WE SECOND THAT EMULSION AUTUMN INTERIORS’ HOT NEW HUES NIGHT MOVES BRISTOL’S AFTER-DARK HEROES PAMPER LIFE’S COMPLEXITY CHILL AT A SUPER SPA
GOURD SQUAD PUMPKIN UP THE VOLUME WEAR IT WELL SUSTAINABLE FASHION ONE SMALL STEP FOR A BAND A MASSIVE LEAP FOR LIVE MUSIC
She’s filmed three major TV series at The Bottle Yard, she starred in Stephen Merchant’s The Outlaws, and she’s making her stage debut at Bristol Old Vic this month – isn’t it time we just handed Eleanor Tomlinson the keys to the city?
Iwas once ticked off in no uncertain terms on social media (where else) for saying how ravishing Eleanor Tomlinson looked in The Outlaws. To be fair, at this point we only had first-look photos from the set to go on, but it was apparently reductive of me to have raved on about her appearance and costumes rather than her acting ability. I guess I’d assumed that what with Poldark, Colette, The War of the Worlds and so on her talent was kind of a given, but anyway.
To prevent further triggering, this time I shall stick to the facts. I shall refrain from commenting on the absolute radiance to my left, and focus instead on why Eleanor is once again among us. I say ‘once again’, because at this point Bristol can practically claim her as one of its own; she’s filmed three major TV series here, and is about to make her stage debut in Matthew Lopez’s Reverberation at Bristol Old Vic. She kindly broke off from rehearsals to chat about the play and say lovely things about this city; she’s a total sweetheart –am I allowed to say that? Probably not – and you can read the interview on page 44.
October brings many changes. The autumn leaves are turning to the colour of Eleanor’s hair (seamless link to the above paragraph and ’60s pop-culture reference!), al fresco dining yields to pub lunches, and it’s time for our big AW interiors feature. Brown is apparently the hue du jour; despite many years of scraping mahoganycoloured anaglypta from Victorian walls I find I am strangely down with this. It also goes to show that if you hang around long enough, every style will come back eventually; I fully expect to open Elle Decor next April and discover that woodchip was seen simply everywhere at the Salone Internazionale del Mobile.
All the tips and trends start on page 12, and you’ll probably need them if you become the new owner of Harptree Court, our showcase this issue – yours if you have £6.75 mill rattling about in your pocket. We’d be happy with just the treehouse, to be honest.
We have a special Bristol Heroes about Bristol nightlife, while on a not-unrelated note, we offer our unasked-for two-penneth on Massive Attack’s lowcarbon gig on the Downs, which sets the bar for the future of sustainable live music.
Shall we tell the Gallagher boys, or will you?
DERI ROBINS
Bristol Life editor
@BristolLifeMag
Eleanor Tomlinson in character as Claire in Reverberation
PHOTO BY MICHAEL WHARLEY
ON THE COVER
Eleanor Tomlinson as Claire in Reverberation
Photo by Michael Wharley
INTERIORS
12 HUE GOES THERE? Any colour, as long as it’s brown
ARTS
35 ARTS INTRO That’s Mr Swalllow to you
36 WHAT’S ON A new season in the arts: now we’re sucking diesel
44 BIG INTERVIEW Honorary Bristolian Eleanor Tomlinson
50 MUSIC It’s the Massive Attack review literally nobody asked us to do
52 BRISTOL HEROES Give me the night
56 BOOKS Not your average musician bios
LIFESTYLE
60 SUPER SPA . . . with cake and optional Austen 64 PUMPKIN SEASON Orange squash
67 CAFÉ SOCIETY Cullimore Café
70 FASHION The sustainable shopper
BUSINESS
77 ENTRECONF Town and gown: how Bristol Uni collaborates with the city, to the benefit of both 81 NEWS AND VIEWS Snippets and insights
PROPERTY
91 SHOWCASE The one with the 14 bedrooms, 51 acres and luxury treehouse
Here are seven words we’d like to see etched in stone and mounted at all entry point to the city: “Bristol led the world to be truthful”. The accolade came from no other than Sir David Attenborough, who heaped praise on the city while celebrating the BBC Studios Natural History Unit’s 90th year of broadcasting, which began at Broadcasting House on Whiteladies Road on 18 September in 1934.
Sir David was speaking to BBC Points West about the impact Bristol has had on natural history programming, revolutionising filming technology and exerting a global in uence on the pursuit of environmental knowledge.
“The world would be in a far, far worse situation now had there been no broadcasting of natural history,” he said. “People have found it a source of fascination and beauty and interest, and this has become key to looking after the world. People are aware of the problems of conservation in a way that could not exist without broadcasting, and the BBC can claim that we’re leading that.
“The other big mega power in broadcasting was the United States, and in the 1970s, viewers
THAT’S FUNNY…
Returning next February, right at the point when the post-Christmas credit card bills have started to arrive and even the jolliest among us are starting to lose our sense of humour, is the latest edition of Bristol’s Slapstick Festival of silent and classic screen comedy.
there just thought natural history was just lions attacking antelopes,” he said. “Bristol’s programmes taught them that termites could be just as interesting.” (Actually we’d quite like that last sentence inscribed, too.)
Sir David was awarded Freedom of the City of Bristol in 2013, to mark his connections with the programmes made there” – but his relationship with us might have been even closer.
“In 1955 I was told I was to be made head of the Natural History Unit in Bristol, and I said I would prefer not to do so because I had just bought a house in London, my son and daughter were fixed in schools. I also had responsibility for prime-ministerial broadcasts with Anthony Eden, which I wasn’t all that interested in, but nonetheless I had the responsibilities. Had it happened three years earlier I probably would have been there.
“It is always a joy to visit Bristol, the city has a regional personality… If you’re a broadcaster, particularly a natural history broadcaster, there is nowhere else like Bristol in the world.”
Watch Sir David’s full interview on iPlayer
It’s a special one, too. Ramped up to celebrate Slapstick’s 20th birthday, a Valentine’s Day Gala will show three restored bona-fide gems Laurel Hardy’s final silent short Angora Love; Charlie Chaplin’s increasingly relevant The Immigrant, and Buster Keaton’s Steamboat Bill Jr, each accompanied live by world-class musicians – including keyboard legend Rick Wakeman. Actor Paul McGann will be there too, with his band The Matinee Idles. More details anon – in the meantime, sign up to receive updates at www.slapstick.org.uk
There aren’t many exhibitions which call to aviation geeks and fashion fanciers alike, but Aerospace Bristol may have come up with just the thing. They’re about to put 80 years of BA cabin crew uniforms on display, from the 1940s to modern day designs – including the famous paper dress and tartan uniform.
My first uniform was a mini, just above the knee, in raspberry pink, with a zip up the front and a little sassy belt at the back, that looked like a hairdressers’ overall,” says retired BOAC cabin crew member Daphne Oldfield.
“Just before that we had paper dresses for the Caribbean, which you cut to your preferred length. You can imagine some girls wanted it up high, and got told off. Guys in the aisle would be trying to light your dress with a lighter. Those dresses didn’t last long.”
www.aerospacebristol.org/fashion-of-flight
Actor Paul McGann returns with his band The Matinee Idles, which played the first Slapstick festival in 2005
That’s ‘The London Look’; BELOW: The highly inflammable paper dress
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Don’t be frightened of yellow: it can be muted and earthy as well as citrussy and bright. This paint colour is Bassoon by Little Greene, at Nola Interiors
WE SECOND THAT EMULSION
A new season in interiors! New hues! Quick, to the colour charts!
A) 50 SHADES OF BROWN: RESISTANCE IS FUTILE
B) FAREWELL, COOL MINIMALISM: HI, WARM AND COSY
C) RED LORRY, YELLOW LORRY: MEET THE NEW PRIMARY SUSPECTS
D) COOL BEANS: LATTE DECORATING IS THE HUE DU JOUR
For the above, and more, just follow the paintbrush
Words by Deri Robins
Here we go again! A new season, a new ride on the interiors merry-goround, with a fresh bunch of styles and colourways for you to pick-andmix from.
Naturally, the predictions are awash in contradictions. For every stylist who’s cooing over muted hues, another is loving bright reds and buttery yellows. Some are dialling down the bling; others (the Italians, naturally) are dialling it up. A few say chrome is in; the majority insist it’s out. While everyone’s looking mistily back to the ’70s, some have already moved on the ’90s. And remember how we mentioned in spring that brown was going to be huge this year? Yep, that.
Of course, fashions in interiors change very slowly, and many of the A/W24 predictions are strikingly similar to those we saw in S/S24; in fact, some trends haven’t changed since 2022. If there is a shift, it’s a move away from chilly minimalism – looking at you, stark white kitchens; staring hard at you, grey! – into something much cosier. Interiors gurus have gazed into their crystal balls and come up with the not-especially-rocket-science conclusion that nobody wants to live in a showroom; what we want are welcoming havens, furnished with nostalgia and DIY innovation; the emphasis now is on warmth and comfort, with a touch of the unexpected.
With sustainability being a key influence, there’s less emphasis on transient trends, and fewer buzzwords to bully us into adopting styles we never fully understood anyway. Was Grandmillennial the same as retro-fusion? What exactly was neo-Brutalism, or the cultural
: Divine
range of brown papers range from delicate botanicals to modern geometrics; BELOW: Romo effortlessly ticking off the brown, ’70s-retro and squishy sofas trends all in one
relevancy of Millennial Pink? Whither Japandi? Instead, AW24 is about making strong, long-term design choices, and acquiring investment pieces which will stand the test of time and reflect your personality. We’re increasingly embracing second-hand finds; vintage isn’t simply a more affordable and enduring alternative to flimsy flatpack, but the best way to inject a personal, playful touch to your home.
That said, it’s still a highly eclectic scene out there, and whatever your style – whether you’re still fiercely loyal to your Scandi neutrals, haven’t quite outgrown flamingo feature walls, or find Barbie’s Dream House just a little too understated for your taste, there’s a trend out there for you. Just think of a keyword, and someone out there will be sticking ‘-core’ on the end and doing it.
First of all, let’s get down with the spectrum. We’re spinning the colour wheel, and the first shade it’s landing on is . . . brown . . .
MEET THE BROWNS
If you’ve spent years laboriously scraping brown wallpaper from the walls of your Victorian terrace, you may be slightly irate to learn that you should probably have waited – because brown is having its biggest moment since the 1970s.
The catwalks are already all over it, and now brown is invading the smartest interiors, from walls to upholstery – and, if you’re into colour-drenching, ceilings, doors and skirtings, too.
There were early signs. Seemingly overnight we all abandoned grey like rats deserting a sinking ship. Next, we moved on to the warmer compromise of greige. Now, however, all the cool kids are going over to the dark side, with warm browns, caramels, chocolates and earthy, muddy hues. Everyone’s calling it the new neutral.
“Rich browns bring a cosy, warm atmosphere to your home, creating a restful, calm feel to your living space, or a relaxing haven in your bathroom”, says Finola Kelly of Nola Interiors
“Brown is ultimately calming whether dark or mid-tone and offers inherent warmth to any room”, agrees Farrow & Ball’s Patrick O’Donnell. “It can range from pale coffee to the deepest cacao. The tones you choose will dictate the look and feel, but the one reliable
ABOVE
Savages’
“Now all the cool kids are going over to the dark side, with warm browns, caramels, chocolates and earthy, muddy hues”
LATTE DECORATING
A branch of the brown family, but a trend in its own right, these hues take inspiration from our morning cup of Joe .
“Coffee shades add a rich elegance to your room. Add texture and warmth with cushions, rugs and soft lighting”, says Finola Kelly.
And “Calm, warm and neutral coffee colours work very well for people who are not sure about committing to colour. Metallic accessories can work very well with them; coppers and bronzes will add richness and interest”, says Zoe Waller at Gardiner Haskins.
Romo demonstrates how muted browns and lattes tap perfectly into the’quiet luxury’ trend
thing about the brown family is its ability to be pretty much teamed with any other colour, whether in your chosen fabrics, art, whatever.”
“Decorating with brown is all about embracing earthy, warm and organic tones”, says Jamie Watkins of Divine Savages. “A modern take on neutrals, focusing on creating cosy and inviting spaces through the use of wallpapers, fabrics and accessories in varying tones and textures of browns and other nature-inspired shades.
“Look for wallpapers featuring botanical prints, leaves or even abstract nature motifs in brown tones. These patterns can range from the delicate and detailed to bold and graphic, allowing you to create a statement wall that’s still rooted in nature.
“Geometric patterns can add a modern touch to the trend. Opt for designs which incorporate various shades of brown, taupe, and beige to create visual interest while staying within the neutral palette. Or playing with metallic accents in bronze, gold, or copper can add a touch of glamour to brown tones, enhancing the overall warmth and richness of the space.”
RED OR DEAD
This is another colour that’s effortlessly crossed over from the catwalk to interiors; you can just use it in small accents, or go all-out, although unless you want your living space to resemble the dream sequence room in Twin Peaks the latter needs careful handling.
“When decorating with red, we go bold, layering different shades for a striking, dramatic effect”, says Jamie Watkins. “A focus on varied textures helps to keep the balance. Combine, for example, the soft sheen of a wallpaper with subtle metallic highlights with the plush richness of velvet curtains and patterned cushions. Our own roaring ‘20s-inspired Deco Martini wallpaper, in a colour we’ve
“When decorating with red we go bold, layering i erent sha es for ra atic e ect
named Moulin Rouge, features a sultry mix of deep burgundy, black and gold which brings Gatsby glamour and a touch of the Paris cabaret to your home. It’s our twist on the traditional Deco fan motif, featuring a hidden martini glass within the print; we recommend styling it with luxurious red velvet, opulent drapes, and touches of gold and marble.”
“While we generally favour timeless colour schemes, the resurgence of red has caught our eye”, says Megane Leeding of Ivywell Interiors. “Bold reds make striking accents in artwork or accessories, creating an instant uplift in any space. Softer, muted reds are perfect for walls, adding warmth and creating a soft yet defined atmosphere.”
GOOD DAY SUNSHINE
Red isn’t the only primary to be enjoying a resurgence. While yellows can be citrussy and bright, they can also be butter-soft, mustardy or sandy, or as pale and subtle as a wheat-coloured neutral. These shades go a treat with dark woods; or use as a single shade across walls, floors and furniture to make your room look permanently bathed in sunlight.
“Anyone remember how we couldn’t get enough of yellow in the ’90s? Well, it’s time to find the love again, because yellow, when used in the right room in the right shade, brings nothing but joy”, says Patrick O’Donnell.
ABOVE: Romo’s Zinc Textiles looking right at home against the burgundy and red; BELOW: All-day sunshine guaranteed with Farrow & Ball’s Yellowcake
“A standout tile will always elevate a bathroom”
THE SPA OF THE HOME
Chris Payne, senior chief designer at Ripples Bristol, suggests ways to add ‘quiet luxury’ to your bathroom
1 Feature lighting is my first go-to. This can be simple underlighting, recess lighting or pendant lights. Great lighting gives a simple bathroom a much more luxurious feel, especially if you can opt for beautiful wall lights, or multiple layers of light for additional intrigue.
2 Special-finish brassware is generally more expensive than chrome, but will elevate a bathroom. It’s important to go for higher quality as it’s handled every day – you’ll quickly be able tell if it’s not up to scratch.
3 Whether in the pattern, shape, or material, a standout tile will always elevate a bathroom and add a touch of luxury. Simplicity can work best; I’d suggest choosing one style of tile and using it only in essential areas.
4 Underfloor heating is my big go-to. Even if it is limited to the shower area, it’s a real indulgence for the feet.
Ripples were doing ‘quiet luxury’ long before it became a thing
NOTHING SUCCEEDS LIKE SUCCESSION
Blame it on the stealth-wealthy Roy family in HBO’s Succession: flashy clothes and furniture seem to be out. Just as a luxury wardrobe is made up of classic investment pieces, more and more of us are wanting the same high quality in our homes.
Think dark woods, luxurious soft textures, muted hues and beautifully made, traditional furniture, chosen with consideration, care and moderation – ‘mindfully’, if you like – and made to last.
Even our maximalist local heroes are getting in on the act. “While we’re best known for playful, bold patterns, we also love to create designs for those who favour a more minimal interior”, says Jamie Watkins. “We still find ways to incorporate playful twists and humour into these designs while maintaining a level of sophisticated luxury.
“The Divine Savages’ take on the quiet luxury trend, which we like to call minimaluxe, combines minimalism with luxury, emphasising simplicity while incorporating elements of opulence. With its clean, uncluttered aesthetic comes a sophisticated colour palette of neutral tones and tactile textures such as velvet, flocked paper and metallic finishes. Incorporating wallpaper into a minimaluxe interior can add depth, texture, and sophistication without overwhelming the space.”
“Luxury is about high function and texture”, says Zoe Waller. “It’s certainly luxurious to not have to wait for a kettle to boil, by having a boiling tap into a kitchen; or not having taps in the way while you’re enjoying a bath, by having an overflow filler. These features can be added to any style and provide everyday functionality.
“Also, the texture of products is important. Silky feeling worktops can be achieved using Neolith ceramic collections; the clean lines
and absence of sharp edges help to give the feeling of luxury. Carefully chosen handles can really make a big impact, too; good-quality material is worth the investment and can even make economy furniture look luxurious. It’s the little details that count.”
BLING IT ON
Remember how we mentioned contradictory trends?
Come on, you wouldn’t really expect Italy to embrace ‘muted’ or ‘unflashy’, would you? In fact, in Milan this year, some of the top names went all-out on gold bling, embracing glam metallics as if nobody had ever heard of Succession. Officine Gullo even showcased an oven range with 24-carat gold hardware.
“At K Interiors, quiet luxury is less about overt displays of wealth and more about subtle sophistication”, says Kay James.
“It’s an aesthetic close to our hearts, combining high-quality materials and craftsmanship to create timeless pieces with a focus on understated elegance.”
And “Quiet luxury is an enduring trend we love”, says Megane Leeding. “The focus is on well-designed spaces which exude luxury through functionality, enhanced by thoughtfully chosen materials and colours to create a harmonious space. The true value is found in the quality of the design and its seamless execution.”
THISPAGE: Divine Savages are calling the quiet luxury trend ‘minimaluxe’, and we are here for it
“The ’70s embraced the carefree, the relaxed and the unusual”
ABOVE: The ‘70s are a constant source of inspiration for the Zinc Textile design studio BELOW: ‘70s nostalgia through a modern lens at Divine Savages
FEELING GROOVY?
Given the 1970s’ passion for muted, earthy yellows and browns, along with a predilection for natural materials – in other words, 2024’s hottest trends – it’s perhaps unsurprising that this era’s interiors are having a comeback.
But there’s more to it than just colour and materials: designers are being drawn to the fun, optimism and laidback individualism of the era. It’s all about bringing joy, making your own freespirited decisions and doing your own thing (man).
However, try to rein the retro to some degree – by all means search for ‘70s furniture in vintage shops, snap up a set of Hornsea pottery caddies from Etsy, add a mushroom lamp – but aim for a harmonious balance between past and present. Nobody* want to wake up to find themselves living in a room set from George and Mildred *Well, maybe you do; if so, no judgment here.
“The ‘70s are a constant source of inspiration,“ says Justin Marr at Romo’s Zinc Textile design studio. “The era embraced the carefree, the relaxed and the unusual; aspects which lend themselves effortlessly to innovative interior design, whether it’s playing with shape or unique colour combinations. Further still, the ’70s were a decade of significant artistic creatively, across art, fashion, interior design and architecture, and as such it’s become a timeless resource.”
“A 1970s retro revival has been thriving for a number of years now,” says Jamie Watkins. “Wallpapers of the ‘70s were often geometric, or showed an element of repeated print; something we at Divine Savages indulge in. Our large-scale bold patterns and vibrant colour palette is so reminiscent of the era. It’s certainly not a trend for wallflowers! The combination of vibrant coloured walls paired with mid-century furniture pieces is also boosting a renewed appreciation for design elements inspired by the 1970s.“
“Simple slab doors in wood veneers, and groovy colours, create a fabulous ‘70s style,” says Zoe Waller. “It’s an opportunity to really put your mark on a kitchen or bathroom by being brave with colour. Even if you don’t commit to colour on your units, tiles can be used to add a pop of orange, green or yellow. Walnut is also making a comeback, and is richer than ‘70s teak.“
“Reminiscent of the eclectic shapes and colours of the ’70s, Designers Guild have created a contemporary graphic collection with contrasting geometric shapes and forms in textured shades, inspired by the beauty of raku glazes creating a wonderfully vibrant pattern,” says Alison Bracey of Bracey Interiors. “Modern, yet utterly timeless.”
OH, AND YOU KNOW WHAT ELSE EVERYONE LOVED IN THE ‘70S? HOUSE PLANTS
“From the monstera (Swiss cheese plant), to the Victorian parlour palm, houseplants are back in vogue and decorating our homes today,” says Rhianna at Sprouts of Bristol.
NB: While the collective obsession with all-things ‘70s isn’t going anywhere fast, a new throwback era is steadily rising to the fore: steel yourself for a revival of all things ’80s and ’90s.
“More and more, we are buying houseplants with intentionality: choosing them to fit with our decor, the light levels, and the amount of care we can lavish on them. Whether we’re learning from over-filling our pandemic isolation homes with greenery, or aspiring to Insta-perfect indoor jungles, we hope it means lots of lush, well-looked-after plants greening up those lovely interiors.”
ABOVE: Sure, stripes are everywhere; but Romo’s also picking up the checks; BELOW: Think soft, think squishy, think big: Cox & Cox
PATTERN UP
Pattern is becoming bolder, with checks and stripes mixing and matching to create a layered, textured look, simultaneously traditional and modern, and cosy and inviting; .
“Stripes have been an interior staple for years, and will never go out of fashion,” says Liz Donnolly of Villa Nova at Romo. “The beauty of a stripe is there are so many different types, from pinstripe to ticking to Breton, and all are available in a multitude of colours, whether two-tone or multi, resulting in a quality that’s easy to work into any space.”
“Incredibly versatile in interior design, stripes pair effortlessly with florals, geometrics, and abstracts to create striking pattern combinations”, says Kay James. “They add structure, inject colour and can cleverly draw the eye to alter the perception of space in a room. What’s not to love?”
BIG FURNITURE
As the temperatures drop, there’s a natural inclination to seek out comfort and cosiness. Think soft rounded edges, chunky furniture and bold, robust designs which add a sense of warmth and solidarity to a space, inviting you to sink into their pillowy luxury. Whether it’s a thick, textured rug underfoot or a large, enveloping sofa, the chunky trend is ideal for those looking to infuse their homes with a tactile, inviting atmosphere as the seasons shift.
“If you’re looking for a statement piece, look no further than a plush, oversized sofa or chair,” says Kay James. “Perfect to create a cosy sanctuary which invites you to curl up under a blanket with a good book and a gingerbread latte.”
“Large sofas beckon you to kick back and relax”, says Megane Leeding. “Understanding the scale of the room is key, to avoid overwhelming the space. Large corner sofas or chaises are best used in the middle of a room with plenty of space to walk around.
“Cushion fillings make a big difference in the overall sofa style. Feather-wrapped cushions give a squishy, relaxed look but will need some weekly plumping, while fibre-wrapped foam tends to be bouncier and retains its shape for longer.”
“Even in the smallest spaces – a large corner sofa can be a much
better way of making a small living room feel luxuriously expansive than several smaller pieces”, advises the team at Cox & Cox. “The living room is predominantly designed around seating, so your largest investment should be sofas and armchairs which reflect your design aspirations but also offer comfort, and will stand up to the rigours of everyday life.”
“Larger sofas are also perfect for socialising, allowing more people to gather comfortably. Whether it’s hosting friends or family, a big, inviting sofa encourages togetherness. Modular configurations also allow for flexibility in seating arrangements, adapting to different needs.” n
“Stripes have been an interior staple for years, and will never go out of fashion”
We’ve never seen a room set by Romo we didn’t want to move straight into; stocked in Bristol by Bracey Interiors
GARDINER HASKINS INTERIORS
Unsure how to transform their bathroom from worn to ‘wow!’, some first-time renovators turned to GARDINER HASKINS Interiors for start-to-finish, all-round expertise
Words by Annabelle Grundy, Photos by Colin Poole, Design by Olga Karpisz.
Jess and David moved into their house knowing they were embarking on a substantial renovation project. The bathroom was Jess’s top priority,
“It was grim, with wasted space,” she says, “It had a P-shaped bath, needing masses of water to fill it, which wasn’t ideal for us with young children. Everything was very worn.”
A walk-in shower was on their wishlist, along with a family-friendly bath and a stylish look.
“This was a big project and a major expenditure for us, but we weren’t very confident and didn’t really know where to start,” says Jess. “We were looking for someone to guide us.”
They knew of Gardiner Haskins and visited the showroom, where she chatted with designer Olga and explained their project. Using dimensions and photos, Olga worked to accommodate a bath, shower and other essential elements, while minimising disruption to existing plumbing. Her solution maximises space by slotting the bath under the window, installing a walk-in shower in the opposite corner, and a vanity unit in between.
Meanwhile, Jess started thinking about the look of the new bathroom. The first choice was traditional-style brassware.
“I saw brushed brass taps and showers in the showroom, and loved them straightaway,” she says.
Jess and David settled on an inky blue theme, with touches of charcoal grey. The bath was an important choice, and Olga put forward an elegant design that fit snugly against the wall, yet is roomy and practical for the children. The basin and vanity unit are equally functional, but stylish too.
When it came to the shower enclosure, Olga sourced the contemporary black framing and grid-patterned glass Jess had set her heart on. They spent some time weighing up different wall options with Olga, before picking glossy, deep-blue metro tiles,
“We did consider panels but we really loved these tiles,” says Jess, “We put the same ones in white around the bath and basin, for a practical yet striking contrast. To balance the dark blue, we’ve got a lighter-coloured floor, too.”
Once decisions were finalised, Gardiner Haskins arranged for their trusted partners to install the bathroom.
“We very impressed with the fitters, and we had confidence in them because Gardiner Haskins recommended them,” says Jess, “The finish is excellent, and they suggested
The new bathroom has fulfilled expectations and Jess and David are thrilled with it. Among Jess’s favourite details are the tiled alcove in the shower and the smart, mirrored wall-cabinet, which has nifty, touch-activated lighting.
Both agree that working with Gardiner Haskins turned a daunting idea into a manageable scheme,
“We feel proud of our new bathroom,” says Jess, “Gardiner Haskins guided us well and took a lot of anxiety out of the situation. We’re very happy.”n
If a bathroom renovation is on your list, visit the Gardiner Haskins Interiors showroom at 1 Straight Street, Bristol, BS2 0FQ; tel: 0117 929 2288; www.gardinerhaskins.co.uk things like putting in an extractor fan, which we might not have done otherwise.”
NEPTUNE’S autumn collection mixes classic design principles with unique accessories and an inviting colour palette
William Morris famously stated: ‘Have nothing in your house that you do not know to be useful or believe to be beautiful.’
And it is an approach that kitchen and homeware brand Neptune also believes in when it comes to creating homes filled with quality, well-made furniture and unique accessories.
The autumn collection is a case in point. This is a season imbued with refined indulgence, with crafted pieces inspired by classic design principles and rich jewel-like tones. Building schemes with heritage-inspired furniture redefined for our modern lifestyles, introducing considered colour palettes with flashes of stronger shades, and layering rooms with accessories developed with expert craftspeople around the world.
FURNITURE
There is a modern twist on the timeless dresser in the new, glass-fronted Farlow collection featuring three sizes of oak and tulipwood cabinets with sleek, curved corners, while the traditional four poster bed is redefined in the contemporary, solid oak Walton bed with its slim proportions, upholstered headboard and bevelled finials.
SEATING
The deeply cushioned Eliza sofa has an exposed oak rail frame, inspired by an antique Edwardian design, that means it looks good from any angle of the room. The spindles of the classic Windsor chair influenced Neptune’s Casey armchair, which has been re-imagined as a comfy armchair with a gentle recline for a relaxed seating position. While the Ophelia footstool marries form and function with two oak trays concealed beneath its cushioned frame. Slot the trays away, and the Ophelia becomes useful extra seating.
ACCESSORIES
When it comes to accessories, seven new rug designs, handwoven in India, are exciting
additions, combining sophisticated pattern with soft colour and texture. Two solid ash wood table lamps are features in their own right, their distinctive silhouettes bringing interest to a room. And the printed bed and table linens, pretty, ruffled ceramics and fine quality Polish glassware offer a myriad of ways to personalise your space.
This autumn, then, is a time to re-imagine your home with a more layered style, drawing on the rich heritage of British design. Look for beauty and practicality in furniture, invest in pieces that are well engineered and crafted, and personalise with interesting accessories for a home that feels both welcoming and relaxing. n
Visit Neptune Bristol to discover Neptune’s autumn collection in person or scan the QR code to explore it online.
Neptune Bristol, 98B/C Whiteladies Road, Bristol, BS8 2QY Follow them on Instagram @neptunehomeofficial
AUTUMN COLOUR
Autumn has arrived at PARK FURNISHERS: introducing Orla Kiely and pre-Christmas must-haves
As the crisp autumn days begin to settle in, our homes become a cosy retreat from the outside world. Whether you’re looking to refresh your space for the colder months or preparing to welcome family and friends during the festive season, Park Furnishers is here to help you make the most of your interiors. This autumn, we’re excited to announce the arrival of the Orla Kiely furniture collection alongside a variety of stylish and practical pieces all available for pre-Christmas delivery.
THE ORLA KIELY COLLECTION: A CELEBRATION OF RETRO STYLE
Renowned for its distinctive style and known for bold, retro-inspired patterns and the playful use of colour, Orla Kiely’s designs have long been a favourite for those who appreciate a
“ ORLA KIELY HAS LONG BEEN A FAVOURITE FOR THOSE WHO LOVE VINTAGE WITH A MODERN TWIST ”
unique, vintage aesthetic with a modern twist.
The Orla Kiely furniture collection features everything from beautiful upholstered armchairs to sleek sofas and colourful footstools, all designed to bring a cheerful pop of character to your home. Whether you’re looking to make a bold statement with a patterned sofa or prefer to add a subtle touch with a patterned accent chair, this collection offers endless possibilities to infuse your home with Orla Kiely’s unmistakable charm.
Perfect for autumn, the collection’s rich colour palette of mustard yellows, deep oranges and warm greens complements the season’s natural tones, creating an inviting atmosphere as the days grow shorter. From the famous ‘stem’ print to fun florals, Orla Kiely’s designs are as versatile as they are eyecatching, making them a wonderful addition to any living space. You can even shop the full range of home accessories, including cushions, on our new-look website.
PRE-CHRISTMAS DELIVERY: GET GUEST-READY
As the festive season approaches, Park Furnishers is making it easier than ever to get your home ready for guests. They have a fantastic range of furniture available for pre-Christmas delivery, ensuring that your home is both stylish and functional in time for the holidays.
Whether you’re looking for extending tables to host extra guests at Christmas dinner, sofa beds to provide a comfortable place for overnight stays or just a sumptuous new sofa to sink in to – Park Furnishers has you covered.
SHOPPING AT PARK FURNISHERS HAS NEVER BEEN EASIER
You can shop in store at Eastgate Retail Park, next to IKEA, or browse on their new look website today to explore the latest autumn furniture trends and secure your pre-Christmas delivery – just look for the bauble icon for qualifying products. n
Eastgate Retail Park, next to IKEA. BS5 6XX www.parkfurnishers.co.uk
THE LIST
BATHROOMS & KITCHENS
Kutchenhaus Bristol Clifton Down Shopping Centre, Whiteladies Road www.uk.kutchenhaus.com
Brunel Rooms, Straight Street www.gardinerhaskins.co.uk
Just Shutters
Bristol www.justshutters.co.uk
Neptune Whiteladies Road www.neptune.com
INTERIOR DESIGNERS
Bracey Interiors Waterloo Street www.braceyinteriors.co.uk
Daykin & Co. Clifton Village www.daykin.co
Ivywell Interiors www.ivywellinteriors.com
K Interiors www.k-interiors.co.uk
Marta Rossato Interiors www.martarossato.net
Nola Interiors 168 Gloucester Road www.nolainteriors-bristol.co.uk
Sampson & White Organising Bristol www.sampsonwhiteorganising.co.uk
Stylemongers of Bristol 196 Gloucester Road www.stylemongersofbristol.co.uk
WINDOWS & DOORS
RH Windows
Unit 5, Farrington Fields, Farrington Gurney; www.rhwindowsltd.co.uk
The Traditional Timber Window Company
Unit 4, Midsomer Enterprise Park, Midsomer Norton www.sashwindowsbristol.com
Timber Windows
29 The Mall, Clifton www.timberwindows.com
Vyoo 439a Bath Road www.vyoowindows.com
o you Swallow?
WHAT’S
27 September18 October 2024
EXHIBITIONS
Until 28 September
I’M COM’UN HOME IN THE MORN’UN
Elaine Constantine presents her dynamic, full-colour photos of the Northern Soul scene of the 1 0s, at Martin Parr oundation; martinparrfoundation.org
Until 29 September
ADÉBAYO BOLAJI: IN PRAISE OF BEAUTY
Enter the kaleidoscopic and multidisciplinary world of Ad bayo, whose solo exhibition explores and uestions notions of beauty through painting, sculpture, film and writing. At Arnolfini; arnol ni.org.
NENGI OMUKU: THE DANCE OF PEOPLE AND THE NATURAL WORLD
Journey into the lush landscapes of igerian artist engi Omuku, whose human figures blend seamlessly with nature, exploring the relationship between individual and collective thought, belonging, and psychological spaces which transcend traditional Western landscape painting. At Arnolfini; arnol ni.org.
A HOME FOR ART/ACADEMY
A Home reveals some of the secrets
of the RWA building and stories of refugee artists who exhibited from the 1940s to today; Academy shows pieces from the collection, charting the evolution of the building and some of the people who have contributed to it; rwa.org.uk
Until 17 October POLLY LUCE
The North Somerset contemporary artist’s work is a response to experiencing a landscape, focusing on how it feels to be within a place rather than depicting a realistic representation. At S uare Club; thesquareclub.com
Until 26 October
250 THOUGHTS ON SLAVERY
250 years ago, a pamphlet was published by ohn Wesley highlighting the inhumanity of enslavement within the TransAtlantic Slave Trade. This exhibition marks the anniversary of his publication, sharing 250 thoughts upon modern slavery at ohn Wesley’s ew ooms. newroombristol.org.uk
Until 5 January
RWA OPEN
The annual Open returns for its 171st year, with over 600 artworks along with work by this year’s invited artist, Rana Begum; rwa.org.uk
3-15 October
MILLEE TIBBS: NEW LANDSCAPE
Experimental photography openair exhibition curated by local photographer Justin Quinnell –part of this year’s Experimental Photography estival in Barcelona. At PRSC, prsc.org.uk
SHOWS
Until 27 September THE AWKWARD GUIDE TO FRIENDSHIP
House of igs – the theatre group comprising poet Beth Calverley and musician Beth Roberts –navigates the choppy waters of friendship, from platonic meet-cutes to courageous conversations and beyond. There’s a choir, too. At Bristol Improv; improvtheatre.co.uk
Until 28 September
PEAKY BLINDERS: THE REDEMPTION OF THOMAS SHELBY Ballet Rambert takes Steven night’s post-World War I Brummy gangsters into the world of dance. Bristol Hippodrome; atgtickets.com
DREAMS OF THE DARK
A series of supernatural tales of ghosts, demons and curses unfolds – but are they merely dreams, or
dark memories of the past? At Alma Tavern; almatavernandtheatre.co.uk
MY MOTHER’S FUNERAL
As Abigail discovers, death is expensive.£4000 for the funeral. Extra for owers. Even more if you want sausage rolls. Oh, and a theatre has just pulled out of her new project, re uesting something more raw from her ‘uni ue workingclass lens’ – something that will make the audience feel really bad about themselves. To afford the funeral, she has to write about her mum. At Bristol Old Vic; bristololdvic.org.uk
MORAG, YOU’RE A LONG TIME DEID
When Sam inherits her Scottish grandmother Morag’s piano, she also inherits the mystery of her story. An intimate letter composed of fragmented ballads leads Sam to uncover Morag’s possible ueerness and find a voice of her own. At T T; tobaccofactorytheatres.com
THE LOST CABARET
The rambunctious afternoon of alternative comedy, clowning and games returns to The Wardrobe; thewardrobetheatre.com
1-2 October
PLEADING STUPIDITY
True story. Chad and Brad robbed
a bank. They suck at it. They were wearing their work name tags, took selfies with the loot, and their getaway plan was awed. In court, their only defence was pleading stupidity. The actioncomedy Edinburgh hit comes to The Wardrobe; thewardrobetheatre.com
1-5 October
ME AND MY GIRL
Highly rated am-drammers BLOC take on the Broadway musical at Bristol Hippodrome; atgtickets.com
2-12 October
THE MARRIAGE OF FIGARO
Opera Project return to TFT with their intimate performance of the Mozart comic classic; tobaccofactorytheatres.com
2 October-2 November REVERBERATION
BOV’s biggie for autumn is Matthew López’s play about loneliness and longing; see page 44; bristololdvic.org.uk
7 October
THE TIGER LILLIES
The avant-garde, Olivier-winning, post-punk Brechtian street opera trio – they defy description to be honest –bring their ironic music-hall schtick to Redgrave. Just buy a ticket, you can thank us later; redgravetheatre.com
8-10 October
SANTI & NAZ
Besties Santi and Naz live in prepartition India. One Sikh, one Muslim, fated to be divided forever. A show about coming of age and
coming out, set in a country on the brink of change; by The Thelma at Wardrobe; thewardrobetheatre.com
8-10, 15-18 October
THE COMPLETE WORKS OF JANE AUSTEN (ABRIDGED)
From Marianne to Lizzie, from scheming Emma to dull little Fanny, the gang’s all here, condensed into a 80-minute romp at Alma Tavern; almatavernandtheatre.co.uk
8-12 October
AN INSPECTOR CALLS
Stephen Daldry’s multi awardwinning National Theatre production of JB Priestley’s classic thriller, with its themes of class and conscience, is doing the rounds again; Hippodrome; atgtickets.com
16-20 October
BLUE MAN GROUP
Three bald and blue characters explore the world and discover music, comedy and surprises at every turn. Expect a euphoric celebration of human connection through art, music, comedy and non-verbal communication, at Bristol Beacon; bristolbeacon.org
COMEDY
Ongoing
CLOSER EACH DAY
All the drama of Succession. The grit of EastEnders. The rumpy-pumpy of Sex Education. Not remotely like Slow Horses; the world’s longest-running improvised comedy soap continues to bubble away at The Wardrobe; thewardrobetheatre.com
27 September
MAISIE ADAM: APPRAISAL
Maisie’s been a stand-up for five years now. She’s due an appraisal. Join her for the ultimate performance review, where you’ll either see just why she was awarded Best New Act and nominated Best Newcomer, or, you’ll see someone who’s ready for ‘organisational restructure’. 1532; 1532bristol.co.uk
28 September
OLA LABIB: POLARISING
Ola guides us through her Sudanese upbringing in Portsmouth, her experiences as an NHS pharmacist and how a near-death experience led her into a comedy career; at Wardrobe; thewardrobetheatre.com
30 September
STEVE HOFSTETTER
There aren’t that many Nobel Peace
OPPOSITEPAGE: Lines of beauty Adébayo Bolaji; ABOVE, FROMTOP: Take a little walk to the centre of town for Peaky Blinders; the post-Brechtian, post-lots-of-things but wholly original Tiger Lillies; MILF, ladies darts champ and shoplifter Baga Chipz
Prize-nominated comedians, but Steve’s one of them. Thinking of heckling? We wouldn’t, to be honest. At Redgrave; redgravetheatre.com
5 October
GARY MEIKLE: NO REFUNDS
Gary’s back with another selfwritten, self-deprecating show; he’s the first comedian to work worldwide without an agent, and he’s proud of it. Redgrave; redgravetheatre.com
6 October
FRANK SKINNER: 30 YEARS OF DIRT
Everyone’s favourite funny Brummie brings his latest tour to Bristol Beacon; expect smut, but well-bred smut. bristolbeacon.org
A CAREFREE EVENING OUT WITH NEIL HAMBURGER
The comic creation of US actor/ writer Gregg Turkington brings his “combination of malignance and desiccated vaudeville” (The Guardian) to Wardrobe; thewardrobetheatre.com
8 October
BAGA CHIPZ: MATERIAL GIRLMUCH BETTA!
Actress, singer-songwriter, comedian, ex-Page Three model, ladies darts champion, professional shoplifter, MILF and RuPaul Drag Race UK star Baga is back bigger, betta, and very, very harsh. This is an
WHAT’S ON
18+ show so don’t bring ya bloody kids. Redgrave; redgravetheatre.com
10 October
JASON BYRNE: NO SHOW
Jason will begin with no show whatsoever.; all he’s got are his trademark audience interactions and a sprinkle of props. Come along to Redgrave and give him a hand; redgravetheatre.com
16 October
RHYS NICHOLSON: HUGE BIG PARTY CONGRATULATIONS!
The Aussie stand-up and RuPaul’s Drag Race Down Under judge heads to the Hen & Chicken; thecomedybox.co.uk
GIGS
Ongoing
BRISTOL BEACON
Daily gigs, encompassing orchestral, folk, world, indie, jazz and less easily classifiable shizzle; for full programme see bristolbeacon.org
ST GEORGE’S BRISTOL Classical, world, folk, talks, more, at St George’s; stgeorgesbristol.co.uk
Until 2 November IN:MOTION
Motion – voted by DJ Mag as 11th best club in the world and the UK’s best large club – has announced its line-up of all-stars; motion-bristol.com
2
October
THE PASADENA ROOF ORCHESTRA
The PRO are celebrating 55 years of touring live music from the 1920s and 1930s; catch them at Redgrave; redgravetheatre.com
4 October
OYSTERBAND & JUNE TABOR
After 45 years on the road, folk rock collective Oysterband are concluding their live career with a final tour along with English folk songstress June Tabor; at Bristol Beacon; bristolbeacon.org
6 October
HERMAN’S HERMITS
60 years later they’re still Into Something Good, and going by the promo pic they’re looking remarkably well on it too; At Redgrave; redgravetheatre.com
THE DANDY WARHOLS
The Portland alt-rockers are back on the road with their latest album Rockmaker, and coming to O2; academymusicgroup.com
TOPTOBOTTOM: Taking a Libertine: Pete and the lads at O2; nights in peach satin with The Pretenders; Santi & Naz come of age at The Wardrobe
WHAT’S ON
8 October
THE LIBERTINES
Pete and the lads are here to save humanity from holograms, virtual reality and AI auto-tune, so switch off your pocket-held marketing machine and come to O2 to experience raw analogue euphoria at the hands of these musical chaosmongers; academymusicgroup.com
L’ENTERLOUP
King James and Sir Johnny are proud of their third album La clarté Dans la Confusion: a declaration of love for sound-system culture and its children reggae, dancehall and hiphop. Trinity; trinitybristol.org.uk
10 October
KABAKA PYRAMID
abaka’s a conscious revolutionary lyricist with a signature musical style which blends the power, energy and melody of reggae with the lyricism of hip hop. Trinity; trinitybristol.org.uk
11 October
FAIRGROUND ATTRACTION
After a gap of 5 years, all four original members have reunited, and yes that does mean Eddi eader. It’s gotta be (ee-ee-ee-ee-ee-eee) perfect. Bristol Beacon; bristolbeacon.org
12 October
THE PRETENDERS
Chrissie and the boys are on a national tour to plug new album Relentless; buy a ticket or two, and put more brass in their pockets. At Bristol Beacon; bristolbeacon.org
FESTIVALS
Ongoing
BRISTOL FILM FESTIVAL
The year-round fest with the something-for-everyone remit, at various venues. As the nights get darker and spookier, prepare for Underground Cinema – fantasy movies and cult classics screened in edcliffe Caves; bristol l festi al.co
30 September-4 October
FESTIVAL OF ECONONICS
Economists and experts from around the world debate the key uestions of our time, at various venues; econo icsobser ator .co
11-12 October
FORBIDDEN WORLDS FESTIVAL: THE BIG SCREAM
The up-on-the-big-screen (ie very big, we’re talking IMA ) festival of cult movies returns with a spooky pre-Halloween weekend
feast of gore and terror. Eeek! forbi enworl s l festi al.co.
11-19 October
PAPAYA FEST
The deliciously juicy biennial festival of Anglo-Latinx theatre and music returns to Wardrobe; thewardrobetheatre.com
12 October
THE GIN TO MY TONIC
The ’s leading gin festival. eed we explain the concept here? At St George’s, unexpectedly; thegintomytonic.com
18-20 October
SIGN FESTIVAL BRISTOL
A busy, accessible, multi-venue weekend with a variety of exhibitions, film screenings and British Sign Language performances of music and comedy from local and national deaf performers. bristolbeacon.org
OTHER
Until 15 October
SHOW OF STRENGTH
The fascinating themed walking tours continue on selected dates: choose between pirates, Cary Grant, more pirates, saints and sinners, Clifton, Bedminster, St George, etc; showofstrength.org.uk
Until 29 October; Sundays
BRISTOL TRANSATLANTIC
SLAVERY WALK
The informative walks about the slave trade and its impact on Bristol; from the harbour to the city centre, Queen Street and King Street; bristoltours.co.uk
28-29 Sundays
DOCKS HERITAGE WEEKEND
A celebration of Bristol’s maritime heritage at M Shed, nderfall ard, the ss Great Britain, and Brunel’s Other Bridge; loads of activities and experiences; bristolmuseums.org.uk
Coming soon.. 14 November
ENTRECONF GO
New, free conference for young entrepreneurs and those curious about starting a business. At Arnolfini., entreconf.com n
TOPTOBOTTOM: Jemma Appleby at the RWA Open; Blue Man Group at Bristol Beacon; two Beths for the price of one: Theatre of Figs at the Improv
FOR SALE
A HUGE,
LIFELONG
COLLECTION OF BAROGRAPHS AND OTHER WEATHER RECORDING INSTRUMENTS
Barographs make lovely gifts –for birthdays, retirements, anniversaries, awards, presentations or simply because you've always wanted one!
See my website: www.barographsforsale.co.uk for full details of these lovely instruments.
Email me at: rtwort@hotmail.com or call Richard on 07711 939789 for more information or to arrange to visit me in North Somerset.
“Bristol feels like the ideal place for this play – the people here are so open”
Eleanor Tomlinson makes her stage debut this October – and once again, the job brings her back to Bristol . . .
Words by Deri Robins
Photos of Eleanor as Claire by Michael Wharley
Eleanor was just 21 when she was cast in the show that would make her name. Poldark, the BBC’s phenomenally successful reboot of the 1970s TV family saga, ran for five seasons, and while a tedious amount of column space was devoted to co-star Aidan Turner’s torso it was Eleanor’s performance as Demelza that became the emotional heart of the series. Demelza was tough yet compassionate, fiery but kind – in many ways a modern woman – and the role turned Eleanor into the nation’s sweetheart overnight.
Poldark wasn’t her first foray into period drama. Her particular brand of English-rose elegance had already caught the eye of a number of other directors, who’d cast her in Death Comes to Pemberley, The White Queen, Poirot and Jack the Giant Slayer. Following Poldark we saw her in
Colette and The War of the Worlds; most recently she’s been filming The Forsyte Saga
Even in dramas with a contemporary setting, her classy looks and natural poise tend to lead her into ‘posh girl’ territory; she was a sympathetic Sylvie in One Day, a loveable Lady Gabby in Stephen Merchant’s The Outlaws. Call me biased – this is a Bristol mag, after all – but I found Gabby to be Eleanor’s most charismatic turn since Demelza. It also allowed her rich auburn hair – dyed for Poldark, now her trademark look – to be deployed to such striking effect.
It’s all going rather well for her, then, with a steadily growing list of highly rated movies and TV shows on her CV. So why is she pushing herself out of her comfort zone now, and taking to the stage? And why in Bristol?
There’s only one person who can answer those uestions, and I have her up on my screen in oom. Eleanor is currently mid-rehearsal in London, and if making time to chat to a Bristol magazine is an annoying intrusion, she doesn’t make it feel like one. She’s the ideal interviewee – friendly and open, charming and disarming, and generous in her praise for Bristol in a way which doesn’t sound remotely forced.
Here’s a bit about the play. Written by Matthew Lopez, Reverberation was originally staged in Hartford, Connecticut, in 2015; the new Bristol Old Vic production is directed by Jack Sain, and marks its European première.
It’s a three hander. There’s Jonathan, withdrawn from the world following the death of his partner from a hate crime, who has little social life beyond the men he meets on Grindr. There’s free-spirited Claire, a kind of latterday Holly Golightly (maybe that’s too glib; there’s certainly no singing on fire escapes, more’s the pity; as she proved in Poldark, Eleanor has a lovely singing voice) – the goodtime girl from the at upstairs, who tries to coax Jonathan out of his shell. Then there’s Wes, a hook-up of Jonathan’s who could easily be so much more, if only he’d let him.
It’s sad, it’s funny and in some places, extremely raunchy. I had to LOL at one comment from a prudish Hartford reviewer: “Wes has just experienced the best sex of his life (and so have we, unfortunately)”. So if that’s a problem for you, maybe head to Bath instead; I believe there’s a nice bit of Rattigan showing this month at the Theatre Royal.
There’s lots I want to ask Eleanor about –she’s definitely not getting off this call before we’ve had a bit of chat about The Outlaws – but since I don’t know how much time we have, I jump straight into the play. Firstly, why theatre, why now, and on a scale of one to ten, how scary is it?
I’ve always been a bit terrified of it, to be honest”, she says. “I was swept up in the world of film and TV, and loving it so much, but I’ve always had a yearning to try theatre; it was just a question of waiting for the right project and the right people. When this one came along, I was aware that my heart was beating faster having read the play; I thought, oh, boy, this is the one where I’ve got to dip my toe into the water and just give it a go.
Theatre is an incredibly different way of working, but I’m really enjoying the creative process. I’m loving the time you have to really explore these characters and bring them to life, and to not be afraid to make mistakes, which is so invaluable; in TV, we just don’t get that time.
“So it’s still very scary, but I’ve established myself as an actress now, and I wanted that next challenge. I want to push myself and not just do what I’m comfortable doing. This felt like the right step.”
It feels appropriate that she should be taking that step in Bristol, where she’s filmed so much TV; surely The Outlaws alone ualifies her to receive the keys to the city.
“I was thinking about it this morning; it’s so funny that my first play as an adult should be in Bristol, having done so much work here. It takes some of the pressure off, because it’s Bristol, and I just love the city so much. And I love Bristol Old Vic, I love the space. It’s like a weird twist of fate, you know; I keep getting drawn back to Bristol for work, and it’s just really lovely.
I’ve filmed three TV shows in Bristol. I’ve done Poldark, The Outlaws and The Forstye Saga at the Bottle Yard Studios, which I just adore; it feels like going home
“Claire’s biggest fear is being andordinary, there’s something relatablevery in that”
whenever I’m there, which is so nice. And Bristol has everything. The culture, the people are so friendly, and there are so many different hubs; it’s just an incredibly welcoming city. There’s always something happening, something to do. It feels young and vibrant.
“I think Bristol is the perfect home for this play, certainly to start its UK life, because audiences are so open; and particularly with it being a play with the LGBTQ+ community right at its heart, it’s so important that it’s welcomed into an inclusive space. It’s very exciting to be doing it in Bristol; it’s a good fit.
Let’s find out more about her character, Claire – who judging by the promo shots, superficially at least, seems not to be a million miles away from Lady Gabby.
“There is an interesting link there, because we’ve decided she has a kind of quite wild fashion. I seem to get these kind of characters, which I’m very grateful for. But for me, Claire is – possibly deliberately – slightly underdeveloped, her character is open for interpretation. There are so many different ways of reading the story,
and the relationship between the two leads. It was a question of working out how we were going to approach it as a team, and what we wanted the story to be, and how that shapes Claire; then bringing her to life and building a past for her that isn’t necessarily written. That gives you an immense amount of freedom as an actress, and it’s a real gift. I’ve really enjoyed changing up the scenes – and also knowing that it’s not always going to be the same each night; it can all change from evening to evening, which is really exciting.
“There’s a lot more written about Jonathan, but we’re not really sure exactly where Claire’s come from. We’ve approached her with the element that she’s running away – not necessarily from a life she’s ashamed of, but from the mundane. I think her biggest fear is being ordinary, and there’s something very relatable in that kind of ightiness which makes her really fun.
With film and TV, you do a lot of the work at home on your own, but here you do it with everyone. So Claire is a real collaboration of everyone’s ideas about who she is. That’s my ideal way of working, with so many
“What I learned about comedy from Stephen Merchant has been invaluable”
different ideas, so many different points of view.
The play frequently switches between humour and melancholy – has Eleanor’s TV and film experience been a useful training ground for this?
Very much. I’d done a bit of comedy in The Outlaws, and what I learned from working with Stephen Merchant has been so invaluable; he really crafted and worked with me on my comedic presence, so I can really attribute most of that to him. It’s fantastic to be able to draw on that now, to be able to take on a piece that is lighthearted and funny in places, but also can break your heart in the next moment. It’s wonderful to have that experience behind me, because it’s now a second-nature thing.
Eleanor also confirms what we’d all suspected The Outlaws was a blast to work on. Can we expect a fourth season? It may have run its course, she says. We left it open, in a lovely way, at the end of the third series. But who knows? I would love to do more with Stephen.
Sometimes you hesitate to ask people about their old shows, but I feel on safe ground bringing up Poldark, which was such a milestone in Eleanor’s career. Was that another happy experience?
“It was all delightful; everyone loved it so much. I was 21 when I got the job, nearly 27 when it finished. That’s so rare now; there are so many TV shows which don’t get recommissioned in that way. And it was really of its time; it opened doors for period drama. I absolutely loved it. The character of Demelza was, I think, my favourite. Silently, a nation nods its head in sentimental agreement.]
Eleanor’s latest TV role is in The Forsyte Saga – made by the same team as Poldark, doubtless hoping to pull off the same trick. It’s another rebooted classic for Eleanor, prompting some members of the press to dub her ‘the queen of remakes’. In it she plays Irish dressmaker Louisa Byrne. Does she enjoy doing accents?
“Yes, I really enjoy the challenge. It also helps me to get into a character, to change from who I am and how I speak. In Reverberation, she plays the American character Claire as a generic Californian. “We didn’t want the accent to be distracting. We didn’t want to name where she’s from, which isn’t mentioned in the play.
So, she’s ticked off TV, film, stage – what would be her future dream project?
“Who knows? I mean, if you’d asked me before this, I’d have said I’d love to do theatre. I just feel drawn to certain projects, scripts, characters, and the teams behind them; the people I really enjoy working with. So, yeah, I would say that the dream is to just keep working. We’re all self-employed actors, and we can only hope that it continues. But you know, I’ve been very lucky, and I’m very much enjoying the path I’m currently on.
inally why should audiences come to see Reverberation?
“Oh goodness. Well, for a start it’s a really, really beautiful play that explores the relationship, the love, the friendship, between a gay man and a straight woman. And it’s a relatable play, a very important play. Hate crimes are still happening; they need to be spoken about, they needs to be brought to the forefront of people’s conversations. And obviously it’s in the beautiful Bristol Old Vic, such an intimate space that’s perfect for this kind of play. And it’s also my first attempt at stage as a fully grown adult. So come support me. n
Reverberation plays Bristol Old Vic 2 October-2 November www.bristololdvic.org.uk
Eleanor as Claire, with Michael Ahomka-Lindsay as Jonathan
SIGN UP TO SLEEP OUT
Support SLEEP OUT on 7 November, and help to end youth homelessness
On 7 November, Sleep Out, 1625 Independent People’s biggest annual fundraising event, returns for its 10th year.
By joining Sleep Out 2024, participants will raise crucial funds to help prevent youth homelessness across Bristol and the South West.
About 1625 Independent People 1625 is a charity dedicated to supporting young people who are homeless, at risk of homelessness, or leaving care. Through vital housing, support services, and personalised guidance, they help young people build stable, brighter futures. Sleep Out 2024 is an opportunity to support this work and make a real difference in the lives of young people.
An unforgettable night at Lloyds Amphitheatre
Sleep Out 2024 will take place at Lloyds Amphitheatre. This unique venue promises an unforgettable night under the stars, giving participants a chance to reflect on the challenges faced by those without a home.
While Sleep Out doesn’t replicate the full experience of homelessness, it offers a chance
to raise awareness and understand some of the challenges young people face.
A night of entertainment and impact Participants can look forward to live performances from local talent, young people with lived experiences, and talks from 1625 CEO, Dom Wood.
There will also be food and drink provided by some of Bristol’s best vendors, and a bar courtesy of Bristol Beer Factory as part of their Brew To Give programme, with all proceeds going to support 1625. And when the night winds down, a silent disco will keep the energy flowing.
Why Sleep Out matters
Through participating, individuals will help to raise awareness and crucial funds for 1625. Last year, Sleep Out raised £44,000, and this year, the goal is to hit £55,000 – funds that will go directly towards helping young people avoid homelessness and build brighter futures.
Who can participate?
Sleep Out 2024 welcomes everyone aged 15 and over. Whether you join as an individual, with family, or as part of a corporate team, all are invited to take part in this impactful event.
How to get involved
To join Sleep Out 2024, sign up and start fundraising today by visiting the link below. By taking part in this transformative event you can help to prevent young people from entering the challenging path of homelessness.
“ BY JOINING SLEEP OUT 2024, PARTICIPANTS WILL RAISE CRUCIAL FUNDS TO HELP PREVENT YOUTH HOMELESSNESS ACROSS BRISTOL AND THE SOUTH WEST ”
Massive Attack’s all-day event on the Downs brought music and activism together in the lowestcarbon way possible. So how did it all go down?
Words by Deri Robins
WE WOULD HAVE come anyway, for the tunes; especially as they’d said it would be their last home gig. But there was a secondary reason. We wanted to see what a very-low-carbon gig looked like, and if it might offer a blueprint for future live performance.
Because Massive Attack weren’t returning to the city on 25 August just to bash through their greatest hits; they were coming to make a point.
The all-day event, Act 1.5 marked the band’s 25-year commitment to climate activism; measures put in place included localised pre-sales, rail-travel incentives, meat-free food stalls, a commitment to zero landfill waste, and a site powered by 100% renewable energy.
Some ticket-holders arrive on the dot at 2pm, hellbent on getting their £75 ticket’s worth of support acts and talks. Others drift in later, as the Wild Bunch’s DJ Milo gives way to a synth pop act fronted by Sam Morton – yes, that Sam Morton, the actress and director , the recipient of this year’s BAFTA Lifetime Achievement Award, a kind of alt-national treasure – because yes, apparently she’s also into music now.
There’s the Mercury Prize-nominated Irish folk band Lankum, their cheerful chat with the crowd contrasting with their lugubrious musical sound; who would have guessed Rocky Road to Dublin could be so dirgelike? They seem an odd choice for such a politically-focused programme, until you remember that in the long history of oppressed people, nobody has ever been more oppressed than the Irish. Just ask the Irish.
The penultimate act of the day is American rapper Killer Mike; even those uninterested in his message are seduced by the soulful, gospel sound of his backing singers. And at least it gives the beleaguered victims of the food stands something nice to listen to. With echoes of Massive Attack’s 2016 gig, the average queue for a vegan wrap is an hour; oddly, the lines for the bar are practically non-existent.
At the talks stage, social activists including Bristol Central MP Carla Denyer, economist Grace Blakeley and Ecotricity founder Dale Vince tackle the pressing issues of the day. Historian David Olusoga and poet
Lawrence Hoo focus on Bristol’s black history, with a nod to the locals who faced off a far-right mob targeting asylum seekers last month. Finally, the moment most people have come for: the headline band. While the Ecotricity-powered sound and visuals have behaved perfectly up to this point, there’s a worrying moment when the side screens fail – and what would a Massive Attack gig be without Adam Curtis’s trademark videos? – but finally they icker into life, as Palestinian photojournalist Motaz Azaiza takes to the stage to tell us about the ongoing plight of Palestinian people.
At this point, the heavens open. It’s 2016 all over again, as biblical rain starts to fall. We’re as close to drowning as it’s possible to get while standing in a field. Some of the audience ee for shelter; the hardcore break out the Pacamacs and shu e nearer the front.
Via projected messages and images on the back screen, the band returns to the theme of the Palestinian con ict throughout the gig, along with a running commentary on contemporary evil’s greatest hits: capitalism, racism, consumerism, fascism, conspiracy theories, climate change, social media, fake news, you name it. It reminds me of Marlon Brando’s Johnny in he il ne, who when asked “What are you rebelling against?” retorts, “Whaddya got?”
Music-wise it’s everything we’d hoped for: a supremely smooth and professional run-through the classic tracks, featuring the usual stellar vocals. The band appears as dimly lit semi-silhouettes wreathed in smoke, the side-screens offering close-ups of the changing cast of guest performers, from legendary reggae singer Horace Andy to wonderful Deborah Miller, effortlessly proving that those high notes she’d nailed in this very field back in 2016 were no uke.
A thrill for us 1980s kids in the crowd is the appearance of former Cocteau Twin Liz Fraser, whose magical, ethereal vocals on four tracks temporarily transform the Downs into a kind of Lothlórien. Clearly less captivated than us, some of the younger folk around us take these quieter songs as an opportunity for a good natter, their attention only being engaged once again when Scottish rappers Young Fathers leap onto the stage for Voodoo In My Blood
i raser s agical ethereal ocals te poraril t rn the owns into a in of othl rien
We’d expected n nishe path to be the finale – it’s the band’s biggest hit, and generates the nearest thing to a singalong you’ll find at a Massive gig. However, it’s wheeled out early doors, presumably in the hope of reaching those who need to rush for the 9.45 shuttle bus to Temple Meads. The fact that many are forced to leave before the end of the gig – no ear rop for them –is the only major glitch in the eco-vision.
I’m not sure how much the crowd really cared about the underlying philosophy behind the gig. But that’s OK: the music was great, the message was on point, and the eco-bar has been raised for live music. I don’t suppose the much-vaunted Oasis tour will be half as mindful. n or ore www. assi eattac bristol.co
PHOTOS BY ANDRE PATTENDEN
UP ALL NIGHT
Bristol’s nightlife is crucial both to its culture and economy– and photographer Colin Moody and journalist Jasmine Ketibuah-Foley are here for it
Words by Jasmine Ketibuah-Foley
Photos by Colin Moody
BRISTOL HEROES
After 12 years of living and breathing this city, powered by bass beats, cider and free parties, I felt like I wanted to share what it’s been like for me,” says Jasmine. “How the music and people I’ve seen and heard have moved me and made me expand and contract.
“I’ve loved every single ounce of Bristol’s music and art scenes, and I know Colin has, too. This love for the city has pulled us towards a collaboration which has taken a few years to push out into the world.
“We’re really excited to share our upcoming book Up All Night: A Bristol Nightlife Story. In it we have tried our best to fuse together my writing and musings with his beautiful and lively photojournalism, which spans more than five years of capturing venues, events and people. The book will take readers on a candid journey on a few nights out in the city. We have also looked at the history of some of our most revered venues, but there are so many that this book only really scratches the surface of the breadth of history these spaces bring.”
1[ Jasmine] “Pure ecstasy. You don’t need to pay for it, you don’t have to fight for it, it’s out there on the streets, free for the taking. I love how this image captures this. A person in the moment feeling unadulterated joy. Everyone deserves it. Bristol is a very transient city with people coming and going and planting their roots. You will often stumble across people at night having the night of their lives… or the worst night of their lives. All of those moments are happening all around you; you just have to stop and take life in for a moment and watch from the sidelines.”
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2[ Jasmine] “One of my favourite live music venues in Bristol is Strange Brew. I love its massive spectrum of music and how it plays with its use of space for different performances. It’s a place full of ambience and life. It grew out of the devastation of the pandemic, when life felt so uncertain. For me, this photograph sums up its rebellious nature, dripping with sweat, unwavering and locked into a dance with those who walk through its doors.”
3[ Jasmine] “At the heart of Bristol is a DIY attitude. For centuries it’s been a place where people create the world they want to see, away from the control and rules of the bourgeoisie. From the St James’s Fair in the 13th century to today, people have always travelled far and wide to dive deep into the city’s raucous cultural offering. Music, theatre circus. The Invisible Circus is one of the longstanding institutions in the city which have pulled people into its most unlikeliest of places. The troupe of performers are well-known for transforming the city’s most beautiful and derelict buildings into otherworldly immersive performance spaces. This attitude of ‘let’s do it ourselves, let’s create magic in this void’ speaks volumes to the city’s character.”
4
[Jasmine] “I could never think of Bristol without thinking of St Paul’s Carnival. It’s the one event in the city that has one hand stretched out to Black history and the other to the city in the present day. It formed to celebrate the Windrush generation and the cultures it brought with it. It then soon became a means of celebrating all people from all walks of life coming together. I love this photo and how it shows two friends at the start of their night out after just getting their hair done in the hairdressers. They are unstoppable. They are ready for the night. Ready to dance with strangers at the feet of history.”
5[Colin] “The Plough in Easton is a community hub of a pub. It feels like a place where a lot of voices can be heard, as soon as you walk in the door you know this is an ‘us’ place. Every culture, every music scene that has ever been that has owed through this pub has left its mark, and the wall of worn-out speakers on the wall I do not find sad at all. For me, it is a powerful statement of strength. The power of the beat, boxed up high on the wall, threaded together is testimony to those voices that came before and said, “Come down, I’m doing a DJ set tonight, let’s see where it goes”, and as they play the beat, sweat, eat and repeat, we take our music culture, our collective energy, synchronised around this shrine into our memory and try something new. All hail the blown-out speaker wall…”
6[Colin] “So they want to sell Turbo Island, do they? And I know, it’s only a tiny piece of land, a triangle of what, exactly? But to some it’s a drop-off point around the fire on a way home from the club. or others it’s an urban village green. Yes. Their meeting point. When I was doing my research for my first History Press book on Stokes Croft I spent many months with the Peoples Republic of Stokes Croft. They showed me who uses this space, and how it matters to them in their way. The energy that passes through this small space is incredible; from raves, as seen here, to places to drink and meet your friends. One woman recently told me that if this space was gone, she doesn’t know where she could meet other people from the hostel, apart from side streets where she doesn’t feel safe. And that brings up the question of feeling safe in our city, and how important these spaces are.”
7[Colin] “Words be like: ‘love’. I love Bristol’s nightlife. And taking photos for this book, I’ve been looking for images that capture that uid state of love we feel when we are entering the night space. Here at a festival in midsummer the Bristol sun is waning and will soon set, but the night energy is starting to pulse. All that discarded stuff – yes, it might be messy, but people are letting go, boundaries cross, and why does music from your favourite artist sound so good live? For me, a shot like this is important because it’s one in which each element is like some half-heard note from a perfect chord, that you feel, but could never completely describe…”
8[Colin] “DJs save lives. And I don’t just mean like in the song, about last night. I’m talking about how in Bristol, our bright bustling nightlife opens its arms wide and lets you lose yourself in those sets – and by lose yourself, I’m talking about – well, maybe you needed to be there, holding that beer over there, letting those rhythms wash over you, and you don’t know how, and you don’t know when, but by dawn it all just feels like life fits better. Daily troubles need to be o oaded. So in this book I’m giving you a couple of direct portraits in the middle of that night-long remedy.”
Up All Night: A Bristol Nightlife Story can be preordered from October to December on our Kickstarter page. On there you can also nab tickets for Colin and Jasmine’s panel discussions on Bristol’s nightlife. Follow the QR code, or hit them up on social media to n o t ore.
@Colinmoodyphotography @jasmine_ketibuah
“DJs save lives. Let those rhythms wash over you, and you don’t know how, and you don’t know when, but by dawn it all just feels like life fits better”
EMILY & DAN ROSS STORYSMITH BOOKS
Musicians’ biographies come in many different shapes and forms; here are three of the best
We’re rapidly approaching the time of year when musicians of a certain vintage crack their knuckles and prepare to embark upon the project that – they hope – will cement their reputation in cultural history, while making them a few quid as well: the release of their memoirs. Hedonistic rock biographies, hagiographic tell-alls, ghostwritten anecdotes strung together with repurposed interview quotes… the genre’s reputation for literary merit is not exactly replete with acclaim. But, as your local bookseller with a more discerning approach than
most, we are only too happy to pluck out three volumes that buck the trend and are anything but slapdash attempts to finance a new holiday home.
A Thousand Threads –Neneh Cherry
This is an especially delicious read for anyone with a passing interest in the Bristol music scene of the 1980s onwards, because Neneh Cherry was right there as it happened. She of course went on to international pop icon status and countless hits, but this memoir wisely chooses to focus on those formative times spent with her mother, artist Moki Karlsson, and her stepfather, jazz legend Don
Street-Level Superstar: A Year With Lawrence –
Will Hodgkinson
Cherry, as well as detailing the musical awakening that saw Neneh dive headlong into the post-punk scene and legendary bands like The Slits and Rip Rig + Panic. It is deeply rooted in family, no matter how unconventional, and though you will inevitably find the satisfying anecdotes you’d expect from this type of memoir, that emotional underpinning elevates it still further.
In One Ear – Simon Raymonde
If you’re not familiar with the alternative pop icon Lawrence Hayward, known simply as Lawrence, then Lawrence himself may have a thing or two to say about that. In this brilliantly inventive biography, journalist Will Hodgkinson shadows Lawrence on long walks around London and records their conversations, noting down Lawrence’s at-times painfully honest feelings on his – as he sees it – unfair omission from the pantheon of music legends. The two converse, relate and bicker, while delving into Lawrence’s feted (though not lucrative) musical history with bands like Felt, Denim and his newest incarnation, Mozart Estate, and the result is a hilarious and melancholy assessment of a life devoted to art, and what that can really mean for the life in question.
“The genre’s reputation for literary merit is not exactly repleteacclaim”with
As the son of the noted songwriter and arranger Ivor Raymonde (the man who wrote Dusty Springfield’s I Only Want to Be With You, among many others), Simon Raymonde had an impeccable musical pedigree to live up to. So when Simon’s band Cocteau Twins began to gain serious public acclaim, Ivor made the trip to Royal Festival Hall to watch his son perform live. His assessment? “Interesting”. It’s this sense of continual not- uite-fitting that drives Raymonde’s beautifully written memoir, through his days with Cocteau Twins and beyond, to when he founded the legendary record label Bella Union – home of modern alternative superstars like John Grant, Fleet Foxes and Dirty Three. The title refers to Raymonde’s deafness in one ear, the genesis of which is in itself a perfect example of his unconventional approach to life, something that pervades this fascinating story.
Quite unbelievably, we are actually going to be hosting a rather exciting event with Neneh Cherry herself at St George’s on 1 October, to celebrate her new book – at the time of writing, tickets are somewhat scant, so if you’d like to join us you’d best be quick. To say we’re excited would be underselling it somewhat. And we make one guarantee: no sign of a ghostwriter, anywhere.
Visit Storysmith at 36 North Street, Bedminster 0117 953 7961 www.storysmithbooks.com
MBST: HELPING PATIENTS WITH OSTEOARTHRITIS AND
OSTEOPOROSIS
Proven at cellular level to reset and regenerate inflamed/damaged cells leading to tissue recovery and a positive outcome for 80-90% of patients. Numerous cellular and outcome studies demonstrate very positive results from applying this therapy to specific tissues and conditions.
The most common conditions we help patients with are:
Our technology in Bristol spans the entire range of devices capable of treating all areas of the body.
The 350 is a device designed to treat hand and foot arthritis as well as ligament and bone injury. Our results generally lead to significant improvements in hand function and less pain day to day.
The ASF is larger and focusses on more larger joints of the body helping to stimulate tissue repair in arthritis, muscle and ligament injury in Shoulders, hips, knees as well as many spinal conditions. This includes nerve damage, sciatica and bone healing.
The OSP is a full body device able to treat multiple site mild osteoarthritis and improve bone density in Osteopenic and osteoporosis.
CASE STUDIES
Marlene’s severe neck pain due to arthritis has responded amazingly to MBST. A great side effect is that reducing cellular inflammation in her body has lead to a remarkable improvement in hersymptoms of diverticulitis.
Brian’s post operative nerve pain has responded well to the MBST nerve treatment. The full body treatment has further improved his foot pain and abnormal sensation. The newest technology is the Osteospin, designed to stimulate full body healing of arthritis, osteoporosis, neurological disorders and connective tissue disorders.
SO SPA, SO GOOD
Sybarites take note: not only does the the Gainsborough Hotel offer a five-star spa experience, but you can take it with cake . . .
Words by Deri Robins
GREAT ESCAPES
It may seem an odd admission, given the subject of this review, but I’ve never much cared for spas.
The first one I ever visited was The Sanctuary in Covent Garden. I’d been dragged there by a friend, and I couldn’t see the point. “What do we do now?”
I asked, restless as a toddler five minutes after arriving. elax! said my friend, luxuriating contentedly on a bench slicked with – steam? Sweat? Something wet. Anyway, five minutes later I fainted in the sauna, so that was that.
Over the years I’ve visited some objectively gorgeous spas, from Geneva to Mauritius, Innsbruck to Budapest, and while they were all far superior to the one on Floral Street (it’s closed now, I can slight it with impunity), I can’t say I especially enjoyed the experience. Nobody at work ever believed me when I said I only reviewed them with reluctance. “Tough job”, etc – you can imagine the sympathy.
The Gainsborough Hotel in Bath, then, has its work cut out when I turn up to review its spa day with champagne afternoon tea – and guess which word in that sentence I’m looking forward to the most. And yet it utterly wins me over. Maybe it’s because I’m older now, so doing absolutely nothing for three hours feels less punitive than when I was in my twenties. Or maybe it’s because it’s just so great.
A five-star experience needs to make you feel special from the off; in this case, a courteous nod from the liveried doorman. The reception and spa staff are also very much on point; their friendly enthusiasm is contagious, so much so that I go along happily with all those little rituals that spas seem to love so much.
At the Gainsborough, these begin with an invitation to sniff three piles of scented crystals. You choose one, then it’s decanted into a little gauze bag which you’re encouraged to inhale at intervals. I pocket mine and immediately forget about it, but while getting dressed later I unearth it, take it home and pop it in the bath.
After being furnished with uffy robe, spa shoes and towels, I drift out to explore the bath house: a splendid suite of rooms with
lofty pillars, arches and pools of varying temperatures; any time-travelling Ancient Roman would feel right at home here.
I’ve been given a printed schedule, recommending which bits to visit, and in what order. It begins with ten minutes in the warm Balneo Pool (no problem), followed by five to ten minutes beneath the Cold Lymphatic Hose (well, that wasn’t going to happen). Then there’s a bit of lounging about in saunas, then a few minutes of scooping handfuls of crushed ice from a chilly alcove and rubbing it into your body. There’s also a steam room, fragrant with eucalyptus, to pop into whenever
“We’re invited to spend ten minutes beanth the Cold Lymphatic Hose. Well, that wasn’t going to happen”
you fancy. ou are encouraged to ‘ oat at your own leisure’ in the natural thermal pool – the Gainsborough is the only hotel in town where you can do this, the Thermae Bath Spa across the road being a more public, crowded affair.
The main pool, incidentally, is at bath temperature, so not really geared up for much more than sitting about, so if Kate Shortman and Isabelle Thorpe’s artistic swimming wins for Bristol at the Olympics have left you desperate to demonstrate your own mad skills, maybe save them for The Lido.
Li uid refreshment time! is next on the list – not just water or herbals, but hot chocolate on tap; a nod to Bath’s Georgian heritage.
It’s time for my treatment. From a menu of massages and body treatments I’ve opted for the 50-minute Back to Vitality, which begins
with a tension-relieving back and shoulder massage before transitioning into a bespoke facial. The products are by Elemis, and smell divine. My therapist Hana finishes an excellent treatment with various recommendations, including regular exfoliation to reduce redness – oddly, while I have the expected uota of hang-ups about my appearance, a red complexion was previously not among them.
Following my treatment I am joined by my mate for a final trip around the bath house (still giving the Cold Lymphatic Hose short shrift), after which we get dressed and head to the restaurant for afternoon tea. There’s a choice of nine lovingly curated tea blends, from Assam to Darjeeling to rooibos and herbals, but what we really fancy is a coffee along with our glass of champagne.
Jane Austen wouldn’t have approved; indeed, she’s uoted on the menu as saying “I would rather have nothing but tea”. Bath riffs endlessly on its association with ane, gaily ignoring her negative feelings about the city; though initially dazzled by its high society, the shackles fell as the Austens became increasingly impoverished, at which point she came to thoroughly dislike the place. Anyway.
The dainty morsels on the cake stand are a marvel; scones and macarons, brioche with egg mayo, Coronation chicken finger sandwiches, curry puffs and barbecue chicken pie, pastries and cakes. Though a few languorous hours in the bath house hasn’t remotely justified the calories, we get stuck in with a vengeance.
It’s billed as ‘history and heritage afternoon tea’, and sure enough, a lady attired in Regency gear soon materialises, drifting like a hopeful ghost between the tables to offer informative nuggets about the era. We decide it’s more authentically Georgian for us to carry on gossiping, but if you like to listen and learn while snacking, this may well be for you.
I leave with the greatest reluctance, though with a new spring in my step. I’ll be a bit more open to the idea of spas in the future; that said, The Gainsborough set the bar so high I fear I may be doomed to bitter disappointment. n
Bath;
FOOD & DRINK
WE
NEED TO TALK ABOUT PUMPKINS
If it’s autumn, you know that some café out there somewhere is busily adding pumpkin to its lattes. But there’s more you can do with this fruit – or squash, gourd or cucurbita pepo, as it prefers to be known on formal occasions –than use it to ruin a perfectly good cup of coffee.
We had a word with the team at Avon Valley Adventure & Wildlife Park, who are just about to open their annual Pumpkin Patch s events, to see if they could come up with a few alternatives. Oh, and by the way – there’s absolutely no need to wait for Hallowe’en to get stuck in.
PUMPKIN COCKTAIL
Ingredients:
50ml (2 shots) gin
50ml (2 shots) Baileys or other Irish cream liqueur
20ml pumpkin spice syrup (available online)
Whipped cream for garnish
½ tsp ground cinnamon
½ tsp ground nutmeg
Instructions:
1. Fill a cocktail shaker or mixing glass with ice
2. Add gin, Irish cream liqueur and pumpkin syrup
3. Shake (or stir if using a mixing glass) until mixed thoroughly.
4. Strain into a glass and top with whipped cream
5. Sprinkle with cinnamon and nutmeg, and go for it – cream moustaches all round.
PUMPKIN SOUP
Ingredients:
1kg pumpkin
2 carrots (peeled and chopped)
1 onion (chopped)
2 garlic cloves (minced)
3 tsp chopped ginger
600ml chicken or vegetable stock
60ml cream (optional)
Salt and pepper to taste
Instructions:
1. Peel, de-seed and chop up your pumpkin into chunks, season with salt, black pepper and a drizzle of olive oil. Pop it in the oven to roast for 50 minutes.
2. Add carrots and onion to a frying pan and sauté for 10 minutes before adding your chopped ginger and garlic.
3. Add the roasted pumpkin to the pan and stir to combine. Pour in your stock and season with black pepper before simmering for 15 mins.
4. Use a blender to purée the soup until smooth, or to your desired consistency.
5. Stir in the cream (if using) and season with salt and pepper.
6. Serve hot with a dollop of cream or butter for added richness.
PUMPKIN MUFFINS
Ingredients:
21 g all-purpose our
1 teaspoon baking soda
1 and ½ teaspoons ground cinnamon
½ teaspoon ground ginger
¼ teaspoon ground nutmeg
½ teaspoon mixed spice
½ teaspoon salt
120ml vegetable oil
100g granulated sugar
67g packed light brown sugar
340g canned or fresh* pumpkin purée
2 large eggs
60ml milk (dairy or non-dairy)
Instructions:
1. Preheat the oven to 21 C. Line a mu n tin with paper liners.
2. In a bowl, whisk our, baking soda, cinnamon, ginger, nutmeg, mixed spice and salt until combined. Set aside.
3. In another bowl, whisk the oil, granulated and brown sugar, pumpkin purée, eggs and milk until combined.
4. Pour the wet ingredients into the dry ingredients, folding gently until combined.
5. Divide the batter evenly into the mu n cups.
6. Bake for 5 minutes, then reduce oven temperature to 177 C, keeping the mu ns in the oven. Bake for a further 16-17 minutes until a toothpick inserted in the centre comes out clean. oast chunks of pumpkin as in soup recipe, then scoop out esh and blend
Avon Valley’s Pumpkin Patch and Pumpkin Patch Nights take place on selected dates from 28 September to 31 October. Book at: www.avonvalley.co.uk/events/pick-your-own-pumpkin-patch
No pumpkins were harmed to make this recipe, but in honour of Bristol Cocktail Weekend (26-29 September), the team at Hyde & Co have come up with a concoction that has all the amber hues of the season: a vibrant mix of sweet citrus with a boozy kick!
Makes 1 litre, serves 14 415ml Hendrick’s gin 415ml sweet vermouth (Hyde & Co recommends Aperitivo Co Turin
135ml apricot liqueur 35ml orange bitters
Instructions
Combine ingredients in a sealable container and pop in the fridge; it will keep fresh for up to three months. To serve, pour 70ml into a short glass over ice, stir and garnish with an orange slice
For more info about Cocktail Weekend: www.bristolcocktailweekend.co.uk
CAFÉ SOCIETY STAN CULLIMORE
Accentuate the positive
…Eliminate the negative – or at least, don’t give it column space. That’s the Stan (and Bristol Life) way…
This week’s coffee shop of choice is going to be the first of its kind for this column, (drum roll please), because it’s – da, da, dah – a mystery affair.
That’s right. You heard me. An anonymous establishment with no name, no clues to location and no pack drill. And in case you’re wondering why, allow me to explain.
One of the questions people ask me about this column – in fact, it’s always the very first question they ask – is a very easy one. “What do you do if you go to a café you don’t actually like?” Because regular readers (that
“I reckon there’s more than enough negativity in this world without me adding to it”
means you, dear heart) may have worked out by now that I have never written a column about bad times in yukky cafés. Not ever. Not a single spiteful review has passed my lips or keyboard.
And for good reason. Reckon there is more than enough negativity in this world without me adding to it. More than enough venom swilling around without coughing up some more. So instead I focus on the positive, with an attitude of gratitude. Which is really easy because nearly every single café in Bristol is a tiny slice of heaven.
We are blessed with numerous, marvellous coffee shops. Each and every one an oasis of peace, coffee and cakebaked perfection. Which makes it really rather easy to turn my gaze away from the rare crumb of unpleasantness which can crop up from time to time in the life of Café Society.
If I go somewhere and the service is less than stellar, the coffee not to my liking, or something about the place just strikes me as being less than lovely, I do the decent thing. Put away the camera phone, forget the unpleasant paragraphs that have started to form themselves in the mind, then pick up my stuff and go elsewhere.
For instance, recently I was out for a stroll, when a newish
place caught my eye, so I went in to try it out. Won’t bore you with details, but it wasn’t very good. Which meant it was time for a spot of Plan B. I then went home to our very own Cullimore Kitchen Café, where I ground some beans in our lovely little grinder, sashayed over to our swish and shiny coffee machine, created an absolutely awesome Americano in my very favourite coffee glass then headed out to the back garden. Where I sat in the shade and sipped the very best cup of coffee ever. Which, of course, begs another uestion. With coffee like this in my very own kitchen why ever go anywhere else? Why even bother with all those splendid cafés out there? Why not just stay in my own house or garden, and enjoy top-notch, handcrafted, home brewed beverages in style, comfort and most important of all, for free? Hmm?
All good questions. But sadly, we’ve run out of space, so the answers will have to wait for another day and another column. Cheers. n
Former The Housemartins guitarist Stan is now a journalist and travel writer; @stancullimore on instagram Google up Stan’s daily substack blog: Diary of an Urban Grandad
WEAR IT WELL
The best way to honour Sustainable Fashion Week is to keep its spirit alive throughout the year
1One of my favourite ways to find fabulous fashion is by renting clothes from designers, and one of the best is Wear My Wardrobe Out. Bristol sustainable fashion designer Maria Loria founded this shopping platform, where you can rent handmade sustainable clothing with a vintage modern twist. This geometric upcycled trench coat is an absolute autumn statement piece; I love the wide lapels and how the colour pops. www.wearmywardrobe out.com
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We’re in the final throes of Sustainable ashion Week – the Bristol-born event that’s now successfully expanded to other parts of the , and beyond.
However, there’s not a lot of point shopping sustainably for just one week in the year; what’s needed is a permanent shift in the consumer mindset. How do we go about achieving this? Where’s the best place to shop? o better person to advise than the event’s founding director, Amelia Twine. Over to you, Amelia...
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3One of the best things about Bristol independent clothing brands is the detail that goes into the designs. One of my absolute favourites is this Sun Shirt by Worn to Threads, made from reclaimed embroidered linen tablecloths. Izzy, who owns the brand, makes all her garments from upcycled textiles and offers a made-toorder service on her website to reduce waste.
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4I’m a sucker for shorts, and even though summer’s over, the Scout Shorts China Pot, made from vintage cotton by Public Footpath, could always be worn over tights. Public Footpath prides itself on using materials which already exist and producing nothing new, meaning that no two items are ever the same. Their studio is based in the heart of Bristol. @pblcfootpath.com
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2If bright colours and patterns are your thing, these handmade patchwork dresses made by I Love Your Outfit are the perfect all-season colour boost your wardrobe needs. Etsy shop owner Cat rescues vintage and second-hand fabrics, bringing them back to life in the form of eye-catching one-off dresses. Described as ‘ethical attire for the incurably romantic’, the dresses she makes are perfect for layering with a tee underneath in the colder months.
@i_love_your_outfit
5Hello Cleo is another Bristol designer and seamstress I’m obsessed with at the moment. Making everything from order, Sabina reworks vintage fabrics into cute tops, skirts, two-pieces and accessories which are so beautiful and colourful. The shape of her skirts are lovely and her use of patterns makes each piece unique. @hellocleouk
FASHION
6Outside of Bristol, Hulahan is one of my favourite sustainable brands, and their Yves Blouse is just everything. Aiming her brand at intelligent, strong women who want to wear eco-friendly, high-quality, bespoke clothing, fashion designer Hannah Warwich creates made-to-order pieces designed around the customers proportions ,making them the perfect forever garment. www.hulahan.com
7One of my favourite sustainable brands, GOTS-certified Lucy & Yak produce clothing that looks cool and lasts a lifetime. I’m loving their Trucker cotton jacket in red saffron at the moment. Its shade and cut are timeless and add a wonderful pop of colour to any outfit. www.lucyandyak.com
AMELIA’S TOP TIPS FOR SUSTAINABLE SHOPPING
SHOP SECONDHAND
Skip the fast fashion stores and visit Bristol’s wide array of second-hand and charity stores to find unique, affordable pieces. Reduces waste and helps to avoid contributing to the demand for overproduced fashion.
SHOP YOUR OWN WARDROBE
Before buying something new, explore your own closet! Forgotten pieces can be restyled into fresh, new outfits.
RENT YOUR CLOTHES
For special occasions, consider renting, which allows you to enjoy high-quality, luxurious outfits without the hefty price tag.
DITCH PLASTICS AND SINGLE-USE BAGS
When shopping online, opt for retailers who prioritise recyclable packaging to minimise waste. Also, remember to bring a reusable tote or shopping bag when you shop in person, reducing the need for single-use plastic bags. These small changes can make a big difference in reducing plastic pollution.
TRY THE 30-TIMES TEST
Before making a purchase, ask yourself: will I wear this at least 30 times? This simple rule encourages more thoughtful shopping, helping you avoid impulse buys and focus on pieces that you’ll truly get value from.
SHOP LOCAL
Support your local economy and reduce your carbon footprint by shopping from local businesses. The items travel shorter distances, leading to lower emissions from transportation: a win-win for your community and the planet.
RESEARCH YOUR BRANDS
Take the time to research the brands you buy from and understand their sustainability practices. Many companies now operate with eco-conscious values, and with a bit of investigation, you can find brands which align with your personal ethics.
REWORK YOUR CLOTHES
Don’t toss out clothes which are slightly damaged or outdated, get creative and rework them! Whether it’s fixing a rip, adding some embroidery, or dyeing a garment a new colour, there are endless ways to breathe new life into old clothes while allowing you to express your personal style in a unique way.
CREATE A CAPSULE WARDROBE
Collect versatile pieces which§ can be easily mixed and matched. By focusing on quality over quantity, you simplify your closet and reduce the need for frequent shopping sprees. A well-curated capsule wardrobe not only makes dressing easier but also significantly reduces your fashion footprint.
INVEST IN ALL-YEAR STAPLES
Invest in clothing that’s versatile and suitable for year-round wear. Items such as well-fitted jeans, classic t-shirts and timeless outerwear can be layered and styled for any season. This approach minimises the need for seasonal shopping and helps you maintain a sustainable, cohesive wardrobe that lasts. www.sustainablefashionweek.uk
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TOWN AND GOWN
HOW BRISTOL UNIVERSITY FORGES CONNECTIONS WITH THE CITY’S TOP BUSINESSES – AND THE OPPORTUNITIES THIS OFFERS TO BOTH
LEARNING TO CONNECT
At a recent Bristol Life Network lunch, Professor Evelyn Welch, vice-chancellor of University of Bristol, shared insights on how the University is connected to the city of Bristol, the opportunities that arise from this link, relationships forged between the University and Bristol’s business sector, and the purpose of universities in general
Words by Ursula Cole
You could be forgiven for assuming that the very slight burr in Evelyn Welch’s otherwise RP accent has West Country origins; in fact, it comes from a considerably further distance away. Her family’s from Texas, she was born in Boston, grew up in NYC and came to the UK after completing an undergraduate degree in Renaissance history and literature at Harvard. She’s never looked back; today, she says, this is her home
Following a rapidly advancing academic career though the University of Sussex, Queen Mary and King’s, Evelyn became vice chancellor at Bristol. But what does a VC actually do? Is it, in a very broad way, comparable with being a CE of a commercial company?
“Yes – and no. So yes, in that the University of Bristol is a billionpound turnover organisation. We’re the second-largest employer in the city, with over ,000 staff. We contribute hugely to the economics
not just of the city, but the whole region. And there’s a responsibility not just for your own staff and students but for everyone in this room, and well beyond.
But we are a charity and we are owned not by shareholders, but by a board of trustees. We’ve been around for almost 150 years, and my job is to make sure that someone 150 years from now is able to have this conversation as well. So I think not just about the end of our results, but about five years from now, 5 years from now, 150 years from now.
That’s very different, I think from being an ordinary shareholder.
When you think about your role strategically, and its relationship with Bristol as a city, what are your priorities?
I describe myself as the chief storyteller for the University of Bristol. We’re an amazing institution. Allow me to brag brie y there’s something called the QS global rankings which rank over 2,000 global universities, and we’re 54th in the world. So it’s extraordinary to have a top 50
institution in a city which is small enough to work collaboratively and collectively with the city.
My aspiration is that this has to be genuinely a partnership. Not the university nipping down from the hill when it wants planning permission, but a genuine partnership with the voluntary sector, with the hospitals, with the City Council, and above all with the businesses our students start; there are an astonishing number, of start-ups, spin-outs – a tiny, tiny percentage of them go on to be successful, but some are incredibly successful.
Our students probably get their first job in this city, and even if they move to London, say for ten years or so, many will come back here. The university creates friendships, not just with each other but with this really special place, and how we work together is something that really, really matters to me.
What are the values of the University of Bristol, and what makes it distinctive?
We have a suite of values – ‘listening and learning’, ‘creative and curious’ – but perhaps the one that’s most accurate for today’s talk is ‘bold and Bristolian’. What makes us different from other universities is the fact that we are in the city of Bristol. There is something in the water here, which means you’re quirky, you’re creative, you’re investigative, even if you work in traditional areas such as finance or law.
There’s something very special
here. This is a city of less than 500,000 people, but by working together, we can put Bristol on the global map. But we do need to advocate for our city and our region together, because unless people know where Bristol is, nobody can come to the niversity of Bristol. Don’t quote me [sorry Evelyn!] but we are a better university than the niversity of Liverpool but Liverpool has a better football team. So when I go abroad, people have heard of Liverpool and Manchester, but they’ve never heard of Bristol.
Bristol has been the intersection between theory and practice, research and business, academia and entrepreneurs. How important is the academia petri dish for entrepreneurs?
Bristol is one of the top four or five universities at the moment for spinouts and investment in spinouts. We create a third of the ’s uantum spinouts, and that is very much going to be at the heart of new campus down at Temple Quarter at Temple Meads, where we will have a new opening in 2026 with a new business school, engineering, science groups, data driven groups and a chance for students to work with start-ups and spinouts, but also existing businesses with over 300 seats for business partners.
There is something quite special here about our scale, about our opportunity, but what we lack here in Bristol is investment and investment at scale. If you’ve got
a spinout here you can get up to maybe a million pounds, but for any more you have to go to London. And for even bigger bucks you have to go to California
To get investment, the investors often insist that your base is near where they are; they want to pop in, to supervise. So we need to create an entrepreneurial mindset, and an investment mindset, that isn’t just about, where’s the next quantum chip coming from? It’s also, where’s the legal team? Where’s the project management team?
Universities are about getting qualifications to enable better and greater earning power – but is there enough standing up for the values of liberal education in the broader sense?
There’s no doubt in my mind that spending three years really learning how to assess and evaluate and question is time worth spending at whatever age you are. Many of our children will live to be a hundred; they don’t want to just spend three or four years at the start of their life learning. They’ll want to learn in chunks constantly.
As we prepare to open a new
“I DESCRIBE MYSELF AS THE CHIEF STORYTELLER FOR THE UNIVERSITY OF BRISTOL”
business school in Temple Quarter, I’ve been asking employers what they want for their employees, and for their employees’ development, particularly around AI and big data. And what I’ve been getting back is really simple.
Yes, give us the technical information, but actually help us create the teams who can use that technical information well. So we’ll be doing new programmes which actually bring together what you might call the human side of leadership, with the understanding of the deep tech of quantum of artificial intelligence.
We will be opening the Isambard AI, the fastest supercomputer for artificial intelligence in the in a few months’ time – we want it to be used by academics but also, in the long run, by businesses for the right purposes. And yes, for profit. That’s not a bad thing. But from long term sustainable profit.
How does the rest of Bristol engage with the university?
Google the niversity of Bristol and on the home page you’ll see a section called For Bristol, which will take you to whoever you want to get in touch with – whether it’s procurement because you’re interested in becoming a supplier to the university, or it’s your charity and you want to see whether there any students will volunteer. There’s a wide different range of ways that we can interact.
For more: www.bristol.ac.uk
LEFT: The new Temple Quarter campus is due to open in 2026; BELOW: Wills Memorial Building is the University’s most historic and iconic building
FRESH THINKING OVER A FINE LUNCH
Unique social business occasion: live interview with Don & David Cameron, Cameron Balloons
TICKETS HERE JOIN US Thursday 24 October from 12pm
COMING UP…
Bristol Property Awards Nominations close 10 October bristolpropertyawards.co.uk
Bristol Life Network Lunch with Cameron Balloons 24 October mediaclash.co.uk/ bristollifenetworklunch
EntreConf GO 13 November entreconf.com/entreconf-go
Bristol Property Awards 29 November bristolpropertyawards.co.uk
Bristol Life Awards 20 March 2025 bristollifeawards.co.uk
SURF’S UP
Bristol inland surf centre The Wave has just received B Corp status – the first surf park in the world to receive the accreditation. It joins over 2,000 other B Corps in the , around 120 of which are in Bristol, that have completed the rigorous process to become a B Corporation.
The certification recognises the social and environmental work The Wave has done to date and – most importantly – helps the team to identify where they can continue to improve in the future.
One of the first things we did early on in our journey was to draft a sustainability policy,” says founder, ick Hounsfield. Way back in 2012 we set out the blueprint for a business that would be based on triple-bottom-line thinking, always looking to balance its impact on people, planet and profit.
In 2015, we learnt about an organisation called B Corporation that was just taking off as a movement in the UK, and knew this could provide a framework to help support our vision
TECH MATE
Exacta Technologies, a Bristol company which specialises in high-performance server technology to a global clientèle, has received £1.8m NatWest funding which will enable it to expand its operations to the USA. The funding is made up of £1.5m in working capital and growth financing, as well as £ 00,000 for refinancing.
The deal marks the latest successful expansion for Exacta, which moved to a 20,000 s ft production facility in Emersons Green in March 2020.
Exacta is also hoping to create new job opportunities in Bristol, hiring around 20 new employees over the next year.
“We’ve built our business on strong, enduring partnerships, and this investment from NatWest is a testament to the relationship we have built together and the confidence it has in our vision and capabilities, said Exacta CE ick ogers.
“The funding will allow us to explore new markets and continue our growth trajectory, ensuring we can attract new customers in the USA and provide them with a world class service.” www.exactatech.com
of doing business differently. oll forward to August 2024 and it’s a dream come true to finally call ourselves a B Corp. I would like to thank our investors, who have supported us since day one to deliver a business model which balances people, planet and profit.
“It’s been great to be on the B Corp journey with The Wave.” says Andy Hawkins, co-chair of the Bristol & Bath B Local network.
I was able to witness first-hand the passion, tenacity and authenticity with which they approached their B Corp Certification. They will be a hugely valued member of the Bristol & Bath Local B Corp community, and we look forward to creating waves of impact together.” We see what you did there. Andy!
The announcement coincides with the release of The Wave’s latest Impact eport for 202 -24. The ‘slice of the ocean’ continues in its mission to bring the joy of water and waves to more people of all ages, backgrounds and abilities. www.thewave.com
STAYING LOCAL
A private equity consortium, comprising CVC Capital Partners, Nordic Capital, and the Abu Dhabi Investment Authority, taking over Bristol-based investment giant Hargreaves Lansdown in a £5.4bn deal has promised to keep its headquarters in the city, meaning that jobs are secure.
The firm employs around 2,400 people, and is the UK’s largest savings and investment platform with nearly 1.9 million clients and £155.3b in assets.
The takeover, ending a prolonged saga, was finalised last month after previous offers were rejected, leading to extended discussions. The deal marks a significant payday for cofounders Peter Hargreaves and Stephen Lansdown, who still hold substantial stakes.
Hargreaves is expected to sell half of his 20 stake, earning approximately £534 million, while Lansdown plans to sell his entire 5.7 stake.
Hargreaves Lansdown, launched from Peter Hargreaves’ bedroom in 1981, grew into a key player in the UK investment market and a cornerstone of Bristol’s financial services sector. Both founders have since stepped back from day-to-day involvement with the company.
www.hl.co.uk/hargreaves lansdown
Hi everyone, come and see our bridge!
READY. STEADY. GO
A new conference for young entrepreneurs has been launched in Bristol – and it’s free to attend for under-25s.
The conference will take place at the Arnolfini on 14 November, and registrations are now open on the EntreConf Go site.
EntreConf Go is part of the highly successful EntreConf suite of conferences, awards and dinners. It features practical advice on starting a business, or building from a side-hustle, with many examples of young people’s start-ups along with insights from older entrepreneurs and advisors. One key element will be business connections.
The aim is to provide inspiration to the next generation of business creators to help give them the skills and confidence re uired to develop their businesses. Sessions include ‘Young Entrepreneurs’ Tales’; ‘Things I wished I’d Known Then That I Know Now’, and practical advice ranging from creating a business plan to initial legal planning, employment and funding options.
EntreConf Go’s keynote is from Georgia Stewart, the dynamic CEO of Bristol fintech success story Tumelo. A diverse array of speakers is also being lined up.
MediaClash’s head of events Claudia Butler said that the team were keen to connect with any Bristol organisations involved with young people – schools, colleges, unis, charities, apprenticeship schemes, mentors and more.
“Please talk to us about being involved,” she says. “EntreConf Go is open to any young people from whichever educational background or level, and is socially inclusive. This cohort is bursting with new ideas, from side-hustles to fullyedged business propositions. A higher proportion of this group than ever before intend to run their own business. It has a markedly different view of the world of work more exible, more on its own terms and re ecting its own values. 16-25 year olds are the most affected by the pandemic – educationally and socially. We’ve created a helpful, accessible free conference for them, in an inviting venue that’s neither academic nor corporate.”
TOURISTS DON’T GO HOME!
Why go to the Med and be shot at with a water pistol by angry anti-tourism protesters, when you could be sampling the delights of the mild, mild West?
That’s not precisely the mission statement of the Visit West team, though in every other way they’re gearing up to promote the Bristol region to international travel trade buyers via a series of high-profile business events in the UK and abroad.
The visitor economy is vitally important to Bristol and the wider West of England region; it was worth over £2.13 billion at its peak in 2019, employing an estimated 40,000 people. Key themes the team will be highlighting for 2025 include the Women’s Rugby World Cup and Gromit Unleashed, in addition to the wide range of permanent attractions, tours, experiences, places to eat and drink and places to stay.
Later this month Visit West will meet travel agents from across Australia, the Middle East, Japan, China, India and South Korea in an attempt to boost this growing market. The annual UK InBound Annual Conference will also reinforce relationships with UK-based contacts, particularly Destination Marketing Companies. The two-day Great West Way Marketplace with tour operators will aim to encourage visitors to slow down and see more, exploring the destinations and the surrounding areas in more depth, while at the World Travel Market, Visit West will welcome over 50,000 industry professionals, enabling Visit West to meet buyers and media from across the world.
Visit West is also on the long list for two awards for excellence; Destination of the Year and Sustainable Tourism Provider of the Year. For more: www.visitwest.co.uk
Companies are invited to support the next generation of entrepreneurs and business creators. “We’ve found that businesses see this almost as a social business responsibility, as well as the chance to help develop the new stars.”
Business consultant Bright Evolve is one of the first organisations involved with EntreConf Go. Commercial options include partnerships, panellists and being an associate – highlighting companies’ commitment to this group. Email claudia.butler@mediaclash.co.uk; www.entreconf.com/entreconf-go
Guests at EntreConf, Watershed, Bristol
JOURNEY TO THE JOB
ABBY FREAR
The
director at techSPARK tells us how it all began – and why she’s looking forward to the Bristol Tech Festival this October
Abby has been a director at techSPARK, a not-forprofit growth network and regional tech community organisation for the past 11 years.
I just love the startup world, she says. I’d previously been working with big corporations, and there was something that was such fun and so exciting about working with businesses with huge ideas, where it felt like anything was possible.
How did the idea for techSPARK come about?
techSPA evolved out of BathSPA , which was set up by a group of entrepreneurs who wanted a space to meet and spark ideas together. We have evolved it into the multi-faceted organisation it is today under the leadership of Ben Shorrock.
You’ve been with techSPARK for over 11 years now – can you share a few highlights?
We started running events in 201 . Since then, we’ve had SETsquared named as the best university-backed incubator in the world, Science Creates launching two deep tech incubators, MyWorld established to explore creative technology and we’ve had five unicorns in the region.
What is it about the world of tech that inspires you?
I think we take for granted how immediate everything has become. Technology has enabled us to bring people together and uickly gain access to tools and knowledge which were previously unattainable.
While it’s inspiring and amazing how uickly tech can evolve, it’s also scary when things are evolving at the pace that AI is, without proper regulation in place.
The Bristol Technology Festival is coming up this October – can you tell us a bit about that?
Bristol Tech estival is an annual festival that we run in collaboration with lots of brilliant partners and sponsors, to highlight all the great stuff that is happening in the region.
The five days each have individual themes, which makes it more attractive to a national and international audience. Last year we had about ,000 attendees in person, but we reached a whopping 50 million people across the globe.
Could you pick a favourite out of the five days?
It’s always surprising how much you learn even when you attend something you thought wouldn’t interest you! Monday is Impact Day, so it will be great to hear any new Tech for Good initiatives. We have AI events on Tuesday which will be interesting. I always love
“BRISTOL HAS A BRILLIANT SENSE OF COMMUNITY, SUPPORT AND COLLABORATION; THERE’S A SPIRIT OF HELPING EACH OTHER SUCCEED”
the Creative Day – on Thursday – as there’s always lots of visual interaction.
What makes Bristol such a great hub for tech?
We have fantastic universities, a network of specialist and awardwinning startup incubators, an international airport, proximity to London and we’re surrounded by beautiful countryside. We have a brilliant sense of community, support and collaboration. Entrepreneurship is well provided for and there’s a spirit of helping each other succeed.
What’s the coolest piece of tech that you’ve ever seen?
The internet itself is pretty cool. But regionally there’s so much great tech. ltraleap’s haptic technology still feels futuristic. ocketmakers have created an AI-enabled holographic head so you can have a chat with Obama, and Matter and elpie’s products are incredible stands against plastic pollution.
Any tips on who the next tech unicorn might be?
Haha – if I knew that I’d be investing.
Do you have any secret skills?
I’m a dab hand with DI . I uite enjoyed a few weeks up a scaffold in winter repointing our gable wall. And I’m really good at planning trips – one of my favourite things!
The Bristol Tech Festival takes place 7-11 October; for more: www.techspark.co/tech-festival
ELEVATE YOUR BUSINESS
New boutique development PORTWALL LOFTS offers a workspace to inspire
Imagine offering your team a workspace that combines historic elegance with modern luxury while greeting your clients in an environment that reflects the prestige of your business. That’s the reality at Portwall Lofts, Bristol’s most exclusive boutique office space. Housed in a meticulously restored Victorian red brick warehouse, Portwall Lofts is a space that will lift productivity, inspire creativity, and mirror the high standards of your company.
AN ENTRANCE THAT IMPRESSES
First impressions matter. Portwall Lofts makes a statement from the moment you walk through the private entrance. The lobby’s sumptuous velvet banquette, authentic Crittall windows and terrazzo floor tiles exude sophistication. Antique bronze finishes add a timeless charm, impressing clients and visitors alike.
AN INSPIRING WORK ENVIRONMENT
Inside, the workspace fosters productivity and collaboration. The grand vaulted timber frame ceiling and natural wood floors create a bright, airy atmosphere with natural light flooding through lofty windows. The flexible layout lends itself naturally to breakout areas, meeting spaces, and workstations, allowing the environment to be tailored to suit your team’s needs. Every detail is designed to enhance wellbeing and inspire.
FLEXIBLE LEASING OPTIONS
Portwall Lofts offers flexibility to suit your business’s unique needs. The two expansive
floors, totalling 5,671 square feet, can be let independently or together. Leasing both floors provides a self-contained environment with a private entrance, and the opportunity of your business branding on the high profile and elegant Victorian elevation fronting Portwall Lane, as well as amenities such as showers, lockers and secure bike storage, that would be exclusively yours.
A PRIME LOCATION FOR BUSINESS
Perfectly located at One Portwall Lane in Redcliffe, Portwall Lofts places your business at the heart of Bristol’s vibrant commercial district. Just a five-minute walk from Bristol Temple Meads railway station, it offers unparalleled convenience for travel. Secure indoor bike storage caters to green commuting. During breaks, you can explore the green space of Queen Square, lunch at the independent restaurants of Wapping Wharf, or just enjoy the bustle of Bristol Harbourside. The location presents endless temptations for team bonding and client entertainment.
COMMITMENT TO SUSTAINABILITY
Sustainability is paramount at Portwall Lofts, which holds an EPC A rating and BREEAM Excellent accreditation. The workspace features solar panels, low-flow water appliances, and energy-efficient LED lighting. High-end heating, cooling, and ventilation systems ensure a comfortable environment year-round while reducing your company’s carbon footprint and energy costs.
EXCLUSIVE AND AUTONOMOUS
Portwall Lofts offers complete autonomy with a private entrance and branded signage if both floors are let together. This self-contained space includes all necessary amenities, from showers and lockers to secure bike storage. The flexible workspace layout can be customized to meet your business’s unique requirements. If the floors are let separately, each business will enjoy an exclusive, inspiring workspace designed to enhance productivity.
YOUR NEW BUSINESS HOME
Choosing Portwall Lofts means positioning your business in a prestigious, inspiring, and sustainable environment. The blend of historic charm, modern luxury, and eco-friendly design makes Portwall Lofts the ideal choice for forwardthinking busineses. n
Discover Portwall Lofts Today
Ready to elevate your business to new heights?
Visit www.portwalllofts.co.uk or contact our letting agents, Hannah Waterhouse at 07855 414570, and Roxine Foster at 07834 626024, to book your tour. See firsthand how Portwall Lofts can become the new home for your business in the heart of Bristol.
ESTATE OF GRACE
It’s not every day a sprawling Grade-II Georgian country manor with 51 acres of grounds comes on the market. Oh, and there’s a boutique treehouse, too. What would you do with Harptree Court if it were yours?
Words by Ursula Cole
You may have heard of Harptree Court. It was used as a luxury b&b for years; if you were lucky, as we once were, you might even have glamped overnight in the luxurious treehouse, a setting so romantic that no fewer than 15 guests took one look at it and proposed to their partner on the spot. And now it’s now on the market – the house, the grounds the treehouse, cottage and stables, the full package – for £6.75 mill.
The location is idyllic and very private, shielded far from the madding crowd behind tall stone walls. To reach the house you have a choice of two driveways, which meet at a circular carriage drive at the front. A third entrance gate opposite the stable yard leads directly into East Harptree, a highly desirable village in the Mendip Hills’ Area of Outstanding Natural Beauty.
The main house was built in the classical style in 1797, later ac uiring its early-1 th century addition. The first owner, who rejoiced in the splendidly Dickensian name of Joshua Scrope esq, sold it in1803; after that it changed hands just four more times before being sold to the current owners, who bought it in 2020 and undertook an extensive restoration.
While the back of the house is all curves, arches and deep curved bays, the front gazes out at the world with a serene gabled symmetry. Set in the middle, a four-pillared porch frames a wide doorway with a beautiful fanlight; beyond lies a spacious entrance hall whose large fireplace practically demands the presence of a pair of lounging wolfhounds. A door at the far end offers enticing views of the back garden.
Passing a cloakroom that’s larger than the average suburban living room, and checking the temptation to explore an inner hallway leading off to the left, you’ll find yourself at the entrance to the main reception rooms at the far end and off to the right. There’s the 2 ft dining room, with its deep, wide bow. The 34ft drawing room,
Did we mention there’s a spring-fed lake?
its windows overlooking both front and back. At the far end is the 34ft library, whose French windows must be a joy to ing open on warm days; any weekend guest who fails to spring through them, wielding a rac uet while in uiring anyone for tennis? would be in grave dereliction of their duty. Finally there’s the smaller but no less charming morning room, hugged by the generous curve of the second bow.
Let’s now explore that inner hallway, known as the staircase hall and lit by a pretty circular ceiling light. It leads to a kitchen/breakfast room with a four-oven AGA, while beyond – at which point keen cooks will cry Where do I sign? – lies a sizeable extra ‘prep kitchen’ and a deep pantry.
There’s also a staff at in this part of the house, made up of yet another a kitchen, sitting room, bedroom and bathroom; a side door to a courtyard is anked by numerous store and utility areas, and a cellar lies below. pstairs, served by five bath and shower rooms, are the six main bedrooms; the 21ft master with its deep bow is linked to a crescent-shaped 26ft dressing room by a bathroom. There are five further bedrooms in the connected west wing – naturally there are ‘wings –including a guest bedroom with a nursery, a shower room and bathroom, laundry room and drying room.
No matter which room you stand in, or which window you gaze from, you’ll be able to catch a glimpse of Harptree Court’s magnificent gardens and grounds. The main rooms face out over the north lawn, where in classic 1 th-century landscaped style, a ha-ha and wooden bridge separate the garden from the rolling parkland and pasture beyond.
The lower drive sweeps through mature trees, the upper is anked by fields and lined with lime and sweet chestnuts with views over Chew Valley Lake. A two-acre kitchen garden, walled in mellow brick, contains a series of old greenhouses; probably Victorian, these would once have been heated, and would be uite magnificent if they were restored.
A rock garden, paved gardens and a lily pond with a pavilion are all carefully arranged and positioned around the house; a hard tennis court lies between the stable yard and village lane, and extensive woodland provides plenty
The Victorian greenhouses in the walled garden are ripe for renovation; TOP: Show us a more inviting driveway. We’ll wait
of wood for the house and cottages. Apropos, Laundry Cottage, whose single storey houses a kitchen, living room, two bedrooms and a bathroom, is found close by, next to the U-shaped Victorian stable yard with its stores, numerous stables, tack room and the old 16ft mill.
Be prepared for your jaw to drop when you discover the treehouse, built in 2011 and discreetly tucked away among mature trees. A wide verandah opens to a large room with space for a king-size bed; there’s a glorious copper bath, which we can assure you from experience will leave you dissatisfied with ceramic ones for life, a shower room, and a kitchen/sitting/dining area with a woodburning stove.
Finally, a number of former, mostly stone, farm buildings lie out of sight to the north east; these are ripe for residential development, subject to planning consents.
Harptree Court is an extraordinary proposition. It would obviously make the grandest, most idyllic family home; alternatively, it could continue to earn its keep, with the cottage and treehouse rented out to staycationers, with the additional possibility of hosting b&b guests in the main house. It would make an ideal venue for hire, for special celebrations, or even location shoots; you may recognise its lawns from reat ritish a e episodes of 2012 and 2013. It’s had a mere six owners since the mid-18th century – could you become its next?
HOUSE NUMBERS
Where East Harptree Guide price £6.75m
Receptions 7 in main house
Bedrooms 14 in main house
Bath and shower rooms 7 in main house
Outside 51.7 acres with 2-bed cottage, treehouse, stables and outbuildings
Call my agent: Savills, 0117 933 5800 www.savills.co.uk
The treehouse. Can you even call it ‘glamping’ if its fully plumbed and heated, has a fully fitted kitchen and comes with a luxurious copper bath tub?
Whatever type of stonework you require in and around Bristol & the South West, we have the local expertise and experience to remedy any issue you may have in a friendly, and knowledgeable manner.
For your peace of mind: We are fully insured and complete all work to the highest standard.
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Keep up-to-date with our latest news, deals, testimonials and market comment at our website: www.burstoncook.co.uk
Whiteladies Road, Clifton FOR SALE – POA
4,300 sq ft (399.47 sq m)
A rare freehold opportunity comprising high-quality office accommodation but with excellent potential for alternative commercial uses or residential conversion. Benefiting from a large forecourt to the front and courtyard garden to the rear.
Amberley Hall Day Nursery, BS8 FOR SALE – POA
3,091 sq ft (287.16 sq m)
An exceptional freehold opportunity in the heart of Clifton, just a short walk from Durdham Downs offering a prime business location or opportunity for residential conversion subject to planning consent.
High Street, Shirehampton TO LET - £15,000 pax
1,968 sq ft (183 sq m)
A bright, sizeable Class E retail/ office unit which is split across two floors and benefits from a rear courtyard. The nature and location of the property offer a range of possibilities and potential for users.
Queen Square, Bristol, BS1 TO LET – POA
326 – 2,099 sq ft (30 - 195 sq m)
A charming, self-contained office which is due to be refurbished and benefits from 2 allocated car parking spaces. Use Class E therefore suitable for different uses to include offices, medical etc.
Whiteladies Road, Clifton TO LET – £17,750 PAX
1,027 sq ft (95.44 sq m)
A ground floor retail shop with glazed frontage prominently positioned at the top of Whiteladies Road and next to Clifton Downs benefitting from basement storage one parking space.
High Street Thornbury TO LET - £30,000 pax
2,464 sq ft (229.93)
An attractive open-plan commercial unit suitable for offices or retail use, recently refurbished and providing a blank canvas for a new tenant to fit out. Situated on the busy High Street in Thornbury with one allocated car parking space to the rear.
Clare Street, BS1 FOR SALE – POA
2,645 sq ft (245.72 sq m)
A rare opportunity to purchase a landmark iconic property located in the heart of the city centre. Freehold for sale with vacant possession. Suitable for a range of uses (stp).
Shore House, Westbury on Trym TO LET – POA
2,710 sq ft (251.76 sq m)
A bright and airy, open plan office situated on Westbury Hill within a stones throw of a range of local amenities. The space benefits from spacious meeting room and 7 car parking spaces.
Whiteladies Road, Clifton TO LET – POA
1,276 sq ft (119 sq m)
A spacious Class E unit on a popular pitch bordering Redland and Clifton. The property is positioned amongst bustling shops and restaurants with high footfall and is an exceptional site for either retail or office use.
Durdham Park, BS6 TO LET – POA
1,042– 2,948 sq ft (274 - 97 sq m)
Two self-contained buildings located within close proximity to Whiteladies Road and Clifton and Durdham Downs. The properties can be available as a pair or separately. Currently benefitting from educational use although would suit other uses (STP).
AFFORDABLE OFFICE SOLUTIONS
– TO RENT / TO PURCHASE
FOR SALE / MAY LET Eden Office Park, Pill, BS20
A modern, detached office building located on a tranquil and sought after business park, providing accommodation over ground and first floors with ample parking. The property comprises 6,083 sq ft in total, but could be split into 3 self contained buildings providing smaller lot sizes to purchase, or to rent of c.1,800—2,300 sq ft. Located approx. 2 miles away from Junction 19 of the M5 and a short drive to Clifton.
TO LET St. Thomas Street, Bristol, BS1
A self-contained HQ office comprising 10,465—24,660 (sq ft) 972—2,291 (sq m). Available to lease as a whole, or on a floor by floor basis.
The building benefits from an impressive central atrium, 21 secure car parking spaces, and would readily suit other employment uses. Due to be refurbished.
Significantly lower rent than nearby offices!
Julian Cook
FRICS Jayne Rixon MRICS
Finola Ingham MRICS
Tom Coyte MRICS
Charlie Kershaw MRICS
FOR SALE – FREEHOLD
A prime and sought after residential location offering a peaceful and leafy environment within walking distance of Whiteladies Road, Bristol city centre, and Clifton’s Durdham Downs
INONEACREPLOT!
Ashley Down House, Cotham Park, Bristol
An impressive, Italianate style mansion set within a one acre plot accessed via gravelled drive and benefitting from landscaped gardens, a self-contained 2/3 bed annexe, and a range of additional outbuildings. The property totals approximately 12,700 sq ft dating back to c. 1850 and offers the potential for a fantastic home or a range of development options (subject to consents). Freehold for sale – price on application.
Cotham Park, Bristol
A substantial home featuring a kitchen and four reception rooms on the ground floor, four bedrooms and a bathroom on the first floor, and additional bedrooms and bathrooms on the second floor. The lower ground floor includes a gym, laundry room, bathroom, and various ancillary rooms. Externally, there is a large walled garden at the rear plus an attractive front garden. The property provides for a beautiful family home following light refurbishment. Freehold for sale – Price on application.
BRISTOL LIVES
AMY ROSE
An acclaimed director known for making ‘sensory stories’, Amy is also the lead curator of Undershed – a new immersive gallery due to open this October
I’m a person with many hats,” says Amy.
“I’ve been a chef, a filmmaker, an artist, a producer – but right now I’m a curator, and leading on the development of the new space for showing interactive and immersive artwork called ndershed – part of the Watershed Arts Trust and cinema on the harbourside.”
I originally trained as a documentary filmmaker, and did an MA at Edinburgh College of Art. I made short films and worked on feature documentaries as an assistant producer and cinematographer.
I specialise in creating sensory stories. For me, this is an experience that tries to speak to your whole body, with all its
“A sensory story is an experience that speaks to the whole body, with all its capabilities and complexity”
sorts of methods, from audio walks and theatrical installations to VR and interactive games.
The first piece that May and I made together – with the help of an incredible group of collaborators – was Door into the Dark. It was an immersive installation about what it means to be lost in an age of infinite and constantly available information. Blindfolded, shoeless and alone, you feel your way into the dark along a taut length of rope, and get lost inside a massive space filled with a set made to touch.
While immersive work might be familiar to audiences in Bristol, from Wake The Tiger, or the Van Gogh experience at Propyard, ndershed is different in that we are inviting existing artists to bring their individual pieces of work to our space.
capabilities and complexity. That means moving beyond the audio-visual to involve your other senses, whether that’s the way you move, what you touch or the whole environment in which the piece happens.
I started to work with a close friend of mine, May Abdalla, in 201 . We gave ourselves a name – Anagram – ri ng on the serendipity of our first names. The new ideas were all about embodied experience, and what it would mean to integrate physical sensations into cinematic non-fiction storytelling.
Anagram has grown over the years into a ourishing studio and made all sorts of work –always experimenting with new ways of making stories using all
The audio included interviews with three people who described their own particular experiences of being lost, or losing touch with their familiar reality. The magic technical thing that made Door into the Dark work so well was the capacity to trigger audio in very particular places – so, as you find the end of the rope hanging in the air, you hear let go of the rope and walk forwards . If it had been one single audio track, the piece would never have worked, as audiences all moved at such a different pace.
The moment we won the Tribeca Film Festival Storyscapes Award in New ork for best interactive piece in 2015 was really special, because it was the first time that something we had made was celebrated in that way.
Undershed is a new gallery opening at the end of October on the ground oor of Watershed –the door is right next to the box o ce. We will offer high- uality immersive and interactive artworks grouped together in thematic exhibitions, rather than simply as one-off experiments that use new technologies.
The first exhibition is all about the body and your embodied experience of the world – it’s called Sing the Body Electric and it opens on 25 October. There are two different collections which make up the exhibition – the first one is on until 22 ovember, the second runs 29 November to 22 December. ext year, we’ll explore other themes including the mind, our relationship with the earth beneath our feet and political resistance to systems of power.
I’ve lived in Easton since I moved to Bristol in 201 – it’s great, loads of my friends live there and I would really struggle to move anywhere else.
I love the tall trees of Snuff Mills, just beyond Eastville Park at the far end of Easton. I also love buying beautiful warm and fresh atbreads from the tiny tandoor room at the back of Dunya, the urdish supermarket on Stapleton oad next to the Black Swan.
Secret skills? I’m a potter, and I’ve got a studio at home. I’m also a cat whisperer.
My most regrettable habit is that I can be a bit contrary.
My guiltiest pleasure is potato wa es.
For more: www.weareanagram.co.uk www.watershed.co.uk/undershed
