TURNER Experiential

EXPERIENTIAL DESIGN

TURNER acknowledges First Nations peoples as the Traditional Custodians of the many lands upon which we gather, work and journey across. We recognise their ongoing connections to land, sea and community and pay our respects to their Elders past and present.

We are committed to working alongside First Nations people to advocate for Connecting with Country principles through the work we do while operating on land that always was, and always will be Aboriginal land.

Artwork by Toby Bishop.

Experiential Design prioritises human interaction with the built environment to shape how we connect. It uses design elements to build an emotional connection to the place or brand to immerse occupants in a narrative. It creates a sense of “wow” to build memorable connections with their visitors.

STORYTELLING

W AYFINDING SYST E M

PLACE BRANDING SIGNAGE

LIGHTING DESIGN

BRANDING PLACE

Signage is an opportunity to navigate through space, but more than that... It can bring together the brand language & the signage standards. It is a design element to create a distinct environmental identity. Continuing the branded journey throughout the built environment.

Client

AOYUAN

Gross Floor Area

35,403 SQM

Units

254 Scope

PUBLIC ART

EXPERIENCE DESIGN

SIGNAGE & WAYFINDING

PLAYGROUND DESIGN

MESA HURSTVILLE, NSW

Mixed Use

MESA extends its branding to the public domain, through its integration into the podium and playground, to create a unique place and experience.

Engagement extends to all uses and experiences from adults to kids, playing to observing, interacting and remembering. MESA creates a memorable space that extends to all visitors, day and night, with an equal presence both on the ground as well as to residents observing from within their apartments.

DAY AND NIGHT PRESENCE

Subtle identity throughout the project allows a strong language to develop without distracting the audience. The tone of the brand identity has been considered throughout all areas to develop a well-balanced design.

MESA

MESA’s Snack Street is inspired by the colourful nature of vintage Hong Kong with bright multi-coloured graphics, lighting and furniture. Retro-style fittings and objects including stacked storage, seating, and over-head lanterns are reminiscent of 70’s Hong-Kong. This is further enhanced by the use of exciting, bold typography and neon-lighting.

MESA

MESA

A distinctive evolvement of MESA’s identity and branding.

THE CONSISTENT LANGUAGE

The residential signage is an evolvement of the MESA branding; extracting the motif to inform the arched form of the environmental graphics language. The result is a refined, sophisticated design that remains subtly consistent with the rest of MESA’s signage system.

Client AOYUAN

Gross Floor Area

58,006 SQM

Apartments

255

Retail/Club/Childcare

28,049 SQM

Commercial

970 SQM

Scope

SIGNAGE & WAYFINDING

PUBLIC ART

BAY CENTRAL WOOLOOWARE, NSW

Mixed Use

The Bay Central precinct at Woolooware Bay comprises a new mixed-use town centre. The development includes a new retail centre, refurbishment of the existing Leagues Club, hotel/ serviced apartments, and 255 apartments. The buildings range from 8 to 16 storeys, capturing views across Woolooware Bay towards the city. The development reinvents this waterfront site to the east of the existing stadium by creating a dynamic new mixed-use destination.

BRAND JOURNEY

Extruding forms inspired by the Bay Central branding to create a distinct environmental identity. Continuing the branded journey throughout the built environment.

Client CATHOLIC EDUCATION DIOCESE OF PARRAMATTA

Gross Floor Area

15,000 SQM

Architects BVN

Scope

SIGNAGE & WAYFINDING

ENVIRONMENTAL GRAPHICS

PLAYGROUND DESIGN

SANTA SOPHIA CATHOLIC COLLEGE BOX HILL, NSW

Education

Designed For Learning

Catholic Education Diocese of Parramatta (CEDP) is creating a contemporary preschool to postschool learning community in one of the fastest growing areas in Sydney.

Santa Sophia Catholic College at Box Hill consists of six storey towers with roof-top sporting facilities across four linked buildings, a knowledge centre, and fitness research hub.

BVN’s design envisions the four interconnected building as “a series of islands in a sea of decks.” Outdoor terraces surrounding the buildings will create spaces for learning and playing.

VISUAL IDENTITY

Keeping to a minimal aesthetic, a versatile family of signage was developed which could seamlessly evolve across all the visual elements of the environmental branding. All forms are a direct translation of architectural forms and colours.

Building Form

Form Translation

Final Form

Glass Safety Decal & Identification INQUIRY HUBS

Santa Sophia College’s four linked buildings will include learning areas, creative and performance hubs, rooftop play spaces, and sports facilities for 1860 kindergarten to year 12 students and 130 staff.

SANTA SophiA CAThoLiC CoLLEgE

Environmental Graphics

CATHOLIC EARLY LEARNING CENTRE

CELC’s learning spaces will inspire 60 students aged from 3-5 years to explore, innovate and thrive in their learning adventure.

The CELC graphic strikes the perfect balance between capturing the wonder and enchantment of childhood, and a learning environment.

SANTA SophiA CAThoLiC CoLLEgE

GREEN TRAIL

The ‘Green Trail’ consists of 12 sustainable stations located throughout the public areas on the ground and first floor, each designed to inform the students and visitors about the key features and concept of a Green Star building in a playful, bold and youthful approach.

SANTA SophiA CAThoLiC CoLLEgE

Green Trail SUSTAINABLE TRANSPORT

The environmental graphics are colourful and exciting, but also provide students with a more engaging and innovative place to learn. Translating educational processes through visual means is highly impactful for children.

Data needs to be presented in a fun and engaging way to maintain interest for both children and young adults.

Younger ages: Combining vibrant playful illustrations with large key facts.

Younger adults: Simplified data or information, overlaid onto design.

Students can learn about sustainable transport, water management, pollution, healthy food, and energy, to name a few things. By integrating this information into the built environment - such as around the playground, water stations, and classroom windows - students are more likely to engage in the topic.

Floor features are located throughout the site - providing resources for students to learn about things such as the periodic table, numbers and counting, different animals, and songs. This is gamified through playground activities such as hopscotch.

Green Trail BUILDING AS A TEACHING TOOL

SANTA SophiA CAThoLiC CoLLEgE

Client KRESNER GROUP

Gross Floor Area

6,392 SQM

Beds

139

Scope SIGNAGE & WAYFINDING ENVIRONMENTAL GRAPHICS

EDENSOR GARDENS EDENSOR PARK, NSW

Residential Aged Care

Edensor Garden is a new generation of residential aged care where the approach and experience is changing from hospice to hospitality.

Resident’s orientation and movement through Edensor Gardens contributes to their quality of life through their sense of place and familiarity with their environment.

Detailing BOTANICAL SEASONS

Our signage communicates on many levels. Botanical seasons reiterate cyclical movement, and connection to nature, while communicating locational information on multiple levels.

The Summer House The Autumn Manor The Winter Lodge The Spring Cottage

Environmental Branding WALL & CARPET DESIGN

Incorporating the natural elements into all areas of the project re-enforces the overall theme.

Client PANTHERS GROUP

Gross Floor Area

27,697 SQM

Scope

SIGNAGE & WAYFINDING

HOTEL

MARKETING

HOARDING

WESTERN SYDNEY COMMUNITY & CONFERENCE CENTRE PENRITH, NSW

Cultural, hospitality

The WSCC highlights and enhances Panther’s reputation and commitment to provide a world-class event and tourism destination in the Penrith area. The WSCC brand has been specifically designed to represent the new development; as a reflection of its purpose, ambitions and opportunities.

We developed the brand identity for the project with the final output being a brand guideline consisting of rules regarding the logo, colour palette, typography, graphic devices, and brand implementation to assist the WSCC team in designing consistent communications and marketing.

PUBLIC

ART

Arts and culture enhance social well-being. It provides positive opportunities for social engagement, economic stimulation & contributes to preserving heritage for future generations. Public art brings artists’ voice and vision into the civic realm. It offers rich insights into local culture, the ideas it can foster and the place it can become.

Client

ABORIGINAL HOUSING COMPANY

Site Area

2,380 SQM

Scope

SIGNAGE & WAYFINDING

PUBLIC ART STRATEGY

COL JAMES STUDENT ACCOMMODATION REDFERN, NSW Student Accommodation

The design strategy for Pemulwuy stage 3 embraces the Aboriginal Housing Company’s (AHC) emphasis on culture and community and the significance of the site through the built form narrative, an inclusive family model for students and the integration of key public domain spaces and indigenous public art.

Turner created the framework for artists to trace their narrative into the urban fabric. The integrated public artwork ‘family of turtles’ was engaged by AHC to pass on the story of a culture of support and nurturing within the community.

Coordinating with the artist, Turner integrated a variety of pieces into strategic facade panels and key public ceiling and wall elements

LEVEL

LEVEL 15

14

LEVEL 13

LEVEL 12

LEVEL 11

LEVEL 8

LEVEL

4

ENVIRONMENTAL GRAPHICS

The environmental graphics of Col James are a response to the site that reflects the complex layers of Redfern’s history. These include the geological and natural landscape, the Indigenous heritage, and the current context of the neighbourhood. Brought to life, each floor features a bold, distinctive colour palette that resonates throughout the building, creating a holistic yet unique identity.

Client

ALTIS PROPERTY PARTNERS

Site Area

3,609 SQM

Units 312

Scope

PUBLIC ART STRATEGY

ILLOURA PLACE LIVERPOOL, NSW Mixed Use

Located at 28 Elizabeth Street Liverpool NSW, Illoura place is a mixed-use development of 34 storeys with ground floor retail, 4 levels of commercial, and residential apartments above.

Artworks will be site-specific and capture both the past and future of the precinct. The pastby revealing local stories, history, and heritage features through visual and conceptual references and interpretive trails, and looking to the futurethrough aspirational and innovative use of design and materials including digital technology.

By strategically positioning the public art within the heart of these walkable spaces the aim is to impact and encourage a socially, environmentally and economically vibrant city CBD.

CURATORIAL FRAMEWORK

This Curatorial Rationale is based on contextual analysis, including research into the site’s history, aspirations, environment, urban character and project use.

The Rationale ensures public art is conceptually connected by setting an overarching vision for art, describing what the artworks aspire to achieve and providing thematic inspiration for artists.

THE CURATORIAL RATIONALE:

Directs artists in creating a site-specific response

Is a starting point for inspiration; not a prescriptive theme

Public art for the 28 Elizabeth Street precinct will be a visual reflector of place, conceptually narrating inherent place values. It will reveal the past through history and stories, capture the present through form and function; and frame the future through creativity and innovation.

ANIMA OF WATER (Mind and Soul of Water)

Memory | Essence

A sensory pause within our history of a stream that once trickled on this site.

The Anima of water, will capture and condense the luminance, vibrancy, essence, history and possibility of the 28 Liverpool Street precinct within the Liverpool City.

Here, under the brilliance of the sun, the memory of the shimmering surface of the creek, will be an inspiration for the public art. – shining by day and luminance by night via pathways of light that lead through urban glades, suspended prisms, veils of light and droplets of water.

Client

CABE DEVELOPMENTS

Site Area

6.67 HA

gross Floor Area

80,400 SQM

Scope

PUBLIC ART STRATEGY

EAST SIDE QUARTER (ESQ) PENRITH, NSW

Mixed Use

ESQ is an entertainment, leisure and lifestyle destination and will be a significant asset for Penrith and Western Sydney. An important element in reinforcing the identity of the ESQ precinct is the public art program.

The public art strategy for the ESQ precinct supports the commissioning of a diverse collection of artworks ranging in scale, impact and media; from stand alone markers and functional elements, to fine-grain embedded discovery works, including programmed and interactive interventions, and artworks with distinctive day and night presence.

Visioning PUBLIC ART OBJECTIVES

Art objectives were identified to guide the site-specific development of a unique, innovative and site-specific public art program.

― Respect our past and shaping our future.

― Destination making.

― Present by day and night.

― Interactive and inclusive.

These objectives were developed through extensive research into the site. The public artwork should refer to the site’s history and heritage, while facilitating and integrating high quality artwork into the urban fabric. The report provides a framework for curation of public art as a sustainable, long-term evolving program.

Visioning COMMUNITY AND OPPORTUNITIES

The theme ‘Community and Culture’ celebrates the past, present and future people, community and culture of Penrith, as well as the specific identity of ESQ; creating a sense of place and identity with an awareness of our history, creativity and cultural expression.

From extensive research into the Indigenous history, demographics, community, and intended uses of the site opportunities for public art integration were developed and proposed.

Client DEICORP

Site Area

9,389 SQM

Scope

PUBLIC ART

EXPERIENCE DESIGN

SIGNAGE & WAYFINDING

PLAYGROUND DESIGN

ALL OUR BOYS WESTMEAD, NSW

public Art

The St Vincent’s Boys’ Home stood on this site from 1896 to 1985 and represents a significant layer of Westmead’s cultural fabric. One page from the story of this place is of All Our Boys, who lived and worked through their childhood here and are part of the essence of this site.

Over 90 years the residents sustained themselves with enterprise, not the least by a print house. At its peak in 1943, with an all boy labor force, it published, printed, and sold 10,000 copies of their in-house magazine ‘Our Boys.’

The artwork depicts a suburban fence; a consistent, regular, and resilient form which the artist subtly twists while delving into the duality of all matter. On closer inspection the work is a meandering row of 87 reflective, individual structural pillars; each one strong, bold, and unique.

“These are the boys we depend on Our hope for the future-and, when Deeds noble and great for the world’s work await, Such boys will then prove to be men.”

L.C. Hardy, Feb 1, 1929, “Our Own Paper”

The main entry point to Highline on Student Lane presented an opportunity to create an integrated artwork in the form of a gateway. Inspiration was drawn from the unique location of the artwork. The entrance zone between the two buildings became the interface between private and public domains, contemporary and heritage sites.

The design intent for this artwork is to transform the gate and the fence beyond its practical purpose. Aiming to challenge the concept of a gated development, we transformed the gateway to be an artwork which provides security but does not block or cease the visual permeability. A gateway which announces the point of arrival leading into the residential podium.

SANCTUARY PHASE 6

WENTWORTH POINT, NSW

Mixed Use

The corner of Sanctuary Phase 6 was the forefront of the site and Sanctuary precinct. Directly adjacent to the Parramatta river, high activity retail precinct and park amenity, the location warranted an expression to public amenity and engagement.

Linking to the overall precinct theme of “One with nature” the sculpture takes references from its surroundings, depicting the ‘ribbons of water’. Using the form to engage people, it allows the artwork to become integrated into its environment, and serve as more than just a sculpture.

Client VIVID, DESTINATION NSW

Scope

PUBLIC ART

ETHEREAL COLUMNS

SYDNEY CBD, NSW

Vivid

Completed in 2017. Art and lighting installation by Turner in collaboration with Mott MacDonald, Code Green Pty Ltd, LAS Lighting Art + Science, LED Lighting, Automated, Design by Bow and JHA

Graphic light installations can tell an artistic story, activate surfaces, are programmable and can be used for navigation.

Client

DUFFY KENNEDY CONSTRUCTIONS

Site Area

1,420 SQM

Total Gross Floor Area

2,840 SQM

Apartments

35

Scope

SIGNAGE & WAYFINDING

ENVIRONMENTAL GRAPHICS

PUBLIC ART

UNDER THE LEATHER WATERLOO, NSW

Residential

Under changing times new people came but we are always here – under the leather.

This artwork references a layer of history on this site - from an origin of tanning came a refined, fragrant, elegant and finely considered craft culture. The business has moved but the site history remains.

Detailing LOBBY AWNING

For generations “NSW Leather Co” was the bricks and mortar home of a quintessential Australian craft - a saddle making and leather craft hub in the heart of South Sydney.

The inspiration for the artwork at the entry of the lobby was drawn from the aesthetics of hanging leathers within the warehouse environment.

Cow Hide Leather Warehouse

Layering

3D Ceiling

Visual Identity DOOR HANDLE

The fluid language of lines was incorporated in all details of the entry point. A customised door handle was designed to reinforce the holistic visual identity at every touch point.

VIVID, DESTINATION NSW Scope

PUBLIC ART

SUPERNOVA

SYDNEY CBD, NSW

Vivid

TURNER made its mark on one of Sydney’s biggest events with a stunning display of dancing lights.

As a part of VIVID 2017, which attracted more than 2.31 million people, “Supernova” was a miniaturised astronomical event displayed at Bulletin Place in the CBD.

The Vivid installation was created collaboratively by the Turner team.

Supernova represented the sudden and bright birth of a star which then fades back into a ‘milky way’ of shifting canopies.

Gross Floor Area

545 SQM Scope

PIPE KILN NO.1 KIRRAWEE, NSW heritage Exhibition

The Kiln is a blend of modern and historical elements, surrounded with informative and subtle signage. Developed to reinforce the industrial aesthetic and guide the viewer on a journey throughout the exhibition.

BALUSTRADE DESIGN

The surrounding rugged environment is integrated into the informative balustrade design and content. A key focus of the product was to engage the viewer without distracting them from their surroundings. Drawing their attention by interactive elements satisfies the viewers need to understand.

WAY FINDING

Strategic wayfinding aims to naturally move, guide & direct people in an unknown and new environment. The key to a successful wayfinding method is inclusivity and the ability to guide beyond disabilities and language barriers. Through thoughtful designs, wayfinding lends itself to the art of placemaking. By evoking confidence, it informs the community with certainty.

Client

ALTIS PROPERTY PARTNERS & MURDOCH PROJECTS

Gross Floor Area

8,956 SQM

Apartments

102

Scope

SIGNAGE & WAYFINDING

PUBLIC ART

MERIDIAN MIRANDA, NSW

Residential

Designed with a holistic approach, from the built form, the landscaping through to the signage and wayfinding; the experience of Meridian is a statement in luxury and seamless design.

This form not only responds to the contours of this site, but also the fluid lines of the water and parks that surround the site. These curvaceous lines commence at the point of arrival in the two lobbies and extend through the buildings.

The signage and wayfinding echo the architectural form. The colours are chosen from a classic monochromatic palette of whites and dark greys that bring a sense of calmness to the composition.

Visual Identity

LOBBY ID

CONNECTING THE PRIVATE AND PUBLIC DOMAINS

Particular care has been taken to fit Meridian Miranda into it’s urban context and the openness to the public lane on the West side of the site. The embellishment of this space forms part of this - a public mural has recently been added to this space to make it even more valued by the local community. The mural is reflective of the endemic features of Meridian’s natural surrounds, such as the flora and fauna.

Client

TALLAWONG VILLAGE TALLAWONG, NSW

Mixed Use

Tallawong is a local name of Aboriginal significance - it is derived from the Dharug word ‘dalawng’, for the apple gum tree.

Inspired by the architectural structure of the apply gum flowers, Tallawong’s signage is designed to establish a sculptural placemaking identity. Blossoming, interwoven linear elements are scattered throughout the village in key navigational locations, using varied scale and tessellated placement of messaging to create a unique, contemporary wayfinding signage system.

Brandmark elements utilised to display directional messages

Brandmark elements utilised to display directional messages

FRONT VIEW Scale NTS

SIDE VIEW Scale NTS

Signage Family HOLISTIC DESIGN APPROACH

The wayfinding system of Tallawong has been designed holistically to ensure a consistent signage family has been developed. This can be seen through the brandmark elements that are used throughout the graphic language , such as in the precinct IDs and pedestrian directionals.

Client

GREENLAND AUSTRALIA

Architect

BVN AND WOODS BAGOT

Gross Floor Area

2,000 SQM

Scope SIGNAGE & WAYFINDING

ENVIRONMENTAL GRAPHICS

CREATIVE HUB, GREENLAND CENTRE SYDNEY, NSW

Workplace

Spanning 2,000 sqm over 5 storeys, City of Sydney’s new Creative Hub lives in the Greenland Centre, in the heart of the CBD. Designed to offer creative facilities to Sydney’s budding arts community.

Turner had the privilege of designing the wayfinding system for the Creative Hub, creating a graphic language that would enhance the custom facilities being offered and make the space an inspiring, youthful and enjoyable creative zone for artists to thrive.

We created a graphic system that reflected the innovative site. The concept of the graphics focused on the importance of connection, seen through the continuous artworks throughout the space.

Off-setting shapes and using the stenciled format was how we brought into the design the youthful, playful tone, creating inverted graphics and stenciled signage throughout.

Wayfinding Journey ENVIRONMENTAL EXPERIENCE

The wayfinding system needed to appeal to a range of audiences and age groups. This meant careful consideration of the clarity of the wayfinding content and the design of the graphic system.

The concept of the graphics focused on the importance of connection, seen through the continuous artworks throughout the space.

CREATiVE hUB, gREENLANd CENTRE

Client DEICORP & PAYCE COMMUNITIES

Gross Floor Area

85,000 SQM

Apartments

779

Scope

SIGNAGE & WAYFINDING

SOUTH VILLAGE KIRRAWEE, NSW

Mixed Use

Seeking to create an industrial train station aesthetic, the simple signage elements reinforce the interiors palate without adding further materials and noise to the overall design.

Detailing FACILITY SIGNAGE

Providing clear detailed drawings is key to ensuring a developed product is manufactured flawlessly.

Outlining core components such as fixings, plates and graphics with their respective details, guarantees contractors have all the necessary information to deliver a proposed product.

Visual Identity DISPLAY SCREEN

A bold and industrial form draws the viewers attention while maintaining a cohesive relationship with its environment

With a digital interface touch screen and a robust industrial pylon, creates a high use and low maintenance device.

CENTRALE NORTH RYDE, NSW

The concept is derived from the adjacent national park concept.

Taking inspiration from the dappled light, a perforated graphic canopy was designed and this motif carried through the project in a suite of identifiers.

ENVIRONMENTAL BRANDING

The scale of the curvilinear organic shapes adjusts where needed, whilst still manning a connection with the overarching motif.

The dappled light motif was varied sizes, creating the deceiving appearance of a random pattern when in actuality incredible precision was required with each perforation uniquely numbered and located in each ceiling panel.

EXTERNAL MATERIALITY

Complimenting the surroundings through contrasting materiality creates a clear point of interest when searching for information in a busy environment.

Client

PAYCE CONSOLIDATED LTD

Scope

SIGNAGE & WAYFINDING

PIERSIDE WENTWORTH POINT, NSW Mixed Use

Integrated contrast between the building and signage, creates a unique level a depth and overall experience.

Exploring depth through levels of contrast, focus and form enables the projects to take on a further character.

AT

We see design as a collaborative process to successfully create built environments that serve both their purpose well and bring delight to their occupants.

Experiential Design and Public Art are commonly incorporated as part of the service - as well as stand-alone projects. We bring in artists and guest curators as required to deliver on our promise of placemaking, the right people at the right time.

EXPERIENCE

PUBLIC ART & INSTALLATIONS

All Our Boys, Parramatta, NSW.

Bay Central Ceiling, Woolooware, NSW.

Col James Student Accommodation, Redfern, NSW.

Illoura Place, Liverpool, NSW.

MESA Light Feature & Playground, Hurstville, NSW.

Pipe Kiln No. 1, Kirrawee, NSW.

Sanctuary Phase 6, Wentworth Point, NSW.

Under the Leather, Waterloo, NSW.

EDUCATION

Pemulwuy, Redfern, NSW.

Santa Sophia Catholic College, Box Hill, NSW.

RESIDENTIAL

Blackwattle, Glebe, NSW.

Pagewood, Banksmeadow, NSW.

158 Botany Road, Rosebery, NSW.

Asper, Rosebery, NSW.

Breeze, Little Bay, NSW.

Centrale, North Ryde, NSW.

Cowper Street, Glebe, NSW.

Charlotte Gardens, Asquith NSW.

Divercity, Waterloo, NSW.

East End - Fabric House, Newcastle, NSW.

East End - Washington House, Newcastle, NSW.

George & Allen, Waterloo, NSW.

Infinity Residence, Norwest, NSW.

Lucent, North Sydney, NSW.

Meridian Miranda, Miranda, NSW.

Mascot Square, Mascot, NSW.

No. 1 Lachlan, Waterloo, NSW.

North, 707 Elizabeth Street, Waterloo, NSW.

One Twenty Macquarie, North Ryde, NSW.

Otto, Rosebery, NSW.

Park One, Macquarie Park, NSW.

Platinum, Zetland, NSW.

Sanctuary Landing, Wentworth Point, NSW.

The Address Yukon, Wentworth Point, NSW .

The Address Savannah, Wentworth Point, NSW.

The Address Taiga, Wentworth Point, NSW.

The Orchards, Baulkham Hills, NSW.

Woolooware Bay Town Centre, Cronulla, NSW.

MIXED-USE DEVELOPMENT

Bay Central, Woolooware, NSW.

East Village, Zetland, NSW.

MESA, Hurstville, NSW.

Oasis by Crown, Ashfield NSW.

Paragon, Zetland, NSW.

Promenade, Parramatta, NSW.

Tallawong, Tallawong, NSW.

Union Balmain, Rozelle, NSW.

Wicks Place, Marrickville, NSW.

RETAIL

Page Street Village, Banksmeadow, NSW.

Pierside, Wentworth Point, NSW.

Kawana Shopping World, Buddina, QLD.

South Village, Kirrawee, NSW.

Lachlan’s Line, Macquarie Park, NSW.

SENIORS LIVING

Edensor Gardens, Fairfield, NSW.

WORKPLACE

85 Macquarie St, Parramatta, NSW.

Greenland Creative Hub, Sydney, NSW.

City West Housing, Pyrmont NSW.

3 Murray Rose, Sydney Olympic Park, NSW.

5 Murray Rose, Sydney Olympic Park, NSW.

Link HQ, Zetland, NSW.

Payce HQ, Sydney, NSW. Turner Office, Sydney, NSW.

HOTEL

Quest - MESA, Hurstville, NSW.

Quest - Bay Central, Cronulla, NSW.

Pullman Hotel - Penrith, NSW.

CULTURAL

Kiln No.1, Kirrawee, NSW.

Greenland Centre, Sydney, NSW.

International Cricket Hall of Fame, Bowral, NSW.

Sharks Aquatic Centre, Cronulla, NSW.

CAR SHOWROOMS

AMG Sydney, Mascot, NSW.

Mercedes Benz, Croydon, NSW.

ANISS ADLER ASSOCIATE DIRECTOR HEAD OF EXPERIENTIAL DESIGN DISCIPLINE

Art Direction, Environmental Graphics, Wayfinding & Branding

EXPERIENCE > 20 years

Thinking outside the box and pushing boundaries are innate to Aniss. What the graphic designer and artist calls uncompromising is more a clear-eyed ambition to make a vision a reality. She questions ingrained ideas about how things should function and, in doing so, opens new avenues to explore and ways to captivate people. It doesn’t matter whether she’s commissioning public art installations or conceptualising and designing them, Aniss never loses sight of her goal: to create moments that awaken and delight passers-by and regulars alike.

Since starting at Turner in 2018 Aniss built the Experiential Design division from the ground up – initially covering wayfinding and signage, she expanded the department to encapsulate feature installations and public art. Aniss has ensured that

the experiences within and outside a project – from wayfinding to art installations – are integral to its identity and furthers people’s engagement with it. Aniss’s problem-solving capabilities and understanding of stakeholder needs and dynamics are mingled with an intuitive creativity. Whether it’s making an idea work harder for a limited budget, utilising a material beyond its original purpose or creating new ways for people to experience and navigate projects.

Alongside her team, she brings an energy and spark to every project which resonates throughout every stage.

SYDNEY

L7 ONE Oxford Street

Darlinghurst

Sydney NSW 2010

P: +61 (0)2 8668 0000

www.turnerstudio.com.au

LONDON Mappin House

4 Winsley Street

London W1W 8HF

P: +44 (0)20 3950 1575

www.turner.studio