The Bristol Magazine February 2017

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THE

Issue 152

WWW.THEBRISTOLMAG.CO.UK

MAGAZINE

£3.95 where sold

GOING VIRAL: LUKE JERRAM’S BEAUTIFUL NEW EXHIBITION KITCHEN THINK: CHIC INTERIOR TRENDS FOR 2017 MAKING CONVERSATION: MEET THE EMOJI DESIGNER

GRAY

I february 2017

THE GREAT BEYOND: SHOW TIME AT TOBACCO FACTORY THEATRES 20TH-CENTURY FLICKS AND CHILL? ALTERNATIVE VALENTINE’S FILMS ANCHORS AWEIGH: PISCINE PLEASURES AT THE JETTY

POWER EXCLUSIVE INTERVIEW We chat with the multi-platinum selling singer heading up Bristol Jazz & Blues Festival

T H E C I T Y ’ S B I G G E S T M O N T H LY G U I D E T O L I V I N G I N B R I S T O L

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Image by Luke Jerram

40

38

See johnsmith LIVE: whatever being on 9 February – image byAleksandra Krolik

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Contents February 2017 REGULARS

ARTS

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38

The In Between Time 2017 festival is simply not to be missed

ZEITGEIST

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12

Five of the best things to do in the city this month

CITYIST

14

We catch up with author Jo Platt and report on local goings-on

...is feeling a little hemmed in

20

Just a little Valentine’s Day inspiration for those who need it

48

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42

FAMILY PLANNER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

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FOOD & DRINK NEWS

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44

The latest from the city’s dining scene

Bite-sized news from local firms and organisations

EDUCATION NEWS

DIGITAL

Keep the kids entertained this half term

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40

Meet the Twitter creative shaping our lines of everyday communication

BARTLEBY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

BUSINESS UPDATES

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What’s going on at the city galleries this month?

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SHOPPING

EXHIBITIONS

56

RESTAURANT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

The latest from local schools and colleges

Everything at The Jetty is shipshape and Bristol fashion

WALK THE WALK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

BODY, MIND & SPIRIT

Mr Swift is keeping it local and zooming in on historic Brandon Hill

WELLBEING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

THE CULTURE

Did you know there’s a Bristol charity measuring the health of the city?

HAIR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 FILM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

We kickstart the year with a vibrant new ’do from Sean Hanna

20th-Century Flicks suggest some alternative Valentine’s Day movies

MUSIC

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26

Macy Gray talks to Emma Payne ahead of Bristol Blues & Jazz Festival

WHAT’S ON & HAPPENINGS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 ......................................................................

30

We preview a diverse Tobacco Factory Theatres season

ART-SCIENCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Be sure to visit acclaimed local multidisciplinary artist Luke Jerram’s beautiful glasswork exhibition

4 THE BRISTOL MAGAZINE

WINDOWS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68 Let us introduce you to Blossom & Brush’s chic, practical solutions

KITCHENS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Get your diaries out!

THEATRE

HABITAT

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FEBRUARY 2017

Nonagenarian interior trend-leader Alno predicts the styles of 2017

GARDENING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Elly West reckons the humble snowdrop has earned squatters’ rights

PROPERTY

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Check out The Stables at Bromley Farm in Downend

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Knight Frank Feb 2017.qxp_full page 25/01/2017 15:58 Page 1

MOVE. Faster. Sell with Knight Frank.

Our understanding of the ever-changing market enables us to price your property accurately so you can rely on Knight Frank to get you moving.

Call +44 1173 171 999 to arrange your free market valuation.

Knightfrank.co.uk/bristol bristol@knightfrank.com

Guide price: £1,150,000

KnightFrank KnightFrank.co.uk

Clifton Elegant period townhouse (3,146 sq ft) at the heart of Clifton Village. Kitchen/breakfast room, dining room, drawing room, conservatory, 3 en suite bedrooms, fourth bedroom/studio apartment, reception room, workshop.

Guide price £585,000

Guide price £1,750,000

nTheMarket.com

New Instruction

Etloe Road

Cadbury Camp

An immaculate 3 bedroom (1,226 sq. ft) Victorian family home with easy maintained gardens within close proximity of The Downs. Drawing room, dining room, kitchen, WC, 3 bedrooms, bathroom, gardens. EPC E.

Individual and carefully designed home (5,432 sq ft). With large double height reception room, breakfast room, kitchen. 5 bedrooms (3 ensuite), balconies. Carport, garage, terraces, garden and woodland.

Guide price £1,500,000

Guide price £1,100,000

Sneyd Park

Clifton

Detached 5 bed family home (3,074 sq ft) located at the end of a private no through road. 2 reception rooms, kitchen/breakfast/sitting room, 5 bedrooms, 3 bathrooms. Gardens, integral double garage. EPC C.

A spectacular 2 bedroom apartment (1,384 sq ft) within one of Clifton's most prestigious residential conversions boasting spectacular views, concierge and parking. EPC C.

Knight Frank Feb 2017.qxp_full page 25/01/2017 15:58 Page 2

MOVE. Faster. Sell with Knight Frank.

Our understanding of the ever-changing market enables us to price your property accurately so you can rely on Knight Frank to get you moving.

Call +44 1173 171 999 to arrange your free market valuation.

Knightfrank.co.uk/bristol bristol@knightfrank.com

Guide price: £685,000

New Instruction

KnightFrank KnightFrank.co.uk

Clifton A beautifully presented 3 bedroom (1,468 sq ft) lateral apartment close to Clifton Village and Whiteladies Road. Drawing room, dining room, kitchen, master suite, 2 guest bedrooms, bathroom, garden room, garden, garage and parking.

OIEO £925,000

Guide price £525,000

nTheMarket.com

New Instruction

Long Ashton

Clifton

Attractive brand new bespoke family home (2,671 sq ft). Sitting room, dining room, kitchen/breakfast room, garden room, 5 bedrooms, 2 en suites, family bathroom. Roof terrace, garden, ample off street parking and fine views.

Immaculate and generously proportioned apartment (1,540 st ft). Drawing room, dining room, inner hall, kitchen, utility, master with dressing room, guest bedroom, guest bathroom. First come parking.

OIEO £1,500,000

Guide price £1,200,000

New Instruction

Leigh Woods

Chew Magna

A light and airy family house (3,401 sq ft) with flexible accommodation. 3 receptions, kitchen/breakfast/dining room, utility room, gym, 2 cloakrooms, store room. 5 bedrooms, bathroom. 2 garages and garden. EPC D.

Beautifully converted former outbuilding (3,328 sq ft). 3 reception rooms, kitchen/breakfast room, 5 bedrooms, 4 bathrooms (3 en suite). Double garage, gardens, pasture. In all about 1.7 hectares (4.3 acres).

Knight Frank Feb 2017.qxp_full page 25/01/2017 15:58 Page 3

MOVE. Faster. Sell with Knight Frank.

Our understanding of the ever-changing market enables us to price your property accurately so you can rely on Knight Frank to get you moving.

Call +44 1173 171 999 to arrange your free market valuation.

Knightfrank.co.uk/bristol bristol@knightfrank.com

Guide price: £650,000

New Instruction

KnightFrank KnightFrank.co.uk

Stoke Bishop Immaculate family home (1,374 sq ft) within exclusive modern development. Drawing room, kitchen breakfast room, master suite, 3 further bedrooms, family bath, gardens, parking, garage, visitor parking.

EPC B.

Guide price £1,200,000

New Instruction

Guide price £460,000

nTheMarket.com

New Price

Near Bishop Sutton

Clifton

Impressive Victorian detached 4 bedroom house with annexe, beautiful gardens, paddocks, indoor heated pool/leisure room, tennis court and stunning views across the Chew Valley. Approx 4.2 acres. EPC F.

A beautiful 2 bedroom (774 sq ft) hall floor apartment with private garden and communal garden. Drawing room, kitchen, 2 bedrooms, bathroom, guest WC, attic storage, private and communal garden.

Guide price £875,000

Coming Soon

Guide price £650,000

Clevedon

Queen Charlton

Detached 6 bedroom townhouse with land and stunning views.

A beautifully presented attached Grade II listed village house (1,713 sq ft).

3 reception rooms, 3 to 4 bedrooms, 2 bathrooms, gardens, detached double garage, adjoining modern office and parking.

Knight Frank Feb 2017.qxp_full page 25/01/2017 15:59 Page 4

MOVE. Faster. Sell with Knight Frank.

Our understanding of the ever-changing market enables us to price your property accurately so you can rely on Knight Frank to get you moving.

Call +44 1173 171 999 to arrange your free market valuation.

Knightfrank.co.uk/bristol bristol@knightfrank.com

Guide price: £1,350,000

New Instruction

KnightFrank KnightFrank.co.uk

Badgworth Substantial 5 bed farmhouse (4,343 sq ft) with a range of traditional outbuildings (4,033 sq ft) with planning to convert in to a separate dwelling. Riding arena, gardens and pasture approaching 11 acres.

Prices from £1,100,000

nTheMarket.com

Guide price: £2,250,000

Leigh Woods

Hinton Blewitt

LAST FEW REMAINING: Development consisting of 5 apartments and 6 family homes within the beautiful walled gardens of Burwalls with stunning views and established woodland grounds. Call for an appointment.

Wonderful listed former Rectory (7,610 sq ft). 5 reception rooms, kitchen/ breakfast room, 2nd kitchen, 6 bedrooms, 5 bath/shower rooms, utility, cellar, extensive heated garaging and gardens.

Guide price £750,000

Guide price £470,000

Wedmore

Clifton

A Grade II listed Georgian house (3,192 sq ft) with views. 4 reception rooms, kitchen/breakfast room, utility room. 4 bedrooms, 3 bath/shower rooms. Barn with stores and games room. Gardens, summer house.

A unique 2 bed 2 bath apartment in a desired location maintaining period features and original stained glass windows. This apartment also has the benefit of being newly refurbished to a high specification.

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THIS MONTH WE’VE BEEN...

Macy Gray will be playing one of our favourite venues, Colston Hall, on 19 March – see p26 for our interview (Image © shotaway.com)

Plotting...

from the

...Ways to get ourselves into one of the hotly anticipated string of Ricky Gervais dates at Colston Hall this month. The shows, running from 21-23 February as part of Ricky’s first live tour in seven years, sold out in minutes, so if you managed to bag tickets, unbearable smugness is entirely justified...

• colstonhall.org

EDITOR “...If I’m going to sing like someone else, then I don’t need to sing at all...”

– Billie Holiday

Excited for...

‘T

is jazz legend Billie Holiday that this month’s cover star – Grammy-winning singer-songwriter, musician, record producer and actress Macy Gray – credits with really teaching her how to sing, and showing her it was alright not to sound like anyone else and to sing with her own distinctive vocal style.

It’s these early influences, discovered during her college years, that Macy has returned to recently, with her latest album more of a stripped-back affair, as well as her first jazz recording – which has prompted a headline appearance at Bristol Jazz and Blues Festival next month. We’ll be cherry-picking a few more programme highlights in our March issue, but in the meantime, check out our interview with the Ohio-born songstress on p26 to see what makes her tick.

Back in the here and now, we’ve been fleshing out the February calendar with forward-thinking live art, dance and drama that aims to surprise and catalyse – promised as part of the In Between Time 2017 International Festival and taking place everywhere from local theatres and galleries to city streets and outdoor spaces. Also continuing to move out of its comfort zone over coming months is Tobacco Factory Theatres’ Beyond season, kindly previewed for us on p30 and p34 by artistic directors Mike Tweddle and Andrew Hilton.

Meanwhile, in other corners of the city, we’ve found a charity looking to measure and improve the happiness and wellbeing of Bristol as a whole (p60); a beautifully arresting new art-science exhibition by acclaimed Bristol artist Luke Jerram (see p36); and the new city centre seafood joint plating up some superb piscine pleasures (p46).

And no, you old romantics you, we haven’t forgotten Valentine’s Day – see p22 for some film ideas from a beloved Christmas Steps stalwart if you fancy some TwentiethCentury Flicks and chill, or p20 for gift inspo.

Needless to say, that ain’t all – but don’t let me stall you any further...

AMANDA NICHOLLS EDITOR Editor’s image by Paolo Ferla; ferlapaolo.com

@thebristolmag

10 THE BRISTOL MAGAZINE

thebristolmag.co.uk

|

FEBRUARY 2017

@thebristolmag

Image © Luke Jerram ...Luke Jerram’s new exhibition, opening on 4 February in At-Bristol’s new art space and featuring striking glass sculptures accurately depicting some of the world’s most dangerous viruses... We can always rely on Luke for something completely outside the box!

• at-bristol.org.uk

Shopping for...

...Tokens of our affection – like this cute silver necklace (£135) and bracelet (£65) set from Artemis in Bishopston. You know, for V-Day on 14 February...

• artemisbristol.co.uk

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ZEITGEIST

Top

5

things to do in FEBRUARY

GET BREWING

TASTE OF HISTORY The Victorians were a funny old bunch who spent time launching industrial revolutions, expanding the population and ensuring women kept their ankles under wraps – but have you ever wondered what they ate?

Throughout half term, from 11 to 19 February, ss Great Britain is hosting a Victorian baking experience, complete with pudding tasting and ship’s biscuit decoration.

Little ones can also explore diaries and artefacts from the era including a 143-year-old ship’s biscuit (we wouldn’t eat that if we were you), and soak up the atmosphere in the firstclass dining saloon. What better way to keep tykes entertained? Tickets £14 per adult, £8 per child, under-4s free.

The UK Barista Championships and Brewers Cup are coming to Bristol on the 14 and 15 February. Dedicated to showcasing the best upcoming barista talent, these guys will be hosted by Beyond the Bean at Paintworks, with each UKBC competitor making four espressos, four milk-based drinks and four non-alcoholic signature drinks in 15 minutes, while Brewers Cup entrants must prepare three hand-brewed filter coffees for inspection. Coffee fans are invited to watch – no need to buy tickets!

• beyondthebean.com

VISIT THE UNDERWORLD Revel in Insane Root Theatre’s retelling of Orpheus and Eurydice, taken from the Greek myth packed with love, drama and betrayal. Orpheus, gifted with musical talents, is tasked with saving his love Eurydice from the lifeless underworld armed only with his lyre. Having recently performed Macbeth in the atmospheric Redcliffe Caves, Insane Root is staging Orpheus in the suitably subterranean Suspension Bridge Vaults. Performances take place regularly between 17 February and 19 March, and with just 12 tickets available for each performance, we recommend making a move, fast...

• ssgreatbritain.org

WHAT’S THE SCORE? Paul Thomas Anderson’s critically acclaimed, 2007 historical epic There Will Be Blood takes centre stage at Colston Hall this month, offering up its masterful soundtrack as the jewel in its crown. Performed live by London Contemporary Orchestra on 7 February with Hugh Brunt as conductor, Radiohead guitarist and keyboardist Jonny Greenwood’s score is a masterful, tense, unnerving and highly dramatic piece worthy of praise in its own right. The orchestral performance is coupled with a screening of the film, featuring Daniel Day Lewis’ Oscar-winning performance as ruthless businessman Daniel Plainview, whose quest for wealth takes place during the oil boom of early 20th-century South Carolina.

• colstonhall.org.uk

• insaneroot.co.uk

FOR THE RECORD Internationally-renowned multimedia arts festival In Between Time is back, and boy do they have some tricks up their sleeve (see p38-39 for more).

One of the most hotly-anticipated shows is The Record, a collaboration between New York company 600 Highwaymen and 46 Bristolians with little to no acting experience – individually coached before coming together for the first time on stage. To make matters more exciting, the entire project has been kept under wraps since the auditions in September, other than a hint towards the ‘magnificent and inescapably human’ subject matter. It’s sure to be a wonderful show, promising dance, theatre and even ‘group hallucination’ – we don’t know what to expect, but we’ll surely be there for one of the Bristol Old Vic performances between 9 and 11 February.

• inbetweentime.co.uk

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FEBRUARY 2017

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THE CITY THE BUZZ

My

BRISTOL

We chat to local author Jo Platt

So, what are you up to at the moment?

Desperately trying to complete my third novel, but making a huge meal of the final four chapters. The truth is I don’t want to let go of any of the characters quite yet...

The eyes have it?

Plans have been put forward for a ‘Bristol Eye’ next to Bordeaux Quay, along with a luxury boutique hotel and other facilities. The £24million concept comes from Manor Property Group, who are also including a floating restaurant and covered area for market stalls and events in their plans, and working with CODA Architects of Queen Charlotte Street on designs. “We’ve been working on this scheme for around 18 months,” said Mark Bailey, development director at Manor Property Group. “It would provide a new focus in the heart of Bristol, bringing jobs, investment and extending the city’s leisure use.” Architect Ronnie Rennoldson, founding director of CODA, added: “In effect the hotel is on stilts floating above the public area, and we’ve designed a ‘roofed over’ public space which creates an atmospheric route to the existing Lloyds amphitheatre. The 125-bed hotel has restaurants and a bar beneath and enjoys views of the harbour-side location from a rooftop restaurant.”

Where did your career begin?

I’ve always enjoyed writing, whether it was poems for birthdays, the odd article for a local paper, or sketches for my children to perform at school. My novel Reading Upside Down was my first attempt at writing something longer. I wrote it purely for fun, and it was thanks only to the prodding of family and friends that I took it further, first self-publishing it in 2013 and then sending it to an agency. That led to the rights being picked up by publishers internationally and a deal for a second novel.

Tell us about your Bristol-set novel...

It Was You is about the changing relationships within a Bristol book group. It focuses on 30-something Alice Waites who’s been single for almost two years. When her friends gently question her reluctance to meet a new man, she decides it’s time to start dating again. I have taken some poetic and topographical licence when it comes to the Bristol setting, and I hope Bristolians will forgive me that. But Primrose Café in Clifton features, as does The Cambridge Arms in Westbury Park. And Alice’s garden flat is just off the Downs. My third novel is also Bristolbased and, although the locations are not yet set in stone, mention is made of the Downs Café, Leigh Court and No Man’s Grace.

What’s in the pipeline for 2017?

It will inevitably involve Book Three rewrites and editing – then I’ll start on Book Four...

Absolutely fabulous A new indoor go-karting centre has opened in central Bristol for those after an adrenaline rush, promising the fastest and safest karts in the form of the new Sodi GT5 – as well as a double-level track and free parking outside.

Kitted out with sizeable 270cc petrol-powered Honda engines, the new karts roar round the circuit and come equipped with impactabsorbing technology. The team at Absolute Karting also have specially designed karts for those aged eight to 13, so the whole family can enjoy a day at the track.

• absolutely-karting.co.uk

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FEBRUARY 2017

Why is it so good to be a creative here?

Bristol is socially and culturally diverse, with each area having a distinct identity and vibe.

At the same time, there isn’t any sense of division or polarisation. For me, the city is a wildly varied, but harmonious, whole. I think that diversity, coupled with an acceptance and celebration of differences, makes Bristol a great place to plough your own furrow.

What’s pumping through your speakers?

I’m driving to Paolo Nutini at the moment.

We saw him at Harbourside in 2014. He’s hard to beat on a lot of levels.

What are you reading?

Graham Norton’s debut novel, Holding, and I’m loving it. Graham Norton’s writing is an exact match for his free-flowing, entertaining and incisive conversational style and I can hear his voice loud and clear in my head.

Which venues are you loving?

I regularly drop into the RWA and am an enthusiastic visitor to the Old Vic and Hippodrome. Our family treat of choice is an evening at The Everyman – it’s a fabulous cinematic experience in elegant surroundings.

It helps that, at 5’9”, I can sprawl there in a way many venues don’t allow.

Which other local creatives do you admire?

My living room walls are hung with the collages of Jenny Urquhart.

• @JoPlattTweets

READ ALL ABOUT IT...

Foyles’ Charlotte Pope recommends Wishful Drinking by Carrie Fisher 2016 was a year in which we lost many icons of screen, music and culture.

One of these was Carrie Fisher, best known as the heroic Princess Leia in Star Wars. In Wishful Drinking, Carrie tells the story of what it was like growing up with two Hollywood A-lister parents in a world of glitz and glamour; discussing her time filming Star Wars and that famous hair-do, as well as her battle with addiction and mental illness. Though she often deals with the dark side of fame, the book is filled with hilarious anecdotes – from the time her mother was so worried about her daughter's LSD consumption that she got Cary Grant to phone and offer advice; to the time Carrie's father accidentally ate his hearing aids. Carrie was not only a legend of culture and film, she was a tireless campaigner for mental health awareness, and explains her bewilderment at the continued stigma associated with it: “If you're living with this illness and functioning at all, it's something to be proud of, not ashamed of. They should issue medals along with the steady stream of medication.”

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THE CITY Given the Elbow

The latest band announced to play Westonbirt Arboretum as part of Forest Live – the Forestry Commission’s summer concert series, where acts perform in spectacular woodland settings around the country – is Elbow. Over the past two decades, the band has risen to become one of the most important in contemporary British music, and since their 2001 debut album Asleep At The Back, their stature has grown massively, with frontman Guy Garvey’s story-telling lyrics continually honed. The band’s unique sound and intimate-feel live shows have established a passionate fan base as well as plenty of critical acclaim – including two Ivor Novellos and a BRIT award for Best British Band. If you were lucky enough to see their magical sunset slot at Glastonbury Festival’s Pyramid Stage, you’ll know this is a show not to be missed – especially given that their seventh studio album Little Fictions is to be released on 3 February. Elbow, plus guests, will play Westonbirt on 15 June. Tickets cost £41.50 (plus £4.65 booking fee).

BRISTAGRAM Some of our favourite recent snaps taken by folk around the city! Tag your Bristol pics using #thebristolmag

Sunset at

Dame Em il by @craigd y Park errick40

• forestry.gov.uk/music

night edcliffe by St Mary R ography ot ph s. m da by @bena

A sculpture th

at popped up last month (@sbw_adverti sing)

A-maze-ing news Local fans of cult game show The Crystal Maze were excited to hear the new Channel 4 series is to be made in Bristol. Fizz, RDF Television’s entertainment label, is basing the show at The Bottle Yard Studios, which offer the largest volume of flexible production space for film and TV production in the west of England. A purpose-built maze, spanning over 30,000 square feet, is being created by the original designer, James Dillon (who also worked on The Mighty Boosh and The Royle Family), while the show itself will be hosted by Richard Ayoade.

Originally airing from 1990 to 1995, the show returned in October for a Stand Up To Cancer celebrity special and proved a hit with loyal fans and newcomers alike.

“I first visited The Bottle Yard years ago and immediately knew it would be perfect for something and that ‘something’ has turned out to be The Crystal Maze,” said Jane Wilson, director of production at RDF Television. “The scale, atmosphere and versatility of the space perfectly complement the iconic status of the original show. The Bottle Yard’s unique features and the actual fabric of the building itself will be incorporated into a fantastic new set. Clearly we were made for each other.”

urants’ @polpo_resta e fizz ym th d an blackberry

• thebottleyard.com

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The Downs’ @one_ tree_one_year rocked the light spr inkling of snow

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On the move...

I

once had the strange experience of being trapped behind a police cordon, able to see my street but prevented from reaching it by several burly coppers. What, you may be wondering – given the helter-skelter world we live in – is so strange about that? Well, a couple of friends and I had just popped out for breakfast, and it was while enjoying our kill-or-cure full English that the police moved in.

At the time we were living in Highbury, London, and it so happened that the local football team (whose name begins with A and has a military ring) had just won a cup of some kind. The team was due to parade around the streets triumphantly, in an open-topped bus, and while we were eating the police cleared said streets and set up their cordon in preparation. The whole thing was a bit over the top, particularly the refusal of the aforementioned coppers to accept that we found ourselves on the wrong side of the barrier not because we were hooligans of some kind but because we were young, hungover, and not very observant.

I was reminded of this experience recently when I saw signs going up around Bedminster, warning of imminent road closures. It seems that after years – no, decades – of expensive shilly-shallying, new public transport infrastructure is being installed across the city. Does anyone remember Supertram? The fact that the name was probably chosen for its rock-n-roll associations tells us how long ago that particular masstransit-related fiasco began. Heavens, what a colossal waste of time and money! You could take a Jumbo across the water and enjoy kippers in Texas pretty much every day for years for the kind of cash wasted on that doomed project. If I remember rightly, it was political squabbling between neighbouring local authorities that put paid to a light rail system that would have connected the centre of Bristol to the northern fringe. But those days of disagreement are behind us now.

So dire is our traffic at peak times that the former Avon authorities have come together to give us Metrobus, which will enable people to travel between such farflung regions as Emersons Green, Hengrove Park and Cribbs Causeway. Again, a trisyllabic name, incidentally, but much more down-to-earth and – dare I say it? – European. They probably have a Metrobus in Hannover, our German twin city.

In these days of political turmoil this is all rather impressive, but in the short term, while the local road system is re-jigged, I’m a little concerned that our particular corner of south Bristol will be effectively cut off from the rest of the city. This has almost happened a few times recently, with water companies, highways people and council workers digging up roads here and there, apparently oblivious to each other’s activities. There was a point last summer when local conspiracy theorists could be heard muttering that it was all part of a plan to Keep Us Out. Or In. To force us to shop at a certain American-owned supermarket, or prevent us seeing just how peachy life has become north of the river.

This time it really does look as though we are to be hemmed in on all sides by roadworks, and for quite a while. Of course the prospect of such disruption is one of the factors that can turn the most eventempered citizen into a raving Nimby, but I am fully in favour of our new European-style, non-rail-based, mass transit system. I welcome a future in which buses trundle majestically down the middle of the M32, and it takes less than a day to get from Bishopsworth to Aztec West.

Bring it on!

But having been caught out once before, I don’t want to head out one morning for a nice breakfast, only to find myself on the wrong side of the Metrobus roadworks, with a twelve-week wait to get home. ■ 18 THE BRISTOL MAGAZINE

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SHOPPING | VALENTINE’S DAY

ONE FOR

the lovers STRAIGHT FROM THE HEART BOX, £39 It may not be the most original choice, but it’s certainly the failsafe! Mall at Cribbs; hotelchocolat.com

We’re not saying we’re all about the material goods on Valentine’s Day – hey, take us for a cost-free romantic stroll around a scenic part of the city and we’re bound to fall in love all over again (with Bristol, that is) – but a little token never hurt anyone, did it?

RING, £57 We love the aquatic tones of this gorgeous creation. Adore; adorejewelry.com

LACE PLUNGE BRA, £30 How about some elegant longline lingerie from the Rosie Huntington-Whiteley range? Mall at Cribbs; marksandspencer.com

TRUNK SET, £15 Comfy paisley print boxers wouldn’t go amiss, surely? Mall at Cribbs; topman.com

DIAMOND RING, £2,399 Okay, more than a token, we admit... Cabot Circus; ernestjones.co.uk

NARSISSIST CHEEK PALETTES, £45 ‘Sculpt out, glow long, blush up and bronze on’ with NARS’ multi-faceted palette. Harvey Nichols; harveynichols.com

NECKLACE, £30 Each Love Pebble pendant, from Tales of the Earth, has its own unique chime. Amulet; amuletboutique.co.uk

‘QUEEN’ LIPSTICK, £22 We love this shade from cult Australian brand Lipstick Queen. Harvey Nichols; harveynichols.com

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30ML BEARD OIL, £40 This oud wood conditioner will soften those bristles in a jiffy. Harvey Nichols; harveynichols.com

EARRINGS, £70 They’ll be pretty in pink with these sparkling rose studs. Mall at Cribbs; pandora.net

FEBRUARY 2017

SANDALWOOD SHAVING CREAM, £32 A classic fougere fragrance from Taylor of Old Bond Street with notes of geranium, lavender, rosemary and liquid amber. Mall at Cribbs; johnlewis.com

CUFFLINKS, £95 With their skull design, these are a modern take on a classic gift. Harvey Nichols; harveynichols.com

DIPTIQUE BAIES SCENTED CANDLE, £42 Because one can never have enough...

Mall at Cribbs; johnlewis.com

700ML CRYSTAL HEAD VODKA, £59.95 A toast, to us... Harvey Nichols; harveynichols.com

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FILM

20TH-CENTURY FLICKS & CHILL? In search of classic and alternative romantic movie picks to hunker down with on 14 February, Cate Brown solicits the advice of some of Bristol’s most knowledgable film buffs

V

alentine’s Day: the first commercial post-Christmas holiday, after a trying interlude of January blues and broken resolutions. For the more cynical among us, it is a time when romance is artificially forced upon us all, perversely stripping the day of, well, romance. For others, it is a welcome excuse to celebrate loved ones and lift spirits, helping us to complete the endurance marathon that is winter in Britain.

Wherever you stand on this spectrum, 14 February is peak hibernation season. We feel inclined to shun an outdoors adventure in favour of curling up – blanket in tow – in front of a warming fire, a glass of red and a great film. As romantic a notion as this is, reality often takes a different course: hours spent aimlessly perusing Netflix until someone – anyone, please – takes a gamble on an unknown title, which turns out to be such a disappointment you allow yourself to fall asleep within the first 30 minutes.

Thank goodness then, say we, for the team at Twentieth Century Flicks, Bristol’s much-loved indie DVD rental store. It boasts a library of over 19,000 titles and has been in existence for more than 30 years, the sole survivor of a truly obliterated market. Following a successful crowdfunding campaign in 2014, the store moved from its original home beneath Richmond Hill Terrace in Clifton to the city’s Christmas Steps, the perfect venue for a kooky business “that could only have survived in Bristol,” where there is a real want to keep the things we love about our community alive.

“Classic Hollywood rom-coms are dying off,” starts film buff and co-

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director Dave White, before we are momentarily distracted by the arrival of resident cats Alfie and Poppy. “It’s a reflection of the trend towards big-budget action adventures, which appeal towards the most profitable markets in Russia, China and India especially.” Co-director Tara Judah isn’t convinced, but advocates against the values that such rom-coms traditionally endorse, most notably wealth, conventional beauty and heteronormativity – and instead prefers films that celebrate the universality of romance, presenting it as an experience available to us all.

“A quirky film that absolutely every one of us here enjoys is Harold and Maude,” she says. “A film about the evolving romance between a despondent young man and a carefree, spirited pensioner, it pushes societal norms, as well as being just a feel-good favourite. Or there’s Safety Not Guaranteed, an American indie sci-fi that looks at lovers grappling with mental health issues; and Weekend, a wonderful gay romance story that begins with a chance encounter in a nightclub.”

Then, of course, there are the edgy, lovers-on-the-run films, she says – like Badlands and True Romance – as well as iconic French romances such as Une Femme Est Une Femme. “That’s not a typical love story as it features a love triangle, potential cheating and a constant uncertainty about whether [the lovers] will or will not make it,” reflects Tara. “But it’s also playful, sweet and really human in its depiction of love, showing realistic moments like when the couple dust off their feet before climbing into bed to make sure the sheets stay clean. It shows the simple and loving things which you can actually imagine couples doing.”

We’re interrupted by the arrival of Jo, a glamorous lady who proudly

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FILM announces that she’s now found her membership card (“It’s 23 years old, that thing!”) and that she and her elderly mother have come to rent All About Eve – “The one with Bette Davis, right?”

As they leave, the charm of this treasure trove fully dawns on me.

It’s an institution, a welcoming space for film-lovers to socialise and explore the wonky shelves at leisure. I put it to Tara and Dave that the store, in itself, is incredibly romantic – a throwback to days gone by and the equivalent of, say, making a mix tape rather than downloading songs instantly at the touch of a button. “That’s the way we work,” Tara explains. “It’s personal. We get to know you and what you like, so that we can recommend other films, maybe some you would have otherwise not considered. It’s how we learnt about film and it’s what a rental shop can offer that Netflix can’t: that enabling of discovery.”

This sense of nostalgia soon has us discussing the best classic romances, the black and white films that somehow never get old.

“Roman Holiday, featuring Audrey Hepburn and Gregory Peck, is a great one, not least because of the film’s stunning shots of Rome,” they suggest. “Then there’s It Happened One Night, a screwball 1930s rom-com about a socialite’s relationship with a rogue reporter.” Along with – as another customer chips in – the classic Sixties film, The Apartment.

Yet, not everyone wants idealised romance or the easy-watching on Valentine’s Day, notes Tara. “For some, it is a hallmark occasion that can make you feel, well, bad. While it may be happening around you, you might be in the mood for a horror or dark thriller.” If this is the case – and beyond the revenge classics of Fatal Attraction and Basic Instinct – “there’s Kramer vs Kramer, a courtroom drama based on a child custody battle, and Spoorloos (a Dutch film translated as The Vanishing), which follows one man’s attempt to track down his missing lover.” For a more heart-breaking portrayal of romance, an antithesis to the rom-com, Dave recommends Blue Valentine.

Featuring Ryan Gosling and Michelle Williams, it tracks the collapse of love in a relationship and “will surely break you”. Tara’s wildcard choice, though, is the magnificent Mustang – “one of the best films of

We reckon renting out the Flicks Kino could be a pretty romantic idea...

last year,” she says. A story of female empowerment, it follows the story of five sisters growing up in a rural Turkish town, as they attempt to fight against being married off in a patriarchal society.

Sensing that we could, perhaps, be here all night, a customer tentatively approaches: “Excuse me, we’re here to watch a film in your cinema?” With that, our chat is over and Dave and Tara leave to show the new arrivals to The Flicks Kino, a private, 11-seat theatre tucked away in the corner of the store – charm personified and available to rent from as little as £50 per screening. Now there’s a romantic idea for Valentine’s Day... ■

• 20thcenturyflicks.co.uk

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MUSIC

SHADES OF GRAY Soul singer Macy Gray has stripped back, grown up and gone back to basics, as she tells Emma Payne

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ention Macy Gray to most people and it won’t be long before they’re attempting the chorus to her biggest hit in their very best raspy tone. After shooting to fame with the Grammy-winning I Try in 1999, Macy’s career became something of a whirlwind of outlandish parties, international tours and surreal public appearances, but 18 years later, the Ohio-born singer, songwriter, musician, producer and actress has levelled out and returned to her jazz roots. Having modelled herself on Billie Holiday during her college years in the jazz cafés of Los Angeles, her latest album Stripped offers a silkier sound reminiscent of those early days, and as we chat to the songstress – best known for her soul and R&B – it’s clear the genre is as much a part of her as her signature hairdo.

“It’s a vibe record,” she purrs at us, exuding her own characteristically chilled vibe. “The opportunity presented itself to do something different to what I had done before. The tracks are mostly love songs, so it’s meant to make people fall in love again.”

And fall in love we undeniably have – with Stripped, that is.

Released in September, it certainly lives up to its name, partnering sparse, pared-back instrumentation with a seductive, sultry vocal.

Tracks like Slowly hark back to a bygone era – one where intimate moments were shared across candlelit tables and dating apps were nowhere to be found – and could easily have winged their way to us from an underground, smoky club in the depths of New Orleans.

It’s no surprise then, that Macy is headlining the Bristol Jazz and Blues Festival on 19 March, with a performance likely to please fans from every phase of her career and including everything from the ’90s soul in On How Life Is to the funk and disco on The Id and Big – not to mention covers of favoured records. “We pretty much cover all of the albums,” she says of her current show. “We haven’t finalised the set, but I’m pretty sure we’re just gonna do whatever the crowd needs to feel good that day and get everybody happy and jumping around and dancing,” she adds with a husky chuckle.

The festival pays homage to Bristol’s impressive jazz history – stemming back to the 1950s with star performances from Louis Armstrong and Duke Ellington – while also celebrating the best international talents of the 21st century. But now it’s a universally celebrated genre with musicians from myriad cultures putting their own stamp on the tradition, it’s easy to forget the original spirit of jazz and blues as it emerged in turbulent, mid-20th century America, no?

“People suffered in the ’40s, ’50s and ’60s with oppression, war, race relations and the way black people were treated in our country,” Macy says sombrely. “Musicians back then had a different kind of inspiration, different things to talk about and a different kind of heart.

They put up with so much that didn’t make sense and was unfair. The people in those times, when the world was figuring itself out, had a different energy. Now things are a lot easier, and people have completely different inspirations.”

One Stripped track stands out for its connection to this era of oppression, and it’s one that holds a special place in Macy’s heart.

“The Bob Marley track is one of my favourite songs ever and I think it’s one of the best lyrics ever written,” she says, with an adoration that comes across in her emotional Redemption Song cover. “I did my version, but that has always been a song I respect so I wanted to put it on the album. I don’t think there’s any Bob Marley song that won’t be around forever, that won’t have meaning 20 years from now.”

It’s not the only cover on the album, and we’re surprised to spot Metallica’s Nothing Else Matters reborn as a saucy jazz jam complete

with soaring trumpet improvisation. “I grew up in a time when there was a lot going on, musically,” she explains, as we ponder her eclectic influences. “People were still playing a lot of reggae and hip-hop was just coming out. I think I was in third grade when I heard Rapper’s Delight by Sugarhill Gang. I remember everybody in the class learnt all the words right away – that was the thing, you had to know all of those words!” she laughs.

“I was in middle school when MTV came out, and they mostly just played rock videos and pop like Whitney Houston. I hadn’t really listened to rock and roll before but it took hold of me right away. I knew every Van Halen song, every Metallica song. I used to try and sing like David Lee Roth.”

Heavy metal aside, we’re sure the young Macy – then known as Natalie McIntyre – must’ve been exposed to the previous generation of big band, swing and, most importantly, jazz. “You’re always influenced by your parents’ music,” she agrees. “My mum was really into Aretha Franklin and Elvis Presley and my dad was a James Brown fanatic, so I knew all of his songs. I was lucky that I got exposed to a lot of different kinds of music. I remember when Prince came out and jazz was still really popular, with Herbie Hancock and Steely Dan on the radio. It was a good time to be young and have all that music in your head.”

But growing up with powerhouse singers like Aretha and Whitney left the musician doubtful of her own abilities. “I didn’t think I was a great singer,” she says, to our surprise. “But when I got to college I discovered Billie Holiday and I used to really study the way she sang.

She was a huge influence of mine when I was learning, in as much as you can still sing without having to belt out or be a church singer. She showed me that you could have your own style and still be good.”

With Macy having embraced her unique voice and gone on to become one of the most instantly recognisable singers, we think ‘good’ just might be a bit of an understatement.

The sudden rise to fame, and all the opportunities it afforded, led to a “wild”, often controversial lifestyle – and touring in particular has left an indelible mark on her outlook. “It definitely opens you up to bigger things,” she says of her world travels. “You see that other people live differently, with different priorities. What’s important in the States is not important in somewhere like Hungary, for example.

“Living in a place like America... People think it’s the greatest place in the world, so if you never get outside of that you’ll spend your whole life thinking it. But then if you visit different countries you see that the world is so big, there are things in other places that we don’t have, and there are great people everywhere. So that’s a good thing to know. When things are happening you think about the world, not just the States. A lot of people are just closed in to what’s going on here, and after you go out you’re open to doing things for other people and other countries.”

She’s achieved so much that we’re keen to know what Macy’s ambitions are for the future. Perhaps a star-studded collaboration (she recently guested on an Ariana Grande track) or a reality TV show with her three “music head” children? “I just want to be remembered,” she says, and happily, having held court in the music world for almost two decades – with nine studio albums, two Brits, a Grammy, a varied acting career, the upcoming tour and another album release this year – it doesn’t look like this funky feline is fading away anytime soon. ■ • colstonhall.org; bristoljazzandbluesfest.com THEBRISTOLMAG.CO.UK

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LOCAL | EVENTS

WHAT’S ON There’s plenty to do in the city this month...

National Theatre’s Amadeus is screened live at Curzon Cinema

Strictly Come Dancing stars Anton Du Beke and Erin Boag quickstep around Bristol Hippodrome

Alistair McGowan and Jasper Carrott come to Bristol Hippodrome

International. Tickets from £3 to £8; bristol-cathedral.co.uk

FROM 1 FEBRUARY 1 FEBRUARY, 1PM – 2PM

Deliciously Ella Book Signing, Foyles Bookshop Meet the writer and blogger behind the bestselling cleaneating book Deliciously Ella Everyday as she launches her follow-up healthy recipe bible Deliciously Ella with Friends.

Entrance is free; foyles.co.uk

Amadeus, Curzon Cinema Join National Theatre Live and relive the story of a rowdy young Mozart, precocious and gifted, as he arrives in Vienna determined to make an impact on the music world. Tickets from £8 to £10; curzon.org.uk 4 FEBRUARY, 10AM – 4PM

CD and Record Fair, Colston Hall Seventy dealers descend on Colston Hall for the biggest record fair in the South West, selling everything from bargain buys to rare collectables from the 1950s onwards. Entrance is free; colstonhall.org.uk 7 FEBRUARY, 7PM

SOLD, Bristol Cathedral Gillian Anderson and Emma Thompson star in a sensitive yet direct anti-trafficking film based on the life of 13-year-old Lakshmi. Screened in partnership with Childreach

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Bristol Ensemble: Minimalists III, St George’s

2 FEBRUARY, 7PM

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FROM 8 FEBRUARY

Celebrate Philip Glass’ 80th birthday with this performance of his String Sextet alongside pieces by Stravinsky, David Lang and Terry Riley, from the Bristol Ensemble and Bath Camerata. Tickets from £5 to £23; stgeorgesbristol.co.uk 12 FEBRUARY, 7.30PM

Jasper Carrott and Alistair McGowan, Bristol Hippodrome This comedic match made in heaven draws on two great careers, offering an inimitable combination of hilarious impressions and classic standup. Tickets cost £28.75; atgtickets.com 13 – 14 FEBRUARY, 8PM

Miles Jupp, Bristol Old Vic Rev star and stand-up comedian Miles Jupp tries to make some sense of the world around him, sending up hipsters, social media, manners and medicine in the process. Tickets cost £18.50; bristololdvic.org.uk

Following the success of her best-selling book A Mindfulnesss Guide for the Frazzled, cognitive therapy Oxford graduate Ruby Wax helps us to live a saner life in this insightful discussion.

Tickets cost £20; redgravetheatre.com

16 FEBRUARY – 1 APRIL, TIMES VARY 14 FEBRUARY, 7.30PM

Indiscreet, Bristol Cathedral Chapter House Enjoy a steamy hot chocolate and cuddle up with this classic 1958 rom-com starring Cary Grant and Ingrid Bergman. A beautiful actress falls for a supposedly married man, and the rest is cinematic history.

Tickets from £8 to £10; bristol-cathedral.co.uk 14 – 18 FEBRUARY, 2.30 PM & 7.30PM

Evita, Bristol Hippodrome Tim Rice and Andrew Lloyd Webber’s iconic musical, featuring Dont Cry For Me Argentina and Another Suitcase in Another Hall, depicts the extraordinary life of the ambitious Eva Perón, wife of former Argentine dictator Juan Perón. Tickets from £17.90 to £49.40; atgtickets.com

Ruby Wax: ‘Frazzled’ Forum, Redgrave Theatre

FEBRUARY 2017

Shakespeare’s Othello, Tobacco Factory Theatres Guest director Richard Twyman of English Touring Theatre presents one of Shakespeare’s most contemporary tragedies, centered on universal themes of discrimination, fear and jealousy.

Tickets from £12 to £24; tobaccofactorytheatres.com 18 FEBRUARY, 12PM – 4.30PM

Move Over Darling, M Shed Bristol artist Tom Marshman marks LGBT history month with a walking gallery tour peppered with stories of local people, from protests and politics to racier tales of LGBT life in Bristol.

Entrance is free, although donations to the museum are welcome; bristolmuseums.org.uk 20 FEBRUARY, 7.30PM

Alpines, The Louisiana FROM 15 FEBRUARY 15 FEBRUARY, 7.30PM

14 FEBRUARY, 4PM

and hugely successful recording artist Barbara Dickson MBE brings her unique Scottish folk sound to Weston Super Mare, coinciding with a brand new album release. Tickets cost £27; parkwoodtheatres.co.uk

Barbara Dickson, Weston Super Mare Playhouse Olivier Award-winning actress

Futuristic London band Alpines combine R&B melodies with stunning soundscapes and innovative production techniques to create an altogether new sound. Tickets cost £9; bristolticketshop.co.uk

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LOCAL | EVENTS

21 FEBRUARY, 3PM

The Grove Quintet, The Lantern Recent graduates of the Royal Academy of Music present music from Nielsen, Barber and Françaix in this lunchtime concert at Colston Hall’s second venue, The Lantern. Tickets cost £5.50; colstonhall.org.uk

FROM 22 FEBRUARY 24 & 26 FEBRUARY, 12PM – 7PM

‘Meet the Experts’ Weight Management Event, Nuffield Health Personal trainers, physiologists and nutritional therapists at Nuffield Health Bristol are helping locals to create healthy diet and fitness plans across two days this month. Entrance is free, booking is required; nuffieldhealth.com 24 FEBRUARY – 18 MARCH, 2.30PM & 7.30PM

Junkyard, Bristol Old Vic Three teens, one determined man and a whole lot of rubbish in 1979 Lockleaze: follow the true story of ‘The Vench’ playground in local awardwinning writer Jack Thorne’s play. Tickets from £9.50 to £30; bristololdvic.org.uk 25 FEBRUARY, 7.30PM

Exultate Singers: A Sense of the Divine, St George’s The Exultate Singers take a whistle-stop tour around Europe with a spectacular selection of choral works, including music by Tallis, Bach, Gabrieli, Kodály, Bartók and Shostakovich.

Tickets from £5 to £24; stgeorgesbristol.co.uk 26 FEBRUARY, 3PM

Anton and Erin, Bristol Hippodrome

Strictly Come Dancing may be over, but dance fans will love watching the nation’s favourite ballroom couple as they dazzle with sensational choreography and glittering costumes. Tickets from £27.40 to £50.40; atgtickets.com

Nuffield Health Bristol holds a ‘Meet the Experts’ fitness event

26 FEBRUARY, 4PM & 7.30PM

Underground Classical, Loco Klub Insight Ensemble and performers from Impermanence Dance Theatre present pieces by Grieg, Mahler and Ives in this unusual underground performance in the historic Loco Klub. Tickets from £5 to £12; headfirstbristol.co.uk Exultate Singers take a musical tour of Europe. Image © Jon Craig

28 FEBRUARY, 8PM

The Handsome Family, St. George’s Join husband and wife duo Brett and Rennie Sparks as they perform a selection of tracks from their 10 albums, including 2016 release Unseen. Tickets from £18 to £20; stgeorgesbristol.co.uk 28 FEBRUARY, 7PM

Sophie Ellis Bextor with Guests, Trinity Centre The Murder on the Dancefloor pop-disco singer returns to Bristol following the success of her latest album, Familia.

Tickets cost £20.50; 3ca.org.uk

NEXT MONTH...

12 MARCH, 7PM

St Matthew Passion, St George’s City of Bristol Choir and The Lochrian Ensemble tell the Easter story of Christ's arrest, trial and crucifixion with Bach’s exquisitely beautiful St Matthew Passion. Tickets from £5 to £25; stgeorgesbristol.co.uk

Husband-wife duo The Handsome Family perform their hits at St George’s. Image © Brandon Soder

EDITOR’S PICK...

25 – 26 FEBRUARY, ALL DAY

BBC History Magazine Weekend, M Shed BBC History Magainze offer a new perspective on two of the most influential periods of Britain’s history, in a weekend bursting with lectures, discussions and book signings. The Saturday will see noted popular historians delivering stories from the Victorian era, while historian and broadcaster Bettany Hughes takes visitors into the evening with an engaging discussion on Istanbul. World War Two will then form the focus of the second day, offering a fresh outlook on the battles which shaped a generation. Tickets cost £80 per day, or £14 for the Bettany Hughes lecture.

• historyextra.com

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The Girl and the Giraffe will be performed at Bristol Grammar School from 12 to 14 February

THE GREAT BEYOND Tobacco Factory Theatres’ artistic director Mike Tweddle picks out his highlights from the diverse season of productions taking place outside of the Factory Theatre, across the city, until May

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s 2017 gets going, we feel very privileged this season to be presenting work, as usual, in our intimate Factory Theatre at Tobacco Factory Theatres in Southville, while also working in a hugely exciting range of venues around Bristol as part of our biggest Tobacco Factory Theatres ‘Beyond’ season yet! We’ll be bringing an adventurous, eclectic programme of shows into surprising, welcoming and atmospheric spaces all over this wonderful city.

In a few weeks’ time we’ve got a heart-warming, beautiful piece of children’s theatre – The Girl and the Giraffe – coming to the brand new 1532 Performing Arts Centre at Bristol Grammar School. It’s a magical and emotionally intelligent piece about friendship and depression, full of laughs and loveliness – a perfect treat at half term.

We’re proud to be presenting theatre from eight different countries during the spring. One such show is the hit production Posthumous Works from multi-award winning Danish company Out of Balanz. It’s performed with irresistible skill and humour by Ivan Hansen, who is going to cycle all the way from Copenhagen to Bristol, in order to regale us with stories about the many loves, losses and bikes of his life. It’s on during the Easter holidays at the marvellous Wardrobe Theatre, and the company will also be running a holiday workshop for 14 to 19-year-olds.

Like Out of Balanz, Toronto-based company Why Not Theatre have toured the world to great acclaim, and their show A Brimful of Asha, performed by the playwright Ravi Jain alongside his Artistic director mother Asha, was a Mike Tweddle huge hit in London

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Toronto’s Why Not Theatre present A Brimful of Asha – the story of two generations coming to blows over arranged marriage

two years ago. It’s a hilarious, powerful story of two generations coming to blows over the issue of arranged marriage, and lovingly finding their way through it – catch it in Bristol before it takes New York by storm.

Meanwhile, our co-productions with Shakespeare at the Tobacco Factory of two classical plays as part of the annual Shakespeare and Classic Drama season includes the most exciting production of Othello you’re likely to see in years. An incredible cast – which includes the spellbinding Mark Lockyer as Iago – combines with top Shakespearean director Richard Twyman to bring us a fresh and unforgettable exploration of racial prejudice, manipulation and betrayal. Paired with a blisteringly up-to-date version of Tartuffe, adapted and directed by theatrical legend Andrew Hilton (get his take on the season on p34), these will be two classical plays with something very powerful to say about our modern times. I can’t wait for it all to kick off, and I really hope to see you there! ■ • tobaccofactorytheatres.com

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THEATRE

FACTORY SETTINGS Artistic director Andrew Hilton shares his thoughts on two unmissable new takes on classic productions, co-produced by Shakespeare at the Tobacco Factory and Tobacco Factory Theatres

Richard Twyman has been particularly interested in Othello’s identity as a ‘Moor’

L

ooking for a good opportunity to get reacquainted with two of literature’s greatest masters? We advise heading over to Southville, stat, where, this season, Shakespeare at the Tobacco Factory (stf) is breathing brand new life into a couple of complete classics – one by Shakespeare and one by Molière.

TBM: So, Andrew, what can we expect from these two productions?

AH: Richard Twyman – only our third guest director in 18 years – will bring his fresh perspective to Othello, as well as a number of exciting actors, new to stf and the Tobacco Factory. Richard is particularly interested in Othello’s identity as a ‘Moor’ – therefore a man born into an Islamic culture – and has been researching Jacobean England’s perception and experience of Moorish influence in Western Europe. At the same time, his production will have a modern setting. Richard is an exciting director, with a fine track record that includes the RSC, and he has recently been appointed artistic director of English Touring Theatre.

Tartuffe is a completely new version, by my long-term collaborator Dominic Power and myself. We follow the structure of Molière’s play fairly precisely, and its family relationships, and we have written in rhyming verse, but have otherwise reinvented the play. In the 1660s, Molière wrote of a wealthy Parisian household usurped by a fraudulent religious zealot, whose design is to get his hands on the family loot. In our version, the villain becomes a bogus business guru with the same intent, who has battened on the family of a junior minister of state in the current British government. The result is British political satire married to French farcical comedy – a brew we hope will provoke and delight.

Can you pick a favourite moment in each of the shows?

The idea of a favourite moment in that most painful of tragedies, Othello, is an odd one; but one of its most intriguing is the scene between Desdemona and Emilia, when they talk about men’s behaviour towards women. It can be played as a kind of therapy session, with Emilia as a kindly but worldly-wise adviser, but to me more interestingly – and tragically – as a revelation of an unbridgeable experiential and philosophic divide between the two women. Of course, Richard and his team may find yet another option – with Shakespeare you never reach the end of possibility. Tartuffe is particularly famous for the scene in which Elmire makes her husband, Orgon, hide underneath a table to witness Tartuffe trying to seduce her (Orgon has refused to credit reports

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This version of Tartuffe sees a bogus business man batten on a minister of state

of such behaviour). It’s gloriously funny, and we’re confident our substitution of a grand piano for a table won’t spoil the fun one iota.

What’s been the most challenging aspect of each production?

Casting is certainly the most stressful part of the process. Those choices are so definitive and yet irrevocable. Have I got the balances right? How will these actors work together? Which possibilities in characterisation am I opening up, which – if any – am I closing down, before we even reach the first read-through?

Why do you think Shakespeare’s work still attracts audiences?

I don’t believe anyone writes more convincingly of humanity than Shakespeare. If sometimes that humanity seems buried beneath the preoccupations, the manners and the dress of people of a very different time, then it’s the job of directors and actors to bring it back to the surface. And it can so easily be done. I don’t recall a single moment in my decades of acting and directing Shakespeare of saying “This just isn’t convincing any more, we know better than that now about what makes people tick.” Shakespeare was not a salesman for ideas, projects or philosophies, but fascinated in the possibilities of exploring hearts and minds in stories – almost always stories he found in other writers’ work.

Those transformations, whether from the work of great writers like Chaucer and Ovid, or minor figures only remembered now for their Shakespeare connection, will remain among the greatest things we have, as long as people read and go to the theatre.

What inspires you?

Live performance, and simplicity of presentation, which is why I leapt at the chance, 18 years ago, to produce in the Tobacco Factory. And converted spaces, like the Factory, also have a character that more than compensates for their practical shortcomings. My two main interests have always been classic theatre and brand new writing – if you like, complex literary drama from the past and writing on the point of making it onto the stage for the first time, where the director acts as a sort of midwife. I did that for several new plays in the 1970s in London, and then for Show of Strength at the Hen & Chicken in the 1990s, before inaugurating the Shakespeare seasons in 2000. Reinventing a great Molière comedy brings those two strands together! ■ • stf-theatre.org.uk

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ART-SCIENCE

GOING VIRAL

What happens when an internationally renowned Bristol artist and local scientists put their heads together?

R

emember Luke Jerram, the multidisciplinary Bristol artist who brought us the giant Park Street waterslide? And the flotilla of abandoned fishing boats in the depths of Leigh Woods? Ah yes, that guy – now you do. Well, over the past decade he’s looked at the synergy between art and science, and created something quite beautifully, wonderfully unique (we’d expect nothing less by now – he’s really got a knack for that, hey?) occupying the exciting space where these two subjects meet.

Through eight jewel-like sculptures, Glass Microbiology – showing in At-Bristol’s new art-science space The Box – brings the usually invisible world of deadly viruses to life, showcasing accurate representations of how they appear under the microscope. Designed in consultation with virologists, including those at the University of Bristol, and using a combination of different scientific photographs and models, the sculptures depict infections such as Zika, HIV, SARS and Smallpox, and were made in collaboration with glassblowers Brian Jones and Norman Veitch.

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realise his works, and is known worldwide for his large-scale public installations. (We loved Play Me I’m Yours, which saw over 1,500 street pianos installed in more than 50 cities, for the public to play.) “The Box is great new arts space and opportunity for the artistic and scientific communities of the city to come together."

“The integration of art, science and culture is an urgent and wonderful quest where beautiful new ideas and experiences can arise,” added Anna Starkey, At-Bristol’s creative director. “Luke is an artist whose practice occupies this highly inventive world between disciplines – generating new approaches in the process. His Glass Microbiology work has influenced the way scientists visualise viruses, as much as the scientific subject influenced the art to begin with. Luke’s sculptures can be found around the world, and so we’re delighted to be able to present this particular collection for the first time in his home city.”

Opening on 4 February, Glass Microbiology will run until September, and is included in the At-Bristol general admission price. ■ • at-bristol.org.uk; lukejerram.com

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ART-SCIENCE

Salmonella – all photography

by Luke Jerram

Zika Virus

Untitled Future Mutation

Adenovirus

HIV

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ARTS

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ARTS

THE IN BETWEENERS Extraordinary live art, unusual experiences, and stories that surprise, inspire or catalyse: prepare to flesh out your February with some forward-thinking, cultural goodness

Opposite page, clockwise from top left: Lone Twin present Beastie (pic © Pekka Makinen); there’s dance in the form of Voodoo (pic © Katarzyna Perlak) and Ghost Dance (pic © Grace Surman); Ria Hartley married herself in 2013 and now she’s inviting you to the reception (pic © Benji Reid); Cock and Bull is a response to empty political promises (pic © Julia Bauer); Martin O'Brien’s IBT work questions what it means to be born with a lifethreatening disease (pic © Tim Fluck)

T

he city’s creative calendar continues apace this month, thanks to international arts producer In Between Time (you know, the guys that brought us the Fog Bridge back in 2015) and its 2017 festival. Running from 8-12 February, with dance, theatre, live art, activism and music to be found everywhere from theatres and galleries to city streets and outdoor spaces, the IBT17 Bristol International Festival is bringing a host of world-leading British live artists – selected by a panel of esteemed live art producers and funded by Arts Council England – to our neck of the woods, to showcase their works to local audiences as well as 100 producers from six continents around the world.

So what exactly is the big idea? Well, it’s all about sharing the work of artists who are unafraid to stand up for their beliefs as the world changes, portraying a version of Britain that is contemporary, open, defiantly different, and rich with a diversity of voices (like Bristol itself you might say), that’s what. The programme features everything from work by performance artist and cystic fibrosis sufferer Martin O’Brien, that questions what it means to be born with a lifethreatening disease; to Nic Green’s Cock and Bull – a response to the repetition of empty political promises that sees three female performers convene their own, alternative party conference in a post-truth era. Tania El Khoury’s As Far As My Fingertips Take Me, over at Arnolfini, shares stories of those who have challenged border discrimination, through a conversation of touch and sound between an audience member and a refugee; while Katy Dye’s Baby Face explores the paradox of a society that encourages boys to be men but women to be girls; and Rachael Young’s Out challenges homophobia within Caribbean communities.

The whole thing starts with a 12-hour – yes 12-hour – performance of Lone Twin’s Ghost Dance: two silent, blindfolded cowboys ‘blown in from elsewhere’, perfectly matching each other’s footsteps and expecting members of the public to step up when exhaustion kicks in. Later in the programme, they present Beastie, a creation conjured from the imaginations of children and popping up at unexpected times, in unlikely locations, over the course of the festival – inviting children to attend workshops to complete Beastie’s story. Kids will also be able to get involved with the Live Art Development Agency’s Playing Up on 11 and 12 February – a role reversal game at Arnolfini, where all ages may find themselves dancing with animals, remote controlling an adult, or following a random passer-by.

As well as an undoubted highlight in the form of UK premiere of The Record, by award-winning New York theatre company 600 Highwaymen at Bristol Old Vic (see p12 for more), Ria Hartley, who married herself by civil ceremony in May 2013, will be in town to invite Bristolians to be her guests at Look No Further, her post-wedding reception dinner at Trinity Centre on 12 February.

“The last 20 years has seen a significant growth in a body of live art practice that is uniquely British and best placed to reflect the UK in all its extraordinary diversity,” says Helen Cole, the festival’s artistic director. “In Between Time has

been central to demystifying live art, contextualising the work away from the margins and often placing it centre stage and in the public realm.”

"Live art in the UK is a beacon for artists and curators from around the world who are engaged with interdisciplinary, experiential practices that offer audiences something new,” adds Lois Keidan, co-founder of Live Art Development Agency, and one of the panel who selected some of the exhibiting artists. “The IBT17 International Showcase will be an opportunity to see the work of some of the most interesting, exciting artists working in the UK today."

Keep an eye out for Lucy McCormick’s Triple Threat too, which sees her take centre stage to re-enact the New Testament through dance, power ballads and performance art. Hilarious and shocking in equal measure, it was considered one of the most extreme and extraordinary events at the Edinburgh Fringe. Then, there’s Katy Baird’s Workshy, for those who are interested in exploring Britain’s approach to work and the relationship between labour, class and aspiration; Woodland, running from 9-12 February in a secret location, and encouraging audiences to become at one with the forest via artists French & Mottershead’s meditative audio work; or Project O’s Voodoo which showcases two dancers who map out the movement of their memories and the gaps in their knowledge.

A further strand to the celebration is to be held at the old IMAX cinema on the Harbourside, where a series of music and film events programmed with Colston Hall is planned.

On 9 February, electronic and techno producer Max Cooper will be joined by synthesizer genius Rival Consoles, before British electro-rock, post-industrial duo Factory Floor take to the stage on 10 February, sharing their musical experiments and joined by electronic musician and graphical artist Konx-Om-Pax. Towards the end of the festival, on 11 February, the keenest musos among us might want to check out The Art of Application – a discussion on scoring for film with the likes of Bristol-born record producer and songwriter Neil Davidge, known for his co-writing and co-producing for Massive Attack; founding member of Tindersticks Dickon Hinchcliffe, and award-winning composer Michael Price, who has produced soundtracks for Sherlock. The same evening, the entire festival will be celebrated with the huge and immersive Dawn Art Party – featuring plenty of interactive light and video plus boundary-pushing musicians and DJs including Ivor Novello-nominated DJ and alchemist of avant-garde sound Matthew Herbert; Bristol favourites Shapes DJs; and otherworldly visuals from Limbic Cinema, at The Old Fire Station. Summon your inner night owl and join the dawn treaders from 10pm right through until 4am...

Set to be the “bravest festival yet” according to director Helen Cole, this is definitely one to make time for and we, for one, are excited to get amongst – no, in between – it all...

• inbetweentime.co.uk

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EXHIBITIONS

STATE OF THE ART Beautiful Hours Spin Painting IX, Bristol Museum & Art Gallery, until December Currently on loan, from a private collector, to Bristol Museum and Art Gallery is a painting by one of the world’s most famous contemporary artists, Damien Hirst.

Displayed alongside other contemporary works, the beautifully vibrant piece Beautiful Hours Spin Painting IX can be found in the museum’s Modern and Contemporary art gallery, where it will remain until the end of the year. Bristolborn Hirst first found fame when he captured the attention of Charles Saatchi in 1988, and 2017 marks the 20th anniversary of the Sensation exhibition at the Royal Academy of Arts that made him – and fellow Young British Artists including Tracy Emin and Sarah Lucas – household names. His spin paintings are made by pouring household gloss and turpentine onto rotating canvases, and while Beautiful Hours borrows a well known art-historical symbol of passing time, the skull, the liquid swirls of acidcoloured paint suggest fluidity rather than mortality.

• bristolmuseums.org.uk

For The Love Of It, Guild Gallery, until 18 February Why not head to the Bristol Guild of Applied Art on Park Street this month, if you need to up the culture quota, and check out some works by three artists who have been united by their passion for creativity. Deborah Mann has been investigating colour, line and form in sculpture, painting and drawing in pursuit of perfect moments (see her work Feet, pictured); while Susie NottBower has been aiming to convey the essential nature of being human through portraiture, life drawing and writing; and ceramicist Julia Shaw has been spending time exploring the qualities of clay.

• bristolguildgallery.co.uk

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Woman, Hamilton House, 2–17 February A social artistic project where female artists share ideas about violence towards women in modern society. Artists Grise Malayerba, Aránzazu Pérez, Maria Linares and Cristina Cuevas explore how different gender issues, like domestic violence, gender inequality and socio-cultural repression affect women, and show their rejection of these issues through art. Some works confront twisted ideologies in the media, while others show solidarity with the struggle for equality.

• hamiltonhouse.org

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EXHIBITIONS

Lubaina Himid: Navigation Charts, Spike Island, until 26 March Lubaina Himid was a pioneer of the Black Arts Movement in Britain in the 1980s, which offered a forum for black artists exploring the social and political issues surrounding black history and identity. This exhibition – a collaboration with Modern Art Oxford and Nottingham Contemporary – focuses on migration, labour and creativity. Anchored by Naming the Money (2004), an installation of 100 life-size, painted figures that has been shown only once before in its entirety, the presentation brings into dialogue major works from the past 20 years.

• spikeisland.org.uk

Strange Worlds: The Vision of Angela Carter, RWA, until 19 March Chagall, Rego and Pacheco evoke the haunting magic of Angela Carter in a new exhibition from Bristol’s first art gallery, 25 years after her death. Celebrating the life, work and influences of one of the most distinctive literary voices of the last 100 years, it will invite a dialogue between art, literature and the imagination by exploring the artists who influenced Carter and those who were inspired by her.

Delving into the latent meanings of childhood fairytales and the twisted imagery of gothic mysticism, the show pays homage to the dark, compelling drama of Carter’s visual imagination – brutal, surrealist and savage. It will reveal the profound impact of her work on 21st century culture, and include painting, sculpture, drawing, installation, printmaking and film from the 19th century to the present day.

Echoing her recurring themes of feminism, mysticism, sexuality and fantasy, it will include historically significant works by Marc Chagall, William Holman Hunt, Dame Paula Rego, Dame Laura Knight, Leonora Carrington and John Bellany.

• rwa.org.uk

Also not to be missed... ● Life of Clay: Experimental Practice at Grymsdyke Farm, The Architecture Centre, until 12 March What happens when technologies collide? In a converted farmhouse in rural Buckinghamshire architects, artists and designers are using robotic arms, sausage makers and potter’s wheels to experiment with clay processes and the potential of site-responsive architecture. This exhibition brings together the clay works of Grymsdyke Farm, from finely glazed ceramics to intricate 3D printed screens. Working in collaboration with research institutions, students and makers, Eleanor Morgan and Guan Lee explore the trial and error processes involved in creating new forms from an old material and the lively possibilities of clay. Life of Clay, curated by Eleanor Morgan and Guan Lee, is the outcome of a RIBA Research Trust Award, and was originally shown at RIBA London.

• architecturecentre.co.uk

● A Sense of Space, Lime Tree Gallery, until 21 February A sense of space has always been, by definition, an integral part of still-life painting.

Stillness is an unchanging relationship between an object or objects and the space in which it sits. Over the years, painters have sought to exploit this relationship in many ways. Maybe the often beautiful combination of traditional realist painting set against a vague or even abstract background. Or perhaps representing the objects so that they appear weightless and floating in lightly suggested twodimensional space. Traditional realism has every detail of the background carefully considered and faithfully reproduced. This show brings together a wide range of artists, who cover a broad spectrum of still-life painting, including James Blanc NEAC, John Button, Mhairi McGregor RSW, Lucy McKie ROI, Robert Walker and Mats Rydstern. A strong, colourful and varied exhibition offering something for all.

• limetreegallery.com

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MAKING CONVERSATION We chat to Emma Hopkins, the Bristol-bred creative leading the ways of modern communication on Twitter…

Words by Bethan Andrews

“D

id you know that the most used emoji in Bristol is the watermelon?” laughs Emma Hopkins, a creative specialist who is quite possibly more down-with-the-kids than the kids themselves. Having grown up in Bristol, and inspired by our arty, techsavvy city’s pioneering ways, Emma has forged a crazy new design route of her own, to suit our increasingly digital world. We reckon you’ll probably be familiar with her work too – as it’s her job to design the Twitter emojis now assimilated into our everyday social media comms.

Of course, the world has gone mad for all things imagery. Heck, the laughing/crying face emoji was even the Oxford Dictionary Word of the Year in 2015 (apparently it is officially known as the ‘Face with Tears of Joy’ emoji). While they might be tricky to describe, emojis can accurately sum up emotions, objects and people in one little pictograph, and the widely used ‘Tears of Joy’ was chosen as “the ‘word’ that best reflected the ethos, mood, and preoccupations” of that year. Perhaps unsurprisingly, then, Emma has become something of a wonder over the last few months, appearing on the likes of The One Show and in Marie Claire magazine to talk about her unusual career.

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pretty fast for Emma though, even having studied graphic design and visual communication at Bath Spa University, it wasn’t something she really foresaw. “I applied for a job at Twitter as a sales designer where I predominantly worked on B2B and event design materials,” she remembers. “One day I was asked to do some X Factor emojis and they went down really well. From there, it developed into me doing all the emojis for Twitter and that’s now my entire job.”

While the pictograph has experienced quite the rise over the last few years – it has even made the headlines on occasion – Emma’s is a very new career path that has opened up, so who knows how it will develop? “It’s something I see continuing to grow,” says Emma. “I did wonder at first if it would just be another fad, but it just keeps gaining popularity. I can see it as a career that young people might aspire to be a part of, due to the way I’m immersed everyday in popular culture.”

Although we might quickly apply an emoji to a tweet or a message without a second thought, it’s actually quite a complicated task to design one and ensure all the necessary detail is packed into one very tiny square. It all depends what’s going on in the world at the time or what is trending on Twitter,

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Emma kindly fashioned us our very own bespoke Bristol emojis – can you work out what each represents?

too. So, for example, during the Brit Awards, Twitter aims to drum up conversation around that and get fans more excited.

“You have to think about what the fans are going to enjoy, so do they want to see a Brit Award or do they want to see faces, like One Direction, Adele or Justin Bieber?” Emma explains. “From there, I go in to researching. When Adele brought out her new album, she came back with a new hairstyle and she’s very famous for her eyeliner and lipstick – so I ticked these off as important elements. The length of the design process depends on how detailed or abstract they are, and they have to be approved by art and management too.”

Of course, they have to be made instantly recognisable to be successful as well – a skill Emma has honed while illustrating everyone from 1D to the Queen and Shakespeare – and there are no-nos such as using bright neon colours, because on such a small scale you simply don’t see them.

Art and creativity have always been a huge part of Emma’s life, and her passion has seen her career take many different turns, from illustration and branding to her current work – all of which she sees Bristol as the definitive starting point for. “Bristol inspired me as an arty city,” she recalls. “I love it – it feels like a mini London, and I love North Street and all the graffiti. It helped to feed my talents growing up, as the culture is so creative and you’ve got amazing places like the Arnolfini on your doorstep.”

So what advice would she offer those hoping to follow into a similar career in modern design? “Practice the things that you can’t do – when I was studying, I learnt quickly that the internet and digital design was the way forward, so I pushed myself in those areas,” she says. “Always keep an eye on where the industry is heading.”

And we’re longing to know, as we struggle to think of anything to explain it rather than a possible proclivity for a nice bit of juicy gossip, if Emma can offer any insight into why exactly the watermelon, of all things, is so beloved in Bristol... But she’s at a loss, herself: “Who knows,” she laughs, “it’s a weird and wonderful language!” ■ • emmahopkins.co.uk THEBRISTOLMAG.CO.UK

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FOOD & Drink

TASTY TITBITS FROM THE CITY’S RESTAURANTS, CHEFS AND PRODUCERS

LIFE IN THE FAST LANE

GRAB YOUR COTE...

To further her vision to inspire and fuel active lifestyles, Bristol-based author and sports nutrition cook Kate Percy has turned one of her recipes into a tasty new product. Go Bites, which come in three flavours (date and coconut, to be eaten before exercise, apricot and seeds, to eat during exercise, and hazelnut and chocolate for after exercise) are gluten and dairy free, with no refined sugar, and have been tailored to release the right amount of energy at the right time.

Back in 2000, Kate radically altered her family’s diet to help her husband, Mark, who was struggling in his training for the New York Marathon. Since then, Kate’s built a community of active people who love her energy-giving food, and her best-selling recipe books and education programme are used by Olympians, Great Run, 220 Triathlon and the GB Youth Winter Olympic Development Squad.

10% of the net profits from the new product will go to Go Faster Foods #eatlikeanathlete – an outreach programme that works with children and adults and uses sport as an inspiration to talk about healthy food choices.

Have you spotted the new branch of Côte Brasserie? It opened in Quaker’s Friars last month – next to fellow newcomer L’Osteria – following the success of the Clifton Village restaurant. The restaurant, which is, in keeping with its sister branches, inspired by the brasseries of Paris, specialises in traditional French cuisine and relaxed all-day dining. On the menu – which features corn-fed chicken from rural Brittany and pork rillettes and Charentais melons which arrive direct from the Rungis market in Paris – are favourites such as steak frites, tuna Niçoise and moules marinières.

Desserts include classic crème caramel and crème brûlée; while the reasonably priced wine list displays an in-depth knowledge of the grape and showcases a variety of French producers.

• cote-restaurants.co.uk

• gofasterfood.com

SPRITZ SATURDAYS Whiteladies Road restaurant Polpo has launched a series of cocktail masterclasses teaching visitors how to make some of their best-loved beverages, while they enjoy a range of classic cicheti (small plates of Venetian-inspired dishes) from the kitchen. The classes (£14.50) are being held on Saturdays – with guests invited to step behind the bar and learn how to create three of the eatery’s signature cocktails.

Sharing their tips, tricks and expertise, Polpo ‘baristas’ will guide guests through the composition of a Polpo Spritz, Negroni and Cynar Gin Fizz complemented by everything from fried stuffed olives (we can vouch for these beauties) and arancini offering a real taste of Venice. Places are available to pre-book for larger groups and also on a walk-in basis.

• polpo.co.uk

BRISTOL SPIRIT You thought there were a lot of new openings in 2016? Well 2017 looks set to have even more, and one of those opened its doors in January at 86 Whitehall Road in Redfield. Bristol Spirit bar and kitchen, housed in the former Cafe Des Amis, is the brainchild of Phil Gillies and Sam Espensen, who co-own Espensen Spirit in St George/Redfield. It launched with a David Bowie-themed brunch featuring dishes such as chipotle shakshuka with avocado flatbreads and local bacon; and French toast ice cream sandwiches with boozy fruit compote; plus DJ Madam Gibbo, who specialises in all things Bowie. Bristol Spirit's resident cook and manager Oliver Tidman, previously owner of Mathilda's Chilli Bar, aims to change menus seasonally and to host an ongoing series of pop-up kitchen takeovers showcasing different cuisines. There will be regular ticketed events including kids’ clubs, roast dinners and fine dining menus. The refurbishment has also seen a gallery space incorporated into the venue, with the first exhibition featuring Somerset artist Richard Fry, and his series 'PTSD Portraits.'

• espensenspirit.com/bristolspirit

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RESTAURANT | REVIEW

THE JETTY It’s anchors aweigh at Bristol Harbour Hotel’s newly opened restaurant, as Emma Payne discovers a treasure trove of seaworthy fare

I

f you’ve spent more than, say, 10 minutes in our great city, you’ll know that we have just about every conceivable cuisine, street food and fine dining experience covered. Between the unabashed meatfest of Grillstock, at one end of the spectrum, and the flourishing falafel-strewn vegan scene at the other, nobody is left wanting. But the team at the newly

❝

...Eye-catching sashimi of fresh salmon, tuna, scallop and sea bass sit jewel-like alongside salty caviar and polka dots of wasabi...

❞ opened Jetty, at Bristol Harbour Hotel, felt there was something of gap in the market when it came to the city centre – a lack of delicacies representing the city’s extensive maritime history. After just a glance at their bountiful catch of crustaceans, molluscs and fishy morsels, we were keen to get on board…

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Situated in the bustling Old City near St Nick’s Market, the former bank that houses the restaurant oozes historic charm. Venetian friezes and imposing arched windows loom as we battle through the rainy winter weather, and the gravitas of the pillared entrance makes us feel we’re about to be lectured on investments à la Jane and Michael in Mary Poppins. There’s not a trace of the venue’s previous incarnation inside, however, with the airy, openplan restaurant aglow with smiling staff and a Titanicdining-saloon-meets-Tate-Modern sense of pared-back luxury.

Naturally, we gravitate towards the shining, expansive bar, well stocked with rustic jars and libations of every description, and allow the vast cocktail selection to wash over us. A is torn between the aromatic Lady Godiva and a crowd-pleasing Gin Fizz, but ever a sucker for a beautiful English Garden, I’m immediately drawn to ‘Jetty Classic’ Garden Gate – as are the majority of visitors, we are told.

Consisting of Hendricks gin, refreshing St Germain elderflower and rose bitters, it’s as crystal clear as its art deco tumbler and free of any mushy leaves, save for a fragrant sprig of thyme (maximising essential gin space).

Lady Godiva, meanwhile, delivers a zesty punch and doesn’t stick around for long – A endeavouring to slurp every last drop of sloe gin and violet liqueur-tinged frothy egg white from her martini glass.

We’re subsequently shown to our seats – or rather, mini

Above: The cocktail selection, available at the shining, expansive bar, is tip top Opposite, clockwise from top left: The contemporary interior; a trio of octopus; the former bank is in the old city; we could have packed away prawns aplenty

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sofas – at one of the secluded dining booths, offset from the main cluster of bold-print tub chairs and larger tables. Buoyed by our aperitifs, we come over all regal, sinking back into our plush petrolblue velvet thrones, soaking in the moody down lighting and twinkling glasses. The prospect of imminent food cuts our imperial dreams short, however, as dainty shells piled with bread and butter, and a packed menu of piscine treats, swim into view.

Managing to forgo the tempting ‘whilst you choose’ selection – though we could surely pack away more than our fair share of tempura prawns and intriguing cockle ‘pop-corn’ – our attention turns to the starters. It’s a carefully crafted selection of recognisable dishes with a nod to classic cooking – wild mushroom risotto, chunky fish soup (complete with little accompaniments, or ‘toys’, no less) – and experimental deviations such as seared scallop on savoury waffles with bacon jam.

A goes for the recommended trio of octopus, with carpaccio, grilled and slow-cooked variations – the latter is a particular winner, resting in a miniature copper saucepan with a chilli and lime sauce, which A gleefully douses the rest of the plate with. My eye-catching sashimi of fresh salmon, tuna, scallop and sea bass sit jewel-like alongside salty caviar and polka dots of wasabi and soy paste. A fragrant Asian salad is the perfect tonic after a wasabi misjudgement on my part (that stuff is seriously hot, people), and once the incapacitating fog lifts, the delicate flavour of each skilfully sliced fish shines through.

As we await the arrival of our mains – a leafy Sichuan chicken and prawn stir-fry for A and veal Milanese for myself – the open kitchen catches our eye, a vibrant hive behind the bar’s cool façade. Served on the same simplistic earthenware as the starters, dappled grey as an overcast English pebble beach, our second courses are a triumph. My melt-in-the-mouth veal offers added bite with its caper sauce, but it’s the accompanying macaroni cheese stealing the show, consigning its stodgy reputation to the past with the addition of light, earthy truffle oil – perfectly complemented by a crisp Chilean Sauvignon Blanc at our waiter’s behest.

A is equally tickled pink, expressing her love for the bok choi and thrusting forkfuls of soy and ginger chilli-marinated chicken my way.

But despite barely finishing the generous portions, the shining beacon of dessert beckons, as ever, guiding us into harbour – bloated bellies and all. There are contenders in the passion fruit soufflé and espresso martini sabayon, but we’ve already clocked the dishes for us. The peanut butter praline is everything you could wish it to be, with the playful crunch of its toffee popcorn coating and melting toasted marshmallow combining childhood nostalgia with adult finesse. But to my mind, a good chocolate fondant is king of the puds – and Jetty’s take, complete with tangy cherry sorbet and mousse, lashings of kirsch and crumbly granola, is just about as good as it gets.

Clearly then, despite the nautical themed decor and expertly executed seafood, Jetty is anything but a one-trick pony. And just a stone’s throw from the waterfront, once a hive of import and export, everything here is shipshape and most certainly Bristol fashion. ■ • bristol-harbour-hotel.co.uk THEBRISTOLMAG.CO.UK

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THE BRISTOL MAGAZINE 47

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BRISTOL UPDATES BITE-SIZED BUSINESS NEWS FROM ACROSS THE CITY

2017 READY

SAY HELLO TO HUSH

NEWLY ACQUIRED

Fashion brand hush is launching a new concession in John Lewis at The Mall Cribbs Causeway on 14 February, to coincide with the launch of its spring/summer 2017 collection. “After our successful launch into John Lewis last season, we’re delighted to be opening in six more stores,” said founder and creative director Mandy Watkins. “We look forward to introducing our brand of relaxed style to lots of new customers.”

The casual-chic womenswear retailer will also be offering a hush style adviser – on hand to ensure customers experience the same level of personalised service they have when shopping with the brand online.

Head of womenswear buying at John Lewis, Jo Bennett, added: “We adore hush and so do our customers. We are pleased to be opening more hush concessions within John Lewis stores this season to allow more women to be introduced to this amazing brand nationwide; and we look forward to continuing our collaboration with hush during 2017.”

One of Somerset’s most established holiday parks has been purchased by Wookey Hole Caves. Bucklegrove, which features luxury lodges, a swimming pool, restaurant and pitches for caravans and camping, is already a popular destination and the new owners are planning a programme of investment aimed at increasing visitor numbers. Bucklegrove started out as tea rooms in the 1940s and is the longest-running family-friendly holiday park in the Cheddar Valley. “We know the families who stay at Bucklegrove well as they are also regular visitors to the cave and its attractions,” said Daniel Medley, owner of Wookey Hole Caves. “We are drawing up plans for a major investment, creating 100 more holiday lodges and bringing thousands more tourists to the area, which will benefit local businesses. The aim is to develop Bucklegrove sympathetically as we believe its main attraction is the breathtaking local countryside and scenery.”

• hush-uk.com

• bucklegrove.co.uk; wookey.co.uk

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Bradley Stoke Leisure Centre has undergone a major £3.6million redevelopment funded by South Gloucestershire Council.

The official launch took place last month, with triathlete and 2016 Paralympian Gold medallist Andy Lewis – who used the centre for his pre-Olympics, training – as well as project partners, staff and pupils from Bradley Stoke Community School. The new facilities include an extensive soft play zone and an adventure climbing experience; while significant Investment has been made into the gym, café, and studios, with a view to making the centre more of a destination venue for the local community and wider area.

Alongside the leisure centre facilities, redeveloped by leisure design and build specialist Createability, improved library accessibility and extended opening hours are due to begin in February and both services will benefit from an additional 130 parking spaces. “This is a fantastic centre – I wish I had such great facilities on my doorstep,” said Andy. “The support from the leisure centre has been awesome from start to finish and I couldn’t have achieved the gold without them. The new facilities look amazing.”

Mark Crutchley, chief executive of Circadian Trust, which operates the centre on behalf of South Gloucestershire Council, added: “We have kept to our original schedules and so I would like to thank our customers who have been patient throughout the process. I think everyone will agree that the results have been worth it and demonstrate our commitment to investing in our centres for the community and the future. As a not for profit organisation, we can continue to reinvest money back into Active Centres across South Gloucestershire, which means responding to demand and offering our customers a top-class leisure experience. The climbing wall has been a big hit, with over 4,000 visits since it was opened.”

South Gloucestershire and Circadian are now turning their attention to Longwell Green Active Lifestyle Centre, where a £1.5million redevelopment will deliver a new fitness studio, additional 25 stations in the fitness suite, a new lobby and more poolside showers.

• adventure.activecentres.org

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Do you want to become a better leader?

Sure-fire ways to stress free conveyancing

Part-time MSc Strategy, Change and Leadership

Let’s be honest, moving is stressful – from de-cluttering your attic and managing your removals, through to the unpacked boxes piled up in your kitchen.

But one area that doesn’t need to be stressful is your conveyancing. In this article, property expert and Barcan+Kirby Partner, Sasha Jacques, shares her tips for making the legal process as simple of possible.

Choose your conveyancer Your conveyancing solicitor will be handling all aspects of your property transaction, so it’s important to find someone you trust.

Price is often a key factor, but don’t confuse ‘low cost conveyancing’ with ‘value for money’. The cheapest solicitor is unlikely to the most efficient whilst high prices don’t necessarily equate to top quality.

Ask for recommendations from friends, family and even your estate agent. And look for a solicitor that quotes for all charges up-front – including stamp duty, searches and VAT. That way you’ll know exactly how much you’ll need to pay from the start, without any nasty surprises.

Put your paperwork in order If your conveyancing solicitor needs further information from you, make sure it’s readily available. At the very least you’ll need to provide the estate agents’ details, information about the property and your ID, such as a passport and utility bill.

Some mortgage offers expire after six months, so make sure yours is valid and up-to-date. It’s also important that you have your deposit ready, or be in a position to release the funds ready for when your solicitor needs them.

Be realistic Most people underestimate the amount of work required and how long it’ll take. Certain transactions – such as those involving leasehold properties – can take longer, whilst a delay to searches, problems in the chain or even one party going on holiday can add days or even weeks to the process.

“How long will this take?” – it’s a commonly-asked question. But be patient and rest assured that your solicitor is working to get you into your new home as quickly as possible.

Keep calm We understand that the process is frustrating, especially when new information or potential problems come to light. The important thing is to stay calm and remember that hiccups are normal.

Conveyancing hold-ups are the most common reason for delays, which is why it’s so important to choose the right solicitor. One that communicates regularly and focuses on solutions will be your ally and can help make the situation as stress free as possible.

Sasha Jacques is a Partner and head of conveyancing at Barcan+Kirby.

You can contact her at s.jacques@barcankirby.co.uk or on 0117 325 2929.

Scholarships now available*

Designed for busy managers to fit around a demanding management role, this part-time programme will help you to: • enhance your impact as a leader • understand organisational complexity and issues affecting success • improve your ability to manage change and uncertainty • make better choices about growth and strategic direction

Email Cheralyn Dark at efim-scl@bristol.ac.uk or Tel: 0117 954 6694 for details www.bristol.ac.uk/efm/courses/postgraduate/programmes/strat-change-leadership.html Come along to our Open Evening on Wednesday 22 March 2017 between 6-7.30pm.

To register, please email Cheralyn at efim-scl@bristol.ac.uk

*Selection criteria will apply.

Contact Cheralyn for details.

THE

BRIST OL MAGAZINE

EVERY MONTH THE BRISTOL MAGAZINE IS PERFECTLY DELIVERED TO OVER 20,000 HOMES AND BUSINESSES

AN INSERT IN OUR MAGAZINE WILL REALLY REACH GREAT QUALITY READERS

www.barcankirby.co.uk

CALL FOR DETAILS 0117 974 2800 T: 0117 325 2929 • E: info@barcankirby.co.uk www.barcankirby.co.uk • F: @barcankirby

50 THE BRISTOL MAGAZINE

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FEBRUARY 2017

EMAIL: SALES @ THEBRISTOLMAGAZINE.CO.UK WE CAN ALSO HELP WITH GREAT DESIGN AND PRINT SOLUTIONS

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ADVERTISEMENT FEATURE

DIVORCE ACROSS INTERNATIONAL BORDERS In our diverse and multicultural society, modern-day families are becoming increasingly international.

Questions you may have Any divorce or separation is difficult – and one that spans different countries can seem even more so. This is why it’s important to remember that you’re not alone. At Sharp Family Law, we’ve helped many couples work through the questions that arise from untangling an international relationship. These can include: • If I move overseas, where will the children live – and how will child maintenance be arranged?

• Does it matter if we divorce in another country or should we start the process in England?

• We were married abroad and the marriage certificate is in another language – will that cause a delay?

• If we’ve already divorced abroad but are yet to sort out the financial arrangements, can this be dealt with in England?

• What happens to our second home – can one of us keep it?

• I think there might be bank accounts in other countries but I can’t be certain – how can I find out?

Finding the right outcome for you To start overcoming these challenges, you should think about whether you’re still communicating with one another effectively and have sufficient mutual trust to be honest and open. If you can cooperate, then it’s more than likely that these issues can be dealt with between you with guidance from

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and when a relationship does cross international borders, so can divorce and separation – bringing with it a specific set of challenges to overcome

different situations. What is vital, almost always, is that you ask questions and seek information immediately to ensure that matters can be dealt with in the most favourable way for your family.

For more detailed information contact Clare Webb on 0117 905 8805 or email her at clare@sharpfamilylaw.com.

Broad Quay House, Prince St, Bristol, BS1 4DJ. Website: www.sharpfamilylaw.com Clare Webb

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hether taking frequent holidays abroad, owning second homes in other countries or relocating for work and sunnier climates, life outside of the UK is more accessible than ever before.

Working as a family lawyer in Bristol, I have seen a growth in the number of families facing multiple international issues when separating or divorcing. These can be legally, financially and geographically very complex.

lawyers, in mediation or in meetings with you and your lawyers together. If there are geographical difficulties, then matters can be addressed via email, Skype and post.

If communications have broken down between you, or the trust is gone, you still have plenty of options. If you fear you will be significantly disadvantaged if you don’t take immediate action, then your lawyer may recommend you make a court application.

This will protect your interests while you seek answers to your questions. If your concerns can be addressed without the need for court attendance, then legally binding agreements can still be made by consent.

International borders are no longer a barrier to exploring new countries and cultures. Nor should they act as a barrier to separating families seeking to resolve their

THEBRISTOLMAG.CO.UK

Clare Webb

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THE BRISTOL MAGAZINE 51

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STYLE | SPECIAL

THE BEST BARBERSHOPS of BRISTOL They can be classy, they can be hipster, they might be arty, they are often Italian, but they are always gentlemanly.

The renaissance of traditional male grooming is big buisness and Bristol has an excellent choice.

The Bristol Magazine has been exploring some of the city’s best barbershops.

M

any men feel more comfortable visiting a proper, traditional barbers rather than a fancy hair salon for a cut. Barbershop haircuts are often quicker, cheaper and the men-only bonhomie can make for a welcome sanctuary from the workaday grind.

And while a daily shave at home is necessary for those who want to achieve a clean and fresh look; a wet shave at the hands of a well trained barber is one the most is the most relaxing and masculine treats a man can have. Alternatively, if you have been cultivating a fine beard, and need to have it reduced, then a barber will have the professional eye as well as all the tools and experience to get you looking truly A-list.

Over the last few years a new wave of urban barbershops have opened in Bristol and have added to the superb, existing choice of more traditional and classic establishments, consequently we now have some of the best barbershops outside of the capital. Here’s our favourites – spoil yourself, make them yours.

BRITISH BARBER COMPANY One of the most recognisable barbers in Bristol, the British Barber Company has grown to include three premises. With all three sites reflecting the old-style charm of the barbershops of days gone by, it has become a firm favourite amongst men of Bristol who value the stylish interior and second-to-none service. Offering services ranging from the traditional wet shave, to haircuts for all ages and even moustache shaping, the British Barber Company is chosen time and again by men who like to be treated like gentlemen.

EVERYMAN BARBERS Everyman Barbers on Penn Street is the perfect hub for men offering a comprehensive list of authentic barbering services, including haircuts, beard trims, and traditional wet shaves. The interior of the store captures the traditional aspects of the trade and the reality of modern lifestyles. Classic leather barbers’ chairs line-up against dark wood-framed mirrors, and free wifi is in place for everyone.

Everyman’s aim is to take barbering to the next level. With its affordable pricing, short waiting times, free beer and 21st century service, it’s certainly carved a niche for itself – becoming one of Bristol’s most popular barbershops.

Q: We ask Everyman manager George Knight ‘What are the styling trends for the year ahead?’ – A: ‘Sharp textured crops or longer, more natural and loosely styled cuts.’

31 Penn Street, Bristol, BS1 3AU. Tel: 0117 927 9030 www.everymanbarbers.co.uk 52 THE BRISTOL MAGAZINE

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17 The Mall, Clifton Village, Bristol, BS8 4DS. Tel: 0117 970 6466 137 Whiteladies Road, Bristol, BS8 2PL. Tel: 0117 973 9823 1 Wine Street, City Centre, Bristol. BS1 2BB. Tel: 0117 925 4653 www.britishbarbercompany.co.uk

About their traditional wet shave We ask Justin Patterson of The British Barber Company just what should customers expect?

‘With the process taking around 30-35 minutes, this is a speciality service. We start with two full lather shaves, where we cut both with and across the hair, then we follow with a third extra close shave.

Afterwards a cold towel is used to tighten the skin and we apply Alum block to cool, followed by moisturiser and a splash of aftershave. Then we toast the experience with a shot of Famous Grouse and give you a relaxing face massage. A must try experience.’

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STYLE | SPECIAL

FRANCO’S BARBERING LOUNGE Many of its clients call it ‘a local institution’, one even ‘the Sistine Chapel of Barbering’. However you describe it, Franco’s has been a vibrant part of the Gloucester Road and the go-to place for over 30 years; last summer moving to bigger premises at 31 Gloucester Road.

The new barbering lounge is a relaxed, good looking place where Franco Lombardi and his expertly-trained barbers offer clients a full range of classic barbering and contemporary man’s hairdressing services either by walk-in or online booking. They also offer hot towel wet shaves, a beard grooming service, massages and therapies, and a great range of awesome male grooming products. Relax and enjoy the best banter in Bristol. The best barber in BS7 and one of this city’s finest; always worth a visit.

Q: We ask Franco ‘Give us some tips for the perfect wet shave?

A: ‘1. Plenty of hot water to open up the pores, 2. A new blade, 3. Never go against the grain, 4. Cold water to close the pores 5. Finally, a good moisturiser to condition the skin.’

31 Gloucester Road, Bristol, BS7 8AA. Tel: 0117 944 6265 www.bristolbarber.com

BARBER COMPANY The Barber Company in Henleaze, is well known for it’s classic clean cuts, fades and great shaves. And while they are right up to date with all the current barbering trends there’s a pleasant old school charm that comes from the experienced hands of owners Seb and Jeremy. Both are fully trained and highly qualified in all aspects of men’s hairdressing, barbering, and beard work, including the wet shave. Consequently their appeal reaches quite literally from lad to dad and everyman between. The Barber Company have also developed their own range of waxes and spray products - and a great take out to keep your barbershop look fresh and maintained perfectly until the next visit.

Q: We ask manager Seb ‘Give us a great tip on Beard reduction and shaping?’ – A: ‘Wherever possible use scissors to sculpt the beard as it gives you more control and is easier to shape. Beware using clippers as it’s easy to take too much off.

85 Henleaze Road, Bristol, BS9 4JP. Tel: 0117 962 4280 www.barbercompany.co.uk

GIANNI’S GREENSLADES BARBER CO With services including haircuts, hot towel shaves and moustache trimming; Greenslades has gained a strong reputation in Bristol as a popular barbers offering great value. It’s location means it is very handy for those looking for a quick trim and as they stock a range of Fudge, Joico, and Taylor of Old Bond Street products, they have everything you need to recreate the style yourselves. With late opening every weeknight until 7pm, free refreshments, and a complimentary hot towel neck shave with every haircut, what more could you need?

3 St Augustines Place, Bristol, BS1 4UD. Tel: 0117 929 9433 www.greensladesbarberco.co.uk

Gianni’s has been a Bristol stalwart for over 30 years. Boasting the comfiest waiting chairs around (you will have to test these out for yourself) Gianni’s now has the third generation picking up the reins. Dino, Gianni’s son, has been working there for six years and in that time has seen the business go from strength to strength. With Dino also a proud Hairbond Ambassador, you can be assured of leaving with your hair freshly styled to perfection by products from the elite British hairstyling range.

65 Westbury Hill, Westbury-on-Trym, Bristol, BS9 3AD. Tel: 0117 962 9100 www.giannihairdressing.co.uk

About barbershop products Dino tells us about his favourite Hairbond products ‘We made the decision to be Hairbond Ambassadors due to the quality of products in their range. They are paraben and sulphate free and offer a great range of holds and textures. My personal recommendations are the Hairbond Sea Salt for volume and texture, and Hairbond Toffee Shaper for side partings and pompadour styles.’

THEBRISTOLMAG.CO.UK

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THE BRISTOL MAGAZINE 53

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EVENTS | FOR KIDS

FAMILY PLANNER What’s on in Bristol for little ones to enjoy this month?

Beethoven’s Four Seasons, St George’s, Sunday 12 February, 11.45am Enjoy the story of one of the greatest composers of all time as Wild Words perform snippets of sublime sonatas, concertos, symphonies and even rustic folk tunes alongside the award-winning Spotlight Sparklers choir from Yatton Junior School – this is a perfect introduction to classical music for children. Never a shrinking violet, Beethoven’s life was filled with drama and eccentricity (who needs television?), from going deaf to writing his famous Ninth Symphony.

Arrive early at 10.30am to ‘meet the instruments’ and learn a song from the show. Tickets cost £6; stgeorgesbristol.co.uk

Top pick...

DON’T MISS...

Historical Floating Harbour Walk, MShed, Tuesday 7 February, 10.30am Discover the secrets of Bristol’s maritime heritage in this guided tour of the floating harbour. Volunteer guides will point out areas of significance and illustrate with maps and photographs, allowing kids and adults alike to understand more about the city they live in.

Tickets operate on a ‘pay what you think’ basis; bristolmuseums.org.uk

So You Think You Know About Dinosaurs?, Redgrave Theatre, Friday 10 February, 7pm Did dinosaurs eat their own families? Was every Tyrannosaurus rex a fearsome carnivore?Why did Allosaurus headbutt its prey to death? Your intrepid explorers will have the chance to ask TV scientist Ben Garrod all about prehistoric lizards, and put their own knowledge to the test with this Beatboxing aficionado SK Schlomo comes to Colston Hall. Image © Nathan Gallagher

interactive show at Redgrave Theatre.

Tickets cost £15.50 adults, £12.50 concessions; redgravetheatre.com

HALF TERM 11-19 FEBRUARY Shlomo’s Beatbox Adventure for Kids, The Lantern at Colston Hall, Saturday 11 February, 3pm Pioneering beatboxer SK Schlomo brings his captivating vocal pyrotechnics to The Lantern for a fizzbanging show. Having worked with big names including Bjork, Basement Jaxx and The Specials, with influences including orchestral percussion and jazz drumming, this is not one to miss – and the kids will love joining in. Tickets cost £10.75; colstonhall.org

The Girl and the Giraffe, 1532 Performing Arts Centre, Sunday 12 – Tuesday 14 February, times vary Enjoy the uplifting tale of a girl who discovers a giraffe in her back garden, and after realising things aren’t quite right, tries her best to make her new friend feel better.

Half Moon and Floods of Ink combine puppetry, enchanting sounds and captivating storytelling to create this heartwarming show.

Tickets cost £8; tobaccofactorytheatres.com

Tinkering Space Ball Run, At-Bristol, Monday 13 – Friday 17 February, 10am-4pm If you remember spending hours on your bedroom floor, coloured plastic in hand, constructing exciting marble runs, bring the kids along to At-Bristol’s tinkering space during the half term. Experiment with all sorts of materials to try and create the fastest,

Spike Island’s Baby Art Hour is perfect for underfives. Image © Zoe Moyden

twistiest ball run of all. Entrance included with general admission, £15.30 adults, £9.90 children, under-2s go free; at-bristol.org.uk

The Bear, Bristol Old Vic, Saturday 18 – Sunday 19 February, times vary Join Tilly and her mischievous polar bear friend in a humorous winter adventure based on the book by Raymond Briggs. Suitable for ages three and over. Pins and Needles Productions dazzle with dreamy music, lashings of laughs and a sprinkle of magic.

Tickets cost £10; bristololdvic.org.uk

TINY TOTS Baby Art Hour, Spike Island, Friday 24 February, 10am-11am Parents and carers are invited to this special art hour for under-fives with Bristol-based artist Éilis Kirby. Children are encouraged to use shapes, colour, texture and a variety of materials to create a fridge-worthy work of art. The main gallery opens at 11am so visitors can explore the main exhibition after the session. Admission costs £3 for the first child, £1 for each additional child. Booking is essential; spikeisland.org.uk

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THE BRISTOL MAGAZINE 55

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EDUCATION NEWS UPDATES FROM THE CITY’S SCHOOLS AND COLLEGES

Badminton saw 12% of its upper sixth students recently achieve offers from Oxford or Cambridge

OXBRIDGE SUCCESS! As university offers start flooding in to sixth form students across the country, one Bristol school is soaring high with seven conditional offers to Oxbridge.

Badminton School saw 12% of its upper sixth students recently achieve offers of a place at either Oxford or Cambridge University, to study medicine, law, natural sciences, fine art and architecture.

“This is a fantastic achievement that pays testament to the girls’ hard work within the classroom but also outside it,” says Mrs Proudman, director of higher education. “We pride ourselves on offering each of our sixth form girls dedicated, personalised higher education guidance and support through programmes including our Opportunities Fair and Oxbridge Mentor Scheme. In future we will continue to add to this offering and currently have a law portal coming online.” Headmistress Mrs Tear added: “I am delighted for every one of our sixth form girls as they receive offers from some of the top universities in the country and overseas. The huge range in subjects our girls are hoping to study, from occupational therapy to culinary arts, makes me proud as it demonstrates how Badminton supports, encourages and facilitates each student’s individual aspirations.”

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City of Bristol College and Engine Shed have announced a partnership to support further education, working even more closely with businesses in Bristol. “This partnership allows us to cultivate our excellent relationship with the employer hub around the Temple Quarter,” said Lee Probert, college principal and chief executive. “As part of the Learning City, our focus is to continue our close working relationships with Bristol employers, engaging them in curriculum development to ensure that we’re meeting their needs, filling the skills gap and giving our students what they need to progress.”

Nick Sturge, director of Engine Shed, added: ”Having City of Bristol College here is an invitation to businesses to engage more easily with apprenticeship provision and find out about the talented young people across the city who can add so much creativity to the workforce.”

• cityofbristol.ac.uk; engine-shed.co.uk

• badmintonschool.co.uk

56 THE BRISTOL MAGAZINE

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FEBRUARY 2017

CONGRATULATIONS! Professor Steven West, UWE president and vice-chancellor, is to be awarded a CBE later this year, for his services to education and health. He has demonstrated commitment to furthering educational opportunities for young people, and developed professional health education as chair of the Health Education and Research Policy Network at Universities UK; as well as working at improving collaboration, innovation, adoption and spread of best practice and enterprise in health and social care as chair of the West of England Academic Health Science Network, and forging business and university partnerships as chair of CBI South West 2014-2016 and Bristol Chamber of Commerce and Initiative since 2012. “This is a fantastic honour,” he said. “But the work I have been able to do has only been possible because of the brilliant people I have worked with. I have also been supported by my incredible family – this honour is also for them. I would like to pay tribute to the entire university and our partners who work to enhance and improve education, enterprise and research that is able to meet the needs of the rapidly changing worlds of health, education, business, law, teaching, engineering, science, architecture, construction, design, robotics, arts and the creative industries.”

• uwe.ac.uk

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BACK OF THE NET N

urturing strong links with our local community has been one of Monmouth School’s top priorities since our foundation in 1614.

We have always dedicated time to organising annual outreach events for nearby state schools in order to share our fantastic facilities and resources with the town.

One of the most highly anticipated dates in our calendar, The Grange Monmouth Preparatory School’s Invitational 6-a-side Football Tournament, has just marked its 20th anniversary.

Around 100 budding footballers from six local primary schools came together to compete in the games in January.

Teams of all abilities played a total of 26 games to determine the winners of the coveted cup, bowl, shield and plate.

Paul Morris, Head of PE and Games at The Grange, kicked off the tournament in 1997 during his first year at the school to unite the community through sport and set up more fixtures for pupils.

He told me: “The philosophy of the tournament is that everyone gets to play no matter what their ability is. It’s lovely to see all the other schools within Monmouth getting together and playing in what is always a competitive event, played in good spirits.”

Another positive aspect of the event was highlighted by a governor at Cross Ash Primary School.

He said: “The tournament is brilliant, not just because the children get lots of fresh air and exercise, but they’re also meeting kids of their own age outside their social circles. It’s important that they see other schools as being friends, rather than competitors.”

This friendly competition for pupils in Years 5 and 6 has gone from strength to strength since its foundation in the mid-1990s, and we’re very proud to be carrying on the historic traditions of The Grange. *The Schools have an established bus route covering the Thornbury area.

By Dr Andrew Daniel, Headmaster of Monmouth School

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For more information, visit habs-monmouth.org, call 01600 710433 for Monmouth School or 01600 711104 for HMSG.

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WELLBEING

HAPPY DAYS One Bristol charity has been busy measuring the health of our city and those who live in it, and is hoping to help break down the definition of ‘wellbeing’ into more manageable, actionable chunks Be active: get out there and connect with people locally

W

hile the start of another year routinely prompts inward individual reflection among most of us, some Bristol folk have been looking at the bigger picture recently, with a view to improving the wellbeing of the entire city.

Since 2010, local charity Happy City have been beavering away at this more global ambition – trying to make wellbeing easier to understand and build more of it into local communities. Last summer, they launched the ‘Happiness Pulse’ online, a personal wellbeing reading helping users to see what’s working well in their lives and where there’s room for improvement. It delivers an overall score with a breakdown of three areas: ‘be’ (how you feel about yourself and your life right now), ‘do’ (things you do day-to-day which support wellbeing), and ‘connect’ (the relationships around you). The results appear as soon as you’ve taken your ‘pulse’ and each score invites users to explore more, offering ideas that are designed to be helpful straight away and which include video clips, tips and articles pointing out local people, places, ideas and activities believed to help improve wellbeing.

❝

...We want to help people develop better skills and habits so they can stay resilient whatever life throws their way...

❞ “Every day, we’re bombarded with worrying news about the tough times we’re living in,” says Mike Zeidler, a Happy City founder. “To avoid getting overwhelmed by the stresses we’re under, we need to focus on simple, small, positive and practical ways of supporting each other through it all. The Pulse isn’t just for individuals – groups, businesses and organisations can use it to understand and improve the wellbeing of their staff or community too. It’s part of a measurement toolkit, designed to help us make better decisions individually and collectively across the whole city.

“For those who’d like it, there’s a ‘Wellbeing Workout’ training session that puts useful knowledge directly into people’s hands. We 60 THE BRISTOL MAGAZINE

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want to help them develop better skills and habits so they can stay resilient whatever life throws their way.”

Mike and the team work in partnership with other practical people who share their views, and have teamed up with Action for Happiness – a London-based movement committed to building a happier, more caring society – to run a meet-up group to build on the strengths in communities. They also work with brilliant local organisations such as Neighbourly – a social platform that connects local projects with people and organisations who want to help – and Bristol Ageing Better, a partnership of individuals and organisations working together to reduce isolation among older people.

So what do they propose for a healthy, happy 2017? “The Five Ways of Wellbeing are hard to beat,” says Mike. “Get out there and connect with people locally; learn something new; be active, even in small ways; notice things you’re grateful for, and lend a hand to others – encourage them to try Five Ways too!”

With recent national coverage and enquiries coming in thick and fast, the growth of the Happy City project looks set to continue – and says Mike, it’s very much due to the way Bristolians have embraced it.

In fact, the project even published its own, alternative version of the New Year Honours List last month, celebrating local faces who practise the Five Ways and make the city a happier place to live in – 25 unsung heroes nominated by Bristolians for going out of their way to improve the lives of others in their community.

“The Happy List is a project we run to celebrate the good works of people all over Bristol, which also has the effect of highlighting activities, places and ideas which promote wellbeing,” explains Mike.

“The Window Wanderland run by Lucy Reeves-Khan (windowwanderland.com) is a good example – a fantastic communitybuilding project which prompts creative activity with its residential window displays, entertains, connects people and gets them out and about.” This year, the list also includes Kalpna Woolf, for celebrating diversity, Daryn Carter for promoting equality, Antony Clark for helping social enterprise, Juliet Dellow for helping new arrivals settle, Verity Stokes for supporting refugees and Sara Venn for inspiring community gardening. See the full list online – and Bristol, be proud! ■ • happycity.org.uk

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RED ALERT

We opt for a thoroughly vibrant start to the year with the help of the local hair experts at award-winning Quakers Friars salon Sean Hanna

H

aving toyed with the idea of ‘going red’ for a little while, and with my hair already edging towards the fierier end of the brunette spectrum thanks to a friend’s home dyeing expertise, I’d decided to go the whole hog and celebrate the prospect of the redhead coming into our emoji lexicon (yes, finally!) by joining the ranks and properly becoming one.

We were impressed with Sean Hanna after working with them on The Bristol Magazine autumn/winter fashion shoot last year, so I head into the Quakers Friars salon for a consultation with director Adam Vincent, who sits me down and helps me work out whether I fancy going for a ‘whisper’, ‘talk’ or ‘shout’ sort of look – it’s ‘talk’ for me, I reckon. He’s been with Sean Hanna for 16 years (six of those in Bristol, after being put in charge of opening the company’s first South West branch), and with his career including a stint at Mayfair colour specialist Jo Hansford, I’m confident he knows exactly what he’s talking about and am more than happy to put my trust in him as he sets about mixing a couple of mahogany and berry shades to bring energy, vibrancy and texture to my barnet.

Meanwhile I peruse the superb menu of refreshments on offer – a wise collaboration with neighbouring Carluccio’s – which includes home-baked foccaccia with extra virgin oil and balsamic vinegar, prosciutto di Parma e grissini and my favourite, peach bellini – and settle down with some celeb-focussed reading material. It’s the Loreal Dia Richesse collection Adam is working with, and he explains while applying it how he also uses a product inside the colour called ‘Smartbond’ – designed to strengthen the bonds inside the hair and prevent any further damage to it.

After the designated cooking time is up – and I’m all caught up on the Hollywood goss and feeling suitably vacuous – Adam’s assistant takes me over to the somewhat trippy sink area at the back of the salon, complete with glowing sink pods that change colour as my hair is given a thorough rinse. It’s definitely the most psychedelic scrub I’ve had to date, and I have to say, I’m a fan of the experience – especially with the undulating-motion massage chairs added into the equation.

Back in the stylist’s chair, I’m given a treatment from Kerastase called Fusio-Dose Pixelist, designed to lock in the colour that’s been applied, and reflect natural light to enhance silkiness and shine (an optional extra). Then, it’s time for the head massage I always find to be the highlight of any salon trip, and this one is no exception, making use of one of those gadgets with the metal massage fingers – you know, the ones that glide up and down your scalp rather dreamily.

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Adam returns to blow dry and style my hair, with plenty of body as requested, while I read up on his loyalty programme SH Inner Circle – whereby not only do you earn redeemable points per service or product purchased, but you can also earn some cheeky little bonuses, hear about the latest promotions first and get tips on managing your hair.

It’s a slick and professional operation Adam has built, and it’s plain to see why the branch won the title of Bristol’s best hair salon at Made in Bristol’s inaugural lifestyle awards in 2016 – and for the first time in quite a while, I actually feel like I’m leaving the hairdressers’ with exactly what I asked for. It’s rarer than you’d think, right?

• Colour services start from £45 and blow dry services start from £20; seanhanna.com

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ADVERTISEMENT FEATURE

Why I chose a career in Nutrition

By Nutritional Therapist Rebecca Cotterall, who graduated from CNM (College of Naturopathic Medicine).

U

ntil the age of 13 I was a top-grade student and a keen swimmer.

Everything changed overnight. I was too exhausted to get out of bed. I even struggled to chew my food. I was monitored in hospital for three weeks, diagnosed with Chronic Fatigue Syndrome, sent home, and given a wheelchair so I could get around.

My schooling was a special school, which I attended for a few hours a week in my wheelchair when I felt well enough. Mum was my full time carer. At 18 I won a place at University, but didn’t have the energy to cope.

I felt that my life was never going to amount to anything and was prescribed antidepressants. What I really wanted was to find out what was at the root of my problems.

The answer came along when I saw an unconventional private doctor who specialised in Chronic Fatigue. She believed that the standard Western diet high in allergens, artificial additives and foods with a high glycaemic index is responsible for a whole host of health symptoms, including fatigue. She recommended a completely

different diet for me and guided me through a detox regime. A herbal protocol was also incorporated when a specialist lab confirmed that I also had Lyme’s Disease, which two standard tests had previously failed to pick up. I was told that it would take time to repair and optimise my gut function. Months passed before I noticed a real difference, then bit by bit my energy levels began increasing noticeably. There is not a definitive ‘cure’ for what I had, but through my personal experience and research I realised the power of nutrition, and how much better natural remedies made me feel personally.

I decided that studying nutrition was what I really wanted to do. In researching choices available I found some courses heavily based on pharmaceutical or food company research.

I enrolled at CNM because their approach is very natural and holistic as well as researchbased. They gave me the opportunity to study biomedicine as a foundation part of the course, and the ability to study at weekends, leaving me time to rest throughout the week.

What I learnt on the three year course was highly relevant to me. During that time I managed to get myself better through understanding what helped me as a chronic fatigue sufferer. Soon I began to lead a normal life, studying and socialising without fatigue or pain, and eventually with no wheelchair. The students at CNM are all likeminded; they are there because they want to be there and they are very supportive of one another.

I graduated from CNM in summer 2015 and opened a clinic local to my home town in the August. It soon became very busy but as my own boss I’m able to work the hours that suit me. I run detox programs and unsurprisingly, I specialise in chronic fatigue.

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Practising doesn’t feel like work to me. I love seeing my clients’ progression. I feel it gives them hope as they can see how much I have improved.

I think that everyone can benefit from being more aware of the power of nutrition and I’m passionate about spreading the word.

Rebecca Cotterall

Attend a FREE Open Morning to find out about part time training with Geoff Don CNM Bristol for a career in Naturopathic Nutrition or Naturopathic Acupuncture.

Saturday 18th February at 11am.

Please book online at

www.naturopathy-uk.com 01342 410 505

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ADVERTISEMENT FEATURE

YOUR CARE IN OUR HANDS The five-star patient journey

G

oing to hospital can be a worrying and stressful time for anyone. Not knowing what to expect and what your treatment will involve, as well as how fast you will recover, are very common concerns many patients have.

A team of around 50 members of staff at Nuffield Health Bristol Hospital, The Chesterfield, are experts in ensuring that from the moment a patient checks-in to when they leave, they feel supported, fully-informed and confident their every need will be met with the highest standards of care.

The patient journey at the hospital is akin to a five-star experience, with private rooms and clinical staff available around-the-clock. All 30 rooms include en-suite facilities, direct nursecall systems, free Wi-Fi, direct dial telephones

as well as a TV and radio. Parking is also free for hospital patients.

Sheryl Krause, Hospital Director, explained: “Health and wellbeing is at the centre of everything we do. At our hospital, patients will find welcoming and comfortable facilities, spotlessly clean rooms and a team of experienced and friendly nurses, delivering clinical care in state-of-the-art facilities.

We also have the best medical technology and are constantly investing to ensure we offer the latest procedures.”

The Chesterfield offers a broad range of medical services from general surgery, orthopaedics, endoscopy, urology and ENT to pain management, physiotherapy, dentistry, weight loss, cosmetic surgery, eye surgery and more. There are 11 consulting rooms, a threebed intensive treatment unit, a six-bed recovery unit and a day care unit, with seven small private rooms.

We spoke to five members of staff at The Chesterfield, who each play a key role in ensuring that the patient journey is tailored to the needs of the individual with a unique approach to health and wellbeing.

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FAYE JENKINS Customer Services Team Leader

Faye manages a team of 12 who all assist with welcoming and checking-in patients at The Chesterfield. She also works in outpatients, greeting patients who come back to the hospital for check-ups.

Faye said: “I really enjoy meeting people and getting to know their likes and dislikes, and helping to answer any questions they have – even down to finding out about what sandwiches they’d like to have while they’re here! It’s all about getting to know someone as a person, rather than just a patient. In the short 5-10 minutes that I have with a patient, it’s amazing how well you can get to know them and help them to relax.”

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When a patient arrives at the hospital, they register at reception and are then escorted to the lift and sent to the first floor where they are met by a Ward Clerk.

NATASHA BEETON Ward Clerk

Natasha is a Ward Clerk at the hospital and is responsible for making sure a patient’s room is ready for their arrival, including ensuring their medical documents and files are all in one place for their consultant. She greets patients on the first floor and takes them to their room, where she provides a briefing on where they can find everything in their room and how to use all the equipment. Natasha also talks patients through the plans and timings for their surgery, as well as how they can order meals and share this time eating with a relative or friend.

Natasha said: “It’s extremely important that we remember each patient by their name and make them feel relaxed. There is always someone available to help and talk to them, should they need it.

“Most patients I see are either nervous or worried about the treatment/procedure they are about to undergo. As a team we do everything we can to put the patients at ease, and I find it really rewarding to see each patient progress through their treatment and get better and more confident. Patients often comment that the hospital feels more like a hotel, especially with all the delicious food on offer! I enjoy being a part of this, and ensuring that every patient has the best possible experience during their stay.”

Sue and Therese treat patients after they have undergone a surgical procedure. Their job involves a range of responsibilities including chaperoning a patient to see their consultant, dressing wounds, suture removal, preassessments and fitting 24-hour ECG recorders.

Sue said: “The best part of my job is seeing a patient pain free and happy with the care they have received - I meet so many lovely people from all walks of life. It’s so important that the patient feels they can speak to us at any time when they have concerns.”

Therese added: “It is very rewarding to see the patient make a full recovery. I keep every one of my thank you cards – I now have quite a collection!

“I feel really lucky to work with such a wonderful team here, everyone from the nursing staff through to the consultants have a great relationship and we all work well together.”

EMMA GERRARD Staff Nurse

Emma treats patients on admission and postoperation. A follow-up call after someone has left the hospital is always conducted to make sure that people are recovering well.

Her role involves assessing patients and preparing them for surgery while observing them throughout their stay. She also administers pain relief, records a patient’s progress and provides reassurance and support to give them the confidence they need for their recovery.

Emma explained: “I love the patient and nurse interaction, especially making patients smile before and after surgery. On average, I will typically see around 5-6 patients personally during an eight-hour shift.

“It’s essential that patients feel they have received the best possible care and we do this by treating them how we would hope to be treated ourselves, just like they are our own family.”

Nuffield Health is the UK’s largest not-forprofit healthcare organisation and its core aim is to make the nation healthier. Through its hospital and the Fitness & Wellbeing Gyms at Clifton Pavilion, and North Bristol, Nuffield Health has been using its expertise to help people in Bristol be as healthy as they can for over 50 years.

SUE MOORE AND THERESE CONFAIT Senior Healthcare Assistants

Contact Nuffield Health Bristol Hospital, The Chesterfield at www.nuffieldhealth.com /hospitals/bristol or call 0117 911 5339.

THEBRISTOLMAG.CO.UK

Nuffield Health Bristol Hospital The Chesterfield, 3 Clifton Hill, Clifton, Bristol BS8 1BN Tel: 0117 911 5339 www.nuffieldhealth.com/hospitals/bristol

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WALK | THE WALK

THERE AND BACK AGAIN Our resident wanderer Andrew Swift keeps it local this month, in order to impart a little city history

T

he highlight of this month’s walk is Brandon Hill, which became a big part of city life when it was given to Bristol by the Earl of Gloucester in 1174.

In the middle ages, a hermitage dedicated to St Brendan – patron saint of sailors – stood on the summit and, more prosaically, the hill was used by Bristol’s washerwomen to spread their washing out to dry.

In the mid-16th century, a windmill was built on the site of the hermitage, and during the Civil War the hill was fortified by ramparts and ditches, traces of which survive. Later it became a place of public concourse and celebration, where cannons were fired and large bonfires were lit to mark coronations and naval victories. On 9 October 1746, for example, Bristolians were awakened at six in the morning by the firing of 20 cannons to celebrate the crushing of the Jacobite Rebellion a year earlier.

Copious quantities of ale were often supplied to lubricate the festivities, and in 1832, when the Reform Act was passed, leading Reformers hosted a dinner for 5,500 ‘working men’.

Six years later, Brandon Hill was the venue for Chartist rallies, which, due to their ‘tumultuous character’, were soon banned by an increasingly jittery council.

In July 1843, when Prince Albert launched the ss Great Britain, a crowd of around 30,000 gathered on the hill for a grandstand view. Soon afterwards, £800 was raised to lay out paths, and in 1857 two Russian guns captured at Sevastopol were set in pride of place on the summit. All this paled into insignificance in 1897, when the foundation stone of a 32m tower, commemorating John Cabot’s voyage to America four centuries earlier, was laid. Paid for by public subscription, it was designed by William Venn Gough, adding a touch of Renaissance grandeur to Bristol’s skyline and offering unparalleled views over the city. In 2007, it closed when cracks, caused by the corrosion of iron struts, were discovered in the masonry. After a £420,000 restoration project, it reopened four years later, to take its place once again as the crowning glory of Bristol’s attractions.

Directions

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city. Starting at the north end of Bristol Bridge, head south along Welsh Back and take the third right along Little King Street. This leads past the Granary, which William Venn Gough also had a hand in designing.

Carry straight on, turning right at the end, then left along King Street. After passing a Chinese restaurant, housed in Bristol’s first public library, and the Merchant Venturer’s Almshouses, head towards the centre. After crossing to the Hippodrome, take the left and first right along Denmark Street.

Turn right along Gaunts Lane, left along Orchard Lane, take the second left along Orchard Street and right along Denmark Avenue to the Hatchet Inn. Turn left along Frogmore Street and, after going under Park Street, continue past the back of City Hall.

After passing Brunel House on the right, designed as a hotel by Brunel, go right up Brandon Steep. At the top, bear right again to follow a path up Brandon Hill. When you come to gates on the right, keep left along the path.

At the meeting of five paths, carry on, following the path curving right into an old bowling green.

On the far side, go through a gap in the hedge, bear right up a grassy bank and turn right along a path leading onto a broad promenade. Turn left beside a pond and bear right at the 1902 Coronation Oak to follow a pathway winding through a rockery up to Cabot Tower.

Follow a steep spiral staircase up to a viewing platform, each of whose balconies conceals the view until you approach the balustrade and find yourself, somewhat alarmingly, projected out over the void. But the views are astonishing. Close at hand are the Wills Memorial Tower, the cathedral and the ss Great Britain. To the west, lie the suspension bridge and Leigh Woods, to the north is Clifton Cathedral, to the south, Dundry, and to the east, Purdown BT Tower and the tree-capped summit of Kelston Round Hill.

A further short flight of narrow steps leads to another viewing platform, with even finer views, before it is time to head back down.

On leaving the tower, turn left, head down to the

This page: Brandon Hill became a big part of city life when it was given to Bristol in 1174 Opposite page: The view from Cabot Tower in the direction of the cathedral, circa 1910; and the same view today

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WALK | THE WALK

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Coronation Oak, cross the promenade and follow a path heading left downhill. At another path turn right, and, where five paths meet, head to the left of the notice board, passing civil war fortifications on the right. At the bottom, turn right and then left.

After a few metres, follow rough wooden steps into woods on the right. Instead of heading down to the road, carry on beside a wall.

At the third set of steps, bear right uphill to where Avon Wildlife Trust HQ occupies an old police station.

Turn left down to the road, cross at the traffic island and head up Constitution Hill. Turn first right along Bellevue and right at the end. After passing an old cemetery, turn left along Meridian Vale.

Climb steps at the end, turn right at the top, follow the road as it curves past the old Roman Catholic Pro Cathedral – now student accommodation – and head down Pro Cathedral Lane.

At the bottom, cross ahead over two sets of lights, bear left up the Triangle and take the second right into Berkeley Square. Turn left along the north side of the square and, towards the end, look over the hedge to see the top of the Victorian replica of the High Cross which stood on College Green.

Turn left at the end (passing There and Back Again Lane), cross two sets of traffic lights and turn right along Park Row (to the left of L’Occitane). After passing the Red Lodge, when the road forks, bear right down Lower Park Row. Just past the Ship Inn is one of the city’s oldest buildings, dating from around 1600. Zero Degrees, on the left, occupies a converted 19th-century horse-tram depot.

The zebra crossing at the bottom leads to Foster’s Almshouses.

To the left of them, head down Christmas Steps. Turn left at the bottom and, after going through a covered way, turn right, cross two sets of lights and head along Christmas Street. Go through St John’s Arch and turn right along a lane inside the old city walls.

At Small Street, head straight on through an archway along Leonard Lane, and, at the end, cross and carry straight on along St Nicholas Street to return to Bristol Bridge. ■

At a glance...

■

Length: Three miles

■

Approximate time: Two to three hours

■

Level of difficulty: Virtually all on tarmacked surfaces, but with steep sections and several flights of steps. Cabot Tower is open daily from 8am to around dusk. Admission is free.

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opaque ornate

Textile designer turned interior innovator Rhiannon Southwell discusses her bespoke window films, designed to offer Bristol homes style, practicality and privacy

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INTERIORS

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e’re saying ‘so long’ to the fuddy-duddy net curtains we used to peer through at Grandma’s house – after hearing that Bristol-based textile designer Rhiannon Southwell is ushering in a trendy new way to combine privacy with refined design. Distinctive in their highly ornamental-meets-Scandi style, Rhiannon’s bespoke window films draw upon 10 years of designing for clothing brands such as Superdry and Fat Face, and form the basis of her interior business Blossom & Brush. We got in touch to find out more about her excursion into the world of home décor...

TBM: After 10 years as a textile designer in London, how did Blossom & Brush come about?

RS: The move to Bristol changed everything. I’d always focussed on women’s and children’s clothing prints, but then two major things happened. Firstly, we renovated a house in Bishopston. There’s a lovely big bay window in the front room which passers-by loved to peer through. This prompted a search for some sort of window cover... Net curtains were old fashioned, shutters too bulky and blinds office-like. So I just created a pattern in the same way as I do for clothing and painted it on the window. It gave privacy, but was far nicer than what was on offer in the shops. People stopped and looked, took photos, and began knocking on the door to ask where it came from. A business was born and now I put the patterns on bespoke designed film.

Do you still use your own home as a place to experiment?

Absolutely. It was a blank canvas, but retained many original Victorian features. We’ve made the most of those and added in our own style, colours and collections. Of course, our front room styled the first ever Blossom & Brush window, so it was certainly a good place to experiment.

Why do you think your film designs have been such a success?

Because they’re truly different. I often see etched glass or window film that’s practical, but not beautiful. For too long people have had to choose between style and privacy. Blossom & Brush offers both.

We feature some of my favourite designs that cannot be found anywhere else and each order is redesigned to suit the window’s proportions, which provides an exclusivity people want. It’s a nice final touch that can add huge curb appeal to any house.

What are your ambitions for expanding Blossom & Brush – will you continue to develop your window patterns?

Yes, over time, the range of window films available will develop – just as the designs I create for clothing always follow current trends.

While the windows have a unique quality, now the brand is established, the natural next step will be to put the same designs on fabrics, cushions, rugs, lampshades, wallpaper and more. I’ve already created doormats and am starting work on other products too.

Where do you get the inspiration for your designs?

I’m often inspired by nature. Plants, animals and the landscape are some of the most interesting and beautiful things we all experience. I grew up in rural Wales, and love the dramatic landscapes there. I spent a very happy year working in Stockholm and always look to Scandinavia for inspiration. I love the very traditional Nordic patterns, but also the new designs coming through are a great place to look for new trends and ideas.

Do you have a favourite era for interior design?

I’m drawn to eras that have very specific and strong styles. I love Victorian and Edwardian design with their rich colours and patterns, but also the interwar period with its stunning architecture and patterns. I spent time in Asmara, the Eritrean capital, as a teen, and it’s full of modernist buildings that remind us of the Italian rule of the ’20s and ’30s. It was a turbulent time, but it left a stunning mark on the city.

What interior trends are you looking towards for 2017?

I feel that interiors are moving away from minimalism, white and clean lines. Homeowners are making bold statements with dark colours, and looking to preserve, restore and recreate original period features, rather than taking them out.

What are your plans for the coming year?

I’ll be creating new designs, exploring new product areas and introducing a new range of Christmas wreath and snowflake decals (temporary window stickers). ■ • Find out more about Rhiannon and see her clothing textile designs at rhiannonsouthwell.com, or to browse her window film collection and request a bespoke fitting visit blossomandbrush.com

Rhiannon draws inspiration from the landscape and traditional Nordic designs

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Filament LED lamps Now In!

Midi Eddie and Wendell red room set.

Lighting the way is should be

Tel: 0117 963 5943 Email: info@thelightingstudiobristol.co.uk www.thelightingstudiobristol.co.uk Visit us in store at: Unit 2, Bedminster Retail Park, Sheene Way, Bedminster, Bristol BS3 4TA

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THE BRISTOL MAGAZINE 73

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KITCHEN THINK As we anticipate the kitchen trends that will be at the top of every interior wishlist for 2017, we go cap in hand to Alno for guidance

B

y the time you hit 90, you’d hope to be sufficiently wise as to be considered a source of sound advice, like Alno – the German kitchen brand that is this year heading into its 10th decade, armed with a raft of accolades and the keen penchant for design it was born with when it was founded in 1927 by carpenter Albert Nothdurft, in his little workshop in the village of Wangen.

Consistently recognised internationally, Alno make it their business to stay ahead of the market, and were awarded the ‘Excellent Product Design’ gong for their Alnocera range in the 2016 German Design Awards; named ‘Most Innovative Brand of the Year’ in the Plus X Awards 2016, and have even been celebrated as ‘Brand of the Century’ previously. They were also given ‘Superbrand’ status in 2010, 2013, 2014 and 2016, meaning theirs is one of the most recognised kitchen brands globally. All of this suggests they might know a thing or two about what to invest in when it comes to the world of luxury kitchens this year.

So we asked the trend-leaders – the team at the Bristol Bond Street store, specifically – to forecast a few of the styles, innovative new materials and finishes destined to be big in 2017.

“A re-occurring interior trend, which is set to be even bigger for 2017, is open-plan living,” says showroom manager Phil Harflett,

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“with a particular emphasis on monolithic kitchen furniture. Think large kitchen islands in big open-plan kitchen/dining/living rooms and tall cabinets offering plenty of storage space and somewhere to conceal kitchen utensils and appliances while the room is used for work or entertaining.

“Kitchen furniture can be extended into your living space, as illustrated by our award-winning Alnostar Cera range [see opposite page] which has been used to create cabinets and shelving, blurring the boundaries between the kitchen and living room with dramatic effect.

“Spacious, open-plan rooms are also perfect for mixing contrasting materials and finishes,” he continues. “The new Ferro Bronze – a striking bronze metal-effect with a burnished industrial look – is best juxtaposed against a pure and minimal high-gloss white [pictured left], creating a blend of textures, tones and trends together in one room, for an avant-garde design that really captures our imagination.”

Natural choice Phil also predicts a return to nature this year, with new real wood veneers abounding and plenty of wood-effect finishes in rich red/brown tinted shades and cool washes of white, combined with pastel greens and deep greys. It’s all about using natural materials in

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INTERIORS

❝

...A trend which is set to be even bigger for 2017 is open-plan living, with a particular emphasis on monolithic kitchen furniture...

❞ earthy tones to draw the outside in and create a relaxed feeling of harmony in the home. “Lots of the new cabinetry is also inspired by architecture,” adds Phil. “For example, our new design concept, AlnoAttract, draws its inspiration from church design, featuring accented rib structures and smoke glass doors.”

We found an inspiring selection of stylish kitchen furniture in a wide variety of materials at the Bond Street store, including glass, wood and laminate, and Phil and the team are more than happy to find a trend to suit various styles and budgets large and small.

As for this near-centenian business in its wider context, with the recent launch of its new products and the expansion of existing ranges, it looks like its position as a trend-setter is set to strengthen.

“2017 will see Alno move further forward, building on our expertise, which has been carefully honed over our 90 years in the industry,” declares UK managing director Adinde Blacquière.

“Kitchens from Alno have been renowned for top quality, practical innovations and award-winning design since 1927, and we will continue to create nothing but the very best!” ■ The Alnostar Dur in Ferro Bronze with Alnostar Pearl in ultra white high-gloss

• Alno Kitchens, 1 Bond Street South, Cabot Circus, Bristol, BS1 3EN. alnokitchens.co.uk

Blur the boundaries between kitchen and living space, as illustrated by the Alnostar Cera range

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GARDENING

PURE AND SIMPLE...

The milky snowdrop may not be from these parts, but it’s earned squatters’ rights, says garden designer Elly West

M

any of us know and love the snowdrop – elegant in its simplicity, and made extra special because of the time of year when it’s in bloom. There’s something wonderful about such a delicate flower pushing its way through frozen earth, braving the cold: Brutal as the stars of this month / Her pale head heavy as metal (in the words of Ted Hughes). Usually seen in drifts, whether in gardens or in woodland, by streams or road sides, they can be put in the ground and then forgotten about – their appearance always a welcome surprise and a sign that spring is on its way.

As a garden designer, I usually like to position plants, particularly bulbs and perennials, in drifts rather than singly, echoing the same plants or colours around the garden. And when we think about snowdrops, it’s that carpet of white that we imagine, weaving its way through bare-stemmed shrubs and under trees. Even a small space can accommodate a goodsized gathering of these low-maintenance bulbs, guaranteed to brighten a winter day.

Snowdrops are easy to grow, either from dry bulbs or ‘in the green’. The latter tends to have a better survival rate, planted when the leaves start to die back and they have finished flowering. However, I’ve had success growing them from bulbs too. Because the bulbs are so small, they do dry out quickly, so buy them as soon as they’re available and plant them straight away. Try to dig a hole that’s deeper than you might expect – aim for 10-15cm. Choose a partly shaded site and incorporate leaf-mould or compost into the soil when you plant them, making sure not to let the soil get too dry over the summer.

Being under deciduous trees or shrubs suits them well, as they’ll be in sunshine when they emerge, but kept in cooler shelter when they lie dormant. The great thing is, once planted, you can leave them alone – overcrowding doesn’t bother them, and they’ll just keep spreading, by seed and by the bulbs multiplying below ground. And if you do end up with too many, it’s easy to lift a clump and replant them in another part of the garden, or pass them on to a friend. Everyone has room 76 THE BRISTOL MAGAZINE

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for some snowdrops!

Galanthus nivalis, the Latin name for the common snowdrop, is from the Greek ‘gala’ meaning milk, and ‘anthos’ meaning flower, while nivalis means ‘growing near snow’.

There are hundreds of cultivated varieties including giant, double and rare yellow flowers. Although they are typically white, with nodding heads marked with green on the inside, small variations in the position, size and shape of these markings can lead so-called galanthophiles to pay £50 per bulb or more for the rare varieties. After a quick Google search, I found the most expensive snowdrop was apparently sold on eBay in 2015 for £1,390 (plus £4 postage). It was a bulb of Galanthus plicatus ‘Golden Fleece’, and while it does look pretty, I’m sure there are better deals to be had...

Although snowdrops aren’t strictly native to the UK, having hopped across from Europe – originating from the Pyrenees eastwards – they are so thoroughly naturalised I think they can claim squatters’ rights. When you see their colonies en masse in wild-looking habitats such as moist woodlands, or on the banks of a stream, where they’ve merrily spread in their thousands, if not hundreds of thousands, it’s hard not to believe they are native wild flowers. On a sunny day, the effect can be uplifting and remarkable – and they release their fragrance in the sunshine. Winter would not be the same without snowdrops, and it’s hard not to let your heart be lightened by the sight of them as they take centre stage on a cold and gloomy day.

Elly’s top snowdrop spots • East Lambrook Manor Gardens, South Petherton, Somerset.

Created by the late Margery Fish, and noted for its specialist collections of snowdrops and hellebores.

• Forde Abbey, Chard, Somerset. Snowdrops appear in their thousands across the gardens and line the drive in February.

• Cerney House Gardens, North Cerney, Gloucestershire.

Gardens open on 1 February for snowdrops and the

Image above: Galanthus nivalis comes from the Greek words for ‘milk’, ‘flower’, and ‘growing near snow’

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snowdrop woodland walk.

• Colesbourne Park, Colesbourne, Gloucestershire. Home to 250 varieties, and perhaps one of the best places to see large groups of different snowdrops.

• Hanham Court, Hanham Abbots, Gloucestershire. Opens for the snowdrop displays under the National Gardens Scheme on 12 February.

• Lacock Abbey, Lacock, Wiltshire. See carpets of snowdrops, and also winter aconites, at this historic property.

Meanwhile, in Elly’s garden...

The builders have gone – hooray! They’ve done a great job and were very nice, but hooray nevertheless. There’s just some clearing up to do now, and I’m just waiting for the landscaper to come in and work his magic in time for planting in spring.

More to follow – watch this space... n • ellyswellies.co.uk

FEED THE BIRDS...

I’ll always try to encourage clients to hang bird feeders in the garden, and this is the time of year when it can really make a difference to their survival. More and more people are looking at ways to make their gardens wildlife friendly, and the advantages of encouraging birds goes beyond having something to look at when most of the plants lie dormant. They’ll also help maintain your garden’s ecosystem, eating pests such as snails and aphids, and eating weed seeds. At this time of year, give them food with a high fat content such as fat balls, as well as grains, seeds and nuts. Don’t forget to provide water for drinking and bathing in as well. There are some really attractive feeders and beautiful stone bird baths on the market, so find one you like, put it where you can see it out of the window then sit back and wait for the free live show.

Elly’s Wellies

Garden Designs

Turning your ideas into beautiful spaces Elly’s Wellies Garden Designs will help you maximise the potential of your outdoor space and tailor it to your individual needs. Whether you are looking for a complete garden redesign, or just need advice on what to plant in a border, Elly’s Wellies will be happy to help.

For a free initial consultation, contact Eleanor West

www.ellyswellies.co.uk ellyswellies@gmail.com 07788 640934 THEBRISTOLMAG.CO.UK

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PROPERTY

Through the keyhole...

We head north-east of the city to explore an early 19th-century converted barn at the former Bromley Farm in Downend

A

fine blend of classic and modern, convenient design, this four-bedroom home really appealed to us this month, particularly given its wonderfully secluded feel – perfectly apt for the periods of winter hibernation we’re given to at the moment.

Pull onto the gravel driveway – suitable for at least four vehicles, handily – from where you’ll spot a wood store and wealth of mature trees in the garden, and step through the front door to a flagstoned entrance hall. Here you’ll find a timber staircase with good storage, and double doors opening into a sitting room with its own wood-burning stove, solid wood flooring and patio doors overlooking the front garden. A split level up to the dining room gives a degree of separation but lends itself to social occasions too.

Along with a lovely feature window, the dining room offers a pleasant living space and more storage, as well as doors opening onto the back garden; while the fitted kitchen/breakfast room is a well-designed area with range cooker, built-in appliances and an island unit. A pantry (a beloved convenience for the current owners) and a breakfast area, with vaulted ceiling and skylight window, complete the offering of this space – the latter feature accounting for much of the natural light which floods the room. The flexibility of this split-level room is very appealing, as is the snug – to be found at the other side of the kitchen – which is the ideal place to relax, especially with the doors flung open to reveal the greenery beyond.

Off the first floor landing, find bedrooms either side of the

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stairs. The spacious master suite has windows to the front that overlook the approach, as well as a high-spec en suite shower room, while the second bedroom is a sizable double with access to an en suite wet room. Meanwhile, at the back of the property, are two further bedrooms which overlook the garden and canopy of trees beyond. These rooms share use of a family bathroom that has also been finished to a high standard.

Having checked out the accommodation inside, there’s just the grounds outside left to peruse – these feature a double garage attached to the right of the house and featuring an electric door; and the extensive back garden which is fenced and walled, with a large lawn and patio area that’s perfect for entertaining. A ‘masai’-style gazebo and plenty of leafy plants and shrubs complement the space, which has a gate at its far end, leading into the fields that stretch down towards the River Frome and beyond. n

PROPERTY PROFILE Guide price: £725,000 Agent: Fine & Country, 147 Whiteladies Road, Clifton, BS8 2QT

Contact 0117 973 3081; fineandcountry.com; bristol@fineandcountry.com

Main image: A tranquil, verdant space surrounds the property Opposite page, clockwise from top: The rustic stone exterior; the property has been fashioned in a converted barn; a flexible kitchen space; entertaining is a real pleasure, especially with such easy access to the gardens; a charming patio on which to while away warmer evenings

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PROPERTY

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BRISTOL PROPERTY | IN FOCUS

I

f a Grade II listed townhouse in a central Clifton location is your heart’s desire, then number 5 Beaufort Buildings could be the one for you. Lovingly maintained and enhanced by the current owners, this versatile family home has fine period dimensions and a leafy outlook across Christchurch Green. There are four floors of accommodation with an approximate internal floor area of 292 sq.m (3,146 sq.ft). The ground floor is the main family area of the home with a charming and welcoming dual aspect dining room with arched sash windows, working shutters and period fireplace. Opposite is a spacious kitchen/breakfast room with integrated appliances which leads to a sunny, south facing conservatory. Up on the first floor is a light, elegant drawing room with fireplace, stripped wood flooring and a lovely wrought-iron balcony overlooking the Green. The south facing master bedroom suite is also at this level and there are two further generously sized bedroom suites on the second floor. Down in the basement, the house really shows its versatility with a studio apartment complete with kitchenette and bathroom. This space could just as easily be a fourth bedroom. For the industrious, there is also a laundry/reception room and a workshop. If this handsome townhouse could be the one for you, then contact agents Knight Frank for full details.

Knight Frank, Regent House, 27A Regent Street, Clifton, Bristol. Tel: 0117 317 1999

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5 BEAUFORT BUILDINGS CLIFTON, BRISTOL • Grade II listed townhouse • Flexible accommodation over 4 floors • 3 bedroom suites plus studio apartment/bedroom 4 • Balcony • Leafy outlook in prime Clifton location • Conservatory

Guide price £1,150,000

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THE BRISTOL MAGAZINE 81

Bristol & Clifton’s premier Commercial Property Agents Keep up-to-date with our latest news, deals, testimonials and market

(0117) 934 9977

comment at our website: www.burstoncook.co.uk QUEENS ROAD, CLIFTON

PROMINENT RETAIL UNIT

• Prime Clifton shop

• Large prominent shop

• Excellent trading position close to the University

• Busy neighbourhood area of BS6

• 586 sq ft sales

• 1,841 sq ft (inc store)

• New lease

• Rent on application

BERKELEY SQ, CLIFTON

WHITELADIES ROAD

•

•

• •

• Shop for sale

Stunning period property 3,266 sq ft + 7 car spaces D1 use To let – terms on application

• Rare opportunity • £250,000 • Letting also considered - £18,500 pax

FOR SALE – CLIFTON

CLIFTON VILLAGE

• Prominent studio building

• Shop to rent • Fitted as a hair salon

• Office and medical use + residential potential

• New lease

• 1,162 sq ft

• Only £9,000 pax

• Freehold – Guide O/A QUEEN SQUARE – BS1

PORTLAND VIEW, DEAN STREET, BRISTOL, BS2

• Open plan office suite + 1 car space

• 2 New contemporary office units

• 1,568 sq ft

• 368 sq ft & 560 sq ft

• New refurbishment

• New flexible leases

• New lease

• Great space…

Julian Cook FRICS

Jayne Rixon

Burston Cook February.indd 1

MRICS

CLIFTON OFFICES TO LET

THE OLD JAIL, BEDMINSTER

• Light and airy office suite

• Industrial workshop unit

• 737 sq ft

• 5,611 sq ft

• Only £8,500 pax

• Flexible lease

• Flexible short lease

• Rent on application

Charlie Kershaw MRICS

Finola Ingham MRICS

Tom Coyte BA Hons

• Sales / Lettings • Acquisitions • Valuations • Landlord & tenant • Auction Sales

• Rent reviews • Property Management • Investment Sales / Purchase • Development & Planning • Dilapidations Advice 25/01/2017 15:27

LOOKING TO RELOCATE OUT OF TOWN???

With direct access to the motorway network and within a short drive of Bristol Parkway Railway Station, Beaufort Office Park offers an attractive workplace environment with great accessibility.

Beaufort Office Park is a spacious development of 13 offices with excellent on site car parking being located at the entrance to Woodlands, with Junction 16 of the M5 motorway being a few minutes drive away.

Units 2 & 3 are self-contained office buildings which offer approximately 3,100 sq ft over two floors. The buildings have recently been refurbished to provide modern, open plan floor plates. Each building has generous car parking, with 12 car parking spaces being available with each office.

Finola Ingham, Associate Director of Burston Cook comments: “The business park has excellent transport links and offers occupiers the chance to rent their own ‘HQ’ office building”.

Finola also comments “the rent we are quoting is competitive and a key advantage of out of town locations such as Beaufort Park, when compared to city centre alternatives, is the excellent car parking that we are able to offer. We would strongly encourage you to view the buildings with us”.

For further details, please contact the joint agents Colliers or Finola Ingham at Burston Cook on 0117 9349977.

(0117) 934 9977 www.burstoncook.co.uk Burston Cook February.indd 3

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Andrews - Bristol - February.qxp_Layout 3 25/01/2017 14:16 Page 1

Clifton Belgrave Road, Bristol, BS8 2AA ÂŁ335,000

Harbourside Electricity House, Bristol BS1 4TB ÂŁ299,995

A characterful, two bedroom, first floor flat within an imposing period property on Belgrave Road in Clifton.

This flat benefits from being extensively refurbished in the current owners custodianship and its location on Belgrave Road, just 100 meters from Whiteladies Road and Broadcasting house. Energy Efficiency Rating: TBC

Electricity House is an iconic grade 2 listed building with an amazing history dating back to the late 1930s. Now recently refurbished into luxury apartments offering a concierge reception desk to greet you. The apartment boasts an impressive double bedroom and a luxury bathroom. Open plan living space is well designed with a lounge and dining area leading onto the well-presented kitchen. Further benefits include a utility cupboard and separate storage unit within the development. Energy Efficiency Rating: E

Clifton sales 0117 4057659 Harbourside sales 0117 9114749

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Keynsham Brookside Drive, Bristol, BA2 0AX £700,000

Bishopston Allen House, Ashley Down, Bristol, BS7 9EY £345,000

Built in the 1990's this substantial and imposing detached home sits on Brookside Drive in Farmborough, enjoying wrap around gardens, an impressive frontage and glorious countryside views to the rear.

Approached via the long block paved driveway with ample parking, double garage and turning space, it’s hard not to be impressed by the approach to the house. No onward chain. Energy Efficiency Rating: D

A truly unique apartment with views from each corner of the property, stretching as far as the eye can see! This stunning 2 double bed apartment boasts an impressive open plan 31’8’’ x 13’3 living area and 15ft high ceilings throughout. There is an en-suite to the master bedroom and parking. Energy Efficiency Rating: D

Keynsham sales 0117 4058903 Bishopston sales 0117 4057662

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Westbury-on-Trym 25 Canford Lane, Westbury-on-Trym

t: 0117 950 0118 Email: westbury@cjhole.co.uk

NORTHOVER ROAD, WESTBURY-ON-TRYM Guide Price ÂŁ635,000 Immaculately presented detached family home with welcoming central spacious hallway which leads to two individual receptions, well equipped quality kitchen with solid wood worktops, heated flooring, high gloss units and many integral appliances, separate utility/workshop and downstairs cloakroom/WC. To the first floor are four double bedrooms and a modern contemporary bathroom with white suite and heated flooring. Positioned within close proximity to Bristol Free School. EPC D.

Henleaze 108 Henleaze Road, Henleaze

t: 0117 962 9221 Email: henleaze@cjhole.co.uk

PARK GROVE, HENLEAZE Guide Price ÂŁ560,000 A well-presented three bedroom semi-detached family home positioned within central Henleaze. The ground floor offers a modern kitchen/breakfast room with dual aspect and access to a landscaped 25m family garden, two receptions; front with bay and open fire and rear with French doors to private garden. The first floor offers a modern bathroom and three bedrooms. Further benefits include double glazing and gas heating. EPC E.

Other offices also located across Bristol and Somerset

CJ Hole February.indd 1

25/01/2017 12:01

Over £295,000

Leasehold

LD

£675,000

Freehold

LD

£300,000 LD

SO

SO

SO

Sneyd Park

Cotham

Redland

£525,000

£590,000

Freehold

LD

SO

Stoke Bishop

Redland £750,000

Freehold

LD

SO

Clifton

Stoke Bishop

LD

Freehold

LD

SO

£389,950

Leasehold

LD

SO

£385,000

Freehold

Leasehold

£365,000

Leasehold

LD

£350,000

Leasehold

LD

SO

SO

SO

Redland

Clifton

Central

Clifton: 203 Whiteladies Road, Bristol

t: 0117 923 8238 Email: clifton@cjhole.co.uk

CJ Hole FEB.indd 1

23/01/2017 12:05

£345,000

Leasehold

LD

£899,000

Freehold

LD

£450,000 LD

SO

SO

SO

Central

Sneyd Park

Sneyd Park

£475,000

£599,950

Freehold

LD

If you would like to talk to one of our experts about any aspect of buying, letting or selling we would be delighted to help.

Clifton

We would like to offer a FREE no obligation VALUATION to give you a completely up to date idea of your property’s worth.

SO

£385,000

Leasehold

LD

SO

Leasehold

Freehold

LD

SO

Harbourside £450,000

Leasehold

LD

SO

Call us to book your appointment on 0117 9238238.

Redland £430,000 LD

Clifton Leasehold

£1,000,000

Freehold

LD

£380,000

Leasehold

LD

SO

SO

SO

City Centre

Redland

Redland

Clifton: 203 Whiteladies Road, Bristol

t: 0117 923 8238 Email: clifton@cjhole.co.uk

CJ Hole FEB.indd 2

23/01/2017 12:05

Redland £499,950

Grove Road – Three bedroom house

n ew io N uct r st

In

Clifton Office 0117 946 6007

An interesting three bedroom house in need of modernisation with a private rear garden, situated just off Whiteladies Road. Arranged over three floors, this exciting property offers great potential.

EPC - D

Westbury-on-Trym £450,000

Westbury-on-Trym Office 0117 962 1973

Plum Cottage – 3 bedroom house Originally extended in 2000 the property now offers exceptional square footage for a period property at over 900 sq foot. The extension works have resulted in a substantial open and light space. The main focal point is situated to the rear of the property.

EPC - TBC

oceanhome.co.uk

Ocean February.indd 1

25/01/2017 10:42

Clifton £370,000

Pembroke Road – Two bedroom flat An elegant first floor balcony flat set within an impressive grade II listed Georgian terrace. The property has been fully refurbished but still retains all of its charm and character. EPC - F

n ew io N uct r st

In

Westbury-on-Trym £347,500 Albert Place – 2 bedroom house

This period cottage does not disappoint internally having been modernised throughout whilst retaining its historic and period charm. Within the prestigious Westbury-on-Trym C of E Academy area of prime responsibility as well as being a short stroll to ‘The Mouse’ and ‘The Victoria’. EPC - C

n ew io N uct tr

s In

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Fine & Country Feb.qxp_Layout 1 23/01/2017 12:07 Page 1

NEW HOME

Alveston | Bristol

Guide Price: ÂŁ775,000

New development just off Strode Common in Alveston; This individual modern detached house comprises: a sitting room with wood burning stove and bi-folding doors to rear south facing garden; kitchen/breakfast room offering the buyer to discuss with the seller the style they desire as a kitchen is yet to be fitted. Underfloor heating to the ground floor rooms. On the first floor are four bedrooms with a Juliet balcony and en-suite shower room to the master. Family bathroom. The front of the property is gated with parking for several cars and integrated garage. EPC: B

Fine & Country Feb.qxp_Layout 1 23/01/2017 12:07 Page 2

SSTC

Clifton | Bristol

Guide Price: OIEO £425,000

DUE TO EXCEPTIONAL DEMAND WE URGENTLY REQUIRE SIMILAR PROPERTIES. An exceptionally spacious (circa 1400 sq. ft) period garden flat in a sought after location, with a fabulous private rear garden, private entrance and superb accommodation. EPC: D.

SSTC

Redland | Bristol

Guide Price: OIEO £500,000

DUE TO EXCEPTIONAL DEMAND WE URGENTLY REQUIRE SIMILAR PROPERTIES. A stunning three bedroom period apartment occupying the lower ground floor of this pretty period building. The current owners have carefully maintained the property over their ownership, with a contemporary redecoration programme. EPC: C.

Beyond your expectations www.hamptons.co.uk

Portishead

Guide Price £775,000

A fabulous example of a 1930’s detached, five bedroom family home lovingly extended over the years.

SOLD

Kingsdown

Guide Price £210,000

A well proportioned, recently redecorated one bedroom top floor period apartment.

Portishead

Guide Price £640,000

An elegant four bedroom town house with period detailing and breathtaking vistas.

SOLDAGREED SALE

SALE AGREED SOLD

Elberton, S Gloucestershire Guide Price £2,000,000

Sneyd Park Guide Price £1,375,000

Frenchay, S Gloucestershire Guide Price £750,000

SOLD after only 7 viewings. Similar required.

SOLD after multiple offers. Similar required.

SOLD agreed at asking price. Similar required.

COMING SOON

TO LET

COMING SOON

Clifton

Whiteladies Road

A four double bedroom maisonette over four floors.

This three double bedroom part-furnished first floor apartment has been renovated and dressed to a premium level.

SOLD

Leigh Woods

SOLD

Guide Price £750,000

SOLD after a flurry of viewings and offers.

£1750 pcm

Clifton Wood

SOLD

Ubley, N. Somerset Guide Price £680,000 Clifton SOLD in excess of the guide price.

Guide Price £775,000

An imposing six bedroom house with versatile accommodation and garden. Currently licensed HMO.

Guide Price: £400,000

SOLD in excess of guide price.

Hamptons Bristol

Sales. 0117 322 6362 | bristol@hamptons-int.com

Hamptons February.indd 1

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Richard Harding February.qxp_Layout 6 23/01/2017 12:08 Page 1

Richard Harding Chartered Surveyors • Estate Agents • Auctioneers • Valuers

REDLAND guide £995,000

A stylish and original 4 bedroom (originally 5) semi-detached Victorian home situated in a prime Redland location. Further benefiting from off street parking for 2 cars, a garage, storage cellars and a landscaped 43ft x 27ft rear garden. Renovated and extended by the current owners in 2012, this gorgeous property now boasts a 31ft x 10ft sociable kitchen/breakfast room with bi-folding doors providing a seamless connection to the rear garden. EPC: D

An inviting & well-proportioned 4 double bedroom, 2 reception Victorian end of terraced home situated on Bellevue Crescent, a central & well-located cul-de-sac in the heart of Cliftonwood, enjoying fabulous views of Cabot Tower & Bristol's harbourside.

Also benefiting from a 75ft x 17ft private rear garden and use of parking. EPC: D

CLIFTONWOOD guide £765,000

An exceedingly spacious, 3 double bedroom, 2 bath/shower room upper maisonette apartment, of circa 1,100 sq. ft., set within an historic grade II* listed Georgian row on the slopes of Clifton with panoramic city views. Prime location for the ‘Oustanding’ rated Hotwells Primary School. A most appealing setting just a mere stone’s throw from the hurly burly of the fashionable Clifton Village.

HOTWELLS guide £375,000

An exciting opportunity to purchase this exceptional 3 storey residence within an exquisitely renovated grade II listed property in the heart of Clifton Village. Offers: private front door entrance, 2 double bedrooms (both with en suite bathrooms and dressing room), in all over 1400 sq. ft., off street parking and sunny town front garden. No onward chain. Contact us now to visit the property.

REDLAND guide £615,000

A beautifully presented, bay fronted, 2 double bedroom hall floor garden apartment, of circa 1,230 sq.ft., with an exceptional semi open-plan kitchen/breakfast/sitting room, high ceilings and an abundance or period features plus a south-west facing rear garden and off-street parking. A stylish interior with a pleasing blend of modern decor and fittings whilst retaining period character. EPC: E

REDLAND guide £495,000

A quite stunning Victorian period garden apartment presented to the highest of standards. With a spacious entrance hall, fitted kitchen with space for a dining table and opening into a very homely sitting room - both with direct access out onto a generous, landscaped rear garden, 2 bedrooms, a useful study/occasional bedroom 3, bathroom & separate wc, outside bike store. EPC: D

A thoroughly charming and inviting 3 bedroom (1 with en suite) period end of terrace house with plenty of original character and peaceful, southerly facing 38ft x 28ft garden. Situated on a peaceful backwater yet highly convenient for Whiteladies Road which is within just a couple of hundred feet, also handy for Durdham Downs and close to St Johns Primary School. EPC: D

Professional, Reliable, Successful

CLIFTON, guide £675,000

REDLAND guide £399,950

0117 946 6690 www.richardharding.co.uk 124 Whiteladies Road, Clifton, Bristol BS8 2RP

Richard Harding February.qxp_Layout 6 23/01/2017 12:08 Page 2

Richard Harding Chartered Surveyors • Estate Agents • Auctioneers • Valuers

REDLAND guide £1,100,000

A magnificent large grade II listed regency townhouse (circa 1845) located in a lovely wide road in Redland just off Whiteladies Road. Offering flexible accommodation, an abundance of period character, front and rear gardens and a double garage. Owned and enjoyed by the current family for almost 25 years, this much-loved classic Redland home has been informally set up in two parts to accommodate different generations of the family. Situated on an attractive road in a highly convenient location within just a hundred metres of Whiteladies Road with its shops, cafes, restaurants and regular farmer’s market. Also handy for the green open spaces of Durdham Downs, bus connections to the city centre and access to most other central areas.

BRANDON HILL guide £1,000,000

A haven close to the heart of the city - a rare opportunity to update & restore this unique detached 4 bedroom coach house, & one that also benefits from an unexpectedly large garden (75ft x 70ft) & generous off street parking. Located on a secluded mews within a ‘stone's throw’ of Park Street & the open space of Brandon Hill and with the city centre just a short walk thereafter - secreted away and yet on the doorstep of so much. The original stable element of the property dates from circa 1790 and more recently was substantially modified and extended in the 1950’s and 1970’s. The property is in need of refurbishment - it is a hidden gem in need of a polish. EPC: G

Professional, Reliable, Successful

0117 946 6690 www.richardharding.co.uk 124 Whiteladies Road, Clifton, Bristol BS8 2RP

Clifton - £425,000

Knoll Hill - £300,000

A quality purpose built first floor 2 double bedrooms, 2 bathroom apartment with allocated parking and private rear balcony, located in this fantastic Clifton location. Very highly recommended. EPC - C

A spacious 2 bedroom, 2 bathroom apartment with direct access to the south facing gardens with parking and garage. The Bishops Knoll development is spread over a large plot with mature planted gardens and undulating lawns. EPC - D

Clifton - Guide Price £450,000

Coombe Dingle - Guide Price £450,000

A beautiful 2 double bedroom, hall floor apartment set within a converted semi-detached period property boasts well-proportioned accommodation and a private rear courtyard/roof terrace. Retaining period features throughout, from high ceilings and original sash windows and feature fireplace this property has an abundance of character. EPC - D

We are pleased to offer this most attractive 3 bedroom 1930’s semi-detached house in the sought after location of Coombe Dingle, being close to the ever popular Blaise Estate where you will find superb walks. The property enjoys an elevated position in the road with views over the surrounding area. EPC - D

Stoke Bishop - Guide Price £575,000

Westbury-on-Trym - Guide Price £575,000

A traditional 1930’s 3-bedroom semi-detached family house, the property is located on the north edge of Stoke Bishop. Two reception rooms, lovely 85’ rear garden, parking for several cars and a single garage. The parkland of the Blaise Estate is within a few minutes’ walk of the house. EPC - D

A very attractive 3 bedroom semi-detached property set towards the end of the cul-de-sac in a prime location in Westbury-On-Trym. The property has huge potential with great attributes which would cater to a wide audience whether it be family living and extending as others have done in the road (subject to necessary planning and permissions) or downscaling from a larger property. EPC - D

Leese & Nagle February.indd 1

23/01/2017 12:33

You have made me a very happy woman, there were times when I thought this property was unsaleable. Thank you very much for making the resolution of all the difficulties and problems associated with this sale possible. It is an enormous relief. Every contact, by person, post, email, telephone has been a class act, where I have felt respected and cared for. Kind and thoughtful in all your dealings I want to identify and praise the patience, persistence and professionalism of the team at Leese and Nagle.

Catherine E

We want to thank you for all your help over the last 9 months. Your encouragement and tenacity were crucial throughout the process and we are hugely grateful to you all. Best wishes Duncan & Helen H

A massive thank you for putting up with all my outburst and general emotional instability! I am so excited to say I FINALLY own my very first home!

Ms M

Thinking about moving house?

As you expect, friendly advisors, we can help guide you from those first thoughts of moving through to the very moment when you unlock the door of your new home. With our two North West Bristol offices working together, we can significantly increase the market exposure when selling your current property. To help get things moving, give our highly experienced team which boasts over 100 years of estate agency expertise between them.

Call today and take advantage of our free no obligation market appraisal.

We’d be delighted to hear from you.

Well we have now been on the Island for a month and know it’s the best move we have ever made!

Thank you for all your hard work and support through a rather stressful time!!

Best wishes to you all.

Sue and Alan M

Leese & Nagle February.indd 2

I chose to sell our house through Leese and Nagle because I believed you were one of the most professional and knowledgeable agents in Bristol. Not just for the sale of the house but for all the work you do supporting its progress and the stressed buyers and sellers involved. You didn’t let me down.

Thank you so very much for your cheerfulness, positivity, support, kindness, advice and wisdom. It was so very much appreciated.

Ms R

25/01/2017 14:15

Sofa Library fp February.qxp_Layout 1 27/01/2017 10:40 Page 1

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