0944_SCW

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November 4-11, 2009

Vol. 1, No. 27

Farewell to Morton Marcus p9

Wise words from the people who hear it all p13

’Tenders 2009 A / < B/ 1 @ C H 1 = ;

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november 4-11, 2009

SANTACRUZ.COM

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Contents. P OSTS

p4

L O C A L LY

p7

CURRENTS

p9

COVER STORY A&E

p13

p29

S TA G E , A R T & EVENTS

p32

B E AT S C A P E CLUB GRID FILM

p38 p40

p45

EPICURE

p49

ASTR OLOGY

p52

CLASSIFIEDS

p53

ON THE COVER Lisa Norelli photographed by Dina Scoppettone

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Send let letters teerrs ttoo Santa Santa Cruz Weekly, Weekly e y, let letters@santacruz.com teerrs@san s nttaacruz.com or ttoo A Attn: ttn: LLetters, ettteeerrs, 115 Co ett et C Cooper ooper e St., Sant San Santaa Cruz, uz 95060. 060. Inclu Include udee cit city ittyy and phone clarity inaccuracies known us. phone number number or email address. address. Submissions Subm missions mayy be be edited editteed for for or length, length cl le leng laritt y or or factual factual ac a inac a curacies racies know nown ttoo us s.

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ERIC JJOHNSON’s ERIC OHNSON’s aarticle rticle iin n tthis his w week’s eek’s paper was outstanding Play, p aper w as o utstanding ((“Power “Power P lay,� Cover Cover sstory, tory, Oct. Oct. 28). 28). Itt was was so so w ell written written aand nd sso o well ccompelling ompelling tthat hat I hung hung on on eevery very w ord. I ccan’t an’t word. ssay ay tthat hat about about a lot lot of of other other subjects, subjects, b ut tthis his but w as absolutely absolutely ccaptivating. aptivating. I k new tthere here w as was knew was a rreason eason I was was hanging hanging o nto m 996 M azda onto myy 11996 Mazda ggas-powered as-powered ccar ar aass llong ong aass p ossible—because possible—because Iw as w aiting ffor or a w orthy/affordable was waiting worthy/affordable rreplacement eplacement eelectric lectric ccar ar aand nd I d on’t ffeel eel llike ike don’t tthe he P rius iiss iit. t. W hile tthe he P rius iiss vvery ery p opular Prius While Prius popular aand nd w ell eengineered, ngineered, tthe he d esign? UGH! UGH! Kudos Kudos well design? tto oE ric JJohnson ohnson aand nd aall ll tthe he vvisionaries isionaries o ut Eric out tthere here w ho aare re w orking o n tthis his p roject. II’m ’m who working on project. cconfident onf ident m 996 M azda w ill b hing o myy 11996 Mazda will bee a tthing off tthe he p ast vvery ery ssoon. oon. past

PAUL P AUL E ELERICK’s LERICK’s ccomments omments o on nC Caltrans’ altrans’ aarrogance rroggance rregarding egarding tthe he public’s public’s interest interest ((“Why “Why W e’re S uing Caltrans, Caltrans,� Bullhorn, Bullhorn, Oct. Oct. We’re Suing 2 8) sseem eem tto om ob n tthe he m ark. I llive ive 28) mee tto bee o on mark. rright ight aacross cross ffrom rom tthe he n orthbound o nramp northbound onramp ffrom rom tthe he M orrissey lloop oop aand nd tthe he R ooney Morrissey Rooney S treet o nramp.Those drivers drivers w ho u se tthis his Street onramp.Those who use rramp amp w ill n otice tthat hat tthere here iiss a h uge ggap ap iin n will notice huge tthe he ssound ound w all. The The noise noise from from the the highway highway wall. eexceeds xceeds eenvironmental nvironmental sstandards tandards aand nd directly directly iimpacts mpacts the the ttranquility ranquility o my immediate immediate off my n eighbors aand nd m yself. neighbors myself. have b een ttrying rying ffor or sseveral everal yyears ears tto o gget et I have been C altrans tto o iinstall nstall a llow-level ow-level b arrier o n tthe he Caltrans barrier on iisland sland which which sseparates eparates tthe he o nramp llane ane ffrom rom onramp tthe he h ighway llanes anes tto o rreduce educe tthe he n oise. F rom highway noise. From m bservations m ost o he n oise ccomes omes myy o observations most off tthe noise ffrom rom tthe he iimpact mpact o ires tto o rroadbed. oadbed. Th he off ttires The

SSandra andra C Cohen, ohen, Santa C ruz Santa Cruz

NUTZLE

solution I p solution propose ropose iiss ssimple imple aand nd ccheap, heap, I gguess uess u nder $ 5,000 aatt m ost. G iven tthat hat C altrans’ under $5,000 most. Given Caltrans’ b udget ffor or tthis his ffiscal iscal yyear ear iiss aaround round $ 13 b illion, budget $13 billion, tthe he ssum um iinvolved nvolved ffor or tthis his m inor p roject ccomes omes minor project o ut tto op arking m eter p ocket cchange hange ffor or m ost out parking meter pocket most o s. off u us. will spare spare the the readers readers tthe he n ightmare I will nightmare o ureaucratic iintransigence ntransigence I h ave off b bureaucratic have eencountered. ncountered. A ll Caltrans’ Caltrans’ eexcuses xcuses don’t don’t All sstand tand u p tto o rreason. eason. E ventually tthe he D istrict up Eventually District F ive O ff ice ((they they aare re rresponsible esponsible o his aarea rea Five Office off tthis o ighway 11)) n ot sso o ssubtly ubtly ttold old m ot tto o off H Highway not mee n not b other tthem hem aanymore. nymore. bother ave sspoken poken w ith tthe he S anta C ruz Ih have with Santa Cruz R egional Transportation Transportation C ommission, Regional Commission, o ur various various elected elected state state aand nd our ccounty ounty representatives representatives o heir local local o ff ice orr ttheir office p e o p l e , a l l t o n o a v a i l . A l t h o u g h s y m p athetic, people, all to no avail. Although sympathetic, tthey hey ttoo oo sseem eem tto o eencounter ncounter tthe he ssame ame b ureaucratic iinertia nertia tto o ccommon ommon iin no ur bureaucratic our vvarious arious ggovernment overnment aagencies. gencies.

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I aapplaud pplaud M Mr. r. E Elerick’s lerick’s eeffort ffort tto o rremind emind Caltrans people C altrans tthat hat iitt iiss rresponsible esponsible tto o tthe he p eople need tthey hey aare re ssupposed upposed tto o serve. serve. Maybe Maybe we we n eed a hearing ccollective ollective eeffort ffort tto o ssend end tthem hem aall ll h earing aaids ids have problem hearing ssince ince tthey hey sseem eem tto oh ave a p roblem h earing what People� have w hat ““We We tthe he P eople� h ave tto o ssay. ay. Don D Don Dibble, ibble, Santa Cruz Cruz Santa

7A B67A =C@ 7A B67A =C@ 4CBC@34 CBC@3ONCE u ONCE upon pon a ttime, ime, tthe he sstandard tandard aanswer nswer tto o on Highway ttraffic raff ic ccongestion ongestion o n a ffreeway reeway llike ike H ighway 1 was byy aadding But more w as tto o aadd dd ccapacity apacity b dding llanes. anes. B ut m ore more aand nd m ore ttransportation ransportation planning planning rresearch esearch not iiss showing showing that’s that’s n ot a costcost- eeffective ffective aanswer nswer iin n urban urban areas areas tthat hat are are aalready lready ccongested. ongested. When heavy much W hen congestion congestion is is h eavy aand nd there there is is m uch demand more llatent atent d emand ffor or m ore trips trips during during the the peak peak hours, off h ours, aadding dding lanes lanes iinduces nduces ffaster aster growth growth o tthe he automotive automotive ssystem, ystem, leading leading to to renewed renewed on ccongestion ongestion o n a ggrander rander sscale. cale. Renewed Renewed congestion congestion can can develop develop in in just just despite millions a ffew ew yyears, ears, d espite hundreds hundreds of of m illions off d dollars being off tthe o ollars b eing sspent. pent. In In the the case case o he proposed Soquel Morrissey Auxiliary Lanes p roposed S oquel tto oM orrissey A uxiliary L anes project on would p roject o n Highway Highway 1, 1, some some congestion congestion w ould on opening, with ccontinue ontinue iimmediately mmediately o no pening, w ith tthe he project bottlenecks p roject ttraffic raff ic sstudy tudy showing showing new new b ottlenecks occurring downstream both o ccurring immediately immediately d ownstream in in b oth directions. d irections. So So then then the the answer answer is is proposed proposed to to be be the the HOV Lanes which widen H OV L anes Project, Project, w hich would would w iden Route most off the R oute 1 tto o eeight ight lanes lanes ffor or m ost o the sstretch tretch Highway San But ffrom rom H ighway 1177 tto oS an Andreas Andreas Road. Road. B ut project’s tthat hat p roject’s ttraffic raff ic sstudy tudy fforecasts orecasts tthat hat iiff tthe he HOV Lanes were built, daily H OV L anes w ere b uilt, ggrowth rowth iin nd aily ttraffic raff ic on vvolume olume o n Highway Highway 1 by by the the year year 2035 2035 would would bee in b in tthe he 45 45 percent percent tto o 70 70 percent percent rrange. ange. Some Some would have sspecific pecif ic onramps onramps aand nd offramps offramps w ould h ave off well over percent. vvolume olume iincreases ncreases o well o ver 100 100 p ercent. Does D oes aanybody nybody ssuppose uppose aall ll those those additional additional need ccars ars would would n eed ssomewhere omewhere tto o ggo, o, before before tthey hey on Highway off gget et o nH ighway 11,, aand nd aafter fter tthey hey gget et o ff ? IIss wee w want plan tthat hat tthe he ssustainable ustainable ffuture uture w ant tto op lan aand nd build build for? for? The per million off C CO The rrecent ecent ““350� 350� ((parts parts p er m illion o O2) public Santa public eevents vents iin nS anta Cruz Cruz publicized publicized tthe he need need to to reduce reduce ggreenhouse reenhouse ggas as eemissions missions if don’t wish bee ffloating if we we d on’t w ish tto ob loating iin n ggondolas ondolas down Pacific way down P acif ic Avenue. Avenue. The The cost-efficient cost- eff icient w ay to to achieve achieve that, that, in in our our transportation transportation sector, sector, is is to to shift shift new new transportation transportation investments investments to to infrastructure infrastructure and and demanddemand- management management

programs proggrams that that support support alternatives alternatives to to the the automobile. automobile. It’s Itt’s been been done done elsewhere, elsewhere, and and can can be be done done here. here. Especially Especially promising: promising: the the rail rail corridor corridor may may soon soon be be in in public public ownership. ownership. This This is is an an alternate alternate travel travel corridor corridor parallel parallel to to Highway Highway 1, 1, which which many many residents residents have have never never even of. even seen seen tthe he llength ength o f. It It could could ssupport upport a bicycle expressway, expressway, pedestrian pedestrian trail, trail, and and a bicycle starter trolley trolley or or express express busway busway service service ((all all starter proven compatible compatible with with continuing continuing rail rail proven freight service), service), b ut iitt w ill n eed ffunding. unding. I freight but will need would not not expect expect we’ll we’ll have have the the money, money, if if we we would keep giving giving the the lion’s lion’s share share to to the the car. car. keep Jack J ack N Nelson, elson, Santa C ruz Santa Cruz

7<A>7@32 0G 7<A>7@32 0G ;197003< ; 197003< THANK T HANK YOU YOU for for a great great article article (“None (“None L ike Itt H ot,� C over S tory, O ct. 2 1). I ssit it o n Like Hot, Cover Story, Oct. 21). on tthe he Go Go Green Green committee committee for for our our ccompany, ompany, E ntertainment Partners, Partners, aand nd picked picked u p a copy copy Entertainment up o the m agazine w hile on on a four-day four- day mini mini ttrip rip off the magazine while u pn orth llast ast w eekend. I will will be be ssharing haring tthis his up north weekend. aarticle rticle with with the the committee committee aand nd the the ccompany ompany aass we we ccontinue ontinue to to try try to to do do our our p art to to help help part tthe he planet. planet. appreciate the the story story and and what what a great great job job I appreciate B ill McKibben McKiibben iiss doing doing by by ssacrificing acrif icing h is ttime ime Bill his aaway way ffrom rom his his wife wife and and daughter daughter tto om ake a make d ifference in in tthis his world world ffor or our our vvery ery existence existence difference o n this this planet. planet. on Jeannie J eannie A Allen, llen, Burba b nk Burbank

I

TH HAPPENED APPENED aagain gain tthis his ye year. ar. Halloween, Halloween, like like aalmost lmost eevery very o ther sspecial p ecial d ay o n tthe he ccalendar, alendar, h as b ecome aanother nother other day on has become k ids’ d ay. Add Add it it to to Christmas Christmas (loads (loads of of presents), presents), Easter Easter kids’ day. ((Resurrection? Resurrection? N ah, iit’s t’s aabout b out cchocolate hocolate b unnies) aand nd tthe he sspecial p ecial Nah, bunnies) ffirst, irst, ssecond, econd, tthird, hird, fo urth, eetc., tc., b irthdays, eeach ach o ne a m ileston o e fourth, birthdays, one milestone iin n tthe he aall-important ll-impor tant llife ife o he American American child. child. M eanwhile, aass off tthe Meanwhile, aadults, d lts, p du arents sstruggle truggle l w ith tthe he ggrind rin i do arning w ages tto o ssupport upp or t parents with off eearning wages ttheir heir yo ungsters— or jjust ust tthemselves—and hemselve v s—and m aybe a m ortgage youngsters—or maybe mortgage o nah ouse tthe he k ids w ill llikely ikely iinherit. nherit. The The brightest brightest sspot p ot o n ttheir heir on house kids will on h orizons iiss o f ten tthe he k iddies’ ccollege ollege ggraduation, raduation, w hich tthey hey o f ten horizons often kiddies’ which often ffund. und. IIt’s t’s n ot eeasy asy b eing a p arent. They They worry worry about about sso om any o not being parent. many off tthe he cchoices hoices ttheir heir cchildren hildren h avve. W anting tthe he b est fo hem, tthey hey have. Wanting best forr tthem, w ork m ore, tthey hey ggive ive ccountless ountless h ours, tthey hey b ecome ssoccer occer m oms. work more, hours, become moms. T rips tto oE urope aare re ssacrificed acrif iced w hile m uch o heir ffuture uture iiss sspent p ent Trips Europe while much off ttheir w atching aand nd n ur turing tthe he llittle ittle sseedlings eedlings iinto nto aadulthood. dultho o d. watching nurturing So m any ye ars w ith p recious llittle ittle ttime ime tthat hat iiss jjust ust ttheirs. heirs. N ot a So many years with precious Not p roblem, re ally, jjust ust a re ality tthey’ve hey’ve v cchosen. hosen. They They exist exist with with fe w problem, really, reality few aaccepted ccepted aavenues venues fo ittle M ime. forr a llittle Mee ttime. I’d llike ike tto op ropose a d ay jjust ust fo dults: Let’s Let’s take take b ack I’d propose day forr aadults: back H alloween. A hildren’s d ay, H alloween iiss p roblematic aatt b est. Halloween. Ass a cchildren’s day, Halloween problematic best. F irst tthere’s here’s tthe he ccandy. andy. Do Do cchildren hildren re ally n eed aall ll tthat hat ssugar? ugar? Oh Oh First really need ye ah, aand nd b efore tthey hey eeat at iitt yo ub etter ta ke iitt tto o tthe he p olice tto oh ave yeah, before you better take police have iitt X -rayed, jjust ust iin n ccase. ase. Cavities Cavities and and rrazor azor b lades: jjust ust w hat o ur k ids X-rayed, blades: what our kids n eed. H ow aabout bout British British studies studies llinking inking h eavy ccandy andy cconsumption onsumption need. How heavy tto o ccriminal riminal b ehavior llater ater iin n llife? ife? And And don’ don’ t forget forget tthe he ttoxic oxic behavior cchemicals hemicals fo und iin n fface ace p aint. But But not not to to worry, worry, they’ll they’ll b ust ffine ine found paint. bee jjust aass llong ong aass yo u ccarefully arefully sselect elect ttheir heir n eighb orhoo d ttrickrick- o r-treat you neighborhood or-treat ro ute aand nd aact ct aass S herpa fo heir ggreedy r edy llittle re ittle sscavenger cavvenger h unt. route Sherpa forr ttheir hunt. Halloween: it’s it’s problematic problematic and and fraught fraught with with peril! p eril! Halloween: (Also, what what kind kind of of lesson lesson could could possibly p ossibly be be learned learned by by going going (Also, d o orr to - door aasking sking fo rree sstuff tuff ? Nobody Nob o dy even even asks asks for for a ttrick rick door-to-door forr ffree aanymore. nymore. K ids would would probably probably be b e fearful fear ful if if presented presented one: one: “OMG! “ OMG! Kids T hat guy guy must must be be a child child molester!�) molester!�) That Face it, it, this this is is nothing nothing but but complicated complicated on on every every level: level: message, message, Face b ehavior aand nd d iet. Let’s Let’s ta ke b ack Halloween, Halloween, fo lks. This This is is a d ay behavior diet. take back folks. day ffilled illed w ith m agic aand nd m yster y, eexciting xciting ro le p laying—a cchance hance with magic mystery, role playing—a tto o ccut ut lloose o ose aand nd lliterally iterally b omeone eelse. lse. W eserve a d ay w ith bee ssomeone Wee d deserve day with llittle ittle o o ttravel ravel ttime, ime, aallowing llowing aadults dults a ffun un b reak ffrom rrom tthe he orr n no break o rdinary, m inus tthe he cchildren. hildren. Halloween Halloween gives gives adults adults a llittle ittle p iece ordinary, minus piece o urning M an w ith n one o he h assle aand nd d ust. This This is is a d ay tto o off B Burning Man with none off tthe hassle dust. day llet et yo our ffreak—or rreak— or ssexy—f exy—f llag ag f lly! y! your Let’s sstart tart n ext ye ar. Trick Trick or or treating treating could could b hased o ut Let’s next year. bee p phased out ggradually, radually, aass aappropriate ppropriate fo ur k ids’ aages, ges, aand nd jjust ust o mitted ffrom ro ro m forr yo your kids’ omitted tthe he eexperience xperience o nyone u nder 55,, b ut d etails aare re yo ur o wn tto o off aanyone under but details your own w ork o ut. work out. They’ve ggot ot S anta, tthe he E aster B unny, tthe he T o oth F air y—not tto o They’ve Santa, Easter Bunny, Tooth Fairy—not m ention a u sually ve ry ggenerous enerous sset et o randparents—so now now we’ll we’ll mention usually very off ggrandparents—so h ave o ne d ay jjust ust fo dults. You You really really think think tthey’ll hey’ll b eprive v d have one day forr u uss aadults. bee d deprived iiff tthey hey llose ose tthis? his? And And parents parents can can rest r st assured re assured that that tthis his ccomplicated omplicated aand nd p erilous n ight iiss jjust ust fo dults—’cause fface ace iit—we’re t—we’re b ig perilous night forr aadults—’cause big eenough nough tto oh andle iit! t! handle M ichae R ober s lives ves aand nd w orks aass a bbartender ar ender oon n the he W es s de Michael Roberts works Westside.

)G GOT OT A POINT P O I N T TO TO MAKE? M A K E ? SEND S E N D YOUR YO U R BULLHORN B U L L H O R N IDEAS I D E A S TO TO ( THUKILL@SANTACRUZWEEKLY.COM T H U K I L L @ SA N TA C RU Z W E E K LY CO M

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// aS`WSa O^^SO`W\U bVS TW`ab eSSY ]T SOQV []\bV / aS`WSa W O^^^SO`W\U W bVS bV TW` TW ab eSSY S Y ]TT SOQVV []\bV bV EOg\S¸a 1]ZZSUS ]T 0SOcbg EO g\S¸a 1]ZZSUS ]T 0SOcbg ““II kn know now w what hat w wages ages bbeauty eaut y ggives. ives.â€? — —Y YEEATS ATS Wee h W have ave d dropped ropped o out ut o off tthe he other other sschools chools to to enroll enroll here here where where no no one one fails; fails; everything everything is is fixed, f ixed, fluffed, f luffed, teased teased into into its its temporary temporary best best at at cut-rate cut-rate prices prices because because we we are are all all novices novices in in the the art art of of making making beauty, beauty, learning learning that that beauty beauty is is not not so so hard. hard. Beauty Beauty is is not not so so hard hard we we learn, learn, because because it it is is not not chemicals chemicals or or varieties varieties of of fashion. fashion.

Our our off llotions, O ur sscissors cissors aand nd ccombs, ombs, o ur llibraries ibraries o otions, mirrors assuree the timor timorous imperious our bright mirr orss assur ous or imp errious have place. eelderly lderly tthey hey h ave ccome ome aatt llast ast tto o tthe he rright ight p lace. Wayne’s Waayne y ’s is not thee Heartbreak Heartbreak Hotel, and when they t y the beautiful, because briefly unlonely. lleave eave b eautiful, iitt iiss b ecause tthey hey aare re b rief ly u nlonely. We We have have said, said, “How “How are are you?�, you?�, “How “How would would you you hair?�, wee h have not llike ike yyour our h air?�, and and w ave ttouched ouched tthem hem n ot ccruelly, ruelly, with more our hands. When over aand nd w ith m ore tthan han o ur h ands. W hen iitt iiss o ver we we swivel swivel their their chairs chairs so so they they can can see see themselves themselves while wee h hover ccarefully arefully ffrom rom sseveral everal aangles ngles w hile w over ssilent ilent

doubts, provides jjust ust aabove bove ttheir heir d oubts, a ccalculation alculation tthat hat p rovides mirror, ours both off u us. ttwo wo ffaces aces iin n tthe he m irror, o urs ssmiling miling aatt b oth o s. —David — David SSwanger wanger Cruzan David SSanta anta C ruzan D avid SSwanger wanger eedited dited a ppoetry oetry ffeature eature ffor or Cruz His most sseveral everal yyears ears iin n tthe he SSanta anta C ruz SSentinel. entinel. H is m ost rrecent ecent College Beauty’ Press, 2006; bbook, ook, ‘‘Wayne’s Wayne’s C ollege of of B eauty’ ((BkMk BkMk P ress, 2 006; $13.95 won John Ciardi Prize Poetry. $ 13.95 ppaperback), aperback), w on tthe he J ohn C iardi P rize ffor or P oetry. Additionally, written volumes A dditionally, SSwanger wanger hhas as w ritten tthree hree oother ther v olumes ooff with many ppoetry oetry aand nd a bbook ook aabout bout ppoetry, oetry, w ith m any ppoems oems aappearing ppearing American Public iin n jjournals ournals aand nd aanthologies nthologies aand nd ffeatured eatured oon nA merican P ublic Media’s Writer’s Almanac. His work M edia’s ‘‘The The W riter’s A lmanac.’ H is w ork hhas as bbeen een aawarded warded California Arts Council NEA. ggrants rants ffrom rom tthe he C alif l fornia A rts C ouncil aand nd tthe he N EA.

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birds park. tthe he b irds iin n tthe he p ark.� IIndeed, ndeed, ggiven iven tthe he opportunity, which hee ffrequently had o pportunity, w hich h requently h ad aatt his microphones diverse h is vvarious arious m icrophones iin nd iverse vvenues enues Mort would unpack aand nd ccircumstances, ircumstances, M ort w ould u npack discourse on aan n iimpromptu mpromptu d iscourse o n jjust ust aabout bout hand, history off aany ny ssubject ubject aatt h and, ffrom rom tthe he h istory o novel Japanese tthe he n ovel tto o tthe he Ja apanese ttea ea cceremony. eremony. And more private A nd iin nam ore iintimate ntimate ssetting, etting, iin np rivate Gary noted, was cconversation, onversation, aass G ary n oted, ““he he w as a sspellbinding pellbinding sstoryteller. toryteller.�

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/ ;/< 7< 4C:: W / ;/< 7< 4C:: With ith hhis is ppublished ublished ppoems o ems aand nd eessays, ssays, ffrequent requent rreadings eadings aand nd rradio adio aand nd Cruz forr fo four ttelevision elevision pprograms, ro grams, Morton Morton Marcus Marcus aanchored nchored the the SSanta a n ta C ruz literary literar y sscene cene fo ur ddecades. ecades.

Ann Amazing A Amazing Man Man Morton M orton Mar Marcus, M cus, 1936– 1936–2009 –2009

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I ffirst irst m met et M Mort ort in in 11968, 968, ssoon oon aafter fter we’d both Santa Cruz. our w e’d b oth aarrived rrived iin nS anta C ruz. IIn no ur occasional dinners over o ccasional d inners ttogether ogether o ver tthe he yyears ears was byy h his Iw as sstruck truck eeach ach ttime ime b is vvoracious oracious mention his iintellectual ntellectual aappetite ppetite ((not not tto om ention h is hee w was, hee ssaid aappetite ppetite ffor or ffood): ood): h as, aass h aid tto o mee iin m n a cconversation onversation llast ast yyear, ear, ““absolutely absolutely iintensely ntensely eengaged ngaged iin n eeverything� verything� aand nd draw on his ccould ould d raw o nh is vvast ast rreading eading aand nd picaresque been p icaresque personal personal history—having history—having b een out byy h his much-married mother ffarmed armed o ut b is m uch-married m other off b boarding tto o a sseries eries o oarding sschools chools aand nd ffending ending himself his ffor or h imself tthroughout hroughout h is yyouth—to outh—to ttalk alk well under aass w ell aass eeat at yyou ou u nder tthe he ttable. able. with Mort would A conversation conversation w ith M ort w ould poetry poets ttypically ypically rrange ange ffrom rom p oetry aand nd p oets been tto o ssports ports aand nd aathletes thletes ((he’d he’d b een a boxer high b oxer aand nd a sstreet treet ffighter, ighter, a h igh sschool chool basketball b asketball sstar tar aand nd llater ater a ccoach), oach), ffrom rom Eastern philosophy movie E astern p hilosophy tto om ovie ttrivia, rivia, ffrom rom politics his iinternational nternational p olitics tto oh is ffamilial amilial aand nd

personal o personal odyssey dyssey sstarting tarting iin n tthe he sshtetls htetls o off E astern E urope aand nd m igrating tthrough hrough Eastern Europe migrating N ew Y ork C ity tto oN orthern C alifornia New York City Northern California aand nd eeventually ventually S anta C ruz, w hich h Santa Cruz, which hee cconsidered onsidered h is o nly ttrue rue h ome. his only home. These lively Th lively dialogues dialogues w ere aalways lways ggenial enial These were b ut ffrequently requently h eated and and ccontentious, ontentious, but heated iinformed nformed by by his his p assionately h eld o pinions passionately held opinions o nw hatever topic. topic. H is longtime longtime cclose lose on whatever His ffriend, riend, fellow fellow poet poet and and C abrillo ccolleague olleague Cabrillo JJoe oe S troud, ttold old m e, “The “The w onderful tthing hing Stroud, me, wonderful aabout bout M ort was was that that you you could could h ave h uge Mort have huge d isagreements aabout bout eeverything—poetry, verything—poetry, disagreements p olitics—but the the ffriendship riendship w as b ottompolitics—but was bottomlline ine ssolid. olid. H didn’t w ant aagreement; greement; h Hee didn’t want hee lloved oved engagement. engagement.� But unlike unlike most most other other blowhards, blowhards, But k now-it-alls aand nd eegomaniacs—whom gomaniacs—whom h know-it-alls hee ccould ould match match huff huff for for puff, puff, if if necessary— necessary— M orton w as aalso lso aan n aattentive ttentive llistener, istener, a Morton was ssensitive ensitive rreader eader aand nd a ggenerous enerous cchampion hampion o thers’ w ork iiff h ound aanything nything iin n off o others’ work hee ffound iitt w orth aadmiring. dmiring. B eing iinterviewed nterviewed b worth Being byy h im on on T he Poetry Poetry Show Show o nK USP rradio, adio, him The on KUSP w here I was was his his guest guest a number number of of times, times, where w as tto od iscover iin n yyour our o wn p oems, b was discover own poems, byy w ay o is sstrikingly trikingly iinsightful nsightful q uestions way off h his questions aand nd o bservations, aaspects spects o our w riting observations, off yyour writing o hich yyou ou w ere p reviously u naware. off w which were previously unaware. I aalways lways eenjoyed njoyed tthese hese o n-air d iscussions, on-air discussions, n ot lleast east b ecause w ith M ort aass m not because with Mort myy iinterlocutor nterlocutor I w as ssure ure tto o llearn earn ssomething. omething. was Of all all his his ccontributions ontributions tto o llocal ocal cculture, ulture, Of 3 3

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ORTON M ORTON MARCUS, ARCUS, w whose hose outsize presence o utsize p resence aanimated nimated dominated aand nd aatt ttimes imes d ominated Santa Cruz County’s S anta C ruz C ounty’s literary 40 literary culture culture for for most most of of tthe he llast ast 4 0 yyears, ears, died died peacefully peacefully at at home home after after a long long illness illness early early in in the the morning morning of of Oct. Oct. 28. 28. He He was was 73, 73, and and seemed seemed both both younger younger and and older—younger older—younger because because his his attitude attitude toward toward everything everything was was one one of of boyish boyish enthusiasm, enthusiasm, and and older older because because the the amount amount of of living living he he jammed jammed into into his his years years would would have have taken taken several several lifetimes lifetimes for for anyone anyone less less charged charged with with creative creative energy. energy. To To fellow fellow writers, writers, Marcus Marcus was was best best known more known as as a poet, poet, but but iin n a ffar ar m ore capacious capacious sense sense of of that that word word tthan han simply simply someone someone who who writes writes poetry. poetry. In n his meant being part his case case being being a poet poet m eant b eing p art rabbi, rabbi, part part shaman, shaman, part part entrepreneur, entrepreneur,

part tteacher, part eacher, p part art movie movie ccritic ritic and and personality, part host ttelevision elevision p ersonality, p art radio radio h ost aand nd part iinterviewer, nterviewer, p art political political organizer, organizer, part part oh jjournalist, ournalist, rraconteur, aconteur, bon bon vivant vivant aand, nd, o h writer off llots off poems books yyes, es, w riter o ots o poems aand nd b ooks of of poetry—verse poems, prose p oetry—verse p oems, p rose poems, poems, lyrical lyrical poems, narratives, p oems, surrealistic surrealistic fables, fables, ffamily amily n arratives, nature urban poems, n ature poems, poems, u rban p oems, short short poems, poems, poems, poems llong ong p oems, sskinny kinny p oems and and fat fat poems. poems. Att ttimes didactic orr p philosophical, other A imes d idactic o hilosophical, at at o ther orr ffantastic, often ttimes imes ccomic omic o antastic, o ften stretching stretching beyond orr ccomfort b eyond aany ny signature signature style style o omfort his writings defied zzone, one, h is w ritings d efied eeasy asy ccategories ategories wherever aand nd rroamed oamed w herever his his iimagination magination lled. ed. Even Evven long long after after his his retirement retirement from from tteaching eaching literature, literature, creative creative writing writing and and decades Cabrillo College, ffilm ilm ffor or tthree hree d ecades aatt C abrillo C ollege, Morton was M orton w as an an irrepressible irrepressible teacher. teacher. poet ““This This iiss a gguy, uy,� said said his his ffriend riend tthe he p oet and and printer Gary Young, “who would lecture printer Gary Young, “who would lecture

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Held in the United Way Conference Room, m Behind d th tthe h e NEW Wa Wayy of o f Life L ife

Thursday November 12th 7- 8:30 pm

HORMONES: BALANCING THE ENDOCRINE SYSTEM with Naturopathic Physician Dr Tonya Fleck ND

1220 A 41st Avenue, in the Begonia Plaza, Capitola, CA 95010 (831) 464-4113 • Open Daily • www.wayoflife.net

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I’m personally most grateful for his organizing, in the early to middle 1970s, a series of weekly readings at downtown restaurants that virtually created a Santa Cruz literary community. Morton’s organizational energies and skills with publicity brought together a vastly diverse assortment of writers to hear one another’s work, and these well-attended gatherings generated friendships and collegial relations many of which continue to this day. For young writers looking for likeminded souls with whom to interact and compete and sometimes seduce, and for an audience to witness our performances, the Marcus touch as social director, carnival barker and ringmaster set a standard I have never seen surpassed. As Joe Stroud said to me, choking back tears, “I think Mort is going to be someone we’re going to miss more and more. Beyond the boombast [sic!] and the bullshit, he was an amazing man.�

Literary Friendships It was Jim and Jeanne Houston who first cajoled Mort and his family into

moving to Santa Cruz. Jim Houston and Marcus had been graduate students together at Stanford in the early 1960s, and their friendship then evolved into a lifelong personal and literary alliance as they became twin towers of accomplishment in their respective disciplines, Jim in prose and Mort in poetry. Their illnesses and deaths within six months of each other this year are a devastating double blow to local culture. Both in their early 70s, both still working right up to the end (Mort completed his final book two days before he died), they represent the passing of an irreplaceable generation. And yet, their example serves as a continuing inspiration to all the other writers they befriended here. And other artists too, like Mort’s friend Futzie Nutzle, learned from and were inspired by his vision. “He had some kind of ability to point things out to us,� Nutzle told me. “I think he pointed out the beauty . . . but it took him a while because he was so tough.� That toughness, that scrappy street-fighter tenacity, surely accounts for the fact that it took the kidney cancer he was

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diagnosed with two years ago—a cancer that would have been swiftly fatal for most people—so long to finish him off. Morton simply did not give up, even when he knew the cause was lost. I remember a conversation we had over sushi and sake one night in the 1990s, when he admitted to me that he felt he had not measured up to his original ambition to be a truly great and famous writer. As with most of us who begin with such lofty goals and dreams, those illusions had given way to a more realistic assessment of his achievement. But he realized that was no small thing, and that all the books he’d published, the magazines and anthologies in which his work had appeared, all the readings and lectures he’d given and classes he’d taught and articles he’d written and friendships he’d cultivated and events he’d organized added up to a lasting contribution to his community—both the local one and the larger immortal fellowship of literature with which he felt forever affiliated. Morton Marcus left his mark on Santa Cruz, and on each of us who had the singular luck to know him. As Nutzle said, “It’s hard to believe that somebody of his magnitude is somewhere else now.� A memorial service for Morton Marcus will be held Saturday, Nov. 7, 1–3pm at the Cabrillo Crocker Theater, Cabrillo College, 6500 Soquel Dr., Aptos. The Marcus family is donating Morton’s poetry collection and literary papers to the Morton Marcus Poetry Archive, to be housed at McHenry Library, UCSC. In lieu of flowers, taxdeductible contributions to benefit the archive can be sent to: Library Development Office, Attn: Morton Marcus Poetry Archive, UC–Santa Cruz, 1156 High St., Santa Cruz.

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ITH the city still stunned by the stabbing death of 16-year-old Tyler Tenorio, a double shooting on Pacific Avenue, a home invasion rape on the Westside and a serial groper on the loose, news that Halloween weekend was relatively peaceful couldn’t have come at a better time. But now that the 71 extra law enforcement officers that helped patrol the streets and skies of Santa Cruz over the weekend have gone back to their respective cities and agencies, local leaders are faced with cracking down on crime in a sustainable, long-term fashion. For Santa Cruz Mayor Cynthia Mathews, this means asking local residents to bring their ideas to a public safety forum next Tuesday, Nov. 10. “I think public safety is always one of our top priorities, but right now it’s really in the spotlight,� says Mathews, who says she’ll devote the entire 7pm session of the Santa Cruz City Council meeting that evening to addressing the recent violence. “I don’t want to say exactly what we’re prepared to do yet, but I want to end that meeting by taking serious action to address safety concerns.� A day before hordes of costumewearing revelers descended on Pacific Avenue, a joint law enforcement task force tracked down 45 documented gang members and arrested 21 of them for drug and weapons charges and as parole and probation infractions. Additionally, a drug-buying sting on lower Pacific Avenue netted five arrests. Santa Cruz Police Capt. Steve Clark says the preemptive “sweep� was aimed at sending a message to would-be criminals that Santa Cruz will be an increasingly uncomfortable environment for gangsters or drug dealers. Clark also says, however, that keeping the city safe will take more than added police and additional gang crackdowns. He says it will require a “holistic� effort by the entire community. “Though law enforcement has a role, we can’t be the only response. The city needs to wake up and realize that we’ve created an environment that allows violence and crime to form,� he says.

“[Santa Cruz residents] need to voice their support for law enforcement and be willing to follow through with their ability to pay for it as well. You can’t just throw money at police, but we’re down 10 sworn officers and several unsworn [community service officers] as well. And the ones that are working have to go through work furloughs. All this goes toward creating an environment that allows a tragedy like what happened to Tyler Tenorio to happen.�

¡G]c QO\¸b Xcab bV`]e []\Sg Ob ^]ZWQS Pcb eS¸`S R]e\ ae]`\ ]TTWQS`a O\R aSdS`OZ c\ae]`\ ]TTWQS`a Oa eSZZ¸ Clark is hoping the city will spring for additional police officers, but Santa Cruz Vice Mayor Mike Rotkin says that’s all but impossible given the city’s fiscal woes. Instead, he says that steps like installing additional streetlights on Lower Pacific Avenue, shifting existing police resources to concentrate on gang suppression, and looking into rehiring a countyand-city-funded gang diversion officer to work with at-risk youth are on the table. He also says that the city is taking unwarranted heat for appearing to wait to get tough on public safety until after serious crimes rocked the community. “People have a sense of, ‘Gosh, we weren’t doing anything until people started getting stabbed,’ but it’s not as if we haven’t been working on this problem all along,â€? says Rotkin. “The gang sweep that caught 21 gang members and a bunch of drug dealers was planned well before there was a stabbing or a rape. And sweeps like that will be stepped up even more. People should bring us their suggestions, but also keep an open mind that this is something we didn’t just start caring about.â€? 0

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The Secret Life of Bartenders They hear it all. They see it all. If you catch them just right, they’ll tell it all. >6=B=A 0G 27</ A1=>>3BB=<3 7<B3@D73EA 0G @C:/ /: </A@/E7 1C@B7A 1/@B73@ 0@7/< 6/@93@ B@/17 6C97:: 83AA71/ :CAA3<6=> /<2 /CAB7< A/@23::/

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O thirsty patrons, a bartender is a hero with a thousand faces: analyst, confessor, entertainer, clown, crush, captive audience, authority figure, giver of all good things, withholder of same, fount of wisdom or trivia—even friend, for all we know (and hope). When we walk in the door and perch on that bar stool, we see someone with godlike powers to make us happy. Someone wise. Someone who’s got it all together. So how’s the view from the other side of the bar? Well, let’s just say the entire spectrum of human behavior is on display in all its glorious abundance. The bartender who’s surprised is the bartender who’s new. A person can’t help but learn a thing or two about human nature from watching this spectacle on a full-time basis. In fact, bartenders may be the most reliable anthropologists working today. We convinced a half-dozen of them to share their wisdom with us. ¨ #

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A/<B/1@CH 1=; november 4-11, 2009 1=D3@ AB=@G

0/@A 1:C0A 0/@B3<23@A want and we’ll provide it, but it depends on when they show up. People will come in on Friday and say, “Where’s the hip-hop? Where’s the DJ?â€? And it’s like, well, you’re early. EV]¸a g]c` TOd]`WbS [caWQOZ OQb g]c¸dS aSS\ Ob bVS 0ZcS-

We have hosted some great bands over the last few months. National touring acts such as the Black Lips, Riverboat Gamblers and the Dickies have all found their way to the Blue Lagoon. From our great local scene we have had everyone from the Chop Tops (rockabilly) to Teraton (metal) to Slop Opera (hip-hop). EVOb¸a g]c` TOd]`WbS R`W\Y- EVOb R] ^S]^ZS cacOZZg ]`RS`-

My favorite drink—I like chilled drinks—is anything from a Washington Apple to 8CAB 2/<2G Ojdl!Hzpslpt-!cbsufoefs!bu!Dsfqf!Qmbdf-! a Kamikaze—that’s dpotjefst!ebodjoh!po!uif!cbs!up!cf!cbe!gpsn/!Cvu!ifĂ–t!! vodka, triple sec and lime ibqqz!up!nblf!zpv!b!qjob!dpmbeb/ juice. That’s the base for a lot of drinks. If you add cranberry, that’s a Cosmopolitan, but if you add Chambord you get a Purple Hooter. A lot of people <O[S( 1]`g /bYW\a]\ want something basic, so I don’t stray too 0O`bS\RS` Ob( 0ZcS :OU]]\ far. People usually want something strong A/<B/ 1@CH E339:G( EVOb aSba bVS that doesn’t taste strong—that’s where 0ZcS O^O`b T`][ ]bVS` QZcPa- EVg R] fruit juice comes in—so people usually ^S]^ZS Q][S b] bVS 0ZcS :OU]]\like a Cosmopolitan. CORY ATKINSON: The same reason EVOb¸a bVS Q`OhWSab bVW\U g]c¸dS aSS\ some people don’t come: the diversity. VO^^S\ Ob bVS 0ZcSOn any given night you might have a We used to do Flaming Dr. Peppers—a bling’d-out hip-hop dude standing next lot of bars still do this. You light a shot to a hot transvestite who is standing on fire and drop it in a Dr. Pepper and next to a charged-out punk who the alcohol keeps burning. It’s more of a happens to be standing next to the kid show drink, with the fire and everything. with the fixie bike locked up outside. But a lot of people, a little tipsy, you But it’s not just that. Each night the know, they spill the fire all over their music content is different. On Friday we arm. A guy spilled a shot over the whole play metal and punk rock, Saturday hipbar once and we had to pat it down with hop with local DJs, on Sunday it’s goth towels. That was the last straw. or industrial music, Monday it’s rock & roll or indie. Thursday is ’80s night, and that’s one of our most popular nights. So we have different crowds every night. <O[S( <WQY 5g]`Y]a I go to all the bars, and I have friends 0O`bS\RS` Ob( BVS 1`S^S >ZOQS at all of them. It’s easier for some people A1E( EVOb O`S a][S PO` PSVOdW]` to say that something like the Red is R]a O\R R]\¸bayour favorite, because the Red is the NICK GYORKOS: Don’t order your Red—you go on Thursday and it’s exactly drink over other people while the the same as it was on Tuesday. People have to figure out what it is that they ¨ $

$ j 1=D3@ AB=@G

november 4-11, 2009 A/<B/1@CH 1=;

0/@A 1:C0A 0/@B3<23@A bartender is making a bunch of other drinks and the bar is like four deep. Always tip your bartender, and if you think you know what you want, know what you want.

/`S eS SdS` g]c` T`WS\Ra ]` Xcab Qcab][S`a-

B] YSS^ ]c`aSZdSa W\ g]c` VWUV SabSS[ eVOb R`W\Y aV]cZR eS \SdS` ]`RS`-

Not while I’m there.

I think there shouldn’t be a drink that you shouldn’t order. At a good bar with a good bartender you should be able to order whatever you want. EVOb W\ g]c` ]^W\W]\ Wa bVS a[]]bVSab eOg b] ^WQY c^ O UW`Z ]` Ucg eV]¸a aWbbW\U Ob bVS PO`-

With both hands. EVOb O`S a][S c\Q]\aQW]ca QcSa ^Ob`]\a UWdS bVOb bSZZ g]c a][SbVW\U-

They put down an empty glass if they want another drink, usually. EVOb¸a bVS []ab c\PSZWSdOPZS bVW\U g]c SdS` aOe VO^^S\ Ob e]`Y-

I saw a lady who was maybe on drugs throw herself on the ground in front of the police and make them call the fire department to have her forcibly removed. EVOb¸a bVS []ab W[^]`bO\b bVW\U g]c¸dS ZSO`\SR T`][ g]c` X]P-

Almost always both. 7a RO\QW\U ]\ bVS PO` SdS` OQQS^bOPZS-

<O[S( 1V`Wa 9SZZg 0O`bS\RS` Ob( >]Sb >Ob`W]b GSO`a e]`YSR bVS`S( " A1E( EVOb W\ g]c` ]^W\W]\ Wa bVS a[]]bVSab eOg b] ^WQY c^ O UW`Z eV]¸a aWbbW\U Ob bVS PO`- EVOb OP]cb bVS a[]]bVSab eOg b] ^WQY c^ O Ucg-

CHRIS KELLY: It’s all about eye contact. Don’t be forceful. For girls though, they seem to have a better time being forceful. EVOb Wa bVS eWZWSab eOg b] USb ]cb ]T O PO` TWUVb eWbV]cb Z]]YW\U ZWYS O ^caag-

I think letting the bartender know what’s going on is the best way. In the end, the bartender is responsible for whatever’s going on. So just tell me, that way I can go get a bouncer. The worst thing you can do is leave the pub with someone to go fight. I’ve gotten clocked a few times doing that.

Try to be nice to everybody all the time.

www.kidsonbroadway.org

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A/<B/1@CH 1=; november 4-11, 2009 1=D3@ AB=@G

0/@A 1:C0A 0/@B3<23@A EVOb YW\Ra ]T bVW\Ua aV]cZR O ^S`a]\ Q]\TWRS b] O PO`bS\RS` O\R eVWQV aV]cZR g]c YSS^ b] g]c`aSZT-

Never tell a bartender that you’re drunk. We get a lot of kids that come in here and go, “Oh man, I’m so drunk!� That’s like an alarm going off saying don’t serve me. But always remember if you’re going to come in and talk to the bartender, your conversation is open season for the rest of the bar. /`S eS SdS` g]c` T`WS\Ra ]` Xcab Qcab][S`a- 6]e QO\ eS bSZZ bVS RWTTS`S\QS-

People all the time will come in and think they’re your friend, but in reality they’re just a customer. You might think I’m your big buddy, but it’s my job to make you feel welcome, and at the end of the day I go home to my apartment. But still, over the years I’ve met some great friends working here—people I hope to know for the rest of my life. The Poet is a unique bar, and in this setting we have a lot of regulars, and there have been plenty of people who start off as customers, but end up as friends. It just takes time.

EVOb O`S a][S PO` PSVOdW]` R]a O\R R]\¸ba-

I’d say common sense. That will really help you get far with a bartender. Politeness. Say “hello,â€? don’t wave money, don’t whistle. If it’s busy don’t call me over if you don’t know what you want. And ultimately, just don’t piss off the bartender. In this world we have a lot of power, we can make your night great or terrible. EVOb¸a bVS []ab c\PSZWSdOPZS bVW\U g]c SdS` aOe VO^^S\ Ob e]`Y-

We had a guy put his body through our front window. He took a swing at a random customer and we finally got him out and we got the door shut and he came and put his body through the window to try and get at us. Then he called the next day asking why we put him through a window!

<O[S( /O`]\ 9W`Ya 0O`bS\RS` Ob( ;O`UO`WbOdWZZS GSO`a e]`YSR bVS`S( # A1E( EVWQV R`W\Y aV]cZR eS \SdS` ]`RS`-

AARON KIRKS: Mojitos. Mojitos are the worst thing to order from a bartender. If they’re busy, never order a mojito, they’re a pain. A] PO`bS\RS`a O`S ^`]TSaaW]\OZ TZW`ba `WUVb-

Definitely. 6]e QO\ eS bSZZ WT g]c `SOZZg ZWYS ca- 6]e QO\ Qcab][S`a bSZZ bVS RWTTS`S\QS-

They can’t. That’s the point. EVOb aV]cZR UW`Za Od]WR ]\ O TW`ab RObS-

Just being way too drunk. If you’re trying to make an impression, definitely ease up on the alcohol, if that’s what you’re looking for, if you’re in it for the long haul. 2] g]c ZWYS UWdW\U ^S]^ZS ORdWQS-

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Sometimes. It depends. If it’s a random person trying to vent to me or whatever, I’ll offer a little advice, ¨

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100% CARE for EveryBody ALL the Time

1320 mission street.suite 1 santa cruz.ca.95060

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A/<B/1@CH 1=; november 4-11, 2009 1=D3@ AB=@G

0/@A 1:C0A 0/@B3<23@A

/:: A337<5 Mjtb!Opsfmmj!xbout!dvtupnfst!up!lopx!uibu!tif!dbo!tff!uifn!!

pvu!pg!uif!dpsofs!pg!ifs!fzf!boe!ifbs!uifn!kvtu!gjof-!uibol!zpv!wfsz!nvdi/ but I try not to get into it. Sometimes people bring a bad vibe, they’ll spoil the vibe and customers will get up and leave. Actually, a guy came in here, was having problems with his wife and I had advice. I had just been through a breakup and I offered him some words of encouragement. He was a cool guy, he was pretty happy afterwards.

<O[S( :WaO <]`SZZW 0O`bS\RS` Ob( ;]S¸a /ZZSg GSO`a e]`YSR bVS`S( BV`SS A1E( EVOb W\ g]c` ]^W\W]\ Wa bVS a[]]bVSab eOg b] ^WQY c^ O UW`Z eV]¸a aWbbW\U Ob bVS PO`-

LISA NORELLI: I’d say buy her a drink. That’s so typical, but it is a polite way to have an in rather than just walk up.

EVOb OP]cb bVS a[]]bVSab eOg b] ^WQY c^ O Ucg-

Oh, that’s easy! When you’re in a bar, that’s what guys are there for! B] YSS^ ]c`aSZdSa W\ g]c` VWUV SabSS[ eVOb R`W\Y aV]cZR eS \SdS` ]`RS`-

Oh, God, anything blended. Or a Bloody Mary. Bloody Mary’s almost worse. It’s inappropriate to order on a busy night. We make all of them from scratch, so if you order one we have to bring out about 10 ingredients—Worcestershire, Tabasco, tomato juice, all the other spices. If it’s not busy I don’t mind. If it’s busy it’s the worst thing. Just get a shot and a beer! EVOb YW\Ra ]T bVW\Ua aV]cZR O ^S`a]\ Q]\TWRS W\ O PO`bS\RS` O\R eVWQV aV]cZR g]c YSS^ b] g]c`aSZT-

They should know that just because ¨

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november 4-11, 2009 A/<B/1@CH 1=;

0/@A 1:C0A 0/@B3<23@A we’re bartenders doesn’t mean they can tell us whatever, because when you work in this industry you gossip a lot. I’d be lying if I said we don’t talk about our customers. It’s probably not gonna stay a secret if you tell it to a bartender! I mean, if it’s something really important, like you’re having big money problems, I won’t talk about that. But if you’re gonna tell me a really inappropriate story about something you did over the weekend, I’m totally gonna share it with my co-workers. EVOb O`S a][S PO` PSVOdW]` R]a O\R R]\¸ba-

Oh gosh, don’t wave your arm to get my attention or snap your fingers. It’s good for people to know that we see everybody. You think we’re not looking; we are. That’s what bartending is— seeing out of the corner of your eye and multitasking. EVOb¸a bVS []ab c\PSZWSdOPZS bVW\U g]c SdS` aOe VO^^S\ Ob e]`Y-

I recently broke up a chick fight. I had to jump over the bar and grab this girl and hold her while the other bartender got the other girl. Lots of hair involved, their hands were tangled in each other’s hair. EVOb¸a bVS []ab W[^]`bO\b bVW\U g]c¸dS ZSO`\SR T`][ g]c` X]P-

I guess how to deal with stress and kind of keep my wits about me. It’s a great skill to be able to multitask. It’s gotten to where I have to have that stress. I feed off it. G]c TZW`b T]` O ZWdW\U 6]e QO\ eS bSZZ bVS RWTTS`S\QS-

For me I just flirt with everybody, cause that’s what you have to do. So you should just assume I’m not, because I’m working. And maybe we can talk another time.

<O[S( AVO\S >SbS`a]\ 0O`bS\RS` Ob( 1`]e¸a <Sab GSO`a e]`YSR bVS`S( AWf A1E( EVOb¸a bVS PSab eOg b] ^WQY c^ a][SP]Rg Ob bVS PO`-

SHANE PETERSON: Sending drinks over and stuff is kind of cheesy, but it depends on the situation. It helps if you have the bartender working on your side, and he kind of smooths things over, says something like, “This is from the gentleman over there.� You always have to work with the bartender.

keep track of who tips well, our high rollers take care of us, we always take care of them first. But just being reasonable. People can be kind of demanding in this business. EVOb R`W\Y aV]cZR eS \SdS` ]`RS`-

Bartenders hate blended drinks. Anything blended with more than five ingredients. If you don’t know what’s in it, you shouldn’t order it. EVOb YW\R ]T O R`W\Y USba ca W\abO\b Q`SR eWbV g]c-

We always like the simple bourbon drinkers, beer drinkers. We like people to want to drink. Lemon drops and stuff, we’re like, “Great,� but that’s OK because it’s a pain to make, but they’re also an expensive drink. One- or two-ingredient cocktails are great. 6Oa PSW\U O PO`bS\RS` UWdS\ g]c O\g a^SQWOZ W\aWUVb W\b] bVS Vc[O\ Q]\RWbW]\-

Definitely. I think bartending has shown me the dark side of drinking, to the point where I actually avoid bars. And everyone comes to the bartender looking for advice. We’re not always there to fix your problems. One guy came in asking me about his sexuality, he was confused about his sexuality, and I was like, “That’s your business, I can’t help you with that.�

<O[S( ;WQVOSZ @]PS`ba 0O`bS\RS` Ob( 2`SO[ 7\\ TW`ab bVS ^]]Z PO` \]e /_cO`Wca GSO`a e]`YSR bVS`S( Be] A1E( EVOb Wa bVS a[]]bVSab eOg b] ^WQY c^ O UW`Z aWbbW\U Ob bVS PO`- / Ucg-

MICHAEL ROBERTS: The smoothest way to pick up a girl is to be yourself and be funny and no pressure. With guys just smile and let him know you’re interested and you’re home free. Don’t be scary crazy (laughing). We are so easy! EVOb O`S a][S PO` PSVOdW]` R]a O\R R]\¸ba-

No cell phone conversation. Do respect your bartender, tip well and behave. And patience is a virtue. ;]ab c\PSZWSdOPZS bVW\U g]c SdS` aOe VO^^S\ Ob e]`Y-

Someone pooped in the swimming pool when I worked as a pool bartender. She just walked out of there nonchalantly and there it was! We cleaned it because we’re full service (laughs).

6]e R] g]c USb bVS PO`bS\RS` ]\ g]c` aWRS-

EVOb YW\Ra ]T bVW\Ua aV]cZR O ^S`a]\ \]b Q]\TWRS W\ O PO`bS\RS`-

(Laughing) Tipping well! We always

Everything’s confidential for the most

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part. I don’t want to hear somebody telling me lurid, strange tales because I’m going to move to the end of the bar. You gracefully walk around it and change the subject. 7a RO\QW\U ]\ bVS PO` SdS` OQQS^bOPZS-

not abruptly! You kinda have to suffer through it. I guess the best way is to offer to pay the check. ;]ab W[^]`bO\b bVW\U g]c¸dS SdS` ZSO`\SR T`][ g]c` X]P-

Just stay calm because panicking just messes up your timing.

Absolutely. I have before but it was very brief. That’s more of a chick thing. 4`][ eVOb g]c¸dS aSS\ Ob bVS PO` eVOb¸a bVS PSab eOg b] RSTcaS O POR RObS-

To ask for the check and pay it. I mean

A[]YS`¸a B]c` ]T AO\bO 1`ch ¨ "

november 4-11, 2009 A/<B/1@CH 1=;

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The Smoker’s Tour Of Santa Cruz Finger-wagging authorities may have outlawed cigarettes, but you can still enjoy a smoke with your booze if you know where to go 0G /CAB7< A/@23::/

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S MORNING broke on Oct. 20, little was different about Pacific Avenue. Some defied the few patrolling police cruisers by smoking on the sly, concealing their sins in their pockets. They grinned at the victories, knowing that soon smoking tobacco downtown would be a distant memory. By midday the few who dared to violate the ban were huddled in back alleys. The tension between smokers and nonsmokers had escalated: the judging glares were more righteous than before, backed by the

authority of law, and the defiant return stares of those who dared to smoke in public were still more rebellious. Fortunately, Santa Cruz nightlife does offer a spark of relief in these postapocalyptic times for smokers. There are several secret hovels every black-lung should know if they are going to survive in this brave new world, but discretion being the better part of pallor, this cloakand-dagger guide is based on hidden clues. Read carefully and be rewarded with a well deserved drink and smoke.

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A/<B/1@CH 1=; november 4-11, 2009 1=D3@ AB=@G

Yeah, Right! The Smoker’s Tour begins just a few blocks from downtown, not far from a place where books get decapitated. “Absolutely no smoking� reads the sign above the parlor, but this has clearly been nothing more than a joke for several decades. With its crimson walls and year-round Halloween decorations tucked in a ceiling corner, this is a relaxing place to chat and an important stop on any smoker’s bar crawl. Check for performances by local blues acts; the intimate concerts are a blast. When the clock tower chimes, the

smoker will want to hurry in to check out this next stop, which is ranked by local experts as a quality dive. The jukebox, like the patrons, is caught between a few decades, but despite the melting pot of tastes there’s always a warm atmosphere and a line for the lone pool table. The drinks are fairly priced, and they mix a mean White Russian. The night tour continues by ambling back toward the main drag, and close to 10:10pm the tourist will find a radical stimulus in the next stop, better known

for its musical performances. If you ask for an ashtray at the bar upstairs, you’ll be promptly told no and given one. The pool hall is free to play Sunday through Tuesday nights, but if you want to play, bring your game; there will be competition for the tables and the regulars are very good.

Ifs, Ands and Butts The next stop has the same problem with childhood nicknames that many of us grew up with, which probably caused some of us to become nasty smokers in the first place. We here at Smokers Tour won’t pretend this place is something it’s not—it’s definitely a dive’s dive—but it’s worth stopping in for the strong, cheap drinks and laid-back atmosphere. When you’ve come to the end of the road, close to one of the larger, ringed planets in our solar system, the tourist will find another home away from home for smokers. The nice thing about this spot is the heated back patio, giving the option of smoking outdoors in comfort. Shooting pool here on an afternoon feels like hanging out in a friend’s garage. “Judge not, lest ye be judgedâ€? is the attitude the next stop takes toward smoking as the tour departs the downtown area. One of the more intimate bars off the main strip, there’s not much pretense about a theme here. The license plate reading “asshole alleyâ€? suffices, and the smoke-toting pool sharks seem to know what they’re doing. Don’t lose your money to them. A coffee pot brews beside bottles of Galliani Bacardi and Smirnoff, and even when you’ve already got a drink, there aren’t many finer things in the world than a cigarette and coffee. To catch up on Desperate Housewives or other prime time drama over a stiff whiskey, drink here. James Bond would appreciate the next stop, although the Santa Cruz Smoker’s Tour may now stop dropping hints and name smoking parlor OneDouble-Oh-Seven on Soquel as a place to legally have a cigarette indoors over a drink. Now here’s a smoker’s paradise: stacked packs of American Spirit and Camel Lights right next to the Wild Turkey. Sports fans especially have hit the jackpot, with flat screen viewing of basketball or any other important game playing at the time. Stocked with Tanqueray, Beefeater and Bombay, this is an excellent spot to shoot pool, throw darts or catch a Lakers free throw. AO\bO 1`ch 0O`a 1ZcPa ¨ $

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28 |

november 4-11, 2009

SANTACRUZ.COM

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A/<B/1@CH 1=; A /<B/1@CH 1=; nnovember o v e m b e r 44-11, - 1 1 , 22009 0 0 9 / 3 / 3

Written W ritten iinn tthe he SStars tars Milton Milton Nascimento’s Nascimento’s close close call call with with business b usiness sschool chool led led to to a career career Brazil’s aass one one of of B razil’s greatest greatest musical musical performers p erformers 0G /<2@3E 57:03@B 0G / < 2 @ 3 E 5 7 : 0 3 @ B

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ONG BEFORE ONG BEFORE M Milton ilton Nascimento N ascimento became became Brazil’s Brazil’s most m ost iincandescent ncandescent iinternational nternational hee was byy the sstar, tar, h was entranced entranced b the night night sky sky as as a little little boy bo oy growing growing up up in in TrĂŞs TrĂŞs Pontes, Pontes, a rural rural town town in in the the landlocked landlocked Brazilian Brazilian state state of of Minas Minas Gerais. Gerais. In In fact, fact, after after years years of of observing observving the the heavens heavens through through a small small telescope telescope given given him him by by his his father, father, a math math professor, professor, amateur amateur astronomer astronomer and and disc disc jockey joc o key at at a local local radio radio station, station, the the young young Nascimento Nascimento moved moved to to the the state state capital capital Belo Belo Horizonte Horizonte hoping hoping to to study study astronomy. astronomy. But But with with no no courses courses offered offfered at at the the local local university, university, he he decided decided to to enroll enroll in in business business school. school. “When “When I was was about about to to fill f ill out out the the papers papers for for the the school school preparatory preparatory tests, tests, I was was with with my my friend friend MĂĄrcio MĂĄrcio Borges Borges and and asked asked him, him, ‘Do ‘Do you you have have a match?’â€? match?’â€? wrote wrote Nascimento, Nascimento, 67, 67, in in a recent recent email. email. “He “He handed handed me me one one and and I burned burned all all the the papers papers and and we we went went to to a bar bar owned owned by by a friend friend of of ours. ours.â€? The Th he celebration celebration lasted lasted until until the the following following afternoon. afternoon. You You could could say say that that Borges’ Borges’ match match kindled kindled a hundred hundred songs, songs, as as Nascimento Nascimento escaped escaped from from the the world world of of commerce commerce and and catapulted catapulted to to fame fame in in 1967 1967 at at the the second second International In nternational Song Song Festival Feestival in in Rio Rio de de Janeiro, Jaaneiro, where where he he introduced introduced three three instant instant

B63 0=AA =4 0=AA/ <=D/ Brazilian B 63 0=AA =4 0=AA/ <=D/ Brazilian superstar superstar Milton Milton Nascimento’s Nascimento’s 2008 2008 North North American American tour tour celebrated celebrated five f ive decades decades of of bossa bossa nova. n ova .

standards, ““Travessia, standards, Travessia,â€? ““Morro Morro Velhoâ€? Velhoâ€? aand nd ““Maria, Maria, M inha FĂŠ ĂŠ.â€? W hile h is llast ast Minha FĂŠ. While his N orth A merican ttour our ccelebrated elebrated tthe he 550th 0th North American aanniversary nniversary o ossa n ova, N ascimento off b bossa nova, Nascimento w ill b rawing o nh is vvast ast ttreasure reasure ttrove rove will bee d drawing on his o ongs aatt tthe he R io T heatre o nM onday off ssongs Rio Theatre on Monday w ith a p owerhouse q uintet ffeaturing eaturing with powerhouse quintet ffellow ellow M ineiros d rummer L incoln C heib Mineiros drummer Lincoln Cheib aand nd gguitarist uitarist W ilson L opes C ançado. Th T he Wilson Lopes Cançado. The ssultry ultry C hilean-born N ew Y ork ssinger inger Chilean-born New York C laudia A cuĂąa, w ho h as rrecorded ecorded a sseries eries Claudia AcuĂąa, who has o avishing aalbums lbums w ith m any o he off rravishing with many off tthe ffinest inest A merican aand nd L atin A merican jjazz azz American Latin American m usicians, aalso lso p erforms aass a sspecial pecial gguest. uest. musicians, performs For many many jazz jazz ffans, ans, N ascimento m ade For Nascimento made aan n iindelible ndelible iimpression mpression iin n 11974 974 tthrough hrough h is cclassic lassic ccollaboration ollaboration w ith W ayne his with Wayne S hortter, Native Native Dancer, Dancer, an an album album that that Shorter, continues tto o eexert xert a vvast ast iinfluence nf luence ((see: see: continues Esperanza S palding). Esperanza Spalding). While musicians musicians from from around around the the world world While have recorded recorded h is ssongs, ongs, N ascimento is is have his Nascimento often the the m ost effective effective iinterpreter nterpreter o is often most off h his own m usic. W ith a ggorgeous orgeous multioctave multioctave own music. With voice aand nd u ncanny ggift ift ffor or ccombining ombining voice uncanny

disparate eelements disparate lements iin nh his is aarrangements, rrangements, N ascimento p ossesses a vast vast ssonic onic p alette. Nascimento possesses palette. H e’s ggleaned leaned iinfluences nf luences ffrom rom ffar ar aand nd He’s w ide, seamlessly seamlessly blending blending rrock ock aand nd jjazz, azz, wide, P ortuguese ffado ado aand nd S panish gguitars, uitars, Portuguese Spanish A ndean fflutes lutes aand nd G regorian chants. chants. Andean Gregorian “With my my mother, mother, who who was was very very “With m usical aand nd u sed tto o ssing ing iin n a cchorus horus musical used cconducted onducted b illa-Lobos, I rremember emember byy V Villa-Lobos, llistening istening tto o ‘‘Ol’ Ol’ M an R iver’ ssung ung by by Paul Paul Man River’ R obeson,� N ascimento wrote. wrote. Robeson, Nascimento Aff licted with with acute acute stagefright stagefright early early Afflicted iin nh is ccareer, areer, he he w as aatt ffirst irst k nown his was known m ore aass a ccomposer omposer than than a b andleader. more bandleader. N ascimento ttruly ruly ccame ame iinto nto his his o wn aass Nascimento own a recording recording aartist rtist iin n 11972 972 w ith C lube ddaa with Clube EEsquina squina (The (The Corner Corner Club), Club), a double double album album o sychedelic Brazilian Brazilian p op tthat hat sstands tands u p off p psychedelic pop up ttoday oday aass a Southern Southern H emisphere aanswer nswer Hemisphere tto o Sgt. Sgt. Pepper’s Pepper’s Lonely Lonely Hearts Hearts Club Club Band. Band. While Nascimento Nascimento was was the the project’s project’s While ccenter enter of of gravity, gravity, h as sstill till aan n eemerging merging hee w was sstar tar d uring tthe he eextended xtended ssessions essions during tthat hat p roduced EEsquina, squina, aan n aalbum lbum ccooproduced credited to to Lo Lo Borges. Borges. The Th he Corner Corner Club Club credited

consisted of consisted of a ggroup roup o off ffriends riends ffrom rom B Belo elo H orizonte, aand nd tthey hey sspent pent ssix ix m onths o Horizonte, months off 11971 971 iin n a rrented ented h ouse o n tthe he be ach iin n house on beach P iratininga n orth o io, w riting ssongs ongs Piratininga north off R Rio, writing aand nd ssharing haring ttheir heir llove ove o he B eatles. B ack off tthe Beatles. Back iin n tthe he sstudio, tudio, tthe he m usic ttook ook o n a llush ush music on ggrandeur randeur w ith o rchestrations b umar with orchestrations byy E Eumar D eodato aand nd W agner Ti iso. Deodato Wagner Tiso. Five years years later, later, Nascimento Nascimento gathered gathered Five an ew ggroup roup o ollaborators ffor or C lube new off ccollaborators Clube ddaa EEsquina squina 2 n aalbum lbum aarguably rguably m ore 2,, aan more be autiful tthough hough lless ess iinfluential nf luential tthan han beautiful iits ts p redecessor. Health Health problems problems have have predecessor. sslowed lowed h im d own iin n rrecent ecent yyears, ears, b ut him down but N ascimento rretains etains h is iinspiration nspiration aass a Nascimento his ccomposer omposer aand nd vvocalist, o ocalist, a ggift ift u nleashed aatt unleashed eevery very pe rfformance. performance. MILTON NASCIMENTO, with M ILTON N ASCIMEN NT TO, w ith sspecial pecial Claudia AcuĂąa, Monday, gguest uest C laudia A cuĂąa, pperforms erforms M onday, Nov. 9,, aatt 77:30pm Rio Theatre, N ov. 9 :30pm aatt tthe he R io T heatre, 11205 205 Soquel Soquel Ave., Ave., Santa Santa Cruz. Cruz. Tickets Tickets $45 831.427.2227 aare re $ 45 ggold/$30 old/$30 ggeneral eneral aatt 8 31.427.2227 www.kuumbwajazz.org. oorr w ww.kuumbwajazz.org.

! j / 3 november 4-11, 2009 A/<B/1@CH 1=; / 3

Port in a Storm Indie folk act Port O’Brien rides out tough times in its new release 0G /2/; 8=A3>6

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T THE FESTIVAL in the Forest in Big Sur two years ago, the Oakland-based folk outfit Port O’Brien distributed a barrage of pots and pans to audience members to encourage rhythm participation in their highly contagious anthemic singalong, “I Woke Up Today.� Today, such rambunctiousness seems an eon away. The release of their new album, Threadbare, marks a bittersweet period for the group: in the early stages of recording their sophomore album, band member Cambria Goodwin’s younger brother was killed in a car accident. But instead of taking a break from recording, Port O’Brien’s core members, Goodwin and Van Pierszalowski, embraced the tragedy and used it to craft what may be their most alluring work yet. Traces of John Lennon’s masterful Plastic Ono Band—also inspired by tragedy and turmoil—run through the album like healthy veins. We caught up with Pierszalowski en route to Texas after visiting New Orleans for the first time, a week before Port O’Brien’s Nov. 7 show at the Brookdale Lodge with bassist Ryan Stively. Singer/songwriter Lauren Shera and Tyson Vogel of Two Gallants will open. “Before [the death] we really didn’t know what kind of record we wanted to make. We only had loose ideas for a few possible songs,� Pierszalowski says. “It really put everything into perspective and gave the record a purpose that it didn’t have before.� The bereavement theme is definitely a new one for Port O’Brien. Their first album consisted mainly of jangly love letters to salty dogs and the open sea

E3 4=:9G 43E Bassist Ryan Stively (left) with mandolin and banjo player Cambria Goodwin and guitarist Van Pierszalowski, Port O’Brien’s core members.

inspired by Pierszalowski’s summers working on his dad’s commercial salmon boat in Alaska, where Goodwin also spent her summers working as a baker. Pierszalowski describes Threadbare as a “real story with a narrative� that runs much deeper than the plucky All We Could Do Is Sing. The album fittingly begins with the melancholic lullaby “High Without the Hope 3.� The sleepy tune blends weepy acoustic guitar strums with Goodwin’s weary voice, sweetly mourning her brother’s death. The song is reprised in the album’s bookend, “High Without the Hope 72.� “It was a real inspiring time for [Goodwin]; she was on a roll and wrote most of the lyrics,� Pierszalowski says. But one of the best things about the record is it never becomes completely caught up in its sadness. Goodwin and Pierszalowski don’t let it eat away at their souls. Port O’Brien’s trademark happy-go-lucky folk feel persists. “My Will Is Good� is a punchy jaunt that begins with mellow humming and eventually erupts into f luttering percussion and intermittent rhythm

guitar chops. Pierszalowski’s lyrical delivery on “Sour Milk/Salt Water� recalls Michael Stipe’s rapid-fire tongue-twister on R.E.M’s “The End of the World as We Know It (and I Feel Fine).� The triumphant cacophony of instrumentals and vocals makes for the most upbeat tune on the album, even though the lyrics themselves aren’t the peppiest. Pierszalowski says they’re a bitter testament to the years he worked as a salmon fisherman and the folks who’ve never experienced that kind of grueling manual labor. “We’re completely proud of this album,� Pierszalowski says. “After we heard the master recording for the first time, it felt so satisfying because it took so long and went through so many different phases. It was exhausting but rewarding.�

PORT O’BRIEN plays Saturday, Nov. 7, at 8pm at the Brookdale Lodge, 11570 Hwy. 9, Brookdale. Tickets are $12.25 at http://folk yeahramble.blogspot.com/. (831.338.1300)

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Ariel Sabar’s journey to an Iraqi Jewish past

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N THE LATE 1940s and early 1950s, following the establishment of the state of Israel and heightened hostility toward Jews inside Iraq, some 120,000 Kurdish Jews were airlifted out of the mountainous area known as Kurdistan and relocated to Israel. Research for Ariel Sabar’s awardwinning work of nonfiction, My Father’s Paradise: A Son’s Search for His Family’s Past, led him to a corner of Kurdish Iraq so remote that the few Jews still living there speak Aramaic, the language of Jesus. Austin Sardella interviewed Sabar in advance of his Nov. 5 reading at Capitola Book CafÊ about rediscovering his ancestral homeland. A/<B/ 1@CH E339:G( EVOb Q]cZR /[S`WQO\a ZSO`\ T`][ O ^ZOQS ZWYS HOYV]- 1O\ bVSg `SZObS-

ARIEL SABAR: I think one of the things they can learn is that the violent Iraq we see in the headlines today is not representative of the nation. Zakho is a microcosm of the place where people get along, with small groups of Jews getting along with Muslims for 3,000 years, and I think this is a hopeful story. EVOb eOa g]c` PWUUSab aV]QY eVS\ dWaWbW\U 9c`RWaV 7`O_-

How different it was from how I’d imagined it from my father’s description. I imagined a sleepy backwater, like a fairy tale. But Zakho is now one of the safest borders into Iraq, and it’s hurtling into the future with the Iraq reconstruction effort. I saw spanking new gas stations and hotels, and SUVs and BMWs with television screens built into the backs of the seats. One thing that stayed the same was the warm reception. You hear about anti-Semitic Iraq, with Saddam, and then you get there and hear, “Why has it taken you so long to visit? Tell your brothers and sisters in Israel to come back!� They didn’t share the anti-Semitism. They invited us in for tea. The Kurds are still a people who embrace other religions.

Santa Cruz Buyers’ Brokerage is particularly proud to welcome Trevor Roberti to our team of Exclusive Buyer Agents. A former professor with a PhD in Physical Chemistry, Trevor is a licensed Real Estate Broker and former owner of several California real estate companies. He brings an expertise in the analysis of investment property along with a passion for helping ďŹ rst-time home buyers realize the beneďŹ ts of home ownership. Visit him online at buysantacruzrealestate.com

9C@2A /<2 E6GA Ariel Sabar wasn’t interested in his family’s Iraqi Jewish history until he became a father.

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Very few. Baby words. “Bisho bisho� for bath, for one, which is a kind of onomatopoeia—you can hear the water splashing. He didn’t see teaching his children the language as his mission. He had more practical views for us—who would we speak it with? His mission was to preserve the language for scholars. 6]e RWR g]c` TObVS` `SOQb b] bVS TW\WaVSR ^`]RcQb-

He doesn’t like being in the spotlight or even having people talk about him. He was wary of the idea at first. When he saw it, he was surprised. He had read the narrative of his life, seen the dots connected in a way he hadn’t. He began to see what I was doing as the same thing he was: building a lifeboat to the old culture.

ARIEL SABAR reads from ‘My Father’s Paradise: A Son’s Search For His Family’s Past’ on Thursday, Nov. 5, at 7:30pm at Capitola Book CafĂŠ, 1475 Capitola Road, Capitola. 831.462.4415

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november 4-11, 2009

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Center Street ANTIQUES & INTERIORS

Fall Festivity Night

Friday, November 6th 4:00 - 8:00 p.m. 3010 Center St., Soquel

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Email it to calendar@santacruzweekly.com, fax it to 831.457.5828, or drop it by our office. Events must be received by Wednesday at noon one week prior to publication. Placement cannot be guaranteed.

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Olive, the Oiled Otter*

OTTER O TTER HEALTH HE EALLT TH as a barometerr off OCEAN O OC EAN HEALTH HE EALLT TH

Ken Ke n Norris Norris Memorial Mem M orial Lecture Lecture Series Series Sponsored S po nso re d b by y

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NOVEMBER N OVEM MBER 22

Exxon Valdez: Vaalddez: Oil to Olive Olive

Ghosts of the Exxon Exxxon Valdez Oil Spill Spiill Dr. TERRIE WILL WILLIAMS LIAMS

Professor of Ecology and Evolutionary Biolog Biology, gy, UC Santa Cruz

Washing Oiled SSea Otters: From Exxon to Olive O Dr. D DA AVID VID I JESSUP, JESSUP P, DVM

Senior Wildlife Veter Veterinarian rinarian and Director, Ma Marine arine C & Research Center, Ca alifornia Wildlife Veterinary Care California Department of Fish an and nd Game, Santa Cruz

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B63 B@703 6/A A>=93< Tribal makeup, fire dancers and earth goddesses are a lot closer to home than you might think. On Friday, Nov. 6, Santa Cruz photographer Kyer Wiltshire hosts a release party at the Vets Hall for his new book Tribal Revival: West Coast Festival Culture, followed by a dance party and jam sesh (admission free with purchase of book). Tribal Revival presents a photographic narrative of flower children, ravers and world travelers from festivals all along the West Coast. Thanks to Wiltshire, now we know where the wild things are. Friday, Nov. 6, at 8pm at the Vets Hall, 846 Front St., Santa Cruz. 831.454.0478. ;OabS` Ab]`gbSZZW\U L^i] G^X]VgY <Vj\]Vc# HX]dda V\Zh# IjZ! ,eb# 7djaYZg 8gZZ` A^WgVgn! &((.% L# EVg` 6kZ! 7djaYZg 8gZZ`! -(&#)'%#*(&.#

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Jazz Presenters since 1975

THURS. NOVEMBER 5 • 7 & 9 PM Premiere jazz violinist!

JEAN LUC PONTY

$28/Adv $31/Dr, No Jazztix/Comps Sponsored by Soif Wine Bar & Merchants

7pm sold out

MILTON NASCIMENTO WITH SPECIAL GUEST CLAUDIA ACUNA NOVEMBER 9 AT 7:30PM AT THE RIO THEATRE

Presented by Pulse Productions & Kuumbwa Jazz

THURS. NOVEMBER 12 • 7 PM

KAT PARRA “DOS AMANTES� CD RELEASE WITH THE SEPHARDIC MUSIC EXPERIENCE ENSEMBLE $12/Adv $15/Door Jazz & Dinner: $24.60/Adv

Sponsored by Santa Cruz Sentinel

MON. NOVEMBER 16 • 7 & 9 PM

STEVE GADD & FRIENDS FEATURING JOEY DEFRANCESCO, RONNIE CUBER, PAUL BOLLENBACK

7 PM: $27/Adv $30/Door 9 PM: $22/Adv $25/Dr, No Jazztix/Comps Sponsored by Travels with Romney

THURS. NOVEMBER 19 • 7 PM

FRED HERSCH SOLO PIANO $20/Adv $23/Door

MON. NOVEMBER 30 • 7 PM

KIM NALLEY “THE HEART OF LADY DAY� $20/Adv $23/Door

6=@@=@ A6=E 6 =@@=@ A6= =E Vampire Vaampire Weekend, Weeekend, in the esh this Sunday S

MON. DECEMBER 7 • 7 & 9 PM

DAN HICKS AND THE HOTLICKS “HOLIDAZE IN HICKSVILLEâ€? PLUS SPECIAL GUEST BOB DOROUGH BLUE CHRISTMAS 7 PM: $25/Adv $28/Door 9 PM: $20/Adv $23/Dr, No Jazztix/Comps Sponsored by Erik’s DeliCafĂŠ Co-sponsored by KPIG 107.5 FM

Dinner served Mondays & Thursdays beginning at 6pm, serving premium wines & microbrewed beers. Snacks & desserts available all other nights. All age venue.

Advance tickets at Logos Books & Records and online at kuumbwajazz.org. Tickets subject to service charge and 5% S.C. City Admissions Tax.

Independently Produced Events SATURDAY, NOVEMBER 7 • 8 PM

PLANET CRUZ COMEDY HOUR WITH RICHARD STOCKTON

$20/Adv $25/Door Tickets at Streetlight Records & Gateways Books & PlanetCruz.org SAT. NOVEMBER 14 • 8 PM

TRACY PARKER & FRIENDS Country, Rock, Folk & More! $15/Adv $18/Door Tickets at Logos Books & Records or by phone (831) 704-7056

KUUMBWA JAZZ

320-2 CEDAR ST • SANTA CRUZ KUUMBWAJAZZ.ORG

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“Bad b “Bad boys, oys, b bad ad b boys! oys! W What hat yyou ou ggonna onna d o?� Everyone Everyone knows knows the the C OPS ssong, ong, do?� COPS b ut ffar ar ffewer ewer k now tthat hat JJamaican amaican but know d ub ssquad quad IInner nner C ircle h as p lenty dub Circle has plenty o usic tthat’s hat’s n ot a ssoundtrack oundtrack ffor or off m music not T aser ttakedowns akedowns aand nd n arcotics rraids. aids. Taser narcotics F or 4 0 yyears ears n ow, tthe he ggroup roup h as b een For 40 now, has been p umping o ut h igh- energy d ancehall pumping out high-energy dancehall rreggae, eggae, aand nd h as a ccatalog atalog o 4 ffullullhas off 2 24 llength ength aalbums, lbums, a h andful o op 1100 00 handful off T Top h its aand nd a G rammy A ward tto o sshow how ffor or hits Grammy Award iit. t. IIn n JJamaica, amaica, IIC Cp ractically w alks o n practically walks on w ater, aand nd aamong mong o ld-school reggae reggae water, old-school ffans, ans, a cchance hance tto o ssee ee tthe he ggroup roup llive ive iiss a rrare are ttreat. reat. W ith tthe he C ircle ccomes omes With Circle B arbados rreggae eggae b lender aand nd rrising ising Barbados blender sstar tar D avid Ki irton, w ho m ixes a cclassic lassic David Kirton, who mixes iisland sland vvibe ibe w ith a m ainland u rban with mainland urban eedge dge aand nd a h ighly p oliticized m essage. highly politicized message. M oe’s A lley; $ 20 aadvance/$25 dvance/$25 d oor; Moe’s Alley; $20 door; 9 pm. (Curtis (Curtis Cartier) Cartier) 9pm.

Ridiculously R idiculously p prolific, rolific, Th These hese U United nited S tates have have m anaged tthree hree ffull-length ull-length States managed aalbums lbums iin n tthe he p ast two two years. years. The The past D C-based band band has has released released iits ts m ost DC-based most rrealized ealized sstatement tatement yet yet w ith EEverything verything with T ouches Everything, Everythingg,, an an album album that that is is Touches p ositively an an ’80s ’80s throwback, throwback, though though positively n ot in in the the way way you you might might expect. expect. There’s There’s not n o ssynth ynth iin n eevidence vidence h ere; iinstead, nstead, iit’s t’s no here; aall ll aabout bout b road m iddle-America rrock ock broad middle-America rreminiscent eminiscent iin n iits ts p opulist ggrandeur randeur populist o ruce S pringsteen o ohn C ougar off B Bruce Springsteen orr Jo John Cougar M ellencamp. A heir b est—namely, Mellencamp. Att ttheir best—namely, w hen tthey hey d on’t ssound ound llike ike tthey’re hey’re ttrying rying when don’t tto o ssell ell yyou ou a D odge in in tthe he m idst o the Dodge midst off the R eagan eera—These ra—These United United States States evoke evoke Reagan a shambling, shambling, d runken rromantic omantic ccharm harm drunken tthat hat w ill aappeal ppeal tto o ffans ans o new-model bar bar will off new-model b ands llike ike tthe he H old S teady. C repe Place; Place; bands Hold Steady. Crepe $ 10; 9 pm. ((Paul Paul M. M. Davis) Davis) $10; 9pm.

When W hen m music usic sschools chools ssaid aid n no o tto o tthe he aaspirations spirations o inger Y ukimi N agano off ssinger Yukimi Nagano aand nd k eyboardist H ĂĽkan W irenstrand, keyboardist HĂĽkan Wirenstrand, tthe he rrest est o he w orld ssaid aid h ell, yyes. es. off tthe world hell, W ith d rummer E rik B odin aand nd b assist With drummer Erik Bodin bassist F redrick K ällgren, N agano’s h igh Fredrick Källgren, Nagano’s high sschool chool ffriends, riends, tthe he ffour our S wedes p ut Swedes put ttheir heir ffirst irst aalbum lbum ttogether oggether b aying byy llaying iinstrumental nstrumental ttracks racks sseparately eparately aand nd rrecording ecording o ver eeach ach o ther w hile lliving iving over other while ttogether ogether iin og n ttheir heir G othenburg sstudio, tudio, Gothenburg tthe he S eal C olony. W ith a n ame iinspired nspired Seal Colony. With name b agano’s sstudio tudio ttantrums, antrums, L ittle byy N Nagano’s Little D ragon ffollowed ollowed iits ts ffirst irst w orld ttour our Dragon world b evamping iits ts ssound ound o n tthe he n ew byy rrevamping on new rrelease elease Machine Machine Dreams, Dreams, resulting resulting in in an an eelectronic lectronic ssoul/pop oul/pop b lend tthat hat p ulses blend pulses tthrough hrough tthe he b loodstream aand nd cchatters hatters bloodstream tteeth—in eeth—in tthe he b est w ay. R io T heatre; best way. Rio Theatre; $ 12.60; 8 pm. ((Austin Austin Sardella) Sardella) $12.60; 8pm.

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BC@0=<35@/ B C@0=<35@/ Norwegian lleather-punk Norwegian eather-punk outfit outfit T urbonegro sstaked taked its its claim claim to to fame fame o n Turbonegro on tthe he subversion subversion of of gender gender and and sexuality, sexuality, sso o iit’s t’s not not ssurprising urprising to to find find a tribute tribute band band iinverting nverting the the equation. equation. The Th he ssix-piece ix-piece San San F rancisco tribute tribute act act Turbonegra Turbonegra does does Francisco jjust ust that, that, featuring featuring six six punk-ass punk-ass cchicks hicks d onning T urbonegro’s faux-leatherfaux-leatherdonning Turbonegro’s d addy jeans. jeans. As As a tthought hought exercise, exercise, it’s it’s daddy p retty muddled, muddled, b ut tthen hen aagain, gain, so so is is pretty but T urbonegra’s raison raison d’être. d’être. All All that that really really Turbonegra’s m atters is is w hether or or not not T urbonegra matters whether Turbonegra d o justice justice to to the the sheer sheer rocking rocking m ajesty o do majesty off ttheir heir source source material, material, which which they they clearly clearly d o. B lue L agoon; $5; $5; 8pm. 8pm. ((PMD) PMD) do. Blue Lagoon;

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6 =B 0 C B B 3 @ 3 2 6=B 0CBB3@32 @C; @ C; Ass festive A festive as as tthe he syrupy syrupy cconcoction oncoction ffrom rom w hich the the b and ttook ook its its name, name, H ot which band Hot B uttered Rum’s Rum’s b luegrass throwdowns throwdowns Buttered bluegrass aare re certain certain tto od elight ffingerpicking ingerpicking delight aaficionados. f icionados. Hailing Hailing from from tthe he Sierras, Sierras, tthe he band band effectively efffectively conjures conjures tthat hat rural rural ffeel, eel, evoking evoking an an aall-night ll-night aacoustic coustic d ance dance p arty in in tthe he middle middle of of tthe he woods. woods. W ith party With eequal qual measures measures of of crowd-pleasing crowd-pleasing verve vervve aand nd virtuosity, virtuosity, Hot Hot Buttered Buttered Rum’s Rum’s aamalgam malgam o bluegrass, blues, blues, rock, rock, jjazz azz off bluegrass, aand nd old-time old-time folk folk ssatisfies atisf ies bo th tthe he both m usic w onks aand nd partiers parttiers pulling pulling off off a music wonks jjug ug o f irewater. This This show show doubles doubles as as a off firewater. rrelease elease party part rty ffor or tthe he band’s band’s latest, latest, LLimbs imbs

A kiimbo. G reensky B luegrass o pens. Akimbo. Greensky Bluegrass opens. M oee’s A lley; $ 12 aadvance/$15 dvance/$15 d oor; Moe’s Alley; $12 door; 9 pm. ((PMD) PMD) 9pm.

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2@=>9719 2@=>9719 ;C@>6GA ; C @ > 6 GA Punk rrock Punk ock aand nd Ir Irish rish cculture ulture h have ave aalways lways b een d estined ffor or each each other. other. Th he been destined The P ogues k new tthat hat in in tthe he ’80s, ’80s, aand nd the the Pogues knew D ropkick Murphys Murphys o Boston figured figured Dropkick off Boston iitt o ut 10 10 yyears ears later. later. Picture Picture a d runken out drunken p ub chant chant or or Irish Irrish ffuneral uneral d irge ssped ped pub dirge u p aand nd paired paired w ith eelectric lectric guitars guitars aand nd up with aamplified mplified b agpipes, and and yyou’ve ou’ve ggot ot a bagpipes, ggood ood iidea dea o he M urphys’ M O. Coming Coming off tthe Murphys’ MO. u p on on their their 15-year 15-year aanniversary nniversary as as a up b and—a llifetime ifetime iin n punk punk yyears—the ears—the band—a D ropkick boys boys are are aatt the the ttop op of of ttheir heir Dropkick ggame ame aand nd tthe he ttop op o their ggenre enre aass the the off their ggold old sstandard tandard iin nC eltic p unk. C atalyst; Celtic punk. Catalyst; $ 22 aadvance/$25 dvance/$25 d oor; 8 pm. (CC) (CC) $22 door; 8pm.

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>=E3@32 0G 5C7<<3AA >= E3@32 0G 5C7<<3AA The Dr Dropkick ropkick o Murphys at the Catalyst Cat ataalyst this Satur Saturday. day.

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and ““A-Punk� and A-Punk� w were ere n named amed iin n Rolling Rolling SStone’s tone’s 1100 00 b est ssongs ongs o he yyear ear iin n best off tthe ’’07 07 aand nd ’’08 08 aass tthe he b and b rought a band brought p layful aand nd d elicate eedge dge tto o tthe he iindie ndie playful delicate rrock ock ccraft. raft. T he V amps’ ssophomore ophomore The Vamps’ eeffort ffort Contra Contra has has more more of of a ssurf-rock urf-rock ssound ound b ut m aintains tthe he ssame ame cclean lean but maintains p op ssparkle parkle aand nd p lenty o inger E zra pop plenty off ssinger Ezra K oenig’s b ig-word w it. S ee tthem hem llive! ive! Koenig’s big-word wit. See A olumbia ggraduates, raduates, tthey’ve hey’ve ggot ot Ass C Columbia a llot ot o chool lloan oan d ebt tto op ay o ff. off sschool debt pay off. C atalyst; $ 20; 8 pm. ((CC) CC) Catalyst; $20; 8pm.

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:3=< @CAA3:: : 3=< @CAA3:: His fformer His ormer p partner artner iin n ccrime rime P Phil hil S pector m ay h ave ccommand ommand o he Spector may have off tthe h eadlines o ate, b ut ssession ession m aven headlines off llate, but maven L eon R ussell h as h is o wn sshare hare o Leon Russell has his own off eeccentricities, ccentricities, sstarting tartting w ith a be ard tthat hat with beard p uts tthe he m embers o ZT op, iin n ttheir heir puts members off Z ZZ Top, ttotality, otality, tto o sshame. hame. F ortunately, R ussell’s Fortunately, Russell’s d iversions aare re ffar ar m ore p rosaic tthan han diversions more prosaic S pector’s, eeven ven iiff h oes h ave a sshare hare Spector’s, hee d does have o nfamy iin n tthe he cclassic lassic rrock ock llore. ore. A off iinfamy Ass bo th a ssession ession p layer aand nd a ssongwriter ongwriter both player tto o tthe he sstars, tars, R ussell h as ffew ew pe ers—he Russell has peers—he ccould ould p robably rretreat etreat tto oaF rench probably French vvilla illa o n tthe he ssongwriting ongw writing rroyalties oyalties ffrom rom on ““Superstar� Superstar� aalone lone ((yes, yes, tthe he C arpenters Carpenters ssong,) ong,) b ut eeven ven iin nh is m id-60s, R ussell but his mid-60s, Russell ccontinues ontinues tto o ttake ake iitt tto o tthe he rroad oad aass a ssolo olo aact. ct. W hile m any o he m arquee sstars tars While many off tthe marquee h layed w ith o rote h its ffor or b urned hee p played with orr w wrote hits burned o ut llong ong aago, go, R ussell iiss sstill till h olding iitt out Russell holding d own, tteaching eaching a llesson esson o atience aand nd down, off p patience llong-term ong-term vvision ision tto o tthe he u nheralded unheralded ssession ession p layers o oday. M oe’s A lley; players off ttoday. Moe’s Alley; $ 30 aadvance/$35 dvance/$35 d oor; 8 pm. ((PMD) PMD) $30 door; 8pm.

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1011 PACIFIC AVE. SANTA CRUZ 831-423-1336

Wednesday, Nov. 4 • AGES 16+

Immortal Technique

3"

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Diabolic also Poison Pen Swave Sevah, BRWN BFLO

plus

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$15 Adv./ $19 Drs. • Drs. 7 p.m., Show 8 p.m. Friday, November 6 • AGES 16+

MICKEY AVALON Machete Fight plus also Kesha

and

Beardo

$25 Adv./ $29 Drs. Drs. 8 p.m., Show 9 p.m. Saturday, Nov. 7 • AGES 16+

Dropkick Murphys

plus The Flatliners also The Insurgence and I Want Out

$22 Adv./ $25 Drs. • Drs. 7 p.m., Show 8 p.m. Sunday, November 8 • AGES 16+ Another Planet Entertainment presents

VAMPIRE WEEKEND plus Pocahaunted $20 in advance • Drs. 7 p.m., Show 8 p.m.

Nov 12 Julian & Stephen Marley (AGES 16+) Nov 13 Eek A Mouse (AGES 16+) Nov 14 Suicidal Tendencies (AGES 16+) Nov 15 Finch/Blessthefall (AGES 16+) Nov 17 Snoop Dogg (AGES 16+) Nov 22 The Disco Biscuits (AGES 16+) Nov 29 Toots & the Maytals (AGES 16+) Dec 6 All That Remains (AGES 16+) Dec 9 ice Cube (AGES 16+) Unless otherwise noted, all shows are dance shows with limited seating. Tickets subject to city tax & service charge by phone 866-384-3060 & online

www.catalystclub.com

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Film. Fi ilm lm.

"# j "#

A/<B/1@CH 1=; A /<B/1@CH 1=; nnovember o v e m b e r 44-11, - 1 1 , 22009 0 0 9 47:; 47:; ;

High H igh Windows Windows CĂŠdric Klapisch’ Kl Klapisch’ss ‘Paris’’ takes takes in ‘Paris’ th multiple the lti l mood ds of the moods Cit ty of Light City 0G @716/@2 D=< 0CA/19 0G @ 7 1 6 / @ 2 D= < 0 C A /1 9

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WOULD LOVE WOULD LOVE some some cchiming-in himing-in ffrom rom experts experts on on urban urban history, history, but modern b ut I think think that that a m odern sstage tage when iin n city city living living began began w hen the the garret garret became became the the penthouse. penthouse. In n other other words, words, when when the the extreme extreme upstairs upstairs of of a sixsix- or or seven-story seven-story building building began began to to be be loved loved for for its its commanding commanding view view of of the the city, city, instead instead of of hated hated as as the the final final end end of of a serious serious flight f light of of stairs stairs leading leading to to a low-ceilinged low--ceilinged vault, vault, leaking leaking in in the the rain, rain, freezing freezing in in the the winter winter and and roasting roasting in in summer. summer. Director/writer Director/writer CÊdric CÊdric Klapisch, Klapisch, in in his his new new film film Paris, Paris, takes takes up up his his study study of of the the city city from from where where he he left left off off in in When When the the Cat’s Cat’s Away. Away. That Th hat film film ended ended with with Garance Garance Clavel’s Clavel’s ChloÊ ChloÊ shouting shouting out out to to her her Bastille Bastille neighborhood neighborhood from from the the top top of of the the July July Column—trying Column—trying to to call call back back everything everything being being lost lost to to redevelopment. redevelopment. In n Paris, Paris, Klapisch Klapisch takes takes to to the the heights heights of of the the city city again, again, only only this this time time on on all all sides—Montmartre, sides—Montmartre, the the helipad helipad at at the the Tour Tour Montparnasse, Montparnasse, the the Eiffel Eiffel Tower—to Tower—to watch watch over over a metropolis metropolis becoming becoming less less recognizable recognizable to to him him every every day. day. There There is is one one more more view view from from a great great height—the height—the top top floor f loor of of a Haussmann-era Haussmann--eera building building on on a steep steep hill hill in in working-class working-c - lass MÊnilmontant. MÊnilmontant. There, There, a former former chorus chorus dancer dancer at at the the Moulin Moulin Rouge, Rouge, Pierre Pierre (Romain (Romain Duris), Duris), is is mortally mortally ill ill with with a heart heart condition. condition. He He is is the the center center of of a web web of of people; people; yes, yes, Paris Paris is is another another dreaded dreaded tag-team tag-team movie, movie, but but Klapisch Klapisch insists insists on on informal, informal, glancing glancing links links between between the the people—a people—a democratic democratic caroming caroming off off of of the the locals locals regardless regardless of of class. class. Pierre’s sister, Élise (Juliette Binoche), Pierre’s sister, Élise ( Juliette Binoche),

17BG 57@: 1 7BG 57@: J Juliette uliette B Binoche ino che explores explores ‘‘Paris.’ Paris.’

a social social w worker, orker, m moves oves in in to to nurse nurse Pierre, Pierre, bringing her brood b ringing h er b rood of of charming, charming, fatherless fatherless movie cchildren. hildren. The The m ovie pulls pulls aaway way ffrom rom tthis his mÊnage neighborhood, m Ênage tto o see see tthe he n eighborhood, just just Pierre watches aass P ierre w atches from from his his high high window window b ecause he he ccan’t an’t take take the the stairs stairs with with his his bad bad because heart. h eart. There’s There’s so so much much ambient ambient talent talent here here tthat hat Klapisch Klapisch finds finds ssomething omething interesting interesting iin n eevery very angle. angle. Binoche’s Binoche’s beauty beauty is is getting getting llusher usher aass she she ages, ages, a charm charm that’s that’s amplified amplified byy deliberate b deliberate ggoofiness, oofiness, like like her her striptease striptease o ut o ayers of of winter winter clothes. clothes. In n a smaller smaller out off llayers rrole, ole, Karin Karin Viard Viard is is as as comical comical as as Kristen Kristen W iig, p laying a rriotously iotously bigoted bigoted bakery bakery Wiig, playing o wner. T he b ack-and-forth tteasing easing that that ggoes oes owner. The back-and-forth o n in in a street street market market is is the the alternative alternative to to on h er aarch rch o ld-school politeness. politeness. her old-school The ace ace comic comic actor actor Fabrice Fabrice Luchini Lu uchini The p lays a S orbonne professor professor with with the the plays Sorbonne cculturally ulturally significant significant name name of of Roland, Roland, who who iiss ttrying rying to to take take the the liberal liberal view view of of change. change. In n cclass, lass, Roland Roland insists insists that that the the tensions tensions b etween past past and and present present energize energize a city. city. between H aintains a correct, correct, logical logical view view of of his his Hee m maintains

own crisis: own crisis: his his urbane urbane denial denial of of grief grief o over ver tthe he death death of of his his 95-year-old 95-year--old father, father, whom whom hee just Hee has h just buried buried in in Père Père Lachaise. Laachaise. H has harshly brother, h arshly logical logical dealings dealings with with his his b rother, aan n helping new Paris. aarchitect rchitect h elping to to build build the the n ew P aris. Roland is is undone undone by by temptations: temptations: first, first, to to Roland make m ake some some money money on on a TV TV documentary documentary on means sseries eries o n Parisian Parisian history. hist story. The Th he jjob ob m eans tthe he ggive ive and and take take of of “democratizationâ€? “democratizationâ€? (the (the nice On n ice way way to to say say “dumbing “dumbing downâ€?). downâ€?). O n tthe he one o ne hand, hand, he he gets gets to to introduce introduce viewers viewers to to where tthe he rroom oom w here Baudelaire Baudelaire wrote wrote Invitation Invitation on other hand, Roland ttoo the the Voyage; Voyage; o n tthe he o ther h and, R oland has h as to to iinteract nteract with with a costumed costumed actor actor pretending p retending to to be be Baudelaire, Baudelaire, bowing bowing to to tthe he mechanism, vviewer. iewer. Perhaps Perhaps aass a coping coping m echanism, Roland half R oland falls falls for for an an irresistible irresistible student student h alf his h is age age (MĂŠlanie (MĂŠlanie Laurent, Laurent, a ccruel-looking ruel-looking with sstunner) tunner) w ith predicable predicable consequences. consequences. The Th he ripples ripples widen widen to to the the emotional emotional ccrises rises of of the the shoulders shoulders rubbed rubbed along along the the way. w ay. We We see see the the working working life life of of tthe he sstreettreetmarket m arket fruit fruit peddlers, peddlers, who who at at tthe he eend nd of of tthe he ffilm ilm are are visited visited by by a group group of of partying, partying, slumming slumming models. models. One One pair pair starts starts making making

love aamong love mong tthe he beef beef ccarcasses. arcasses. S Staging taging tthis his off a b bad iin n a ffilm ilm is is the the definition definition o ad iidea dea bad out tthat’s hat’s so so b ad iitt ssomehow omehow comes comes o ut aatt tthe he other what’s meant o ther eend nd aass ggood, ood, aand nd tthat’s hat’s w hat’s m eant byy tthe nature off ccinema. b he ttransformative ransformative n ature o inema. Filling Filling up up a screen screen with with Paris Paris is is always always Due aan n eexcellent xcellent sstrategy. trategy. D ue tto o tthe he ggloaming loaming overcast, magic hour o vercast, iitt sseems eems like like iit’s t’s tthe he m agic h our 24 hours day. Klapisch makes tthere here 2 4h ours a d ay. K lapisch m akes tthis his a optimistic off a ccity’s tthoughtful, houghtful, o ptimistic sstudy tudy o ity’s eeververdecline cconstant onstant d ecline aand nd rrefreshment, efreshment, tthrough hrough off tthe he arrival arrival of of new new blood blood aand nd tthe he eebbing bbing o make peace tthe he old. old. IIt’s t’s a movie movie tthat hat ttries ries tto om ake p eace with passing Klapisch w ith tthis his p assing scene; scene; aass K lapisch ssays, ays, ““an an portrait off aan eephemeral phemeral p ortrait o n eeternal ternal ccity. ityy. y��

PARIS min.), P ARIS ((R; R; 1130 30 m in.), ddirected irected written CĂŠdric Klapisch, aand nd w ritten bbyy C ĂŠdric K lapisch, Christophe Beaucarne pphotographed hotographed bbyy C hristophe B eaucarne Juliette Binoche aand nd sstarring tarring J uliette B inoche Romain Duris, aand nd R omain D uris, pplays lays aatt tthe he Nickelodeon. N ickelodeon.

"$ j 47:; november 4-11, 2009 A/<B/1@CH 1=;

SHOWTIMES FOR FRIDAY NOV 6 – THURSDAY NOV 12 “One of the scariest movies of all time!� – Bloody-Disgusting.com

(R) Daily: (2:00),

(4:00), 6:00, 8:00, 10:00 + Sat, Sun (12 noon) STARTS FRIDAY 11/6! “An excellent film‌ top-of-the-line acting and direction, splendid dialogue and a story too outrageous to be made up!â€? –Los Angeles Times (R) Michael Sheen Timothy Spall Colm Meaney Jim Broadbent FROM THE WRITER OF

‘THE QUEEN’ & “FROST/NIXON�

(R) Daily: (2:40),

(4:50), 7:00*,9:10 + Sat, Sun (12:30) HILARY SWANK IN

(PG) Daily: (2:15),

A

*No 7:00 Show Thurs 11/12

MIRA NAIR FILM

Based on the true story of Amelia Earhart .

*No 4:30 Show

(4:30)*,6:45, 9:00 + Sat, Sun (11:45am) Thurs 11/12 Midnights @ The Del Mar Fun! Prizes! Bowie!

Labyrinth (PG)

w/ David Bowie Costume Contest Both Nights!

Fri 11/6 & Sat 11/7 @ Midnight Next Week: The Dark Crystal

www.thenick.com

Film Capsules <3E 1/>A B63 0=F (PG-13; 116 min.) Am I crazy, or is this movie based on the “Button, Button� episode from the ’80s Twilight Zone? Well, obviously, it is, since the setup about the button that will give you a million dollars if you press it, but kill someone you don’t know, is exactly the same. It was one of the better episodes, short and sweet with the chilling, twisty line of dialogue at the end. That undoubtedly had to be

thrown out the window for this big expansion of the story into a weird conspiracy flick from the director of Donnie Darko. Also, check out the hilarious parody of this idea at funnyordie. com. “No deal!� (Opens Fri at Santa Cruz 9, Scotts Valley Cinema and Green Valley Cinema.) (SP) / 16@7AB;/A 1/@=:

(PG; 96 min.) Robert Zemeckis, the guy who brought us 2004’s The Polar Express, vies with CVS for earliest seasonal statement with this pre-preseason release of the animated classic.

Scrooge is voiced by Jim Carrey; also features the voices of Gary Oldman, Colin Firth and Robin Wright Penn. (Opens Fri at 41st Avenue, Santa Cruz 9, Scotts Valley Cinema and Green Valley Cinema.) (TH) B63 2/;<32 C<7B32

(R; 105 min.) Geez, now here’s a movie with a bad attitude! And a pottymouth! And, incredibly, it’s not about the Damned. It’s a soccer movie about Brian Clough, briefly the coach of Leeds United. (Opens Fri at the Del Mar.) (SP)

SHOWTIMES

“A comic, brilliantly acted fable of life’s little cosmic difficulties!� –Chicago Tribune

B63 4=C@B6 97<2 (PG-13; 98

min.) Remember how Spielberg’s close encounters were of the third kind? Well, this alien-abduction thriller is what happens when you get the fourth kind. Although, in a confusing twist, the close encounters in Close Encounters of the Third Kind were actually of the fourth kind. (Opens Fri at Santa Cruz 9, Scotts Valley Cinema and Green Valley Cinema.) (SP) :/0G@7<B6 (1986)

Few things were as funny last year as

Movie reviews by Traci Hukill, Steve Palopoli and Richard von Busack

HBO’s show Flight of the Conchords, and one of the best bits was the episode in which Jemaine kept appearing to Bret as David Bowie from various incarnations of his career. Jemaine (waking him up): “Bret! Bret! Bret! It’s 1986 David Bowie from the movie Labyrinth!� Bret: “Yeah, I know.� And how could you not? No portrayal in film history has ever looked or sounded quite like Bowie does in this film. Can you imagine any other top rock star in the ’80s doing a film

where he plays with puppets and sings a song with the lyrics “What kind of magic spell to use?/ Slime and snails/ Or puppy dogs’ tails�? Michael Jackson does not count, although legend has it that he was considered for this role. Things obviously worked out for the best. (Plays Fri-Sat midnight at the Del Mar.) (SP) B63 ;3< E6= AB/@3 /B 5=/BA (R; 100

min.) George Clooney war comedy about Army experiments with psychic powers in Iraq promises hot goat-staring

Showtimes are for Wednesday, Nov. 4, through Wednesday, Nov. 11, unless otherwise indicated. Programs and showtimes are subject to change without notice.

COEN BROS. FILM

A

/>B=A 17<3;/A

122 Rancho Del Mar Center, Aptos 831.688.6541 www.culvertheatres.com

(R) Daily: (2:50),

(5:00), 7:10, 9:20 plus Sat, Sun (12:40)

1W`_cS 2c 4`SOY( BVS DO[^W`S¸a /aaWabO\b – Wed-Thu 1:50; 4:10; 6:30; 8:45. 1]Q] 0ST]`S 1VO\SZ – Fri-Wed 2; 4:10; 6:20; 8:30; plus Sat-Sun 11:50am 1]c^ZSa @Sb`SOb – Wed-Thu 4:20; 6:40; 9. 1O^WbOZWa[( / :]dS Ab]`g – Wed-Thu 1:40.

“An absorbing & uniquely fetching drama.� –Roger Ebert

Audrey Tautou (PG-13)

Daily: (3:00), (5:10), 7:20, 9:30 plus Sat, Sun (12:50) STARTS FRIDAY 11/6! “A very funny satire of contemporary art and its hilariously cool discontents!� –Entertainment Weekly

Adam Goldberg

Marley Shelton

" AB /D3<C3 17<3;/A

1475 41st Ave., Capitola 831.479.3504 www.culvertheatres.com

Vinnie Jones (R)

Daily: (4:50), 7:00, 9:10

/ 1V`Wab[Oa 1O`]Z – (Opens Fri) 11; 1:3; 4; 6:45; 9:15. ;WQVOSZ 8OQYa]\¸a BVWa 7a 7b – Daily 11:15; 1:45; 4:15; 7; 9:30. >O`O\]`[OZ /QbWdWbg – Wed-Thu 11:30; 1:30; 3:30; 5:30; 7:30; 9:45. Fri-Wed 11:15;

1:15; 3:30; 5:30; 7:45; 9:45.

plus Sat, Sun (12:10)

Juliette Binoche Romain Duris MĂŠlanie Laurent Francois Cluzet

EVS`S bVS EWZR BVW\Ua /`S – Wed-Thu 11:15; 1:40; 4:10; 6:45; 9:15.

23: ;/@

! DS N ENSOO

1124 Pacific Ave., Santa Cruz 831.426.7500 www.thenick.com

6:30 HELD OVER‌ FINAL WEEK!

(R)

Daily: (2:00), 9:00 plus Sat, Sun (12 noon) HELD OVER‌ MICHAEL MOORE’S FINAL WEEK!

(NR)

Daily: (4:00),

Once Daily: (2:10)

BVS 2O[\SR C\WbSR – (Opens Fri) 2:40; 4:50; 7; 9:10; plus Sat-Sun 12:30pm. >O`Wa – Wed-Thu 1:15; 3:50; 6:30; 9:10. /[SZWO –Daily 2:15; 4:30; 6:45; 9; plus Sat-Sun 11:45am. >O`O\]`[OZ /QbWdWbg – Daily 2; 4; 6; 8; 10; plus Fri-Sat 11:45pm;

plus Sat-Sun noon; Wed 11/4 no 6; 8 show. :OPg`W\bV – Fri-Sat midnight.

<7193:=23=<

(R)

Lincoln and Cedar streets, Santa Cruz 831.426.7500 www.thenick.com

( ) = Bargain Shows Before 5:30pm

STARTS FRIDAY 11/6! “A superbly written satire, played by a stellar cast at the top of its game!� –Variety

George Clooney Jeff Bridges Ewan McGregor Kevin Spacey

C\bWbZSR – (Opens Fri) 4:50; 7; 9:10; plus Sat-Sun 12:10pm. BVS 6]`aS 0]g – Wed-Thu 4:50; 7; 9; Fri-Wed 2; 9; plus Sat-Sun 12. 1]Q] 0ST]`S 1VO\SZ – Daily 3; 5:10; 7:20; 9:35; plus Sat-Sun 12:50. >O`Wa – Fri-Wed 4; 6:30. / AS`W]ca ;O\ – Daily 2:50; 5; 7:10; 9:30; plus Sat-Sun 12:40. BVS 0]ga /`S 0OQY– Wed-Thu 2:40. 1O^WbOZWa[( / :]dS Ab]`g – Wed-Thu 1:50; 4:20; 6:50; 9:20; Fri-Wed 2:10.

@7D3@4@=<B AB/27C; BE7< (R) Daily: (2:30), (4:30), 6:30, 8:40

“A visual delight & fascinating costume drama� –Claudia Puig

A/<B/ 1@CH 17<3;/ '

Audrey Tautou IN AN

1405 Pacific Ave., Santa Cruz 800.326.3264 x1700 www.regmovies.com

ANNE FONTAINE FILM (PG-13)

Daily: (2:00),

(4:10), 6:20, 8:30 plus Sat, Sun (11:50am) COMING SOON! ‘An Education’ 11/13 ‘Antichrist’ 11/13 ‘Precious’ 11/20

Children under 5 admitted only on Mondays & Weekend Matinees

155 S. River St, Santa Cruz 800.326.3264 x1701 www.regmovies.com 1]c^ZSa @Sb`SOb – Fri-Wed 4; 6:45; 9:20; plus Fri-Sun 1. AOe D7 – Fri-Wed 4:15; 7; 9:30; plus Fri-Sun 1:15.

plus Sat, Sun (12:30)

BVS 0]f – (Opens Fri) 1:40; 4:40; 7:20; 10:05; plus Fr-Sun 11. Special Thu midnight showing. / 1V`Wab[Oa 1O`]Z – (Opens Fri) 2:10; 2:40; 4:35; 5:05; 7; 7:30; 9:25; 9:50; plus Fri-Sun 9:30; 10; 11:50; 12:20; plus Mon-Wed 12:30. Special Thu midnight showing.

BVS 4]c`bV 9W\R – (Opens Fri) 12:35; 2:55; 5:15; 7:45; 10:10; plus Fri-Sun 10:15.

Special Thu midnight showing. BVS ;S\ EV] AbO`S Ob 5]Oba – (Opens Fri) 1; 3:15; 5:35; 8; 10:20;

plus Fri-Sun 10:45am. ;WQVOSZ 8OQYa]\¸a BVWa 7a 7b – Daily 12:45; 1:45; 3:45; 4:25; 6:30; 7:10; 9:10;

9:45; plus Fri-Sun 11:15am AOe D7 – Wed-Thu 1; 3:10; 5:20; 7:50; 10:10. No 7:50 Thu. /ab`] 0]g – Wed-Thu 2:10; 4:35; 6:50; 9:25. No 9:25 Thu. EVS`S bVS EWZR BVW\Ua /`S – Wed-Thu 2; 4:20; 7; 9:30. Fri-Wed 2; 4:20; 6:45; 9:15; plus Fri-Sun 11:30am. BVS AbS^TObVS` – Wed-Thu 12:55. 1]c^ZSa @Sb`SOb – Wed-Thu 1:30; 4:45; 7:30; 10:15. H][PWSZO\R – Wed-Thu 1:15; 4:45; 7:30; 10:15. Fri-Wed 1:15; 3:25; 5:30; 7:50; 9:55; plus Fri-Sun 11:05. BVS 7\dS\bW]\ ]T :gW\U – Wed-Thu 6:45; 9:15. 1Z]cRg EWbV O 1VO\QS ]T ;SObPOZZa – Wed-Thu 1:55; 4:10. ;]\bg >gbV]\¸a :WTS ]T 0`WO\ – Thu 8pm

A1=BBA D/::3G $ 17<3;/A

226 Mt. Hermon Rd., Scotts Valley 831.438.3261 www.culvertheatres.com BVS 0]f – (Opens Fri) 2:10; 4:45; 7:20; 9:55; plus Fri-Sun 11:20. / 1V`Wab[Oa 1O`]Z – (Opens Fri) 1:45; 4:15; 6:45; 9; plus Fri-Sun 11:15. BVS 4]c`bV 9W\R – (Opens Fri) Fri-Sun 11:45; 2:30; 5; 7:30; 10; Mon-Wed 7; 9:40. BVS ;S\ EV] AbO`S Ob 5]Oba – (Opens Fri) 1:05; 3:15; 5:30; 7:40 9:45; plus Fri-Sun 11. ;WQVOSZ 8OQYa]\¸a BVWa 7a 7b – Wed-Thu 1:30; 4; 6:45; 9:15. Fri-Wed 2; 4:30; 7;

9:30; plus Fri-Sun 11:30. /ab`] 0]g – Wed-Thu 2; 4:20; 6:30; 8:45. >O`O\]`[OZ /QbWdWbg – Wed-Thu 1:15; 3:15; 5:15; 7:30; 9:45. EVS`S bVS EWZR BVW\Ua /`S – Wed-Thu 1:45; 4:10; 6:45; 9:10. 1]c^ZSa @Sb`SOb – Wed-Thu 2:10; 7:15. 1Z]cRg EWbV O 1VO\QS ]T ;SObPOZZa – Wed-Thu 1; 3; 5. 1O^WbOZWa[( / :]dS Ab]`g – Wed-Thu 9:30. 8cZWS O\R 8cZWO – Wed-Thu 7; 9:40.

5@33< D/::3G 17<3;/ &

1125 S. Green Valley Rd, Watsonville 831.761.8200 www.greenvalleycinema.com BVS 0]f – (Opens Fri) 1:30; 4:30; 7; 9:20; plus Sat-Sun 11:05. / 1V`Wab[Oa 1O`]Z – (Opens Fri) 1:25; 3:30; 5:35; 7:40; 9:35; plus Sat-Sun 11:20. / 1V`Wab[Oa 1O`]Z ! 2 – (Opens Fri) 1:05; 3:10; 5:15; 7:15; 9:15; plus Sat-Sun 11. BVS 4]c`bV 9W\R – (Opens Fri) 1:05; 3:15; 5:20; 7:30; 9:30; plus Sat-Sun 11. BVS ;S\ EV] AbO`S Ob 5]Oba – (Opens Fri) 1:05; 3:15; 5:20; 7:30; 9:30; plus Sat-Sun 11. 1W`_cS 2c 4`SOY( BVS DO[^W`S¸a /aaWabO\b – Wed-Thu 1:30; 4:30; 7; 9:25. AOe D7 – Wed-Thu 1:15; 3:15; 5:15; 7:15; 9:35. /ab`] 0]g – Wed-Thu 1:10; 3:15; 5:15; 7:15; 9:15. >O`O\]`[OZ /QbWdWbg – Daily 1:10; 3:10; 5; 7; 9:20; plus Sat-Sun 11:10am. EVS`S bVS EWZR BVW\Ua /`S – Wed-Thu 1:15; 4:30; 7; 9:25. :Oe /PWRW\U 1WbWhS\ – Daily 1:30; 4; 7; 9:35; plus Sat-Sun 11am. /[SZWO –Wed-Thu 1:30; 4:30; 7; 9:15. ;WQVOSZ 8OQYa]\¸a BVWa 7a 7b – Daily 1:30; 4; 7; 9:30; plus Sat-Sun 11:10.

j "%

A/<B/1@CH 1=; november 4-11, 2009 47:;

;=<BG >GB6=<¸A :743 =4 0@7/< (1979)

The British comedy troupe’s howlingly funny sendup of organized religion managed to offend almost everyone with such characters as Brian, a contemporary of Jesus who’s mistaken for the Messiah; his mustachioed mother Mandy; masses of idiot Jews willing to follow even a schlub like Brian but too riddled by infighting to stand up to the Romans; and a Roman centurion named Biggus Dickus. Banning it for blasphemy became the pastime of rinkydink town councils and some American states; Ireland wouldn’t have it for eight years. You’ll be whistling the final musical number for weeks. (Plays Thu at the Santa Cruz 9.) (TH) C<B7B:32 (R; 103

min.) Satire paints the New York art scene as pretentious. Stop the presses. (Opens Fri at the Nickelodeon.) (SP)

@3D73EA /;3:7/ (PG; 119 min.) If there ever was a figure who deserved a postmodern bio, it’s Amelia Earhart, since she left so many questions behind. Mira Nair’s Amelia spins the time frame around, but it’s done in the standard fashion: incidents of her final world-circling flight are intercut with scenes from the beginning of the aviator’s career. Amelia is very much the canned biopic that exists solely because a celebrated actress is playing on a physical resemblance. Hilary Swank does look like Earhart, grinning large, with freckles and bleached hair. But repeat offender Ron Bass’ prolix script keeps underlining every relationship with a yellow felt pen. The film is a little more frank about Earhart’s life than previous versions of the story, and tells of an affair with the Washington socialite and West Point instructor Eugene Vidal

(Ewan McGregor). The staging of the finale over the Pacific is dramatic enough. Still, if it weren’t for the ending, Amelia would be the in-flight movie par-excellence: the kind of movie that seems to be made for the purpose of watching itself. (RvB) /AB@= 0=G (PG; 94 min.) This smart, fast CGI cartoon is faithful to Osamu Tezuka’s endearing star of manga and anime. In the future, the art deco Metro City floats in the sky like Jonathan Swift’s Laputa. Its dictatorial president (Donald Sutherland does the voice) is trying to arrange a war to ensure his victory in the upcoming election. During a demonstration of a new form of atomic power, the son of the city’s greatest scientist (Nicolas Cage) is vaporized. The scientist tries to reincarnate the boy in powerful robot form. Like Dr. Frankenstein, he rejects the creature that results. Stranded in an underworld of the poor and discarded, Astro (Freddie Highmore) learns how the other half lives before returning to the city of his birth to defeat the power-mad leader. The film’s antimilitarism is robust. (RvB) B63 0=GA /@3 0/19

(PG-13; 104 min.) Joe Warr (Clive Owen) seemingly has it all—a good marriage, a job as a sports writer and an offthe-road bungalow not too far from the beach in south Australia. Then, his wife suddenly dies. Joe holds away intruders and decides to try to raise his young son Artie (Nichols McAnulty) by himself, eventually sending for his other son, Harry (George MacKay), from a British boarding school. Out of grief, distraction and compassion, Joe decides to let his kids run wild— a “just say yes� policy that manifests itself with bike riding in the house, pizza in bed and chickens strutting indoors. Director Scott Hicks, best known for Shine, can capture a dreamy, impressionistic moment, such as the opening scene of Bob letting his son ride on the hood

7;/53;=D3@A 2757B/: ::1

action. (Opens Fri at the Aptos Cinema, Santa Cruz 9, Scotts Valley Cinema and Green Valley Cinema.) (SP)

of his truck as he drives down the beach. Despite this likable travelogue, The Boys Are Back tends to lay everything out—complete with regular appearances by the wife’s ghost. The film can’t escape the sitcom mawkishness of the premise, no matter how much restrained sensitivity Owen radiates. (RvB) 1/>7B/:7A;( / :=D3 AB=@G (R; 128 min.)

It’s been 20 years since Michael Moore made Roger & Me, about the layoffs that devastated Flint, Mich. The only thing that has changed today is that Flint is worse, and its woes have spread throughout the United States. Moore makes a nationwide tour of today’s wreckage. He follows the collapse of the real estate market and sits with the victims of a family farm eviction in upstate New York. What’s been worthwhile since 1989 is his tendency to sass back to corporate spokesmen instead of taking their statements at face value. (RvB) 17@?C3 2C 4@3/9( B63 D/;>7@3¸A /AA7AB/<B (PG-13; 109

min.) Paul Weitz (About a Boy, American Dreamz) directs the adaptation of the young adult series about a vampire (John C. Reilly) moonlighting as a sideshow performer; Chris Massoglia stars as the teenage chronicler Darren Shan. 1=1= 034=@3 16/<3: (PG-13; 113

min.) Audrey Tautou plays the designer as modernist in the years before World War I—a woman who assumed male privilege by assuming the simplicity and directness of their clothes. After a stint as a saloon singer, Coco calculates her way into bed with a wealthy rouÊ named Etienne Balsan (Benoit Poelvoorde). Director Anne Fontaine reminds us that this is a movie from the country that gave us The Rules of the Game. What could have been a dull birdin-the-gilded-cage story turns urbane, with the ever-changing flow of power between the slightly wizened but sporty decadent. When Balsan realizes that

56=AB =4 16@7AB;/A E/G B== 3/@:G !!Cvu!ifsf!ju!jt!bozxbzĂ’Ă•B!Disjtunbt!Dbspm-Ă–!pqfojoh!Gsjebz!dpvouzxjef/

another man has stolen Coco, he only murmurs, “I’m smiling, because I’m the one who let the fox into the hen house.� The fox in question: a British businessman nicknamed “Boy� (Alessandro Nivola). The end titles call the house of Chanel an empire, but Tautou— last seen, cigarette on lip, in a cage of mirrors, surrounded by models wearing her gowns— makes it look like mostly hard work. Tautou is unusually sharp: it’s easy to imagine why someone would love admire such a moody, direct woman. (RvB) B63 6=@A3 0=G

(Unrated; 101 min.) Documentary follows the family of a boy with extremely severe autism who seek a cure from tribal healers in Mongolia. (SP) B63 7<D3<B7=< =4 :G7<5 (PG-13; 100 min.)

Ricky Gervais, Jennifer Garner, Rob Lowe and Tina Fey inhabit a world where nobody lies, and then they do. 8C:73 /<2 8C:7/ >5 !) ;7<

Meryl Streep kicks up her heels, leaving Amy Adams in the dust in this bifurcated biopic about the great Julia Childs and the whining, blogging, fame-obsessed child Julie.

:/E /0727<5 17B7H3< (R; 119 min.)

Gerard Butler plays a man cheated by the court system, which let his family’s killers go free. Is he gonna take that? Hell no! Lady justice, you just messed with your first and last middle-class white guy! (SP) ;716/3: 8/19A=<¸A B67A 7A 7B (PG; 112

min.) Documentary about a guy who was incredibly popular, until everybody thought he was super creepy, and then suddenly was incredibly popular again because he died and people forgot that they thought he was creepy. No, not Nixon. (SP) >/@7A (R; 137 min.) Juliette Binoche stars in this latest film from French writer-director Cedric Klapisch about a dancer waiting for a heart transplant whose sister moves in to take care of him. (SP) / A3@7=CA ;/<

(R; 113 min.) All the themes in the Coen brothers’ previous films blend harmoniously in this terrific tale of comedic woe and horror. Minneapolis, 1967: a meek professor Larry Gopnik (stage actor Michael Stuhlbarg, looking like a dispirited Harold Lloyd) teaches

physics at a small college. Gopnik is tantalized with the possibility of tenure, betrayed by his wife with their neighbor Sy Ableman, a clammy, polyester-clad swine (Fred Melamed, brilliant). Gopnik’s son Danny (Aaron Wolff) has a cowlike indifference to his father’s plight. And Larry must take charge of his unemployable brother Arthur (Richard Kind), an obese holy fool. The postmodern moments give A Serious Man a vaudeville kick: a prologue about the appearance of a demon in the old-time Jewish ghetto is staged like a lost episode of Mario Bava’s Black Sunday. In another of this film’s parables, a Hebrew message is carved by God into the teeth of a gentile to teach—what? some indecipherable lesson, like the physics equations on Larry’s chalkboard, like the Hebrew letters Danny is too dumb to learn. Photographer Roger Eakins and composer Carter Burwell do outstanding work making these episodes coalesce into a fever dream of persecution and encroachment. (RvB) E63@3 B63 E7:2 B67<5A /@3 (PG;

101 min.) The beast

suits—part costumes, part CGI—are accurate versions of the Sendak illustrations. Max Records seems just right as Max, the little boy whose father is out of the picture, who flees to a monster island. The feature film gives children due respect for their towering moods. But children’s moods change, and this film’s mood doesn’t. It’s essentially gloomy, like a collection of Peanuts strips clipped of their punch lines. The film is staged in an Australian forest, the domain of seven or eight depressed creatures (Lauren Ambrose, James Gandolfini and Catherine O’Hara, among others). They’re cautious and fretful; they form cliques and snipe at each other. The rumpusing beastliness always ends with some injury, as per Mom’s warning about how it’s all fun and games until someone gets hurt. Scriptwriter Dave Eggers’ work is typically formless, cute and drifty. There’s no artistic force behind this movie, only whims and anxieties. A parting word from the beasts, “When you go home, will you say good things about us?,� seems addressed to a baffled

audience. It’ll be a cult item for aging-children hipster types, the ones who would wear their terrycloth wolf-suits to work if they could. (RvB) H=;073:/<2 (R; 88 min.) Under a plague of the living dead, the United States is in ruins, and the nervous college-age hero (Jesse Eisenberg) calls the dreadful landscape Zombieland. He joins three reluctant companions: a Twinkiesloving cowboy called Tallahassee (Woody Harrelson), a fast female loner named Wichita (Emma Stone) and her little sis, Little Rock (Abigail Breslin). They head to a place where they think the light at the end of the tunnel still shines: Disneyland, renamed “Pacific Playland.� There’s merit to the idea of a turkeyshoot zombie-killing finale amid colored lights and spinning rides, but the film doesn’t get more imaginative than anything seen in the previews. Under Ruben Fleischer’s bare-bones direction, Zombieland is slathered with narration. Harrelson is a fierce-looking party, but he doesn’t get Westernlyrical enough. (RvB)

48 |

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3AB/B3 =4 0:7AA Pamela and 3AB/B3 =4 0:7AA Pamela and Steve Steve SStorrs torrs tthink hink their their newly newly planted p l a n te d vineyard Corralitos will eestate s ta te v ine yard iin nC o r r a l i to s w ill yyield ield ffirst-rate irst-rate ppinot inot ggrapes. rapes.

is o is organic, rganic, aand nd tthe he h house, ouse, ttimers, imers, d driprip name iirrigation rrigation ssystem, ystem, ccomputers, omputers, yyou ou n ame iit, t, aare re aall ll ssolar-powered. olar-powered. Consulting Consulting with with environmental environmental Wild Farm ggroups roups llike ike W ild F arm Alliance, Alliance, the the Storrses preserve not only S torrses llabored abored tto op reserve n ot o nly tthe he beauty off tthe but iincredible ncredible b eauty o he llandscape andscape b ut habitats tto o eenhance nhance tthe he ssoil oil ffertility, ertility, h abitats and and wildlife protect w ildlife ccorridors orridors tto o aattract ttract aand nd p rotect native n ative sspecies. pecies. “My “My theory theory is is to to get get the the grapes grapes to to well, Steve mee aass w wee sstroll ggrow row w ell,� S teve ttells ells m troll perimeter off tthe only tthe he p erimeter o he yyoung oung vvines, ines, o nly a off what will one day bee a m much ffraction raction o what w ill o ne d ay b uch working llarger arger vvineyard. ineyard. ““I’m I’m w orking tto o gget et balance b alance iin n tthe he ssoil. oil.� To To that that end end the the couple couple has has consulted consulted with Davis, pulled out w ith ccolleagues olleagues at at D avis, p ulled o ut many off tthe ((reluctantly) reluctantly) m any o he aancient ncient Newtown pippins, N ewtown p ippins, aadded dded “calcium, “calcium, Along ccompost, ompost, ggypsum. ypsum.� A long tthe he ccurved urved rrows ows o oung vvines, ines, ggraded raded b aser off yyoung byy llaser ttractor, ractor, sstand tand h igh p oles—perches ffor or high poles—perches h awks aand nd o wls tthat hat ccontrol ontrol ggopher opher aand nd hawks owls rrodent odent p opulations. ““We We were were ttrying rying populations.

to ssolve to olve aall ll the the problems problems b before efore tthey hey happen, Steve h appen,� S teve says. says. The aroma aroma of of alyssum alyssum perfumes perfumes the the The Cover eearly arly afternoon afternoon ssun. un. C over ccropping ropping began before b egan sseveral everal yyears ears b efore tthe he vvines ines eeven ven went First w ent iin. n. F irst the the stakes, stakes, sseven even ffeet eet aapart. part. Little no want push L ittle tto on o iirrigation. rrigation. ““We We w ant tto op ush wee ttry tthe he roots, roots, so so w ry not not to to ggive ive tthem hem much water. The ttoo oo m uch w ater. Th he planting planting ttook ook a dozen people days, d ozen p eople tthree hree or or ffour our d ays,� tthe he winemakers When w inemakers rrecall. ecall. W hen tthe he sshoots hoots aare re draped horizontally d raped h orizontally aalong long tthe he ccordons, ordons, will decades tthey hey w ill “lay “lay tthe he foundation foundation ffor or d ecades o wines,� S teve says says with with o bvious off wines, Steve obvious ssatisfaction. atisfaction. I ask ask about about alignment alignment of of the the rows. rows. went north/south ““We We w ent aagainst gainst the the n orth/south me. tthinking, hinking,� tthey hey ttell ell m e. Looking Looking tto o maximize morning m aximize heat heat iin n tthe he m orning aand nd sshade hade p rotection in in the the afternoon, afternoon, S teve protection Steve ssays ays he he eended nded up up turning turning tthe he vvines ines Since ssouthwest/northeast. outhwest/northeast. S ince ggrowing rowing ggrapes rapes iis, s, after after all, all, agriculture, agriculture, aall ll the the vvariables ariables iinvolved nvolved iin n ffarming—wind arming—wind currents, currents, frost frost aand nd ccrucial rucial water water

rretention—had etention—had tto o be be considered. considered. Over lunch, lunch, we we sample sample a few few of of the the Over sstellar tellar h ouse wines wines aalong long w ith quiche quiche house with aand nd h eirloom tomatoes tomatoes ffrom rom P am’s heirloom Pam’s ggarden. arden. “We’re “We’re cconvinced onvinced tthis his part part of of C orralitos ccan an be be a premiere premiere p inotCorralitos pinotggrowing rowing area, area,� P am says. says. F rom the the Pam From d ining room room table, table, tthe he vvines ines are are visible visible dining aall ll the the way way to to tthe he h orizon. N ow iit’s t’s u p horizon. Now up tto o the the grapes. grapes.

/ E7<3 B= :=D3 / E7<3 B= :=D3

From F rom iits ts ccitrusy itrusy oopening pening ttoo iits ts ggraceful raceful 2007 eecho cho ooff gginger inger aand nd llime, ime, tthe he 2 007 SStorrs torrs Cruz Mountains Chardonnay SSanta anta C ruz M ountains C hardonnay iiss Green a llovely ovely bbottling ottling ooff tthe he region. region. G reen aapples pples hhaunt aunt tthe he ccenter enter ooff tthis his ccrisp, risp, wine. iimpeccably mpeccably bbodied odied w ine. A sslight light ffloat loat underscores varietal ooff jjalapeĂąo alapeĂąo u nderscores ffull ull v arietal Oak ccharacteristics. haracteristics. O ak hhas as bbeen een sskillfully killf l fully aapplied, pplied, ccreating reating a hharmonic armonic ccontainer ontainer ffor or tthis his eextremely xtremely ddrinkable rinkaable eexample xample ooff $20. tthe he SStorrs torrs sstyle. tyle. $ 20.

# j 27<3@¸A 5C723 november 4-11, 2009 A/<B/1@CH 1=;

Diner’s Guide

Our selective list of area restaurants includes those that have been favorably reviewed in print by Santa Cruz Weekly food critics and others that have been sampled but not reviewed in print. All visits by our writers are made anonymously, and all expenses are paid by Metro Santa Cruz. AG;0=:A ;/23 A7;>:3( + C\RS` + # + $ + O\R c^

Price Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

/>B=A $$ Aptos

/;0@=A7/ 7<27/ 07AB@=

$$ Aptos

0@7B/<<7/ /@;A

$$$ Aptos $$$ Aptos

$$ Aptos

207 Searidge Rd, 831.685.0610

8017 Soquel Dr, 831.688.1233 :/ 03::/ D7B/ 07AB@=

257 Center Ave, 831.685.8111 A3D3@7<=¸A 5@7::

7500 Old Dominion Ct, 831.688.8987

Indian. Authentic Indian dishes and specialties served in a comfortable dining room. Lunch buffet daily 11:30am-2:30pm; dinner daily 5pm to close. www.ambrosiaib.com American and specialty dishes from the British and Emerald Isles. Full bar. Children welcome. Happy hour Mon-Fri 2-6pm. Open daily 11am to 2am. Italian. Ambience reminiscent of a small trattoria in the streets of Italy, serving handmade lasagna, pasta dishes, gnocchi and fresh fish. Wed-Sun, Lunch 11am-2pm, Dinner 5-9pm. Continental California cuisine. Breakfast all week 6:30-11am, lunch all week 11am-2pm; dinner Fri-Sat 5-10pm, Sun-Thu 5-9pm. www.seacliffinn.com.

H/;33< ;327B3@@/<3/< Middle Eastern/Mediterranean. Fresh, fast, flavorful. Gourmet

7528 Soquel Dr, 831.688.4465

meat and vegetarian kebabs, gyros, falafel, healthy salads and Mediterranean flatbread pizzas. Beer and wine. Dine in or take out. Tue-Sun 11am-8pm.

1/>7B=:/ $ Capitola

Capitola

1/43 D7=:3BB3

104 Stockton Ave, 831.479.8888

All day breakfast. Burgers, gyros, sandwiches and 45 flavors of Marianne’s and Polar Bear ice cream. Open 8am daily.

>/@/27A3 ACA67 Japanese. This pretty and welcoming sushi bar serves 200 Monterey Ave, 831.464.3328 superfresh fish in unusual but well-executed sushi combinations. Wed-Mon 11:30am-9pm.

California Continental. Swordfish and other seafood specials. Dinner Mon-Thu 5:30-9:30pm; Fri 5-10pm; Sat 4-10:30pm; Sun 4-9pm.

A6/2=E0@==9

Capitola

1750 Wharf Rd, 831.475.1511

AB=19B=< 0@7253 5@7::3 Mediterranean tapas. Innovative menu, full-service bar,

Capitola

231 Esplanade, 831.464.1933

international wine list and outdoor dining with terrific views in the heart of Capitola Village. Open daily.

$$$ Capitola

H3:2/¸A

203 Esplanade, 831.475.4900

California cuisine. Nightly specials include baby back ribs, prime rib, lobster and mahi mahi. Daily 7am-2am.

A/<B/ 1@CH $$ Santa Cruz

$$ Santa Cruz

/1/>C:1=

1116 Pacific Ave, 831. 426.7588

1:=C2A

110 Church St, 831.429.2000

$$ Santa Cruz

B63 1@3>3 >:/13

1@=E¸A <3AB

Santa Cruz

2218 East Cliff Dr, 831.476.4560

$ Santa Cruz

460 Seventh Ave, 831.477.2908

1134 Soquel Ave, 831.429.6994

4/<2/<5= ;3F71/<

$$ Santa Cruz

67<2?C/@B3@

$$ Santa Cruz

6=44;/<¸A

303 Soquel Ave, 831.426.7770

1102 Pacific Ave, 837.420.0135

6C:/¸A 7A:/<2 5@7::

Santa Cruz

221 Cathcart St, 831.426.4852

Mexican/Seafood/American. Traditional Mexican favorites. Best fajitas, chicken mole, coconut prawns, blackened prime rib! Fresh seafood. Over 50 premium tequilas, daily happy hour w/ half-price appetizers. Sun-Thu 11am-10pm, Fri-Sat 11am-11pm. American, California-style. With a great bar scene, casually glamorous setting and attentive waitstaff. Full bar. Mon-Sat 11:30am-10pm, Sun 1-10pm. Crepes and more. Featuring the spinach crepe and Tunisian donut. Full bar. Mon-Thu 11am-midnight, Fri 11am-1am, Sat 10am-1am, Sun 10am-midnight. Seafood. Fresh seafood, shellfish, Midwestern aged beef, pasta specialties, abundant salad bar. Kids menu and nightly entertainment. Harbor and Bay views. Lunch and dinner daily. Mexican. Serving breakfast all day. Popular for our street tacos and handmade Salvadorian pupusas. Vegetarian options made w/ local fresh vegetables & organic tofu. Daily 9: 30am-9:30pm. Americana. Ribs, steaks and burgers are definitely the stars. Full bar. Lunch Mon-Sat 11:30am-2:30pm; dinner Sun-Thu 5:30-9:30pm, Fri-Sat 5:30-10pm. California/full-service bakery. Breakfast, lunch, dinner. “Best Eggs Benedict in Town.� Happy Hour Mon-Fri 5-6pm. Halfprice appetizers; wines by the glass. Daily 8am-9pm. ’60s Vegas meets ’50s Waikiki. Amazing dining experience in kitchy yet swanky tropical setting. Fresh fish, great steaks, vegetarian. Full-service tiki bar. Happy-hour tiki drinks. Aloha Fri, Sat lunch 11:30am-5pm. Dinner nightly 5pm-close.

j #

A/<B/1@CH 1=; november 4-11, 2009 27<3@¸A 5C723

$$ Santa Cruz $$ Santa Cruz

7 :=D3 ACA67

516 Front St, 831.421.0706 8=6<<G¸A 6/@0=@A723

493 Lake Ave, 831.479.3430

$$$ :/ >=AB/ Santa Cruz 538 Seabright Ave, 831.457.2782 $$ Santa Cruz

=:7B/A

$$ Santa Cruz

>/17471 B6/7

Seafood/California. Fresh catch made your way! Plus many other wonderful menu items. Great view. Full bar. Happy hour Mon-Fri. Brunch Sat-Sun 10am-2pm. Open daily. Italian. La Posta serves Italian food made in the old style— simple and delicious. Wed-Thu 5-9pm, Fri-Sat 5-9:30pm and Sun 5-8pm.

Fine Mexican cuisine. Opening daily at noon. 49-B Municipal Wharf, 831.458.9393 1319 Pacific Ave, 831.420.1700

@7AB=@/<B3 7B/:7/<=

Santa Cruz

555 Soquel Ave, 831.458.2321

$$ Santa Cruz

@=A73 ;11/<<¸A

1220 Pacific Ave, 831.426.9930

$$ Santa Cruz

105 Walnut Ave, 831.423.2020

$$ Santa Cruz

2415 Mission St, 831.423.9010

$$ Santa Cruz

Japanese Fusion. Sushi bar, sake bar, vegetarian, seafood, steak in fun atmosphere; kids play area; karaoke every night. Open seven days 5-10pm; Mon-Fri 11:30am-2:30pm.

A=74

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710 Front St, 831.427.4444

Thai. Individually prepared with the freshest ingredients, plus ambrosia bubble teas, shakes. Mon-Thu 11:30am-9:30pm, Fri 11:30am-10pm, Sat noon-10pm, Sun noon-9:30pm. Italian-American. Mouthwatering, generous portions, friendly service and the best patio in town. Full bar. Lunch Mon-Fri 11:30am, dinner nightly at 5pm. Irish pub and restaurant. Informal pub fare with reliable execution. Lunch and dinner all day, open Mon-Fri 11:30ammidnight, Sat-Sun 11:30am-1:30am. Wine bar with menu. Flawless plates of great character and flavor; sexy menu listings and wines to match. Lunch Wed-Sat noon2pm; dinner Mon-Thu 5-10pm, Fri-Sat 5-11pm, Sun 4-10pm; retail shop Mon 5pm-close, Tue-Sat noon-close, Sun 4pm-close. Pizza. Specializing in authentic Sicilian and square pizza. Homemade pasta, fresh sandwiches, soups, salads and more. Hot slices always ready. Sun-Thu 10am-9:30pm, Fri-Sat 10am-11pm. Pizza. Pizza, fresh salads, sandwiches, wings, desserts, beers on tap. Patio dining, sports on HDTV and free WiFi. Large groups and catering. Open and delivering Fri-Sat 11am-2am, Mon-Thu 11am-1am, Sun 11am-midnight.

A/< :=@3<H= D/::3G $$ Felton

@32E==2 >7HH3@7/

6205 Hwy 9, 831.335.1500

Organic Pizza. Everything organic: pizza, lasagna, soup, salad, beer and local wine. Always organic, local produce. Party room seats 32. Weeknights 4-9pm (closed Tue), Fri 4-10pm, Sat 1-10pm, Sun 1-9pm. See menu at www.redwoodpizza.com.

A1=BBA D/::3G $ 63/D3<:G 1/43 American. Serving breakfast and lunch daily. Large parties Scotts Valley 1210 Mt. Hermon Rd, 831.335.7311 welcome. Mon-Fri 6:30am-2:15pm, Sat-Sun 7am-2:45pm. $ 87/ B3::/¸A Scotts Valley 5600 #D Scotts Valley Dr, 831.438.5005

Cambodian. Fresh kebabs, seafood dishes, soups and noodle bowls with a unique Southeast Asian flair. Beer and wine available. Patio dining. Sun-Thu 11am-9pm, Fri-Sat 11am-10pm.

A=?C3: $$ Soquel

3: 167>=B:3 B/?C3@7/

4724 Soquel Dr, 831.477.1048

Mexican. Open for breakfast. We use no lard in our menu and make your food fresh daily. We are famous for our authentic ingredients such as traditional mole from Oaxaca. Lots of vegetarian options. Mon-Fri 9am-9pm, weekends 8am-9pm.

# j /AB@=:=5G november 4-11, 2009 A/<B/1@CH 1=;

Astrology Free Will

1126 Soquel Ave. Santa Cruz, near the Crepe Place and Rio Theatre At your service everyday from 10-9 since 1978

Free Public Parking at Cayuga & Soquel O (831)429-9600

Be the Hero of Your Own Sacred Quest Wed, Nov 4 at 7 pm

Wed, Nov. 11 at 7 pm

Canyon Sam

Lara Owen

Sky Train: Tibetan Women on the Edge of History A unique perspective of Tibet and its culture past and present through the lens of the women.

Thur, Nov 5 at 7 pm Lila Strand and William von Holst present the teachings of Imre Vallyon’s Heavens & Hells of the Mind

A manual for spiritual understanding and spiritual growth in the 21st Century.

Growing Your Inner Light A Guide to Independent Spiritual Practice. (Beyond Words) Thu, Nov. 12 at 7 pm

Kamla K. Kapur Rumi’s Tales From The Silk Road Author of Ganesha Goes to Lunch (Mandala Press)

Mon, Nov. 9 at 7pm

Wed, Nov. 18 at 7 pm

Leigh Wunce

Brett Bevell

NC, Medical Intuitive Astro Night

Reiki For Spiritual Healing

Saturn Square Pluto will be challenging us to remember we are Spiritual Warriors. Leigh, a Gateways Intuitive Reader, is available on Tuesday evenings. Tue, Nov. 10 at 7 pm

Lisa Seace A Guided Tour through the Tarot’s Major Arcana

Author of The Reiki Magic Guide to Self Attunement (Random House) Thu, Nov. 19 at 7 pm

John E. Welshons One Soul, One Love, One Heart Author of When Prayers Aren’t

Lisa is a Gateways Intuitive Reader, avail- Answered and Awakening from Grief (New World Library) able Wednesday and Friday mornings

Mon, Nov. 23, 7-8:30 pm

Karie Hillery Concert for the Season of Gratitude and Thanksgiving Bring your Family, Bring a Friend

Karie Hillery’s inspiring original positive pop music will uplift your spirit. Her keyboard artistry, warm personality and angelic voice opens hearts and “soothes as it heals.� (One World Records)

New Books For Your Sacred Journey Dalai Lama

The Art of Happiness in a Troubled World Eckhart Tolle

Guardians of Being

By Rob Brezsny

For the week of November 4 /@73A (March 21–April 19): There was a time when wetlands were considered dismal and unproductive. At best they were thought to be a waste of space, and at worst stinky breeding grounds for insect pests. For over 200 years, many marshes, bogs and swamps were filled with dirt and transformed into places suitable for farms, houses and recreational areas. But all that has changed in the last 30 years. Science has rehabilitated the reputation of wetlands, showing how crucial they are. They clean toxins from water, help control floods and soil erosion, and are home to more biological diversity than any other ecosystem. The coming weeks would be an excellent time for you to make a comparable conversion, Aries. Something you once demeaned or underestimated could become an inspirational catalyst. B/C@CA (April 20–May 20): In the coming week, you will have the potential to articulate what has never been spoken before and to name truths that everyone has been avoiding. Uncoincidentally, you may also be able to hear what you’ve never been able to hear up until now and tune in to truths you’ve been oblivious to. As you might imagine, Taurus, you must fully activate both of these capacities in order for either to function at its best.

53;7<7 (May 21–June 20): Nature’s rhythm is cyclical. Everything alive waxes and wanes. If you’re smart, you honor that flow by periodically letting parts of your world wither or go to sleep. If you’re not so smart, you set yourself up for needless pain by indulging in the delusion that you can enjoy uninterrupted growth. According to my reading of the astrological omens, Gemini, this is your time to explore the creative possibilities of ebbing and slackening. Ask yourself the following question, which I’ve borrowed from the Jungian author Clarissa Pinkola Estes: “What must I allow to die today in order to generate more life tomorrow?� 1/<13@ (June 21–July 22): Pregnant women sometimes have unusual cravings. From the fourth to sixth month of her daughter’s gestation period, for example, my friend Marta was on occasion beset by the longing to eat toothpaste. I’ve known other women who fantasized about nibbling on mud, coffee grounds and chalk. Fortunately, they all resisted the urge, which is what health practitioners recommend. Instead they tried to figure out if their bodies were trying to tell them about some legitimate deficiency of vitamins or minerals. I offer this to you as a metaphor to keep in mind. As your own special creation ripens, you may experience odd desires. Don’t necessarily take them at face value.

:3= (July 23–Aug. 22): It might be tempting to turn your home into a womblike sanctuary and explore the mysteries of doing absolutely nothing while clad in your pajamas. And frankly, this might be a good idea. After the risks you’ve taken to reach out to the other side, after the bridges you’ve built in the midst of the storms, after the skirmishes you’ve fought in the Gossip Wars, you have every right to retreat and get your homebody persona humming at a higher vibration. So I say: Be meticulously leisurely as you celebrate the deep pleasures of self-care.

D7@5= (Aug. 23–Sept. 22): “Hey Rob: I was having trouble finishing my novel—typical writer’s block. So I sidetracked myself into making silly creative projects—papier-mâchĂŠ chickens, masks made out of junk mail, collages incorporating bottle caps and dryer lint. I can’t say any of it is ‘art,’ but I feel creative again and my house is full of colorful stuff I whipped up myself. If you wait to be perfect, I concluded, you’ll never make anything. I tried something I knew I’d be bad at, so failure didn’t matter. Now I’m branching out with my inadequacy—not waiting for Mr. Perfect but having a beer with Joe Flawed, forgetting to be right all the time, admitting that I haven’t a clue. I’ve become smilingly, brilliantly dumb.â€? —Inappropriate Virgo Dear Inappropriate: Congrats! You’re doing exactly what I want to advise all Virgos everywhere to try. :70@/ (Sept. 23–Oct. 22): At a yard sale today, I paid a dollar for a stained, pocket-sized horoscope book with many of its pages missing. The reason I made such an odd investment is that it had a forecast for Libra for the first part of November 2009, and this forecast struck me as even more useful than the horoscope I had composed for you. As a public service, I’m providing it here. “The graceful dragonfly lives for

just a few months. But a sequoia tree’s time on earth can last 2,000 years. In the same way, some bonds, some creations, some worlds, endure for a mere blink in eternity, while others are destined to outfox the ravages of time. What will be the lifespan of the dream you recently hatched, Libra? It is time to decide and take action.�

A1=@>7= (Oct. 23–Nov. 21): Your anti-role model —the person you should be the opposite of—is the Scorpio warrior, U.S. General George Patton, also known as “Old Blood and Guts.� He once said, “Practically everyone but myself is a pusillanimous son of a bitch.� That’s an attitude you should especially avoid in the coming weeks, since your success will depend on you seeing the best in people—even if they sometimes don’t seem to warrant it. P.S. It may be OK to think of yourself as “Old Blood and Guts� if and only if you dedicate your ferocity to the service of smart love and ingenious collaboration. A/57BB/@7CA (Nov. 22–Dec. 21): Congratulations, Sagittarius! Free Will Astrology’s Task Force on Creative Suffering has confirmed that your current dilemmas are exceptionally interesting and useful. You have demonstrated an impressive talent for getting embroiled in riddles that promise to bring out your dormant reserves of vitality and ingenuity. The dumfounding questions you’ve been wrestling with are high-caliber tests that have drawn you closer to the heart of the reasons you’re here on Earth. Take full advantage of this beautiful mess, my dear. Chaos this fertile is hard to come by.

1/>@71=@< (Dec. 22–Jan. 19): When Dante was 9 years old, long before he became one of Italy’s supreme poets, he fell in love with Beatrice, an 8year-old girl he met at a May Day party. They never had a close relationship. In the years after their initial encounter, they met infrequently, and both eventually married other people. But Beatrice played a crucial role throughout Dante’s life, although she died at the age of 24. She was not just his muse, but also his “beatitude, the destroyer of all vices and the queen of virtue, salvation.� Dante even wrote her into his Divine Comedy in the role of a guide. Is there any person or influence in your life equivalent to Beatrice? Any onceupon-a-time blessing that might be ready to give you the fullness of the gifts it has been waiting all this time to deliver? /?C/@7CA (Jan. 20–Feb. 18): I would love it if you could find a sword that could cut itself. Or a fire that could burn itself. Or some water you could wash. But even if you can conjure the magic to attract an experience that simply resembles one of those marvelous paradoxes, it would set in motion a series of epiphanies that would liberate you from an inferior paradox—a confusing absurdity that is not worthy of you and that has been draining your life force. >7A13A (Feb. 19–March 20): The planets are aligned in such a way that suggests you may be able to experience an orgasm solely by meditating. This rare cosmic alignment also means that it’s conceivable you could generate money or attract new resources by following your holy bliss, or that you might stumble upon the tricky treasure you’ve been looking for in all the wrong places. But I can’t say for sure that you will actually be able to capitalize on any of these remarkable opportunities. It will depend on whether you can more fully express one of the skills that is your birthright as a Pisces: being wild and disciplined at the same time. 6][Se]`Y( 7 W\dWbS g]c b] ZOc\QV O Q`caORS b] `OWaS bVS ZSdSZ ]T eSZZ PSW\U SdS`geVS`S g]c U] @S^]`b `SacZba b] 4`SSEWZZ/ab`]Z]Ug Q][

Go to @3/:/AB@=:=5G 1=; to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone &%% &%! "&&& or 1.900.950.7700

S a n t a c r u z .co m november 4-11, 2009 C L ASS I F I E DS

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g Employment

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Retail Sales Associate for Clothing Store in Scotts Valley 30-40 hours per week $8.50 per hour Shifts Vary KELLY SERVICES, 425-0653 e-mail: 1471@kellyservices.com *Never A Fee*

Office Manager at Small Office on Westside with Dog; $15-17 per hour Must know Word and Excel Previous Management Experience Required KELLY SERVICES, 425-0653 e-mail: 1471@kellyservices.com *Never A Fee*

$$$HELP WANTED$$$ Extra Income! Assembling CD cases from Home! No Experience Necessary! Call our Live Operators Now! 1-800-405-7619 EXT 2450 www.easywork-greatpay.com (AAN CAN)

HEALTH CONSCIOUS COMPANY Looking for Like-Minded People! Great growing company looking for staff with the ability to grow w/ it. The Following Skills Desired: High ability to multi-task. High energy, fresh ideas and a passion for the health industry. Extremely detail oriented. Proficient in MS Office (Excel). AA or BA a Plus! Experience desired in: Customer Service.Project Management. Fast Paced Restaurant. Sales Experience and/or passion for sales. Looking for people seeking longevity in a Stable Growing Company! Send your resume today! KELLY SERVICES, 831-425-0653 email: vermije@kellyservices.com *Never A Fee*

Food production in Watsonville Day and Swing Shifts Available *Must have an open schedule Fluent in English required Must have reliable transportation Temp-To-Hire $8.50/hr. KELLY SERVICES, 425-0653 email: vermije@kellyservices.com *Never A Fee*

Recreation

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UpRoar 2009 — Art Exhibit/Sale & Opening Party

Heart of Chaos (see http://www.heartofchaos.net) proudly presents their 3rd annual UpRoar event. South First Billiards & Lounge (21+ venue) in Downtown San Jose on Friday, November 6, 2009 at 7:30pm and will feature live music by local bands and djs, live painting and belly dancing. Miscellaneous

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Reach over 5 million young, active, educated readers for only $995 by advertising in 110 weekly newspapers like this one. Call Jason at 202/289-8484. (AAN CAN)

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Classes & Instruction

Electronics

High School Diploma! Fast, affordable and accredited. Free brochure. Call Now! 1-888-532-6546 ext. 97 www.continentalacademy.com (AAN CAN)

Get Dish-Free Installation $19.99 per month. HBO & Showtime Free. Over 50 HD Channels Free. Lowest Prices no equipment to buy! Call now for details: 877/242-0974. ( AAN CAN)

g g Mind, Body, Spirit

Counseling & Therapy

Income-Sensitive Sliding Scale

Home Furnishings

April Ash Designer Outlet

Furniture, accessories, mattresses and consignments. 2800 South Rodeo Gulch Rd., Soquel. Friday, Saturday, and Sunday 10am-5pm.

is a social responsibility. Psychotherapy for those who want or need it. Addiction, relationships, anxiety, depres- 66% Of Readers Are sion. Chevalisa Bruzzone, MFT Trainee at the Process Browsing through the Therapy Institute. Classifieds every week! Get 831.247-6711, seen today! 831.457.9000 408.358.9892 x410.

Bands

Cabin Cruiser

1996 Regal 26.5 foot. Excellent condition, needs tuneup. $12,000. Currently docked at Santa Cruz Harbor. Contact Sue at (209) 996.9999. Miscellaneous

Get Dish-Free Installation

$19.99 per month. HBO & Showtime Free. Over 50 HD Channels Free. Lowest Prices no equipment to buy! Call now for details: 877/238-8413. (AAN CAN)

Family Services Adoptions

Pregnant? Considering Adoption? Talk with caring agency specializing in matching birthmothers with families nationwide. Living expenses paid. Call 24/7 Abby’s One True Gift Adoptions. 866/413-6293 (AAN CAN)

g Self Help

Miscellaneous

Penis Enlargement FDA Medical Vacuum Pumps. Gain 1-3 inches permanently. Testosterone, Viagra, Cialis. Free brochures. 619/294-7777 www.drjoelkaplan.com (discounts available) (AAN CAN)

Advertise Your Services in Santa Cruz Weekly! Advertise in the Santa Cruz Weekly and your ad will automatically run online! Print plus online. A powerful combination. Call 831.457.9000!

Music

Instruction

Guitar Lessons/Song Writing

Develop your chord, soloing, and songwriting skills. Professional, relaxed, personalized instruction. All styles, ages and levels. Steven 831-278-1500.

Lil Wayne, E-40, Snoop Dog, San Quinn

Thug World Records explosive label features lil Wayne Snoop dog E-40 G-unit and more. Free Downloads, MP3s, RingTones, videos. www.thugworldrecords.com 408-561-1255

Services

Professional Services Professional Service

$250 to $350 — 18” to 22” Full Hair Extension

Magic Touch Beauty Salon 305 Westlake Center, WestLake Shopping Center — Daly City, CA. tel:(650)757-0208 (Appt: call ( 415 )695-4782 (Monday - Sunday 10:00am 8:00pm)

To advertise

here

83,000 Readers Can’t Be Wrong!

Consider the numbers...66% of those readers browse through the Santa Cruz classifieds each week! Run an ad in the Santa Cruz Weekly classifieds and your ad will automatically run online! Print plus online. A powerful combination. Get seen today. To advertise call 831.457.9000.

Call 831.457.9000

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C L ASS I F I E DS november 4-11, 2009 S a n t a c r u z .co m

Homes

Notice

ggg Home Services

Real Estate Services

Real Estate Rentals

Contractors

Services

Shared Housing

Notice To Readers

$19.99 per month. HBO & Showtime Free. Over 50 HD Channels Free. Lowest Prices no equipment to buy! Call now for details: 877/238-8413. (AAN CAN)

First-time home buyer workshop Saturday November 14, 2009 from 2-4pm. US Bank Home Mortgage, 10381 S. De Anza Blvd. Cupertino, CA. 95014. www.LeannaScottHomes.com /HBW.php

4 1-

Get Dish-Free Installation

g Seminars

Browse hundreds of online listings with photos and maps. Find your roommate with a click of the mouse! Visit: www.Rentmates.com. (AAN CAN)

n Su

Miscellaneous

Lease a home with the option to buy. Choose through thousands of properties from our nationwide database. Pictures included!! Call for more information 805/683-8600. (AAN CAN)

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www.FirstStepEquity. ALL AREAS - RENTcom MATES.COM

en Op

California law requires that contractors taking jobs that total $500 or more (labor or materials) be licensed by the State License Board. State law also requires that contractors include their license number on all advertising. You can check the status of your licensed contractor at www.cslb.ca.gov or 1-800-321-CSLB (2752). Unlicensed contractors taking jobs that total less than $500 must state in their advertisements that they are not licensed by the Contractors State License Board.

All real estate advertised in Metro Newspapers is subject to the State and Federal Fair Housing Act, which makes it illegal to advertise any preference, limitation, or discrimination based on race, color, religion, sex, handicap, family status (the presence of children), or national origin, or the intention to make any such preference, limitation, or discrimination. State and locate laws forbid discrimination in the sale, rental, or advertising of real estate.

Sweet & Central

AN EXPERIENCED

· Central spot in El Rio Mobile Home Park · One Bedroom + office nook · Cathedral ceilings for spacious feel · Owner financing possible · Beautiful spacious, kitchen · Co-op park, you own share · Minutes to downtown Santa Cruz

managing property in Santa Cruz County

Only $139,000

Judy Ziegler GRI, CRS, SRES ph: 831-429-8080 cell: 831-334-0257 www.cornucopia.com

Pacific Sun Properties 734 Chestnut Street Santa Cruz, CA 95060 831.471.2424 831.471.0888 Fax www.pacificsunproperties.com

Homes

ALL AREAS - HOUSES FOR RENT Browse thousands of rental listings with photos and maps. Advertise your rental home for FREE! Visit: http://www.RealRentals.com (AAN CAN) Class: Rent or Lease

g Real Estate Sales

Rural Hollister Home

Browse through the the Santa Cruz Weekly classifieds. Get seen today. To advertise call 831.457.9000.

TEAM

g

Homes Under $600K

83,000 Readers

for buying, selling and

We will not knowingly accept any advertising for real estate which is in violation of the law. All persons are hereby informed that all dwellings advertised are available on an equal opportunity basis to the best of our knowledge.

Private lot with a clean turn key home on a fully landscaped nearly a 1/2 acre overlooking views of mountains and valley. 3 bedroom, optional 4th bedroom. 831-636-8858

Spread the Word Say you saw it in the Santa Cruz Classifieds. 831.457.9000

g Homes

Santa Cruz Mountain Estate 5 bedroom, 5 baths, 4200 square feet, 3 acres, $1,795,000. 831/234-6227

Desirable Area of Seascape Walk to Seascape Beach. 4BR, 2.5 BA on quiet cul-desac near green belt. Asking $985,000. MLS #80944420. Call Gordon Autio, broker. 650.722.2116

g Mobile Homes

A Great Value So Close to the Surf! This sweet 1 BR/ 1BA mobile home in Snug Harbor has been well cared for & landscaped for privacy. Be a homeowner in Santa Cruz for under $100K with all the amenities of Pleasure Point living: Gorgeous surf and sun down the street, a great coffeehouse & restaurants around the corner- walk or bike to all your favorite places. $99,000. MLS#80947703. 730 30th Avenue, Space 69, Santa Cruz. Terry Cavanagh, Pacific Sun Properties 831-345-2053. www.snugharbor-sc.com

Santa Cruz Weekly

831.457.9000

S a n t a c r u z .co m november 4-11, 2009 C L ASS I F I E DS

Wheels

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Rachel is wearing the Cotton Spandex Jersey Turtleneck Dress with the Wide Elastic Clasp Belt and Rounded Diamond Fishnet Tights.

Retail Locations: Santa Cruz—Pacific Ave 1531 Pacific Ave. (Near the Bookshop Santa Cruz) Phone: (831) 426-4070

Santa Cruz Weekly

Gilroy—Gilroy Premium Outlets 681 Leavesley Rd., Suite C290 (Near DC Shoes) Phone: (408) 848-6800 Palo Alto—University Ave 170 University Ave. (Near Caltrain station) Phone: (650) 328-4900 Burlingame—Downtown 1320 Burlingame Ave. (Between Primrose & Park Rds) Phone: (650) 558-8171

831.457.9000

831.457.9000 Vendors Needed For Holidaze Boutique at Crosswalk Community Church, 445 South Mary Avenue, Sunnyvale. Date: Dec 5 and 6, 9am to 5pm. Email: pgraves@crosswalkchruch.com for information and application or call 408-736-3120.

Seriously Ill? Need MMJ? WAMM is NOW accepting applications for membership into our collective. Looking for members who can donate generously. Serving Santa Cruz for 16 years! Your application does not ensure membership. wamm.org, 831425-0580. peace

Santa Cruz Weekly

Used Washers, Dryers, Refrigerators. Whirlpool Ed @ 831.475.9205 Delivery Available ALL Dependable & Clean. Honest, Guarantee, & Service. Also wanted repairable appliances.

Medicann - Med. Marijuana Evaluations Lic. MD 866-632-6627 Free I.D. card 24/7 verification. Doctor/patient confidentiality. Discount for MediCal, MediCare and veterans.

Wanna Be In Movies? Film & TV acting classes starting now! Free DVD & consultation with working actor Ralph Peduto. Call (831) 475-UACT (8228). www.actingoncamera.com Be a pro, work with one. Training pros since ‘86.

Add a Touch of Color to Your Ads Ask your Santa Cruz Weekly salesperson about adding color to your ads to make them stand out! For advertising information call 831-457-9000.

TO ADVERTISE IN THE SANTA CRUZ WEEKLY CALL 831.457.9000

Yoga Classes!

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