Melbourne Observer. May 23, 2018

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WEDNESDAY, MAY 23, 2018

VICTORIA’S INDEPENDENT WEEKLY NEWSPAPER

49TH YEAR OF PUBLICATION $2.95

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FRANCSHISEES WANTED URGENTLY Melbourne Metro and Country Vic Options available; Some territories already trading; Some leads provided Low cost entry

● Melbourne’s La Mama Theatre was destroyed by fire this week, but organisers have vowed to rebuild as well as continuing the winter season of shows at other venues. Photo: Rick Evertsz

● See Page 32

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Home and Garden

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Melbourne Observer - Wednesday, May 23, 2018 - Page 9

Showbiz News

It’s All About You!

Melbourne

3 Deaths of Ebony Black Observer

■ In The Three Deaths of Ebony Black, 10 delightful puppets, crafted by Danny Miller are animated by writer/composer Amberley Cull and Nick Pages-Oliver.

A marvellous musical accompaniment is provided by writer/composer, Robert Woods on keyboard.

The play is inspired by the quote from neuroscientist David Eagleman, that the first two deaths are the end of life and burial, respectively.

The third death is “when your name is spoken for the last time”.

Ebony Black, a sweet faced puppet in a brown print dress, stars in the first act.

Her death is immensely touching, as the frail old lady hovers between life and death.

She finally expires to a musical accompaniment evoking a hospital monitor - “bleeping” rhythmically, then intermittently and concluding with a long note at point of death.

This enhanced the mood and an abrupt blackout completed the sense of finality.

The mood changes dramatically in the second act, exploring burial, and the characters progress the story at a frenetic pace.

Suffice to say this melodrama includes dastardly plots over a substitute body, a squabble over money and other general mayhem.

A nasty twin sister, an endearing child with blond plaits and a fear of death - she thought “only animals die, not people” - hilarious funeral directors, and a red-haired cockney nurse who fulfils Ebony’s final wishes. – are amongst the cast in the complex plot.

It pains me a little to admit that this pace left me breathless and a tad perplexed. The third stage of death is not depicted clearly but perhaps that’s the point – Ebony’s time has not yet come.

In This Edition

Matt Bissett-Johnson, Cartoonist Gavin Wood, West Hollywood Cheryl Threadgold, Local Theatre James Sherlock, Movies Mike McColl Jones, Top 5 Aaron Rourke, Reviews John O’Keefe, OK Kevin Trask, Whatever Happened David Ellis, Travel Ted Ryan, Racing Len Baker, Sulky Snippets Country Music Top 10 Lists Movies, DVDs Local Theatre

Observer Showbiz

Latest News Around Victoria

Life corrupted

● Amberley Cull in The Three Deaths of Ebony Black. Photo: Minh Phat This was a clever play, exploring family, love, life and death. Cull and Pages-Oliver breathed life into the puppets so seamlessly that puppet and puppeteer merge, drawing the audience magically into the artifice.

Woods’ original score complemented the action – from the jaunty funeral directors’ song and dance, to the dirge of the funeral procession.

Sincere congratulations to the writers and performers for an entertaining performance.

The Three Deaths of Ebony Black was presented at The Butterfly Club.

- Juliet Charles

Society at Spiegeltent

Artists’ exhibition ■ The Victorian Artists' Society officially opened the annual Autumn Exhibition.

The Undine Award Winner was Helen McKie for her work titled Alpine Grasses.

The President's Award was presented to Jennifer Fyfe for her work titled Smoko.

The Sculpture Prize was presented to Jonathan Lawrence for his sculpture titled Morrigan.

■ A 31-year-old mother with a long history of drug abuse was convicted on a range of drug and theft offences at Sale Magistrates’ Court, reports the Gippsland Times.

Magistrate Simon Zebrowski accepted that drug use was a major factor in her offending, and that even after completing two periods of rehabilitation for heroin and ice addiction, she had returned to drug use on release from Odyssey House due to lack of support.

Synthetic drugs

■ A man who drove erratically on the Calder Highway while high on synthetic cannabis has been slapped with a fouryear driving ban, reports the Sunraysia Daily.

The 44-year-old veered in and out of his lane during a trip from Bendigo to Mildura stopped in the middle of the highway and performed dangerous U-turns on the highway, near Ouyen.

$1 mil. spend

■ The marketing budget of Wodonga Council is due to climb above $1 million with the jump fuelled by a $200,000 consultancy to tell the city’s history, The Wodonga Story, reports the Border Mail newspaper.

Forecast ■ ■ ■ ■

Today (Wed.). Partly cloudy. 9°-16° Thurs. Partly cloudy. 7°-15° Fri. Paqrtly cloudy. 8°-15° Sat. Mostly sunny. 9°-16°

Mike McColl Jones ● Jacinta Rohan in Society. Photo: Jacinta Oaten ■ Director, Frank Minniti, shines as the MC lots of panache. of AfterDark Theatre’s current production of A highlight was the brilliant contortionist Society. and hula-hoop specialist, Jacinta Rohan.

Once again the Melba Spiegeltent in Songs performed by Kara Ciezke and her Collingwood provides the perfect venue for choice of music for the show enhanced each this lavish production. act. The spectacular costumes, designed by Society is set in the French quarter of party Nay Cananzi were appropriately lavish. Lighttown New Orleans.

Frank’s natural flamboyance and pacey ing was particularly creative thanks to the taldirection gives the show a festival feeling, with ents of designer, Harrison Cope.

This adult-only show is full of laughs, specfellow artists Simon Storey, Tully Fedorowjtsch, Mathew Brown, Mimi Le tacles and surprises. Hopefully, the packed Noire,Alyssa Moore, Jacinta Rohan and Kara houses will continue for these hard- working performers.

Ciezke creating fun-filled performances.

The show runs until May 26 and tickets These energetic artists have strong skills featuring acrobatics, juggling, aerials, song can be booked through eventfinda.com.au and dance, all performed with precision and - Review by Lyn Hurst

Top 5

THE T OP 5 C OMMENT S HEARD TOP COMMENT OMMENTS DURING THE RO YAL WEDDING ROY 5. "I really think they went too far getting a Bouncy Castle for the guests".

4. "Who will score first - Manchester United or Harry?".

3. "What a nice touch ... after the first hymn, all the pews turned around".

2. "Where are the Sportsbet commercials?".

1. "Would someone tell Bishop Michael Curry, he's got a booking at the Comedy Store!".

Page 10 - Melbourne Observer - Wednesday, May 23, 2018

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Nostalgia

with Kerry Kulkens

inc orpor a ting the Melbourne A d vvertiser ertiser, incorpor orpora Ad Melbourne T ict orian Rur al Ne ws Trr ader ader,, V Vict ictorian Rural New and Melbourne Seniors News News..

Victoria’s Independent Newspaper First Published September 14, 1969 Every W ednesda y Wednesda ednesday

ARIES: (March 21-April 20) Lucky Colour: Blue Lucky Day: Friday Racing Numbers: 1.3.2.5.

Lotto Numbers: 1.12.26.36.30.33.

Could be a little too emotional time to make decisions rationally just now. Leave all your problems until later on. Also do not promise things that you could find hard to do.

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TAURUS: (April 21- May 20) Lucky Colour: White Lucky Day: Monday Racing Numbers: 3.2.6.5.

Lotto Numbers: 2.13.25.45.40.9.

A missed opportunity that has bothered you in the past should return and you could make a great success of it this time. Love life improvement is also evident and someone special should surprise you.

Our Team Editor: Ash Long Features Editor: Peter Mac Columnists: Len Baker (harness racing), Matt Bissett-Johnson (cartoonist), David Ellis (wine and travel), Rob Foenander (country music), Kerry Kulkens (astrology), Nick Le Souef (outback Australia), Mike McColl Jones (life), Greg Ne wman (r adio ), T erry Radf or d ((C C ourt ewman (radio adio), Terry Radfor ord roundsman), Aaron Rourke (movies), Ted Ry an (r acing), Jim Sherlock Ryan (racing), (movies, DVDs), Cheryl Threadgold (local thea e ), K e vin T sho wbiz), theatt rre Ke Trrask ((sho showbiz), Wood (Hollyw Veritas, G avin W ood (Holly w ood).

Honorary Reviewers: Mark Briggs, Rita Crispin, Martin Curtis, Sherryn Danaher Danaher,, Barbar a Hughes, L yn Hurs t, K athryn Barbara Lyn Hurst, Ka Keeble, Beth Klein, Deborah Marinaro, Gr aeme McC oubrie therine , McGr egor Graeme McCoubrie oubrie,, Ca Catherine McGregor egor,, David McLean, Maggie Morrison, Jill Pa g e ylie Rackham, Elizabeth Semmel. e,, K Kylie Arts: Peter Kemp. Distribution: Sam Fiorini, phone 9482 1145

● Melbourne City Baths. 1914.

LEO: (July 23-August 22) Lucky Colour: Orange Lucky Day:Wednesday Racing Numbers: 4.6.2.1.

Lotto Numbers: 1.12.15.26.30.33.

There should be more co operation from above and people in high places could give you unexpected help. One of your long time wishes could come true during this period.

● City Square. 1981.

If your local newsagent does not curr ently sstt ock the Melbourne Observ e rr,, currently Observe why not place a weekly order with them, by using their ‘putaway’ service.

Newsagents should contact All Day Distribution Pty Ltd, 169 Burwood Road, Hawthorn, Vic 3122. Phone: (03) 9482 1145.

VIRGO: (August 23- September 23) Lucky Colour: Blue Lucky Day:Wednesday Racing Numbers: 2.3.2.1.

Lotto Numbers: 2.13.26.25.40.44.

There could be more to do and more responsibility for you to handle during this period and many of your romantic ideas could have to be postponed but you will be compensated later on.

LIBRA: (September 24- October 23) Lucky Colour: Cream Lucky Day: Thursday Racing Numbers: 2.3.1.5.

Lotto Numbers: 2.13.26.25.28.7.

Not a good period to get involved in group activities.

Wait for more energy and interest in something new.

Improvements in health and welfare should be imminent.

SCORPIO: (October 24- November 22) Lucky Colour: Peach Lucky Day: Tuesday Racing Numbers: 2.3.9.5.

Lotto Numbers: 5.6.12.23.36.39.

Some happier affairs with your trusted friends and you could help someone out of a tricky situation. Success in business could come as a big surprise with increased income.

Across The World Melbourne Observer Online 2.

2.11 million hits annually annually.. w w w.MelbourneObserv e rr..c om.au .MelbourneObserve You can rread ead our paper fr ee on the free internet.

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SAGITTARIUS: (November23- December 20) Lucky Colour: Cream Lucky Day: Monday Racing Numbers: 2.3.5.6.

Lotto Numbers: 2.13.26.36.30.45.

Getting away from it all could be a good idea for you at the moment. Too much work will get you ahead but also make you tired. Emotional period in which you could make errors of judgement.

Back Copies Back Copies - Archives w w w.MelbourneObserv e rr..c om.au .MelbourneObserve Back copies for 1969-89, 2002-15 may be inspected by appointment at the State Library of Victoria. 328 Swanston St, Melbourne.

GEMINI: (May 21- June 21) Lucky Colour: Green Lucky Day: Monday Racing Numbers: 4.5.2.1.

Lotto Numbers: 4.12.26.9.22.1.

Good news concerning career matters should give you a boost but keep an eye out for too much indulgence could be bad for your waistline. Someone special could enter your life.

CANCER: (June 22- July 22) Lucky Colour: Fawn Lucky Day: Tuesday Racing Numbers: 2.3.2.1.

Lotto Numbers: 2.13.26.36.39.5.

This could be one of the happiest time for the whole year.

Your personality should be sparkling and people are looking for your company. Some unexpected luck in surprising ways.

Distribution S ta dition: A vailable w eekly a tatte E Edition: weekly att approx. 400 newsagents across the Melbourne metropolitan area, Mornington Peninsula, Geelong, Bellarine Peninsula, Surf coast, and Victorian regional centres.

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Your Stars

● City Road, South Melbourne. 1930s.

Independently Owned and Operated

CAPRICORN: (December 21- January 19) Lucky Colour: Pink Lucky Day: Sunday Racing Numbers: 2.3.2.1.

Lotto Numbers: 2.13.20.30.11.15.

Time has come to get rid of some old things and ideas and start a fresh. If you have to do some signing of papers make sure you know what you are doing and get expert advice.

AQUARIUS: (January 20- February 19) Lucky Colour: Purple Lucky Day: Sunday Racing Numbers: 6.2.3.1.

Lotto Numbers: 6.12.23.30.22.29.

If you have had bad experiences with someone, it could be that you will again so do not trust them. People could be nice if you let them and asking for help is a wise thing sometimes.

The Melbourne Observer is printed under contract by Streamline PressPty Ltd, 155 Johns o y, ffor or the publisher Johnstton S t, Fitzr Fitzro publisher,, Local Media Pty Ltd. ABN 67 096 680 063, of the registered office, 30 Glen Gully Rd, Eltham, Vic 3095. Distributed

by All Day Distribution. Responsibilityfor election and referendum comment is accepted by Ash Long.

Copyright © 2018, Local Media Pty Ltd. ACN 096 680 063.

PISCES: (February 20- March 20) Lucky Colour: White Lucky Day: Wednesday Racing Numbers: 1.3.2.1.

Lotto Numbers: 1.12.26.36.30.44.

If you feel at all under the weather make sure you get treatment before things get worse. Rest is as good as a holiday sometimes. Financial matters should improve soon.

● Melbourne City Council’s float. 1954.

KERRY KULKENS PS YCHIC LINE 190 2 240 051 or 1800 727 727 CALL COST: $5.50 INC G.S.T. PER MIN. MOB/PAY EXTR A. VISIT KERR Y KULKENS MAGIC SHOP AT 1 693 BURW OOD HWY BELG RAVE PH/FAX (0 3) 9754 4587 W WW .KERRY KULKENS.C OM.AU Like us on Facebook

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Melbourne Arts Kingston Gallery Transient Structures Presented by Kingston Arts recipient Candice McGaw, Transient Structures expands the work made during an artist residency at the Australian Regenerative Medicine Institute in Clayton.

The body of the work explores how biological. Aesthetic and big-picture questions of regenerative medicine can be translated in art. Why do zebra fish have the ability to generate a third of their body whereas humans have minimal regenerative capacity?

Exhibition: Saturday, June 2 - Sunday, June 30.

Dutch Blue Dutch Blue is a body of work comprising paintings and aquarelles created in a single colour Ultramarine Blue.

Ultramarine Blue, also known as 'Dutch Blue' or 'Delphi Blue', is a pigment that creates a colour with limitless qualities.

It can be transparent and light, but it can also be compact and opaque. It can be cold when mixed with white, and yet is a warm colour when pure and dense.

Exhibition: Friday June 15 - Saturday July 14.

Kingston Art Gallery 979 Nepean Hwy, Moorabbin - Peter Kemp

Melbourne Observer - Wednesday, May 23, 2018 - Page 11 Melbourne

Observer

Showbiz News

A Penny Dreadful

Town Hall Gallery

■ Deeper Darker Brighter is a creative response to an astrophysics program that is searching for the fastest explosions in the universe.

The artists, Pamela Bain and Carolyn Lewis, were present for real-time space observations and stimulated by bombardments of astronomical imagery, data and technology which inspired these new bodies of work.

On the Community Wall is Drive by Susan Mountford. A meditation on the suburban ritual of driving kids to sport venues.

Exhibition: Deeper Darker Brighter May 12-July 1; Drive May 8-June 3.

Town Hall Gallery 360 Burwood Rd, Hawthorn.

- Peter Kemp

Wizard of Oz

● Jonathan Best and Patt Ryan in The Mystery of Irma Vep - A Penny Dreadful.

Photo: Kristina Doucouliagos.

■ Beaumaris Theatre presents The Mystery Lady Irma. of Irma Vep – a Penny Dreadful from May 25 to Meanwhile, Lord Edgar is disturbed by June 9 at 82 Wells Rd, Beaumaris. strange happenings out on the heath, including The show is a theatrical smorgasbord com- the monthly disappearance of his groundskeeper, bining Hammer horrors, Shakespeare, Nicodemus.

Wuthering Heights and the Victorian Penny Fearing the estate is haunted, Lord Edgar Dreadful. goes on an expedition to Egypt to discover the With two performers and quick costume secrets of what truly lies behind the mystery of changes, it is reputed to become a “hilarious Irma Vep. spectacle of ludicrous propositions”.

Beaumaris Theatre’s production features Written by Charles Ludlam and directed by Jonathan Best (Actor One) and Patt Ryan (AcDiv Collins, The Mystery of Irma Vep is set in tor Two). the English country estate of Lord Edgar Performance Dates and Times: May 25, 26, Hillcrest, a widower, having lost his beloved June 1, 2, 7, 8, 9 at 8pm and June 3 at 5pm wife, Irma Vep. Venue: Beaumaris Theatre, 82 Wells Rd., He has recently remarried Lady Enid, a Beaumaris. stage actress who is still uneasy about her new Tickets: $27 Full/$24 Concession. position as Lady of the Manor. In fact, her maid Bookings: www.beaumaristheatre.com.au Jane does not think she will ever measure up to - Cheryl Threadgold

Rowan Thamber at 23 ● Alex Rathgeber, Eli Cooper and John Xintavelonis pose for a photo at the media call for Wizard Of Oz which opened last week at the Regent. Photo: Kevin Trask

■ At just 23, Rowan Thambar has performed on international stages in New York, Los Angeles and Toronto - while also cracking up audiences in Sydney and his hometown of Newcastle.

After being nominated for “Best Comedy” at the Melbourne Fringe 2017, Rowan makes his debut at Melbourne’s Butterfly Club with his show ‘23’, being presented from May 23 26.

‘23’ is the title of Thambar’s latest project which blends original musical comedy, standup and autobiographical moments to explore the

Melbourne Observations

with Matt Bissett-Johnson

Local Theatre Forget Me Not

● Child migrant Gerry (Tim Byron) reconnects with his mother Mary (Carol Shelbourn) in Forget Me Not. Photo: John Shelbourn ■ Forget Me Not, Tom Holloway’s contemporary story of child migrant Gerry, is presented by the Brighton Theatre Company until June 2 at the Brighton Arts and Cultural Centre.

Holloway’s play is a stark reminder of the joint English and Australian Government operation between 1945 and 1965, when thousands of children, known as ‘child migrants’, were removed from Britain and sent to Australia.

These children from deprived social backgrounds, some as young as four, were promised a wonderful new life, even told their parents had died, while their families were assured their children would be raised by loving families.

Realistically, many of these children were forced into slave labour on farms, and subjected to abuse and assault.

Gerry (Tim Byron) arrived in Australia as a child migrant aged four. Now 60, he is a damaged human being with low self-esteem, explosive temper, mood swings and alcohol dependence.

Gerry’s daughter Sally (Clare Hayes), becomes her father’s saviour when teaming up with social worker Mark (Liam Gillespie) to contact Gerry’s mother Mary (Carol Shelbourn) in Liverpool, England, and arrange a visit for Gerry through the Family Restoration Fund.

Annie Blood’s expert direction, including skilled use of pauses and silence, Holloway’s clever plot structure, and the fine cast of actors combine to achieve a first class drama.

In particular, Tim Byron’s excellent portrayal of Gerry captures his emotions, resentment and tenderness in naturalistic style.

Carol Shelbourn presents an equally splendid performance using her impressive dramatic acting skills to depict Mary of the past, and today’s elderly, sick Mary.

Production design by Annie Blood and lighting design byToby Harding effectively complement the narrative, and scene transition between four settings worked well using minimal moves of chairs and strong performances from actors.

This show deserves full audience capacity; firstly to reflect on this recently uncovered scandalous situation in Australia’s history, but also to experience quality theatre … and of course, Brighton Theatre Company’s legendary hospitality.

Performance Season: Until June 2 Venue: Brighton Arts and Cultural Centre, Cnr. Wilson and Carpenter Sts, Brighton.

Duration: 90 minutes, no interval.

Bookings: 1300 752 126.

- Review by Cheryl Threadgold

Media Flashes

● Rowan Thambar journey from hair straighteners to hair loss. Fighting off the stigma of being a millennial, avocado in everything and the realisation of his impending mortality – this is a show aims to make audiences both laugh and stop to ask why.

A classically trained pianist, Rowan also brings musical comedy to the stage. Inspired by jazz, blues and RnB, ‘23’ will see Rowan sharing a new repertoire of original songs - and says he can’t wait.

Performance Details: May 23-26 at 7pm Venue: The Butterfly Club, Carson Place, Melbourne.

Bookings: thebutterflyclub.com/show/23 - Cheryl Threadgold

■ Cosima Marriner has been appointed the new Editor at The Sun-Herald (Sydney), beginning mid-June. Cosima is currently Deputy Editor at the title's Sunday Life magazine, and first joined Fairfax Media in 2000.

■ Jack 'Cacklin' Jack' Post from the Hamish & Andy Show will join Gold 104.3's The Christian O'Connell Breakfast Showas a Producer. Jack began began his career in radio at the age of 15 as an announcer on Melbourne’s community radio station SYN FM. The Christian O'Connell Breakfast Show will launch on June 4.

■ Debra Killalea has started at 9news.com.au as Digital News Editor.

■ Lisa Cox has been appointed Guardian Australia’s new Environment Reporter.

- Telum Australia

Page 12 - Melbourne Observer - Wednesday, May 23, 2018

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Jim Long’s Story: Part 1

Signing on for duty in WWII ■ Just prior to his untimely death in August 1987, Jim Long penned his memoirs of his overseas War service in the Middle East in World War II. The 33,700-word story sees an Australian working-class shoe store worker from Bendigo, volunteer for overseas military service. ★ Recalled. I joined the Army at the beginning of May 1941. This was just after the disastrous campaign in Greece, and it appeared to me it was a signal for many to enlist at this time.

I was 19 with a birthday coming up the following month.

To the “Thirty Niners”, those who had joined up in 1939, we were the “Deep Thinkers”.

Firstly I joined the AMF (Australian Military Forces) and became a “Choco” (Chocolate Soldier), as my parents refused to give their consent fore me to join the 2nd AIF (Australian Imperial Force).

My mother had been a civilian nurse during the 1914-18 conflict and toward the end and afterwards was Matron of a Private Hospital (her own) in a country town.

Here she treated and nursed exservicemen for their wounds and affects of gassing, mostly without recompense, according to my father.

The appalling injuries she saw no doubt influenced her in not giving parental consent, but this was to change some three months later.

Upon enlistment at Royal Park we were questioned in relation to our qualifications, etc., and the branch of the army for which we had a preference.

● Left: Jim Long, VX60817. Right: A ‘Spirit of Salts’ rail motor.

Hat, Khaki, Fur, that was stiff as Sorry fellas, but then you’d reply This was where civilian cooks became army drivers and civilian driv- a board and sat squarely on my skull, “Thats OK – Mate”.

Trousers and Tunic that smelt to high My job in the office was chasing ers army cooks.

My spare time interest was in re- heaven of pest control treatment, and up MV (Motor Vehicle) spare parts pairing cars and a moor bike with Boots so stiff that I walked most un- from local suppliers such as Ford, Motor Spares, Machins, my preference for the branch of ser- naturally.

They were nice people on the Brooklands, Keep Bros & Wood, vice as the Armoured Division.

Not being in the AIF I could not tram, they did not say anything or etc, and raising Purchase Orders.

Being around motor vehicles nenominate 9th Division Cavalry Regi- exchange understanding glances.

We did some elementary foot drill cessitated an Army driver’s licence ment as the unit I most wanted to have joined, and in any case not be- at Royal Park and then I was posted in order to drive same.

Each class required a separate ing A1 I had little hope in any case. to 3rd Military District Workshops test, that is, motor cycles, sedans and A bit like the person who said “I’d at Broadmeadows.

With winter coming on it was a utilities, tonners, carriers and tanks. give my right arm to be cold hole – the wind starts at Broadie The licences were hard to obtain ambidexterous”.

During the first two days at Royal and doesn’t stop as it does another and certain practices had to be observed such as when bringing a 5 ton Park I was issued with my uniform, lap.

My first job was in the Paint Shop truck to a stop it was necessary to go and proceeded home on leave on the under Staff Sergeant O’Flaherty down through the gears in losing mosecond night. who was a big bloke – enormous in mentum.

Many argued it was cheaper to fact in the eyes of a raw recruit.

29 Acheron Avenue, He presented me with the biggest replace brake linings than repair Reservoir – 3073 bass broom I’ve ever seen – Six feet gearboxes.

3rd. December 1986.

We worked as a rule a 5½ day (1.83 m) across I’d reckon – and strict Major John Tilbrook, week, but often received Saturday instructions to keep the spray paint Corps Historian, R.A.A.O.C., afternoon duty as duty drivers or inbooths spotlessly clean.

Directorate of Supply – Army, As fast as dust and over spray structing officers in being able to ride Department of Defence, descended so this enormous bass a motorcycle.

Campbell Park Offices, Here we took great delight in putbroom plied back and forth, in an CANBERRA. A.C.T. 2600. ting them through their paces on a unwinnable war.

Dear Major, After awhile I was promoted or wet grassy circuit.

If I had known that my letters home to my folks some 45 years ago Broadmeadows being reasonably demoted to body preparation, that is would re-surface in 1986/87, then no doubt I would have taken greater close to the city seems to ensure we rubbing down with abrasive paper care with my grammar, etc. I was at that time no literary giant, as you will those parts of a vehicle to be spray had plenty of Camp Concerts from perceive, and I don’t think I’ve gained any ground since then. civilian groups.

A letter home was just that; what the heck if you ended a sentence with painted.

We enjoyed them very much and This took me out into the vehicle a preposition, started a new paragraph commencing with “And” or the appreciated all their efforts. I think park where there were all types of letter “A”. It’s strange looking back at that time for we were taught to World War I vehicles in open stor- the most enjoyment came from joinmake paragraphs as long as we could using semi-colons and commas age – hard tyred vehicles, Laffleys, ing in the songs or a sing-song segeffectually. You will have ample evidence of this.

A pretty girl however, never My wonderful Mother, thoughtfully, and thankfully, kept all of my let- Thornycrofts, Macks, Fire Engines, ment. missed the wolf whistles and cheers.

Road Sweepers, etc., which were of ters received from here and overseas, and this has greatly helped in I recall one Saturday afternoon immense interest to me. providing a source of information. It was not possible, on the other hand, A clerical vacancy in purchasing when I was detailed as a Duty Driver. to keep letters received.

Someone had designed a steel In drawing upon my memories, racking of the old brain, there is at appeared on the notice board, and ramp with a level steel section at the having been to night time courses at times absolute frustration in trying to picture a face for a name, or reend for under chassis service and reBusiness College in Accountancy member a name for a face. Of course there are many blank patches; pairs of vehicles. and Typing, I decided to apply. uncertainty, and no doubt inaccuracies in that I have endeavoured to The level section was about 5 feet I think I may have been the only recall. In a very broad sense, it was considered prudent, not to recall 9 inches (1.75m) above the ground applicant because I got the job. quite a few things that did happen.

My boss was Sgt (Keith ?) allowing a mechanic to walk under One little credit will be sufficient, thanks. Please feel free to use Reeves, possibly a Permanent Mili- or beneath the vehicle. something like “a member of the unit recalled” etc. Also, feel free please There were no side guards on the tary Forces member. to correct any grammar, tense, or errors, that you will no doubt find. ramps (such as on car transporters He was a terrific fellow with infiWhen I started this exercise I quickly ran into trouble, not only a nite patience, and I owe thanks to today) or on the level end. I was intypewriter that can’t spell was to hand, but it stuttered as well. structed by Major Watkins (our CO) I mentioned initially to you, that I would prepare the information so him for giving me a start in Work- to take a 5 ton truck up the servicing shop Administration that spanned my that my family can pass it down the line in the time to come. Although, this Army years and later on in Industry. ramp – well I got it on the ramp OK, of course, means you will be wading through a lot of information that will In 1941 we lustily sang “My eyes at a 30°angle looking upwards at the be irrelevant, it may also help you in obtaining a climate of the times, are dim I cannot see, I have not sky, no guides left or right – I faltered conditions, food, mail, censor, etc., which I hope will be helpful. brought my specs with me”, in 1986 – the good Major beckoned me to We referred to the barracks in Beirut as Franchet D’Esperey, howthis may still apply but to which may reverse which I glady did to level ever, on checking an Encyclopaedia, I see the French General conbe added “My memory is dim”. ground. cerned spelt his name as Franchet d’Esperey.

The next driver had the help of Names without faces, and faces My son who has carried out the photocopying, advises that any photo’s without blokes left and right giving signals names.

What a shame. you wish to produce can be copied from your copy. In the event of any Blokes that were really great friends and eventually made the level grad. difficulty in this regard, please advise and I will forward the originals to and mates have passed into memory If this was Mark 1 then it would have you. oblivion due to the effluxion of time been Mark XX before it was safe.

- Jim Long Hugh Gunther was probably one and human frailty.

of the most popular Workshops Officers in the Corps. I believe it was at Broadmeadows that I first met him as a Lieutenant. Private or Colonel he treated everybody with respect, and this endeared him to all.

Our RSM was Sarmajor Wells.

A waxed moustouche and fine military bearing made him an impressive figure on parade. About this time he was featured in one of the Melbourne dailies.

To get back to camp after weekend leave it was necessary to get the electric train to Coburg and then catch the rail-motor to Campbellfield siding. The rail-motor was dubbed The Spirit of Salts.

It was a matter of jumping off as quickly as possible and sprinting for half-a-mile (800 m) up hill along Camp Road to be on parade by 0800 hrs.

Toward the end of July 1941 there was a call for certain personnel to volunteer for overseas service on a draft soon to sail. I applied for a clerical position. This was an express job.

Within a few days Capt. Chambers of 2/4thArmy Field Workshops interviewed the applicants at Broadmeadows, and I was fortunate in being selected, and now armed with my parents’ consent, was discharged from the AMF on 5AUG41 and enlistment was effected next day in the 2nd AIF. What an express job this turned out to be. The 2/4th AFW were at Puckapunyal (having moved there from Bendigo) and were on notice to move overseas, destination unknown.

The official war history, Australia in the War of 1939-45, Series 1 (Army) Volume IV, The Japanese Thrust, page 60 erroneously states that 2/4 AFW aboard the Queen Mary sailed for Singapore 4FEB41.

We were attached to 2/4 AFW, although my records show I was posted to 2/4 AFW. Anyway there were some several hundred tradesmen, from all states, under the banner of AAOC Reinforcements attached to 2/4th AFW. It was a busy period, with parade ground training, and also for me work in the 2/4 AFW Orderly Room and the Reinforcements Orderly Room under Sgt Ray Lazenby.

I also helped in the packing of 2/ 4th equipment under Sgt. Alf Hedger.

Alf was a first war veteran, and I believe had been in the Middle East and had returned to Australia with POW’s.

Here he was fronting up for his second trip. I later served with Alf at 2/4th Aust. Base Workshops.

So that no one could be accused of being idle we knitted camouflage nets in between times.

We had several Lines of Communication (L. of C.) Officers to shepherd us to where ever we may be going; our Company Sergeant Major was WOII Murphy.

Each morning the Coombe Bros put us through P.T. (Physical Training exercises). Thank goodness they were of the understanding kind in our early rookie days.

The 2/4th AFW had a Pipe Band, and each morning at reveille marched through the tin huts (actually galvanised iron) awakening not only the slumberers, but the dead as well mine-tinkit. If you have not heard a Pipe Band in a Tin Hut, then believe me you’ve heard nothing, but nothing, yet.

To be continued next issue

www.MelbourneObserver.com.au

Melbourne Observer - Wednesday, May 23, 2018 - Page 13

Melbourne People

‘Hot Mikado’ Opening Night Centenary Theatre, Williamstown Photos: Malcolm Threadgold

● Refreshments volunteers Luke Lynch, Mary Stanek and company life member, Peter Stanek. ● Phoebe Hogarth (usher) and committee member/ticket seller, Lynne Podesta-Muir.

● Curtis Mason and Rose Whitehurst

● Volunteer Avril Wojniusz and Production Manager, Jayson Fry.

● Jasmin Pender and Natalie Barram.

● Barbara Hughes and Brian Christopher.

● Lisa Paiman and Katie Weston.

● Mayor of Hobsons Bay Cr Angela Altair with WMTC President Marcus Cassidy-Anderson.

● Carin Tynan and committee member Stuart Dodge.

● Will Hanley and Chris McRae.

● Matthew Nutley and Annie Abra.

● Richard McDonough and Jose Simsa.

Page 14 - Melbourne Observer - Wednesday, May 23, 2018

www.MelbourneObserver.com.au

The 3AK Story: Part 1

Good Guys and Godbotherers ■ Did you have a ‘Beautiful Music’ experience with radio station 3AK in its first 70 years?

Were you a ‘Wrinkly’? Did you phone the ‘Desperate Line’? Or perhaps one of the 3AK incarnations owes you money.

3AK has been so many different things to different people. It has been Melbourne’s overnight radio station; a comforter during World War II; a Gospel thumper; pop music broadcaster; a crazy bi-lingual radio experiment; and an ‘alternative’ talknews station.

In 2018, it is home to SEN 1116, the Sporst Entertainment Network helmed by Craig Hutchison.

To me, 3AK is a mixture of memories involving childhood entertainment, teenage music, adult talk, business opportunity and someone else’s badly-handled commercial I was born on October 19, 1956 – just 22 days after radio man Geoff Corke fronted Melbourne’s first experimental television transmission from the kitchen of GTV-9’s transmitter at Mount Dandenong.

As a youngster I was enthralled with Melbourne’s media. At 61 I still am.

Our family’s bakelite valve-radio was mostly tuned into the Sunday morning 3DB news broadcast preceded by Dick Cranbourne’s program; 3UZ’s Newsbeat; and whichever station had the rights to broadcast the Saturday afternoon VFL match with my Dad’s beloved Richmond football team.

Summer holidays often had the family listening to the AK ‘Good Guys’ at popular Victorian beach venues.

As a five-year-old youngster, I was excited as a bus load of us were transported to Channel 9’s studios in Bendigo St, Richmond, to see an edition of The Tarax Show go to air on television.

We were marched past the new 3AK studios inside the GTV-9 building. We each returned home with our ‘show-bags’, all now official badgewearing members of the Tarax Club, and all receiving a personalised ‘Gerry Gee’ birthday card by mail when it was our special day.

Top Of The Dial And I remember being transfixed at the Royal Showgrounds, when live transmissions of 3AK programs were put to air from a small ‘outside broadcast’ booth. I watched endlessly as Gary Nicholls (or was it his brother Mike?) spin the next record on the AK turntable, sign the advertising paperwork, and read the weather reports.

In those days, it was common place for suburbs to be listed at random in the station’s weather forecasts – ’16 in the City, 14 in Greensborough, 12 in Richmond’ – and I noted how ‘dee-jay’ Nicholls crossed those districts he had mentioned from a typed A-Z list.

Early each year, Channel 9 would hold a Telethon fund-raiser for the Yooralla School.

In the 1960s, I was a young volunteer collector, which involved a visit on Telethon day to the studios.

Corporate security was nothing like it is in 2018, and I recall innocently wandering the GTV-AK corridors alone, and again watching open-mouthed into the 3AK studios as disc jockey Grantley Dee backannounced a record, also giving the exact time-call from his braille

● Promotional material for radio station 3AK in its Good Guys era. watch.

Every Thursday, ing 3AK story. The Fusion Media traordinary mixture of Italian and Melburnians would await delivery collapse was of great interest in it- English programs… not to mention of the Listener In-TV newspaper to self; the station’s much-vaunted chal- station owner Vernon Margetts’s read the latest of what was happen- lenge to the reigning ABC and 3AW Gospel Sessions in the middle of the breakfast program. ing at Melbourne’s local TV and ra- ‘talk’ champions also fascinated.

Little wonder that it briefly earned I respected the broadcast profesdio studios.

3AK’s sudden marketing cam- sionalism, in grandly different ways, the industry nickname of ‘Radio Tipaign of the early 1970s – ‘Where of its past-and-present hosts such as tanic’.

Through all this, 3AK endured 70 No Wrinklys Fly’ – hit me with ap- Derryn Hinch, John Blackman and Doug Aiton. I am a true fan of the years on air continuously on air. AK peal as a teenager.

Its full-page ads in rock-n-roll talent of its former great stars includ- survived a Depression, a World War, newspapers such as Go Set were ing Bert Newton, Graham Kennedy political and world upheavals.

In its latter times, 3AK had to surplastered, briefly, on the bedroom and others.

I also enjoy true competition vive the wholesale loss of audience walls of my peers.

We would telephone 42-0209 – amongst media, which can only and the collapse of its own business 3AK’s ‘Desperate Line’, or ‘The make radio stations all better servants platform.

In the early 2000s, 3AK was unFriendly Line’ – to have ‘cheerios’ of their public. And, of course, we all dergoing something of a re-birth with sent to ourselves or ridicule our love the underdog.

3AK’s life is a story worth the tell- new owners, led by media strategists school teachers.

Kevin Campbell and Jeff Chatfield.

By then we were listening on the ing.

3AK had an on-air line-up includ3AK celebrated its 70th annivernewly-introduced battery-powered ing Derryn Hinch and Doug Aiton, sary on November 29, 2001. . transistor radio receivers. who have each in the past led their Introduction Beautiful Music “Next to football, there is prob- time-slots (elsewhere) in the Then, just as suddenly, 3AK told me not to listen any more. It dropped ably no industry in Victoria which Melbourne radio market.

To this was added TV-radio man the rock music, and adopted a ‘Beau- commands a more frequent focus of tiful Music’ format that was instead public and media attention than the Greg Evans, former Victorian Chief targeted at my father and his age machinations of the radio industry.” Magistrate Nick Papas, radio veteran Columnist Robert Parsons was Gavin Wood and personalities such group.

It lost me, but the station won a hauntingly correct when he ex- as Yvonne Lawrence, to challenge whole new group of commercially pressed these thoughts in 1989, in the the dominant talk stations 3AW and worthwhile listeners. It was a ratings radio column of Melbourne’s Sun- ABC 774 (3LO).

Breaking News: and business winner for more than a day Observer newspaper.

The Voice Of The Night Parsons could not possibly have decade led by Vern Stone.

Terrorists stopped the world on By the late 1970s and early 1980s, foretold that long-established I was working in media, with senior Melbourne radio station 3AK would September 11, 2001, when they media management positions of my soon witness yet another five new crashed jets into the World Trade owners over the next decade or so. Centre and the Pentagon. This own.

3AK would also see a messy bastardry murdered thousands of citiProfessionally, I viewed a whole range of episodes in 3AK’s life: its multi-million dollar financial col- zens, and paralysed millions more.

The ghastly deeds commenced at failed national CBC experiment; the lapse, an almost-botched change of even-worse Italian-English pro- broadcasting frequency, and disas- 8.45am New York Time when American Flight 11 from Boston crashed gramming; a series of different own- trous listener ratings.

3AK has always been different. into the North Tower of the World ers; and a roller-coaster of business In its first broadcasts 70 years ago, Trade Centre. failures.

In Melbourne, Australia, comIn mid-1999, I sought and won a 3AK sent out its signal when all other senior management position at 3AK. Melbourne radio stations were off mentator Doug Aiton was broadcasting his night-time program on local I had experienced my own set of busi- air.

The station became the city’s radio station 3AK. Local time was ness successes-failures, so the job was extremely important to me in ‘Voice Of The Night’ for 22 years, 10.45pm.

Within minutes, Aiton was reportmy own re-building, as well as that later converting to 24-hour broadcasting, linking with Melbourne’s ing details of the horrible breaking of 3AK. Most people – me included – were best-watched TV channel, topping news.

Soon, at 11.03pm Melbourne unaware of the real severity of 3AK’s the ratings, then floundering under business and financial problems un- an ill-conceived national program- time, a second Boeing 767 hit the South Tower in Manhattan. The der the stewardship of Fusion Me- ming idea. death toll that followed, as the tow‘Radio Titanic’ dia. 3AK’s leaders Mal Garvin and “3AK has had beautiful music, ers collapse exceeded some 3000 Michael Cleary failed to keep the agreement over which we had rock n roll music, heavy metal mu- people.

At 3AK, Aiton undertook an enorsic and no music,” noted Age reporter shaken hands. mous real-time news coverage. He So, for a number of reasons, my Melissa Fyfe.

For a time, it was even headquar- called on his experience as a former manager’s job did not go ahead … so now the subject of 3AK and me tered in a caravan … then later at the reporter for The Age and The Times rear of Melbourne’s Queen Victoria (London). He was soon joined on became personal! air by Derryn Hinch, the man In the years around 1999-2002, Market.

Then it ignored its traditional En- dubbed locally as ‘The Human Headas a media commentator with Media Flash, I reported on the continu- glish-speaking listeners with an ex- line’.

By 1am, Hinch was skilfully painting a picture of Manhattan to shellshocked Melbourne listeners. He stayed on air for a marathon 11 hours, with an extraordinary coverage of the attack.

His decade-long experience as a outstanding New York journalist offerred the best word-pictures available of a world catastrophe.

A large audience stayed up all night to hear the 3AK coverage. A few older listeners recall that 70 years earlier, 3AK was then just embarking as Melbourne’s ‘Voice Of The Night’.

“Twelve months ago some amusement was expressed at the extraordinary schedules of station 3AK, Balwyn, Melbourne,” reported the Listener-In in 1932.

“As almost everyone knows now, these are from 11.30pm to 2am, and from 5am to 7am, with extra hours on Saturdays and Sundays.

“But the once musing innovation, with the effluxion of time has converted itself to something of a necessity to thousands of listeners.

“Unique in Australia, 3AK provides music suitable for supper parties and late dances, and speeds the early morning worker with a song in its heart. These are services for which many are grateful.”

So summed up the first year of radio station 3AK, by a Listener In writer, reviewing the operations of the unique new identity in Melbourne’s night-time commercial radio world.

There had been precious little media fanfare for the opening of Melbourne’s newest radio station.

The Sun News-Pictorial announced in a two-paragraph snippet that the official opening on Sunday, November 29, 1931, would be conducted by the Postmaster-General, Mr Green.

As it turned out, the ‘Akron station’ was opened at 12.30pm by the Mayor of Camberwell, Cr McCamish, “in the unavoidable absence of the Postmaster-General”.

3AK launched itself to the 1500 kilocycle band, on 200 metres, on a quiet Sunday.

The station’s first broadcast came from a bedroom at the home of founder George Frederick Thomas Palmer at 8 Yerrin St, Balwyn, E8 – then on the outskirts of Melbourne’s eastern suburbs.

George Palmer was father to Clive Palmer, a businessman-politician who made his own headlines in the 21st Century.

- Ash Long

1932 programs

■ Monday-Friday. 11.30pm12.30am, Late supper music.

12.30am to 2.00am: dance music interspersed with vocal and novelty numbers. 5.00am-7.00am Early breakfast session. Bright recorded music and re-broadcasts of foreign ‘short-wave’ stations provided atmospheric conditions are favourable. (Monday, September 19, 1932).

■ Saturday. 5.00am-7.00am Early breakfast session. Bright recorded music and re-broadcasts of foreign ‘short-wave’ stations provided atmospheric conditions are favourable. 1.00pm-2.00pm, Luncheon music and theatre news.

11.30pm-3.00am, Program of popular dance numbers. (Saturday, September 17, 1932).

MARKETING FEATURE

Melbourne Observer - Wednesday, May 23, 2018 - Page 15

Observer Magazine

Stateside with Gavin Wood in West Hollywood

Aussie scores big in ‘Shot In The Dark’ ■ Hi everyone, from my suite at the Ramada Plaza Hotel and Suites comes this week's news.

5th largest economy ■ California's gross domestic product surpassed $2.7 trillion from 2016 to 2017, making the U.S. state the world's fifthlargest economy, bigger than that of even the United Kingdom, according to recently released federal data.

The most populous U.S. state saw a boom in almost every single economic sector, with a $26 billion growth in real estate and $20 billion in the information sector, according to the California Department of Finance.

The state's economic output is now short of only that of Japan, China, Germany, and the total GDP of the U.S. the last time the state's economy ranked as the world's fifth largest was in 2002.

Melbourne to the world ■ From his role as presenter with Bert Newton on Channel 10's morning show 12 years ago to now sitting on top of the world, Shannon Watts has, in the eyes of Hollywood, made the big time.

'Shot in the Dark' is all about the cameramen armed with camcorders and police scanners in search of shocking and grisly crimes on the Los Angeles back streets and freeways after dark.

The video footage ends up on the morning television news service.

The Hollywood movie called Nightcrawler which starred Jake Gyllenhaal was similar to what happens in Shot in the Dark.

Shannon Watts is the creator and executive producer and now after this success on Netflix worldwide, Shannon has many other shows that he is presenting to the major television networks and cable channels.

It's a tough town to get anything produced and Shannon Watts has achieved so much. He is about to build his empire.

A true local boy made good. Behind most Aussies that are trying to make it on the biggest stage in the world is the Managing Director of the Ramada Plaza Hotel and Suites, Alan Johnson who is always there to lend a helping hand to fellow Aussies.

Pictured in front of the Ramada Plaza Hotel and Suites on Santa Monica Boulevard in West Hollywood is Mr. Alan Johnson with Executive Producer Shannon Watts.

Coca-Cola as health tonic

Spy agency triples work

● Alan Johnson with Shannon Watts

■ At a time when soda fountains were popular in the US due to the widespread belief that carbonated water was good for the health, American pharmacist John Pemberton came up with his own formula for a health tonic.

Among its ingredients were cocaine, derived from the coca leaf, and caffeine, derived from the kola nut, leading to the name Coca-Cola. It was initially sold as a patent medicine for five cents a glass. It has come along way since then.

US, top oil exporter ■ As global oil markets shift their attention from U.S. shale oil production back to a resurgent Saudi Arabia and Russia and geopolitical concerns bearing down on oil prices, the U.S. is poised to surpass Saudi Arabia next year as the world's largest exporter of crude and oil products.

The U.S. exported a record 8.3 million barrels per day last week of crude oil and petroleum products. Top crude oil exporter Saudi Arabia's, for its part, exported 9.3 million barrels per day in January, while Russia exported 7.4 million barrels per day.

Paris Hilton hacked ■ Paris Hilton made an appearance in federal court for the sentencing of a hacker who authorities say used her bank and credit card information to run up huge bills.

Paystar Bkhchadzhyan was sentenced to four years and nine months in prison Monday and was ordered to pay more than $318,000 in restitution to Hilton's banks and credit card companies. In a deal with prosecutors, she pleaded guilty in November to conspiracy to commit bank fraud.

In an unusual move in such cases, the 37-year-old heiress showed up at the downtown Los Angeles courthouse in a business suit and sunglasses to give a victim impact statement.

Santa Monica’s big jobs ■ Here is the top 11 paid positions in 2016 in Santa Monica, CA. The amount shown includes pay, overtime, and benefits.

1. Police Chief = $488,033 2. Deputy Police Chief = $453,831 3. Police Captain = $451,606 4. City Manager = $447,945 5. Asst City Manager = $437,902 6. Asst City Attorney = $436,482 7. City Attorney = $435,751 8. Police Captain = $427,305 9. Fire Captain - Suppression = $412,770 10. Fire Captain - Suppression = $411,823 11. Police Sergeant = $406,487.

Unemployment below 4%

GavinWood

From my Suite at the Ramada Plaza Complex on Santa Monica Blvd

■ The U.S. unemployment rate has moved below 4 percent the first time it has broken that symbolic barrier since December 2000, according to a report from the Department of Labor Statistics on Friday.

However, job growth was slightly lower than expected in April. American employers added 164,000 jobs in April, less than what economists had previously forecast.

Wages grew 2.6 percent from a year earlier also slightly below expectations. The economy has now been expanding for almost nine years, the second longest streak on record.

Also Black, Hispanic unemployment rates hit record lows. The unemployment rate for black workers hit the lowest on record in April, according to the latest jobs figures released by the Bureau of Labor Statistics.

The unemployment rate for black workers dropped to 6.6 percent, beating the previous record low of 6.8 percent set in December. The jobless rate for Hispanics fell to 4.8 percent, tying the record reached last year and in 2006. Meanwhile, unemployment for white Americans stood at 3.6 percent.

Out and About

Observer holiday deal ■ If you are considering a move to Los Angeles or just coming over for a holiday then I have got a special deal for you.

We would love to see you at the Ramada Plaza Hotel and Suites, 8585 Santa Monica Boulevard, West Hollywood.

I have secured a terrific holiday deal for readers of the Melbourne Observer and The Local Paper.

Please mention 'Melbourne Observer' when you book and you will receive the 'Special Rate of the Day'.

Please contact: Joanna at info@ramadaweho.com Happy Holidays, Gavin Wood

■ The U.S. National Security Agency collected 534 million records of phone calls and text messages of Americans last year, more than triple gathered in 2016, a U.S. intelligence agency report released on Friday said.

The sharp increase from 151 million occurred during the second full year of a new surveillance system established at the spy agency after U.S. lawmakers passed a law in 2015 that sought to limit its ability to collect such records in bulk.

The spike in collection of call records coincided with an increase reported on Friday across other surveillance methods, raising questions from some privacy advocates who are concerned about potential government overreach and intrusion into the lives of U.S. citizens.

● Jennifer Aniston

www.gavinwood.us

■ Jennifer Aniston at Nello in NYC. ■ Tony Danza celebrating his birthday at Patsy's Italian Restaurant in NYC. ■ Marty Rhone wearing Denim and Lace on the subway in New York City.

■ Jackie Mason cracking up his waitress and the next table at Hi-Life Bar & Grill in NYC. ■ It's a boy for Kirsten Dunst and Jesse Plemons. The couple 36 and 30, respectively welcomed their first child, a rep for Dunst confirmed Tuesday.

■ Taylor Swift's Ex, DJ Calvin Harris and his girlfriend, ■ Aarika Wolf, slammed into another car this weekend, leaving a couple of young ladies injured. Eyewitnesses tell us Calvin's girlfriend, Aarika, was behind the wheel of a Range Rover on a residential street Sunday in Beverly Hills.

Page 16 - Melbourne Observer - Wednesday, May 23, 2018

Observer Magazine

■ I wonder how many of our readers remember the Australian actor Lou Vernon.

Lou worked onstage for many years and became one of our notable actors in film, television and radio.

I did see him onstage in 1967 at the Princess Theatre in Melbourne in Hostile Witness which starred the famous American actor Ray Milland.

Clarence Alphonse Lambert was born in Brisbane, Queensland, in 1888.

He was the seventh of eight children and times were tough for his mother after his father walked out on the family and she was left to raise the children.

Clarence started his career as a concert singer and that eventually brought him into musical comedy.

He began performing in stage plays and by the time he was 29 he was appearing in professional plays in Sydney.

In 1917 Clarence married Olive Norris and although it was a turbulent marriage they did have a son together.

During the 1920s Clarence adopted the stage name of Lou Vernon.

He became active as a Freemason.

Lou joined J.C. Williamsons and starred in stage musicals such as Rosemarie, Firefly and Showboat.

Lou made his film debut in the 1931 Australian film The Exile.

The following year he was cast in the George

Whatever Happened To ...

Lou Vernon

By Kevin Trask of 3AW and 96.5 Inner FM

Wallace film, His Royal Highness, which was produced by Efftee Studios under the direction of Frank Thring Snr. This was the first Australian film musical and it was shot onstage at His Majesty's Theatre in Melbourne.

Following his divorce Lou married Asthore Taunton in 1937 and it was a happy marriage.

Lou was busy in radio working in shows such as Dad and Dave.

Vernon's friend and writer Mason Wood created Dr Mac for Lou on radio in 1940.

Self-contained quarter-hour episodes starring the old Scottish Doctor Mac captured the imagination of the Australian radio audience during the war years and the series ran for 11 years.

So real was ‘Doctor Mac’ to many listeners

● Lou Vernon

www.MelbourneObserver.com.au

that Lou Vernon received presents addressed to ‘Doctor Mac’ himself.

Typical of these was a hand-knitted scarf, with a note suggesting that it would help to keep him warm when ‘Doctor Mac’ was called out on an errand of mercy and had to drive his old car through the bush at nights.

Sadly, Lou's only son Ross Vernon joined the RAAF during WWII and was killed in a plane crash during a bombing sortie over Mawaraka, Bougainville ,in 1945.

In the 1950s Lou appeared in films such as The Shiralee and On The Beach. He went to America in 1955 and played a character in several episodes of the popular western television series Gunsmoke.

Back in Australia in 1958 Lou played the ‘Tramp’in the stage musical Salad Days working with the beautiful Judy Banks. His television credits during the 1960's included Hunter, Homicide and You Can't See Around Corners.

Lou Vernon passed away at Vaucluse in Sydney at the age of 83 in 1971. It is good to remember people like Lou Vernon - a wonderful Australian actor.

Kevin Trask Kevin can be heard on 3AW The Time Tunnel - on Remember When Sundays at 9.10pm And on 96.5 FM That's Entertainment Sundays at 12 Noon

Your own tropical island, for a mere $38m.

■ If your dream is to have your very own tropical island in the sun, a castle to call home, and a history around you with which to intrigue visitors for hours, have your dream come true with a little spot that’s gone up for grabs in the sunny Bahamas.

And for a mere US$38,000,000, or around a tad over 50.5-million Aussie bucks.

The private Darby Island snuggles amid the 300 islands of the Exuma Cays that comprise one of the most beautiful parts of the Bahamas, and amongst new-found neighbours owning nearby isles you’ll have David Copperfield, Johnny Depp, Nicolas Cage and Faith Hill to name-drop just a few.

You’ll also have 6.5km of water frontage, your own 14 white sandy beaches lapped by crystal waters, a total 225ha of land all to yourself (the size of around a couple of hundred football fields,) and a somewhat overgrown one-time airfield.

Plus a 740 square metre castle built ● Darby Island Castle, Bahamas by a British hotelier, Sir Guy Baxter who was given the island by England’s And remarkably when he started King George VI when he knighted him blurting out, she accepted his expla in the mid-1930s. nation instantly, rolled over and went Which also means you’ll be able straight back to sleep. The reason? to talk colourfully about Sir Guy as This mate’s both a gardening fanatic well, because not only did he raise and flower show judge, and just the livestock, and grow palm oil, cotton day before his sleep-talking episode, and fruit here, he reputedly acted had been invited to adjudicate at a somewhat bizarrely in the early 1940s. show in America that would include This included flashing floodlights an almost Holy Grail of exotic plants, at night from his castle’s rooftop, crePsychotria Elata. ating an elaborate radio communicaFor those who don’t know, this tions room, and laying concrete moorhighly unique plant is a native of Coings near caves on his island – alleglumbia, Ecuador, Costa Rica and edly, many locals said at the time, for Panama in Central and South German WWII submarines patrolling America, and is hugely popular as a the Atlantic to tuck up to for a bit of potted gift in the United States because crew R&R. of its fiery red bracts – that look just Whether that is true in whole or part, like they could be, as one of its comno-one really knows, for Sir Guy and mon names suggests, pouting red his mistress fled in the early 1940s “Hooker’s Lips.” after being confronted by a deputaAnd here was my mate dreaming with David Ellis tion of angry neighbouring islanders and sleep-talking of the day he would who accused him of being a Nazi fraught with problems – as many a soon be heading to the US-of-A, to sympathiser, and where he disap- night mumbler will attest. help judge a show of such exotic peared to remains a mystery to this And a mate who just recently hit “Hooker’s Lips,” and which, by the day. the jackpot in fatal sleep-talking rev- way, are not just highly popular patioelations, says his wife was probably plants in the ’States for their bizarre well-justified in waking him at 2am to shape and colour, but also for their demand an explanation as to whose ability to attract butterflies and humwere those “hooker’s lips” he was mingbirds.

And sleep-talkers. so enthusiastically about at ■ Talking in one’s sleep can be mumbling - David Ellis that unholy hour…

Struth

Talking in your sleep

OK. With John O’Keefe Vale Robbie Weekes

● Robbie Weekes ■ Much has been written about the sad loss of Aussie TV Director Robbie Weekes.

Robbie was one of the most creative people I have had the pleasure of working with. He had ideas by the bucket load, was a total gentleman and his direction of Countdown is legendary.

He was awarded an OAM in 2014 for his contributions to the entertainment industry .

One of my favourite memories of Robbie was organising tickets for he and his son to be in the audience of the Saturday morning taping of Hey, Hey it’s Saturday.

Robbie was on the payroll at Ten at the time and was lapping it up seeing how others produced live shows.

Suddenly the camera panned into the audience and there was Robbie and son in close up, with Robbie covering his face with his hands, not wanting to be recognised in disguise by the opposition .

Robbie, what a legend .

Birthday cake on fire

■ The intention was a great idea but it ended up in flames. Imagine this: Patti Boyd leaps on stage during a recent Eric Clapton live performance in NYC. The cake Patti carried contained 77 lit candles to celebrate Eric’s birthday. Whoops, candles flicked into Patti long dress and what could have proved a nasty scene was diffused by quick thinking Eric.

Put that down on his CV - Eric Clapton, Firefighter.

Farewell Bill Lawry

■ After 40 years describing cricket for the Nine Network, Bill Lawry has retired. Bill had offers from the new cricket channel, Seven, plus Fox Sports were keen to have Bill on board, but he again said ‘no’.

Bill will still take more than a passive interest in cricket, but this time from the comfort of his rocking chair.

Spice Girls speculation

■ Since their retirement in the mid nineties The Spice Girls have been a constant source of speculation about them making a comeback doco.

Currently they are the hot goss to make a tell-all doco next year . Comeback video productions are the flavour of the month and a lot has been fuelled by the current Abba reunion. We’ll wait and see about The S Girls.

- John O’Keefe

www.MelbourneObserver.com.au

Melbourne Observer - Wednesday, May 23, 2018 - Page 17

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May's Sale Item is a ready-to-hang Limited Edition Art Print of Melbourne in 1882.

This is a stunning Melbourne aerial view showing the historical development of the 1880's era. It is a beautiful reminder of our wonderful past and development.

Santorini on Mudjimba Beachfront accommodation on the Sunshine Coast 4 STAR ACCOMMODATION IN MUDJIMBA, SUNSHINE COAST, QUEENSLAND This four star resort offers you the opportunity to get away from it all. You can do as much or as little as your heart desires. Come and experience Mudjimba, the way the beach used to be.

Just 5 minutes from Sunshine Coast Airport, Santorini Resort on Mudjimba Beach is a favourite for families, sporting groups and romantic escapes. The Mudjimba surf patrolled beach is on your doorstep and the parkland opposite comes complete with barbecues, shaded picnic areas and children’s playground. The beach captures the very essence of what makes the Sunshine Coast so special; with golden sands stretching as far as the eye can see.

In keeping with its prime beachside location, Santorini on Mudjimba will meet all your expectations for a holi-

day to remember. The apartments are spacious and well appointed.

Santorini’s onsite facilities include a resort style swimming pool, half court tennis and a large BBQ & entertainment area. The resort is a non-smoking facility.

Come and experience this unique and convenient location on the Sunshine Coast’s pristine coastline.

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Mattresses Galore open mon - fri 9am-5 pm saturday 9am-4pm sunday 10am-4pm Mattresses Galore supply a wide range of homeware products. including; Beds, Mattresses, Bedroom Furniture, Manchester

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FREE DELIVERY Melbourne Metro and Peninsula

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Homemaker

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Best Places

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Port Melbourne

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Antiques and Collectables

JACK’S ANTIQUES Open 7 Days

After 30 years of trading in Sandringham we have moved to a new showroom, jam packed with interesting quality items, and constantly changing items including lots of antiques and modern furniture, bronze, clocks, vases, displays, French, leadlight, lots of colourful art, etc.

We always buy anything of quality.

368 Reserve Rd, Cheltenham Ring Jack on 9583 7099, 0419 303 861

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Observer Classic Books

Hard Times - by Charles Dickens After a few dashes in the public meeting way, Mr. Gradgrind and a council of political sages approved of Jem, and it was resolved to send him down to Coketown, to become known there and in the neighbourhood. Hence the letter Jem had last night shown to Mrs. Sparsit, which Mr. Bounderby now held in his hand; superscribed, ‘Josiah Bounderby, Esquire, Banker, Coketown.

Specially to introduce James Harthouse, Esquire. Thomas Gradgrind.’

Within an hour of the receipt of this dispatch and Mr. James Harthouse’s card, Mr. Bounderby put on his hat and went down to the Hotel. There he found Mr. James Harthouse looking out of window, in a state of mind so disconsolate, that he was already half-disposed to ‘go in’ for something else.

‘My name, sir,’ said his visitor, ‘is Josiah Bounderby, of Coketown.’

Mr. James Harthouse was very happy indeed (though he scarcely looked so) to have a pleasure he had long expected.

‘Coketown, sir,’ said Bounderby, obstinately taking a chair, ‘is not the kind of place you have been accustomed to. Therefore, if you will allow me — or whether you will or not, for I am a plain man — I’ll tell you something about it before we go any further.’

Mr. Harthouse would be charmed.

‘Don’t be too sure of that,’ said Bounderby. ‘I don’t promise it. First of all, you see our smoke.

That’s meat and drink to us. It’s the healthiest thing in the world in all respects, and particularly for the lungs. If you are one of those who want us to consume it, I differ from you. We are not going to wear the bottoms of our boilers out any faster than we wear ’em out now, for all the humbugging sentiment in Great Britain and Ireland.’

By way of ‘going in’ to the fullest extent, Mr. Harthouse rejoined, ‘Mr. Bounderby, I assure you I am entirely and completely of your way of thinking. On conviction.’

‘I am glad to hear it,’ said Bounderby. ‘Now, you have heard a lot of talk about the work in our mills, no doubt. You have? Very good. I’ll state the fact of it to you. It’s the pleasantest work there is, and it’s the lightest work there is, and it’s the best-paid work there is. More than that, we couldn’t improve the mills themselves, unless we laid down Turkey carpets on the floors. Which we’re not a-going to do.’

‘Mr. Bounderby, perfectly right.’

‘Lastly,’ said Bounderby, ‘as to our Hands.

There’s not a Hand in this town, sir, man, woman, or child, but has one ultimate object in life. That object is, to be fed on turtle soup and venison with a gold spoon. Now, they’re not a-going — none of ’em — ever to be fed on turtle soup and venison with a gold spoon. And now you know the place.’

Mr. Harthouse professed himself in the highest degree instructed and refreshed, by this condensed epitome of the whole Coketown question.

‘Why, you see,’ replied Mr. Bounderby, ‘it suits my disposition to have a full understanding with a man, particularly with a public man, when I make his acquaintance. I have only one thing more to say to you, Mr. Harthouse, before assuring you of the pleasure with which I shall respond, to the utmost of my poor ability, to my friend Tom Gradgrind’s letter of introduction.

You are a man of family. Don’t you deceive yourself by supposing for a moment that I am a man of family. I am a bit of dirty riff-raff, and a genuine scrap of tag, rag, and bobtail.’

If anything could have exalted Jem’s interest in Mr. Bounderby, it would have been this very circumstance. Or, so he told him.

‘So now,’ said Bounderby, ‘we may shake hands on equal terms. I say, equal terms, because although I know what I am, and the exact depth of the gutter I have lifted myself out of, better than any man does, I am as proud as you are. I am just as proud as you are. Having now asserted my independence in a proper manner, I may come to how do you find yourself, and I hope you’re pretty well.’

The better, Mr. Harthouse gave him to understand as they shook hands, for the salubrious air of Coketown. Mr. Bounderby received the answer with favour.

Charles Dickens ‘Perhaps you know,’ said he, ‘or perhaps you don’t know, I married Tom Gradgrind’s daughter. If you have nothing better to do than to walk up town with me, I shall be glad to introduce you to Tom Gradgrind’s daughter.’

‘Mr. Bounderby,’ said Jem, ‘you anticipate my dearest wishes.’

They went out without further discourse; and Mr. Bounderby piloted the new acquaintance who so strongly contrasted with him, to the private red brick dwelling, with the black outside shutters, the green inside blinds, and the black street door up the two white steps. In the drawing-room of which mansion, there presently entered to them the most remarkable girl Mr. James Harthouse had ever seen. She was so constrained, and yet so careless; so reserved, and yet so watchful; so cold and proud, and yet so sensitively ashamed of her husband’s braggart humility — from which she shrunk as if every example of it were a cut or a blow; that it was quite a new sensation to observe her. In face she was no less remarkable than in manner. Her features were handsome; but their natural play was so locked up, that it seemed impossible to guess at their genuine expression. Utterly indifferent, perfectly self-reliant, never at a loss, and yet never at her ease, with her figure in company with them there, and her mind apparently quite alone — it was of no use ‘going in’ yet awhile to comprehend this girl, for she baffled all penetration.

From the mistress of the house, the visitor glanced to the house itself. There was no mute sign of a woman in the room. No graceful little adornment, no fanciful little device, however trivial, anywhere expressed her influence.

Cheerless and comfortless, boastfully and doggedly rich, there the room stared at its present-

occupants, unsoftened and unrelieved by the least trace of any womanly occupation. As Mr. Bounderby stood in the midst of his household gods, so those unrelenting divinities occupied their places around Mr. Bounderby, and they were worthy of one another, and well matched.

‘This, sir,’ said Bounderby, ‘is my wife, Mrs. Bounderby: Tom Gradgrind’s eldest daughter.

Loo, Mr. James Harthouse. Mr. Harthouse has joined your father’s muster-roll. If he is not Torn Gradgrind’s colleague before long, I believe we shall at least hear of him in connexion with one of our neighbouring towns. You observe, Mr. Harthouse, that my wife is my junior. I don’t know what she saw in me to marry me, but she saw something in me, I suppose, or she wouldn’t have married me. She has lots of expensive knowledge, sir, political and otherwise. If you want to cram for anything, I should be troubled to recommend you to a better adviser than Loo Bounderby.’

To a more agreeable adviser, or one from whom he would be more likely to learn, Mr. Harthouse could never be recommended.

‘Come!’ said his host. ‘If you’re in the complimentary line, you’ll get on here, for you’ll meet with no competition. I have never been in the way of learning compliments myself, and I don’t profess to understand the art of paying ’em. In fact, despise ’em. But, your bringing-up was different from mine; mine was a real thing, by George! You’re a gentleman, and I don’t pretend to be one. I am Josiah Bounderby of Coketown, and that’s enough for me. However, though I am not influenced by manners and station, Loo Bounderby may be. She hadn’t my advantages — disadvantages you would call ’em, but I call ’em advantages — so you’ll not waste your power, I dare say.’

‘Mr. Bounderby,’said Jem, turning with a smile to Louisa, ‘is a noble animal in a comparatively natural state, quite free from the harness in which a conventional hack like myself works.’

‘You respect Mr. Bounderby very much,’ she quietly returned. ‘It is natural that you should.’

He was disgracefully thrown out, for a gentleman who had seen so much of the world, and thought, ‘Now, how am I to take this?’

‘You are going to devote yourself, as I gather from what Mr. Bounderby has said, to the service of your country. You have made up your mind,’ said Louisa, still standing before him where she had first stopped — in all the singular contrariety of her self-possession, and her being obviously very ill at ease — ‘to show the nation the way out of all its difficulties.’

‘Mrs. Bounderby,’ he returned, laughing, ‘upon my honour, no. I will make no such pretence to you. I have seen a little, here and there, up and down; I have found it all to be very worthless, as everybody has, and as some confess they have, and some do not; and I am going in for your respected father’s opinions — really because I have no choice of opinions, and may as well back them as anything else.’

‘Have you none of your own?’ asked Louisa.

‘I have not so much as the slightest predilection left. I assure you I attach not the least importance to any opinions. The result of the varieties of boredom I have undergone, is a conviction (unless conviction is too industrious a word for the lazy sentiment I entertain on the subject), that any set of ideas will do just as much good as any other set, and just as much harm as any other set. There’s an English family with a charming Italian motto. What will be, will be.

It’s the only truth going!’

This vicious assumption of honesty in dishonesty — a vice so dangerous, so deadly, and so common — seemed, he observed, a little to impress her in his favour. He followed up the advantage, by saying in his pleasantest manner: a manner to which she might attach as much or as little meaning as she pleased: ‘The side that can prove anything in a line of units, tens, hundreds, and thousands, Mrs. Bounderby, seems to me to afford the most fun, and to give a man the best chance. I am quite as much attached to it as if I believed it. I am quite ready to go in for it, to the same extent as if I believed it. And what more could I possibly do, if I did believe it!’

‘You are a singular politician,’ said Louisa.

‘Pardon me; I have not even that merit. We are the largest party in the state, I assure you, Mrs. Bounderby, if we all fell out of our adopted ranks and were reviewed together.’

Mr. Bounderby, who had been in danger of bursting in silence, interposed here with a project for postponing the family dinner till half-past six, and taking Mr. James Harthouse in the meantime on a round of visits to the voting and interesting notabilities of Coketown and its vicinity.

The round of visits was made; and Mr. James Harthouse, with a discreet use of his blue coaching, came off triumphantly, though with a considerable accession of boredom.

In the evening, he found the dinner-table laid for four, but they sat down only three. It was an appropriate occasion for Mr. Bounderby to discuss the flavour of the hap’orth of stewed eels he had purchased in the streets at eight years old; and also of the inferior water, specially used for laying the dust, with which he had washed down that repast. He likewise entertained his guest over the soup and fish, with the calculation that he (Bounderby) had eaten in his youth at least three horses under the guise of polonies and saveloys. These recitals, Jem, in a languid manner, received with ‘charming!’ every now and then; and they probably would have decided him to ‘go in’ for Jerusalem again to-morrow morning, had he been less curious respecting Louisa.

‘Is there nothing,’ he thought, glancing at her as she sat at the head of the table, where her youthful figure, small and slight, but very graceful, looked as pretty as it looked misplaced; ‘is there nothing that will move that face?’

Yes! By Jupiter, there was something, and here it was, in an unexpected shape. Tom appeared.

She changed as the door opened, and broke into a beaming smile. Continued on Page 22

Melbourne Observer - Wednesday, May 23, 2018 - Page 29

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Observer Classic Books From Page 21 A beautiful smile. Mr. James Harthouse might not have thought so much of it, but that he had wondered so long at her impassive face. She put out her hand — a pretty little soft hand; and her fingers closed upon her brother’s, as if she would have carried them to her lips.

‘Ay, ay?’ thought the visitor. ‘This whelp is the only creature she cares for. So, so!’

The whelp was presented, and took his chair.

The appellation was not flattering, but not unmerited.

‘When I was your age, young Tom,’ said Bounderby, ‘I was punctual, or I got no dinner!’

‘When you were my age,’ resumed Tom, ‘you hadn’t a wrong balance to get right, and hadn’t to dress afterwards.’

‘Never mind that now,’ said Bounderby.

‘Well, then,’ grumbled Tom. ‘Don’t begin with me.’

‘Mrs. Bounderby,’ said Harthouse, perfectly hearing this under-strain as it went on; ‘your brother’s face is quite familiar to me. Can I have seen him abroad? Or at some public school, perhaps?’

‘No,’ she resumed, quite interested, ‘he has never been abroad yet, and was educated here, at home. Tom, love, I am telling Mr. Harthouse that he never saw you abroad.’

‘No such luck, sir,’ said Tom. There was little enough in him to brighten her face, for he was a sullen young fellow, and ungracious in his manner even to her. So much the greater must have been the solitude of her heart, and her need of some one on whom to bestow it.

‘So much the more is this whelp the only creature she has ever cared for,’thought Mr. James Harthouse, turning it over and over. ‘So much the more. So much the more.’

Both in his sister’s presence, and after she had left the room, the whelp took no pains to hide his contempt for Mr. Bounderby, whenever he could indulge it without the observation of that independent man, by making wry faces, or shutting one eye. Without responding to these telegraphic communications, Mr. Harthouse encouraged him much in the course of the evening, and showed an unusual liking for him. At last, when he rose to return to his hotel, and was a little doubtful whether he knew the way by night, the whelp immediately proffered his services as guide, and turned out with him to escort him thither.

Chapter III— The Whelp IT was very remarkable that a young gentleman who had been brought up under one continuous system of unnatural restraint, should be a hypocrite; but it was certainly the case with Tom. It was very strange that a young gentleman who had never been left to his own guidance for five consecutive minutes, should be incapable at last of governing himself; but so it was with Tom. It was altogether unaccountable that a young gentleman whose imagination had been strangled in his cradle, should be still inconvenienced by its ghost in the form of grovelling sensualities; but such a monster, beyond all doubt, was Tom. ‘Do you smoke?’ asked Mr. James Harthouse, when they came to the hotel.

‘I believe you!’ said Tom. He could do no less than ask Tom up; and Tom could do no less than go up. What with a cooling drink adapted to the weather, but not so weak as cool; and what with a rarer tobacco than was to be bought in those parts; Tom was soon in a highly free and easy state at his end of the sofa, and more than ever disposed to admire his new friend at the other end.

Tom blew his smoke aside, after he had been smoking a little while, and took an observation of his friend. ‘He don’t seem to care about his dress,’ thought Tom, ‘and yet how capitally he does it. What an easy swell he is!’

Mr. James Harthouse, happening to catch Tom’s eye, remarked that he drank nothing, and filled his glass with his own negligent hand.

‘Thank’ee,’ said Tom. ‘Thank’ee. Well, Mr. Harthouse, I hope you have had about a dose of old Bounderby to-night.’ Tom said this with one eye shut up again, and looking over his glass knowingly, at his entertainer.

‘A very good fellow indeed!’returned Mr. James Harthouse.

‘You think so, don’t you?’ said Tom. And shut up his eye again.

Mr. James Harthouse smiled; and rising from his end of the sofa, and lounging with his back against the chimney-piece, so that he stood before the empty fire-grate as he smoked, in front of Tom and looking down at him, observed:

‘What a comical brother-in-law you are!’

‘What a comical brother-in-law old Bounderby is, I think you mean,’ said Tom. ‘You are a piece of caustic, Tom,’ retorted Mr. James Harthouse.

There was something so very agreeable in being so intimate with such a waistcoat; in being called Tom, in such an intimate way, by such a voice; in being on such off-hand terms so soon, with such a pair of whiskers; that Tom was uncommonly pleased with himself.

‘Oh! I don’t care for old Bounderby,’ said he, ‘if you mean that. I have always called old Bounderby by the same name when I have talked about him, and I have always thought of him in the same way. I am not going to begin to be polite now, about old Bounderby. It would be rather late in the day.’

‘Don’t mind me,’ returned James; ‘but take care when his wife is by, you know.’

‘His wife?’ said Tom. ‘My sister Loo? O yes!’

And he laughed, and took a little more of the cooling drink.

James Harthouse continued to lounge in the same place and attitude, smoking his cigar in his own easy way, and looking pleasantly at the whelp, as if he knew himself to be a kind of agreeable demon who had only to hover over him, and he must give up his whole soul if required. It certainly did seem that the whelp yielded to this influence. He looked at his companion sneakingly, he looked at him admiringly, he looked at him boldly, and put up one leg on the sofa.

‘My sister Loo?’ said Tom. ‘She never cared for old Bounderby.’

‘That’s the past tense, Tom,’returned Mr. James Harthouse, striking the ash from his cigar with his little finger. ‘We are in the present tense, now.’

‘Verb neuter, not to care. Indicative mood, present tense. First person singular, I do not care; second person singular, thou dost not care; third person singular, she does not care,’ returned Tom. ‘Good! Very quaint!’ said his friend. ‘Though you don’t mean it.’

‘But I do mean it,’cried Tom. ‘Upon my honour!

Why, you won’t tell me, Mr. Harthouse, that you really suppose my sister Loo does care for old Bounderby.’

‘My dear fellow,’ returned the other, ‘what am I bound to suppose, when I find two married people living in harmony and happiness?’

Tom had by this time got both his legs on the sofa. If his second leg had not been already there when he was called a dear fellow, he would have put it up at that great stage of the conversation. Feeling it necessary to do something then, he stretched himself out at greater length, and, reclining with the back of his head on the end of the sofa, and smoking with an infinite assumption of negligence, turned his common face, and not too sober eyes, towards the face looking down upon him so carelessly yet so potently.

‘You know our governor, Mr. Harthouse,’ said Tom, ‘and therefore, you needn’t be surprised that Loo married old Bounderby. She never had a lover, and the governor proposed old Bounderby, and she took him.’

‘Very dutiful in your interesting sister,’ said Mr. James Harthouse.

‘Yes, but she wouldn’t have been as dutiful, and it would not have come off as easily,’ returned the whelp, ‘if it hadn’t been for me.’

The tempter merely lifted his eyebrows; but the whelp was obliged to go on.

‘I persuaded her,’ he said, with an edifying air of superiority. ‘I was stuck into old Bounderby’s bank (where I never wanted to be), and I knew I should get into scrapes there, if she put old Bounderby’s pipe out; so I told her my wishes, and she came into them. She would do anything for me. It was very game of her, wasn’t it?’

‘It was charming, Tom!’ ‘Not that it was altogether so important to her as it was to me,’ continued Tom coolly, ‘because my liberty and comfort, and perhaps my getting on, depended on it; and she had no other lover, and staying at home was like staying in jail — especially when I was gone. It wasn’t as if she gave up another lover for old Bounderby; but still it was a good thing in her.’

‘Perfectly delightful. And she gets on so placidly.’

‘Oh,’ returned Tom, with contemptuous patronage, ‘she’s a regular girl. A girl can get on anywhere. She has settled down to the life, and she don’t mind. It does just as well as another. Besides, though Loo is a girl, she’s not a common

sort of girl. She can shut herself up within herself, and think — as I have often known her sit and watch the fire — for an hour at a stretch.’

‘Ay, ay? Has resources of her own,’ said Harthouse, smoking quietly.

‘Not so much of that as you may suppose,’ returned Tom; ‘for our governor had her crammed with all sorts of dry bones and sawdust. It’s his system.’

‘Formed his daughter on his own model?’ suggested Harthouse.

‘His daughter? Ah! and everybody else. Why, he formed Me that way!’ said Tom. ‘Impossible!’

‘He did, though,’ said Tom, shaking his head. ‘I mean to say, Mr. Harthouse, that when I first left home and went to old Bounderby’s, I was as flat as a warming-pan, and knew no more about life, than any oyster does.’

‘Come, Tom! I can hardly believe that. A joke’s a joke.’

‘Upon my soul!’ said the whelp. ‘I am serious; I am indeed!’ He smoked with great gravity and dignity for a little while, and then added, in a highly complacent tone, ‘Oh! I have picked up a little since. I don’t deny that. But I have done it myself; no thanks to the governor.’

‘And your intelligent sister?’

‘My intelligent sister is about where she was.

She used to complain to me that she had nothing to fall back upon, that girls usually fall back upon; and I don’t see how she is to have got over that since. But she don’t mind,’ he sagaciously added, puffing at his cigar again. ‘Girls can always get on, somehow.’

‘Calling at the Bank yesterday evening, for Mr. Bounderby’s address, I found an ancient lady there, who seems to entertain great admiration for your sister,’ observed Mr. James Harthouse, throwing away the last small remnant of the cigar he had now smoked out.

‘Mother Sparsit!’ said Tom. ‘What! you have seen her already, have you?’

His friend nodded. Tom took his cigar out of his mouth, to shut up his eye (which had grown rather unmanageable) with the greater expression, and to tap his nose several times with his finger.

‘Mother Sparsit’s feeling for Loo is more than admiration, I should think,’ said Tom. ‘Say affection and devotion. Mother Sparsit never set her cap at Bounderby when he was a bachelor.

Oh no!’

These were the last words spoken by the whelp, before a giddy drowsiness came upon him, followed by complete oblivion. He was roused from the latter state by an uneasy dream of being stirred up with a boot, and also of a voice saying: ‘Come, it’s late. Be off!’

‘Well!’ he said, scrambling from the sofa. ‘I must take my leave of you though. I say. Yours is very good tobacco. But it’s too mild.’

‘Yes, it’s too mild,’ returned his entertainer.

‘It’s — it’s ridiculously mild,’ said Tom. ‘Where’s the door! Good night!’

‘He had another odd dream of being taken by a waiter through a mist, which, after giving him some trouble and difficulty, resolved itself into the main street, in which he stood alone. He then walked home pretty easily, though not yet free from an impression of the presence and influence of his new friend — as if he were lounging somewhere in the air, in the same negligent attitude, regarding him with the same look.

The whelp went home, and went to bed. If he had had any sense of what he had done that night, and had been less of a whelp and more of a brother, he might have turned short on the road, might have gone down to the ill-smelling river that was dyed black, might have gone to bed in it for good and all, and have curtained his head for ever with its filthy waters.

Chapter IV— Men and Brothers ‘OH, my friends, the down-trodden operatives of Coketown! Oh, my friends and fellow-countrymen, the slaves of an iron-handed and a grinding despotism! Oh, my friends and fellow-sufferers, and fellow-workmen, and fellow-men! I tell you that the hour is come, when we must rally round one another as One united power, and crumble into dust the oppressors that too long have battened upon the plunder of our families, upon the sweat of our brows, upon the labour of our hands, upon the strength of our sinews, upon the God-created glorious rights of Humanity, and upon the holy and eternal privileges of Brotherhood!’

‘Good!’ ‘Hear, hear, hear!’ ‘Hurrah!’ and other cries, arose in many voices from various parts of the densely crowded and suffocatingly close

Hall, in which the orator, perched on a stage, delivered himself of this and what other froth and fume he had in him. He had declaimed himself into a violent heat, and was as hoarse as he was hot. By dint of roaring at the top of his voice under a flaring gaslight, clenching his fists, knitting his brows, setting his teeth, and pounding with his arms, he had taken so much out of himself by this time, that he was brought to a stop, and called for a glass of water.

As he stood there, trying to quench his fiery face with his drink of water, the comparison between the orator and the crowd of attentive faces turned towards him, was extremely to his disadvantage. Judging him by Nature’s evidence, he was above the mass in very little but the stage on which he stood. In many great respects he was essentially below them. He was not so honest, he was not so manly, he was not so goodhumoured; he substituted cunning for their simplicity, and passion for their safe solid sense. An ill-made, high-shouldered man, with lowering brows, and his features crushed into an habitually sour expression, he contrasted most unfavourably, even in his mongrel dress, with the great body of his hearers in their plain working clothes. Strange as it always is to consider any assembly in the act of submissively resigning itself to the dreariness of some complacent person, lord or commoner, whom three-fourths of it could, by no human means, raise out of the slough of inanity to their own intellectual level, it was particularly strange, and it was even particularly affecting, to see this crowd of earnest faces, whose honesty in the main no competent observer free from bias could doubt, so agitated by such a leader.

Good! Hear, hear! Hurrah! The eagerness both of attention and intention, exhibited in all the countenances, made them a most impressive sight. There was no carelessness, no languor, no idle curiosity; none of the many shades of indifference to be seen in all other assemblies, visible for one moment there. That every man felt his condition to be, somehow or other, worse than it might be; that every man considered it incumbent on him to join the rest, towards the making of it better; that every man felt his only hope to be in his allying himself to the comrades by whom he was surrounded; and that in this belief, right or wrong (unhappily wrong then), the whole of that crowd were gravely, deeply, faithfully in earnest; must have been as plain to any one who chose to see what was there, as the bare beams of the roof and the whitened brick walls. Nor could any such spectator fail to know in his own breast, that these men, through their very delusions, showed great qualities, susceptible of being turned to the happiest and best account; and that to pretend (on the strength of sweeping axioms, howsoever cut and dried) that they went astray wholly without cause, and of their own irrational wills, was to pretend that there could be smoke without fire, death without birth, harvest without seed, anything or everything produced from nothing.

The orator having refreshed himself, wiped his corrugated forehead from left to right several times with his handkerchief folded into a pad, and concentrated all his revived forces, in a sneer of great disdain and bitterness.

‘But oh, my friends and brothers! Oh, men and Englishmen, the down-trodden operatives of Coketown! What shall we say of that man — that working-man, that I should find it necessary so to libel the glorious name — who, being practically and well acquainted with the grievances and wrongs of you, the injured pith and marrow of this land, and having heard you, with a noble and majestic unanimity that will make Tyrants tremble, resolve for to subscribe to the funds of the United Aggregate Tribunal, and to abide by the injunctions issued by that body for your benefit, whatever they may be — what, I ask you, will you say of that working-man, since such I must acknowledge him to be, who, at such a time, deserts his post, and sells his flag; who, at such a time, turns a traitor and a craven and a recreant, who, at such a time, is not ashamed to make to you the dastardly and humiliating avowal that he will hold himself aloof, and will not be one of those associated in the gallant stand for Freedom and for Right?’

The assembly was divided at this point. There were some groans and hisses, but the general sense of honour was much too strong for the condemnation of a man unheard. ‘Be sure you’re right, Slackbridge!’ ‘Put him up!’ ‘Let’s hear him!’

To Be Continued Next Issue

Page 30 - Melbourne Observer - Wednesday, May 23, 2018

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Vietnam veteran needs your help Cockatoo Rise Retreat Inc. is a voluntary and not-for-profit facility provided by ex-Vietnam veteran Greg Carter and his wife Anne on their property near Bairnsdale in the Gippsland lakes region.

The retreat offers a home-away-from-home to visit, or stay, and enjoy the company of other veterans and their partners in a safe, secure and peaceful environment.

Homeless veterans have taken time out using the retreat facilities sometimes for months at a time. Cockatoo Rise Inc is the only retreat in Victoria. It receives NO Government funding Our team needs financial support at this stage to keep this valuable facility operational for those who are and have served this nation. Membership is $10 per person yearly (ex-Defence and not can join). Lifetime membership $100. Corporate assistance would be gratefully received.

You can send name, email, address, phone number, donation to: Cockatoo Rise War Veterans Retreat Inc., PO Box 175, Bairnsdale, Vic 3875 (use the coupon below).

Contact Greg Carter, phone 0409 418 332 www.cockatooriseretreat.com.au pawprints@wideband.net.au

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Melbourne Observer - Wednesday, May 23, 2018 - Page 31

Quantity Surveyors Property depreciation services Just Depreciation is always going the extra mile to help all our clients whenever we can. We have decided to answer some of our frequently asked questions to help give you some advice and get a better understanding of our services to save you time and money.

If, for any reason, there are still questions you would like to ask us about our property depreciation services then don’t hesitate to call our friendly team who would be only too happy to help.

My property is old is it worthwhile getting a report prepared?

Yes, all properties regardless of age have some form of depreciation. The fixtures and fittings in the property must be valued at the date that you first make the property available for rental. Just Depreciation recommend reports for all residential properties no matter how old the building may be.

I have owned the property for a number of years and not claimed any depreciation, have I missed out?

No, we will start your report from the first date of rental and your accountant can apply to the Taxation Office to get previous returns adjusted. It’s never too late to claim any property depreciation.

How long does the report last for?

Our reports have 10 years of detailed information and enough detail for your accountant to expand on the individual items after this date so you won't have to arrange for a another report unless you carry out major renovations or improvements.

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We measure the property, take photos, take note of all depreciable items and any capital building write off deductions that may apply and then return to the office to calculate and process the report.

Page 32 - Melbourne Observer - Wednesday, May 23, 2018

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Rural News

AUTUMN IS HERE, ORDER YOUR TANK NOW

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Melbourne Observer - Wednesday, May 23, 2018 - Page 33

Page 34 - Melbourne Observer - Wednesday, May 23, 2018

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includes Stitch Regulator, worth $795

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Melbourne Observer - Wednesday, May 23, 2018 - Page 35

Page 36 - Melbourne Observer - Wednesday, May 23, 2018

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Observer Crossword Solution No 39 T O U G O R U N R E S P X I M A I N I M R A S R S H I N I T L E A D E B U L T E O P I N C A C I D E F R L O W E E D E C R L A K E K S C A R S O A U P U L P E P S C H O A I T W I N S K A E M C E P J A U N E T C R A V T T O B E Y R O S E N T M A D I E R A E N E W L

H A B I T N U T T I E R E

A

A

S

O

W E N T R E E S E S S A Y

N E X U C T E A L H N L O O G N B A L O E K S A Y Y S O U T E H H O O S I T E L S C M O O N P E E O S I G N N T K N S O N T A R W E

S S N C O B Y O O K O A H A S M A B R G O C S H U R H E A S R S H U N E S P S A T H N O L S O G N Y U I D S A I N C U E O S H M D S

A A P P A L P E H S I D S S A G M A A E A G R E N N D A I S S L A L M A B B A D L E A G E A N D A S X E I O O U L S D E D S E T T E O S T

N O I N T E N H E R E F E R D R O S T O N O I N V E N A N T E H E T R A V A G E N R A D N I L A U U N D E D C U E A R S M S C E N T R A A R E S S E D S T M T M I N I H E A L R R H Y D E O H A E R W R U B A B A U B W J U T E A S A P M Y H E R O B N A R I D D E N B E S D L A D Y E E M O R P P B O L I S A T H E R K E T N C E S A H O A K R O A M E S P E C I W E R U N O O R R U P T S T O E N H E S I S

B O F A V Y N S C D T I S E T O R I P M C H E A I G I A T E N R R P A Y O B A L L D E N S H E O V E B A D R O L O D E E D D O D E P U O A T C H E E T R I B E D O C N A T A S L N L Y A T E E A M A R I I M C H U P U R T R E E T S A L I S F E D F E I A L R O L M S I

F I R T R E E

S E M U B E I D S L T E A S H

A I S P I C C I T R E D F L M Y I N N G A F O O X T T E P R I O D D E O R E C L C O E D A S S I B N G H

T A S T E S

P E L D E E C A O N R C I X E N O T S T E R O P E A T H O X R I D C I D S R E O M O A I T S T T S E P A I S R E E D

E T A R O N S C A A R I S B D O S G E V L E N R T E H E O N S T E M S S E W S E I N G H S T I N E O R N O E I R G H E T S S T N O W

M P A O B L F O R E C K K L O E S O

L O N E S I E R T E M L Y O S A T M I F H Y I L E L A V E A R M A D A R E O M B E A G B N E N D R I I G N O E G S L T Y P R E A D M E N M P S K A B S D E S O W N E R I M I L O I N D G E K R A N G P E R E P E E A E E L L K

Y E T N B A E N A E D V W A N S C I E N G A H O E M A I E M L E I D X I R R E S A R E S R O N S P Y A L L A T R A B A L G E E S I N F N O

E S I C C K U B S A L E L D G U E S A B R S A N T R M A C L E E A Q U N E S E T X E S S K R C E L G E A A S N E T S T E R W N

Church

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Observer Victorian Sport

Melbourne Observer - Wednesday, May 23, 2018 - Page 37

Melbourne

Ameretto wins the crown ■ Not only did quality 6Y0 Million Dollar CamEyes Of Courage mare become Queen Of The Pacific at Tabcorp Park Melton last Saturday, but also Queen of Australasia after winning the 2760 metre $100,000 (Group 1) Benstud Queen Of The Pacific for M0 or better class.

Trained and driven by the world’s most decorated reinswoman Great Western’s Kerryn Manning, Ameretto sensationally backed into a $2.80 second elect led out from the pole, before being eased to take a trail on the favourite Berisari who was going for a clean sweep of the mares triple crown.

Enjoying the run of the race from there on, Ameretto in quarters of 29.7, 30.9, 28.2 and 27.5 for the last mile, was eased off the back of the leader on straightening and finished full of running to record a 5.4 metre margin in advance of Berisari and Rockstar Angel which followed the pair.

Not renowned for her brashness and emotion, Kerryn gave a memorable salute banishing the whip high in the air on crossing the wire.

Won 5 of 9 races

■ Horses trained locally enjoyed a great night at Kilmore on Tuesday, May 15, winning five of the nine races programmed, with both Riddell's Nicole Molander and Bolinda's Brent Lilley each proving a stable double, all in trotting races.

Molander's double consisted of Majestic SonHanover The Gold gelding More Shades Of Gold in the Buds And Branches 3Y0 Trotters Mobile over 2180 metres and 4Y0 Mustle HillInvasions Pride gelding Next Thru in the Momentum Gaming Trotters Mobile for Tr1 & TR2 class over the same distance, both driven by Gavin Lang. More Shades Of Gold led out from gate four, with Lang electing to take a trail on Billy Millner's Dellsun shortly after. Swapping positions racing for the bell, More Shades Of Gold led for the remainder of the trip to score a 3.6 metre margin over a death-seating Gunning, with Tetra (another of the Millner team) running home late from four back the markers to snatch third 5.5 metres back.

The mile rate 2-04.5.

Next Thru looked to have yards on his rivals and that's the way it panned out.

Not pushed out from gate three, Next Thru settled one/one as the polemarker On Fast Forward retained the front running with Right Side Up facing the breeze.

Going forward mid-race to again possie one/ one as Bring The Action circled his rivals from last, Next Thru was given a short breather.

Easing three wide on the final bend, Next Thru raced clear in the run home to prevail by 1.8 metres in a rate of 2-04.2, accounting for On Fast Forward and another Lilley runner Imahe Man (one/two last lap) who was 5.5 metres away.

Lilley, who is in Sweden supervising classy mare Maori Time's campaign, landed the 2180 metre McIvor Estate Trotters Mobile for T0 class with 4Y0 Muscles Yankee-My Serene Queen 4Y0 gelding Kyvalley Kid and the Mitchelton Wines Trotters Mobile for T0 class over the same trip with Great Success-Bras Dhonneur 4Y0 gelding Mano De Dios, both horses driven by Josh Duggan breaking their maiden status. Kyvalley Kid (gate three) making his second race appearance, raced exposed from the bell before taking over on the home turn and winning by a half neck from Uncle Al which followed him throughout, with Betty Hall third after an early break. The mile rate 2-09.7.

Mano De Dios provided the best story of the night. Bred and raced by Darraweit's Alexandra Hurley in partnership with sister Fran in South Australia who went ballistic watching the race in an Adelaide pub, Mano De Dios led from gate five and allowed to bowl along, ran his rivals ragged, winning by an untouched 6.2 metres in 2-06.7 from The Paigeboy from last and Enticing Smile (three back the markers) who was third 17.4 metres away.

Monegeetta's David Miles trained and reined Art Major-Charm Thee colt Montana Chief to an all of the way victory from gate six in The Bendigo Club 2Y0 Pace over 1690 metres. Rated to perfection, Montana Chief held a margin all

Harness Racing

had 8.9 metres to spare on the wire, accounting for A Victor (three wide last lap from the tail) in 1-59.3. Christmas Jolt weakened badly to be third 2.6 metres back.

Led easily

Melbourne

Observer

len-baker@ bigpond.com

with Len Baker the way up the running to score by a head from heavily supported first starter Mach Jodenkrist along the sprint lane after trailing, with Lets Go There 8.7 metres away in third place after racing in the open. The mile rate 2-00.3.

Son-in-law-in-sulky

■ Popular Meltonian Ken Tippet landed the Jet Roofing Pace for C2 & C3 class over 1690 metres restricted to concessional reinspersons who had not driven more than 10 winners at Kilmore with 7Y0 Gotta Go Cullect-Phoebe Mae gelding Barnbougle Jack.

With future son-in-law Joshua Smyth in the sulky, Barnbougle Jack moved forward three wide solo from mid-field in the last lap, outstaying his rivals to prevail by a head from Fleshing along the sprint lane off the back of the weakening leader in a slick 1-56. Willbe Doc (one/one) was third 1.5 metres back.

8.9m to spare

■ At Stawell on Monday May 14, Snake Valley trainer/driver Damien Burns the son of former St Kilda tough man Greg, scored a stable double - Chirpy Chuckles taking the PFD Food Service Pace for C2 & C3 class over 1785 metres and Top The Ace the 2180 metre Choices Flooring By Westside Pace for C4 & C5 class. Chirpy Chuckles a 6Y0 gelded son of Live Or Die and Kylies Reason which won at Maryborough four days earlier, repeated the dose after sitting exposed from gate three.

Outstaying his rivals, Chirpy Chuckled was too strong for the pacemaker The Jet Player to register a 4 metre margin, with the heavily backed favourite Polar Opposite a disappointing third after trailing the leader and using the sprint lane to be a neck in arrears of the runnerup. The mile rate 1-56.6.

Five year old Aces And Sevens-Princess Dilinger gelding Top The Ace was tough in his victory after also parking in the open outside the poleline leader Christmas Jolt.

■ Veteran Hamilton trainer Jim Barker combined with son Rodney to land the 1785 metre Barham Insurance Agencies Pace for C1 class at Stawell with very honest 6Y0 Grinfromeartoear-Presidential Drive gelding Presidential Grin in a rate of 1-58.6.

Leading easily from the pole as the gate pulled away, Presidential Grin was given an easy time, kicking clear on turning to prevail by 3.6 metres in advance of Thisboyzonfire (one/one - three wide home turn).

Johnny Redcoat a stablemate of the winner was third 4.1 metres away after a cosy trip three back the markers.

Raced in the open

■ Young Bendigo based duo Shaun McNaulty (trainer) and Michelle Phillips (driver) continued their great run of success at Shepparton last Wednesday, when newly acquired 6Y0 Somebeachsomewhere-Jilliby Jamila mare Jilliby Dreamtime led throughout from gate four to easily take the Your Sold Real Estate Pace for C2 or better class over 1690 metres.

Always travelling, Jilliby Dreamtime raced

by Shaun blitzed her rivals, scoring by 15.4 metres from Leakys Smokin which raced in the open. Franco Salisbury was third a half head away after coming from last. The mile rate 157.5.

Concessional reinsman Brad Chisholm enjoyed the afternoon at Shepparton after chalking up a double aboard the much travelled Ross Pike trained Christian Cullen-Taffeta Bromac colt Code Bailey in the DNR Logistics Pace for C3 & C4 class over 2190 metres and the 4Y0 Rock N Roll Heaven-Intimate Moments gelding Crookwell Jake in the 2190 metre C2 class Equine After Care Pace.

Code Bailey's performance was exceptional as he was never on the track, showing great tenacity to gain the day by a head from Kotare Mahdi and Alepe De Huez in a rate of 1-58.5, while Crookwell Jake did it tough, but did it well after sitting outside the runner up leader Ozzie Bogan to prevail by a neck in 1-59.8. Zozo Ma Gogo was third after following the winner. Both horses are trained locally.

Tough victor

■ Melton co-trainers Maree and John Caldow's American Ideal-Bring Her Back filly Bye Bye Barbie was a tough victor of the Shepparton BMW Pace for C0 class over 1690 metres. Starting from the extreme draw, Bye Bye Barbie was sent forward by John to park outside the pacemaker Traw Ling to dictate terms and was too strong at the finish, greeting the judge by a neck over the leader, with Shilah 1.4 metres away in third place off a three wide trail from mid0field

Sulky Snippets This Week

■ Wednesday - Shepparton, Thursday Maryborough/Kilmore, Friday - Ballarat, Saturday - Melton, Sunday - Ouyen, Monday Horsham, Tuesday - Shepparton.

Horses to follow

■ Veluti, The Paigeboy, Priddy Catchy, Imamenace, Chrissy Divinyl, Yeah Whatever, Shady Dancer.

Brilliant winner

■ Geelong raced on Wednesday evening and Bangholme breeder/owner/trainer Georgina Coram's 3Y0 Majestic Son-Annika gelding Lunchwitharthur was a brilliant winner of the Yabby Dam Racing Trotters Mobile for T0 & T1 class over 2100 metres.

Trained and driven by Euroa's Cameron Maggs, Lunchwitharthur was restrained from an awkward inside the second line draw to possie at the tail of the field, but appeared to throw away all chance when galloping wildly midrace.

Regaining his composure to tack on racing for the bell, Lunchwitharthur set off three wide solo in the final circuit to be outside the leaders Naughty and Illawong Byron approaching the home turn.

Asked for an effort on straightening, Lunchwitharthur cruised to the front in the shadows of the post to prevail by 3.6 metres in a most impressive performance, defeating Illawong Byron which led on straightening, with Redriverdebba 5 metres away in third place after a cosy one/one trip.

The mile rate 2-02.2.

Huge plunge

■ At Bray Raceway Ballarat on Thursday, Burrumbeet father and son - Ashleigh & James Herbertson supposedly brought off a huge plunge when Lincoln Royal-Ambro Affair gelding Vapar Jack backed from in excess of $8 to start at $2.80, led throughout from gate three to land the Freight Bar 3Y0 Pace over 1710 metres. Crossing The Hervey Bay inside him running into the first turn, Vapar Jack was allowed to dawdle at the head of affairs in the four horse field, having plenty in reserve on straightening to score by 1.6 metres from Princely Reign which raced outside him for the last lap, with The Hervey Bay third 2.7 metres back.

The mile rate 1-59.9.

Page 38 - Melbourne Observer - Wednesday, May 23, 2018

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Melbourne Obser ver - Wednesday, May 23, 2018 - Page 39

Page 40 - Melbourne Observer - Wednesday, May 23, 2018

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Killingworth Hill Whisky Bar 36 Killingworth Hill Rd, Killingworth (Yea) Open 11am-8pm Friday-Sunday Bookings for private functions at other times

Cosy Open Fire Each week: a different beautiful hot home-made soup Pumpkin, Cauliflower, Broccoli Today’s Menu Charcuterie Board: Meat Platter: Bresaloa Beef, Prosciutto, Pressed Pork, Smoked Ham, Capers, Mushrooms, Onion, Pickle, Sundried tomato.

Cheese Platter: Le Cheredou/soft goat, Charles Arnaud Reserve, King Island Blue/soft, Bay of Fires/sloop rock, Port Jelly, Pickle, Feijoa jelly, Mushroom, Pate, Walnuts and Fresh apple Terrine Platter: Tongue, Pork & Chicken Pate, Port Jelly, Mushrooms, Olives, Fresh Tomatoes, Pickled Cabbage, Shaved Beetroot.

Fish Platter: Peppered Salmon, Barramundi, Capers, Olives, Pickled Cabbage, Asian Spiced Jelly, Macadamia Nuts

Soup of the Day: Homemade Dessert: As per display cabinet

Teas/Coffee: Assortment of Herbal Teas – Pot Cappuccino, Latte Mug Short/Long Black or Plunger Coffee We strive for excellence, we do not rest until our best is better We guarantee our products 100%.

If unsatisfactory, please advise staff who will replace or refund immediately

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Melbourne Observer - Wednesday, May 23, 2018 - Page 41

Holiday Apatyments in Cairns, Tropical North Qld

Argosy On The Beach Our one and two bedroom apartments are truly relaxing.

Spacious open plan living areas with floor to ceiling glass open onto huge private balconies overlooking the beach while taking in the cool sea breezes.

All feature a queen size bed in the master bedroom with walk in robe and ensuite bathroom and two single beds in the second bedroom. Each apartment has two bathrooms, one with a full sized bath and every bedroom open directly onto rear balconies which over look rainforest and where the birdlife and free roaming kangaroos are simply a delight with all visitors.

Kitchens are fully self contained with everything you need to make the most of your holiday including, naturally a dishwasher, full oven and cook top, microwave and fridge/ freezer. These spacious apartments have a separate laundry with dryer and ironing facilities and are fully air-conditioned.

For entertainment, there are large flat screen TV's, CD music systems and each apartment has direct phone/internet access. For your convenience the apartments have lift access to all floors including wheel chair access to the complex. Premium linen is standard, with extra rollaway beds available upon request.

We have the facility to lock off rooms for one bedroom bookings and these share one bathroom only. The two bedroom, two bathroom apartments accommodate up to a maximum of 5 persons per apartment, they are serviced weekly or by arrangement.

Apartment Features Beachfront accommodation; 16 x 1 & 2 bedroom fully self contained apartments Large private balconies with absolute beachfront views Outdoor patio dining furniture and sun lounges Full air conditioning throughout with ceiling fans Master bedroom with queen bed, TV, walk in robe, ensuite and rear balcony Second bedroom with two single beds, large robe and rear balcony Second bathroom with shower and full sized bath TV, DVD and CD music systems FOXTEL TV Fully equipped kitchens with microwave, dishwasher, oven and refrigerator/freezer Coffee Plunger Separate laundry with washing machine, dryer and ironing facilities Hair Dryers STD/ISD direct dial telephones Wireless internet Premium linen including complimentary beach towels Apartments serviced weekly or by arrangement at your request 2:00pm check-in and 10:00am check-out Lifts to all floors

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Page 42 - Melbourne Observer - Wednesday, May 23, 2018

Best Places

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Melbourne Observer - Wednesday, May 23, 2018 - Page 43

Best Places

Page 44 - Melbourne Observer - Wednesday, May 23, 2018

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Best Places

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Melbourne Observer - Wednesday, May 23, 2018 - Page 45

Page 46 - Melbourne Observer - Wednesday, May 23, 2018

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Maeburn Cottages 33 Mairburn Rd, Metung VIC 3904 Phone: (03) 5156 2736 www.maeburncottages.com.au

Relax and unwind at Maeburn’s luxury lakeside Cottages, set in an acre of established parklike gardens and positioned for privacy with ample adjacent parking and a ramp for easy access.

For that quintessential family holiday in Metung you can’t go past Maeburn Cottages! The ideal getaway for couples, families, friends and large groups of up to 20.

Cottage 1 The Queen Suite (front part of the main house) Main bedroom has a queen bed.

Second bedroom has a queen bed.

LCD TV. Kitchenette.

Private Tepanyaki BBQ and verandah.

Cottage 2 Main bedroom has a queen bed.

Second bedroom - one single bed.

Double sofabed in lounge.

Cottage 3 Main bedroom has a queen bed.

Second bedroom - one single bed and a king single bed.

Cottage 4 Main bedroom has a queen bed.

Second bedroom has a queen bed.

Every cottage has a dining and living area.

Cottages 2, 3 and 4 have a dining and living area with an 81cm LCD TV, DVD player and reverse cycle air-conditioning. Kitchens are equipped with stoves, microwaves, refrigerators, crockery, cutlery and cooking utensils.

Cottages 2, 3 and 4 have a washing machine, clothes line and dryer. Linen and towels for hire or BYO. Blankets and pillows are provided. New wooden deck with pergola and outdoor furniture.

We are Pet Friendly - well behaved, clean and brushed dogs allowed.

Melbourne Observer - Wednesday, May 23, 2018 - Page 47

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Best Places

Page 48 - Melbourne Observer - Wednesday, May 23, 2018

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Melbourne Observer - Wednesday, May 23, 2018 - Page 49 e urn lbo Me

Every Week in the Melbourne Observer

ver N ser O Ob TI C SE 3

Observer Showbiz

Theatre: Hot Mikado sizzles ...................................... Page 51 Arts: Italian Cultural Institute ........................................... Page 50 Country Music: Carter’s Better Day ................................ Page 50 Jim and Aar on: Top 10 lists, DVDs, movies ......................... Page 5522 Aaron: Cheryl Threadgold: Local thatre shows, auditions .............. Page 53 PL US THE LLO OVATT”S MEGA CRO PLUS CROSSSWORD

PUFFS OPENS THIS WEEK Melb. Jazz Festival

● Thando. Photo: Juan Castro ■ The 2018 Melbourne International Jazz Festival is being presented between June 1-10 at various venues around Melbourne.

Returning for its 21st year, the Melbourne International Jazz Festival demonstrates that jazz can happen anywhere, from the lawns of State Library Victoria to the city’s iconic clubs and venues.

This 10-day celebration of jazz in all its forms will offer 100 events featuring more than 400 Australian, international and emerging artists, taking place in 26 venues across Melbourne ranging from the world-class Hamer Hall to intimate jazz clubs, plus vibrant café gigs in Melbourne’s west and free festival community events.

Illustrating the ongoing importance of jazz as the common ground which brings together a multitude of styles and influences, the 2018 program offers a diversity of experiences and showcases many outstanding Australian artists, with new projects from leading local artists.

On Saturday, June 2 at 4pm Jazz Out West is back at the Bluestone Artspace, Footscray, curated by guest programmer Mz Rizk.

Singer/songwriter Thando is establishing a strong reputation in alternative RnB, soul and jazz..

Experience global jazz stylings, laid-back beats, oldschool funk and soul-infected grooves, and an acoustic set featuring Henry James (guitar).

For bookings and further details: melbournejazz.com - Cheryl Threadgold

● The American cast of Puffs, from left: Nick Carrillo, Jessie Cannizzaro, Madeleine Bundy, Andy Miller, Eleanor Philips and James Fouhey. Photo: Hunter Canning

Off-Br oadw w Off-Broadw oadwaay sho show arriv es aatt Ale x. TThea hea tr arrives Alex. heatr tree ■ Puffs has arrived direct from off-Broadway and will feature an Australian cast when presented from May 26 to June 17 at The Alex Theatre, St Kilda.

For seven years a certain boy wizard went to a certain Wizard school and conquered evil. This, however, is not his story.

This is the story of the Puffs … who just happened to be there too.

Also known as Seven Increasingly Eventful Years at a Certain School of Magic and Magic, Puffs is written by Matt Cox and directed by Kristin McCarthy Parker.

The Australian cast for Puffs features Keith Brockett, Zenya Carmellotti, Olivia Charalambous, Daniel Cosgrove, Ryan Hawke, Gareth Isaac, Lauren McKenna, Rob Mills, Eva Seymour, David Todman, Annabelle Tudor, Tammy Weller and Matthew Whitty.

Performance Season: May 26 to June 17 Venue: Alex Theatre St Kilda, Level 1, 135 Fitzroy Street, St Kilda.

Bookings: www.puffstheplay.com/australia#home - Michael Wilkie

Glen Eira Storytelling Festival ■ Heading into its eighth year the Storytelling Festival reboots for 2018 with a breathtakingly fresh new digital art exhibition.

The Storytelling Machine designed for participants of all ages, this 2017 Victorian Premier's Design Award winner enables people to draw figures or create text, and then sit back and watch as their characters and words are instantly animated across projected video worlds: including Glen Eira's newest adventure park, Booran Reserve.

Exhibitions and Installations The Storytelling Machine is an immersive interactive digital installation for all ages.

Exhibition June 21.

Unsettlement looks to where art and architecture converge.

The exhibition focuses on understandings of power, present-

ing works that confuse exhibition's functionality, undermine its authority or explode its mythologies.

Exhibition June 21.

Zonce - Carnegie Conance (zone + resonance) is an electroacoustic soundscape created by composer and sound designer Piotr Nowotnik.

Exhibition June 21.

The Storytelling Machine Workshop.

These interactive workshops teach drawing and writing skills in creative technologies.

Exhibition July 1 & 2.

Glen Eira Storytelling Festival Cnr Glen Eira Rd and Hawthorn Rd, Caulfield - Peter Kemp

New Artistic Director ■ The Board of Melbourne Festival has announced that the search for a new Artistic Director will begin this year to replace Jonathan Holloway, who will be leaving on completion of his fourth festival in 2019.

Melbourne Festival’s Chair, Maureen Wheeler, said: “After the highly acclaimed 2017 Festival, the Board is delighted that Jonathan will continue to build the Melbourne Festival into the most stimulating and engaging event in Australia through 2019.

“Announcing the change now allows the Board more than enough time to find the next brilliant artistic leader for the festival.”

Jonathan Holloway, who will return to Europe after eight years in Australia, said: “Whilst Melbourne is an endlessly exciting and inspiring city, by the end of next year, I will have directed four festivals here and four on the west coast.

“This seems like a perfect moment for me to make the decision, giving the Festival Board and team plenty of time to think about succession planning.”

Melbourne Festival has become synonymous with pushing boundaries, bringing together outstanding, courageous, visionary and ambitious artists from Australia and around the world.

In recent years, it has delivered a 110 per cent increase in tickets issued, with box office exceeding $3 million for the second time in the Festival’s history, increased interstate attendance by 32 per cent and provided an economic impact of well in excess of $22 million.

Details of plans for the recruitment of Jonathan’s successor will be announced shortly and will be focused on continuing to build the vibrant and compelling vision that has been the hallmark of Jonathan’s time with the Melbourne Festival.

The 2018 Melbourne Festival runs from October 3-21.

The full program will be announced on Wednesday, July 25.

- Cheryl Threadgold

Country Crossroads: inside

Page 50 - Melbourne Observer - Wednesday, May 23, 2018

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Observer Showbiz

Country Music, Radio, Theatre, Almanac Country Crossroads

By Rob Foenander info@countrycrossroads.com.au

Carter’s Better Day

■ Award winning husband-and-wife team Carter and Carter have released their new single and title track Better Day. It's a song that captures perfectly Dave and Merelyn's flavour of strong song writing, unique harmonies, captivating vocals and a positive message of empowerment, according to their their medial release.

More info at www.carter-carter.com

Tamworth taste

■ The 2018 Taste of Tamworth concerts hit the road in July for a series of shows.

This years acts will include Carter and Carter, Felicity Urquhart, Travis Sinclair along with Anthony Taylor and Jetty Road.

All details and Victorian dates at www.carter-carter.com

Bob Dylan here

■ Music legend Bob Dylan is heading to Australia for a series of concerts around the country.

The Nobel Prize winner and Rock and Roll Hall of Fame inductee will play Margaret Court Arena, Melbourne, on August 13.

Bob’s last sell-out Australian tour was back in 2014. Fans can expect to experience music spanning across the music icon's entire 38 studio album collection.

- Rob Foenander ■ Carmina Burana. Victoria Chorale sings Carl Orff’s dramatic music arranged for two pianos and five percussionists. Mario Dobernig conducts the choir , Art of Sound Ensemble and three soloists. MLC, 207 Barkers Rd, K e w. 5pm, June 23. Tickets: $20-$40. www.T rybooking/TUXB, 9525 0072

Italian Cultural Institute Mara Galeazzi Claimed as the Best Italian Dance abroad there is a unique opportunity to meet and mingle with the internationally acclaimed Mara Galeazzi at the Italian Cultural Institute.

Mara will feature as principal guest artist of the London's Royal Ballet in Forte, a collection of new classical and contemporary dance that will premiere at the Deakin Edge at Federation Square on Friday (May 25).

Mara joined the Royal Ballet in 1992 and was promoted to First Artist in 1995, Soloist at the end of the 1997-98 season and Principal in September 2003. She retired from the Royal Ballet in June 2013 and returned as Guest Artist in the 2014-15 season, and in the 2016-17 season to dance in Woolf Works.

Talk on Thursday May 24 at 7.30pm Free Event but Bookings Essential at 9866 5931.

Transforming Baroque Favide Monti (Italy, Baroque violin) and Alexander Nettlebeck (Australia, piano) will perform together in this unmissable concert at the Italian Institute of Culture.

Drawing from their rich and diverse international performing backgrounds the duo interprets and improvise compositions from European Baroque Repertoire, Italy, Ethiopia, America, Brazil and Australia.

Performance: Thursday, May 31. At 7pm (one-hour duration). Doors open at 6.30pm.

Light refreshments served on arrival. Tickets $25. Members and concession $20.Advance booking recommended at 9866 5931.

Est Ovest The young Italian accordionist virtuoso Peitro Roffi is once again back to Australia to take audiences on an extraordinary journey.

From Renaissance songs arranged for the accordian by Bulgarian composer Wjatcheslav Semyonov to Est Ovest, the latest piece written

by Roffi himself.

Performance: Wednesday, June 6 at 6.30pm.

Free event. Bookings essential at 9866 5931.

Talking to Houses by Marco Petrus This fine art prints exhibition has been curated by Albicocco Fine At (Udine Italy) in collaboration with Binin Gallery and the Italian Cultural Institute in Melbourne.

The exhibition features 11 etchings and aquatints by Marcus Petrus representing urban Italian architecture.

Venue: BIBI Gallery, 62 Smith St, Collingwood.

Exhibition: Monday - Friday 10am - 5.30pm Open until June 17.

Italian Cultural Institute 233 Domain Rd, South Yarra - Peter Kemp

r Obser vbeiz OnThis Day Show

Wednesday Thursday May 24 May 23

■ Comedian Syd Heylen was born in Renmark, SA, in 1923. He died aged 73 in 1996.

Country singer Tom T Hall was born in 1936 (82).

Actor Andrew Clarke was born in Adelaide in 1954 (64).

Actor Mike Myers was born in 1963 (55).

■ Australian operatic singer Dame Joan Hammond was born in New Zealand in 1912.

She died aged 84 in 1996.

Australian bushman R M (Reginald Murray) Williams was born in 1908.

Priscilla Presley (nee Wagner) was born in New York in 1945.

Bosom Buddies

Melbourne Arts ‘Night Mother ■ I’ve just come from seeing ‘Night, Mother at The Basin Theatre.

Gosh. The play has a profoundly sad premise.

Invited into the quaint home of a co-dependant mother and daughter, we watch them together as daughter announces she plans to kill herself “in a couple of hours”.

Director Barry O’Neill provides a beautifully realistic set (as is always the case at The Basin Theatre) that could draw us into the reality of this unfathomably painful and confronting issue.

The choice of foreign accents, though, keeps us at arms-length like we’re just watching another TV show.

With Australian accents and references, we could feel that this could easily be our home, or our neighbour, or our friend. The impact is far deeper.

Di Kelly skilfully plays the very challenging role of Thelma, the mother.

Her character journey is huge. I first saw Kelly in My Brilliant Divorce in 2016.

I was blown away then by her endless energy and ability to transform herself into several characters.

Her adeptness at creating a likeable and relatable character is key here.

However, this time I often feel more depth is needed. She just seems to stop herself sometimes. Her speech on the floor, though, is achingly heart wrenching.

Jen Bush as her daughter Jessie is also quite good in this difficult role. She keeps a steady pace and tone that works so well here.

Unfortunately, we wait almost 45 minutes for a great moment from the pair, but soon there are many great and powerful moments. I believe the emerging characterisations will continue to evolve and coming performances will reach the brilliance glimpsed tonight.

‘Night, Mother is winner of the 1983 Pulitzer Prize for Drama and in the hands of these two wonderful actors it is a deeply affecting, compelling drama.

Performance Season: Until Saturday, June 9. Times: Thurs-Sat at 8pm; Sun 27 May and 3 June at 2pm. Venue: The Basin Theatre, Doongalla Rd, The Basin Bookings: www.thebasintheatre.org.au or 1300 784 668 - Review by Deborah Marinaro

● Nancye Hayes and Todd McKenney ■ Life is enjoying the passage of time. This song line represents for Nancye Hayes and Todd McKenney, the way they live their lives through entertainment.

Their two-hander show, Bosom Buddies, performed at the Clocktower Centre, had a relaxed and intimate feel.

It was a pleasure to see two performers who have such longevity and who are so comfortable both on stage and in each other’s company.

The atmosphere had the feeling of being in a family lounge room and having a chat.

The show combined personal stories, classic archival video footage and live song and dance numbers. No doubt about it, they both still have ‘it’.

To their fans, giving personal background stories from their own point of view makes it refreshing to see the person behind the star.

A simple set and lighting design set the mood and allowed the performers to be the focus.

Nancye’s clothing was particularly elegant.

They give a show with a medley of songs from many of the shows they have performed in.

With such a wealth of credits to their names, it must have been hard to decide what to include and how to arrange them.

To their credit the stories gave an ideal segue to their songs.

This was a fun-filled night with excerpts from many musical theatre shows particularly 42nd Street, The Boy from Oz, Annie and Cabaret, just to mention a few.

Dancing and singing together with such ease, poise and fitness demonstrated that these two are really ... bosom buddies.

- Review by Lyn Hurst Melbourne

Observer

Friday May 26 ■ English music hall performer George Formby was born in Lancashire in 1904.

He died aged 55 in 1961.

Actor John Wayne (Marion Morrison) was born in 1907. He died aged 72 in 1979.

Actor Robert Morley was born in Wiltshire, UK, in 1908.

Saturday May 27 ■ US actor Vincent Price was born in 1911. He died aged 82 in 1994.

The late Mike Gibson was born on this day.

British singer Cilla Black (Priscilla White) is 77 (1941).

Politician Pauline Hanson is 64 (1954).

Fotballer Wayne Carey is 47 (1971). He was raised in Wagga.

Sunday May 28 ■ Actor Patrick White was born in London in 1912. He died aged 78 in 1990.

American singer Gladys King is 72 (1944).

Boxer Jeff Fenech is 54 (1964).

Singer-actress Kylie Minogue was born in Melbourne in 1968.

Monday May 29

■ US President John Fitzgerald Kennedy was born in 1917. He died aged 45 in 1963.

Radio man Stan Zemanek was born in 1947.

He died aged 60 in 2007.

Actress Jo Beth Tay-lor was born in Perth in 1971 (47).

News reader Natarsha Belling is 48.

Tuesday May 30 ■ Cartoon voice man Mel Blanc was born in 1908.

He died aged 81 in 1989. He was the voice of Bugs Bunny.

Band leader Benny Goodman was born in 1909. He died aged 77 in 1986.

Stage singer Jill Perryman was born in Melbourne in 1933

Thanks to GREG NEWMAN of Jocks Journal for assistance with birthday and anniversary dates.

Jocks Journal is Australia’s longest running radio industry publication.

Find out more at www.jocksjournal.com

www.MelbourneObserver.com.au

Melbourne Observer - Wednesday, May 23, 2018 - Page 51

Observer Showbiz

TV, Radio, Theatre

Bliss

● Charlotte Nicdao, Amber McMahon and Anna Samson in Bliss. Photo: Pia Johnson ■ Described as “an hallucinatory ride from suburbia to the asylum, a seedy hotel room and to the back of beyond,” Tom Wright’s adaptation of Peter Carey’s original story certainly invites you to hang on tight during a crazy theatrical journey towards the possible redemption (courtesy of three life experiences ) of Harry Joy. Successful advertising director Harry (Toby Truslove) has a heart attack , but after seven minutes he revives, believing that he is now in hell, and must atone for all past sins, personal and professional .

And so the darkly comedic journey of a now “good” Harry begins at the Malthouse Theatre.

This fable, set in self-centered , hedonistic 1980s’ Australia, now presents Harry in life number two, confusing and confounding all around him as he works to transform “hell” into paradise.

Through it all I was reminded of Spike Milligan’s alleged words “if that is sanity I’m happy to be insane”.

With no disrespect at all to Christianity I’d rate Bliss as a perfect Trinity…. Peter Carey’s novel, Tom Wright’s adaptation, and Matthew Lutton’s direction.

And all brilliantly performed by an ensemble of Toby Truslove, Marco Chiappi, Will McDonald, Amber McMahon, Charlotte Nicdao, Susan Prior, Anna Samson, and Mark Coles Smith .

Frequent and fast character transformations , interspersed with some lovely heightened language quotes from the novel, keep the multi-layered work always within reach, as we race through times and places.

Special note must be made of the seemingly simple, yet extremely complex revolve stage with its perspex shed (Marg Horwell ).

Lutton’s clever choreographed use of this set reflected the chaos of Harry’s mind and that of all those intermittently affected.

This was heightened by the precision of Paul Jackson’s lighting and Stefan Gregory’s sound - all in perfect sync.

Bliss keeps Lutton’s prestige position at The Malthouse firmly in place. See this show if you can before June 2.

Tickets: $35 - $72 malthousetheatre.com.au/bookings - Review by Maggie Morrison

Hot Mikado sizzles

● Rachel Rai (Yum-Yum) and Mitchell Sanfilippo (Nanki-Poo) sizzle with Amelia Ropé (Pitti-Sing) and cast in a dance routine in Hot Mikado. Photo: Gavin D Andrew ■ For a smorgasbord of jazz, gospel, blues, Sing), Hayley Nissen (Peep-Bo), Marco Fusco super vocal talents, dynamic dance routines, (Pish-Tush), Ian Andrew (Pooh-Bah), Tony satire and pizazz, don’t miss the Williamstown Burge (Ko-Ko), Rosa McCarty (Katisha) and Musical Theatre Company’s latest show, Hot Anne Gasko (The Mikado), joined by an equally Mikado, playing at the Centenary Theatre, strong ensemble of Ladies and Gentlemen from Williamstown until May 26.

Japan.

This well-appointed, lovely theatre is an alOutstanding performances were enjoyed ternate venue for WMTC during refurbishment from Tony Burge as the flamboyant, entertainof the Mechanics’ Institute. ing Ko-Ko, Rosa McCarty’s powerful portrayal Hot Mikado is a musical theatre adaptation of Katisha, the delightful romantic duo Rachel of Gilbert and Sullivan’s The Mikado, with mu- Rai and Mitchell Sanfilippo (Yum-Yum and sic by Rob Bowman and book and lyrics by Nanki-Poo) and Amelia Ropé’s commanding David H. Bell. presence as Pitti-Sing.

The story tells of wandering minstrel NankiImpressive vocal harmonies (often sung durPoo returning to Japan searching for his lover, ing energetic dance routines) and clearly enunYum-Yum, but discovers her betrothed to Ko- ciated lyrics, are a joy to hear. Stuart Dodge’s Ko, Lord High Executioner of Titipu. set is great, as is Erinn Ferry and Felicity Antagonist Katisha finds her fiancé Nanki- Mawson’s costume design, although The Poo, dithering Ko-Ko needs a sacrificial victim Mikado’s costume does not reflect her high ofto fulfil his quota of executions, and The Mifice of power. kado arrives seeking her long lost son.

WMTC audiences are personally greeted and Director Tyson Legg engages his audience from the opening, when Pish-Tush clicks his farewelled by President Marcus Cassidy-Anderfingers, dancers arrive to deliver Ashley Tynan’s son.

Congratulations to all. This show is not just sharp choreography and Musical Director Norm hot.

Anderson’s wonderful orchestra fills the thePerformance Season: Until May 26 atre with the show’s terrific tunes … it sizzles!

Venue: Centenary Theatre, Williamstown.

The strong cast of principal performers inBookings: www.wmtc.org.au cludes Mitchell Sanfilippino (Nanki-Poo), - Review by Cheryl Threadgold Rachel Rai (Yum-Yum), Amelia Ropé (Pitti-

Heide Museum Burlesque Life Drawing In partnership with Dr Sketchy7, this three-hour alternative life-drawing class combines glamour, performance and drawing in a fun welcoming atmosphere.

Learn the various techniques and styles needed to draw the human form with model Bell De Jac one of Australia's best known Burlesque performers.

All materials provided, including a glass of wine to finish.

Cost: Adult $55, Concession $50. Member $45. Date: Saturday, May 27 at 1pm-4pm.

Heide Museum of Modern Art 7 Templestowe Rd, Bulleen - Peter Kemp

A Migrant’s Son

● Michaela Burger Photo: Clauio Raschella.

■ Award-winning cabaret star Michaela Burger (Exposing Edith) presents her original work AMigrant’s Son exploring true stories of Greek migration to Australia in the 1930s, from May 28 to June 2 at 8.30pm at The Butterfly Club.

This is a cabaret tale about a man, the son of a poor migrant, who defied all odds and rose above his circumstances.

From early morning deliveries for the family bakery at age seven, down opal mines in Coober Pedy at age 16 and opening a chain of discount supermarkets in Adelaide, his road was not one for the faint-hearted.

With historical stories, all brought to life through original compositions by Burger, A Migrant’s Son features modern arrangements of traditional instruments including the bouzouki and oud by Dave Higgins.

Burger is the recipient of the award for Best Cabaret Adelaide Fringe 2016, winner 2015 International Cabaret Contest and has been nominated for a Helpmann Academy Award for Best Cabaret Performer 2016.

In addition to touring extensively with her hit show Exposing Edith (the life and songs of Edith Piaf), her most recent performing credits include Can You hear Colour? (Patch Theatre/2018 Adelaide Festival), Rumpelstiltskin (State Theatre SA/Windmill Co.) and Brel: The Immortal Troubadour (2017 Adelaide Cabaret Festival).

Dates: May 28-June 2 Time: 8.30pm Cost: $25-$34 Venue: The Butterfly Club, 5 Carson Place, Melbourne Tickets: thebutterflyclub.com - Cheryl Threadgold

Hall & Wilcox

● Mitchell Sanfilippo (Nanki-Poo), Tony Burge (Ko-Ko) and Rachel Rai (Yum-Yum) in Hot Mikado. Photo: Gavin D Andrew

■ The Hall & Wilcox art prize and exhibition program was started in 2014 to support emerging Australian artists and harbor a greater connection for Hall & Wilcox in the wider community.

The first show for 2018 focuses on diversity and showcases six artists with a range of backgrounds and styles. The artworks will hang in Hall & Wilcox's reception and client spaces.

Exhibition begins May 25 for four weeks, All artworks are on sale with 100 per cent of the sale price going directly to the artist.

Hall & Wilcox, Rialto South Tower 525 Collins St, Melbourne - Peter Kemp

Page 52 - Melbourne Observer - Wednesday, May 23, 2018

Observer Showbiz

www.MelbourneObserver.com.au

Movies, DVDs with Jim Sherlock, Aaron Rourke What’s Hot and What’s Not in Blu-Rays and DVDs FILM: THE GREATEST SHOWMAN: Genre: Biography/Musical/Drama.

Cast: Hugh Jackman, Michelle Williams, Zac Efron, Rebecca Ferguson, Zendaya.

Year: 2017.

Rating: PG. Length: 105 Minutes.

Stars: **** Verdict: P.T. Barnum, also known as The Greatest Showman with The Greatest Show On Earth hits the screen in this Oscar nominated and Golden Globe award winning all-singing, all-dancing musical that celebrates the birth of show business and tells of a visionary who rose from nothing to create a spectacle that became a worldwide sensation.

Razzle-dazzle and spectacle flows in this fictionalized old-fashioned musical-biopic inspired by the imagination on the early days of legendary showman P.T. (Phineas Taylor) Barnum, mixed with a good balance of drama and issues of the day in exhibitionism, including the use of deformed people excised from society.

Hugh Jackman is right at home and at the top of his game as the pioneering and ambitious ring-master and entrepreneur, along with outstanding performances from Michelle Williams as his wife, Charity Barnum, Zac Efron as playwright, Phillip Carlyle, Rebecca Ferguson as famed singer, Jenny Lind, and Zendaya, as trapeze artist, Anne Wheeler.

There's lots to enjoy in this family orientated musical extravaganza from the infectious toe-tapping soundtrack, exemplary production design, costume and set design, period detail and eye-popping musical numbers set in the decade before the birth of cinema, and shortly before his legendary partnership with circus opposition entrepreneur, James Anthony Bailey, in circa: 1881, and the formation of Barnum and Bailey Circus. Great fun!

FILM: ENGLAND IS MINE: Genre: Music/Biography/Drama.

Cast: Jack Lowden, Jessica Brown Findlay, Jodie Comer.

Year: 2017.

Rating: MA15+ Length: 94 Minutes.

Stars: **½ Verdict: A portrait of singer-songwriter (Steven Patrick) Morrissey and his pre-success teen years in 1970s Manchester before he went on to become co-founder and lead singer of seminal alternative rock band The Smiths.

Well made, fascinating and quirky but not altogether engaging and fulfilling biopic suffers by alienating its audience in the belief that everyone knows who he is, and more so by being unable to utilize any of the original music he ultimately became known for due to rights issues.

The cast give good solid performances with conviction and a strong sense of time and place, with Jack Lowden ('71, Tommy's Honour, Dunkirk) as the sullen, troubled, introverted, dissatisfied and shy Morrissey, and Jessica Brown Findlay (Downton Abbey, This Beautiful Fantastic) as Linder Sterling, a friend and artist who inspires him to write lyrics and eventually to perform.

Effective period detail and costume design works well throughout, but unlike the slice of life in the spirit of the British 60s kitchensink dramas from which it is obviously inspired, "England is Mine" from first time feature writer-director Mark Gill ultimately fails to deliver the full respect, honesty, biting reality and searing conviction it obviously set out, but fails disappointingly in doing so.

FILM: Genre: Cast: 50 Cent,

DEN OF THIEVES: Action/Crime/Drama.

Gerard Butler, Jordan Bridges, Pablo Schreiber,

O'Shea Jackson Jr. Year: 2018.

Rating: MA15+ Length: 140 Minutes.

Stars: **½ Verdict: Crime saga which follows the intersecting lives of an elite unit of the LA County Sheriff's Dept. and the state's most successful bank robbery crew as the outlaws plan a seemingly impossible heist on the Federal Reserve Bank of downtown Los Angeles.

Gritty hard-boiled action-crime-heist-drama is riddled with more pot holes than bullet holes and full of cliché, all too obviously inspired by numerous other heist classics, but most notably, in every way by Michael Mann's electrifying 1995 scorcher "Heat" starring Robert De Niro and Al Pacino (in Pacing, Cinematography, Style, Action, Characters and Music).

Writer (London Has Fallen) and first time Director Christian Gudegast aims highs, but he falls way short of Mann's now classic effort.

Gerard Butler (channelling Pacino from "Heat") as the wise-cracking, no-holds-barred (law unto himself) Sheriff 'Big Nick' O'Brien with marriage issues is as wooden and unbelievable as they can get, and Pablo Schreiber as head gang leader Ray Merrimen is solid, like the remaining cast, but equally unengaging.

Nonetheless, starting with a heist then building slowly to an inevitable confrontation, there is some fun to be had and to enjoyed here, ranging from well staged action sequences, to pacing, tension and even humour, and any improbability or pot holes aside, if you are going to imitate someone the calibre of Michael Mann, then you've already got a head start.

- James Sherlock

Rourke’s Reviews

Top 10 Lists MAY 20-26 THE AUSTRALIAN BOX OFFICE TOP TEN: 1. AVENGERS: INFINITY WAR. 2. LIFE OF THE PARTY. 3. BREATH. 4. I FEEL PRETTY. 5. THE GUERNSEY LITERARY AND POTATO PEEL PIE SOCIETY. 6. A QUIET PLACE. 7. TULLY. 8. CROOKED HOUSE. 9. PETER RABBIT. 10. MIDNIGHT OIL 1984.

● Jessica Chastain and Idris Elba star in Molly's Game exclusive game that was attended by celebrities, business people, and mobsters.

Molly achieved incredible suc■ (M). 94 minutes. Available on cess for almost a decade before Blu-ray and DVD May 23. being nabbed by the FBI, and even With a directorial career that though the odds are stacked against spans nearly fifty years, Clint her, she manages to convince highEastwood has built up an impres- end defence lawyer Charlie Jaffey sive body of work behind the cam- (Idris Elba) to take on what appears era, but this dramatisation of an to be an unwinnable case. amazing true story will probably Based on a true story, Sorkin rank as his worst effort as a film- maintains his sharp, rapid fire diamaker. logue throughout, while creating a Culminating in the thwarted at- compelling gallery of characters. tempt by a well-armed terrorist to Chastain (Tree Of Life, Zero kill as many passengers as possible Dark Thirty) is wonderful as Molly, on a Paris bound train in 2015, the Elba (The Mountain Between Us, film spends the bulk of its time on The Dark Tower, Thor) gets his best the three American heroes who prevented what would have been a big screen role for quite some time, tragic massacre, Alek Skarlatos, and Kevin Costner excels as Anthony Sadler, and Spencer Molly's authoritarian father, but all Stone (played by the real-life trio). of the cast are terrific.

Though always engrossing, Detailing their lives from when they were kids to their current sta- Sorkin the director certainly allows tus of holidaying through Europe, Sorkin the writer to indulge, but Eastwood attempts to present these when the writing is this good, it is men as everyday, ordinary people, hard to complain.

RATING - **** leading up to that moment which made them famous around the world.

Unfortunately, the script by Dorothy Blyskal is terrible, never con- ■ (MA). 83 minutes. Available on vincingly deepening our under- DVD May 23.

Despite never reaching the dark, standing of the main three at any point (or any other character for delirious heights it could have, this that matter), and also fails to deranged comedy/thriller is still symbolise their military mindset, mildly entertaining, while Nicolas the violent state the world is in, or Cage offers up the kind of genuconnecting it with the conflicts and inely unhinged performance that entranced viewers so many years wars that have come before.

While what Skarlatos, Sadler, ago.

An unknown, unseen incident and Stone did should be admired and applauded, the trio just aren't causes parents to turn psychotic actors, and their performances towards their children, and we see seem even more substandard due these events play out in bland, geto the abysmal script handed to neric suburbia.

In one household, Carly (Anne them.

Eastwood's experiment is defi- Winters) and Josh (Zackary nitely a misfire, but it is a perfect Arthur) are at first confused, then storm of errors that he should have terrified, by the murderous behaviour their parents (Cage and seen coming.

Selma Blair) suddenly display.

RATING - *½ Soon seeing that this abhorrent adult behaviour is turning into an epidemic all around them, the two ■ (M). 143 minutes. Available on must try to survive until mom and dad hopefully come to their senses.

Blu-ray and DVD May 23.

Inspired by films such as The Academy Award winning screenwriter Aaron Sorkin (The Signal and Impulse, as well as Joe Social Network, The American Dante's Masters Of Horror epiPresident, Steve Jobs) makes his sode, The Screwfly Solution, writer/ directorial debut with Molly's director Brian Taylor (Crank 1 and Game, and the end result proves to 2, Gamer) initially shocks and unbe more than respectable. Jessica settles, but then doesn't expand the Chastain stars as Molly Bloom, a material effectively enough, or foformer skier who, after crashing out cus the brutal satire enough, for the during Olympic trials due to injury, film to truly work.

RATING - *** eventually resurrects herself as a - Aaron Rourke high-stakes poker host, running an

The 15:17 To Paris

Mom and Dad

Molly’s Game

NEW RELEASES AND COMING SOON TO CINEMAS AROUND AUSTRALIA: MAY 17: AURORE, BPM (BEATS PER MINUTE), CARGO, I KILL GIANTS, REDOUBTABLE. MAY 24: DUCK DUCK GOOSE, SOLO: A STAR WARS STORY, THE BOOKSHOP. THE DVD AND BLU-RAY TOP RENTALS & SALES: 1. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI [Drama/Frances McDormand].

2. THE GREATEST SHOWMAN [Music/Biography/Hugh Jackman, Michelle Williams, Zac Efron].

3. THE SHAPE OF WATER [Sci-Fi/Fantasy/ Adventure/Sally Hawkins, Michael Shannon].

4. STRONGER [Biography/Drama/Jake Gyllenhaal, Tatiana Maslany, Clancy Brown].

5. THE COMMUTER [Action/Thiller/Liam Neeson, Patrick Wilson].

6. I, TONYA [Drama/Margot Robbie, Allison Janney, Sebastian Stan, Julianne Nicholson].

7. DEN OF THIEVES [Action/Crime/Drama/ Gerard Butler, Pablo Schreiber].

8. DARKEST HOUR [Biography/War/Drama/ Gary Oldman, Kristin Scott Thomas].

9. PHANTOM THREAD [Drama/Romance/ Daniel Day-Lewis, Lesley Manville].

Also: DEEP BLUE SEA 2, MAZE RUNNER: The Death Cure, FIFTY SHADES FREED, INSIDIOUS: The Last Key, PITCH PERFECT 3, ALL THE MONEY IN THE WORLD, THE POST, FATHER FIGURES, COCO, CALL ME

BY YOUR NAME. NEW HOME ENTERTAINMENT RELEASE HIGHLIGHTS THIS WEEK: MOLLY'S GAME [Biography/Crime/Drama/ Jessica Chastain, Idris Elba, Kevin Costner].

15:17 TO PARIS [History/Drama/Thriller/ Spencer Stone, Anthony Sadler].

MOM AND DAD [Horror/Thriller/Comedy/ Nicolas Cage, Selma Blair].

DVD AND/OR BLU-RAY NEW & RE-RELEASE CLASSIC MOVIES HIGHLIGHTS: PONYO: 10th Anniversary Limited Edition Blu-Ray [Anime/Adventure/Comedy].

NEW RELEASE TELEVISION, DOCUMENTARY AND MUSIC HIGHLIGHTS: POWERS: Season 2.

TRAVELERS: Season 1.

TIN STAR: Season 1.

12 MONKEY'S: Season 3.

James Clavell's SHOGUN: Special Edition.

THE PRISONER (1967): The Complete Series Digitally Restored.

MAGNUM, P.I. - Season 7.

BLOOD DRIVE: Season 1.

- James Sherlock

www.MelbourneObserver.com.au

Melbourne Observer - Wednesday, May 23, 2018 - Page 53

Observer Showbiz

Local Theatre with Cheryl Threadgold and team IRONBOUND

‘Night, Mother

● Alex Tsitsopoulos and Gabriella Rose-Carter in Ironbound.

Photo: John Collopy ■ Now in its fifth year Q44Theatre has established itself as a proponent of challenging and engaging works, not only in stage performance but as an educator and coach with regular acting classes, workshops and incubators for both experienced and inexperienced actors.

Their latest work, Ironbound by Martyna Majok, is a gritty drama with many a humourous turn, spanning some 22 years in the life of Darja (played by Gabriella RoseCarter), a Polish immigrant who escapes the oppression and communism and settles in New Jersey, USA. Ironbound’s five scenes are all set at a roadside bus stop, with Darja aged 42 as the pivotal figure shifting from present day back to when she was 19 and 34 with us meeting three of the men in her life: Tommy, the erratic and present day companion played by Alex Tsitsopoulos; Maks, the husband of her early days played by Anthony Scundi; and Will Atkinson as Vic an engaging and caring youth she met when she was 34.

Two others that we never see are her dysfunctional son Alex, 22 and her current abusive husband, the factory boss.

She works in the same factory, she cleans houses for rich people but as we see there are periods of homelessness while enduring the boredom of the grungy landscape and the erratic public transport.

Rose -Carter plays Darja with a convincing Polish accent and a gamut of emotions well executed, all with much strength of mind displaying self-reliance in the face of adversity.

From being young to mature she changes with ease giving us an intriguing insight into her life.

All three men were significant in support as the events unfolded, be it with finances, marriage, turbulent relationships, the unreliable bus system and her individuality.

It is an engrossing play, comprehensively directed by Suzanne Heywood, articulate lighting by renowned John Collopy, and effective sound effects by Justin Gardam.

Performance dates: Until June 3 Times: Tues.- Sat. 8pm; Sun. 6pm Venue: Q44 Theatre, Sacred Heart Building, Abbotsford Convent, 1 St Heliers Street, Abbotsford Cost: $30/$40 Tickets: Try Bookings-Q44 Theatre - Review by Graeme McCoubrie

● Dianne Kelly (Thelma and Jen Bush (Jessie) in The Basin Theatre Group’s Night, Mother. Photo: Gary Fevreau.

■ The Basin Theatre Group presents Night, and preparing for her death, Thelma realises Mother until June 9 at The Basin Theatre. the depth of her daughter's despair.

Written by Marsha Norman and directed by Becoming increasingly desperate and helpBarry O’Neill, Night, Mother, is set in the living less, Thelma uses every tactic and trick she can room/kitchen of a small house on a remote coun- think of to change Jessie's profound decision. try road, which is shared by Thelma Cates and Emotions ebb and flow as mother and daughher daughter Jessie. ter exchange past grievances, struggles and misNow in her mid-thirties, Jessie's life has been understandings, while time trickles down relentstale and unrewarding. As the play begins Jessie lessly to the play's climax. calmly tells her mother that she intends to kill Performance Season: Until June 9 herself that night with her father's service reVenue: The Basin Theatre, Doongalla Rd., volver.

The Basin.

At first Thelma refuses to take her seriously Bookings: 1300 784 668 or www.thebasin but as Jessie quietly goes about tidying the house theatre.org.au

OUR TEAM ■ The Melbourne Observer has a team of honorary reviewers, who attend shows in their own time.

Headed by Cheryl Threadgold, team members include: Juliet Charles, Martin Curtis, Sherryn Danaher, Greg Every, Lyn Hurst, Kathryn Keeble, Beth Klein, Deborah Marinaro, Graeme McCoubrie, David McLean, Maggie Morrison, Jill Page and Elizabeth Semmel. We value their honorary work.

Latest shows, auditions SHOWS

SHOWS

■ Brighton Theatre Company: Forget Me Not (by Tom Holloway) Until June 2 at the Brighton Arts and Cultural Centre, Cnr Wilson and Carpenter Sts., Brighton. Director: Annie Blood.

Bookings: 1300 752 126.

■ Wyndham Theatre Company: Calendar Girls (by Tim Firth) Until May 26 at the CrossRoads Theatre, Cnr Synnot St. and Duncan's Rd., Werribee. Director: George Benca. Bookings: www.wyndhamtheatre company.org.au ■ Skin of Our Teeth Productions: Jane Eyre (by Charlotte Bronte, adapted by Christine Davey) Until May 26 at Shenton Theatre, Cnr Ryrie and Garden Sts., Geelong. Director; Christine Davey. Bookings: 0409 389 461.

■ The Mount Players: Love Letters (by A. R. Gurney) Until May 27 at the Mountview Theatre, 56 Smith St., Macedon. Director: Frank Harvey. Bookings: www.themountplayers.com ■ CLOC Musical Theatre: Strictly Ballroom Until May 26 at the National Theatre, St Kilda.

Dirextor/Choreographer; Craig Wiltshire; Musical Director: Malcolm Fawcett. Bookings: www.cloc.org.au 1300 362 547 ■ Nova Music Theatre: Guys and Dolls Until May 26 at The Whitehorse Centre, Whitehorse Road, Nunawading. Co-Directors: Noel Browne and Wayne Robinson; Musical Director: John Clancy; Choreographer: Dean Robinson. Bookings: 1300 304 433.

■ Williamstown Musical Theatre Company: Hot Mikado Until May 26 at the new location Centenary Theatre, 71 Railway Place, Williamstown. Bookings: www.wmtc.org.au or 1300 881 545.

■ Strathmore Theatrical Arts Group (STAG): Play It Again Sam (by Woody Allen) May 24 June 3 at the Strathmore Community Theatre, Loeman St., Strathmore. Director: Lee Cook.

Tickets: $20/$15. Bookings: 9382 6284 or www.stagtheatre.org ■ MLOC Productions: Spring Awakening May 25 - June 2 at Shirley Burke Theatre, 64 Parkers Rd., Parkdale. Director/Choreographer:Angela Phillips; Musical Director; Malcom Huddle.

Bookings; www.mloc.org.au.

■ SLAMS Musical Theatre: Sounds of Swing May 25, 26, 31, June 1,2 at 8[pm at The Knox Community Arts Centre, 790 Mountain Highway, Bayswater. Director: Robert Valk; Musi-

cal Director/Co-Director: Marcus Fleming; Choreographer: Katrina Katz. Bookings: slams.mtc@Live.com.au or 0412 605 182 ■ Beaumaris Theatre: The Mystery of Irma Vep May 25, 26, June 1,2,7,8, 9 at 8.00pm, June 3 at 5.00pm at 82 Wells Rd., Beaumaris. Director: Div Collins.

Bookings: www.beaumaristheatre.com.au ■ The Basin Theatre Group: Night, Mother (by Marsha Norman) Until June 9 at The Basin Theatre, Doongalla Rd., The Basin. Director: Barry O'Neill. Bookings: 1300 784 668 or www.thebasintheatre.org.au ■ Lilydale Athenaeum Theatre: The Elephant Man (by Bernard Pomerance) May 24 - June 9 at 39 - 41 Castella St., Lilydale. Director: Chris Shaw. Bookings: 9735 1777.

■ Peridot Theatre: 84 Charing Cross Road (adapted by James Roose Evans from the book

by Helen Hanff) June 8 - 13 at 8pm, Matinees June 10 at 2.15 and June 19 at 4pm at the Unicorn Theatre, Mt Waverley Secondary College, Lechte Rd., Mt Waverley. Director: Horrie Leek.

Bookings: www.peridot.com.au

AUDITIONS ■ Strathmore Theatrical Arts Group (STAG): 27 Wagons Full of Cotton and Something Unspoken (two plays by Tennessee Williams) May 26 at 2.00pm and May 29 at 7.30pm at the Strathmore Community Theatre, Loeman St., Strathmore. Director: Marti Ibrahim. Audition enquiries: 0423 758022 or email marthaibrahim3@gmail.com ■ Heidelberg Theatre Company: Blue Stockings (by Jessica Swale) May 27, 28 at 7pm at 36 Turnham Ave., Rosanna. Director; Natasha Boyd. Enquiries: info@bookbonding.com.au ■ MLOC Productions: The Boy From Oz June 12, 14, 15 (singing and acting), June 17 (dancing). Mentone and Mordialloc area. Director/ Choreographer: Rhylee Nowell; Musical Director: Matthew Hadgraft. For audition bookings visit www.mloc.org.au ■ The 1812 Theatre: Gulls (by Robert Hewett) May 27, 29 at 7.00pm at The 1812 Theatre, 3-5 Rose St., Upper Ferntree Gully. Director: Zina Carman. Enquiries: zinacarman@hotmail.com or 0408 001 667.

- Cheryl Threadgold

IN FL AGRANTE

● Maria Munkowits in Neo Cabaret at The Butterfly Club ■ Auckland based In Flagrante returns to Melbourne’s Butterfly Clubuntil May 26 with their Neo Cabaret.

In Flagrante premiered at Edinburgh’s Fringe Festival, and brings to the table an ever evolving and unique fusion of contemporary dance influenced hyper sexualised and comedic vignettes that mock patriarchy in fiendish and original ways.

Directed, choreographed and co-produced

by MaryJane O’Reilly, to a compellingly eclectic music score from the smoky trip hop of Klaus Waldeck’s Ballroom Stories and David Lynch’s otherworldly Snake Eyes to Nick Cave's brooding Water's Edge, In Flagrante say they promise ‘a hot start’ to a great night out with friends.

Performance Season: Until May 26 Venue: The Butterfly Club, 15 Carson Place, Melbourne.

Bookings: www.thebutterflyclub.com

PLAY IT AGAIN, SAM

● George Alexander (Dick) and Kate Manicom (Linda) in Play It Again, Sam. Photo: Russell Cook.

■ Strathmore Theatrical Arts Group (STAG) presents Woody Allen’s Play It Again, Sam from May 24 to June 3 at the Strathmore Community Theatre.

Directed by Lee Cook, the story tells of Allan Felix, a neurotic San Francisco movie critic who has just broken up with his wife, Nancy.

This devastating event has caused him to spiral into a deep depression and look for solace in the classic movies that he loves, in particular the romantic saga Casablanca.

Allan begins to have conversations with the fantasy ghost of his film idol, Humphrey Bogart, who gives him advice on romance and masculinity.

Worried about their insecure friend, Linda and Dick spark Allan into action, which leads to a serious of blind dates in which Allan tries, but fails, to be as cool as Bogie.

Allan’s love life is clearly going nowhere, until his quest for romance unexpectedly leads him into the arms of Linda.

Performance Season: May 24 – 26 at 8pm. May 27 at 2pm; May 31 – June 2 at 8pm, June 3 at 2pm.

Venue: Strathmore Community Centre, Cnr Loeman and Napier Sts, Strathmore.

Tickets: $20 Adult. $15 Concession.

Group discounts are available.

Bookings: 9382 6284 or www.stag theatre.org/reservations

www.MelbourneObserver.com.au

Page 54 - Melbourne Observer - Wednesday, May 23, 2018 Melbourne

Observer

Lovatts Crossword No 39 Across

Across

1. Difficulty (of assignment) 6. Put oil on 11. Balance out 15. Staff members 20. Scruff (of neck) 21. Rock music style, ... metal 22. Spy, ... Hari 23. See 92ac 25. Favour 26. Scours 27. Gowns 29. Lull 32. Hairless 34. Exclusive English school 36. Recline (3,4) 39. Boot-shaped country 41. Basil sauce for pasta 43. Din 46. Goes by horse 48. Strong point 49. Chief 51. ... & ahs 52. Catalogues 55. Disfigure 56. Captures (criminal) 59. Jemima Goldsmith's ex, ... Khan 61. The A of AM 62. Thaw 63. Sports award 64. Disburdens 67. Windpipe 68. Thorny 70. Japanese religion 71. Barbaric 72. Deep wounds 73. Alleged assassin, Lee Harvey ...

74. Roman garments 75. Glow with (health) 77. Distend 78. Introduction (4-2) 79. Philippines capital 82. Invaded 86. Snooker foul 87. Ali ... & The 40 Thieves 89. Remunerates too little 92 & 23ac. Knuckle of veal stew (4,5) 94. Extreme 96. Scan 98. Animal enclosure 100. Laughing scavenger 101. Company emblem 103. Cogwheel 105. Undersized 106. Cultural symbol 108. Loathsome 111. Furtive glance 112. Moon shape 114. Surround 116. Volcanic flow 119. Early Peruvian 120. Cummerbund 121. Fair-haired lady, ... blonde 123. Imminent 124. Pre-dinner snack, ... d'oeuvre 125. Stripped 126. Strain 127. Bears (costs) 130. Post-graduate business degree (1,1,1) 131. Unrelenting 135. Burglary 138. Short skirt 139. Entertainer, ... Harris 141. Alternate, every ...

144. Unwanted plant 146. Donkey 147. Cure 148. Pole 149. Deciduous trees 150. Or near offer (1,1,1) 151. Jane Austen novel 152. Bomb hole 153. London's ... Park 155. Swirl 157. Small hound 158. ... Eildon 160. Hawaiian greeting 161. Wear away 162. Lifeless 163. Tick over 165. Mediocre (2-3) 166. Massage 167. Play on words

168. Remove errors from 169. Automobiles 171. Addis ..., Ethiopia 172. WWII German sub (1-4) 175. Yawns 176. Baghdad is there 179. From Sydney or Perth 180. Rope-making fibre 182. Head cook 184. Take no notice of 185. Flesh of fruit 186. Jet-bubble bath 188. Quickly (1,1,1,1) 189. Fulfilled (demand) 190. Source 191. Mother sheep 193. Mentally sound 194. Unhappily 196. Brave man 197. Wild goat 198. Waters (garden) 200. Colleges 205. Much ... About Nothing 207. Arrange in print 210. Tormented by nightmares (3-6) 211. Chattering idly 212. Identical sibling 213. Not stereo 214. Crack army force (1,1,1) 216. Infatuated, ... over heels 218. ... & twos 219. Korean karate, tae ... do 220. Female boarding house proprietor 224. Songwriter 227. The M of YMCA (3'1) 229. Mexican currency 230. Judge 231. Make speech 232. ... & evens 233. Scamps 235. Reception host 237. Pant 239. Actress, ... Russo 241. Inuit canoe 244. Type of marble 246. Elvis Presley's daughter (4,5) 249. Globes 252. Excursions 254. One or the other 256. Latter-day Saint 258. Consolation 259. Inflexible 260. Tomato sauce 263. Possessor 264. Cowardly 265. Liquid units, fluid ...

267. Say from memory 270. Illusion 271. Necessitates 272. Acorn bearer (3,4) 273. Cut of steak 274. Follows orders 277. Wander 279. Native of Aberdeen or Inverness 281. Festivities 284. Fragrant flower 286. Prompted (actor) 288. Was expert (in) 292. You 294. Hereditary unit 295. Nervous 298. Dressmaker 300. Unnourished 301. Valuable possession 303. Assortment 306. Concert venue, ... Square Garden 308. Actress, Miranda ...

309. Overtake 311. Continue doggedly 314. Secret store 315. Blows up 316. Suspect's excuses 317. Native American tent 318. More than half 319. Join register 320. Nevada city 321. Recently married folk 322. Dissertation 323. Moaned wearily 324. Famous (4-5)

Down

Down

1. Cycling's ... de France 142. Stewardesses 2. Cremation vessels 143. Thefts 3. Nun's attire 145. Wear best clothes (5,2) 4. Outdo 151. Magic potions 5. Snooty person 154. First appearance 6. Granny Smiths or pippins 156. Downward distance 7. Dorks 159. Also titled (1,1,1) 8. Ahead (2,5) 164. Meadow (poetic) 9. Queen's ceremonial chair 169. Manages 10. Outlaw 170. The Constant Gardener actor, ...

11. Pearl-bearer Fiennes 12. Conifer (3,4) 173. Expresses sorrow over 174. ... speak louder than words 13. Lodge firmly 177. Stands on hind legs 14. Samples 178. Search 15. Deserve 181. Overturned 16. Artist, ... Picasso 183. Stiffly 17. Beginning 187. Study of body tissue 18. Mediterranean volcano 192. Heftier 19. Unwell 195. Myths 24. Salt Lake City state 199. Become rusty 28. Dublin republic 201. Cries like crow 30. Test 202. Pig noise 31. Cocktail, ... colada 203. Devonshire tea cake 33. Rosebush pests 204. Holy book 35. Hollywood's movie accolades 206. Lukewarm 37. Note well, nota ...

207. Vagrant 38. Havana is there 208. Cupid 40. Tokyo Bay port city 209. Former lovers 42. Ringworm 213. Move listlessly 44. Available (2,4) 215. Pale-looking 45. Screen legend, ... Loren 217. Study table 47. Islands 221. Bus terminus 48. Brown skin marks 222. Sufficient 49. Rocket, guided ...

223. Louts 50. Ratty 224.

Shakespearean king 53. Experienced hand 225.

Horse-taming display 54. Visual symbolism 226.

Computer input device (1,1-3) 57. Moving onwards 228.

Removes surgically 58. Sleighs 234. Pleasant tasting 60. Crazier 236. Meal courses 63. Perplex 238. Chopping tool 65. 12 o'clock 240. Persona ... grata 66. Long narrative 242.

Worshipping 68. Brazilian soccer great 243.

Pilot's emergency aid, ... seat 69. Fertile soil 245.

Pest 76. Encroachments 247.

Annoying 79. Inflatable vest, ... west 248. Influence 80. Naked models 250. Bemuse 81. Ill-gotten cash, filthy ...

251.

Set free 83. Savoury jelly 253.

Ireland's ... Fein 84. Furnishing scheme 255.

Promissory notes (1,1,2) 85. Alsatian or labrador 257.

Porridge cereal 88. Booklets 258.

Match before final 90. Household dirt 261. Comprehend (4,2) 91. Competent 262. Zoom 93. XVII 265.

Greatest in age 95. Pub drinks 266.

Opted 97. Schedules 268. Earth lumps 99. Antiquated 269. Rowing teams 100. Detect sound 275. Genuine, ... fide 102. Says yes to 276.

Snow monster 104. Land measures 278.

Concerning 107. Quoted 280.

Terminating 109. Alpaca relative 282. Long time 110. On an occasion 283.

Termites, white ...

111. Twosome 285.

Rope tangle 113. Horridly 287.

Hate 115. Goaded 289. Profane oaths 117. Throat-clearing noise 290. Declare to be true 118. Grain husks 291. High standards 121. Devotee 292. Ribbed 122. Stockpiled 293. Leg joint 127. Wooden peg 296. Written composition 128. Small streak 297. Trap 129. Backpackers' accommodation 299. Merit (5,6) 302. Steeple top 132. Insistently 304. Horrify 133. Directed 305. From Athens 134. Vestige 306. Stingy 135. Strictness 307. Sketched 136. Capital of Pakistan 308. On Her Majesty's Service 137. Casual (remark) (1,1,1,1) 138. Indian prince 310. Pack (cargo) 140. Large fruit bat (6,3) 312. News 141. Bone specialist 313. Sea bird

Melbourne Observer - Wednesday, May y, y 23, , 2018 - Page g 55

Solution on Page g 36

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Page 56 - Melbourne Observer - Wednesday, May 23, 2018

Observer Victorian Sport Melbourne

Qld Derby fields: all class ■ After nominations closed for the Queensland Derby to be run at Doomben on June 9, the New South Wales colt, Dark Dream, heads the markets after a brilliant win in the Rough Habit Plate over 2000 metres at Doomben back on May 12.

Dark Dream is prepared by young Kembla Grange trainer, Kerry Parker, who has done well with the colt right on top of his game.

The son of All American scored in great style winning from Higher Ground and California Turbo.

The grey gelding has now notched up three wins and five placings in his eight starts.

Prior to his win in the Rough habit, he ran a good second to Victorian colt Villermont in the Group 4 Gunsynd Handicap going down narrowly.

Although he is moving up from the 1630 metre win in the Rough Habit, he gives every indication that the 2400 metre trip of the Queensland Derby won't trouble him.

On the next line is the Darren Weir-trained colt, Lucky ForAll, a recent addition to the Weir Stable through his the Spicer organisation and was most impressive winning easily at Caulfield over 2000 metres blitzing his odds on favourite stablemate Furrion.

Admittedly is was a clever ride by top young jockey, Jye Mc Neil, who is taking all before him at the moment.

After winning over 1700 metres at Warrnambool, he impressed the Weir camp, but the mail was that Furrion may have been the stronger over the 2000 metre journey.

Not to be, as Furrion, although unlucky, couldn't have beaten his stablemate.

Furrion went into the race undefeated after three wins on end at Stawell, Terang and Warrnambool.

He is nicely bred by leading New Zealand entire, Tavistock, and shows all the potential to be a good horse down the track.

Both Weir horses are being quoted at around $6.

The Chris Waller trained filly, Youngstar, was most impressive in getting home to win by a length over Another Dollar and Highway in the Magic Millions Roses at Doomben over 2000 metres and her trainer, Chris Waller has a big opinion of her.

From her six starts she has now won three races with a third and the distance won't trouble her.

She is nicely bred by leading sire, High Chaparral, from Amalfi Cat, and is a strong looking type, plus the Chris Waller touch helps greatly.

Another from the Chris Waller camp, is Higher Ground, a colt by former champion galloper, So You Think, who ran a great second to Dark Dream, and is one that will be there when the whips are cracking over the final stages of the Derby.

Higher Ground is by a mare out of champion sire, Encosta De Lago.

From his nine starts he has won four with three minor placings, he too is being quoted at the early price of $6.

Live and Free, from the John O'Shea stable, a former New Zealander, who has good form to its credit recently won over 1800 metres at Rosehill in great fashion, and O'Shea is a big rap for the three year-old.

Yet another from the Chris Waller stable, Tangled will go around after an unlucky run in the recent South Australian Derby, where he missed a place after getting into trouble after being well backed.

Prior to the South Australian Derby, he had run a good second to Higher Ground, in the Packer Plate.

Waller has said all along, that he has ability and is not giving up on him; especially in the South Australian Derby where he drew nearly the outside in barrier 15.

Another of the Darren Weir runners you have to put in is Leicester, who won the South Australian Derby in good style after a magnificent ride by Damien Lane, who had him in the box seat all the way over the 2500 metre trip.

The thing you will get is that Leicester has

● Lucky For All blitzes them at Caulfield. Racing Photos won over more than the distance of the getting up in the last couple of strides, after a strong ride by his jockey John Allen.

Queensland Derby, the others haven't.

Of the others, Astoria, from the James His tablemate, Peaceful State is another who won't be worried over the distance as he gives Cummings stable, has been disappointing of late every indication as he has in his last two wins. failing to finish in a place in its last three runs.

He failed to flatter in the Rough Habit Plate, Peaceful State gave from near last again to when seventh. win the Adelaide Guineas over 1600 metres Leave me out, the race is too tough.

Ted Ryan

Tough going ■ I was interested in colleague Michael Manley’s (Herald-Sun) story on too much going on in racing at present regarding hours put in by stables, trainers and jockeys.

Michael quoted Victorian Jockeys' Association CEO, Matthew Hyland, who was saying that the workload of jockeys at the moment regarding mainly over extra night meetings, is too much.

This also goes for trainers’ strappers and all those in racing that are connected with preparing horses for events.

Hyland said that the British Racing Association agreed to do something about the same problem there.

Their Association has decided to take two breaks from flat racing each year-six days in November and five days at the end of March.

Their night meetings will finish at 8.30pm at the latest, brought forward from 9.30pm.

Hyland said that he forwarded the details to Racing Victoria for perusal.

They now have come back and said that you have to consider the Clubs and their dining packages and it's not 100 per cent about wagering.

Matthew added something has got to be done to ease the problems, as for all those connected with running the show the trainers strappers and jockeys are all working long hours.

With jockeys they have to ride late at night then most of them have to be up early to ride track work and get ready to go to the races, likewise the trainers and their staff.

With dining the only time that Clubs are busy are the main meetings such as Cups and Carnivals, let's look at it before we burn a number of participants out.

● Leicester races away at Sandown Park. Racing Photos

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Wine Column Remembering Colin ■ John Tozentals reviews a new red honouring Colin Richardson and remembers a giant of a man.

Colin Richardson was a giant of a man, a very friendly, softly spoken giant of a man.

He was gigantic in girth, no doubt largely through over-consumption of the food and wine he loved so much.

But he wasn't always that way, I was assured by a good friend who had fought with Colin in Vietnam. There he had apparently been light enough, agile enough and brave enough to be a 'tunnel rat', chasing Viet Cong soldiers in the most cramped conditions, armed with a pistol in hand and a knife held between his teeth.

But Colin was also gigantic by intellect and attitude to others. He held a senior position in the Australian division of the French liquor giant Remy, which had established Blue Pyrenees Estate vineyard and winery in central Victoria.

The position involved much educational work, and he loved nothing more, outside his family, than to pass on his vast knowledge and inspire young professionals in the wine, food and spirits industries.

By the time of his death in 1999 Colin had already earmarked a batch of BPE Merlot for special treatment. And special treatment it got.

A year or so after his death, it was released as the Blue Pyrenees Estate 1997 The Richardson Merlot, and I considered myself very fortunate to be chosen to organise the Melbourne launch dinner of that wine.

Some of the wines I selected were, of course, from BPE, but there were plenty of others as well, including a couple of excellent Tasmanian dry whites which I knew he loved.

Nothing pleased me more than to be given the thumbs up for my selection by Colin's great friend, Adelaide wine writer Philip White.

BPE's recognition of Colin's stature continues, despite severance of the Remy connection, and the winery has just released the truly magnificent 2012 Colin Richardson Reserve Cabernet Sauvignon (see Wine of the Week).

I'll always remember Philip White's accolade to Colin the night of that launch, when he said the thing he would remember most, alongside Colin's intellect and generosity, was the softness and sensuality of the man's lips.

"They were made for genuinely enjoying great wines and good food," said Philip. Or at least word to that effect.

TASTING NOTES Angullong 2016 Fossil Hill Tempranillo ($26): A medium-bodied red made from a grape variety native to the premium Spanish area of Rioja and recently gaining quite a following Australia, both among producers and consumers.

Maturation in French oak (20 per cent new) has made a delightful red from a vintage rated the best since the vineyard was planted in 1998.

A great alternative to cabernet, with just a bit more softness thrown in.

Prohibition Liquor Co Gin (about $100): A very complex full-strength (42 per cent alcohol by volume) gin beautifully packaged in a very heavy, thick square-cut bottle. Botanicals used in its production in clude juniper, coriander seed, ginger root, wormwood, pink peppercorns, blood orange … the list goes on.

These flavours combine with the spirit to create a harmonious, smooth blend in the glass. Watch that alcohol, though.

WINE OF THE WEEK Blue Pyrenees Estate 2012 Richardson Reserve Cabernet Sauvignon ($120): A suitable red to commemorate a giant of a man.

This is a great Bordeaux-style red loaded with minty cassis flavours, and showing just a touch of the eucalypt character which so defines central Victoria.

The fruit is backed by lovely French oak and the wine really is a pleasure to consume.

- John Rozentals

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Melbourne Observer - Wednesday, May 23, 2018 - Page 57

Sunday, May 20, 2018

Page 58 - Melbourne Observer - Wednesday, May 23, 2018

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Metropolitan and Regional Victoria

GARNET BAILEY 0417 34 6214 ALL HOURS Offering a caring and professional service.

A LOCAL, WHO KNOW S LOCAL NEEDS

Prices start from $2500

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Melbourne Observer - Wednesday, May 23, 2018 - Page 59

Page 60 - Melbourne Observer - Wednesday, May 23, 2018

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Melbourne Observer - Wednesday, May 23, 2018 - Page 61

Deck-Doc

Local company chosen as best in the world

For many years Deck-Doc has been supplying retailers throughout Australia with their premium range of timber and decking oils.

For the past three years, Deck-Doc has been predominantly selling their products online to service the whole of Australia as well as international customers.

Deck-Doc was recently chosen over other companies to supply their oils to an international company and is in the process of sealing an agency agreement for exclusive distribution and selling rights in Sri Lanka and the Maldives.

Deck-Doc timber oil is environmentally friendly and the business has been manufacturing unique, lanolin-based timber oil in Geelong for 15 years.

The formula was developed by Robert Hylands to preserve the natural oils and tannins in the timber.

The timbers oils and tannins determine the colour of the timber.

If the tannins dry out, the timber will lose its own natural colour.

The formula is made up of many different plant oils, waxes and lanolin and designed to stay soft and pliable when absorbed into the surface layers of the timber, therefore will not solidify and form a hard membrane of the surface.

It will move with the timber during all weather conditions preventing water absorption and drying out of the tannins.

Mr Hylands first developed the timber oil when he noticed there was nothing on the market that preserved the timber and protected the timber’s natural colour.

Before his time at Deck-Doc, he gained experience when he owned a factory making hand carved, handpainted wooden decoy ducks for duck hunters.

The timber used for the ducks had to maintain its natural colour and stay on the water without absorbing moisture.

After extensive research, he found lanolin (wool grease) gave excellent water repellency as well as UV protection.

Mr Hylands developed lanolin-based timber protection oil and found the water-repellent protection and preservative way far superior and says lanolin is “Nature’s natural UV protection”.

Lanolin comes from the wool of sheep and is extracted from the fleece.

It is a substance that waterproofs, insulates, and protects sheep from the cold, wind, rain and harmful CV sun rays.

Deck-Doc uses the best merino wool to extract lanolin.

Throughout history ancient mariners such as the Vikings used lanolin to protect, waterproof and preserve the wooden boards on their ships.

Many of the ships were away from their home bases for many years and their ships were subjected to wild storms at sea.

They survived thanks to the protection of Lanolin.

Deck-Doc invites all to visit their showroom in Moolap for free advice in a number of important issues concerning timber care.

There is a large selection of timber types that have been exposed to severe weather conditions, enabling people to understand the importance of choosing a suitable timber type. for the right application.

Also know what happens to the different types of decking stains and coatings, how they weather, and the maintenance required.

The friendly staff have useful hints for anyone preparing to build a new deck.

Page 62 - Melbourne Observer - Wednesday, May 23, 2018

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