Bath Life – Issue 495

DREAM MAKERS ARCHITECTS ON THE BUILDINGS THAT INSPIRED THEM FAIR GAME FASHION AND THE WHITE STUFF HE’S A DIAMOND JEWELLERY GIFT GUIDE FOR FATHER’S DAY

GOLD RUSH

GOLDEN ACCESSORIES FOR THE

FABULOUS MEWS DINING AT THE ROYAL CRESCENT HOTEL & SPA

JUNE/JULY

1st June – Ben Fogle: Wild

2nd June – Dr John Cooper Clarke

3rd June – Hello Again: Neil Diamond Songbook

7th June – Jack Whitehall (2 Shows)

8th June – Shalamar

9th June – A Country Night in Nashville

10th June – Carrie Hope Fletcher

15th June – Manic Street Preachers

16th June – The Simon & Garfunkel Story

17th June – The Diana Ross Story

23rd June – TommyInnit

27th June – Bath Phil & Plinio Fernandez

29th June – The Beat

30th June – Barry Steele in the Roy Orbison Story

1st July – What’s Love got to do with it?

5th July – Jimmy Carr

14th July – The Elo Experience

15th July – Rob Lamberti

EVENT HIGHLIGHTS

Dr John Cooper Clarke 2nd June

A Country Night in Nashville 9th June Jack Whitehall 7th June

The Beat 29th June

Carrie Hope Fletcher 10th June

Cool your beans, bro’, or to put it another way – don’t panic! We’ve not rebranded to New York Life, nor is the above the new design for the Bath Spa bus station. So why are we leading with an image of the Guggenheim Museum? Well, it’s because of a feature starting over on page 14 in which local architects tell us about their career inspiration. And what an utterly fascinating read it is. From the no-windowed, spiralled curves of the Guggenheim to a housing development in Norwich, it’s a real insight into the imagination, passion and sense of responsibility shared by those who have a say in shaping the Bath and surrounds in which we live now. And, of course, it’s not just about us in the here and now, it’s about those who will come after us, and the impact buildings, architecture, and streetscapes will have on generations for years to come. I had the privilege of attending the recent Property Symposium, which you can read about on page 92, which dealt with exactly this topic – The City of the Future. From clear signage to empty units and from ever increasing student numbers to ever decreasing new land opportunities, a select panel of experts and keynote speakers shared their knowledge, opinions and plans.

In keeping with the more earnest than usual tone of this editor’s letter, we have also rebranded our news pages, starting over on page 75, with even more stories of success from the city, along with expert insights and inspiring interviews. But don’t panic – or to put it another way, cool your beans, bro’ we’ve still got arts, lifestyle, and all things fluffy and nice (I mean, have you seen that ostrich wallpaper from Divine Savages, left, and also over on page 66, like really seen it? It literally has all my love). This is Bath Life’s strength it’s a hard yes to the fun stuff, but also a big high five to the hard work, the endeavours, achievements, and intellectual efforts that go into making this region so great.

Follow

SARAH MOOLLA

ABOVE: Architects talk inspiration (page 14); BELOW: We’re going for gold interiors (page 66)

Lacock, Wiltshire

O ers in excess of £2,950,000

A beautiful 18th Century Grade II listed Cotswold Stone country house with separate coach house accommodation, outbuildings, heated swimming pool, tennis court and garage, surrounded by gardens with orchard, woodland and paddock in approximately five acres. Freehold. EPC rating: F

Granville Road, Bath

O ers in excess of £2,500,000

A stunning contemporary 4 bedroom family home on the northern slopes of the city of Bath with over 3500 square feet of living space and breathtaking views over the Charlcombe Valley and towards Solsbury Hill, with lovely garden and double garage. EPC rating: B

Issue 495 / June 2023

COVER Gestural Abstraction Anthracite wallpaper by Mind The Gap; www.mindtheg.uk

BUILDING INSPIRATION

14 ARCHITECTS On the buildings that have influenced their careers

THE ARTS

33 ARTS INTRO Manic

DEPARTMENTS

Senior art editor Andrew Richmond Cover design Trevor Gilham Contributors Matthew Bielby, Nic Bottomley, Marianne Cantelo, David Flatman, Rachel Ifans, and Lydia Tewkesbury Group commercial manager Pat White pat.white@mediaclash.co.uk Business development manager Annabel North annabel.north@mediaclash.co.uk Business development manager Dan Nichols dan.nichols@mediaclash.co.uk Production and distribution manager Sarah Kingston sarah.kingston@mediaclash.co.uk Deputy production manager Kirstie Howe kirstie.howe@mediaclash.co.uk Production designer Matt Gynn matt.gynn@ mediaclash.co.uk / Gemma Bourne gemma.bourne@mediaclash.co.uk Chief executive Jane Ingham jane.ingham@mediaclash.co.uk Chief executive Greg Ingham greg.ingham@mediaclash.co.uk Bath Life MediaClash, Carriage Court, 22 Circus Mews, Bath, BA1 2PW. tel: 01225 475800; www. mediaclash.co.uk Instagram @TheMediaClash ©All rights reserved. May not be reproduced without written permission of MediaClash.

Editor Sarah Moolla sarah.moolla@mediaclash.co.uk Managing editor deri.robins@mediaclash.co.uk

We’re a Bath-based publisher, creative agency and event organiser Magazines Our portfolio of regional magazines celebrates the best of local living: Bath, Bristol, Cardiff and Exeter. Agency From the design and build of websites to digital marketing and creating company magazines, we can help. Events We create, market, promote and operate a wide variety of events both for MediaClash and our clients Contact: info@mediaclash.co.uk

Arts STAGE LIGHTS

Post Covid, Theatre Royal Bath has been going from strength to strength, not least with a whole host of new shows just announced. Add these to the already strong current season, and Bath theatre goers are in for five star treats this summer and well into next year.

Harry Hill and Steve Brown’s acclaimed new musical, Tony! [The Tony Blair Rock Opera], is here 3 – 8 July, telling the story of how one man went from a peace loving, long haired hippy and would be pop star to a war happy multi millionaire in just a couple of decades. A kind of Yes Minister meets the musical The Rocky Horror Show

Following that, London Classic Theatre present Mike Leigh’s ferocious black comedy Abigail’s Party (17 – 19 July); the Horrible History crew bring their Terrible Tudors live on stage (20 – 22 July); and Frank & Percy, starring Ian McKellen and Roger Allam, is a poignant and witty take on the unexpected relationship that blossoms between two men (25 July – 5 August).

Later in the year, legendary stage and screen actor Brian Cox (recently seen in HBO’s multi award winning Succession) comes to the Theatre Royal Bath for the very first time, playing ohann Sebastian Bach in the world premi re of Oliver Cotton’s new play The Score, directed by Trevor Nunn (12 – 28 October). Fresh from an award winning run at Edinburgh Fringe, evam ed is the entire 144 episodes of the hit ’90s TV show delivered in 70 minutes ( October), and Dawn French is a Huge Twat with, yes, Dawn French, visits 26 November.

Next year one of the best selling crime novels of all time, And Then There Were None by Agatha Christie, comes to the Bath stage (20 – 24 February); there’s more chills and thrills with The oman in a (11 – 16 March); and David Morrissey is at the Ustinov starring in T e over T e o e tion by Harold Pinter, directed by Lindsay Posner (14 March – 13 April). or more www t eatrero a or

Dawn French insists she is a huge twat

Mike Leigh’s Abigail’s Party has a new Beverly, played by Rebecca Birch

Brian Cox stars in The Score

And Then There Were None is considered one of Agatha Christie’s best novels

Buffy gets totally revamped

The Woman in Black is creeping back

© TRISTRAM KENTON

© SHEILA BURNETT

DESIGNS FOR LIFE

Bath architects on the buildings that influenced and shaped their careers

By Sarah Moolla

Just as the fashionistas, the musicians, and the artists draw inspiration from those who went before, so too do our architects. Looking to the built environment of yesterday can provide fresh perspectives and innovative ideas for today. Whether it be a 16th century Venetian palace or a new build estate in Norwich, all of these projects can ignite the imagination of an architect and help breathe life into their designs. They can help make builds that are both aesthetically pleasing and highly functional, and create spaces that are dynamic and engaging. Here a few local architects talk about the builds that have helped inspire them…

THE GUGGENHEIM MUSEUM

Chosen by Jonathan Hetreed of Hetreed Ross Architects

What’s the history of the Guggenheim?

Frank Lloyd right first conceived this uni uely sculptural art museum in New York in the mid 1940s, and it was opened in the year of his death in 5 , fulfilling his premise of a single continuous ramp or ‘unbroken wave’ wrapping a central glass-domed light well to display the paintings for a ‘new unity between beholder, painting and architecture’.

What is the design concept?

Wright’s concept for the space was ‘the substitution of an atmosphere

for a form’ with the five circuits of the spiral ramp beginning at the fountain pool at its base and climbing to the spectacular glass dome – originally intended to be formed in a spiral of the glass tubing he’d used at the Johnson Wax building in Wisconsin. The building is entirely ‘introspective’ with no external views except the sky, while the gentle backward tilt of the external walls that display the paintings echoes that of their artists’ easels. Its uni ue unwindowed form makes it a startling neighbour in the New York street scene: as revolutionary as a vision as it is as an experience.

When did you first see it, and what was its impact on you?

I first saw it while at college, during a study trip to the S to research American new towns perhaps inevitably it eclipsed their design uality. Wright had been my inspiration for years so I knew the building from photographs but the experience of the ramp and the light was spectacular – perhaps in retrospect the building outshone its contents since I remember it so much better than the paintings.

How has it influenced your work?

I have always loved curved forms in buildings – the Italians seem to do them best but Wright’s not far behind. Tradition and practicalities generally constrain us to orthogonal forms but the inspirational curves of nature are all around us. The essential disciplines of resolving a client’s brief in function, form and construction – especially in relation to existing, and often historic, buildings – only occasionally allows for the curved form opportunity. But I’m always hopeful!

“New unity between beholder, painting and architecture”

The Guggenheim Museum in New York has no external views except of the sky

FONDAZIONE QUERINI STAMPALIA

Chosen by Mark Lord of lordarchitecture What is the history of Fondazione Querini Stampalia?

In Venice, Fondazione Querini Stampalia is a 16th century palace re-imagined by Carolo Scapra in the 20th century. Originally the family home of the noble Querini Stampalia family, considered to be one of the founding families of Venice, the building and its contents were left to the public by Count Giovanni Querini Stampalia in 1869.

What are its design credentials?

It was designed by Venetian Architect Carolo Scarpa, whose works are a celebration of materiality and intricate attention to detail. Many of his buildings present a sensory experience with the unfolding of spaces, texture of surface and movement and control of light and water.

When did you first see it, and what was it that inspired you?

I visited as a student studying architecture on a trip to Venice more than 15 years ago. This building and others in Scarpo’s portfolio have been a great inspiration, in particular the architect’s ability to carefully balance new and old, revealing the original building and its history whist reimagining the spaces through a contemporary use of materiality, detail and light.

How would you say it influences your work now?

Carlo Scarpa’s approach to historic buildings and their renovation was a revelation in the mid 20th century; however, his works have helped shape the way in which many architects and other specialists renovate, restore and re-imagine historic buildings today. This approach is now commonplace practice, and is one which I regularly employ in my own architectural works.

Outside of the approach to re-imagining heritage, a focus on detailing and the control of spatial experience through design has been, and continues to be, a key influence and passion for me as an architect. The subtle use of contrasting materials, light control through glazing and depth of reveal, as well as the use of landscape both internally and externally, can all add to the overall aesthetic success of a building and ultimately the enhancement of the user experience.

TOP: Fondazione Querini Stampalia in Venice was originally a 16th century palace; BELOW: The building and its contents were left to the public in 1869

THE UNITÉ D’HABITATION

Chosen by Paul Miller of Nash Partnership

Talk us through your choice

The building which had the greatest impact on my student days and influenced the direction of my early career is the Unité d’Habitation in Marseilles by Le Corbusier. Built around 1950, this 16-storey concrete-framed building includes over 300 social housing apartments, a hotel, a restaurant, shops, a nursery school and a paddling pool surrounded by a running track on the roof. It inspired many architects of the era to design similar blocks of apartments – but, it can be argued, many were not so successful.

What is Unité d’Habitation’s significance?

The building kick-started the Brutalist movement, with its use of exposed concrete and large imposing structure. However, the concept behind it stems from Le Corbusier’s ideas of sun, space and greenery interconnected with the home. The idea of the human scale (his ‘Modulor Man’) sometimes gets dwarfed by the size of the building, but the design embodies lots of ideas that we still use today. These include dual aspect homes, double height living spaces, flexible dividing screens, maximising views of the surrounding landscape, brise-soleil shading allowing winter sun whilst screening direct summer sun, and experimentation in new materials. Each of these can contribute to making the home a great place to live.

When did you first see it?

In 2006, when we stayed in one of the Unité d’Habitation’s apartments that had retained its original fittings and paint colours. To visit a building you’ve admired from afar can be quite amazing, but I found sleeping in it really energising.

What was its immediate impact on you?

As a young student it got me interested in housing. After finishing my studies, I went to work for architectural practices that were renowned for well-designed housing projects where I gained a passion for housing, urban design, and sustainability.

Is the building still shaping your approach to your work now?

Although I’ve never designed a building like the Unité, I think the carefully considered concepts of human scale, architecture for social purpose and complex design made to look simple are still influencing me. If you can’t describe the design approach as a series of clear principles or by a simple set of diagrams, then you should go back to the drawing board.

“The design embodies lots of ideas that

we

still use today”

Unité d’Habitation in Marseilles was built around 1950 by Le Corbusier

THE HILL HOUSE

Chosen by Kevin Murphy of Aaron Evans Architects

When did you first see the Hill House?

I first visited the Hill House in the mid s, travelling up to Glasgow, initially to see the Burrell Museum the cover star of my very first AJ (Architects’ Journal). I ventured into Glasgow to see the School of Art and then detoured onwards to Helensburgh to see this Art Nouveau masterpiece in the flesh for the first time.

Tell us a little about the building’s history

It was built in by Charles Rennie Mackintosh. nlike many of the modernist machines for living in’ that later followed, such as the Villa Savoye by Le Corbusier, Mackintosh’s work was contextual as well as innovative, combining traditional Scottish vernacular with the emerging modernism of the time. sing traditional building materials such as harling (roughcast render), the building references Scottish Baronialism, with its tall chimneys and spiral stair turrets, whilst breaking with tradition by introducing modernist details such as asymmetric elevations and corner windows.

And

its interior?

It is said that the building was designed from the inside out’. The interior of the house was bespoke, developed by Mackintosh working alongside his artist wife, Margaret Macdonald. Their appreciation of nature and the influence of apanese design are clearly seen in the furniture; beds, wardrobes, and the iconic ladder back chairs, alongside the light fittings, ironmongery and decorative gesso frieze above the fireplace. Even the cutlery was designed by them! The play on light and dark interiors and the use of colour and abstract, naturalistic forms was a radical departure to the style of the time.

What was its immediate impact on you?

At the time I was taken aback by the completeness of the design and the sheer attention to detail and uality that Mackintosh was able to achieve. Mackintosh understood how things were put together and, whilst today as architects we cannot always be fully in control of everything, it should form the starting point of any design concept.

Has its influence been far reaching?

hilst the aesthetics of the Hill House define a moment in time, the philosophy behind the approach to design and to client collaboration is still, I feel, valid today. Being aware of context, seeking to innovate, considering all aspects of the building from the external envelope down to the door handles, whilst fully engaging your client in the process, is still central to my own approach to architecture, and that of the practice too.

ABOVE: The play on light and dark interiors was a radical departure to the style of the time; BELOW: The Hill House was built in 1902–03 by Charles Rennie Mackintosh

EAST QUAY, WATCHET

Chosen by Katy Morrison of Morrison Studios

What exactly is the East Quay?

Commissioned by Onion Collective, East Quay is a local female led non profit organisation, who carried out years’ worth of research with the local residents, and created what is essentially a cultural hub supporting the seaside town.

Talk us through the aesthetics

Having only visited recently, this building really grabbed my attention. As a piece of architecture, designed by Bath based Invisible Studio, it’s definitely not beautiful, but it’s bold, playful, and engaging. I en oy the raw industrial feel and how it’s in-tune with the inevitably messy (in a good way) artists’ studios and workshops on the first floor.

What was its impact on you?

hat I find most inspiring is the story of its conception; how the Onion Collective formed and acquired the harbour-side council-owned site for free then raised .5million to construct it, and the positive change it’s had on the town since.

And how might this have influenced your work long term?

This building makes me think about the wider social dynamic in Bath and how, with a driven group of individuals, imaginative pro ects can materialise that have a wide reaching impact. Of course, a pro ect as visually bold would not be viable, or welcome, in Bath city centre, but it would be fantastic to use the principles of its conception; community growth over commercial gain. Less new hotels, student accommodation, and restaurants, instead more vibrant creative hubs with a community focus. As a starting point, finding a suitable new home for Bath Artists’ Studios could be a catalyst for a similar socially driven enterprise.

TOP: East Quay in Watchet is an artistic and cultural hub; BELOW: The Onion Collective raised £7.5million to transform the harbour-side site

IMAGES © JOSEPH HORTON

“This building makes me think about

the wider

social dynamic in Bath”

ARCHITECTS

THE GLASGOW SCHOOL OF ART

Chosen by Emma McDermott of SRA Architects

Tell us about your choice

Built between 1896 and 1916

The Glasgow School of Art was designed by Charles Rennie Mackintosh, who famously said that modern materials, such as iron and glass “will never worthily take the place of stone because they lack the want of mass.” It was a piece of art in the streetscape that carved the light inside to create a building that was a pleasure and a privilege to experience on a day-to-day basis.

When did you first come across it?

In 2007 I was an overly eager A-Level student interviewing for a place at the Glasgow School of Art to study architecture and, in a particularly memorable moment, I was on a tour of the building coming up a back staircase. In any other building the back staircase wouldn’t be something to write home about, but to me the solid smooth staircase felt like I was inside a sculpture, like every part of the building had been carved from a single massive rock. I was so excited about studying architecture as sculpture but, of course, it was not actually carved from stone, as we all saw after the fires of and .

Talk us through the building

The external walls of the Art School were made of local grey granite, but Mackintosh used glass and iron extensively along the front north-facing fa ade, flooding the artist studios with shadow free daylight, perfect for painting.

The extent of glazed openings on the south, east and west façades are varied and considered, depending on the use of the spaces behind them, always controlling the light into the building in a thoughtful and beautiful way; it was a building full of moments of artistic inspiration.

The heavy external walls, and lighter weight construction within, rings true with today’s modern design aspirations for longer life, looser fit and lower carbon. As the focus of building design and construction leans more and more into an emphasis on the reduction of carbon, there is a lot we can learn from the innovators who have come before us.

How has the design influenced your own work?

I reflect on Mackintosh’s famous uote about modern materials often in my own practice, as we look for ways to design high uality commercial buildings which use less energy than before, and which re uire us to be considerate and justify our use of glass carefully, recognising its impact both environmentally and aesthetically.

“Mackintosh’s work was contextual as well as innovative”

The external walls of the Glasgow School of Art were made of local grey granite

GOLDSMITH STREET

Chosen by Amelia McKechnie-Welsh of CaSA Architects

Tell us a little about the background of Goldsmith Street

Goldsmith Street in Norwich, completed by Mikhail Riches architects, is a progressive project that represents how highly sustainable social housing can be achieved to an exceptional standard of design. One of the many progressive elements to this project is that it achieved Passivhaus certification. These Passivhaus design standards encourage good levels of natural daylight, exceptional air quality, and comfortable temperatures without the necessity for heating. While these are extremely important factors to consider in all design it was exceptional to see this achieved in social housing, where the cost of heating is often unaffordable, leading to a poor standard of living.

When did you first see it?

As soon as this project was completed in April 2019, there was a lot of media coverage as the K’s largest Passivhaus certified residential scheme. I had family living in Norwich at the time and was lucky enough to visit and walk around the development myself.

What was your immediate reaction?

Something that I hadn’t fully grasped from the media coverage of the development was the direct contrast to the surrounding area. The existing apartment blocks were falling into disrepair with no direct relationship to the streetscape. Stepping into Goldsmith Street there was notable green shared space and considered street frontages. It felt welcoming and homely and a world away from the adjacent pooruality housing. The design has been considered down to the last detail, where interesting brick patterns and coloured front doors introduce individual touches to the finished scheme.

What was its impact on your career?

It had a big impact on the formative years of my career. It inspired me to push for the best quality of design for every budget and always test the boundaries of what is acceptable. It highlighted how good design really can have a positive impact on people’s lives and that architects should push for environmentally and socially conscious design to be the norm as opposed to the extraordinary.

Has the effect of Goldsmith Street’s design been far reaching?

I believe pro ects like Goldsmith Street have influenced positive policy reform. I hope that the project’s success has raised the bar of social housing, and, in fact, any new build housing across the UK in terms of sustainability, good design, and build quality. Working around Bath, the new BANES SCR6 sustainable construction policy has already transformed the way I’ve approached a new build dwelling by ensuring the on-site renewables match the total energy use of the new building. n

For more: www.aaronevans.com | www.casa-architects.co.uk | www.hetreedross.com | www.lordarchitecture.co.uk | www.morrisonstudios.co.uk | www.nashpartnership.com | www.sra-architects.co.uk

Goldsmith Street in Norwich is the UK’s largest Passivhaus certified residential scheme

“It had a big impact on the formative years of my career”

We are Bath and Frome-based Architects. We love challenging and unique briefs and using our creative talents to explore all the opportunities. Our skills lie in delivering a sustainable vision, allowing you to focus on the fun stuff!

RIBA Royal Institute of British Architects

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FLAT LINE DAVID FLATMAN

Meal-y mouthed

Flats discusses afternoon tea versus evening dinner (but ‘supper’ doesn’t even come into it)

The problem with afternoon tea is that it ruins your dinner. Nobody and I do mean nobody – wants afternoon tea to work as a thing more than I do, but I’m afraid that my dinner is the rythme uotidien around which my life is choreographed. Dinner is what grounds me. It’s something upon which I can rely, and it’s something that I know will make me feel good roughly 350 times a year (there’s always the odd disappointing one).

By the way, I’ve stopped saying supper’. Tried it. Liked it a bit. Wasn’t really me, though, because although I live in a Georgian house now and have a whole kitchen island of marble so thick that even Joan Collins would double take at first sight, I hail from

Maidstone. And people there simply don’t say ‘supper’.

I’ve tried afternoon tea plenty of times, in plenty of lovely locations. Lucknam Park’s was stupendous (people from Maidstone do say that); every mouthful a treat to be washed down with some gently sweetened Earl Grey. All I was missing was the signet ring on my pinky finger. But do you know what I remember most clearly from the last time I took afternoon tea at Lucknam? It’s that I went straight from there into town to meet three friends at Hudson for a steak. I skipped starters and couldn’t finish my pot of tru e chips. See what I mean? It’s a John Lewis problem, I concede, but it’s still a problem. It even ruined a much awaited evening meal at Claridge’s once, can you imagine?

You could have afternoon tea early in the afternoon but then it’s replacing lunch, so it’s

not afternoon tea, is it? It’s a three-tier lunch with the crusts cut off. Or you could re uest a lighter, lesser afternoon tea, but that’s like going to a steak restaurant and asking for half a ribeye.

The one place I do recall having a wonderful afternoon tea and it not knocking for six my culinary schedule was the Priory Hotel. Admittedly there were some little kids flying around the terrace as we nibbled and sipped, and I did keep slipping them bits of chocolate brownie and chunks of lemon drizzle which served both to help get through the mighty mound of sterling silver-mounted grub, and presumably to stitch up their poor parents when it came the hellish sugar crash. Good fun. Yes, the Priory was very good. I’m going to go back.

An obvious suggestion that may be rattling around somewhere toward the front of your brain is that I ought to at least consider enjoying afternoon tea and then skipping dinner. But no. Nope. Can’t do that. Apart from anything else, I’d be famished by around 9pm – precisely the wrong time. That could throw my whole week into chaos.

In summary, then, afternoon is a nice idea that will likely never catch on. I’m going to give it one more chance, though, by booking one soon. I’ll brush down my suede loafers, dust off a linen acket, and prepare for my own physical version of overconsumption. Let battle commence.

David Flatman is an ex-Bath and England rugby star turned TV pundit and rent-o-mic. Follow him on Twitter @davidflatman and Insta @dflatman

“It’s a John Lewis problem, I concede, but it’s still a problem”

SCENE

THE LATEST ADVENTURES IN PARTY-GOING ACROSS BATH

CRESCENT MOMENT

On 20 April, The Royal Crescent Hotel & Spa celebrated the opening of its newly refurbished and re-launched restaurant, Montagu’s Mews. More than 250 guests were treated to a Taittinger Champagne welcome, tasting stations from Lost & Ground Brewers, Piston Distillery and 6 O’clock Gin, and local cheese and charcuterie from Harvey & Brockless . The team served mini canapé versions of dishes from the new menus by head chef Martin Blake and head pastry chef Michael Topp. The party then carried on into the night, with Corrine from Select Sounds providing chilled-out beats.

Lizzie David and Vishaka Robinson

Sarah Hammer, Lorraine Robinson, Caroline Fullard, and Sue Muir

Angie Godon, Ben Godon, and Lorraine Jarvie

Photos by Jim Holland www.royalcrescent.co.uk

Simon & Berni Murray-Jones and Laura Baynten-Coward

Lara Somerset and John Irvings

Nicholas Wilde, Amy Williams, and Pawel Deziura

Tina and Daniel Robinson

Andrea Knight and German Diaz

Emma Summers and Daniel Summers

COSTUME DRAMAS

No.1 Royal Crescent recently launched the Georgrobe. Sponsored by HomeLets, the fun feature comprises a bespoke floor to ceiling wall mural created by local artists ason Dorley Brown and Emma Taylor. There is also a cabinet display of satirical prints about the fashions of the period, plus racks of historic costumes, wigs and hats so visitors can make like a Bridgerton www.no1royalcrescent.org.uk

Emma Frayling and Sarah Moon

Emma Taylor and Jason Dorley-Brown

Alfie the Crescent Cat

Richard Wyatt and Tracy Clark

Bridgerton quotes abound

Megan Lund

Luke Uren

Max Rawlinson and Charlotte Harris

Marcus Arundell, Lydia Arundell, and Mylo Arundell

Laura Watson and Claire Dixon

THE WRITE WAY

Bath author Rebecca Rogers recently combined celebrating her book being published with her winning the Comedy Women in Print prize 2021 with a launch party at Mr B’s Emporium Bookshop. The writer and actor Helen Lederer, who founded the Comedy Women in Print prize, made a welcome speech, and the writer and journalist Rachel Ifans held a Q&A session with Rebecca about her crime mystery novel, The Purgatory Poisoning. www.harpercollins.co.uk

IVY LEAGUE

Storm Consultancy recently celebrated its Queen’s Award for Enterprise win in the Innovation category with a gathering in The Ivy. Champagne and canapés were served whilst the 50 attendees networked, followed by the award presentation, and speeches from Lord Lieutenant Mohammed Saddiq and the Deputy Lord Lieutenant Edward Bayntun-Coward.

The digital technology agency also used the occasion to mark the achievement of becoming B Corp Certified, and offsetting its carbon footprint with 10 acres of forest planted in the last three years.

Photos by The Le Sueurs www.thelesueurs.com | www.stormconsultancy.co.uk

The Queen's Award

David Kelly, Adam Pope, and Edward Bayntun-Coward

Jenny Reynolds and Andrew Buckton

Rachel Ifans and Rebecca Rogers

Mohammed Saddiq

Andrew Chalmers

The celebratory event was held at The Ivy

Angela Connery and Rebecca Rogers

Betsi Ifans

Andy Riddle and Marjan Van Gelderen

THE ARTS

SNAPSHOTS OF BATH’S CULTURAL LIFE

THE PRINCES OF ALES

In what is seen as a huge coup for the Bath Forum, and another step towards major venue credibility, the Manic Street Preachers are playing a special, one off show at the Art Deco former cinema on St ames’s Parade ahead of their summer festival appearances, including headlining Glastonbury.

And for those who’ve been living under a rock instead of following this rock band from South ales, to date the Manics, currently consisting of vocalist and guitarist ames Dean Bradfield, bassist Nicky ire and drummer Sean Moore, have released 14 studio albums, including their most recent from 2021, The Ultra Vivid Lament

A cult favourite, ’s The Holy Bible, was the last album they produced with former guitarist and songwriter Richey Edwards, who disappeared later that year, and whose body has never been recovered. For more: www.bathforum.co.uk

© ALEX LAKE

WHAT’S ON

26 May –

24 June

EXHIBITIONS

Until 31 May

GARDEN SCULPTURE TRAIL

Curated by Andrew Illingworth from FiveTwo, who specialise in garden sculpture, this collection arranged in the grounds of the American Museum features 40 sculptures made by British artists. www.americanmuseum.org

Until 3 June REVOLUTION, PROPAGANDA, ART: PRINTMAKING IN

MODERN CHINA

This striking, informative exhibition at the Museum of East Asian Art showcases a series of prints selected from the Muban Educational Trust’s collection of over 6,000 works. It explores artistic trends, political movements and technical developments in modern Chinese printmaking. www.meaa.org.uk

Until 4 June UNLIMITED: ART FOR EVERYONE IN THE 1960S

The first ever retrospective exhibition devoted to the Bathbased inventor and entrepreneur Jeremy Fry’s ground-breaking

Unlimited collection, with the works being shown for free at the Assembly Rooms. www.holburne.org

Until 10 June NEW WORKS

New ceramics from Jane Sheppard and Mizuyo Yamashita, and new paintings from Comhghall Casey and Laurie Steen, make up this Beaux Arts late spring exhibition. www.beauxartsbath.co.uk

Until 4 July AMERICA IN CRISIS

This show, which includes an interactive experience, is an American Museum partnership with the Saatchi Gallery and juxtaposes images of current US troubles with photographs from more than half a century ago. www.americanmuseum.org

Until 29 July

LIAM STEVENS

Liam Stevens is a London-based artist who grew up in rural Somerset and works in layered pigment washes with pencil on canvas and constructed reliefs. His creations are composed of repeated lines and forms, creating a sense of rhythm in the negative space. Francis Gallery; www.francisgallery.co

Until 7 October RICHES OF THE EARTH

Although minerals have many practical uses, their aesthetic qualities are often overlooked. This free exhibition celebrates the beauty of these solid chemical compounds with more than a hundred carefully selected vibrant and striking specimens from the Bath Royal Literary and Scientific Institution’s collection. www.brlsi.org

26 May – 1 October PAINTED LOVE

This major Holburne exhibition looks at the role of portraiture in the process of marriage in the Renaissance of Northern and Southern Europe. The paintings not only documented the union of spouses, but also celebrate those of families, their wealth, power and land, and forging of political alliances. www.holburne.org

9 – 14 June

SAM TRAVERS

Sam’s paintings of Wiltshire inspired landscapes will be hanging in factory space in the centre of Holt. The works, both traditional and modern, will be on view and available to buy. www.samtravers.com

11 June

BATH CONTEMPORARY ARTISTS FAIR

Since its creation in 2020, the Bath Contemporary Artists Fair has showcased more than 600 artists across 13 fairs at Green Park Station, bringing the best of local contemporary art, including fine art, photography, sculpture, textiles and much more. www.bcaf.co.uk

THEATRE / CINEMA

1 & 2 June

UNLOCKED

During lockdown the dancers of Nova Grace Productions took to Zoom to connect and continue to dance. They documented the experience over nine months to create and rehearse four 15-minute sections looking at the various stages of lockdown, which are now being performed at The Mission Theatre. www.missiontheatre.co.uk

10 June – 1 July

ROMAN HOLIDAY

A new stage musical of Roman Holiday, made legendary on the silver screen by Audrey Hepburn

The dance show Unlocked performs at the Mission Theatre, 1 & 2 June

and Gregory Peck, receives its UK première, bringing Italian chic, classic comedy, and timeless Cole Porter songs to the Bath stage. Stars Michael D. Xavier, and Rebecca Collingwood. www.theatreroyal.org.uk

MUSIC

8 June SHALAMAR

It’s a special 40th anniversary tour of the soul disco band at the Bath Forum. No novelty nostalgia act, these guys still know how to perform and how to deliver. Hits include There It is, Friends, and I Can Make You Feel Good, all promising a Night to Remember www.bathforum.co.uk

8 June

LUKE DE-SCISCIO

Bath based singer songwriter with a line in bluesy folksy acoustic sounds is headlining at the Chapel Arts Centre. www.chapelarts.org

10 June

CARRIE HOPE FLETCHER

Performing songs from her West End career, Carrie’s An Open Book tour features hits from Heathers, Les Misérables, The Addams Family and many more. This is interspersed with chat about her career, which includes being a best-selling novelist, a recording artist, and respected vlogger. www.bathforum.co.uk

8 – 18 June

FOREST LIVE 2023

Westonbirt Arboretum, near Tetbury, hosts this live music series, the funds from which go directly into helping Foresty England

maintain woodland. On 8 June is Paul Weller with special guests Far From Saints and guest support from Seb Lowe; 9 June sees Tom Grennan, special guest Matilda Mann and support Liv Dawson; and on 10 June it’s Jack Savoretti, with special guest Natalie Imbruglia. www.forestryengland.uk

11 June

JAMES HOLLINGSWORTH’S PINK FLOYD NIGHT

Performed at Walcot House by acclaimed multi-instrumentalist singer/guitarist and centred on the music of Pink Floyd, James Hollingsworth’s all-live solo show combines modern looping technology with real instruments. www.walcothousebath.com

23 June THE UNTHANKS

Mercury Prize nominated sisters Becky and Rachel Unthank, whose roots are based in the traditional music of the north east of England, and who cite Miles Davis, Robert Wyatt, and Antony & The Johnsons as ma or influences, are playing at the Wiltshire Music Centre accompanied by an 11 piece band. www.wiltshiremusic.org.uk

COMEDY

Every Saturday

KRATER COMEDY CLUB

More up-and-coming and established talent providing the weekend laughs. During June look out for Helen Bauer, Mick Ferry, Sean McLoughlin, and Paul Sinha. Komedia Bath; www.komedia.co.uk

31 May

A SKETCH SHOW

A Sketch Show is a 75-minute chaotic journey through the minds of Jack & Jordan, two comic dudes who also happen to be actors. Expect appearances from a confused Yorkshireman, imaginary girlfriends, and Pine Nut. Rondo Theatre; www.rondotheatre.co.uk

CHILDREN

Until 31 July

THE WILD ESCAPE

Victoria Art Gallery is taking part in The Wild Escape, a nationwide project uniting hundreds of museums, schools and families to find nature in museums. Children are invited to find a favourite animal in the gallery and create an artwork

TOPTOBOTTOM: Laura Richards is just one of the artists appear in the BCAF in Green Park Station on 11 June; the paintings of Comhghall Casey are on display at Beaux Arts until 3 June; Carrie Ann Fletcher is performing at Bath Forum on 10 June

© MICHAEL WHARLEY

imagining its ‘escape’ back to its natural habitat, which can now be seen online. www.victoriagal.org.uk

Until 19 September

ZOG TRAIL

Thanks to amazing augmented reality technology, you can follow a golden star trail around Westonbirt Arboretum, which is home to one of the most important plant collections in the world, with 15,000 specimens and 2,500 species. There are also Gruffalo statues to be spotted, a nature play trail and guided walks, along with the treetop walkway. www.forestryengland.uk

14 June – 14 July

ASSEMBLE IN THE FOREST

The Forest of Imagination have created a contemporary arts event at the Assembly Rooms, which includes complete multi-sensory installations, artists’ workshops, and a whole host of creative and community projects, suitable for all ages, and designed to highlight the beauty and biodiversity of Bath. www oresto ma ination om

FESTIVALS

Until 12 June SPARKFEST

Hundreds of undergraduate and postgraduate students from Bath Spa University’s Bath School of Music and Performing Arts along with staff, alumni and collaborators – will stage around 100 performances in venues all across the city. www.sparkfest.co.uk

26 May – 11 June

BATH FRINGE FESTIVAL

BFF events include jazz, soul and funk nights at Green Park Brasserie, performance poetry at The Bell, folk music at Chapel Arts Centre, children’s plays at Alice Park, and more. www.bathfringe.co.uk

26 May – 11 June

FRINGE ARTS BATH FESTIVAL

Fringe Arts Bath Festival is back for 17 days with a feast of visual arts and happenings: out of the ordinary, curious, ironic, often challenging and always inspiring. FaB Festival 2023 brings 24 curated exhibitions and projects from both international Artists and Bath’s creative community in a festival of pop-up exhibitions, events, installations and performances breathing new life into unexpected spaces across the city and nearby. www.fringeartsbath.co.uk

ABOVE: The three-day pub in the Park starts 16 June; INSET: Presenter Ben Fogle gets Wild in Bath on 1 June; BELOW: See the Unlimited art collection devised by Jeremy Fry at the Assembly Rooms until 4 June

1 – 3 June

THE ROYAL BATH & WEST SHOW

Bath & West Showground in Shepton Mallet is the home for this old school farm show with a contemporary twist. There are dogs shows, cattle parades, show jumping, vintage tractors, plus music tents, a cheese marquee, celebrity chef demos, and lots of tasty regional food and drink stalls. www at andwest om

1 – 4 June

THE VINTAGE NOSTALGIA FESTIVAL

An outdoor celebration of all things retro at Stockton Park, Wiltshire from dance classes to vintage cars, along with the best swing, jazz and jive bands in the country. www.vintagenostalgiafestival.co.uk

4 June

BRADFORD ON AVON

LIVE MUSIC FESTIVAL

Brass band family fun by day, and relaxing swing jazz in the evening, is all part of the family friendly Bradford on Avon Live Music Festival at the beautifully secluded Moulton Trust Hall Estate, complete with a Jacobean mansion. www mo tontr st or

16 – 18 June

PUB IN THE PARK

This is where chefs and singers get equal billing, and all slap bang centre in Bath’s Victoria Park. Curated by Tom Kerridge, the three day event caters to both the high end pub grub food connoisseur and the up-for-a-party crowd. Marco Pierre White and Leyla Kazim are just two of the hosts. Foodie stalls include Noya’s Kitchen and Bar 44, and there’s music from Judge Jules, Bjorn Again, Example, Badly Drawn Boy, McFly, and Gabrielle. www.pubintheparkuk.com

OTHER

1 June

BEN FOGLE

The o ntr e presenter and all round adventurer Ben Fogle brings his new tour i d to the Bath Forum, sharing his stories of hope, possibility, and positivity from his extraordinary encounters around the world. www.bathforum.co.uk

2 June

JOHN COOPER CLARKE

One of Britain’s most beloved and influential writers and performers, the Bard of Salford brings his I Wanna Be Yours tour to Bath Forum where he’ll be waxing lyrical in his

distinctive style on everything from Baudelaire and Edgar Allan Poe to pop art, pop music, the movies, fashion, football and show business. www.bathforum.co.uk

2 June

STEVE HARLEY ACOUSTIC BAND

The original Cockney Rebel shows no sign of slowing down, after more than 50 years of touring, and invites us to ‘ ome and ee e www romememoria t eatre or

14 June

LADIES’ DAY

One of the stand out days in the Bath social calendar. Racegoers gather for a show of style, beauty and betting in the ever-popular Ladies Day at Bath Racecourse, which features DJ and dancing after the races. www.bath-racecourse.co.uk

15 June

STACEY DOOLEY

This live show at Bath Pavilion is based on Stacey’s latest book, re o ea nderstandin ritain s enta ea t mer en , which explores the mental health crisis in Britain and its impact on young people, and was inspired by Stacey’s two BBC documentaries on mental health. www.fane.co.uk

Actor and writer Ian Hallard is the author of The Way Old Friends Do, a new comedy play about devotion, desire, and dancing queens, which is visiting the Theatre Royal Bath from 30 May until 3 June.

Ian’s TV credits include Doctor Who, Sherlock, Endeavour, The Power, The Crown, Poirot, Marple and Doctors, and he has appeared in the films Mary, Queen of Scots, The Act, and The Dark Room.

The last great film I saw I re-watched Awakenings recently. It’s based on the true story of a group of catatonic patients who are (briefly) reawakened. It always makes me bawl like a baby. The first time I watched it I woke my whole family up because of the noise I was making. They’d all gone to bed and thought the house had been burgled by a distressed donkey.

The painting I love

There’s a painting of Elizabeth I in old age that I think is fascinating. I always loved Elizabeth as an historical figure: and she’s here, ageing and careworn, stripped of all the trappings of Gloriana. A pose that no contemporary artist would have dared create during her lifetime.

My lockdown boxset

Friends. I adored it when it first aired and it has remained a go-to ever since. Every single episode makes me laugh out loud at least once. Lisa Kudrow is a genius –her HBO series The Comeback is a little-known gem.

The book that changed my life

Alan Hollinghurst’s The Swimming Pool Library. As a gay man growing up in Thatcher’s Britain in the ’80s, it struck a real chord for me when I first read it as a teenager.

The book I could re-read Fingersmith by Sarah Waters. It’s a fantastically-plotted page turner, with an amazing twist half-way through. Even when you know the twist, it’s still a great read.

Last live music gig ABBA Voyage. I was lucky enough to be there on the première night and consequently see the four members of ABBA come on stage to take a bow together: something I never believed I would ever witness. I sobbed my little heart out.

My desert island disc ABBA, naturally. If I could take a whole album then The Visitors: their moody 1981 masterpiece. But if it’s to be just one song, then it’s Under Attack, which is my go to, absolute favourite ABBA single.

The first single I bought Je Ne Sais Pas Pourquoi by Kylie. I used to learn all Kylie’s dance routines in the early days. And, as I’ve kept a diary since I was 11 years old, I seem to recall that in one volume I expressed a desire to become Mr Minogue in the future…

For more:

www.theatreroyal.org.uk

Ian is pictured third from left on the back row, with The Way Old Friends Do cast members: Donna Berlin, Andrew Horton, James Bradshaw, Sara Crowe, and Rose Shalloo

Punk poet John Cooper Clarke is on his way to the Bath Forum

CULTURE CLUB with Ian Hallard

The Hall, Bradford on Avon

A place to visit, stay, learn & enjoy…

LIVE MUSIC FESTIVAL – SUNDAY 4th JUNE

Join

Family Fun Afternoon – 2pm – 5pm (doors open at 13:00, close at 17:30)

Sit back and relax on the Archery lawn as Glastonbury Brass and The Jenny Peplow Singers serenade you throughout the afternoon with a mix of familiar favourites, uplifting classics and distinctive brass band renditions.

Live Jazz Evening – 7pm – 10pm (doors open at 18:00, close at 10:30)

Bring a picnic blanket and spend a lazy summer evening on the Croquet lawn, sat amongst the towering Redwood trees, listening to the soulful sounds of the Louise Parker Quartet supported by Beatroot Jazz.

*A selection of food and drinks will be available to purchase ahead of time, for the daytime event from Mill Café, and onsite at the evening event from Scout & Sage, Ten Hides Distillery and the legendary Evie’s Mac & Cheese.

The Alex Moulton Charitable Trust, The Hall, Bradford on Avon, BA15 1AJ 01225 863 432 | moultontrust.org

PICTURE MESSAGE

Why Brynley Odu Davies was inspired to photograph 200 artists for a major exhibition

Self portrait by Brynley Odu Davies

© PHOTOS COURTESY OF THE ARTIST AND STUDIO WEST

After the first lockdown in , photographer Brynley Odu Davies, who was brought up in Bath, studied photography at Bath College and now lives in London, was inspired to start up a ma or pro ect. The aim was to highlight the resilience of artists, and now the finished collection, which has ust had its first exhibition in London’s Studio est, is made up of pictures of more than working artists from across the K, including Bath. The entire pro ect, which took three years, now exists as an unparalleled archive, presenting a panoptic picture of the creatives who are shaping the K’s contemporary art world, and will determine its future. Here we talk to Brynley about how Bath shaped his career, the making of this pro ect, and his plans for the future.

Before we get onto your incredible and impactful exhibition, let’s start at the beginning. You live in London now, but are from Bath…

es, and I’m very proud to be from Bath. People are often excited to hear that I’m from Bath as well, as they may have visited and have fond memories of the beautiful city. As I teenager, Bath felt like a safe place where I could freely be a teenager, going out in the city by myself and meeting my friends. To me, Bath is a special place and I’m always excited to go back home.

Where did you live, and go to school?

My family lives in Bathwick, and me and my siblings went to school at Bathwick St Mary’s and Ralph Allen school.

“I learned so much while at Bath College”

CLOCKWISEFROMLEFT: Ken Nwadiogbu, Tottenham; Arthur Timothy, Bath; Anna Choutova and Andrea Gomis, Islington

Was the experience a positive one?

Massively positive. I have lots of fond memories of attending Ralph Allen; it was a great and very friendly school where I made lots of friends. There are quite a few schools in Bath and for me, when I was growing up, these all felt very connected to one another – I would play sports or meet up in the city with friends from all over. I really valued this, feeling like I had friendships with other young people throughout the city.

At about what age did you start to become interested in art and photography?

Around age 15 I started wanting to be a photographer, and even then was actively working towards this goal. I have always been a visual person; even before I got into photography, I was always looking at books and magazines and searching the internet for iconic images of my favourite artists or musicians.

And when did it became an academic pursuit?

I did a year of photography AS level at Ralph Allen. The photographer teacher was really encouraging; he said I should look into pursuing it in more in depth. With this in mind, I transferred to Bath College and studied there instead of the sixth-form of school.

How did things progress at Bath College?

Studying at Bath College felt freeing – they have great courses in photography, and I suddenly had time to research and learn more about the great and legendary photographers of the past and present. I spent so much time looking at, and learning from, this kind of material whilst there. I learned so much at college, and I’ll forever be grateful to the lecturers, Aaron, Jo and Ozzy.

CLOCKWISEFROMABOVE: Xu Yang, Chelsea; Adebayo Bolaji, Croydon; Callum Eaton, Bath and Tower Hill,

“I spent most days from July 2020 onwards photographing artists in their studios”

What were the courses like?

The courses were taught really well and I enjoyed all aspects of them. There was also a course taught on art history, and the knowledge I learned from that class still pays dividends in my life today. I think it helped put me on my current path, working within the UK’s contemporary art world. Thank you to my teacher, Sally, for making that happen.

Did you pursue photography immediately after leaving school?

I was given an unconditional offer to go to Ravensbourne niversity in London and studied digital photography for three years. Once I graduated, I worked very hard towards being a full time professional photographer I achieved this by reaching out persistently to lots of places and sometimes ust getting lucky. I got my first ob straight out of university as the in house events photographer at a Peckham venue, Bussey Building. Not long after this I got another in house ob at the Ministry of Sound.

Is Peckham, in South London, where you live now?

Yes, I moved in with friends from Bath and a lot of people from Bath seem to live in this area of London. e all seem to go between Peckham and Bath, which is a funny uxtaposition.

Tell us a little about your career development…

I uickly got obs in photography and was able to do it full time immediately after uni. I worked mainly in the music industry, shooting at venues and doing press shots for musicians and magazines. hen the first lockdown happened, which I spent in Bath, I lost a lot of my work in the music industry and I knew I needed to change direction.

Is this what lead you to this project?

hen I came back to London, I approached an artist called Conor

CLOCKWISEFROMABOVELEFT: Tristan Buckland, Bath; Andrea Cryer, Bath (who also happens to be Bryn’s aunt); Trackie McLeod, Glasgow; Favour Jonathan, Lewisham

Murgatroyd who I had seen a lot around Peckham. I photographed him and this led to photographing many more artists. I saw this as a new direction, drawing on my background in art history from my course at Bath College, and the general interest I had in artists and their worlds.

How long did it take you?

I spent most days from July 2020 onwards photographing artists in their studios. First I went all over London taking pictures, and then began travelling around the K to find more artists to document. I did it full time, and was intensely dedicated to it. I photographed more than 200 artists in three years. Some of them multiple times. I was drawn to documenting these talented artists and showing them off with the work that they had created.

What would you say was the inspiration and motivation to keep adding to the project?

I wanted to demonstrate the resilience of young creatives throughout the pandemic, as well as in the face of recent fundings cuts to arts budgets and the national cost of living crisis – now more than ever, it is vital to platform and support the UK’s artistic talents.

You came back to Bath to photograph some artists… Yes, I knew I wanted to document artists in Bath for my project. My aunty, Andrea Cryer, was my first go to artist; she is based in Bradford in Avon. I then reached out to Arthur Timothy, as I had seen his work on a platform highlighting amazing Black British Artists. It was an honour to meet and document Timothy with his work – he is a great man.

How did you select the other Bath artists you photographed?

The other artists I found through searching online and finding artists who had tagged Bath in their Instagram biographies, or through word of mouth. It took me a while to track down the Bath Artist community. When I realised a lot of them were based in the Bath Artists’ Studios, near Victoria Park, it was a lot easier.

I shot Tristan Buckland, who is a very talented photographer, and I also photographed artist Callum Eaton, who is an incredibly successful young artist, and has gone on to do amazing things since I first photographed him back in . He recently sold out his first solo show, which opened in Paris, showing these amazing paintings of photo realistic ATM machines.

What are your future plans?

I would love to show the series in Bath. I would also love to do a talk with images from the project in the future, when it hopefully gets made into a book. Doing a talk at Toppings would be a dream; I would love to do that one day. n For more: www.studiowest.art

CLOCKWISEFROMLEFT: Christian Quin Newell, Kentish Town; Olivia Sterling, White City; Connor Kawaii, Lewisham

“I wanted to demonstrate the resilience of young creatives”

The Widcombe Art Trail

- 17th and 18th June 2023 -

Meet local artists in their studios/homes and talk about their work. An impressive range of media across all nine venues.

Free entry and most of the work is available for purchase. Refreshments available.

Bistro Chef is a family run independent business, based in Bath, owned by French Chef Christophe Lacroix and his partner Magalie Touret (from Ma Cuisine in Larkhall).

Passionate about authentic French flavours, Christophe and Magalie have developed a range of authentic French dishes for you to enjoy at home. With delivery across the UK, convenience and luxury combine so that everyone can enjoy a Taste of France at Home.

More details at: www.widcombearttrail.com orders@bistrochef.co.uk |

Successful, well-established year-round language school in the centre of Bath requires HOMESTAY HOSTS IN BATH

to host both short-term and long-term students. We teach adults and teenagers, and need both single and twin-room accommodation.

For further details, including rates of payment, please contact our Accommodation Manager:

Sarah Wringer, Kaplan International Languages Bath, 5 Trim Street, Bath, BA1 1HB Direct Line (01225) 473502, Email: sarah.wringer@kaplan.com

BOOKS NIC BOTTOMLEY

Issue led

I’ve taken a look at three books exploring race, prejudice and equality over the past two centuries.

Horse by Pulitzer-prize winning author Geraldine Brooks (Little Brown, £9.99) is a novel based on the life of a real racehorse legend, that will appeal to anyone who enjoys historic stories that delve deep into character connections.

The narrative is split over multiple time periods. Its roots are in 1850s Kentucky, where young enslaved Jarret works as a groom in a thoroughbred racehorse stables. He helps rear a magnificent foal named Darley, who is destined to become the greatest racehorse and breeding sire of his generation. As Darley is moved South to new owners (who change his name to Lexington), Jarret is sold with him; their close and symbiotic relationship being crucial to Lexington’s form.

Jarret becomes invaluable to his owners, and his understanding of the horse propels him to a level of security beyond that of his fellow slaves. But security is always precarious and we get a constant reminder of Jarret’s status when his name changes in chapter headings, depending on who owns him now.

In modern-day Washington, meanwhile, scientist Jess is studying Lexington’s skeleton which has been discovered in a Smithsonian storeroom. Around the same time, she meets Theo, a Nigerian-American art historian attempting to unpick the mysterious provenance of a racehorse painting.

Their friendship develops alongside their understanding of the horse behind the artefacts they are researching. Lexington again proves a catalyst for human connection. But whilst fairness in society may have developed significantly in the years between the two story threads, issues of unconscious bias and prejudice in the present, act as stark reflections of the deep rooted inequity of the past.

We Are Not Like Them by Christine Pride and Jo Piazza (Harper Collins, £8.99) is a present-day set novel that looks at the

explosive impact of one incident of apparent unconscious bias on two lifelong friends and those around them.

The novel is told in alternate chapters from the perspectives of Riley, who is black, and Jen, who is white. Their close friendship has endured for decades irrespective of race.

When Jen’s policeman husband shoots an unarmed black teenager, everything changes. As Riley is a prominent local news reporter, she shoulders a very public responsibility to the local community to scrutinise the story and seek justice for the actions of Jen’s husband and his police colleagues. Inevitably the friendship is altered irrevocably and as the novel progresses, with tensions on all sides rising, we uncover very nuanced shifts in their feelings and watch as they address how the colour of their skin affects their perspectives on what has taken place.

We Are Not Like Them is written by two authors, which has somehow resulted in giving each character a particularly distinctive voice, without making the story any less cohesive.

Finally, a short word on River Sing Me Home by Eleanor Shearer (Headline, £18.99), which begins in 1830s Barbados at the time of the Emancipation Act. When Rachel realises that legal reality means the freedom promised by the Act is to be delayed, she resolves to run away to track down the five children who have been sold away from her. Cue a fraught and danger filled ourney that will take her across the tropical forests, seas and plantations of the Caribbean, during which she’ll rarely be sure who she can trust. This is an engrossing novel of a desperate mother’s quest, that leaves you completely wrapped up in finding out what has become of Rachel’s children.

Like the two before it, this is a novel where the heart and hope help counteract the anger you feel at the prejudice and inequity faced by the characters.

Nic Bottomley is the general manager of Mr B’s Emporium of Reading Delights, 14/15 John Street, Bath; tel: 01225 331155; www.mrbsemporium.com

“An engrossing novel of a mother’sdesperate quest”

Nic looks at three commanding books exploring the themes of race and prejudice

THE REEL THING EMMA INGLEDEW

Reality

Release date 2 June

Directed by Tina Satter from a screenplay she co-wrote with writer James Paul Dallas, Reality is a tense and fascinating look behind the curtain of FBI operations. The film stars Euphoria’s breakout actress Sydney Sweeney as Reality Winner (the character’s real name), a former American intelligence specialist. inner was the first person sentenced under the Espionage Act and received the longest sentence “ever imposed in federal court for an unauthorized release of government information to the media.”

The film, which began life as a play called Is This A Room, is taken verbatim from the transcript of her original arrest and interrogation. Taut and tightly wound, Reality is a fascinating look at the world of espionage.

War Pony

Release date 9 June

Riley Keough may have burst into the mainstream this spring with her starring role in Daisy Jones & The Six, but she’s been an indie darling for much longer, with roles in Zola, American Honey, and Lovesong. With a wide spanning career dedicated to stories exploring the death of the American dream, she continues that theme with her directorial debut, War Pony

Riley directed the film alongside fellow first timer Gina Gammell from a screenplay the pair co-wrote alongside Franklin Sioux Bob and Bill Reddy. It follows the interlocking stories of two young Oglala Lakota men growing up on the Pine Ridge Reservation. Heartbreaking and powerful, the film cements Keough as more than just the granddaughter of Elvis; rather, she’s one of indie cinema’s finest new voices.

Asteroid City Release date 23 June

This summer the master of symmetry himself, Wes Anderson, returns to the big screen. In 1955, students and parents from across the country gather for scholarly competition, rest, recreation and romance at a Junior Stargazer and Space Cadet convention held in a fictional American desert town called Asteroid City. However, world-changing events spectacularly disrupt the itinerary.

As is typical of the director, Asteroid City features a huge and completely stacked cast, including Scarlett Johansson, Jason Schwartzman, Tom Hanks, effrey right, Tilda Swinton, Bryan Cranston and many others. However, this is Anderson’s first film to not feature Bill Murray since his directorial debut Bottle Rocket in 1996. This is because Bill Murray contracted Covid shortly before filming and was replaced by Steve Carrell.

CLOCKWISEFROMTOP: Wes Anderson’s star studded Asteroid City; Beau Travail follows the story of an ex Foreign Legion officer; Sydney Sweeney stars in the FBI-based drama Reality; the granddaughter of Elvis Presley, Riley Keough, makes her directorial debut with War Pony, about young Native American men

Beau Travail Screening 23 June

Every ten years, the British Film Institute’s magazine Sight and Sound calls on the top film critics across the world to vote on the top 100 movies of all time. In December of 2022 their latest list was released, with Beau Travail ranking at number 7 – a giant leap from its previous placement at 79 in 2012.

Directed by esteemed French auteur Claire Denis, Beau Travail follows an ex-Foreign Legion o cer as he recalls his once glorious life of leading troops in Djibouti. His existence there was happy, strict and regimented, but the arrival of a promising young recruit, Sentain, plants the seeds of jealousy in his mind.

This was the film that inspired Greta Gerwig to become a director let’s see if there are any references to it in her upcoming, eagerly awaited film Barbie

Emma Ingledew is manager at The Little Theatre Cinema, 1–2 St Michael’s Place; www.picturehouses.co.uk

Bouncing into springtime at the Little with espionage, heartbreak, and Wes Anderson

SALLY NARROWBOATS

Invite you to cruise the kennet and Avon Canal. Our holiday boats range from a intimate two berth up to a larger 10 berth family boat. You can travel down to Bath for a long weekend or if you have more time travel east and take on the Caen Hill flight.

DAY HIRE • WEEKLY & SHORT BREAKS

CANALBOAT HOLIDAYS

SKIPPERED CRUISES • CREAM TEAS

Holiday hire on one of our traditional narrowboats: 01225 864923

Enquires@sallynarrowboats.co.uk www.sallynarrowboats.co.uk

THE ROYAL CRESCENT HOTEL & SPA’S MONTAGU’S MEWS

Lydia Tewkesbury checks out, and dines out at, the new look Royal Crescent

Here at Bath Life HQ, we are very familiar with The Royal Crescent Hotel & Spa. For years we have padded its hallowed halls at our regular Bath Life Business Clubs, all of them hosted in the Dower House Restaurant. We’ve always loved it, of course, but there was perhaps something of an old time fustiness about the place that didn’t quite have the vibe of a glamorous city centre hot spot.

Well, no more – the restaurant at The Royal Crescent has undergone the ultimate glow-up. Gone are the billowing white table cloths, draped ghost-like over a sea of individual round tables set against a backdrop of sterile griege, and the one feature wall that had, frankly, seen better days. Stepping inside the refurbished restaurant for the first time is an invigoration of the senses – a bright, fresh, modern palette of colours and textures now dominates the space. Think black and white che uerboard floors, brushed gold finishes, bold and eye catching stencilled wallpaper and a totally new dining concept and arrangement that injects energising and cool informality into the space.

DINING DETAILS

to take delicate bites only to have the whole concoction fall apart in your hand?) and, in my experience, they’re generally dry and disappointing. Well, after a single evening at the Royal Crescent, I am declaring myself a convert because the Bath blue cheese and parmesan sablés, and avocado mousse and cucumber canapés, were high points of our meal. Hot tip listen to your server and eat the avocado mousse first the creamy, decadent centre, bursting with freshness, sits cupcake-like in a crumbly outer casing and perfectly preps the palette for the funky flavour bomb of cheese to come.

Montagu’s Mews in the Royal Crescent Hotel & Spa, 16 Royal Crescent, Bath; tel: 01225 823333; www.royalcrescent.co.uk

The Wye Valley asparagus ravioli with almond and Jersey cow yoghurt was another delectable highlight – earthy, with a bittersweet pop of asparagus and the sumptuous texture of fresh pasta (there are, in my opinion, few treats as supreme as fresh pasta). Equally, my companion declared there were few treats as supreme than a fresh from the sea firm, sweet disc of Cornish cod, which came topped with titchy cubes of garden fresh tomato, a shard of baby fennel, coils of tiny cockles, all slicked with a garlicky, briny shellfish dressing.

Renamed Montagu’s Mews, the new-look restaurant is the handiwork of Shelley Reiner, director of renowned London design firm Suited (Hilton and Hotel Du Vin are regular clients), who pulled together a myriad of styles into one space in a nod to the eclectic 18th century aesthetic. It’s named after Elizabeth Montagu, the first resident of number 6 Royal Crescent. Elizabeth, like the new-look restaurant, simply oozed cool. A woman before her time, she was a pioneering advocate for women’s education, and a writer. She also hosted regular salons, and the Blue Stockings Society, an informal women’s social and educational movement that met for literary discussion. Such activity then was an act of defiance against the traditional, non-intellectual activities for women at the time.

Opening hours Restaurant closes at 11pm and then there’s always the Mews Bar for after drinks

Prices Tasting menu costs £85 per head for the vegan and vegetarian, and £95 for the traditional Drinks Extensive, and, whatever your budget, do not be afraid to ask the sommelier to guide you Service Polished, friendly and informed Atmosphere Surprisingly cosy and relaxed for such elegant and luxe surrounds

Do not miss The brand new heated dining terrace

At our side for each beautifully realised course was a bottle of outstanding Kir Yianni Ramnista Xinomavro red, hand-picked for us by the hotel’s in-house sommelier. A fruity Greek red from the hills of Macedonia, it smelled of hedgerows and had distinctive herbal, almost sappy notes, and chimed perfectly with each dish. Whether you’re a big wine person or not, it’s well worth chatting through your choice with the sommelier. From the enjoyment of listening to an expert speak passionately on their subject to the fabulous discovery of the wine they present, the already delightful experience is taken up yet another level.

Elizabeth’s legacy is a lofty aspiration for the space, but it looks like it is rising to the challenge – under the charge of head chef Martin Blake and his team, the entirely refreshed menu is its own brand of pioneering. Lamb from Whaddon Grove Farm, Wye Valley asparagus and Herefordshire beef offer a taste of the local ish menu, which blends bold flavours with a produce centric ethic that aims to give guests a taste of the best the region has to give, with the kind of luxury you associate with the hotel’s renowned address.

To truly appreciate the 3AA Rosette-award-winning restaurant we’re going for the tasting menu (me, the vegetarian and my companion, the traditional – there is also an exquisite sounding vegan option). We begin, of course, with canapés. Truthfully, I have never been a big canap person they’re awkward to eat (stuff it in all at once, or attempt

e finished with two desserts the est oodlands Douglas fir foam-topped russet apple purée and burnt butter, or, as we declared it, the world’s poshest apple crumble, and my favourite sweet treat of the night: the Yorkshire forced rhubarb jelly with vanilla ice cream, which arrived sitting on a dainty biscuit round. This is not the jelly and ice cream of children’s parties. A little piece of art on a plate, the jelly drapes cape-like over the ice cream to form a dreamy marriage of texture and flavour that transforms the familiar party staple into a luxurious offering.

It’s an exciting time for the Royal Crescent, and just in time for summer, there’s also a newly renovated, picturesque and peaceful outdoor terrace, under cantilevered parasols and seasonal heaters. The whole endeavour has invigorated this Bath institution with an enticing freshness. If you haven’t visited for a while – or at all – as Elizabeth Montagu may, or may not, have said: now is the time.n

Summer Alfresco dining at Whatley Manor

It’s time to embrace the joy of Al Fresco dining, long leisurely lunches under a shade, cocktails and supper as the sun sets.

Lunch served Thursday through Sunday

Two-courses £29.50 and Three-courses £36.50 Sunday lunch £43.50. Jazz Sunday lunch £49.50 check dates.

Grey’s Dinner served from Wednesday through Sunday.

A ernoon Tea £37.50 served Wednesday through Sunday.

View menus and book online, email reservations@whatleymanor.com or call 01666822 888

Afternoon Tea at Henrietta Garden

A hidden gem in the most peaceful of settings @The Roseate Villa Bath

A quintessential English tea tradition with a few touches of modernity, Afternoon Tea at the Henrietta Garden is an unforgettable, charming experience. Enjoy a delightfully delicious tea, brimming with homemade treats. Tuck into warm scones, selection of delicate finger sandwiches and moreish indulgent cakes, made by The Roseate Villa Bath fabulous bakers.

Served every day from 2pm – 5.30pm

BOOK YOUR NEXT EVENT at Henrietta Garden

#ExperienceTheUnimagined #DiningAlfresco

Whatley Manor Hotel & Spa Easton Grey Malmesbury SN16 0RB whatleymanor.com

By John Mather

Before there was afternoon tea – there was just tea. Introduced to Britain around 1662, under the reign of Charles II, tea was considered a rare luxury good that only the aristocracy and upper classes could afford. Then, some years later, a close friend of Queen Victoria, the seventh Duchess of Bedford, complained of a mid afternoon sinking feeling’ and re uested that some light food and a pot of tea be served to help revive her. She loved it so much, her pals were invited to try out this new low tea’, called such because it was served on low, decorative tables. As this mid afternoon pick me up became more popular and more elaborate, it was elevated to the high tea status we know it as now.

So, in honour of this peckish seventh Duchess of Bedford, who died on 3 July 1857, aged a respectable 74 years of age, we decided to explore ust a few of Bath’s various afternoon tea options. From the decadent to the whimsical to those with literary leanings, and taking in a high tea served on the high seas’, here are nine of the best.

PUMP IT UP

For a truly all things Bath experience, we surely have to start with a visit to the Pump Room. The stunning neo classical restaurant has been the social heart of Bath for more than two centuries, and boasts amongst its previous patrons ane Austen and Charles Dickens. Here not only can you sample the famous Bath spa water from the fountain, but while doing so will be serenaded by either a resident pianist, or the Pump Room Trio. Founded as the Pump Room Orchestra by Master of Ceremonies Beau Nash in the s, the group is believed to be the longest established resident ensemble in Europe, and currently consists of Lucy Hewson on violin, Matthew Gresswell, cello, and Imogen Windsor, piano.

Optional starters include Cornish smoked salmon, horseradish cream, pickled beetroot and fennel, from the savoury finger selection,

which also includes crushed pea and mint tart, roast cherry tomato, cr me fraiche; smoked Cheddar rarebit, apple and cider chutney; and Coronation prawn cocktail. Sandwiches include whipped chive cream cheese and cucumber; smoked salmon and caviar; devilled egg and mustard cress; and the classic ham and mustard. For the sweet options, it’s homemade buttermilk scones (fruit and plain versions), with est Country clotted cream and am, and the famous Pump Room pastries.

COMING UP ROSES

ho said you can’t reinvent the wheel Sweet Little Things have done ust that by reimagining the classic afternoon tea scenario. Instead of a backdrop of elegant muted colours, Sweet Little Things provide an English rose garden on acid experience. And the results are utterly, deliciously, and totally Instagrammable.

Fortunately, the food matches the hype. Bottom tiered tastiness includes delicate finger sandwiches filled with Coronation chicken, egg mayonnaise and cress, ham and wholegrain mustard with cream cheese, cucumber and dill. The middle tier is home to warm, fluffy scones, strawberry am and clotted cream, and, last but not least, the top tier is the icing on the cake with a delicate mini choux bun, raspberry macaron, a rich chocolate brownie and a Battenberg cake decorated with fresh edible flowers and berries.

Upgrade options include prosecco or gin, or, if you really want to treat yourself, there’s the bottomless afternoon tea package.

QUINTESSENTIALLY ENGLISH

For the uintessentially English, luxe, and elegant afternoon tea experience, the ultimate indulgence is at The Royal Crescent Hotel & Spa. En oy a selection of delicious sandwiches, cut to mouth watering perfection, followed by freshly baked scones with clotted cream and strawberry preserve, along with ex uisite pastries and cakes each one dainty enough to eat in one delicious mouthful, and created by Michael Topp, the head pastry chef, and his talented team. This most decadent of British traditions is complemented by a choice of Ronnefeldt teas from around the world, sourced exclusively for Royal Crescent guests. Take the proceedings up a notch with a glass

It’s Instagramming heaven at Sweet Little Things

Michael Topp leads the pastry team at the Royal Crescent Hotel & Spa

“The results are utterly, deliciously, and Instagrammable”totally

The tranquil drawing room of the Macdonald Bath Spa Hotel

of Taittinger Champagne, or aim even higher with a whole flight of Taittinger. Turn to page 52, by the way, for a review of our visit to the hotel’s recently renovated restaurant, Montagu’s Mews.

AN AFTERNOON ARISTOCRAT

Tucked away in a quiet corner of the city, just steps away from the bustle of Bath, lies a tranquil drawing room within Macdonald Bath Spa Hotel that wouldn’t look out of place in the home of a learned aristocrat. Here one can linger over a classic afternoon tea of dainty finger sandwiches, such as days aged rare roast beef, horseradish and watercress on onion bread, and homemade scones fresh from the oven. Dinky cakes including pistachio and raspberry puffs, and it all comes served with Twinings loose leaf tea or coffee.

Cosy up in a high-backed leather chair and use the time to peruse one or two of the hard-backed literary classics lining the shelves.

SWEET SUSHI

In keeping with the establishment’s speciality of Yakiniku – the art of grilling meat, seafood and vegetables over a traditional robata charcoal fire The Robun has imaginatively utilised this in its afternoon tea offering. In an enterprising East meets est Country move, Robun has swapped sandwiches for sushi and scones for bao buns, with its afternoon tea featuring standout dishes from the main menu, such as sushi and sashimi sharing plates, bluefin tuna, yellowtail aburi nigiri, and chicken karaage. Sweet treats include matcha green tea cake, miso cake, and mochi ice cream. The choice of teas is endless and exotic – choose between genmaicha, sencha, bancha, jasmine blossom, or ginger and lemongrass.

Also propelling Robun’s afternoon tea into another world is the restaurant’s artwork. For an authentic, contemporary Japanese feel that delivers a fully immersive experience, the murals on its walls are hand painted by the artist John Bulley. The work is a modern manga homage to Kanagaki Robun who, as well as being a Japanese food author, is credited with being the creator of the first manga magazine in .

BRIDGERTON BUNS

“Oh! Daphne, do make haste!” and head to the Grade I listed Francis Hotel Bath for an afternoon tea, constructed Bridgerton style. The gilded stand of goodies is served in the elegant and charming Emily’s Tea Room, where Regency décor abounds with contemporary touches of modern sophistication. Add in the view of the very Georgian Queen Square, and one can’t help coming over all Featherington.

The tea itself, which the hotel has been serving for more than 50 years, includes a delicious plain or fruit scone served with Cornish cream and jam, alongside mini cakes, and a selection of traditional finger sandwiches. The high tea menu is complemented by tea from local producer Gillards of Bath. There is also a traditional cream tea on offer, with pillowy plain and fruit studded scones with rich clotted cream and homemade jam. Looking to add something special? Then may we suggest a Bridgerton cocktail or two – options include the Simon Basset, a Colin Bridgerton, and an Eloise Bridgerton.

OUTSIDE FAVOURITE

Whether you take tea in the wood panelled Drawing Room with mullion windows, the Garden Room, or indeed take the whole kit and caboodle outside to the picturesque terrace, the gorgeous country gardens of Whatley Manor Hotel and Spa will be an essential part of your afternoon experience here. Post tea, take a tour of their 12 acres, containing the no dig kitchen garden and a wildflower meadow.

© ED SCHOFIELD

Head to the Francis Hotel for a Bridgerton style treat

BELOW: The Robun has reimagined afternoon tea, Japanese style; BOTTOM: The gardens of Whatley Manor Hotel and Spa enhance the taking of the tea

“One can’t help coming over all Featherington”

The teas themselves are just as varied, and amongst the Sherston egg mayonnaise and cress; smoked salmon, cream cheese, and dill; and Coronation chicken and sultana finger sandwiches, are dinky, more ish little sausage rolls. But it’s the cakes might just be the scene stealers, with chocolate cr meux and orange brownies; choux pastry filled with raspberry and créme pâtisserier; marzipan cake and cherry brandy Kirsch; and green tea macaroons with strawberry ganache.

QUIRK & WONDER

If you like your tea served with a side order of uirk and wonder, then No.15 by GuestHouse is the place for you. No.15 is renowned for its eclectic d cor and is filled with curiosities and intrigue. There’s the key holder shaped like Big Ben’s clock tower, rows of brightly-coloured top hats, and glass topped tables stuffed with displays of vintage jewellery.

No.15’s take on the high-tea institution is imaginative as well as being utterly delicious. The sandwich selection includes creamy and mellow Godminster Cheddar, fresh cucumber and dill, softly flaked ham hock with peppery parsley mayo, and smoky smoked salmon. Sweet treats currently on the menu (this changes regularly) are lemon and black pepper macaron, toffee apple opera cake, chocolate espresso custard tart, blackberry mousse and an Aperol spritz jelly.

Want to take it to a higher level? Upgrade with a glass of English sparkling wine from Bolney Estate, a glass of Champagne, or one of

TEA IS SERVED MA’AM

Where to halt that mid afternoon ‘sinking feeling’

The Francis Hotel Bath, Queen Square, Bath; www.francishotel.com

The Pump Room, Stall Street, Bath; www.thepumproombath.co.uk

Macdonald Bath Spa Hotel, Sydney Road, Bath; www.macdonaldhotels.co.uk

No.15 by GuestHouse, 13-15 Great Pulteney Street, Bath; www.guesthousehotels.co.uk

The Robun, 4 Princes Buildings, George Street, Bath; www.robun.co.uk

The Royal Crescent Hotel & Spa, 16 Royal Crescent, Bath; www.royalcrescent.co.uk

Sally Narrowboats, Unit 2 Trowbridge Road, Bradford on Avon Marina, Bradford on Avon; www.sallynarrowboats.co.uk

Sweet Little Things, 6 Lower Borough Walls, Bath; www.sltbath.co.uk

Whatley Manor Hotel and Spa, Easton Grey, Malmesbury, Wiltshire; www.whatleymanor.com

No.15’s signature cocktails (try the Somerset Old Fashioned, made with a local cider brandy). There are also swap out options of Brixham crab rolls with avocado and brioche, tru ed Cheddar and Somerset pecorino toastie, steak and red onion marmalade sandwich, and a chalk stream trout Nicoise salad with Wye Valley asparagus. And if you want to take it even higher, you can enjoy yours in the grand Pulteney Room, a private dining room that can seat up to 16 people.

HIGH SEA HIGH TEA

And finally, for something truly uni ue, take your high tea on the high seas. Well, not quite the full-on ocean but the waterways of the River Avon. Sally Narrowboats offers afternoon tea on its self drive or skippered day boat hires.

As you take in the views of the canals, the pictures ue riverbanks, the wildlife, and life in the slow lane, you can simultaneously take in a cream tea made by Noah’s Pantry, on the china plates, crockery and cutlery supplied. n

Noah’s Pantry supply the teas for Sally Narrowboats; INSET: All aboard!

“Take your high tea on the high seas”

The Duchess of Bedford would be spoilt for choice in Bath

No.15 by GuestHouse delivers afternoon with quirk and style

BATH LOCATION NOW OPEN

72 Lower Bristol Road, Bath BA2 3BG 01225 592856 | bath@milkbun.co.uk | milkbun.co.uk

SWEET LITTLE THINGS

AFTERNOON TEA: £29.95 PER PERSON

Dietary Requirements available: regular, gluten free, vegan, vegetarian

Our regular afternoon tea includes:

Sandwich fillings - Coronation Chicken, Egg Mayo & Cress, Ham & Wholegrain Mustard Mayo, Cream Cheese, Cucumber & Dill

A homemade flu y scone, strawberry jam & clotted cream

Cakes – All homemade by SLT in our bakery - A delicate mini choux bun, raspberry macaron, rich chocolate brownie & battenberg cake.

www.sltbath.co.uk

Unwind in complete luxury and enjoy beautifully landscaped gardens, a fabulous spa and outstanding food. It's the ultimate destination for relaxation in a peaceful corner of Bath city centre.

Sydney Road, Bath BA2 6NS | 0344 879 9106 | www.macdonaldhotels.co.uk/bath

FOOD & DRINK

SNAPSHOTS OF BATH’S FOOD SCENE

THE MILKY WAY

MILKBUN, which makes Japanese-inspired hand made gourmet burgers and has a café in Bristol, has now set up store in Bath on the Lower Bristol Road.

Founded in 2018 by two brothers, Matt and Tom DeMichele, ‘with a passion for good food and good times’, MILKBUN buns will be baked daily in its Bath bakery. It will be opening up its courtyard garden in July and launching a new summer food and cocktail menu. Also in the pipeline is a Sunday brunch collaboration with Taylors Bagels on London Road.

For more: www.milkbun.co.uk

HOME CUISINE

Owners of Larkhall’s Ma Cuisine, the French chef Christophe Lacroix and his partner Magalie Touret, have launched a home dining service, Bistro Chef.

The dine-in dishes are hand cooked in small batches by classically trained chefs using the finest authentic ingredients, while also working closely with local producers.

Christophe explains: “Our local butcher, Peter from Larkhall Butchers, is a master of his trade and supplies us with exceptional quality grass fed and free range lamb, beef and pork from surrounding farms.

“We are also proud to work with Jamie’s Farm, a charity that combines sustainable farming with supporting young teenagers to re-engage with family and school.”

The wide range of options includes the Taste of France box for two, with 16 dishes such as Cassoulet Toulousain and Tartiflette Savoyade. For more: www.bistrochef.co.uk

VEGGIE DELIGHTS

The Bath Vegan Festival is returning to the Bath Pavilion on 3 June, featuring more than 80 stalls. As well as skincare, homewares, and crafts stalls, there’s a plethora of vegan food and drink specialists showcasing their very veggie fayre. These include VDogs, selling their range of freshly cooked to order vegan hotdogs, Bristol-based Chiki Monkey, who specialise in artisan and chickpea-based food, and Creamberry Artisan, also from Bristol, with their award winning, homemade, free-from range of sweets and savouries. For more: www.veganeventsuk.co.uk

MILKBUN buns contain a secret ingredient

VDogs and Chiki Monkey are just two of the vegan foods on offer at the Bath Pavilion on 3 June

Christophe Lacroix and Magalie Touret have founded a new delivery service Bistro Chef

Bistro Chef sells a huge range of traditionally French food

FEELING GROGGY

GROG., which has recently opened in Margarets Buildings in Bath, is a craft beer and bottle shop showcasing the best breweries and distillers across the South West, which also houses a small bar.

The store is owned by James Wade, who says, “We’re excited to be joining the prestigious ranks of independent retailers in Bath and becoming a part of the friendly community that exists at Margarets Buildings. The space we’ve created for GROG. is designed to allow a laid back artisan shopping experience and encourage community engagement.

“We’re looking forward to working with Bath’s lively cultural scene and local producers to curate events, tastings and promote the area’s best assets.”

For more: www.grogshop.co.uk

The store will sell an artisan range of spirits from GROG.’s partner, Brixham Gin

KITCHEN GRILL

MARIA GRIGORIADI

Two years ago, Maria Grigoriadi and Marianna Antoniadi started officially providing homemade Greek food from their home. They then started pedalling their wares, quite literally, from a bicycle they took to Firs Field park in Combe Down. They became Roasted Lemon and, as the bike grew in popularity, so did the rest of the business, with catering for private dining, buffets, offices and parties.

Roasted Lemon also operates from a small kiosk in Sydney Gardens, where you can find the duo selling Greek snacks, pitta pockets with homemade gyros, soups, coffees, baklava, and spanakopita.

What’s your bestseller, Maria? It depends on the season, but usually our cakes, baklava, spinach pie, pocket chicken gyros and our homemade lemonade.

So, is this where the name, Roasted Lemon, comes from?

Yes, people loved our secret recipe lemonade so much they started to call me ‘the lemon lady’.

IN GOOD TASTE

The annual Taste of Corsham food festival is returning 17 June with an array of 30 stalls showcasing local produce. These include spiceladen vegan curries from the Plant Kitchen, Siam Street Food fragrant Thai dishes, tangy chutneys from Sweet Foragers, and sweet treats from Fudge Cottage plus wine, beer, cider and liqueurs from Kettlesmith, Novel Wines, and Wiltshire Liqueur. Along with a Taste Trail, younger visitors can also enjoy face painting and crafting. For more: www.corsham.gov.uk

What makes Roasted Lemon so special?

I am from the Greek island of Kos, and this is where the father of medicine was born, Hippocrates. He said, “Let food be thy medicine and let medicine be thy food.” We make everything with care and by hand; even our filo pastry is home made.

Who is your foodie and work inspiration?

My mom – she can cook seven meals from scratch, clean the house, take care of her family, and – after that – visit the hairdressers and then go out for a drink.

What’s your favourite dish of hers?

Ntolmadakia – these are stuffed grape and vine leaves packed with rice, onion and herbs, and served with yogurt.

Any plans for Roasted Lemon?

Ultimately, I would love to take a Roasted Lemon food truck around the world. While we travelled, we could cook for everyone en route.

For more: www.roastedlemon.co.uk

Alexei Westcott, shop manager at the newly opened GROG. © JODY GAISFORD

The Taste of Corsham festival is back

SHOPPING GOLD

RUSH

This is a wallpaper that refuses to fade into the background. Printed with eco-friendly inks, Gestural Abstraction Anthracite wallpaper by Mind The Gap has all the hallmarks of an abstract masterpiece. The chunky, punchy white brush strokes, and the sleek, sharp gold lines coupled with scattered clusters of gold dots, are counterposed beautifully by the onyx black setting. Guaranteed to turn the vibes from minimalist to sophisticated and from to ethereal to cosy, it can be used for the whole room, a feature wall, a reading corner, or could even be cut to hang in frames, creating a dramatic showpiece display.

Gestural Abstraction Anthracite wallpaper by Mind The Gap is supplied as 3 pre-cut lengths of 3 metres on a single roll, costs £219, and can be ordered from Etons Of Bath, Carriage Court, 22 Circus Mews, Bath; www.etonsofbath.com

IVORY DRAWER KNOB WITH GOLD DESIGN, £3.95

A pretty ivory ceramic and metal cupboard knob with a unique gold design that is perfect for perking up an old chest of drawers,

dresser or cabinet.

From French Grey Interiors,

1 Burton Street, Bath; www.frenchgreyinteriors.co.uk

GOLD MINE

Yes, luxurious; yes, opulent; and also spectacular for

interiors all year round

JAHI GOLD PLATE BY NKUKU, £20

Although ideal for holding jewellery or as a table decoration, these brushed gold plates, handmade in India, are also food safe. From Homefront Interiors, 10 Margaret’s Building, Bath; www.homefrontinteriors.co.uk

HEXAGON GOLD WINE RACK, £30

Featuring a honeycomb design in soft, golden toned metal, this handmade decorative piece is both beautifully decorative and handy for wine o’clock.

From Cox & Cox; www.coxandcox.co.uk

SCOTT LAMP WITH SHADE, £295

Topped with an ivory finish shade, it features a gold finish multifaceted geometric column that sits atop a plinth glass base.

From India Jane, 20 Milsom Street, Bath; www.indiajane.co.uk

TREGONNA BY SAM PEACOCK, £470

The artist, who challenges the traditional notion of landscape painting, also has a unique interpretation of the painting process and uses a variety of raw materials in his work, including varnishes and coffee grains.

From Modern ArtBuyer; www.modernartbuyer.com

CINTOLA MAXI PENDANT, £4,140

Deco inspired and handfinished, the Cintola Maxi is a stand-out feature luminaire. It comes in seven different colours and is available in polished aluminium, satin gold, and satin bronze.

From Holloways of Ludlow, 37 Milsom Street, Bath; www o owa sofl d ow om

ZSA ZSA GOLD LEAF WALLPAPER BY DIVINE SAVAGES, PRINTED BESPOKE TO ORDER BY THE METRE, PRICE PER METRE £185

A stunningly flamboyant gold leaf wallpaper that invokes the golden age of Hollywood, with beautifully feathered ostrich showgirls dancing across the stage in glorious formation. From Divine Savages; www.divinesavages.com

BRASS SCULPTURE, £245

An abstract, organically shaped brass piece that works equally well as a console table tray or as a sculptural piece in its own right, adding warmth and softness to contemporary and traditional schemes alike.

From Woodhouse & Law, 4 George’s Place, Bathwick Hill; www.woodhouseandlaw.co.uk

GOLD CUT-OUT SIDE TABLE, £550

With an understated elegance, this shimmering side table is made of aluminium with a gold finish and that will sparkle in any interior setting.

From Graham and Green, 92 Walcot Street, Bath; www.grahamandgreen.co.uk

MAGRITTE MIRROR IN ANTIQUE GOLD, £1,695 Comprising 50 individual circular mirrors, framed by metal with an anti ue gold finish and each set at a different angle, this piece bounces light around a room and creates seriously interesting reflections.

From OKA, 26-27 Milsom Street, Bath; www.oka.com

DIAMOND GEE ERS

A Father’s Day gift guide to timeless jewellery pieces

By Nick Hems

With Father’s Day coming up on Sunday 18 June, you might just be thinking of buying your dad something extra special this year. Forget the socks, beer or bottle of hot sauce – why not go big this year and show him just how much he means to you? Jewellery was once considered the perfect gift for a woman, but nowadays we have evolved and the choice for the man in your life is endless. Bracelets, cu inks, rings, lapel pins, tie clips, money clips, earrings, and even a small decorative pin, are worth considering if you’re looking for a unique dad-worthy present. And if you’re feeling bold, you might consider the showstopper – a decent watch.

Well-crafted pieces never go out of fashion but can also help create a signature style. For example, a simple sterling silver bracelet can be an elegant and versatile accessory that can be worn for years to come. Minimalist leather bands, readily available in shops, offer popular and affordable options too.

While aesthetics are important, it may be dad is a more practical sort who’d rather have a gift that does something. Stylish and functional items like money clips can reduce the need for a bulky wallet ruining his slimline look. When in doubt, opt for simple more classic choices that could fit seamlessly into his lifestyle, such as pieces suitable for work or that reflect his personality and interests. Keep in mind that tie clips, cu inks and lapel pins, while highly functional and stylish, may be limited to specific outfits.

Consider the quality and durability of the chosen piece – especially if dad is the sort to start checking out the manufacturers and makers! Opt for materials known for their longevity and resistance to tarnishing, such as stainless steel, sterling silver, gold, platinum, and high-quality leather. If you’re considering a watch or any other highticket item, it’s important to conduct thorough research and due diligence before making a purchase.

Regardless of your father’s personal style or lifestyle, it’s likely you can discover jewellery that will suit him perfectly. A leather bracelet can be dressed up or down easily, and your choice of watch can also reflect a more formal or casual look (your choice of strap, and whether it is easily changeable, can impact on this). hile cu inks, tie clips, and lapel pins are more suitable for formal occasions, remember that a gift doesn’t have to be worn every day to hold sentimental value.

As soon as you purchase a piece of jewellery, even a second hand piece, you are becoming a part of its story, and that story is passed on to your chosen recipient. It’s a lovely thought that you and your dad have layered your story with a precious gift. Adding further to the sentimentality is the fact that good jewellery has the potential to be passed down through generations, becoming a cherished and classic heirloom in the process. For that final finesse, consider personalising your gift. Engraving initials, a significant date, or a meaningful message on the selected piece adds a lovely touch and creates a lasting memory. That extra level of thoughtfulness and care is always going to be appreciated on Father’s Day – after all, isn’t that what so many dads exhibit every day?

Nick Hems is a Bath-based personal stylist and shopper. For more: www.nickhemsstyle.co.uk

Bath City Football Club’s Joey Raynes, pictured below, and Kieran Parselle on page 7, were photographed at Twerton Park wearing a selection of jewellery from Nicholas Wylde

Gents platinum classic flat band, £435, from S.P. Green & Co.,

www.spgreen.com

Vintage 18K crest signet ring, £1,890,

from Nigel Dando Jewellers, 11 Pulteney Bridge, Bathwick, Bath; www.nigeldando.co.uk

Silver rugby ball cufflinks, was £140, now £70, from Jody Cory Goldsmiths; 9 Abbey Churchyard, Bath; www.jodycory.co.uk

Suzon single stud platinum by Vivienne Westwood, £45, from John Anthony, 26-28 High Street, Bath; www.john-anthony.com

Union Jack cufflink and tie bar set, £30, from Suave Owl, 33 Milsom Street, Bath; www.suaveowl.co.uk

Curb chain silver by Serge DeNimes, £200, from John Anthony, 26 – 28 High Street, Bath; www.john-anthony.com

Cobra bracelet by Tateossian, was £229, now £185, from Flannels, 7 – 10 Milsom St, Bath; www.flannels.com

St Christopher necklace, prices start from £29.60, from The Silver Shop of Bath, 25 Union Passage, Bath; www.thesilvershopofbath.co.uk

18ct white gold diamond hexagon ring, £8,395, from Nicholas Wylde, 12 Northumberland Place, Bath; www.nicholaswylde.com

Omega De Ville Prestige watch, £4,700, from Mallory, 1 – 5 Bridge Street, Bath; www.mallory-jewellers.com

3. 5.

7. 9.

WHITER SHADES

Words by Marianne Cantelo

Freshly fallen snow, the dusting of sugar on a Victoria sponge, a blank sheet of paper. Their white is inviting, the promise of the exciting, asking for our impressions – whether in footprints, bites, or strokes of the pen.

Wearing white is often synonymous with luxury, a hangover from débutantes’ balls and the uniform of aristocrats on the grand tour. Going back further, the robes of Roman senators, the linen costume of Egyptian pharaohs and priests. In modernity,

wearing white evokes confidence, the wearer seeming somehow anti trend’ and unafraid certainly fearless of stains.

Sartorially though, the understated assertiveness of a white shirt is so satisfying in its simplicity. It can represent easy chic, minimal gracefulness, crisp architectural style and crumpled bohemia. Like the snow and the sheet of paper, it’s a canvas, waiting for colour, shape and structure to be imposed on it.

It doesn’t have to be expensive, either – head for the menswear rails in a charity shop and you’ll be pleasantly surprised at the number of uality well tailored shirts on offer dress shirts, saved for special occasions, are as ‘snowy white’ as when first bought. An oversized shirt with a slim trouser and the right accessories is timeless – adopted by Audrey Hepburn and Grace Kelly it can be equally gamine, or full blown sexy. Think Marilyn Monroe, Brigitte Bardot and ennifer Lopez.

It’s also surprisingly easy to find a well cut white t shirt without breaking the bank. The go to’ of many a style influencer, look for a scoop neck or deep V to show a flattering amount of skin and consider the sleeve, trying on as many lengths as you can to find your perfect fit. Silk and linen blends add an indulgent feel, light and caressing on the skin. Dress up with a sharp blazer, or down with a distressed leather or denim jacket. Introduce versatility to the many 1990s slip dresses on the High Street by layering them over the top of your ‘tee’, contrasting the simple fabric with a more opulent dress material.

Many of us will have more spent on a white bridal gown than on any other garment, ever, but white dresses shouldn’t be reserved for the aisle. Broderie Anglaise is richly feminine and luxurious but somehow casual,

frothy white lace can be playful but not girlish in the right cut (reference Simone Rocha), and white linen is classic in a tailored shift dress, or even a tiered maxi for a truly breezy and effortless look.

The influence of classic sportswear is here to stay and the white sneaker is a must in any capsule wardrobe. Why not brighten your conscience to match your white clothes by looking for a pair in cactus leather and explore some of many the niche and more ethical brands on offer a low rise trainer can provide a much needed contrast to a pattern clashing outfit, or be the unfussy finish to a minimally sleek look.

Don’t forget to consider the shade of white that might best suit your skin tone. If you have blue or pink undertones, classic bright glacier white will make the most of your complexion. If you are bronzed, then glacier white or eggshell will work magic. If you have black skin with blue, red or yellow undertones, then you can wear any shade of white you dream of! Olive skin with yellow tones should opt for clotted creamier shades, and if you have light or dark brown, or ‘warm’ skin even if pale, ivory white and parchment shades will flatter you too. If you do find a piece in the wrong shade that you just can’t ignore, wear a piece of jewellery or a scarf close to your face in a colour that you know loves you and give in to your longing. Relax, baby, it’s all going to be all white

Marianne Cantelo is the business development project manager for Dorothy House Hospice Care. The charity has 25 high street shops across the region selling fantastic pre-loved items, which provide a large part of its income, plus it also has an online shop.

For more: www.dorothyhouse.org.uk

Photography: Egle Vasi; www.eglevasi.com

Make up and hair: Louise Mead

Model: Kundai Nyakunu

Venue: 12 The Paragon by @alwayssundayboltholes

Styling: Eleanor Tasker and Marianne Cantelo

As style statements go, the wearing of white is sexy, sassy, flattering to almost everyone, and deliciously anti trend

“The understated assertiveness of a white shirt is so satisfying in its simplicity”

SHOPPING LIST

1. Desigual strappy midi dress white, £119, from Gaff, 29 Upper Borough Walls, Bath; www.gaffclothing.co.uk

2. Essentiel Antwerp Dutch pants, £190, from Square, 12 New Bond Street, Bath; www.squarebath.uk

3. Sun & moon barrette set by Winona Irene, £14, from Found, 17 Argyle Street, Bath; www.foundbath.co.uk

4. Wata II canvas trainers in white Pierre by Veja, £110, from Grace & Mabel, 3 George Street, Bath; www.graceandmabel.co.uk

5. Mother of pearl pendant, £34, from Portman, 28 Milsom Street, Bath; www.nickieportman.co.uk

6. ISCHIKO® Blouse Midela, £189, from Bath Oska, 30 Upper Borough Walls, Bath; www.oska.com

7. Patrizia Bonfanti padded folding bag in off white, was £265, now £199, from Blue Women & Home at The Loft, 1-2 Bartlett Street, Bath; www.bluewomensclothing.co.uk

8. Esprit skinny fit white jeans, waist 27 Inches, £7.99, from Dorothy House; www.dorothyhouse.shop

9. Short crepe dress, £365, from The Kooples, 6 Milsom Street, Bath; www.thekooples.com

10. Ruffle blouse, £38, from Olivia’s Boutique, 67 High Street, Easton, Keynsham; oliviasboutiquekeynsham@gmail. com

CAREER MINDED

THE APPRENTICESHIP FAIR RETURNS

CORP VALUES YOUR ECO IS CERTIFIED B CORP

BATH LIFE AWARDS

THE SUCCESS OF NEW BIZ ROOTS ALLOTMENT

TALKING HEAD

MEET ROYAL HIGH SCHOOL’S KATE REYNOLDS

IT’S A DATE!

BATH’S BEST BUSINESS DIARY

ALL SIGNS

POINT WEST

HOW A NEW PARTNERSHIP IS STRENGTHENING THE VISITOR ECONOMY OF BATH AND SURROUNDS

GO WEST

Visit West is awarded Local Visitor Economy Partnership status by VisitEngland

Visit West, whose focus is to boost the visitor economy in the West of England, has been awarded Local Visitor Economy Partnership (LVEP) accreditation by the national tourism agency, VisitEngland.

The partnership has been given to just destinationsinthisfirstroundandisexpected to maximisethepotentialofthelocalvisitoreconomy in Bath, Bristol and the west of England region. The visitor economy is vitally important to the economic success ofBristol, Bath and the widerWest of England region,worthin excess of . billion atitspeakin 2019and employing an estimated 45,000 people.

By achieving the new nationally recognised status of LVEP and being recognised as one of the leading organisations for destination management, Visit West will now be able to provide even stronger leadership for the region, as it shapes and delivers strategies to promote tourism for the west. LVEP status also ensures increased support, training, and collaboration with VisitEngland and VisitBritain in areas ranging from sustainability and accessibility to business support and marketing for theregion.

Metro Mayor for West of England Dan Norris says, “The West of England has got it all – world-famous historical sites, cultural gems, beautiful countryside andmuch, much more for everyone to exploreand soen oysometrulyuni ueexperiencesandnew adventures – on all budgets. It’s fantastic that our region is a real trailblazer here – Visit West receiving this nationally recognised status will allow us to further support and boost the hundreds of businesses that makeupthisregion’sbrillianttourismsector.

“With one in ten jobs in the West of England being in the tourism and hospitality trades, it is critical that we gofurther to developthe est’s tourismoffer to residentsandtouristsalike andsecuretheinvestment we need to go much further to support businesses and jobs across our great region.”

For more: www.visitwest.co.uk

The visitor economy in this region is believed to be worth in excess of £2.33 billion

TO A HIGHER DEGREE

The annual degree show for the Art and Design students of Bath Spa University is taking place 10 – 17 June at the University’s Locksbrook Campus. The aim is to not only showcase the work to a wider audience, but also demonstrate the range and breadth offered by the art degree courses. The show is curated from the collections by the final year students

across a wide range of disciplines including creative arts, fine art, ceramics, and film. Dr Natasha Kidd, subject leader of art, says, “For one wonderful week we see the Locksbrook campus and our wonderful studios change from a site of making to an exhibition space open to the public.”

For more: www.bathspa.ac.uk

RENEWED ENERGY

Your Eco, a leading UK renewable energy project developer and installation company based in Frome, has recently been certified as a B Corporation (B Corp).

“We’ve always been on a mission to create more equitable access to clean energy in an ethical and responsible way,” says Nick Spicer,

founder and CEO of Your Eco. “We are honoured to receive this distinction and become part of the B Corp community.

“ Joining a network of like-minded organisations will create collective impact to making sure business is a force for good. ”

For more: www.yourecouk.com

GETTING AHEAD

Catherine Hodges of Toni & Guy in Bath is celebrating after being shortlisted for Franchisee of the Year, sponsored by Great Lengths, for the HJ’s British Hairdressing Business Awards 2023.

Following an intensive judging process, Catherine will be attending the ceremony at London’s Park Plaza Westminster Bridge on 3 July. She says, “The awards are so respected across the industry and ust to reach the finals is a huge honour. inning the award could change my life – I’m keeping everything crossed!”

For more: www.toniandguy.com

The winning B-Corp Your Eco team

Fill Me In Sandwich Counter is the exhibition of final year fine art student Milly Aburrow

Bo Neville, final year furniture and product design student, designed the gongs for the Creative Bath Awards

Catherine is up for a national award

BA Creative Arts Practice student Beth Archard is part of the annual degree show

CAREER MINDED

Bath College’s prestigious Apprenticeship & Careers Fair recently returned after a three-year absence due to Covid, and welcomed more than 70 local and national employers, and over 600 students and residents to Newark Works.

It also played host to Mayor of Bath, Councillor Rob Appleyard, and West of England Metro Mayor Dan Norris.

It was really brilliant to finally bring back our Apprenticeship and Careers Fair after such a long absence,” says Mike Wood, Business Development Manager at Bath College. “It was a truly inspiring event, with Bathonians and people right across the South West getting the chance to come speak to employers from the industries they’re interested in, find out more about the brilliant apprenticeship opportunities available to them, and plan for their future learning.”

For more: www.bathcollege.ac.uk

JOINING FORCES

Edit Agency, part of The Salocin Group, has strengthened its charity proposition by acquiring the trade and assets of award-winning data insights and systems agency, Wood for Trees.

Wood for Trees, which specialises in helping charities gain more value from their data assets, will join existing brands Edit and Join the Dots, which deliver intelligent data solutions, marketing technology, customer acquisition and retention strategies for some of the world’s most recognised brands and charities.

Nick Dixon, CEO of Edit Agency and founder of The Salocin Group, says, “We are delighted to welcome the Wood for Trees clients and the talented employees which will create an even greater supporter engagement agency in the charity sector. Charities are a particular focus for us, especially with our B Corp certification, as we look to extend the number of purpose-orientated organisations we work with.”

For more: www.salocin-group.com

“IT WAS REALLY BRILLIANT TO FINALLY BRING BACK OUR APPRENTICESHIP AND CAREERS FAIR AFTER SUCH A LONG ABSENCE”

MIKE WOOD, Business Development Manager at Bath College

Dan Norris with Bath College students at the recent Apprenticeships and Careers Fair

Nick Dixon is the founder of The Salocin Group

BATH LIFE AWARDS WINNERS

The no-dig team on digging their Bath Life Award win ROOTS ALLOTMENTS

NEW BUSINESS WINNER

SPONSORED BY

Roots Allotments is a no dig, no chemicals, allotment company that provides everything needed to grow from the patch to the seeds to the tools. This was its first year entering the Bath Life Awards and here, Fleur Cook tells us what it was like for the team to win this year’s Bath Life Award for New Business.

Well done on the win! So what prompted you to enter the BLA Awards for this year?

After just over a year into opening we have grown our team, had a successful first year on our site in Bath and so wanted to highlight these huge milestones for the Roots team.

How did you find the process of entering?

It gave us some well needed positive perspective and confirmation that we are doing the right thing for local people.

Tell us about the night

We were looking forward to coming together at an event that celebrated local business, so it was great to share a table with Newton Farm, who have supported us from the very beginning, and spend some time together with some of the team. It was also great to meet the lovely team from the Little Theatre, along with some of the chaps from Toot Bus.

What does winning the Bath Life Award mean for the business?

As an employee, I already know it’s a great business to work for, but it’s really great for Roots Allotment to be recognised as a great business from an outsider’s perspective too.

Any advice for someone else thinking of entering?

It’s a great opportunity to celebrate with others and, if not winning, cheering on those that have and networking with your local community. For more: www.rootsallotments.com

“ROOTS IS AN ORGANIC BIODIVERSITY SUCCESS STORY WITH SUCH NATURAL HEART, GROWING AND DEVELOPING QUICKLY”

THE BATH LIFE AWARD JUDGES

Ed Morrison, William Gay, Fleur Cook, and Christian Samuel

KATE REYNOLDS CAREER PATH

Did you know what you wanted to be when you were younger?

Careers advice when I was at school was limited to medic, vet, accountant, and solicitor. I liked the thrust and bustle of debating (or ‘arguing’, as my family put it), so the law was the obvious choice.

You later on decided to retrain as a teacher – was that a difficult decision?

I have never been afraid of seizing opportunities to see where they take me and find change exciting so it wasn’t a difficult decision. Persuading Bath Spa to accept me on in their English and Drama course, despite not having an English degree, came naturally to me after years of pleading my case in court.

Had you taught before?

I did a TEFL course (Teaching English as a Foreign Language) after university as a passport to travel and I really enjoyed enabling others’ learning – that ‘aha’ moment when something complex suddenly makes sense to a pupil is such a rewarding part of teaching.

What was the inspiration for making that career switch? Doing pro bono work as a solicitor, where you could also make a difference in quick and occasionally significant ways, focused my mind on retraining as a teacher, knowing this is something you can do each and every day in education. Yes –I am an idealist.

When did you join the Royal High School?

I joined in January 2020 and had a wonderful first half of term, getting to know as many of our pupils, parents and staff as I could, as well as meeting the 24 other heads across the country whose schools are part of the GDST. Everyone was incredibly welcoming and the momentum at the school was exciting.

And then Covid came along… Yes, but before Covid had ever been heard of, by the end of that term, we were counting our blessings that everyone was so IT literate (we are a ‘bring your own device’ and Microsoft Showcase School). It then meant that all our pupils moved seamlessly to on-

line lessons and activities, including our IB (International Baccalaureate) sixth formers who had been the last to be ‘evacuated’ once news came through that IB exams had also been suspended.

What changes have you seen in education over the years?

The pastoral care in schools has now become as important as the academics. My priority at Royal High School is to ensure that pupils are happy. At risk of sounding trite, girls need to be happy and settled; only then can they concentrate on their studies and thrive academically.

How is this implemented?

Providing the right sort of pastoral support is key, from light touch (we have 22 staff trained as ‘Wellbeing Angels’) to the other end of the spectrum with our highly trained counsellors who work across the Prep and Senior school. As a Mental Health Foundation beacon school, we keep abreast of educating both ourselves and our pupils on health and wellbeing.

KATE REYNOLDS Royal High School Bath

What have you found to be the best tools to have in your armoury as a head teacher?

Listening. Being a parent myself has been invaluable. We all want the best for our children and I understand that fight in us to realise this. However, experience has also taught me that often we just need to share our frustrations, as parenting is so incredibly important but challenging. Often there are no easy answers.

Time over, is there anything you might have personally done differently?

I’d have worried less about trying to improve my weaknesses, and focused on what comes naturally to me. Thankfully this is now the accepted approach in business but when I started out I worried unnecessarily about being ‘found out’. Amusingly, one of my favourite placements was in personal tax, where I surprised myself with how much I loved figures and mathematical problem solving despite my woeful Maths GCSE. It proved to me it’s never too late to learn and that a positive, can-do attitude fills any gaps in learning pretty effectively.

Your career highlights to date?

Anything and everything to do with the girls; they are the reason I came here. Seeing them take part in events, such as any of the brilliantly devised and performed drama and music highlights across the year, particularly when you know that some of those girls are quite shy and not naturally extrovert, is uplifting.

And if you had to pick one?

When the girls lead on their own initiatives. These range from a kindness box that appeared last year, created by one of our boarders, where girls were asked to nominate others who had gone out of their way to support or help others. The passion students have to support others is extraordinary – demonstrated by an entirely student-led initiative to host a concert to raise funds for the Ukraine appeal.

For more: www.royalhighbath.gdst.net

“IT’S NEVER TOO LATE TO LEARN”

The head of the Royal High School Bath on career changes and community involvement

BUILDING ON EXCELLENCE

Jonathan Ogden, director of SMARTY DRY CLEANING tells us about an exciting acquisition…

Well known drycleaners Barkers of Bath – located in Monmouth Street – have just been acquired by Smarty Dry Cleaners. One of the leading drycleaners in the region with branches in Bristol, Keynsham and Bradford on Avon, together with an existing location in Bath, Smarty will be continuing to build on Barkers long established reputation for excellent customer service and cleaning expertise. “We’re delighted with this acquisition” says Smarty’s director Jonathan Ogden “I’d like to pay tribute to David Barker and are looking forward to continuing the high standards of service that he and his team have built up over the years.”

Specialising in cleaning couture and high value garments that regular high street dry cleaners don't have the skill set for; Smarty Dry Cleaning have built their business through a unswerving commitment to customer service combined with a competitive pricing structure.

Using skilled craftspeople at every stage, they

achieve the best possible results with each and every item bought to them. Every item passes through at least six hand finished stages includes stain removal, cleaning, hand pressing, minor mending and packaging before final inspection with full advice on fabric care with their process paying particular attention to fine linens.

Smarty Dry Cleaning has also recently launched a service offering a wide range of clothing alterations and repairs from replacement zips to complete re-cuts of treasured items of clothing at competitive prices. Plus there is the option of a full delivery and collection service to and from clients' homes or their workplaces, with bookings via phone and the website.

With 2023 seeing the growth of all kinds of events requiring formal wear, from business meetings to weddings and other events, Smarty Dry Cleaning are perfectly positioned to assist with all dry cleaning requirements across the city of Bath n

6 Monmouth Place, Bath BA1 2AU

11 River Street Place, Julian Road, Bath BA1 2RS; 01225 444666; Elms Cross Shopping Centre (next door to Sainsbury’s), Bradford On Avon BA15 2AZ; 01225 862964

2 Charlton Road, Keynsham, Bristol BS31 2JA; 01179 864878

enquiries@smartydrycleaning.co.uk

www.smartydrycleaning.co.uk

WELLNESS AT WORK

Building a healthier workplace, with LUCY COTTERELL, Mogers Drewett’s Human Resources Consultant

In a world full of workplace buzzwords productivity paranoia’, anyone perhaps the one with the most crucial real world application is wellness’. A subtle mutation of the old health and wellbeing’, this holistic concept looks at our mental health, our physical health and our financial health in the round the ways in which these impact upon our work, and how our work affects them. Increasingly, employers are putting robust strategies in place to head off potential problems at the pass.

Looking after your employees isn’t ust the right thing to do, says Lucy Cotterell, Mogers Drewett’s Human Resources Consultant, but improves performance and profitability too. If you or I can turn up at work and feel like we’re making a real contribution, we’ll be happier and we’ll probably do a better ob. There’ll be fewer absences, fewer complaints, fewer stressed people ust a happier workforce all round. And this is especially important in the light of the recent pandemic and current cost of living crisis.”

But how to achieve it Happily, Mogers Drewett offers a range of ellness Action Plans that set out strategies to do ust this, while also alerting workers and managers to triggers that might impact their mental health. Some offer proactive help, from yoga sessions to sports days prevention rather than cure, you could say while others are more reactive, designed to address specific concerns. All, though, are about promoting opportunities for people to look after themselves, Lucy explains.

Of course, many employers are tempted to treat those factors employees bring into the workplace separately from those that are a direct result of the workplace itself. But doing so ignores the fact that one almost always impacts upon the other.

If there’s an illness in the family, Lucy explains, being flexible about working hours might be the best way to help. But e ually, a company that offers private healthcare might

look to extend this to the family member. In many instances, it’s simply about being more flexible.

But what if it’s a fundamental aspect of the ob that’s adversely affecting people This could be overwork, safety concerns, poor management, or any of a hundred factors. There are many potential issues, but they often boil down to making sure people are treated fairly, Lucy says. The solution can be as simple as improving communication. Are there good mechanisms to get and give feedback Is performance properly reviewed

WE’RE HERE TO HELP

hen Mogers Drewett starts working with an employer, it often begins with managers and employees sitting down to talk through all the things that might affect performance and mental health and wellness are increasingly identified as key performance factors. e then help design and implement tailored

Wellness Action Plans,” Lucy says, “often bringing in Mogers Drewett Financial Planning too. After all, an element of wellness is financial health, so if we can help people get that in order, it takes some of the burden away.

Naturally, Mogers Drewett’s involvement can be as limited or extensive as you like.

One useful thing we offer is a retained Human Resources support service, Lucy says, as often the problem isn’t to do with the strategy, but with properly implementing it. For employers too small to have their own dedicated HR department, we can perform that function a perfect solution where the HR function has become part of the workload of the o ce manager, say. e’re here as a resource, offering expertise in all functions of HR and employment law which all feeds into to a better performing business For more, contact lucy.cotterell@mogersdrewett.com, or sean.mcdonough@mogersdrewett.com

“SOME OFFER PROACTIVE HELP, FROM YOGA SESSIONS TO SPORTS DAYS – PREVENTION RATHER THAN CURE”

REPORTING BENEFITS AND EXPENSES

accountants and tax advisers PEARSON MAY with a reminder for businesses to report benefits and expenses for employees to HMRC by the July deadline

It is important at this time of year to not overlook the filing deadline for any forms ‘P11D’ that may be re uired to report certain benefits and expenses provided to employees in the tax year ended 5 April . Any forms re uired must be submitted to HM Revenue & Customs (HMRC) by 6 July , together with the annual Employer Declaration form P D(b), to avoid late filing penalties. A copy of the form P D must also be passed to the employee in uestion by the same date.

HMRC have also recently confirmed that all forms P D and P D(b) must now be submitted to HMRC online. HMRC do provide free software via their PA E online services in order to submit the forms online. Further information can be found online at www.gov.uk paye online.

Do all businesses need to complete the forms and which benefits and expenses are reportable?

Not every business will need to prepare forms P D since they are only re uired if the employer has provided reportable and or taxable benefits or expenses to employees during the tax year. However, any business (whether operating as a sole proprietor, partnership, limited company etc.) with employees directors will need to consider their reporting re uirements.

The list of taxable benefits and expenses that may need to be reported is long but some of the more common benefits include company cars and vans, provision of living accommodation, medical insurance and interest free (or low interest) loans.

Employers should review their records for the tax year carefully to ensure that any benefits or expenses provided to employees (which includes directors) are analysed

and reported where necessary. There are potentially significant penalties for not filing the forms where they are re uired, or for completion of incorrect forms.

There is the option to include the value of certain taxable benefits and expenses through your payroll, rather than including the details on a form P D. This is known as payrolling’, but you must have registered before the start of the tax year in uestion to make use of it, so if you haven’t registered already, you will not be able to payroll any benefits for the current tax year ending 5 April . If you payroll all of the benefits and expenses in a particular tax year (having registered before the start of the year) then you shouldn’t need to file a form P D for the employee(s) in uestion. Form P D(b) will however still be re uired to account for any Class A National Insurance payable to HMRC.

Is any tax and National Insurance payable on the benefits/expenses?

An income tax charge will usually arise on the employee based on the value of the taxable benefits included on form P D. The employer may also have to pay Class A National Insurance on certain benefits provided and any Class A NI is payable to HMRC by uly if paid electronically (or uly if paid by che ue).

Employers should also be mindful that if they settle any personal liabilities owed by employees e.g. personal debts, or make payment for personal bills in the employee’s name e.g. telephone bills, the value of such payments could well be taxable on the employee as earnings and liable to Class (employee and employer) National Insurance.

Are there any exemptions from reporting certain benefits/expenses?

There are a number of exempt benefits

which employers can provide to staff without incurring a tax or National Insurance liability and which do not need to be reported on forms P D. Again, the list of exempt benefits is lengthy but the more common items include car parking at or near the employee’s place of work, annual parties and functions where the cost does not exceed 5 per head per year, contributions to a registered pension scheme and provision of a mobile phone (one per employee).

There is also a general exemption from the re uirement to report certain business expenses paid or reimbursed by employers to employees and a trivial benefits’ exemption. Broadly, trivial benefits are non cash’ benefits provided to employees, where the cost of the item in uestion is 5 or less.

The most common items that will be covered by the general exemption for business expenses include reimbursement or payment of business travel (excluding ordinary commuting), subsistence costs associated with business travel, business entertainment expenses, credit cards used for business expenditure and ualifying fees and subscriptions. n

*The above is for general guidance only and no action should be taken without obtaining specific advice.

Matthew Rutter BSc(Hons) FCA CTA

Pearson May Chartered Accountants & Chartered Tax Advisers Bath, Chippenham and Trowbridge

37 Great Pulteney Street, Bath BA2 4DA 01225 460491; mail@pearsonmay.co.uk

www.pearsonmay.co.uk

Matthew Rutter from Bath-based chartered

First of all, when you are asked to sign to accept your role, you should decide whether being as attorney is actually something you are willing and/or able to do. You may be being asked to do nothing other than ‘stand by’ at this stage, but, if and when the person appointing you begins to lose their capacity to make their own decisions without help, will you be in the right place to notice that? Will you have the time to help? Will you know how to help? If you have serious doubts on any of these fronts should you accept the appointment in the first place

Assuming you are happy to accept the role, then a bit of forward thinking is advisable. If the LPA is brought into use, you will be being asked to help the donor to make decisions and ultimately to make decisions for them when they are unable to make them themselves, even with help. So, talk to the donor now and ensure that you know what their own decisions would be in given situations. These views will not be binding on you at this stage, and circumstances can change, of course, but they

BEING AN ATTORNEY

will give you vital background information.

If you are being appointed to act under the terms of a finance LPA then it is sensible to ask the donor ahead of time which financial institutions they deal with, whether they are in receipt of pensions or state benefits and whether, and to what extent, they support charities.

Do they use credit cards? If so, do they pay the bill off in full each month

Do they complete an annual tax return?

What is their habit in making gifts for birthdays and Christmas – what sort of amounts and to whom?

How would the donor feel about having their home sold or let if they had to move into residential care?

All of this information will be invaluable to you should you be asked to take on your role at short notice (for example if the donor suffers a stroke or an accident).

Are you sure you understand the limits of your role when the time comes? You cannot simply wade in and take over. It is your responsibility to allow the donor to make their own decisions to the extent that they can and to help them to do so where possible, rather than impose your own decision upon them – even if you disagree with what they are proposing! They may be able to make some decisions and not others. It is your job to assess the situation. You must assume that the donor can make their own decisions unless it is clearly shown that they cannot.

If the donor is more lucid at particular times of day than others, or if using different methods of communication (pictures for example) then it is your responsibility to maximise their chance to make a decision by

capitalising on this.

If you are managing the donor’s finances, you must keep them separate from your own and keep records of what has been received and spent.

If there is more than one attorney appointed, you need to be aware of how the appointments interrelate. If you are appointed jointly then you cannot make any decisions alone; all attorneys must act together. If you are appointed jointly and severally then you can make decisions alone (although it is good practice to confer where possible). In either case you cannot delegate your responsibilities to anyone who is not appointed as an attorney.

If you are acting as an attorney under the terms of a welfare LPA make sure you have an understanding of the donor’s health history and wishes regarding life-sustaining treatment. You may have to speak for them in the most extreme of situations.

Throughout your dealings with the donor, you must, under both types of LPA act always in the donor’s best interests and in the least restrictive way. ou may not benefit yourself from your appointment.

And if in doubt, seek professional advice! n

Helen Starkie Solicitor 38 Gay Street, Bath, BA1 2NT; 01225 442353; www.helenstarkie.co.uk

If you are asked to act as attorney for someone under the terms of a Lasting Power of Attorney (LPA) what do you need to consider? Local legal expert HELEN STARKIE explains…

“ IT IS YOUR RESPONSIBILITY TO ALLOW THE DONOR TO MAKE THEIR OWN DECISIONS TO THE EXTENT THAT THEY CAN AND TO HELP THEM TO DO SO WHERE POSSIBLE”

LIVING IN A PRAYER

A converted Methodist church is about to come on the market

A former Methodist church in Larkhall, built in , is currently being converted into a five bedroom, five bathroom family home.

Alex Wood of Arc Property Development, who took on the project, says, “It has been a pleasure to bring Claremont Chapel back to life. e immediately fell in love with the existing character of the church, particularly the circular, stained-glass window that was designed in the s by students from Bath City College.

“By demolishing the rear 1950s single storey extension, we returned the proportions of the church to how it was originally designed.

Each bathroom has a different style, specified by oodhouse Law, who are also

designing the generously sized rear garden.

“The installation of two mezzanines to create the required bedroom, bathroom and living room spaces have made for a challenging but interesting build.

“The Chapel, which is being expertly converted by GEM Solutions Projects and comes with a 10-year build warranty, has so many gorgeous features, and with the handmade Shaker May kitchen, utility room and storage joinery to come in early June, the house is starting to feel special and homely.

Claremont Chapel being marketed through Savills with a guide price of 5million. For more: www.savills.co.uk

Conversion

The Grade II Claremont Chapel was built in 1881;

RIGHT: Bath City College students designed the stained-glass window

The Chapel has been converted by GEM Solutions Projects

Renovation courses CLUB HOUSE

Interior designer Lola Swift has just launched a new Renovation Club. With a focus on sustainability, the online club aims to equip members with the skills to repurpose furniture and use recycled materials.

Lola, who has worked with Designer’s Guild, Paul Smith, and Selfridges, says, “When embarking on an interior design project, it can feel incredibly overwhelming. Deciding on a style, colour scheme, fabrics, and soft furnishings can seem like a daunting task. With all the vast information available on social media, you can get lost in someone else’s vision instead of developing something that reflects you as an individual.

“With this club, there is no design capability required, and the information in the videos is designed to be fun and easy to digest. The videos are ten minutes or less, and the interactive exercises can be completed at your leisure.” For more: www.lolaswift.co.uk

Renovation

MORE ROOM AT THE INN

The Trinity pub on James Street West has just undergone a £185,000 upgrade and opened for business under new management.

The top to toe contemporary redecoration includes new pendant style lighting, high stools, and new upholstery and carpet, and the reconfiguration has doubled the seating from to 6 . Outside the tired looking exterior has also been given a complete makeover with the stone cleaned and repointed, windows and the roof renovated, along with the addition of new blue and black signage, and new lighting.

New operators Tobias Goodnight and Tui Sancha have taken on The Trinity with the intention of creating the best city centre bar for drinks, watching sport and for live entertainment.

For more: www.thetrinitybath.co.uk

Plot for sale CASTLE

WATCH

Former coaching inn the Hungerford Arms in Bath has come onto the market for £975,000, with detailed planning permission to create a home with castle views.

The plot, set in . acres, has consent to create a substantial residence of around 6, s ft, and in its sights is Farleigh Castle (or Farley Castle), which was built in the th century by Sir Thomas Hungerford.

Apart from the inn’s original beer cellar, which remains, everything will be changed: the proposed accommodation will span two floors, incorporating the original buildings. Modern extensions will be placed on the back of the building, to allow for open plan modern living with glass walls to admire the vista, which, as well as the castle, takes in the River Frome Valley and across to Iford Manor. For more: www.carterjonas.co.uk

Lola Swift has launched a new online Renovation Club

A CGI of the proposed plans for the Hungerford Arms

©

WWW.CGIVISUALS.COM

The St James West boozer has a new look; INSET: Tobias Goodnight and Tui Sancha are now at the helm

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FORWARD THINKING

Exploring the future of our cities at the latest Property Symposium

By Sarah Moolla Photos by Jon Craig

Signage, students, and scooters were just a few of the wideranging, visionary, and thought-provoking subjects discussed at the recent Property Symposium. Held at Bristol’s M Shed on 21 April and attended by 160 people, the event, hosted by MediaClash’s CEO Greg Ingham, was centred around the topic ‘City of the Future’. Along with keynote speakers, expert panels, and city planning representatives from Bath, Bristol, Cardiff and Exeter, the Symposium was also designed to facilitate several networking opportunities and included a light lunch supplied by the M Shed catering team.

THE HIERARCHY OF WAY-FINDING

The first keynote speaker was Tim Fendley, founder, CEO, and creative director of world renowned Applied Information Group, and his insights as a leading authority on cities and wayfinding made for a fascinating opener. The clutter of, and often contradictory signage, from different organisations on lampposts, on the pavement, on street corners, can result in confusion. Left, right, backwards, forwards which way do we go It can leave many of us wanting to go home – but there is another way, as Tim explained. It is a system created by considering the hierarchy of way finding needs these are emotional connection, awareness, and predictability.

Tim’s work with major projects such as Legible London (and similar projects in Vancouver, Rio de Janeiro and Madrid) have been based on this hierarchy, seeing as many as 36 separate systems in one city brought together for a more cohesive direction scheme. He also noted how big events attracting large numbers of visitors, such the Olympics and Eurovision, can help focus the collective mind, highlighting how creating clear signage can actually be achieved relatively swiftly.

A DEMOCRATIC ENVIRONMENT

But also, what makes a city worth visiting, investing in, living in, in the first place Dr Hooman Foroughmand Araabi, senior lecturer in urban planning at the UWE, believes this to be “amazing culture, diversity, and a celebration of that diversity, along with being culturally sensitive.” And how do we work

The Visionary Panel

More than 160 people attended the Property Symposium at Bristol’s M Shed

to help ensure that in our cities? Dr Araabi referred to the famous Winston Churchill quote: “First we shape the cities, then they shape us.” He went on to state that it is a democratic environment that helps create this, key areas of focus being “housing, retail, public spaces, and aesthetics.”

URBAN TRENDS

Next up was a Visionary Panel made up of George Cardale, UK board director with Savills; Nicholas Stubbs, founding director of Arc Global; Nick James, Futureground’s sustainable place strategist; Pepper Barney, director of BiBO; and Rachel Holmes, business development manager with Colliers, who discussed urban trends, the long-term impact of high numbers of student population, and how the working from home revolution has affected city centres.

INVESTMENT

This was followed by four presentations outlining brief histories, current stats, future hopes, and long term visions for Bristol, Bath, Cardiff, and Exeter. First was Bristol City Council chief executive o cer Stephen Peacock. He spoke of Bristol’s positioning as one of the largest cities in the UK and how it is currently thriving. Stephen also addressed the negative impression given by the empty units and dereliction in the Temple Quarter area that surrounds Temple Meads station, which is an important gateway to the city. He revealed the situation is hoped to be addressed with a £95 million investment to help create jobs, new homes, and a campus for University of Bristol in the area.

REGENERATION

Simon Martin, director of regeneration and housing for Bath North East Somerset Council, talked of Bath’s strong identity as a globally recognised city but also how the city is more than just gorgeous Georgian buildings. Recognised problems for Bath’s long term future included the less economically

Along with looking after residents’ needs, there is the continued and amplified celebration of Cardiff’s Celtic heritage to attract both visitors and investment. Projects include a new business park, regeneration of Atlantic Wharf, an international sports village, and a cycle super highway.

SUSTAINABILITY

active population, which is due to an older demographic, and Bath being the third most expensive city in the UK in which to buy a home. Simon noted, “There is competition for space in a constrained city.” Going some way to help solve this is the “regenerating of old MOD sites and brownfield land , along with the repurposing of large spaces over city centre shop units for housing.

CELEBRATION

Principal o cer for Invest in Cardiff uliet Gamlin delivered an inspiring long term vision for the Welsh capital for 2030 and beyond. Cardiff is one of the fastest growing cities in the UK, and transport links between the suburbs and their surrounding spaces and the Bay and the centre are an integral part of Cardiff’s future. Juliet also spoke of the priority given to affordable housing Bringing residential homes back in the cities is key to surviving. We need to attract and keep young people.”

Exeter City Council’s director of city development Ian Collinson believes the key to a successful future for the city is “adding to what is unique to your area – that’s what will help a city a prosper and grow.” He also highlighted the role sustainability plays in city planning now, and how it’s about “working with what you’ve got, using imagination and creativity.” This is what the council-led pro ect Liveable Exeter hopes to deliver on – to strengthen neighbourhoods, create new communities, invest in sustainable transport, and deliver the infrastructure needed to attract investment and improve quality of life in Exeter and the surrounding region. Specific end goals of Exeter council’s strategy includes becoming a carbon neutral city by 2030 and 12,000 new homes by 2040. n

For more: www.bathpropertyawards.co.uk

You can see a full recording of the Property Symposium made by Life Media by visiting the Bath Property Awards website, which will also update with details of the next Property Symposium. The event was organised by MediaClash, partnered by Interaction, Futureground, Mode Consult, and was in association with the Bath Office Company, JAS Building Services, and Vickery Holman.

“First we shape the

cities

then they shape us”

Tim Fendley, founder, CEO and creative director of Applied Information Group

Stephen Peacock, chief executive officer of Bristol City Council

Exeter City Council’s director of city development, Ian Collinson

Simon Martin, director of regeneration and housing for BANES

Principal officer for Invest in Cardiff, Juliet Gamlin

Dr Hooman Foroughmand Araabi, senior lecturer in urban planning at the UWE

COLLEGE ROAD

Explore a truly stylish and spacious Georgian family home with views across Bath

By Rachel Ifans

You know when you’re at a party, chatting happily away to a perfectly nice guest and then, suddenly, you see a dear friend you haven’t seen for years? Your eye is drawn to them and you can’t help but drift towards them hoping to catch their eye…This is that house.

Of course, there’s no shortage of grand houses in Lansdown, but this recently extended home is truly something special. Tucked away on College Road, just off Lansdown Road, and set in ust over a third of an acre of serene gardens, it feels a world away from the hustle and bustle of the city centre, which is just a 15 minute stroll down the hill.

A feeling of space and light hits you as soon as you pass through the stone porch, complete with Doric columns. The kitchen/dining room has a Balthaup kitchen at one end and a fireplace with a log burner at the other, with

a large island unit separating the two spaces. There are south-facing views through the triple-bay windows, which look across the beautiful landscaped garden and the city beyond.

The drawing room is surprisingly cosy, with lots of period features, and makes a lovely focal point for family activities. Heading downstairs, there’s another family room and a gym, complete with separate external access for muddy children and exuberant teenagers. The layout lets the rest of the house breathe, as the stone cantilever staircase in the hall leads up to the first floor, which houses two bedroom suites, one with air conditioning for those sultry August nights. Head up one more flight to the second floor to find two more bedroom suites.

While the interior is undoubtedly elegant, it’s the elevated setting for the beautifully landscaped gardens that really takes your breath away. It’s easy to picture yourself in these grounds at any time of year, enjoying the space and sunlight. There’s a paved dining terrace next to the garden room and two lawns – the southfacing front lawn has a magnolia tree at its centre, stunning in spring and a good excuse to get friends

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around for a little early-in-the-year soirée.

The whole of the garden has a zen-like feel, its sculptured trees and planting, natural materials and minimal design creating a relaxing outside space. Two giant copper beech trees sit either side of the driveway gates, making it something of an event even to pull up and park.

This is a true beauty of a home, and one that is unlikely to be waiting for a new occupants for very long. But it is also a practical garden, with deep beds brimming with Niwaki pruned trees, and a greenhouse and several raised beds so you can roll up your sleeves and feel the joy of planting, tending and eating your own fruit and veg, should you be so inclined. That said, when the weather is fine, it’s always going to be hard to beat the attraction of the front lawn, a glass of something cold in your hand and that incredible view.

“This is a true beauty of a home”

INTRODUCING THE RHS BOTHY…

The RHS Bothy has many design features that have been inspired by RHS garden locations, from the desk brackets forged over Dorset charcoal which were based on a boot scraper at RHS Wisley, to motifs from the RHS Lindley Collection. With an English ash writing desk, shelves for well-thumbed garden books, and an armchair for that all-important afternoon nap, the RHS Bothy evokes the heady, bucolic atmosphere of the original Victorian bothy but with all the comforts of the modern age.

The hut itself was inspired by a small brick and timber structure that Plankbridge founder Richard Lee recalls from his childhood. “I grew up in a former keeper’s cottage in bluebell woods near Wimborne in Dorset and there was a little bothy there that I can picture to this day” he explains. “So when the RHS asked if we could work together on a unique design, I took inspiration

from their beautiful gardens and combined those with my childhood memories to create the RHS Bothy – an atmospheric and evocative space for modern times.“

The RHS Bothy has been designed to offer something visually different to the traditional shepherd’s hut, yet still be recognisably from Plankbridge. “A lot of thought has gone into making the Bothy sit visually in the landscape,“ explains Richard. “We have played around with giving the sides of the hut a waisted skirt anchoring it to an invisible central point beneath the ground – a not-inconsiderable design challenge. Using English timbers as much as possible, we have chosen beautifully grained English ash for the floor, and home-grown naturally durable sweet chestnut for the windows, doors and internal walls to create a warm, homely atmosphere.“ Features include cast-iron wheels, corrugated iron cladding, all year round insulation

and full electrics ( 240v or off-grid solar).

Traditional hutmakers Plankbridge was founded in 2000 by Richard Lee and his partner Jane Dennison. Today they employ a 40-strong team offering of specialist craftspeople creating bespoke huts for a wide range of purposes. n

The RHS Bothies will be on sale online and through in-person orders via the Plankbridge workshop from the launch in May 2023. www.plankbridge.com

Traditional shepherds hutmakers PLANKBRIDGE are collaborating with the Royal Horticultural Society (RHS), to launch a new bothy hut at the Chelsea Flower Show in May

MEET THE INTERIOR DESIGNER

We get the inside track on Bath’s interior design experts

VERITY WOOLF

WOOLF INTERIOR DESIGN & INTERIOR ARCHITECTURE

01225 445670; www.woolfinterior.com

What makes WOOLF Interior Architecture & Design different?

WOOF is a multidisciplinary practice combining interior design and interior architecture services. We take care of the entire process from cost planning to concept, design and project management. Our collective ethos is to create ‘houses and hotels with unique personalities’, as opposed to rolling out a fixed ‘house style’. The collaboration with our clients is key to creating successful design projects, as we work together to create spaces that are not only aesthetically original, but also functional and practical. We create intriguing and integrated spaces with timeless character.

VANESSA SAYCE

THE MARMALADE HOUSE

01225 445855; www.themarmaladehouse.co.uk

Tell us a little about your business…

The Marmalade House began after a life-long love and study of interior design, home styling, textiles, and paint finishes. We specialise in French and Gustavian-style furniture painting and have worked on many fascinating projects at home and abroad for both domestic and commercial clients.

We also create pieces for film and photoshoots, and have been fortunate enough to work with many clients again and again over the years.

And your style?

Our house style is rustic with a strong European influence, and we love to work with aged patina paint finishes, and

How does your approach to renewables and sustainability shape your work?

Buildings are the second-largest source of greenhouse gas emissions in the UK. Sustainable approaches (particularity for historic buildings) are important environmentally, economically and for our health. As specialists in historic interiors, we know that for exceptional design to remain relevant and future proofed, wherever possible, we must continually look for ways to incorporate sustainable materials and practices into our design.

… And how do your projects achieve their ‘green credentials’?

We choose materials that are renewable, recycled, or have a low carbon footprint in tandem with opting for energy-efficient lighting, heat and cooling technologies, to reach that goal.

texture within the home. Each day in our studios is different, and we work with seasons and trends as they unfold.

How important is sustainability in interior design?

Our ethos has always to work sustainably, and we have transformed hundreds of pieces of old furniture to give them a new lease of life, with soft eco-friendly paints.

What would you say to anyone starting out in interior design?

Our advice is to trust your own style and instinct. Whether it is a room, a piece of furniture or an idea, it will speak to you if you listen.

How can you help people get started?

We can train people to find their own creativity and offer both furniture painting to professional standards, and interior design day courses.

CLAIRE RENDALL

CLAIRE RENDALL DESIGN

07778 240 223; www.clairerendall.com

How would you describe your signature style?

With 34 years’ experience in the design industry, I don’t sell a single style. My job is to make my clients’ dreams become reality. With a talented and reliable team, we aim to deliver projects that are the best they can be. They’ve ranged from Longleat House, to Sydney Harbourside, manor houses to cosy cottages to city chic, and even the BBC. We work with historically important properties to new builds. I love the variety.

Why hire an interior designer?

A designer can make sure you don’t make expensive mistakes. We’ve seen them! Our experience alongside access to trade deals and tried and trusted professionals takes a lot of heartache out of renovations and refurbishments.

And how does your design process work?

We ask questions, listen and learn about our clients lifestyle, likes, dislikes and budget. Initially we like to offer clients options and throughout the process we’ll show products or finishes they may never have encountered alongside what they expect. It’s a journey that we like to make enjoyable and informative.

CLAIR STRONG

CLAIR STRONG INTERIOR DESIGN

01225 690019 / 07855 797311; www.clairstrong.co.uk

What’s the best bit of advice you could give to home owners?

Talk to an interior designer right at the beginning of a project before building work starts. Leave it any later and it’s harder and more expensive to make changes.

How do you approach combining both style and functionality?

My job is to create a functional style for your room, one that looks inviting and stylish while also being comfortable using furniture that fulfils a purpose. It is important to consider how you use your room and

KELLY

HAWKER HICKS

KELLY MARIE KITCHEN INTERIORS 01225 481 881 www.kellymariekitchens.com

What do you specialise in?

Bespoke luxury residential kitchens from design to full project completion.

What is it that you enjoy about working in interiors?

I love meeting new people and helping to make their dreams become reality. I’ve always being passionate about art and design and channelling this into my business in a way that helps others is so rewarding.

Do you have a signature style?

I don’t really look to impose a one size fits all style onto my clients. Instead I see every project starting as a blank canvas where I’ll discuss with the client their aspirations and look at their existing home style, leading to an end result that is unique and truly individual to them.

How do you balance style with functionality?

You must always make sure to get to know the client first, how they use the space and the flow of the rooms in the home. And to use the best products in the cleverest way possible that will have a positive impact on their life.

plan the layout carefully. Clever storage is often key to a home that balances form and function and I am a big advocate of bespoke built-in storage.

Talk us through sustainability in your work...

Many of my clients want to use ethical and sustainable products in their homes. Recycling materials to avoid waste and keeping products in use for as long as possible are key to sustainability. From choosing eco-friendly paint to buying flooring and furniture made from sustainable wood sources there are lots of things I can do to design an eco-friendly home. We like to use brands who consider the materials and processes used to manufacture products and how the products they make can be repaired or even recycled again to extend their life in a bid to reduce emissions and reduce damage to the environment.

GEORGIA METCALFE

FOUNDER

& CREATIVE DIRECTOR, FRENCH BEDROOM

www.frenchbedroom.co.uk

What do you specialise in?

Timeless bedroom furniture, authentically styled and lovingly designed by women, for women. We want to provide a bed so special that retiring to the bedroom at the end of a long day is a genuine joy – so much so that daytime naps and moments of quiet reading lure us in – bringing the calm back.

What is French Bedroom’s signature style?

Unapologetically feminine. Flowers, prettiness, ruffles, sweeping details, are all design elements that feature on our beds, emulating cotton summer dresses. We also put a lot of thought into every design detail, so it’s not simply the aesthetic but also the way we know our customers use our beds too. So details such as modesty panels to cover slats, and secret drawers for nail varnish are some of the delightful design features in our pieces.

Where do you get your inspiration from?

Designs from France are naturally of most significance. Whether it’s interiors, architecture, or fashion – everything has its place on my inspiration board. From luxurious fabrics such as velvet and silk, to architectural detailing on columns, cornices and porticoes, to ruffles on dresses. I also look to nature for pattern and feminine touches, such as petals on flowers and colour combinations.

MARIE

TIM BURDEN

TIMOTHY JAMES INTERIORS

01225 892581

www.timothyjamesinteriors.co.uk

How did you get involved in interior design?

My passion for design stems from my love of art. Being an aesthete, I was always torn between becoming a portrait artist and an interior designer, so I trained in both, but I guess the entrepreneur in me loves the challenge of running a buzzing interior design company.

How would you describe your work?

My team and I love to create unique luxury residential spaces. Our work tends to be saturated with colour and filled with interesting artwork. Thinking as an artist, I tend to treat a room as if it were a canvas, considering the overall aesthetics from every angle just as I would for a painting.

What are a few of the benefits of using an interior designer?

Coordinating an interiors project is no easy task. It can be incredibly complex, and having a designer manage that for you will inevitably pay huge dividends across the board. At Timothy James we use a tried and tested design process to organise our projects at every stage, allowing you to sit back and enjoy the ride.

BETTINA ARCHER

BETTINA ARCHER INTERIOR DESIGN 07842 626162; www.bettinaarcher.com

What would you say are the highlights about a career in interiors?

I love the people I meet through this line of work — the clients, the builders, and the artists. I love the stories that can be told by an interior and how inherently personal they can be. And I love the creative process itself and the collaboration with the clients and their own sense of space and style.

What’s the biggest mistake property owners can make with interior design? I can think of two that fall under the same umbrella. One would be to rush into a project without giving time and reflection to what you want the spaces to say or how you want it to feel. And the second is not planning far enough ahead. When I’m assisting with the renovations of a building for instance, a plan for the furnishings is always established at the same time. It’s painful to see a property go through development, only to become awkward to use and function poorly on an everyday physical and emotional level.

KIRSTY LAKE

CREATIVE DIRECTOR, ETONS OF BATH

01225 639002; www.etonsofbath.com

What do Etons of Bath specialise in?

Etons of Bath specialise in interior design and project management of period and listed homes. Whether rejuvenating a classically inspired historic home or creating contemporary spaces within a period property, we enhance what makes a property unique, whilst transforming it for our clients’ personal tastes and ambitions.

Where do the team get your inspiration from?

We are inspired by a wide range of sources, from visits to historic houses and the latest collections from fabric houses, to the work of other designers whom we greatly admire. Our clients also provide

SUE COLEMAN

OWNER/DIRECTOR, PERFECT ROOMS AND @HOME WITH PERFECT ROOMS 01249 716445; www.perfectrooms.co.uk

Why hire an interior designer?

Hiring an interior designer takes all the pressure away from having to make decisions which you may not be confident with. It could be understanding how to put colours and textures together for example – some people know exactly what they like but others don’t. I also think it can be an uplifting experience for the client, as a designer will bring out their confidence in saying ‘yes’ to what they may not have dared to dream.

How does your design process work?

We first meet with the client, whether it’s in our showroom or at their home, to discuss their needs. We process the information as a proposal, producing samples and mood boards if required and, once the scheme has been signed off, we then follow through with a detailed plan for our workroom. This leads to the coordination of finishes, and the fitting of any furnishings.

And your approach to combining both style with functionality?

It depends on the circumstances, the work/life balance in the home, functional interiors are usually best but doesn’t mean you have to skimp on style.

How would you describe your style?

I think my signature style leans more towards traditional design with a modern twist.

a great wealth of inspiration, interiors are so personal, and we take subtle clues from our clients to make each project a perfect fit unique to them.

What would you say is the importance of hiring an interior designer?

When undertaking an update to a historic property there is a lot more to consider than just paint colours and decorative accessories. Professionals like Etons can help clients discover their vision for the property; undertake technical detailing and planning applications and move through to implementation and on-site management of trades. There can often be hundreds of design decisions that can make a project a success, and employing a professional like Etons of Bath can take away the overwhelming array of options, making the journey one of excitement and creativity.

JENNIFER MOSSE

JENNIFER MOSSE DESIGN LTD.

07738 289189; www.jennifermosse.com

Tell us a little about your company...

I specialise in client focused residential design. Each project is tailor made and carefully adapted to individual requirements and budgets.

What’s the best bit of advice you could give to home owners?

If possible live in your home for a while before making any big design decisions. Learn how it functions and meets your lifestyle needs. Don’t be put off if you feel you don’t have a huge budget, this is often where an interior designer can help. Offering advice on where clever tricks and colour can make the world of difference saving you money in the long run.

In what ways have you embraced sustainability in your work?

I am a huge fan of using vintage and antique furniture in my projects, recycling doesn’t get much more fun than scouring local markets and auctions houses for that perfect find. And in the South West we are blessed with wonderful small businesses and craftspeople so the idea of shopping local and supporting these has never been more important.

We all are all responsible for working towards building a better future and our homes play a big part in this. Switching to low VOC paints, adapting existing pieces, choosing organic fabrics and reclaimed materials are all easily achievable without compromising on style.

ELISA SOLDAINI-PAICE

ELISA BESPOKE INTERIORS

07956 441611; www.elisabespokeinteriors.co.uk

What does Elisa Bespoke Interiors specialise in?

My particular forte is upholstery, and am skilled in both traditional and modern techniques. My projects range from sprung dining chairs, wing chairs to deep-buttoned footstools or headboards, and other bespoke furniture items. I combine my fabric and upholstery knowledge and take it further by blending other elements of the project such as wallpaper, paint, art, soft furnishings to produce a coherent and flowing space.

Is the upholstery skills what sets you apart from other interior professionals?

As an upholsterer I know how certain type of

REBECCA MORGAN

REBECCA MORGAN DESIGNS LTD 07827 772700; www.rebeccamorgandesigns.com

What would you say is the starting point in your design process?

Building a great relationship with my clients so I can offer the best service and achieve the best outcome for their needs – it’s the foundation of everything, without that, it won’t work.

What is it about working in interiors that sets you alight?

I’m passionate about everything visual in the world of interiors so bringing schemes together, finding fabrics, furniture, textures, colour, materials and more, lights me up. It’s a true pleasure helping someone feel their best every day in their home.

Where do you get your inspiration from? Everywhere and everything, from restaurants, fashion, art, travel, music –inspiration is everywhere.

What’s on trend for 2023 onwards?

The pendulum is definitely swinging from our minimalist mid-century modern phase. The 70s shapes, colour, and texture is very present right now, and a more maximalist traditional mood is returning with pelmets, swags, and tails.

And your top tip to home owners?

Gather images, be patient, be confident and go for what makes you feel alive.

fabrics ‘behave’. This means I can help people find the textile that is right for their project by choosing a texture that is perfect to ensure durability, practicality in the most sustainable, fitting and beautiful way.

Talk us through the importance of sustainability in your line of work?

Knowing that the construction industry accounts for around 40 per cent of the UK’s entire carbon footprint, it is our responsibility as interior designers and upholsterers to advise clients on the environmental and social impact of their project. The British Institute of Interior Design (BIID) gives advice on sustainability considerations when designing and supplying, ranging from design for longevity with building maintenance to product life cycles (reduce, reuse, recycle), which is my motto.

LINDSEY SAUNDERS-JONES

CREATIVE DIRECTOR AND LEAD DESIGNER, STUDIO WALCOT

07877 847831; www.studiowalcot.co.uk

What does Studio Walcot specialise in?

From our Milsom Place studio, we specialise in the interior design of boutique hideaways and high end residential. We are passionate about creating spaces to be experienced and enjoyed.

Is there a signature style?

Whether a Georgian apartment in Bath or Spanish finca in the Mediterranean, tonal colours are our jam with layers of textures to create beautiful, functional spaces. We have a considered approach, creating interiors designed to harmonise not shout. Simple, calm and pared back schemes allowing the bones of the building to shine. Blending old and new to create lived-in spaces, always well curated but never over designed.

How does hiring an interiors specialist benefit those looking to redesign their home?

It’s a common misconception that hiring an interior designer is expensive. Your investment in design fee will be returned to you many times in budget savings. However, the real value in hiring a professional is the skills you benefit from with the creation of a space that is not only functional and beautiful, but is also completely cohesive.

ALICE GASKELL ALICE GRACE INTERIORS

www.alicegraceinteriors.co.uk

What do you specialise in?

Alice Grace Interiors is known for our considered designs. We specialise in timeless, beautiful and elegant designs which can be translated into many different styles and ages of property. I have always paid close attention to the little details, and love experimenting with papers and fabrics to create layered spaces full of warmth and intention.

Why hire an interior designer?

I think the home has become even more important to people over the last few years and it needs to work hard for us; it’s important to come up with clever ways for adapting and providing increasingly functional as well as aesthetically beautiful spaces. This can be quite an overwhelming process and we meet a lot of clients who just need help balancing this and tying everything together. We’ve always believed that your everyday surroundings can have a truly positive impact your mental health so investing in this if you can is very important.

Tell us about a recent project you’ve been involved with…

Designing a furniture collection made locally by Bath Bespoke has been a labour of love and we couldn’t be more proud of our first collection. Each piece has been meticulously designed to offer truly timeless pieces that can be passed down through the generations to become items of true and valued meaning within the home.

SUSIE WATSON

SUSIE WATSON

DESIGNS

0344 9808185; www.susiewatsondesigns.co.uk

What is the background to and ethos of Susie Watson Designs?

Susie Watson Designs is known for its timeless English style and handmade craftsmanship. The company’s creative designs and fusion of colour and texture have captured the nation’s imagination since its launch in 1999. I am the designer and founder, and together with my daughter Anna, we are continuing to develop beautiful interior products including hand-printed fabrics, handcrafted furniture, rugs, cushions and ceramics, all designed to create a look that is elegant, welcoming and stylish.

How do you approach designing?

When I’m creating the perfect room, I’ll always use warm colours, particularly on the walls, to bring a room to life and it’s essential to mix textures to bring real depth to a room. I love to include velvet as it looks and feels wonderfully indulgent and of course rugs, which always inject both texture and pattern. Finally, lighting is so important and should always be below eye level.

Stores:

JOHN LAW

CREATIVE DIRECTOR

WOODHOUSE AND LAW

01225 428 072; www.woodhouseandlaw.co.uk

How did you get involved in homes and interiors?

My partner, Nick Woodhouse, is a garden designer and we wanted to create a design company that would work alongside clients to create schemes with a strong cohesion between indoor and outdoor spaces.

What is it that you love about your job?

We have a very talented team and I love to work with them and our clients to produce unique, personal schemes. Whether that involves sourcing new and exciting products or designing a scheme around an unusual collection of art,  it’s lovely to see people so excited and pleased to spend time in a space that you’ve designed.

Do you have a signature style?

No, we don’t – we have worked on everything from contemporary Scandinavian schemes to off-beat English country houses.

How do you approach each project?

We approach every brief differently and with fresh eyes; this ensures that our designs reflect the style and individuality of our clients, as well as measuring up to their lifestyle. This makes our role and our work much more varied and exciting.

What’s the client feedback like?

Sherborne 28 Cheap Street, DT9 3PX

JAMIE WATKINS AND TOM KENNEDY

CO-FOUNDERS, DIVINE SAVAGES

www.divinesavages.com

What do you specialise in?

Here at Divine Savages, we take inspiration from history, culture, fashion, and the natural world to create an eclectic mix of influences. We are known for our bold and adventurous design, playful pattern, and personalitydriven prints with our signature divine and savage twist. We are proud to create British made wallpapers, fabrics and home accessories, focusing on small-batch production with our British suppliers to create beautiful heirloom pieces for your home.

Tell us about one incredibly original or creative project Divine Savages have been involved with…

Our clients often say they like working with us because we really listen and respond with creativity and practicality.  So much so that in some cases, we have worked on as many as six projects for the same family.

Divine Savages joined forces with London’s Natural History Museum to design their first ever wallpaper collection. We wanted to create a collection that celebrated centuries of natural history exploration, and to help inspire a love for the world we inhabit. Two of the latest designs in this collection, Little Botanize and The Fierce & The Fabulous are made from 79 per cent renewable fibres and contain zero polyester, helping to make this Divine Savages’ most sustainable wallcovering to date.

What’s on trend for 2023 onwards?

Botanical prints show no sign of going out of style. Surrounding yourself with nature-inspired pattern can help create a happy home, having a positive impact on our mental health and wellbeing. So whether you’re a fan of big, blousy blooms, delicate, fresh florals, or jungleinspired foliage, embrace some botanical prints for your home and bring the outside in.

FOR THE HOME

TR HAYES

TR Hayes has been selling furniture in Bath for over 100 years now and has a reputation for good quality and excellent service, and the handy customer car park makes browsing stress free. ou will find furniture of all sorts, with many major brands featured. There are also well respected curtain and carpet departments. 15-18 London Street, Walcot, Bath BA1 5BX; Tel: 01225 465757; www.trhayes.co.uk

WOOLF INTERIOR ARCHITECTURE & DESIGN

create unique, client-focused contemporary and traditional interiors, valued for their individual, beautifully tailored characterful design. With 25 years of expertise delivering space planning, detailed design, procurement, art curation and project management. An award-winning practice with studios in Bath & London, WOOLF are accredited designers of historic, period, listed houses and hotels. Tel 01225 445670; woolfinterior.com

MENDIP FIREPLACES BATH

Bath’s leading fireplace, wood burner, gas fire, chimney and flue specialist. From classic to contemporary, concept to completion, their team of experts can work with you to achieve your perfect interior. Brands include Chesney’s, Barbas Belfires, Hwam, Stuv and etmaster. Get in touch or visit the showroom. Mendip Fireplaces, Monkton Combe, at in o@mendi re a es at o

Tel: 01225 722706; www.mendipfireplacesbath.co.uk

CHEVERELL

Cheverell is set in the heart of Wiltshire with a stunning showroom and workshop, offering a full bespoke design, manufacturing and installation service in kitchens, bedrooms, and interiors. Established in 1989 it has over 30 years of experience to guide you through the whole process. Cheverell, Waller Road, Hopton Park, Devizes, Wiltshire SN10 2GH; Tel: 01380 722722; www.cheverell.co.uk

BROADLEAF

Broadleaf are the UK’s leading manufacturer and retailer of beautiful wood flooring, with a uni ue and unrivalled range of solid and engineered plank and parquet. Open since 2022 their extensive Bath showroom showcases the complete collection. Visit their expert, friendly team to find inspiration, discuss your project and pick up samples. 134 – 136 Walcot St; 01225 463464; www.broadleaftimber.com

CLAIR STRONG INTERIOR DESIGN

Clair Strong Interior Design is a boutique, creative company based in Bath, providing a wide range of services for both residential and commercial clients. Her portfolio of projects includes the design, project coordination and sourcing for some of Bath’s most beautiful residences, as well as hotels, sports clubs, o ces and other commercial venues. Contact Clair on 07855 797311 or 01225 690019; www.clairstrong.co.uk

NEXUS OF BATH is a Bath based family business specialising in painting and decorating, plastering, tiling, sash window restoration and other property restoration. Nexus have built a reputation for the highest standards of workmanship with experience across a range of projects from listed buildings through to new builds, with a complete commitment to customer service and health and safety

Tel: 01225 300414; www.nexusofbath.co.uk

PERFECT ROOMS

Originally from Perth in Scotland, Perfect Rooms owner, Sue, is a creative interior designer by heart with an enviable eye for detail. Passionate about creating new schemes that are designed to impress, she has a portfolio of clients up and down the country that cannot speak highly enough of her incredible work. To arrange a consultation for interior design services, do not hesitate to get in touch.

Tel: 01249 716445; www.perfectrooms.co.uk

PLUSHH:

Guarantee outstanding build uality, top class project management and truly amazing customer care. Specialising in the domestic market, from concept to completion. Their expertise covers all aspects of building refurbishment, renovation and outstanding property maintenance packages. Tel: 01225 767148; www.plushhrestoration.co.uk

Our local businesses are poised and ready to help with all your home needs for Summer

MARÍA CRISTINA

LÓPEZ GARCÍA

How a little piece of Spanish culture has been brought to Bath…

María Cristina López García is also known as La Flamenquita of Bath, and is a flamenco dancer, performance artist and teacher. Originally from Madrid, she arrived in Bath 14 years ago, with the aim of developing her teaching career. She now teaches flamenco full time at various venues in Bath, including Widcombe Social Club and the Percy Community Centre, as well as performing at events and parties.

I grew up in the suburbs of Madrid, the oldest of four children. I spent a lot of my childhood staying with my ‘campesinos’, my grandparents in the countryside. It was a traditional upbringing. I went to University in Madrid, where I obtained a bachelor’s degree in teaching, and, after graduating, I worked as a teacher in the city.

As a child I was dancing a lot, but I have a very special memory from when I was a teen

and I performed mor r o by Manuel de Falla. I can still see myself in the middle of the stage with a red dress, absolutely immersed in the music. This is a standout memory for me. It left me with a burning desire to become a dancer.

I met Dr. Margarida Dolan, a fellow teacher who was in Madrid at the time, and who invited me to visit her here in Bath. I immediately fell in love with the city and instantly felt at home. All this happened in the summer of 2009 and I haven’t looked back since.

When I came to England, I could not speak a word of English. But within a year, I was working in education, first as a nursery practitioner and then in a primary school, secondary, and other special schools as well. And none of these roles involved teaching Spanish!

I run flamenco classes for all abilities and ages. I currently have a mixed class of ten with mums and children and other adults at a beginners’ level. There is also an intermediate group of people of all ages and abilities, who have been dancing a bit longer. I teach them how to play castañuelas (castanets), a traditional instrument in Spanish dance culture.

When performing flamenco, there is a total connection with the musicians and it is even possible to forget that there is an audience…until the applause starts, that is!

My biggest achievement in life was coming to England, as I grew emotionally, personally and professionally.

I would love to create a Hispanic cultural space in Bath, a place where everything I already do comes together: Spanish conversation, Latin and Flamenco classes, dancing and playing music, performances, cultural, intellectual and artistic events, and activities involving food and drinks.

I go back to Spain at least twice a year to see my family and friends. I am from Madrid, and I love Spain in general. There are many cities and places that are beautiful. The culture always involves cuisine and traditions – these are two of the aspects that have stayed with me.

I don’t miss many things from Spain but yes, I miss something quite important: the sun and the warmer temperatures. n

or more www aflamen ita o

“When performing flamenco, there is a total connection with the musicians”

Old Apple