th century. His Missa pro Defunctis is the perfect foil in a programme to the lush harmonic language of Duruflé’s composition. bristolbach.org.uk Bristol Ensemble: Spring in the Air n 19 March, Trinity-Henleaze URC Celebrating the coming of spring, this concert features virtuosic music for wind ensemble from across the centuries. At the heart of the programme is Mozart's threemovement Quintet, scored for piano, oboe, clarinet, horn and bassoon, alongside works

by Ravel, Shostakovich and Malcolm Arnold. henleazeconcertsociety.org.uk Ramshackicious presents Club Supreme n 23–27 March, Loco Klub Audiences in Bristol become the first to experience the latest mix of physical theatre, clowning, puppetry, animation, video and

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Moishe’s Bagel at St George’s Bristol

surround sound from Ramshacklicious and with it the chance to achieve Supreme Citizen status through an installation and stage show questioning current fascinations with game shows, self-improvement, online manipulation and consumerism. locoklub.com

songwriter Eve Appleton, poetry from former midwife Helen Sheppard and atmospheric readings from local fiction writers Harriet Kline, Jo Mary Butler and Judy Darley. With hints of fairytales and myths rippling through everyday scenarios, you may emerge seeing the world with fresh eyes. waterstones.com

Bristol Ensemble: Vaughan Williams and the English Tradition n 25 March, St George’s Bristol Bristol Ensemble celebrate the 150th anniversary of the birth of one of England's greatest composers, Ralph Vaughan Williams with performance of some of his most cherished works including The Lark Ascending with violin soloist Natalia Lomeiko and Fantasia on a Theme by Thomas Tallis. stgeorgesbristol.co.uk

Matilda Mann n 31 March, The Louisiana Championed by the likes of BBC Introducing,

Bristol Film Festival: Indiana Jones and the Temple of Doom n 25 March, Redcliffe Caves Venture underground into the Redcliffe Caves this March, as Bristol Film Festival’s biannual screening series returns. Delve deep into one of the most unique locations in Bristol, and forget about the outside world for a couple of hours. On 25 March, enjoy the epic adventure film, Indiana Jones and the Temple of Doom – they guarantee 100% fewer booby traps than poor Indy has to deal with! bristolfilmfestival.com Book launch with Judy Darley n 26 March, Waterstones – Galleries Not everything is as it first appears in this literary night hosted by author Judy Darley in our shop. Celebrating the launch of her third short fiction collection The Stairs are a Snowcapped Mountain, the evening promises heart-stirring live music from singer 34 THE BRISTOL MAGAZINE

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COLORS and Mahogony, Matilda Mann sold out her debut London headline show at Servant’s Jazz Quarters earlier this year as well as previously playing tour support for the likes of Arlo Parks, Beabadoobee and The Staves, whilst Glastonbury Festival revealed Matilda as third place their coveted Emerging Talent Competition for 2020.

Matilda will be playing at The Louisiana on 31 March and is certanly not one to miss. thelouisiana.net

LOOKING AHEAD A Recital of Art Song by Black British & American Composers with Maita Robinson n 2 April, St Stephen’s Church Gifted singer Maita Robinson returns to St Stephen’s to resume her annual concert programme with a new set of songs, this time accompanied by Stephen Kings on the piano. Maita will perform works by British and American black classical composers reviving hidden art song gems created by Margaret Bonds, Elizabeth Boykin, Errollyn Wallen, Samuel Coleridge-Taylor and Florence B Price. Some of these composers have set their music to the poetry of female and black writers such as Maya Angelou and Langston Hughes. The free concert will begin at 3pm. saint-stephens.com City of Bristol Choir: Handel’s Messiah n 2 April, St George’s Bristol City of Bristol Choir joins forces with Bristol Ensemble and a fabulous line up of soloists to perform Handel’s

masterpiece, Messiah. The work is full of drama as it tells the story of Christ's birth, death and resurrection through majestic and thrilling choruses, heartrending and passionate arias, and theatrical recitative, ensuring its enduring popularity. stgeorgesbristol.co.uk Exploring Nature Writing n From 1 April, online course Aspiring nature writers are taken through a series of exciting workshops to hone their craft, sketching out the beauty of nature with the written word.

During this introductory nature writing course, you will be immersed in the world of nature writing and learn some basic practices and techniques, allowing you to develop as a writer, as you take inspiration from nature and hone your craft. You will create your own pieces including poetry and share them with other learners. This course, brimming with practical tasks is equally suitable for budding naturalists and people who enjoy writing. field-studies-council.org

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EXHIBITIONS

STATE OF THE ART Carl Melegari and Lynne Cartlidge: Power in Stillness, Clifton Contemporary, 10 March – 2 April Stillness can have a forceful presence: a quiet magnetism that draws the eye and resonates with life, feeling and meaning.

Clifton Contemporary’s new exhibition elegantly reveals how profoundly different this power in stillness can be. Through multiple layers, deep textures and flowing drips of oil paint, Carl Melegari's compelling portraits and evocative figures exude calm and strength – a tangible sense of life from within their sculpted silence.

Lynne Cartlidge's lucid still life compositions explore everyday domestic objects and cut flowers, creating a subtle dynamic interplay between light, colour, space and form. Her radiant interiors reveal another world of stillness.

Carl was chosen to create a series of portraits to feature prominently in the current Bristol based BBC psychological drama series Chloe.

From the Mountains to the Sea, Lime Tree Gallery, until 10 March Lime Tree Gallery’s latest exhibition includes a mix of beautiful landscape and seascape paintings across a variety of media. Some of the highlights include a new series of arresting acrylic paintings by Welsh artist Sian McGill; powerful Scottish scenes by Zanna Wilson, Alexander Robb and Marion Thomson; skilful egg tempera works by Andrew Scott George; and Northumberland landscapes in oil by Robert Newton. Artist Ulla Ohlson has also contributed abstract unframed lithographs of Swedish landscapes.

• limetreegallery.com

• cliftoncontemporaryart.co.uk Image: Berneray Shore by Marion Thomson Image: Andreas by Carl Melegari – oil on canvas

Paula Rego: Subversive Stories, Arnolfini, until 29 May Arnolfini welcomes you to venture into the extraordinary imagination of Dame Paula Rego RA, one of the leading figurative artists of our generation. Rego makes a welcome return to Bristol (almost 40 years after her first exhibition here in 1982-83), creating an opportunity for a new generation of visitors to explore the artist’s rich and imaginative world.

Featuring over 80 prints from across Rego’s extensive career, the exhibition explores her interweaving wit and dark humour, delving into the art of storytelling through Rego’s reinterpretations of well-known narratives and classic tales, repositioning the role of women at their centre.

Bringing together early examples of experiments in etching and lithography, Rego pulls us into a world of not so ‘wicked’ women, childhood adventure, and folklore and fairy tales, in which the underdog reigns supreme, as Rego reinforces her reputation, taking ‘the side of the beauty not the beast.’

• arnolfini.org.uk Image: Mist I (from Pendle Witches series) by Paula Rego 1996 Courtesy Paula Rego and Cristea Roberts Gallery, London

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EXHIBITIONS

Grayson’s Art Club, Bristol Museum & Art Gallery, until 4 September

Donna Huanca: CUEVA DE COPAL, Arnolfini, until 29 May Arnolfini is currently showing CUEVA DE COPAL, a new and immersive sitespecific installation by Donna Huanca, a celebrated, rising star of the international art world. Drawing on painting, sculpture, performance, choreography, video, and sensory interventions, Huanca’s interdisciplinary practice focuses upon the human body, exploring our physical relationship to the world around us. Huanca builds her experiential installations around the architecture of each new site, with CUEVA DE COPAL plunging audiences into a cocoon-like space. Encouraging audiences to reflect upon their environment, the installation integrates ideas explored through previous installations, in which Huanca has transformed the masonic temple of Marciano Art Foundation in Los Angeles, the early-18th century palace of the Belvedere Museum in Vienna, and the high desert landscape surrounding the Ballroom Marfa in Texas.

• arnolfini.org.uk Image: Donna Huanca, CUEVA DE COPAL. Installation view courtesy of Peres Projects, Berlin

During lockdown, Grayson Perry – one of Britain’s leading artists – helped the nation find comfort and company through art in his critically acclaimed Channel 4 series, Grayson’s Art Club. Each week on Zoom, Grayson and his wife, Philippa, spoke to famous artists and creatives about how they were spending their time and invited them to respond creatively to lockdown.

Alongside artists, the couple asked celebrity guests including Boy George, Derren Brown, Johnny Vegas and Alex Horne to create brand new works of art in response to Grayson’s weekly themes – family, nature, food, dreams, work, and travel. The public were also invited to share their works and over 17,000 entries were submitted throughout the series in a vast range of mediums – from paintings and photography, to ceramics and textiles.

Now, after a successful two series of the programme, an exhibition of the work has gone on display at the Bristol Museum & Art Gallery, where they will stay until 4 September 2022.

Spread across three floors, the exhibition is a vibrant and poignant chronicle of lockdown and forms a lasting artistic record of the unique time the nation has lived through together.

• bristolmuseums.org.uk Image: Artwork by illusionist Derren Brown

Generations: Portraits of Holocaust Survivors, The Royal Photographic Society, until 27 March This exhibition at RPS Gallery brings together over 50 contemporary portraits of Holocaust survivors and their families, shining a light on the full lives they have lived and our collective responsibility to cherish their stories.

In partnership with the Imperial War Museum, Jewish News, and the Holocaust Memorial Day Trust, Generations: Portraits of Holocaust Survivors showcases new works from 13 contemporary photographers, all members and Fellows of RPS, alongside photography by RPS patron, Her Royal Highness The Duchess of Cambridge.

Many of the photographs in Generations: Portraits of Holocaust Survivors were captured in Spring 2021.

• rps.org

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LITERATURE

Dressed to kill Bristol-born author and former journalist Freya Berry had front row seats to the 2016 US election, reporting live from New York. However, as the world’s eyes became fixed on the future president of the United States of America, Freya became obsessed with the first lady and the part she played in the campaign.

In Freya’s debut novel – out now – she delves deeper into the lives of world leaders’ wives...

Author Freya Berry

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LITERATURE

F

rom the moment we first encountered Bristol-born author Freya Berry’s debut novel last month our curiosity was certainly piqued. It follows the story of a captivating, glamorous dictator’s wife as she stands trial for her dead husband’s crimes. It’s a story of secrets, lies and seduction; of female power and ambition; of mothers and daughters, all set in postCold War Eastern Europe. It’s a story, ultimately, that poses the question: how far can the wives of world leaders be blamed for the actions of their husbands?

The Dictator’s Wife hit the shelves of bookshops around the country just 12 days ago (17 February) but before readers even had a chance to crack the spine, endorsements had rolled in from Anthony Horowitz CBE (creator of the Alex Rider series), Glamour magazine had dubbed it a top pick of 2022 and Waterstone’s had celebrated it as one of the best books of February. When we caught up with Freya last month, she was flying high on the news that her first title was set to be a hit – and deservedly so. Not only does this fictional novel hold incredible relevance in today’s world – exploring the way in which glamorous spouses are deployed to give a pretty face to tyranny – but the inspiration behind it came from watching exactly that unfold in front of her very eyes.

Freya, a former Reuters and Daily Mail journalist, spent time in New York covering the 2016 US election – an election, as we all remember, that was steeped in controversy. While the public’s attention was focused on the bravado of President Donald Trump, however, Freya’s eyes were firmly fixed on the first lady. She couldn’t help but wonder: was Melania Trump – and are wives like her – birds trapped in gilded cages, desperately trying to humanise their husbands, perhaps only guilty of grandiosity? Or do they help prepare the kindling before their husbands set democracy alight?

Who are the women on the arms of the world’s strongmen?

How do they come to be there?

Why do they stay?

“I’d covered Brexit for Reuters just months previously, so at the Daily Mail in New York I really felt that same sense of history, of the world shifting before my eyes, and of course sheer surprise at the result,” Freya tells us. “It was such a shocking, turbulent election process with so many twists and turns – Access Hollywood, the Clinton FBI investigation…

We were up all night and I had the ‘Hillary wins’ piece ready to go – we’d done a ‘Trump wins’ piece too but it was nowhere near done. As the states kept toppling, we had to do a hasty rewrite!

“The idea for the novel first came to me while I was out there. I’d been observing Melania Trump and her enigmatic silence, and wondered what she was like in private. Then I remembered the glowing 2011 Vogue profile of Asma al-Assad [the First Lady of Syria], which was published just weeks before the civil war broke out. It was such an odd piece – glamour in front, darkness behind – and I just became totally hooked on this subject. Who are the women on the arms of the world’s strongmen? How do they come to be there? Why do they stay?”

As Freya delved deeper into the role wives play, she looked at whether their femininity could help whitewash their husbands’ actions, whether their charity work could act as a public distraction from the brutal realities of their husbands’ regimes. Throughout history, many wives have often walked the tightrope between political survival and being overthrown, even executed, while many others have benefited from a fortune of billions while living in a country suffering staggering hardship.

When we first meet Marija Popa, the dictator's wife that Freya created, and a former actor and businesswoman, she has endured the murder of her Hitler-admiring husband, Constantin, a feared dictator who stole from his people. Marija is on trial for his crimes. Stoic in the face of a possible death sentence, her story is very much reminiscent of that of Imelda Marcos – a former First Lady of the Philippines and convicted criminal, who, along with her husband Ferdinand Marcos, stole billions from the Filipino people. Imelda’s infamous quotes have even been cleverly reworked and woven into the dialogue.

Narrating the story is Laura Lăzărescu, a young British lawyer working on the case. She is clearly in awe of the enigma that is Marija.

She tells us that Marija once found a friend in Ronald Reagan, Paul Newman and Saddam Hussein and was well liked by the Queen. She wonders about the impact Marija, and women like her, must have on their husbands. “[Marija is] a hypnotic blend of Joan of Arc and Imelda Marcos; both goddess and she-devil, princess and tyrant, martyr and uber-bitch,” it reads, but the question remains: does Marija have blood on her hands? Should wives be punished for the crimes of their husbands?

“I think these wives can soften their husbands, but their oftenglamorous presence can also distract us from what’s really going on. The word ‘glamour’ means ‘spell’ after all,” says Freya. “I read books about Imelda Marcos, the Romanian dictator’s wife Elena Ceausescu, and Mao’s wife, Jiang Qing. These women were often double-sided – part adored, part reviled – I wanted to capture that ambiguity in the novel.”

“The instant I thought of my dictator’s wife, I wanted to create someone who would really lure you in – the spider at the centre of the web – but wasn’t just a femme fatale. She had to be something much more powerful and interesting. These first ladies are often maternal figures, called ‘Mother of the Nation’ or similar titles, so the theme of motherhood and what it means really developed from there.

As Freya began writing the novel in 2017, the #MeToo movement was starting to sweep the world; Kristen Roupenian’s short story, Cat Person, had just gone viral, and people, including Freya, were rethinking the way in which women are portrayed in reality as well as in fiction. What’s more, the 30-year-old author was eager to better understand what life was like under a Communist regime in Eastern Europe, where her fictional country, Yanussia, is set. She spent three months travelling around the continent, listening to people’s stories, describing her time there as invaluable for research.

“I arrived first in Bucharest, Romania and literally went straight from the airport to the anti-government protests, which were taking place that night: 300,000 people in the main square. There, on that first night, my Airbnb hosts and I were teargassed. From Bucharest, I talked to many people in Hungary, Serbia, Bosnia and the Czech Republic. It was a privilege to hear their stories. Not everyone hated Communism: some are really nostalgic for it,” she says.

“Although my country in the novel is fictional, it’s very much rooted in reality – there’s a particular atmosphere in that part of the world, and so much history, of which I tried to give a sense. The story unfolds at the edge of the Balkan War, and that’s such a complex thing for an outsider to understand.”

The Dictator’s Wife deserves every ounce of recognition it is currently earning and we look forward to seeing what the future holds for the novel and its characters. As for Freya, she is certainly on a road to success, already looking forward to her next story.

“It’ll follow a female explorer and is part set in America’s Gilded Age,” she reveals. “Which happens to be the subject of an HBO series at the moment. Watch this space!” n • The Dictator’s Wife is published

by Headline Review and available from all good bookshops. To order a copy online, visit: smarturl.it/TheDictatorsWife

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SPRING BREAK

Wimbleball Lake

Explore the south west lakes Camping, walking, fishing, sailing, kayaking, paddleboarding, watching wildlife and exploring scenic retreats – South West Lakes offers many options for a magical spring break...

W

hether your passion is watersports, angling, walking, cycling or simply enjoying nature with loved ones, you’ll find the perfect setting at South West Lakes’ picturesque locations in Cornwall, Devon, Dorset and on Exmoor this spring.

Escape everyday life at the majestic Wimbleball on Exmoor (less than a two-hour drive from Bristol), the idyllic Roadford on the edge of Dartmoor and Cornish lakes including Upper Tamar near Bude, Siblyback near Liskeard and Stithians near Redruth.

Hike along the rolling hills of Dartmoor, cycle around the edge of Bodmin Moor or admire Exmoor’s impressive dark skies. With footpaths and cycle trails to explore, woodlands to discover and play areas to enjoy, everyone can get involved and benefit from being outdoors. It's your outdoors – so go and explore this spring and stay at one of South West Lakes’ five lakeside campsites.

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acre lake has something for the whole family to enjoy.

The family friendly campsite offers five bell tents and two wooden camping pods as well as a choice of hard standings, electric and nonelectric pitches for tents, motorhomes and caravans. You can hire a fire pit, purchase wood and charcoal made onsite, rent a telescope and discover why Exmoor National Park is a designated Dark Skies reserve.

Explore Exmoor and walk to Haddon Hill from Wimbleball and see if you can spot the great range of wildlife at the lake, such as the iconic Exmoor ponies and deer. The closest town to Wimbleball is Dulverton but it's also worth venturing slightly further to explore the popular towns and villages of Tiverton, Porlock, Minehead, Watchet, Wiveliscombe, Taunton and Wellington. Campsite opens 2 March.

Roadford Lake, Devon Surrounded by countryside, and nestled amongst the beautiful surroundings of the Wolf Valley with the dramatic tors of Dartmoor as its backdrop, Roadford is the perfect location for your next family escape.

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The scenic campsite offers a choice of spacious electric and nonelectric pitches for tents, caravans and motorhomes as well as a fantastic bell tent called Bertie. A new play area will be opening in the spring.

Roadford is the perfect base to explore the spectacular Dartmoor National Park. Enjoy a day trip out and discover some more of South West Lakes' Dartmoor sites including Burrator, Fernworthy, Meldon, Avon Dam, Kennick, Tottiford and Trenchford.

Within easy reach of Roadford are the historic towns of Launceston and Okehampton and some of the best beaches in Devon and Cornwall are less than an hour away. Campsite opened on 18 February.

Fly fishing at Siblyback Lake

Siblyback Lake, Cornwall With the striking backdrop of Bodmin Moor, a designated International Dark Sky Landscape, Siblyback Lake lies within the Cornwall Area of Outstanding Natural Beauty.

Right next to the lake, the small campsite has a choice of electric and non-electric pitches for tents and motorhomes.

A must-do on your visit to Bodmin Moor is Dozmary Pool, where, according to legend, King Arthur rowed out to the Lady of the Lake and received the sword Excalibur. Campsite opens 1 May.

Stithians Lake, Cornwall Surrounded by farmland and moorland, Stithians is the largest inland water in West Cornwall.

Stithians Lake’s family-friendly campsite has a choice of electric and non-electric pitches. If glamping is more your style, you can stay in one of the luxury bell tents, furnished with comfy double beds and the option of camp beds for up to two children. Everything you need will be in your tent, including storage for clothes, bean bags, fairy lights, lighting and a charging point for your gadgets. Each bell tent has an undercover outdoor cooking area with table and seating.

Just pack your duvet and pillows and you’re all set!

Cornish landmarks the Minack Theatre, Glendurgan Gardens and Pendennis Castle are all within easy reach. Campsite opens 1 April.

Roadford Lake

Tamar Lakes, Cornwall Tucked away on the Cornwall and Devon border, Tamar Lakes is enclosed by peaceful countryside.

The campsite has a choice of electric and non-electric pitches for tents, caravans and motorhomes. Alternatively, the onsite four-berth glamping pod is perfect for families not wanting to travel with lots of camping gear. It’s furnished with two bunk beds, a table and chairs, cutlery and a cool-box. There is a solar powered light, but no other electricity supply – so it’s not really cheating, right?

The Cornish coastal town of Bude, with its sea pool and popular beaches, is nearby. Under an hour’s drive from the lake are Dartmoor National Park and the ever popular beach resort of Newquay. Campsite opens 1 April.

When you’re there…

Kayaking at Roadford

You’ll find an action-packed programme of adventurous activities at all five lakes. There’s something for all ages and abilities to enjoy, from stand up paddleboarding, canoeing and kayaking to sailing and windsurfing. Hire a variety of watersports equipment, launch your own craft or learn something new by taking part in an activity session.

At Wimbleball and Roadford, you can also enjoy an aerial adventure on the high ropes course or hit the bullseye on the archery range.

If you would rather recharge and escape the hustle and bustle of everyday life, simply sit back, relax and enjoy nature's soundtrack.

Take your own bikes and don’t forget your walking shoes so you can explore the lakes on foot. There is a plethora of wildlife to discover and plenty of quiet spots to enjoy a good book or play some outdoor games. The lakeside cafés also provide great spots to refuel after a fun-filled day at the lake.

For those who enjoy a spot of fishing, South West Lakes offers 26 different waters for both coarse and trout angling.

Camping at Tamar Lakes

• Find out more at: swlakestrust.org.uk/activities THEBRISTOLMAG.CO.UK

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Tom Phillips, Larkin Cen, Andi Oliver, Mark Threadgill, Nathan Davies (L-R)

Passion for food From Masterchef finalist to owner of Bristol’s beloved Woky Ko restaurants to Great British Menu chef, Larkin Cen is proving himself to be one of Britain’s finest culinary talents. We take five with Larkin to find out more about his GBM journey and more...

How did it feel to be selected to represent Wales on Great British Menu? Can you describe your initial reaction?

It was an honour to represent Wales for the Great British Menu. I grew up helping my parents in their Chinese takeaway in Cardiff and it’s where my passion for cooking began, so to be asked to represent Wales was an amazing moment. There are some great chefs from Wales and so I wanted to make sure I made Wales proud, not forgetting Bristol of course, which is now my adopted home. I’ve spent most of my adult life here so it is home to me as well.

Can you tell us about how you prepared for the week?

I’d been tinkering with ideas for the menu for a while. Coming up with the links to the brief that also had that Welsh connection was a lot of fun to play around with in the kitchen. There were a few long days in the weeks before! For a while I was hesitant about joining because of everything that was happening to the hospitality sector because of Covid, which still brings its challenges, but in the end I thought that this opportunity might not come again so I decided to do it.

Everyone in the competition is at such a high level, what did it mean to you to join the ranks and cook alongside Tom Phillips, Mark Threadgill and Nathan Davies?

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the highlights for me. They are without a doubt some of Wales’ top chefs and I can’t wait to head to their restaurants to try more of their food. I really enjoyed cooking against Michelin-level chefs and I have always enjoyed competing at a high level as it pushes me.

What was the atmosphere like in the kitchen? How do you stay calm under pressure?

I’m actually pretty good at keeping calm in the kitchen but obviously there are some tense moments… like when you have to restart something because it’s not quite right. The atmosphere is great though and everyone helps each other out. My experience on Masterchef helped prepare me for the cameras and the way TV operates, which was a big help for my nerves.

What was it like to receive feedback from Andi Oliver and Angela Hartnett and to hear Angela say your dish was the best main course she’d ever judged?

It was such a surreal moment and it was the dish that meant the most to me. I am obsessed with noodles and I loved the presentation with the lazy susan. I loved the story too, where I focused on a positive message which was that with small lifestyle changes even as simple as eating less meat (which I embodied with 50 grams in the dish) would mean a huge positive impact towards climate change and protecting

All images credited to: BBC/Optomen Television/Ashleigh Brown

FOOD

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FOOD

our oceans. Watching it back you obviously pick up lots of things that are said behind closed doors and Angela saying it was the best main course she’d tried in any competition was a massive complement. It was a challenging course to deliver in the time allocated but the Sichuan gods were with me.

What was your highlight of the week?

It has to be getting a 10/10 for my Blue Planet HotPot and probably finding out during judging that my canape had come first. That gave me confidence for the next round.

What did you learn on your Great British Menu journey?

Stepping away from Woky Ko for a while and concentrating on cooking something completely new was a great refresher and fuelled my creativity. We have so many new ideas through the dish creation process. We don’t specialise in fine dining and Woky Ko is all about Michelin-level flavours but making it accessible for everyone, so I was nervous how that might translate in the show. I think given the feedback though, they love our cuisine.

How did it feel to have Bristol’s full support throughout the week?

On social media I had loads of messages from people I haven’t seen for years as well as my team and lots of people who have helped me throughout my career. Bristol is always big on supporting its own independents and seeing people do well, which is why I love living here. The Wales contingent definitely came out in support of us too.

Bristol is always big on supporting its own independents and seeing people do well, which is why I love living here

How did your time on Great British Menu compare to your time on MasterChef in 2013?

When I entered Masterchef I was still a solicitor with a passion for food. The success there gave me the push I needed to follow my dreams and make it my full time career. Nine years later, Woky Ko is expanding and carving its own signature for Asian food, which meant I had a completely different feeling going into the kitchen. I have always been blessed with a palate that is very advanced given my technical ability. When I first turned pro, and for the last five years, my technique has caught up with my palate, which means I can now articulate my ideas and concepts properly. There is always nervousness

Larkin talks with Andi about his pre-dessert

about filming, but I knew once I was in the kitchen it would be my happy place, all nervousness would disappear and instinct would take over. One thing I really enjoyed was the camaraderie with the other chefs, and a mutual appreciation of each other's skill set and great food.

Where did you develop your culinary skills?

The Chinese master stocks that make up so much of the flavour of my style of Asian cooking is definitely taken from my roots and is one of the things that sets the Woky Ko dishes apart. My grandfather’s Cantonese-style roast pork belly was my absolute favourite. To this day, it’s my ultimate comfort food – and is a dish that I love to make for my family. Other than that I guess cooking is an obsession for me so over the years I have accumulated a lot of technical knowledge.

What’s the best piece of advice you’ve ever been given that you would pass on to young aspiring chefs today?

Find something you are passionate about. Persistence and consistency are so important to achieving success in any kind of food business.

During the pandemic it took a lot of resilience for everyone to keep going but if you work with people you like and you believe in the project then it will be great. I am a firm believer in the fact that most people who “make it” are the ones who are passionate and therefore persist at their craft and come up with all the intellectual solutions to problems on the way. You can only do this if you have a passion for what you do, so focus on finding your passion.

What’s your favourite dish at Woky Ko that everyone in Bristol needs to try if they haven’t already?

We’ve just added the Monkfish Katsu Curry from Great British Menu as a special which is definitely one to try. It’s Robata grilled monkfish served with our katsu curry and a golden breadcrumb and it’s incredible. Other than that, it’s got to be our signature ground pork Tantanmen Ramen. It’s rich, creamy and the ultimate comfort food and a big flavour hit.

Nathan Davies, Larkin Cen, Tom Phillips (L-R) The chefs await their scores for the pre-desserts

What’s next in the pipeline? Any exciting plans for Woky Ko? We are working on lots of projects. We just opened Lunch Bar on Queens Road, which is a brand new concept for lunch time – the poke bowls are one of my favourite dishes at the moment. There will also be some Great British Menu events, showcasing the Blue Planet Hotpot.

We’re also looking at opportunities to bring Woky Ko to new cities. n • Follow @LarkinCen on Twitter and Instagram; wokyko.com THEBRISTOLMAG.CO.UK

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A view of Bushey Norwood

Green corridors “Some [green corridors] are well-trodden, while others are well-kept secrets. All of them, though, can lead the way to inspirational urban explorations,” says Andrew Swift, who, this month, takes us on a journey to Bath and back

T

here’s been much interest of late in green corridors – strips of natural habitat linking town to country. In January, the National Trust announced plans to create 20 such corridors by 2030, improving access to nature for those living in urban areas and enabling birds and animals to move freely from one habitat to another.

The first of these corridors will be in Bath, less than 15 minutes from Bristol by train, and will lead eastward along the river to water meadows recently acquired by the Trust after being saved from development.

Many green corridors already exist. Some are well-known and welltrodden, while others are well-kept secrets. All of them, though, can lead the way to inspirational urban explorations. And Bath, where you can be walking through untamed woodland or along a wildlife-rich canal towpath less than five minutes after leaving the station, is a great place to demonstrate this.

This seven-mile circular walk, which takes in some truly wild countryside, much of it owned by the National Trust, is also packed with the sort of surprises that makes treading the border between town and country so rewarding. One of the highlights is the push-start track where the British bobsleigh and skeleton teams – and the Jamaican bobsleigh team – trained for the Winter Olympics. You’ll also see mysterious standing stones, ancient churches, an 18th-century sham castle and a succession of superb views. Much of the walk lies through woodland, where at this time of year wild garlic grows in abundance, so there’s the opportunity for a spot of foraging as well.

THE WALK Arriving at Bath Spa, leave through the ticket barriers at the back of the station, cross a footbridge over the river and carry straight on across two sets of pedestrian lights. Turn right and then left up Lyncombe Hill 50 THE BRISTOL MAGAZINE

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before turning right along Calton Road.

After 125m, turn left, heading across a patch of grass to a flight of wooden steps which lead to a path through the woods below Beechen Cliff. Carry on across a flight of steps to emerge in Magdalen Gardens, with the Chapel of St Mary Magdalen, founded around 1100, below you.

At the end of the park, bear left up steps and follow a steep path as it curves along the edge of the escarpment to emerge in Alexandra Park.

Carry on along the edge of the escarpment, and, after the path drops down past a viewing platform, follow it out of the park.

After another 50m, go through a kissing gate (KG) on the right to follow a gravel path snaking down through a field. At the end, go through a handgate, turn left down a lane and, when it curves left, carry straight on down Rosemount Lane (ST755637: BA2 4NE).

Turn left at the bottom, cross over when you come to the main road and turn right uphill. Take the first left along Church Street, and carry on until you come to Widcombe Manor on the left and St Thomas à Becket church on the right. Just past the church, turn right up Church Lane.

After 500m, look to your right to see the lakes at Prior Park – originally fishponds belonging to Bath Abbey – currently being restored.

When you reach Fishponds Cottage (ST762634; BA2 6BD), carry straight on up a steep narrow path (don’t go through the KG on the left).

When the path emerges in a field, bear left up a stepped path to head diagonally uphill. Continue in the same direction, and at the top, when you come to two KGs, go through the one on the right. Head on up to go through another KG and, after turning to take in the view over the city, turn left alongside the fence.

After passing a pond, head up steps. At the top carry straight on and, when you come to a surfaced track, turn left along it. Carry on along the surfaced track for 550m, and, after passing a gate, continue straight on along a lane.

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When you reach Widcombe Hill, cross and carry on along the road opposite. At the end, cross the main road and carry on, bearing to the right of an octagonal cottage along The Avenue (ST770642; BA2 7AZ), After 150m, go through a gap in the wall on the left to follow a woodland path parallel to The Avenue. When you come to a road, cross and carry on along the woodland path.

After another 400m, you pass the entrance to the University of Bath push-start track. A little further on, with the end of the track towering above you, turn left alongside the fence to walk the length of the track, and at the end cross a step stile into a large field known as Bushey Norwood.

Follow a National Trust waymark straight on, with the wall on your right. A little way along, look over to the copse on your left to see a standing stone among the trees. There are several more on the far side of the copse, but their origins are shrouded in mystery. Some think they may be remnants of an ancient stone circle, others claim that they are Victorian eyecatchers or markers for an 18th-century racecourse. But nobody really knows.

After passing the copse, bear left to walk the length of Bushey Norwood, and at the end go through a KG in the right-hand corner. A few metres further on, when the path forks, bear right to follow a rough track along the edge of the escarpment, with a sheer, unfenced drop on your right and caves leading into old underground quarries on your left.

After 400m, you cross a track heading steeply downhill. This was originally a tramway, built in the early 19th century to carry stone from the quarries down to a wharf on the canal. Some of the stone sleepers on which the rails rested still survive.

Along the wildlife-rich canal towpath

One of the highlights is the push-start track where the British bobsleigh and skeleton teams – and the Jamaican bobsleigh team – trained for the Winter Olympics

Carry on across the old tramway to follow a rough track made even rougher by recently fallen trees – although they may have been cleared by the time you read this.

At the end of the woods, go through a KG, turn left up a sunken track and follow it as it curves uphill for 100m, before bearing right past a bench to follow a track across Bathampton Down.

After passing the communications masts, carry on along a surfaced track. Go through a KG at the end and head to the right of the building ahead to emerge in front of Sham Castle, a folly erected in 1762 with a panoramic view of the city and the countryside beyond. (ST766649; BA2 6HT).

Turn right down a rocky path, cross a drive, go through a KG and head down a steep path. The KG at the bottom leads down steps onto a busy road, Cross and turn right downhill, and after 100m turn left down steps. Carry on down a path and, when it ends, continue down the road ahead.

At the bottom, follow the road as it swings right. At the end, turn left to double back along the towpath of the Kennet & Avon Canal (ST759652; BA2 6JH).

When the towpath rises to a road, cross the zebra crossing, turn right and go down steps by the express store to continue along the canal.

Carry on for 750m (with one more road crossing) past five locks, and just beyond Lock 8/9 turn left along the road.

At the mini-roundabout, turn right along Widcombe Parade – where there is a range of pubs and cafés – and after 200m turn right at the pedestrian lights to cross the footbridge back to the station. ■ • More walks around Bath can be found in Andrew Swift’s On Foot in Bath and Country Walks from Bath, available from bookshops or direct from www.akemanpress.com.

View from high above the city

The woods under Beechen Cliff

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Indoor and outdoor pool & spa. Two restaurants to include a bistro and a fine dining option, both with stunning sea views.

‘Ramblers Package - 3 nights’ Explore the stunning coastal footpaths on our doorstep. sea view room • Deluxe course dinner • 3Devon cream tea for 2 • 'Luxury Suite Offer' Treat yourself to a relaxing break in one of our luxury suites.

Suite • Luxury d'Hôte Dinner • Table • Bottle of champagne

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BRISTOL UPDATES NEWS FROM LOCAL BUSINESSES AND COMMUNITY ORGANISATIONS

AWARD WIN FOR APP DEVELOPERS Bristol-based React Native App Development specialists Morrow are celebrating their first award win. The team, who work out of Boxworks at the Engine Shed, won App Dev Agency of the Year at the UK Dev Awards. Morrow was established in 2019 by best friends Tom Riglar and Charles Killer. Tom and Charles have built the vision for Morrow around a core modern principle; pioneering businesses use innovative apps to outpace their competition. Their clients include retail app Ownable and child transport safety app Kura.

• themorrow.digital

OSBORNE CLARKE SUPPORTS CHARITY MANAGERS Bristol-based international legal practice Osborne Clarke has launched a new programme supporting senior managers from charity the Royal Society for Blind Children (RSBC) to develop their careers. The practice is working in partnership with the Positive Transformation Group (PTG), which enabled the firm to transfer £70,000 in unused apprenticeship levy to enable ten RSBC senior managers to upskill through a Level 5 management apprenticeship.

“This funding is providing our managers with an opportunity they wouldn't otherwise have had to grow and expand their skills and, ultimately, to better support blind and partially sighted children and young people, and their families,” says Eileen Harding, people and facilities director at RSBC. RSBC's senior managers have been given access to a range of mentors at Osborne Clarke, enabling them to seek additional support through their apprenticeship and gather valuable feedback for their programme.

Bola Gibson, head of inclusion and corporate responsibility at Osborne Clarke, said: “It's an exciting opportunity for our people to really engage with our responsible business agenda while growing their mentoring and personal development skills.”

• osborneclarke.com

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TURNING THIRTY Bristol is well known as a city of song with an astonishing number of choirs of all shapes and sizes filling halls, churches, concert venues and schools with music. A leading light in this contribution to the musical life of the south west is City of Bristol Choir, which celebrates its 30th anniversary this season. The choir is marking the milestone with a series of concerts featuring some of the cornerstones of the classical music repertoire. Founded in 1991, the choir has consistently enjoyed a busy schedule of concerts in Bristol and around the south west, performing at local venues such as Bristol Beacon, St George’s Bristol and Bristol Cathedral, and carrying out seven European tours. The 100-strong choir is gearing up for a performance of Handel’s Messiah in St George’s Bristol on 2 April and will include five singers who were founding members of City of Bristol Choir.

• Book tickets at: cityofbristolchoir.org.uk and from the box office at St George’s Bristol

NEW ENERGY CAMPAIGN Bristol Energy Cooperative (BEC) has launched a new share offer campaign to help tackle the climate emergency. The notfor-profit organisation aims to raise £1million in just 12 weeks to develop more green, clean energy projects across the region, at speed. The money raised will go towards a range of renewable projects in Bristol and the South West. This includes a rooftop solar array on the renowned Bristol Beacon music venue, which is currently under major refurbishment. Reopening in 2023, Bristol Beacon aims to be the UK's first carbon neutral concert hall, providing Bristol and the South West with one of the best performance and music learning spaces in Europe.

BEC's business model of raising funds has proved successful so far. Set up in 2011, the co-op has raised over £14 million, and developed over 9MWp of solar and battery assets, enough to power roughly 3000 homes. The organisation is an important contributor of renewable energy in the South West, generating roughly the equivalent of 30% of Bristol's solar energy.

Anyone can invest in BEC’s withdrawable shares, from as little as £100. Investors are projected to receive a 3.5% annual return. The share offer is open until 31 March 2022. As of 25 February, BEC have so far raised £400,000 from 160 investors.

• To find out more, tune in to BEC’s webinar on 17 March at 6pm or visit: bristolenergy.coop/share-offer-2022

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EDUCATION NEWS Posi Days

LEADERSHIP SKILLS FOR TOMORROW’S WORLD The University of Bristol is offering a part-time Masters programme in Strategy, Change and Leadership. This part-time programme is for aspiring senior managers and is designed to fit around the demands of a busy job.

Today’s leaders are facing the most challenging Programme Director operating circumstances Helen Ballard for a generation. The University of Bristol has recognised this and designed a bespoke Masters degree in Strategy, Change and Leadership aimed at providing senior managers with the tools and techniques they require in order to navigate their organisations through such demanding times.

Programme Director, Helen Ballard says “I am delighted that we are able to offer this type of programme. Excellent leadership is critical in this challenging climate, and high performing organisations are recognising the need to further develop their managers. This practical Masters degree will offer a return on investment from day one.”

• For those looking to find out more about the programme, the course leaders are hosting an open evening at the University and Literary Club on Tuesday 15 March from 6pm – 8pm. Please contact Cheralyn Dark for details: mgmt-scl@bristol.ac.uk. bristol.ac.uk/management/msc-strategy-change-and-leadership

NURTURING TALENT Bristol Beacon has announced a new eighteen-month, talent development programme called 'Future Proof' for 18-25 year olds ready to focus their careers in the music industry. The scheme, which starts this month for the first time, will run right up to Bristol Beacon's reopening in 2023. Professionals at Bristol Beacon and from the wider music industry will be on hand to help develop and support the next generation of upcoming musicians and artists, who will also have the opportunity to feed into the evolving vision for Bristol Beacon.

The cohort will be supported in their development through advice and guidance from industry professionals, a personal development plan, an opportunity to give feedback, ideas and ask questions, be given the tools and experience to connect and collaborate with other like-minded creatives and have resources at their fingertips. There will be 1-2-1 mentoring sessions for those involved, who will be paired with an experienced industry professional. In addition, there will be group sessions, a personal grant of up to £1000, which can be spent on studio access, equipment, and other creative costs and seed funding of up to £1000. Another perk will be free access to all of Bristol Beacon's shows, industry workshops, masterclasses and training.

• bristolbeacon.org

BADMINTON SCHOOL’S GROUND-BREAKING BUILD Badminton School was enormously excited to break ground last month as building of 'The Hub' got underway. A modern project located at the heart of the 15-acre campus, The Hub will provide an aspiring space for pupils to learn in new and innovative ways. It will also be a social space not only to learn together, but also for interacting as a school community and with the local community.

The Hub has been carefully planned to support various study strategies and events with elements such as Study Booths, audio-visual technology, flexible seating configurations, catering facilities and a learning wall, all of which will enhance this vibrant new facility.

The Hub will allow greater scope for self-directed learning, an emerging strategy since pupils developed resilience as independent learners during the pandemic, and activities such as our Young Pioneers in the Junior School and Inspiring Evenings to fuel pupils' personal ambitions and develop wider skills. Recent times have highlighted the need for strong personal skills, communication, teamwork, resilience and adaptability alongside propensity for lifelong learning, such as Badminton's focus on metacognition and selfdirected learning.

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building: “Badminton School believes investing in the future of our campus and facilities demonstrates our passion, drive and absolute ambition to keep Badminton and its pupils at the very fore of our world-class provision and will help us lead our school in the realms of innovation and entrepreneurship.”

Envoplan, the project managers, are hopeful that the project will be finished early in the Summer Term 2022. They remarked: “This latest development will provide an excellent environment for students to collaborate, innovate, and create their own pathways of learning for success – both in school and throughout their lives.”

• badmintonschool.co.uk

Image credit: Giulia Spadafora _ Soul Media

UPDATES FROM THE CITY’S SCHOOLS AND COLLEGES

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JEREMY BLACKMORE – CRICKET v3.qxp_Layout 2 21/02/2022 15:59 Page 1

Zafar Gohar vs Durham at Bristol County Ground, 20 September 2021

High hopes for new head It's an exciting year for cricket in Bristol with a long-overdue return for Gloucestershire County Cricket Club after the pandemic put their promotion to Division One of the County Championship on hold. With a new head coach in place, the club has big hopes for silverware, says Jeremy Blackmore

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loucestershire make their long-awaited return to cricket’s topflight next month (April) with a new head coach and serious ambitions to challenge for silverware.

It is the end of a long wait for the club who won promotion to Division One on the final day of the 2019 season before Covid caused widespread disruption to the sport and put Gloucestershire’s elevation on ice. County cricket has been played in a makeshift conference type system for the past two years.

Now former South African international Dale Benkenstein has taken on the mantle as head coach from Richard Dawson who oversaw the ‘Glorious Glosters’’ promotion drive in 2019 and their one-day trophy win at Lord’s four years earlier.

Benkenstein who arrived at Nevil Road in mid-February is excited to join a club with big aspirations. “Gloucestershire have shown it through last year's performances, they've got a squad that can compete, and if things go their way, they could be successful in all competitions.

“It's obviously a very tough ask. But I like to always set out at the beginning of the season to compete in every competition. I like that attitude.”

Benkenstein tasted success in English county cricket as a player when captaining a largely homegrown Durham side to their first ever Championship title in 2008. He sees a lot of similarities between the two clubs. “Gloucestershire reminds me a bit of my Durham days. It is 60 THE BRISTOL MAGAZINE

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a club with a lot of potential, but also one that plays with a lot of spirit.

They produce quite a lot of homegrown players with a combination of experienced [outside signings].”

Following Dawson’s six seasons in charge, assistant coach Ian Harvey stepped into his shoes in an interim role last season. Both men had distinguished playing careers at Nevil Road. But while Benkenstein will be keen to learn from his predecessors, he feels being an outsider could work in the club’s favour. “I really would like to come in with a fresh mind, a fresh pair of eyes. That could be a really good thing. There have been a lot of [former] players that are part of the club. There are real advantages to that.

“But it would be quite nice to have my fresh ideas, fresh viewpoints on players. There may be something I see in someone maybe other people haven't seen, and I would like to give myself that chance, rather than have too many preconceived ideas.”

The club has not been shy in blooding young players like Dominic Goodman (21) and the Price brothers Tom (22) and Oliver (20) in recent years. It has boosted competition for places among a squad that now stands at 26 strong.

Benkenstein sees future success lying in how the club’s more experienced hands can pass on their knowledge to those youngsters.

Former Gloucestershire wicketkeeper Steve Snell will have a key role to play as the club’s first ever Performance Director. Snell will be

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responsible for delivering success on the field by developing a vision and strategy that puts the team in a position to win titles. He will also oversee talent identification and development of the Science and Medicine team, as well as the performance management of talent pathways and elite squads. Benkenstein says: “I have obviously a big role to play. But I have always felt players learn more on the field through those top professionals than you do off the field. So, what Steve is doing is putting the whole thing together. The pathway is going to be what keeps Gloucestershire consistently at the top.

“You’ve got great schools, you’ve had a great history of producing your own players and coaches. That is something we never want to lose.

“Having those young guys as a player, I felt it gave me energy to carry on for one or two years seeing how I could help the [Ben] Stokes and the [Mark] Woods, in the Durham setup. So, that balance works both ways. The youngsters gain from it, but also the youngsters keep the older guys going if they're still adding value.”

One of those Gloucestershire youngsters, Filton’s James Bracey, 24, made his England debut last year and while he failed to convert his county form into international success, he impressed with a century for England Lions in Australia this winter.

Gloucestershire have also made a number of shrewd overseas signings: Australian Test opener Marcus Harris, Pakistan spinner Zafar Gohar (who made a big impact for The Shire in the final few matches of 2021), Pakistan pace bowler Naseem Shah and Dutch international Paul van Meekeren.

Despite this talent at his disposal, Benkenstein acknowledges it is tougher for counties like Gloucestershire, who do not host Test Matches, to be successful. He believes this is in part because of financial reasons but also the perception among some players they are more likely to play for England if they move to a big Test venue county. But he adds: “Smaller counties, if you want to describe them as that, have an advantage in that you can create a real team and the players actually get to know each other off the field.

“They then do play for each other. It's not just about going and doing a job. There's a real chemistry that then unites them and a common goal. That is a lot easier to do at places like Gloucestershire, than in

some of the big cities where people are a little bit more spread out or getting together is not as easy off the field.”

For Benkenstein personally, he is very excited to be involved in English cricket again. Born in Zimbabwe, he started his career at Natal, in South Africa, and after being named captain at the age of just 22, led the side to both a four-day and a one-day domestic title. That success earned him international recognition and in 1998/99, he made his senior one-day international debut for South Africa against England and went on to play in a further 22 matches for his country prior to his success with Durham.

On retiring he moved into coaching, working with South-African side Sunfoil Dolphins before taking over as head coach at Hampshire between 2014-16, leaving for family reasons after the birth of his fourth child. After returning to South Africa he worked with the national team and served as Head Coach at Hilton College, where he is credited with coaching a number of talented young cricketers into the professional game.

A short stint working with Lancashire last summer showed him how much he missed the county game. “I really did enjoy my time in the UK, from a cricket point of view and I am excited to come back and maybe that break, even though it wasn't planned, more of a forced break, has just kept the energy going and the want, the desire to get back into it.”

Benkenstein follows in a proud tradition of South African legends at Nevil Road and is close family friends with Mike Procter, who captained Gloucestershire to cup glory in the 1970s. He played alongside Jonty Rhodes for Natal and South Africa and cites him as one of his heroes.

Rhodes scored prolifically for Gloucestershire throughout 2003.

Benkenstein takes his team on a tour to Dubai in early March as part of their pre-season preparation. The trip will include two red-ball matches against Yorkshire.

Gloucestershire then kick off the Division One County Championship season on 7 April, with a trip to Northampton. Their first home match in Bristol takes place the following week, 14 April, when they host Yorkshire.

Ú

• gloscricket.co.uk

This page and opposite: photographs by Martin Bennett

Miles Hammond batting vs Northants, 2 September 2021

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The ACE programme’s development officer, Theo Gordon, on a school visit to St Barnabas Primary School in North Common, Warmley

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Inspiring the future Elsewhere in cricket, an important pioneering new initiative has been launched in the city, aiming to provide more opportunities for young Black cricketers. Jeremy Blackmore hears from the African-Caribbean Engagement Programme’s development officer, Theo Gordon

The African-Caribbean Engagement Programme’s development officer, Theo Gordon

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oung people in Bristol are being given the chance to become professional cricketers thanks to a new partnership between the Gloucestershire Cricket Foundation, Gloucestershire County Cricket Club and the African-Caribbean Engagement Programme (ACE) – an independent charity set up to increase opportunities for young Black cricketers.

The ACE programme – which is the brainchild of Ebony RainfordBrent, the first Black cricketer to play for England, and a highly respected coach and commentator – has expanded to Bristol, its third city, after securing £100,000 in funding from Royal London. It was first launched by Surrey County Cricket Club in January 2020 in response to a 75% decline in cricket participation by members of the Black community. It later launched in Birmingham before coming to Bristol last autumn, where it is overseen by the Gloucestershire Cricket Foundation.

The foundation has appointed Theo Gordon as Development Officer, who is overseeing the delivery of the ACE initiative across the Bristol area. Under Theo’s lead, supported by the foundation and Gloucestershire County Cricket Club, around 30 schools across the city will be a part of ACE’s grassroots cricket programmes in each academic year. At least 400 young Black cricketers will benefit from development and performance opportunities.

The ACE programme primarily wants to target those who have not aspired to play the game for reasons such as a lack of representation as Theo says the game has not always been accessible to everyone in Bristol. “A lot of the kids within the county age groups or who represent first class counties are private school tutored. A lot of

African Caribbean kids are not private school tutored so that is where ACE comes in. The programme is trying to break down the barrier by reaching out to the community, showing them that it can be fun and exciting and give them an opportunity to be a part of a great sport.

“I'm hoping to inspire a lot of African Caribbean boys and girls.

I want to show them that there is a space for us in this sport.”

Theo started playing cricket from a young age, joining The Police Officers Club in Jamaica at just 15, before later playing senior matches for Kingston CC. He has been a Gloucestershire Performance coach since 2015, using his skills to coach a variety of age groups while undertaking the role of head coach and youth co-ordinator from 2016-18 at Bristol West Indian Phoenix CC. He was Gloucestershire Cricket Board young coach of the year in 2016 and is still actively involved as a player for Golden Hill Cricket Club in Henleaze.

Through offering high-quality coaching sessions, the ACE programme aims to give talented young people genuine opportunities to access pathways into professional cricket. Theo has already run several free coaching sessions in local schools and says feedback from parents and guardians has been hugely positive.

“They’ve said I’ve really inspired their kids to stay and get more involved in cricket – ACE has reignited their passion for the sport.

All the coaches are the same colour. We're all a part of the same background, we get them, they get us, and the environment we create is so good.”

During half-term last October, as part of Black History Month, ACE held a two-day free holiday camp at May Park Primary School in Eastville for children in school years four to seven. More than 120 youngsters attended, with 90% from African Caribbean backgrounds.

“The reaction’s been great,” says Theo. “The kids are quite happy; everybody asks about ACE and what we do. It comes back to education, understanding and knowing that if you just give them the time of day, you realise a lot of them are interested in cricket. It’s just that no-one has ever tried to teach and explain what the sport is.”

ACE set out to establish two community hubs in two years but met that target inside six months. The first hub opened at City Academy, in Easton followed by a second at Trinity Academy in Lockleaze.

England stars Sophia Dunkley, Katie George, Sarah Glenn, Dom Sibley as well as Sam and Tom Curran, have attended sessions at the two hubs to provide an unforgettable experience to youngsters who aspire to one day become professional cricketers. These special events were made possible through Royal London’s continued support since the launch of the programme.

What’s more, Theo has also launched the ACE scholarship programme, with 23 youngsters aged between 11 and 19 benefiting from the programme. The scholars will receive all the support they would receive if they were in the county set-up. They will also be mentored so they are ready for any opportunity that may arise.

With the better weather and new season ahead, Theo hopes to bring the schools and community hubs together to play some competitive matches. He also hopes to add another two hubs over the next 18 months – watch this space. n • For more information on how to get involved, contact ACE Bristol Development Officer, Theo Gordon, on theo@aceprogramme.com or theron.gordon@gloucestershirecricketfoundation.org THEBRISTOLMAG.CO.UK

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HEALTH & WELLBEING

A communal approach Ade Williams MBE, lead pharmacist at Bedminster Pharmacy and brilliant Bristol ambassador explains the NHS Covid-19 elective care backlog and what we can all do to help

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s the UK moves from fighting the coronavirus to living with the coronavirus, expect to hear a lot of talk about recovery – NHS recovery as well as economic recovery.

At a guess, the word ‘backlog’ will also feature a lot, seeing as the government has recently launched a plan to tackle the NHS Covid-19 elective care backlog. Before we continue, let’s start with some definitions. Elective care – this involves specialist medical care, including investigations or planned surgery, generally following a GP or community health professional referral. This time, we are not talking about delayed ambulance handovers and waits in A&E. The plan has set out a number of ambitions, stating: waits of longer than a year will end by March 2025; 95% of patients needing a Ade Williams’ portrait as taken by acclaimed photographer Rankin

diagnostic test will receive it within six weeks by March 2025; and by March 2024, 75% of urgent cancer referrals will receive a diagnosis, or have the disease ruled out, within 28 days.

For many, these dates will sound alarming. Private medical cover is not only seeming to be more convenient, but necessary. So, how bad is the elective care backlog? The British Medical Association has done some helpful work analysing and explaining the data. The backlog, which was caused by disruptions to NHS services during the pandemic, consists of: patients on a waiting list for treatment who would ordinarily have been seen by now; patients who have had procedures cancelled; patients who have had referrals delayed, cancelled or refused due to a lack of capacity; and patients who have not yet seen their GP due to concerns of becoming infected by Covid or burdening the health service. Sajid Javid, Secretary of State for Health and Social Care, has said an estimated 10 million people stayed away from the NHS in England during the pandemic. There were nearly 50,000 fewer cancer diagnoses across the UK between March 2020 and November 2021 – 34,000 in England alone – and concerns about these figures are growing. Before the pandemic, there were already 4.43 million people on a waiting list. That number now stands at around 5.7 million people – the highest number since records began in 2007. The narrative is sobering.

A lot of money, including some new taxes, will be invested in tackling the backlog problem, but what can we do to help make a difference? Firstly, the most important thing is that if you have any worrying symptoms or symptoms that have progressed, worsened or remain unresolved, it is vitally important you speak with your GP or community pharmacy. MacMillian cancer support research shows that the number of women diagnosed with more advanced breast cancer has increased by 48%.

Secondly, a key challenge for our health system, pre-dating even the pandemic, has been capacity – we do not have enough hospital beds, diagnostic machines or health care professionals for the number of people needing our care. Commitments to buy more machines and create new community diagnostic hubs may help, but recruiting and retaining the NHS professionals required is essential. Although many have delayed or returned from retirement to support the NHS, many others have felt demoralised and underappreciated. They need your support and encouragement, please don't push them away with your frustrations.

Another way to help with the ‘capacity challenge’ is reducing your need for treatment. Adopting lifestyle changes that will boost your health and wellbeing should be welcomed. The recovery plan aims to give patients more agency in managing their health through digital transformation. Even as we engage with this, in Bristol especially, we embrace the ambition to address the backlog in a fairer way that does not worsen health inequalities for those most at risk, or for those who were already less likely to seek care during the pandemic. This is very important. Bristol's social consciousness is rooted in justice and equity, fighting for better care for all, not just ourselves and our loved ones.

Finally, no plans will ever undo the damage that the pandemic has and continues to cause. The ongoing mental health and social care pressures demonstrate that our society must embrace a kinder and more communal approach to life. Thankfully, this attitude can be adopted today. ■ • Follow Ade on Twitter: @adewilliamsnhs; and keep up to date with Bedminster Pharmacy: @bedminsterpharm

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Getting you back to your winning ways If you have a sports-related injury, Nuffield Health can oversee your complete recovery, from treatment through rehabilitation

Nuffield Health’s fitness and wellbeing gym in Stoke Gifford can support your recovery following hospital treatment

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n recent years, more and more people of all ages have come to realise that the key to a long and healthy life is, quite simply, exercise. While this can offer considerable benefits to our health, for some there may be a price to pay; an injury related to their chosen sporting activity.

There are two kinds of sports injuries: acute and chronic. Acute injuries occur suddenly when playing or exercising. Sprained ankles, twisted knees, and various fractures are acute injuries. Chronic injuries tend to happen after you exercise over a longer period of time, and include most painful tendon conditions, but also stress fractures.

What’s so special about sports injuries?

While there are injuries that are very specific to certain sports, in general there is nothing particularly special about sports injuries compared to those that occur outside the sporting environment. In the vast majority of cases, the damage that occurs is exactly the same, and quite often the treatment will also be the same. There may be circumstances where treatment would be different in high level athletes, but your consultant at Nuffield Health Bristol Hospital will apply the same principles when considering what type of treatment would be most appropriate.

Build up your exercise tolerance levels gradually. This will not only decrease your chances of getting injured, but also make it much more enjoyable. There is not much joy in exhausting yourself in your first ever session, only to find that you have to take two weeks off to recover.

If you have a medical condition that may interfere with certain sporting activities, talk to your GP, your physiotherapist, or your consultant.

Why choose Nuffield Health?

• Choose a sport that is right for you. Be realistic about your body shape, your strength, and how flexible you are.

• Always warm up before you play any sport.

• Learn how to do your sport the correct way, get some lessons, especially in the more technically challenging sports, such as swimming and tennis.

• Use safety gear where appropriate.

• Make sure you have the right equipment for

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If you are participating in sports that involve a lot of landing from a jump or a lot of pivoting movements, like netball and hockey, it may be worthwhile seeing a physiotherapist who can teach you the correct landing techniques. This will minimise the risk of serious knee injuries, such as patellar dislocations, and anterior cruciate ligament ruptures.

Also, avoid excessive hill running (both up AND down) as this tends to significantly overload the front of the knee.

track record in the rehabilitation of upper and lower limb sports injuries, and as well as the hospital, you can also book an appointment to see a physiotherapist at a Nuffield Health fitness and wellbeing gym.

Our family of gyms includes two Bristol sites – in Clifton, just a short walk from the hospital, and Stoke Gifford, near Bristol Parkway station. In addition to physiotherapy, our Bristol gyms have personal trainers whose specialist knowledge in strength and conditioning can aid members in overcoming pain and discomfort post-injury, and return to training freely, while Pilates classes with instructors qualified in clinical Pilates are also available.

Nuffield Health Bristol Hospital

Know your limits

Is there anything people can do to prevent sports injuries?

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your sport. For example, the wrong racket can contribute to you developing tennis elbow. Inappropriate shoes can contribute to painful conditions such as plantar fasciitis, shin splints, and other overuse tendon problems.

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Nuffield Health is the UK’s largest not-forprofit healthcare provider, and we’re committed to our purpose of building a healthier nation. The consultant team at our Bristol Hospital not only includes a number of orthopaedic surgeons who specialise in the treatment of sports-related injuries, but also two specialist physicians in Sport and Exercise Medicine: Dr Stuart Miller and Dr Guy Evans.

A pioneer in the field of sports medicine, Dr Miller has worked with the GB Olympic and Paralympic teams, while Dr Evans is currently the team doctor for Bath Rugby.

Our physiotherapists have an excellent

For more information about the full range of services available at Nuffield Health Bristol Hospital, including physiotherapy and treatments for sports-related injuries, visit www.nuffieldhealth.com/hospitals/bristol or call 0117 911 5339 to book an appointment.

Nuffield Health Bristol Hospital 3 Clifton Hill, Bristol BS8 1BN nuffieldhealth.com/hospitals/bristol

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INTERIORS | CHRIS YEO

Expert opinion From Chris Yeo, Valuer at Clevedon Salerooms and regular expert on BBC’s Antiques Roadshow

Country House Kitchens – A Lover’s Guide

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hey say you never get over your first love and, in my case, they were right. My first love was – and remains – the country house kitchen. Even after forty years, the very sight of a black-leaded kitchen range or gleamingly polished copper turbot kettle still has the power to send me giddy with excitement. As with all true loves, the path wasn’t always smooth.

For many years, even in so-called enlightened circles, mine was a love that dare not speak its name. Thankfully, things have changed since those dark days and now a great many country house kitchens are open to an admiring public, intellectual snobbery has been cast aside and I can be out and proud.

The look of a country house kitchen is eminently transferrable (in condensed form) to the modern home, and, as countless magazine articles touting the attractions of a “traditional” kitchen will testify, it’s a look many of us hanker after. The Aga might have replaced the range, which most people, understandably, run a mile from due to the hard labour that is required to keep them in good order, but the kitchen’s essential elements like stone floors, whitewashed walls, and scrubbed stout kitchen table (updated as the island unit) remain a potent draw.

What is it about these great cavernous spaces that make them so appealing? For me, it’s the sensory aspect that really fires my imagination. To step into the kitchen of one of the great country houses is to enter a space which is part cathedral, part factory with high ceilings and huge windows, flooding the room with light.

There’s also something deeply satisfying about the utilitarian aspect of these rooms that speaks to the current vogue of all things contemporary, which explains why no less than the late Terence Conran was a fan. The strict minimalists amongst us may recoil at the idea of copper saucepans en masse but look again at the plain walls, the quality of light afforded by those aforementioned windows, the simple, robust scrubbed elm tables and shelves and I think even you’ll see what I mean; there’s an austerity which should seduce the most ardent modernist. Then there’s the equipment, the Batterie de Cuisine of country house legend, probably the most powerful component of the classic image that we all have of a bustling kitchen. We picture the cooks and kitchen maids surrounded by rows of burnished copper pans, pots and kettles – all monogrammed with a coronet and numbered so that each piece could be returned to its correct position after use – and all the other apparatus demanded by Victorian haute cuisine.

I’ve heard it said that once you’ve seen one kitchen, you’ve seen them all. Well, I suppose you could argue that once you’ve seen one Gainsborough you’ve seen them all, but it’s simply not true.

Some kitchens the result of a grand plan, others come together over time, with each generation making their mark.

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The Royal Pavilion & Museums, Brighton & Hove

Right from the moment the castle morphed into the country house, the kitchen was its very nerve centre. The great landowners of Henry VIII’s reign had vast retinues, sometimes running to several hundred, and the ability to feed them and to provide a high standard of hospitality to guests was a critically important way for a Lord of the Manor to maintain his position in society. But, in order to understand the country house kitchen as we know it, we have to look to the 19th century and the Industrial Revolution. The era of Byron and Jane Austen saw technology advance at break neck speed and the kitchen became a showcase for the technical innovations that were transforming the country: cast-iron, copper, coal, steam power and gas lighting – all found some of their earliest domestic uses in the industrial scale catering demanded by country house living.

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Raby Estates, County Durham

This investment in the latest technology had a purpose. Like their medieval forebears, Regency and Victorian aristocracy had a reputation for hospitality to keep up. As transport links via road and railways improved, the country house party, where fashionable society decamped from London for a long weekend to shoot, smooch and eat copious amounts of food, became the benchmark of quality.

It was in the country houses of Victorian Britain, not in restaurants or hotels that the finest food was served. And don’t believe the myth about the British not knowing anything about good food until Elizabeth David arrived on the scene. Before World War I and for a hundred years previously, fine British food enjoyed an enviable reputation abroad, even though, admittedly, the chefs that made it were mostly French.

It wasn’t just the emphasis on quality that gave us these incredible rooms. The kitchen was the power house that kept the Victorian country house running and the quantities of food they produced could be prodigious. It wasn’t just the family in the dining room that they had to cater for; there were the children and staff in the nursery as well as older children in the school room. Then there were the servants. Typically a large country house would have to accommodate a live-in staff of 30 to 50. The more junior servants (usually those who wore a livery) ate in the Servants’ Hall, while those of more senior stature – the butler, valet and housekeeper – had their meals in the housekeeper’s room in a style more suited to their status. The kitchen staff ate separately in the kitchen, in the short gaps during their working day. When guests arrived for a house party, they would bring their own valets and ladies’ maids and the numbers would swell. All these meals would need to be served punctually at different times, the planning doesn’t bear thinking about. There’s a very good reason why most kitchens have a very large clock on the wall. The kitchens at Petworth House produced 30,000 meals a year and the equipment, not to mention the staff, had to be equal to the task.

The country house kitchen was – and is – a thing of wonder.

I encourage you to seek them out and when you encounter an Edwardian Eagle kitchen range or a beautifully burnished Bain Marie – rejoice! ■ The Royal Pavilion & Museums, Brighton & Hove

• clevedonsalerooms.com; @chrisyeo_antiques (Instagram) THEBRISTOLMAG.CO.UK

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INTERIORS

Northern Daybe Daybed, from £1,525; Dokka Pendant, £249; Mass Side Table, from £499 The sofa transforms to a comfortable bed with its detachable backrest.

Winner of a gold medal at the 1954 Milan Triennale, the pendant has recently been relaunched

HAY Quilton sofa, from £3,219 Quilton is available in a variety of modular elements, with further corner sofa and ottoman modules available upon request

Lighting the way Holloways of Ludlow is a contemporary high-end furniture and lighting retailer. The good news is that it has just opened its first showroom in the south west, just a stone’s throw from Bristol, in the city of Bath. CEO Mark Holloway gives us some background to the company and gets our attention with an alluring selection of products...

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olloways of Ludlow was founded in 1985, built from a passion for products that effortlessly combines design and materials. CEO Mark Holloway took over the family business in 2002 and attributes a childhood steeped in a world of antiques and restoration for honing his appreciation for well-made products and their value, as well as an instinct for understanding fine quality design.

In the early years of Mark’s involvement, there was a focus on lighting with an industrial twist. Furniture was added to the mix in 2015, which Mark explains was a natural addition to the range: “We’re equally as strong in the furniture sector now. As we were opening larger showrooms, we needed to style them so I began looking at furniture brands that would sit well alongside the lighting. In addition, many of the lighting brands that we supply already did furniture, so it was an easy expansion in that regard.”

The company established an early digital presence, having had a website for almost 20 years, and is soon to relaunch its digital offering with an enhanced website, featuring an updated look and improved functionality. There is also, however, a significant emphasis on its 70 THE BRISTOL MAGAZINE

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showrooms. “We’re continuing to open larger physical spaces, with Bath being the biggest showroom to date. While our digital business is key, interacting with people and design in person is crucial,” says Mark.

“I believe that if you’re making a big purchase like a sofa, you still want to sit in it, you still want to see fabric samples and interact with our team of experts in person. We’re brilliant at sourcing and managing budgets and logistics so that’s another reason we’ve really committed to our stores. Our showrooms are beautifully considered spaces and my well-informed team are able to inform and support our discerning clientele.”

Holloways of Ludlow is approaching the future with an emphasis on the importance of these showroom spaces while continuing to innovate as an online retailer, “We’re trying to get the best practice around all aspects of bricks and mortar as well as online. It’s a good balance. It’s paramount that Holloways of Ludlow continues to be known as the best place for high-end, design-led furniture and design.”

• Holloways of Ludlow, 37 Milsom Street, Bath; hollowaysofludlow.com; 01225 258874

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INTERIORS Heat Metal Mesh Pendant in brass and steel, 30 x 55cm and 60 x 80cm, from £752 Gleaming brass mesh was the starting point for this pendant lamp, which the designer artistically transformed into a glowing cloud of fire. Once the light is turned off, the ‘fire’ disappears, giving the shade a cloudy appearance. Heat was born out of the designer’s experiments with clashing materials, and the inspiration to create a large pendant light characterised by contrasts

CH24 Wishbone Chair with a black-stained finish exclusive to Holloways of Ludlow, by Hans J. Wegner for Carl Hansen & Son, from £508 Inspired by portraits of Danish merchants sitting in Chinese Ming Dynasty chairs, the Wishbone Chair offers comfort and stability as well as a distinctive aesthetic and beautiful form. The chair features an intricate handwoven paper cord seat and a characteristic Y-shaped frame which combine for durability and comfort. In continuous production since its introduction in 1950, the Wishbone is viewed by many as the perfect chair, expertly capturing the essence of modern Danish design

HAY Pandarine 3-seater sofa, with oiled oak base by Paris-based Inga Sempé, from £3,599 Pandarine fuses the luxurious comfort of a bed with the versatility of a modular sofa. The armrests come either in a cylindrical form, or with a reclining design that can be adjusted individually in the same way as the metal hinged backrests. This enables Pandarine to transform into a mattress-like surface where the backrests serve as soft pillows

Northern Nest hanger, a container and a coat hook in one, 20 x 14cm, £55 Like birds feathering their nests with tiny twigs, humans wing home with coats, keys and other small items in their pockets. Quick and easy storage helps keep them at hand, which is why Northern Nest provides a container and a coat hook in one.

The holder is sized to contain urban essentials such as keys, change, tokens and cards, providing a hideaway where pockets can be emptied of small items that need to be quickly retrieved

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HOMES & GARDENS | S/S 2022 GUIDE

Rooms for improvement It’s time to get your house in order. Our spring/summer guide features all the best trades and services to help spruce up your home and garden. Whether it’s a small decorating touch or an ambitious major project, this directory offers a great range of expert services to make all those home, interior and garden ideas become reality

GARDINER HASKINS Brunel Rooms, 1 Straight Street, Bristol BS2 0FQ 0117 9292288; gardinerhaskins.co.uk Gardiner Haskins Interiors has luxury interior showrooms that allow you to create your dream home space. Its knowledgeable and skilled team of design experts can help you design your own bespoke kitchen or bathroom, with wrap-around project management from start to finish. Create your perfect bedroom with over 40 beds on display from brands such as Harrison, Sealy, Hypnos, Millbrook and Relyon. Blend in beautiful bedroom furniture from Ercol, or wardrobe storage solutions from Wiemann and Nolte Möbel.

The team has over 40 years’ experience, so you can guarantee exceptional customer service. Open six days a week with a free customer car park and less than 10 minutes’ walk from Cabot Circus.

SCHMIDT BRISTOL 172 Whiteladies Road, Clifton, Bristol BS8 2XU 0117 301 8888; home-design.schmidt/en-gb For over six decades, SCHMIDT has perfected the art and science of creating excellent products that transform dull spaces into opulent and cosy cribs. SCHMIDT understands that each customer has unique needs and tailor your preferences into their produced fitted kitchens, bathrooms, and home products. Whether you are remodelling your kitchen into a modern, contemporary, traditional or rustic kitchen island or you need to modernise house fittings and require a new wardrobe or closet, you can trust SCHMIDT to deliver quality kitchen, home and bathroom furniture and decorations that are appealing, functional and affordable.

GAROLLA garolla.co.uk; 0117 369 0185 Boost your kerb appeal today with one quick and easy purchase from Garolla. The nation’s largest roller garage door installers, Garolla specialise in creating beautiful, bespoke garage doors that can truly transform your home’s exteriors. And with local installers across the country, it couldn’t be easier to update your home. Hand-crafted by highly skilled professionals, every Garolla roller shutter garage door is created with your home in mind. Increasing your thermal efficiency, safety and security these garage doors are an invaluable addition to any home and allow you to sleep easier at night. Available in a range of 21 stunningly vibrant shades and two different slat sizes, you can design the perfect accompaniment to your home’s style and architecture.

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ADDICTED TO PATTERNS addictedtopatterns.uk; @addicted_to_patterns on Instagram Bristol-based Addicted to Patterns studio offers unique collections of hand screen-printed wallpapers and textiles, crafted to measure from the highest quality eco-friendly materials, all decorated with original, hand drawn illustrative designs. Experts in surface decoration they offer a truly personal approach, colour matching and bespoke pattern design for various surfaces.

They are known for quirky, modern and classical prints that travel from wallpaper onto curtains, cushions and lampshades. The latest Harmony Collection has been designed in collaboration with Victory Colours to coordinate perfectly with 14 colours of their eco paints.

MANDARIN STONE 15 Regent Street, Clifton, Bristol BS8 4HW 0117 9731552; mandarinstone.com

Renowned for its comprehensive natural stone collection, Mandarin Stone has also gained quite a reputation for its on-trend and beautifully designed porcelain. Ranging from tiles that cleverly mimic materials such as wood, concrete and marble to striking glazed and patterned tiles, the collection has endless surface design possibilities. Established for over 25 years and with 10 inspirational UK showrooms, it offers dependable specialist knowledge as well as technical expertise. Almost the entire natural stone and porcelain collection is held in stock in the UK, so lead times are short.

WREN KITCHENS Cribbs Causeway Retail Park, Lysander Road, Bristol BS34 5TX 0117 2443168; wrenkitchens.com A visit to the Wren Kitchens website reveals an exceptional choice of over 60 kitchens in three ranges to suit all tastes and pockets. The Vogue, Infinity and Infinity Plus collections are further divided into modern, Shaker and traditional styles, allowing you to create your own perfect kitchen. Add to this your choice of handles and thousands of unit sizes and you’re well on your way to creating a truly unique room which will be the heart of your home for many years to come. Book a showroom appointment for a free consultation with one of Wren’s expert kitchen designers; chat about layout and design requirements; see a personalised 3D design and get a quick price estimate, with no obligation to buy.

Whether you’re looking to follow the latest colour trends or choose something timeless and classic, Wren will have the kitchen for you.

SOFA WORKSHOP 76-78 Whiteladies Road, Bristol, Avon, BS8 2QN 0117 9706 171; sofaworkshop.com Discover your perfect sofa at the Bristol branch of Sofa Workshop.

Located a stone’s throw from Clifton Village, the showroom is brimming with the most beautiful handcrafted sofas, footstools, chairs, beds, and home accents. Everything is made by hand using timehonoured techniques in the brand’s own workshops, swathed in an array of rich, authentically hand-finished leathers and tactile fabrics. Pop by for a warm welcome and let the expert Sofa Masters help you create your dream interior. Shown here is Caroline, the Bristol Store Manager.

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HAL BUILD The Studio, 23 Chandos Road, Bristol, BS6 6PG 0117 2591591; halbuild.co.uk Hal Build provides high-end luxury construction projects for residential customers and property developers in Bristol and the surrounding areas. The company specialises in new build construction, extensions and period property refurbishments. All work is carried out to the highest standards and the company employs a team of professional, time-served craftsmen who take pride in every aspect of their workmanship. All projects are completed with exacting attention to detail and the Hal team can handle your entire project from design through to planning and building regulations, to completion. The team are more than happy to chat through your plans to see if they can help and will provide an indicative cost to help with planning your project so pop into the studio for a chat.

JUST SHUTTERS 0117 3701594; justshutters.co.uk/bristol Whatever your style – contemporary, modern, cosy or traditional – Just Shutters have the perfect fit for you. The shutters do not fade, warp or age and come with a lifetime guarantee. Rob and Linda Reeves are experts in the field, trained to the market-leading Just Shutters standard. They are passionate about shutters and transforming the homes of local people, with an understanding of outstanding quality, great value, and professional customer service. Work closely with Rob and Linda as they tailor Just Shutters to your tastes, giving you honest and impartial advice. The company has the largest range of material and finishes in the UK, granting you choice and options in terms of shutter style.

NATURAL STONE CONSULTING Unit 4 Ebdon Bow, Ebdon Road, Wick St Lawrence, BS22 9NZ 0333 444 8899; naturalstoneconsulting.co.uk Natural Stone Consulting is a family-run business with a passion for natural materials. Its collection of stone flooring, tiles and paving features an ever-evolving range of modern, contemporary, aged and rustic options, which remain affordable for homeowners, designers, architects and trade customers alike. Its products include something to suit any setting and if you can’t find what you are looking for, the team will use their expertise to create or source it directly for you.

Materials they supply include limestone, slate, marble and terracotta.

Natural Stone Consulting has a showroom in Wick St Lawrence, just off of M5 junction 21. This is operated by appointment to ensure each client gets their undivided attention.

MARBLE SUPREME Unit 8, Bridge Road, Kingswood, Bristol BS15 4FW 0117 9563030; marblesupreme.com Marble Supreme provides master craftsmanship in stone.

Whether you’re looking for new stone worktops for your kitchen or bathroom, it offers a range of materials to suit your needs.

With over 20 years of experience, the team produce a wide range of products from beautifully crafted granite kitchen worktops and flooring, right through to bespoke stone fireplaces, vanity tops, splashbacks and sink surrounds. Marble Supreme provides a complete service – from sourcing the perfect stone to crafting perfectly fitting, beautifully finished kitchen worktops. It also prides itself on delivering the very best in granite, marble and quartz stone, knowing its creations will play a part in family life for years to come. Whether you know what you want or are considering the options, the team is happy to discuss your plans so pop into the Kingswood showroom.

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KI TC HEN PAR TNER S DESIGN STUDIO

www.thekitchenpartners.co.uk 102 Whiteladies Road, Clifton, Bristol BS8 2QY 01179 466433

Founders and Lead Designers - Fiona & Clinton

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ORIENTAL RUGS OF BATH Bookbarn International, Hallatrow Business Park, Bristol BS39 6EX 01761 451764; orientalrugsofbath.com Situated in the rolling countryside between Bristol and Bath, Oriental Rugs of Bath is home to a wonderful collection of handcrafted carpets, rugs, runners and kilims from the Middle and Far East, where these crafts have sustained their peoples for centuries. Unique furnishings such as Turkish kilim upholstered sofas and silk suzani cushions pair perfectly for any interior design project. Personalised on approval services are available and expert advice is provided for bespoke orders and specialist cleaning and repair enquiries. Open seven days a week with free nationwide delivery. Visit the website to buy online and feel inspired.

PAUL WHITTAKER BATHROOMS AND WETROOMS

Showroom by appointment at Bathroom Solutions, 54 Redcliff Street, Bristol BS1 6LS 0117 2230086 / 07879 666221; paulwhittakerbathrooms.co.uk Paul Whittaker Bathrooms and Wetrooms is a design, supply and installation bathroom company with a huge reputation in the Bristol area. Working closely with his clients, Paul is able to deliver cleverly designed bathrooms and wetrooms, expertly installed by his experienced team of fitters. With 3D design layouts to help with decision making and project management through the course of the works, Paul Whittaker makes bathroom renovations easy and stress-free.

JOHN BOYCE PLASTERWORK Unit 5, Channel View Farm, Clevedon, Bristol BS21 6US 07970 278028; john-boyce.co.uk John Boyce Plasterwork Ltd is a locally based company with over 30 years’ experience in the plastering trade, tackling any size of job from a simple repair to a complete restoration project. The team has a large range of moulds built up over the last three decades and is capable of matching and reproducing any type of plasterwork.

The company also has a large range of stock cornices and ceiling roses to pick from, with something to suit most tastes and budgets.

They carry out ceiling surveys and repairs, lime plastering and rendering and bespoke one-off pieces; offering free, no-obligation quotes and advice. Visit the website for a taste of what John Boyce Plasterwork can offer.

COLOURFENCE BRISTOL colourfencebristol.co.uk; 0117 259 1789 Forget your fence worries for good this Spring. Choose ColourFence.

The revolutionary metal garden fencing is both attractive and practical, meaning you don’t have to compromise. The ColorBond steel is virtually maintenance free, with no painting or treating required, meaning ColourFence will stay looking as good as the day it was installed for years to come. It is guaranteed not to rust, warp or peel for at least 25-years! You can find out more or book a FREE no-obligation quote using the contact details above.

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BRACEY INTERIORS 15 Waterloo Street, Clifton, Bristol BS8 4BT; 0117 9734664 braceyinteriors.co.uk With over 50 years’ experience, Bracey Interiors has earned an enviable reputation for its design services. Working throughout the UK and abroad, the team creates unique and bespoke interiors for clients. Within the showroom in the heart of Clifton Village, Bracey showcases fabrics and wallpapers from all the major suppliers as well as a unique and eclectic mix of home accessories. Paints by Little Greene and Paint & Paper Library are also mixed to order in a matter of minutes. No matter how big or small your requirements are, Bracey Interiors has friendly staff ready to help. With their own workrooms they ensure all soft furnishings are made to their exacting standards, and offer an installation service.

2017 saw their Silver House project win three awards in the RSAW Welsh Architecture Awards.

GARDEN AFFAIRS Trowbridge Garden Centre, 288 Frome Road, Trowbridge BA14 ODT 01225 774566; gardenaffairs.co.uk Create space for home working, hobbies, a growing family or even a new business venture with a costeffective, versatile, fully-insulated garden room. Garden Affairs offer a huge range of high quality, sustainable garden buildings and will help you get the design, the installation, the quality and the price spot on. Visit their extensive display centre at Trowbridge Garden Centre in Wiltshire to see garden offices, art and craft studios, teenage dens, granny annexes as well as a range of ‘posh sheds’ and summerhouses.

THE KITCHEN PARTNERS The Kitchen Partners Design Studio, 102 Whiteladies Road, Bristol BS8 2QY 0117 9466433; thekitchenpartners.co.uk When you work with The Kitchen Partners on Whiteladies Road, you’ll work directly with Fiona, Clinton and Vicky – from the initial enquiry, throughout the design process, to the final completion. They will ensure the journey always begins with you. It’s your kitchen and your home and you will be a fundamental part of the process, with access to all trades involved.

The Kitchen Partners are design, planning and installation professionals dedicated to giving each client their dream kitchen. As a fully independent retailer they can offer clients not only a greater variety of choice, but the best quality prices and lead times when considering a kitchen restoration. They have a keen eye for up-to-theminute kitchen design and extensive product knowledge, based on many years working in the kitchen and interior design sectors. With innovative spatial awareness and flair for interior design, they will make sure your visit to their kitchen design studio is a worthwhile and rewarding experience.

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Elly’s Wellies

Garden Designs

Turning your ideas into beautiful spaces Elly’s Wellies Garden Designs will help you maximise the potential of your outdoor space and tailor it to your individual needs. Whether you are looking for a complete garden redesign, or just need advice on what to plant in a border, Elly’s Wellies will be happy to help.

For a free initial consultation, contact Elly West

www.ellyswellies.co.uk ellyswellies@gmail.com 07788 640934 THEBRISTOLMAG.CO.UK

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TABITHA TARLING GARDEN DESIGN 34 Fairfield Road, Bristol BS6 5JP 07811 169636; tabithatarling.co.uk Tabitha is a highly experienced landscape designer with 15 years of designing and installing projects of all sizes, both in the UK and abroad. She offers a full garden design service, including design concept, construction management, planting and styling. She can also provide consultations, garden coaching and advice. Tabitha works collaboratively with clients, carefully listening to their needs, to ensure the end results are elegant as well as functional. She is keen to ensure her design solutions sit well within their surroundings, with beautiful, thoughtful planting schemes, and a sympathetic use of materials, whether it be it a tiny court-yard, a roof terrace or a large family garden. She works with a select group of landscape contractors and specialists so that the design process, from concept to completion, is smooth and seamless.

SUMMIT CHAIRS Aintree Avenue, White Horse Business Park, Trowbridge, Wiltshire BA14 OXB; 01225 777 844; summitathome.co.uk The chair your back has been waiting for.

With the rise in flexible working, Summit Chairs – based in Trowbridge – has launched its ergonomic home office chair range online. Handmade in the UK and delivered direct to your door, the collection offers a choice of ergonomic British made, bespoke office chairs with a host of wellbeing features. Specially designed with your wellbeing in mind, features include Summit’s Body Balance Mechanism which enables you to constantly adjust your position as you work. Also the company’s patented Twin Air Cell technology allows you to inflate and deflate air in the seat pad to maximise your support, height adjustable inflatable lumbar support for your back, memory foam options for additional comfort, as well as a host of adjustable settings for arms, height, back tilt and headrests.

craftsmanship means FOCUSING ON FINE DETAILS AND TAKING THE TIME TO MAKE EVERY JOB OUTSTANDING

SEE CHECK A TRADER AND GOOGLE REVIEW FOR ★ RATINGS OPENING TIMES MONDAY – FRIDAY 8.00 AM – 5.00 PM SATURDAY 9.00 AM – 12.30 PM MARBLE SUPREME

T: 0117 956 3030

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GARDENING

In Victorian times, when there was a whole language using flowers as symbols, the primrose was a flower for lovers. It meant: I can't live without you

Early risers Warmer days are hopefully on the horizon and Elly West looks forward to the first flowering perennial of the season: the primrose

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pring is finally on its way and, to prove it, we see the first flowering perennials, our much-loved primrose, or Primula vulgaris. I love this time of year for spotting the plants that mark the changes of the seasons. They are few and far between so all the more noticeable and enjoyable. When the primroses come out under the magnolia tree in my garden, I know that the fun is starting for the year. Primroses are easily recognised by most as one of our common native wildflowers and are seen beneath hedgerows, in woodland clearings and on grass verges across the country. Their cheerful creamy-yellow flowers are an important nectar source for butterflies and early foraging bees and they have a simple beauty that calls out for a closer look.

As a child I used to love Cicely Mary Barker's book, Flower Fairies, which was a collection of flower mythology and plant lore. I also loved the colour yellow so Barker’s Primrose Fairy was a firm favourite. It reads: “The Primrose opens wide in spring; her scent is sweet and good: It smells of every happy thing in sunny lane and wood.” Confession: I'm still a fan today.

The name primrose is derived from the Latin prima rosa, or first rose, although it's not actually related to roses at all. However, the primula family is a large one, encompassing native cowslips, as well as all the more ornate and colourful cultivated forms found in garden centres and nurseries, including candelabra varieties and beautiful auriculas in jewel-like colours and dusky rare forms with exquisite markings that are highly collectable.

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In Victorian times, when there was a whole language using flowers as symbols, the primrose was a flower for lovers. It meant: I can't live without you. Primroses can be found across the centuries in poetry and literature. John Donne wrote The Primrose, equating the flower with womanhood. Shakespeare's plays use the primrose as a symbol for youth, femininity, but also early death. In Irish folklore, primroses in the doorway protected the home from fairies and, in 1881, a whole day was named after the spring flower – Primrose Day, held on 19 April, commemorates the death of British Prime Minister Benjamin Disraeli. The primrose was his favourite flower and Queen Victoria sent a wreath of primroses to his funeral.

Primulas are tough little perennials that are easy to grow and care for, and also easy to buy at this time of year, found en masse among the bedding displays in trays in garden centres, as well as outside supermarkets and greengrocers. Whether you choose the traditional pale-yellow flowers, or some of the many brightly coloured forms, they are ideal for giving an instant boost to containers, hanging baskets and window boxes, or at the front of a border, under deciduous trees or along the edge of a path. Once planted, they will merrily self-seed and spread themselves around, coming back year after year. They grow in sun or shade and they're not too fussy about soil type, preferring slightly damper soils, happy on the heavy clay many of us have in our gardens in and around Bristol.

Flowers appear from February to May and leaves are often evergreen through winter, although they may die back in exposed,

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colder areas. Once planted, they don't need much attention, although some of the cultivated forms will benefit from a diluted solution of tomato fertiliser to give flowering a boost, particularly if they are growing in pots and have been there for a while. Start feeding them as soon as you see the first buds forming, every ten days or so until the first flowers open, then deadhead them regularly to keep them coming.

Growing the cultivated varieties of Primula auricula, often known simply as auriculas, can become addictive, as there are so many colours and forms from which to choose. There are literally thousands of auricula hybrids, and variations include double petals, green-grey edges, borders and stripes. Auriculas were first recorded in England in the Elizabethan period but became more popular in the eighteenth and nineteenth centuries when collectors and breeders were constantly trying to outdo each other in their search for the perfect flower.

‘Auricula Theatres’ became a thing, as a way to show off the plants – each in a small, individual pot and displayed in rows on shelves. These theatres are still popular today and a quick Google search reveals lots of ‘how-to’ guides, if you fancy making one yourself. A specialist nursery or Rare Plant Fair is a good place to try if you want to start a collection. The next one in Somerset is on 20 March at the Bishop's Palace in Wells (rareplantfair.co.uk).

Also worth a mention is that the flowers and leaves of primroses are edible. Add them to salads for something a bit different, or crystallise them for Mothering Sunday or Easter decorations for cakes. n

Plant of the Month: Magnolias Magnolias come out in full force in early spring, and the pure white Magnolia stellata, although less showy than some of the larger varieties, is an ideal choice for smaller spaces with its beautiful starry flowers. Also known as 'star magnolia', this variety is slow growing and eventually forms a deciduous shrub up to two metres tall. The buds are amazingly tactile, covered in downy fur, which then open into large, multi-petalled flowers appearing on bare branches before the leaves. Plants prefer sun or partial shade, and neutral to acidic soils, although they can also do well on alkaline soil as long as it's not too dry. Grow this magnolia as a specimen plant in a pot, or in the centre of a lawn, or as part of a mixed border, underplanted with small spring bulbs such as Iris reticulata, Narcissus 'Têteà-tête' and grape hyacinths. Choose a sheltered spot, preferably away from strong winds as the flowers are short-lived at the best of times, and can disappear overnight in a storm.

Avoid over-pruning, as you might ruin the shape, but if you do need to keep the size in check, cut it back in summer when it’s in full leaf. Also be sure to remove any damaged, diseased or crossing stems.

• ellyswellies.co.uk

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PROPERTY ADVICE

Spring cleaning As the lighter, brighter days return and we feel energised to start anew, Rupert Oliver of Rupert Oliver Property Agents looks at the rise of #Cluttercore: reorganising rather than purging

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othing feels quite as satisfying as coming home to a house that sparkles,” maintains Good Housekeeping magazine. Personally, I can think of quite a few things that are way more satisfying – like bingeing the latest Netflix thriller or having friends round for some alcoholic refreshments. In the latter case, the only thing that would be ‘sparkling’ is the Prosecco. But it’s now March and, traditionally speaking, it is around this time that spring cleaning is supposed to come into play...

Why spring clean?

The ‘spring clean’ is a tradition rooted in the 1800s when lamps were lit with whale oil or kerosene, which produced great amounts of grime. Combine this with the lack of windows being opened during the winter months and homes were left coated in layers of soot, desperately requiring cleansing attention.

In Jewish custom, spring cleaning is linked to Passover, marking the liberation of Jews from slavery in Egypt, where a general cleaning takes place in order to remove any yeast bread, or chametz, from the home. It’s the psychological impact though, that is the most powerful these days. When the lighter, brighter days return, we feel energised by the sunlight and eager to start anew. (Well, that’s the theory.)

Introducing Cluttercore Dust and grime aside, one way we can reinvigorate our homes is to give the interior an uplift, a new perspective, and that can be inspired by tuning into the trends. Reassuringly for those of us who find hoovers heavy and stressful and dusters high maintenance, one of the latest interior fashion flavours is Cluttercore. This has been fed by the phenomenon of lockdown, which has not only made our spaces more multifunctional, combining offices and nurseries with a house’s standard functions, but all that time at home and its new more complex roles has also driven us to sort and purge and either eBay, charity shop or otherwise dispose of the results.

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The other major thing lockdown has done in the home environment is fed the taste for our domestic surroundings as permanent restorative sanctuaries, and so for those who prefer squirrelling to cleansing it has been more about reorganisation than purging. The process of going through cupboards, attics and dark corners has resulted in the rediscovery of precious personal knick-knacks that never got unpacked from the last house move, leather-bound editions of classic books that may not be valuable but have visual intrigue on a prominent shelf, and family china that, with careful curation, is a powerful retro statement of the 1970s.

Big or small canvas This ‘clutter’ is not rubbish, it is the result of an instinct to surround ourselves with the personal bits and pieces that make us feel more ‘us’. It’s comforting and life-enhancing to have little groupings of pieces that we have collected or that we value. Nothing is forbidden – indeed such items could well include those domestic social parodies of china carthorses, crystal decanters or flying ducks, but they are presented outside of their traditional roles, as retro, kitsch, creative, personal expressions.

These collected items don’t have to be small and clustered – the eclectic maximalist look can make the whole room your clutter canvas. Vintage posters, handmade rag rugs, 1960s Habitat chairs, fabrics from the market in Istanbul, floral china serving dishes, the papier mâché vase that just needed a bit of basic restoration and a lick of paint. Your cupboard is your oyster and if the cupboard doesn’t deliver, then why not open it up with eBay and Gumtree? Social media will feed your research (#Cluttercore currently counts for more than 13 million views on TikTok), and there is no need to feel bound by must-have purchases to achieve the look, because it’s all about surrounding yourself with what you like. And the best thing of all?

No hoovers required. n • rupertoliver.co.uk; 14 Waterloo Street, Clifton, Bristol, BS8 4BT

Bristol & Clifton’s premier Commercial Property Agents Keep up-to-date with our latest news, deals, testimonials and market comment at our website: www.burstoncook.co.uk

(0117) 934 9977

ESTABLISHED BEAUTY BUSINESS OPPORTUNITY

MODERN OFFICE FOR SALE

• Established beauty business located on popular Park Row • Treatment and beauty rooms over four floors • Approx. 1,697 sq ft • Premium available upon application

• City centre location • Ground floor suite

• On-site bike storage and shower • 2 car parking spaces

COMMERCIAL BUILDING – MAY SELL!

CLIFTON OFFICE WITH CAR PARKING

• Modern unit + yard – total site approx.

0.52 Acres • Workshop and stores with first floor offices • Could suit a range of other commercial uses STP

• High quality, selfcontained office with private entrance • Just off Whiteladies Road • 3 on-site car parking spaces • New lease available

STUDIO OFFICES WITH PARKING

REFURBISHED HIGH STREET OFFICES

• Newly refurbished studio offices

• Excellent car parking provision!

• Located on Thornbury High Street • Newly refurbished, affordable office accommodation • Approx. 2,143 sq ft • May suit a range of uses under Class E

PRIME RETAIL UNIT WITH PARKING

UNIQUE OPPORTUNITY TO PURCHASE

• Prime Whiteladies Road retail pitch • Fantastic corner position with glazed dual aspect • Ground floor sales plus basement storage • On-site car parking!

• Rare opportunity to purchase a unique commercial premises • Adjacent to Finzels Reach • Suitable for a wide range of uses subject to planning

OFFICES WITH YARD AND STORES

CITY CENTRE RESTAURANT OPPORTUNITY

• A converted Victorian house comprising offices and stores

• Licenced premises with period features • Fully fitted to a high spec • Ground floor approx.

1,083 sq ft plus extensive basement of 2,451 sq ft

• Predominantly open plan accommodation

• 3,200 sq ft • Prominent position off Whiteladies Road

• Close to the M32 • Would suit various commercial uses STP • To rent / may sell

Julian Cook FRICS

Jayne Rixon MRICS

Charlie Kershaw MRICS

Finola Ingham MRICS

Tom Coyte MRICS

Holly Boulton BSc(Hons)

Vicki Grimshaw BSc(Hons)

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STOKE BISHOP

PRICE

£2,000,000

A detached family house offered with the most beautiful and extensive gardens. The substantial interior offers a versatile living space with further scope to extend and modernise. It is situated in a desirable location with an open outlook and gardens backing onto the nature reserve. Gated driveway leading to the house and spacious garaging.

CLIFTON

GUIDE PRICE

£985,000

A delightful three-story town house situated in the very heart of Clifton Village offers a beautiful private rear garden and garage.

0117 923 8238

www.howard-homes.co.uk

hello@howard-homes.co.uk

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Clifton, Bristol | Guide Price £895,000 A superb family home on a sought-after road with immensely flexible accommodation over four floors, a private walled rear garden and far-reaching views.

Charming period family townhouse | Fabulous far-reaching views to both front and rear | Potential for a self-contained one bedroom flat | Three reception rooms and a family kitchen | Four double bedrooms and two bath / shower rooms | Beautiful retained period features | Excellent storage throughout | Deep walled rear garden accessed from both the hall and lower ground floor | Quiet, no through road | Catchment for both Hotwells and Christchurch Primary Schools | EPC: D

In all circa 2063 sq. ft (191 sq. m)

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Clifton, Bristol | Guide Price £2,395,000 A rare opportunity to acquire a Grade II Listed Freehold townhouse in the heart of Clifton village, with versatile and flexible accommodation, a walled private south facing rear garden and fabulous public gardens to the front.

Exquisite Grade II Listed family home | Versatile accommodation over 5 floors | Perfect “multi-generational” opportunity | Currently configured as two separate maisonettes (under a single Title) | Exquisite full-depth reception rooms over the hall and first floors | Two fitted kitchens (one per maisonette) | A total of 7 bedrooms (one 4-bed and one 3-bed maisonette) | Superb period details throughout | Charming south-facing walled garden accessed via the hall floor maisonette | Rear pedestrian access onto the mews behind | EPC: D

In all circa 4400 sq. ft (410 sq. m)

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