Ears Wide Open: The Great Violin Concertos

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Concertos TUESDAY 12 SEPTEMBER 2023 / 6.30pm Melbourne Recital Centre CONCERT PROGRAM Proudly supported by City of Melbourne, Crown Resorts Foundation and Packer Family Foundation. Proudly presented by This event is part of ANAM and MSO’s Orchestral Training Partnership.
e Great Violin

Program

MENDELSSOHN Violin Concerto: first movement

BRUCH Violin Concerto No.1: second movement

TCHAIKOVSKY Violin Concerto: third movement

Duration: 75 minutes with no interval

Conductor

NICHOLAS BOCHNER

After training in Adelaide and London, Nicholas spent 3 years as Artist-in-Residence at the University of Queensland as part of the ensemble Perihelion, forging a strong reputation as an exponent of contemporary music. He joined the MSO as Assistant Principal Cello in 1998. Since then he has appeared as a soloist, chamber musician and recitalist. He has also taught cello and improvisation at the Australian National Academy of Music (ANAM). Nicholas has always had a strong commitment to music education and community engagement. In 2010 he was awarded the Dame Roma Mitchell Churchill Fellowship to study the LSO’s iconic Discovery program and the use of improvisation in training classical musicians at the Guildhall School of Music.

In 2016, Nicholas’ considerable experience as an orchestral musician and his passion for communication led him to undertake a fellowship at ANAM where he developed, conducted and presented educational concerts for primary school children. During the fellowship he was mentored by Paul Rissmann, Graham Abbott and the legendary Richard Gill AO. Since then he has presented educational concerts for children and adults for MSO, ANAM and the Melbourne Chamber Orchestra.

In 2020 he was named the MSO’s Cybec Assistant Conductor for Learning and Engagement. He is also the conductor of the Melbourne University Biomedical Students’ Orchestra. In support of his work as an education presenter, Nicholas has been studying conducting with Benjamin Northey and won a coveted place at the TSO’s 2019 Australian Conducting Academy.

CARLO ANTONIOLI

Carlo Antonioli is one of Australia’s most dynamic young conductors and is currently the Cybec Assistant Conductor Fellow at the Melbourne Symphony Orchestra. He was previously the Assistant Conductor at the West Australian Symphony Orchestra. Rapidly establishing himself both with Australia’s leading symphony orchestras, and with vibrant, cutting-edge ensembles, some of Carlo’s most recent and upcoming engagements include working with the Queensland, Tasmanian and Canberra Symphony Orchestras, Orchestra Victoria, the Australian Contemporary Opera Company, the Australian, Sydney and Melbourne Youth Orchestras, the Australian National Academy of Music, Ensemble Apex, Australian Doctors Orchestra and the Stonnington Symphony. Carlo is also a composer and member of the Sydney-based Dreambox Collective.

Carlo has assisted many prominent conductors in Australia including Vasily Petrenko, Sir Mark Elder, Sir Andrew Davis, Asher Fisch, Karina Canellakis, Mark Wigglesworth and Jaime Martín, as well as Vladimir Ashkenazy and Chief Conductor Simone Young at the Sydney Symphony Orchestra.

Carlo holds a Master of Music Studies (Conducting) from the Sydney Conservatorium of Music and is a member of the Australian Conducting Academy.

Presenter

The Australian National Academy of Music (ANAM) is dedicated to training the most exceptional young classical musicians from Australia and New Zealand. It is the only professional performance training institute of its kind in Australia, and one of few in the world.

ANAM musicians fly between the stage and the studio; performing in over 180 events each year and receiving more than 60 hours of one-on-one training and hundreds of hours of coaching from an esteemed Faculty and impressive list of national and international guest artists. From taking meditation classes, singing Bach chorales, laying down a concerto, or building a buzz around their forthcoming gig, to learning how to work a scale, work a fugue, work a room, or work towards securing a vibrant future for classical music. They find themselves sitting crosslegged on the floor with a class of local third graders one day, to performing with the world’s finest artists on stages all across the country the next.

With an outstanding track record of success, ANAM alumni work in orchestras and chamber ensembles around the world, performing as soloists, contributing to educating the next generation of musicians, and winning major national and international awards.

ANAM aims to inspire these future music leaders and encourages audiences to share the experience.

Harry Egerton is a violinist completing his second year at ANAM in 2023 under the guidance of Sophie Rowell. In 2022, Harry studied with Dr Robin Wilson, and was awarded the St Silas Prize for Most Outstanding First Year Performance at an ANAM Recital. Earlier in the year, Harry progressed to the national finals of the Australian Youth Classical Music Competition and later won the Joyce Campbell Lloyd Scholarship held by the Queensland Conservatorium of Music. He also performed at the Tyalgum Festival in 2022 and 2021 with the Limpinwood Ensemble, and in 2021 as a casual musician with the Queensland Symphony Orchestra. Harry completed a Bachelor of Music at the Queensland Conservatorium of Music (QCGU), studying violin performance with Michele Walsh in 2021. Notable solo performances at the Conservatorium include Waxman’s Carmen Fantasy with the QCGU symphony orchestra (conducted by Peter Luff), and Mozart’s Sinfonia Concertante with the Apollo orchestra (alongside violist Jeremy Egerton and conductor Julian Duthoit).

HARRY EGERTON violin

Natalie is a Sydney-born violinist, who has been playing the violin since the age of six. Growing up in a family who performed in a cabaret act, Natalie began her musical journey with an inspiration to learn and perform.

Natalie completed a Bachelor of Music (Performance) in 2020 at the Sydney Conservatorium of Music, where she studied with Associate Professor Goetz Richter. She has performed in the Modern Music Ensemble, Sydney Conservatorium Chamber ensembles and Symphony Orchestra, and Ensemble Apex.

In 2019, Natalie was a member of the Reverie Quartet, who were awarded the Henderson Travellers Scholarship. Also in 2019, Natalie led the Sydney Conservatorium of Music’s Modern Music Ensemble on their tour to Chengdu, China. In 2020, Natalie was awarded the Dean’s List of Excellence in Academic Performance, and the University of Sydney Academic Merit Prize.

Natalie is studying with Zoë Black in her second year at the Australian National Academy of Music (ANAM). She looks forward to playing all kinds of orchestral and chamber music in 2023, and to begin her new musical chapter in Melbourne.

Louise Turnbull was introduced to the violin at age 3 and has studied with Lesley Quatrough, and then Ivana Tomaskova 2015. She was welcomed into the Frankston Symphony Orchestra at age 8, then performed as soloist in 2019, and 2023. Louise participated in the Melbourne Youth Orchestra ensemble programs since age 7 on various instruments, and in 2022 Louise returned as an alumnus to perform Sibelius Violin Concerto with MYO’s Percy Grainger Youth Orchestra. Louise has also participated in the Melbourne Conservatorium Young Artist Academy, the Australian Chamber Orchestra Academy, and is a current member of the Australian Youth Orchestra.

Louise was awarded the R&M Dipnall Memorial Trophy for best instrumentalist 2022 at the Ringwood Eisteddfod, as well as second prize in 3MBS The Talent series 1. Louise is also the recipient of the Mornington Peninsula Shire Bursary and Monash Emerging Artist Award.

Louise is now working towards a Bachelor of Music Performance at the University of New England (Armidale NSW) whilst commencing her first year at ANAM in 2023.

NATALIE MAVRIDIS violin LOUISE TURNBULL violin

Quick Facts

FELIX MENDELSSOHN (1809–1847)

• Mendelssohn’s Violin Concerto was composed between 1838 and 1844, and premiered in March 1845.

• The very first vinyl LP record released in 1948 was a recording of Mendelssohn’s Violin Concerto, performed by Nathan Milstein and the New York Philharmonic conducted by Bruno Walter.

MAX BRUCH (1838–1920)

• The first version of Bruch’s Violin Concerto No.1 was completed and premiered in 1866. It was revised into the version we know today in 1867.

• Despite having written three violin concertos, Bruch’s second and third concertos have never attained the same lasting popularity as his first. This was already the case during his lifetime, much to Bruch’s frustration.

PYOTR ILYICH TCHAIKOVSKY (1840–1893)

• Tchaikovsky’s Violin Concerto was written very quickly in March and April of 1878.

• The concerto’s original dedicatee, Leopold Auer, refused to premiere the concerto, expressing “doubt in [his] mind as to its intrinsic worth”.

• The premiere in 1881 was given by Adolf Brodsky. While Brodsky’s performance was well-received, the orchestra was under-rehearsed, and the music critic Eduard Hanslick said the piece “confronts us with the hideous idea that there may be compositions whose stink one can hear.”

Glossary

Concerto

a three-movement composition for one or more solo instruments accompanied by an orchestra that became standardised in the 18th century

Cadenza

an unaccompanied solo interlude that was traditionally improvised, showcasing the virtuosity and musicality of the soloist

Tutti

‘all together’ - a term used to refer to the entire orchestra; in the context of a concerto, it refers to passages in which the orchestra plays without the soloist

Sul G

an indication for string players, often violinists, to play on the G string, which gives a dark and rich tone quality

Double stop

a technique on string instruments where two notes are played simultaneously across two separate strings

Rubato

‘stolen time’ - a musical term to direct the soloist to take expressive and rhythmic liberties with the tempo

PERFECT PAIRING

2021 Pinot Noir

Great music and great wine. Is there a better pairing?

Just as the violin concerto is considered an essential work for any composer, a quality Pinot Noir is a core offering of any cool climate vineyard.

TarraWarra Estate's 2021 Pinot Noir is rich with complex flavours – sour cherry, spice, and hints of forest floor; a truly beguiling and elegant wine.

While savouring its complexity, immerse yourself in the captivating melodies of Bruch, Mendelssohn, and Tchaikovsky – as we explore highlights of some of the greatest concertos for violin.

The Great Violin Concertos, brought to you by TarraWarra Estate and the Melbourne Symphony Orchestra.

It’s the perfect pairing.

Ears Wide Open is proudly supported by TarraWarra Estate

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TarraWarra Estate provides you with the perfect backdrop for a day of wine tasting, lunch or simply taking in the views from the deck. Only an hour from Melbourne and you’ll find yourself enjoying our cool climate Chardonnay and Pinot Noir in our subterranean cellar door. 311 Healesville - Yarra Glen Road, Yarra Glen, VIC 3775 Australia +61 3 5962 3311 www.tarrawarra.com.au enq@tarrawarra.com.au _tarrawarra_ /tarrawarra

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