MTC Season 2019

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SEASON 2019



THE STORY STARTS HERE



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THE PLAYS

THE LADY IN THE VAN 2 FEBRUARY — 6 MARCH

ARBUS & WEST

22 FEBRUARY — 30 MARCH

A VIEW FROM THE BRIDGE 9 MARCH — 18 APRIL

COSÌ

30 APRIL — 8 JUNE

HEISENBERG

17 MAY — 29 JUNE

STORM BOY

17 JUNE — 20 JULY

SHAKESPEARE IN LOVE 15 JULY — 14 AUGUST

GOLDEN SHIELD

12 AUGUST — 14 SEPTEMBER

BLACK IS THE NEW WHITE 2 OCTOBER — 6 NOVEMBER

PHOTOGRAPH 51

1 NOVEMBER — 14 DECEMBER

KISS OF THE SPIDER WOMAN 18 NOVEMBER — 28 DECEMBER

THE VIOLENT OUTBURST THAT DREW ME TO YOU 2 MAY — 18 MAY

Melbourne Theatre Company acknowledges the Yalukit Willam Peoples of the Boon Wurrung, the First Peoples of Country on which Southbank Theatre and MTC HQ stand. We pay our respects to all of Melbourne’s First Peoples, to their ancestors and Elders, and to our shared future.


WELCOME TO SEASON 2019 Our 2019 Season brings you stories filled with adventure, love, friendship, discovery and drama. We have curated a year of international hits like Photograph 51 and Heisenberg, reimagined Australian classics including Storm Boy and Così, and brilliant new writing such as Black is the New White, assembling some of the country’s best creative talents to bring them to life. In 2019, MTC celebrates the power of storytelling on an incredible scale with a raft of challenging, brilliant and entertaining works in another exciting year of theatre. Making theatre relevant to 21st Century Australia is the lifeblood of MTC, and in 2019 we are thrilled to present six stunning works by Australian writers, including the first new play from our landmark NEXT STAGE Writers' Program, Golden Shield. This bold new work is an urgent legal drama by the astounding Anchuli Felicia King and is destined to be a hit. We couldn’t be prouder to see our first NEXT STAGE production take to the stage. We open the season with the legendary Miriam Margolyes starring in the contemporary classic The Lady in the Van and we close with musical theatre icon, Caroline O’Connor, in Australia’s first professional staging of the Tony Awardwinning Kander & Ebb musical, Kiss of the Spider Woman. And in a coup for MTC audiences, the illustrious Simon Phillips will direct a new staging of the Oscar-winning film and West End hit, Shakespeare in Love.

Brett Sheehy ao Artistic Director & CEO

In 2018 MTC set a new record in subscriptions numbers, and was the most subscribed theatre company in Australia. Your enthusiasm, passion and generosity in embracing the art we present on stage is what makes MTC so special. On behalf of Terry Moran ac and our Board, Jane Hansen and our Foundation Board, and the entire MTC team, we offer you our warmest thanks. As more dedicated theatre-goers support and join us, our productions are more in demand than ever and frequently sell-out. So we encourage you to consider a subscription, and a full season package at that, to guarantee your place at the table of this banquet of extraordinary theatrical events. At MTC we are passionate about creating vibrant theatre for audiences of today and tomorrow. This is just the beginning. The story starts here.

Virginia Lovett Executive Director & Co-CEO




‘One seldom was able to do her a good turn without some thoughts of strangulation.’


‘GUARANTEED TO PLEASE ABSOLUTELY EVERYONE.’ DAILY TELEGRAPH

‘ONE OF THE SADDEST, FUNNIEST AND MOST DISTINGUISHED OFFERINGS FOR YEARS.’ SUNDAY TIMES

THE

LADY VAN IN THE

BY ALAN BENNETT 2 FEBRUARY — 6 MARCH ART S CENTRE MELBOURNE PL AYHOUSE

Director Dean Bryant Cast includes Miriam Margolyes Set & Costume Designer Alicia Clements Lighting Designer Matt Scott Composer & Sound Designer Mathew Frank Voice & Dialect Coach Leith McPherson

DONOR EVENT

Post-show Cocktail Party 18 February

Contains coarse language

In 1974 Alan Bennett befriended Miss Mary Shepherd, an eccentric, cantankerous and rather smelly old lady. She ‘temporarily’ parked her dilapidated van outside Bennett’s London home – and stayed for 15 years. The Lady in the Van is a mostly true story of the fascinating relationship between the award-winning British writer and his long-term guest. Was she a fugitive on the run? A talented pianist? A nun? Or just an old lady struggling with mental health and homelessness? Touching, uplifting and heartbreakingly funny, The Lady in the Van is classic Alan Bennett. Share the fondness and frustrations of the legendary writer as he navigates life with a very peculiar tenant in this moving, bittersweet comedy. Best-known for the celebrated 2015 film starring Maggie Smith, this incredible new stage production stars international icon Miriam Margolyes (I’ll Eat You Last), directed by Dean Bryant (An Ideal Husband).


‘Mae, you can fool the world, you can fool your friends and you can even fool yourself, but you can’t fool me…’


‘NO ONE HAD MORE FUN WITH THE DOUBLE ENTENDRE THAN MAE WEST.’ CHICAGO TRIBUNE

‘DIANE ARBUS WAS ONE OF THE MOST POWERFUL AMERICAN ARTISTS OF THE 20TH CENTURY.’ THE NEW YORK TIMES

ARBUS & WEST by Stephen Sewell 22 FEBRUARY — 30 MARCH ART S CENTRE MELBOURNE FAIRFA X S TUDIO

Director Sarah Goodes Cast Diana Glenn, Melita Jurisic, Jennifer Vuletic Set & Costume Designer Renée Mulder Lighting Designer Paul Jackson

DONOR EVENT Post-show Dinner 12 March

Hollywood bombshell Mae West built her career on lookin’ good – walkin’ the walk and talkin’ the talk – while legendary photographer Diane Arbus was famous for finding beauty in the everyday. When Diane turns up at Mae’s glistening LA apartment in 1964 to take her portrait, tensions quickly flare. Mae’s version of herself is very different to the one Diane wants to catch on film. But whose version wins out when a master of illusion meets a master of truth? Drawing on actual events, award-winning Australian playwright Stephen Sewell imagines what might have transpired between these two extraordinary women, creating a powerful portrait of beauty, sexuality, wildness and longing. Melita Jurisic (The House of Bernarda Alba) takes on the role of the irrepressible Mae West, with Diana Glenn (The Slap) as Diane Arbus in this World Premiere production, directed by MTC's 2018 Helpmann Awardwinning Associate Director Sarah Goodes (The Children).

Contains coarse language, sexual references and references to suicide


‘You can quicker get back a million dollars that was stole than a word that you gave away.’


‘ARTHUR MILLER'S CLASSIC RESONATES POWERFULLY.’ DAILY TELEGRAPH

‘GRIT TILY PASSIONATE.’ THE AUSTRALIAN

A VIEW FROM THE BRIDGE by Arthur Miller 9 MARCH — 18 APRIL SOUTHBANK THE ATRE THE SUMNER

Director Iain Sinclair Cast includes Ivan Donato, Daniela Farinacci

Brooklyn dockworker Eddie Carbone and his wife Beatrice agree to take in two Sicilian relatives – illegal immigrants trying to find work. Hardworking Marco is sending money home to his wife and sick children. Rodolpho is chasing the American dream, but finds being different makes him an outsider. When Rodolpho falls for Eddie’s niece Catherine, the protective uncle must confront his own feelings and his jealous mistrust threatens to expose an unspeakable secret. Arthur Miller’s tragic masterpiece A View from the Bridge confronts the American dream in a stripped-back, muscular drama that simmers with tension and explodes with passion. We might be in 1950s Brooklyn, but the themes of family, loyalty, immigration and justice are as relevant for contemporary Australia as ever before.

Contains sexual references, violence and mature themes

Since it first premiered in 1955, A View from the Bridge has electrified audiences around the world. In the hands of award-winning director Iain Sinclair (The Beast), whose 2017 Sydney staging for Red Line Productions created a chorus of critical acclaim, this brand new production promises to be a riveting and emotionally-charged night at the theatre, featuring Ivan Donato (Richard III) and Daniela Farinacci (Lantana).


‘Let's aim for the stars!’


‘A GREAT AUSTRALIAN COMEDY.’ SYDNEY MORNING HERALD

‘COSÌ OCCUPIES A SPECIAL PLACE IN THE AUSTRALIAN CANON.’ THE DAILY REVIEW

COSÌ

by Louis Nowra 30 APRIL — 8 JUNE SOUTHBANK THE ATRE THE SUMNER

Director Sarah Goodes Cast includes Esther Hannaford, Hunter Page-Lochard, Rahel Romahn, Katherine Tonkin Set Designer Dale Ferguson Costume Designer Jonathon Oxlade

DONOR E VENT

Post-show Cocktail Party 7 May

It’s 1971 Australia and outside a nation is protesting the war in Vietnam. Inside, a cast of complete amateurs are preparing for a performance of Mozart’s famous comic opera, Così Fan Tutte, even though no-one can sing, act or speak Italian. Its aspiring young director, Lewis, has just finished drama school and his first directing gig is at a psychiatric facility. What could possibly go wrong? Welcome to the mayhem of Louis Nowra’s Così. A darkly funny and deeply moving ensemble piece, Così has occupied a special place in the hearts of Australians since Toni Collette, Ben Mendelsohn and Barry Otto starred in the acclaimed 1996 film. With its motley crew of loveable characters, Così offers a poignant reminder of the transformative power of music and performance, and how art can make us soar – even if just for a moment. Sarah Goodes (A Doll's House, Part 2) directs this warm-hearted, laugh-outloud comedy classic with a stellar cast including the star of ABC’s Cleverman series, Hunter Page-Lochard, Esther Hannaford, fresh from her acclaimed role in Beautiful: The Carole King Musical, and MTC favourite Katherine Tonkin (Three Little Words).

Contains coarse language, sexual references, drug references and references to suicide

A co-production with Sydney Theatre Company


‘Is this the strangest thing that two people have ever done in the history of the world?’


‘HEISENBERG'S SPARKY ROMANTIC COMEDY HITS THE SPOT.’ SUNDAY TIMES

‘RESONATES IN YOUR MIND LONG AF TER IT ’S OVER.’ THE NEW YORK TIMES

HEISENBERG by Simon Stephens 17 MAY — 29 JUNE ART S CENTRE MELBOURNE FAIRFA X S TUDIO

Director Tom Healey Cast includes Kat Stewart

DONOR E VENT

Post-show Cocktail Party 27 May

At a bustling London train station, 42-year-old American, Georgie, kisses the neck of a much older Englishman, Alex. This electric encounter thrusts two perfect strangers into a fascinating and unlikely relationship, part friendship, part love-affair. But is Georgie really all she seems? Simon Stephens astounded audiences with his remarkable The Curious Incident of the Dog in the Night-Time in 2018. Now, this Tony Award-winning playwright is back with an intimate and life-affirming romantic comedy. The Heisenberg Uncertainty Principle helped redefine the world of physics, but Stephens is less concerned with quantum mechanics than with the atomic uncertainty of the human heart. With wit and dry humour, Heisenberg asks us to take a chance on love and embrace the magic of the unknown. Star of stage and screen, Kat Stewart (Offspring), will shine as the quirky, freespirited Georgie with acclaimed director Tom Healey (The Spook) making his debut with MTC for this Australian Premiere.

Contains coarse language and sexual references


‘Wherever you go in the world... You'll always see the shape of those two big wings in the storm clouds.'


‘ THE STUFF OF CHERISHED MEMORIES. A MUST SEE.’ ARTS HUB

‘AN EXQUISITE ADAPTATION OF AN AUSTRALIAN CLASSIC.’ CANBERRA TIMES

STO R M B OY by Colin Thiele adapted for the stage by Tom Holloway 17 JUNE — 20 JULY SOUTHBANK THE ATRE THE SUMNER

Director Sam Strong Cast includes John Batchelor, Tony Briggs, Emily Burton Associate Director & Puppet Designer David Morton Set & Costume Designer Anna Cordingley Lighting Designer Matt Scott Composer & Sound Designer Darrin Verhagen AV Designer Justin Harrison

DONOR E VENT

Pre and Post-show Dinner 27 June

A co-production with Queensland Theatre in association with Dead Puppet Society

In a wild and remote area of coastline on South Australia's Coorong, Storm Boy and his reclusive father live in a secluded shack, hidden away from the harsh realities of city life. After befriending a local Ngarrindjeri man, Storm Boy discovers three orphaned pelican chicks and decides to take them in. What follows is a remarkable journey of discovery that will change his life forever. This much-loved story has enthralled generations of Australians both on the page and on screen. Now, Colin Thiele’s heart-warming classic Storm Boy is brought to life on stage in a theatrical event filled with unforgettable characters and a collection of astonishing life-size puppets by Dead Puppet Society. With epic scope and scale, this stunning Australian story is realised in a production that evokes the fragile wilderness of Storm Boy’s world. Adapted by Tom Holloway (Double Indemnity), this powerful new production featuring John Batchelor (Red Dog) and Tony Briggs (Cleverman) is directed by Sam Strong, who will again bring his magic to another timeless coming-of-age story, as he did with MTC's Helpmann Award-winning Jasper Jones.



‘I will have poetry in my life. And adventure. And love. Love above all…’


THE DAILY MAIL

‘MAKES YOU FEEL GRATEFUL TO BE ALIVE.’ THE INDEPENDENT


‘A JOYOUS CELEBRATION OF THE POSSIBILITIES OF THEATRE ITSELF.’ DAILY TELEGRAPH

THE MTC PRODUCTION OF

BASED ON THE SCREENPLAY BY MARC NORMAN & TOM STOPPARD ADAPTED FOR THE STAGE BY LEE HALL MUSIC BY PADDY CUNNEEN

15 JULY — 14 AUGUST ART S CENTRE MELBOURNE THE PL AYHOUSE

Director Simon Phillips Set & Costume Designer Gabriela Tylesova Voice & Dialect Coach Leith McPherson

DONOR EVENT

Post-show Cocktail Party 29 July

Young Will Shakespeare has a bad case of writer’s block and desperately needs a muse. His new comedy, Romeo and Ethel the Pirate’s Daughter, is less than inspired and he’s running out of time to deliver his next masterpiece. That is, until he meets Viola, and a real-life Romeo and Juliet story starts to take hold. But Viola has a secret, and this damned Romeo play is turning out to be nothing like the comedy the Queen demanded. Shakespeare in Love won seven Oscars in 1998 when Gwyneth Paltrow and Joseph Fiennes stole our hearts on screen. Now, Tom Stoppard and Marc Norman’s Academy Award-winning script has been transformed by Lee Hall (Billy Elliot) into a side-splitting stage comedy with a stirring love story at its heart.

Originally produced on the West End by Disney Theatrical Productions & Sonia Friedman Productions, directed by Declan Donnellan, and designed by Nick Ormerod.

In a coup for MTC, this Australian Premiere production from acclaimed director Simon Phillips (Muriel's Wedding the Musical) has been specially licensed by Disney Theatrical Productions. Don’t miss this unique theatrical event, which guarantees a rollicking night of romance and backstage fun, with lavish musical accompaniment.


‘The world is watching you.’


‘FIRST THERE WAS THE BERLIN WALL . NOW THERE IS THE GREAT FIREWALL OF CHINA .’ WASHINGTON POST

‘PRIVATE COMPANIES PLAY AN IMPORTANT ROLE IN FACILITATING INTERNET CENSORSHIP IN CHINA .’ THE GUARDIAN

GOLDEN SHIELD by Anchuli Felicia King 12 AUGUST — 14 SEPTEMBER SOUTHBANK THE ATRE THE SUMNER

Director Sarah Goodes Cast includes Nicholas Bell, Jing-Xuan Chan, Josh McConville, Yuchen Wang

It’s 2006 and less than 10% of China is online. The Chinese government looks to Silicon Valley to protect their citizens from the unfiltered chaos of the internet, resulting in the construction of an epic firewall called the Golden Shield. With American companies actively working to build it – stifling political debate in the process – are they responsible, or just doing good business? If they can be prosecuted for working against the promotion of democracy, should they? And if dissidents start disappearing, who should be put on trial? With interweaving storylines from across the globe, Golden Shield is an urgent legal drama that explores the personal and political ramifications of corporate greed in the global economy. A trail-blazer of contemporary theatre, Anchuli Felicia King finds fascination in the space where technology and tradition meet for this piercing, funny and extremely timely new play. This World Premiere production will be directed by Sarah Goodes (Switzerland), featuring Nicholas Bell (North by Northwest), Jing-Xuan Chan (Hungry Ghosts), Josh McConville (The Sublime) and Yuchen Wang (Little Emperors).

Contains coarse language, sexual references and mature themes

Commissioned through MTC’s NEXT STAGE Writers’ Program with the support of our Playwrights Giving Circle Donors, The Ian Potter Foundation, The Myer Foundation, Malcolm Robertson Foundation and The University of Melbourne.


'She's in love. Love is blind.'

Original 2017 STC production cast


‘A THOUGHT PROVOKING, JOYOUSLY ENTERTAINING COMEDY.’ DAILY TELEGRAPH

‘ THIS COMEDY DESERVES TO BECOME A CLASSIC.’ THE AUSTRALIAN

B L AC K I S T H E NEW WHITE by Nakkiah Lui 2 OCTOBER — 6 NOVEMBER SOUTHBANK THE ATRE THE SUMNER

Director Paige Rattray Cast includes Kylie Bracknell, Tony Briggs, Luke Carroll, Vanessa Downing, Melodie Reynolds-Diarra, Anthony Taufa Designer Renée Mulder Lighting Designer Ben Hughes Composer & Sound Designer Steve Toulmin

DONOR EVENT

Post-show Cocktail Party 21 October

Contains coarse language, nudity and drug use

A Sydney Theatre Company production

Charlotte Gibson is a lawyer with a brilliant career ahead of her. As her father Ray says, she could be the next female Indigenous Waleed Aly. But she has other ideas. First of all, it’s Christmas. Second of all, she’s in love. The thing is, her fiancé, Francis Smith, is not what her family expected – he’s unemployed, he’s an experimental composer… and he’s white! When the families come together at the Gibson’s ritzy holiday home, the stage is set for a riotously funny struggle for dominance where insults fly, secrets come flooding out and sacred cows of all descriptions are mercilessly skewered. It’s Guess Who’s Coming To Dinner, crossed with Meet The Fockers. Following two sell-out seasons at Sydney Theatre Company, Black is the New White is the hit new Australian comedy set to delight Melbourne audiences. Award-winning writer and TV personality Nakkiah Lui shows why she is one of this country’s most incisive comedy writers, with a home-grown satire that is both subversive and thoroughly entertaining. STC Associate Director Paige Rattray directs an array of brilliant, eccentric, loveable characters in this laugh-out-loud romantic comedy.

Presented in association with Melbourne International Arts Festival

Commissioned by STC with the support of the Malcolm Robertson Foundation. Original production supported by the STC Donor Syndicate and Presenting Partner Allens.


‘We made the invisible visible.’


‘A BEAUTIFUL , TENDER, AND SURPRISING PLAY.’ THE STAGE

‘A TRIUMPH.’ THE TELEGRAPH

P H OTO G R A P H 51 by Anna Ziegler 1 NOVEMBER — 14 DECEMBER ART S CENTRE MELBOURNE FAIRFA X S TUDIO

Director Pamela Rabe Cast includes Nadine Garner

DONOR EVENT

Post-show Cocktail Party 11 November

Rosalind Franklin was one of the great scientists of the 20th Century. In 1952 she used X-ray diffraction photography to examine the intricate structure of DNA, but her trail-blazing work was never recognised. The scientific establishment at King’s College London simply could not cope with her genius, her self-confidence or her stern disregard for authority. Threatened by her brilliance, Franklin’s rivals scandalously stole her research and were awarded the Nobel Prize for discovering the double helix. A massive hit on the West End, Anna Ziegler’s Photograph 51 relives the chase to find ‘the secret of life’ amidst all the inherent ambition, sexism and isolation of the 1950s, while shining a spotlight on an unsung hero. This intriguing new play is a moving portrait of a brilliant British scientist, and a delicate exploration of what is sacrificed in the pursuit of science, love and a place in history. MTC favourite Nadine Garner (The Doctor Blake Mysteries) returns to the stage as the fiercely independent Rosalind Franklin, directed by Pamela Rabe (Jumpy) for this Australian Premiere production.


‘I need my movies to remind me that there can be beauty and grace and bravery and loyalty and kindness and love.’



WINNER OF 7 TONY AWARDS INCLUDING BEST MUSICAL

‘ONE OF BROADWAY 'S MOST THRILLING MUSICALS.’ THE NEW YORK TIMES


Kiss of the

spider

woman BOOK BY

MUSIC BY

TERRENCE MCNALLY JOHN KANDER

LYRICS BY

FRED EBB

BASED ON THE NOVEL BY

MANUEL PUIG 18 NOVEMBER — 28 DECEMBER SOUTHBANK THE ATRE THE SUMNER

Director Dean Bryant Cast includes Caroline O’Connor Lighting Designer Matt Scott Choreographer Andrew Hallsworth

DONOR EVENT

Post-show Cocktail Party 26 November

Contains coarse language, sexual references, violence and mature themes

In a dark South American prison, two very different men share a small cell. Valentin is a Marxist revolutionary who refuses to betray his comrades. Molina is a gay window dresser who distracts himself by escaping to a fantasy world of movies starring the glamorous diva, Aurora. Valentin can't stand Molina’s cinematic fantasies and so draws a line on the floor to stop Molina from coming near him. Surely that will keep them apart. From Kander & Ebb, the team behind smash-hit shows Chicago and Cabaret, comes a provocative tale of love, imagination, and the friendship that develops when humanity is pushed to its limits. It’s a powerful and emotive story made famous by the original novel and an Oscar-winning film, brought to life here as a dazzling major musical production for the first time ever in Australia. Musical legend Caroline O’Connor (Bombshells) returns to MTC to take on the role of exotic film goddess, Aurora, in a show that’s set to sizzle and surprise, directed by Helpmann Award-winner Dean Bryant (Sweet Charity).


‘You argue with everyone. You are angry with everyone. So we’re giving you time away – from everyone.’


FAMILIES AND EDUCATION SEASON SUBSCRIBERS ENJOY EXCLUSIVE EARLY ACCESS TO TICKETS

WINNER BEST THEATRE FOR YOUNG PEOPLE AUSTRALIAN WRITERS GUILD AWARD

‘FUNNY WITHOUT BEING PATRONISING AND SERIOUS WITHOUT SEEMING EARNEST.’ SYDNEY MORNING HERALD

THE VIOLENT O U T B U R S T T H AT D R E W M E TO YO U by Finegan Kruckemeyer 2 MAY — 18 MAY SOUTHBANK THE ATRE THE L AWLER

Director Prue Clark Cast includes Harry Tseng Lighting Designer Amelia Lever-Davidson

Connor is 16 and angry. He doesn’t know why. Lately everything and everyone is annoying him. He’s slamming doors, flipping desks and always fighting. But, when he takes his rage one step too far, his parents decide to leave him in the forest for a week, alone. That should sort him out. Until he meets Lotte – also 16, also angry, but maybe just the friend Connor needs. As unpredictable as Connor himself, The Violent Outburst That Drew Me To You tackles the ticking time bomb of adolescence with humour and heart. Multi-award-winning playwright Finegan Kruckemeyer is renowned internationally as a leading figure in theatre for young people. His smart, sweet and fiery tale about two offbeat kids at war with the world will resonate with teenagers, and anyone who has ever been one.

Contains coarse language. Recommended for ages 14+

Starring Harry Tseng (Jasper Jones) and directed by Prue Clark (Contest) this production forms part of MTC’s acclaimed Families and Education Program. Limited performances are available to Subscribers for exclusive early bookings. See the Performance Diary for more details.


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Prices above include a per show ticket premium ($12 Adult or $6 Under 30) for the blockbuster productions of Shakespeare in Love and Kiss of the Spider Woman. Prices are lower if you do not select these productions.

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IMPO RTA NT DATES FO R YOUR DIARY

4

14

5

SEPTEMBER

SEPTEMBER

OCTOBER

SEASON 2019 ANNOUNCED

EXCLUSIVE PRIORITY BOOKING WINDOW CLOSES for renewing 11 Play Full Season Subscribers

PRIORITY BOOKING PERIOD CLOSES for all other renewing Subscribers

Exclusive priority booking window opens for renewing 11 Play Full Season Subscribers

12

PRIORITY BOOKING PERIOD OPENS for all other renewing Subscribers

29

OCTOBER

NOVEMBER

BOOKING PERIOD BEGINS for new Subscribers

TICKETS GO ON SALE to the public for The Lady in the Van, Arbus & West, A View from the Bridge, Così

19 JUNE

TICKETS GO ON SALE

to the public for Kiss of the Spider Woman

7

MARCH TICKETS GO ON SALE

to the public for Heisenberg, Storm Boy, Shakespeare in Love, Golden Shield, Black is the New White, Photograph 51


UNDER 30? ENJOY BIG THEATRE SAVINGS

SUBSCRIPTIONS ARE NOW

50% OFF FULL PRICE FOR ANYONE UNDER 30


BECOME A DONOR TODAY Donors who give $1,000 or more enjoy VIP ticketing services, access to the best seats in the house, invitations to exclusive pre and post show events and unique access to the world behind the curtain. It’s easy to donate to MTC – simply include a donation on your subscription form or donate online when you subscribe at mtc.com.au/subscriptions

To learn more about the impact of donating to MTC, or how to include a legacy gift to MTC in your Will, please speak to one of our Philanthropy team members. CONTACT donations@mtc.com.au 03 8688 0954


SUPPORT M TC

As I look through these pages, exploring the thrill and drama of Season 2019, I am excited by the year ahead. Each year the team at MTC creates an extraordinary world for us to step into. Whether it be experiencing new works from Australian writers, the latest hit plays from London’s West End, or a classic text with a modern interpretation from a new director – the shared love of the theatre binds us all. As Chair of the MTC Foundation, an MTC Board Member and a Donor, it is my great privilege to play a part in creating these moments for hundreds of thousands of theatre lovers each year. When I see the joy and inspiration these MTC moments bring, it fuels my passion to ensure everyone has the opportunity to experience live storytelling at its best. I know from speaking to many of you over the years this is your goal as well. Every donation, be it big or small, plays an essential role in providing a season of outstanding, world-class theatre for Victorian audiences from ages nine to ninety, both in the city and in our regions. At Melbourne Theatre Company, our stories begin with you. When you donate to MTC, you support a season of work that helps us tell these stories. A season that puts a spotlight on the outstanding craftsmanship, dedication and technical expertise of the MTC family working behind-the-scenes, from scenic artists to carpenters, wig makers, costume designers, stage management and production. When you donate to MTC, you enable moments of learning, wonderment and discovery. Our awardwinning Education program provides accessible theatre experiences for students and young people, reaching out into regional Victoria and inspiring the next generation of theatre-goers and

makers. In the spirit of equality and access, our Women in Theatre program will continue in 2019, with participants joining the 57 alumni who have leveraged the skills and industry connections of this program to progress their careers in the arts, and battle gender inequality within the cultural sector. MTC Donors create moments that shape the future of Australian theatre. Our NEXT STAGE Writers’ Program is already supporting 20 writers, with more commissions and residencies to come in 2019. NEXT STAGE has made MTC a nation-wide leader in the development of new Australian stories, and it is particularly thrilling that the 2019 Season features the first NEXT STAGE commission to be staged, Golden Shield. On behalf of the team here at MTC, I extend my heartfelt thanks to every single Donor that makes these moments possible, and invite you to consider joining our community of Donors by including a donation with your subscription. Next time you take your seat for another night of amazing theatre you will know that it is your generosity that has helped to make all this possible. Each night, every performance, you are creating opportunities that impact the future of theatre and art in Melbourne. I hope your 2019 MTC Season is full of rewarding and challenging moments at the theatre, shared and relived across the year. See you at the theatre.

Jane Hansen MTC Foundation Chair


PERFO RMANCE DIARY

THE LADY IN THE VAN by Alan Bennett

2 FEBRUARY — 6 MARCH Arts Centre Melbourne, Playhouse ANZ Forum Night: 11 February In 1974 Alan Bennett befriended Miss Mary Shepherd, an eccentric, cantankerous and rather smelly old lady. The Lady in the Van is a mostly true story of the fascinating relationship between the award-winning British writer and his long-term guest.

Monday

Tuesday

Wednesday

Thursday

Friday

Saturday 02 Feb – 8pm

04 Feb – 8pm

05 Feb – 8pm

06 Feb – 8pm

07 Feb – 8pm

08 Feb – 8pm

09 Feb – 2pm, 8pm

11 Feb – 6:30pm

12 Feb – 6:30pm

13 Feb – 1pm, 8pm

14 Feb – 8pm

15 Feb – 8pm

16 Feb – 2pm

18 Feb – 6:30pm

19 Feb – 6:30pm

20 Feb – 1pm, 8pm

21 Feb – 8pm

22 Feb – 8pm

23 Feb – 2pm

25 Feb – 6:30pm

26 Feb – 6:30pm

27 Feb – 1pm, 8pm

28 Feb – 8pm

01 Mar – 8pm

02 Mar – 2pm, 8pm

04 Mar – 6:30pm

05 Mar – 6:30pm

06 Mar – 1pm, 8pm

8pm 8pm

ARBUS & WEST by Stephen Sewell

22 FEBRUARY — 30 MARCH Arts Centre Melbourne, Fairfax Studio ANZ Forum Nights: 4 & 11 March Hollywood bombshell Mae West built her career on looking good, while legendary photographer Diane Arbus was famous for finding beauty in the everyday. When Diane turns up at Mae’s glistening LA apartment to take her portrait – tensions quickly flare. Whose version of reality wins out when a master of illusion meets a master of truth?

Monday

Tuesday

Wednesday

Thursday

Friday

Saturday

22 Feb – 8pm

23 Feb – 8pm

25 Feb – 8pm

26 Feb – 8pm

27 Feb – 8pm

28 Feb – 8pm

01 Mar – 8pm

02 Mar – 2pm, 8pm

04 Mar – 6:30pm

05 Mar – 6:30pm

06 Mar – 1pm, 8pm

07 Mar – 8pm

08 Mar – 8pm

09 Mar – 2pm, 8pm

11 Mar – 6:30pm

12 Mar – 6:30pm

13 Mar – 1pm, 8pm

14 Mar – 8pm

15 Mar – 8pm

16 Mar – 2pm

18 Mar – 6:30pm

19 Mar – 6:30pm

20 Mar – 1pm, 8pm

21 Mar – 8pm

22 Mar – 8pm

23 Mar – 2pm

25 Mar – 6:30pm

26 Mar – 6:30pm

27 Mar – 1pm, 8pm

28 Mar – 8pm

29 Mar – 8pm

30 Mar – 2pm, 8pm

8pm 8pm


AUDIO DESCRIBED PERFORMANCE  CAPTIONED PERFORMANCE  DONOR EVENT EDUCATION PERFORMANCE  ANZ FORUM NIGHT  A&K OPENING NIGHT  PREVIEW  TACTILE TOUR

A VIEW FROM THE BRIDGE by Arthur Miller

9 MARCH — 18 APRIL Southbank Theatre, The Sumner ANZ Forum Nights: 18 & 25 March Brooklyn dockworker Eddie Carbone and his wife Beatrice agree to take in two Sicilian relatives – illegal immigrants trying to find work. When Rodolpho falls for Eddie’s niece Catherine, the protective uncle must confront his own feelings and his jealous mistrust threatens to expose an unspeakable secret.

Monday

Tuesday

Wednesday

Thursday

Friday

Saturday 09 Mar – 8pm

11 Mar – 8pm

12 Mar – 8pm

13 Mar – 8pm

14 Mar – 8pm

15 Mar – 8pm

16 Mar – 2pm, 8pm

18 Mar – 6:30pm

19 Mar – 6:30pm

20 Mar – 1pm, 8pm

21 Mar – 8pm

22 Mar – 8pm

23 Mar – 2pm, 8pm

25 Mar – 6:30pm

26 Mar – 6:30pm

27 Mar – 1pm, 8pm

28 Mar – 8pm

29 Mar – 8pm

30 Mar – 2pm

01 Apr – 6:30pm

02 Apr – 6:30pm

03 Apr – 1pm, 8pm

04 Apr – 8pm

05 Apr – 8pm

06 Apr – 2pm

08 Apr – 6:30pm

09 Apr – 6:30pm

10 Apr – 1pm, 8pm

11 Apr – 8pm

12 Apr – 8pm

13 Apr – 2pm, 8pm

15 Apr – 6:30pm

16 Apr – 6:30pm

17 Apr – 1pm, 8pm

18 Apr – 8pm

8pm 8pm

COSI

by Louis Nowra 30 APRIL — 8 JUNE Southbank Theatre, The Sumner ANZ Forum Nights: 6 & 13 May It’s 1971 Australia and outside a nation is protesting the war in Vietnam. Inside, a cast of complete amateurs are preparing for a performance of Mozart’s famous comic opera, Così Fan Tutte, even though no-one can sing, act or speak Italian. What could possibly go wrong?

Monday

Tuesday

Wednesday

Thursday

Friday

Saturday

30 Apr – 8pm

01 May – 8pm

02 May – 8pm

03 May – 8pm

04 May – 8pm

06 May – 6:30pm

07 May – 6:30pm

08 May – 1pm, 8pm

09 May – 8pm

10 May – 8pm

11 May – 2pm, 8pm

13 May – 6:30pm

14 May – 6:30pm

15 May – 1pm, 8pm

16 May – 8pm

17 May – 8pm

18 May – 2pm

20 May – 6:30pm

21 May – 6:30pm

22 May – 1pm, 8pm

23 May – 8pm

24 May – 8pm

25 May – 2pm

27 May – 6:30pm

28 May – 6:30pm

29 May – 1pm

30 May – 8pm

31 May – 8pm

01 Jun – 2pm, 8pm

03 Jun – 6:30pm

04 Jun – 6:30pm

05 Jun – 1pm, 8pm

06 Jun – 8pm

07 Jun – 8pm

08 Jun – 2pm, 8pm

8pm

8pm 8pm


PERFO RMANCE DIARY

HEISENBERG by Simon Stephens

17 MAY — 29 JUNE Arts Centre Melbourne, Fairfax Studio ANZ Forum Nights: 27 May & 3 June At a bustling London train station, 42-year-old American, Georgie, kisses the neck of a much older Englishman, Alex. This electric encounter thrusts two perfect strangers into a fascinating and unlikely relationship, part friendship, part love-affair. But is Georgie really all she seems?

Monday

Tuesday

Wednesday

Thursday

Friday

Saturday

17 May – 8pm

18 May – 8pm

20 May – 8pm

21 May – 8pm

22 May – 8pm

23 May – 8pm

24 May – 8pm

25 May – 2pm, 8pm

27 May – 6:30pm

28 May – 6:30pm

29 May – 1pm, 8pm

30 May – 8pm

31 May – 8pm

01 Jun – 2pm, 8pm

03 Jun – 6:30pm

04 Jun – 6:30pm

05 Jun – 1pm, 8pm

06 Jun – 8pm

07 Jun – 8pm

08 Jun – 2pm

10 Jun – 6:30pm

11 Jun – 6:30pm

12 Jun – 1pm, 8pm

13 Jun – 8pm

14 Jun – 8pm

15 Jun – 2pm

17 Jun – 6:30pm

18 Jun – 6:30pm

19 Jun – 1pm, 8pm

20 Jun – 8pm

21 Jun – 8pm

22 Jun – 2pm, 8pm

24 Jun – 6:30pm

25 Jun – 6:30pm

26 Jun – 1pm, 8pm

27 Jun – 8pm

28 Jun – 8pm

29 Jun – 2pm, 8pm

8pm 8pm

STORM BOY

by Colin Thiele, adapted for the stage by Tom Holloway 17 JUNE — 20 JULY Southbank Theatre, The Sumner ANZ Forum Nights: 24 June & 1 July In a wild and remote area of coastline on the Coorong, Storm Boy and his reclusive father live in a secluded shack, hidden away from the harsh realities of city life. After befriending a local Ngarrindjeri man, Storm Boy discovers three orphaned pelican chicks and decides to take them in.

Monday

Tuesday

Wednesday

Thursday

Friday

Saturday

17 Jun – 8pm

18 Jun – 8pm

19 Jun – 8pm

20 Jun – 8pm

21 Jun – 8pm

22 Jun – 2pm, 8pm

24 Jun – 6:30pm

25 Jun – 6:30pm

26 Jun – 1pm, 8pm

27 Jun – 8pm

28 Jun – 8pm

29 Jun – 2pm, 8pm

01 Jul – 6:30pm

02 Jul – 6:30pm

03 Jul – 1pm, 8pm

04 Jul – 8pm

05 Jul – 8pm

06 Jul – 2pm

08 Jul – 6:30pm

09 Jul – 6:30pm

10 Jul – 1pm, 8pm

11 Jul – 8pm

12 Jul – 8pm

13 Jul – 2pm

15 Jul – 6:30pm

16 Jul – 6:30pm

17 Jul – 1pm, 8pm

18 Jul – 8pm

19 Jul – 8pm

20 Jul – 2pm, 8pm

8pm 8pm


AUDIO DESCRIBED PERFORMANCE  CAPTIONED PERFORMANCE  DONOR EVENT EDUCATION PERFORMANCE  ANZ FORUM NIGHT  A&K OPENING NIGHT  PREVIEW  TACTILE TOUR

SHAKESPEARE IN LOVE

based on the screenplay by Marc Norman & Tom Stoppard, adapted for the stage by Lee Hall, Music by Paddy Cunneen 15 JULY — 14 AUGUST Arts Centre Melbourne, Playhouse ANZ Forum Night: 22 July Young Will Shakespeare has a bad case of writer’s block and desperately needs a muse. His new comedy, Romeo and Ethel the Pirate’s Daughter, is less than inspired and he’s running out of time to deliver his next masterpiece.

Monday

Tuesday

Wednesday

Thursday

Friday

Saturday

15 Jul – 8pm

16 Jul – 8pm

17 Jul – 8pm

18 Jul – 8pm

19 Jul – 8pm

20 Jul – 2pm, 8pm

22 Jul – 6:30pm

23 Jul – 6:30pm

24 Jul – 1pm, 8pm

25 Jul – 8pm

26 Jul – 8pm

27 Jul – 2pm

29 Jul – 6:30pm

30 Jul – 6:30pm

31 Jul – 1pm, 8pm

01 Aug – 8pm

02 Aug – 8pm

03 Aug – 2pm

05 Aug – 6:30pm

06 Aug – 6:30pm

07 Aug – 1pm

08 Aug – 8pm

09 Aug – 8pm

10 Aug – 2pm, 8pm

12 Aug – 6:30pm

13 Aug – 6:30pm

14 Aug – 1pm, 8pm

8pm

8pm 8pm

GOLDEN SHIELD by Anchuli Felicia King

12 AUGUST — 14 SEPTEMBER Southbank Theatre, The Sumner ANZ Forum Night: 19 & 26 August The Chinese government looks to Silicon Valley to protect their citizens from the unfiltered chaos of the internet, resulting in the construction of an epic firewall called the Golden Shield. With American companies actively working to build it, who should be put on trial when dissidents start disappearing?

Monday

Tuesday

Wednesday

Thursday

Friday

Saturday

12 Aug – 8pm

13 Aug – 8pm

14 Aug – 8pm

15 Aug – 8pm

16 Aug – 8pm

17 Aug – 2pm, 8pm

19 Aug – 6:30pm

20 Aug – 6:30pm

21 Aug – 1pm, 8pm

22 Aug – 8pm

23 Aug – 8pm

24 Aug – 2pm, 8pm

26 Aug – 6:30pm

27 Aug – 6:30pm

28 Aug – 1pm, 8pm

29 Aug – 8pm

30 Aug – 8pm

31 Aug – 2pm

02 Sep – 6:30pm

03 Sep – 6:30pm

04 Sep – 1pm, 8pm

05 Sep – 8pm

06 Sep – 8pm

07 Sep – 2pm

09 Sep – 6:30pm

10 Sep – 6:30pm

11 Sep – 1pm, 8pm

12 Sep – 8pm

13 Sep – 8pm

14 Sep – 2pm, 8pm

8pm 8pm


PERFO RMANCE DIARY

BLACK IS THE NEW WHITE by Nakkiah Lui

2 OCTOBER — 6 NOVEMBER Southbank Theatre, The Sumner ANZ Forum Night: 7 & 14 October Charlotte Gibson is a lawyer with a brilliant career ahead of her. As her father Ray says, she could be the next female Indigenous Waleed Aly. But she has other ideas. First of all, it’s Christmas. Second of all, she’s in love. But her fiancé is not quite what her family expected.

Monday

Tuesday

Wednesday

Thursday

Friday

Saturday

02 Oct – 8pm

03 Oct – 8pm

04 Oct – 8pm

05 Oct – 8pm

07 Oct – 6:30pm

08 Oct – 6:30pm

09 Oct – 1pm, 8pm

10 Oct – 8pm

11 Oct – 8pm

12 Oct – 2pm, 8pm

14 Oct – 6:30pm

15 Oct – 6:30pm

16 Oct – 1pm, 8pm

17 Oct – 8pm

18 Oct – 8pm

19 Oct –2pm

21 Oct – 6:30pm

22 Oct – 6:30pm

23 Oct – 1pm, 8pm

24 Oct – 8pm

25 Oct – 8pm

26 Oct – 2pm

28 Oct – 6:30pm

29 Oct – 6:30pm

30 Oct – 1pm, 8pm

31 Oct – 8pm

01 Nov – 8pm

02 Nov – 2pm, 8pm

04 Nov – 6:30pm

05 Nov – 6:30pm

06 Nov – 1pm, 8pm

8pm 8pm

PHOTOGRAPH 51 by Anna Ziegler

1 NOVEMBER — 14 DECEMBER Arts Centre Melbourne, Fairfax Studio ANZ Forum Night: 11 & 18 November Rosalind Franklin was one of the great scientists of the 20th Century. In 1952 she used X-ray diffraction photography to examine the intricate structure of DNA, but the scientific establishment simply could not cope with her genius, her self-confidence or her stern disregard for authority.

Monday

Tuesday

Wednesday

Thursday

Friday

Saturday

01 Nov – 8pm

02 Nov – 8pm

04 Nov – 8pm

05 Nov – 8pm

06 Nov – 8pm

07 Nov – 8pm

08 Nov – 8pm

09 Nov – 2pm, 8pm

11 Nov – 6:30pm

12 Nov – 6:30pm

13 Nov – 1pm, 8pm

14 Nov – 8pm

15 Nov – 8pm

16 Nov – 2pm, 8pm

18 Nov – 6:30pm

19 Nov – 6:30pm

20 Nov – 1pm, 8pm

21 Nov – 8pm

22 Nov – 8pm

23 Nov – 2pm

25 Nov – 6:30pm

26 Nov – 6:30pm

27 Nov – 1pm, 8pm

28 Nov – 8pm

29 Nov – 8pm

30 Nov – 2pm

02 Dec – 6:30pm

03 Dec – 6:30pm

04 Dec – 1pm, 8pm

05 Dec – 8pm

06 Dec – 8pm

07 Dec – 2pm, 8pm

09 Dec – 6:30pm

10 Dec – 6:30pm

11 Dec – 1pm, 8pm

12 Dec – 8pm

13 Dec – 8pm

14 Dec – 2pm, 8pm

8pm 8pm


AUDIO DESCRIBED PERFORMANCE  CAPTIONED PERFORMANCE  DONOR EVENT EDUCATION PERFORMANCE  ANZ FORUM NIGHT  A&K OPENING NIGHT  PREVIEW  TACTILE TOUR

KISS OF THE SPIDER WOMAN

book by Terrence McNally, music by John Kander, lyrics by Fred Ebb, based on the novel by Manuel Puig 18 NOVEMBER — 28 DECEMBER Southbank Theatre, The Sumner ANZ Forum Night: 25 November & 2 December In a dark South American prison, two very different men share a small cell. Valentin can't stand Molina’s cinematic fantasies and so draws a line on the floor to stop Molina from coming near him. Surely that will keep them apart.

Monday

Tuesday

Wednesday

Thursday

Friday

Saturday

18 Nov – 8pm

19 Nov – 8pm

20 Nov – 8pm

21 Nov – 8pm

22 Nov – 8pm

23 Nov – 2pm, 8pm

25 Nov – 6:30pm

26 Nov – 6:30pm

27 Nov – 1pm, 8pm

28 Nov – 8pm

29 Nov – 8pm

30 Nov – 2pm, 8pm

02 Dec – 6:30pm

03 Dec – 6:30pm

04 Dec – 1pm, 8pm

05 Dec – 8pm

06 Dec – 8pm

07 Dec – 2pm

09 Dec – 6:30pm

10 Dec – 6:30pm

11 Dec – 1pm, 8pm

12 Dec – 8pm

13 Dec – 8pm

14 Dec – 2pm

16 Dec – 6:30pm

17 Dec – 6:30pm

18 Dec – 1pm, 8pm

19 Dec – 8pm

20 Dec – 8pm

21 Dec – 2pm, 8pm

23 Dec – 6:30pm

No performance

No performance

No performance

27 Dec – 8pm

28 Dec – 2pm, 8pm

8pm 8pm

FAMILIES AND EDUCATION SEASON – Subscribers enjoy exclusive early access to tickets

THE VIOLENT OUTBURST THAT DREW ME TO YOU by Finegan Kruckemeyer

2 MAY — 18 MAY Southbank Theatre, The Lawler Connor is 16 and angry. He doesn’t know why. Lately everything and everyone is annoying him. When he takes his rage one step too far, his parents decide to leave him in the forest for a week, alone. That should sort him out.

Monday

Schools Performance

Tuesday

Wednesday

Thursday

Friday

Saturday

Schools Performance

03 May – 7pm

04 May – 7pm

7 May – 7pm

Schools Performance

Schools Performance

Schools Performance

11 May – 7pm

Schools Performance

15 May – 7pm

Schools Performance

Schools Performance

18 May – 7pm

Weekday matinee performances are available for school bookings. For dates and times visit mtc.com.au


GE T CLO SE R TO THE S TAGE Discover a world behind the curtain

ANZ FORUM NIGHTS Join us after selected performances to hear members of the cast and creative teams discuss the show. ANZ Forum Nights occur directly after the first two Monday night performances post Opening Night for most productions, and are only available to ticket holders of that performance. These evenings are very popular, so get in early!

2019 ANZ FORUM NIGHT SCHEDULE The Lady in the Van Arbus & West A View from the Bridge CosĂŹ

4 & 11 March 18 & 25 March 6 & 13 May

Heisenberg

27 May & 3 June

Storm Boy

24 June & 1 July

Shakespeare in Love

22 July

Golden Shield

19 & 26 August

Black is the New White

7 & 14 October

Photograph 51 Kiss of the Spider Woman See the performance diary for more details. Major Partner

11 February

11 & 18 November 25 November & 2 December


Clockwise from top left: Pamela Rabe & William Zappa, Sarah Goodes, Michelle Lim Davidson, Lisa McCune & Callen Colley

SHOW PROGRAMMES

SUBSCRIBER MAGAZINE

Printed programmes are available at the theatre for just $2, and can be downloaded free of charge online. Get your copy and explore unique insights into each play and detailed information on the cast and creative team.

MTC’s exclusive Subscriber magazine Scenes is delivered three times a year to Subscribers digitally and via mail. Scenes features stories about MTC productions and news from around the Company.

SUBSCRIBER ENEWSLET TERS

JOIN MTC ONLINE

Hear the latest news, learn about exciting events and receive special offers and giveaways with our monthly Subscriber eNews. To sign up, simply login to your online account or email mtcticketing@mtc.com.au

Explore photo galleries, videos, interviews, podcasts and more on MTC’s Backstage blog and social media channels. Take the time to discover a world behind the scenes, learn about the people that bring our shows to life, and share your experience with fellow theatre fans. mtc.com.au/backstage

MelbourneTheatreCompany @MelbTheatreCo

@MelbTheatreCo

melbtheatreco

MelbTheatre2019



D O N OR EVENTS Each season, we create a program of relaxed and intimate dinners and cocktail party events that provide our Donors (giving $1,000+) opportunities to meet members of the cast and creative teams from MTC productions.

Show

Date

Event

Performance Venue

The Lady in the Van

Monday 18 February

Post-show Cocktail Party

Arts Centre Melbourne, Playhouse

Arbus & West

Tuesday 12 March

Post-show Dinner

Arts Centre Melbourne, Fairfax Studio

CosĂŹ

Tuesday 7 May

Post-show Cocktail Party

Southbank Theatre, The Sumner

Heisenberg

Monday 27 May

Post-show Cocktail Party following the Forum Arts Centre Melbourne, Fairfax Studio

Storm Boy

Thursday 27 June

Pre and Post-show Dinner

Southbank Theatre, The Sumner

Shakespeare in Love

Monday 29 July

Post-show Cocktail Party

Arts Centre Melbourne, Playhouse

Black is the New White

Monday 21 October

Post-show Cocktail Party

Southbank Theatre, The Sumner

Photograph 51

Monday 11 November

Post-show Cocktail Party following the Forum Arts Centre Melbourne, Fairfax Studio

Kiss of the Spider Woman

Tuesday 26 November

Post-show Cocktail Party

Southbank Theatre, The Sumner


N E X T S TAG E WRITERS’ PROGRAM

In the summer of 1953 MTC premiered a new play by young Australian playwright, Ray Lawler: Summer of the Seventeenth Doll. Nobody knew then that this play would change the course of Australian theatre history. Since then, MTC has presented the work of many more great Australian playwrights, but NEXT STAGE takes things to a whole new level. As we enter the second year of the program MTC is quickly building a body of Australian contemporary work on a scale unlike ever before, with plays that reflect the diversity of 21st Century Australia. NEXT STAGE sets a new benchmark for Australian play development with a minimum of 35 Australian plays commissioned and up to 15 writer-in-residence opportunities across the next 5 years. Ground-breaking new plays like Golden Shield by Anchuli Felicia King are already set to thrill MTC audiences, with many more exciting works in the pipeline, ensuring the future for Australian playwriting remains bright. To learn more about the program, and how you can support Australian writing for the stage, visit mtc.com.au/nextstage

Made possible by MTC’s Playwrights Giving Circle Louise Myer and Martyn Myer ao, Maureen Wheeler ao and Tony Wheeler ao, Christine Brown Bequest, Naomi Milgrom ao, Allan Myers ac qc and Maria Myers ac, Tony Burgess and Janine Burgess, Dr Andrew McAliece and Dr Richard Simmie, Larry Kamener and Petra Kamener.


M EET T HE N E XT S TAGE WRITER S Commissioned Writers

From top left: Angus Cerini, Patricia Cornelius, Louris van de Geer, Michael Gow, Tom Holloway, Anchuli Felicia King, Benjamin Law, Joanna Murray-Smith, Ellen van Neerven, Joe Penhall, Leah Purcell, Chris Ryan, Megan Washington, Mark Leonard Winter

Writers-in-residence

From top left: Declan Furber Gillick, Dan Giovannoni, Melissa Reeves, Natesha Somasundaram, Chris Summers, Kylie Trounson


CO RPO RATE EVENTS World-class entertainment and unforgettable hospitality

PREMIUM TICKETS

CONTEMPORARY CATERING

Enjoy the show from the best seats in the house with our VIP booking service.

Indulge your clients with a range of catering and beverage packages tailored to your event.

BACKSTAGE EXPERIENCES

PRESENTATION WORKSHOPS

Go behind the scenes and mingle with the cast and creative team in unique backstage settings.

Help your top executives shine under the spotlight. MTC offers exclusive presentation workshops hosted by experienced actors and theatre practitioners.

Outstanding client events can make an impression that lasts a lifetime. Share an extraordinary theatrical experience with your clients and enjoy a thrilling night at the theatre, planned to perfection by our experienced event management team.

For more information, please contact the team at corporateevents@mtc.com.au


‘All our clients spoke with one voice that it was one of the best client events they had ever attended.’ GILBERT + TOBIN PARTNER, CRAIG SEMPLE

Exclusive backstage dining experience


S UBSCRIBE R INFOR M ATION

ADDITIONAL TICKETS

HEAD BOOKERS

A night at the theatre is a great experience to share with family and friends. Subscribers who purchase a 7–11 play package can buy additional tickets to any show in our 2019 Main Season for family and friends at discounted prices.

Organising subscriptions for people not in your household? If you’re listed first on the booking form (and on the topmost form when multiple forms are submitted together) you will become our key point of contact in case of seating reallocation or other contingencies. Please note, the Head Booker is responsible for supplying correct contact, credit card and payment information at the time of booking. It is very important you include full names, details and email addresses of all those attending in your group. All tickets will be mailed to the Head Booker.

These special prices are only guaranteed at the time of purchasing your subscription and may change for bookings made at a later date. Refer to the price list for details.

CONCESSIONS MTC offers discount pricing for various groups. Concessions must be valid at the time of booking. Refunds are not available if you become eligible for a concession after you have booked. Pensioners and Seniors must provide their card number when booking. Full-time students must attach documentation of current full–time enrolment. University of Melbourne staff must provide a copy of their staff ID card. Proof of concession must be provided each season.

UNDER 30 CONCESSIONS Those aged under 30 (aged 29 and under) at the time of booking must include documentation indicating proof of age, such as a driver’s licence, and a contact email or postal address. Under 30 concessions are not available on Opening Nights.

GROUP SUBSCRIPTIONS Group subscriptions are available for a minimum of ten people booking for at least seven of the same performance dates and times, and are available for mail bookings only. All tickets must be purchased at the same time to qualify for the discount. Groups can be inclusive of concession priced packages at the appropriate rate, alongside others at the group package rate.

ABERCROMBIE & KENT OPENING NIGHT PACKAGES Exclusive to MTC Donors donating $1,000+, a limited number of 2019 Abercrombie & Kent Opening Night subscription packages are available. Opening Night subscription tickets can be exchanged, however any price difference is non–refundable. Additional tickets are not available for Opening Nights.

PAYING BY INSTALMENTS Subscribers paying by credit card can divide their total payment into four easy instalments. The first is payable when you subscribe, with the remaining instalments due on 3 January, 3 April and 3 June 2019. The administration fee for this service is a one–off charge of $15 per card used and a contact phone number is required for each card holder. Instalments are not available if you select PayPal when booking online.

PREVIEWS  Previews, marked in the Performance Diary, are the exciting first performances leading up to Opening Night. Please note that directors may need to halt the performance for technical reasons. Previews are presented at a discount price to compensate for any possible technical issues that may arise.


PRIORITY PROCESSING FOR 11 PLAY FULL SEASON SUBSCRIBERS AND DONORS GIVING $1,000+ Existing 11 Play Subscribers receive exclusive priority processing of their 2019 11 Play subscription until 14 September 2018 ahead of all other Subscribers. New 11 Play Full Season Subscribers will receive this benefit when renewing their 11 Play package (or the largest play package on offer) for Season 2020. MTC Donors giving $1,000+ also receive priority processing, special seating and VIP ticketing services.

REFUNDS MTC follows the Live Performance Australia Ticketing Code of Practice (see liveperformance.com.au for conditions). As such, tickets cannot be refunded after purchase except if an event is cancelled, rescheduled or significantly relocated as outlined. MTC reserves the right to add, withdraw and substitute artists and vary the program should the need arise.

TICKET EXCHANGES Ticket exchanges are a key benefit for Subscribers, so if you change your mind about which productions you would like to include within your package, a variety of options are available. FREE EXCHANGES FOR FULL SEASON SUBSCRIBERS

11 Play Full Season Subscribers can exchange their 11 Play package tickets free of charge. 7 to 9 play Subscribers can exchange their package tickets for $4 per ticket.

It is not possible to exchange MTC subscription tickets at the Arts Centre Melbourne Box Office. Exchanging for a different date: When exchanging into a different performance date of the same production, tickets need to be returned online or received by the Southbank Theatre Box Office at least 48 hours prior to the performance date indicated on the ticket. Exchanging for a different production: Subscribers can exchange into another production within the same season, provided the exchange is into a production that is not already booked within the subscription package, and the exchange occurs at least one week before the first preview of the originally booked production. DONOR TICKET EXCHANGES

Exchanges for Donors ($1,000+) are handled by our VIP Ticketing Officer donorticketing@mtc.com.au or 03 8688 0953. Terms and conditions apply. Find out more at mtc.com.au/exchanges

WARNINGS MTC endeavours to include accurate content warnings, however, some production content does change within the rehearsal period and we encourage you to visit our website or call the Box Office before the show opens for up–to–date warning information. MTC also now has a content guide which outlines in detail acts, language and behaviour which may have an impact on some audience members. You will find a link to this content guide on each play page at mtc.com.au

Subscriber additional tickets can be exchanged for $5 per ticket. HOW TO EXCHANGE

Exchanges are possible from 29 November 2018 subject to availability, and can be made either in person at the Southbank Theatre Box Office, by mail to 140 Southbank Boulevard, Southbank VIC 3006, or online for performances at Southbank Theatre.

For full terms and conditions, including information about babies at performances, lost tickets and school bookings, please visit mtc.com.au/info


THANK YOU We gratefully acknowledge the ongoing support of our leading Donors

MTC LIFETIME PATRONS Acknowledging a lifetime of extraordinary support for MTC Pat Burke Peter Clemenger ao and Joan Clemenger ao Allan Myers ac qc and Maria Myers ac The Late Biddy Ponsford Dr Roger Riordan am Maureen Wheeler ao and Tony Wheeler ao Caroline Young and Derek Young am

ENDOWMENT DONORS Supporting the long term sustainability and creative future of MTC Leading Endowment Donors $1,000,000+ Jane Hansen and Paul Little ao $50,000+ Orcadia Foundation The Late Biddy Ponsford $20,000+ Tony and Janine Burgess Geoffrey Cohen am

Anne and Mark Robertson oam Andrew Sisson ao and Tracey Sisson $10,000+ Mim and Michael Bartlett Prof Margaret Gardner ao and Prof Glyn Davis ac Carolyn and John Kirby am $5,000+ Rosie Harkness Robert Peck am and Yvonne von Hartel am Prof David Penington ac and Dr Sonay Hussein Renzella Family Anonymous

PLAYWRIGHTS GIVING CIRCLE Supporting the NEXT STAGE Writers’ Program. Louise Myer and Martyn Myer ao, Maureen Wheeler ao and Tony Wheeler ao, Christine Brown Bequest Naomi Milgrom ao, Allan Myers ac qc and Maria Myers ac, Tony Burgess and Janine Burgess Dr Andrew McAliece and Dr Richard Simmie, Larry Kamener and Petra Kamener

ANNUAL GIVING Donors whose annual gifts help MTC to enrich and transform lives through the storytelling power of the finest theatre imaginable. Benefactor’s Circle $250,000+ Crown Resorts Foundation Packer Family Foundation $50,000+ The Joan and Peter Clemenger Trust The Cybec Foundation Maureen Wheeler ao and Tony Wheeler ao $20,000+ Betty Amsden Foundation Dr Geraldine Lazarus and Greig Gailey Hutchinson Builders Louise Myer and Martyn Myer ao Caroline and Derek Young am Victorian Department of Education and Training Vizard Foundation

$10,000+ Erica Bagshaw Joanna Baevski The Cattermole Family Christine Gilbertson Linda Herd Macgeorge Bequest The Lord Mayer's Charitable Foundation The late Noel Mason and Susanna Mason Bruce Parncutt ao Craig Semple Dr Caroline Thew Luisa Valmorbida Anonymous $5,000+ John and Lorraine Bates Sandy Bell and Daryl Kendrick Bill Bowness ao Dr Andrew Buchanan and Peter Darcy Ian and Jillian Buchanan Sandra and Bill Burdett am John and Robyn Butselaar The Janet and Michael Buxton Foundation Barry and Joanne Cheetham Tom and Elana Cordiner The Dowd Foundation

Gjergia Family Leon Goldman Robert and Jan Green David and Lily Harris Jane Hemstritch Anne Le Huray Marshall Day Acoustics (Dennis Irving Scholarship) Ian and Judi Marshman Matsarol Foundation Ian and Margaret McKellar George and Rosa Morstyn Daniel Neal and Peter Chalk Tom and Ruth O’Dea Leigh O’Neill Dr Kia Pajouhesh (Smile Solutions) In loving memory of Richard Park Prof David Penington ac and Dr Sonay Hussein Jeanne Pratt ac Janet Reid oam and Allan Reid Kendra Reid The Robert Salzer Foundation Trawalla Foundation Trust Ralph Ward-Ambler am and Barbara Ward-Ambler Anonymous (5)

Current as of July 2018. For more information about supporting MTC please contact our Philanthropy team on 03 8688 0959 or donations@mtc.com.au or visit mtc.com.au/support


CE LEBRATING OUR PARTNER S We thank the following organisations for their generous support

Major Partners

Major Media Partners

Production Partners

Premium Season Partners

Season Partners

Marketing Partners

Southbank Theatre Partners

MTC is a department of the University of Melbourne.

MTC is assisted by the Commonwealth Government through the Australia Council, its arts funding and advisory body, and by the State Government of Victoria through Creative Victoria.

MTC is a member of Live Performance Australia and the Australian Major Performing Arts Group.

Current as of July 2018. If you would like to join our corporate family, please contact partnerships@mtc.com.au


OUR CULTURAL COLLECTIONS REVEALED

CUTTING-EDGE RESEARCH AND INSIGHTFUL COMMENTARY BY WORLD-LEADING EXPERTS Discover more at pursuit.unimelb.edu.au

CRICOS 00116K


ACCES S IB ILIT Y MTC is committed to making performances accessible to the widest possible audience

WHEELCHAIR AND MOBILITY ACCESS

AUDIO DESCRIPTION AND TACTILE TOURS

Wheelchair access and seating that allows more room for the use of mobility aids are available in all theatres. Please make your requirements known when booking. At Southbank Theatre, wheelchair access is via the front entrance on Southbank Boulevard, and at Arts Centre Melbourne via the front entrance on St Kilda Road or via the carpark. Southbank Theatre and Arts Centre Melbourne have lifts to all levels. The foyers within Southbank Theatre and Arts Centre Melbourne offer tables and chairs at wheelchair height and Southbank Theatre also has a low bar service area.

Vision Australia provides audio description for selected performances. Let us know when booking if you require audio description, and collect a small receiver upon arrival at the theatre. MTC also offers tactile tours of the stage prior to certain shows. Dates are marked (Audio Described) and (Tactile Tour) in the Performance Diary. Assistance animals are welcome at all venues and water bowls can be provided upon request.

Taxis can be flagged outside the venues or can be booked by theatre staff upon request.

AUSLAN INTERPRETED PERFORMANCES MTC partners with Arts Centre Melbourne and Auslan Stage Left to offer Auslan interpretation for selected performances. More information will be released at mtc.com.au before Season 2019 commences.

CAPTIONING AND ASSISTED HEARING SYSTEM MTC and The Captioning Studio provide live captioning for selected productions. Dates are marked in the Performance Diary. Hearing assistance is also available at Southbank Theatre and Arts Centre Melbourne in the form of personal listening packs, which can be used with your hearing aid or with headphones. Simply ask theatre staff for assistance when you arrive.

HOW TO BOOK All accessible performances available are marked in the Performance Diary. Please make us aware at the time of booking if you’d like to make use of any of these services. If you require assistance that is not covered here, please let us know. We are happy to help wherever possible. More information can be found online at mtc.com.au/access or by calling Southbank Theatre on 03 8688 0800.


D IN IN G AND B AR S Make it a night to remember

SOUTHBANK THEATRE FOYER BARS The Southbank Theatre Foyer Bars are the perfect place to meet friends before the performance or at interval. Foyer Bars open 90 minutes prior to all performances in the Sumner and 60 minutes prior to performances in the Lawler, offering a selection of Scotchmans Hill and Chandon wines, beers, cider, premium spirits including Melbourne Gin Company Dry Gin, Daylesford & Hepburn Mineral Springs Co. waters and flavoured sodas, confectionery, light meals and tea and Genovese coffee. For more information visit mtc.com.au/visit SCRIPT BAR & BISTRO Within Southbank Theatre, Script Bar & Bistro offers breakfast, lunch and dinner. Script is open from 7am until late, Monday to Friday, and on Saturdays from two hours prior to matinees and evening performances at Southbank Theatre. Book online at scriptbar.com.au, email bookings@scriptbar.com.au or call 03 8688 0881. THE DECK Located on the Upper Level of the Southgate Melbourne Restaurant and Shopping Centre, The Deck offers a la carte dining, pre-theatre daily from 5pm & group menu options, all with spectacular views over the Melbourne City Skyline and Yarra River. The Deck is approximately five minutes’ walk from Arts Centre Melbourne and ten minutes from Southbank Theatre. For all reservations call 03 9699 9544 or email info@thedeckrestaurant.com.au

DOWNSTAIRS BISTRO & LOUNGE Downstairs offers a relaxed space for casual drinks and pizza, through to a full pre–show dining experience. The Downstairs menu features fresh seasonal produce offering a variety of dining options for breakfast, lunch and dinner. Downstairs Bistro & Lounge is located on Sturt Street, approximately ten minutes’ walk from Southbank Theatre and fifteen minutes from Arts Centre Melbourne. TAXI KITCHEN Taxi Kitchen is located within Federation Square above the iconic Transport bar, showcasing stunning views of Melbourne’s city skyline, the Yarra River and Arts Precinct. Taxi Kitchen is an ideal destination for a pre or post–show meal or drink, approximately five minutes’ walk from Arts Centre Melbourne and ten minutes from Southbank Theatre. MELBA RESTAURANT Melba at The Langham Melbourne is spectacular, engaging, and constantly evolving. Dynamically designed with interactive open kitchens and international cuisines including Chinese dumplings, Indian spice kitchen, Japanese sushi station, Malaysian turbo Woks and Italian pastas, come sample the excitement, theatre and creative genius of Melba. Approximately ten minutes’ walk from Arts Centre Melbourne and fifteen minutes from Southbank Theatre.


O UR VENUES ST ERS D N I FL

Federation Square

ARTS CENTRE MELBOURNE 100 St Kilda Road, Melbourne

Flinders St Station

Hamer Hall

Southgate Shopping Centre

Freshwater Place

MOOR E ST

ST

SOUTH BANK BLVD

KA VA NA GH

FA W KN ER ST

T HS AG N A KAV

Tram Stop

National Gallery of Victoria

Melbourne Recital Centre

Buxton Contemporary

SOUTHBANK THEATRE VCA Performing Arts Theatre

Victoria College of the Arts

Tram Stop

VE WA GO LITH LIN

ST

Tram Stop

The iconic Southbank Theatre, home of Melbourne Theatre Company, houses the Sumner (559 seats) and the Botanic (163 seats) RoyalLawler Gardens southbanktheatre.com.au

RD ILDA ST K

PO W ER

ST ER KN W FA

ARTS CENTRE MELBOURNE

STURT ST

Skydeck 88

SOUTHBANK THEATRE ALEX ANDR 140 Southbank Boulevard, AA Southbank VE

ROUTE 1

FANNIN G ST

AVE ATE THG SOU

AY E QU RSID Eureka RIVE

MTC performs at Arts Centre Melbourne’s Playhouse (884 seats) and the Fairfax Studio (376 seats) artscentremelbourne.com.au

GET TING THERE TRAIN

Southbank Theatre and Arts Centre Melbourne are both within a ten–minute walk of Flinders Street Station across the Princes Bridge. Arts Centre Melbourne is located on the right under the spire while Southbank Theatre is on Southbank Boulevard just past the National Gallery of Victoria (NGV International). TRAM

For tram routes travelling along St Kilda Road, alight at the Arts Precinct Stop 14 (opposite NGV International) to walk to Arts Centre Melbourne or Southbank Theatre. Route 1 to South Melbourne Beach travels along Southbank Boulevard. For Southbank Theatre, alight at the stop on the corner of Southbank Boulevard and Sturt Street (near the Melbourne Recital Centre and ABC).

PARKING

There is limited street parking in the St Kilda Road area. We suggest you choose one of the nearby commercial car parks, indicated on the map above, such as at Arts Centre Melbourne, Australian Ballet Centre, Wilson Southgate or Wilson Eureka. For ACROD/disabled parking, there are bays opposite Southbank Theatre on Dodds Street and multiple bays within the Arts Centre Melbourne Car Park. MAJOR DISRUPTIONS

Please note, there will be significant roadworks in the precinct in 2018 and 2019, as part of the City of Melbourne's Southbank revitalisation project and the Metro Tunnel building works. Please ensure you allow plenty of time for your trip to the theatre. For more information visit mtc.com.au/roadworks

Details in this brochure are correct at the time of publication. MTC reserves the right to add, withdraw, and substitute artists and vary the program should the need arise. Creative direction Emma Wagstaff Editor James Wright Season photography Helen Maybanks, Justin Ridler, Isamu Sawa, Michelle Tran Styling & Wardrobe Jennifer Bismire, Harriet Oxley Copywriting Andi Lawson-Moore, James Wright Talent manager Matthew Bebbington Photoshoot coordination Ben Cooper, Ruth Blair Additional photography Benjamin Healley, Mandy Jones, Prudence Upton, Rene Vaile, Heath Warwick With thanks to Camden Council, Forum Melbourne, Marriner Group.



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