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tiling, from oak planks to fi tted carpets (yes, they’re back) THE PERFECT RUG We’re loving these Georgianinspired rugs from Etons of Bath
by MediaClash
Etons’ Creative Director, Sarah Latham
WHAT LIES BENEATH Etons of Bath, that well-known team of period house renovation specialists, is bringing all its expertise to bear on a new range of rugs designed with Georgian homes and hotels specifically in mind – although, wouldn’t you know it, most of them work equally well in a contemporary setting too A name to know
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Sarah Latham is Creative Director at Etons of Bath, an interior design outfit with a classical bent well suited to the Georgian and Victorian homes of the area, and where their fabric, lighting and furniture shop has just been boosted by the arrival of a new range of their own rugs, specifically designed for the area’s period homes.
“This is the first in a series of collaborations with interiors manufacturers we’ll be doing, the idea being to launch our own small range of products,” Sarah says. “To qualify, these rugs needed to be like no others on the market, the design of each one inspired by a specific component of an original Georgian interior.” As with everything they do, Sarah’s taken inspiration here from the buildings she knows best. “We specifically looked at symbols and elements we thought would translate well,” she says. “Most of them are well-known, and can be seen in many of the beautiful properties we have here in Bath, but some were specifically inspired by the interiors at the Brighton Pavilion – a particularly avant-garde building at the time. Indeed, many of these influences still feel surprisingly contemporary today.”
Right now samples can be seen (and touched!) at Etons’ Walcot Street studio, but each rug itself is actually made in India to order. “That way, the designs can be adapted to any size and colour, so they perfectly fit and suit your own interior. They can be hand knotted or hand tufted, or whatever you want.”
Rugs hugely predate fitted carpets, of course, and were big news in the potentially chilly great houses of the Georgian era. “The advent of machine-loomed carpets came shortly after
opposite page, bottom right: Pineapples star in the Warm Classics range this page: On Trend and Classic Contemporary rugs, at home in many styles of house the end of the Regency Period,” Sarah says, “so it was very rare to see a wall-to-wall rug or carpet back then. For one thing, the Georgians needed to be able to take their carpets outside to beat them – as vacuum cleaners had yet to be invented! Exposed, polished floorboards with large rugs on top became the norm, with many of the most beautiful imported from India and China through the giant trading companies of the time, such as the East India Company.”
ETONS’ INITIAL SELECTION of four rugs are each designed to appeal to a particular type of client. There’s the Warm Classic – rich colours and patterns, designed to go with classical furniture – and Calm Classic, with a higher and airier colour palate. “And then,” Sarah says, “there’s the Classic Contemporary, suiting those who like to mix classical forms with more contemporary elements, and the Trend Contemporary, which would suit a more cuttingedge interior.”
With the Warm Classic designs, in particular, it’s easy to see how inspiration was taken from the Georgian love of the pineapple. “Only the wealthiest of houses could afford to import them, or build the hot house needed to grow these tropical fruits in Britain, and so they became real statement pieces,” Sarah says. “Always on display, and never eaten – they were far too precious for that – they became such an icon of the age that pineapples quickly made their way into the Georgian architectural vernacular. Stone versions can be seen on and in some of Bath’s finest houses and crescents, for instance.”
The Calm Classic designs – on the other hand – were inspired by traditional Georgian friezes and ornate panelling, while the Classic Contemporary versions take their inspiration from The Royal Pavilion in Brighton, designed by John Nash for the Prince Regent, George IV. The fanciful interior design there was primarily by Frederick Crace and decorative painter Robert Jones, and the rooms were richly decorated and full of pattern and colour. “We’ve come up with a pared down version of these designs to suit contemporary tastes,” Sarah says, “while with the on-trend Contemporary pieces we’ve looked at the the Greek Key motif, so popular in this period. They’re so fuss-free they suit the minimalist, clutter-free look so sought after in cutting edge interiors.” Prices start at £350+VAT per square metre; for more, www.eatonsofbath.com/rug-collection
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