Design portfolio 2023-2024

Page 1

MARINE MERZOUG

PORTFOLIO YEAR 2023-2024

SUMMARY 000 001 002 003 004 005 006

INFORMATION THE NINETY QUATUOR MD ATELIER SERGÉ GOODEE OFFICE KITTEL CAFÉ SUPERBAR

RETAIL HEALTHCARE RESIDENTIAL OFFICE HOSPITALITY HOSPITALITY

P.2 P.3-6 P.7-10 P.11-17 P.18-24 P.25-29 P.30-33


000

INFORMATION

-

PORTFOLIO

2

Creativity has always been an integral part of my life and professional journey. From my early years, I’ve had a natural inclination toward it, driven by curiosity and a desire to innovate. It quickly became a habit to find solutions and to express whatever I was feeling through art. Contrary to my expectations, this creative drive not only endured but also intensified as I matured. It became increasingly clear that my true calling lay in pursuing a career centered around creativity. What makes this pursuit particularly intriguing is the absence of any rigid constraints regarding the type of art I engage with. I relish the opportunity to explore various artistic mediums, always guided by my passion and fascination. In my current professional capacity, I am committed to the exploration of the intersection between technology and art. This convergence offers a wealth of untapped potential, and I am dedicated to uncovering how this synergy can be leveraged to our advantage. Additionally, my ever-growing interest lies in understanding the profound impact of new technologies on the poetics of architecture. I am particularly fascinated by how these technologies can transform the aesthetics and functionality of architectural design. Furthermore, I am acutely aware of the critical role that sustainability plays in our modern world. I am deeply committed to exploring how technology and creativity can be harnessed to enhance the sustainability aspects of architecture. This pursuit aligns with my belief in the importance of creating environmentally responsible and sustainable structures that not only serve our needs today but also contribute to a better future. I look forward to continuing this journey of creative exploration, with a strong focus on the evolving poetics of architecture and the essential sustainability dimensions that emerging technologies will undoubtedly add to this dynamic field.

MARINE MERZOUG


001

THE NINETY

COMMERCIAL

the ninety Time period : Summer-Fall 2023 Collaborator(s): Marc-Olivier Desjardins, Philippe Marchand Softwares : Autocad, Sketchup, Cinema 4D, Corona, Photoshop Client : The NINETY Role : Concept, Plans, 3D model, Renders

MARINE MERZOUG

PORTFOLIO

The NINETY is positioned as a multidisciplinary company, offering its clientele a vintage curation space and a venue that can be rented for events. The objective of this project is to reinvent the layout of the NINETY to better serve the ambivalence of its activities. In order to meet the multiple functions of the space, it is necessary to propose flexible layout solutions aimed at making transitions between different activities smooth and efficient.

3


001

THE NINETY

COMMERCIAL

*ALL RENDERS WERE MADE WITH THE COLLABORATION OF THE TEAM

In our creative approach, we've optimized store layout and user traffic to enhance content visibility. We've designed playful and informative communication devices, standardized space for aesthetic consistency, and created unique lighting installations to enliven the space and transition between day and night functions. This makes the Ninety stand out with a strong personality. CYCLORAMA COAT CHECK ACCESSORIES

COUNTER

FITTING ROOMS

EXHIBITION WALL LOUNGE

NUMERIC INSTALLATION

CLOTHING RACKS

SIGNAGE EXTERIOR FACADE

VIEW OF THE STORE BY DAY

MARINE MERZOUG

VIEW OF THE STORE BY NIGHT

PORTFOLIO

4


001

THE NINETY

COMMERCIAL

*ALL RENDERS WERE MADE WITH THE COLLABORATION OF THE TEAM

Facing a demanding client, strict deadlines, and design adjustments dictated by the tenant’s lease, our focus shifted towards enhancing the decorative elements and establishing an aesthetic flow within the space. The boutique is brimming with vibrant, colorful clothing, prompting us to opt for a neutral material palette to harmonize the environment. Additionally, we took on the challenge of revamping the store’s signage to solidify its brand identity. The design had to pass through multiple decision-makers, necessitating a medium that could be comprehensible to a client who may not be well-versed in technical plans. By adopting a more visual and numerical presentation approach, the clients were able to grasp the overall design concept and its spatial dimensions.

RACK ITERATION

MARINE MERZOUG

ENTRANCE

CYCLORAMA

PORTFOLIO

5


001

THE NINETY

COMMERCIAL

*ALL RENDERS WERE MADE WITH THE COLLABORATION OF THE TEAM

The signage at Ninety helps coordinate various aspects of the store. Special attention is given to communicating the store’s intentions in writing, enabling the customer to independently seek the information they desire. The signage, therefore, adopts a clear format and an attractive aesthetic.

A strong design intent for this space is to create an inviting and intriguing journey throughout the store. By providing unique perspectives, even at the back of the store, we aim to craft an extraordinary experience for the customer, making the place truly exceptional.

LAYOUT PLAN

STORE COUNTER

MARINE MERZOUG

INTERIOR SIGNAGE

EXTERIOR SIGNAGE

PORTFOLIO

NUMERIC INSTALLATION

6


002

QUATUOR MD

HEALTHCARE

quatuor md Time period : Fall 2022-Summer 2023 Collaborator(s): Atelier Moderno Softwares : Autocad, Sketchup, D5 Render, Photoshop Client : Quatuor MD Role : Concepts for a system of furniture , 3D model, graphism

MARINE MERZOUG

PORTFOLIO

The Quatuor MD clinic is a revolutionary private medical center located in the heart of Montreal. The clinic is staffed by nine «quatuors,» each consisting of a doctor, a nurse, an administrative associate, and a health coordinator. In addition to these primary care teams, the clinic houses specialized departments, a mental health unit, an emergency department, and an in-house laboratory. This comprehensive setup ensures that clients receive complete support during their occasional check-ups. Our firm’s role was to create a cohesive environment where each department is easily accessible and identifiable. Circulation within the clinic was a primary concern. Personally, I focused on the design of the furniture system and the graphics, including signage, renders, and 3D models. All of the main pieces of furniture were custom-made. Balancing aesthetics and functionality for a medical facility presented a unique challenge. 7


002

QUATUOR MD

HEALTHCARE

CLINIC’S AXONOMETRY

The primary concept for this clinic was to craft a distinctive customer experience. The client aimed for the space to exude a homely atmosphere, steering clear of a sterile environment. Sterile cubicles were to be avoided at all costs. To achieve this, we employed perforated metal sheets to define various areas while enabling the flow of natural light. Creating an axonometric representation of the layout was essential in order to clearly delineate the main circulation axis and provide a better understanding of the client’s journey.

EMERGENCIES DEPARTMENT

WAITING ROOM EMPLOYEES ROOMS

MENTAL HEALTH DEPARTMENT

IN HOUSE LABORATORY

SPECIALISTS DEPARTMENT

QUATUORS

CLINIC’S FLOOR PLAN MARINE MERZOUG

PORTFOLIO

8


002

QUATUOR MD

HEALTHCARE

The primary concept for this clinic was to craft a distinctive customer experience. The client aimed for the space to exude a homely atmosphere, steering clear of a sterile environment. Sterile cubicles were to be avoided at all costs. To achieve this, we employed perforated metal sheets to define various areas while enabling the flow of natural light.

VIEW OF ONE OF THE MAIN AXIS OF CIRCULATION

MARINE MERZOUG

VIEW OF ONE OF THE ENTRYWAY

PORTFOLIO

9


ATELIER ATELIER ATELIER MODERNO MODERNO MODERNO Montréal MontréalMontréal QC QCH3N H3NQC 1W7 1W7 H3N 1W7

002

QUATUOR MD

HEALTHCARE

www.moderno.ca www.moderno.ca www.moderno.ca t t 514.903.788 514.903.78 t 514 514.998.55 c 514 jeanguy@moderno.ca jeanguy@moderno.ca jeanguy@moderno.cacc514.998.556 NOTE: NOTE:

MB-01 MB-01 MB-01

NOTE:

ATELIER MODERNO

©©ATELIER ATELIERMODERNO, MODERNO, © ATELIER Jean-Guy Jean-Guy MODERNO, Chabauty Chabauty Jean-Guy 2019. 2019.Chabauty 2019.

EMPLOYEES KITCHEN TECHNICAL PLANS AA A

BB

NOTES NOTESD'ÉBÉNISTERIE D'ÉBÉNISTERIE NOTES D'ÉBÉNISTERIE

B

1.1 1.1 1.2 1.2

3 3 ±110 ±110 4"4"

MB-01

1 1 ±58 ±58 8"8"

±1103 4"

1.3 1.3

±5818"

1.4 1.4 DISTRIBUTEUR DISTRIBUTEUR DISTRIBUTEUR DE DEPAPIER PAPIER DE PAPIER

B

1.5 1.5

±18"

±18" ±18" ±24"

±24" ±24"

A

1.6 1.6

L.V. L.V.

L.V. ±58 " 1

1.7 1.7

±1103 4"

1.8 1.8

POUBELLE POUBELLE POUBELLE

8

1.9 1.9

DISTRIBUTEUR DE PAPIER ±22"

±24" ±24"

±24"

±45" ±45"

±45"

3 3 ±19 ±19 4"4"

PLAN PLAN

1.3 MATÉRIAU COMPTOIR : FENIX MODÈLE J0750 VERDE COMODORO - JM STANDARD POIGNÉES POIGNÉES 1.8 RICHELIEU RICHELIEU POIGNÉES CONTEMPORAINES CONTEMPORAINES RICHELIEU CONTEMPORAINES PROFILÉES PROFILÉESPOUR POUR PROFILÉES PANNEAU PANNEAU POUR DE DE5/8 PANNEAU 5/8PO PO- 1500 - 1500 DEALUMINIUM 5/8 ALUMINIUM PO - 1500 ALUMINIUM 1.4 MATÉRIAU EXTÉRIEUR CAISSON / TIROIR / TABLETTE / COUP DE PIED EN STRATIFIÉ AGT DE LA COLLECTION SUBLIME ÉVIER ÉVIERDE 1.9 DECUISINE CUISINE ÉVIER SKINDRED SKINDRED DE CUISINE LBS6808 SKINDRED - SINGLE - SINGLE LBS6808 SINK SINK-( SINGLE À ( ÀVOIR VOIRSI SINK SISOUS SOUS ( À VOIR COMPTOIR COMPTOIR SI SOUS ) ) COMPTOIR ) SUPRAMAT 3027 LBS6808 VERT FORÊT

11 1 '',MODÈLE MODÈLE 32665001 32665001 32665001 1.10 1.10 ROBINET ROBINET 1.10 GROHE GROHE ROBINET SINGLE SINGLE GROHE LEVER LEVER SINGLE SINK SINK MIXER MIXER LEVER SINK MIXER 1.5 MATÉRIAU INTÉRIEUR CAISSON TIROIR / INTÉRIEUR COUP DE PIED EN MÉLAMINE AVEC FINI ÉRABLE 2/'', 2INTÉRIEUR 2'', MODÈLE

±193 4"

1.11 1.11 MODÈLE MODÈLE 1.11 DE DELAVE LAVE MODÈLE VAISSELLE VAISSELLE DESTRATIFIÉ LAVE ÀÀDÉTERMINER VAISSELLE DÉTERMINER À AVEC DÉTERMINER AVEC LELECLIENT. CLIENT. AVEC LE CLIENT. 1.6 BOÎTIER EN FINI FORMICA 3712-NG NOYER

±18"

±24"

±22" ±22"

Ce Cedocument documentnenepeut Ce peut document être êtretransmis, transmis, ne peut téléchargé téléchargé être transmis, ououreproduit, reproduit, téléchargé sous sous ou aucune aucune reproduit, forme forme sous

impriméeououélectronique électronique impriméeque ce électronique cesoit, soit,sans sansque l'autorisation l'autorisation ce soit, sans expresse expresse l'autorisation écrite écriteduexpresse dutitulaire titulair Montréal QC H3N 1W7 We were tasked with creating a furniture imprimée system that ouque would embody droit droitd'auteur. d'auteur. droit d'auteur. QUANTITÉ QUANTITÉ 1.1 : 1: 1QUANTITÉ : 1 an aesthetic appeal suitable for a clinic. One of our central concepts www.moderno.ca t 514 PROPRIÉTÉ PROPRIÉTÉ INTELLECTUELLE INTELLECTUELLE PROPRIÉTÉ INTELLECTUELLE with for this clinic was to avoid the sterile look typically associated LELEMOBILIER DANS LALAPIÈCE 01. MOBILIER 1.2 SE LE SERETROUVE MOBILIER RETROUVE SE DANS RETROUVE PIÈCE DANS 01. LA PIÈCE 01. c 514 jeanguy@moderno.ca Atelier AtelierModerno Moderno-Atelier Jean-Guy - Jean-Guy Moderno Chabauty Chabauty - Jean-Guy conserve conserve Chabauty tous tousles les conserve droits droitsdede tous propriété, propriété, les droits y ycom com de medical facilities and, instead, embrace anotamment contrasting approach. This notammentles lesdroits droits notamment d'auteur d'auteur les etettout droits toutautre autre d'auteur droit droit et dede tout propriété propriété autre droit intellectuelle intellectuelle de propriété sur surces intelle cesplp MATÉRIAU : FENIX MODÈLE J0750 VERDE JM MATÉRIAU 1.3 COMPTOIR COMPTOIR MATÉRIAU : FENIX COMPTOIR MODÈLE : FENIX J0750 MODÈLE VERDECOMODORO J0750 COMODORO VERDE- COMODORO - JMSTANDARD STANDARD - JM STANDARD y ycompris comprisles lesconceptions conceptions y compris élaborées les élaborées conceptions par parordinateur ordinateur élaboréesrelativement relativement par ordinateur à àces ces relativement plans plansque q NOTE: led us to draw inspiration from the cozyprojet ambiance of lake houses, projet pour pourlequel lequel projet ilsilsont ont pour été étélequel préparés préparés ils ont soit soit été réalisé réalisé préparés ouounon. non. soitDe réalisé Deplus, plus, ou Atelier Atelier non. Modern De Mode plu Jean-Guy Jean-GuyChabauty Chabauty Jean-Guy nenerenoncent renoncent Chabauty enenaucun ne aucun renoncent cas casà àleurs en leurs aucun droits droits cas moraux moraux à leurs à àce droits cetitre. titre. mor MATÉRIAU CAISSON / TIROIR / TABLETTE DE EN AGT DE MATÉRIAU 1.4 EXTÉRIEUR EXTÉRIEUR MATÉRIAU CAISSON EXTÉRIEUR / TIROIR CAISSON / TABLETTE / TIROIR/ COUP / /COUP TABLETTE DEPIED PIED / COUP ENSTRATIFIÉ STRATIFIÉ DE PIED EN AGT STRATIFIÉ DELALACOLLECTION COLLECTION AGT DE LASUBLIME COLLECTION SUBLIME SUBLIME © ATELIER MODERNO, Jean-Guy Chabauty 2019. with a focus on materials and efficiency to make it suitable for a SUPRAMAT VERT SUPRAMAT3027 3027 SUPRAMAT VERTFORÊT FORÊT 3027 VERT FORÊT Ce document neDES peutDOCUMENTS être transmis, téléchargé ou reproduit, sous a UTILISATIONDES DES UTILISATION DOCUMENTS DOCUMENTS NOTES D'ÉBÉNISTERIE medical setting. The resulting 38-pieceUTILISATION furniture reflects impriméesystem ou électronique que ce soit, sans l'autorisation expresse é MATÉRIAU CAISSON / INTÉRIEUR / INTÉRIEUR DE EN AVEC FINI MATÉRIAU 1.5 INTÉRIEUR INTÉRIEUR MATÉRIAU CAISSON INTÉRIEUR / INTÉRIEUR CAISSONTIROIR TIROIR / INTÉRIEUR / INTÉRIEUR TIROIRCOUP COUP / INTÉRIEUR DEPIED PIED COUP ENMÉLAMINE MÉLAMINE DE PIED EN AVEC MÉLAMINE FINIÉRABLE ÉRABLE AVEC FINI ÉRABLE droit Ces Cesplanssont planssontfournis fournis Cesd'auteur. planssont auauclient clientuniquement fournis uniquement au client pour pour uniquement les lesfins finsduduprojet pour projet les décrit décrit finsàdu àl'offre l'offr pro services services etetnenepeuvent peuvent services enenet aucun aucun ne peuvent cas casêtre être en reproduits reproduits aucun cas ouou être dupliqués dupliqués reproduits ououservir ou servir dupliqués dedequelq que this concept through the incorporation of wood at its core, creating 1.1 QUANTITÉ : 1 façon façonque quececesoit soit façon pour pour que plus plus ced'un d'un soitprojet pour projetou plus oupour pour d'ununprojet unprojet projet ousimilaire, pour similaire, un àprojet àmoins moins simi d'u d BOÎTIER FINI FORMICA 3712-NG NOYER BOÎTIER 1.6EN ENSTRATIFIÉ STRATIFIÉ BOÎTIER EN FINI STRATIFIÉ FORMICAFINI 3712-NG FORMICA NOYER 3712-NG NOYER entente entente écrite écrite au au entente contraire. contraire. écrite Il Il en au en est contraire. est de de même même Il en pour est pour de tout tout même document document pour sur tout sur supp su do small alcoves that introduce a warm and inviting atmosphere to PROPRIÉTÉ INTELLECTUELLE informatique. informatique. Le Le informatique. client client a a cependant cependant Le client le le droit a droit cependant de de détenir détenir le des droit des copies, de copies, détenir éventuellem éventuelle des cop 1.2 LE MOBILIER SE RETROUVE DANS LA PIÈCE 01. reproductibles, reproductibles, des reproductibles, des plans, plans, etet ce, des ce, exclusivement plans, exclusivement et ce, pour exclusivement pour son son information information pour son etet pi BACKSPLASH EN BACKSPLASH 1.7 BACKSPLASH ENCÉRAMIQUE CÉRAMIQUE ENMODÈLE CÉRAMIQUE ARVMT010303KG , ,CIOT CIOT ,FORMAT ,FORMAT , CIOT 0.5 0.5X,X FORMAT 3.6 3.6'' '' 0.5 X 3.6 '' MODÈLEARVMT010303KG MODÈLE ARVMT010303KG an otherwise clinical space. Atelier Moderno - Jean-Guy Chabauty conserve tousdeles droits de p consultation consultationrelativement relativement consultation auauprojet relativement projet identifié identifié au àà l'offre projet l'offrede identifié deservices. services. à l'offre services.

1.12 1.12 POUBELLE POUBELLE 1.12 RICHELIEU RICHELIEU POUBELLE CENTRE CENTRE RICHELIEU DE DERECYCLAGE RECYCLAGE CENTRE DECARGO RECYCLAGE CARGO II IIMODÈLE MODÈLE CARGO 8461440100. 8461440100. II,MODÈLE 8461440100. 1.7 BACKSPLASH EN CÉRAMIQUE ARVMT010303KG CIOT,FORMAT 0.5 X 3.6 '' MODÈLE

PLAN

L.V. ±22"

AA

notamment les droits d'auteur et tout autre droit de propriété intellec y compris les conceptions élaborées par ordinateur relativement projet pour lequel ont été préparés soit réalisé ou non. De plus PROMOTION PROMOTIONDU DU PROMOTION PROJET PROJET DUils PROJET Jean-Guy Chabauty ne renoncent en aucun cas à leurs droits mora SiSileleclient clientutilise utilise Siles le lesplans client plansutilise ououtoutes toutes les plans autres autres ou représentations représentations toutes autres graphiques représentations graphiquesdudupro g p incluant incluantdes desphotographies photographies incluant des ouou photographies dessins dessinsdedel'ouvrage l'ouvrage ou dessins résultant résultant de l'ouvrage dedeces cesplans, résultant plans,peu peu de impo im ce UTILISATION DES DOCUMENTS leleformat, format,incluant incluant lenotamment format, notamment incluant sur sursupport notamment supportinformatique, informatique, sur support etetce, informatique, ce,pour pourquelques quelques et ce, fins fins po cecesoit, soit,incluant incluantnotamment ce notamment soit, incluant pour pournotamment des desfins finsdedepour promotion promotion des fins ououde pour pour promotion lalaparticipation participation ou pourà àl Ces planssont fournis auleou client fins du proje concours concoursd'architecture d'architecture concours ouou d'architecture dede design, design, leclient client de uniquement design, doit doitobligatoirement obligatoirement le pour clientles doit aviser obligatoire aviser Ate A services et- ne peuvent en aucun caspréalable, être reproduits dupliqués o Moderno Moderno- Jean-Guy - Jean-Guy Moderno Chabauty Chabauty Jean-Guy auaupréalable, préalable, Chabauty obtenir obtenir au son sonconsentement consentement obtenirou son et etconsente divulgue divulgu façon que ce Moderno soit Chabauty. pour d'un projet ou pour un projet simila nom nomd'Atelier d'AtelierModerno Moderno nom d'Atelier - Jean-Guy - Jean-Guy Chabauty. - plus Jean-Guy Chabauty. entente écrite au contraire. Il en est de même pour tout doc informatique. Le client a cependant le droit de détenir des copi reproductibles, des plans, et ce, exclusivement pour son in consultation relativement au projet identifié à l'offre de services.

1.13 1.13 MODÈLE MODÈLE 1.13 DE DEMICRO-ONDES MICRO-ONDES MODÈLE DE MICRO-ONDES ÀÀDÉTERMINER DÉTERMINER À AVEC DÉTERMINER AVECLELECLIENT. CLIENT. AVEC LE CLIENT. 1.8 POIGNÉES RICHELIEU CONTEMPORAINES PROFILÉES POUR PANNEAU DE 5/8 PO - 1500 ALUMINIUM

POUBELLE

PROMOTION DU PROJET

1.14 1.14 DISTRIBUTEUR DISTRIBUTEUR 1.14 ÉVIER DISTRIBUTEUR DE DEPAPIER PAPIER AMERICAN AMERICAN DESKINDRED PAPIER SPECIALTIES SPECIALTIES AMERICAN INC., MODÈLE MODÈLE 0215. MODÈLE 0215. 1.9 DE CUISINE LBS6808 INC., -SPECIALTIES SINGLE SINKINC., ( 0215. À VOIR SI SOUS COMPTOIR ) ±24"

A

±45"

BB

Si le client utilise les plans ou toutes autres représentations gra incluant des photographies ou dessins de l'ouvrage résultant de ces le format, incluant notamment sur support informatique, et ce, pou ce soit, incluant notamment pour des fins de promotion ou pour la concours d'architecture ou de design, le client doit obligatoirem Moderno - Jean-Guy Chabauty au préalable, obtenir son consentem nom d'Atelier Moderno - Jean-Guy Chabauty.

1.15 1.15 TOUS TOUSLES 1.15 LESDÉTAILS DÉTAILS TOUSSONT LES SONT DÉTAILS ÀÀVALIDER VALIDER SONT AVEC AVEC À VALIDER LELECLIENT CLIENT AVEC / FABRICANT. / FABRICANT. LE CLIENT / FABRICANT. 1.10 ROBINET GROHE SINGLE LEVER SINK MIXER 21'', MODÈLE 32665001

±193 4"

1.16 1.16 TOUTES TOUTES 1.16 LES LESMODÈLE COTES TOUTES COTESSONT SONT LESLAVE SUJETTES COTES SUJETTES SONT ÀÀVÉRIFICATION VÉRIFICATION SUJETTES À VÉRIFICATION SUR SUR LELESITE. SITE. SUR LE SITE. 1.11 DE VAISSELLE À DÉTERMINER AVEC LE CLIENT.

B

1.17 1.17 L'ÉBÉNISTE L'ÉBÉNISTE 1.17 DOIT DOIT L'ÉBÉNISTE FOURNIR FOURNIR DOIT LES LESFOURNIR ÉCHANTILLONS ÉCHANTILLONS LESDE ÉCHANTILLONS DE DETOUS TOUSLES LES FINIS DE FINIS TOUS DES DES LES MEUBLES MEUBLES FINIS8461440100. DES ÀÀCONSTRUIRE. CONSTRUIRE. MEUBLES À CONSTRUIRE. 1.12 POUBELLE RICHELIEU CENTRE RECYCLAGE CARGO II MODÈLE

PLAN

1.18 1.18 DES DESDESSINS DESSINS 1.18 MODÈLE DES D'ATELIER D'ATELIER DESSINS DEVRONT D'ATELIER ÊTRE ÊTRE DEVRONT FOURNIS ÊTRE POUR POUR FOURNIS TOUT TOUT LELE POUR MOBILIER. MOBILIER. TOUT LE MOBILIER. 1.13 DEDEVRONT MICRO-ONDES ÀFOURNIS DÉTERMINER AVEC LE CLIENT. 1.19 1.19 VALIDER VALIDER 1.19 TOUTES TOUTES VALIDER LES LESFICHES TOUTES FICHES TECHNIQUES LES FICHES DES TECHNIQUES DESÉLECTROMÉNAGERS ÉLECTROMÉNAGERS DES ÉLECTROMÉNAGERS ET ETAPPAREILS APPAREILS DE DE APPAREILS PLOMBERIE PLOMBERIE DEPOUR POUR PLOMBERIE POUR 1.14 DISTRIBUTEUR DETECHNIQUES PAPIER AMERICAN SPECIALTIES INC., MODÈLE 0215. ET L'INSTALLATION, L'INSTALLATION, L'INSTALLATION, LELEPOSTIONNEMENT, POSTIONNEMENT, LE POSTIONNEMENT, LES LESDÉGAGEMENTS DÉGAGEMENTS LES DÉGAGEMENTS NÉCESSAIRE, NÉCESSAIRE,NÉCESSAIRE, AINSI AINSIQUE QUELALAPOSITION AINSI POSITION QUEDES LA DES POSITION DES ALIMENTATIONS ALIMENTATIONS ALIMENTATIONS ÉLECTRIQUES. ÉLECTRIQUES. NE NEPAS PAS SEFIER FIER NEAUX PAS AUX DIMENSIONS SE DIMENSIONS AUXSUR SURLES LESPLANS PLANS SUR ÀÀCE LES CESUJET. SUJET. PLANS À CE SUJET. 1.15 TOUS LES DÉTAILSÉLECTRIQUES. SONT ÀSE VALIDER AVEC LEFIER CLIENT /DIMENSIONS FABRICANT.

A

±27" ±27"

B

±27"

±27"

±27" ±27"

1 1 ±18 ±18 2"2"

1 1 ±181 2" ±18 ±18 2"2"

±181 2"

±19" ±19"

±19"

±18" ±18"

±18"

1.16

TOUTES LES COTES SONT SUJETTES À VÉRIFICATION SUR LE SITE.

1.17

L'ÉBÉNISTE DOIT FOURNIR LES ÉCHANTILLONS DE TOUS LES FINIS DES MEUBLES À CONSTRUIRE.

1.18

DES DESSINS D'ATELIER DEVRONT ÊTRE FOURNIS POUR TOUT LE MOBILIER.

1.19

VALIDER TOUTES LES FICHES TECHNIQUES DES ÉLECTROMÉNAGERS ET APPAREILS DE PLOMBERIE POUR L'INSTALLATION, LE POSTIONNEMENT, LES DÉGAGEMENTS NÉCESSAIRE, AINSI QUE LA POSITION DES ALIMENTATIONS ÉLECTRIQUES. NE PAS SE FIER AUX DIMENSIONS SUR LES PLANS À CE SUJET. ±18" ±18" ±18"

DISTRIBUTEUR DISTRIBUTEUR DE DEPAPIER PAPIER DE PAPIER DISTRIBUTEUR

±18"

±183 4" ±183 4"

±29"±183 4" ±1"

sceau

CONSTRUCTION PICTURES sceau

DISTRIBUTEUR DE PAPIER

±1" ±1"

±171 4" ±143 16" ±16"

DISTRIBUTEUR DE PAPIER

DISTRIBUTEUR DEPAPIER PAPIER DE PAPIER DISTRIBUTEUR DISTRIBUTEUR DE TABLETTE AJUSTABLE

±171 4" ±11 4"

±1711 4" ±17 4" ±143 " ±84" ±143 1616"

±18"

±11 4" ±11 4"

dates 2022-01-23

client client

DISTRIBUTEUR DE PAPIER

descriptions RÉVISION MOBILIER

client

HOA HOAPHONG PHONGLE HOA LE PHONG LE

±1"

projet

numéro numérode de numér proj pro

21120 2112

QUATUOR QUATUORMD MD QUATUOR MD

client

4"

POUBELLE POUBELLE POUBELLE

3 ±18 ±35"4"

±35" ±35"

projet projet

±11 4"

±84"±35" ±35"

±147 16±30 " 3 4"

LAVE LAVEVAISSELLE VAISSELLE LAVE VAISSELLE 3 ±14±35" 16"

±175 16" 1 ±147 16"±16 4"

±19"

DISTRIBUTEUR DISTRIBUTEUR DE DEPAPIER PAPIER DE PAPIER DISTRIBUTEUR

±11 4"

±36"

±3033 4" ±30 4"

HOA PHONG LE conception conception conception

LAVE VAISSELLE

±22" ±22"

±22"

±24" ±24"

±24"

±12" ±12"

±12" ±12"

±12" ±21" ±21"

±21"

±19" ±19"

COUPE A

4"

COUPE COUPEAA

MARINE MERZOUG

ÉTAIL ÉTAIL DÉTAIL CUISINE CUISINE CUISINE SALLE SALLESALLE DES DESEMPLOYÉS EMPLOYÉS DES EMPLOYÉS ==1'-0" 1'-0" 3/4" = 1'-0" 01 ±22"

±24"

±12"

±12"

±21"

±19"

PORTFOLIO

J-G. J-G.CHABAUTY CHABAUT J-G

dessiné dessinépar dessiné par par projet

±19"

POUBELLE

ÉLÉVATION ÉLÉVATION ÉLÉVATION

vérificatio vérificati

J-G. J-G.CHABAUTY CHABAUTY J-G. CHABAUTY équipe équipeATELIER ATELIER équipe MODERNO MODERNO ATELIER MODERNO

±35"

±35"

±303 4"

±36"

4" 4"

±36" ±36"

1 MB-26

±111 4" ±1 4"

11 1 MB-26 MB-26 MB-26

±181 2"

±175 16"±11 4"

MICRO-ONDES

±181 2"

±27"

±84" ±84"

±1755 16" ±17 16" ±1477 16" ±14 16"

±27"

sceau sceau

descriptions descriptions dates dates dates descriptions 2022-01-23 2022-01-23 2022-01-23 RÉVISION RÉVISIONMOBILIER MOBILIER RÉVISION MOBILIER

±29"

±29" ±29"

±16"

±16" ±16"

±1611 4" ±16 4"

MICRO-ONDES MICRO-ONDES MICRO-ONDES

±161 4"

TABLETTE TABLETTEAJUSTABLE AJUSTABLE TABLETTE AJUSTABLE

COUPE COUPEBB

COUPE B

numéro

M. M.MERZOUG, MERZOUG, M.de de MERZOUG, l'équipe l'équipeATELIER ATELIER de l'équipe MODERNO MODERNO ATELIER MODERNO QUATUOR MD C.C.DIAZ, DIAZ,de del'équipe l'équipe C. DIAZ, ATELIER ATELIER de l'équipe MODERNO MODERNO ATELIER MODERNO

dessin dessin conception dessin

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DÉTAIL DÉTAILDE DECUISINE CUISINE DÉTAILSALLE DE SALLE CUISINE DES DESEMPLOYÉS EMPLOYÉS SALLE DES EMPLOYÉS J-G. CHABAUTY équipe ATELIER MODERNO

échelle échelle dessiné échelle par 3/4"=1'-0" 3/4"=1'-0"(@ (@ANSI 3/4"=1'-0" ANSID)D) (@ ANSI D)

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J-G

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ATELIER SERGÉ

RESIDENTIAL

atelier sergé Time period : Winter-Spring 2022 Collaborator(s): Solo project Softwares : Autocad, Sketchup, D5 Render, Photoshop Client : School project Role : /

MARINE MERZOUG

PORTFOLIO

Atelier Sergé is a proposition to renovate a typical Montrealer duplex town house into an intergenerationnal textile artist residency. In Montreal, textile construction is not an easily accessible art and few spaces provide an access to the specific tools required to make fabric. Even though it seems like this activity has regained some popularity over the last years, knitting and weaving for exemple are still associated with an other generation. Montreal population is growing older, as in most occidental cities and people are also growing lonelier. Atelier Sergé is an initiative to create a bridge between generations by allowing a young emerging artist to live with a more experienced textile designer in a self directed communal workshop-house. They get to decide what the dynamic is going to be and they can move around social spaces as well as more individual ones. 11


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ATELIER SERGÉ

RESIDENTIAL

52

20

Ru e

Cla

rk

Av . Fa irm ou nt O

Ru e

StUr ba

in

IMPLANTATION adresse : 5220 Rue Clark, Montréal, QC H2T 2V2 quartier : Mile-end, Plateau Mont-Royal commerces à proximité : dépanneur, café Grazie-Mille, Fairmount Bagel, Guillaume

It was crucial to identify a concept that could aptly capture the essence of the neighborhood and serve a purpose in the emerging area. Historically, Mile-End was a working-class neighborhood characterized by numerous factories. Today, it stands as a highly sought-after locality, thriving with artists and an expanding community of creatives. The name «atelier Sergé» is derived from the Sergé weaving technique, known as twill in English—one of the three primary weaving methods. Originally employed to craft durable workwear, this choice of name establishes a meaningful connection between the neighborhood’s industrial past and its contemporary transformation into an intergenerational artist’s residency. By fostering connections between different generations, we aim to build a more robust community, mirroring the strength inherent in Sergé fabric. The logo, depicted as a twill stitch in the second picture on the bottom left, symbolizes our commitment to establishing a space that connects. This deliberate choice reflects our dedication to creating a unifying environment.

EXTERIOR FACADE

MARINE MERZOUG

LOGO

PORTFOLIO

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ATELIER SERGÉ

RESIDENTIAL

The purpose on this floor was to separate the individual spaces from the common and more social ones. The main room is open and contains a living room, a dining room and a kitchen. The stairs lead to the workshop and create a bridge between the artist and the human.

LAYOUT PLAN OF THE GROUND FLOOR

LAYOUT PLAN OF THE SECOND FLOOR

DOWN

2

UP

5

1

3

4 1

DOWN

1 3

2

1 INDIVIDUAL ROOMS

1 COMMON WORKSHOP

2 LAUNDRY ROOM

2 WEAVING MACHINE

3 BATHROOM

3 LABORATORY

4 KITCHEN AND DINING ROOM 5 LIVING ROOM

the second floor is just occupied by the workshop and its different activities : knitting, weaving, sewing and the dye laboratory. It is a shared coworking space. we implemented skylights to add more natural lights since the left wall and right wall are shared with other buildings.

MARINE MERZOUG

PORTFOLIO

13


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ATELIER SERGÉ

SIMPLIFIED AXONOMETRY

LONGITUDINAL SECTION

MARINE MERZOUG

RESIDENTIAL

PORTFOLIO

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MARINE MERZOUG

ATELIER SERGÉ

RESIDENTIAL

PORTFOLIO

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MARINE MERZOUG

ATELIER SERGÉ

RESIDENTIAL

PORTFOLIO

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MARINE MERZOUG

ATELIER SERGÉ

RESIDENTIAL

PORTFOLIO

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GOODEE OFFICE

OFFICE

goodee office Time period : Winter 2021 Collaborator(s): Claire Faucher, Émilie Langlais Softwares : Revit, Enscape, Photoshop, Illustrator Client :School project Role : Concept, system of furniture , 3D model, graphism

MARINE MERZOUG

PORTFOLIO

As part of a course on work environments, we were assigned to imagine what the offices of Goodee, a lifestyle objects company founded in 2019 that seeks to counter mass consumption and offers a new way of buying, could look like. Goodee stands out in its identity by focusing on the supplier-customer relationship and 12 ecological, socialcultural and economic commitments. That’s why it seemed ridiculous to propose a traditional office. Furthermore, the pandemic context forced to imagine how the dynamics were going to change when people would return to the office. We were constrained to fit these offices in a wing of 1 Place Ville Marie, which is a financial and commercial hub. Goodee’s way to promote a more ethical consumption seems to clash with Place Ville Marie, which is why our challengewas to transform our very traditional given premises into a space that reflects the brand’s image. 18


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GOODEE OFFICE

OFFICE

PORTFOLIO

19

IMPLANTATION

MARINE MERZOUG


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Instead of organizing the office by functions, we decided to twist things around by creating different zones for the different dynamics observed in the office. It was observed that some departments could work mostly from and some others needed the structure of an office to be able to be creative. Which is why we decided to imagine four different dynamics that could offer a different vision of the traditionnal office.

GOODEE OFFICE

OFFICE

M IC

D

ME

NA

D IGH Y

-H IUM

LO W D

YN AM IC

HIGH DYNAMIC

MEDIUM-L

W O

DYNAMIC

HIGH DYNAMIC : HUMAN RESSOURCES, RESEARCH AND DEVELOPPMENT, MARKETING, COWORKING, CLEANING STAFF MEDIUM HIGH DYNAMIC : DIRECTION, RECRUITMENT AND TRAINING, SALES, WEB MARKETING, PERMANENT SUPPLIERS MEDIUM LOW DYNAMIC : FINANCES, ACCOUNTING AND IT DEPARTMENT LOW DYNAMIC : KEYNOTE SPEAKER , INVITED ARTISTS OR DESIGNERS, POTENTIAL FUTURE SUPPLIERS, CLIENTS, FAMILY/FRIENDS

MARINE MERZOUG

PORTFOLIO

PROFESSIONNAL BONDS SOCIAL BONDS LEARNING BONDS

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GOODEE OFFICE

OFFICE

This structure based on dynamics was inspired by the organization of Athens during the antiquity. The city was built around areas that implied a social commitment and this center was surrounded with more intimate spaces such as thermal baths.

PRIVACY

BATHS

WORKSHOP

AGORA

COMMITMENT

AGORA

MARINE MERZOUG

STRATA

PORTFOLIO

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B

A

3

1

4

GOODEE OFFICES

GOODEE OFFICE

OFFICE

C

3

2

D

2

WELLNESS ROOM

GOODEE OFFICES E

1

5

CAFÉ

DINING ROOM MATERIAL LIBRARY 6

COWORKING OFFICES

WITHOUT SCALE

1 FORMAL CONFERENCE ROOM 2 INFORMAL CONFERENCE ROOM 3 WORK CUBICLES 4 STORAGE SPACES

WITHOUT SCALE

A CEO OFFICES RESEARCH AND DEVELOPPMENT B DEPARTMENT C SALES AND MARKETING DEPARTMENT

1 FORMAL CONFERENCE ROOM

D

OPERATIONS DEPARTMENT

2 INFORMAL CONFERENCE ROOM

E

IT DEPARTMENT

3 WORK CUBICLES

5 SHOWERS 6 LOCKERS

LAYOUT PLAN OF THE 41TH LEVEL

LAYOUT PLAN OF THE 40TH LEVEL

MARINE MERZOUG

PORTFOLIO

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GOODEE OFFICE

AGORA

OFFICE

ATELIER 40th LEVEL

40th LEVEL

ATELIER

THERMES

41th LEVEL

41th LEVEL

STRATAS EXPLAINED BY AREAS

MARINE MERZOUG

PORTFOLIO

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004

MARINE MERZOUG

GOODEE OFFICE

OFFICE

PORTFOLIO

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KITTEL CAFÉ

HOSPITALITY

kittel café Time period : Winter 2021 Collaborator(s): William Cloutier Softwares : Autocad, Revit, Lumion, Photoshop Client : School project Role : Concept, technical plans , 3D model, graphism

MARINE MERZOUG

PORTFOLIO

For this project, the mandate was to design a cafe in collaboration with the Montreal-based coffee brand Kittel. Kittel is a specialty coffee roaster located in Montreal. They make the effort to transparently source their coffee often through direct trade partnerships from organic farms. The location of the cafe is in the Plateau neighborhood of Montreal, which is a trendy neighborhood. It was necessary to both maintain the identity of the brand and give it a unique purpose that would serve the community. By studying the location demography, we decided to focus on two activities dear to the residents of the Plateau: cycling and community life. To do this, we added a bike repair space to the cafe as well as a drive-through. For community life, we integrated local product displays and walls with posters created by local artists in order to create a space to share and exchange and get to know your neighbors .

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KITTEL CAFÉ

HOSPITALITY

1 ENTRANCE

8

2 SEATING AREA

9

3 COUNTER / BAR 4 LOCAL ARTISTS GALLERY 5 BIKE REPAIR SHOP

7

6 COWORKING SPACE

6

7 TOILETS 8 EMPLOYEES ROOM 9 GARDEN

4

STORAGE

5 3

2 1

for the plan, we decided to prioritize circulation and allow the customer to walk around freely and allow the furniture to create a different journey for every person. we try to make a connection between the outside and the inside and between the different dynaimcs inside the cafe.

WITHOUT SCALE

LAYOUT PLAN

MARINE MERZOUG

PORTFOLIO

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005

VOLUMES

MATERIALITY

HOSPITALITY

JOURNEY

It was important for us to represent graphically our intentions. we wanted our concepts to be concise enough that they could be simply drawn or explained.

MARINE MERZOUG

KITTEL CAFÉ

AXONOMETRY

PORTFOLIO

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005

KITTEL’S STOREFRONT

MARINE MERZOUG

KITTEL CAFÉ

BAR COUNTER

HOSPITALITY

VIEW OF THE GALLERY WALL

PORTFOLIO

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005

KITTEL CAFÉ

HOSPITALITY

PORTFOLIO

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GENERAL VIEW

MARINE MERZOUG


006

SUPERBAR

HOSPITALITY

superbar Time period : January 2023 Collaborator(s): Maxime Cazet Softwares : Autocad, Sketchup, D5 Render, Photoshop Client : Personnal project Role : Technical plans, Renders, graphism

MARINE MERZOUG

PORTFOLIO

SuperBar is a project that originated one January morning. My friend and colleague, Max, and I embarked on a challenge: to bring a project to life within a 24-hour timeframe, starting from scratch. The only parameters we set for ourselves were the limited time frame and a specific area to work within. Swiftly, we formulated a concept centered around neighborhood bars. Drawing inspiration from our experiences living in Paris, where the café culture thrives, we envisioned a space where, just like in Paris, people could gather for informal drinks regularly after work. In contrast to Montreal’s lack of a similar terrace and café culture, our goal with SuperBar was to bridge the gap between the two worlds. We aimed to create a neighborhood bar that was both informal and cozy, fostering an environment where people could engage in conversations and enjoy post-work drinks.

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SUPERBAR

HOSPITALITY

EMPLOYEE’S ROOM AND STORAGE ROOM

BATHROOM

THE BAR CONTAINS EVERYHING NEEDED TO MAKE THE COCKTAILS AND SERVE WINE. WE WERE INSPIRED BY THE ZINC COUNTERS FOUND IN EUROPE.

THE WALL AT THE BACK OF THE BAR IS THE MAIN EVENT. THROUGH SANDED BLOCKS OF GLASS RADIATES A SOOTHING GLOW, COMING FROM BEHIND THE WALL OF GLASS. FROM THE OUTSIDE , YOU CAN RECOGNIZE THE HEATING AND INVITING WARMTH OF SUPERBAR

THE MAIN SITTING AREA IS MADE TO ALLOW BIG GROUPS TO SIT. IN MOST BARS IN MONTREAL, IT IS RATHER DIFFICULT TO FIND PLACES FOR BIG GROUPS. AT SUPERBAR YOU CAN COME AND MAKE FRIENDS OR BRING THE ONES YOU ALREADY HAVE.

THE SECOND SITTING AREA IS MORE BOOTH-STYLE. THERE, TABLES ARE MORE INTIMATE .

ENTRY

AXONOMETRY

MARINE MERZOUG

PORTFOLIO

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SUPERBAR

VIEW OF THE BAR COUNTER

VIEW OF THE ENTRY

VIEW OF THE GLOWING WALL

BOOTH STYLE SITTING AREA

MARINE MERZOUG

PORTFOLIO

HOSPITALITY

32


006

SUPERBAR

HOSPITALITY

Throughout this project, we recognized the necessity for a distinct brand identity for this bar. We sought a logo that would be easily memorable and an artistic direction capable of consistently representing the establishment across flyers and signage. Emphasizing simplicity, our goal is to establish a welcoming neighborhood bar where everyone feels at ease.

EXTERIOR SIGNAGE OF SUPERBAR

POSTERS FOR SUPERBAR’S PROMOTION

MARINE MERZOUG

PORTFOLIO

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XXX

END

-

thank you for your time :) - Marine

email : merzougmarine@gmail.com phone : +33695059020 linkedin : www.linkedin.com/in/marine-merzoug-0a084421a MARINE MERZOUG

PORTFOLIO

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