Bristol Life - Issue 288 by MediaClash

We’re all in this Together

ISSUE 288 / SEPTEMBER 2020 / £3

ISSUE 288 / SEPTEMBER 2020 / HANG ON IN THERE, BRISTOL!

#Bristol Together

We’re , K C A B baby!

We got locked down. We got up again.

EDITOR’S LETTER

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ristol! Everyone! How’s it going? Actually, that’s a rhetorical question. We may have been out of the game for a while, but we didn’t take our eyes off the ball for one minute. We’ve been with you every step of the way, watching from the sidelines as you navigated the challenges of lockdown, then edged your way back into the light. We’ve applauded your compassionate initiatives to help the most vulnerable people in the city; we can never adequately thank all our key workers and frontline staff, but we also want to give a massive thumbs up to the hospitality sector for its generosity and kindness. Turns out that not all heroes wear a cape; some wear chef ’s whites. And though our magazine staff have been furloughed, our events team have brought you business clubs and webinars – we’ve even held our Bristol Life Awards, online. We’ve stayed connected. We’re match-ready. We’re not going to dwell too heavily on what’s been and gone; instead, we’re here to cheerlead you as you reopen your doors and welcome us back in again. We know it’s so much harder than it used to be, and we’re here to help, if it’s only to give you a voice. Has the cornona cloud come with any silver linings? I’m inclined to say yes. Many of us have learned new business skills, made positive lifestyle changes, spent more time with family, and learned to really appreciate seeing people in real life instead of via the soul-sucking portals of Zoom. We may have been socially distanced, but in some ways it’s made us closer than ever. It’s lovely to be back. Here’s a magazine.

DERI ROBINS Timorous Beasties; designed for the brave

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Issue 288 / September 2020 COVER Colin Moody takes us by the hand and leads us up the Gloucester Road

INTERIORS

14 THE WAY WE LIVE NOW Our homes have never

been more important

THE ARTS

33 ART PAGE It takes more than a global epidemic to

keep Upfest down

34 WHAT’S ON We don’t know about other cities, but

against all odds, the Bristol arts scene is rocking

38 FILM The grand old silverback of broadcasting takes

centre stage in a new movie

42 ART The Andy Warhol of Marrakech 47 THEATRE Bristol digital theatre – nobody does it

better, says Jamie

49 BOOKS Storysmith want us to explore new horizons 50 THE GREAT BRISTOL HIGH STREET

Colin’s second book on ‘places that matter in Bristol’ carries a plea: support your local indies

FOOD & DRINK

58 RESTAURANT We’ve been breaking bread

(focaccia) up on the Downs

62 FOOD AND DRINK NEWS News from our

hospitality heroes

61 CAFÉ SOCIETY While the world pressed pause,

Stan drank coﬀee and carried on

SHOPPING

65 SHOP INTRO A bulletin from the home oﬃce 66 EDITOR’S CHOICE Best wfh buys 69 FASHION Milly catches The Wave

LIFESTYLE

70 GARDENING Plotting ahead 76 HEALTH AND BEAUTY Lockdown locks, courtesy

of Hair at 58

EDUCATION

78 SCHOOL’S IN New term, new rules

PROPERTY @DEBBIE63

89 SHOWCASE A divine conversion

REGULARS

8 SPOTLIGHT 11 BRIZZOGRAM 83 BRISTOLWORKS

Editor Deri Robins deri.robins@mediaclash.co.uk Senior art editor Andrew Richmond Graphic design Megan Allison Cover design Trevor Gilham Contributors Mal Rogers, Colin Moody, Stan Cullimore, Milly Vaughan, Jamie Rees Advertising manager Neil Snow neil.snow@mediaclash.co.uk New business manager Craig Wallberg craig.wallberg@mediaclash.co.uk Account manager Jake Horwood jake.horwood@mediaclash.co.uk Production/distribution manager Sarah Kingston sarah.kingston@ mediaclash.co.uk Deputy production manager/production designer Kirstie Howe kirstie.howe@mediaclash.co.uk Chief executive Jane Ingham jane.ingham@mediaclash. co.uk Chief executive Greg Ingham greg.ingham@mediaclash.co.uk Bristol Life MediaClash, Circus Mews House, Circus Mews, Bath BA1 2PW 01225 475800 www.mediaclash.co.uk @The MediaClash © All rights reserved. May not be reproduced without written permission of MediaClash. We’re a Bath-based publisher, creative agency and event organiser Magazines Our portfolio of regional magazines celebrates the best of local living: Bath, Bristol, Cardiff and Exeter. We also publish foodie mag Crumbs (www.crumbsmag.com, @CrumbsMag. Agency From the design and build of websites to digital marketing and creating company magazines, we can help. Events We create, market, promote and operate a wide variety of events both for MediaClash and our clients Contact: info@mediaclash.co.uk

www.mediaclash.co.uk I BRISTOL LIFE I 7

SPOTLIGHT

Art

GARRET FASHION Photography

CHILD’S PLAY

Esther May Campbell’s CV makes everyone else’s look a bit halfhearted. Now based in Bristol, she’s a BAFTA-winning filmmaker, TV director and writer – and an extraordinarily talented photographer. Her latest project, Scrapbook, is a citywide photographic exhibition and book born from a collaboration with children attending the weekly photo club at St Paul’s Adventure Playground. Over the course of a year, Esther and the children explored the way that the spirit of play can evolve into an inspiration for living, capturing the risks and joys of throwing yourself into the world of discovery and imagination. “Scrapbook is a testament to the infinite qualities of mucking around,” says Esther. “It’s a portal into the telling world of child’s play, upside-downing, risk, creation, kinship, destruction, art, and story, as the world keeps on spinning.” More in our next issue; in the meantime look out for the photos displayed on billboards across the city, until 21 September. Scrapbook costs £20; all profits from the book will go to the ongoing work at St Paul’s Adventure Playground. Buy a copy at apeproject.enthuse.com

Community

LIGHTBULB MOMENT

Remember this? The Cheers Drive sign that made us all smile at last year’s Bristol Light Festival has now been installed permanently at Marlborough Street bus station, as a gesture of thanks to the key workers. The festival plans to return in February 2021, and we’re all invited to vote for the next Bristol phrase to be illuminated. It has to be Proper Job, surely? Get nominating at Twitter, tagging @bristol_light bristollightfestival.org

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Although Bristol professes a connection to quite a few dead literary giants, the majority of the claims verge on the tenuous. Thomas Chatterton, on the other hand, was our boy through and through. Born in 1752 in a house opposite St Mary Redcliffe, Thomas was a dreamy, precocious child. Fascinated by the mediaeval manuscripts he found in the church, he began to write his own verses under the alias of an imaginary 15th-century monk. Call them hommage, call them fakes; either way, the poems of ‘Thomas Rowley’ managed to fool the literati of the day . Hoping to further his career, Chatterton set off for London in 1970. Success eluded him, and at the age of 17 he took a fatal dose of arsenic in his garret room. Accident or suicide? Either way, within a few years he’d become the poster boy for the new Romantic and Pre-Raphaelite movements; a symbol of suicide, tragic youth and neglected genius. Wordsworth called him “the marvellous boy”; Keats, the “dear child of sorrow”. Although Chatterton is now regarded as the first Romantic, few people could quote a line of his work today. Is it time to reclaim the boy poet’s reputation? A good place to start might be at RWA, who are marking the 250th anniversary of his death by showing Henry Wallis’s Chatterton; a painting that caused a sensation when it was first exhibited in 1856 and still has the power to shock. Accompanying the exhibition is A Poetic City, a programme that aims to highlight Chatterton’s links to the city. Fun fact: the model the artists used for Chatterton was the young George Meredith, himself a well-known novelist and poet. Two years later, Meredith’s wife ran off with Wallis; but that’s another story. Furious, Wild and Young: The Death of Chatterton shows at RWA between 7-18 October 2020. On loan from Tate Britain. More info at rwa.org.uk

Yet more art

WELCOME TO THE PLEASURE DOME

Few artists have done more for Bristol’s visual pleasure than artist Luke Jerram, whose new work, Palm Temple, is now on permanent display outside Bristol Uni’s Chemistry Department. Originally commissioned for the 600th anniversary of the dome of Florence Cathedral, Luke’s spiralling dome is cut in half; the two halves are placed in parallel, like palms of a hand coming together in contemplation of nature. Suspended in the dome, an Extinction Bell tolls 150-200 times a day to indicate the number of species lost worldwide every 24 hours. Visitors can walk through the artwork, enjoying the shifting light and spectacular reflections in the mirrored floor as it reflects the dome above. Instagram, you will be unamazed to hear, has gone absolutely nuts for it. lukejerram.com

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Email: Showroom@bristol.kutchenhaus.co.uk Tel: 0117 213 0497

S T O R E S N AT I O N W I D E

SPOTLIGHT

THE DAYS THE EARTH STOOD STILL In spring and early summer the city became a ghost town. High streets, shopping malls, restaurants, cafés, pubs and parks all stood eerily empty, silent as film sets, waiting for some unseen director to call ‘action!’. Here’s a souvenir of the strangeness; keep this page to show to your grandkids, when you tell them about the year 2020 . . .

@colinraynerphotography

@simonholliday

@b.isabella27

@sarahginnphoto

@istolethursday

@bristol_image_factory

@bristolcathedral

@mo_rvelous

@justin_grimwood

@sheren.wyatt

www.mediaclash.co.uk I BRISTOL LIFE I 11

6 Eldonwall Trading Estate, Bristol BS4 3QQ

BRISTOL’S LEADING INDEPENDENT BATHROOM AND TILE SPECIALIST Within our large showroom we showcase the industry’s leading brands and more importantly we have an experienced, warm and friendly team to help you choose your dream bathroom. With over 30 Five Star Google and Facebook reviews come see what the fuss is about! * This image is a typical showroom display at The Tile And Bathroom Warehouse Ltd

Email: sales@ttabw.co.uk | Telephone: 01179 770011 b

INTERIORS

THE WAY WE LIVE NOW

At the beginning of 2020, fired up by the prospect of a new decade, we published our confident predictions for the year ahead – including the way we thought we’d all be decorating our homes. Well, you know what they say: if you want to make the universe laugh, tell it your plans… Words by Deri Robins

eanwhile, over in the rarefied world of interiors, Dulux announced that its Colour of the Year would be Tranquil Dawn. This hue, they said, encapsulated “the nation’s mood on the approach of a new decade,” offering the perfect antidote to an “increasingly disconnected” modern society. We did think at the time that this seemed rather a lot to expect from a slightly wishy-washy, greeny-grey coloured paint, but we played along. Soon after we’d gone to press, an obscure bug brought the whole planet to a grinding halt, and daily life turned into science fiction. Covid ‘disconnected’ us all in a way we could never have imagined, and this time not even Tranquil Dawn could save us. Still, at least our walls were a nicer colour for the Zoom chats. Fast-forward to September 2020, when the tide is gradually beginning to turn. Restaurants, cafés, shops, salons and galleries are reopening; we’re able to meet up with family and friends, at least to some extent. We’re slowly getting connected again; with a bit of luck, we may end up even more connected than before, or at least a little more compassionate. It feels as if we’re more aware of one another, at least, these days. One of the most interesting legacies of Covid is that hundreds of thousands of workers have discovered that it’s entirely possible to do their jobs perfectly well, perhaps even better, from home. What may

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have begun as contingent solution may well translate into a permanent new way of living; the non-commute is better for the planet, less timewasting for workers, and probably healthier all round. It might even turn out to be cheaper for business owners, too, as that quaint and costly pre-Covid construct ‘the office’ becomes redundant. Partly due to this seismic shift in working styles, and partly because we’re still not going out to socialise anything like as much as we used to, there’s never been a time when our homes have felt more important. When it feels as if the whole world has spiralled out of control, we need a refuge. A sanctuary, in which we can retreat from all the craziness. Perhaps you feel that the times are too uncertain to splash out on a major overhaul; we get that. On the other hand, if you budgeted for a holiday that went up the spout this summer, you may decide to put the cash towards a room makeover instead; a proper home office, perhaps, with a cool little Bauhaus desk, a mid-century swivel chair and an original 1227 Anglepoise lamp. To be honest, they’ll give you far more lasting pleasure than a tan from Marbella. No wonder interior designers report that they’ve never been busier, but they’ve still kindly found time to answer the pressing questions of the day. Are florals in or out? Is grandmillennial the same as retro fusion? Do we really have to do the terrazzo thing? Is rattan back? Whither bouclé? And why are we still so obsessed with Nordic chic? For the answers to some of the above, and much more, read on…

“Covid disconnected us all – and this time not even a fresh coat of Tranquil Dawn could save us”

INTERIORS

NORDIC RETREAT

Our love for all things Nordic is more deep-rooted than ever: what could be more soothing in these weird times than a chilled-out, hyggetastic haven in which to rest, regenerate, and if we’re allowed, socialise? It’s a wildly liveable look, in which uncluttered interiors are layered up with natural textures: sheepskin rugs, soft knits, fringed cushions, rattan light shades, pale wooden furniture and jute rugs. “It’s simple and timeless; but you need to be careful not to go too minimal, as you’ll risk making the room look cold and uninviting,” advises Sarah Bailey of SJP Interiors. And sure enough, this year has seen a move away from the classic, rather stark, white Scandi palette; the new look is gentler and warmer, with walls in soft pinks and nudes. Look out, too, for new sub-trend Japandi: a hybrid of Japanese and Scandinavian style that combines the cosiness of hygge with Japanese feng shui and minimalism; for example, by mixing a low, simple Japanese-style bed with piles of pillows and cosy blankets.

GO GREEN OR GO HOME

Page 15 Norwegian? Would. Cole & Sons paper from Bracey Interiors

SHOPPING LIST

1. Delicate twiggery; Rebel Walls (at Bracey Interiors) 2. Ikea were so keen to show us this hyggelicious roomset that they forgot to make the bed 3. Sheepskin, Midgley Green, £80 4. Hey basket, BoConcept, £60 5. Gamlehult footstool, Ikea, £60

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Already a big trend pre-Covid, eco-aware, sustainable design is more in demand than ever as we seek a greater connection to nature. We’re craving the tactile joys of handmade objects, natural textures, imperfect materials such as weathered woods and stone, in rooms full of bleached, faded hues, natural pigments and timeworn patinas. We’re liking our leather sofas distressed; we’re rekindling our love of bamboo, rattan and wicker. We want furniture and fixtures with a conscience; we’re upcycling whenever we can. And if we want to make it all a bit edgier, we’re mixing in some vintage, mid-century or modern bits and pieces, too.

GRANDMILLENNIAL

Last year we were calling it retro fusion; now it’s evolved into grandmillennial. Both add up to much the same thing: combining upcycled period furniture in a careful and considered way, mixing vintage and modern to an eclectic yet stylish effect. Careful how you go, though; too much midcentury and you’ll find yourself living in a Terence Rattigan stage set. The trick is to merge eras and styles. Mix the greens, browns and mustards beloved of the 1970s with the scalloped shapes of Deco, with a smattering of Danish 1950s design, hand-medowns from your nan’s house (foxed mirrors, wicker, chintz and needlepoint, tassels and chinoiserie etc), in an otherwise modern room. As well as being environmentally friendly, your home will never look exactly like anyone else’s; it’s like going to a party in a vintage frock when everyone else turns up in Reiss. “I’m always on the lookout for that piece that we can upcycle and give a new lease of life,” says Kay James of K Interiors. “Clients are more interested than ever in the footprint of interiors, and shopping local is so now.” “Upcycling, mixing old and new is big for 2020, as so many people are looking to save costs,” agrees David Hutton. “I often keep an eye on online auctions and find that old furniture is making a comeback, as prices seem to be creeping up.”

1 2

1. Kay James loves these lampshades, £180, from Molts Lighting 2. Poirot chair, from £730, Arlo & Jacob 3. Aloe Humilis living plant, £3.45, Mila Plants 4. Tropical Forest tray, £14, Bristol Artisan

SHOPPING LIST

1. Rebel Walls (from Bracey) team a modern abstract paper with midcentury furniture 2. Green majolica jardiniere, £240, Dig Haüshizzle 3. Victoria Taylor sells gorgeouslly upcylced pieces; find her at her Etsy shop, Handsome Vintage

SHOPPING LIST

BIOPHILIA

In a similar vein, foliage is still everywhere, with ﬂoral and leafy motifs blooming across cushions, sofas, curtains and wallpapers. We’re even unearthing our long-abandoned copy of The House Plant Expert as we try to persuade cactuses and monsteras not to die on us; spider plants can’t believe their luck as they bask in their biggest popularity resurgence since the 1970s. “As 2020 progresses we will continue to bring the elements of the natural world into our interiors to encourage personal growth as well as evoking a feeling of calm and protection,” predicts Joa Studholme of Farrow and Ball.

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HOLDING PATTERNS

The modern interiors scene is always a bit yin and yang, and in contrast to the restrained Nordic styles we’re also seeing a shift towards a more flamboyant décor. You can go as bold as you dare; and we’re not talking a timid feature wall here or there, either; we’re covering whole rooms with blousy/jazzy designs. Sometimes we’re even taking it up across the ceilings. Some patterns embrace abstract expressionism; the fun, free-spirited interiors trend that steals from abstract artwork, hand-drawn sketches and line drawings (that’ll be all those Cocteau and Matisse-style faces we’ve been seeing on cushions, then), with playful blocks of colour and bold design. At the traditional end of the spectrum are the florals; these have been big (literally) for a while, but now we’re seeing them with a more delicate, nostalgic, even old-fashioned feel, with finely drawn outlines; this needn’t mean chintz (though it can), as many designers interpret the trend in a decidedly modern, thoroughly in-your-face way. “Clients are becoming more adventurous,” says Alison of Bracey Interiors. “It’s interesting to see the influence of old archived designs; these are coming back into production, sometimes recoloured to make them more relevant to today’s clients. I’m loving the re-emergence of classic designs with a contemporary twist.” 2

SHOPPING LIST 5

HUE GOES THERE?

Looking for the easiest and cheapest makeover in the book? Change up the colours. “I think we’ll either be seeing moody autumnal and jewel shades, or dusty pinks and smoky blues,” predicts Alison Bracey. “Mustard seems to be prominent, too; it’s versatile, and works well with a green, rust or blue palette.” “Greens continue to reinforce our connection with nature, which is even more important post-lockdown,” says Joa Studholme of Farrow and Ball, “but the natural palette has expanded, as we look to bring in warmer tones to add personality and elegance while remaining

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comfortable. Surrender to the urge to escape and ﬁnd refuge in the beauty of nature by using the colours of the earth, from mushroom tones to moodier India Yellow” Laura Reynolds of kitchen designers Fifteen Twelve is also loving the green hues and earthy tones. “They’re a great way of bringing in the outdoors, and they complement the period properties of Bristol beautifully.” (That said, navy Shaker kitchens are also in big demand). “Over at K Interiors we have always been Team Colour, even through the beige and grey days, but it’s great to see colour being embraced by the nation,” says Kay James. “The rich

1. Didn’t make it to Andalucia this year? This Cole & Sons ‘Seville’ wallpaper from Bracey will have you hearing the distant click of castanets 2. The never-knowingly undersubtle Timorous Beasties 3. House Doctor face cushion, £36, Mon Pote 4. Bleeker knitted cushion, £44, Truce 5. A subtle take on the floral theme: the Jangal range from Paint and Paper Library, at Bracey

jewelled colours and primary pops are still going strong but there’s also been a shift in the neutral tones from the greys to warmer tones such as blush and sand tones.” “For AW20 we’re seeing a lot more terracotta, clay and rust colours coming through,” says Charlie Marshall of Loaf. “We don’t focus too much on trends, but opt more for lasting style. The same goes for colour; to stand the test of time it doesn’t need to be trendy, but it should be stylish. People are becoming more adventurous in their homes. A few years ago it was all about neutrals but with sites like Pinterest and Instagram, it’s easier to get bolder colours right.”

INTERIORS

THE HOME OFFICE 1

BATHROOMS

“Spa bathrooms are becoming increasingly popular,” says Neil Curtis of Ripples. “Clients are looking to create their own, unique getaway, somewhere they can float away from the chaos of the current world. Colourwise, white and black bathrooms are on Neil’s radar. “Expect to see more white brassware and muted black tones, such as dark slate tiles, and textured finishes on taps and showers, like brushed onyx or gunmetal grey. I also love the fluted glass shower screens; they are stylish, modest and introduce a soft vintage feel.”

“Home offices are definitely the buzz word,” says Alison Bracey, who says that the key elements are sufficient desk space and storage, with colours creating a welcoming and calming environment. Laura of Fifteen Twelve says that keeping clutter down is key. “My advice would be a good set of drawers underneath the desk, as well as a wall cupboard above. Add an old candle holder for pens and a simple jar with flowers to bring nature to the table.” “The space needs to motivate you,” says Sarah of SJP. “A view, if possible, and lots of light, otherwise you’ll end up back at the kitchen table. If you don’t have much natural light then make the lighting really good; if you don’t have an inspirational view then create one with a mural or wallpaper or pictures that inspire you.” “It’s very important that your office doesn’t take over the home,” says Linda Pålemo of Rebel Walls. “If you don’t have your own room for an office, try to clear away all of your work things by the end of the day. Turn off everything and ‘go home’, just as you normally would. If you do have an office room, perhaps try creating a different style, so it feels separate from the rest of the house.” “By using colour and pattern, you can create a space for creativity and focus that helps to aid your concentration,” says Ruth Mottershead of Little Greene (available from Nola Interiors). “Perhaps use one bold, bright colour all over for vibrant impact, or select a more neutral tone, so you introduce a colour highlight on the skirting boards or woodwork.” Finally, “Make sure it’s far away from the fridge and near a window!” says Paul Simmons of Timorous Beasties. 2

SHOPPING LIST

All of a sudden, white sinks look unacceptably boring... Sam Lander for Ripples, £1,109

1. Rebel Walls list this Nordic Valley design in their kids’ rooms section, but we want it on our office wall. From Bracey 2. Vitra ball clock, POA from Oskar Furniture 3. Beautiful solid oak desk with a touch of Deco, from Loaf; £495. More bulletins from the home office on pages 65-67

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INTERIORS

THE LIST BATHROOMS & KITCHENS

TD Cole

Unit 9, Bristol Vale Industrial Estate fifteentwelve.co.uk

Urbane Eco

Fifteen Twelve

JMI Bathrooms

tdcole.co.uk 15 Avon Valley Business Park urbane-eco.co.uk

52 Bristol Hill; jmibathrooms.co.uk

CARPETS & FLOORING

Kellaway Bathrooms

278-280 Gloucester Road conrancarpetsltd@gmail.com

HOME INTERIORS

Eden Hardwood Flooring

15 Perry Road; fancy-plants.co.uk

172-174 Kellaway Avenue kellawaybathrooms.co.uk Kutchenhaus

Unit 11, Clifton Down, Shopping Centre; kutchenhaus.co.uk Nailsea Electrical

102 Gloucester Road nailseaelectricalonline.co.uk Ripples

88 Whiteladies Road ripplesbathrooms.com Schmidt

170-172 Whiteladies Road home-design.schmidt Sustainable Kitchens

Unit D4, Avondale Works sustainablekitchens.co.uk The Tile and Bathroom Warehouse

6 Eldon Way thetileandbathroomwarehouse.com Wren

Cribbs Causeway Retail Park wrenkitchens.com

BUILDING CONTRACTORS Bristol Roofing

Unit 7, Bakers park bristol-roofing.com Build Bristol

buildbristol.com HAL Group

halgroup.co.uk

Conran Carpets

edenhardwoodflooring.co.uk Kustom Floors

6 Downend Road kustomfloorsandfurniture.co.uk

Ikea

TME Interiors

tmeinteriors.co.uk Wuffles

@wufflesdesign on instagram

justshutters.co.uk

4B Avondale Works bristollightingcompany.com

The Old Coachworks, Unit 1A, Bath Road; thecarpetbarn.co.uk

Red Dog Glass Design

Parkway Lighting

FURNITURE

INTERIOR DESIGNERS

94C Whiteladies Road arloandjacob.com

Waterloo Street; braceyinteriors.co.uk Unit 2, Bedminster Retail Park thelightingstudiobristol.co.uk

The Carpet Barn

Arlo & Jacob

Bo Concept

51-53 Merchant Street boconcept.com

reddogglassdesign.com Bracey Interiors David Hutton

17 Druid Hill davidhuttoninteriors.co.uk Fawn Interiors

Bristol Lighting Company

343-347 Fishponds Road parkway-lighting.co.uk The Lighting Studio

PLUMBING & HEATING

360 Heating and Plumbing

360-propertysolutions.co.uk

Unit 4.6, Paintworks fawninteriors.co

Bristol Boiler Company

Goodchild Interiors

Embers

Cribbs Causeway; loaf.com

34 Berkeley House goodchildinteriors.net

Mobel

K-Interiors

Kindle Stoves

Park Furnishers

Main Interiors

Husk

Unit 9, Montpelier Central Trading Estate; madebyhusk.com Loaf Furniture

14 Redcross Street; thisismobel.com Willway Street; parkfurnishers.co.uk Raft Furniture

68 Whiteladies Road raftfurniture.co.uk South West Upholstery

Young & Norgate

mobiusworks.co.uk

Brunel Rooms, Straight Street gardinerhaskins.co.uk

stylemongersofbristol.co.uk

Just Shutters

JAS Building Mobius

Gardiner Haskins

Stylemongers

LIGHTING

Bookbarn International orientalrugsofbath.com

Henleaze House; heads-apart.co.uk jasbuildingservices.co.uk

Fancy Plants

Eastgate Shopping Centre; ikea.com

Oriental Rugs

62-64 The Mall, Clifton swupholstery.co.uk

Heads Apart

Rebel Walls, at Bracey

Unit 10, Montpelier Central Trading Estate youngandnorgate.com

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23 Highdale Road; k-interiors.co.uk 384 Gloucester Road maininteriordesign.com Nola Interiors

168 Gloucester Road nolainteriors-bristol.co.uk SJP Interior Design

36 The Mall; sjpinteriordesign.co.uk Studio Cwtch

9 Bath Buildings, Montpelier studiocwtch-uk.com

50 North Street; bristolboiler.co.uk 117-119 St Georges Street embersbristol.com Glenavon Farm, Bath Road kindlestoves.co.uk Star Plumbing

15 Kenn Court starplumbingsupplies.co.uk

WINDOWS AND DOORS Bristol Windows

177 South Liberty Lane bristolwindowsltd.co.uk Polar Bear Windows

Jarretts Garden Centre polarbearwindows.co.uk Timber Windows

29 The Mall, Clifton timberwindows.com

Ever wished you were a bit braver with your home decor? Do you love the idea of incorporating bright colours or bold patterns into your interiors but have no idea where to start? Or do you have a niggling design dilemma that’s stopping you getting to grips with a room? Book an Inspire Session with me to help get your brain ﬁzzing with ingenious ideas and stylish solutions you won’t have thought of before. Want to know more?

kay@k-interiors.co.uk | www.k-interiors.co.uk

Call for a free phone consultation: 07906 167 710

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Battle of the bathrooms Pretty in pink or colour pop? Swiss bathroom designer GEBERIT, is on a mission to transform the country’s cloakrooms, washrooms and en-suites from boring and beige to bright and beautiful

o help us get inspired, they’ve teamed up with interiors experts, TV presenter Sophie Robinson and best-selling author and journalist Kate Watson-Smyth, to show us how we can get creative and stamp our own signature style on our space. The challenge? Take one bathroom and transform into two very different and unique rooms. Using the same ceramics and furniture – Geberit’s sleek Acanto bathroom collection in black, state-of-the-art AquaClean Mera shower toilet and luxury flush plates – the interior specialists have gone head to head to create their own striking space. But which bathroom do you prefer?

COLOUR POP Renowned for her colour revolution ethos, Sophie has designed a colour pop bathroom, using contrasting colours such as cobalt blue, pastel pink and sunshine yellow. These bold colours are complemented with a striking chequered floor and playful wallpaper, tying the look together with the black and white of the Geberit furniture and ceramics. Sophie injects even more personality to the space with fun finishing touches – funky plant pots, textured rugs and interesting ornaments on shelves.

PRETTY IN PINK (AND YELLOW) Kate has transformed the same space into a dreamy pretty-in-pink (and yellow) haven, using an eclectic mix of soft shapes and vintage

accessories set against a pastel palette. Rounded mirrors and scallop shapes throughout the room help soften the hard surfaces and straight lines of most bathrooms. A combination of upcycled accessories and unusual artwork bring texture and character to the space, from rustic wooden stools, glass jars of potpourri and even an old school radio. And don’t forget those houseplants to help bring the outdoors in... n

For more bathroom inspiration and to find your nearest Geberit retailer visit www.geberit.co.uk/southwest www.mediaclash.co.uk I BRISTOL LIFE I 23

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Fancy Plants Check out the jungle in the city...

beautiful houseplant can transform a dreary corner or a dull desk space, but they do so much more. They oxygenate our air, improve our productivity and just make us feel better about our environment. If you don’t believe us, just step into Fancy Plants on Perry Road, just along from the BRI. It is a real jungle in the city, stocking plants from the tiniest cacti and succulents to the largest palms and birds of paradise. Here are just a few of our top tips when it comes to choosing and looking after your plants. When you are choosing a new plant, think about its natural habitat when you are deciding which one is right for your home or office... A cheese plant (Monstera deliciosa) is a great example. In its natural habitat in southern Mexico it will use trees for support. So it prefers the indirect or filtered light that it would get in this environment rather than direct sun. Other plants such as Calatheas are

Fancy Plants offer.. • Home and office consultations • Delivery available for larger orders in Bristol • Gift vouchers • A pop up Fancy Plants shop in your office

rainforest floor plants from South America and so they like to be kept lightly damp and in light shade, ideally with some good humidity. South African beauties like birds of paradise (Strelitzia) love to sunbathe. How can you make sure you choose the right plant? If you come and see us at Fancy Plants and need some help to choose, we might ask you to think about where you want the plant to go. Is it in direct sun? A shady spot? Which way does the window in the room face? If you’re not sure, check out the compass on your phone and point it at the window. We might ask you if your house is draughty or warm and even if you have pets or children, as some plants are not great for a nibbling puppy or a curious toddler. Lots of our customers bring photos of the room they want a plant for; we love this, as it helps us recommend the best plant for the space. Can you get rid of the plastic pot and put it in something more attractive? We all love a nice pot to show off our plants and at Fancy Plants we have a big selection of pots and baskets. But whatever you do, don’t take it out of it’s plastic pot unless you are putting it into another pot with drainage holes. The water needs to drain away and not sit round the roots for too long to avoid root rot. At Fancy Plants we reuse plastic pots where possible so pop by to pick up a free

recycled pot if you are thinking about repotting. Don’t be tempted to repot in the winter months. The best time for most plants is MaySeptember - and just go up one pot size. ■

Address: 15 Perry Road, Bristol, BS1 5BG Web: www.fancy-plants.co.uk Telephone: 0117 927 3171 Email: sayhello@fancy-plants.co.uk Instagram #hellofancy_plants

www.mediaclash.co.uk I BRISTOL LIFE I 25

ADVERTISING FEATURE

MULTI-FACETED, MULTI-DIMENSIONAL… MULTICOMS is a dynamic company offering a diverse range of reliable and high-quality communication, electronic security and custom audio-visual services to customers in the South-West and beyond. Since launching Multicoms in 2008, directors Matt Trott and Dean Pendry have led with a firm commitment to delivering exceptional tailored installations while ensuring the customer’s experience is second to none

s a premium brand, Multicoms works closely with the award-winning ELAN Home Systems providing smarthome automation. ELAN is intuitive and responsive, connecting electronic systems, whether for security or entertainment, across the home. All devices are controlled by a thoughtfully engineered reliable automation system which can be personalised to the customer’s needs. With this easy to use system you can turn on your home cinema room, dim lights, draw shades and adjust room temperature, all surrounded by perfectly-equalized sound. With ELAN’s home entertainment system, a single command using just your voice and Google Assistant or Amazon Alexa turns your media room into a total cinematic experience – all you have to do is sit back and enjoy the show. ELAN home automation systems run seamlessly alongside your busy everyday schedule, at home or away, by intuitively creating perfect moments of comfort when you’re at home and conserving energy when you’re not. “Home automation brings numerous practical benefits,” explains Dean. “For example, your property’s security systems can be monitored remotely, with notifications of any activity sent live, providing you with security and peace of mind. ELAN turns on smart lighting to greet you when you wake up or return home, and, when you’re ready for bed, it double checks that all lights are off and security is on, keeping your home comfortable and energy-smart without a second thought. Intelligent features automatically anticipate your needs for indoor temperatures, managing shades, heating and cooling systems. Remote access also helps you heat and cool more efficiently, with the ability to turn off systems if you’ll be away for longer than expected. Smart homes are also always more energy efficient. ELAN even provides a detailed history of your energy consumption, enabling you to monitor usage and make informed decisions, all of which has a positive impact on cost and the planet. “However, the biggest benefit of a Smart home is the convenience factor: connecting these devices saves the home owner a great deal of

26 I BRISTOL LIFE I www.mediaclash.co.uk

time. As authorised ELAN installers, our team will talk clients through the entire installation process, syncing every device to the centralised system controller with its intelligent touch panels, face recognition, voice control and elegant product design. All of this can be controlled via your Smartphone, so it has never been easier to manage one’s home smartly ensuring it’s fully optimized, efficient, safe and sound.” As well as full Smart homes, Multicoms specialises in bespoke audiovisual projects. With the growth in popularity of cinema rooms in homes, Multicoms can ensure the best possible audio-visual cinema experience meeting both brief and budget, whether you’re looking for a simple TV mounting, bespoke home cinema or full video wall. Multicoms offers wireless multi-room audio systems using high-end Sonos and Bose audio products for instant streaming of your entire music library anywhere in your home. When it comes to visual, Multicoms’ multi-room video matrix systems are also truly bespoke. Centralised equipment allows distribution of 1080 HD and 4K UHD video content to any screen in your home, giving you complete control of where you watch. Customers are consulted at all stages of a project to ensure that they receive the best possible solution for their requirements. “Its really important to understand what the client is seeking to achieve,” says Matt. “The changes in technology over the last 10 years mean so much is possible now. We pride ourselves on providing seamless, costeffective and bespoke solutions on time and on budget.”

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WELCOME TO THE VINCENT PEGASUS, part of Lifestory, has a desire to transform later living into an aspirational and attractive proposition tailored to a new generation.

e want to welcome you to The Vincent, located in the heart of Bristol. Designed by award-winning architects, Allford Hall Monaghan Morris, the 64 one, two and threebedroom apartments offer an enviable lifestyle in a beautiful development that harnesses its historical past. Our community offers a stylish approach to later living; your own apartment in a place you can truly call home, thanks to an ethos driven by community, exceptional service and wellbeing. Part of our philosophy at Pegasus is to create outstanding homes where Lifestory homeowners

28 I BRISTOL LIFE I www.mediaclash.co.uk

enjoy their independence. The Vincent takes this to a whole new level with interiors that are sympathetic to the development’s history while conveying contemporary elegance and an understated wow factor. The Vincent is perfectly situated in the affluent Redland suburb of Bristol, between Clifton and Westbury Park. Just a few steps from Bristol’s Durdham Down, it offers the convenience of a city location with an abundance of green space to explore – that’s in addition to the perfectly landscaped communal gardens right on your doorstep. The beautifully refurbished Queen Victoria House is ready to welcome new owners to join the vibrant community that already exists in

the brand-new Regency-style terrace buildings. Queen Victoria House was originally built in 1886, and has been sympathetically refurbished to preserve its rich heritage and accentuate its unique period features, with the Victorian influence extending to the design of the newly built terraces. The historic clock face at the front of the building has been preserved and, on the top floor, the intricate internal workings have been revealed, creating a striking focal point in the communal space. The Grade II listed obelisk erected by past owner of the then Vincent Lodge, Jacob Wilcox Rickets, in commemoration of Charlotte Augusta, Princess of Wales, still stands in the well cultivated grounds at the heart of the development.

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Stepping into the development, you are greeted by the stunning architectural design of Queen Victoria House, which is linked by a Victorian-inspired arboretum to the clean, sleek new-build terraces, aptly named Charlotte and Jacob, paying homage to the history of the site. Inside, owners benefit from a series of elegant and welcoming shared areas inspired by the luxury hotel industry. Here, you are able to make the most of socialising or entertaining guests in the inviting Owners’ Lounge. The perfect place to catch up with friends and enjoy a glass of wine. A range of events, tailored to the owners will be held here, bringing people together. As you move through reception you are welcomed into the brand-new The Vincent Kitchen, with plenty of seating and doors leading out onto the south terrace. By day, the space is a welcoming café where you can enjoy a morning coffee or catch up with friends over lunch. By evening the space becomes a superb

restaurant serving fresh and delicious locally sourced dishes, the perfect spot for celebrations or a family dinner. As you leave Queen Victoria House you’ll see a walkway leading across the gardens to the spa, gym and stretch studio, offering the opportunity for a relaxing spa weekend – without having to leave home. At the spa, you’ll find a herbal sauna, steam room and hydrotherapy pool surrounded by loungers, leading out onto a terrace. The gym has state-of-the-art equipment catering for all abilities, while the stretch studio hosts numerous exercise classes, including yoga and pilates. For those who are seeking additional luxuries, massages, beauty treatments and therapies can be enjoyed in the spa’s wellness rooms. The apartments offer open-plan living areas, beautiful contemporary kitchens, well-appointed bedrooms and bright, modern bathrooms. The homes in The Vincent enjoy traditional high ceilings and large windows which fill the living spaces with natural light. The Vincent offers exceptional quality

apartments within a secure, thriving community. To view our homes is to discover the exceptionally high specification and high standard of service which owners at The Vincent can expect from the on-site team of Lifehosts and the General Manager. n

To find out more about living at The Vincent or to book a private appointment to view our show homes, call 0117 981 4352 or e mail thevincent@pegasuslife.co.uk. Prices start from £399,999 for a one-bedroom home.

www.mediaclash.co.uk I BRISTOL LIFE I 29

Fifteen Twelve | @ďŹ fteentwelveinterior | 0117 379 0152

THE ARTS S N A P S H O T S O F B R I S T O L’ S C U LT U R A L L I F E

THE ONLY WAY IS UP 2020 may have landed with a gurt big sticker reading CANCELLED slapped across it, but Bristol didn’t earn its reputation as the UK’s smartest, most creative city by meekly accepting the status quo. If there’s a clever way around a problem, Bristol will find it. Enter Virtually Upfest; an online version of the beloved South Bristol street art festival. It’s been designed in a collaboration with Zubr – not, as we first assumed, the name of a graf artist we weren’t cool enough to recognise, but a cutting-edge augmented and virtual reality studio based in Montpelier. Using retro graphics inspired by the 1980s movie Tron, Zubr will create a virtual world that runs from the Upfest gallery down to the Tobacco Factory,. The tour will take in 30 new pieces of art, all specifically commissioned for the virtual world from top UK artists, including many from Bristol. Oh, and more good news: subject to a lot of small-print conditions guaranteed to give Upfest’s Steve Hayles grey hairs, the festival will return in real life to BS3 next summer. All we can do now is spray . . . Virtually Upfest runs 25-27 September, and is compatible with both VR headsets as well as mobile phones and laptops. The portal to Virtually Upfest is via upfest.co.uk www.mediaclash.co.uk I BRISTOL LIFE I 33

WHAT’S ON 18 September18 November

With the galleries open, and theatres streaming online, we think you’ll be amazed at how much is on. Here are a few of the highlights – but in this most unpredictable of years, be prepared for changes to the programme...

Whistleblowers, conspiracy theorists, bystanders and suspects: whose memories can you trust? True life Icelandic noir at RPS

ART

Ongoing

INTERNATIONAL PHOTOGRAPHY EXHIBITION; SUGAR PAPER THEORIES: ONLINE EXHIBITION Royal Photo Society’s gallery is currently closed, but you can view two of their recent exhibitions virtually. The 162nd outing for the world’s longest running photography exhibition showcases the work of 43 international photographers, while the ice-cool Sugar Paper Theories is a true-life Nordic noir as Bristol photographer Jack Latham chronicles the most controversial murder investigation in Icelandic history. rps.org

Until 24 September

THE ART OF ACTION That Art Gallery reopens with an show of worldwide poster art from across the globe; thatartgallery.com

Until 4 October

WILDLIFE PHOTOGRAPHER OF THE YEAR Wild thingies: we still love you. Still gracing the walls of M Shed are the crème de la crème of the world’s wildlife photos; beautiful, disturbing, and thought-provoking in equal measure. bristolmuseums.org.uk

Until I November

HASSAN HAJJAJ: THE PATH Hassan’s colour-bomb of an exhibition finally explodes into the cool space of Arnolfini; see page 42. arnolfini.org.uk

Until 22 November

CHANTAL JOFFE: FOR ESME – WITH LOVE AND SQUALOR Inspired by the Salinger short story, the exhibition captures the changing faces of Chantal and Esme, as they move between mother and daughter, love and squalor, and the act of care and being cared for. arnolﬁni.org.uk

Until 28 February 2021

DO YOU BELIEVE IN MAGIC? Bristol Museum takes a look at the way that magic has been used to heal, hurt and harm down the ages; bristolmuseums.org.uk

24 Sep-20 December

CHRIS KILLIP: THE STATION A vivid photographic document of the style, theatricality and raw energy of the anarcho-punk movement which ﬂourished under Thatcher’s government. martinparrfoundation.org

25-27 September

VIRTUALLY UPFEST: ONLINE EVENT see page 33; upfest.co.uk

34 I BRISTOL LIFE I www.mediaclash.co.uk

2 October-1 November

CENTRE OF GRAVITY Soapworks in Old Market hosts work by over 60 Bristol artists, in a month-long programme of visual arts, performance, talks and events. thesoapworksbristol.co.uk

5 October - 5 April 2021

BEING HUMAN Can art capture what it is to be human? Many notable sculptors have had a go; see the results at Bristol Museum; bristolmuseums.org.uk

7-18 October

FURIOUS, WILD AND YOUNG: THE DEATH OF CHATTERTON Bristol’s boy poet is celebrating his 250th deathaversary, and RWA have managed to get a loan of ‘that’ painting; see page 8. rwa.org.uk

17 October-17 January

DENZIL FORRESTER: ITCHIN & SCRATCHIN Denzil’s paintings capture the vibrant energy of the dimly lit dance halls of 1980s London and today’s open-air clubs of Jamaica; spikeisland.org.uk

14 November-3 March

168 ANNUAL OPEN EXHIBITION The venerable Open returns to RWA for its 168th year with work from emerging and established artists. rwa.org.uk

SHOWS

22-26 September

ROMANTICS ANONYMOUS: ONLINE EVENT Emma Rice’s deliciously romantic musical about breaking the mould and ﬁnding the courage to be happy, streamed live from BOV. It’s classic Ricean territory, ﬁlled with wit, heart, charm and quirk; bristololdvic.org.uk

18-21 November

AKRAM KHAN: CREATURE We’re still swooning over Akram’s 2016 Giselle; now he brings English National Ballet back to the Hippodrome to tell the story of an outsider and his search for belonging. atgtickets.com

COMEDY

26 October, 1 November

ROB BECKETT: WALLOP The Mouth of the South brings his new show and his dazzling teeth to Hippodrome; atgtickets.com

27 September

SLAPSTICK’S BIG COMEDY NIGHT IN: ONLINE EVENT Bristol’s beloved classic comedy festival needs our support more than ever if it’s going to survive, and a hugely impressive roster of celebrities have thrown their weight behind this special fundraising event.

WHAT’S ON WELCOME BACK, WATERSHED!

Bristol’s favourite indie cinema is reopening, with its usual heady mix of classics, foreign language movies and arthouse releases. See website for full listings, and to hear the dulcet tones of Mark Cosgrove, as he shares his thinking about the programme on podcast

17-20 September

La Haine (Mathieu Kassovitz, 1995): Simmering hostility and prejudices boil over in a provocative and compelling portrait of a Parisian housing project. Sleep (Max Richter, 2019): This documentary telling the story behind the composer’s work has been at the forefront of revitalising indie cinema, with the première already sold out in several venues. Max calls it his “personal lullaby for a frenetic world. A manifesto for a slower pace of existence.” Which we can get thoroughly behind.

18-20 September

The Painted Bird (Václav Marhoul, 2019): A young Jewish boy encounters the worst of humanity as he wanders Eastern Europe during World War II. watershed.co.uk

28 September

David Attenborough: A Life on Our Planet (Silverback Films, 2020): A tribute to the world’s greatest wildlife presenter and conservationist, made by Bristol’s Silverback Films.

18 September-11 October

28-29 September

ENCOUNTERS: ONLINE EVENT Bristol’s annual festival of short film, animation and new talent goes digital; encounters.film

DOCKS HERITAGE WEEKEND Explore Bristol’s maritime past at Underfall Yard, the ss Great Britain and M Shed. bristolmuseums.org.uk

30 September

28 September

LACATON & VASSAL Parisian architects Lacaton & Vassal are known for reusing, repurposing and regenerating buildings, rather than letting them go under the demolition ball. Could this be an approach to estate regeneration that all architects and developers should be embracing? Jean-Philippe Vassal comes to the Architecture Centre in person to put the case. architecturecentre.org.uk

DAVID ATTENBOROUGH: A LIFE ON OUR PLANET The new movie by Silverback Films premières at several cinemas; full story on page 38.

19-23 October

top:

Wildlife wonders at MShed. Pingu fanciers should also turn to page 41 Comedy all-stars in Slapstick’s answer to Band-Aid above: “La haine attire la haine”: visit the banlieues of Paris, via Watershed middle:

Hosted by Robin Ince, the dream team includes Michael Palin, Rob Brydon, Stephen Merchant, Jo Brand, David Mitchell, Harry Hill, Jack Dee, Lucy Porter, Lee Mack, Stephen Fry and Frankie Boyle; there may even be the odd song played live on the night if you’re good. Suggested donation £10+; slapstick.org.uk

28 October

ADAM KAY: THIS IS GOING TO HURT Yet another medic-turned stand-up, Adam has also written for TV. His

credits include Mrs Brown’s Boys, but he’d probably rather we hadn’t told you that. At Bristol Hippodrome; atgtickets.com

FILM

18-20 September

DRIVE-IN CINEMA Head up to Filton Airfield for a contact-free screening of a bunch of blockbusters that make up in eclecticism what they lack in artiness: from Joker to Jurassic Park, Back to the Future, Pretty Woman and The Lion King. adventuredrivein.co.uk

WILDSCREEN FESTIVAL: ONLINE EVENT A virtual outing for the renowned celebration of natural world storytelling, from screenings to masterclasses; wildscreen.org

19 October

OTHER

20 September

GREAT WESTERN RIDE It’s back, but with a reduced capacity, so if you haven’t booked then you’ll just have to admire from the sidelines as the two-wheels-good set depart from Long Ashton Park & Ride. greatwestonride.com/event-info

21 September

THE VIVIENNE & BAGA CHIPS The winner and runner-up of Drag Race come to Lakota for an outdoor spectacular; eventbrite.com

SIR RANULPH FIENNES: LIVING DANGEROUSLY Sir Ranulph offers a personal journey through his life, from his early years to the present day. At Hippodrome, atgtickets.com

27 September-2 October

READING IS MAGIC FESTIVAL: ONLINE EVENT Tune in on 30 September to hear young Bristol poet and member of Rising Arts Agency Malizah, in conversation with Eunice Olumide as they discuss the black curriculum and their own experiences. readingismagicfestival.com. n

www.mediaclash.co.uk I BRISTOL LIFE I 35

â&#x20AC;&#x153;For the first time in human history, the stability of nature can no longer be taken for grantedâ&#x20AC;? - Sir David Attenborough

FILM

He’s devoted his whole career to celebrating the natural world; now, the life and times of our best loved wildlife presenter have been chronicled in a new film, David Attenborough: A Life on Our Planet. While featuring some of the most beguiling scenes the Earth has to offer, the documentary, made by Bristol’s Silverback Films, carries a stark message – we need to act now if we want to reverse the decline in its habitats. Ahead of the film’s global release, Mal Rogers met up with co-producer Keith Scholey

fter graduating in zoology from Bristol University, Keith Scholey joined the BBC, eventually rising to the lofty position of Head of the Natural History Unit. The job brought him into contact with David Attenborough, a presenter who’d been making films since the 1950s. During his spell as NHU head honcho, Keith would oversee the production of such landmark documentaries as The Blue Planet and The Life of Mammals. Mammals. Fast-forward a few decades to the founding of Silverback Films; a new joint enterprise set up by Keith

and another former Head of Natural History at the BBC, Alastair Fothergill. ‘Silverback’ comes from the name given to older gorilla males; Keith and Alastair have long been intrigued by the world’s largest primate, and David Attenborough’s more than brief encounter with them on camera enthused them even further. The new film, made in conjunction with the World Wildlife Fund, collates historic moments from David Attenborough’s long and distinguished television career. They’re intermeshed with his views on the current problems the natural world faces – as he put it in a previous series: “For the first time in human history, the stability of nature can no longer be taken for granted.”

www.mediaclash.co.uk I BRISTOL LIFE I 39

FILM Keith Scholey is clear that the content Keith Scholey with Sir David and Colin of wildlife films has changed, reflecting the Butfield in the Maasai Mara, Kenya; seriousness of the situation. photo Conor McDonnell / WWF-UK Page 41: Our Planet: Frozen World “Up until the 1990s, if you’d talked about environmental dangers, you’d have been a voice in the wilderness. That has all changed. “Today, there’s a lot more realism. Before, the focus of wildlife documentaries was on endangered species, ies, or endangered habitats. And they did a lot of good. The coral reefs were saved by TV. Jacques Cousteau’s films beginning in the 1940s brought this beautiful habitat to our screens. People wouldn’t even have known about corals if it hadn’t been for television; mountain gorillas and tigers, too.” Tigers have lost well over 90 percent of their historic range and today their habitats are fragmented, making their struggle for survival acute – but with a chance of success. Keith believes that television has played a part. “Their plight was highlighted, and they were saved. There was huge effort put into their fight for survival. We knew they were an endangered species; they needed help, and people could grasp that.” These – the tigers, the gorillas, the coral reef – were binary problems, according to Keith. Either they survived, or they didn’t. “People could understand that. And they identified with it. That’s different now. People are confused, and are not sure what they can do. It is all too easy for a sense of hopelessness to take hold.” But there is a message of hope, according to Keith: “We know now jargon, he ‘came through the glass’. His style has been the template for what the issues are. If we choose to, we have everything in our power to nature documentaries ever since. reverse the situation. It’s quite straightforward. That is, if the political Keith says that Attenborough is a consummate broadcaster. “He has will is there. And that is the challenge facing us.” a fierce intellect and is unbelievably courageous; courageous in the field and in the boardroom. A lot of the backbone of modern television is down to his time as Controller of BBC2,” he says. A FORCE OF NATURE This is an often overlooked part of Attenborough’s CV. It took guts Sir David Attenborough, now 94, is a unique figure in world to launch quite a few of the programmes he commissioned: Civilisation broadcasting. He’s the only broadcaster ever to have won BAFTAs for by Kenneth Clark, Match of the Day, The Old Grey Whistle Test and Monty productions in black and white, colour, HD and 3D. Python’s Flying Circus. Circus. Most of these seem standard TV fare now, but back Somehow, he manages to combine scientific detachment with caring in the 1960s each one, in its own way, was truly groundbreaking. tenderness. This, alongside his deep knowledge of the natural world and Had he stayed in BBC admin, Sir David Attenborough would his ability as a storyteller, has made him a global superstar. The internet, ultimately have ascended to the position of Director-General. But this naturally, has memes dedicated to him. was a step too far away from his preferred vocation: producing wildlife *THAT TENDER VOICE AGAIN* films. And it is these that have made him a global name. He invented the David Attenborough: “The mother and cub are safe...” modern way we view wildlife on our screens, and if anyone can bring Me: Don’t say it. home the message that “one planet is all we get,” it is this softly-spoken Don’t say it. silverback of the broadcasting world. Don’t say it. Don’t say it. PLANET MATTERS David Attenborough: “...for now.” On 28 September the film David Attenborough: A Life On Our Planet When first taken on by the BBC, David Attenborough had only ever seen one television programme. Born in 1926, he is, in fact, about the same age as television itself. However, he’d been absorbed by the study of nature from the age of ten. In 1936, along with his brother Richard, he attended a lecture on beaver conservation, and protecting the Canadian wilderness. David was enthralled. After national service with the Royal Navy he joined the BBC. He’d applied for his first job in 1950; he was turned down, but persevered, and was eventually taken on. A wise move, on someone’s part; it soon became apparent that the new boy knew how to shine on the newfangled medium. Viewers felt he was talking personally to them – in TV

40 I BRISTOL LIFE I www.mediaclash.co.uk

will première across the globe. Described as “Attenborough’s witness statement for the natural world”, the film includes black and white footage from his early career, interspersed with contemporary film from a range of dramatic habitats. Sir David reflects upon both the defining moments of his career as a naturalist and the devastating environmental changes he has seen in just the course of his lifetime, but concludes with a message of hope. And if that’s still not a sufficiently feelgood end to your evening, know this: after the film, you can watch a conversation between Sir David and his sole rival for national treasurehood, Sir Michael Palin. All major Bristol cinemas will screen David Attenborough: A Life On Our Planet on Monday, 28 September.

www.mediaclash.co.uk I BRISTOL LIFE I 41

ARTS

PATH OF GLORY

Pops of colour, acres of swag, endless imagination: Hassan Hajjaj’s The Path is now on show, with some of the most vibrant images we’ve ever seen on the cool walls of Arnolfini

arlier this year, we ran an enthusiastic little piece on an exhibition Arnolfini had scheduled for April. Covid struck, and the show prompty went on the back burner. Now, though, with the gallery reopened, Hassan Hajjaj’s The Path has finally landed – and it’s themes of of portraiture, family and friends, its exploration of culture and identity in the global world could hardly be more pertinent. Hassan’s style is instantly recognisable. Lots of colour, lots of swag, huge imagination, all set in a pulsating cultural mélange. A photographer, designer and filmmaker, Hassan moved from Morocco to Britain at the age of 12; entirely self-taught, his eclectic influences mix the UK’s hip-hop and reggae scenes with his North African heritage. He works in portraiture, installation, performance, fashion and furniture design, but he’s best known for his ornate, eye-popping photography. His latest exhibition takes its name from his personal

42 I BRISTOL LIFE I www.mediaclash.co.uk

“Signs, symbols and people of different cultures collide without any presumed superiority of a Eurocentric worldview” journey from Morocco to the UK, and offers a unique and timely consideration of identity in the modern, globalised world. Signs, symbols and people of different cultures collide in the exhibition without hierarchy, or any presumed superiority of a Eurocentric worldview. Spanning both countries, the images reflect the perspective of a natural-born cosmopolitan, who delights at teasing out the connections and contradictions he’s discovered during his travels. In exuberant, brightly coloured photos, Arabic models wear djellabas; but with a knowing wink at Western Pop Art, they’re framed with imported cans of Coca-Cola, Sprite and tomato soup. Little

Pois Blue

ARTS

clockwise from top left: Rock Stars Kamaal and Rilene; meet the artist

“Little wonder that Hassan has been dubbed ‘the Andy Warhol of Marrakech’ by those who can’t resist an easy cultural trope” wonder that Hassan has been dubbed ‘the Andy Warhol of Marrakech’ by those who can’t resist an easy cultural trope. The exhibition includes Hassan’s My Rock Stars series – a film installation and set of new photo portraits, through which he hopes to connect with the myriad rich musical wealth that Bristol has to offer. The subjects of the photos show international musicians and performers from a range of racial and ethnic backgrounds, creating a composite portrait of Britain at its most dynamically diverse. The portraits focus on figures whose family origins mostly lie abroad – Africa, the Caribbean, the Middle East – conjuring up a vision of a society united, not divided, by difference. At a time when Britain risks turning inwards in pursuit of a national identity based on an idealised past, Hassan’s portraits make an urgent, timely case in favour of hybridity and multiculturalism. They’ll also make you smile, and brighten your day. The Path shows at Arnolfini until 1 November Free entry (though donations welcome), but book a slot in advance: arnolfini.org.uk

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THE VERDICT JAMIE REES

Perfect lockdown escapism: Wise Children was one of the city’s earliest online offerings

Pressing play Looking back at Bristol’s online theatre offering during and post-lockdown, Jamie has one thing to say: when it comes to digital performance, nobody does it better

et’s not beat around the bush. Covid-19 has had a devastating impact on the arts industry, perhaps greater than that of any other sector. An impact which will mean, unequivocally, that great theatres and theatre companies across the UK will close. When lockdown began, it was clear to me from the off that theatre had the fight of its life ahead. Stood outside Bristol

Hippodrome, 25 minutes away from the opening night of We Will Rock You back in March, the ushers were telling a huge crowd outside the Piano Bar that Boris had put the country into lockdown and the performance was cancelled. After a few seconds of confusion, it started. One after another, person after person, couple after couple, group after group… “How do I get my refund?” As the crowd turned towards the box office for said refund, the

“You’ll want to get back into a theatre even more than before, such is the high quality of the storytelling”

place we had picked our tickets up from just minutes earlier had the closed signs up and the shutters were firmly down. That box office team was not ready to deal with the fallout of this. Nobody was. But, in time, deal with it is exactly what the arts scene in Bristol has done. Indeed, Bristol is being hailed as a city that has perhaps managed the digitalisation of work by its many, wonderful performing arts companies better than just about any other city in the UK. I spoke to Tom Morris, artistic director of Bristol Old Vic, who told me that collaboration within the arts sector is the absolute key to the future of the industry. And so Bristol rose to the challenge with the cross-venue, citywide Bristol Arts Channel, and some serious, world-class digital theatre performances. As part of this new online initiative, Bristol Old Vic alone reached 335,000 viewers with five of their shows on screen. Their co-production with Bristolbased company Wise Children, an adaptation of Angela Carter’s novel of the same name, was easily one of the best things I saw during lockdown. Emma Rice’s production took its audience on a journey that was as all-encompassing as anything you’d experience in a theatre

setting, and I was watching it from my bed on a laptop. I have spent a lot of time at home watching streamed events on the Bristol Arts Channel. Much of it performed in a traditional theatre setting but broadcast on screen, and I have felt utterly satisfied each time. To the many nay-sayers who predict the downfall of live theatre as a result of the ‘Theatre at Home’ phenomenon, I say this: watch what Bristol Old Vic is doing in this area. You’ll want to get back into a theatre even more than before, such is the quality of the storytelling. The medium is different, yes, but the emotional journey is as powerful as it has ever been. What next? Well, I’m delighted that Wise Children and Bristol Old Vic will collaborate digitally once more this autumn with Romantics Anonymous later this month. It is described as ‘a delicious love story about breaking the mould and finding the courage to be happy’, and it runs online from 22-26 September. If you haven’t watched any streamed theatre in lockdown then do yourself a favour and break the mould with the Bristol Old Vic at Home this autumn; you’ll be happy that you did. Follow Jamie on Twitter @JamRees

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EMILY & DAN ROSS STORYSMITH BOOKS

New horizons

Here’s a paradox: as normality returns, is now the perfect time to journey to new and unfamiliar worlds?

hat can we say about the last six months that hasn’t already been said? You don’t need another person telling you just how odd and dramatic it’s all been, so I think it’s probably enough for us to say that here at Storysmith we’re happy to be here on the other side of lockdown, with no small thanks to our wonderful customers across Bristol and beyond. Countless quirks of the situation revealed themselves in that time and, fortunately for us, it meant a lot of people had more time to expand their literary horizons. Autumn tends to see the publishing industry go slightly overboard with new releases, but with almost 600 new books released on 3 September alone it’s been even more saturated than usual – and being the literary horizon-expanders that we are, we’ve sifted through the endless new titles to bring you some of our favourites. .

“We can’t even bring ourselves to even mention the word ‘ending’, because when you get there you’re going to be little more than a husk of a person . . .”

BREASTS AND EGGS, by Mieko Kawakami We managed to snaﬄe an advance copy of this during lockdown, and we’ve been eagerly awaiting its release ever since. A savage and biting takedown of contemporary attitudes to women in Japan, Kawakami tackles motherhood, objectiﬁcation, plastic surgery and working class womanhood in a way that is grimly funny and totally readable. We meet an intergenerational cast of female characters who are every bit as real (or unreal) as the subjects they discuss. It might be a bit early to be naming our book of the year, but we’ll be very surprised if this isn’t at least in the top three. LOVE IN COLOUR, by Bolu Babalola There’s been a bit of a ‘thing’ for reinterpreting myths and legends in contemporary literature of late (leaning heavily on Greek mythology), so we were thrilled to see Bolu Babalola take on this concept in a delightfully pan-geographical fashion. Love In Colour breathes new life into folk tales and magical lore rooted in a true diversity of cultures – the Middle East, West Africa, and even countries that no longer exist. Running through all of these tales is the zest of romance, as the title suggests, and all the delicious complications that implies. SISTERS, by Daisy Johnson Lying at the heart of this slim and savage novel is the fact that we know *something* has happened, but we don’t know what – discovering the secrets held between two inseparable sisters named July and September is a haunting treat. Twisty, poetic, feverish and with plenty to say on the nature of control, this is one for Shirley Jackson fans – Daisy Johnson’s voice is clear, compelling and brilliantly terrifying when it needs to be. We can’t even bring ourselves to even mention the word

‘ending’ because when you get there you’re going to be little more than a husk of a person. Do not say we didn’t warn you. DEATH IN HER HANDS, by Ottessa Moshfegh Who wouldn’t want to be Ottessa Moshfegh? She writes the kind of delicious and darkly witty stories that would make Muriel Spark raise an eyebrow, full of dubious and disturbing characters and daring ideas about what is to live in the modern world, and she writes them sitting in bed. Despite this, we think her work has a significance that goes beyond the bedroom. Her last novel, My Year Of Rest And Relaxation, inadvertently became a lockdown hit thanks to its unnamed central character who intentionally self-isolates for a whole year, but Death In Her Hands sees Moshfegh change tack, turning a mystery novel on its head. With her trademark caustic wit, she sets up the murder and leads us on a merry dance as protagonist Vesta discovers an anonymous handwritten note which simply reads: “Her name was Magda. Nobody will ever know who killed her. It wasn’t me. Here is her dead body.” Who could resist an opening like that? As always, it’s our distinct mission as independent booksellers to guide you through indecision, and we hope our recommendations do just that. But as we fumble uncomfortably back into something approaching normal life, increasingly we’re finding solace in stories. Our role is changing as a result: now that the shop is back open and we’re seeing our regulars return alongside some new faces, we’re delighted to be helping people find the next story that will transport them somewhere unique. Strangely, it feels more important than ever. Storysmith is now open again at 49 North Street; www.storysmithbooks.com

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THE GREAT BRISTOL HIGH STREET In March this year, just before the world pressed ‘pause’, Colin Moody published his second book. Just like his début volume, Stokes Croft and Montpelier, it’s a celebration of ‘places that really matter’. It’s called The Great Bristol High Street, it’s set on the Gloucester Road, it’s just had its oﬃcial launch – and ﬁnally, we’re able to run this feature

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PHOTOGRAPHY

his street matters. It really matters. Especially now, in the time of Covid. You will find a lot of portraits in it. Some of these shopkeepers and independent spirits have not survived as businesses. One of the last greasy spoon cafés that contributed three photos to the book is gone for good. But here in this book, I can keep them there, in portrait form, at that counter with the bell and the charity tin, forever. This street is epic. Creating the book was a labour of love, and I cherished every minute as I zigzagged my way from Arches to common, from deli to destruction, from haircut to hummus. I want to step you right in front of this street. Person by person, in that moment where customer and trader meet. This is where the beating heart is. Where the contract is renewed every time you choose to shop local. It’s primal.

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Welcome to Safiya’s place: Fabulous Vintage. She is Somali and has been here for 20 years, but her shop is quite new. She tells me this as she hangs out all her bright clothes and sets out the Converses in layers of colour, two by to along the rail. About her time working the market place in Stokes Croft, and how she always wanted a shop on this street. She’s not alone there. For every trader in the book there are many more who are considering opening, stepping up, stepping out, and being on the street as a trader. I asked her to step outside and show me her shop. Click. That’s the front cover. She owned that shot. From fingertip to fingertip she opened her arms and invites you to come in. Into her shop. Open the book. Start your journey here. OK: that’s not entirely true. This is the second shot I took. On my first visit, Safiya was so happy and smiling. Martin Parr asked me to take him through the shots, and when he saw the original he was disappointed. “Smiles are for social media” he said. And he’s right. Many shots were revisited and retaken because of this. A smile-free face has no mask. If you get it right, it punches through as an image and delivers so much more. I always look for images that provide more questions than answers, and this is a very pleasing one for me. We’ve been working with Out Of Hand, the outdoor poster peeps, to try to offer support to these traders, and you can now see Safiya and others stood several feet tall on the billboards by Cheltenham Road. These portraits are asking you now to keep supporting them. They need you. And we need them.

“That moment where customer meets trader, when you choose to shop local, is where the beating heart is. It’s primal”

Let’s cross over the road now and have a haircut at Vincenzo’s and Sons. I went in there a few times, and as soon as I stepped in I could tell this place was loved, at a deep level. The traditional bar stools and the warm wooden panelling with memories of younger years. Men have been coming in here since their first haircuts, and now bring their own kids in for the same. This is about generations. See how the kid is squidging as far from the scissors as possible in that comfy chair? But he is in safe hands. That’s Franko, Vincenzo’s son; he was running around the barber’s chairs and doing his homework here when he was a nipper. This is about family, and about community. And when it’s done right it feels like it’s all one.

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PHOTOGRAPHY

“When you see the shot, you realise that we are like a school of fish hunters, sliding in to the front to get the best catch”

Over 50 years ago, Vincenzo came over from Sicily to London. He didn’t like the weather here in winter. He was going to take his scissors back home again when a friend said, try Bristol. It’s milder. It worked. He has been here ever since and I’ve never seen a crew so loved. Meet them all in the book. Andiamo, un’altra storia adesso...

Dan the fish man. This man loves the whole world of fish. I know this, because after a few visits he told me that if I wanted to know more about the catch I needed to come with him on one of his trips. A few days later, we were waking up very early in our Airbnb, and driving into Looe harbour; not only to see the catch come in, but the whole packing process, and to hear from the guys who handled the catch. On the way home Dan gave me fish from a box in the boot, and when we cooked it at home, oh boy. That was the best fish I’ve ever had. There is another shot in the book showing busy Saturday mornings in his shop, when the buzz is palpable as people crane their necks to see the fish. It’s one of my favourite shots ever, like a painting of life. The fish are laid out in rows, but when you see the shot you realise that we are like a school of fish hunters, sliding in to the front to get the best catch.

Let’s head north to Horfield Prison. Hang on, I hear you say; you can’t put the prison in. They are not trading. But they are. And in such a Bristol way, too. It’s home to the schemes set up by Life Cycle UK, where prisoners learn a trade and work on bikes

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PHOTOGRAPHY that can be sold to our growing bike loving community in the just-off-the-side workshop. Here is a shot of Alina, Michael and Patricia outside the prison where they work, holding another bike ready for final checks and sale. Click. Such a strong-looking building, yet something as small as this light-framed bike is doing so much to allow the greater definition of community to work, to engage here. There are other businesses on the street that connect here at the prison, too.

Next back down the road. Is all the zigzagging making you dizzy? Stop here, then. Look. This is Warren the Community Support officer on his first beat on the street, next to his Duplo doppelgänger outside Totally Toys. There are a fab load of moments from this amazing shop and its owner in the book.

Snazzback are playing at the Galli. It’s underneath a sea of bright colours and geometric shapes from which the jazz appears to emanate, and for a moment it feels like the jazz is part of the space we are in, and at the same time the space we are in is part of the jazz. Pow! That’s the power of good jazz. Nice! So I took a photo that reflects that. Myke the drummer was special. He told me what it was like playing a residency here, supported by the Galli, like the great jazz bands of old. And the jazz is good; real good. Owner James Koch says the Galli runs as a whole community space for everyone. It’s one of the most welcoming nighttime spaces I’ve ever seen, heard or immersed myself in. I’m using a flash-and-move technique here. Thanks again to Mr Parr for sharing his ideas with me, as I’m a big fan of this technique now. It adds to a sense of two worlds in one. There may be more.

“For a moment, it feels like the jazz is part of the space we are in, and at the same time the space we are in is part of the jazz. Pow! That’s the power of good jazz” 54 I BRISTOL LIFE I www.mediaclash.co.uk

Fred Brodnax and Martina here. Blacksmiths. Let’s say that again. Blacksmiths. Making gates, tools, bloody anything you need. How many high streets have got a blacksmith these days? It’s just off a junction, but you can hear it when they are welding. See the sparks flying. And with Bishopston Hardware on the corner, the two businesses help each other out. Tools made and sold, or repaired, to-and-fro, caring of each other’s future. That’s unique for miles and miles. Sounds of industry. Clang clang clang! What a bonus for the metal-needers whose driveway gate just rusted away, when no amount of internet searching is gonna find them a 125cm by 3m by 2.5cm gate times two, with hinges in just the right place. And that’s what I keep finding on this street. Businesses and people that fit the space, built around need, not just want. Making it work. Not only keeping the cogs of community turning but making new ones when they begin to loosen and fall off.

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Who do you think starts work first on the street? Pre-dawn. While the hipster sleeps. Bakers? Butchers? Paper boys and girls? Maybe. But some days it’s Phil the window cleaner. On summer days I saw him up while foxes darted to and fro from bins to alleyway. There he was, cleaning the street windows; there’s a lot of them at the north end. Ladder, bucket, cap on, working hard. He wants the pubs he used to love to be more part of the scene again. They have lost a few there. “Can’t all be coffee shops, can it? It’s not what we all want,” he says as wipes on and wipes off. I’ve used this shot because I feel that people who value a traditional pub more highly than a flat white Insta opportunity need to be catered for more. I’ve left it so you can’t see him clearly through his workspace, as a lot of things are in flux around here. But I do know that when you get up, long after he started his day, you will see an extra sparkle on all those windows. Row after row after row, just like the terraced houses off the spine of the street, feeding the thoroughfare with life.

Enso Alex Millest performs Shaolin Kung Fu. And we are nearly there on this miniromp through just 10 of the 100-plus images, interviews and essays in my new book. Before we close off the trip, look out on my social media channels listed at the end for events over the next few months, where I’ll be taking the book back to where it was created and learning more, engaging more. Be part of that. Because not everything lasts.

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PHOTOGRAPHY

Digger world. But you may remember it as Peacocks. Or before that, Woolworths. Well, a few months after this photo was taken, not a brick or tile you see here was left. The whole building and its business, gone forever, I am told, to become flats. And there are a few cautionary tales here. Can the Gloucester Road survive as it is? Will it adapt as it always has, to cut a new course and throw up some extraordinary, spirited indie businesses? Yes. I do hope so. And one or two flats where shops or swimming baths were can’t stop us from wanting, supporting and loving what the managing director of a wellknown supermarket chain in the late 1990s claimed was dead. The high street. Glorious Gloucester Road. n Colin is available as a ‘mini-mobile PR/marketing/ social media unit’, to shoot striking street-style photographs at live events: parties, launches, promos and performances, for impactful immediate social media. Fees start at £100 for a two-hour package. email: mrcolinmoody@gmail.com Twitter: @moodycolin; Instagram @moodycolin319

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THE GREAT BRISTOL HIGH STREET Out now. Covidresistant. I don’t want to talk about Covid much here. It’s closed the doors of many a small business. Recent research shows that with city centre rents being so high, to work here is a 1%ers dream. But this road is just that bit out of the middle, where people actually live. Freed from their usual commute, all those furloughed workers have hopefully noticed and supported their local traders. The Galli turned its kitchens into a community kitchen and made meals for key workers. Still does. Because it was always a community space. And that’s what we need to do, too. Work together on this one. Your high street needs you. Go see it as it was BC, Before Covid, in my new book. And look at those faces. Look at that determination. And a call out to those involved in the nightlife of our city. Gigs, parties, happenings, from all walks of life. That’s an industry that’s still on pause. At great potential cost to the spirit of the city. That is going to be the subject of my next book, so if that floats your boat, tell me where i need to go to be part of the story. Because we don’t work alone. We work with you to make these projects a reality. It’s the Bristol way.

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BREAKING BREAD: LOCO x RIPIENA It’s coming out of a tent, and it’s tasting just fine. . . Words by Deri Robins

“Even during pre-Covid days, it never took much to lure Bristol chefs out of their rosette-garlanded kitchens and into some rudimentary set-up under canvas”

RESTAURANT

’m not sure whether it’s just a Bristol thing, but every chef tinged with excitement and greedy expectation. Tables are well spaced I know has the soul of a festival-goer. Even back in those out, staff wear visors, and there was nothing to spark post-lockdown halcyon, pre-Covid days, it never took much to lure them alarm apart from two small boys pulling on the guy ropes, causing mild out of their rosette-garlanded kitchens and into some anxiety to everyone other than, apparently, their parents. rudimentary set-up under canvas. Their idea of off-duty The Pony and Lo-Ri occupy neighbouring tipis, so you can peep fun was a mass cookout with fellow chefs in a yard; they through the potted plants and cast covetous, eye-narrowing glances always gave the impresssion of being just as happy chucking at whatever’s coming out of the other kitchen. Although everything steaks over an improvised firepit as a top-of-the-range we spotted on the Pony dishes made us want to book up pronto, it was Molteni rotissoire. Possibly happier. definitely more of an ‘as well as” rather than an “instead of ” scenario, We weren’t too surprised, then, when in late July two of the most because Loco x Ripiena has a world-beating crowd-pleaser of a menu, renowned groups in the city announced a box-fresh new initiative: featuring many of the dishes that made Ben and Joe’s name. instead of reopening all their bricks-and-mortar restaurants, they’d take After a plate of impeccable cured meats, irreproachable olives and the whole cooking match up to Breaking Bread – a specially created the fluffiest of focaccias, we dug into our starters. A pair of red prawns, tipi village made up of two bars, the Pipe & Slippers and the Love Inn, such monstrous beasts that the dish struggled to contain them, came alongside the tastiest double-dining offering shell-on, doused with garlic and lemon – no imaginable: Josh Eggleton’s Michelin-starred frills, no fuss, simply cooked on the plancha, BREAKING BREAD: THE DETAILS Pony & Trap, and a collaboration between as very good prawns demand to be. What? A socially distanced pop-up village housing a Pasta Loco and its sister restaurant Pasta I hadn’t realised how much I’d missed number of the city’s most highly regarded restaurants, cafés Ripiena. Ripiena’s arancini until I stabbed a crisp For anyone who’s just arrived on the planet and bars including The Pony & Trap, Pasta Loco x Pasta golden ball and watched the silky melted Ripiena, The Love Inn and The Pipe & Slippers (in which case, bad luck), Loco is headed up formaggio ooze into a pool of San Marzano; Where? The tipi village, Durdham Downs by chef bros Joe and Ben Harvey, along with again, no need for fanciness, just really good How much? Both Loco x Ripiena and The Pony and Trap first cousin Dom Borel, the absolute il don olive oil and a sprinkling of fried sage leaves. charge £47.50 for a set meal with three choices of starters, of the front-of-house scene. They’re Bristol A mains of gnocchetti verde was almost mains and puds; drinks extra. Payable in advance born and bred, but with family ties to Lake soup-like, the little gnocchetti – not tiny Booking: www.breakingbreadbristol.co.uk Como, and have built a stellar reputation gnocchi, but a shell-like pasta – swimming for taking the best traditions of Italian in a densely seafood bisque, made with hospitality and adding their own innovative spin. We’ve dined at Loco, Cornish crab and topped with pangrattano. Your Man chose the we’ve dined at Ripiena, but a Loco x Ripiena collab was a first. Note linguini carbonara; a Loco legend, and rightly so: a slab of pork belly, that little x, by the way; we like using those, in Bristol. It makes us feel crisp, sticky and tender in all the right places, teamed with poached egg like street artists. If were in Manhattan we’d probably call it Lo-Ri; but wrapped in pancetta and (needless to say) freshly-made pasta. we’re not in New York, Toto. We’re up on the Downs. Encountering these familiar dishes felt like greeting an old friend, and Bookings opened at the end of July, at a fixed price of £47.50, I was particularly pleased to be reunited with Ripiena’s pistachio panna payable in advance. August promptly sold out. With visions of Ben cotta. I love the delicacy and not-too-sweetness of this wobbly wonder, Harvey’s carbonara dancing in their heads, fans stormed the Breaking with its unctuous slosh of extra virgin olive oil. Bread website with the febrile determination normally reserved for Breaking Bread is currently booking until the end of September, but acquiring Glastonbury tickets. there are hopes to extend it into late autumn and winter,. And why not? We managed to bag a slot at Lo-Ri on a Sunday at 3.15. Admittedly, As anyone who’s ever visited Yurt Lush knows, with the tent flaps down this is normally the point at which most chefs and diners are starting and the wood burners on, there’s no cosier setting than a tipi. to wind down and go home, but then what’s normal, these days? And Is Breaking Bread a clever temporary measure, or a reinvention of ayway, haven’t we all seen enough of our bloody homes? the hospitality wheel? Time will tell; this is the year for ripping up the As we arrived, our names were ticked off a list at the gate. If it hadn’t rulebooks, after all. been for the temperature scan, we could have been checking in to an All we know is that sharing great food and drink with family and Eat Drink Bristol Fashion festival. We half-expected to be issued with friends, IR, actual L, as opposed to via the dispiriting littlr squares of a wrist band. The festival vibe is strong on the other side of the fence, Zoom, is one of life’s great pleasures; as long as you keep those tents up, too; the perimeter strung with fairy lights, the air filled with music lads, we are here for them. n

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CAFÉ SOCIETY STAN CULLIMORE

A jolt of joy Stan discovers a perfect spot for these imperfect times

ow; where were we, before we were so comprehensively interrupted. Oh, yes, I remember. Drinking coffee, eating cake and enjoying the whole experience of being alive. Well, the good news is that even though dark clouds have been the order of the day for some time, they hold within them a few small strands of silver. Lining our dreams, lighting up our hopes and pointing the way to a brighter tomorrow.

“Chapter & Holmes is a real ‘pick me up, roll me around and make me smile’ type of place”

While lockdown was looming low and heavy, I spent many hours, out and about, exploring the green and pleasant bits of Bristol. Along the way I found some small rays of light among the gloom. If you are sitting comfortably, preferably with a cup of something hot and tasty to hand, I shall explain. One of my more winding journeys led up to the Observatory and its camera obscura overlooking the Suspension Bridge. Sadly, back in those dark days, the café inside was closed and forlorn. Shut and shuttered. In an attempt to keep the day from being a complete café washout, I went and stared over the abyss at the wonders of Brunel’s handiwork. And that was when I saw something lovely. Very lovely, in fact. People were crossing the bridge, even at the height of early lockdown, heading towards Clifton with takeaway cups in hand; which was unexpected. From the way they were sipping, smiling and steaming, it seemed like those cups might just contain piping hot consolation in the form of coffee. Which is when I suddenly remembered the tuktuk at the end of the bridge. Not going to lie, my heart leapt like a startled badger. It’s amazing how small things can lift your soul when darkness seems to be all around.

In normal times, when life was easy and cafés common as colds, I never bothered to cross the Suspension Bridge in search of refreshment. Why bother, when there were so many excellent places in Clifton to choose from? But at times like these, when the world is tumbled upside down, you have to do what you have to do, to get by. Long story short, I scooted across the bridge and discovered I had been missing a trick. The tuktuk cafe, otherwise known as Chapter & Holmes Coffee Company, is the perfect spot for these imperfect times. It’s outside, there are tables nearby where you can sit and relax, and if that isn’t enough, they make a mean cup of coffee. They also do cakes and chocolate, as well as grocery items. Eggs and esoteric peanut butter by the jar, should you wish for extra treats. All in all, it’s the cutest and kookiest little coffee shop you could ever wish for. A real ‘pick me up, roll me around and make me smile’ type of place. So, if you are in need of a jolt of joy, along with a cup of coffee comfort, I thoroughly recommend this tiny taste of the exotic. The views aren’t half bad, either. n Former Housemartins guitarist Stan is now a journalist and travel writer www.stancullimore.com

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TAKE FIVE

ANNA BLIGHTMAN As Bristol’s restaurants gradually return, we revive our five-minute chats with those who know the scene best. First up is Anna, the marketing manager for the Assemblies group, which includes The Canteen, Old Market Assembly and No. 1 Harbourside

ockdown was crazy!” says Anna. “We went from three venues open seven days a week, to nothing. At OMA we expanded our pizza delivery service, opening up a collection service, and adding The Canteen to the offering. Same great pizzas but with booze too. We also took the opportunity to revamp the décor of the The Canteen, while adapting to open post-lockdown. No.1 Harbourside had some renovations too, and is looking lovely now.” Did any good come out of the pandemic at all? Bristol’s hospitality sector was amazing, and The Bristol Food Union was one of the best things to have come out of the pandemic. It really highlighted how collaborative the scene is here in Bristol. No competition, everyone was really happy to see other venues open when they could. It’s been really heartwarming. What does the post-lockdown world look like at your gaffs? We’ve opened No 1 Harbourside and The Canteen five days a week (Wed-Sun); OMA has still to reopen. No.1 now has an online ordering system, where customers place their orders at the table, helping to minimise contact. We’ve got our great Sunday roasts

Old Market Assembly: hopefully reopening soon

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No 1 is back – with a Covid-secure environment and all these dishes you’ve been missing

back on at The Canteen, and some really tasty new vegan dishes. Burgers are back at No.1 Harbourside too! We aren’t currently running any live music in our venues, but we hope to change this soon. What can we, the customers, do to help you and other restaurants? Book ahead! You can now book at both The Canteen and No.1 Harbourside and it really helps. And show up! What the no-shows are doing to a fragile industry is really damaging. On the whole, our customers have been great. We’ve read the horror stories, but fortunately haven’t been victim to them. Come on over and spread the word. Positive reviews and friendly faces are what we need right now.

What feedback have you had from customers? We’ve had some really great feedback, compliments on how well-run the venues are; clean and secure while retaining the atmosphere. People have loved our new menus, and we love people! What are the new rules and changes we can expect? Overall, the eating out experience hasn’t changed too drastically. It might be odd sometimes to have your food bought to you by someone in a mask, but rather that than the alternative. Allow yourself more time, and be kind to the team serving you; everyone’s experiencing this at the same time, and everyone’s experience is slightly different. For more: no1harbourside.co.uk; oldmarketassembly.co.uk; canteenbristol.co.uk

FOOD & DRINK

MORE TASTY BITES

Seven Lucky Gods: still offering 50% off during September

WELCOME BACK…

. . .Temple Quay food market: back to thrill the tastebuds of the Temple Quay pro-service community, with new Covoid-related measures to create a secure environment, and a host of favourite smooth operators that include Ah Ma’s Dumplings, High Steaks, Niangs Thai Snacks and The Kitchen Chef; every Thursday lunchtime, between 11.30am to 2.00pm.

WE ARE VERY HERE FOR…

. . . Salt and Malt Wapping Wharf ’s new small plates menu, based around locally sourced fish and shellfish. “We love doing a proper takeaway, but serving a greater variety of the fish and shellfish on offer from British seas is really exciting,” said Josh Eggleton. “This celebration of British seafood has always been on the cards, and the appointment of Joseph Fowler as new head chef now makes it possible.” The small plates, including lobster, crab, oysters and brill ceviche, are for eat-in diners only. saltmalt.com/wapping-wharf

WE’RE BOOKING FOR... . . . Help Out to Eat Out. The government scheme was such a boon to Bristol’s hospitality sector in August that many restaurants are continuing to oﬀer 50% oﬀ food, up to £10 per person, during September – at their own expense. The list includes Bambalan, Bandook, both Bocabars, The Ox, Quay Street Diner, Seven Lucky Gods, Strawberry Thief, Thali Easton, Pizza Bianchis, The Coconut Tree, Lido and many more.

CHECK OUT... . . . The Secret Larder, at Unit 4, Merton Road, just off the Gloucester Road. There are numerous reasons to visit this ‘artisan café with creative space’ – the cool décor, the great coffee, the food from local suppliers, Flint the black goldador puppy – and THIS giant squid, by our main man Jody, on the back wall. @thesecretlarder on insta.

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SHOPPING LIVE WELL, BUY BETTER

CALLING ALL WORKERS Enlightened employers have been championing the idea for years; Covid fast-tracked it into a reality. Millions of us are now working remotely, and suddenly, the home office has been elevated to the most important room in the house. Judging by the acres of editorial dedicated to the subject, it’s become the new shed; it might even be in a shed. A glass-fronted one, if you’re lucky, with a woodburner, Eames chair and a few sheepskins. The shedless have had to make other arrangements, hastily converting box rooms or annexing corners of communal living areas to create a space that’s fit for purpose. If you do have a separate room to spare, styling it up is an enjoyable challenge; the only criteria is that is should be somewhere that you’re thrilled to sit in all day, and which inspires you to be at your most productive. See overleaf for a selection of accessories to create your ultimate office; some completely inessential, all highly desirable. Now all that’s missing is cake from someone in accounts’ birthday, mix-ups over the ownership of the lunchtime tupperware, arguments over the air con, bants from sales, the occasional office affair... Photo: Ikea Bristol

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SWAN THING, £18 Everyone needs at least one silly thing on their desk. A squeezy replica of David Shrigley’s resin Ridiculous Swan Thing sculpture, this ergonomic little guy loves a strong grip From U Studio 115 Gloucester Road ustudio.shop

FIT FOR OFFICE

Oﬃce décor is typically bland and corporate, but your working from home space can be anything but . . .

THEO COFFEE MAKER, £62.95 There’s no way you’re going to hit deadline without a decent cup of Joe. May as well brew it as stylishly as possible; in this Nordic-looking matt black stoneware device, perhaps From Fox + Feather 43 Gloucester Road foxandfeather.co.uk

CLIPBOARD FRAME, £12 Back when we were working in an actual office, we’d surround ourselves with photos of the kids. Maybe now we should frame a photo of smiling colleagues at the office? No? Ah, OK From Fig 1 Unit 1, Gaol Ferry Steps fig1.co.uk

TREEHOUSE VASE, £48 OK, so you might struggle to ﬁt your annual, envy-inducing Valentine’s bouquet into the tiny hole in the roof, but who cares when this desk objét is so cute? From Duncan Shotton Design, dhott.co.uk

UPHOLSTERED HERMAN CHAIR, £379 Our newest retail rush is Truce, recently opened in Clifton, which among other things stocks a lot of the kind of Scandi furniture and accessories we can’t get enough of – such as this Ferm living chair From Truce 54 Princess Victoria Street truceonline.co.uk

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FORSA WORK LAMP, £17 Yep, just 17 of your hard-earned, worked-from-home quid for this elegant nickel-plated lamp with its vintage Anglepoise-style good looks From Ikea Bristol Eastgate Shopping Centre ikea.com

VINTAGE TYPEWRITER PRINT, £30 Sure, you’d feel more like Hemingway if you bashed out your latest report or feature on a retro Remington, but we all know you’ll be using a Mac. Ruth Broadway’s print may help to spark the muse, though From Ruth Broadway rubyandthepaperparade.com

ED’S CHOICE

MR CLARKE CLOCKS, £45-£85 Clock-watching ceases to be a crime when you have Mr Clarke to admire on the oﬃce wall. Ideal for a kitchen, too, if you’re doubling up on the work space From Pod Company, 24 The Mall, Clifton thepodcompany.co.uk

POTTERY TRAVEL CUP, £24 Kick off your metabolism with a short walk to grab a coffee before starting work – the cafés need your custom. Take this gorgeous ceramic cup to be filled and you’ll also earn their deep respect From Midgley Green 26 Alexandra Road, Clevedon midgleygreen.com

‘SKETCH’ DESK TIDY, £20 Inspired by architectural drawings, this structural desk tidy by Block Design looks like a 3-dimensional sketch From U Studio 115 Gloucester Road ustudio.shop

CUPERTINO DESK, £1,059 If you’re considering working from home long-term, and have the space and budget, this contemporary wonder combines workspace and storage in one. Just looking at it makes us feel more serene and organised From Bo Concept 51, 53 Merchant Street boconcept.com

SKANDINAVISK SCENT DIFFUSER, £45 Not only will this look delightful on your new Cupertino desk, but it will ﬁll your work space with beautiful, tranquil aromas. Having a rough day? Just...breathe... From Truce 54 Princess Victoria Street truceonline.co.uk

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Have your Will written for free and support your local NHS Everyday gifts in Wills help to transform lives. Leaving a donation in your Will is a special way to support your wonderful NHS for future generations.

If you are interested in having your Will written for free and supporting your local hospitals in North Bristol please get in touch with our Philanthropy Manager, Cate Everitt, on 07514 941 393 who will be happy to help.

southmeadhospitalcharity.org.uk Registered charity No: 1055900

FASHION MILLY VAUGHAN

CLOCKWISE: Yarrel overalls, £125; Nebulus jacket, £195; Headland cap, £35; Crewes swim shorts, £60; Biscay t-shirt, £30; Mr Zogs wax, £3. From Finesterre

Surﬁng my best life If the opening of The Wave isn’t enough to get you in the water, you can still tog up like a surf dude...

t’s oﬃcial; with the opening of The Wave in Bristol last year, I am now a surf widow. But things could be worse. At least I’m not a golf widow, like my longsuﬀering mother, who gets dragged around golf courses and then is not allowed in the clubhouse afterward (but dogs are). With the exception of Villanelle’s outrageous golf ensemble as she takes to the green in the recent season of Killing Eve, the surf culture has its obvious style advantages over the

golﬁng scene. A pair of Pringle signature diamond socks is my only concession to the latter. Perhaps it was inevitable that surﬁng would become the inadvertent screensaver to my life, as family summer holidays in the 1980s were spent body-boarding on Polzeath Beach until my lips turned blue and the sea spat me out, invigorated and ravenous, with my mood positively shifted like the sands. My brother’s a surfer; I married a surfer; a dear friend is

“I’ve witnessed the sight of David Cameron walking towards me in a ‘shorty’ wetsuit; a faux pas for any discerning adult”

suits. The list goes on. • If you want to sound like you know what you are talking about, throw in words such as oﬀshore, out back, longboard, turtle roll and pipeline. • Top present idea: a towelling changing robe. • The cup of tea and piece of toast that you have directly after a surf will go down in your top ﬁve tea and toast experiences. (First place: after childbirth.)

an instructor. Recently I’ve even witnessed the sight of David Cameron walking towards me on the beach in a ‘shorty’ wetsuit; a faux pas for any discerning adult. Maybe because it was howling a sideways gale that we managed to put politics aside as we ﬂashed one another a look of: “Are we the only ones mad enough to be doing this right now?” Although I own a very unﬂattering wetsuit for my biannual humbling in the Atlantic, I am no Kelly Slater, but I have garnered a thing or two in my 40 years about blagging it to live my best surf life. • Surfers have a face, foot and hand tan all year round. To see them naked in winter is quite a sight. (But then again, the golfer’s tan is not much better.) • They wear beanies to the beach even in the height of summer. • Some of the cold-water paraphernalia is quite a sight. I’m talking neoprene hoods, mittens and booties. • Wetsuits are not just wetsuits. Technical top-of-the range suits cost as much as a Chanel jacket. Seams are important; entry-level suits are overlocked or glued and blind-stitched, or a combo of both. The more expensive suits are taped/liquid sealed seams. 3/2’s are summer suits; 4/3’s are winter

These days, we no longer have the excuse of not living right next to the coast as a valid excuse for not flexing our surfing muscles, as we now have a cutting-edge inland wave park conveniently built on our doorstep. But if this still doesn’t get you in the water, you can always dress like one to fake it before you make it. Finisterre on Park Street is the bricks and mortar shop to go to, and has a surprising work utility wear section. On a less shallow note the company have a huge drive for sustainable fabrics and ethics, and also double up using the shop’s space to run ocean minded yoga events. Let’s hope you don’t run into D.C. in a shorty wetsuit, otherwise I might have to dust off my Pringle socks and take up golf. ■ @millyvaughan on instagram camillapettman@mac.com

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Artisan

BALM AFTER THE STORM

A lovely garden can soothe the soul; something we can all currently get on board with. If your outdoor space has become a little tired and neglected, hereâ&#x20AC;&#x2122;s some inspiration from top local designers to make sure that in 2021, your garden will look positively Arcadian . . . 70 I BRISTOL LIFE I www.mediaclash.co.uk

GARDENING

s the old saying goes: if you want to be happy for a few hours get drunk. If you want to be happy for a few years get married. But if you want to be happy forever, get a garden. A lovely garden is a balm to the soul. Size really doesn’t matter; whether you have just a few square metres or a vast, multi-acre plot, it’s easy to create an oasis of leafy loveliness. Admittedly, September isn’t a typical time for us to run a gardening feature; there again, this is not a typical year. A lot of us are home-bound, with extra time on our hands; we have more opportunity to stare out of the window and plan and dream about the year ahead. With this in mind, we had a chat with some of Bristol’s star gardeners, who were kind enough to offer us advice in, wait for it, spades.

WILL COOKE: ARTISAN LANDSCAPES

Had nominative determinism been strictly adhered to, Will would have been a chef. Instead he is founder of Artisan, an award-winning design and build landscaping practice based in Clifton Village. Will, in common with most of the gardeners we chatted with, reckons the pandemic has changed the horticultural focus of many people. “Discussions with clients now have more of an emphasis on the

“There’s now more of an emphasis on the importance of the garden for wellbeing and health”

importance and value of the garden for wellbeing and health,” he says. “There’s also a trend towards outside living and cooking, and looking at the garden as more of an extension of the house.” In urban settings, Will has seen a higher value put on the promotion of wildlife, notably insects. This is, of course, all to the good; without insects to pollinate plants, we’d all be doomed, to quote Corporal Frazer. Or to paraphrase George Orwell: two legs good, six legs better. “People are becoming ever more aware of their carbon footprint in every aspect of life,” Will says, noting that his clients are also a lot keener to go for locally sourced materials than before. www.artisanbristol.com

SHELDON WRESSELL: EDEN GARDEN DESIGN

Sheldon and his team – we’ll not bother with nominative determinism this time – promise creative, sustainable and environmentally friendly design and construction for the garden. The Covid pandemic, Sheldon believes, has underlined the desire to use gardens as more of a living space, and less as an ornamental showpiece. “There’s a greater desire for the garden to be a place that offers the potential for outdoor living. For instance, the inclusion of secluded garden buildings or separate seating areas, featuring outdoor fire pits or fireplaces, is now often explored,” he says. In fact he waxes philosophical about it. “I feel very strongly that lockdown and the Covid crisis has forced us to look at our lives and how we live them differently. Our homes and our gardens have become more important to us – a sanctuary and a safe place. The prospect of travelling away from the home has changed and the staycation has become more familiar. We therefore require an outdoor space that enables us to feel like we can escape our everyday lives; or at the very least, enable us to enhance and elevate the everyday.” www.eden garden design

left: a very zen, Japanese-inspired sanctuary by Artisan Landscapes; below: a contemporary, multi-purpose family space by Eden Garden Design

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GARDENING

STACEY BRAMHALL: GREENWAVE

Greenwave Landscaping, based in Long Ashton, transform gardens across the whole of Bristol and north Somerset. “We design, create and maintain outdoor space,” says Stacey. “That can be extending an existing patio, repairing old decking, or taking it all out and replacing it to build a family-friendly garden. We also offer garden maintenance.” Like our other gardeners, Stacey has noted increasing numbers of people wanting to create extra space outdoors during lockdown. “We love redesigning and creating bigger, more usable spaces in gardens for families to enjoy. We’ve seen a huge surge of bookings, after the easing of lockdown. We’re busier than ever.” On trend right now, according to Stacey, is horizontal slatted fencing; this, she says, gives a very contemporary look to horticultural proceedings. www.green-wave.co.uk

TERREY MAUFE: OUTERSPACE

Terrey Maufe of Outerspace Creative Landscaping is Royal Horticulture Society-trained. As well as her vast botanical knowledge, Terrey has the contacts and insider knowledge to find all the unusual additions that can make a garden even more special, from lighting to furniture and water features.

“Our homes and our gardens have become more important to us – a sanctuary and a safe place” 72 I BRISTOL LIFE I www.mediaclash.co.uk

Outdoor rooms to enjoy from early spring well into late autumn, designed by Outerspace Creative Landscaping. We’re crushing madly on that firepit...

Business has been buoyant for the Outerspace gardenauts these last few months. “Spring is always a busy time for garden designers and landscapers, but the combination of the amazing early spring weather coinciding with everyone spending more time at home really fuelled the surge,” she says. “With our unreliable British climate, clients who are investing time, energy and money into their gardens want to be able to enjoy them for longer. That means getting out into the garden earlier in the year, and stretching the summer well into autumn. “Spending longer in the garden during the course of the day is also important and can contribute hugely to our sense of wellbeing. In design terms that translates into many aspects of garden design, but key features include lighting, heat sources and shelter from the elements.” www.outerspacegardens.co.uk

GARDENING KATE SAVILL LANDSCAPES

Kate Savill-Tague is a multi award-winning garden designer whose work embraces a wide range of projects, from inner-city sanctuaries to large family gardens. “With a background in fine art, my gardens marry aesthetics with functionality – people have described my work as ‘painting with plants’,” she says. Kate believes that the current crisis has allowed people to take stock of their lives and appreciate spending more time with the family in the safe, open-air environment of their garden sanctuaries. “With a little bit of design you can pack a lot of personality into a garden,” she says. “Outdoor dining and kitchens are becoming increasingly popular, helping people to extend the time they spend in their gardens. This complements the trend for people taking more time to cook and to be more experimental with their food.” “Also in a time of crisis, more people are experimenting with growing their own food, which gives another dimension to their gardening and the satisfaction of eating truly fresh fruit and vegetables.” www.katesavill.co.uk

THINGS TO DO IN THE GARDEN RIGHT NOW: “Selectively cut back seedheads, leaving some for wildlife. Also mulch beds, and carry out lawn care. A little effort now will, to coin a suitably horticultural phrase, reap rewards next year”– Will, Artisan Landscapes “Think and plan ahead. Find out what needs to be planted in the autumn, ready for next year. Always make sure that the right tree, plant or flower has the maximum opportunity to thrive, by considering where it’s planted, and how much sunlight it will require” – Sheldon, Eden Design “Plant some spring and summer bulbs. It’s a small autumn investment for some pretty much guaranteed future colour. Tulips come in myriad colours and shapes and can be planted during October and November”– Terrey, Outerspace “Cut back hedges and shrubs. You’ll have more space, and they’ll grow better next year” – Stacey, Greenwave “Filling your garden with a variety of daffodils, tulips, alliums and crocuses is a fairly inexpensive way of adding loads of colour for next spring. Even if you don’t have masses of space, plant up a couple of pots with some bright and cheery bulbs; you won’t be disappointed. Also, as we move into autumn, it’s a good time to be cutting back and to be planning your garden layout ready for the new shoots of spring” – Kate Savill-Tague Cottage-garden herbs grow around modern copper seating; a curved concrete wall is softened by white and magenta planting. Kate Savill-Teague’s background in fine art is clearly apparent in her beautiful, almost painterly garden designs

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Design. Create. Maintain. • Decking • Patios • Fencing • Lawns • Artificial Grass • Hedge Cutting • Play areas • Maintenance

FREE no obligation quotes

M: 07926 573 385 | T: 01275 541 723 WWW.GREEN-WAVE.CO.UK | FIND US ON FACEBOOK

HEALTH AND BEAUTY

HAIR H AT 58 Deri Robins books her wonky lockdown fringe and home-dye into Hair at 58, and requests a minor miracle 76 I BRISTOL LIFE I www.mediaclash.co.uk

onestly; I don’t know how the nation’s hairdressers have managed to keep a straight face. As soon as they reopened, in we all trooped with the fright wigs from hell; what a sight we must have looked, with our home-dye disasters, and fringes more uneven than the Government’s lockdown guidelines. I think I had better-looking hair when I was on chemo. Iron grey roots blending into a frizz that was partly red and partly brown – we’re not taking balayage here, or an artful bit of ombré; just big chunks of hair I’d missed when slapping on a cheapo kit from Boots. Maybe it was because I knew my hair couldn’t possibly look any worse, maybe it was post-lockdown bravado; either way, I rocked up to Hair at 58 in the mood for a change. I had a look in mind that I’d seen on a Spanish actress: short thick bangs, a bluntish oﬀ-the-shoulder length. It was cool and edgy, but not so far away from a classic French bob that it would look silly on someone my age. Let me say at this point that I might never have drummed up the courage to try this look at all if my hairdresser hadn’t been Sam Bell. I knew she’d immediately understand what I wanted, and would tell me honestly if it wouldn’t suit me. And it was fun, being able to hand her a creative challenge for a change; after all, saying “just a trim” to a stylist of Sam’s calibre is like asking Josh Eggleton to cook you a bit of toast; you’d undoubtedly get the best toast or trim in town, but you really wouldn’t be making the most of their unique skills and talents.

As well as showing Sam a photo of the cut I fancied, I’d screenshotted one I didn’t want – a much neater and mumsier version of the same bob. Sam had no problem analysing the difference between the two: my hermosa actriz Española had choppy layers cut into an otherwise blunt bob, while the other had a far more even cut. As I’d used up my annual bravery quota on requesting a restyle, I wasn’t tempted to go wacky with the colour. Sam got to work mixing up a dark, glossy brunette. She loves Aveda colour, has never found a better product; it’s high-quality and organic, and she says that the versatility of the Full Spectrum range is unique; it’s the only product that allows you to create bespoke shades. “It’s like an artist’s palette. You begin with a base colour, and add tones. It responds to different parts of the hair, so even a ‘flat’ colour is softly graded. You’ll never end up with block colour that looks artificial, like a Lego head.” As I’m going so much shorter, Sam cuts off the worst of my strawlike ends before applying the colour. “It feels like your hair is having a drink,” she says as she works it through. Once the colour’s taken, there’s further nourishment for my parched locks in the form of pomegranate, ginger and coconut. It sounds like something off the new cocktail menu from Milk Thistle, but in fact these are the ingredients in Aveda’s new Neutroplenish range of shampoos and conditioners, specially designed for dry and dull hair. The next bit involves scissors, and I’m not sure who’s more excited, Sam or me. “I’m cutting instinctively. Technically, what I’m doing shouldn’t really work,” she says cheerfully. “Basically, I’m creating disconnected layers to encourage dimension.” While she’s cutting, Sam tells me how the last few months have been for her. The answer is: not easy. While her staff have received furlough pay, there’s been no financial aid for Sam, as the owner of a limited company, and to keep the business afloat she’s had to dig deeply into her savings. On the plus side, the layout of Hair 58 – a narrow Georgian house spread over several floors – has made it easier for her to come back, since it’s possible to create discrete, socially distanced working areas; especially valuable for vulnerable customers. As Sam plugs in her trusty Parlux for the blow dry, I force myself to pay attention for once. On goes a blob of Aveda Be Curly prep, followed by Be Curly curl-enhancer; a powerhouse pair designed to stop frizz, enhance curls, and weightlessly encourage natural movement. As she dries, Sam takes the odd section and twists it (chunkier sections result in wavy curls, small ones create curlier ones). My hair is already looking a million times better than I’d hoped, but as a finishing touch she takes a styling wand, curling alternate sections backwards and forwards. Ta-daa. I’m genuinely thrilled. I post a photo of my new look on

“Maybe it was post-lockdown bravado, but I turned up at Hair at 58 in the mood for a change”

Before...

Frustratingly for hair stylists, since clients have to wear masks throughout it’s impossible for them to gauge the full effect of their work; so I took this pic for Sam when I got home

social media and compliments ﬂood in. My daughter informs me that I look 20 years younger. I take my new hair out to a newly opened restaurant at Wapping Wharf, and don’t even need to wear a hat. When it’s time to wash my hair, I line up my Aveda products and try to copy Sam’s technique. This is normally the point where I’d admit that I’d made a pig’s ear out of it, but in fact my eﬀorts weren’t half bad. I’ve even discovered that I can get away with letting this cut air-dry, doing nothing more than twisting the odd section. I’d approached my restyle experiment philosophically, safe in the knowledge that most people wouldn’t be seeing it anyway, so if I didn’t like it I’d have plenty of time to grow it again. Instead, I’m slightly peeved to have so few opportunities to take it out and about. In the meantime I’ve having hours of fun trying on old clothes in new ways – because that’s one of the great things about a restyle; you’ll have hours of fun accessorising it.

THE NEW SALON EXPERIENCE: HAIR AT 58 NEVER turn up at a hair salon if you or anyone you live with is unwell or self isolating. DON’T turn up early, as there is no waiting area. Minimise bags and coats; you’ll need to keep all your belonging with you.

...and after

DO book ahead, as the team are not accepting walk-ins. Wear a mask at all times, and use the hand-sanitiser at the door. Bring any drinks, books or magazines you need, as these will not be provided. FOR YOUR SAFETY all the team wear masks, gloves

and aprons. Every surface is cleaned regularly and wiped with sanitiser between each appointment; all items of equipment are disinfected before and after every service, and disposable towels and capes are used at all times. Arrows on the floor ensure a one-way flow throughout the salon to aid social distancing. PRICES Restyle £32-£72; creative colour, ask for quote Hair at 58, 58 Cotham Hill 0117 973 7793 www.hairat58.co.uk

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LESSONS LEARNED

As if the start of a new term wasn’t testing enough, Bristol’s schools have had to rise to a set of unprecendented new challenges... 78 I BRISTOL LIFE I www.mediaclash.co.uk

EDUCATION

s a new school year begins, the overwhelming concern for everyone involved in education is keeping everyone safe. It’s a huge ask: kids are naturally gregarious, and the concept of social distancing a very alien concept. From kindergarten to late teenage years, young people like to socialise. Unfortunately, that’s exactly what the coronavirus wants them to do. . .

THE ONLY WAY IS ONE-WAY

Colston’s head Jeremy McCullough explains that year-bubbles have been introduced at the school. This works on the principle of groups of students being kept apart; separation is completed through having staggered times for starting and finishing. If anyone in the bubble gets ill, everyone else is sent home. “We’re fortunate to have such a wonderful amount of space across our grounds, enabling us to allocate outside space across our playing fields for different year groups and bubbles,” said Jeremy. “We have staggered break times and lunch times to allow us to continue to provide a cooked lunch for all our students.” At Badminton, the senior leadership team have also set out their strategies, “from one-way systems in smaller spaces and different venues, to access points for different year groups and hand-sanitising stations by entry points.” Tom Westray, assistant head at The Downs Preparatory School, told us that they’d be adopting the same principles of year bubbles, one-way

systems and enhanced cleaning regimes, while Clifton College deputy head Alex Tebay confirmed that the school would be adhering to the same protocols.

TAKE IT ONLINE

Lockdown meant that suddenly, students would need to be taught using methods never before tried en masse in the long history of education. At Badminton, the school already had in place a Virtual Learning Environment (VLE). This meant that the move to remote teaching was reasonably straightforward. Traditional face-to-face teaching was out; instead pupils were now learning with the help of uploaded worksheets, PowerPoints with voiceover, and prerecorded clips of teacher explanation. The school told us that after the Easter break, more interactive teaching was introduced. Tutor meetings became part of the school week, along with community conversations online. Similarly at Colston’s, investment had already been made into online learning, so that some semblance to school life was maintained. Jeremy McCullough outlined the evolution of the process as lockdown progressed. “Our students had access to a number of daily live lessons via our e-learning provision. This helped them to maintain a sense of routine, and regular contact with their tutor, teachers and peers allowed them to keep connected with the school community.” At The Downs, measures were taken immediately lockdown was announced. Assistant head Tom Westray outlined their strategy: “We had a three-day window to trial some ideas for remote learning. Pupils

“Young people like to socialise; unfortunately, that’s exactly what the coronavirus wants them to do”

main pic and below: Hand-sanitising and queuing: the new normal at Colston’s

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EDUCATION a very complex problem. “What was most difficult for staff and pupils to deal with was the ever-changing message about the final grade to be awarded, as well as the appeals process,” they said. At Colston’s, the Government’s final decision to leave the grading of exam papers to teachers was welcomed. “We were confident that we knew our students really well, and would be in a strong position to ascribe Centre Assessed grades that would closely reflect those they would have achieved had they been able to sit their exams,” said Jeremy McCullough.

AND NOW THE GOOD NEWS...

Obviously, cricket must go on at Clifton College – or what would WG Grace say...?

checked in with form teachers and began completing their work online. We learnt a lot from these three days and are proud to say that we began virtual live lessons from day one of the summer term.” But online tuition and e-learning has some clear drawbacks. A sense of isolation can develop when there’s a lack of social contact. At Colston’s, several steps were taken to help safeguard the mental wellbeing of pupils and staff. Jeremy McCullough told us that live daily tutor sessions with the pupils helped them maintain contact with other pupils and teachers. “We also offered individual support to students when needed. Now that they’re back in school, daily tutor sessions continue to be an integral part of the day in helping to ensure students feel connected. Our house system also plays a key part in our strong pastoral provision. “For our teaching and support staff, we encouraged regular departmental catch-ups and held a series of ‘coffee and chat’ meetings to allow staff to get together and see each other socially, albeit online. This ensured tht our close sense of community was maintained throughout lockdown.” At Downs School, staff and pupils completed wellbeing surveys. The feedback from these will allow everyone to talk openly about their experiences. “Our school counsellor and all members of the pastoral care team are always available,”said Tom Westray. “‘Not for oneself but for all’, where we always help one another out.” Innovative thinking has also been brought to bear on other activities. Alex Tebay revealed that their school musical this year has been pulled, but an outlet still exists for musical talent. “We’re creating small groups who’ll take part in socially distanced rehearsals, and will then be filmed for a performance evening.”

Some positives did emerge from the lockdown. At Badminton, the adoption rate of new technology is seen as a definite plus. As the school puts it: “It’s true when people say ‘necessity is the mother of invention’.” For individual students, there were some benefits, too. “Pupils enjoyed having one-toone academic and pastoral chats online; they spoke more fully, more freely and engaged more completely than in personal meetings. It was as if by entering a space in which they feel native in communication we had struck a chord; we plan to harness this and retain online chats in our ongoing provision.” Tom Westray at The Downs School felt that lockdown brought about an even stronger team spirit at the school. “Staff have evidently been reinvigorated by the challenge it presented and will undoubtedly use elements of the online learning platform in their future planning,” he said. “For the pupils it was a huge test of their resilience, something often questioned of this generation.” Jeremy McCullough at Colston’s also commented on the resilience of students and staff, and he feels that the crisis strengthened the community spirit throughout the school. Colston’s is lucky to have an inspired design technology department, although it’s doubtful if before March of this year they would have dreamt they’d be making over 500 face shields. “These were distributed to local care homes, GP practices and hospital wards, all over Bristol,” explains Jeremy. “Our community supported us by helping raise over £1,000 to put towards the materials. Staff, pupils and Old Colstonians all got involved in sewing scrubs, bags and masks for key workers, creating a real sense of community at a difficult time.” Alex Tebay acknowledges that pupils missed all the things at school that used to be taken for granted – mixing with friends, playing sports, taking part in all sorts of activities outside the classroom, group learning. But the silver lining is that the pupils have really enjoyed returning to school, and the sense of community has become even stronger. “It has also mean that pupils are more galvanised than ever to make a difference in what they do, from their activities with the Charity Committee to volunteering opportunities within Clifton in the Community Programme,” she said. We do like to go out on a positive. n

“It’s been a real test of pupils’ resilience; something that is often questioned of this generation”

THE GREAT EXAM GRADING DEBATE

One of the thorniest and most controversial issues facing all educational institutes over the summer was that of exam grading. Did the government handle it badly? Badminton school is even-handed on the subject. “Clearly it was a very difficult situation, and while some countries still made provision for pupils to sit exams despite the lockdown, the UK government’s decision was for those exams to be cancelled.” The management team were aware that it was always going to be

YOU HAVE BEEN READING badmintonschool.co.uk cliftoncollege.com colston.org thedownsschool.co.uk

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It’s the city’s business

BRISTOLWORKS

Championing socially responsible AI

tudents across the UK were thrown into chaos this summer at the hands of biased algorithms affecting their results. This has heightened our awareness into the inequalities that AI can generate and, without the correct processes in place, the detrimental impact it can have on people’s futures and a business’s reputation. Bristol is leading the way in the debate as the Anthropology and Technology Conference 2020 brings together social scientists, technologists and business leaders from across the globe, supported by international technology giants including Spotify, to foster debate across the disciplines of health tech, smart cities and financial technology. It returns in virtual form on Friday 9 and Monday 12 October 2020. It may sound like a

niche topic, but increasingly we are seeing how it is one that is impacting all of our lives. A+T 2020 will look at the challenges, risks and opportunities that AI-technology presents, while igniting thought-provoking discussions from a series of panels, workshops and keynote addresses. This year’s keynote speaker is the highly esteemed human rights lawyer and director of the Digital Freedom Fund, Nani Jansen Reventlow. With AI driven technology already being used to make decisions that are having real and serious consequences on people’s livelihoods and rights, Nani will outline the importance of addressing algorithmic bias which reflect and amplify existing social inequalities. A+T 2020 will explore topics around healthcare technology and the transformational

effect the right platforms can have for people and ecosystems in health services. The Smart Cities stream will ask how urban areas can use technology to promote democracy and equity, with Bristol’s own Aisha Thomas talking about why representation really matters. The two-day conference will also explore the world of financial technology, addressing the potential affects it could have on more vulnerable communities should algorithms fail on their promises of inclusion. The Anthropology + Technology 2020 Conference takes place on Friday 9 and Monday 12 October 2020. Tickets range from £20 for students to £95 to corporates and can be purchased through anthtechconf.co.uk

ADVERTISING FEATURE

Coronavirus and family law Family lawyer, Rebecca Aston-Jones from INCE METCALFES answers some of the most commonly raised family law questions raised by clients in these uncertain times.

hen you are looking for a legal solution, there are many law firms to choose from. Our clients know that they can trust us time again to tackle their legal matters – big or small, planned or unforeseen. Coronavirus has had a significant impact on all of us in many different ways. Today, one of our family lawyers at Ince Metcalfes, Rebecca Aston-Jones, answers some frequently asked questions. 1. Can I stop my ex seeing our children because of coronavirus? Contact arrangements should be adhered to as far as possible, provided it is safe to do so. Unfortunately, we have seen an increase of breaches over the last few months and it would seem that some parties are looking to use the pandemic as an excuse to go back on previously made agreements. If you do not have a court order in place and you have been prevented from seeing your child, you can apply to the court for a child arrangements order which determines who your child will spend time with or live with; or if you have an existing court order in place, you may need to enforce this through the court if there have been breaches. 2. Can I vary a child arrangement order due to COVID? Yes, most orders can be varied by agreement. If variations are agreed informally between you and your ex, it is best to record these changes in writing so that they are properly documented. 84 I BRISTOL LIFE I www.mediaclash.co.uk

3. Do I need my ex’s permission to take our child/children out of the country? It depends on whether you have a court order in place stating that the children should live with you or not. If you have a court order in place and the holiday won’t last any longer than 28 days, you do not need permission to take your children out of the country. Unless your ex agrees, if you do not have an order set up, then permission from the court will be required. Just be mindful of the current COVID guidance in place in respect of the country you are visiting, as you and your children may need to quarantine when you return. 4. I have lost my job due to COVID; will this affect my consent order? There is a chance that a lot of people will be in this situation due to COVID being unforeseen. Although there is no legal precedent as yet, a court may view COVID as a barder event. A barder event is an unforeseen and unforeseeable event that has occurred since the order was made that has fundamentally undermined the order. The court has strict criteria which needs to be met to successfully establish a barder event, which is highly fact-specific and simply suffering financial loss as a result of COVID will not necessarily allow you to reopen a final financial order. It is therefore imperative that you take legal advice at the earliest opportunity as successful barder cases are rare. 5. My ex can no longer pay me maintenance because of coronavirus. What can I do? If your ex has stopped paying you maintenance

in accordance with a court order, you can make an application to the court to enforce maintenance payments if they have jurisdiction to deal with this. If your ex has no income at all, the court may look to other assets that your ex might have, such as savings in order for the payments to be made. Alternatively, if you are not receiving child maintenance from your ex, you can apply directly to the Child Maintenance Service and they can recover the payments due to you for the benefit of the children. ■

Rebecca Aston-Jones answers more family law questions on our website. To read, visit www.incemetcalfes.com. Email: RebeccaAstonJones@incemetcalfes.com or call: +44 117 930 7553 to have an initial conversation with our Bristol-based team.

BRISTOLWORKS

PROPERTY AWARDS NOMINATIONS CLOSING VERY SOON

The winners took it all

he Bristol Life Awards was held as a virtual event on the day before this, our ﬁrst issue back, was published. The night was a big celebration of Bristol, with a unique structure: live-presented from a bespoke studio in Avonmouth with ﬁlmed inserts,

led by headline sponsor Marsh Commercial along with big names from the world of business and culture. There was also a live reveal of ﬁnalists and winners. Full coverage in our next issue. Results can be seen on Twitter and Insta. www.bristollifeawards.co.uk @BristolLifeAwds

The Bristol Property Awards are back with a change of date, having moved to 12 February 2021. The event will be held once again at Ashton Gate Stadium. Nominations are still open, but you’ll have to move quickly: they close at midday on 30 September. Entry is free and any business working in the Bristol property sector can put themselves forward. The Bristol Property Awards are the largest gathering of property professionals in the city, with hundreds of businesses involved so far, whether as sponsors, nominees or attendees. All tickets are available and any bought for the planned earlier date are of course valid for 12 February. The awards are held on a Friday lunchtime to facilitate convivial business conversations. For more information on entering a nomination, and to ﬁnd out more about tickets, sponsors and more, see the Awards website. www.bristolpropertyawards.co.uk

LIVEABLE NEIGHBOURHOODS A group of Bristol organisations has published an open letter to the city council, asking it to work with local people to create ‘Liveable Neighbourhoods’ across Bristol by May 2024, starting now. Liveable Neighbourhoods are residential neighbourhoods that contain traffic filters such as bollards or planters at strategic locations. The filters stop cars, vans and lorries from the bordering main roads using the streets as rat runs. Residents and local businesses still have full access and can get deliveries, but the only way to pass from one main road to another would be on foot or by bike. A spokesperson for the group said: ‘During the lockdown, people in Bristol

experienced low traffic and clean air where they live, and this to become the norm in the city. The benefits of Liveable Neighbourhoods include easier social distancing, safer roads, safe spaces for children to play, room for outdoor seating for businesses, and more footfall and trade on local high streets. With Liveable Neighbourhoods, the streets are for locals, not through-traffic.’ The Liveable Neighbourhoods for Bristol campaign is already supported by over 20 groups, including Playing Out, Bristol Older People’s Forum, Bristol Cycling Campaign and the Bristol Walking Alliance. For more: liveablebristol.org.uk

ADVERTISING FEATURE

Focus on Family Law HARBOUR FAMILY LAW is a niche Family Law Firm with new offices opened this year in the heart of Clifton Village.

icky Howarth, Director and Head of the Clifton Office has over 18 years’ experience as a family lawyer. She can expertly advise you in relation to a wide range of family law issues including divorce, financial settlement, pre and post nuptial agreements and advice concerning children following the breakdown of a relationship. 5 things to expect from your initial consultation at Harbour Family Law...

1. YOU WILL BE LISTENED TO Going through a relationship breakdown can be extremely stressful. We understand the dynamics of a relationship breakdown and the obstacles that may appear along the way. We are specialists in relationship breakdown and we will listen attentively to your particular circumstances. Without listening to you we do not know how best to help you.

2. YOU WILL UNDERSTAND YOUR OPTIONS You may come into the meeting not understanding where the next step may take you, or what your options are. Once we have listened to your circumstances we will ensure that we provide you with tailored, specific advice on what your future options are. You will begin to visualise a way forward for the future.

3. WE WILL BE TRANSPARENT ABOUT COSTS We will provide you at the outset with a clear and accurate cost estimate. We offer an initial fixed fee appointment where we can discuss costs in greater detail with you.

4. YOU WILL UNDERSTAND HOW OTHER PROFESSIONALS OR EXPERTS MAY HELP YOU Family Therapists, Counsellors, Divorce Coaches, Expert Valuers, and Financial Advisors may be

able to help you at certain points in the way ahead. We can explain how these agencies may be able to provide meaningful advice to you, which will ensure that you are not just making sound legal decisions, but that other aspects of your life are also considered.

5. WE GIVE REALISTIC ADVICE We won’t just tell you what you want to hear. We’re committed to being open with our clients and giving them realistic advice about likely outcomes. ■

If you would like to arrange an initial consultation with Nicky Howarth, please do not hesitate to contact us on T: 0117 3751780 or E: nicky@harbourfamilylaw.co.uk. We are offering face to face appointments or video consultations. Ofﬁces also at Clevedon and Portishead. www.harbourfamilylaw.co.uk www.mediaclash.co.uk I BRISTOL LIFE I 87

PROPERTY A PL ACE TO C ALL HOME

TAKE ME TO CHURCH

Deconsecration can often lead to desecration – but that’s far from being the case at this divine conversion in Redland Words by Ursula Cole

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A PROPERTY PLACE TO CALL HOME PROPERTY

hurch conversions can be a mixed bag. There are so many unique challenges to overcome, so much potential for desecration! How will the developers work around that soaring ecclesiastical ceilings? Please say they haven’t crudely bisected those Gothic windows by divvying up the space into flats? Have they retained the pillars? Good news for the architecturally anxious, then, as we can reveal that the owners of The Cloisters on Kersteman Road have managed to create an extraordinarily lavish modern home while retaining the atmosphere of the original Victorian building. Standout features include sandstone arches, pilasters and carvings; stained-glass leaded panes throw warm gules through the tops of windows. The sitting room, with its pitched 30ft ceiling, offers the first taste of this home’s vast scale. Its travertine

90 I BRISTOL LIFE I www.mediaclash.co.uk

tiled floor flows through the hallway into the equally impressive open-plan kitchen/diner across the way, overlooked by a minstrel’s balcony above. From the hallway, wooden stairs lead up to the remaining four floors. Over the first are two almost identical mezzanine rooms, each with a glazed galleried balcony overlooking the space below. The current owners have created a fabulous personal space here. From a 21ft bedroom there are stairs up to a dressing room; a wall of glass doors opens to the former balcony, now a home gym. A further room on this floor is fitted with an en-suite shower room; it could make a private sitting room, or that 2020 must-have: a home office. There’s another bathroom off the landing, too, altogether creating an impressive master suite. Over the top two floors are four further double bedrooms, all with lovely period features and wooden floors. The front courtyard has been cleverly landscaped with a discreet seating area and an ‘all weather lawn’, with room for a coffee table and chairs; there’s even space to fire up the barbie and dine al fresco. As for the locale, do we really need to spell out the charms of Redland, this most leafy and pleasant of Bristol suburbs? Some of the city’s best restaurants are minutes away, and while there’s parking for a car, we suspect that for everyday leisure pursuits you’ll hardly need to use it all. In fact, you may find the additional bike shed to be more on point. Can we get an amen?

HOUSE NUMBERS

Where

Square footage 3600

What else? Unique features; gym

Bedrooms 6 Bathrooms/ shower rooms 4 Reception rooms Outside Price

Courtyard garden Â£1.25m

Redland

Rupert Oliver Somerset House, 18 Canynge Road, Clifton BS8 3JX 0117 428 6464 rupertoliver.co.uk

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ADVERTISING FEATURE

Redland Court – reimagined Juniper Homes launches the first phase of its long-awaited and highly anticipated Redland Court development

et within three acres of tranquil parkland is Juniper Homes’ latest development: a collection of new and exquisitely refurbished historic apartments and houses. Redland Court is Bristol’s finest landmark development, where classic meets contemporary with uncompromising style and character. The result is a collection of homes combining specifications and finishes that exceed expectations, in a development where no two homes are quite the same. A home at Redland Court is a once-in-a- life time opportunity. Standout features include astonishing skyline views out across the city, soaring ceiling heights, restored period features, private outdoor terraces and allocated parking. Redland is one of Bristol’s most popular locations, with the city centre right on its doorstep and easy access to Durdham Downs. The scheme also falls within the sought-after Redland Green School catchment area.

CREATING HOMES FOR 21ST-CENTURY LIVING Juniper Homes’ challenge has been to honour the historic fabric of the buildings while introducing exceptionally high standards. Attention to detail within the homes is evident while the individual building specification reflects the period of the property. Living space has been created with flair and imagination, drawing on an elegant and sophisticated palette of materials and finishes, each chosen to enhance the spirit of each individual building. Catering to the current move to home-working, Redland Court will also provide ultra-fast reliable broadband connectivity.

parkland to the private outdoor terraces and gardens that enhance so many of these spacious homes, this unique development has so much to offer its future residents.

THREE ACRES OF LANDSCAPED GROUNDS AND PRIVATE TERRACES

Redland Court offers a range of house and apartment styles including: • Spacious 1- 4 bedroom apartments, duplexes and triplexes • Spacious 2 - 4 bedroom houses, from single-storey contemporary designs to town houses set over four floors.

Emerging at the top of the buyer’s wish list is outdoor space. Redland Court is set in three acres of private residents’ gardens and grounds, all of which will be lovingly brought back to life. From the sweeping lawns of the residents’

For further information on Redland Court call the agents: Savills on 0117 910 0360 or Ocean on 0117 946 9838 or visit www.redlandcourt.co.uk. ■

“Right from the start, the Juniper Homes team has been committed to breathing new life into these very special buildings. To see this challenging scheme take shape, and the exceptional spaces emerging, really justifies our uncompromising approach through the build process.“ Juniper Homes – director Jon Morgan

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ADVERTISING FEATURE

Appy days! Your CONSOL tanning experience just got an upgrade, thanks to our brand-new app

e’ve created the ultimate pocket-sized companion for your convenience, and right now you are one step away from accessing the fastest sign-up process, the most exclusive offers, and outstanding and unbeatable tanning results. Download our app in a few seconds and you’ll instantly be able to:

SIGN UP New to Consol? Perhaps one of the most exciting features is that you can now complete the whole sign up process through the app. No need to visit the studio or queue at the sign up station! Simply enter your details as prompted, create a quick selfie video so we can check it’s you and upload a photo of your ID to become a Consol member with access to tan right away. This is by far the quickest and easiest way to become a member.

EASY STUDIO LOGIN Login to your studio kiosk quickly and easily with our intelligent new QR code technology. Simply aim the QR code located in the app at the kiosk

camera, to access your account and select your session and products while in the studio. This new touch-free login method allows you an easy option for logging in with no need to type in your mobile number or touch your finger to the reader.

“THE ULTIMATE POCKET SIZED COMPANION FOR YOUR CONVENIENCE” OFFERS Access our very best app exclusive offers and purchase them directly from your smartphone. All credits/minutes purchased will be added to your account and ready to use right away. Our app offers will be the very best available so be sure to check regularly and take advantage of the hottest deals. Simplify the checkout process by securely storing your details for future use and instantly check your current Consol credits/minutes balance at any time.

PROMOTIONS We’ll keep our app regularly updated so you can learn about the latest news and promotions offered by Consol in our studios. New products, sunbeds, vending items or important news will be delivered to you via the app for your convenience.

STUDIO LOCATIONS Find your nearest Consol studio simply by allowing the app to access your current location. It’ll find the studio closest to you and its opening times, busiest hours and sunbeds available in the studio to give you all the info you need for visiting new or local studios. Don’t forget, you can login to any studio using the in-app QR code and access your account to use the facilities.

YOUR INFO Easily update your contact information, payment details and marketing preferences straight from the app with direct links to our helpline and contact centres for your convenience. We’ll keep our app regularly updated so you have the latest info, advice, help and the hottest offers at your fingertips. Let us know what you think at info@consol.eu n

Available to download from your app store today! Scan the QR code to download. Visit www.consol.eu for more information. 98 I BRISTOL LIFE I www.mediaclash.co.uk

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Bristol Life - Issue 288

Articles inside

SHOWCASE A divine conversion

HEALTH AND BEAUTY

SCHOOL’S IN New term, new rules

GARDENING Plotting ahead

FASHION Milly catches The Wave

FOOD AND DRINK NEWS

EDITOR’S CHOICE

BREAKING BREAD: LOCO X RIPIENA

CAFE SOCIETY: STAN CULLIMORE

SHOPPING

THE GREAT BRISTOL HIGH STREET

THE WAY WE LIVE NOW Our homes have never been more important

BOOKS

THEATRE Bristol digital theatre – nobody does it

WHATS ON

ART: THE ANDY WARHOL OF MARRAKECH

ART PAGE It takes more than a global epidemic to

SPOTLIGHT

INTERVIEW: DAVID ATTENBOROUGH