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SEPTEMBER 16-22, 2009 · VOL . 25, NO. 29 · SAN JOSE, CA · FREE

Win Wi n Tickets to Crosby, Stills & Nash, dinner at Morton’s Steakhouse

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METROGIVEAWAYS.COM

silicon valley’s weekly newspaper

City

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An edgy party subculture blossoms in the heart of Silicon Valley

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Mariachi Festival Swings Into Action

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SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y HOME OF FAST, FRIENDLY, COURTEOUS SERVICE.®

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CAMPBELL 600 E. Hamilton Ave. (408) 364-3700 • FAX (408) 364-3718 CONCORD 1695 Willow Pass Road (925) 852-0300 • FAX (925) 852-0318 FREMONT 43800 Osgood Road (510) 252-5300 • FAX (510) 252-5318 PALO ALTO 340 Portage Ave. (650) 496-6000 • FAX (650) 496-6018 SAN JOSE 550 E. Brokaw Road (408) 487-1000 • FAX (408) 487-1018 SUNNYVALE 1077 E. Arques Ave. (408) 617-1300 • FAX (408) 617-1318

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Fry's Electronics, American Express® Cards, MasterCard, Visa Card, and Discover Network Card, Accepted at All Fry's Locations

Specifications. Designated trademarks and brands are the property of their respective owners. Sales tax to be calculated and paid on the in-store price for all rebate products.Actual memory capacity stated above may be less. Total accessible memory capacity may vary depending on operating environment and/or method of calculating units of memory (i.e., megabytes or gigabytes). Portions of hard drives may be reserved for the recovery partition or used by pre-loaded software.

1995 After All Rebates

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[03] MUSIC CD #6026618

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CAMPBELL 600 E. Hamilton Ave. (408) 364-3700 • FAX (408) 364-3718 CONCORD 1695 Willow Pass Road (925) 852-0300 • FAX (925) 852-0318 FREMONT 43800 Osgood Road (510) 252-5300 • FAX (510) 252-5318 PALO ALTO 340 Portage Ave. (650) 496-6000 • FAX (650) 496-6018 SAN JOSE 550 E. Brokaw Road (408) 487-1000 • FAX (408) 487-1018 SUNNYVALE 1077 E. Arques Ave. (408) 617-1300 • FAX (408) 617-1318

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STORE HOURS: M-F 8-9, Sat 9-9, Sun 9-7 Prices Good Wed, September 16, 2009 thru Thurs, September 17, 2009 Prices subject to change after Thurs, September 17, 2009 Limit Rights Reserved. Not Responsible for Typographical Errors. No Sales to Dealers or Resellers. Rebates Subject to Manufacturer's Specifications. Designated trademarks and brands are the property of their respective owners. Sales tax to be calculated and paid on the instore price for all rebate products.Actual memory capacity stated above may be less. Total accessible memory capacity may vary depending on operating environment and/or method of calculating units of memory (i.e., megabytes or gigabytes). Portions of hard drives may be reserved for the recovery partition or used by pre-loaded software.

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THE COMPLETE LOW PRICE GUARANTEE “We Will Match Any Competitive Price.” * Before making a purchase from Fry’s, if you see a lower, in-stock, in-store price at a local competitor, Fry’s will be happy to match the competition’s price.

“30 Day Low Price Guarantee.” If within 30 days of purchasing an item from Fry’s you see a lower in-stock price at a local competitor with a low price guarantee, Fry’s will cheerfully refund 110% of the amount of the competitor's low price guarantee. Or, if within 30 days of purchase, a local Fry's, or a local competitor without a low price guarantee has a lower price, Fry's will refund 100% of the difference. NOTE: All comparisons are based on price, excluding any applicable sales tax. Low price guarantee for notebook computers, microprocessors, memory, CD and DVD recorders, camcorders, digital cameras, and air conditioners is within 15 days from purchase date. To apply for Fry's low price guarantee, simply bring in your original cash register receipt and verifiable proof of a current lower price. *All comparisons are based on in-store tagged prices at the time of request, excluding sales tax. Offer good on all fresh-boxed products of the same exact model in stock at a local competitor. We reserve the right to limit this offer to one of each model. Offer does not apply to wireless phones and pagers that require a service agreement. Offer does not apply when price includes bonus or free offers or one-of-a-kind or limited-quantity offers. NOTE: Does not apply to expired ads. Fry’s ads are valid for only stores listed in the ad.

Celeron, Celeron Inside, Centrino, Core Inside, Intel, Intel Core, Intel Inside, Intel SpeedStep, Intel Viiv, Intel Xeon, Itanium, Itanium Inside, Pentium, Pentium Inside, the Centrino logo, the Intel logo and the Intel Inside logo are trademarks or registered trademarks of Intel Corporation or its subsidiaries in the United States and other countries.

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

Why do we make the same mistakes over and over again?

FIND OUT.

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[04] CONTENTS

Cover Silicon Valley’s Weekly Newspaper

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6GI$EGD9J8I>DC BUY AND READ

DIANETICS

THE MODERN SCIENCE OF MENTAL HEALTH by

L. RON HUBBARD Price: $20

Available at your local bookstore or at

Hubbard Dianetics Foundation 1865 Lundy Ave. San Jose, CA 95131 (408) 383-9400 stevenscreek@scientology.net Š 2009 CSI. All Rights Reserved.

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SEPTEMBER 16-22, 2009

[05]

[06] LETTERS

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

BY TOM TOMORROW

Stooge,â&#x20AC;? MetroMusic, Sept. 2) article.

Although your article on James was tremendous, I am rather perplexed as to why he was not the main story of your magazine or on the cover. His return to music after a 30-year absence has made national and international attention in nearly every major music magazine. Not to mention that his music has inďŹ&#x201A;uenced countless rock/punk artists (Sex Pistols, the Damned, Chili peppers, Nirvana, just to name a few). His return to the stage truly was the show to see this year. People who came to see it came from as far as Europe, and the fact that the show was in San Jose should have been splashed across the magazine. You completely missed the mark by featuring Stardust Cowboy that week instead.

Angeline King Mountain View

Surely, You Jest

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5

Numbers Game The Zanottoâ&#x20AC;&#x2122;s fresh produce section has always been wellmaintained and has usually charged economical prices, so I have frequently made purchases there of tomatoes, apples, oranges and a few other produce items (â&#x20AC;&#x153;Store Wars,â&#x20AC;? MetroNews, Sept.

2).

Today, I compared prices on these items:

Â?

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Produce itemâ&#x20AC;&#x201D;Zanottoâ&#x20AC;&#x2122;sâ&#x20AC;&#x201D; Safeway: Granny Smith applesâ&#x20AC;&#x201D;$1.49/ lb.â&#x20AC;&#x201D;$1.99/lb.

Tomatoes (Houweling)â&#x20AC;&#x201D;$1.39/ lb.â&#x20AC;&#x201D;$1.99/lb.

Navel orangesâ&#x20AC;&#x201D;$1.49/lb.â&#x20AC;&#x201D; $1.49/lb.

So my comparison reaffirms what I have come to believe: Safeway produce tends to be more expensive when the item is not on sale. And by the way, the Safeway

prices are the â&#x20AC;&#x153;discountedâ&#x20AC;? Club Card Prices.

So Zanottoâ&#x20AC;&#x2122;s has a viable future as long as it maintains a price advantage. Plus I like the more low-key atmosphere.

Dave Noran San Jose

Weâ&#x20AC;&#x2122;re Curly Thank you for the great writeup of James Williamson (â&#x20AC;&#x153;Center

Your recent article on the â&#x20AC;&#x153;Explosiveâ&#x20AC;? theories surrounding the collapse of the WTC after the 9/11/2001 attacks was an absolute joke (â&#x20AC;&#x153;9/11 Blowup,â&#x20AC;? Cover Story, Sept. 9). It is just proof that perfectly intelligent people like engineers and architects and the editors of Metro can be wackos just

like everyone else.

The so called â&#x20AC;&#x153;Scienceâ&#x20AC;? that was used to show that the buildings were dropped using explosives is about as well laid out as â&#x20AC;&#x153;Intelligent Design.â&#x20AC;? Yes, other large structures have not failed as the WTC did, but that is not proof that there was any explosives used. In fact, it just shows that for something like this to take place it only has to happen once.

Those buildings were taken out by a group of fanatical terrorists and not by any government intervention. To say anything else in the face of overwhelming evidence is to disrespect the memories of those who died.

I think the best proof is that the engineer who designed the ďŹ&#x201A;ooring systems and connections that most likely failed because of the intense heat generated by the ďŹ res has agreed with the ďŹ ndings of the government report. On top of that, the man who designed the WTC towers and who watched them collapse on TV from his office in Seattle also agrees with the government report.

I really have to wonder if Metro and its reporters have simply lost the desire to do any substantial reporting and would rather just spread more toxic manure instead of searching for the truth.

Frank Cava San Jose

J!Tbxzpv Motorist and Moron For some reason you seemed to think I was following you too closely on my way home from work last week, so you took it upon yourself to slow down to a crawl, start weaving back and forth across the lane, come to a complete stop in the middle of the street three times, then bang a quick left in front of me (no directional of course, what a surprise!), all the while yukking it up with your buddy/moron in the passenger seat. The next time you decide to play your infantile little road games, the other driver wonâ&#x20AC;&#x2122;t be as forgiving as I was; hopefully, heâ&#x20AC;&#x2122;ll drag you out of your car and kick some sense into you, you efďŹ ng a-hole! Get a life and smarten up!!

SEND US your anonymous rants, raves, gripes and diatribes about your co-workers, bosses, enemies or any badly behaving citizen who rankles your ireâ&#x20AC;&#x201D;or about citizens you admire. Send to: I SAW YOU, Metro, 550 S. First St., San Jose, 95113, or via email to isawyou@metronews.com.

Gpmmpx!Nfusp!po!Uxjuufs!bu!uxjuufs/dpn0nfuspofxtqbqfs/!!Bddftt!boe!cfdpnf!b!gbo!pg!NfuspĂ&#x2013;t!Gbdfcppl!qbhf!wjb!pvs!tipsudvu!VSM-!NfuspGC/dpn/!

M E T R O S I L I C O N VA L L E Y

SEPTEMBER 16-22, 2009

[07]

Courses Starting in September

[08] SILICON ALLEYS

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

It All Starts Here!

ALL COURSES IN OUR NEW LOCATION 2505 Augustine Drive, Santa Clara Check out our new facility and choose from the many courses starting this month which include: Q

Business and Management Project Integration and Risk Management, 2356-044 Project Leadership and Communication, 4550-043 Human Resource Management, Introduction, 5580-115 Analytic Planning for Project Success, 3997-031 Introduction to Accounting I: Financial Accounting, 3658-111 Creating Effective Customer Acquisition Strategies, 22408-001 Mathematics for Financial Planning, 2730-060

Q

Engineering and Technology Python Programming for Beginners, 20776-005 Web Design, Introduction, 22609-001 Adobe Illustrator: Introduction, 6497-096 Developing Applications for iPhone and iPod Touch, 21938-005 Data Warehouse Solutions and Business Intelligence, 3502-026 Wireless Communications, Introduction, 5455-015 User Centered Design Fundamentals for the Web, 0087-008

Q

Biosciences Data Analysis and Modeling for Bioinformatics, 1032-034 Clinical Trials Site Monitoring I, 0608-039 Regulation of Drugs and Biologics, 19007-009 Drug Discovery, Introduction, 4853-021

Q

Education TESL Methodology of Bilingual and English Language Development, 0633-090

CLASSES START THE WEEK OF SEPTEMBER 14

See ucsc-extension.edu/tm for directions, course details and to enroll SiliconValley

KNOWLEDGE YOU PUT TO WORK

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GARY SINGH

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Retro Rocking

T

HE AUTHOR says, “OK, a happy one this time.” The folks at Guggenheim Entertainment have transformed the old Century 25 movie theater into the Retro Dome, a new musical-theater facility that will also showcase classic movies, corporate events and other functions. For starters, the place is currently hosting Guggenheim’s own production of the musical Schoolhouse Rock Live! Since I grew up with that TV show and since more than a few of us probably sneaked into that theater more than 20 years ago, I just had to go check it out.

Thanks to Guggenheim, the lobby of Century 25 is now a vibrant smattering of lime-green and orchid hues, with retro posters and LPs on the wall, plus Flintstonesera characters and iconography welcoming visitors to the ticket booth. Schoolhouse Rock Live! just started a few weeks ago and runs until Oct. 4, so only one theater is open, and the place is still going through various touchups, but the main gimmick is officially launched. After all, the word “retro” is totally, entirely, absolutely and utterly unavoidable these days, so why not liven up the congested intersection of Saratoga and Campbell avenues with a little retrophilia?

At that corner, the Westgate and El Paseo de Saratoga shopping centers used to exude some killer, albeit dilapidated, nostalgic architectural splendor, but they have long since been homogenized and ruined, so the time is right for some retro interference. Westgate, in particular, is painted the standardized hideous colors of olive-green, brick-red and faded peach that one sees on every strip mall from Capitol Expressway to Mountain View, so upon entering the lime-green and orchid glory of the Retro Dome’s lobby, the effect is downright refreshing, in some kooky way. And above the front doorway, the words “Retro Dome” are painted in a ’50s-style font on a royal-blue background.

When it comes to Schoolhouse Rock, an entire generation of viewers glued themselves to ABC television for those informative shorts. These were the rip-roaring Saturdaymorning children’s cartoon programs that taught us about adjectives, electricity, math, the nervous system and how the Civil War ran up a debt of almost $3 billion dollars that still wasn’t paid off by World War I. The “Multiplication Rock” and “Grammar Rock” tunes schooled us on integers and parts of speech. “My Hero, Zero,” ends with the lyrics, “Et cetera, et cetera, ad infinitum, ad astra, forever and ever/ With zero, my hero, how wonderful you are.” Another tune, “Unpack Your Adjectives,” features a descending melody that everyone remembers, due to the lyrics, “He was a hairy bear, he was a scary bear.”

Thanks to Guggenheim, The Schoolhouse Rock numbers were the lobby of Century catchy, masterfully written tunes. It 25 is now a vibrant was impossible to hear “Lolly, Lolly, Lolly, Get Your Adverbs Here!” or smattering of lime“Three Is a Magic Number” without green and orchid hues, those tunes getting stuck in your head with retro posters and for years to come. That last one in LPs on the wall particular taught a generation how to count by threes and to this day, whenever I have to do that, I still find myself humming 24-27-30, to the melody of that freakin’ song.

But on to the show. With a minimal amount of stage scenery and a seven-person cast, the musical goes through several original Schoolhouse Rock songs, and they succeed at soliciting audience participation quite well. An audience of mostly kids dug it from beginning to end. There is no paper program; instead, a video screen at the beginning displays a computer slideshow of each cast member’s information, including his or her favorite Saturday-morning cartoon show. Cast member Aidan Park says his was Speed Racer. Hilary Little opted for Josie and the Pussycats. Shannon Guggenheim picked Land of Lost. Unfortunately, none of them chose Sigmund the Sea Monster—pretty much exactly who I felt like while sitting there in the audience with nothing but young kids and their parents. For one number—I won’t say which one—the cast picks an audience member to participate, adding an element of surprise. Bravo!

With 10 billion zeros, from the cavemen till the heroes: SiliconAlleys@metronews.com

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M E T R O S I L I C O N VA L L E Y SEPTEMBER 16-22, 2009 MASHUP

[09]

best of the local web

A roundup of news, commentary and opinion from around the valley. Opinions expressed do not necessarily reďŹ&#x201A;ect Metroâ&#x20AC;&#x2122;s editorial views.

Steve Jobs Misled The Times

Heartthrob Goes High Tech

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At an event dominated by a man who was admittedly very skinny, another man, more famous for his imposing physique, threatened to take just a bit of the buzz himself.

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While Apple CEO Steve Jobs stood Ă&#x2022;Nbzifn-Ă&#x2013;!bu!BqqmfĂ&#x2013;t!jQpe!fwfou! onstage and talked about the mbtu!xffl/ importance of organ donation, actor and model Tyrese Gibson stood in a corner of the room, hunched over his laptop, almost unnoticed as he tried to boot up the worldâ&#x20AC;&#x2122;s ďŹ rst â&#x20AC;&#x153;digital comic book.â&#x20AC;?

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â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s called Mayhem,â&#x20AC;? he said, clicking furiously, as if on the verge of a breakthrough. And then, there it was. Right there on the front page of iTunes. Mayhem, Number One. Tyrese got silent, and just stared.

What must it be like, even if youâ&#x20AC;&#x2122;re already famous, to get that center slot on iTunes? I asked. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s cool,â&#x20AC;? Tyrese said, quietly. Then, quickly, â&#x20AC;&#x153;Look, here it is: Steve Jobs is the genius of all geniuses, as we all know. Having him back, and working with him, is the greatest.â&#x20AC;?

Kind of refreshing. A guy, known more for his abs than his apps, taking a moment away from his own glory to remember why we were there. But when we moved on to Mayhem, things got even more impressive. A digital comic book is a good way to describe it. The best comic book artists (Mike Le, Tone Rodriguez, and others) helped Tyrese and his Apple crew, Tyrese himself provided the ongoing voice-overs, and the action moves quickly, click by click. Or, on your iPhone, touch by touch. â&#x20AC;&#x201D;SCOTT BUDMAN, NBCBAYAREA.COM adaĂ&#x2026;i]Vi ^h hddd IngZhZ# > lVh Vi i]Z h^\c^c\ ^c HVc ;gVcX^hXd# =Z ^h Yd^c\ V \gZVi _dW# =Z ^h Vahd Wg^c\^c\ ViiZci^dc id Vc VgZV d[ ZciZgiV^cbZci i]Vi > ]VkZ cZkZg ZmeadgZYĂ&#x2026;Xdb^X Wdd`h# > Wdj\]i ILD i]Vi YVn! VcY cdl ^iĂ&#x2030;h dc ^IjcZh# =Z ^h Yd^c\ V \gZVi _dW! bV`^c\ ]^hidgn ^c V edh^i^kZ lVn# > adkZ IngZhZ [dg Vaa i]Vi ]Z YdZh Ă&#x2026;[VWdadjh&cdcan DB< > Vb hd Wadlc VlVn Wn ]dl [Vg IngZhZ ]Vh XdbZ# Cdi dcan ^h ]Z hjeZg Ă&#x2019; cZ VcY XdjaY h^c\ bn eVci^Zh d[[! Wji ]Z ]Vh bdkZY dc id hdbZi]^c\ ZkZc WZiiZg/ iZX]cdad\n# =Z l^aa ValVnh WZ gZbZbWZgZY [dg ]^h VXi^c\! add`h VcY bjh^X! Wji i]^h Y^\^iVa Xdb^X ^h \dccV a^kZ [dgZkZg Ă&#x2026;_VnaVhiVgg > Vb VbVoZY Wn ]^h iVaZci VcY ]dl ]jbWaZ ]Z Xdci^cjZh id WZ > bZi ]^b dcXZ Vi V LViih 9Vn ;Zhi^kVa l]Zc > lVh VWdji &(# =Z ^h Wg^c\^c\ V idiVaan cZl Ă&#x201C; Vkdg id i]Z Xdb^X Wdd` ldgaY 6cY ejh]^c\ Ydlc WVgg^Zgh VcY deZc^c\ Yddgh [dg di]Zgh @ZZe je i]Z \ddY ldg` Ă&#x2026;Vcdcnbdjh

[10]

MASHUP SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

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Bing: Now With Visual Search

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M E T R O S I L I C O N VA L L E Y SEPTEMBER 16-22, 2009 NEWS

Santa Clara Valley, California

the

“Help Us, JiJi, the Animated Penguin, You’re Our Only Hope”

FLY

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Got a Tip for The Fly? fly@metronews.com

LEAVES OF TRASH Dpzpuf!Dsffl!fbsofe!uif!ejtujodujpo!pg!cfjoh!obnfe!pof!pg!Tbwf!uif!CbzÖt!! ÕCbz!Usbti!Ipu!Tgqput-Ö!bgufs!2-211!qmbtujd!cbht!xfsf!ßtife!pvu!pg!uif!bsfb/!

Plastic Surgery Coastal cleanup moves upstream in an effort to keep trash out of the bay By Jessica Lussenhop S California’s Coastal Cleanup Day gears up for its 25th anniversary of beachcombing for cigarette butts and bottles, Save the Bay restoration coordinator Natalie LaVan says there’s good news and there’s bad news.

“In this day and age people are becoming more aware,” she says.

“Folks are going out and cleaning up the beach on their own. They don’t need a special day for it.”

And though LaVan says our coasts are cleaner now that

A

12.5 Million Tons of plastic in the United States that goes unaccounted for a year (not to the dump or the recycler)

people are picking up after themselves, that’s no reason to declare “Mission accomplished”— there’s still lots of work to do further upstream.

She connects this weekend’s efforts to the recently discovered continent-size patch of plastic garbage in the North Pacific Gyre.

“We’re finding that a lot of the trash is coming in from the hills and winding its way through these little creeks,” she says. “If we can get the trash at that point,

54,000

Pounds of trash found along San Jose’s Los Alamitos Creek during last year’s cleanup

before it actually hits the ocean, we can actually minimize that giant gyre.”

Creek Connections Action Group, Save the Bay’s partnership with the Santa Clara Water District and city of San Jose, has data from last year’s cleanup showing huge amounts of trash being collected in local riverbeds.

Los Alamitos Creek coughed up 54,000 pounds, while 16,611 pounds were hoisted out of various locations along Coyote Creek, and Palo Alto’s San

3

Number of times bigger than the state of Texas the plastic-choked North Pacific Gyre is it is estimated to be

[11]

September 16-22, 2009 Francisquito Creek gave up 5,000 pounds.

Coyote Creek earned the distinction of being named one of Save the Bay’s “Bay Trash Hot Spots,” after 1,100 plastic bags were fished out of the area.

“Almost everything in our county flows to the bay,” says Santa Clara Valley Water District volunteer coordinator Kate Slama. “There’s a lot of people out there who still don’t understand the connection between throwing something on the sidewalk and it ending up in the creek.”

But focusing more on riverbeds has its own set of complications.

“Homeless camps are inevitable,” Slama says. “A lot of the sites where we know they’re there, we have a police liaison.”

Slama says some camps are notified the day before about the cleanup, not only to keep them in the loop, but to provide campers with bags and an opportunity to join in the cleanup.

“The volunteers should give them a wide berth,” Slama says.

Ultimately, however, “they are creators of trash. We would like to get it cleaned up.”

Cleaning up a creek or slough doesn’t have the same charm of a day at the beach, and it also brings up some sticky social issues outside the purview of an environmental day of action.

“Rivers do present different challenges in terms of human waste and drug paraphernalia.

There’s a lot of yucky stuff going on along the riverways,” says Kaitilin Gaffney, the Ocean Conservancy’s director of Pacific Ecosystems Protection.

Though she estimates only about 10 percent of the overall garbage is a direct result of homelessness on the rivers, Gaffney knows firsthand that it is a delicate issue, since her husband has been the site coordinator for &'

10 Estimated percent of the garbage along rivers that is a result of riverside homeless encampments

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NEWS SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

&&

the San Lorenzo River in Santa Cruz in the past.

“You give the homeless their space,” she says. “People are not using the river as a toilet because they have a choice.

The city and the county and the state need to come up with solutions for those problems.”

Slama says she’s hopeful that about 1,300 volunteers will turn out, and learn through their landlocked assignments the direct link between the health of the rivers and the health of the coasts.

“I think we’re putting things in place to try to get people to realize it’s a big

the

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issue, before it gets like it is down in Los Angeles,” she says. “It’s a slow process.”

Save the Bay hopes to use the results to continue to push for plastic bag bans throughout the Bay Area.

“Plastic bags come from everywhere, those are the things that get blown around,” says LaVan. “Everything gets washed down in the storms in our creeks.

That’s where we definitely need a lot of help.”

Coastal Cleanup Day is Saturday, Sept. 19, from 9am to noon. For more information or to sign up visit www.clean M acreek.org.

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M E T R O S I L I C O N VA L L E Y

SEPTEMBER 16-22, 2009

[13]

[14] COVER STORY

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

For local fashionistas, indie rockers and alternative athletes, THRx NOT SO SECRET parties are turning THE SU ER OF p INTO AN UNFORGE ABLE HA ENING

N THE 1985 cult classic T.A.Z.: The Temporary Autonomous Zone; Ontological Anarchy, Poetic Terrorism, theorist Hakim Bey writes about “spaces that elude formal structures of control.”

The TAZ, as Bey defines it, is a place that has somehow slipped between the cracks of law and order and been taken over by the fun-loving, freedom-craving crowd.

“Humans seem to need the peak experience of autonomy,” he writes, “‘free freedom,’ as Rimbaud says, not just in imagination, but in space/time.” Such places have popped up throughout modern history, from the Left Bank to Greenwich Village to Burning Man. In San Jose this summer, three such scenes have emerged, from who knows where: the Workout, a downtown fashion disco; the Gingerbread House, a backyard freak-folk show; and San Jose Bike Party, which is exactly what the name says.

Metro’s reporters and photographers located these halfway-hidden fun zones and brought back three reports.

M E T R O S I L I C O N VA L L E Y SEPTEMBER 16-22, 2009 COVER STORY

0RE Y HOT The Workout was designed around the motto ‘Dance Until You Sweat.’ Photos by Felipe Buitrago (left) and Eric Belladonna (far left and below).

S THE BASS thrums toward climax, around midnight on a recent Friday, the heads of three glamorous hotties appear above the swirling vortex of damp, gyrating bodies on the Cellar’s dance floor.

The three women hoist themselves up on a sweat-splattered subwoofer next to the DJ booth and begin moving their hips to the thumping electro beat. One girl wears a gigantic hot-pink hair bow and pearls; another a bejeweled cat mask and lace stockings; the third is clad in a sparkling striped tunic. The trio gets down to the music with hair flailing, eyeliner running and booties bumping as the pulsating mob cheers them on.

Condensation seems to gleam and drip from the Cellar’s walls and low ceiling,

‘The Workout’ turns a downtown San Jose basement lounge into a fashionable monthly disco extravaganza.

"Y *E ICA &RO

illuminated by a single, intense black light. Beads of perspiration glow like comic-book kryptonite on the foreheads and torsos of the swarm, the air perfumed with sweaty bodies, beer and remnants of this morning’s Right Guard. By this time, the concrete floor is slippery with the exertion of the flashy, glittery mass.

This is the Workout, the newest underground indiedance party in the South Bay. For the past year, an alliance between five DJs and one host/photographer has brought the freshest electro beats, most stylish dressers and hippest vibes to downtown San Jose’s nightlife.

With the motto “Dance Until You Sweat,” the Workout party has been packing 200-some people into the Cellar, in the basement of the Agenda on South First Street, every first Friday of the month since last September. For the party’s founding host/ 16

[15]

[16] COVER STORY

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

KRIS KRISTOFFERSON

&2x 3!. */3% 15

One Man Armed Only With A Mic and Guitar!

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photographer Eric Belladonna, this is all a dream come true.

“The fact that we’ve had such successful parties blows our minds,” Belladonna says. “Every time we have a party we just look at each other like we can’t believe it’s happening. It’s strange that it’s becoming this really popular, kind of the cool scene, because we never imagined that anyone would think that.”

-ISFIT 0ARTY 'URU Belladonna, along with his friends and fellow promoters Michael Basura (DJ Basura), Brandon Slater (DJ Rokwel), Craig Salazar (DJ Art Thief), Perry Roush (DJ KidLove) and John Sagouspe (DJ Johnatron), started the Workout after getting sick and tired of driving to San Francisco to party.

“Growing up in San Jose, it’s really not hard to notice that there isn’t much to do here,” Belladonna says. “We all just wanted to make our hometown fun, so we wouldn’t have to run away every weekend and go up to San Francisco. We were frustrated with the boredom of not having a place that we belonged. So we finally just stopped waiting for someone to throw it, and decided to throw it ourselves.”

Flying by the seat of their tight, tight pants, the group’s first attempt at party promoting ended in disaster, with a broken sound system at Johnny V’s, tons of people spilling out on the street, and the cops showing up.

%9%3 7)$% /0%. Eric Belladonna, the young impresario who conceived and runs the Workout, spends many evenings photographing his guests.

“We were like, ‘Oh, my God, we’re in so much trouble,” Belladonna says of that first party. “Johnny V was yelling at us, because one of the DJs was playing the music so loud that his system actually exploded.”

Amped up on adrenaline at the end of that catastrophic night, the group made a pact to throw a bigger, better dance party that would blow everybody away. Three days later, they had booked the Cellar, and after some furious texting they had settled on the name.

“We were like, ‘Let’s call it the Workout, because we want people to dance so hard that they are going to sweat and loose so many pounds that they can just go to Burger King in the middle of the night,” Belladonna recalls, laughing.

As they launched into promoting the next party, he says, San Jose seemed unreceptive to their music and style. On one occasion, Belladonna remembers getting told off by people at Music in the Park while he was handing out fliers.

“People were making fun of me for my jeans, because I’m really tall and skinny, and I wear really tight jeans. I was like, ‘Aw, man, if they are making fun of me, they’re not going to want to come to any party I’m throwing,’” he says.

“We just wanted all the misfits to come

M E T R O S I L I C O N VA L L E Y SEPTEMBER 16-22, 2009 COVER STORY

to our party. Just because youâ&#x20AC;&#x2122;re a misďŹ t doesnâ&#x20AC;&#x2122;t mean youâ&#x20AC;&#x2122;re not cool. It doesnâ&#x20AC;&#x2122;t mean that youâ&#x20AC;&#x2122;re like this big, ew, like, freak.

It just means that most people in San Jose donâ&#x20AC;&#x2122;t understand how cool you are.â&#x20AC;?

When the kick-off party ďŹ nally rolled around in September 2008, the group was shocked to see that more than 200 beautiful people had turned out, with the Cellar reaching maximum capacity by just 11:30pm. â&#x20AC;&#x153;The night was insanity,â&#x20AC;? Belladonna remembers. â&#x20AC;&#x153;We had lines out the door. I almost went and cried in the bathroom. I couldnâ&#x20AC;&#x2122;t believe it, because this was such a huge dream of mine.â&#x20AC;?

â&#x20AC;&#x2DC;Just because youâ&#x20AC;&#x2122;re a misfit doesnâ&#x20AC;&#x2122;t mean YOUpRE NOT CÂ L It doesnâ&#x20AC;&#x2122;t mean that youâ&#x20AC;&#x2122;re LIKE THIS BIG EW

FREAK )T JUST means that most PEOPLE DONpT UNDERSTAND HOW CÂ L YOU ARE p l%2)# "%~!$/Â&#x20AC;!

'OLDEN "OY IN "LACK Open and friendly, with a graceful walk and impeccable sense of dress, Eric Belladonna moved to the South Bay from Mexico when the was a young child. With his artistic personality, he says, he was made fun of a lot growing up. Now 22 years old, he just got his U.S. citizenship last year.

After pursuing a degree in English (on and off), Belladonna is currently taking a break from school for that all-encompassing early-20s activity of ďŹ nding himself. His Myspace page lists his occupation as â&#x20AC;&#x153;Maharaja of disco dance ďŹ&#x201A;oors.â&#x20AC;?

Thin, clean-shaven, boyishly handsome, with his hair oiled into a precise retro

ďŹ&#x201A;ip, Belladonna reeks of style. But for a guy so passionate about aesthetics and glam, itâ&#x20AC;&#x2122;s almost surprising how genuine, personable and down to earth he is. This, combined with persistence and a certain sort of polished social grace, makes him an excellent party promoter and host.

At every Workout, Belladonna ďŹ&#x201A;its around the bar from group to group shaking his guestsâ&#x20AC;&#x2122; hands, introducing himself, asking: â&#x20AC;&#x153;How you are doing?â&#x20AC;? â&#x20AC;&#x153;Are you having fun?â&#x20AC;? â&#x20AC;&#x153;I love those shoes!â&#x20AC;? â&#x20AC;&#x153;How is your night going?â&#x20AC;? â&#x20AC;&#x153;Do you need another drink?â&#x20AC;?

Occasionally, heâ&#x20AC;&#x2122;ll join the fury on the dance ďŹ&#x201A;oor for a little bump and grind and snap a few shots on his camera. But he always emerges to make sure everybody at the party is comfortable and having fun.

4HE , K As the parties got rolling, Belladonna and his fellow, broke, twentysomething promoters knew they couldnâ&#x20AC;&#x2122;t pay to bring any big name DJs to play. Their solution: Make the partygoers themselves the attraction. â&#x20AC;&#x153;For me, dressing up is a creative outletâ&#x20AC;&#x201D;I see it as an artform in itself,â&#x20AC;? says Belladonna, who at the August Workout made a statement in skintight plaid skinny jeans and black-and-white wingtips, his neck dripping with chains. â&#x20AC;&#x153;So, when people come dressed up I just want to take their pictures and show them off to everybody.â&#x20AC;?

Belladonna plays the paparazzi at every party, documenting every Workout by photographing the most fashionable attendees, drinks in hand and getting their groove on. He posts all of his photos on the Workoutâ&#x20AC;&#x2122;s Cobra Snake-esque Myspace page (www.myspace.com/ theworkoutparty).

To say that people get dressed up to dance at the Workout is an understatement. At the Workout, youâ&#x20AC;&#x2122;ll see everything from guys in stilettos to hipster chicks in veils and face paint. Itâ&#x20AC;&#x2122;s a relaxed atmosphere where anything and everything goes. â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;m really proud of our eclectic crowd,â&#x20AC;?

Belladonna says. â&#x20AC;&#x153;It amazes me the way they dress. Itâ&#x20AC;&#x2122;s not your regular crowd, itâ&#x20AC;&#x2122;s more of an artsy crowd.â&#x20AC;?

Itâ&#x20AC;&#x2122;s no surprise that many of the Workout regulars are in the beauty industry themselves. At the Aug. 7 party, the entire staff of 5 Color Cowboy Salon showed up sporting the best bangs and color jobs in the room, while representatives of San Joseâ&#x20AC;&#x2122;s Crossroads Trading Company, the Workoutâ&#x20AC;&#x2122;s official sponsor, strutted on the dance ďŹ&#x201A;oor in their vintage best.

Sporting black leggings, Edie Sedgwick eye makeup, mounds of jewelry and a 18

[17]

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

&2x 3!. */3% 17

7%!2 )4p3 !4 Every Workout is part fashion show and part disco blowout. Photos by Felipe Buitrago.

Marilyn Monroe tattoo, Bobby Friday is a Workout regular. A makeup artist and stylist at Sophisto Salon by day, his platinum blond Mohawk almost brushes the low ceiling as he dances to the pounding beat in 4-inch black patent leather pumps. “Honey, I need no excuse to get dressed up,” he says.

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[18] COVER STORY

O ur 25 t h ye

Though getting dressed to the nines is half the fun, the other reason they pack ’em in at the Workout is the music.

“When everyone comes, as soon as they get their picture taken, they go to the

bar and start drinking and just destroy themselves on the dance floor,” Belladonna says. “I see people get dressed up so well, and by the end of the night their faces are melted-off disasters. They want to look cute when they walk in—then they just want to have fun.”

The tunes being spun by the five DJs range from obscure electro mixes to Top 40, all served up from a fleet of stickeradorned Apple laptops.

“The same sort of people who would go to places like the Cinebar are coming to our party, but we also have people 20

M E T R O S I L I C O N VA L L E Y

SEPTEMBER 16-22, 2009

[19]

[20] COVER STORY

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

&2x 3!. */3% 18

Fill your social calendar with exciting activities and meet great new friends to share them with. Events and Adventures is an activities club specializing in fun and friendship for singles. We have something for everyone, including: • Cultural Outings • Sporting Events • Group Games

• Concerts • Boating • Comedy Nights • Travel • Wine Tastings • Horseback Riding

Call us today at 800-386-0866 or visit us online at eventsandadventures.com.

The best new way to meet singles!

trickling in from Wet across the street, and it still works,” says Craig Salazar, a.k.a. DJ Art Thief. “I don’t know what it is about the space or the music or the people, but it all seems to really work together.”

The music everybody is dancing to fits with the Workout’s anything-goes attitude.

There’s a lot of electro, with its staccato drum machines and percussive dance rhythms with a disco edge. The DJs often take these beats and mash them up on top of other tracks—putting, say, the Doors on top of a Black Eyed Peas melody, layering in a “donk,” and creating a bass driven concoction that is a sure-fire booty shaker.

Salazar says one of the reasons the Workout has been blowing up this year is that electro music itself has been growing in mainstream popularity lately.

“There has defiantly been a shift in open-

mindedness when it comes to electronic music. Especially with our crowd, the lines between independent music and electronic music have been really blurred,” Salazar says. “It used to be such a separate genre, but now you have Lady Gaga using all these electronic mainstays in her music and production, but she still does it in a popular fashion.”

Belladonna says that he finds it funny that many San Jose venues are playing electro now, because in the past they were totally turned off to the genre.

“When we got together, the overall thing we said was that San Jose was ready for this, this something different,” Belladonna says. “Finally, here is something we really like, and other people really like it too.

That is such a great feeling.”

M E T R O S I L I C O N VA L L E Y SEPTEMBER 16-22, 2009 COVER STORY

, + /54 In addition to running the Workout, Eric Belladonna runs a photoblog called Sidewalk Ceremony, where he uploads photos of dressed-up San Jose bar-hoppers posing seductively outside nightclubs.

/UR 'RACIOUS (OST

Flying by the seat of their tight, tight pants, the groupâ&#x20AC;&#x2122;s first AÂ&#x2026;EMPT AT PARTY PROMOTING ENDED IN DISASTER WITH A BROKEN SOUND SYSTEM TONS OF PEOPLE SPI~ING OUT ON THE STRxT AND THE COPS SHOWING UP

Itâ&#x20AC;&#x2122;s closing in on 2am on Saturday morning, and only about 30 or so die-hard dancers are still working it on the soaked Workout dance ďŹ&#x201A;oor. At this point, all pretense of glamour is gone. Makeup that had been applied with precision hours before has been sweated off. Faces are ruby red with exertion, and long hair has come undone and sticks to the back of sweaty necks as these men and women continue to bust moves to the beats.

Since the Cellar has pretty much cleared out by this point, Belladonna is back on the dance ďŹ&#x201A;oor. Heâ&#x20AC;&#x2122;s swaying ďŹ lthily with his boyfriend, who wears a pointy-shouldered blazer over a bare chest and jeans so tight you can tell his religion. The two grind on each other to the music, and then Belladonna leans over and kisses him deeply.

Across the room in a dark corner, a young woman in a green jumper moves to straddle her nightâ&#x20AC;&#x2122;s conquest as they make out on a soiled couch. As the ďŹ nal DJ closes in on the end of his set, the lights come on, and the barman yells last call.

Belladonna darts out from the dance ďŹ&#x201A;oor as the music fades, rounds the corner and runs up to the Cellarâ&#x20AC;&#x2122;s exit. As the remnants of destroyed partygoers teeter and climb the grimy, red-carpeted Cellar stairs to leave, Belladonna stands stationed by the door. Always the dedicated host, he shakes each and everyoneâ&#x20AC;&#x2122;s hand as they cross the threshold, hoping that they had a fun time, telling them to drive safe and wishing everyone good night. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s like New Yearâ&#x20AC;&#x2122;s, every time,â&#x20AC;? he says. M

&2x 3!. */3% 22

QQfstpobm/!Cboljoh/ fs tpobm/!Cboljoh/

This weekâ&#x20AC;&#x2122;s giveaways:

Crosby Still & Nash tickets

Mortonâ&#x20AC;&#x2122;s Steakhouse

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[21]

[22] COVER STORY

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

&2x 3!. */3% 21

"5 /54 The San Jose Bike Party generally employs a theme to get riders in the mood. This month’s was ‘No Pants.’

M E T R O S I L I C O N VA L L E Y SEPTEMBER 16-22, 2009 COVER STORY

[23]

to the San Jose Bike Party brings thousands byinFelipe Buitrago TS TO RIDE AND DANCE Story and Photos STRx

OW FAR can word of mouth actually go? In the case of Amber Lamason it can go pretty far.

I met Lamason outside of the Cinebar in downtown San Jose, talking shop about bikes and bike groups a few years back. The little shindig of bike posse that I rode with was starting to fade out, and she brought up the idea of creating a giant bike community for everyone to ride along.

Seeing that our group rolled out 10 or 15 deep at most on a good day meant anything bigger than 20 cyclists would be very unlikely.

Nonetheless, I got her contact info to be sure I would hear about this new bike group. A few months went by, and of course I heard nothing, until a former member of our crew tells me there’s a legion of cyclists that meet at the Campbell water tower every third Friday

of the month for something called Bike Party.

The monthly event that Lamason had devised took shape with roughly 50 people on bikes. But something happened. As it turns out, if 50 people on all kinds of bikes, with all the bells and whistles imaginable, and sometimes in costume, cruise through neighborhoods screaming “Bike Party!” every 30 seconds while waving at the ordinary people looking out through the windows of their homes, word of mouth can go very far.

So far in fact that what was once a little rolling party has now become the San Jose Bike Party, with more than 2,500 participants. The event promoters now disclose the location of the meeting point 24 hours before the start so as to keep the number of riders from exploding.

Bike Party is all about community and fun. Forget the protest politics that define Critical Mass, the big confrontational bike ride up north.

No one cares what you’re riding, but monthly themes promote ways to dress up for the ride or to dress up your steel steed

‘These “nocry” rides have several PROGRA ED stops to rest and replenish— or to set up an impromptu disco party in the MIw LE OF A LOCAL supermarket parking lot.’

(whether it’s “light up your bike” or “no pants”).

It’s the fun that takes the cyclists for a ride, but it’s a ride that’s nothing to sneeze at. Bike Party riders travel an average of 20 miles per Friday, and there is always a different route.

These “no-cry” rides have several programmed stops to rest and replenish— or to set up an impromptu disco party in the middle of a local supermarket parking lot. Music is provided by anything from a handlebar sound system built around an MP3 player with tiny portable speakers to a couch with a subwoofer in tow behind a tandem. Think the disco ball is missing these days? Think again. M

&2x 3!. */3% 24

[24] COVER STORY

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

&2x 3!. */3% 23

)-"9 The roommates who live in the Gingerbread House credit tolerant neighbors and a nice landlord for their parties’ success.

N A WARM summer evening, a flock of youngish music fans wander around a backyard campfire, guys in beards sipping PBRs, gals with tats in retro boots smoking American Spirits. Inside, Unit Breed, a band visiting from Portland, plays to a small crowd packed into the living room.

This is the Gingerbread House, which has become the center of a unique music scene. On a select few Friday and Saturday nights, this quaint old San Jose home in a quiet residential neighborhood—notable only because its A-frame roof line is decorated with Christmas lights yearround—is transformed into a rock venue.

In theory, anyone is welcome to attend the Gingerbread House’s legendary underground parties—but invites are strictly word of mouth. Todd, one of the four roommates who live at the "Y !NDREA &RAINIERGingerbread House, declines to even share his last name.

“I try not to advertise the shows here too much, because if there were any more people, it would probably start to get chaotic,” Todd says.

He says he was turned on to the idea of hosting shows in his home when a nextdoor neighbor who hosted underground

&OR FIVE YEARS

THE o'INGERBREAD (OUSEp HAS Bx N HOME TO A QUIETLY SUv E FUL SECRET MUSIC SCENE

parties moved out of town about five years ago. A musician himself, Todd wanted to offer a venue for out-of-town bands to play when they came to the South Bay. And while hosting 100-plus people can present some serious problems (such as annoyed neighbors, a visit from the cops, drunken fights, stolen property, an aggravated landlord, etc.), Todd says he ’s lucked out when hosting house shows.

“It’s actually kind of a rare thing, because I expect chaos to happen, but everyone seems to behave themselves,” he says. “Since it is in my house, I think people tend to behave themselves a little better than if it was at a venue.”

Todd attributes the success of the Gingerbread House over the last five years to his tolerant neighbors and a hands-off landlord. Bands perform in a soundproofed back room. Todd never charges a cover to attend his house shows—all donations go straight to the band.

And while not many local residents may know about the Gingerbread House, there are plenty of bands from across the country that have heard of its legendary house shows. Past shows have included Up the Empire (from Brooklyn), Boy Skout (from San Francisco), Zettaimu

(from Japan), Triumph of Lathargy (from Seattle), Mannville (from Boise), Seamonster (from Virginia) and Captain #1 (from Georgia). Todd says the word has gotten around that there’s some kind of scene in San Jose.

“I get tons of requests all the time from people I don’t know, and I have to tell them, sorry, we’re not doing anything right now,” Todd says. “It’s kind of overwhelming.

“I would like to do this somewhere that is not my house, but I don’t know how much of a demand there is for this in San Jose,” he says.

While Todd doesn’t see himself retiring from the world of house shows just yet, he does keep the future of the Gingerbread House in mind. “If I do move out, I would like to have younger kids here who get stoked on shows take over the lease. It would be a shame for it to end—this is such a rare thing.”

Although it’s usually a mellow scene, things do get out of hand on occasion.

“Fourth of July was close. That was the most people we had here. The house was full, the back yard was full, the front lawn was full.

I thought the cops were going to come for sure—especially when we started lighting off fireworks at the end of the night.” M

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[25]

[26] EVENTS

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

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M E T R O S I L I C O N VA L L E Y

SEPTEMBER 16-22, 2009

[27]

mind body & spirit g Classes & Instruction

Focus Learn How To Meditate - And Why! Enjoy life! Calm the mind. Improve relationships. Make better decisions. Meditation and Buddhist View with Reed Sherman. Everyone is welcome. No previous experience necessary. $10 per class. Every Wednesday evening, 7:30-9, Unitarian Universalist Fellowship of Los Gatos, 15980 Blossom Hill Rd. Los Gatos, 95032. Call Kelsang Gamo 408/226-0595 for information or visit us at www.MeditationInSanJose.org

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Beauty Island Spa

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Bella Spa The best in relaxation, with aroma therapy. 359 W. El Camino Real, Mountain View.

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Want W ant ttoo kknow now what DIANETICS w hat D IANETICS ccan an ddoo ffor or yyou? ou? ® ® C o nt a c t : Contact: Hubbard H ubba rd Dianetics Dia net ics Foundation Fo u n d at i o n 11865 865 Lundy Lu ndy Ave, Ave, San Sa n Jose Jose CA CA • ((408) 4 0 8) 3383-9400 8 3 -9 4 0 0 sstevenscreek@scientology.net tevenscreek@scientolog y.net

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[28] STYLE

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

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GLAM ROCK!!B!Tbo!Kptf!dmvc.hpfs!diboofmt![jhhz!Tubsevtu!bu!uif!Dfmmbs!mbtu!tqsjoh/

Paint Misbehavin’

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LAME IT on Lady Gaga, but face paint and outlandish makeup techniques have seen a resurgence in the Bay Area nightlife scene, with partiers cavorting around bars in looks that haven’t been popular since David Bowie’s Aladdin Sane era. Individual expression has stretched beyond the confines of the eye area. Both girls and boys are using chunky rainbow-colored glitter to highlight cheeks, eyebrows, lips and foreheads in a look that screams ’70s glam rock star.

The younger set are even coloring outside the lines of ordinary cosmetics, applying streaks of attention-seeking neon, metallic or pastel face paint to their features before spilling out onto the streets for a night on the town.

New York’s Lady Gaga was really the first one to re–kick off this avant-garde trend among the show biz set last year with her ever-changing sexy-space-invader-meets–John Paul Gaultier look. Since Gaga hit the Top 40, more and more celebrities have been stepping out of the ordinary with their approach to fashion. Actress and perpetual flower child Drew Barrymore was been seen rocking silver, gold and purple stripes all over her mug at Bonnaroo this summer, while Lilly Allen has been experimenting extensively onstage with shimmery blue raccoon makeup as of late.

Though playing Picasso with the face has always been an element of the fantasy world presented in haute couture, surreal, futuristic, disco-tinged makeup is now working its way onto the ready-to-wear runway. Swedish clothing label 8=:6E BDC96N took a urban-jungle interpretation of this trend in its spring/summer 2010 collection, sending ripped jeans down the catwalk on models sporting slashes of blue and black tribal face paint.

There are a few sure-fire face paint designs that tend to look good on most people who are bold enough to indulge in this trend. Try metallic lightning bursts and stripes painted around the eyes, neon stars on the cheeks, sparkly false lashes or even stick-on gemstones applied around the hairline. B68 makes a large range of bold and decadent cosmetics that are perfect for experimenting with, while U.K. brand >AA6B6HFJ6’s eye shadows and eyeliners are highly pigmented enough to really make this look stand out.

Jessica Fromm

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M E T R O S I L I C O N VA L L E Y SEPTEMBER 16-22, 2008 MENU

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[29]

tjmjdpo!wbmmfzĂ&#x2013;t!hvjef!up!Ă&#x;of!ejojoh Difg!Tqpumjhiu Silicon Valley Restaurant Week focuses on Dominique Faury of Twist Cafe and Bistro_39

My Date With Arita ;Za^eZ 7j^igV\d

It pays to listen and learn from the sushi master at Kitsho in Cupertino

By Stett Holbrook

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N ADDITION to the potential for great food, I think part of the appeal of pulling up a chair at a sushi bar is the ceremony and ritual that surrounds the meal. For the nonJapanese among us, thereâ&#x20AC;&#x2122;s often a slight anxiety about the Japanese dining experience. The typically gruff and undercommunicative itamae behind the counter can be off-putting at ďŹ rst and throw you off your game. â&#x20AC;&#x153;Should I just shout out my order or wait for him to take my order?â&#x20AC;? â&#x20AC;&#x153;What is all this stuff written on the special board? Will he mark me as a rookie if I ask for a translation?â&#x20AC;?

I think cutting through that anxiety is part of the appeal, too. Show some interest in the sushi chef â&#x20AC;&#x2122;s work and ask the right questions (â&#x20AC;&#x153;What do you recommend?â&#x20AC;?), and suddenly the unsmiling man with the knife will notice and perhaps treat you a bit differently. After a few visits, an extra slice of sashimi or an off-

menu treat may come your way.

In Western dining, the customer is always right. In the better sushi bars, the customer is respected, but itâ&#x20AC;&#x2122;s the itamae who really knows best. For me, part of the sushi bar experience is trying to curry favor with the sushi chef. This isnâ&#x20AC;&#x2122;t groveling or pandering but rather an effort to show appreciation for the sushi chef â&#x20AC;&#x2122;s craft and ingredients.

You could order California rolls (a ďŹ&#x201A;are gunâ&#x20AC;&#x201C;like signal that youâ&#x20AC;&#x2122;re not particularly interested in some of the more nontraditional items), rub your chopsticks together (a pointless maneuver) and dunk your nigiri into the soy sauce ďŹ rst (a quick way to oversaturate the rice with soy sauce and negate the effort the itamae put into preparing your food) and have a perfectly enjoyable time. But I believe your experience can be even better if you refrain from doing those things and instead play by the rules and defer to the chef.

This strategy paid rewards to me at Kitsho, one of Silicon Valleyâ&#x20AC;&#x2122;s

premier sushi bars. Eleven-year-old Kitsho is on the corner of Wolfe Road and Stevens Creek Boulevard.

Itâ&#x20AC;&#x2122;s hidden and not visible from either street but is deďŹ nitely worth seeking out. The restaurantâ&#x20AC;&#x2122;s menu extends beyond sushi with noodles, grilled ďŹ sh and some great tofu dishes, but I came for the sushi.

The 10-seat bar is the domain of owner Howard Arita. Thereâ&#x20AC;&#x2122;s usually another chef behind the bar, but Howard is your man. After being seated and handed a scalding hot oshiburi to clean my hands (and refolding it and placing it in the little wooden try provided), I waited for Arita to engage me and take my order. His assistant set a geta before me, the little wooden plank dolloped with pickled ginger and a little pile of wasabi. I waited a little more as Arita continued to trim squid. Finally, he washed his hands and turned to me. â&#x20AC;&#x153;Thank you for waiting.â&#x20AC;?

There was a place mat/menu of standard sushi items set before me, but instead of going that route, I asked what he suggested.

He turned around and handed me a thin paper menu with printed and handwritten special ďŹ sh selections. Some items were translated into English, but others were just written in Japanese. The list changes regularly depending on availability and the seasons. I knew what some of them were, but others were a mystery. After I asked for a few translations, Arita ďŹ nally handed me a laminated glossary of terms. (I quickly snapped a cell phone photo of this useful document for future reference.)

Pricing is a bit of a guessing game, since thereâ&#x20AC;&#x2122;s no sushi menu with prices. During my visits, ďŹ ve or so items that included nigiri, a bowl of the restaurantâ&#x20AC;&#x2122;s excellent miso soup and a few prepared items like live uni and squid salad came to about $45. When ordering, you can also tell Arita what youâ&#x20AC;&#x2122;d like to spend; that way there will be no surprises when you get the bill. (%

[30] MENU

SEPTEMBER 16-22, 2008 M E T R O S I L I C O N VA L L E Y

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I ďŹ red off my orders and what followed was some great sushi, including several items I havenâ&#x20AC;&#x2122;t found elsewhere. I expected the snow crab to taste and feel different in the raw, but it was almost the same as the cooked version, only more delicate and ďŹ ne textured. Sanma (pike) is meaty, fullďŹ&#x201A;avored and supremely rich. What really set me back in my seat was the kamasu (barracuda). Iâ&#x20AC;&#x2122;ve seen barracuda swimming over coral reefs but never in a sushi bar.

Too bad. Itâ&#x20AC;&#x2122;s one of the most uncommonly delicious, buttery and succulent slices of ďŹ sh Iâ&#x20AC;&#x2122;ve had.

My favorite of all might have been house-made ikura, or cured salmon eggs.

The delicate, pale red eggs didnâ&#x20AC;&#x2122;t so much pop as melt in my mouth with a faintly salty, fatty richness. I ďŹ nished it off with a wasabi hand roll, a sheaf of seaweed stuffed with various microgreens and lettuce and enough wasabi that I thought my brain was going to vaporize. After the blinding, sinus-blasting heat subsided, I felt refreshed, and my mouth was scrubbed clean of the ďŹ sh that came before it. My only complaint is that the roll was made with wasabi paste squeezed from a tube rather than with fresh wasabi.

Only I wasnâ&#x20AC;&#x2122;t ďŹ nished, and I asked for one more item. Arita asked if he could pick. My heart ďŹ&#x201A;uttered. He likes me! Heâ&#x20AC;&#x2122;s picking out something just for me! And what a pick it was: thick sea scallops the consistency of chilled bacon fat and almost as rich but eminently lighter and fresher tasting.

On my next visit, I again asked what he recommended and without missing a beat, he asked if I like sardine (iwashi in Japanese). Did I? Itâ&#x20AC;&#x2122;s become a habit to ask for it at every sushi bar I go to only to be denied. And now here was a sushi chef offering it to me. While sardines can be quite strong cooked, sliced thin and served raw over rice, the ďŹ sh is silken in texture with a pleasingly briny ďŹ&#x201A;avor. Arita topped it with a wasabi-spiked sweet soy glaze that really set the ďŹ sh off.

Another treat was the tairagai, two ďŹ rm yet buttery slices of pen shell clam. For sheer dramatic effect, the live uni was hard to beat. The golden sea urchin roe was scooped out of a live urchin and the ďŹ ercelooking, hollowed-out spiky shell served as the â&#x20AC;&#x153;bowl.â&#x20AC;? Iâ&#x20AC;&#x2122;ve had uni that tastes a little too much like a tide pool smells, but this was subtle and very mild with a distinct perfumelike ďŹ nish. Good stuff.

I skipped the wasabi roll this time and just enjoyed complimentary sliced oranges prepared by Aritaâ&#x20AC;&#x2122;s assistant. â&#x20AC;&#x153;Domo,â&#x20AC;? I said. â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;ll be back.â&#x20AC;?

Japanese culture is tradition bound and those bonds extend into the sushi bar.

Show a little respect, and it will come back to you. What goes around comes around.

Thatâ&#x20AC;&#x2122;s especially true at Kitsho.

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M E T R O S I L I C O N VA L L E Y SEPTEMBER 16-22, 2009 DINING GUIDE

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Seafood

Premium Aged Steaks

Seasonal Specialities

Ask the Sommelier

INO LOCALE, as you can probably guess, is Italian for local wine. The Palo Alto wine bar is located in a historic Victorian building and specializes in wines from Santa Cruz, San Mateo, Santa Clara and San Benito counties, a great but still underrated wine producing region we’re lucky enough to call our own. At Vino Locale, owner G6C9N GD7>CHDC showcases 70 different local wines as well as locally grown organic food to match.

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METRO: Why did you decide to pursue a career in wine?

RANDY ROBINSON: I love wine. It started when I was very young. My parents would let us taste wine, mixed with water, when I was a toddler, always with food. Later, I picked grapes for Almaden Winery when I was old enough to be able to stand up and have a job. I was hooked. It’s in my blood.

Later I worked for several different wineries, picking grapes, giving winery tours, bottling wine, disgorging sparkling wine, etc. It got into my skin. I decided to open a wine bar in Palo Alto, featuring local wines after traveling to Italy in visiting enotecas where the wines and food are typically from local wineries and serving local food.

31 UNIVERSITY AVE. | OLD TOWN LOS GATOS | 408.395.CRAB

What makes the wine list at Vino Locale special?

We specialize in local wines from the Santa Cruz Mountains, Santa Clara County and San Benito County. These are small, family owned wineries that are unfortunately not well known to people that live here. Our goal is to change that. What is special about us is that a person can get a taste, glass, bottle or a flight of up to 30 different wines every day. Always with good local food.

What wine or wines are you passionate about right now?

I’m passionate about all the wines that we carry. It depends upon how you are pairing the wine with food. However, if I have to pick one, [it would be] Martella 2008 Sauvignon Blanc—crisp flavors of grapefruit, peach and honeysuckle. A perfect wine to drink on its own or with a nice artisanal cheese plate.

Right now, I am a big fan what I call “patio whites”—sit on the patio, with family, friends or by yourself and have a nice glass of cold dry and crisp white wine—that will work well on their own or with food. Look for a viognier, riesling, malvasia bianca, and gewürztraminer or sauvignon blanc.

What are some of the best wine values now?

Wine values are subjective. It depends upon what you like and what you can afford.

Taste the wine. See if you like it. The great thing about having a wine bar is the people can taste before they buy.

What is your go-to wine for every day, casual drinking?

It depends. What time of the year is it? I tend to favor cold white wines in the summer and big bold reds in the winter. Most important is: What am I having for dinner?

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Stett Holbrook (Sholbrook@metronews.com)

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[32] DINING GUIDE

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[34]

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

M E T R O S I L I C O N VA L L E Y SEPTEMBER 16-22, 2009 DINING GUIDE

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[35]

[36] DINING GUIDE

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

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M E T R O S I L I C O N VA L L E Y SEPTEMBER 16-22, 2009 DINING GUIDE

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HE SEPT. 21 issue of The Nation is all about food. It’s a good read with several thoughtful essays, but the piece that really stood out for me was Brent Cunningham’s book review. Cunningham, editor of the Columbia Journalism Review, reviewed two books: Enough: Why the World’s Poorest Starve in an Age of Plenty by Roger Thurow and Scott Kilman, and Famine: A Short History by Cormac Ó Gráda.

Cunningham poses the difficult yet important question of how the so-called “good food” movement might move beyond its evangelical phase to produce deep and lasting change. Shopping at farmers markets, buying organic produce and tending a backyard garden are nice, but they do not touch the towering institutional obstacles to a more just food system. Supporting local agriculture may be a necessary part of reforming the food system, but it is by no means sufficient when the system is global in its reach.

I think that’s spot-on. Yet I believe there’s hope for the kind of systemic change Cunningham says is needed if the effort to reform school lunches continues to build momentum.

The books Cunningham reviews examine how and why famines occur. Sadly, the disasters appear to be largely man-made. In 2003, famine pushed 14 million Ethiopians to starvation, and yet there was plenty to eat. Ethiopian farmers had reaped a series of unprecedented bumper harvests. The famine occurred while hundreds of thousands of tons of grain lay rotting and acres of fertile farmland sat fallow. How could this be? The culprit, Thurow and Kilma write, was U.S. agricultural policy and the dictates of the International Monetary Fund and World Bank, which put developing nations like Ethiopia on the losing end of “structural adjustment.”

Structural adjustment means that developing nations which are unable to compete with subsidized Western farmers can’t find markets for their crops and become dependent on food imports rather than producing food themselves. End result: buzzards and bloated bellies.

“The problem of ensuring that everyone has enough food to eat is inextricable from the problem of ensuring that food is produced in a sustainable manner,” Cunningham says. “A central impediment to solving both problems is Big Agriculture and its entrenched interests—including those subsidy schemes that encourage American farmers to overproduce.”

What’s encouraging about the school-lunch reform movement in the United States is that it’s not just about packing healthier lunches for kids made with organic produce and whole wheat bread. It’s a direct assault on the National School Lunch Program, a noble-sounding federal effort to feed needy kids that’s really a convenient place for subsidized farmers to dump commodities onto hapless (and usually lowincome) students in the form of chicken nuggets, corn dogs and french fries.

The lunch program is coming up for reauthorization this fall, and the reform movement is calling for an increase in per-pupil spending so schools can afford better food and actually have someone prepare it rather than reheat meals out of the freezer. At its core is a recognition that U.S. policy has failed the students it purports to serve.

Last week, I attended an “eat-in” picnic in Santa Cruz organized by Slow Food USA and the Santa Cruz Education Foundation. The event was one of 300 that took place in every state. Organizers gathered more than 30,000 signatures to urge Congress to do the right thing and reform the wretched way we feed kids in school.

What’s so powerful about the school-lunch reform campaign is that it has identified the systemic culprit—U.S. agricultural policy—and is going after it.

Congress had better think twice about ignoring the desires of a growing number of parents who are fed up with the slop we feed kids and the shoddy system that supports it. My hope is that if the movement is successful emboldened, supporters of the good-food movement will continue to shop at farmers markets while also taking aim at other structural causes of an unjust food system as well.

Stett Holbrook (Sholbrook@metronews.com)

[37]

[38] DINING GUIDE

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

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M E T R O S I L I C O N VA L L E Y SEPTEMBER 16-22, 2009 DINING GUIDE

CHEF SPOTLIGHT

Dominique Faury

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LTHOUGH it’s an unassuming neighborhood cafe, Twist Cafe and Bistro packs some culinary firepower. Co-owner 9DB>C>FJ: ;6JGN cooked for years in top U.S. and European restaurants, including Le Bristol, Taillevent and Apicius, Parisian restaurants that earned two and three Michelin stars.

Before opening Twist, Dominique’s partner, :>A::C ;6JGN, was executive chef at the Westin Hotel in Palo Alto.

Faury is skilled at both white-tablecloth fare—as evidenced by the casual sophistication of Twist Bistro (245 E. Campbell Ave., Campbell; 408.370.2467)—and the crowd-pleasing sandwiches, soups and hearty entrees at Twist Cafe (247 E. Campbell Ave., Campbell; 408.374.8982). For Silicon Valley Restaurant Week, Faury is preparing entree choices that include hanger steak and french fries; steamed wild Alaskan halibut; and portobello Napoleon, layers of mushroom ratatouille and couscous with a basil-tomato emulsion.

Stett Holbrook

Chef Spotlight is a regular feature leading up to Silicon Valley Restaurant Week, Oct. 14–21.

Each week, I will profile a chef involved in SVRW. For more information about the event, please go to www.siliconvalleyrestaurantweek.com.

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Dave B Dave Brubeck rubeck Q uartet Quartet

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Fox F ox Theatre Theatre R Redwood edwood City City

135 W. W. San San n Carlos Carlos St, St, San San Jose Jose

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2223 Broadway, City 222 3 Br oadway, Redwood Redwood C ity

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Etta James/ Robert Cray

Stitch Hopeless & the Sea Legs

VooDoo Lounge

Mountain Winery

Streetlight Records

14 S. Second St, San Jose

14831 Pierce Road, Saratoga

980 S. Bascom Ave, San Jose

408.998.TIXS

800.745.3000

Mon â&#x20AC;&#x201C; 3pm; free

Sat â&#x20AC;&#x201C; 9:30pm; $15

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SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

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[43]

Shadows of A Doubter

Matt Damon’s executive wants to do the right thing in Steven Soderbergh’s sly comedy ‘The Informant!’

By Richard von Busack

S

TEVEN SODERBERGH is a chameleonlike director whose effects depend on visible changes of emphasis—the ambient glow in the background, the blur in the foreground, the slight sway of an unmoored camera. When I was a kid in Glendale, they used to illuminate the stucco apartment buildings with colored floodlights to add drama and the allure of the exotic to these two-up, two-down people hutches. Soderbergh does this also. Taking a foursquare man, a single-wide trailer or a patch of prairie, he lights up his subject and gives a twist of the rheostat, so we no longer feel we know what we’re seeing.

His new film, The Informant!—an uproarious, sinister comedy of self-delusion—reminds me of Hitchcock. It’s Hitchcock with no blatant eroticism; Melanie Lynskey’s bare and soft-looking arms are the height of sensuality in the film. This is more like the Hitchcock who was fascinated with treacherous men who weave their own doom out of their desire to be nice guys. And moreover it’s the kind of Hitchcock you don’t want to write too much about for fear of giving away the store.

The stucco building under Soderbergh’s colored floodlights this time is Matt Damon, and he’s never been so much fun. Damon

is frumped to the max, with a tire around his gut and a ratty, chewedlooking blond mustache. He plays Mark Whitacre, a dweeby denizen of the Illinois Corn Belt with a lovely wife, Ginger (Lynskey, better served by this movie than any other she’s been in since Heavenly Creatures), and an indeterminate amount of kids: three, maybe two.

The time is the early 1990s, with colossal computer monitors overwhelming desks and bricksize cell phones. The clothes and furnishings are vintage Sears catalog. And the white men we see all have necks like steers.

Whitacre is a vice president at Archer Daniels Midland Company, in charge of cooking up lysine out of corn for the food-additives company. He has discovered a problem: sabotage by Japanese interlopers and a payoff to make it go away. Against Whitacre’s wishes, his superiors whistle up the FBI. Enter a pair of local agents. One is Special Agent Brian Shepard; as the agent, Scott Bakula’s solemn Lincolnesque profile rhymes with the busts of the Great Emancipator seen all over the Illinois locations.

Mark, urged by Ginger, confesses to Shepard that he knows a secret: ADM and its overseas rivals have been conspiring to fix prices. The FBI urges Mark to wear a wire to try to nail down the schemers.

On his many trips overseas for

his company, Mark clumsily gathers evidence. Scott Z. Burns’ script doesn’t downgrade the importance of the investigation. As Whitaker puts it later, it’s as if ADM were robbing every grocery store in the nation. But when Whitacre claims that the management has been “scared straight” and is no longer price-fixing, Shepard has to force Whitacre into working for the law.

Whitacre is a kind of genius in his field—a Ph.D. in biochemistry who moved to the executive side, the youngest VP in the company’s history. But he’s also a free-associater: Leopold Bloom selfintoxicated by interior monologues about everything from pellagra to frequent flyer miles (but without Bloom’s serious interest in sex).

Being a stranger everywhere, Mark has a tendency to blab to whoever will listen. Inevitably, the executive’s own foot gets tangled in the trap he’s weaving, and Whitacre must recruit his own lawyers.

Soderbergh’s comic thriller, with its Quinn Martin Production exclamation point, shows what was missing from Spielberg’s Catch Me If You Can and Michael Mann’s The Insider. This film is not weirdly ungrounded in any kind of point of view like the Spielberg, and it’s more of a retort than a reply to the humorless, overwrought Mann.

Soderbergh drapes The Informant! in what might be seen as an

overeditorializing soundtrack. One doesn’t hire Marvin Hamlisch to go small—picking him was likely an act of nostalgia, like the slightly psychedelic 1970s typeface of the film’s titles. The effervescent music recalls Hamlisch’s Bond score and the warped Dixieland he composed for Woody Allen’s Bananas. The big soundtrack chases out any unwanted memories of Fargo—a movie that rhymes with The Informant! but doesn’t overlap.

It’s actually a smart move to use music to heighten the comedy of this bestiary of liars. There are career-smart liars—the beefy execs, fretting over the thought that ADM will drop from No. 44 to No. 45 on the Fortune 500.

There are the law enforcers, lying by omission. Lastly, there is the out-past-Saturn truth stretcher, Whitacre.

One key to screwball comedy is that everyone in the picture must be either deluded or a fraud. That’s certainly the case in this small masterpiece of slyness—a lambent, seemingly effortless entertainment, a slice of cake that has a tarantula on it.

THE INFORMANT! (R; 108 min.), directed by Steven Soderbergh, written

by Scott Z. Burns, photographed by Soderbergh and starring Matt Damon and Melanie Lynskey, opens Sept. 18.

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[48]

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

M E T R O S I L I C O N VA L L E Y

SEPTEMBER 16-22, 2009

[49]

[50] ARTS

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

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METROGUIDE

Gjmn Soderbergh’s ‘The Informant!’ earns its exclamation point_43

Party in Aztlan Five Events Not to Miss at the Mariachi and Mexican Heritage Festival

By Steve Palopoli

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HERE’S TO JOAN !Kpbo!Cbf{!qbzt!usjcvuf! up!uif!ÕIfspft!pg!Pvs! Ifsjubhf/Ö

OST EVERYONE calls it the Mariachi Festival, but that isn’t actually its name.

And with every passing year, it’s becoming less of an accurate description. That’s no accident. It’s by design.

“This started out as a mariachi festival,” says artistic director Linda Ronstadt. “But I want it to be a Mexican heritage festival.”

This year, Ronstadt has taken her vision for a multifaceted celebration of Latino culture to another level.

Running Sept. 20–27 at locations around San Jose, the T-Mobile San Jose Mariachi and Mexican Heritage Festival, to use its proper name, has one foot planted in tradition, one in contemporary culture. It celebrates a musical style that originated in the 18th century but is moving toward Ronstadt’s goal of a high-tech, fully multimedia event.

Looking at the lineup, it’s clear that even the “Mexican” description is starting to seem unfairly limiting. Ronstadt sees it more as a celebration of Aztlan, which she sees

as a “virtual third country” formed from the interaction of Mexican and American cultures.

With so much on the schedule, here are five events not to miss: 1. An Evening With Joan Baez

Sept. 25, 8pm, Center for the Performing Arts, 255 Almaden Blvd., San Jose For Ronstadt, Joan Baez represents exactly the kind of cultural intersection she wants the festival to emphasize. In fact, she pioneered it, on her 1974 album Gracias a la Vida (also known as Here’s to Life: Joan Baez Sings in Spanish). At that time, there wasn’t the notion we have today of a pop crossover hit.

“That was a real leap off a cliff,” says Ronstadt. “People weren’t expecting that.”

Ronstadt even remembers driving to see Baez perform when she was a senior in high school. It turns out they have quite a bit in common in regard to their Mexican heritage.

Baez, who is of Mexican and Scottish descent, learned songs in Spanish despite the fact that as a child she

was encouraged to speak English.

“In the house, we didn’t speak Spanish,” says Baez.

Ronstadt, too, grew up with some mixed messages about her heritage. “I thought people sang in Spanish and spoke in English,” she remembers. On the positive side, what this did for both of them was establish a strong connection to the music of Mexico, something that would lead to huge success in both of their careers.

For Baez, her performance at this year’s festival, subtitled “Our Tribute to the Heroes of Our Heritage,” is a continuation of her social-justice activism, as well. Always a political performer, Baez was an early and extremely vocal supporter of Cesar Chavez, and was famously filmed singing “We Shall Overcome” during Chavez’s 1972 fast, in the film Si Se Puede. In May of 2006, she performed songs from her original 1974 Spanish-language album at the South Central Community Garden in Los Angeles to protest the eviction of farmers, many of whom were Central American immigrants,

and the closing of the site. (The farm was bulldozed in July of that year, as documented in the acclaimed 2008 film, The Garden.)

2. A Concert Tribute to Cesar Chavez

Sept. 27, 8pm, HP Pavilion, 525 W. Santa Clara St., San Jose.

Also embodying Ronstadt’s concept of the Aztlan nation are Carlos Santana and Los Lobos.

Though both have woven elements of Latin music into their work throughout their careers, they have found much wider success as rock stars. “They’re not purely Mexican anymore,” says Ronstadt, and though some La Raza hardliners might say such a thing as a dis, she holds it up as an example of what can be accomplished by melding the authentic elements of a complicated cultural background. Appropriately, their performance at the festival will salute one of the most important Mexican-American crossover forces to ever live, Cesar Chavez.

This finale at HP Pavilion will feature Los Lobos and Little Joe y La

M E T R O S I L I C O N VA L L E Y SEPTEMBER 16-22, 2009 ARTS

AZTLAN AX Dbsmpt!Tboubob!bqqfbst!gps!uif!gftujwbmÖt!ßobmf!po!Tfqu/!38/ Familia, and Santana will take the stage to sing several songs during Los Lobos’ set.

3. Mariachi Goes to the Movies Concert

Sept. 26, 8pm, Center for the Performing Arts, 255 Almaden Blvd., San Jose None of this progressive booking is to say that Ronstadt, or the festival, has lost any respect for mariachi music. Quite the contrary—there are several events that celebrate, analyze and teach mariachi music, and this event is the most ambitious of them.

“If you have good mariachi training, you can step into a symphony orchestra and blow their heads off,” says Ronstadt.

It’s an analogy that works particularly well for movie music, and on Sept. 26, the “Mariachi Goes to the Movies” concert will salute mariachi’s role in Mexico’s Golden Age of Film, a period from the 1930s to the 1950s that made international superstars out of leads of the era, like Jorge Negrete, Pedro Infante and Maria Felix, and led to an explosion in the popularity of mariachi music around the world.

The event features a literal cast of hundreds, headlined by two big names in mariachi, Aida Cuevas and Mariachi Combre, led by Randy Carrillo. Clips from films like 1949’s Alla en el Rancho Grande will not only be shown but actually incorporated into the performance, with singers appearing to come out of the screen.

“It’s probably the most ambitious thing the festival has done,” says Marcela Davison Aviles, executive producer of the festival.

second was added. Written and directed by his brother, Peter Bratt, the film is a fairly intense look at Chicano culture and also the shifting identity of San Francisco’s Mission district. La Mission follows Che Rivera (played by Bratt), a longtime resident of the neighborhood, who resents the “slumming hipsters and new money types” who have moved in around him. A widowed ex-con and recovering alcoholic, he’s surrounded by supportive family and friends, and is a fixture in the local lowrider culture that he loves. But he’s also shadowed by his own history of violence, which threatens to destroy his relationships and his chance at love. A question and answer session with cast and crew will follow each screening.

5. Feria del Mariachi

4. La Mission

Sept. 27, 10am–6:30pm, free, Plaza de Cesar Chavez, San Jose “Music and dancing should never be separated,” says Ronstadt. “It gets real stiff.”

With that in mind, this sprawling event on the last day of the festival will feature three stages of Mexican music downtown, along with folk dancing, food, arts and crafts, and more. In keeping with the valley’s high-tech cred, the day features several installations by ZERO1: The Art and Technology Network, among them a cyberlounge by Mexican Internet artist Arcángel Constantini and Gustavo Romano’s performance project “Last Time Refund Office.” Thanks to corporate sponsorship, this is the first year that the “feast day of Mariachi” is free.

There will be a mariachi mass at 10am at the Cathedral Basilica of St. Joseph.

Sept. 21, 7 and 9:45pm, Camera 12, 201 S. Second St., San Jose When the Sept. 21 screening of this new Benjamin Bratt film was announced by festival organizers, it sold out quickly, so a

THE MARIACHI AND MEXICAN HERITAGE FESTIVAL runs Sept. 20–27 in San Jose. See www.sanjosemariachifestival.com or call 800.745.3000.

[51]

[52] STAGE/ART/LIT

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[53]

A Life in Verse

Pear Avenueâ&#x20AC;&#x2122;s â&#x20AC;&#x2DC;Tell It Slantâ&#x20AC;&#x2122; conjures up the early years of Emily Dickinson

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RECLUSE WHO spent most of her life holed up in her fatherâ&#x20AC;&#x2122;s mansion in Amherst, Mass., Emily Dickinson was an enigma both in life and in death. Considered one of the TRIANGULATION!!Bvtujo!)Ckpso!Hftlf*-!Tvtbo! major American poets of the 19th century, )Tjpcibo!Epifsuz-!dfoufs*!boe!Fnjmz!)Dbjumzo!

Dickinson wrote more than 1,800 poems, Mpvdibse*!cfdpnf!effqmz!jowpmwfe!jo!Ă&#x2022;Ufmm!Ju!Tmbou/Ă&#x2013; only a handful of which were published during her lifetime. Her blank canvas of a life serves as the backdrop of Tell It Slant, the opening play of Pear Avenue Theatreâ&#x20AC;&#x2122;s eighth season. Concentrating on her coming of age, this drama with music is more of an allegorical than a literal interpretation of Dickinsonâ&#x20AC;&#x2122;s formative years. Based on her extensive correspondence and the few known facts of her early life, the production presents poetry as the coping mechanism that the young writer used to cope with the heartbreaks and cruel realities of her sheltered existence.

Written by Palo Alto playwright Sharmon J. HilďŹ nger, the action and swift scene changes of the production are initiated by a quirky demiurge spirit, played by Paz Pardo.

At the start of the play, the demiurge pulls each character to their feet and tells them where they ďŹ t in the story that is about to be told. Tell It Slant really hits its stride at the end of the ďŹ rst act, when the strange love triangle between Dickinson (a dynamic Caitlyn Louchard), her brother, Austin (Bjorn Geske), and their family friend Susan Gilbert (Siobhan Doherty) comes to a head.

Both Dickinson and her brother Austin project their emotions onto Gilbert, who is torn between her feelings for Austin, and her loyalty to her childhood friend. Dickinson is in giddy love with Gilbertâ&#x20AC;&#x201D;and is crushed to pieces when she hears of Gilbertâ&#x20AC;&#x2122;s engagement to her brother, plunging into a deep depression from which she never fully emerges. After spending months in an unresponsive stupor contemplating death, she eventually pulls herself out with the help of her new idiosyncratic poetic voice. But the breakdown will forever cause her to choose a life of imagination over worldliness. Each actor plays multiple parts, and Bear Capron is particularly hilarious in his bonnet-clad turn as the prim mother superior of Mount Holyoke Female Seminary, the school Dickinson attended for a short time as a teenager.

The stage space itself is decorated sparely, with black walls scrawled with white select blow-ups of Dickinsonâ&#x20AC;&#x2122;s writing and the ďŹ&#x201A;oor painted royal blue and sprinkled with a wide circle of baby-blue petals. The most imaginative of the props used was a single long white rope, which was mimed into many purposes, including a jump rope, a kitchen table, a heart shape curled on the ďŹ&#x201A;oor, a woven crown and even serving as a long â&#x20AC;&#x153;poemâ&#x20AC;? that the actors hold up and read. Playing a grand piano live onstage, composer Joan McMillen scored all the original songs for the play, with lyrics based on Dickinsonâ&#x20AC;&#x2122;s poems.

Though the second act was maudlin and certainly the weaker of the two, kudos must be given to director Rachel Anderson and the entire cast of this production for their sheer vigor and enthusiasm. Not much can be hidden inside Pear Avenue Theatreâ&#x20AC;&#x2122;s minute stage space. With most of the audience just feet away from the actors, there was little leeway for hiccups in this production, and the eight-person cast remained constantly strong in their various energetic incarnations. Every scene remained expertly choreographed and timed to showcase different aspects of the actors, the drama or the songs.

Jessica Fromm

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TELL IT SLANT, a Pear Avenue Theatre production, plays Thursdayâ&#x20AC;&#x201C;Saturday at 8pm and Sunday at 2pm through Sept. 27 at 1220 Pear Ave., Unit K, Mountain View. Tickets are $15â&#x20AC;&#x201C;$30. (650.254.1148)

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[54] STAGE/ART/LIT

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

OPERA REVIEW

Still Laughing

Sweet Perfume

ComedySportz celebrates two decades of competitive jesting

Opera San JosĂŠâ&#x20AC;&#x2122;s â&#x20AC;&#x2DC;Manonâ&#x20AC;&#x2122; showcases Massenetâ&#x20AC;&#x2122;s exquisite music

T

WENTY-TWO YEARS? The good birthday was last year because then you could drink; 22 doesnâ&#x20AC;&#x2122;t really get you anything. But I guess this anniversary is different, since WHOâ&#x20AC;&#x2122;S NEXT?!!Uif!DpnfezTqpsu{!dspxe!wjft!!

ComedySportz has been keeping fans up!tff!xip!efmjwfst!uif!ofyu!{johfs/ laughing in the South Bay for 22 years, and they are celebrating this weekend (Sept. 18â&#x20AC;&#x201C;19).

Started in 1987, this improvisational troupe splits into two teams and use suggestions from the audience to come up with on the spot comedy. This mock sporting event is kept running smoothly by a â&#x20AC;&#x153;ref â&#x20AC;? and a keyboardist puts everything to music. Not only is the show hilarious, but it is the longest-running live show in the South Bay, and every night the show is completely different. ComedySportzâ&#x20AC;&#x2122;s 99-seat theater is located in the newly renovated Camera 3 building in downtown San Jose.

They have general shows that are appropriate for all ages as well as adult themed performances. For more information or tickets, visit www.comedysportzsanjose.com or call 408.985.LAFF. Colleen Watson

THE COMEDYSPORTZ anniversary shows take place Friday (Sept. 18) at 9 and 11pm, and Saturday (Sept. 19) at 7 and 9pm. Tickets are $10â&#x20AC;&#x201C;$15. (408.985. LAFF)

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PERA SAN JOSĂ&#x2030; staged Massenetâ&#x20AC;&#x2122;s Manon seven years ago (in the Montgomery Theater) and has just opened a brand-new production.

Why do Massenetâ&#x20AC;&#x2122;s operas go away more LOVE MATCH Nbopo!)Sfcfddb!Tdivfttmfs*!boe! often than they come back? Or more to ifs!difwbmjfs!)Njdibfm!Ebjmfz*!gbmm!ibse/ the point, why do they keep coming back?

Short answer: because they must. Unlike Italian operaâ&#x20AC;&#x201D;the folks who invented itâ&#x20AC;&#x201D;French opera puts lyricism and sensuality ahead of theatrics and grandiloquent bluster (with some exceptions of course). That will sound odd in the case of Manon, because its story is barely different from any other French or Italian opera in which one party to the crucial loveangle is obsessively dedicated while the other chronically falls or jumps off that wagon: Werther, Carmen, Samson et Dalila, I Pagliacci, Cavalleria Rusticana, Il Tabarro, Evgeny Onegin, La traviata, Manon Lescaut, ThaĂŻs, Les troyens (Dido and Aeneas part), Madama ButterďŹ&#x201A;yâ&#x20AC;&#x201D;even Bernard Herrmannâ&#x20AC;&#x2122;s superb but only once staged Wuthering Heights. The list goes on forever.

Whatever makes Massenet original, he still hews to the French tradition. Where his music is schmaltzy, it comes across scented with exquisite perfume and limned with gorgeous colors. Pucciniâ&#x20AC;&#x2122;s Manon Lescautâ&#x20AC;&#x201D;same storyâ&#x20AC;&#x201D;by contrast inďŹ&#x201A;ates the situation, sometimes to vulgarity, and seeks to manipulate audiences with more calculation. This makes Manon more vulnerable to the vagaries of production and performance. The good news: Manon, last Sunday afternoon, turned soap-opera melodrama into some real operatic thrills. Rebecca Schuessler, in the title role, served up a commanding performance, at turns indomitable when arrogant and fragile when vulnerable. She delivered likewise vocally, ďŹ lling the California Theatre, or crooningâ&#x20AC;&#x201D;in the bel canto senseâ&#x20AC;&#x201D;with a delicate French touch.

Opposite Manon are the two principal men in her life, her cousin Lescaut (baritone Daniel Cilli) and her â&#x20AC;&#x153;trueâ&#x20AC;? love, Chevalier des Grieux (tenor Michael Dailey). Memorable for his OSJ appearances as Nemorino (Elixir of Love) and Don JosĂŠ (Carmen), Dailey is still a bit stiff in acting the role but was vocally secure and well cast for Massenetâ&#x20AC;&#x2122;s graceful lyricism. His â&#x20AC;&#x153;Je suis seulâ&#x20AC;? in Act 2â&#x20AC;&#x201D;the acts were reconďŹ gured from ďŹ ve to three for this productionâ&#x20AC;&#x201D;was compelling and heartfelt. Cilli, with several more OSJ roles under his belt, showed off a smooth stage sense and role characterization supported by a solid vocal performance.

The aging dandy Guillot de Morfontaine (tenor Michael Mendelsohn) was made clownish in director Dianna Shusterâ&#x20AC;&#x2122;s otherwise insightful tableaux. His gaggle of chirpy girls (Jillian Boye, Cathleen Candia and Betany Coffland) underscored those comedic moments. The chevalierâ&#x20AC;&#x2122;s father, Count des Grieux (bass-baritone Isaiah Musik-Ayala), struck an authoritative vocal counterpoint to Dailey in their two scenes together. Lescautâ&#x20AC;&#x2122;s fellow soldier, De BrĂŠtigny, was the work of baritone Adam Meza.

Conductor Joseph Marcheso, who made his OSJ debut with Lucia di Lammermoor in 2007, led his orchestra in a well-paced reading from start to ďŹ nish, alternately guiding or deferring to the principal singers onstage. The orchestra itself gave the score a polished, often gleaming performance, featuring excellent violin solos by Cynthia Baehr and, during des Grieuxâ&#x20AC;&#x2122;s letter scene (Act 1, Scene 2), a splendid horn solo by Deborah McCracken. For the production, the ballet scene was cut, and Manonâ&#x20AC;&#x2122;s gloating Gavotte was moved into the penultimate gambling scene, with no damage to the story line. In addition to all his other duties, and as an apparent cost-saving move, company general manager Larry Hancock designed the sets, using outsized cinder blocks effectively for the outdoor and seminary scenes, a sensual velvet-draped bedroom scene, erotic-themed paintings for the gambling scene, and high clouds at sunset for the ďŹ nale.

The leafy oak at the start looked lightning-blasted by the ďŹ nish. Costumes throughout gave Massenet sumptuous attire.

Scott MacClelland MANON, an Opera San JosĂŠ production, plays Sept. 17, 19, 22 and 25 at 8pm and Sept. 20 and 27 at 3pm at the California Theatre, 345 S. First St., San Jose. Tickers are $61â&#x20AC;&#x201C;$91. (408.437.4450) 7VgcZh CdWaZ :Vhig^Y\Z! ''%% :Vhig^Y\Z Adde &)'%! HVc ?dhZ! )%-#',%#.),%#

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COMEDY PREVIEW

METROGUIDE

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M E T R O S I L I C O N VA L L E Y SEPTEMBER 16-22, 2009 MUSIC

[55]

The Big Show_60 Karaoke_62 Monterey Jazz Festival_64

Lit Up BZg`aZn

Los Gatos’ Dredg explores Salman Rushdie’s writing on new album

By Garrett Wheeler

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WHAT’S THE RUSHDIE? EsfehÖt!mbuftu!ublft!jut! jotqjsbujpo!gspn!uif! gbnpvt!xsjufs/

N THE ’60s, rock & roll experienced a kind of transcendental shift in subject matter, turning what was once a placid ocean of relative calm into a stormy sea of outspoken expression.

Dylan, Hendrix, Lennon—these artists and others helped transform the capabilities of not only what music could do and sound like but, more importantly, what it could say.

Suddenly, protest music was popular music.

But forget the past—this is 2009. The mighty rebellion that rock & roll once represented has been deliberately and ceaselessly recommoditized, repackaged and ultimately undermined in order to be sold at the nearest Wal-Mart. But fear not: there’s at least one rock band that still strives to produce music ripe with intellectual substance and philosophical prose, despite it all. And no, I’m not talking about Green Day. Dredg started the same way most bands do, forming at Los Gatos High, playing on campus, at parties, at the local teen center and then, eventually, at local clubs. “I can remember our first real gig, at the Cactus Club in San Jose,” recalls guitarist Mark Engles. “I think it was like a Tuesday night or something, and it was such a big deal for us to be up onstage with

lights and monitors.”

As it began to attract a passionate following, Dredg made a leap that most bands only dream of, attracting major-label attention and eventually singing with Interscope Records in 2001.

Upon the release of the first band’s full-length album, El Cielo, in 2001, it was clear that Dredg was no ordinary rock outfit. The album brazenly defied all notions of genre-typifying, merging an eclectic assortment of styles ranging from modern progrock to pop and alternative, all the while retaining an undeniably distinct underlying sound. Influences ranged from U2 to Pink Floyd, and singer Gavin Hayes established himself as one of the most gifted vocalists to reside behind the microphone in years. The band’s second album, Catch Without Arms, could have represented Dredg’s crowning achievement, with its beautifully constructed songs and slick production, but its newest effort, The Pariah, the Parrot, the Delusion, is without doubt the group’s finest hour.

“We’ve always tried to do something different,” says Engles. “I think we’d be bored if we didn’t mix things up. Even within a single record, we like to explore and move around the style consistently.”

The most apparent divergence

Dredg has made with The Pariah, the Parrot, the Delusion is one of substance more than style. Though the record does achieve new ground musically, the album’s content draws largely from, among other things, Salman Rushdie’s essay “Imagine There’s No Heaven: A Letter to the 6 Billionth Citizen.” The piece is a clever—and poignant—decrial of the dogmatic principles of religion and the pitfalls inherent in its histories. “I’d been reading a lot of agnostic and atheist literature, and when I read [Rushdie’s] essay, I thought it seemed to tie together a lot of the things we were thinking about,” Engles says. “We had already written about half the material by the time I read it, but it was so thoughtful and focused on certain ways of looking at the world— like how people use faith as an excuse for poor logic—it provided us a loose mold of inspiration.”

The inspiration felt by the band seems to have filtered to other sources as well, evidenced in part by an upcoming charity event in New York sponsored by Spin magazine and its Spin.com Book Club. The club, of which Dredg bassist Drew Roulette is a member, is a community of literary enthusiasts who happen to be rock stars, allowing the musicians an open forum for discussing their

literary influences. The Book Club has partnered with the nonprofit Housing Works Bookstore Café to create the Liner Notes series, which pairs writers and musicians together for an evening in order to promote literacy and raise money for nonprofit organizations. The third event of its kind will feature a live performance

by Dredg as well as a reading by Rushdie himself.

Though Dredg relinquished their relationship with Interscope after the release of Catch Without Arms, Engles says the newly acquired freedom has given the band a fresh impetus toward creating new music.

The Pariah, the Parrot, the Delusion represents the first step down new roads. “After we left Interscope, we thought it would be a great alternative to do it ourselves, so we got some help financially and started our own label, Ohlone Records,” Engles says. “Back in the studio, it felt like 12 years ago, with just us and a producer. We never had any problems with Interscope, and we never felt like anybody was telling us what to do, but it’s nice to not have to feel like you need to impress anyone—we’re just trying to impress ourselves.”

DREDG plays Friday (Sept. 18) at 9pm at the Blank Club, 44 S. Almaden Ave., San Jose. Tickets are $10.49. (408.292.5265)

[56] GALLERY

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[57]

[58] MUSIC

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

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SEPTEMBER 16-22, 2009

[59]

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SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

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CONCERT FILE

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SEPTEMBER 16-22, 2009

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[62] MUSIC

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

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M E T R O S I L I C O N VA L L E Y 1011 PACIFIC AVE. SANTA CRUZ 831-423-1336

This week’s giveaways:

Wednesday, September 16 • AGES 21+

Sugar Ray plus Dirty Heads also Aimee Allen

Crosby Still & Nash tickets

Morton’s Steakhouse

Win Go to MetroGiveaways.com

$20 Adv./ $25 Dr. Drs. 7 p.m., Show 8 p.m.

Thursday, Sept. 17 • AGES 16+

Steel Pulse plus

Band of Brotherz

$26 Adv./ $30 Dr. Drs. 7 p.m., Show 8 p.m.

Friday, Sept. 18 • AGES 16+

$30 Adv./ $35 Dr. Drs. 8 p.m., Show 9 p.m.

Tuesday, Sept. 22 • AGES 16+

Mason Jennings plus

Crash Kings

$19 Adv./ $23 Dr. Drs. 7 p.m., Show 8 p.m.

Sep 16 Mayer Hawthorne in the Atrium (AGES 16+) Sep 17 Elliot Randall/Gina Villalobos in the Atrium (AGES 16+) Sep 19 Dirty Penny/ Stellar Corpses in the Atrium (AGES 16+) Sep 23 Rebelution (AGES 16+) Sep 24 Pepper (AGES 16+) Sep 29 Trivium/ White Chapel (AGES 16+) Sep 30 Beenie Man (AGES 16+) Oct 2 Zion I/ The Jacka (AGES 16+) Oct 9 Andre Nickatina (AGES 16+) Oct 10 State Radio (AGES 16+) Oct 11 Groundation (AGES 16+)

Unless otherwise noted, all shows are dance shows with limited seating.

Tickets subject to city tax & service charge by phone 866-384-3060 & online

www.catalystclub.com

SEPTEMBER 16-22, 2009

[65]

[66] MUSIC

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

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SEPTEMBER 16-22, 2009

[67]

[68] ADULT ENTERTAINMENT

SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

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We all have certain things that really push our buttons. Apparently, for this woman, it’s that horrible, racist, sexist, in-your-face statement, “Hi, how are you?”

You lucked out. This woman’s obviously out of her ground-beef-filled gourd. There’s a perfect time to discover that, and it’s before the first date. The thing is, she may actually be on to something—albeit in a somewhat shrewishly hysterical way.

Here you are, presenting yourself as this easygoing sprout-muncher who manages to maintain a live-and-let . . . murder small defenseless animals attitude. But, do you really? Like a lot of people hoping to maximize their dating possibilities, you try to be “open-minded,” but how realistic is it to tell yourself you can be with a woman you’ll kiss, then think, “Eeeuw, I can still taste that murdered cow”?

Come on . . . you aren’t a vegan because you think clumps of seitan (boiled wheat gluten) taste so much better than pork chops. In fact, with a bit of prodding, you admit to feeling morally superior to us fleshchomping barbarians. (Moral superiority— always such a successful basis for a relationship.) Now, it’s possible that you’re The Stepford Vegan, able to sit placidly as a woman tears apart a live goat with her sharpened incisors. But, my guess is, it’s only a matter of time until you look across the table at a girlfriend really enjoying herself

as she swallows the last morsel of some dead animal, and go off on her: “Hey, I think you missed the dog! Want me to take his collar off so he’s easier to chew?”

“Opposites attract” sounds good, but really only applies if you’re two magnets trying to get together. For a relationship to work out, you have to be with somebody you respect, but not only that, somebody you actually admire. You can have differences, but you basically have to be excited about who they are, what they believe, and how they live. Painting yourself as tolerant and casting a wide net is a great idea—if you’re a generic person who “enjoys great wine, great food and great conversation.” Are there five people on the planet who don’t?

To find a person you’re compatible with, be honest about your dealbreakers (“must love dogs, but not braised, with a side of spring vegetables”). You might even restrict your online dating forays to a vegetarian personals site like VeggieDate.org. Just think, no more trying to forget that a date’s wallet once roamed the tall grasses as part of a cow! She’ll be right there with you in enjoying meatless fine dining, and then, on to McDonald’s. No, not for a real meal, but for a moment of emotional bonding— weeping and hugging as you watch a kid in the window chowing down on a Happy Meal.

>Éb ign^c\ >ciZgcZi YVi^c\! VcY V [g^ZcY hV^Y >ÉY ]VkZ WZiiZg gZhjaih dc V h^iZ l^i] V bZbWZgh]^e [ZZ# L^i] hd bVcn [gZZ h^iZh! l]n ldjaY VcndcZ ZkZg eVn4 ÅI]g^[in The word “free” turns reasonably intelligent people into zonked-out morons.

Tell people you’re giving away free tacos (actual worth: 35 cents including labor) and they’ll line up in the heat for an hour to get one. Offer them $1.35 to stand in a hot line for an hour, and they’ll scowl and flip you off. There are good people on free dating sites. They’re just crowded in among all the people who aren’t seriously looking, but, hey, as long as it’s free, they’ll throw up a pic, kick back and check their

inbox when they’re done swimming with the turtles in Galapagos. Sites with monthly membership fees, whether they’re $50 or $15.99, draw those who are more serious about finding somebody, and give them incentive to hop to it. People say the best things in life—love, friendship, moonlight—are free, but so are the worst things: lymphoma, a really big overbite and roadkill. If you’re in any sort of hurry to get to the good stuff, it probably behooves you to pay the sorting costs.

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M E T R O S I L I C O N VA L L E Y

SEPTEMBER 16-22, 2009

CLASSIFIEDS

metro CLASSIFIEDS CLASSIFIED INDEX 69 71 71 71

.

g Employment Jobs

Seeking a personal & experienced driver.

Schedule: MONDAY - FRIDAY, NO WEEKENDS. 8:00am 4:00pm Email me for more details about the position: edelstein220@gmail.com (AAN CAN)

Pharmaceutical Formulation Scientist II for pharmaceutical company.

Send resume to Teikoku Pharma USA, Attn: Okada, 1778 Ringwood Ave., San Jose, CA, 95131

Live-in Caregivers Needed immediately! $100 Sign-On BONUS. We offer excellent benefits, training, and weekly pay! Call to set up interview today! Must have 1 yr eldercare experience, (nursing home exp. a plus) valid driver’s license, proof or veh. insurance & reliable trans., and good communication skills. CALL LivHOME now @ 408.879.1835, or 800.417.1897

Live in and Hourly Caregivers Needed!!

Possess skills that include excellent communication, listening and positive attitude.

For immediate consideration, please apply online or fax resume to 925.943.7601. http://professionalhc.com/ employment

$$$HELP WANTED$$$ Extra Income! Assembling CD cases from Home! No Experience Necessary! Call our Live Operators Now! 1800-405-7619 EXT 2450 www.easywork-greatpay.com www.easywork-greatpay.com (AAN CAN)

Bartender / Cocktail Servers Full time or Part Time available. Alex’s 49er Inn, San Carlos & Bascom. Apply morning’s only.

Activists Wanted through out Bay Area !! Help qualify California Initiatives. $15-$25 Hourly.

Flexible hours. Please call 831-325-5314

PLACING AN AD 70 74 74 75

Single Services Employment Family Services Music

[71]

Legal & Public Notices Automotive Home Improvement Real Estate

g Career Development

Do you dislike your job?

Come in for vocational checking. You may have talents you don’t suspect. Contact Scientology Test Center.

408-383-9400

Bartenders Needed Fun jobs. Great money. Earn $25-40/hr. Call for certification and placement information. $199 tuition with this ad.

888.901.TIPS or visit www.abcbartending.com

g Business Opportunities

Earn What You’re Worth!

Keep your full-time job and start part-time with Primerica Financial Services, a subsidiary of Citigroup. Improve your future now by helping families reach their financial goals!

Call Carol at 877-613-9141

Attention Readers Some ads in this section may require an initial investment or fee. Metro Newspapers encourages you to thoroughly investigate any advertiser’s claims before sending payment.

g Classes & Instruction

Classes & Instruction

g Computer Services Consultants

We SOLVE Computer Problems!! Mention Metro Ad For $20 “Express Computer Tune-Up” Computer Repairs for Desktops, laptops, home networks, virus, slow/dead systems, data recovery.

Microsoft Certified. Call for free quote!!!

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g For Sale

Brand New Laptops & Desktops Bad Credit, No Credit – No Problem Small Weekly Payments - Order Today and get FREE Nintendo WII game system! Call Now – 800-840-5439 (AAN CAN) \

g Family Services Adoptions

Pregnant?

Considering Adoption?

Open House - MMI College of Ayurveda Sat. Sep. 12th & Oct 10th, 1pm at Mount Madonna Institute. For More Dates & Info Phone: 408.846.4060 Email: info@ MountMadonnaInstitute.org www.MountMadonna Institute.org

Advertise In Metro's Classified Section Be seen both in print and onlineby one of the largest, most active audiences in the South Bay! To advertise visit metroactive.com or call 408/200-1300.

g Miscellaneous

Call the Classified Department at 408.298.8000 Monday through Friday, 8.30am to 5.30pm.

√

Fax your ad to the Classified Department at 408.271.3520.

@

±

Mail to Metro Classifieds, 550 South First Street, San Jose, CA 95113.

≈

g

Looking for Female Marriage breakRehearsal/Recording Vocalist. down because of Lead Weekend 10/piece band pos- Genuine Analog incompatible per- sibly looking for a female 24 Track Analog. 24 Bit vocalist. The band is high Digital. Stout Recording sonalities? energy into R&B funk. 3 front Studio. Randy Burk, If you and your partner are having trouble come in and get your personalities checked, as this may be the reason for your disputes.

Call 408-383-9400

singers with horns. Must be good with harmony & a team player. Permanent member only. Prefer southbay located. Reply to 510-797-4782.

g Instruction

g General Notices Volunteers

Wanted 10000 people who suffer from asthma, allergies, other breathing related disorders needed to field test latest breakthrough in air purification. 800-626-5241

School Of The Blues Blues/Jazz weekly private instruction on Harmonica, Guitar, Bass and Organ/Piano. Conveniently located near 101/Blossom Hill Rd. 408/224-2936. www.schooloftheblues.com

Producer/ Session Drummer.

510-567-8572 Oakland.

StoutRecordingStudio.com

The Metropolitain Palo Alto Monthly and hourly music rehearsal space. Music instrument (fretted and vintage keys) and amplifier service. 650.279.1793

classifieds@metronews.com Please include your Visa, MC, Discover or American Express number and expiration date for payment.

DEADLINES: For copy, payment, space reservation or cancellation: Display ads: Thursday 3pm Line ads: Friday 3pm

10 x 18 Music Practice BRAND NEW Laptops Studios & Desktops.

Convenient Live Oak location. $262.00 per/mo. Call Glenn Kramer at 831-724-2343

SessionDrummer.net Real drum parts online. Real tape sound. Digital formats include: WAV, AIFF, Sound Designer 2. $160.00 per song. Randy Burk, Producer/ Session Drummer. Oakland, 510/567-8572

Tell A Friend

You saw it in the Metro Classifieds!

g Home Furnishings

We Service and Repair Used Furniture

For Sale

We also offer pick and delivery for anywhere in the bay give us a call for a free estimate. 650-617-0220 Leather Leather Furniture Gallery, 935 EL Camino Real Menlo Park, CA 94025. www.leatherfurnitureca.com

Electronics

Metro's Classifieds:

gg Services

Bad credit, No credit - No Problem Small weekly payments - Order & get FREE Nintendo WII system! 1-800816-2232 (AAN CAN)

To advertise visit metroactive.com or call 408/200-1300.

Print And Online A Powerful Combination for one great price. Run your advertisement in Metro Silicon Valley, the South Bay's largest weekly newspaper, and your ad will also appear online! To advertise call 408/200-1300 or visit metroactive.com

g Music Bands

Talk with caring agency specializing in matching birthHigh School Diploma! mothers with families nationFast, affordable and accredit- wide. Living expenses paid. ed. Free brochure. Call Now!. Call 24/7 Abby’s One True Gift Adoptions.

1-888-532-6546 ext. 97 www.continentalacademy.com 866/413-6293 (AAN CAN) (AAN CAN)

our offices Monday through Friday, 8.30am Visit to 5.30pm at 550 South, First Street, San Jose.

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Lil Wayne, E-40, Snoop Dog, San Quinn Thug World Records explosive label features lil Wayne Snoop dog E-40 G-unit and more. Free Downloads, MP3s, RingTones, videos. www.thugworldrecords.com 408-561-1255

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DIANETICS

THE MODERN SCIENCE OF MENTAL HEALTH by

L. RON HUBBARD Price: $20

Available at your local bookstore or at Hubbard Dianetics Foundation 1865 Lundy Ave. • San Jose, CA 95131 (408) 383-9400 • stevenscreek@scientology.net © 2009 CSI. All Rights Reserved.

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ASTROLOGY SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

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Legal g Legal Notices

Legal & Public Notices

FICTITIOUS BUSINESS NAME STATEMENT #527843 The following person(s) is (are) doing business as: RAF Solutions, RAF, 969 Berryessa Road, Suite C, San Jose, CA, 95133, Raised Access Floor Solutions, LLC. This business is conducted by a Limited Liability Company.

The state of Corporation: California.

Registrant has not yet begun transacting business under the fictitious business name or names listed herein. /s/Roger Fong Director #200819210465 This statement was filed with the County Clerk of Santa Clara County on 8/17/2009. (pub Metro 9/16, 9/23, 9/30, 10/07/2009)

534,311 People Browse through the Metro Classifieds each month! Get seen today! To advertise, call 408-200-1300.

FICTITIOUS BUSINESS NAME STATEMENT #528115 The following person(s) is (are) doing business as: Income Tax & Bookkeeping Solutions, 151 Southside Dr., San Joe, CA, Leticia Camarena, Ruby Naranjo, 36 Park Essex Pl., San Jose, CA, 95136.

This business is conducted by a general partnership.

Registrant has not yet begun transacting business under the fictitious business name or names listed herein on. /s/Leticia Camarena

This statement was filed with the County Clerk of Santa Clara County on 8/24/2009. (pub Metro 9/02, 9/09, 9/16, 9/23/2009)

Run Your Ad In Metro's Legal Section Be seen by one of the largest, most active audiences in the South Bay! Your ad will appear in both print and online. A Powerful Combination for one great price. To advertise visit metroactive.com or call 408/200-1300.

ROB BREZSNY

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6g^Zh (March 21–April 19): To the thug who stole

g Professional Services Financial Services

Buried in Credit Card Debt?

We can Get You Out of Debt in Months Instead of Years America’s Only Truly Attorney Driven Program Free No Obligation Consultation 877-458-6408

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my Chevy Malibu from its parking place while I was recording an album in San Francisco back in 1991: I forgive you. To the lovely and talented Artemisia, who couldn’t bring herself to fall in love with me as we partied at the Burning Man festival back in 2001: I forgive you. To the agent who helped my writing career so much but also cheated me out of thousands of dollars: I forgive you. To any Aries readers who hate it when I refer to my personal life in their horoscopes, and would much rather I confine myself to talking about them: I forgive you, and recommend that you engage in a more thorough and profound version of the cleansing I just illustrated.

IVjgjh (April 20–May 20): The old saying “You can’t have your cake and eat it too” suggests that maybe it’s not a good idea to go out on dates with a variety of lovers while you’re engaged to be married. Nostradamus scholar John Hogue has taken the spirit of this idea and created a variation that I think applies to you right now, Taurus. “You can’t have your past and your future, too,” he says.

In other words, you cannot fully embrace the exciting and daunting possibilities that loom ahead of you if you also insist on immersing yourself in the pleasures of the past. You can either have the old ways or the new ways, but not both. <Zb^c^ (May 21–June 20): According to my astrological analysis, you currently have a certain resemblance to a vacuum cleaner or a hungry baby or a min-black hole. Every time I’ve turned my meditations to the Gemini tribe, I’ve been hearing a psychic version of a giant sucking sound. What does it all mean? I sense that you’re especially voracious right now, almost insatiable—as if you’re inclined to engorge and absorb any old thing that you happen to find in front of you. Are my speculations true? If so, I hope and pray that all the things you’re finding in front of you are healthy for you. But just in case some of them are not: Would you consider exercising some discrimination about what you allow to enter into the sacred temple of your body and mind?

8VcXZg ( June 21–July 22): These days, your gods can kick the butts of everyone else’s gods. Likewise, your lawyers and agents and sidekicks can most likely outwit, outdo and out-wrestle everyone else’s. But it’s crucial to note that if you try to work alone, you will not be able to kick other people’s butts, let alone the butts of their gods, lawyers, agents and sidekicks. The skills of your allies will be indispensable. The way I see it, your test in the coming days will be to overcome any tendency you might have to indulge in pathological levels of selfsufficiency as you cultivate a greater capacity to ask for and receive help.

AZd ( July 23–Aug. 22): “We’re all mutants,” read

the headline of a report on the latest genetic research. It turns out that like everyone else, you have between 100 and 200 mutations in your DNA—absolutely new characteristics that were not passed down to you by your parents. To gather the evidence for this revelation, scientists had to sort through huge amounts of data; there are thousands of genes but only a few mutations. A Chinese scientist who was a member of the research team said that “finding this tiny number of mutations was more difficult than finding an ant’s egg in an emperor’s rice store.” I predict that you will soon have a comparable experience, Leo: From an overwhelming array of choices, you’ll be able to locate the rare catalysts you need.

K^g\d (Aug. 23–Sept. 22): There’s a device on the market that claims to age wine very quickly. The makers of “Clef du Vin” say that by using their simple technology, you can “accelerate the aromatic development of the wine’s flavor and soften its structure.” So dramatic is the supposed effect that “one second of the device in the wine is equal to one year’s age.” I believe that you now have the metaphorical equivalent of this marvel, Virgo. This temporary talent won’t work on wine, but it could perform wonders with other processes that would benefit from having their evolution expedited.

A^WgV (Sept. 23–Oct. 22): “The soft-minded person always fears change,” said one of my favorite transformers, Martin Luther King Jr. “For him, the greatest pain is the pain of a new idea.” The corollary to King’s pronouncement is that changes

are less likely to be painful if you’re not afraid of them. According to my astrological analysis, Libra, none of that stuff will be an issue for you in the coming weeks. As you slip into a phase of riotous growth, I expect you will have abundant access to previously dormant reserves of courage and toughmindedness.

HXdge^d (Oct. 23–Nov. 21): Studies show that

many people believe their attendance at a sports event impacts the outcome of the game. They are obviously suffering from a ridiculous delusion, right? They’re enthralled by the kind of magical thinking that our primitive ancestors engaged in, right? Normally I’d say yes, but not right now, not for you Scorpios. For a limited time only, your presence at events where people congregate may exert an uncanny influence far beyond the power of logic to explain. Your opinions will carry more weight than usual, and your power to shape group dynamics will be at a peak.

HV\^iiVg^jh (Nov. 22–Dec. 21): If I’m reading the

astrological omens correctly, you’re now ensconced in a smooth groove and not even close to being stuck in a cluttered rut. You’re making the right moves for the best reasons, and never trying to get ahead at the expense of others. During a grace period like this, I think you’d be wise to convene what I call a problem team. A problem team is a posse of smart allies whose task it is to dream up every possible glitch that could threaten to undermine your efforts in the coming weeks. They lead you through dry runs that test your reflexes and prime your resourcefulness, thereby making those glitches unlikely to occur.

8Veg^Xdgc (Dec. 22–Jan. 19): While I’m pretty

much a genius when it comes to the meaning of Kurt Cobain’s lyrics, the art of cooking perfect scrambled eggs and the secrets of being a good listener, I’m an absolute idiot about how a car engine works, how to make money on eBay and how to craft a foreign policy that would deal effectively with Pakistan. What about you, Capricorn? What are dumb about? This is an excellent time to cure your ignorance about any subject that will be important for you to be smarter about in the future.

6fjVg^jh ( Jan. 20–Feb. 18): The following

projects would be excellent ways for you to spend your time in the coming weeks: 1. Attend a fantasy camp where you learn rodeo tricks. (They might come in handy during committee meetings and collaborative efforts in the next six months.)

2. Teach a worthy candidate the intricacies of licking your nuzzle spots. (It no longer makes sense to expect people to read your mind). 3. Scratch an itch that has been subliminally bugging you.

(Unless of course you find some value in being subliminally bugged.) 4. Solicit lively information from a devil’s advocate, a sexy mother, and a world traveler. (You need exposure to people whose perspectives will pry open a couple of the closed areas of your mind).

E^hXZh (Feb. 19–March 20): Your quest has come

to a fork, Pisces. Down one path lies a tumultuous obsession—a compulsive, tormented hunt like Captain Ahab’s pursuit of Moby Dick. In the other direction, a graceful chase beckons, more in the manner of Sir Galahad’s pure-hearted search for the Holy Grail. Choose one fork and your quarry will be beastly, impossible and frustrating. If you choose the other fork, your quarry will be magical, earthy, and transformative.

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You know I like to be emphatic in these columns, Ricardo, so I wish I could tell you that, yes, steam rooms and saunas will cleanse your body of noxious substances and, when combined with regular steak dinners, orgasms and chocolate cake, will enable you to live to 126. Or, alternatively, that the sauna is a cabinet of death.

Once again, however, I find myself stymied by intransigent reality. The scientific evidence, sorted into piles, breaks down as follows: (1) Steam rooms and saunas are good for you.

(2) Steam rooms and saunas are bad for you.

(3) We can’t decide about steam rooms and saunas. Give us another hour, and see if you can rustle up some baby oil and a lava lamp.

My drab elaboration on these conclusions is provided below. You’ll notice I treat saunas and steam rooms together, although they’re two separate things. Saunas typically operate at 176 to 212 degrees Fahrenheit and a relative humidity of 10 to 20 percent, whereas steam rooms involve lower temperatures and much higher humidity (i.e., steam). Now, nearly all the research out there focuses on saunas, and one ought not to assume that what’s true of saunas will in all cases be true of steam rooms. Nonetheless, the two share a key feature, namely, they both make you sweat—perhaps insufficient commonality for a peer-reviewed journal, but good enough for me.

We proceed to the results: Good. “Very few sudden deaths take place during or after sauna bathing” (American Journal of Medicine, 2001). This may not strike you as a ringing endorsement, but at one time saunas were thought to be associated with sudden death, arrhythmia and heart attacks. Sudden death and heart attacks are now off the list. I hope this fills you with a golden glow.

Bad. “Almost all (221 of 228) hyperthermia deaths in Finland from 1970 to 1986 took place in saunas” (same source). This may undermine any confidence derived from the previous item, but perhaps it helps to know most of the overheated dead were middle-aged men under the influence of alcohol—admittedly a pretty large group.

Good. One study says sauna therapy helped a woman who had a “chronic, debilitating multisystem disorder of 20 years’ duration” due to toxic chemicals discontinue her medications and return to work. Another says saunas improved the condition of firefighters left with neurological

problems after PCB exposure. The assumption appears to be that these people excreted the harmful substances in their sweat, which maybe they did.

Sounds good but isn’t really. You can lose a pound or more of water in the sauna. But once out you gain the weight right back.

Good. Saunas can help people with chronic heart failure, asthma or chronic bronchitis; reduce pain and increase mobility in the arthritic; and enhance resistance to the common cold. They also decrease lung congestion and seem to lower blood pressure in those with hypertension.

Bad. Saunas are a bad idea during a high-risk pregnancy, and are also contraindicated for various cardiac conditions other than chronic heart failure. Clearly if you’re a heart patient thinking sauna, you’d first better ascertain exactly what you’ve got.

Can’t tell. Numerous websites claim research by the University of Munich’s Institute of Medical Balneology and Climatology shows that saunas and steam rooms confer benefits ranging from improved sleep to softer skin.

But good luck finding a citation to back this up. Despite determined effort, including correspondence with actual Germans, my assistant Una could confirm only that the Institute of MB&C exists but is now called the Institute for Health and Rehabilitation Sciences.

Beyond that, zilch.

By now maybe you’re saying: This is all very interesting, but I’m not pregnant and don’t have asthma, PCB poisoning, or any of the other baleful conditions alluded to above. I just like steam baths and saunas. Are they good or bad?

That’s what I’m trying to tell you. If you’re in good health, a sauna won’t kill you, possibly may help and in any case will leave you, however briefly, with a sense of radiant wellbeing, a circumstance to be cherished in this melancholy age. What more do you want?

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CLASSIFIEDS SEPTEMBER 16-22, 2009 M E T R O S I L I C O N VA L L E Y

Home Improvement g

g

Notice To Readers

House Cleaning

California law requires that contractors taking jobs that total $500 or more (labor or materials) be licensed by the Contractors State License Board. State law also requires that contractors include their license number on all advertising. You can

Home Services1 Services

Advertise Your Home Services In Metro's Classified Section

check the status of your licensed contractor at www.cslb.ca.gov or 1-800321-CSLB (2752). Unlicensed contractors taking jobs that total less than $500 must state in their advertisements that they are not licensed by the Contractors State License Board.

Be seen both in print and onlineby one of the largest, most active audiences in the South Bay! To advertise visit metroactive.com or call 408/200-1300.

g Carpet/Floor

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[74]

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M E T R O S I L I C O N VA L L E Y SEPTEMBER 16-22, 2009 CLASSIFIEDS

real estate Sunnyvale

g Real Estate Rentals Shared Housing

ALL AREAS - RENTMATES.COM Browse hundreds of online listings with photos and maps. Find your roommate with a click of the mouse!

Visit: www.Rentmates.com.

(AAN CAN)

Notice All real estate advertised in Metro Newspapers is subject to the State and Federal Fair Housing Act, which makes it illegal to advertise any preference, limitation, or discrimination based on race, color, religion, sex, handicap, family status (the presence of children), or national origin, or the intention to make any such preference, limitation, or discrimination. State and locate laws forbid discrimination in the sale, rental, or advertising of real estate. We will not knowingly accept any advertising for real estate which is in violation of the law. All persons are hereby informed that all dwellings advertised are available on an equal opportunity basis to the best of our knowledge.

Clean bedroom with own bath, non smoker, no pets, no drugs, pool privileges, washer and dryer and kitchen privileges, utilities included, references. $650 per month, $200 deposit. 415/860-2143.

Available 10/5/09

g Apartment/Cottage

Campbell - One Month Free Rent Spacious 1 bedroom 1 bath $995, Jr. 1 bedroom $895, 2 bedroom, 1 bath upstairs $1200-1295, downstairs $1295. 2 bedroom, 1.5 bath Townhouse $1325, 3 bedroom 2 bath $1595. Great community close to Downtown Campbell. Close to all major freeways.

408/374-8203.

g Homes

ALL AREAS - HOUSES FOR RENT Browse thousands of rental listings with photos and maps. Advertise your rental home for FREE! Visit: http://www.RealRentals.com (AAN CAN) Class: Rent or Lease

San Jose/ Blossom Hill Immaculate 3 bedroom, 2.5 bath, excellent area, newly remodeled, No pets, nonsmoker, single family. $2400 per month. 408/238-0160

Watsonville This piece of history is a wonderful opportunity to own a beautiful Victorian Estate on a 1/2+ acre lot.

7 bedrooms, 3 baths lends many possibilities. Hardwood flooring, 2 fireplaces, 2 car detached garage, spacious attic.

831-638-1855 Cell: 831-801-1222

gg Real Estate Sales Homes

Out of Area

g Condo/Townhouses/Lofts

Berryessa condo, 1 bedroom, 1 bath, lower unit, excellent condition. Great location, patio, pool, washer and dryer, no pets. $1200 per month, $1000 deposit. Available 9/30. 408/274-7026

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Good weather, View of Mountains. $95 Down - $58.80/month/60 months Call owner for appt, maps, photos

landbargins.com

408.733.9518 Get into the hottest bars, clubs and lounges! www.metrofb.com

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408.200.1396

6th Annual Santa Cruz WAMMfest

Get Rid of Stress and Depression

Make-Up Artist Certification

Find out how NOW! Call 1-800-293-MIND

A benefit for the Wo/Men’s Alliance for Medical Marijuana. Saturday, Sept 26th 2009, from 12am to 5pm, San Lorenzo Park Duck Island. Vendors, Live music, food, games, Hemp products. WAMM Craft Gallery, Medical Marijuana Info. Rent a booth space or for more info see our website www.wammfest.org

Your Personality Determines Your Happiness

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Managers & Trainees Wanted (No Layoffs Here) Need 6 people F/T and 10 people P/T to help me with my business. Full training- Start Now. Call Jerry. 408/750-7250

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