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The Cabrillo Music Festival bursts into town p15

August 5-12, 2009 Vol. 1, No. 14

music

sweet everywhere

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august 5-12, 2009

SANTACRUZ.COM

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Contents. P OSTS

p4

CURRENTS L O C A L LY

p7

p13

COVER STORY A&E

p15

p25

S TA G E , A R T & EVENTS

p28

B E AT S C A P E CLUB GRID FILM

p32 p34

p41

EPICURE

p49

DINER’S GUIDE ASTR OLOGY

p50

p52

CLASSIFIEDS

p53

ON THE COVER Cyro Baptista (photo credit not available)

115 Cooper St, Santa Cruz, CA 95060 831.457.9000 (phone) 831.457.5828 (fax) 831.457.8500 (classified) SCW@santacruz.com Santa Cruz Weekly, incorporating Metro Santa Cruz, is available free of charge, limited to one copy per reader. Additional copies of the current issue of Santa Cruz Weekly may be purchased for $1, payable at the Santa Cruz Weekly office in advance. Santa Cruz Weekly may be distributed only by Santa Cruz Weekly’s authorized distributors. No person may, without permission of Metro Publishing, Inc., take more than one copy of each Santa Cruz Weekly issue. Subscriptions: $40/six months, $76/one year. Entire contents Š 2009 Metro Publishing, Inc. All rights reserved. Reproduction in any form prohibited without publisher’s written permission. Unsolicited material should be accompanied by a stamped, self-addressed envelope; Santa Cruz Weekly is not responsible for the return of such submissions.

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EDITOR E D I TO R B@/ 17 6C97:: 6 B@/17 6C97:: (t raci@santtacruzw a eeekly.com) (traci@santacruzweekly.com) STAFF W RITERS STAFF WRITERS @716/@2 D=< 0C CA/19 @716/@2 D=< 0CA/19 (richarrd@santtaacruzweeekly.com m)) (richard@santacruzweekly.com) 1C@B7A 1/@ / B73@ 1C@B7A 1/@B73@ (curtis@santtacruzw a eeekly.com) (curtis@santacruzweekly.com) 83AA71/ :CAA3 3<6=> 83AA71/ :CAA3<6=> (jessica@santtacruzw a eeekly.com) (jessica@santacruzweekly.com) CONTRIBUTING EDITOR E D I TO R CONTRIBUTING 16@7AB7</ E/B3@A 16@7AB7</ E/B3@A CA L E N D A R E D I TO R CALENDAR EDITOR >/C: E/5<3@ >/C: E/5<3@ (calendar@santtacruzw a eeekly.com) (calendar@santacruzweekly.com) POETRY EDITOR E D I TO R POETRY @=03@B AE/@2 @=03@B AE/@2 P RO O F R E A D E R PROOFREADER 83/<<3 A16CAB3@ 83/<<3 A16CAB3@ EDITORIAL INTERN INTERN EDITORIAL 9/B :G<16 9/B :G<16 (kat@santtacruzw a eeeklyy.com) (kat@santacruzweekly.com) CO N T R I B U TO R S CONTRIBUTORS @=0 0@3HA<G @=0 0@3HA<G ;/C@33< 2/D72A=< ;/C@33< 2/D72A=< >/C: ; 2/D7A ;716/3: A 5/<B >/C: ; 2/D7A ;716/3: A 5/<B /<2@3E 57:03@B 83<< 7@3:/<2 /<2@3E 57:03@B 83<< 7@3:/<2 A B3>63< 93AA:3@ A1=BB AB3>63< 93AA:3@ A1=BB ; /11:3::/<2 4CBH73 <CBH:3 ;/11:3::/<2 4CBH73 <CBH:3 A B3D3 >/:=>=:7 >3B3 A63/ AB3D3 >/:=>=:7 >3B3 A63/ 1 /@:73 AB/BA9G 1/@:73 AB/BA9G > /C: E/5<3@ ;=::G H/>> >/C: E/5<3@ ;=::G H/>>

/@B / /@ B >@=2C1B7=< >@=2C1 1B7=< DESIGN D ESIGN D DIRECTOR I R E C TO R 9 9/@/ 0@=E< /@/ 0@= 0 E< PRODUCTION MANAGER M A N AG E R PRODUCTION 6/@@G /::7A=< : 6/@@G /::7A=< G RAPHIC D ESIGNER GRAPHIC DESIGNER B /07 H/@@7< <<//: B/07 H/@@7<<//: E D I TO R I A L P RO D U C T I O N EDITORIAL PRODUCTION A3/< 53=@53 3 A3/< 53=@53 A DD ESIGNERS AD DESIGNERS 83<<G =/B3G 83<<G =/B3G 97;03@: :G >/@@7A / 6 97;03@:G >/@@7A6 2 7/<</ D/ /<3G193 27/<</ D/<3G193

27A>:/G /2D3@B7A7<5 27A>:/ /G /2D3@B77A7<5 ACCOUNT A CCOUNT EXECUTIVES EXECUTIVES / :713 1=:0G /:713 1=:0G (alic e@santtaacruz.com) (alice@santacruz.com) ;=:: :G 4/@@3:: / ;=::G 4/@@3:: (molly@sant tac a ruz.com) (molly@santacruz.com) 7:/</ @/C16 >/193@ 7:/</ @/C16 >/193@ (ilana@santacruz.com) (ilana@sant tac a ruz.com) 2 2/<73: G/@G/< /<73: G/ /@G/ /< (daniel@santacruz.com) (daniel@sant tac a ruz.com)

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=>3@/B7=<A ;/</53@ =>3@/ B7=<A ;/</ /53@ 23<7A3 D7D/@ 2 3<7A3 D7D D/ /@ (denise@santacruz.com) (denise@sant tac a ruz.com)

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Send letters letteerrs to to Santa Santa Cruz Weekly, Weeeklyy, letters@santacruz.com letteerrs@san s nttaacruz.com or ttoo A Attn: ttn: LLetters, ettteeerrs, 115 Co ett et C Cooper ooper e St., Sant San Santaa Cruz, uz 95060. 060. Inclu Include udee cit city ittyy and phone inaccuracies known us. phone number number or email address. address. Submissions Subm missions mayy be be edited editteed for for or length, length clarity le leng cllaritt y or or ffactual ac aactual inac a curacies racies know nown ttoo us s.

23A/: /<2 B63 23A/: /<2 B63 >C0:71 >@=13AA > C0:71 >@=13AA T THE HE JJULY ULY 1 ccontribution ontribution iin n tthe he B Bullhorn ullhorn ssection ection (“Desal (“Desal and and Democracy�) Democracy�) contained contained a number number of of statements statements regarding regarding the the city city off Santa o Santa Cruz Cruz and and Soquel Soquel Creek Creek Water Water District’s D istrict’s exploration exploration of of desalination desalination as as a wee b believe ssupplemental upplemental water water ssupply upply tthat hat w elieve deserve d eserve clarification. clarif ication. Firstly, decision off a ffullF irstly, a d ecision on on cconstruction onstruction o ullsscale cale desalination desalination plant plant has has not not been been made. made. What W hat was was decided decided was was to to determine determine the the ffeasibility easibility of of a desalination desalination plant plant by by building building a pilot pilot project project and and conducting conducting other other studies studies tto o inform inform the the decision decision regarding regarding pursuing pursuing a ffull-scale ull-scale desalination desalination project. project. The The decision decision byy tthe b he city city of of Santa Santa Cruz Cruz to to move move ahead ahead with w ith a pilot pilot project project was was the the result result of of an an IIntegrated ntegrated Water Water Plan Plan that that took took two two years years public aand nd 74 74 p ublic meetings meetings to to complete. complete. In In

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attempting tto attempting o prepare prepare for for drought drought shortfalls, shortfalls, tthe he city city council council decided decided that that the the most most ffeasible easible option option to to augment augment the the local local water water ssupply upply was was desalination desalination of of seawater. seawater. The The Soquel S oquel Creek Creek Water Water District District conducted conducted a ssimilar imilar in-depth in- depth and and public public evaluation evaluation of of its its options o ptions to to address address insufficient insuff icient groundwater groundwater ssupplies upplies that that have have resulted resulted in in overdraft overdraf t aand nd seawater seawater intrusion intrusion of of the the mid-county mid- county aaquifers. quifers. The The issues issues and and options options considered considered documented aare re d ocumented in in tthat hat aagency’s gency’s Integrated Integrated Resources R esources Plan. Plan. Any A ny decision decision about about whether whether to to construct construct a full-scale full-scale desalination desalination plant plant will will be be made made only o nly after after a thorough thorough Environmental Environmental IImpact mpact Report Report is is completed completed and and reviewed. reviewed. The T he report report will will study, study, among among other other things, things, tthe he effects effects of of a proposed proposed desalination desalination plant plant on marine o nm arine life. life. The The EIR EIR will will be be subject subject to to public p ublic hearings hearings and and review, review, during during which which ttime ime members members of of the the public public will will be be given given

ample opportunity ample opportunity to to provide provide oral oral and and w ritten ccomments. omments. Community Community members memb ers written w ill continue continue to to have have the the opportunity opportunity to to be be will iinvolved nvolved during during every every phase phase of of the the process. process. Secondly, was S econdly, it it w as not not the the elected elected officials of f icials off eeither off S Santa o ither tthe he ccity ity o anta Cruz Cruz or or tthe he Soquel Creek Water S o quel C reek W ater District District (referred (referred tto o aass Powers ““The The P owers That That Be�) Be�) who who decided decided tthere here was drought. midst off w as a d r ught. California ro California is is iin n tthe he m idst o off d drought, water districts a tthird hird ye yyear ar o rought, aand nd w ater d istricts have tthroughout hroughout tthe he sstate tate h avve iimplemented mplemented both b oth mandatory mandator y and and voluntary vo l u n ta r y cconservation onservation measures measures to to reduce reduce water water use. use. Gov. declared G ov. Schwarzenegger Schwarzenegger d eclared a drought drought llast ast JJune une aand nd tthis his February February declared declared a sstate tate off eemergency, o mergency, cciting iting tthe he tthird hird sstraight traight year off b below-average ye ar o elow-avverage rrainfall ainfall aand nd tthe he possibility off ffuture dry years. water p ossibility o uture d ry ye ars. Local Lo cal w ater officials must prepare forr tthe possibility off a o f f icials m ust p repare fo he p ossibility o prolonged drought. p rolonged d rought. Thirdly, project T hirdly d y, the desalination pr p oject j is in n no

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Of Film Of Film Festivals Festivals and and Homophobia H omophobia 0G 03BB7</ />B6393@ 0 G 03BB7</ />B6393@

way link way linked ed to an anyy eexpansion xp pansion of the UC UC–Santa –Santa Cruz C ruz ccampus. ampus. The The des desalination salination pr project oject is being b eing studied ffor or dr o drought ou ught pr protection otection and to fforestall orestall sea o water ccontamination ontamination of the seawater aquifers. aquif fers e .A Any ny futur futuree w water ater demands that rresult esult fr from om UCSC UCSC growth growth o will require require a separate en environmental vironmental assessment and cit ouncil decision. decision Ratepayers Raatepaayers in the cityy ccouncil Santaa C Sant Cruz ruz and the So Soquel oquel Creek Creek Water District D istrict will not b bee su subsidizing ubsidizing the ccost ost of the univ university’s ersity’s eexpansion, xp pansion, b because ecause the project linked futuree desalination pr oject iss not link ed to futur growth institution. gr owth of that institu ution. The T he Soquel Soquel Creek Creek Water Water District District and and tthe he city city of of Santa Santa Cruz Cruz are are committed committed to to cconducting onducting their their water water supply supply planning planning and and policy p olicy matters matters in in a public public and and transparent transparent ffashion ashion and and eencourage ncourage tthe he public public to to ttake ake off tthe many opportunities aadvantage dvantage o he m any o pportunities tto o policy. More sshape hape tthat hat p olicy. M ore iinformation nformation iiss aavailable vailable at: at: www.scwd2desal.org. www.scwd2desal.org. Bill B ill K Kocher, ocher, Director, Santa Santa Cruz Cruz Water Water Department Dep art ment Director, LLaura aura B rown, Brown, General Manager, Manager, So o quel C reek W ater D ist rict General Soquel Creek Water District

A/D3 075 0:C3 <=E A /D3 075 0:C3 <=E I APPLAUD APPLAUD tthe he Weekly’s Weekly’s attention attention to to ocean ocean issues. We We live live in in a coastal coastal town town and and many many issues. of us us are are here here because because we we either either obtain obtain of our livelihood livelihood from from the the ocean, ocean, enjoy enjoy our our our recreation in in the the ocean ocean or or just just enjoy enjoy the the recreation peace of of mind mind the the ocean ocean brings brings by by seeing seeing peace it it every every day day or or jjust ust knowing knowing it it is is there. there. But But all of of us us are are also also stewards stewards of of this this resource. resource. all Why wouldn’t wouldn’t we we be be if if it it helps helps us us to to have have an an Why income, have have our our fun fun or or have have our our sanity?! sanity?! I income, can’t agree agree more more with with the the title title of of last last week’s week’s can’t Bullhorn, “We “We Can’t Can’t Afford Afford Not Not to to Protect Protect Bullhorn, the the Oceans.� Oceans.� Who Who can can disagree disagree with with that? that? We believe believe that that as as a community community we we must must all all We work together together to to ensure ensure future future protection protection of of work this this precious precious resource. resource. And And we we at at Save Save Our Our Shores see see it it every every week week as as we we coordinate coordinate Shores volunteers to to run run cleanups cleanups at at local local beaches b eaches volunteers or attend attend community community events events to to get get the the or word word out out about about a healthy healthy ocean. ocean. With With the the involvement involvement of of the the community community and and the the appreciation of of this this resource, resource, we we can can be be a appreciation strong strong force force to to protect protect the the big big blue. blue. Laura K Laura Kasa, asa, Executive Director, Director, Save Saave Our Our Shores Shores Executive

B6=A3 E6= 1/AB B 6=A3 E6= 1/AB B63 47@AB AB=<3A B 63 47@AB AB=<3A IIT T BEGAN BEGAN with with an an 8-pound 8-pound river river stone stone his tthrown hrown aatt h is ttrailer railer window window frame, frame, breaking panes off iits b reaking ttwo wo p anes o ts llouvered ouvered gglass lass a ffew ew ffeet eet ffrom rom his his head head as as he he slept. slept. The The next n ext nights nights the the man man stood stood in in fear fear with with a f lashlight, lashlight, hoping hoping to to thwart thwart any any recurring recurring aattempt ttempt by by getting getting a glimpse glimpse of of a license license plate. p late. About About a month month later later two two more more river river sstones tones were were hurled hurled and and hit hit his his vehicle, vehicle, one one ccausing ausing a large large indentation indentation and and split split in in the the body off tthe b o dy o he ttrailer. railer. He He could could only only assume assume his h is vehicle vehicle was was targeted targeted because because of of its its size size rrather ather than than the the cars cars parked parked around around him, him, aand nd that that of of a large large bus bus parked parked in in the the same same proximity p roximity which which was was also also hit, hit, sustaining sustaining ssimilar imilar damage. damage. The T he Santa Santa Cruz Cruz County County Sheriffs’ Sherif fs’ ssuggestion/remedy: uggestion /remedy: to to move move on on down down the the Sleeping rroad. oad. S leeping in in a vehicle vehicle on on a public public rroadway oadway is is an an infraction. infraction. Throwing Throwing a projectile p rojectile from from a moving moving vehicle vehicle at at another another iiss a felony, felony, and and in in this this case case attempted attempted murder. have m urder. Does Does aan n iinnocent nnocent ttraveler raveler h ave tto o get get sseriously eriously iinjured njured or or die die before before aany ny sserious erious aattention ttention iiss ggiven iven tto o tthe he aaforementioned forementioned matter? matter? Too Too bad bad there there not put aare re n ot rresources esources tto op ut ssurveillance urveillance aatt tthe he ccrime rime scene scene to to catch catch the the felon/s felon /s and and put put a sstop top to to this this senseless senseless crime. crime. SSleepless leepless in in Santa Santa C Cruz ruz

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EF FIND IND o ourselves urselves iin nS Sweden. weden. A gay gay couple couple is is on on the the waiting baby. been w aiting llist ist tto o aadopt dopt a b aby. They They have have b een aapproved pproved aass parents. They boy, p arents. Th hey rreceive eceive a lletter. etter. A b oy, aage ge 11.5, .5, iiss aarriving. rriving. The The Th men men ar aare re ecstatic, ecst stat atic, c although altho al hough gh one one of of them them is is still still a bit bit apprehensive apprehe hensiive ve about ve about this whole outfit nursery. The on this w hole aadoption doption iidea. dea. They They o utfit a n ursery. T he ““baby� baby� aarrives rrives o na Friday Frriday aafternoon. fternoon. He He is is 15, 15, a troubled troubled teen teen rreleased eleased ffrom rom a rreformatory, eformatory, and hee iiss h homophobic put mildly. men and tto o ssay ay tthat hat h omophobic iiss tto op ut iitt m ildly. The The m en aassume ssume there has been mistake, there h as b een a m istake, aand nd iintend ntend tto o ffix ix iitt ccome ome Monday Monday morning. morning. The The mistake, however, out have been mistake, h owever, tturns urns o ut tto oh ave b een a ttypographical ypographical eerror rror iin n tthe he lletter etter awarding So begins 2008 Sweden, awarding aadoption. doption. S ob egins Patrik, Patrik, Age Age 1.5, 1.5, a 2 008 rrelease elease ffrom rom S weden, directed byy E Ella Lemhagen. Wee ssaw San directed b lla L emhagen. W aw iitt aatt tthe he Castro Castro in in S an Francisco Frrancisco iin n late June LGBT Film Festival. late Ju une aatt tthe he 333rd 3rd aannual nnual Frameline Frrameline International In nternational L GBT Fi ilm Fe estival. It was poignant hilarious. Wee h hope It w as a tterrific errific ffilm, ilm, p oignant aand nd h ilarious. W ope yyou ou gget et tto o ssee ee iitt iin n Santa Santa Cruz. Cruz. Another Thea: Very was documentary Another ffilm, ilm, EEdie die aand nd T hea: A V ery LLong ong EEngagement, ngagement, w as a d ocumentary about 42 about a New New York York lesbian lesbian couple couple that that had had been been together together for for 4 2 yyears ears when decided married. Thea had MS, when tthey hey d ecided tto o ttravel ravel tto o Canada Canada tto o gget et llegally egally m arried. T hea h ad M S, and her deterioration disease progresses. Ass m much and tthe he ffilm ilm ccharts harts h er d eterioration aass tthe he d isease p rogresses. A uch as death dying was as tthis his was was a sstory tory about about d eath aand nd d ying iitt w as aalso lso aabout bout life, life, love love and and commitment. but Edie was commitment. Thea Th hea had had passed passed away away eearlier arlier iin n the the yyear, ear, b ut E die w as iin n tthe he audience, with Susan audience, aand nd ccame ame fforward orward w ith cco-directors o o-directors Greta Greta Olafsdottir Olafsdottir aand nd S usan Muska Muska to to a standing standing ovation. ovation. A llocal was byy S San Cary ocal ccrowd rowd ffavorite avorite w as aan n eexperimental xperimental ffilm ilm b an Franciscan Frranciscan C ary Cronenwett Men. was Kronstadt uprising Cronenwett titled titled Maggots Maggots aand nd M en. IItt w as aabout bout tthe he K ronstadt u prising of Soviet dream. of S oviet ssailors ailors iin n 11921 921 iin n a ffailed ailed aattempt ttempt tto o rreclaim eclaim tthe he ssocialist ocialist d ream. IItt was on built backyard, black white, brilliantly was ffilmed ilmed o n a sset et b uilt iin n ffriend’s riend’s b ackyard, iin nb lack aand nd w hite, b rilliantly interspersed with men, interspersed w ith aarchival rchival ffootage. ootage. The The actors actors were were trans trans m en, aand nd tthe he ffilm ilm drew drew a parallel parallel between between revolutions, revolutions, one one for for socialism socialism and and one one for for the the free free expression off ggender Wee ffound ourselves unexpectedly expression o ender aand nd ssexuality. exuality. W ound o urselves u nexpectedly aand nd profoundly moved, myy h heart with off w what profoundly m oved, m eart ffilled illed w ith ccompassion ompassion ffor or tthe he vvision ision o hat might been, what wee ccan make. might have have b een, aand nd w hat w an sstill till m ake. Especially Especially powerful powerful were were a sseries eries of of sshort hort documentary documentary ffilms ilms ffrom rom Malaysia, Cuba, Malaysia, C uba, Sarajevo Sarajevo aand nd Taiwan, Taiwan, each each depicting depicting the the struggle struggle for for basic Wee ssaw 255 ffilms between 27th. basic ccivil ivil rrights. ights. W aw 2 ilms b etween JJune une 118th 8th aand nd 2 7th. In n aaddition ddition to described, France, Israel, to tthose hose aalready lready d escribed, ffilms ilms ccame ame ffrom rom Argentina, Argentina, Fr rance, Is srael, South Africa, Spain, Germany South A frica, S pain, tthe he Czech Czech Republic, Republic, G ermany aand nd Australia, Australia, among among others. Films Latina/o, African American Asian American others. F ilms ffrom rom tthe he L atina/o, A frican A merican aand nd A sian A merican community off rracism homophobia with community blended blended ccultures ultures aand nd tthemes hemes o acism aand nd h omophobia w ith the quest queer the q uest ffor or ggender ender aand nd q ueer lliberation. iberation. Being watching Being iin n tthe he aaudience udience aatt tthe he Castro Castro was was as as powerful powerful aass w atching tthe he films. with directors, producers were films. Discussions Discussions w ith d irectors, p roducers and/or and/or aactors ctors w ere aan n aadded dded dimension powerful off ccommunity. Pride Sunday dimension ccreating reating a p owerful ssense ense o ommunity. As As P ride S unday neared, overflowed with off neared, tthe he sstreets treets iin n aand nd aaround round tthe he Castro Castro o verf lowed w ith tthousands housands o people people iin n vvibrant ibrant ccostumes ostumes aand nd ccolors. olors. Itt was was an an aawesome wesome eexperience xperience ffor or someone me, dense homophobia off tthe someone llike ike m e, rraised aised iin n tthe he d ense h omophobia o he 11950s. 950s. Whatever own bent, Whatever yyour our o wn ggender ender aand/or nd/or ssexual exual b ent, I urge urge you you to to ccheck heck out Frameline, next out F rameline, ssupport upport iits ts eefforts fforts aand nd eenjoy njoy tthe he ffestival estival n ext yyear: ear: www.frameline.org. www.frameline.orgg..

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Bettina Aptheker professor author Bettin na Ap hekeer iss a pr o essor e oof feminist eem n s sstudies ud es aat UCSC and au hor of ‘Intimate Politics: Grew Red, Fought Free Speech ‘Int ma e P o cs How I Gr rew Up R eed F oough for oor Fr ee Sp eech and Became Feminist Rebel.’ Becam me a F em e ns R eebe

)A AGREE? G R E E ? DISAGREE? D I S A G R E E ? TALK TA L K BACK B A C K TO TO THE T H E BULLHORN B U L L H O R N AT AT ( WWW.SANTACRUZ.COM/NEWS W W W SA N TA C RU Z CO M N E W S

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from from industrious industrious to to idyllic. idyllic. Serving Serving aass the off P Pogonip, the gateway gateway tto o tthe he ttrails rails o ogonip, the the lone lone street street houses houses four four properties properties on on its its surrounding surrounding 20 20 acres. acres. The The area area is is bound bound by by Harvey Harvey West West to to the the south, south, the Pogonip the railroad railroad to to the the east east and and P ogonip to to the the north north and and west. west. Itt holds holds a wildlife habitat, wetlands wildlife h abitat, rriparian iparian w etlands aand, nd, according according to to the the California California Department Department of of Conservation, Conservation, some some of of the the most most fertile off the fertile soil soil in in the the northern northern part part o the state—soil state—soil that’s that’s been been no no stranger stranger to to agriculture. Golf Club Drive has been agriculture. G olf C lub D rive h as b een aan n incubator organic incubator for for many many local local o rganic ffarms. arms. pushed organic ““II rreally eally p ushed tthe he o rganic ffarming arming in in the the area, area, and and I’m I’m proud proud of of that, that,� Puccinelli Puccinelli says says of of leasing leasing her her land land to to local local farmers. Cruz farmers. The Th he now-defunct now-defunct Santa Santa C ruz Farms plot, Farms got got its its start start on on Puccinelli’s Puccinelli’s p lot, seeing seeing its its first f irst sseedlings eedlings tthrive hrive iin n the the 1980s. 1980s. From From there there Blue Blue Heron Heron Farms, Farms, now name now based based in in Watsonville, Watsonville, got got its its n ame from from the the tall, tall, long-necked long-necked birds birds that that often often fly f ly in in to to eat eat mice mice and and gophers. gophers. Dirty Girl Produce’s dry-farmed Dirty G irl P roduce’s ffamous amous d ry-farmed tomatoes tomatoes were were born born iin n tthe he sstreet’s treet’s

:/<2 @716 6=CA3 >==@ C :/<2 @716 6=CA3 >==@ Cathy athy P Puccinelli, uccinelli, rright, ight, w would ould llike ike hher er ddaughter a u g h te r H Heather eather Gardner Claire Jackson Gardner move Golf Club G ardner aand nd ggrandkids randkids C laire aand nd Ja ckson G ardner ttoo m ove oonto nto hher er sseven-acre eve n - a c re G olf C lub Drive D rive pproperty, rop ert yy, bbut ut current current development development rrestrictions est rictions pprevent revent iit. t.

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NT THE HE C CRISP RISP llight ight o off a sspring pring d day, ay, Cathy Puccinelli C athy P uccinelli sstands tands quietly, quietly, her has h er eeyes yes ttaking aking iin n tthe he lland and tthat hat h as been b een in in her her family family for for more more tthan han 100 100 years. years. The The echo echo of of flowing f lowing water water from Pogonip Creek from tthe he aadjacent djacent P ogonip C reek is is a perfect perfect backdrop backdrop for for the the sprawling sprawling sevensevenacre acre property, property, made made up up of of a cottagelike cottagelike farmhouse farmhouse with with a well-kept well-kept yyard ard and and a large organic farming field. large organic farming f ield.

Puccinelli P uccinelli says says the the land land hasn’t hasn’t changed changed much much since since her her Italian Ittalian immigrant immigrant grandparents bought grandparents b ought it it in in 1900 1900 to to farm. farm. “But “But no no one one wanted wanted it it then, then,� she she says. says. “It “Itt was was right right next next to to the the tannery, tannery, so so it it smelled smelled of of blood blood and and hide. hide.� It’s hard believe It t’s h ard tto ob elieve tthe he ccongested ongested streets streets ssurrounding urrounding the the yards yards of of Harvey Harvey West West aare re sso o cclose. lose. But But the the historic historic trestle trestle down the street marks a scenic shift down the street marks scenic shift

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morning ssunlight. morning unlight. M Most ost ffarmers armers tthat hat h ave tilled tilled Golf Golf Club Club Drive’s Drive’s ggrounds rounds have w ent o n tto o sstart tart ttheir heir o wn ffarms arms aand nd went on own o rganic eendeavors. ndeavors. ““Jim JJiim D enevan o organic Denevan off G abriella’s u sed tto o sshovel hovel m anure— Gabriella’s used manure— p oop—here,� says says Puccinelli Puccinelli with with a poop—here, n ostalgic llaugh. augh. nostalgic B ut n ow tthe he b are ffield ield llays ays ffallow, allow, But now bare aand nd tthe he sscenarios cenarios P uccinelli d escribes Puccinelli describes h aven’t taken taken p lace ffor or the the llast ast ccouple ouple haven’t place o ears. Th he llast ast ttime ime P uccinelli’s p lot off yyears. The Puccinelli’s plot w as farmed farmed was was 2007, 2007, and and while while she she says says was tthere here h ave b een ccalls alls aabout bout lleasing easing iitt ffor or have been aagriculture griculture sshe he h as h eld o ff—offering a has held off—offering vvague ague eexplanation: xplanation: “It “It makes makes people people ttoo oo eemotional. motional.� P uccinelli is is on on the the verge verge of of getting getting Puccinelli ssome ome relief relief from from a situation situation that that has has p lagued her her for for years. years. She She says says that that while while plagued sshe he and and her her neighbors neighbors don’t don’t want want to to see see aany ny drastic drastic change change to to the the area, area, without without cchanges hanges to to the the general general plan plan their their q uality o life at at home home will will continue continue quality off life tto o be be hindered hindered by by tight tight restrictions restrictions on on d evelopment. F or eexample, xample, P uccinelli development. For Puccinelli 3&

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usually bathes in her outdoor shower—she can’t add on a newer one inside or make any renovations without permits, and permits for this area are unusually hard to get. “My neighbors have been red-tagged for building without permits, paying large fines just for trying to improve their properties,� she says. Weighing heaviest on Puccinelli’s heart is that she can’t build an adjoining home for her daughter, something she wants to do in order to keep the property in her family. As of now, Puccinelli’s daughter and grandchildren are moving three hours away for more affordable housing.“The bureaucracy is too slow,� Puccinelli says. “This should have been addressed already, and now my family has to leave.� Now it is being addressed, but the all-ornothing nature of the proposed solution leaves Puccinelli in a Catch-22. Last summer the planning commission approved recommendations for the updated general plan that

PHIL ANTHR OPIST

% The number of pounds of dog and cat food that Heather’s Pet Food Bank distributes to needy pet owners every month through the Santa Cruz Society for the Prevention of Cruelty to Animals.

would ease the restrictions on development of the Golf Club Drive area, and not just for current residents wishing to add a bathroom. The changes would open the door to more than 200 residential units where there are currently four. The decision will go to city council pending completion of the Environmental Impact Report, possibly at the end of this year.

Pogonip Estates John Swift, a tall and enigmatic land developer, owns the property at the top of Golf Club Drive, adjacent to Pogonip. He

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and partner Dave Currie bought the six acres in 2001 with designs on development. So when the planning commission approved the very recommendations he was hoping for, Swift was more than satisfied. “Nothing is set in stone. [The recommendations] allow to plan for the future. This area is a special place,� Swift says. Swift’s development consultant company, Hamilton-Swift, has been involved with many projects in Santa Cruz, like Costco and Big Creek Lumber, as well as commercial and residential developments in Live Oak and the Seabright area. Currie helped create the new condos off Western and Empire Grade. Swift says Golf Club Drive is a prime location for housing and not viable for commercial farming. �It’s already residentially zoned, and a higher density would allow a chance for affordable housing,� he says. Over time, Golf Club Drive has seen a gradual shift from agricultural to denser residential zoning, yet the 20 acres have stayed virtually the same. This is a result of two factors: Strict policies in the current General Plan keep the area from sprouting development and preserve acreage for agriculture through open space. And more simply, the property owners

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74 G=C 0C7:2 7B Golf Club Drive property owner John Swift would like to see a mixed-use development go up on the site, which neighbors Pogonip.

haven’t wanted to change it. But Swift, who used to work for the city planning department, sees a smooth transition from rural land to city in what he describes as a vibrant mixed residential neighborhood—made up of single-family homes, townhouses, condominiums and possibly a commons area or plaza. “I picture it like the Seabright area,� he says. “People didn’t want to build there at first, but I think it’s been successful.� While the four property owners are neighborly and share mutual respect, there is a sense of separation— evident in letters sent to the planning commission after the recommendations were passed—between the owners with roots in the land (who are mostly retired) and Swift and Currie, who do not live there. Nevertheless, they all have a stake in land-use designation changes to the General Plan, though driven by different motives—the developers want to develop and the longtime residents

want to be able to make modifications to their properties. Since the enactment of the current general plan, the restrictions on development have been so firm that to make additions, build an extra unit or make a minor land division on their own acreages, they’ve had to produce a detailed plan for the entire 20 acres. Puccinelli says this has weighed hard on the families that live on Golf Club Drive, so any support the commission gave was something. “To improve my home, I’ve been tied to my neighbors, like in an arranged marriage. And I don’t have the money to come up with the kind of plan the city asks for. We shouldn’t be asked to do that,� she says. “Coming together we hoped would make our case stronger. But now, I don’t want to be tied to anyone. I just want to do what everyone else can do in the city of Santa Cruz.� The proposed recommendations would keep them tied, however. Should one

want to develop at a higher density—as Swift and Currie do—all the properties would have to participate in the planning of the area. Pucinelli says, “I don’t want the area to drastically change, I’m pretty sure none of us do.� She sighs. “But we do want our freedom, and this is the best the city could come up with.�

Vacant Lots Like Gold Mark Primack, Santa Cruz’s smart-growth golden-boy, says, “Ideally, the proper and sustainable solution is for Golf Club Drive to remain agricultural and rural. Nobody wants to see it built.� During the last General Plan process, large rural lots like Golf Club Drive were given higher densities yet saddled with strict stipulations involving development in an attempt to satisfy state density certification requirements (which rake in funding) 3

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and preserve small-town charm, according to Primack. “The reality of the situation is 30 years of insincere planning. The land has sat as a hostage for bad planning. The question then becomes, ‘What is the right thing to do?’� he says. “The best and right thing for the city would be to put efforts to transfer the density [that is designated for Golf Club Drive] along the river and downtown, where you want people to be.� Primack envisions a city modeled after towns in Tuscany, where residents cluster near places of work to preserve rural and natural landscapes. “Leave [Golf Club Drive] agricultural. If the city isn’t capable of doing that, they should admit it and should be very clear on how it gets developed,� he says. Primack says that holding the property owners in charge of planning for development of the area is a denial of responsibility on the city’s part. “If they want to leave it in John Swift’s hands. ... But one would hope the city has broader perspectives,� he says. It would be remiss not to say it wasn’t hard to sway the planning commission to increase the density and relax restrictions on development. In a city that has almost been built to capacity—at 58,000 now, and with a projected 63,000 in 2030—Golf Club Drive marks one of only two large undeveloped spaces left in Santa Cruz. Ken Thomas, Santa Cruz principal planner, says, “Residentially zoned land is scarce in this city, and it’s important to make the most of it.� Thomas says Primack’s idea of transferring

density is one of many options viable for Golf Club Drive—but those options, he says, are more complicated, and while Golf Club Drive has been historically used for farming, there is enough agriculturally zoned land within the county. “We are blessed for having a lot of land outside the city that is agriculturally zoned,� he says. Even though the area is not on a major transportation corridor or at the core of the city—where the updated General Plan stresses higher-density projects— Thomas says its proximity to a major employment center, i.e., Harvey West, is what makes it an exception to the rule. “Transportation corridors are a goal,� Thomas says, “but it’s rare that you have a vacant lot to build housing on.�

No Going Back At the Live Oak Farmers Market, Ronald Donkervoort’s red shirt looks dull in comparison to his ruby-hued strawberries. As he greets families by name while bagging spinach and elephant kale, it’s obvious that he loves what he does—providing fresh food for the community. But for him and other local farmers, seeing ag land lost to development is a sensitive issue, and Golf Club Drive is no exception. Farmers near cities like Santa Cruz usually lease land (often zoned residential) from private property owners. But at the end of the housing boom, many saw their leases end as property owners sold their land to development. Now, the

fields of Golf Club Drive are the last substantial arable acres left within the city. Donkervoort started farming as a child and is one of the original organic farmers of Golf Club Drive. Traces of his native Holland roll his tongue smoothly as he reminisces about his days at Santa Cruz Farms and Blue Heron. “We grew lettuce mixes before people knew there were different kinds: arugula, radicchio ... That makes me feel old,� Donkervoort says with a chuckle. With his bright eyes, unshorn beard and shaggy sun-kissed hair, it’s easy to imagine the 55-year-old on Puccinelli’s plot, stomping along the creek. “The soil is giving, rich. ... It’s right on the water. We used to find arrowheads all the time,� he says, shaking his head. “Why would the city allow the possibility of paving a gift to the community? It’s the perfect place not to build, how about that.� Donkervoort, who owns Windmill Farms, had to relocate outside the city to Moss Landing after his lease in Live Oak was cut short to build housing. While he’s more secure where land is agriculturally zoned, he prefers what used to be a smaller operation in town. “I like growing in the community better. People like seeing where their food is being grown, the closer the better,� he says. He says that farmable land can’t be created—it just exists. “That soil can produce so much good food for the community. The more I read about food food security ... Preserving land for food should be valued over development for once, � he says, “Once it’s paved, it’s gone. There’s no going back.� 0

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Mobile Homeless

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COOL coastal breeze flows between the coaches lining the uneven asphalt of the Surf and Sand Mobile Home Park overlooking the Monterey Bay. A community made up largely of retirees, the Capitola park’s future is looking dim. While a few residents use the Surf and Sand as the location of a second home, the formerly over-55 park is the only home to many of its residents, and its closure will leave many homeless. Since owner Ronald Reed inherited the park from his father in 2002, tension has been brewing between residents and their new landlord. Dissatisfied with the rent control governing the Surf and Sand and seeking to increase income from the park, Reed previously offered to sell the property to the residents collectively. Later he changed the offer: he would sell the individual spaces to park residents, creating a housing subdivision and circumventing Capitola’s rent control rules. Now he seeks to close and vacate the park. Reed surprised residents when he announced the decision to clear the park in December of 2008. “I expected to live here for the rest of my life,� says Shirley Hill, who recently recovered from a stroke. Already residents have formed three parkbuying committees. “I think the idea is to make a whole lot more money than just selling to another operator or residents,� says Sandy Williams, vice president of the Surf and Sand residents association. Currently representing Reed in his endeavor to clear the family-owned real estate is successful Southern California property rights attorney Mark Alpert. Alpert has represented clients that broke strict rent control agreements at mobile home parks in both Sonoma County and Carson, Calif., near Los Angeles. At the moment Alpert is involved in an effort to turn an Oceanside mobile home rental park into a resident-owned community after the city refused to allow his client to raise rents 70 percent. The move would allow the landowner to set any price he wanted for the spaces and circumvent rent control entirely.

In a 2004 speech before the Property Rights Foundation of America, Alpert revealed one strategy for wearing down his opponents. “Litigation is a strategy that works especially when cities are strapped for money. That often brings them to the table. It has worked for us,� he said. “. . . In essence, what happens is that the cities just get tired of fighting litigation. They can’t afford to protect the small group’s interest and bust the budget.� Reed is offering residents between $3,000 and $5,000 apiece for relocation expenses, and this worries advocates. “If a park owner can close his or her park and gives homeowners a pittance, that is something that would be quickly copied by other park owners,� says Terry Hancock, who represents the low- and moderate-income senior residents of the park through Senior Citizens Legal Services. “This is inadequate for how much people have invested in their homes,� he adds. Sandy Williams notes that some residents have spent upwards of $50,000, and even as much as $400,000, outfitting their coaches with new bathrooms, new countertops, side rooms and skylights. “Many of us have refurbished our homes and added decks. They may have been mobile coming into the park, but they certainly aren’t anymore,� says Williams. “What are we supposed to do with our homes?� Alpert does not think of the homes in the kindest light. “I feel bad for residents,� he says. “Some people have paid thousands of dollars for their homes.� So much for the “glorified tin can[s],� as Alpert referred to them in his Property Rights Foundation of America speech. Although Reed does not want to get out of the mobile home park business for good—he and his son own another mobile home park together in Spokane County in Washington—he plans to vacate the lot and says he currently has no further plans to develop it. The Surf and Sand residents have until Dec. 31 of this year to vacate the premises, at which point the utilities will be capped. 0

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STREET SIGNS

LLocal ocal Poets, Poets, LLocal ocal IInspiration nspiration Santa S anta C Cruz ruz m may ay w well ell h have ave m more ore aaccomplished ccomplished p o ets p er ccapita apitaa tthan han aany ny o ther ccity ity iin n tthe he U nited poets per other United S tates. IIn nh onor o ur ccity’s ity’s d edication tto o tthe he States. honor off o our dedication w ritten w ord, w e’re p leased tto o aannounce nnounce Lo cal written word, we’re pleased Local P o ets, Lo cal IInspiration, nspiration, a n ew fe ature tthat hat w ill Poets, Local new feature will aappear ppear iin nS treet S igns tthe he ffirst irst w eek o ach Street Signs week off eeach m onth. month. IInspired nspired b arrison K eillor’s re cent vvisit isit tto o byy G Garrison Keillor’s recent Sa S anta t C ruz aand nd h is ccall all fo fforr p oems tthat hat ccatch atch tthe he Santa Cruz his poems u nique sspirit pirit o ur T own, p o et R ob er t S ward d, unique off O Our Town, poet Robert Sward, o ur n ewly aanointed nointed p oetry eeditor, ditor, h as iinvited nvited our newly poetry has w ork ffrom ro r m llocal o cal p o ets Ti lly S haw, E llen B ass, D avid work poets Tilly Shaw, Ellen Bass, David S wanger, S tephen Ke essler, JJoan oan Z immerman aand nd Swanger, Stephen Kessler, Zimmerman o thers w hose llocally ocally iinspired nspired w ork w ill ffind ind a p lace others whose work will place iin n tthese hese p ages. pages.

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ITHOUT looking in the mirror, I’d never imagine that I’d become a senior citizen. Some of us are crooning “Baubles, Bangles and Beads�—with apologies to Borodin—while others of us are humming the Jewel Song from Gounod’s Faust. We of the older set may

be forgiven, as our craving for the next treasure chest of new music is intensifying ahead of this Friday’s opening night of the Cabrillo Festival of Contemporary Music. The CabMuFest—our favorite nickname—doesn’t just offer the best of today’s leading American composers, to say nothing of their genius counterparts from other countries. It also proves,

summer after summer, that there is a great hunger for excellent new music and, just as important, one that spans many generations. Just look at the Cabrillo audiences. Where else do we see music lovers from their 20s through their 90s gathered with keen anticipation for music none of us has ever heard before? ¨ %

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1=D3 @ j /B 1= < B7< 3 < B ¸ A 32 5 3 My own appetite is whetted sharply by Osvaldo Golijov’s Azul, featuring the young cellist Alisa Weilerstein, on Aug. 7, opening night, and Magnus Lindberg’s Seht die Sonne (Behold the Sun) on Aug. 15. My intrigue for Golijov’s music comes from hearing several CDs of his music. Azul, which takes its name from the blue sky (at Tanglewood, specifically), is a four-movement cello concerto originally composed for Yo-Yo Ma. But Golijov wasn’t entirely happy with that version, and, in tandem with Weilerstein, reworked it. Along the way, he picked some inspiration from Pablo Neruda’s poem “The Heights of Macchu Picchu.â€? “In the poem, there’s this person that’s sort of floating in the air, then he reaches into the very inside of the Earth and comes out again,â€? Weilerstein told The New York Times. “It’s that sort of emotional journey that we’re trying to get through the piece.â€? My interest in Lindberg came from hearing his Concerto for Orchestra during the 2005 Cabrillo Festival and reading raves for Seht die Sonne by previous skeptics, including Joshua Kosman in the San Francisco Chronicle. While I am acquainted with several other composers who will be in attendance, some of them are new to me. In these cases, the crutch of familiarity isn’t available when writing reviews for publication. So, I take my place in the audience with little better advantage than the person in the next seat, rather than having pored over the program notes just in time and, perhaps, having visited the composers’ websites beforehand. We, and indeed the musicians themselves, are all in this together for the first time. For the many West Coast premieres, it’s like making history. For the world premieres, it is making history. Lee Johnson’s Dead Symphony no. 6 will actually be familiar to some, having been available on a critically praised CD for some while. The 12-movment score will be heard at this Sunday night’s concert, the 14th anniversary of the death of Jerry Garcia, lead guitarist of one of the most inimitable bands in rock history. Among their accomplishments, the Grateful Dead made imitation virtually impossible, spontaneous improvisation being one of their hallmarks. And where better? Thanks to Prof. Fred Lieberman, the UC–Santa Cruz library houses the Grateful Dead archive. Unlike Lieberman, Johnson was not a Deadhead. But he was a symphonic composer who takes inspiration from American circumstances—with such titles as Southern Textiles, Planned Communities, Sandfloor Cathedral, Infinitude and Social Engineering among them—and was

approached by a Grateful Dead fan who saw the legacy of Garcia and company as worthy of a place in the American symphonic pantheon. “I had to start from scratch, do all the research, before I began to compose,� Johnson says of his Dead Symphony (number six of nine so far.) The composer believes strongly in linking his works to contemporary American history, not least its social issues. His third symphony, Trail of Tears, focuses on the Cherokee and uses an American Indian choir and traditional flute. “We actually have a culture that belongs to us,� he says, as if American composers have tended to overlook the obvious, “to explore our highs and lows through music.� If the Dead Symphony is not familiar, the Grateful Dead tunes should be, even when all gussied up in full-fledged orchestral attire.

If the Dead Symphony is not familiar, the Grateful Dead tunes should be, even when all gussied up in full-fledged orchestral attire. The parade of composers attending this festival, including the aforementioned, adds Enrico Chapela, whose Inguesu recreates Mexico’s historic 1999 defeat of Brazil in the FIFA Confederations Cup final in Mexico City. Under Marin Alsop’s direction, it gets its West Coast premiere this Saturday. The nine-minute symphonic poem enacts the match, play by thrilling play. The piece also pays homage to the great Mexican composer, Carlos Chavez, who served as Cabrillo Festival music director in the early 1970s. B63 1/0@7::= 43AB7D/: =4 1=<B3;>=@/@G ;CA71 runs through Aug. 16. Most performances are at the Santa Cruz Civic Auditorium, 307 Church St., Santa Cruz. For festival schedule visit www.cabrillomusic. org. Tickets are $30-$50 (except for a handful of free performances; for those, see page 19) at www. santacruztickets.com or 831.420.5260.

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T’S EARLY Sunday evening and musicians are trickling in to the Civic—musicians in flip flops, musicians in blue jeans, musicians in stylish haircuts. Slowly the orchestra comes awake in a chaos of indelicate morning noises: bleeps and sour yawns and fragments of melody abandoned before they’ve started make sense. Tuning up, the two harpists strain to hear the bell-like tones of their instruments, then fall to chatting. In front of the auditorium’s empty section D the cellists lean their slick plastic cases against the seats and stand talking like mothers at a soccer game. Responding to some unseen cue, the milling musicians take their places on the risers. A few words, on this first day of rehearsal, from Ellen Primack, executive director of the Cabrillo Festival of Contemporary Music. Then Maestra Marin Alsop sets down her Diet Coke and takes the podium. It’s hard to hear what she’s saying to the orchestra—most of us who have come to this open rehearsal are seated in the back of the auditorium—but we get the gist. â€œâ€ŚTwenty percent Death of A Salesman,â€? she’s saying, and it’s soon clear what she means. Brett Dean’s Moments of Bliss, which receives its U.S. premier on Saturday night, rises and

falls repeatedly in ever more frenzied cadences of classical, jazz and pop culture sound bites, straining for something just out of reach. This is the first time these musicians have played it together, and to my ear it’s astoundingly polished, but Alsop detects rough places. She asks a bass player for more attack, goes back to the score’s letter D, then letter F. The audience is rapt. By the time I leave, maybe 60 music fans have crept into the auditorium to watch this process. Open rehearsals are a tradition at the Cabrillo Music Festival. If you can afford one concert but not three, you can hear the other two nights’ offerings anyway. The festival even offers pre-rehearsal talks to help listeners frame the compositions (this week’s is Thursday at 6:45pm, when Phil Collins discusses Azul). The free offerings don’t end there, either; today at 5:15pm the festival presents “In the Works,â€? with new conductors directing the work of new composers. It all adds up to an extraordinary experience anyone can afford. =>3< @363/@A/:A are Aug. 5-6 and Aug. 11-14 at the Civic, 307 Church St., Santa Cruz. For schedule see www.cabrillomusic.org and click on “education.â€? ¨

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cabrillo festival of contemporary music august 2 -16 tickets on sale now!

Music director/conductor Marin Alsop Musical America’s 2009 Conductor of the Year

cabrillomusic.org “ Let me say unequivocally, Marin Alsop PZ VUL VM [OL Ă„ULZ[ JVUK\J[VYZ VU [OL WSHUL[ š – ,]LUPUN :[HUKHYK 3VUKVU

Maestra Marin Alsop leads the Cabrillo Festival Orchestra in one World Premiere, ďŹ ve U.S. Premieres, and three West Coast Premieres, with ten composers-in-residence! Wednesday, August 5, 5:15pm Free IN THE WORKS: concert of works by young composers. Friday, August 7, 8pm OPENING NIGHT: AZUL Argentine composer Osvaldo Golijov’s Azul featuring cellist Alisa Weilerstein; the U.S. Premiere of Australian composer Brett Dean’s Amphitheatre; and the World Premiere of British composer David Heath’s jazz-inspired Rise from the Dark. All three composers in the house! Sponsored by

Saturday, August 8, 8pm SPICES, PERFUMES, TOXINS! Australian composer Brett Dean joins for the U.S. Premiere of Moments of Bliss; percussionists Galen Lemmon and Steve Hearn take center stage for Israeli composer Avner Dorman’s Spices, Perfumes, Toxins!; and the West Coast Premiere of Mexican composer Enrico Chapela’s ínguesu. All three composers in the house! Sponsored by

Sunday, August 9, 1pm FREE FAMILY CONCERT It begins with a petting zoo-style tour of the orchestra and continues when Marin Alsop conducts the Cabrillo Festival Orchestra in a percussion extravaganza, and welcomes guest conductor Carolyn Kuan! Sponsored by

Sunday, August 9, 8pm Australian composer Matthew Hindson’s Rave-Elation kicks off the evening; then Lee Johnson uses ten Grateful Dead tunes as a jumping off point for Dead Symphony no. 6, an acclaimed tribute to the Grateful Dead. The concert is followed by a Q&A with Dennis McNally, Grateful Dead biographer, and David Gans, host of the Grateful Dead Hour. Bring canned food or a monetary donation for Second Harvest Food Bank that evening to receive a commemorative poster!

Saturday, August 15, 8pm BEHOLD THE SUN British composer Joby Talbot joins you for the U.S. Premiere of Desolation Wilderness featuring trumpet player Craig Morris; the U.S Premiere of James MacMillan’s The SacriďŹ ce: Three Interludes; and Magnus Lindberg’s tour de force, Seht die Sonne. Sponsored by

Sunday, August 16, 4:30pm & 8pm at Mission San Juan Bautista MUSIC AT THE MISSION: KINGDOM COME .YHUK -PUHSL WLYMVYTHUJLZ PU [OL THNUPÄJLU[ ZHUJ[\HY` VM [OL 6SK 4PZZPVU PUJS\KPUN .LVYNL ;ZVU[HRPZ Clair de Lune; Ingram Marshall’s Kingdom Come; and the West Coast Premieres of Kevin Puts’ Two Mountain Scenes and Aaron Jay Kernis’ Invisible Mosaic III ;^V JVTWVZLYZ PU [OL OV\ZL MVY H ÄUHSL [V remember! Sponsored by

ORDER TICKETS NOW! N ONLINE: cabrillomusic.org cabrillomu usic.org (through SantaCruzTickets.com) SantaCruzTickets.ccom)

PHONE: 831.420.52 831.420.5260 260 (pr (press ess 5) IN PERSON: Santa Cruz Civic Auditorium Box OfďŹ ďŹ ce OfďŹ ce 307 Church Church Str eet Street CALL TODA AY! Y TODAY! SELL OUTS EXPEC CTED! EXPECTED!

Sa Saturday aturday y & Sunday y Au ugust 8 & 9 August 11 am-8pm 11am-8pm CABRILLO CA ABRILLO MUSIC AR ART T & WINE W FESTIV VAL A FESTIVAL Two T wo full days days of world world music music and dance da ance on the Church Street Stage Stag ge including The China Cats, Cats, Molly’s Mo olly’s Re venge, Watsonville Watsonville Taiko, Ta aiko, Koumbemba, Koumb bemba, Santa Cruz Cruz Ballet Theatre, Thea atre, Desert Deser t Dream Dancers, Dancers, Kuzanga, Kuzanga, u Revenge, and more; more than 60 artisans ar tisans booths, booths, food food and wine, wine, Creativityy T e ent for for Kids with free hands-on hands-o on art ar t Tent workshops, w orkshops, Creative Creative Reuse Project Project installation, and much much more! Sponsored by by

SANTACRUZ.COM august 5-12, 2009

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LARRY BLOOD

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KUSP DOES

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SUNDAY 9:30–MIDNIGHT Giant Steps/Howard Feldstein MONDAY 9:30–MIDNIGHT B… In the Night/Bobby Bishop TUESDAY 9:30–MIDNIGHT Out Front Out Back/Larry Blood WEDNESDAY 9:30–MIDNIGHT In the Groove/Mike Lambert THURSDAY 9:30–MIDNIGHT Ain’t What they Used to Be/ Alan Mertens & Eddie Hudson FRIDAY 10–MIDNIGHT Night Train/Christian Deeny SATURDAY/SUNDAY 2–6AM Jazz with Bob Parlocha

ONLINE @ KUSP.ORG

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Block Party

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Concours/Historic Race AUGUST 10 & 11, 2004Week automobiliamonterey.com TUES, August s 10 am to 6 pm WED, August s 10 am to 7 pm The largest automobilia show in America, and the only time during Concours Week to find these 40+ top international dealers in a single venue. Silent auction benefits The Monterey Rape Crisis Center. Enjoy the relaxed indoor setting while buying only original vintage posters, photographs, rallye plates, badges & pins, hood ornaments, signs, original art, display items, scale models, literature & books, signed items, postcards, stamps, unique scarves/ties, etc.

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his weekend, the Cabrillo Music Art & Wine Festival turns 18 years old—legal and ready to party with 14,000 of her best friends (by last year’s count). “Festival within a festival�–goers will have an opportunity to take a family vacation around the globe in just a city block, with musical performances from Ireland to Japan, coupled with food from the farthest reaches of the globe, paired with wines from local vines.

KUSP’s Brett Taylor will lord over the proceedings on Saturday, when African, Chinese and Irish harpists set the tone before Watsonville trumpet player Eleazar CortÊs’ Mexican mariachi kicks off at high noon, followed by Kuzanga Marimba and Xochipilli Compaùia de Danze Mexicana, a festive flurry of skirts and guitars. Havana Jazz—Bosco El Gitano’s new outfit—soothes the festival into late afternoon, followed by Koumbemba, a West African group led by Karamo, a Senegalese master of the 21string kora. The Desert Dream Company with Orient’al were selected as a closing act to whet the audience’s appetite for the main event Saturday night inside the Civic—Spice, Perfumes, Toxins! Local firecracker Kim Luke emcees Sunday’s lineup, which starts off with tried and true Santa Cruz favorite, the Great Morgani and his Lycra-loving accordion. In late afternoon it’s Aza, a

western-infused Amazigh and Arabic musical outfit, followed by the boisterous Celtic soul of Molly’s Revenge. The minifestival closes out with the China Cats, a local Dead cover band, a warm-up to that night’s Sugar Magnolia tribute to the Dead inside the Civic. And one musn’t forget “art and wine� are this festival’s middle name. Whilst parents plug away at the latest offerings from Bargetto Winery, Beauregard Vineyards and others, the wee tots are free, literally, to run amok in the Creativity Tent for Kids. Saturday’s workshops include a very brave soul in charge of teaching rhythm percussion. Day two highlights kites, prints, flowers, drawing and digeridoo-making. Creative Reuse Project will unveil its latest and greatest community sculpture, built, as always, from the rediscovered, repurposed and recycled. And of course, there will be plenty to chew on as attendees eat their way from Chestnut to Center streets. This year, tortilla casserole and Peking chicken wraps headline a spirited lineup of favorites, from shawarma to pizza and everything in between. 1/0@7::= ;CA71 /@B E7<3 43AB7D/: is Sat-Sun, Aug. 8-9, from 11am to 8pm outside Santa Cruz Civic Auditorium, 307 Church St, Santa Cruz. Free.

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TD DEER EER T TICK’S ICK’S ssold-out old-out iindie ndie Crepe Place rrock ock show show aatt tthe he C repe P lace not one hipster n ot llong ong aago, go, o ne h ipster was heard w as h eard ssaying aying tto o aanother, nother, has ““Man, Man, II’m ’m jjust ust gglad lad ssomeone omeone sstill till h as The porkpie sshows hows iin n tthe he ssummertime. ummertime.� T he p orkpie hat–sporting h at–sporting gentleman’s gentleman’s observation, observation, what’s iitt sseems, eems, iiss rrooted ooted iin nw hat’s llooking ooking llike ike bone-dry off ssummer aanother nother b one-d dry sschedule chedule o ummer off S Santa Cruz’s most ssounds ounds ffrom rom a ffew ew o anta C ruz’s m ost During ffamous amous vvenues. enues. D uring tthe he sspring pring aand nd ffall, all, places Catalyst, Rio Theatre p laces ssuch uch aass tthe he C atalyst, R io T heatre aand nd Cayuga Vault well known bringing C ayuga V ault aare re w ell k nown ffor or b ringing huge names h uge n ames iin n rrock, ock, rreggae, eggae, iindie, ndie, ffolk olk aand nd hip-hop Yet, h ip--hop tto o tthe he llocal ocal sstage. tage. Y et, eeach ach ssummer, ummer, pattern back most iin nap attern sstretching tretching b ack aass ffar ar aass m ost hot months mark ccare are tto o rremember, emember, tthe he h ot m onths m ark music output off aall a ccold old ffront ront iin n tthe he llive ive m usic o utput o ll halls. And our tthree hree cconcert oncert h alls. A nd llocal ocal ffans, ans, llike ike o ur hero Deer Tick ccynically ynically ggrateful rateful h ero aatt tthe he D eer T ick pining old days off sshow, how, gget et lleft eft p ining ffor or tthe he ggood ood o ld d ays o weeks back. a ffew ew w eeks b ack. The The reasons reasons for for the the summer summer slump slump are are many. Gary Tighe, head music booker m any. G ary T ighe, tthe he h ead m usic b ooker Catalyst, has more aatt tthe he C atalyst, h as sseen een m ore tthan han tthree hree decades off cconcert d ecades o oncert sschedules chedules eebb bb aand nd fflow low tthrough hrough tthe he sseasons. easons. In n tthe he sspring pring aand nd ffall, all, his orr ffive h is vvenue enue aaverages verages ffour our o ive llive ive cconcerts oncerts per week one big name p er w eek aand nd aatt lleast east o ne b ig n ame llike ike Band off H Horses, Mars Volta orr S Snoop B and o orses, tthe he M ars V olta o noop Dogg. Come Cat’s quota D ogg. C ome JJune, une, tthe he C at’s q uota sslips lips one orr ttwo week, Rio drops tto oo ne o wo a w eek, tthe he R io d rops tto o one week Vault aabout bout o ne a w eek aand nd tthe he V ault ggets ets aall ll but Tighe b ut llocked ocked sshut. hut. T ighe ssays ays iit’s t’s a ggenerally enerally aaccepted ccepted rrule ule tthat hat ““summers summers aare re sslow, low, aand nd way tthat’s hat’s jjust ust tthe he w ay iitt iis. s.� “The “Th he students students leave leave in in the the summer summer and and off o other people hee ssays. llots ots o ther p eople ttake ake vvacations, acations,� h ays. music ““Plus Plus yyou’ve ou’ve ggot ot tthe he m usic ffestivals estivals tthat hat make bands So m ake ttheir heir b ands ssign ign rradius adius cclauses. lauses. S o play near tthey hey ccan’t an’t p lay aanywhere nywhere n ear tthe he ffestival estival months before makes ffor or m onths b efore tthe he sshow. how. IItt jjust ust m akes a

:=D7<5 B63 :C:: One u :=D7<5 B63 :C:: One upside pside ttoo tthe he ssummer ummer sslump: lump: iitt hhappens appens eeverywhere. ver ywhere. T The he EExpendables xp endables aare re ttaking aking a bbreak reak ffrom rom ttouring ouring aand nd co oming hhome ome ttoo play play ttwo wo n ights aatt tthe he C atalyst Aug. Aug. 114-15. 4-15. coming nights Catalyst

difficult d ifficult ssituation ituation m more ore difficult. difficult.� Nearly Neearly every every major major music music festival festival most off iits billed rrequires equires m ost o ts b illed aacts cts tto o promise— promise— writing—not play iin nw riting—not to to p lay shows shows in in the the weeks weeks prior p rior tto o tthe he eevent vent and and within within a certain certain distance off tthe These d istance o he ffestival estival ggrounds. rounds. Th hese Tighe Catalyst rradius adius clauses, clauses, T ighe ssays, ays, cost cost tthe he C atalyst a number off b bookings n umber o ookings when when touring touring aacts cts aare re headlining fforced orced tto o cchoose hoose between between a few few h eadlining Santa sshows hows iin n towns towns llike ike S anta Cruz Cruz aand nd a huge, huge, well-attended multi-band w ell-attended m ulti-band event event ssuch uch aass San Francisco’s Outside S an F rancisco’s O utside Lands Lands Music Music & Arts Festival orr tthe Treasure A rts Fe F estival o he T reasure Island Issland Music Music Festival. Fe estival. Tighe Tighe rremembers emembers 2008 2008 aand nd a ccertain ertain aalt-rock lt-rock iicon con that that got got aaway way as as tthe he most m ost bitter bitter eexample xample of of this this phenomenon. phenomenon. “We “We had had Beck Beck all all set set to to play play last last year, year, but hee ccouldn’t because b ut h ouldn’t do do it it in in the the end end b ecause of of Outside Lands], tthe he rradius adius cclause lause [at [at O utside L ands],� ssays ays Tighe. work with T ighe. ““We We ttried ried to to w ork w ith the the festival festival promoters on him play. p romoters o n ggetting etting h im to to p lay. I was was willing w illing tto o hold hold off off announcing announcing it it until until but, aafter fter tthe he ffestival estival b ut, iin n tthe he eend, nd, iitt jjust ust ffell ell pretty disappointing, tthrough. hrough. It It was was p retty d isappointing,� As As an an almost almost strictly strictly summer-bound summer-bound

pastime, m pastime, music usic festivals festivals and and ttheir heir radius radius blame. cclauses lauses are are an an easy easy ttarget arget for for b lame. But But may have with tthe he sslump lump m ay h ave more more to to w ith the the bands book b ands themselves themselves than than the the cclubs lubs tthat hat b ook UCSC tthem. hem. When When tthousands housands of of U CSC sstudents tudents ffinish inish their their sspring pring ffinals, inals, sstumble tumble tthrough hrough off aalcohol-fueled a weekend weekend o lcohol-fueled ggoodbyes oodbyes aand nd pack home p ack their their parents’ parents’ vvans, ans, tthey hey ggo oh ome aand nd bring b ring a sizable sizable hunk hunk of of indie, indie, rock, rock, reggae reggae with aand nd hip-hop’s hip--hop’s target target aaudiences udiences w ith them. them. Bands know B ands k now this this and and plan plan accordingly. accordingly. Adam Bergeron, A dam B ergeron, manager manager and and booker booker aatt Crepe blames tthe he C repe Place, Place, b lames the the migration migration off students o students more more than than anything anything for for tthe he however, ssag. ag. Bergeron, Bergeron, h owever, llike ike the the managers managers off the busy Moe’s Alley, o the still still b usy M oe’s A lley, Kuumbwa Kuumbwa aand nd Don Don Quixote’s Quixote’s venues, venues, is is able able tto o dig dig obscure a little little deeper deeper into into tthe he o bscure and and keep keep his h is cconcert oncert calendar calendar cluttered cluttered from from JJune une August. tthrough hrough A ugust. “Bands, “Bands, especially especially indie indie rock rock bands, bands, with ttime ime ttheir heir ttours ours w ith the the college college students, students,� biggest months ssays ays Bergeron. Bergeron. ““The The b iggest m onths aare re September, October And S eptember, O ctober and and November. November. A nd then then again again in in March, March, April April and and May— May—

October aand October nd A April pril aare re rreally eally h huge. uge. W Wee jjust ust keep booking because what wee k eep b ooking sshows hows b ecause iit’s t’s w hat w do. harder people d o. It It h arder tto o gget et p eople tto o ccome ome iin n tthe he but not ssummer, ummer, b ut we’re we’re small small so so iit’s t’s n ot a big big deal d eal iiff iit’s t’s a flop. f lop.� As As the the co-creator co-c o reator of of the the hugely hugely successful successful Outside Lands Treasure Island music O utside L ands aand nd T reasure Is sland m usic Allen Scott, Planet ffestivals, estivals, A llen S cott, of of Another Another P lanet Entertainment, helps E ntertainment, aalso lso h elps rrun un tthe he 33,800,800Fox Theater Hee says sseat eat Fo ox T heater iin n Oakland. Oakland. H says tthe he newly n ewly rrenovated enovated aand nd ccharmingly harmingly iintimate ntimate Fox pace Fo ox iiss operating operating at at a ssimilar imilar dismal dismal p ace Cat llike ike the the C at aand nd tthe he Rio, Rio, but but tthat hat iit’s t’s tto o be be Off ccourse, Scott’s eexpected. xpected. O ourse, S cott’s aalso lso ggot ot aabout bout his upcoming 1150 50 aacts cts between between h is ttwo wo u pcoming megamegaffestivals estivals set set to to rrock ock in in August August and and October, October, plenty bee ccheery sso o he’s he’s ggot ot p lenty to to b heery aabout. bout. “The “Th he music music business business is is cyclical, cyclical,� says says Scott. Scott. ““In In n tthe he ssummer ummer months, months, bigger bigger vvenues enues get get more Fox. a lot lot m ore aaction. ction. IIt’s t’s tthe he same same aatt tthe he Fo ox. percent off tthe bands on II’d ’d say say 25 25 p ercent o he b ands o n [[Outside Outside Lands Treasure Island’s] bills played L ands or or T reasure Is sland’s] b ills p layed Santa orr w will play S anta Cruz Cruz tthis his year year o ill p lay llater. ater. Summer different off tthe S ummer a d ifferent ttime ime o he yyear, ear, aand nd I say what say jjust ust eenjoy njoy it it for for w hat it it is. is.� 0

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B63 43E B63 >@=C2 B63 8/HH 6/@;=<717ABA Slim ‘Slide Man’ Heilpern organized this Monday’s jazz harmonica summit.

Harmonic Convergence

Mouth harp musicians gather for first-ever jazz summit 0G 1C@B7A 1/@B73@

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N THE harmonica world, musicians are represented by two separate but equally important groups: the blues players who dominate the limelight and the jazz players who settle for what they can get. This is the jazz players’ story. “I really just wanted to be a great saxophone player. So I practiced all the time on the harmonica, and, I think, instead I just became a really good harmonica player,� says Damien Masterson, one of eight performers slated to blow his chromatic harmonica at the first annual West Coast Jazz

Harmonica Summit Aug. 10 at the Digital Media Factory in Santa Cruz. “It’s a very difficult instrument, and there aren’t a lot of people who play it. I think most of the people who play it got bored with the blues harmonica and moved on to jazz, because it’s more challenging and interesting.� Masterson’s chromatic harmonica is the hallmark of the jazz harmonica clique and the only kind that will be featured at next week’s summit. Long, fat and with a full range of octaves, it’s a much different beast from its smaller, single-octave cousin, the diatonic, or

blues harmonica. For Summit organizer Slim “Slide Man� Heilpern, it’s a true musician’s instrument, not just a noisemaker for jail cells and bayou porches. “The chromatic harmonica is a very unique instrument,� he says. “Some people really don’t get it, and others just latch on to the style and go with it.� Heilpern isn’t expecting a stampede of folks to show up for his shindig. After accounting for room for the video equipment with which he plans to document the performance, he figures the Digital Media Factory only seats 100, and he expects plenty of tickets to be left at the door. But those who do show up, he says, will get an up-close-and-personal view of a seldom-seen nook of the jazz world. “It’s hard to sell a lot of tickets to this kind of thing,� says Heilpern. “I think a lot of the musicians are just looking forward to hanging out with each other and hearing some great music.� Yet jazz harmonica music is not completely obscure. Toots Thielemans, undoubtedly the most recognized name in the genre, is famous in both harmonica and jazz circles. And, though few realize it, music legend Stevie Wonder is considered one of the best jazz harmonica players of all time. On songs like “True to Your Heart� and “Hey Harmonica Man,� Wonder’s knack for the mouth harp is unmistakable. For one summit performer, it was the mastery of Thielemans that cemented his interest in the chromatic harmonica and what’s kept him practicing for 30 years. “I had been a blues player for years, but I’d studied jazz. I finally saw Toots play live in 1979, and that night I decided that was the sound for me,� says Jon Eriksen, who weaves a decidedly Latin vibe into his jazz expressions. “When I think of a blues harmonica, I compare it to a Strat or Les Paul electric guitar. But a jazz harmonica I think of as a big hollow-body guitar. We all got the little harmonica for a toy when we were kids, but most of them ended up back in the toy box. To me, it’s just amazing to see someone who actually put the time into perfecting an instrument like that.�

THE WEST COAST JAZZ HARMONICA SUMMIT swings on Aug. 10 at 7pm at Digital Media Factory, 2809 Mission St., Santa Cruz. Tickets are $20 and available at www.jazzharmonicasummit.com or 800.838.3006.

& j AB/53 /@B 3D3<BA august 5-12, 2009 A/<B/1@CH 1=; :7AB G=C@ :=1/: 3D3<B 7< B63 1/:3<2/@ Email it to calendar@santacruz.com, fax it to 831.457.5828, or drop it by our office. Events need to be received a week prior to publication and placement cannot be guaranteed.

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%B6 /D3<C3 ABC27=A /@B A6=E Long before there was the Tannery, there was the artist colony known as 17th Avenue Studios. The summer art show features pieces by 14 of the group’s 35 artists. Sat-Sun, Aug. 89, 11am-5pm, 980 17th Ave, Santa Cruz. Free. ;]dWS <WUVb Ob bVS 2WdS`aWbg 1S\bS` BZZi cZl [g^ZcYh VcY Zc_dn V Y^[[ZgZci bdk^Z hZaZXi^dc ZkZgn ;g^YVn c^\]i# ;g^! ,eb# 9^kZgh^in 8ZciZg! &&&, HdfjZa 6kZ! HVciV 8gjo! -(&#)'*#*)''# ;caWQWO\a( AO\bO 1`ch 1Wbg 0O\R I]Z HVciV 8gjo 8^in 7VcY ^h deZc id VcndcZ l]d eaVnh V WVcY ^chigjbZci VcY ^h egd[^X^Zci Vi gZVY^c\ bjh^X! VcY bZZih BdcYVnh ,/(%"./(%eb ^c i]Z HVciV 8gjo =^\] 7VcY Gddb0 hide dc Wn# Bdc! ,/(%eb# ;gZZ# -(&#)'*#%&&%# <Se AQ]bba DOZZSg 4O`[S`a¸ ;O`YSb I]Z HVciV 8gjo ;VgbZghÉ BVg`Zi ^h deZc^c\ V bVg`Zi ^c HXdiih KVaaZn hiVgi^c\ 6j\ &! ZkZgn HVijgYVn nZVg"gdjcY! .Vb"&eb0 Zc_dn Wjn^c\ dg\Vc^X [gj^ih! [adlZgh! egdYjXZ! [^h]! bZVih VcY Z\\h! Xdd`"id"dgYZg [ddYh VcY a^kZ bjh^X0 XVaa [dg bdgZ ^c[dgbVi^dc# HVi! .Vb# ;gZZ VYb^hh^dc# HXdiih KVaaZn 8dbbjc^in 8ZciZg! (+% @^c\h GY! HXdiih KVaaZn! -(&#)*)#%*++# =\S :]dS @SUUOS BVc`aROga 9?h [gdb 7^\\V =Vee^cZhh! HZaZXiV , HdjcY VcY V h^\c^[^XVci a^hi d[ heZX^Va VcY Y^[[Zg^c\ \jZhih ZVX] lZZ`# I]j! .eb"&'Vb# Cd XdkZg# I]Z 8ViVanhi! &%&& EVX^[^X 6kZ! HVciV 8gjo! -(&#)'(#&((+#

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>/AA7<5 =4 /< 71=< 1/B/:GAB 4=C<23@ @/<2/:: >67:7> 9/<3 ' ! ' ANYONE who’s ever spent a long night dancing and cheering under the bright stage lights of the Catalyst owes a little debt to Randall Philip Kane. The founder and former owner of the iconic downtown nightclub died of heart complications on July 27 at the age of 85. Most remember him as a bike-riding, rainbow suspenders–wearing local artist and businessman, and many credit him with helping to turn Santa Cruz into a routine stop for major musical acts. “The man was an icon, what can you say?� says Gary Tighe, chief concert booker for the Catalyst and an employee of more than 30 years. “For years and years I would meet with him two or three times a week, and every single time he’d have a new story to tell me. I would laugh every time I saw him.� Kane came to Santa Cruz by way of Minnesota, Ohio and the Pacific Theater of WWII, where he served as a military police officer. A graduate of Ohio State University and a former dean of the San Francisco Art Institute, he had a great appreciation for education, though some argue that his wisdom was more in street smarts. After purchasing an old Pacific Avenue bowling alley and replacing the lanes and pins with a stage and a bar, Kane opened what is now the Catalyst Nightclub on St. Patrick’s Day 1976. Since then, huge acts such as Neil Young, Nirvana, Pearl Jam, Red Hot Chili Peppers and Snoop Dogg have graced the stage, many times as last-minute “secret shows� that were spread by word of mouth. “The main thing with him was if you were trying to do something that might make a lot of money but was something that, artistically, he didn’t like, you couldn’t do it. He stuck to those principles,� says Tighe. “I remember talking to him just a week ago and he said, ‘I’m getting old,’ and, you know, it just seemed like it might be his time. He was like a father to me and I’ll miss him. So will a lot of people.� (Curtis Cartier)

SANTACRUZ.COM august 5-12, 2009

| 31

03/ /BA1/>3 aaugust u g u s t 55-12, - 1 2 , 2009 2 0 0 9 A/<B/1@CH 1=; A/<B/1@CH 1=; ! j 03/BA1/>3

Jazz Presenters since 1975

WED. AUGUST 5 • 7 & 9 PM

YELLOWJACKETS FEATURING MIKE STERN $27/Adv $30/Door, No Jazztix/Comps Sponsored by Cathey & Clarke Shultes and Lynn & Greg Howerton THURS. AUGUST 6 • 7 PM

LE BOEUF BROTHERS/ MIKE RUBY QUINTET Concert only: $12/Adv $15/Door Jazz & Dinner: $24.60/Adv Featuring Guest Chef DamaniThomas from Oswald Restaurant Sponsored by Santa Cruz Sentinel MON. AUGUST 10 • 7 PM

BUSTER WILLIAMS QUARTET “Something Moreâ€? Patrice Rushen - piano, Benny Maupin - reeds, Cindy Blackman - drums $25/Adv $28/Door THURS. AUGUST 13 • 7 PM

KESHAV SINGH QUINTET Concert only: $12/Adv $15/Door Jazz & Dinner: $24.60/Adv Sponsored by Santa Cruz Sentinel MON. AUGUST 17 • 7 & 9 PM

LARRY CARLTON

$28/Adv $31/Door, No Jazztix/Comps Sponsored by Fine Art Enterprises MON. AUGUST 24 • 7 & 9 PM

LES NUBIANS

Sultry jazz, soul, funk & hip-hop grooves! $30/Adv $33/Door, No Jazztix/Comps

THURS. AUGUST 27 • 7 PM

HOT CLUB OF SAN FRANCISCO Gypsy Jazz in the tradition of Django Reinhardt! $20/Adv $23/Door Sponsored by Dale O’Rourke

:=<5 B/:: B3F/< : =<5 B B/:: / : B3F/< L Lyle yyle Lovett Lovett MON. AUGUST 31 • 7 & 9 PM

plays the Gold Golden den State State Theatre Theatre this Thursday, Thur rsday s y, bigg bband and optional.

TERENCE BLANCHARD QUINTET $25/Adv $28/Door

9PM ONLY - 1/2 Price Night for Students At the door only with I.D. Made possible by David & Kate Hartzell and William & Cloy Codiga Family Foundation Dinner served Mondays & Thursdays beginning at 6pm, serving premium wines & microbrewed beers. Snacks & desserts available all other nights. All age venue.

Advance tickets at Logos Books & Records and online at kuumbwajazz.org. Tickets subject to service charge and 5% S.C. City Admissions Tax.

Independently Produced Events FRIDAY, AUGUST 21 • 7 & 9 PM

WILLIE K WITH SPECIAL GUEST JOE CANO FIrst Santa Cruz appearance in six years! $25/Adv $28/Door Tickets: Streetlight Records, Aloha Island Grill & ticketweb.com SUNDAY, AUGUST 30 • 7:30 PM

ANTSY MCCLAIN & THE TRAILER PARK TROUBADOURS UNPLUGGED & UNHITCHED $20/Adv $22/Door Tickets: Streetlight Records & brownpapertickets.com

KUUMBWA JAZZ

320-2 CEDAR ST • SANTA CRUZ KUUMBWAJAZZ.ORG

4 27 - 2 2 27

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A rrare are reggae reggae showcase showcase at at the the local local Fish Out off W Water brings iindie ndie sspot, pot, F ish O ut o ater b rings a funky funky dub dub sound sound and and a hip-hop hip -hop Crepe Place Friday. vvibe ibe tto o tthe he C repe P lace this this F riday. The dub Th he quintessential quintessential blue-collar blue-collar d ub band, which has b and, w hich h as sspent pent tthree hree yyears ears rrelentlessly elentlessly touring, touring, though though mostly mostly within tto o ttowns owns w ithin a stone’s stone’s tthrow hrow of of a beach, b each, is is looking looking for for a warm warm rreception eception here h ere iin n rreggaetown. eggaetown. With With Fish Fish comes comes Moss Landing’s Rastafied M oss L anding’s own own R astaf ied rockers, rockers, Hallway Ballers, who have tthe he H allway B allers, w ho h ave ttheir heir own healthy o wn h ealthy following following on on the the Central Central Coast Between C oast and and beyond. beyond. B etween tthe he ttwo, wo, eexpect xpect classic classic island island grooves grooves to to hit hit heavy urban beats off llegs h eavy u rban b eats aand nd plenty plenty o egs hit dance tto oh it the the d ance ffloor. loor. Crepe Crepe Place; Place; $10 $10 door; 9pm. aadv/$13 dv/$13 d oor; 9 pm. (CC) (CC)

Att 5 yyears A ears old, old, Johnny Jo ohnny Dawson Dawson W Winter inter picked After IIII II p icked up up the the clarinet. clarinet. A fter wind weren’t llearning earning that that w ind iinstruments nstruments w eren’t hee ffinally iin n tthe he ccards ards for for him, him, h inally ffound ound tthe he ssix-string. ix-string. The The Texas-born Texas-born child child prodigy TV with p rodigy ccharmed harmed llocal ocal T V sshows hows w ith brother Edgar ukulele b rother E dgar aand nd a u kulele iin n ttow, ow, up Woodstock’s tthen hen ggrew rew u p tto o ggrace race W oodstock’s ffamous amous sstage. tage. With With more more than than 25 25 off h his own blistering aalbums lbums o is o wn b listering rrock ock & man bolstering rroll, oll, tthe he m an llauded auded ffor or b olstering blues went on use his musical tthe he b lues w ent o n tto ou se h is m usical dexterity produce d exterity tto op roduce aartists rtists like like Muddy Muddy Waters. His W aters. H is 11988 988 iinduction nduction iinto nto tthe he Blues Foundation Fame B lues F oundation Hall Hall of of F ame is is overshadowed only byy tthree Grammy o vershadowed o nly b hree G rammy nominations. Catalyst; n ominations. C atalyst; $21 $21 adv/ adv/ $24 $24 door; 8:30pm. d oor; 8 :30pm. (Jaime ( Jaaime Nabrynski) Nabrynski)

Lyle L yle L Lovett, ovett, w with ith h his is ffrizzy rizzy ffaux-hawk aux-hawk hair, bowling-pin h air, ggangly angly llimbs imbs aand nd b owling-pin has never been particularly fface, ace, h as n ever b een p articularly eeasy asy on Lucky him, he’s one o n tthe he eeyes. yes. L ucky ffor or h im, h e’s ggot ot o ne off tthe most polished, heartrendingly o he m ost p olished, h eartrendingly up Texas rresonant esonant vvoices oices tto o eever ver ffog og o u paT exas microphone. m icrophone. IIt’s t’s tthose hose ggolden olden vvocal ocal plus knack cchords, hords, p lus a k nack ffor or ssubdued ubdued gguitar uitar undertones, aarrangements rrangements aand nd ggospel ospel u ndertones, him Grammy tthat’s hat’s eearned arned h im ffour our G rammy Awards undoubtedly what helped A wards and and u ndoubtedly w hat h elped him marriage Roberts h im lland and a m arriage tto o JJulia ulia R oberts with aand nd a ssteamy teamy ffling ling w ith sstunning tunning ffilm ilm producer April Kimble. No, Lovett may p roducer A pril Ki imble. N o, L ovett m ay not hee k knows what women n ot llook ook llike ike h nows w hat w omen want, but hee m most knows w ant, b ut h ost ccertainly ertainly k nows tthey hey want hear, w ant tto oh ear, aand nd tthat, hat, iitt sseems, eems, iiss tthe he blues do. ssame ame tthing hing ccountry ountry aand nd b lues ffans ans d o. Golden State Theatre; $40-$79; 8pm. G olden S tate Th heatre; $ 40-$79; 8 pm. Cartier) ((Curtis Curtis C artier)

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0 :/ /19 4@/ @/<1 /<17A A 0:/19 4@/<17A AUG A UG 14 AT AT HENRY HEENRY EN NRY NRY RY MILLER MILLEER LIBRARY LI LIBR IBRA R ARY A

has IIt’s t’s aan n eexhilarating xhilarating aapproach pproach tthat hat h as drawn d rawn attention atteen ntion from from surf-rock surf-rock fans fans wide due online ffar ar and and w ide d ue tto o tthe he o nline ssuccess uccess off the band’s o the b and’s ttwo wo releases, releases, Warning, Warning, Heavy Alive From H eavy Surf Surf Advisory Advisory aand nd A live F rom tthe he Red Don Quixote’s; $7; 8pm. R ed Triangle. Triangle. D on Q uixote’s; $ 7; 8 pm. M.. D Davis) ((Paul Paul M avis)

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$12 Adv./ $16 Dr. Drs. 7 p.m., Show 8 p.m.

&! " $ ''!

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Dying Fetus, Toxic Holocaust $19 Adv./ $21 Dr. • Drs. 6 p.m./ Show 7 p.m.

Friday, August 7 • AGES 21+

Monday, August 17 • AGES 16+

JOHNNY WINTER

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$21 Adv./ $24 Dr. Drs. 7:30 p.m., Show 8:30 p.m. Friday, Aug. 7 • AGES 21+ • Country Music in the Atrium

JAMES INTVELD

plus

77 El Deora

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$20 Adv./ $25 Dr. • Drs. 7 p.m./ Show 8 p.m.

Aug 19 Trevor Hall (AGES 16+)

$10 Adv./ $12 Dr. • Drs. 8:30 p.m., Show 9 p.m. Aug 20 Sat., Aug. 8 • AGES 16+ • Ineffable Music Group presents

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Pyrx Band/ Playz (AGES 16+)

Aug 21 Slacktone/ The Concaves (AGES 16+) PACK • CATARACS Aug 22 “Cat Boxxâ€? with DJ Showbiz (AGES 18+) DIZZY BALLOON Aug 23 Forrest Day (AGES 16+) PEP LOVE OF THE HIEROGLYPHICS Aug 29 Neverland Tribute to the Kind of Pop (AGES 21+) THE HOLDUP • THE SKAFLAWS Sep 16 Sugar Ray/ Aimee Allen (AGES 21+) $12 Adv./ $15 Dr. • Drs. 8 p.m., Show 9 p.m. Sep 16 Mayer Hawthorne (AGES 16+) Saturday, August 8 • AGES 16+ • In the Atrium Sep 17 Steel Pulse (AGES 16+) Sep 17 Elliot Randall/ Gina Villalobos (AGES 16+) & the Promise of the Real Sep 18 Michael Franti & Spearhead (AGES 16+) plus Two Spot Gobi also Matt Velasquez $10 Adv./ $12 Dr. • Drs. 8:30 p.m., Show 9 p.m. Sep 22 Mason Jennings (AGES 16+) Sep 24 The Radiators (AGES 21+) Friday, August 14 • AGES 21+ • in the Atrium Sep 25 Cash’d Out (AGES 21+) STRANGER • THE MELODRAMATICS Sep 29 Trivium/ White Chapel (AGES 16+) No Cover • Show 9 p.m. Oct 3 Collie Buddz/ Devin the Dude (AGES 16+) Friday & Saturday, Oct 10 State Radio (AGES 16+) Aug. 14 & 15 • AGES 16+ Oct 16 Brother Ali (AGES 16+) The Oct 17 The Devil Makes Three (AGES 21+) plus Strung Out Oct 21 UFO (AGES 21+) also Pour Habit Nov 6 Micky Avalon (AGES 16+) Fri. Exhibit A Nov 22 The Disco Biscuits (AGES 16+) Sat. Door To Nowhere THE

THE

Lukas Nelson

Expendables

$18 Adv./ $22 Dr. Drs. 7 p.m., Show 8 p.m.

Sunday thru Tuesday FREE POOL for Bar Patrons Noon to Closing

Unless otherwise noted, all shows are dance shows with limited seating.

ROCKER’S PIZZA KITCHEN 831-426-PIZZA $1 Pizza Slice ALL DAY TUESDAYS

Wed. - Mon. $2 CHEESE OR PEPPERONI until 6 p.m.

Advance tickets are available at the Catalyst daily with a minimal service charge. Tickets to all Catalyst shows, subject to city tax and service charge, are also available by phone at 1-866-384-3060, and online at our web site

www.catalystclub.com 15th Annual Sale

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SSENTIIALLY, the SSENTIALLY, the o only nly difference between Louie d ifference b etween L ouie Psihoyos’ The P sihoyos’ documentary documentary T he Cove TV Mission: C ove aand nd tthe he T V sshow how M ission: Lalo Schifrin music. IImpossible mpossible iiss the the L alo S chifrin m usic. The The Cove Cove stirs up byy stirs up up an an ongoing ongoing scandal scandal ccovered overed u pb both small-town small-town police police and and a major major world world both government. T he o utrage h appens annually annually government. The outrage happens at a Wakayama Wakayama Prefecture Prefecture site—ostensibly site—ostensibly a at Japanese national national p ark—hidden ffrom rom p ublic Japanese park—hidden public view by by security security guards guards and and concertina concertina wire. wire. view The incident incident is is investigated investigated b landestine The byy a cclandestine team of of nocturnal nocturnal volunteers. volunteers. team Th he trouble trouble b egan, says says interviewee interviewee The began, Richard O’Barry, O’Barry, ssome ome 4 0 yyears ears aago. go. Richard 40 O’Barry, ex-dolphin ex--dolphin trainer trainer of of the the Miami Miami O’Barry, Seaquarium, Seaquarium, is is the the current current head head of of the the Dolphin organization dedicated Dolphin Project, Project, aan no rganization d edicated to to studying studying the the Atlantic Atlantic bottlenose bottlenose dolphin. dolphin. He on He was was a staffer staffer o n tthe he Flipper Flipper TV TV show show (1964–67). (1964–67). The Th he Atlantic Atlantic bottlenose bottlenose dolphin dolphin hero Lassie with hero was was L assie w ith ffins, ins, eeasily asily tthe he ssmartest martest character character on on 1960s 1960s television. television. Flipper was played byy a b bevy Flipper w as p layed b evy of of five five dolphins The dolphins trained trained by by O’Barry. O’Barry. T he sshow’s how’s popularity popularity contributed contributed to to the the worldwide worldwide rise rise of of dolphinariums. dolphinariums. There’s There’s nothing nothing a punter punter on on vacation vacation llikes ikes to to see see more more tthan han a dolphin dolphin balancing balancing a ball ball on on its its nose. nose. Unfortunately, Unfortunately, aquariums aquariums burn burn through through a lot lot of of dolphins, dolphins, and and the the more more Third Third World World the the aquarium, aquarium, tthe he rrougher ougher iitt iiss ffor or tthe he dolphins. dolphins. O’Barry’s O’Barry’s claim—and claim—and rebuttals rebuttals ffor or it it must must be be found found elsewhere—is elsewhere—is that that confinement confinement ccauses auses tterrific errific sstress tress for for an an animal 40 miles day. animal that that usually usually swims swims 4 0m iles a d ay. He He claims claims that that aquariumized aquariumized dolphins dolphins get get ulcers ulcers and and are are dosed dosed with with Maalox. Maalox. In n a sad sad sequence, sequence, O’Barry O’Barry recalls recalls how how Cathy, Cathy, leading leading lady lady of of the the quintet quintet of of dolphins dolphins who who played Flipper, committed suicide out of played Flipper, committed suicide out of

LEAP L EAP OF OF F FAITH AITH The The dolphins dolphins in in ‘The ‘The Cove’ Cove’ don’t don’t have have much much to to celebrate. celebrate.

misery. W misery. What hat d does oes a d dolphin olphin k know now aabout bout one ssuicide, uicide, o ne asks? asks? That’s T hat’s iimmaterial, mmaterial, ssince ince tthe he lless ess parts off tthe The Cove aambiguous mbiguous p arts o he sstory tory in in T he C ove aare re what what matter. matter. No No worldwide worldwide body body protects p rotects ssmall mall ccetaceans, etaceans, eeven ven though though their their matter off sscientific proof iintelligence ntelligence iiss a m atter o cientific p roof aand nd aancient ncient llore. ore. O’Barry O’Barry is is now now a pariah pariah iin n tthe he iinternational nternational community community for for trying trying dolphins, tto o ffree ree d olphins, eeven ven if if it it means means breaking breaking tthe he llaw. aw. O’Barry discovered dolphins O ’Barry d iscovered tthat hat tthe he d olphins herded aare re being being h erded into into a certain certain bay bay to to be be purchased p urchased by by talent talent scouts scouts for for aquariums. aquariums. The dolphins Th he d olphins that that fail fail tthe he aaudition udition are are driven out d riven o ut of of public public sight. sight. In n a ccoastal oastal ccorral, orral, they they are are butchered butchered aand nd rrendered endered iinto nto sschool chool lunches lunches and and prisoner prisoner chow. chow. JJapanese apanese aarguments rguments ffor or tthe he ““cultural cultural iimportance� mportance� of of whale whale and and dolphin dolphin eating eating out tturn urn o ut tto o be be as as self-serving self-serving as as an an oil oil warming ccompany ompany eexec’s xec’s proof proof tthat hat gglobal lobal w arming The Cove, iiss a hoax. hoax. As As we we learn learn in in T he C ove, tthe he International Whaling Commission In nternational W haling C ommission ((IWC) IWC) mostly being iiss a m ostly ttoothless oothless ggroup; roup; iit’s t’s b eing byy JJapan put whale rrepeatedly epeatedly llobbied obbied b apan tto op ut w hale back on menu. b ack o n tthe he m enu. In The Cove, nT he C ove, rregular egular JJapanese apanese ffisheries isheries

spokesman Joji spokesman Joji Morishita Morishita iiss sseen een ttrying rying tto o wheedle wheedle the the IWC IW WC into into lifting lifting whaling whaling his usual rrestrictions. estrictions. He He makes makes h is u sual aargument rgument whales because tthat hat w hales aare re llike ike ccows. ows. JJust ust b ecause ccows ows aare re sacred sacred in in India, In ndia, Indians In ndians can’t can’t tell tell Americans A mericans not not to to eat eat hamburger. hamburger. Psihoyos out hidden P sihoyos tteases eases o ut tthe he h idden aagenda genda behind well b ehind the the cetacean cetacean slaughter, slaughter, aass w ell aass political poor tthe he p olitical manipulation manipulation of of p oor iisland sland nations. And wee llearn n ations. A nd w earn tthe he rreal eal rreason eason tthe he ostensibly o stensibly poor poor ttraditional raditional ffisherman isherman won’t bigger $600 w on’t take take a payoff payoff b igger tthan han tthe he $ 600 a ccadaver adaver they they make make from from spearing spearing dolphins. dolphins. Those who T hose w ho get get some some comfort comfort from from revenge revenge will w ill be be happy happy to to hear hear that that dolphin dolphin eating eating is is not only bad n ot o nly immoral immoral but but also also b ad ffor or you. you. The The dolphins parts d olphins are are full full of of mercury mercury ((22,000 22,000 p arts per million) diet. p er m illion) thanks thanks to to their their ttuna-rich una-rich d iet. ““Swimming Swimming toxic toxic waste waste dumps, dumps,� is is how how one one biologist b iologist describes describes them. them. Although A lthough he he iiss sstonewalled tonewalled aand nd director iintimidated ntimidated by by the the police, police, tthe he d irector doesn’t Hee aand d oesn’t stir stir up up racism. racism. H nd tthe he ccrew rew vvisit isit a splendid splendid Buddhist Buddhist shrine shrine where where boulders llocals ocals gaze gaze in in meditation meditation aatt b oulders iin na ssand and garden. garden. Go Go find find Americans Americans who who have have tthe he sspirituality pirituality to to do do this, this, he he notes, notes, before before inspiration were watching inspiration strikes: strikes: ““We We w ere w atching a

rrock. ock. W What hat iiff tthe he rrock ock ccould ould w watch atch u us?â€? s?â€? W ord iiss ssent ent to to M arin tto o get get In ndustrial Word Marin Industrial Light make L ight & Magic Magic to to m ake an an aauthenticuthenticllooking ooking rrubber ubber boulder boulder with with a camera camera hidden This on h idden iin n iit. t. Th his ggadget adget ggoes oes o n tthe he rroster oster with off tthe night w ith the the rrest est o he ggang’s ang’s eequipment: quipment: n ight vvision ision ggoggles oggles tthat hat aare re legally legally not not supposed supposed off tto o lleave eave the the United United States, States, ccheck. heck. A tteam eam o cclimbers, limbers, check, check, lookouts, lookouts, check, check, decoys decoys for for police, tthe he p olice, check. check. And And Cinnamon Cinnamon tto o sseduce educe put knockout drops tthe he gguards uards aand nd p ut k nockout d rops iin n ttheir heir ccoffee‌ off ffee‌ OK, OK,, made made that that last last part part up. up. One One needs disgust n eeds a llittle ittle fantasy fantasy tto o master master tthe he d isgust off sseeing killed o eeing these these llovely ovely creatures creatures k illed ffor or a quick buck. q uick b uck. Wee ssometimes W ometimes fforget orget tthat hat tthe he ccamera amera bee ssuch weapon. ccan an b uch a w eapon. This This outraging outraging and and unbearable tthrilling hrilling ((and and ssometimes ometimes u nbearable to to watch) w atch) film film is is guaranteed guaranteed tto o stir stir worldwide worldwide with iindignation. ndignation. IItt eends nds w ith a ““What What yyou ou ccan an doâ€? will d oâ€? section. section. I guarantee guarantee tthat hat The The Cove Cove w ill make want do m ake yyou ou w ant tto od o ssomething. omething. THE T HE COVE COVE (PG-13; (PG-13; 92 92 min.), min.), a ddocumentary ocumentary by by Louie Louie Psihoyos, Psihoyos, oopens pens Aug. Aug. 7. 7.

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august 5-12, 2009

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j "!

A/<B/1@CH 1=; august 5-12, 2009 47:;

47:;

Gay for a Day 1=C@B3AG ;/5<=:7/ >71BC@3A

The brothers are doing it for art and for themselves in ‘Humpday’ 0G @716/@2 D=< 0CA/19

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HAT IF the famous moment in Superbad had gone further, with Jonah Hill pushing something more tumid than his finger at something more intimate than Michael Cera’s nose? Or if the massage at the end of Old Joy had gone for the famous happy ending? Lynn Shelton’s odd sitcom Humpday starts where bromance comedy leaves off. In Seattle, the very married Ben (Mark Duplass) is scheduling his lovemaking with his sweet, placid and equally plump wife, Anna (Alycia Delmore). Sessions are timed for optimum egg delivery: “We’ve removed the goalie,� he says. At 2 in the morning on the eve of one procreation session, the doorbell rings; it’s Ben’s dear old friend Andrew (Joshua Leonard), who is dropping in without calling first. Andrew has just arrived from southern Mexico. He is a raffish, bearded Pan disturbing this domestic bliss; for the next couple of days, he crashes in what’s going to be the baby’s room. Later, he picks up a girl and heads to her party house, a place named “Dionysus.� Ben wanders in for a fast drink and doesn’t wander out until 3am. During a night of drinking, smoking and trance music, a woman mentions an underground porn film festival. Trying to think of something extreme enough to win, the two lads decide that a film of very straight men having gay sex would be a winner. “Beyond gay,� they call it. Because Ben wants his pal to know that he isn’t a bourgeois sellout, he won’t back down during the hung-over day after. But he is naturally too scared to tell Anna about his plan. Some farcical misunderstandings lead up to a fateful

>7::=E B/:9 Mark Duplass (left) and Joshua Leonard take the bromance premise to its ultimate conclusion.

rendezvous at the Holiday Inn. The wooliness of Humpday adds to the appeal; it also adds to the film’s downfall. Watching one half-muffed line after another dissolving into nervous laughter, I thought that the film’s idea had been shaped, maybe just not the scenes. But later, the ideas seem elusive, too. Andrew is supposedly just spinning his wheels by teaching art in Chiapas, but why is that not worthwhile? Making this porn is going to be the art project that proves he can finish something he started. Ben’s participation will give him the cred to finally tell his buddy, “You’re not as Kerouac as you think you are.� And Anna’s permission will prove that she’s not Betty Crocker either. It’s unclear what role lust plays in all of this. Eventually, watching the two men grapple, get queasy and call for time-outs, made me wonder: had director Shelton thought of Humpday as a statement about how so much porn is made under conditions of almost total

sexual disinterestedness? It seems to be a little more straightlaced than that, even. If Humpday has earned more attention than most mumblecore, maybe it’s because the film ultimately doesn’t disturb the status quo in anything— either male friendships or marriages. The most composed and affectionate shots are of monogamous bliss—the images of Anna and Ben’s home. The movie is a bait and switch on the level of James Toback’s similar Two Girls and a Guy. In a world full of brave and interesting homemade porn—art, smut or what have you—Humpday is not as Jack Kerouac as it thinks it is.

HUMPDAY (R; 95 min.), directed and written by Lynn Shelton, photographed by Benjamin Kasulke and starring Mark Duplass and Joshua Leonard, opens Friday.

44 |

august 5-12, 2009

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"$ j 47:; august 5-12, 2009 A/<B/1@CH 1=;

SHOWTIMES FOR FRIDAY AUGUST 7 – THURSDAY AUGUST 13 “####! A delightful comedy, alive with invention.� –Roger Ebert

Zooey Deschanel (PG-13)

Joseph Gordon-Levitt

Daily on 2 Screens Grand Auditoruim: (2:30), (4:50), 7:15, 9:30 plus Sat, Sun (12:15) Stadium Seating: (1:30), (3:50), 6:15, 8:20, 10:20; Sat, Sun (11:15am)

“Spellbinding! An intelligent & suspenseful film and a leading Academy Award contender.� –Roger Ebert A

KATHERINE BIGELOW FILM

(R) Daily: (1:40),

(4:20), 7:00, 9:40 plus Sat, Sun (11:00am) Midnights @ The Del Mar Fun! Prizes! Alien Dog!

The Thing (R) Fri 8/7 & Sat 8/8 @ Midnight Next Week: Harold & Maude

www.thenick.com

Film Capsules Carpenter Story, which was acted out with Barbies, and briefly B63 1=D3 (PG-13; 100 consider casting actual min.) See review, page G.I. Joe dolls; writers 41. (Opens Fri at The somehow remain Nick.) 5 7 8=3( @7A3 =4 B63 blissfully ignorant to the fact that their plot 1=0@/ (PG-13; 120 point about the bad min.) Behind-the-scenes guys trying to destroy moments to look for the Eiffel Tower was when this DVD comes out: Sean Penn is passed used in Team America: World Police, as a parody over for a role on the of how bad the plots G.I. Joe team after he for movies like this fails to demonstrate are; project stalls when proper “kung-fu grip� everyone involved and “eagle-eye vision� realizes a live-action in audition; producers movie based on plastic screen Todd Haynes’ action figures is a really 1987 underground film stupid idea, revived Superstar: The Karen

<3E 1/>A

when Transformers becomes one of the most successful movie franchises in history. (Opens Fri at 41st Ave, Cinema 9, Scotts Valley and Green Valley.) (SP) 6C;>2/G (R; 101 min.)

See review, page 43. (Opens Fri at The Nick.) 7<27/</ 8=<3A /<2 B63 :/AB 1@CA/23

(1989) Third film in the Indiana Jones saga brought in Sean Connery as Indy’s dad, but came off like a retread with its Nazi bad guys, desert adventuring and well-worn in-jokes. That said, after the

SHOWTIMES

fourth movie last year, this one seem like a freakin’ masterpiece. (Plays at Cinema 9 on Thu at 8pm.) (SP) 8C:73 8C:7/ (PG-13;

123 min.) Nora Ephron biopic is based on Julie Powell’s memoir about blogging her attempt to cook all 524 recipes in Julia Child’s Mastering the Art of French Cooking over the course of a year. It also weaves in Child’s story, based on her own memoir. Meryl Streep plays Child, while Amy Adams plays Powell. Even as I write this, some freak

Movie reviews by Steve Palopoli and Richard von Busack

who blogs about the daily adventures of her four indoor cats is mentally casting Gwenyth Paltrow to play her in the sureto-be-forthcoming big-screen adaptation of her own blog. (Opens Fri at Cinema 9 and Green Valley.) (SP)

story which has been adapted and ripped off more times than maybe any other piece of genre fiction. Steve Zahn and Milla Jovovich star. (Opens Fri at Cinema 9 and Green Valley.) (SP) A=C: >=E3@ (PG-13;

100 min.) Promising but disappointing / >3@431B 53B/E/G documentary by Jeffrey (R; 98 min.) Island Levy-Hinte about the tourists discover they’re African and American being hunted by a soul concert in Zaire in psychopath in what 1974 in connection with appears to be (despite the Ali-Forman fight. It a lack of credit) yet has great components: another version of an irresistible clip “The Most Dangerous of Miriam Makeba Game,� the 1924 short performing “The Click

Showtimes are for Wednesday, August 5, through Wednesday, August 12, unless otherwise indicated. Programs and showtimes are subject to change without notice.

STARTS FRIDAY “Hugely entertaining! A rousing blend of agitprop, horror and thriller. An enchanting and exuberantly theatrical eco-documentary.�

(PG-13)

/>B=A 17<3;/A

122 Rancho Del Mar Center, Aptos 831.688.6541 www.culvertheaters.com 4c\\g >S]^ZS – Wed-Thu 12:15; 3:10; 6; 8:50; Fri-Wed 12:25; 3:10; 6; 8:50. EVObSdS` E]`Ya – Wed-Thu 12:30; 2:30; 4:30; 6:30; 8:30; Fri-Wed 12:30; 4:30; 6:30. ;]]\ – Fri-Wed 2:25; 8:30.

–Village Voice Daily: (3:30),

(5:30), 7:30, 9:30 plus Sat, Sun (1:30) “Funny, tender and extraordinary!� –Rolling Stone

" AB /D3<C3 17<3;/A (R) Daily: (5:20),

7:20, 9:20 plus Sat, Sun (1:20) –Hollywood Reporter (PG-13)

“Outstanding!�

FINAL WEEK! Once Daily: (3:20) The Greatest Music Festival That You Have Never Seen‌ The Spinners B.B. King Bill Withers Miriam Makeba James Brown‌ “Vibrant & joyous!â€? (PG-13) –L.A. Times

ONE WEEK ONLY! Daily (3:00), 9:25 HELD OVER‌ FINAL WEEK! (R) Daily: (5:00),

7:10 plus Sat, Sun (12:50) “Funny, observant and thought provoking!�

5 7 8]S( BVS @WaS ]T bVS 1]P`O – (Starts Fri) 11:30; 2; 4:30; 7; 9:30. 5 4]`QS – Daily 12:15; 2:30; 4:45; 7; 9:15. 6O``g >]bbS` bVS 6OZT 0Z]]R >`W\QS – Daily noon; 3:15; 6:30; 9:45. BVS 6O\U]dS` – Wed-Thu 11:50; 2:15; 4:45; 7:15; 9:30.

23: ;/@

1124 Pacific Ave., Santa Cruz 831.426.7500 www.thenick.com # 2Oga ]T Ac[[S` – Daily 1:30; 2:30; 3:50; 4:50; 6:15; 7:15; 8:20; 9:30; 10:20; plus Sat-Sun 11:15am; 12:15. BVS 6c`b :]QYS` – Daily 1:40; 4:20; 7; 9:40; plus Sat-Sun 11am. BVS BVW\U – (Fri and Sat only) midnight.

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7:45; 9:45; Fri-Wed 11:45; 3:05; 6:30; 9:45. 0`Œ\] – Wed-Thu 4:35; 9:55. 7QS /US( 2Oe\ ]T bVS 2W\]aOc`a – Wed 11:50; 2:10; 4:30; 6:50; 9:05; Thu 11:50;

2:10; 4:30; 6:50. B`O\aT]`[S`a( @SdS\US ]T bVS 4OZZS\ – Wed-Thu 1:25; 6:45. BVS 6O\U]dS` – Wed 12:15; 2:40; 5; 7:30; 10; Thu 12:15; 2:40; 5; 10; Fri-Wed

noon; 2:30; 5; 7:40; 10:05. 7\RWO\O 8]\Sa O\R bVS :Oab 1`caORS—Thu 8pm.

A1=BBA D/::3G $ 17<3;/A

226 Mt. Hermon Rd., Scotts Valley 831.438.3261 www.culvertheaters.com 5 7 8]S( BVS @WaS ]T bVS 1]P`O – (Starts Fri) 10:50; 1:30; 4:10; 6:50; 9:30. /ZWS\a W\ bVS /bbWQ – Daily 10:45; 12:55; 3; 5:10; 7:20; 9:30. 4c\\g >S]^ZS – Daily 11; 2:10; 5:20; 8:30. 5 4]`QS – Daily 11:30; 1:40; 3:50; 6; 8:10. BVS CUZg B`cbV – Daily 11:15; 1:40; 4; 6:20; 8:40. 6O``g >]bbS` bVS 6OZT 0Z]]R >`W\QS – Daily 10:30; 1:45; 5; 8:15. 7QS /US( 2Oe\ ]T bVS 2W\]aOc`a – Wed-Thu 11:30; 1:45; 3:55; 6:10. BVS >`]^]aOZ – Wed-Thu 8:30.

Lincoln and Cedar streets, Santa Cruz 831.426.7500 www.thenick.com –Chicago Sun Times

HUMPDAY

(R)

Daily: (2:50),

1475 41st Ave., Capitola 831.479.3504 www.culvertheaters.com

BVS 1]ZZSQb]` – Wed-Thu 1:10; 3:20; 5:30; 7:55; 10:15; Fri-Wed 10. 5 4]`QS – Wed-Thu noon; 2:20; 4:45; 7; 9:15; Fri-Wed 11:50; 2:10; 4:25; 7:10; 9:25. =`^VO\ – Wed-Thu 1:15; 4:10; 7:20; 10:10; Fri-Wed 1:15; 4:10; 7:20. 6O``g >]bbS` O\R bVS 6OZT 0Z]]R >`W\QS – Wed-Thu 11:45; 1; 3:05; 4:20; 6:30;

(4:50), 7:00, 9:00 plus Sat, Sun (12:40pm)

( ) = Bargain Shows Before 5:30pm

BVS 1]dS – (Starts Fri) 3:30; 5:30; 7:30; 9:30; plus Sat-Sun 1:30. A]cZ >]eS` – (Starts Fri) 3; 9:25. 6c[^ROg – (Starts Fri) 2:50; 4:50; 7; 9; plus Sat-Sun 12:40. AV`W\Y – Wed-Thu 2:50; 5; 7:10; 9:25; Fri-Wed 5; 7:10; plus Sat-Sun 12:50. =¸6]`bS\ – Wed-Thu 3:30; 5:30; 7:30; 9:30; Fri-Wed 3:20. Ab`SSb 2`SO[a – Wed-Thu 3; 4:50; 7; 8:50. /eOg ES 5] – Wed-Thu 3:20; 5:20; 7:20; 9:20; Fri-Wed 5:20; 7:20; 9:20;

4=F B63/B@3

Maple and Main streets, Watsonville 831.724.1220 7QS /US( 2Oe\ ]T bVS 2W\]aOc`a – Wed-Thu 5; 7; 8; Fri-Wed 5; 7; 9; plus Sat-Sun 1; 3. BVS >`]^]aOZ – Fri-Wed 5:10; 7:15; 9:20; plus Sat-Sun 1; 3:05. B`O\aT]`[S`a( @SdS\US ]T bVS 4OZZS\ – Fri-Wed 5; 8:15; plus Sat-Sun 1:30.

Up – Wed-Thu 5; 7; 9. >cPZWQ 3\S[WSa – Wed-Thu 5; 8.

plus Sat-Sun 1:20. “Hilarious! A serious comedy that’s Apatow’s richest and most resonant movie yet.� –The New Yorker

Daily: (12:25),

FUNNY PEOPLE

@7D3@4@=<B AB/27C; BE7<

155 S. River St, Santa Cruz 800.326.3264 x1701 www.regmovies.com (R)

(3:10), 6:00, 8:50 HELD OVER‌ FINAL WEEK!

Larry David

(PG-13) WOODY ALLEN FILM Daily: (12:30), (4:30), 6:30 ONE WEEK ONLY! “A mesmerizing mind bender! Sam Rockwell is brilliant!� –Rolling Stone IN A

MOON

(R)

Daily: (2:25), 8:30 COMING SOON! A Hayao Miyasaki Film ‘Ponyo’ ‘Seraphine’ Michael Cera in ‘Paper Heart’ ‘The Time Traveler’s Wife’

Children under 5 admitted only on Mondays & Weekend Matinees

4c\\g >S]^ZS – Daily 12:15; 3:20; 6:30; 9:35. BVS CUZg B`cbV – Daily noon; 2:20; 4:40; 7; 9:40.

A/<B/ 1@CH 17<3;/ '

1405 Pacific Ave., Santa Cruz 800.326.3264 x1700 www.regmovies.com 5 7 8]S( BVS @WaS ]T bVS 1]P`O – (Starts Thu) midnight; Fri-Wed 11:25; 12:50;

2; 3:45; 4:40; 6:45; 7:30; 9:30; 10:15. 8cZWS O\R 8cZWO – (Starts Fri) 1; 4; 7; 9:55. / >S`TSQb 5SbOeOg – (Starts Fri) 12:20; 2:45; 5:10; 7:55; 10:20. /ZWS\a W\ bVS /bbWQ – Wed-Thu 12:10; 2:35; 4:55; 7:10; 9:25; Fri-Wed 12:10; 2:20; 4:30; 6:50; 9.

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1125 S. Green Valley Rd, Watsonville 831.761.8200 www.greenvalleycinema.com 5 7 8]S( BVS @WaS ]T bVS 1]P`O – (Starts Fri) 1:30; 4:30; 7; 9:30; plus Fri-Sun 11am. 8cZWS O\R 8cZWO – (Starts Fri) 12:30; 4:30; 7:10; 9:35. / >S`TSQb 5SbOeOg – (Starts Fri) 1:30; 4:30; 7; 9:15; plus Fri-Sun 11:15am. 4c\\g >S]^ZS – Daily 12:30; 3:30; 6:30; 9:30. /ZWS\a W\ bVS /bbWQ – Daily 1:10; 3:10; 5:10; 7:10; 9:10; plus Fri-Sun 11:10am. 5 4]`QS – Wed-Thu 1; 1:15; 3; 3:15; 5:15; 5:30; 7:15; 7:30; 9:15; 9:30; Fri-Wed 1; 3;

5:15; 7:15; 9:15; plus Fri-Sun 11am. =`^VO\ – Wed-Thu 1:45; 4:30; 7:10; 9:35; Fri-Wed 7:10; 9:35. BVS CUZg B`cbV – Daily 1:05; 3:10; 5:15; 7:25; 9:30; plus Fri-Sun 11am. 6O``g >]bbS` O\R bVS 6OZT 0Z]]R >`W\QS – Wed-Thu noon; 3:15; 6:15; 9:20; Fri-Wed noon; 3:15. B`O\aT]`[S`a( @SdS\US ]T bVS 4OZZS\ – Wed-Thu 6:30; 9:30. C^ – Wed-Thu 1:15; 3:30.

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A/<B/1@CH 1=; august 5-12, 2009 47:;

B63 B67<5 (1982)

Proof positive that movies can be ahead of their time. When this John Carpenter remake of the 50s science fiction classic came out almost 30 years ago, it was roundly hated for its emphasis on shocking special effects and its bleak tone. Over the years, however, the film’s subtle character touches, its complex questions about identity and human nature, and its effectively icy atmospherics have become more obvious over repeat viewings. Kurt Russell leads a cast of scientists in Antartica whose research compound is infiltrated by an alien which can camouflage itself as any one of them. Carpenter’s version is much truer to the source material than Howard Hawks’ 1951 version, capturing the paranoia of John W. Campbell’s original short story, “Who Goes There?� And in this age of crappy computer visuals, the special-effects are easier to appreciate than ever. (Plays at the Del Mar on Fri and Sat at midnight.) (SP)

@3D73EA /:73<A 7< B63 /BB71 (PG; 86 min.)

A movie with this title can only mean one of three things: (a) PBS, having run completely out of ideas, is hiring extraterrestrials to travel around and appraise

family heirlooms; (b) James Cameron, having run completely out of ideas, has reshot his 1986 science-fiction hit in his mom’s loft; or (c) Hollywood, having run completely out of ideas, is desperately trying to combine the alien-invasion genre with family fun. OK, the answer’s “c,â€? but it would be “aâ€? if PBS had thought of it. (SP) /E/G E3 5= (R; 98 min.) Burt (John Krasinski), an alternainsurance broker, and his pregnant mate, the dour, nervous Verona (Maya Rudolph) seek a community. Sadly, they learn that America is a beautiful country full of ugly people. Not enough jokes, by a long chalk. Alison Janney, the standout, as a sharptongued mom, is only temporary relief from the two leads: the moral and physical center of this movie’s universe. The writers are San Francisco’s Dave Eggers and his wife, Vendela Vida, who seek the wonder and freshness in aged platitudes about the innocence of children. (RvB) 0@s<= (R; 82 min.) Sacha Baron Cohen, late of Borat, purports to be BrĂźno, a past-hisprime Austrian club kid, seeking wider fame. Cohen’s drastic comedy insists that all the worst fears of gay haters are true and screws that point down. It argues that gay people are into flagrantly bizarre sexual practices, will try to recruit straight people relentlessly and will tease and seduce even the violently uninterested. BrĂźno, then, is not a plea for understanding but a shout of rage against homophobia. Watching Cohen in his disguise is like reading H.L. Mencken—amusement at the rude wit is followed by nauseated despair at universal gullibility. One can be slightly cheered by less well-known citizens who must—you pray—have either been in on the joke or had enough good humor to play dumb for this amazing Technicolor Teutonic faun. (RvB)

B63 1=::31B=@ (R; 88 min.) Desperate excon breaks into his new boss’s house, only to find he’s the second guy to have that idea. # 2/GA =4 AC;;3@ (PG-13; 95

min.) Tom (Joseph Gordon-Levitt), a greeting-card writer, has his heart broken by a girl he knew for about two years. She was called Summer (Zooey Deschanel). As Tom recalls this tale in random-accessed moments, we begin to see the bigger picture. (500) Days of Summer is allegedly an antiromantic film, but the result is yet another alterna-date movie—a little brighter, a little more referential, than usual. The scenes don’t go on so long that they wear out their welcome. And yet it’s so full of negative space—places where jokes could have been planted, places where the characters could have been deepened. If only director Marc Webb had spent as much time thinking how to fill in the blanks as he spent murmuring, “It’s going to be Annie Hall for our generation.� (RvB) 4C<<G >3=>:3 (R; 146 min.) Forget Adam Sandler’s return to an actual dramatic role, what shocks everybody about this movie is the trailer that reminds them this is only “the third film from the director of Knocked Up and The 40-Year-Old Virgin.� We’re all sitting there going, “Wait, doesn’t Judd Apatow make every comedy now? No? Then why the hell is Seth Rogan in all of them?� He’s in this too, by the way, playing a young comic whom Sandler begins to mentor after having a near-death experience. (SP) 5 4=@13 (PG; 88

min.) In the ’80s, there was an anime film that was called G-Force in America. It was an American version of the Japanese TV series Gatchaman, about superhero ninjas. Hollywood is now making a live-action film based on that same

series. However, none of this really has anything to do with anything, since this is not that film. I just couldn’t think of anything to say about a stupid Jerry Bruckheimer spy comedy starring computer-animated guinea pigs. (SP)

>6=B=A 1=C@B3AG =4 /<B72=B3 47:;A – >@=>3@BG =4 A=<G >71BC@3A 1:/AA71A

Song,� BB King doing his signature “The Thrill Is Gone,� some vintage era James Brown, and the unarguable highlight of the film, Bill Withers. Too much focus on the Spinal-Tapish goings on behind the scenes makes this an exercise in musical coitusinterruptus—every time you get into a groove, the film pulls you out. While When We Were Kings (upon which Levy-Hinte was editor) made Mohammed Ali just about the most fascinating man on earth, the Ali footage here merely reminds you that the quickwitted like to repeat themselves. (Opens Fri at The Nick.) (RvB)

B63 6/<5=D3@ (R; 100 min.) A satisfyingly low comedy with a sturdy plot and the wit to realize that the Three Stooges format is solid gold.Stick with it, since the first third is hit and miss; later, director Todd Phillips solidly builds the situations, thinking up strategies to bolster the risky comedy. (RvB) B63 6C@B :=193@

(R; 138 min.) The soldiers of Bravo Company are stationed in Baghdad for the 2004 fighting. Central to the film is the mystery of Staff Sgt. James (Jeremy Renner) who comes in to replace a slaughtered demolition expert. James’ risk-taking amazes and angers his subordinate, Sgt. Sanborn (Anthony Mackie). The suspenseful, grimly funny script is by coproducer Mark Boal. Renner is outstanding as the inhumanly brave demolition expert. Director Kathryn Bigelow does what Howard Hawks would do; she finds the cooperation between men of great competence in a killing trade, rather than pumping up rivalry. Bigelow breaks through the sense of anonymity that characterizes most Iraq war movies, where helmeted men move alike and talk the same terse slang. However, The Hurt Locker takes an essentially knightly view of the war, of men suiting up and closing their visors. Thus this is the first Iraq film an American audience can feel good about. Boal’s script does discover the hollow inside the brave James: the missing part that made him never stop to realize why he did his job. That final revelation is smart filmmaking. It’s just that the hollow inside this movie—inside almost all the war movies, even

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the good ones—isn’t as easily seen. If war is a drug, as The Hurt Locker claims, who’s pushing it? (RvB) ;==< (R; 97 min.) Sam Bell (Sam Rockwell) is a miner, assigned to a threeyear shift on the dark side of the moon. His only companion is a living computer named Gerty, with an emoticon face and measured, ambiguous voice by Kevin Spacey. Sam is counting the days until he gets to go home, but matters start to go wrong. Already, communications with the Earth (and with his beloved wife) are fritzing out, and he sees strange glimpses of another figure through the station’s monitors. The film has its points. Director/writer Duncan Jones does bring home the moon on $5 million. He did this with oldfashioned ideas like the use of miniatures and a lunar set. Some fans of Moon argue that its not the technique, or the movie’s derivative sourcing that matters, as much as what the film has to say about identity. It makes you wonder: how much science fiction writing do science fiction film fans read? Like all horror

stories, Moon must face that terrible point where the audience says, “There must be a reasonable explanation for this.â€? Ultimately, Jones gives us the reasonable explanation, but he can’t supply a great final twist on a story that would have been deft at 60 minutes on The Outer Limits. (RvB) =¸6=@B3< (PG-13; 97

min.) Quirky and funny arthouse drama follows a train conductor on the night of his retirement. The onslaught of crossed-out vowels in the cast and crew names guarantees it’s made with the Scandinavian commitment to quality. (SP) B63 >@=>=A/:

(PG-13; 107 min.) Boss lady Sandra Bullock and underling Ryan Reynolds fake an engagement for the benefit of the family of the “groom.� Directed by Anne Fletcher. >C0:71 3<3;73A

(R; 141 min.) Michael Mann’ carries out this study of John Dillinger’s career from its middle to its end in darting, little-cam movements. The photography often uses high-def synthetic light: yellowish-white flares of gun bursts and gritty magenta torches

burning. Surfaces come to mind—that’s what this skin-deep film gives you when you can’t hear the dialogue or can’t tell who the new characters are supposed to be. In numberless close-ups, Johnny Depp emphasizes surface, too. The movie makes the master bank robber a gent, a showman, an ardent monogamous lover; when he takes hostages, it’s to relieve them of the humdrumness of their lives. But Public Enemies never takes us hostage; it never establishes that link it reaches for, the link between those hard times and ours. (RvB) A6@7<9 (R; 111 min.) World-weary psychiatrist Dr. Henry Carter (Kevin Spacey), all dogfaced with sleeplessness and indulgence in the evil herb, needs to heal himself. He has a real workload: Kate (Saffron Burrows) and Evan (Joel Gretsch), a moviestar/rock-star couple known as Katevan, are on the verge of splitting. Shamus (Jack Huston, John’s grandson) is an Irish actor unhappy with his work, Robin Williams is an aging movie star who can’t stop cheating on his wife, and Jeremy (Mark Webber), a lawnmowing

nobody in this starstudded scheme. Lastly, working-class AfricanAmerican girl Jemmma (Keke Palmer) is seeing Dr. Carter but won’t tell him why she has a cast on her arm from having tried to knock some sense into the mirror in her high school bathroom. So they go to the films together. Shrink insists everyone in LA is in the Industry, whether they know it or not. But the life-affirming, everything-to-all-people script keeps introducing new characters until, at the end, director Jonas Pate is forced to act with all the aplomb of a man herding cats. (RvB) AB@33B 2@3/;A (R; 95 min.) Angsty drama has one up-and-coming skateboarder against the world. Oh yeah, like skateboarders have it hard. The only people who don’t like them are cops and all other adults. Whiners! (SP) B63 C5:G B@CB6

(R; 96 min.) After getting stuck with Seth Rogan as an arresteddevelopment geek in her last romantic comedy, Katherine Heigl now gets Gerard Butler as a douchebag radio personality. This woman deserves combat pay. (SP)

48 |

august 5-12, 2009

SANTACRUZ.COM

Wine shop Tasting

Pacific Ave.

Museum of Art and History

Abbot Square

Cooper Street

Annie Glass

Gifts Accessories

Front Street

Downtown Santa Cruz on Abbott Square off Cooper Street (Near Annie Glass).

831-426-VINO (8466) www.vinocruz.com

Epicure. Ep picure. e

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Aquarian A quarian Cuisine Cu i s i n e

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Thee Dream Dream Inn’s Inn’s ggorgeous orgeous new new oceanfront oceanfr e ont restaurant restau urant is a feast feeast for for o the eyes eyes and the th he palate palate 0G 16@7AB7</ E/B3@A 0G 1 6 @ 7 A B 7 < / E/B 3 @ A

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HE S HE SUNNY UNNY R RESORT ESORT tthat hat is is tthe he D ream Inn Inn sstill till p erches Dream perches llike ike a ggolden olden ssandcastle andcastle aalong long W est C liff D rive. O nly now, now, West Cliff Drive. Only the spectacular spectacular view view of of wharf wharf and and waves waves the is available available through through the the picture picture windows windows is of Aquarius. Aquarius. Chef Chef Philippe Philippe Breneman, Breneman, of formerly of of Ventana Ventana Inn Inn and and most most recently recently formerly of Paragon Paragon in in San San Jose, Jo ose, is is at at the the helm helm of of the the of playfully modernist modernist dining dining room, room, creating creating playfully dishes as as lovely lovely as as the the sleek sleek orange orange and and dishes sand-toned interior. interior. Open Open for for breakfast, breakfast, sand-toned lunch and and dinner—and dinner—and for for stylish stylish cocktails cocktails lunch just about about any any time time you you want want them—the them—the just hotel’s revamped revamped dining dining room room offers offers hotel’s casually elegant elegant (think (think San San Francisco) Francisco) fare fare casually designed to to tempt tempt locals locals and and satiate satiate visitors. visitors. designed We started started with with a mezze mezze platter platter ($8) ($8) We and a special special aappetizer ppetizer o rganic ccherry herry and off o organic tomatoes, spiked spiked with with yyellow ellow p lums, tomatoes, plums, boccancini and and infant infant arugula arugula (($9). $9). Th he boccancini The luscious mezze mezze platter platter w as aample mple eenough nough luscious was for two two to to share, share, w ith ttzatziki, zatziki, w hite b ean for with white bean hummus and and tapanade tapanade served served w ith a llittle ittle hummus with basket of of warm warm p ita b read (($8). $8). Th he ssalad alad basket pita bread The was gorgeous, gorgeous, if if quite quite ssmall. mall. Th he ssame ame was The size inconsistency inconsistency was was n oticeable iin no ur size noticeable our entrees, but but I d igress. entrees, digress. Aquarius offers offers small small flights f lights of of three three Aquarius wines—a half-dozen half-dozen possibilities—which possibilities—which wines—a are quite quite affordable affordable ffor or ggenerous enerous 2 -oz. are 2-oz. pours. The Th he concept concept is is ssound, ound, eespecially specially pours. since it’s it’s a perfect perfect w ay ffor or vvisitors isitors tto o since way sample local local wines. wines. H owever, tthe he h ouse sample However, house has purchased purchased small small gglasses lasses ffor or tthese hese has

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tiny fflight tiny light ssamples. amples. W While hile tthe he m miniinisstemware temware ttakes akes u p lless ess sspace pace o n tthe he ttables, ables, up on iitt aalso lso p revents tthe he w ine ffrom rom o pening prevents wine opening tto om aximum gglory. lory. Th he fflight light o ocal maximum The off llocal rreds—an eds—an A hlgren C abernet, a rrobust obust Ahlgren Cabernet, B argetto M erlot aand nd B onny D oon’s Bargetto Merlot Bonny Doon’s ssensuous ensuous Sangiovese—all Sangiovese—all showed showed nicely. nicely. B ut tthe he n on-chardonnay w hite fflight light But non-chardonnay white iincluded ncluded a p alate-dampening O ceana palate-dampening Oceana R iesling sso o ssweet weet tthat hat iitt d inged a B argetto Riesling dinged Bargetto P inot G rigio aand nd a sserviceable erviceable L ongboard Pinot Grigio Longboard S auvignon B lanc. Th he rrestaurant estaurant iiss o nly a Sauvignon Blanc. The only m onth o ld. F ine-tuning w ill o ccur. month old. Fine-tuning will occur. Frrom a roster roster iincluding ncluding o rganic cchicken hicken From organic b reast, p asta, llocal ocal P etrale ssole ole aand nd M eyer breast, pasta, Petrale Meyer N ew Y ork sstrip trip ssteak, teak, w hose tthe he N içoise New York wee cchose Niçoise ccomposed omposed o eared ssustainably ustainably h arvested off sseared harvested aahi, hi, sslender lender ggreen reen b eans, ffingerling ingerling beans, p otatoes aand nd a llovely ovely h ard-poached eegg. gg. potatoes hard-poached C hopped k alamata ttapenade apenade aadded dded p lenty Chopped kalamata plenty o ip (($26). $26). M pecial o aine d ay b oat off zzip Myy sspecial off M Maine day boat sscallops callops w as a vvisual isual k nockout. Th hree was knockout. Three

scallops, ssautĂŠed scallops, autĂŠed tto o a gglistening listening b bronze, ronze, w ere p aired w ith tthree hree p lump ssquares quares o were paired with plump off eexceptional xceptional yyellow ellow w atermelon. E ach ccube ube watermelon. Each o ipe m elon w as ttopped opped w ith a k not o off rripe melon was with knot off p rosciutto aand nd a ssprig prig o rugula. A m intprosciutto off aarugula. mintiinflected nf lected vvinaigrette inaigrette ssurrounded urrounded eeach ach iitem. tem. A ll beautiful. beautiful. All The couple couple next next to to us us feasted feasted on on slices slices The o an elegant elegant chocolate chocolate mocha mocha cake cake with with off an G uinness ggelato. elato. W e, h owever, cchose hose aan n Guinness We, however, u nremarkable d essert o iry aangel ngel ffood ood unremarkable dessert off aairy ccake ake ttopped opped w ith a ttiny iny d ab o anilla with dab off vvanilla ggelato elato aand nd rringed inged w ith o verly ssweetened weetened with overly ssliced liced strawberries strawberries ($9). ($9). All said, said, we we enjoyed enjoyed our our visit visit to to All A quarius. Simply Simply being being in in this this room room is is a Aquarius. p leasure, especially especially at at sunset, sunset, where where you you sip sip pleasure, yyour our wine wine and and watch watch the the surf surf turn turn to to pink pink aand nd ggold. old. B athers w rapped iin n ttheir heir b right Bathers wrapped bright ttowels, owels, tthe he B oardwalk aand nd B ig D ipper Boardwalk Big Dipper m ake a p anoramic p ostcard h orizon. make panoramic postcard horizon. A quarius o wns tthe he sscenic cenic vview iew d omain. Aquarius owns domain.

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1175 75 West West C Cliff liff Dr., Dr., Santa Santa Cruz Cruz 831.460.5012 8 31.460.5012 Breakfast: B reakfast: 7am–11:30am 7am–11:30am Mon–Fri; Mon–Fri; 77am–3:30pm am–3:30pm brunch brunch Sat–Sun Sat–Sun LLunch:11:30am–3pm unch:11:30am–3pm Mon–Fri; Mon–Fri; bbrunch runch Sat–Sun; Sat–Sun; Dinner D inner 5:30–9:30pm 5:30–9:30pm Sun–Thu; Sun–Thu; 5:30– 5:30– Fri–Sat. 110:30pm 0:30pm F ri–Sat. LLounge: ounge: 11:30am–close 11:30am– close Mon–Fri; Mon–Fri; 110:30am–close 0:30am– close Fri–Sat. Fri–Sat. www.aquariussantacruz.com w ww.aquariussantacruz.com

# j 27<3@¸A 5C723 august 5-12, 2009 A/<B/1@CH 1=;

Diner’s Guide

Our selective list of area restaurants includes those that have been favorably reviewed in print by Santa Cruz Weekly food critics and others that have been sampled but not reviewed in print. All visits by our writers are made anonymously, and all expenses are paid by Metro Santa Cruz. AG;0=:A ;/23 A7;>:3( + C\RS` + # + $ + O\R c^

Price Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

/>B=A $$ Aptos

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$$ Aptos

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$$$ Aptos $$$ Aptos

$$ Aptos

207 Searidge Rd, 831.685.0610

8017 Soquel Dr, 831.688.1233 :/ 03::/ D7B/ 07AB@=

257 Center Ave, 831.685.8111 A3D3@7<=¸A 5@7::

7500 Old Dominion Ct, 831.688.8987

Indian. Authentic Indian dishes and specialties served in a comfortable dining room. Lunch buffet daily 11:30am-2:30pm; dinner daily 5pm to close. www.ambrosiaib.com American and specialty dishes from the British and Emerald Isles. Full bar. Children welcome. Happy hour Mon-Fri 2-6pm. Open daily 11am to 2am. Italian. Ambience reminiscent of a small trattoria in the streets of Italy, serving handmade lasagna, pasta dishes, gnocchi and fresh fish. Wed-Sun, lunch 11am-2pm, dinner 5-9pm. Continental California cuisine. Breakfast all week 6:30-11am, lunch all week 11am-2pm; dinner Fri-Sat 5-10pm, Sun-Thu 5-9pm. www.seacliffinn.com.

H/;33< ;327B3@@/<3/< Middle Eastern/Mediterranean. Fresh, fast, flavorful. Gourmet

7528 Soquel Dr, 831.688.4465

meat and vegetarian kebabs, gyros, falafel, healthy salads and Mediterranean flatbread pizzas. Beer and wine. Dine in or take out. Tue-Sun 11am-8pm.

1/>7B=:/ $ Capitola

Capitola

1/43 D7=:3BB3

104 Stockton Ave, 831.479.8888

All day breakfast. Burgers, gyros, sandwiches and 45 flavors of Marianne’s and Polar Bear ice cream. Open 8am daily.

>/@/27A3 ACA67 Japanese. This pretty and welcoming sushi bar serves superfresh 200 Monterey Ave, 831.464.3328 fish in unusual but well-executed sushi combinations. Wed-Mon 11:30am-9pm.

California Continental. Swordfish and other seafood specials. Dinner Mon-Thu 5:30-9:30pm; Fri 5-10pm; Sat 4-10:30pm; Sun 4-9pm.

A6/2=E0@==9

Capitola

1750 Wharf Rd, 831.475.1511

AB=19B=< 0@7253 5@7::3 Mediterranean tapas. Innovative menu, full-service bar,

Capitola

231 Esplanade, 831.464.1933

international wine list and outdoor dining with terrific views in the heart of Capitola Village. Open daily.

$$$ Capitola

H3:2/¸A

203 Esplanade, 831.475.4900

California cuisine. Nightly specials include baby back ribs, prime rib, lobster and crab legs. Daily 7am-2am.

A/<B/ 1@CH $$ Santa Cruz

$$ Santa Cruz

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1116 Pacific Ave, 831. 426.7588

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110 Church St, 831.429.2000

$$ Santa Cruz

B63 1@3>3 >:/13

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Santa Cruz

2218 East Cliff Dr, 831.476.4560

$ Santa Cruz

460 Seventh Ave, 831.477.2908

1134 Soquel Ave, 831.429.6994

4/<2/<5= ;3F71/<

$$ Santa Cruz

67<2?C/@B3@

$$ Santa Cruz

6=44;/<¸A

303 Soquel Ave, 831.426.7770

1102 Pacific Ave, 837.420.0135

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Santa Cruz

221 Cathcart St, 831.426.4852

Mexican/Seafood/American. Traditional Mexican favorites. Best fajitas, chicken mole, coconut prawns, blackened prime rib! Fresh seafood. Over 50 premium tequilas, daily happy hour w/ half-price appetizers. Sun-Thu 11am-10pm, Fri-Sat 11am-11pm. American, California-style. With a great bar scene, casually glamorous setting and attentive waitstaff. Full bar. Mon-Sat 11:30am-10pm, Sun 1-10pm. Crepes and more. Featuring the spinach crepe and Tunisian donut. Full bar. Mon-Thu 11am-midnight, Fri 11am-1am, Sat 10am-1am, Sun 10am-midnight. Seafood. Fresh seafood, shellfish, Midwestern aged beef, pasta specialties, abundant salad bar. Kids menu and nightly entertainment. Harbor and Bay views. Lunch and dinner daily. Mexican. Serving breakfast all day. Popular for our street tacos and handmade Salvadoran pupusas. Vegetarian options made w/ local fresh vegetables and organic tofu. Daily 9:30am-9:30pm. Americana. Ribs, steaks and burgers are definitely the stars. Full bar. Lunch Mon-Sat 11:30am-2:30pm; dinner Sun-Thu 5:30-9:30pm, Fri-Sat 5:30-10pm. California/full-service bakery. Breakfast, lunch, dinner. “Best Eggs Benedict in Town.� Happy Hour Mon-Fri 5-6pm. Halfprice appetizers; wines by the glass. Daily 8am-9pm. ’60s Vegas meets ’50s Waikiki. Amazing dining experience in kitchy yet swanky tropical setting. Fresh fish, great steaks, vegetarian. Full-service tiki bar. Happy-hour tiki drinks. Aloha Fri, Sat lunch 11:30am-5pm. Dinner nightly 5pm-close.

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A/<B/1@CH 1=; august 5-12, 2009 27<3@¸A 5C723 $$ Santa Cruz $$ Santa Cruz

7 :=D3 ACA67

516 Front St, 831.421.0706 8=6<<G¸A 6/@0=@A723

493 Lake Ave, 831.479.3430

$$$ :/ >=AB/ Santa Cruz 538 Seabright Ave, 831.457.2782 $$ Santa Cruz

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$$ Santa Cruz

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Santa Cruz

555 Soquel Ave, 831.458.2321

$$ Santa Cruz

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Seafood/California. Fresh catch made your way! Plus many other wonderful menu items. Great view. Full bar. Happy hour Mon-Fri. Brunch Sat-Sun 10am-2pm. Open daily. Italian. La Posta serves Italian food made in the old style— simple and delicious. Wed-Thu 5-9pm, Fri-Sat 5-9:30pm and Sun 5-8pm.

Fine Mexican cuisine. Opening daily at noon. 49-B Municipal Wharf, 831.458.9393 1319 Pacific Ave, 831.420.1700

1220 Pacific Ave, 831.426.9930

$$ Santa Cruz

105 Walnut Ave, 831.423.2020

$$ Santa Cruz

2415 Mission St, 831.423.9010

$$ Santa Cruz

Japanese Fusion. Sushi bar, sake bar, vegetarian, seafood, steak in fun atmosphere; kids play area; karaoke every night. Open seven days 5-10pm; Mon-Fri 11:30am-2:30pm.

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710 Front St, 831.427.4444

Thai. Individually prepared with the freshest ingredients, plus ambrosia bubble teas, shakes. Mon-Thu 11:30am-9:30pm, Fri 11:30am-10pm, Sat noon-10pm, Sun noon-9:30pm. Italian-American. Mouthwatering, generous portions, friendly service and the best patio in town. Full bar. Lunch Mon-Fri 11:30am, dinner nightly at 5pm. Irish pub and restaurant. Informal pub fare with reliable execution. Lunch and dinner all day, open Mon-Fri 11:30ammidnight, Sat-Sun 11:30am-1:30am. Wine bar with menu. Flawless plates of great character and flavor; sexy menu listings and wines to match. Lunch Wed-Sat noon2pm; dinner Mon-Thu 5-10pm, Fri-Sat 5-11pm, Sun 4-10pm; retail shop Mon 5pm-close, Tue-Sat noon-close, Sun 4pm-close. Pizza. Specializing in authentic Sicilian and square pizza. Homemade pasta, fresh sandwiches, soups, salads and more. Hot slices always ready. Sun-Thu 10am-9:30pm, Fri-Sat 10am-11pm. Pizza. Pizza, fresh salads, sandwiches, wings, desserts, beers on tap. Patio dining, sports on HDTV and free WiFi. Large groups and catering. Open and delivering Fri-Sat 11am-2am, Mon-Thu 11am-1am, Sun 11am-midnight.

A/< :=@3<H= D/::3G $$ Felton

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6205 Hwy 9, 831.335.1500

Organic Pizza. Everything organic: pizza, lasagna, soup, salad, beer and local wine. Always organic, local produce. Party room seats 32. Weeknights 4-9pm (closed Tue), Fri 4-10pm, Sat 1-10pm, Sun 1-9pm. See menu at www.redwoodpizza.com.

A1=BBA D/::3G $ 63/D3<:G 1/43 American. Serving breakfast and lunch daily. Large parties Scotts Valley 1210 Mt. Hermon Rd, 831.335.7311 welcome. Mon-Fri 6:30am-2:15pm, Sat-Sun 7am-2:45pm. $ 87/ B3::/¸A Scotts Valley 5600 #D Scotts Valley Dr, 831.438.5005

Cambodian. Fresh kebabs, seafood dishes, soups and noodle bowls with a unique Southeast Asian flair. Beer and wine available. Patio dining. Sun-Thu 11am-9pm, Fri-Sat 11am-10pm.

A=?C3: $$ Soquel

3: 167>=B:3 B/?C3@7/

4724 Soquel Dr, 831.477.1048

Mexican. Open for breakfast. We use no lard in our menu and make your food fresh daily. We are famous for our authentic ingredients such as traditional mole from Oaxaca. Lots of vegetarian options. Mon-Fri 9am-9pm, weekends 8am-9pm.

# j /AB@=:=5G august 5-12, 2009 A/<B/1@CH 1=;

Astrology Free Will

By Rob Brezsny

For the week of August 5 /@73A (March 21–April 19): I expect that you will soon stumble upon a key secret to your next masterpiece. And I’ll be surprised if you don’t discover a healing agent that will be effective in correcting an old mistake. In fact, Aries, I prophesy that in the coming week, you will have a sense that you’re doing the smart thing at least 90 percent of the time. Sorry: I’m afraid to say that I have no sad, bad or mad news to deliver. If you’re the type of person who thrives on cynicism, your immediate future may be pretty boring. If you’re on the fence about the question of whether life is a gorgeous feast or a chaotic mess, your ability to deal with outbreaks of goodness will be supremely tested. B/C@CA (April 20–May 20): In Salman Rushdie’s story “The Prophet’s Hair,� a greedy man intentionally cripples his four sons when they’re young, hoping to turn them into beggars who elicit profound sympathy and large cash donations. The plan is successful. His sons earn him a good income. Later, however, he comes into possession of a potent talisman—a strand of hair from the prophet Mohammed—and it magically heals the sons’ ailments. They’re no longer able to pull in big bucks, and grief descends upon the family. I bring this to your attention, Taurus, because I think there’s a variation on these themes at work in your own life. A “magic charm� is available that could reverse or at least neutralize an old handicap. Do you have the pluck to surrender the questionable rewards your impairment has brought you?

53;7<7 (May 21–June 20): It should be an excellent week for potato chip breakfasts, rapid mood shifts and short-duration flirtations. The abundance of superficial exchanges that will be available to you could actually add up into something resembling meaningful breakthroughs. You will have the chance to explore the art of the five-minute epic conversation, as well as the science of giving a single look that speaks a million words. You cannot possibly plumb the bottomless depths of casual, frivolous, lightweight diversions, but you should try anyway. 1/<13@ (June 21–July 22): On one hand, you may find yourself unable to flow as freely as you’d like to in the coming week. I foresee the possibility that your streaming currents will get dammed up in places, or else shunted into narrow conduits that constrict your natural surge. On the other hand, this could compel you to make more practical use of your emotional assets. The applicable metaphor is the harnessing of a turbulent river to produce massive amounts of hydroelectric power.

:3= (July 23–Aug. 22): If you really knew how much you were loved, you would never cry again. A sublime relaxation would flood your nervous system, freeing you to see the beautiful secrets your chronic fear has hidden from you. If you knew how much the world longs for your genius to bloom, the peace that filled you would ensure you could not fail. You’d face every trial with eager equanimity. You would always know exactly what to do because your intuition would tell you in a myriad of subtle ways. And get this, Leo: A glimpse of this glory will soon be available to you. D7@5= (Aug. 23–Sept. 22): First of all, my friend, you don’t need any secondhand anything, let alone secondhand love. Second of all, dearest, you are hereby ordered not to hang around any third-rate situations where you feel like a fifth wheel. You understand? Thirdly, wonderful one, keep in mind that any eight ball you may fantasize that you’re behind is just a figment of your own delusions. Fourthly, lover, I assure you that your sixth sense can now lead you—if you cleanse it of its superstition—to a place that is, if you have a good imagination, a suburb of seventh heaven. :70@/ (Sept. 23–Oct. 22): I got an interesting spam message today. A company that said it was very proud of its high-quality work offered to sell me phony credentials that are impossible to distinguish from the real thing. What caught my attention the most were the degrees from Harvard and Stanford. I wouldn’t mind having one of those up on my wall. But in the end, I decided that instead of paying the company $230 for one of its excellent fakes, I’d simply make one myself. And instead of creating a degree from Harvard, I would have it be from a place where I have actually matriculated, namely the Raving Maniac Academy of Crazy Wisdom, which is the unruly school where I often find myself during my lucid dreams. I bring

this up, Libra, because it would be an excellent time for you to make yourself a fancy fake diploma from whatever your equivalent is to my academy—you know, the source that has been providing you with so much great teaching, even though it’s not an official institution of higher education.

A1=@>7= (Oct. 23–Nov. 21): A Slovenian adventurer named Martin Strel swam the length of the Amazon River in Brazil. It took him over nine weeks to travel more than 3,000 miles. Previously he had breast-stroked his way down the entire Yangtze River in China, a distance of almost 2,500 miles. He scoffed at the idea of conquering the River Nile in Egypt, however. “It’s long, but not challenging enough,� he said. “It is just a small creek.� That’s the spirit I hope you will summon in yourself during the coming weeks, Scorpio: a determination to take on only the most invigorating tests that require heroic levels of resourcefulness. Skip the lesser trials. A/57BB/@7CA (Nov. 22–Dec. 21): Ideally, you wouldn’t even be reading this. You’d be white-water rafting along the Franklin River in Tasmania, or riding on “the train at the end of the world� in Tierra del Fuego, or observing Golden Bamboo lemurs in the rainforest of southeastern Madagascar. Ideally, Sagittarius, you’d be far away from any newspaper that carries my column. In fact, you’d be out of touch with all media, period. But since you are reading this, you must not be doing the ideal thing. So please do the next best thing: Flee as far as possible from your usual haunts, your habitual influences and your customary comforts. 1/>@71=@< (Dec. 22–Jan. 19): Make sure that no one except you will be able to tear asunder what you join together in the coming days. Tie knots that will never slip. Build bridges that can’t be burned. Send emails that cement new alliances, and plug yourself into networks that are crackling with high-energy connections. Stock up on safety pins, staples, nails, tape and glue. Be sticky, Capricorn! Just one caution: Do not marry your fortunes to people unless they are willing to be your devoted, synergistic warrior as much as you are their devoted, synergistic warrior. /?C/@7CA (Jan. 20–Feb. 18): Don’t whine and complain just because your guardian angel seems to be driving hard bargains lately. You’re actually on better speaking terms now than you’ve been in some time. Before the sweeter talk can begin, though, the two of you still have to work out kinks left over from previous miscommunications. Besides, there’s a method in your guardian angel’s madness, a reason why she or he is driving hard bargains: She or he is testing you to see if you’re willing and able to stretch your imagination to accommodate the rowdier blessings you’ll soon be tempted with. >7A13A (Feb. 19–March 20): Underdogs are on an upsurge. Topdogs are on a downswing. The rebels have something resembling God on their side. The masters merely have money and propaganda. It’ll be an excellent week to launch strikes, boycotts and protests. It’ll be prime time to say no to smiling manipulators. The best efforts, whether coming from you or the people you want to be close to, will always have at least a tinge of cheekiness. So now that you’ve read my spiel, please answer me this: Are you going to sit there passively and grin as some feel-good tyrant tries to break off a chunk of your soul?

6][Se]`Y( BSZZ g]c`aSZT bVS aSQ`Sb g]c¸dS PSS\ VWRW\U T`][ g]c`aSZT 5WdS g]c`aSZT bVS ^ZSOac`S g]c¸dS PSS\ RS\gW\U g]c`aSZT T]` \] U]]R `SOa]\ BSabWTg Ob 4`SSEWZZ/ab`]Z]Ug Q][

Go to @3/:/AB@=:=5G 1=; to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone &%% &%! "&&& or 1.900.950.7700

S a n t a c r u z .co m august 5-12, 2009 C L ASS I F I E DS

CLASSIFIED INDEX ¡ ™ £ ¢ ∞ §

Employment Real Estate Family Services For Sale Home Services General Notices

53 54 53 53 54 53

‡ • ª º ⁄

PLACING AN AD

Classes & Instruction Mind, Body & Spirit Music Vacation & Travel Single Services

53 53 53 54 53

CONTACTING US

BY PHONE

BY MAIL

Call the Classified Department at 831.440.3860, Monday through Friday, 8.30am to 5.30pm.

Mail to Santa Cruz Classifieds, 115 Cooper St, Santa Cruz, CA 95060.

Please include your Visa, MC, Discover or American Express number and expiration date for payment.

IN PERSON

DEADLINES

Visit our offices Monday through Friday, 8.30am 115 Cooper St, Santa Cruz,.

For copy, payment, space reservation or cancellation: Display ads: Friday 12pm Line ads: Friday 3pm

BY FAX Fax your ad to the Classified Department at 831.457.5828.

EMAIL classifieds@metronews.com

g Employment

Jobs

Production Workers Wanted Food production in Watsonville Day and Swing Shifts Available *Must have an open schedule Fluent in English required. Must have reliable transportation. Temp-To-Hire $8.50/hr. KELLY SERVICES, 425-0653 e-mail: vermije@kellyservices.com *Never A Fee*

Kitchen Prep & Housekeeping Conference Center in Scotts Valley Wkend and Wkday shifts $9-10 per hour Must have previous experience Able to pass background screen KELLY SERVICES, 425-0653 e-mail: vermije@kellyservices.com *Never A Fee*

HEALTH CONSCIOUS COMPANY Looking for Like-Minded People! Great growing company looking for staff with the ability to grow w/ it. The Following Skills Desired: High ability to multi-task. High energy, fresh ideas and a passion for the health industry. Extremely detail oriented. Proficient in MS Office (Excel). AA or BA a Plus! Experience desired in: Customer Service. Project Management. Fast Paced Restaurant. Sales Experience and/or passion for sales. Looking for people seeking longevity in a Stable Growing Company! Send your resume today! KELLY SERVICES, 831-425-0653 e-mail: vermije@kellyservices.com *Never A Fee*

Graham Contractors, Inc. An EOE is seeking “Qualified Individuals” who reside in the Monterey, Santa Cruz or San Benito Counties for various asphalt maintenance projects. Potential Candidates may fax a resume to 408-293-3633 or complete a job application at 860 Lonus St. San Jose, CA 95159

Electro-Mechanical Assemblers Wanted! Watsonville 7am-3:30pm M-F $10/Hr. Fluent English Required. Must have Reliable Transportation 1-2 years experience, soldering skills. Resumes Required. Temp & Temp-To-Hire KELLY SERVICES, 425-0653 e-mail: vermije@kellyservices.com *Never A Fee*

Cashiers Clothing and Housewares Shifts Vary $8.50/hr. Must have recent experience Excllnt Customer Svc. Exp. Comfortable w/Cash Register Flexible Schedule KELLY SERVICES, 425-0653 e-mail: vermije@kellyservices.com *Never A Fee*

Activists Wanted throughout Bay Area !! Help qualify California Initiatives. $10-$20 Hourly. Flexible hours. Please call 831-325-5314

$600 Weekly Potential Helping the government Part time. No experience, no selling. Call 1-888-213-5225 Ad Code L-5. (AAN CAN)

g Business Opportunities

POST OFFICE NOW HIRING Avg. Pay $21/hour or $54K annually including Federal Benefits and OT. Paid Training, Vacations. PT/FT. 1-866-945-0315 (AAN CAN)

Attention Readers Some ads in this section may require an initial investment or fee. Metro Newspapers encourages you to thoroughly investigate any advertiser’s claims before sending payment.

ARE YOU TIRED OF BUSINESSES THAT DON’T WORK? Serious entrepreneur? If you’re financially motivated, driven & want to excel in life call 1-800-303-8159, pre-recorded message, NOT MLM (AAN CAN)

gggg g Classes & Instruction

For Sale

General Services

Music

Classes & Instruction

Appliances

Announcements

Bands

**BODYGUARDS WANTED**

Tankless Water Heater Experts

FREE Training for members. No Experience OK. Excellent $$$. Full & Part Time. Expenses Paid When you Travel. 1-615-228-1701. www.psubodyguards.com (AAN CAN)

1-877-934-6765. Visit us at http://www.justtankless.com for more info.

High School Diploma! Fast, affordable and accredited. Free brochure. Call Now!. 1-888-532-6546 ext. 97 www.continentalacademy.com. (AAN CAN)

Massage Certification Aug 18-30. Tuition: $1,795 (plus meals & lodging) TO REGISTER Phone: 408-846-4060 Email: info@ MountMadonnaInstitute.org www. MountMadonnaInstitute.org

Line Dance Classes Ultra Beginner Line Dance Classes http://groups.yahoo.com/ group/SLV_LETS_DANCE Your First class? First class free

g Computer Services For Sale

Brand New Laptops & Desktops Bad Credit, No Credit – No Problem Small Weekly Payments - Order Today and get FREE Nintendo WII game system! Call Now – 800-840-5439 (AAN CAN)

83,000 Readers! Consider the numbers...66% of those readers browse through the classifieds each week! Run an ad in the Santa Cruz Weekly classifieds and your ad will automatically run online! Get seen today. To advertise call 408/200-1329

Home Furnishings

Brand New Mattresses Still in plastic. Full sets $229. Queen set $259. Call 831/338-0321.

April Ash Designer Outlet Furniture, accessories, mattresses and consignments. 2800 South Rodeo Gulch Rd., Soquel. Friday, Saturday, and Sunday 10am-5pm.

Christmas in August Silent Auction & Craft Fair

Sat. July 22nd 12:00pm-4:00pm. Our main purpose is to be a help to families and individuals in crisis. (650) 967-3453 www.newlifepcg.org

Your Ad Here! Browse through the Santa Cruz Weekly classifieds. Get seen today in print and olnline. To advertise call 408/200-1329.

gg Miscellaneous

Steel Buildings

Big Disc Avail. 30x40 – 105x105 Call for Deal! Erection Avail, www.scggrp.com, Source#01P, 831-664-0420

All That Stuff That’s Been Accumulating in the Garage, Closet, or Wherever? Sell It! Advertise in the Santa Cruz Weekly and your ad will automatically run online! Print plus online. A powerful combination. Call 408/200-1329!

Family Services Adoptions

Pregnant? Considering Adoption? Talk with caring agency specializing in matching birthmothers with families nationwide. Living expenses paid. Call 24/7 Abby’s One True Gift Adoptions. 866/413-6293 (AAN CAN)

g gg Single Services Chatline

Professional Services Legal Services

Chapter 7 - Bankruptcy $1250 + Costs Robert M. Haight, Attorney 831/438-6610

66% Of Readers Are Browsing through the Classifieds every week! Get seen today! 408/200-1329

Hot Singles 408/514-0101

Or 650/223-0299. Browse and respond free! Use free code 6668, 18+ or try Megamates.com Single Services

Hot Guys 408/514-1111 Or 650/223-0505. Browse and respond free! Use free code 5494. 18+ or try Megamates.com

| 53

Lil Wayne, E-40, Snoop Dog, San Quinn

Thug World Records explosive label features lil Wayne Snoop dog E-40 G-unit and more. Free Downloads, MP3s, RingTones, videos. www.thugworldrecords.com 408-561-1255

The Monterey Jacks We play organic, psychedelic rock music and we’re looking for places to play. Any suggestions are beyond appreciated. We’re playing a free show at Streetlight Records in SJ August 15th. myspace.com/themontereyjacks (408)656-3665

Santa Cruz Weekly Classifieds 115 Cooper Street, Santa Cruz, CA 95060 Monday to Friday, 8.30am – 5pm Charge by phone, fax or email 24 hours a day ¬ 831.457.9000 PHONE

√ 831.457.5828 FAX @ classifieds@metronews.com

gg Services

Miscellaneous

Musicians Wanted

Wanted

Band or singer that can perform Michael Jackson songs. netentprize@yahoo.com. 408/849-9339

Reggae acts. netentprize@yahoo.com. 408/849-9339

54 |

C L ASS I F I E DS august 5-12, 2009 S a n t a c r u z .co m

CE DU D

Services

RE

Homes g

Notice

All real estate advertised in Metro Newspapers is subject to All Areasthe State and Federal Fair Rentmates.com Housing Act, which makes it Browse hundreds of online list- illegal to advertise any preferings with photos and maps. find ence, limitation, or discriminaCarpentry your roommate with a click of tion based on race, color, relithe mouse! Visit: gion, sex, handicap, family staCabinets and Furniture www.Rentmates.com. tus (the presence of children), Elegance and beauty for the (AAN CAN) or national origin, or the intendiscriminating homeowner/ tion to make any such prefercontractor. Paul Sable, Master I’LL MEET YOU IN ence, limitation, or discriminaCraftsman, 44 years experience, SANTA CRUZ tion. State and locate laws forCreating amazed and contented bid discrimination in the sale, BY THE CLOCKTOWER clients. Free design consultation rental, or advertising of real Or Watsonville or Scotts Valley and estimate. References estate. We will not knowingly or Capitola. With 5 offices to galore. 831/345-3540 accept any advertising for real serve your real estate needs www.sablestudios.com estate which is in violation of TEAM THOMAS wants to EARN the law. All persons are hereby your business. TEAM THOMAS Contractors informed that all dwellings with David Lyng R.E. advertised are available on an (831) 402-2442 Home Renovation equal opportunity basis to the http://www.work4-u.com best of our knowledge. Specialist www.work4-u.com Affordable, reliable carpenters Apartment/Cottage for home improvement. Frame, “Loan Modification” finish, doors, windows, decks, For more info. call Mike at (831) San Jose fences, tile, sheet rock and 419-6004 or email Near San Jose State University. remodels. Lic#925849. Call mike_schweyer@hotmail.com 3 bedrooms, 2.5 baths and a Dave 831/332-6463 … or check out loft. Asking $2400/month, www.mikeschweyer.com $2900/deposit. Leave a mesNotice To Readers sage on my cell: California law requires that conMiscellaneous 408-881-3651, with your call tractors taking jobs back number, or send an email that total $500 or more (labor FREE DELIVERY to mmgowd@comcast.net or materials) be licensed by the Of real estate information to Contractors State License your home or computer! TEAM Homes Board. State law also requires THOMAS with David Lyng R.E. that contractors include their Call TEAM THOMAS at ALL AREAS - HOUSES license number on all advertising. You can check the status of (831) 402-2442 or FOR RENT (408) 307-4178 your licensed contractor at Browse thousands of rental list]www.work4-u.com www.cslb.ca.gov or 1-800-321ings with photos and maps. josh@work4-u.com CSLB (2752). Unlicensed conAdvertise your rental home for tractors taking jobs that total FREE! Visit: less than $500 must state in http://www.RealRentals.com their advertisements that they (AAN CAN) Class: Rent or Lease are not licensed by the Contractors State License Board.

g Home Services

g

gg Real Estate Rentals

All American Hauling and Handyman We provide quality, affordable, and timely service. Please contact Skyler at 831.278.6736 or Chris at 408.569.5465

g Real Estate Services Seminars

TEAM THOMAS THE FULL SERVICE REALTORS!Call Team Thomas with David Lyng R.E. to see what we have to offer. (831) 402-2442 or (408) 307-4178 ]www.work4-u.com

SUMMERTIMEIS THE LIVIN’ EASY? TEAM THOMAS can help make it easier with all of your real estate needs. Give us a call, we will be happy to answer your real estate questions. TEAM THOMAS with David Lyng R.E. (831) 402-2442

gg

g

Hauling

I’LL BE THEREWHENEVER YOU NEED ME-

Shared Housing

ALL AREAS - RENTMATES.COM Browse hundreds of online listings with photos and maps. Find your roommate with a click of the mouse! Visit: www.Rentmates.com. (AAN CAN)

Spread the Word Say you saw it in the Santa Cruz Weekly Classifieds. 408/200-1329

AN EXPERIENCED

TEAM

for buying, selling and managing property in Santa Cruz County

Pacific Sun Properties 734 Chestnut Street Santa Cruz, CA 95060 831.471.2424 831.471.0888 Fax www.pacificsunproperties.com

g g Real Estate Sales Condos/Townhouses

Carmel Valley Beauty and privacy can be yours with this Carmel Valley cabin on over 13 acres with incredible views over the bay, ocean and mountains near Tassajara springs. Rare opportunity to own this special retreat property bordering the Ventana wilderness. Listed at $395,000. Call Terry at Pacific Sun Properties 831/345-2053

g Homes

Solar Powered Estate in Ukiah 2800sqft luxury retreat on 30 acres with lake/mtn views. Guest quarters,4 car garage, privacy. SOLAR system, cen h/air. Must see to believe. agt Karena 707.354.2999 (lic01482063) www.mendogroup.com

SHORT SALE? –REO?FORECLOSURE? What’s REALLY going on?-Call Team Thomas with David Lyng R.E. to find out. We can help you to understand your options if you need to sell your home. (831) 402-2442 www.work4-u.com

Land

Boulder Creek 40 acres. Timber Preserve Zoning. Creek frontage. Wild and serene. Off grid. Private Road. Small ridge top site. Good owner financing offered. $295,000. Shown by appointment only. Contact Deborah J. Donner, Donner Land and Mortgage Co., Inc., Broker at 408/395-5754 or www.donnerland.com

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Convenient Living in the n of Santa Cruz Asking $199,000 • Like new, bright & cheery 3 year old mobile home • Two bedrooms, one bath • Open floor plan w/ huge, gourmet style kitchen • Cathedral ceilings & with custom fans • One of the largest yards in the park • Brick patio for gatherings • Spacious & in the best location!! Walk everywhere! • Low income co-op park. Income restrictions. Judy Ziegler ph: 831-429-8080 cell: 831-334-0257

www.cornucopia.com

twitter.com/ santacruzweekly

Boulder Creek A Beautiful spot! 16 acres. Presite development review completed. It used to be a helicopter landing pad. Full sun, tremendous views. Easy access. Good well. E-Z location. Timber Preserve Zoning. $485,000. Shown by appointment only. Contact Deborah J. Donner, Donner Land and Mortgage Co., Inc. 408/395-5754 or www.donnerland.com

Boulder Creek 10 acres. Rough and rugged and a beautiful spot right on top! Long private bumpy road. Private road association. Good owner financing. $215,000. Shown by appointment only. Contact Deborah J. Donner, Donner Land and Mortgage Co., Inc. 408/395-5754 or www.donnerland.com

become a fan

Boulder Creek This one is a beauty! Come see. Bloom Grade. 5 acres. TPZ. Private road. Serene and quiet. By the golf course. Ridge-top view. Beautiful. Power and water. Pad cleared. $289,000. Shown by appointment only. Contact Deborah J. Donner, Donner Land and Mortgage Co., Inc. 408/395-5754 or www.donnerland.com

g Miscellaneous

BOULDER CREEKTHE WAY THE WEST WAS WONIn the good old days you opened up shop right on your property, work in the back, live in the front. This commercial/residential property has a good sized home, shop, garage and 2 fenced yards. Priced at $399,000. Call Team Thomas with David Lyng R.E. and let’s negotiate!! (831) 402-2442 www.work4-u.com

SantaCruzFB.com

S a n t a c r u z .co m august 5-12, 2009 C L ASS I F I E DS

Wheels

| 55

follow us on twitter

become a fan

SantaCruzFB.com

New Farmers’ Market

twitter.com/ santacruzweekly Film Lovers Wine Tasting

The Santa Cruz Farmers Market has added a new market in Scotts Valley. This market is at 360 Kings Valley Drive, at the Scotts Valley Community Center, Saturday mornings from 9-1 year `round, rain or shine. Join us for breakfast cooked to order, live music, sunshine and the freshest local organic produce, eggs, fish, flowers and meats around.

Guitar Lessons/Song Writing Get those songs written and recorded. Help with structure, arrangement, lyrics, groove, and production. 30 year pro. All styles. Stephen 831/278-1500

Hallcrest Vineyards is hosting a Barrel Tasting event to benefit the Pacific Rim Film Festival. Tour this pioneer winery in the Santa Cruz mountains and enjoy hors d’hoevres while tasting their award-winning organic wines direct from the barrels. For a modest $25 per person you will be supporting your local quality winery AND your local free multicultural film festival while having a wonderful afternoon. Sunday, Aug. 30, 1-4pm, 379 Felton Empire Road, Felton. To purchase tickets go to pacrimfilmfestival.org.

Seriously Ill? Need MMJ? WAMM is NOW accepting applications for membership into our collective. Looking for members who can donate generously. Serving Santa Cruz for 16 years! Your application does not ensure membership. wamm.org, 831-425-0580. peace

Wanna Be In Movies? Film & TV acting classes starting now! Free DVD & consultation with working actor Ralph Peduto. Call (831) 475-UACT (8228). www.actingoncamera.com Be a pro, work with one. Training pros since ‘86.

Medicann - Med. Marijuana Evaluations Lic. MD 866-632-6627 Free I.D. card 24/7 verification. Doctor/patient confidentiality. Discount for MediCal, MediCare and veterans.

83,000 Readers Can’t Be Wrong! Consider the numbers...66% of those readers browse through the Santa Cruz classifieds each week! Run an ad in the Santa Cruz Weekly classifieds and your ad will automatically run online! Print plus online. A powerful combination. Get seen today. To advertise call 408/200-1329

TO ADVERTISE IN THE SANTA CRUZ WEEKLY CALL 831.457.9000

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