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THE SOUND &THE FURY Looking back at a decade of Santa Cruz bands p13 BY PAUL M. DAVIS

December 9-16, 2009 Vol. 1, No. 32

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december 9-16, 2009

SANTACRUZ.COM

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Contents. P OSTS

p4

L O C A L LY

p7

CURRENTS

p9

COVER STORY A&E

p13

p25

S TA G E , A R T & EVENTS

p27

B E AT S C A P E CLUB GRID FILM

p34 p36

p41

EPICURE

p45

ASTR OLOGY

p48

CLASSIFIEDS

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ON THE COVER Los Dryheavers photographed by Pete Saporito

115 Cooper St, Santa Cruz, CA 95060 831.457.9000 (phone) 831.457.5828 (fax) 831.457.8500 (classified) SCW@santacruz.com Santa Cruz Weekly, incorporating Metro Santa Cruz, is available free of charge, limited to one copy per reader. Additional copies of the current issue of Santa Cruz Weekly may be purchased for $1, payable at the Santa Cruz Weekly office in advance. Santa Cruz Weekly may be distributed only by Santa Cruz Weekly’s authorized distributors. No person may, without permission of Metro Publishing, Inc., take more than one copy of each Santa Cruz Weekly issue. Subscriptions: $40/six months, $76/one year. Entire contents Š 2009 Metro Publishing, Inc. All rights reserved. Reproduction in any form prohibited without publisher’s written permission. Unsolicited material should be accompanied by a stamped, self-addressed envelope; Santa Cruz Weekly is not responsible for the return of such submissions.

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Posts. P osts. Messages M essages &

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/@B / /@ B >@=2C1 1B7=< >@=2C1B7=< DESIGN D ESIGN DIRECTOR D I R E C TO R 9/@/ 0@=E< 9 /@/ 0@= 0 E< PRODUCTION PRODUCTION DIRECTOR D I R E C TO R 6/@@G /::7A=< : 6/@@G /::7A=< GRAPHIC DESIGNER DESIGNER GRAPHIC B /07 H/@@7< <<//: B/07 H/@@7<<//: E D I TO R I A L P RO D U C T I O N EDITORIAL PRODUCTION A3/< 53=@53 3 A3/< 53=@53 A DD ESIGNERS AD DESIGNERS 83<<G =/B3G G 83<<G =/B3G 27/<</ D/<3G193 27/<</ D/ /<3G193

27A>:/G /2D3@B7A7<5 27A>:/ /G /2D3@B77A7<5 A ACCOUNT CCOUNT EXECUTIVES EXECUTIVES /:713 1=:0G / :713 1=:0G (alice@santacruz.com) (alic e@santtaacruz.com) 8=13:G< ;/1<37: 8=13: :G< G ;/ /1<37: (jocelyn@santacruz.com) (jo celyn@santtac a ruz.com) 77:/</ @/C16 >/193@ :/</ @/C16 >/193@ (ilana@santacruz.com) (ilana@sant tac a ruz.com) 16C19 @G23@ 16 C19 @G23@ (chuck@santacruz.com) (chuck@sant tac a ruz.com) CIRCULATION CIRCULATION MANAGER M A N AG E R <37: A;GB6 <37: A; A GB6

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Send let letters teerrs ttoo Santa Santa Cruz Weekly, Weekly e y, let letters@santacruz.com teerrs@san s nttaacruz.com or ttoo A Attn: ttn: LLetters, ettteeerrs, 115 Co ett et C Cooper ooper e St., Sant San Santaa Cruz, uz 95060. 060. Inclu Include udee cit city ittyy and phone clarity inaccuracies known us. phone number number or email address. address. Submissions Subm missions mayy be be edited editteed for for or length, length cl le leng laritt y or or factual factual ac a inac a curacies racies know nown ttoo us s.

1@7;7</:7H/B7=< 1@7;7</:7H/B7=< 77A 4/7:7<5 A 4/7:7<5 TH THANKS HANKS S ffor or yyour our aarticle rticle o on nh heroin eroin iin nS Santa anta C ruz. Clearly Clearly tthe he criminalization criminalization o rug use use Cruz. off d drug aand nd aaddiction ddiction iiss n ot h elping aanyone. nyone. O ver not helping Over tthe he llast ast 4 0 yyears ears we we have have increased increased o ur p rison 40 our prison p opulation from from 200,000 200,000 to to o ver 2 ,000,000, population over 2,000,000, llargely argely w ith drug drug o ffenders. M any others others are are with offenders. Many llocked ocked u p ffor or d rug-related ccrimes rimes such such aass ttheft heft up drug-related tto op ay ffor or ttheir heir n ext ffix. ix. Yet Yet drugs drugs aare re sstill till pay next rreadily eadily available, available, even even to to k ids; addiction addiction iiss sstill till kids; rrampant; ampant; lives lives and and ffamilies amilies aare re sstill till being being ttorn orn aapart. part. In my my opinion, opinion, the the entire entire drug drug war war is is In ccounterproductive ounterproductive aand nd h ypocritical. In In tthe he hypocritical. ffirst irst p lace, why why iiss tthe he government government p olicing place, policing w hat p eople want want tto o put put in in their their o wn b odies? what people own bodies? C learly it it is is not not tto o help help p revent aaddictions ddictions Clearly prevent o rotect o ur children, children, seeing seeing as as addiction addiction orr p protect our iiss rampant, rampant, and and k ids can can buy buy illegal illegal d rugs kids drugs eeasier asier than than alcohol. alcohol. Why Why aare re tthe he u rban urban p oor and and p eople of of color color so so h eavily p oliced poor people heavily policed aand an d iincarcerated ncar a cer e at ated for for drug d ug us dr u e, while while college college ge use, ccampuses ampuses aand nd well-off well-off h igh sschools chools aare re all all but but high

NUTZLE

ignored? How ignored? How sseriously eriously ccan an w wee ttake ake a ““War War on Drugs� made byy a ggovernment which has o nD rugs� m ade b overnment w hich h as drug rrepeatedly epeatedly used used d rug ttrafficking raff icking tto o ffund und ccovert overt military operations? m ilitary o perations? It’s Itt’s high high time time we we take take a step step back back from from the the ssituation ituation aand nd cconsider onsider llegalizing, egalizing, rregulating egulating drugs off p pouring aand nd ttaxing axing d rugs iinstead nstead o ouring sscarce carce money policies off p policing ttax ax m oney iinto nto ffailed ailed p olicies o olicing aand nd prisons. p risons. Steve St teve Schnaar, Schnaarr, Santta Cruz Santa

@3/: >71BC@3A @ 3/: >71BC@3A KUDOS K UDOS tto o Curtis Curtis Cartier Cartier for for painting painting a vvery ery picture off a d day off a h heroin rreal eal p icture o ay iin n tthe he llife ife o eroin Santa Bomb, Cover aaddict ddict iin nS anta Cruz Cruz (“The (“The H B omb,� C over Story, Dec. 2). S tory, D ec. 2 ). I would would aadd dd tthat hat ttreatment reatment ffor or brain disease ongoing. tthis his chronic chronic b rain d isease iiss iideally deally o ngoing. The prognosis patient practices T he p rognosis iiss ggood ood iiff a p atient p ractices off ttheir The rrecovery ecovery sskills kills ffor or tthe he rrest est o heir llives. ives. T he powerful wee rrespect aaddiction ddiction iiss p owerful aand nd w espect tthat. hat. Relapse occur due R elapse ccan an o ccur d ue tto o tthe he cchemical hemical cchanges hanges brain has off the tthe he b rain h as eendured, ndured, rregardless egardless o the off ““clean patient has. aamount mount o clean ttime� ime� a p atient h as. At At JJanus anus

Community C Community Clinic linic w wee w work ork ttogether ogether w with ith o our ur patients make positive p atients tto om ake p ositive cchanges hanges iin n ttheir heir llives ives b eyond ccessation essation o he d rug p er sse. e. beyond off tthe drug per Carol C aarol Mor Morgan, rggan, Clinical Su Supervisor upervisor Jaanus Community Commun o nitt y Clinic Janus

163/> A6=19 D/:C3 1 63/> A6=19 D/:C3 YOUR Y OUR story story on on the the heroin heroin p problem roblem iin nS Santa anta Cruz bad C ruz was was ccompletely ompletely useless useless and and iin nb ad ttaste. aste. W hy useless? useless? Well, Well, iitt w as circular circular iin n fformat, ormat, Why was rredundant edundant aand nd h ad n o cconclusion. onclusion. I put put tthe he had no p aper down down aand nd said, said, ““So?� So?� W hy in in bad bad ttaste? aste? paper Why B ecause it it was was ggratuitously ratuitously ggraphic, raphic, aand nd Because aanyone nyone of of any any age age has has access access to to your your magazine. magazine. C hildren don’t don’t need need to to ssee ee p ictures o eople Children pictures off p people sshooting hooting u p. Neither Neither does does anyone anyone else, else, ffor or tthat hat up. m atter. matter. you want want to to shed shed llight ight o n ssomething omething llike ike Iff you on tthis, his, cclose lose iitt w ith a ssolution. olution. In In other other w ords, with words, ““So So what what w need tto od o aabout bout tthis his p roblem iiss wee need do problem ......� Otherwise, Otherwise, you’ve you’ve achieved achieved nothing nothing except except a ccheap heap sshock hock vvalue. alue. L ame. Lame. Lindsay Lind dsay Blaz, Sa anta Cruzz Santa

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THE BULLHORN

The Trouble With A Bike Boulevard 0G ;793 A>3D7/9

I

WOULD be the fiercest advocate of the King Street Bike Boulevard if I thought it had a chance of working without negatively impacting the existing traffic problems on the Westside. Bike boulevards are a great solution when applied correctly. If you consider yourself able to be impartial and objective, I offer you a challenge. Take four days off during the work week. Use one day observing the whole length of King Street from 6:30am to 10pm, taking notice of when it is busy and what type of vehicles are present. Another day can be spent observing a busy Westside intersection (say, Bay and Mission) noticing the number of users (motoring, cycling, walking). Next, observe Mission Street from Swift to Chestnut from 6:30am to 10pm and compare with the information obtained from the King Street observation. Lastly, observe the activity at Mission Hill School from early morning to closing (1pm on Wednesdays). You can do this or obtain a copy of the study done by Bicycle Solutions, a respected bicycling advocacy, education and transportation planning group from the Bay Area. This was submitted to the city on June 17, 2008 and is available from the Santa Cruz Department of Transportation or the Department of Public Works. It is very comprehensive and offers a variety of possible solutions. The study does address a diverter scheme to facilitate a bike boulevard. However, this was deemed as not likely to be successful for a few reasons, the most salient being that relevant Mission Street intersections are already at maximum level of service, and there is not a grid pattern of alternate motoring byways. This means that if diverters were put in place, motoring traffic would congest at already-bottlenecked intersections. This would increase times for traffic clearing from one to two cycles to three to five cycles and would add to Mission Street traffic volume. This would cause an increase in gas emissions and noise pollution for each vehicle while also increasing hazards for cyclists and pedestrians. Further, denying access to Escalona for motoring through would add to these same problems. Santa Cruz is a unique town with unique problems that require unique solutions. We cannot be compared to other cities (Palo Alto, Berkeley or New York) or other countries with different cultures ( Japan). Yes, there have been two tragedies on Mission Street in the past few years. But please, do not grab for a solution that will not work. There are responses that can address hazardous conditions without contributing to them. Our local bike advocates, in collaboration and cooperation with city and county departments, have done some great work. That is why we have received a 2008 Silver Level Award from the League of American Bicyclists for being a bicycle-friendly community. Please do not succumb to self-interests of increased property values, appearing to be politically correct, or fear of losing street parking. Please do not succumb to promises of a facile, all-encompassing final answer or that your neighborhood won’t be affected. We’re better than that. Be bold, Santa Cruz, but be smart! There is much work to do to ensure safe use of our roads for everyone. Mike Speviak is retired and has resided in Santa Cruz for 25 years. He has been cycling for 60 years, motoring for 50 years and walking for more than 60 years.

) GOT A POINT TO MAKE? SEND YOUR BULLHORN IDEAS TO ( THUKILL@SANTACRUZWEEKLY.COM

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december 9-16, 2009

SANTACRUZ.COM

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10 QUESTIONS

PUBLIC EYE

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STREET SIGNS

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) ssubmit u b m i t your y o u r public p u b l i c eye e y e photo p h o t o to t o publiceye@santacruz.com p u b l i c e y e @ s a n ta c r u z . c o m (

SShades hades of of Lady Lady Day Day

Kim Nalley Nalle a y at K Kuumbwa, uum u mbwa, aN Nov. ov. 30 30, 0, 2009 MY MY HAND HAND is is stamped, stamped, the the sold-out sold-out show show has has adjourned adjourned for for intermission intermission and and I am am admitted admitted to to replace someone someone who who needs needs to to get get up up for for work work replace tomorrow and and has has freed freed a seat. seat. Lady Lady Day Day is is in in town, town, tomorrow or her her facsimile facsimile who who channels channels or or translates translates from from the the or existing record record of of the the original. original. existing have walked walked for for an an hour hour downtown, downtown, sent sent a fax fax at at I have FedEx, passed passed by by every every bar bar and and bistro bistro I wasn’t wasn’t hungry hungry FedEx, or thirsty thirsty enough enough to to sit sit in in and and listen listen and and steal steal what what or might be be eavesdropped eavesdropped from from the the clientele, clientele, browsed browsed might among my my recurrent recurrent used used music music and and books books in in Logos Logos among and returned returned with with luck luck to to await await the the second second set. set. and Itt’s getting getting warm, warm, I remove remove my my scarf scarf and and jacket, jacket, blue blue It’s

beret stuffed stuffed in in the the left left pocket pocket (berets (berets aare re ccool ool b ecause beret because they keep keep your your head head warm warm and and can can be be easily easily stashed), stashed), they look from from this this corner corner over over the the humming humming room room where where look the capacity capacity crowd crowd now now on on their their feet feet seem seem happy, happy, the imagine that, that, to to stand stand and and gab gab at at ease ease with with friends friends imagine some Monday Monday night night in in eternity eternity and, and, when when the the lights lights some blink, find f ind their their seats seats to to escape escape deeper deeper into into the the music. music. blink,

In the the dark dark club club Billie’s Billie’s story story is is spelled spelled out out none none In too subtly subtly between between numbers numbers by by the the singer, singer, and and her her too sound is is close close enough enough to to give give the the seniors seniors something something sound to remember, remember, or or imagine imagine anyway, anyway, trying trying to to hear hear what what to is beyond beyond recovery, recovery, a smoke-like smoke-like echo echo in in a smoke-free smoke-free is zone where where no no ghost ghost is is safe safe from from those those who who would would zone bring it it back back from from oblivion oblivion for for the the price price of of a night night out. out. bring

know I’m I’m getting getting old old when when I’m I’m happy happy to to see see cops cops I know cruising lower lower Pacific Pacif ic to to keep keep the the gang-bangers gang-bangers from from cruising killing each each other other and and casual casual passersby, passersby, and and the the bums bums killing and buskers buskers from from bothering bothering shoppers shoppers looking looking for for and holiday bargains, bargains, discounts discounts begging begging customers customers to to holiday come in in the the door door and and spend spend some some rent rent money money while while come there’s time. time. there’s

Who wouldn’t wouldn’t be be nostalgic nostalgic for for that that sublimely sublimely Who suffering, unreachable, unreachable, irreplaceable irreplaceable sound, sound, a wispy wispy suffering, trace of of some some lost lost notes notes immortally immortally sad sad in in their their trace absence, where where silence silence is is unacceptable unacceptable because because it it sends sends absence, us back back to to ourselves. ourselves. us —Stephen — St Stephen e Kessler Keesssler

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Currents. C urren ents.

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““II screamed screamed bloody blo o dy murder,� murder,� sshe he ssays, ays, ssitting itting iin nh er iimprovised mprovised her p hysical ttherapy herapy ggym ym iin nh er L ive O ak physical her Live Oak aapartment. par tment. ““It It w as a m inute o he was minute off tthe m ost p ain II’ve ’ve eever ver b een iin n iin nm most pain been myy eentire ntiree llife ife w ith aan n aadrenaline drenaline rrush, ush, aand nd with tthen hen I fe lt n othing.� felt nothing.� S he w as ttold old sshe’d he’d torn torn her her anterior anterior She was ccruciate ruciate lligament igament ((ACL) ACL) aand nd n eeded needed ssurgery, urger y, w ith aatt lleast east ssix ix m onths’ with months’ re cove v ry ttime. ime. S he d id n ot ta ke tthe he recovery She did not take n ews llightly. ightly. news ““II felt f lt like fe like m dentity had had been b een myy iidentity rripped ipp ed aaway,� way,� sshe he ssays. ays. ““II w as re ally was really m aking a n ame fo yself tthis his sseason. eason. making name forr m myself

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T o ssee ee tthat hat aall ll ta ken aaway way ffrom ro r mm n To taken mee iin am atter o ive sseconds—it’s econds—it’s a h ard matter off ffive hard b ullet tto o ta ke.� bullet take.� B ut S mith ssoon o on fo und tthat hat aass But Smith found p ainful aass tthe he ssurgery urger y aand nd tthe he iinitial nitial painful re cover y w ere, iitt w as jjust ust aass h ard tto o recovery were, was hard ttend end tto oh er D erby G irl b oard d uties iiff her Derby Girl board duties sshe he ccouldn’t ouldn’t p lay. ““II w as llike ike a JJewish ewish play. was k id o nC hristmas,� sshe he ssays. ays. ““II fe ffelt lt kid on Christmas,� re ally aalone.� lone.� really A lthough sshe he ssays ays h er tteammates eammates Although her w ere ssupportive, upp ortive, sshe he b egan tto o iisolate solate were began h erself aand nd eeven ven tthought hought aabout b out herself q uitting. T hen o ne S eptemb er n ight, quitting. Then one September night, w hile ve nting o nline tto o aanother nother sskater kater while venting online iin nS acramento, sshe he ccame ame u pw ith Sacramento, up with tthe he iidea dea fo erby H urts, aan no nline forr D Derby Hurts, online ssupport uppor t ggroup. ro r up. S he p ut o ne u po n She put one up on Y ahoo aand nd iitt ttook o ok o ff. Yahoo off. ““People People w ere sstarting taar ting tto o f llood ood iin,� n,� were sshe he ssays. ays. ““Injuries Injuries aare re sso o ccommon ommon iin n tthis his ssport por t aand nd yo u gget et iinjured njured aand nd you iit’s t’s llike, ike, ‘‘OK, OK, ssee ee yo ou w hen yo u gget et you when you b etter.’ T here w as n owhere tto o ggo ow here better.’ There was nowhere where iinjured njured sskaters katers ccould ould ve nt aand nd gget et vent iinformation.� nformation.� S o on ro ller ggirls irls ffrom rrom aall ll o ver Soon roller over tthe he ccountry ountr y aand nd aass ffar ar aaway way aass Ne w New Ze aland w ere p osting ttheir heir sstories. tories. Zealand were posting T hey eeven ven sstarted tarted ssharing haring ggory or y p hotos They photos o heir b ruises aand nd p ost- op sscars. cars. off ttheir bruises post-op S mith d ecided tthe he fo rum n eeded iits ts Smith decided forum needed o wn p latform. own platform. La st F riday m arked tthe he llaunch aunch o Last Friday marked off tthe he o f f icial D erby H ur ts w ebsite, a official Derby Hurts website, ssocial o cial n etwork w here d erby p layers network where derby players ccan an ccreate reate p rof iles, aask sk q uestions, ggive ive profiles, questions, aadvice dvice aand nd p ost ttheir heir m ost h ideous post most hideous iinjury njur y p hotos. S mith ssays ays tthe he ssite’s ite’s photos. Smith aapplications pplications aare re m anifo f ld, llike ike fo fforums rums manifold, d esignated b njur y ttype ype aand nd m ini designated byy iinjury mini ttherapy herapy ssessions. essions. ““There’s There’s a tthread—‘Things hread—‘Things I W ish I Wish K new B efore I H ad S urgery,’� sshe he ssays. ays. Knew Before Had Surgery,’� ““Maybe Maybe ggetting etting aall ll yo ur lloose-fitting oose-f itting your cclothes lothes llaid aid o ut, k nowing yo u’re n ot out, knowing you’re not ggoing oing tto ob ble tto o ta ke a sshower hower fo bee aable take forr aw eek, k nowing yo yyou’re u’re ggoing oing tto ob week, knowing bee cconstipated onstipated ffrom rrom p ainkillers.� painkillers.� A Ass of this writingg the Derb Derbyy Hur ts site has 49 memb m ers and 533 Hurts members Fac ebook fans ’s eeven ven selling T -shirts Facebook fans.. It It’s T-shirts emblazoned with the t Derb ts Derbyy Hur Hurts lo go, a sugar sk ull with w crutches ffor or o logo, skull cr ossbones. crossbones. W ith the the popularity popularity of of the the sport sp or t With b o oming p ost–Whip IIt, t, iit’s t’s o nly booming post–Whip only

natural tthat natural hat a dialogue dialo gue o on n iinjuries njuries iiss n ecessarily o p ening up, up, eespecially sp ecially necessarily opening ssince ince not not all all ro ller d erby tteams eams roller derby re quire their their players players to to h ave h ealth require have health iinsurance nsurance (SCDG (SCD G d o es). A nd aass does). And m edical p rofessionals become become m ore medical professionals more iinterested nterested iin n sstudying tudying d erby-related derby-related iinjuries, njuries, Derby Derby Hurts Hur ts h opes to to h elp hopes help b ollecting stats stats ffrom rrom iits ts m emb ers byy ccollecting members aabout b out ttheir heir injuries. injuries. In addition addition to to moral moral support, supp or t, In D erby Hurts Hur ts u sers ccan an directly directly Derby users aaid id a C hicago Windy Windy C ity R ollers Chicago City Rollers p laye y rn amed Tahirih Tahirih JJohnson, ohnson, aa.k.a. .k.a. player named T equila M o ckingbird, w hose iinjury njur y Tequila Mockingbird, whose iin n2 0 07 w as so so ssevere evere iitt llanded anded h er 2007 was her iin naw heelchair. ““II was was falling falling aand nd wheelchair. ssomeone’s omeone’s sskate kate d rove iinto nto m eck,� drove myy n neck,� sshe he ssays. ays. ““II was was ccompletely ompletely p aralyzed.� paralyzed.� Since then, then, Johnson Johnson has has been b een Since b attling her her insurance insurance provider, provider, A IG, battling AIG, tto o ccover over her her medical medical eexpenses xp enses aand nd h ad had tto o re rrelocate locate to to O klahoma C ity tto o llive ive Oklahoma City w ith h er b oyfriend’s parents. parents. A lthough with her boyfriend’s Although sshe he ccan an n ow move move all all h er llimbs, imbs, now her JJohnson ohnson is is struggling struggling to to ccover over tthe he ccost ost o rregular gular physical physical therapy. therapy. P roceeds off re Proceeds ffrom ro r m the the Derby Derby Hurts Hur ts m erchandise merchandise w ill ggo o ttoward oward tthat hat eend. nd. will Although she she does do es not not participate par ticipate Although o nD erby H ur ts—her injury injury is is sso o on Derby Hurts—her m uch more more severe severe tthan han tthe he o thers’ much others’ iinjuries—Johnson njuries—Johnson supports supp orts the the idea. idea. “In the the beginning, beginning, I couldn’t couldn’t do do a “In ssit-up. it--up. I ccould ould barely barely m ove. Now Now it’s it’s move. m uch different,� diffe f rent,� she she says. says. ““It It d oesn’t much doesn’t gget et m uch worse worse than than my my ssituation, ituation, sso o much Iw ould ssay ay fo anyb o dy, you you re ally ccan an would forr anybody, really sstart tar t o ver.� over.� A for for Smith, Smith, the the success success of of Derby Derby As H ur ts h as lled ed h er tto o relinquish relinquish h er Hurts has her her sseat eat o n the the SCDG SCD G b oard to to w ork on board work eexclusively xclusively o n issues issues o ealth aand nd on off h health w ellness. She She iiss p ar tnering w ith tteam eam wellness. partnering with ssponsor p onsor S eabright S pine & S p ort to to Seabright Spine Sport ccreate reate workshops workshops and and fitness f itness re gimens regimens fo he tteam eam that that focus fo cus o n strength, streng th, forr tthe on ssafety afety aand nd iinjury njur y p revention. B ut w ill prevention. But will sshe he sskate kate again? again? “Hell, yeah. yeah. It’s It’s really really been b een a dream dream “Hell, o ine tto o be be aable ble to to ta ke o ur tteam eam tto o off m mine take our re gionals. I gotta gotta b n that that tteam. eam. II’m ’m regionals. bee o on ggoing oing to to b at regionals,� regionals,� sshe he ssays. ays. ““But But bee at II’m ’m o nly ggoing oing tto o let let myself myself h avve o ne only have one m ore ssurgery.� urgery.� more Derby Der rbby H Hu Hurts urts is at www.derbyhurts.ning.com. www w..derbbyyhurts.ningg..com.

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Pay Grades

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T’S BEEN reported by the Santa Cruz Sentinel that the seven members of the Santa Cruz City Council are paid roughly double the salaries of their counterparts in Scotts Valley, Capitola and Watsonville. But what about cities with bigger budgets or fewer services? Turns out, Santa Cruz’s council salaries are still pretty high—but they’re not the highest. Santa Cruz City Council members work part-time, usually 20 to 30 hours per week during nonemergencies, and make $1,396 per month, which is down from $1,551 per month since early this year when the council, along with all other city employees, took a 10 percent pay cut. The city’s total annual budget for 2009–2010 is $178 million and includes operating outsourced services like garbage and recycling pickup. Though their pay is indeed higher than other city councils in the county, it can easily be

argued that Capitola, Scotts Valley and Watsonville’s respective budgets of $19 million, $20 million and $93 million give their councils—simply put—less to do. Outside the county, however, Santa Cruz councilmembers enjoy two to three times the salaries they would in Monterey and Palo Alto, where councilmembers make $430 per month and $553 per month and oversee budgets of $101 million and $499 million, respectively. Santa Cruz Mayor Mike Rotkin, who has served on the council on-and-off for 30 years, defends his pay, saying that when it comes to local government, you get what you pay for. “When I started on the council in ’79, we got 50 bucks a month. But I think a community has to decide whether they want to have a council comprised entirely of older rich people who don’t have to work, or if they want a diverse group of people that are still working and are

more reflective of the community,� says Rotkin. “We’re able to be much more accessible to the people that voted for us if we don’t have to work full-time at another job to make a living. I feel very comfortable being paid what I am.� On Nov. 24, the Santa Cruz City Council voted to allow its members to take a 10 percent pay increase, though they simultaneously deferred taking the raise until the city was deemed to be out of its current financial pit. Even once they enact the pay raise, however, the council will still be paid significantly less than some other nearby city councils, where members work full-time. In Berkeley, for example, a city famous for setting precedents in policy, councilmembers make $2,436 per month, and in Santa Barbara it’s $3,285. Both cities oversee budgets in excess of $240 million; Berkeley’s is $320 million. Members of the Santa Cruz County Board of Supervisors take home $9,310 per month for keeping track of a $612 million budget. Santa Cruz City Manager Richard Wilson says that his job running the city is made much easier when the membership of the city council is competitive and diverse. He says paying a decent wage can be a great way to do that. “In reality, a city councilmember is an extremely busy position, and they often put in a ton of hours,� says Wilson. “In the best of all worlds you have strong elected officials and a strong staff. The pay, I think, emphasizes the responsibility of discharging their duties responsibly. We’re a big complex place that takes a lot of skill to oversee.�

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Sound Garden

Remembering 10 years of Santa Cruz underground music

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UTTING a retrospective of the Santa Cruz music scene into print is probably asking for trouble. After accepting this assignment, I posted a one-line status update to Facebook: “writing a roundup of Santa Cruz’s most significant bands of the decade. Suggestions?� It didn’t take long for the responses to start coming in. “There have been significant Santa Cruz bands since Camper Van Beethoven?� wrote one local, illustrating the foolhardiness of trying to present a single overview of a decade of Santa Cruz music. For every resident who thinks the local music scene ended in the early ’80s when CVB signed to a major and left town,

there’s a grubby teenager in a Soquel garage blasting through two-minute punk songs who has never heard of David Lowery. Ultimately, the terms “Santa Cruz music scene� and “Santa Cruz music community� are only convenient shorthand: there are many local scenes and communities. They only occasionally overlap, if ever. But for as long as I’ve been following Santa Cruz underground music, the concerns have remained the same. The local scene, often tethered to the four-year UCSC academic cycle, is far too transitory; bands are too flighty and don’t stick around long. There aren’t enough places to play. The relative geographic isolation makes touring difficult.

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As someone who played music in the town for the better part of the decade before leaving for Chicago in 2006, I’ve heard these sentiments many a time. They’re echoed to this day by friends who continue to keep me apprised of what’s going on in my old town. I’d like to celebrate, from my limited perspective as a player in some of those communities and an outside observer of others, the bands of the past decade that have overcome the challenges facing all Santa Cruz musicians—both the ones who have remained in town to become local institutions and those who have left to achieve wider notoriety. ¨

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Big Bang If this decade was the one in which indie rock broke, Santa Cruz was a bellwether. Linked by an underground telegraph that spiritually connected the local scene with those in Olympia, Wash., and Portland, Ore., Santa Cruz in the years 2000–2003 was a stunningly fertile place for indie rock. The scene’s wise benefactor was local ukulele star Oliver Brown, the Jonathan Richman–indebted schoolteacher/ songwriter who for four years starting in 2000 curated the 11-night annual Big Bang festival. Many of the bands on the Big Bang lineups have been forgotten, but viewed in aggregate, it’s stunning how accurately the festival predicted the decade of music to come. Out-of-town acts such as Sacramento-based !!! and Portland’s The Blow, destined to become certifiable underground stars within a few years, were complete unknowns when they played the Big Bang. These acts opened for local bands whose vision appears eerily prescient in retrospect— bands like the Lowdown, a three-piece specializing in an unholy racket that resembled Devo on a bender of bad meth and blown-out amps, a corrosive mixture of noise, speed and technology that predicted bands such as the Locust. Much the promise of the scene was embodied in the band that seemed most likely to blow up at the time: the sweetly sci-fi, Pixies-referencing

four-piece Sin in Space. Led by singer/ guitarist Cassidy Meijer and anchored by drummer Greg Braithwaite, an able hand who has turned up in numerous bands during the decade (including the immortal Huxtables), the band enjoyed an incredible amount of promise and label interest. If an observer was to guess which Santa Cruz indie band would break through to greater things in 2000 or ’02, Sin in Space would have been it. Instead, that band was fellow Big Bang fixture Comets on Fire, the acid-rockriffing four-piece that dominated many a house party for the first third of the decade before signing to Sub Pop Records and becoming the toast of Pitchfork and the indie-rock intelligentsia.

Reign of Lorelei There was a ton of other activity in Santa Cruz underground music in the early decade, as well. While the UC art kids were helping define the blueprint for ’00s indie rock, the local punk scene—comprised of true Santa Cruz locals, as they would surely remind you—were growing restless. Diversion, a Soquel trio started by three preteen punks in the late ’90s, had morphed from a precociously smart-ass hardcore group into something more resembling progressive rock. Just as the emo craze was hitting the national spotlight, it ¨ $

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was cresting in Santa Cruz, with locally anointed emo demigods like the Lonely Kings, Jetlag and Time Spent Driving selling out the Catalyst. As that generation of local punk bands moved on, a new shoot emerged in 2004, nurtured by one of the heavyweights of 1990s Santa Cruz music. Roughly organized beneath the banner of Lorelei Records, an independent label founded by former Fury 66 singer Joe Clements, the new punks avoided the polished emo sound that had dominated Santa Cruz during the late ’90s and taken over MTV by 2003. Instead, the bands harkened back to various strains of ’80s and early-’90s American punk rock. Clements headed up two of the most high-profile if short-lived bands, Audiocrush and Crucial Unicorn, while Here Kitty Kitty mashed riot grrl snarl to Ramones-esque razorblade bubblegum. The most durable of the new guard, immortalized in Lorelei’s 2005 compilation Bombs Over Santa Cruz, was Los Dryheavers. A five-piece Mexican punk outfit from Watsonville, Los Dryheavers echoed the chunky fuzz of ’80s American punk rock while throwing in an extra-heavy helping of Guns N’ Roses–quoting riffage. With three albums under their belt and a number of tours and Warped Tour slots, the Dryheavers have effectively placed Watsonville on the Santa Cruz underground map.

The Folks Are in Town

It’s impossible to talk about Santa Cruz music in this decade without mentioning The Devil Makes Three. Admittedly, I’m a biased observer—I lived with the trio, played in other, far less notable, bands with them and even poisoned the lead singer with undercooked chicken, an event chronicled in a song on the band’s latest album. But for the middle years of the decade the band clearly dominated the local scene, bridging the gaps between art-rock hipsters, body-building Eastside locals and august KPIG listeners. The Devil Makes Three were far from the first to do what they did—lash bluegrass and string-band music to punk-rock populism—but they were one of the first to do it in Santa Cruz and possibly the first to do it so well. Today, the band tours the nation and gets attention in national publications, but from 2002 to 2006 they were the local band to beat, packing basements and the Catalyst with ease and drawing national attention to a lively local scene that has always deserved more attention from the outside world. This era was probably my most active in the local music community. I played with the local cowpunk outfit Mule Train and organizing two compilations, Someday Coming Down and Someday Coming ¨

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On The Beach At The Santa Cruz Harbor

CAPITOLA-BY-THE-SEA

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1=D3@ AB=@G j A=C<2 5/@23< Round, that documented the town’s fascination with viewing American folk traditions through a punk- or indietinted lens. It’s a spirit that can be found in a wide variety of local acts, from the born-and-raised rockabilly partisans the Chop Tops to the unholy howl of Steven Griswold’s disheveled country ballads. The entire town seemed to be in a folkier mood during the midsection of the decade. As a large number of bands tweaked various forms of American folk music, artists such as Whysp, Emily Jane White and Ben Chasny were unearthing a more meditative form of acoustic music. Carrying a torch for the nearly-forgotten ’60s psych-folk of Vashti Bunyan and Bert Jansch, this trio of local artists played an important role in defining the then-nascent freak-folk scene ignited in San Francisco and L.A. by Devendra Banhardt. Unassuming and quiet, former Streetlight employee Chasny and White remained on the fringes of the local music community, and the work they recorded in town— Chasny as Six Organs of Admittance and White with the Diamond Star Halos— can be best appreciated in retrospect, long after they left and become critical favorites the world over.

Beachcombers For sheer visibility and impact on the outside world, The Devil Makes Three’s success was rivaled by the Expendables, a four-piece that dominated the stage like an 800-pound gorilla. Cribbing notes from Sublime and the Long Beach Dub All-Stars, the Expendables whipped up reggae, dub and metal into an amalgam that typified the sleepy beach-town vibe that draws so many people to Santa Cruz. Since the day in 2002 when the Expendables—Adam Patterson, Geoff Weers, Raul Bianchi and Ryan DeMars— were crowned the winners of Your Music Magazine’s first Battle of the Bands, the quartet has been on an upward trajectory, first dominating Santa Cruz before becoming a dependable touring act and even turning up on the soundtrack of Guitar Hero World Tour—the surest indicator of having made it by the end of the decade. If the Expendables typified one side of the town’s beach-town vibe, SambaDå exemplified its musically diverse, ebullient, polyglot complement. Formed in 1998 by local Brazilian expatriates Papiba Godinho and Dandha da Hora, the band has proven to be one of the town’s most dependable and venerable acts, specializing in an intricately percussive sound that spans

the Americas in its influences. By 2007, the band was recording with a Grammy-nominated producer (on the record Salve a Bahia), and serving as goodwill ambassadors to the world, of not only the multitude of cultures the band encompassed, but of a uniquely Santa Cruz sound that has inspired a generation of local world music artists.

The Devil Makes Three weren’t the first to do what they did—lash bluegrass and string-band music to punkrock populism— but they were one of the first to do it in Santa Cruz and possibly the first to do it so well. Decade’s End Yet as the Expendables and SambaDĂĄ came to embody Santa Cruz’s laid-back beach-town vibe, a crew of snot-nosed art punks sought to expose its id. On the heels of the promising yet shortlived Gross Gang, the New Thrill Parade dominated the town’s underground art scene in ’05 and ’06, lurching through Birthday Party–indebted noise-rock with the weight of a hundred hippies on bad tabs of acid. It was a restless time all around, as city noise ordinances ¨

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grew tighter and the underground house show scene all but disappeared. The response of bands such as the New Thrill Parade and the celestial noise-rock band Residual Echoes was to turn it up even louder, tossing defiant cacophonies back at a City Council that preferred its local art scene to be safe for tourist consumption. As the latter third of the decade rolled around, the underground’s twin obsessions of noise rock and psychedelia united. Indulging in opulent acid-rock excess, Sleepy Sun and the Vox Jaguars became the new standard-bearers for the local underground community. Both bands signed to indie labels in ’08 and have garnered the attention of the global psych-rock underground, once a niche movement of ’60s revivalists that has become legion in the globally connected age of social networking. On the sleazier end of things is the Groggs, dirty-humping garage-rock sleazebags who strip all the art from the art-rock in favor of a primeval yawp. Emboldened by the success of The Devil Makes Three, indie- and punkinflected folk music has become something of an institution of its own in town: witness the success of Birds Fled From Me, featuring Rachel Williams of Sleepy Sun, or the success of last year’s The Sounds of San Lorenzo compilation, organized by JJ McCabe of Mylo Jenkins and Tether Horse and

Dustin St. Wright. A two-disc sampler split between local rock and folk acts, the compilation remains a striking taste of what’s to come in Santa Cruz music while also being perhaps one of the most exhaustive single-project overviews of the diversity of the local community. A decade later, few of the players are the same. Yet the local underground music community remains vibrant, ever vigilant in the face of too few venues, UC student turnover, the high cost of living and the other difficulties facing musicians in Santa Cruz. The new guard, headed up by the likes of Fire Whiskey, Sourgrass, the Spurts and countless others, enter the new decade unbowed by the eternal challenges. You’d be hard-pressed to find a more active, supportive and diverse set of local music communities incubating such a wide array of bands and genres. As the world grows smaller and Santa Cruz’s renown slowly grows, some of these bands are destined to be the new decade’s next big thing.

Thanks to the following for their suggestions, feedback, criticisms and much clearer memories, transmitted via the wonder of the social web: The Santa Cruz Underground Music wiki, Siobahn Barry, Oliver Brown, Hiram Coffee, Mykle Hoban, JJ McCabe, Nick Meo, Pete Saporito and Hiya Swanhuyser.

24 |

december 9-16, 2009

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PENCER B PENCER BIDDISCOMBE ID DDISCOMBE iiss a sstout, tout, well-mannered well-mannered 27-year-old 27-year-old w ho iiss known known to to just just aabout bout every every who cconcert-going oncert-going local local u nder 2 as tthe he under 211 as driving force force behind behind the the Santa Santa Cruz Cruz punk punk driving scene. For Fo or 13 13 years years and and through through three three bands, bands, scene. the music music promoter promoter and and singer singer for for hardcore hardcore the set Among Among the the Living Living has has o rganized sshows, hows, set organized assisted fledgling f ledgling bands bands and and helped helped tturn urn assisted the funky funky Front Frront Street Street venue venue tthe he 4 18 the 418 Project into into a home home away away ffrom rom h ome ffor or a Project home new generation generation of of music music fans. fans. new “Do it it yourself. yourself. That’s Th hat’s what what I’m I’m all all “Do about, and and I try try to to teach teach that that to to the the young young about, kids,� he he says. says. “Santa “Santa Cruz Cruz has has always always been been kids, been a tough tough market market for for punk punk bands, bands, a been especially if if you’re you’re young. young. We We just just try try to to especially give everyone everyone a chance chance and and a place place to to play, play, give even if if you’re you’re 14, 14, 15 15 years years old. old. I think think that’s that’s even how you you build build something something that’s that’s more more how real than than what what you you see see at at a lot lot of of other other real venues.� venues. Biddiscombe’s latest latest effort effort is is a massive massive Biddiscombe’s 13-act showcase showcase going going down down Saturday, Saturday, 13-act Dec. 12 12 at at the the 418. 418. Billed Billed as as a CD CD release release Dec. show for for Among Among the the Living’s Living’s newest newest show self-titled and and self-produced self-produced album, album, the the self-titled showcase will will feature feature hours hours of of punk, punk, showcase hardcore and and metal metal music, music, all all for for the the hardcore bargain price price of of $10. $10. Ages Ages in in the the lineup lineup bargain range from from 15 15 and and 16 16 (metal (metal and and pop pop punk punk range bands Ecophagy Ecophagy and and Blitz Blitz Battalion) Battalion) to to bands veteran thirtysomethings thirtysomethings (Nations (Nations Afire). Afire). veteran Fo or Joel Joel Rosenberg, Rosenberg, Ecophagy Ecophagy vocalist vocalist and and For ever-present 418 418 concertgoer, concertgoer, it’s it’s shows shows like like ever-present this that that define define the the local local punk punk scene. scene. this “I don’t don’t know know if if Spencer Spencer knows knows this, this, but but “I without him him and and his his old old band band At At Risk, Risk, I without probably wouldn’t wouldn’t be be into into this this music music and and probably wouldn’t be be in in a band, band,� says says Rosenberg. Rosenberg. I wouldn’t “He does does more more for for the the local local scene scene than than “He probably anyone, anyone, and and he he doesn’t doesn’t get get probably enough credit credit for for it. it.� enough Biddiscombe and and the the 418’s 418’s reputation reputation Biddiscombe

7< :7D7<5 1=:=@ A 7< :7D7<5 1=:=@ Among mong the the Living Living guitarist guitarist Tom Tom Arnott, Arnottt, left, left, and and singer/promoter singer/promoter Spencer Sp encer Biddiscombe Biddisco c mb e aatt the the 418 418 Project, Project, where where Biddiscombe Biddiscomb e is is putting putting on on an an all-ages all-ages show show with with 13 13 bands bands this this Saturday S a t u rd a y

extend much extend much ffarther arther than than Santa Santa Cruz. Cruz. He He books bands b ooks eemerging merging b ands ffrom rom Salinas, Salinas, San San JJose, ose, Watsonville Watsonville and and all all over over the the Bay Bay Area, Area, well aass w ell as as national national touring touring acts acts like like Tiger Tiiger Army, Rise Against A rmy, R ise A gainst and and Agnostic Agnostic Front. Front. JJeremy eremy Lux Lux of of East East Bay Bay hardcore hardcore band band Wolves W olves aand nd Thieves, Th hieves, who’s who’s making making the the drive d rive south south to to play play Saturday’s Saturday’s show, show, says says people Biddiscombe’s iiff more more p eople took took B iddiscombe’s lead lead in in promoting p romoting local local shows, shows, emerging emerging bands bands would never bee w without w ould n ever b ithout a place place to to play. play. “That’s “Th hat’s what’s what’s so so great great about about punk punk rock rock DIY—anyone do hee says. aand nd D IY—anyone ccan an d o iit, t,â€? h says. ““Anyone Anyone ccan an ffind ind a ssmall mall venue venue aand nd sstart tart And with ssomething. omething. A nd w ith aall-ages ll-ages sshows, hows, you you know people aalways lways k now p eople aare re tthere here ffor or tthe he music message, not out m usic aand nd tthe he m essage, aand nd n ot jjust ust o ut tto o party. party.â€? The Th he 418 418 Project Project likely likely has has the the strangest strangest operations off aany Santa o perations sschedule chedule o ny vvenue enue iin nS anta Cruz. C ruz. Besides Besides sserving erving a ssteady teady sstream tream of of hungry h ungry customers customers sspicy picy Indian In ndian ffare are aatt the the Monkey CafĂŠ, woodenJJumping umping M onkey C afĂŠ, the the small small w oodenfloored host f loored vvenue enue ccan an h ost a yoga yoga cclass, lass, a

Wiccan prayer prayer rite rite and and a pop pop punk punk show show Wiccan all in in a single single day. day. As As an an all-ages, all-ages, nonprofit nonprofit all business, this this also also includes includes the the strict strict business, enforcement of of a prohibition prohibition on on drugs, drugs, enforcement alcohol and and smoking. smoking. For Fo or Biddiscombe, Biddiscombe, alcohol this this can can mean mean occasionally occasionally functioning functioning as as a baby baby sitter. sitter. “Half “Half my my job, job, a lot lot of of times, times, is is just just walking walking around around making making sure sure no no one one is is drinking drinking or or smoking, smoking,� he he says. says. “But “But it’s it’s really really important, important, because because all all it it takes takes is is one one time time for for the the cops cops to to show show up up at at the the wrong wrong time, time, and and if if a bunch bunch of of kids kids are are drinking drinking then then we we could could lose lose the the only only all-ages all-ages venue venue in in town. town.� Most Most the the kids, kids, however, however, know know that that staying staying out out of of trouble trouble at at the the 418 418 is is vital vital to to keeping keeping it it open open and and available available for for their their weekend weekend hangout hangout needs. needs. And And with with the the downsizing downsizing of of Laurel Laurel Street’s Street’s Teen Teen Center Center a block block away, away, more more youngsters youngsters are are counting counting on on its its cheap cheap entertainment entertainment to to keep keep them them occupied. occupied. Ana Ana Marden, Marden, the the 418’s 418’s executive executive director, director, says says she she prides prides

herself on herself on b being eing aable ble to to o offer ffer a ssafe, afe, d drugrugffree ree p lace ffor or teens teens tto o eexpress xpress tthemselves. hemselves. place S he also also ssays ays tthat hat sshe he ccouldn’t ouldn’t d o iitt She do w ithout B iddiscombe aand nd h is o rganic without Biddiscombe his organic cconnection onnection w ith the the local local sscene. cene. with “Kids in in Santa Santa Cruz Cruz don’t don’t have have that that “Kids m any places places tto o hang hang out out in in the the eevenings venings many aanymore, nymore, and, and, yyou ou k now, going going to to a sshow how know, iis, s, a llot ot o imes, ccheaper heaper than than ggoing oing tto oa off ttimes, m ovie,� ssays ays M arden. ““And And Spencer Spencer iiss jjust ust movie, Marden. o ne o hose guys guys who who eeveryone veryone k nows, one off tthose knows, aand nd who who tthe he yyoung oung k ids look look u p tto. o. W kids up Wee gget et a llot ot o ands iinterested nterested iin np laying off b bands playing h ere because because o is efforts. efforts. I’ll I’ll ttell ell yyou ou o ne here off h his one tthing, hing, I breathe breathe a sigh sigh of of relief relief w hen I when k now S pencer’s o n the the scene. scene.� know Spencer’s on AMONG THE THE LIVING LIVING screams screams along along AMONG with Wolves Wolves & Thieves, Thieves, Ecophagy, Ecophagy, Sick Sick with Mess, Nations Nations Afire Afire and and eight eight other other Mess, bands on on Saturday, Saturday, Dec. Dec. 12, 12, at at 6:30pm 6:30pm bands at the the 418 418 Project, Project, 418 418 Front Front St., St., Santa Santa at Cruz. Tickets Tickets $10 $10 at at the the door, door, all all ages. ages. Cruz.

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C<=@B6=2=F The Altared Christmas gang, dressed and ready for holiday cheer

Minor Miracles The Eastern strains of ‘An Altared Christmas’

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HEY WON’T believe it in Peoria, but Rhan Wilson isn’t making fun of Christmas. True, his show An Altared Christmas, now in its fifth year, puts carols in a minor key to comic effect—a dolorous “O Christmas Tree,� an ominous “Santa Claus Is Coming to Town,� a distraught-borderingon-unhinged “I Saw Mommy Kissing Santa Claus�—but the producer of the highly entertaining musical variety show says he is not, in fact, mocking the holiday. He’s making fun of what people have done to it. “I love ‘Deck the Halls.’ It’s so beautiful,� he says. “But it’s a to-do list, right at this stressful time of year. Maybe for a single mother it’s just too much: you’ve got to deck the halls with boughs of holly. You’ve gotta be jolly. You have to don your gay apparel. You have to troll the ancient Yuletide carol. So maybe by doing the song this way, people can get like a booster shot against that stress, so they can stop, right while they’re having that fight or whatever, and remember it and laugh.� The odd thing is that Wilson & Co.’s version of “Deck the Halls,� a dirgelike hymn sung by a woman choking back tears, is strangely beautiful. So is “Joy to the World.� Same, even, with “Jingle Bells.� All of them, once put through Wilson’s minor miracle machine, evoke the music of the East—namely Russian music, which explains Wilson’s Orthodox patriarch attire (at far right in photo above). Wilson says he’s always had a soft spot

for that genre—“It doesn’t sound sad to me. It sounds beautiful,� he says—and its suggestion of mystery and sorrow lends a slight ironic sheen to the peppy Christmas lyrics. Rendered through orchestration that for several years has included a clarinet and soprano sax, and which this year will include a violin, the music winds up reminiscent of Jewish klezmer, which adds yet another layer of humor. Other songs, however, veer in a decidedly more sophisticated direction. “Angels We Have Heard on High,� for example, makes for a compelling jazz number when sung by Tammi Brown, perhaps best known around town for her backup work with Sista Monica. “Rudolph the Red-Nosed Reindeer� takes its cues from a Police song that everyone will recognize sooner or later. This year, the Altared Christmas performance includes a black-and-blue costume contest and a remembrance altar where the audience can share mementos, as well as a gospel-style improvised finale where, Wilson says, “when it happens, people will know it’s the magic.�

AN ALTARED CHRISTMAS is Saturday, Dec. 12, at 8pm at the Rio Theatre, 1205 Soquel Ave., Santa Cruz. Tickets are $21 advance/$25 door, available at Streetlight Records, www .riotheatre.com or www.altared.com.

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16@7AB;/A B@33 E7<3 B@/7: Why didn’t we think of this? Two things that grow spectacularly well in the Santa Cruz Mountains—Christmas trees and grapes—come together at long last on the Christmas Tree Wine Trail. Nab a Christmas tree at Patchen, Frosty’s or Radonich Ranch, all in the general neighborhood of Summit Road, and then do some quality sipping and shopping at Burrell Schools, Generosa, Hunter Hill and other participating wineries; snacks and dinner available at Nonna’s in Redwood Estates, the Summit Road House on Highway 17 and the Summit Store. Through Dec. 24. For more information visit www. Christmastreewinetrail.com. 8ZciZg! +&% ;gZYZg^X` Hi! HVciV 8gjo! -(&#),*#&-*(#

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After two years and nearly all of her money, Lovedog Tattoo owner Cheri Lovedog is ready to unveil her independent film The Jesus Factor to the public and to humbly ask for support as she looks to cover the costs of entering upcoming festivals—call it a benefit screening. The film follows Johnny, the disowned son of born-again Christians, as he returns home to Fresno to deal with the death of 1]\bOQb 7[^`]d 2O\QS his mother and confront his family, faith and future. The film will be 8O[ followed by a Q&A with the director and actors. Sunday, Dec. 13, at 7Z\^ccZgh VcY di]Zgh VgZ 6:30pm at the Rio Theatre, 1205 Soquel Ave., Santa Cruz. Tickets are lZaXdbZ id i]^h deZc YVcXZ $6 advance/$5 students/$8 door. ZkZci l^i] a^kZ bjh^X0 Vahd 0`OhWZWO\ 2O\QS 1ZOaa ;dg WZ\^ccZgh VcY ^ciZgbZY^ViZ YVcXZgh# IjZ! +"-eb# &'# AdjYZc CZahdc 8dbbjc^in 8ZciZg! (%& 8ZciZg Hi! HVciV 8gjo! -(&#'%+#%*)'#

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A/<B/ 1@CH 16=@/:3 The Santa Cruz Chorale, under the sterling leadership of conductor Christian Grube, teams up with brass act the Antiquarian Funks for a holiday concert of music dating from the 14th century to the present, both popular and obscure. Sunday, Dec. 13, at 7pm at Our Lady Help of Christians Church, 2401 E. Lake Ave., Watsonville; show repeats Saturday, Dec. 19, at 8pm and Sunday, Dec. 20, at 4pm at Holy Cross Church in Santa Cruz. Tickets $20 general/ $18 seniors/$5 students, available at 831.427.8023 or www. Santacruzchorale.org. =^S\ ;WQ DeZc b^X [dg bjh^X^Vch! edZih! bV\^X^Vch VcY di]Zg Vgi^hih d[ Vaa V\Zh id eZg[dgb WZ[dgZ V a^kZ VjY^ZcXZ# GZ[gZh]bZcih VgZ egdk^YZY# HZXdcY LZY d[ ZkZgn bdci]! ,eb# 9dcVi^dch VXXZeiZY# Jc^iVg^Vc Jc^kZghVa^hi ;Zaadlh]^e d[ HVciV 8gjo 8djcin! +)%& ;gZZYdb 7akY! 6eidh! -(&#+-.#%+,%# >VgaWQOZ Ag[^b][a /eOYS\ G]c` 1]\aQW]ca\Saa :meZg^ZcXZ V gZaVm^c\ VcY cdcXgVX`^c\ [dgb d[ X]^gdegVXi^X# AZVgc ]dl higZhh ^h hidgZY ^c i]Z WdYn VcY [jZaZY Wn a^[ZÉh eViiZgch# 8Vaa [dg ^c[d VcY GHKE# Dc\d^c\! ZkZgn hZXdcY VcY [djgi] LZY d[ i]Z bdci]# ;gZZ# -(&#)*.#-)()# @SR 1`]aa ;]PWZS 0Z]]R 2`WdS I]Z 6bZg^XVc GZY 8gdhh! Cdgi]Zgc 8Va^[dgc^V GZ\^dc! XdcYjXih BdW^aZ 7addY 9g^kZh hZkZgVa i^bZh V bdci] ^c HVciV 8gjo VcY cdgi]Zgc BdciZgZn Xdjci^Zh0 XVaa [dg fjVa^[^XVi^dch! i^bZh VcY adXVi^dch# ;gZZ# -%%#))-#(*)(# AOZaO @cSRO 2O\QS 1ZOaaSa 7Z\^ccZg XaVhhZh ild ZkZc^c\h V lZZ`0 cd ZmeZg^ZcXZ cZXZhhVgn! eVgicZgh cdi gZfj^gZY! [^ghi XaVhh Xdbea^bZciVgn# IjZ! ,eb VcY LZY! -eb# Edgij\jZhZ =Vaa! '&+ :kZg\gZZc Hi! HVciV 8gjo# AO\bO 1`ch AObc`ROg ;O`YSb HVi! &%Vb"+eb# ;gZZ# HVc AdgZcod EVg`! WZilZZc LViZg Hi VcY HdfjZa 6kZ! HVciV 8gjo! -(&#*&*#)&%-# AO\bO 1`ch AZO[ K^h^i i]Z HVciV 8gjo HaVb id hZZ iVaZciZY edZih eZg[dgb gdjh^c\! hi^bjaVi^c\ XdbeZi^i^kZ hed`Zc ldgY ^c V XaVhh^X >g^h] ejW# HZXdcY Hjc d[ ZkZgn bdci]! -"&&eb# EdZi VcY EVig^di >g^h] EjW! ('% 8ZYVg Hi! HVciV 8gjo! -(&#*&%#&&*.#

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SANTACRUZ.COM december 9-16, 2009

BECAUSE HOLIDAY PICTURES

HAVE A WAY OF STICKING AROUND.

GIVE A GIFT CARD TODAY! TODA AY! Y

1-800-SUPERCUTSS www w.super . cuts.com m www.supercuts.com Scotts Valley

Santa Cruz

Capitola

266S Mt. Hermon Rd. In the Kmart Center

550C River St. Across from Cost Plus

1955 41st Ave. B-4 Down from Ross

438-2786

429-8713

476-1105

HOURS MON-FRI: 9AM-8PM SAT: 9AM-7PM SUN: 10AM-5PM

| 33

03/BA1/>3 ddecember e c e m b e r 9-16, 9 - 1 6 , 2009 2 0 0 9 A/<B/1@CH 1=; A/<B/1@CH 1=; !" ! " j 03/BA1/>3

Jazz Presenters since 1975

MON. DECEMBER 14 • 7 & 9 PM

CHARLIE HUNTER featuring Eric Kalb, Alan Ferber, Ron Miles, and Curtis Fowlkes $22/Adv $25/Door Sponsored by Universal Audio

SHOP JAZZ FOR THE HOLIDAYS!

Jazztix – T-shirts – Hats Concert Tickets – Aprons Gift Membershhips

WED. JANUARY 6 • 7 & 9 PM

TERRY BOZZIO, ALLAN HOLDSWORTH, TONY LEVIN, PAT MASTELOTTO $28/Adv $31/Door No Jazztix/Comps TUES. JANUARY 12 • 7 & 9 PM

ROBBEN FORD, MICHAEL LANDAU, JIMMY HASLIP, GARY NOVAK $23/Adv $26/Door No Jazztix/Comps THURS. JANUARY 14 • 7 PM Retro Swing & Vocal Jazz

ROBIN MCKELLE $18/Adv $21/Door MON. JANUARY 18 • 7 & 9 PM

MOSE ALLISON TRIO $23/Adv $26/Door 9:00pm show: 1/2 Price Night for Students MON. JANUARY 25 • 7 & 9 PM

DJANGO REINHARDT FESTIVAL “Django at 100� 7:00pm: $25/Adv $28/Door 9:00pm: $20/Adv $23/Door, No Jazztix/Comps Sponsored by Ow Family Properties

ON SALE WED. DECEMBER 16 MON. APRIL 26 • 8 PM AT SANTA CRUZ CIVIC Tix: 420-5260 & santacruztickets.com

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PAT METHENY

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When tthe When he influential inf luential aalt-country lt-country o utf it U ncle T upelo disbanded, disbanded, outfit Uncle Tupelo b oth lead lead ssongwriters—Jeff ongwriters—Jeff T weedy both Tweedy aand nd Jay Jay F arrar—had eequal qual o dds o Farrar—had odds off rreaping eaping the the benefits benef its of of tthe he alt-rock alt-rock b oom. Since Since tthen, hen, F arrar h as eenjoyed njoyed boom. Farrar has m oderate ssuccess uccess with with Son Son V olt, while while moderate Volt, T weedy fformed ormed a llittle ittle b and yyou ou may may Tweedy band h ave heard heard o called W ilco. For For a ffew ew have off called Wilco. yyears ears Farrar Farrar sseemed eemed vvisibly isibly sshaken haken b the acrimonious acrimonious ssplit, plit, rreleasing eleasing byy the iincreasingly ncreasingly d istracted rrecords ecords tto o distracted d iminishing rreturns. eturns. B ut after after a h alfdiminishing But halfd ecade iin n tthe he w ilderness, F arrar rreedecade wilderness, Farrar fformed ormed S on V olt iin n2 004, aand nd since since Son Volt 2004, tthen hen has has seemed seemed m ore focused focused than than more eever. ver. T he tthree hree studio studio rrecords ecords Son Son The V olt h as rreleased eleased ssince ince then then constitute constitute Volt has h is sstrongest trongest body body o work ssince ince tthe he his off work U ncle T upelo d ays, full full of of cconfident onf ident Uncle Tupelo days, ssentiment entiment aand nd w arm, lived-in lived-in melodies. melodies. warm, R io T heatre; $20; $20; 8pm. 8pm. ((Paul Paul M. M. Davis) Davis) Rio Theatre;

The psychedelic The psychedelic folk folk of of today—think today—think A nimal Collective, Collective, Devendra Devendra Banhart Banhart Animal eetc.—is tc.—is a far far cry cry from from the the wispy wispy aacoustic coustic ballads ballads of of 1960s 1960s bands bands like like Ka aleidoscope and and the the Incredible Incredible String String Kaleidoscope B and. Infinitely Inf initely truer truer to to its its psyche psyche Band. ffolk olk roots roots is is Philadelphia Philadelphia sextet sextet Espers. Espers. L ayering cloudy, cloudy, earth-toned earth-toned lyrics lyrics Layering w ith delicate delicate guitar guitar strummings strummings and and with rrattling attling drums, drums, the the band band washes washes its its ttunes unes in in a heavy heavy blend blend of of cellos cellos and and ffiddles, iddles, leaving leaving just just enough enough room room for for eelectronoise lectronoise cracklings cracklings to to still still be be called called ““experimental. experimental.� The The kind kind of of music music that that d oesn’t require require drugs drugs to to feel feel like like you’re you’re doesn’t o n them, them, this this show show has has the the potential potential on tto o be be a religious religious experience. experience. Fernwood Fernwood R esort, Big Big Sur, Sur, 831.667.2422; 831.667.2422; $15; $15; 9pm. 9pm. Resort, ((Curtis Curtis Cartier) Cartier)

There’s T here’s aan n aappealing ppealing w weightlessness eightlessness tto o JJoe oe P urdy’s ssoft-picked oft-picked ffolk olk llament— ament— Purdy’s tthe he m elodies sseem eem llike ike tthey’ve hey’ve b een melodies been eeffortlessly ffortlessly p lucked ffrom rom tthe he eether. ther. plucked A fter h is ssongs ongs m ade a ccouple ouple h ighAfter his made highp rof ile aappearances ppearances o n Lost Lost and and Grey’s Grey’s profile on Anatomy, it it seemed seemed that that Purdy Purdy was was Anatomy, destined for for the the big big time, time, but but instead instead destined he retrenched, retrenched, opting opting to to continue continue he to release release his his idiosyncratic idiosyncratic laments. laments. to What Purdy Purdy sacrificed sacrif iced in in exposure exposure he he What gained in in credibility, credibility, and and if if anything, anything, gained the retreat retreat has has only only made made his his alreadyalreadythe devoted fans fans all all the the more more loyal. loyal. On On devoted Purdy’s latest, latest, Last Last Clock Cloock on on the the Wall, Wall, Purdy’s the songs songs crackle crackle with with the the alluring alluring the inscrutability of of AM AM radio radio of of yesteryear. yesteryear. inscrutability Catalyst; $12 $12 advance/$15 advance/$15 door; door; 8:30pm. 8:30pm. Catalyst; (PMD) (PMD)

the

tour

Dinner served Mondays & Thursdays beginning at 6pm, serving premium wines & microbrewed beers. Snacks & desserts available all other nights. All age venue.

Advance tickets at Logos Books & Records and online at kuumbwajazz.org. Tickets subject to service charge and 5% S.C. City Admissions Tax.

Independently Produced Events FRI. DECEMBER 11 • 8 PM

A Winter Solstice Concert with DAVID ARKENSTONE & his Band A festive evening of Celtic inspired holiday music! $25/Adv $28/Door Tickets: Gateways, Logos, Streetlight Records & brownpapertickets.com

KUUMBWA JAZZ

320-2 CEDAR ST • SANTA CRUZ KUUMBWAJAZZ.ORG

4 27 - 2 2 27

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=67=/< = 6 7 =/ < None of None of the the four four members members of of Portland Portland b luegrass band band Ohioan Ohioan is is actually actually bluegrass ffrom rom Ohio. Ohio. N ot tthat hat being being ffrom rom a Not sstate tate known known for for bluegrass bluegrass music music lends lends m ore credibility credibility to to any any o the ccountless ountless more off the iindie ndie b luegrass bands bands tthat, hat, in in the the last last bluegrass ffew ew yyears, ears, h ave sprung sprung u p around around have up tthe he country country llike ike mushrooms mushrooms after after a rrainstorm. ainstorm. O hioan m anages to to stand stand Ohioan manages o ut, however, however, thanks thanks tto o a haunting haunting cocoout, eed d vvocal ocal d uo aand nd aan n eear ar ffor or aatmospheric tmospheric duo aand nd b oisterous b reakdowns. A lso boisterous breakdowns. Also k nown ffor or rrowdy owdy aand nd d ance h appy llive ive known dance happy sshows, hows, tthe he b and p ays p roper h omage band pays proper homage tto o tthe he A ppalachian b anjo d uelers tthat hat Appalachian banjo duelers

preceded them them and and sshould hould present present preceded plenty of of excuses excuses ffor or a n ight o bare plenty night off bare feet and and moonshine. moonshine. C repe Place; Place; $8; $8; feet Crepe 9pm. (CC) (CC) 9pm.

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<7</ AB=@3G < 7 < / A B= @ 3 G Nina Storey’s Nina Storey’s commanding commanding voice—a voice—a rrough ough and and rragged agged b elt of of Tennessee Tennessee belt w hiskey—bears the the m ark o oman whiskey—bears mark off a w woman w ho has has sseen een h er share share o ardship. It’s Itt’s who her off h hardship. a ggrit, rit, aan n aauthenticity, uthenticity, tthat hat iiss w elcome welcome iin n an an age age of of pre-fab pre-fab p op songstresses. songstresses. pop F ar ffrom rom a tthrowback, hrowback, S torey d raws Far Storey draws iinspiration nspiration from from ’60s ’60s b lues-rock blues-rock ttravelers ravelers such such as as Janis Jaanis JJoplin oplin w hile while rretaining etaining an an utterly utterly ccontemporary ontemporary ssensibility. ensibility. T hough Storey Storey h asn’t Though hasn’t rreceived eceived the the llevel evel o usic iindustry ndustry off m music aattention ttention tthat hat sshe he likely likely d eserves, deserves, sshe’s he’s made made a solid solid career career for for herself herself b utting o ut the the m iddleman and and byy ccutting out middleman b uilding a grassroots grassroots fandom, fandom, m ost building most rrecently ecently b eleasing ffree ree music music every every byy rreleasing w eek through through her her website. website. Moe’s Moe’s Alley; Alley; week $ 12 advance/$15 advance/$15 door; door; 6 pm. ((PMD) PMD) $12 6pm.

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16/@:73 16/@:73 6C<B3@ 6 C<B3@ A ccertified ertif ied ffreak reak o off n nature ature o on n tthe he Charlie Hunter walks jjazz azz gguitar, uitar, C harlie H unter w alks aass man boys when am an aamong mong b oys w hen iitt ccomes omes work. tto o vvirtuosic irtuosic sstring tring w ork. IIn n ffact, act, tthe he

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normal ssix normal ix sstrings trings tthat hat ccross ross tthe he ffrets rets o 95 percent percent tthe he world’s world’s gguitars uitars aare re off 95 ssimply imply inadequate inadequate for for Hunter, Hunter, aass h is his ccustom ustom axes axes aare re strung strung w ith sseven even aand nd with eeven ven eight eight sstrings. trings. Y et tthe he m an iiss aalso lso Yet man m uch more more tthan han a ttechnical echnical sideshow sideshow much sspectacle. pectacle. H airs h is ccerebral erebral skill skill Hee p pairs his w ith a well-trained well-trained n ose ffor or ssniffing niff ing with nose o ut talented talented aaccompanying ccompanying m usicians out musicians aand nd a knack knack for for creating creating eepic pic headheadn odding compositions. compositions. As As ggifted ifted aand nd nodding w ell respected respected a n ame aass yyou’ll ou’ll ffind ind well name iin n modern modern jjazz, azz, C harlie H unter iiss Charlie Hunter tthe he genuine genuine aarticle. rticle. K uumbwa; Kuumbwa; $ 22 advance/$25 advance/$25 d oor; 7 aand nd 9 pm. ((CC) CC) $22 door; 9pm.

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B/0 03<=7B B /0 03<=7B Some m Some musicians usicians ssing ing about about b being eing b born orn o nab ayou, and and ssome ome actually actually w ere. on bayou, were. T ab B enoit ffalls alls into into both both ccategories. ategories. Tab Benoit B orn iin nB aton R ouge, L a., B enoit Born Baton Rouge, La., Benoit sspent pent h is gguitar-playing uitar-playing teenage teenage yyears ears his aatt B lues B ox, w here he he aabsorbed bsorbed aall ll Blues Box, where h ould ffrom rom tthe he blues blues llegends egends w ho hee ccould who ffrequented requented tthe he joint. joint. After After eearning arning h is his cchops hops ffrom rom playing playing alongside alongside ffamous amous b lues m usicians aatt the the B lues B ox, h blues musicians Blues Box, hee sstarted tarted a trio trio in in 11987 987 and and h as b een has been w riting aand nd ttouring ouring eever ver ssince. ince. H is writing His ssoulful oulful vvoice oice iiss sure sure to to rresonate esonate w ith with aaudiences udiences aass his his wailing wailing gguitar uitar and and sswinging winging b ackup b and b uild tthe he vvenue enue backup band build iinto nto a fervor. fervor. This This original original blend blend of of C hicago, ssoul oul aand nd swamp swamp b lues iiss n ot Chicago, blues not tto ob issed. Moe’s Moe’s A lley; $ 20 d oor/ bee m missed. Alley; $20 door/ $ 15 aadvance; dvance; 8 pm. (BH) (BH) $15 8pm.

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HE TUNNEL-VISION HE TUNNEL-VISION sports sp or ts movie par m ovie p ar eexcellence, xcellence, Invictus Invictus based on Timothy ((aa ttitle itle b ased o n Ti mothy McVeigh’s poem) M cVeigh’s ffavorite avvorite p o em) uss tthat South Africa was healed ttells ells u hat S outh A frica w as h ealed off iits divisions byy tthe Rugby o ts rracial acial d ivisions b he R ugby world off 11995. not w orld ccup up o 995. IInvictus nvictus iiss n ot Whatever you his iinept. nept. W hatever yo u ccan an ssay ay aabout b out h is repetitiveness his willingness re petitiveness aand nd h is w illingness tto o Clint Eastwood knows how ggrind rind ccorn, orn, C lint E astw t ood k nows h ow focus our where hee tthinks tto o fo cus o ur aattention ttention w here h hinks belongs how underscore iitt b elongs aand nd h ow tto ou nderscore a private moment without dialogue. p rivate m oment w ithout d ialogue. This T his iiss ccalled alled ““craftsmanship.� craf tsmanship.� IIt’s t’s aalso lso when ccalled alled ccraftsmanship raf tsmanship w hen iit’s t’s iin na what you TV V ccommercial, ommercial, aand nd tthat’s hat’s w hat yo u off iin off d dialogue-free tthink hink o n a sseries eries o ialogue-frree where African boy sscenes cenes w here aan nA frican b oy ggathering athering befriends pair off aaluminum luminum ccans ans b efriends a p air o white w hite ccops. ops. But Eastwood doesn’t take his B ut E astwood d o esn’t ta ke h is forr ggranted; hee k knows aaudience udience fo ranted; h nows wee h have Wee ccan pick out w avve eeyes. yes. W an p ick o ut tthe he South African ffact act tthat hat tthe he 11995 9 95 S outh A frican Springboks has only S pringboks rrugby ugby tteam eam h as o nly one black member, off o ne b lack m ember, tthat hat tthe he ggame ame o was, days off Ne Nelson rrugby ugby w as, iin n tthe he eearly arly d ays o lson Mandela’s presidency, M andela’s p residency, a ssport port ffavored avvored byy tthe white Afrikaaners mostly b he w hite A frikaaners aand nd m ostly byy tthe African majority. iignored gnored b he A frican m ajority. Eastwood his with E astwo od sstocks to cks h is sscreen creen w ith tthe he kind off ffaces bodies k ind o aces aand nd b odies tthat hat llet et tthat hat hatred off tthe blacks us. h atred o he b lacks sseep eep iinto nto u s. Based on Carlin’s book Playing B ased o n JJohn ohn C arlin’s b o ok P laying

C<7B3@A C <7B3@A M Morgan orggan F Freeman’s reeman’s M Mandela andela aand nd M Matt att D Damon’s amon’s rrugger uggger sstrike t rike a bblow low fo forr rreconciliation econciliation iin n ‘‘Invictus.’ Invictus.’

tthe he Enemy, Enemy, IInvictus nvictus contrasts contrasts Mandela’s Mandela’s heroism after af ter 27 27 years years in in federal federal police police heroism custody with with the the divisions divisions in in the the custody countr y he he led. led. With With an an eye eye on on unity unity country (and being b eing a former former rugger rugger himself himself ) (and Mandela exhorted exhor ted the the South South African African Mandela team to to greatness grreatness in in the the quadrennial quadrennial team championship. Invictus Invictus drills drills down down the the championship. insistence that that this this one one game game brought brought insistence the nation nation together. together. the Mandela, Morgan Morgan Freeman Freeman As Mandela, gives us us noble, noble, cautious cautious acting; acting; it’s it’s gives obvious Freeman Freeman could could do do the the role role in in obvious his sleep. sleep. It’s It’s the the kind kind of of part par t where where r his someone says says of of Mandela Mandela “He’s “He’s not not someone saint!� because because this this conception conception of of a saint!� Mandela is is such such a saint. saint. Matt Matt Damon’s Damon’s Mandela p er fo ormance as as the the Springboks’ Springb oks’ team team performance captaain, Francois Francois Pienaar, Pienaar, is is a tribute tribute captain, to Damon’s Damon’s plasticity. plasticity. It’s It’s not not much much of of to part, but but Damon Damon makes makes it it a model mo del a part, of recessive, reecessive, intelligent intelligent interpretation. interpreetation. of

And P And Pienaar ienaar iiss p physically hysically eexactly xactly tthe he o pp osite o ho D amon was was in in T he opposite off w who Damon The IInformant! nformant! U nfortunately, tthe he ro le Unfortunately, role d o esn’t o fffer m uch; Pienaar Pienaar picks picks u p doesn’t offer much; up ggreatness reatness ffrom rrom M andela’s sstrength treng th of of Mandela’s ccharacter haracter b our o he ggreat rreat man’s man’s byy a ttour off tthe p rison ccell. ell. prison Rugby is is not not a game game made made for for Rugby sscreen creen p o etry, aand nd tthe he d og piles piles and and poetry, dog aall-but-drag-out ll-but- drag- out fights f ights o n the the field f ield on h ave n o sshape hape tto o them. them. Screenwriter Screenwriter have no A nthony P eckham iiss cclever lever tto o sstress tress Anthony Peckham tthe he n ickname o he S pringb oks’ nickname off tthe Springboks’ o pp onents iin n the the World World C up —the “All “All opponents Cup—the B lacks�—to m ake tthe he Ne w Ze alanders Blacks�—to make New Zealanders ssound ound llike ike b lack- clad vvillains illains aand nd tto o black-clad b eguile tthe he ttragically ragically A merica- centric beguile America-centric vviewer iewer w ho ccan’t an’t ssee ee tthe he eepochal p o chal who d rama iin n a ccontest ontest b etween S outh drama between South A frica aand nd tthe he K iwis. Africa Kiwis. Invictus stresses stresses Mandela’s Mandela’s regime regime Invictus aass ““balancing balancing b lack aaspirations spirations w ith black with

white fe white fears.� ars.� So So I ssuppose uppose iiff IInvictus nvictus h as p ar ticular re levance, it’s it’s as as a has particular relevance, m essage tto o the the Obama Obama p residency. message presidency. T he ffilm ilm counsels counsels triangulation, triangulation, The m ildness and and reconciliation reconciliation w ith tthe he mildness with eenemies nemies of of the the kind kind o luralism b oth off p pluralism both p oliticians represent. represent. O ne iiss lless ess in in a politicians One m oo d to to receive receive tthat hat m essage when when mood message o ne cconsiders onsiders n ot jjust ust tthe he sstate tate o he one not off tthe U nited S tates in in general general b ut of of South South United States but A frica iin np ar ticular, which, which, d espite tthe he Africa particular, despite ggreat rreeat rugby rugby m atch, iiss sstill till solidly solidly iin na match, w orld of of hurt. hur t. world

IINVICTUS NVICTUS (PG-13; (PG-13; 124 124 m min.), in.), directed directed bbyy Clint Clint Eastwood, Eastwood, written written bbyy Anthony Anthony Peckham, P eckhham, based based on on tthe he book book by by John John Carlin, C arlin, photographed photographed by by Tom Tom Stern Stern and and Morgan sstarring tarring M organ Freeman Freeman and and Matt Matt Damon, Friday D amon, opens opens F riday countywide. countywide.

" j 47:; december 9-16, 2009 A/<B/1@CH 1=;

SHOWTIMES FOR FRIDAY DEC 11 – THURSDAY DEC 17 “Breathtaking, with an exhilarating sense of hope!� –Washington Post (R) Daily: (2:00),

(4:30), 7:10, 9:30 plus Sat, Sun (11:30am) “DeNiro’s best role in years! A touching Christmas drama.� –Boxoffice

Robert DeNiro Drew Barrymore Sam Rockwell (R) Kate Beckinsale Melissa Leo (PG-13) Daily: (2:20),

(4:40), 7:00, 9:10 plus Sat, Sun (12 noon)

Nicolas Cage IN A WERNER HERZOG FILM

Daily: (4:20),

(R)

8:50

George Clooney Jeff Bridges Ewan McGregor Kevin Spacey

Daily: (2:10), 6:50, plus

(R) Sat, Sun (12:10) Midnights @ The Del Mar Fun! Prizes! Murder! Humphrey Bogart Lauren Bacall

The Big Sleep

Fri 12/11 & Sat 12/12 @ Midnight Next Week: HIS GIRL FRIDAY

www.thenick.com

STARTS FRIDAY 12/11! “Powerful! Oscar worthy performances.�

Sophie Okonedo

Sam Neill

–Leonard Maltin

Alice Krige

Film Capsules <3E 1/>A B63 075 A:33> (1946)

This famous pairing of Humphrey Bogart and Lauren Bacall was originally conceived as something else entirely: namely, a movie that made sense. Bacall’s part was pretty small, but when director Howard Hawks and company saw how mesmerizing she was, they had new scenes written for her, and those exchanges with Bogart would seal the legendary status of the film. In order to keep the running time about the same, however, the producers hacked out chunks of the film that explained the plot, meaning firsttime viewers are often a little fuzzy on the details by the time the credits

roll. Third-time viewers, too. But the trick is not to sweat it, just sit back and enjoy the ride. After all, it’s said that even Raymond Chandler (who wrote the novel on which the film is based) didn’t know who shot the chauffeur. (Plays at the Del Mar on Fri and Sat at midnight.) (SP) 7<D71BCA (PG-13; 143

min.) See review, page 41. (Opens Fri at Aptos, Cinema 9 and Green Valley.) B63 >@7<13AA /<2 B63 4@=5 (G; 97

min.) Disney goes retro in just about every way: this is not only their return to the Broadwaystyle musical where the characters sing, it’s also the first hand-drawn Disney film in five years. It’s a period piece as well, set in Louisiana

in the 1920s. It has a few nods to progress, including the studio’s first African American princess character (the prince is from a fictional country, the location of which is never revealed). And it’s based on a fairy tale by the Brothers Grimm, which of course is in the public domain—ironic, considering that Disney has done more than any corporation in history to extend copyright laws and undermine fair use. (Opens Fri at Cinema 9, Scotts Valley and Green Valley.) (SP)

and attempt to fight the decision in court. What happens to her plays out over the next 20 years, paralleling a tragic and now barely conceivable chapter in South Africa’s history. (Opens Fri at the Nick.) (SP)

@3D73EA /@;=@32 (PG-13; 88

min.) Matt Dillon and Laurence Fishburne star in the story of a crew that decides to steal an armored vehicle stuffed with cash.

A97< (PG-13; 116 min.)

0/2 :73CB3</<B( >=@B =4 1/:: <3E =@:3/<A (R;

Based on a true story, this South African film follows a girl thrown out of school under apartheid laws for being black. Her parents, however, are both white,

130 min.) Werner Herzog’s shaggier-thanshaggy restatement of Abel Ferrara’s nouveau-grindhouse Bad Lieutenant of 1992. Karl Marx could have

SHOWTIMES

Movie reviews by Traci Hukill, Steve Palopoli and Richard von Busack

guessed it: first time tragedy, second time farce. Nic Cage’s Terence McDonagh walks with one shoulder hunched like Richard III, and he’s further impeded by the immense .44 handgun jutting out of the polyester waistband of his suit. Cage is on the case of a murderer who took out five African immigrants. He trails a drug dealer significantly named “Big Fate� (Xzbit). It’s hard work, and the lieutenant needs lots of fortification from evidence-room cocaine and pills. Mostly, he’s a kind of flaneur of squalor, sticking his head through tattered screen doors or spending some relaxation time with his high-priced honey Frankie (Eva Mendes). Fine supporting work

abounds, with Jennifer Coolidge as a frowz, soaking up all the beer in the bayou. And the criminally underused Fairuza Balk is a dirty state trooper who can’t seem to keep the lieutenant awake for a tryst. Cage’s electric enthusiasm is bound to be downgraded by some. Truth is, he’s so much damn fun no one wants to see him shift gears and get into the soulfulness of the role, as he must. In short, it’s another movie that would be heralded as deeper if there had been subtitles. (See Metroactive.com for a longer review). (RvB) B63 0:7<2 A723

(PG-13; 126 min.) A well-off family discover a homeless teenager and help him make

Showtimes are for Wednesday, Dec. 9, through Wednesday, Dec. 16, unless otherwise indicated. Programs and showtimes are subject to change without notice.

(PG-13) Daily: (2:20),

(4:40), 7:00, 9:20 plus Sat, Sun (12 noon) “Romantic and wonderfully entertaining!� –Roger Ebert (4:50), 7:20, 9:30 plus Sat, Sun (12:30)

A/<B/ 1@CH 17<3;/ '

7\dWQbca – (Opens Fri) 12:45; 3:30; 6:15; 9. 3dS`gP]Rg¸a 4W\S – Daily 2:10; 4:20; 6:30; 8:40; plus Sat-Sun noon. =ZR 2]Ua – Wed-Thu 2:30; 4:40; 6:50; 9.

7\dWQbca – (Opens Fri) 1:05; 4:05; 7:15; 10:10 BVS >`W\QSaa O\R bVS 4`]U – (Opens Fri) 2; 4:30; 7; 9:25; plus Fri-Sun 11:30am. /`[]`SR – Wed-Thu 12:45; 2:55; 5:10; 7:30; 9:50; Fri-Wed 1:15; 3:20; 5:25; 7:45; 9:55. 4O\bOabWQ ;` 4]f – Wed-Thu 2:20; 4:40; 7:10; 9:25; Fri-Wed 2:10; 4:20; 6:45; 9; =ZR 2]Ua – Wed-Thu 2:35; 4:50; 7:20; 9:35; Fri-Wed 2:35; 4:55; 7:30; 9:35; plus

122 Rancho Del Mar Center, Aptos 831.688.6541 www.culvertheatres.com

Carey Mulligan Peter Sarsgaard Alfred Molina Emma Thompson Daily: (2:40),

/>B=A 17<3;/A

(PG-13)

Tony Leung IN A JOHN WOO FILM Once Nightly 8:40 A

+ Sat, Sun (12:20)

RED CLIFF(R)

COEN BROS. FILM

Daily: (3:20),

6:30

(R)

Ben Woody Samantha Foster Harrelson Morton Daily: (4:30),

(R)

9:10 plus Sat, Sun (11:50am)

Philip Seymour Hoffman

Bill Nighy

Kenneth Branagh

1475 41st Ave., Capitola 831.479.3504 www.culvertheatres.com

6:50

( ) = Bargain Shows Before 5:30pm

Fri-Sun 12:15. <W\XO /aaOaaW\ – Wed-Thu 2:40; 5:15; 7:40; 10:10; Fri-Wed 2:40; 5:15; 7:40; 10:05; BeWZWUVb( <Se ;]]\ – Wed-Thu 1:05; 2:05; 4; 5; 7; 8; 10; Fri-Wed 1:20; 4:15; 7:25; 10:15. BVS 0ZW\R AWRS – Wed-Thu 12:50; 3:50; 6:50; 9:45; Fri-Wed 1; 3:50; 6:50; 9:45. >ZO\Sb # – Wed-Thu 1:50; 4:15; 6:45; 9:10; Fri-Wed 1:50; 4; 6:30; 8:45; plus Fri-

BVS 0]]\R]QY AOW\ba 77( /ZZ AOW\ba 2Og – Daily 11:45am; 2:15; 5; 7:45; 10:15. 4O\bOabWQ ;` 4]f – Fri-Wed 11; 1; 3; 5:15; 7:30; 9:45. BeWZWUVb( <Se ;]]\ – Wed-Thu 11:10am; 1:55; 4:40; 7:30; 10:10. BVS 0ZW\R AWRS –Daily 11am; 1:45; 4:30; 7:15; 10.

Sun 11:40am.

23: ;/@

A1=BBA D/::3G $ 17<3;/A

1124 Pacific Ave., Santa Cruz 831.426.7500 www.thenick.com (R)

Daily: (2:10),

" AB /D3<C3 17<3;/A

1405 Pacific Ave., Santa Cruz 800.326.3264 x1700 www.regmovies.com

BVS ;S\ EV] AbO`S Ob 5]Oba – Fri-Wed 2:10; 6:50; plus Sat-Sun 12:10. 3dS`gP]Rg¸a 4W\S – Daily 2:20; 4:40; 7; 9:10; plus Sat-Sun noon. 0OR :WScbS\O\b( >]`b ]T 1OZZ <Se =`ZSO\a – Wed-Thu 1:50; 4:20; 6:50; 9:20;

Fri-Wed 4:20; 8:50. >`SQW]ca – Daily 2; 4:30; 7:10; 9:30; plus Sat-Sun 11:30am. BVS 0WU AZSS^ – Fri-Sat midnight.

BVS ;S\ EV] AbO`S Ob 5]Oba – Wed-Thu 1; 3:10; 5:30; 7:50; 10:15.

226 Mt. Hermon Rd, Scotts Valley 831.438.3261 www.culvertheatres.com BVS >`W\QSaa O\R bVS 4`]U – (Opens Fri) 2; 4:15; 6:45; 9; plus Fri-Sun 11:55am. 4O\bOabWQ ;` 4]f – Fri-Wed 1:20; 3:20; 5:30; 7:30; 9:30; plus Fri-Sun 11:20am. 0`]bVS`a – Fri-Wed 2:20; 4:45; 7:20; 9:45; plus Fri-Sun 11:45am. 3dS`gP]Rg¸a 4W\S – Wed-Thu 2:20; 4:30; 7; 9:15; Fri-Wed 4:30; 6:45; 9:15. BVS 0ZW\R AWRS – Wed-Thu 2; 4:45; 7:30; 10:10; Fri-Wed 1:40; 4:20; 7; 9:40; plus

Fri-Sun 11. BeWZWUVb( <Se ;]]\ – Wed-Thu 1:45; 4:30; 7:15; 10; Fri-Wed 1:45; 4:30; 7:10;

STARTS FRIDAY 12/11! “Extraordinary & inspirational with magnificent performances by Morgan Freeman and Matt Damon!� –Variety A CLINT EASTWOOD FILM

(PG-13)

Daily: (12:45), (3:30), 6:15, 9:00

Robert DeNiro Drew Barrymore (PG-13) Daily: (2:10), (4:20), 6:30, 8:40

plus Sat, Sun (12 noon)

Nickelodeon, Del Mar, & Aptos

<7193:=23=<

Lincoln and Cedar streets, Santa Cruz 831.426.7500 www.thenick.com AYW\ – (Opens Fri) 2:20; 4:40; 7; 9:20; plus Sat-Sun noon. @SR 1ZWTT – Wed-Thu 3; 6; 9; Fri-Wed 8:40; plus Sat-Sun 12:20. BVS ;SaaS\US` – Wed-Thu 2:10; 4:30; 6:50; 9:10; Fri-Wed 4:30; 9:10;

plus Sat-Sun 11:50am. /\ 3RcQObW]\ – Daily 2:40; 4:50; 7:20; 9:30; plus Sat-Sun 12:30. >O`O\]`[OZ /QbWdWbg – Wed-Thu 9:35. / AS`W]ca ;O\ – Wed-Thu 2:50; 5; 7:10; Fri-Wed 3:20; 6:30. >W`ObS @ORW] – Wed-Thu 9:20; Fri-Wed 2:10; 6:50.

Gift Cards – The Perfect Present! Available online or at the Box Office! www.thenick.com

COMING SOON! ‘Me and Orson Wells’ 12/18 Holiday Movie ‘Up’ 12/19 ‘The Road’ 12/18 ‘The Young Victoria’ 12/25 ‘Broken Embraces’ 12/25 ‘Up In The Air’ 12/25 (Aptos)

Children under 5 admitted only on Mondays & Weekend Matinees

@7D3@4@=<B AB/27C; BE7<

155 S. River St, Santa Cruz 800.326.3264 x1701 www.regmovies.com 0`]bVS`a – Daily 4; 7; 9:45; plus Fri-Sun 12:45. – Thu-Wed 3:30; 6:45; 10:05; Fri-Wed 3:15; 6:30; 9:40; plus Fri-Sun noon.

9:50; plus Fri-Sun 11:10am. >ZO\Sb # – Wed-Thu 1:10; 3:20; 5:30; 7:40; 9:45; Fri-Wed 2:10; plus Fri-Sun 11:55am. =ZR 2]Ua – Wed-Thu 2:10; 4:20; 6:45; 9. – Wed-Thu 2:45; 6:30; 9:45.

5@33< D/::3G 17<3;/ &

1125 S. Green Valley Rd, Watsonville 831.761.8200 www.greenvalleycinema.com 7\dWQbca – (Opens Fri) 1:30; 4:10; 6:40; 9:20; plus Sat-Sun 11am. BVS >`W\QSaa O\R bVS 4`]U – (Opens Fri) 11; 1:05; 3:05; 5:10; 7:15; 9:15. 4O\bOabWQ ;` 4]f – Fri-Wed 1:10; 3:10; 5:10; 7:10; 9:10; plus Sat-Sun 11:10am. 3dS`gP]Rg¸a 4W\S – Wed-Thu 1:15; 3:15; 5:15; 7:15; 9:15; Fri-Wed 3:15; 7:15; 9:15. =ZR 2]Ua – Wed-Thu 1:10; 3:10; 5:10; 7:10; 9:10. <W\XO /aaOaaW\ – Daily 1:05; 3:10; 5:15; 7:25; 9:30; plus Sat-Sun 11am. BeWZWUVb( <Se ;]]\ – Daily 1:30; 4:30; 7; 9:30; plus Sat-Sun 11am. >ZO\Sb # – Wed-Thu 1:15; 3:15; 5:15; 7:15; 9:15; Fri-Wed 1:15; 5:15;

plus Sat-Sun 11:15am.

j "!

A/<B/1@CH 1=; december 9-16, 2009 47:;

bears all the movie’s spine as a deliberately drabbed-down English teacher. Nick Hornby’s screenplay, from Lynn B63 0==<2=19 A/7<BA 77( /:: A/7<BA Barber’s memoir, might have meant he had input 2/G (R; 118 min.) The on the film’s excellent McManus brothers pre–Swinging London return from a quiet life soundtrack. Singer Beth in Ireland after learning Rowley steals the show their favorite priest has as the breathy canary at been waxed. one nightspot. (RvB) 0@=B63@A (R; 110 4/<B/AB71 ;@ 4=F min.) Jake Gyllenhaal (PG; 87 min.) A real proves most comforting artist learns to turn to Natalie Portman his limitations into when hubby Tobey strengths. In switching Maguire goes off to war gears entirely from in Afghanistan. Also live action to stopstarring Sam Shepard and Mare Winningham. action animation, director Wes Anderson Directed by Jim has created his most Sheridan. consistently enjoyable / 16@7AB;/A 1/@=: film. Anderson has (PG; 96 min.) Robert softened his typical aura Zemeckis, the guy who of disappointment with brought us 2004’s The a sense of rejuvenating Polar Express, vies with play. Based on a short CVS for earliest seasonal Roald Dahl children’s statement with this prebook, Fantastic Mr. Fox preseason release of the is a fairy tale, but it’s a animated classic. Scrooge realistic, slightly bleak is voiced by Jim Carrey; one. Fox (voiced by also features the voices George Clooney) is of Gary Oldman, Colin living a straight life with Firth and Robin Wright his wife (Meryl Streep). Penn. (TH) A midlife crisis rouses /< 32C1/B7=< the beast; he decides (PG-13; 103 min.) to turn hunter once Lone Scherfig’s British again. Retaliation comes coming-of-age film ends fast and hard: the Fox with a marathon session is robbed of his tail by of tea brewing, but it has a shotgun blast. In the its good points. The look war that follows, Fox is cool—1960ish England and his family—and, may be more interesting soon, all the creatures than the full-blown and in the woods—become overexposed later ’60s. refugees. Clooney is a Twickenham-raised fox in full: we see both Jenny (Carey Mulligan) the humorous suavity is studying for Oxford and the realization of when she gets picked possible failure. Clooney up by David (Peter is our Cary Grant, but Sarsgaard), a slightly what people forget older rotter; his slightly about the original Grant cruel eyes and flat smile is something that this forecast trouble to come. superbly compelling Until then, Jenny gets to Clooney remembers: the see London highlife and buried fears that a suave nightclubs, and voyages man harbors of being to Paris. Smelling class, out of control. (RvB) and wanting to make B63 ;3< E6= AB/@3 their hard-working /B 5=/BA (R; 100 daughter happy, Jenny’s min.) George Clooney parents (Cara Seymour, war comedy about Alfred Molina) relax the Army experiments leash. And that’s when with psychic powers in the young girl learns Iraq promises hot goathow David makes his money without working staring action. (SP) the football team. Stars Sandra Bullock, Tim McGraw and Quinton Aaron.

days. No one in the movie apparently saw one of those melodramas about the wealthy seducer who steals a poor but honest girl; letting that matter aside, Mulligan is charming, the meet-cute is deft and Olivia Williams

B63 ;3AA3<53@

(R; 120 min.) Woody Harrelson’s Capt. Stone is a CNO (Casualty Notification Officer), one of the pair of soldiers who turn up on doorsteps to regret to inform. Stone’s new partner, Sgt.

Montgomery (Ben Foster), is a simmering, tattooed fan of punk rock; he’s scarred from the war and is boiling with his own contempt for the civilians around him. The two-man team keep the pity for themselves and not for the survivors. But we start to see celebrity actors playing the bereaved: Steve Buscemi as a spitting, furious father; Samantha Morton, plumped and cushiony, with hair swept back to look like late-period Ann-Margret. That’s when the film’s previous death’s-head irony starts to grow domestic. One can’t stop watching Harrelson, who—despite cartoony work this year—seems on the verge of something great. Writer-turned-director Oren Moverman did the research; the slang sounds right. He also uses ideas and symbols that could have been done without; the first shot of Sgt. Montgomery, putting eye drops in his wounded eye all but says, “This man cannot weep.â€? The locations, in New Jersey’s aluminumsiding belt, give the story some kind of realism. Inside this movie is a much harsher and bigger film, and Harrelson, who is excellent, might have shown the way to it. (RvB) <7<8/ /AA/AA7< (R; 99 min.) The shiny Orientalism of Ninja Assassin’s dialogue is more of a treat than the fight scenes, which consist, basically, of a lot of whipping razor chains and purĂŠed ninjas, who go up in what look like explosions in a ragu factory. James McTeigue, of V for Vendetta, tells of an apostate ninja named Raizo (Korean pop star Rain), who turned against the Clan of Black Sand and is hiding in Berlin. Suffering nobly, he tries to protect an Interpol-like investigator (Naomie Harris) from the wrath of his seemingly hundreds of fellow warriors. In flashbacks, we see the savage training: kidnapped children are beaten into the ninja lifestyle under

the glare of Lord Ozuni (venerable martial artist Shô Kosugi). Despite the playfulness of scripters Matthew Sand and J. Michael Straczynski, the story gets stuck in origins; the fountains of gore are not so much nauseating as lulling. (Read a fulllength review online at Metroactive.com) (RvB) =:2 2=5A (PG) John Travolta and Robin Williams’ madcap adventures as prisoners of two 7-year-old twins. >7@/B3 @/27= (R;

135 min.) Director/ writer Richard Curtis’ Pirate Radio wastes a roster of first-rate actors, including Philip Seymour Hoffman, Bill Nighy, Nick Frost and January Jones. Curtis also rubbishes a fascinating story, the history of how ship-to-shore radio shortcircuited the BBC’s ban on rock music during the 1960s. Taking this interesting David and Goliath story, Curtis’ inspiration was to put pontoons under Animal House and float it. Kenneth Branagh plays the John Cleese–like fussy inspector, who determines to use the British government to shut down the musical madcaps afloat on a boat, broadcasting in the North Sea. Nighy plays the saturnine owner of the boat, and he has the proper louche 1960s air but nothing to do with it; he stands around, making the sour persimmon face, and we wait for something to happen. Hoffman is the legend-in-his-own-mind American DJ called the Count. Some rivalry is established when a fellow Yank DJ arrives on the boat: repeat-offender Rhys Ifans playing the silky Gavin Cavanaugh. (RvB) >:/<3B # (PG; 91

min.) (PG) An animated kids’ film. When an earth astronaut (voiced by Dwayne Johnson) arrives on an alien planet, he causes a panic among the cozy suburban inhabitants. >@317=CA 0/A32 =< B63 <=D3: >CA6 0G A/>>67@3 (R; 110

min.) Much lauded, but it’s a bulldozer. It’s 1987, during some of Harlem’s

7< 03BE33<!!Tpqijf!Plpofep!jt!b!njyfe.sbdf!hjsm!hspxjoh!vq! jo!bqbsuifje.fsb!Tpvui!Bgsjdb!jo!Ă•Tljo-Ă–!pqfojoh!Gsjebz/ most suffering years. A girl of immense girth, 16-year-old Claireece (Gabourey “Gabbyâ€? Sidibe) makes her way through life. She has intelligence, but she can’t focus, and we learn why in flashback; she was serially raped by her mother’s boyfriend. Her scathing, angry mother, Mary (Mo’Nique), blames Precious for this and her resulting pregnancy), urging her to stop this foolishness about school and go on welfare. Watching Sidibe, we see something of what this movie could have been if it hadn’t been so overcooked. Precious is practically a pre-Clintonera dream of the need for welfare reform: here, welfare is a generational evil that Precious might fall heir to. As you’ve heard, Mo’Nique is great, but Precious has a judgmental streak that won’t quit. And that’s been essential to a success worthy of its sensationalism. By the end of the movie, you know who all the heroes and all the villains are, and you can go home comfortable. (RvB) @32 1:744 (R; 148

min.) Carved from a two-part movie of nearly five hours, John

Woo’s humongous Chinese hit seems to be either too short or too long. Promising subplots keep trying to break out. Emotional moments rise out of nowhere, only to have their force dissipated by yet another battle scene. Thousands die, most of them impaled by widegage spears and arrows, but I couldn’t tell you for certain which side they were on. In 200 C.E., the power-mad Prime Minister Cao Cao (Fengyi Zhang) has bled China into a kind of peace. But some of his former enemies are restless: a pair of them, Liu Bei (You Yong) and Sun Quan (Chang Chen) hole up at the Yangtze River fortress of Red Cliff to wait for the attack by sea. Among this cliff-side assembly of royals and generals are the warrior Zhou Yu (Tony Leung) and the most fascinating figure of all, the Confucian paragon Zhuge Liang (Takeshi Kaneshiro). His tactics save the entrenched rebels from the vaster force. Whenever this calm, white-robed strategist enters, some particularly exciting business develops. Kaneshiro is one of the coolest

presences in the movies in 2009. The very end, of course, is a reprise of Woo’s most famous contribution to cinema, the multi-angle Hong Kong standoff. (RvB) / A3@7=CA ;/< (R; 113 min.) All the themes in the Coen brothers’ previous films blend harmoniously in this terrific tale of comedic woe and horror. Minneapolis, 1967: a meek professor Larry Gopnik (stage actor Michael Stuhlbarg, looking like a dispirited Harold Lloyd) teaches physics at a small college. Gopnik is tantalized with the possibility of tenure, betrayed by his wife with their neighbor Sy Ableman, a clammy, polyester-clad swine (Fred Melamed, brilliant). Gopnik’s son Danny (Aaron Wolff) has a cowlike indifference to his father’s plight. And Larry must take charge of his unemployable brother Arthur (Richard Kind), an obese holy fool. The postmodern moments give A Serious Man a vaudeville kick: a prologue about the appearance of a demon in the old-time Jewish ghetto is staged like a lost episode of Mario

Bava’s Black Sunday. In another of this film’s parables, a Hebrew message is carved by God into the teeth of a gentile to teach—what? some indecipherable lesson, like the physics equations on Larry’s chalkboard, like the Hebrew letters Danny is too dumb to learn. (RvB) (PG-13; 158 min.) Nutty but not crunchy rip-off of When Worlds Collide. A few minutes are absolutely high art: a lovingly detailed sequence of downtown L.A. wobbling on all sides of a mile-deep fissure in the earth, the skyscrapers dancing around its brink or keeling over in slow faints. Being Roland Emmerich, the director must cut away from this splendor to John Cusack, his ex-wife Amanda Peet and his family (adorable daughter and bratty son), and the exwife’s new squeeze, an expendable plastic surgeon (Thomas McCarthy)—better the whole world be inundated than one American nuclear family should be sundered. No surprise, 2012 is a film of sequences and of wildly uneven tone. (RvB)

44 |

december 9-16, 2009

SANTACRUZ.COM

Wine shop Tasting

Pacific Ave.

(Or, if you prefer, well done.)

The Hindquarter’s pre-paid Hospitality Card Stop by for yours today. Get one for yourself and others as gifts. Load them for as much as you want. They’re as good as cash and can be reloaded over and over. Whoever you give one to will have a cow!

426-7770 “where the elite meat” 303 Soquel Avenue between Ocean and Pacific

Lunch & Dinner www.thehindquarter.com

I

In Santa Cruz

I

Reservations Advised

Museum of Art and History

Abbot Square

Cooper Street

As stocking stuffers go, this one is very rare.

Annie Glass

Gifts Accessories

Front Street

Downtown Santa Cruz on Abbott Square off Cooper Street (Near Annie Glass).

831-426-VINO (8466) www.vinocruz.com

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11711 711 M Mission ission St., St., Santa Santa Cruz Cruz LLunch unch 11:30am–2pm 11:30am–2pm Mon–Fri; Mon–Fri; ddinner inner nightly nightly from from 5pm 5pm 831.427.0135 8 31.427.0135 www.ristoranteavanti.com w ww.ristoranteavanti.com

"$ j 27<3@¸A 5C723 december 9-16, 2009 A/<B/1@CH 1=;

Diner’s Guide

Our selective list of area restaurants includes those that have been favorably reviewed in print by Santa Cruz Weekly food critics and others that have been sampled but not reviewed in print. All visits by our writers are made anonymously, and all expenses are paid by Metro Santa Cruz. AG;0=:A ;/23 A7;>:3( + C\RS` + # + $ + O\R c^

Price Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

/>B=A $$ Aptos

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$$ Aptos

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$$$ Aptos $$$ Aptos

$$ Aptos

207 Searidge Rd, 831.685.0610

8017 Soquel Dr, 831.688.1233 :/ 03::/ D7B/ 07AB@=

257 Center Ave, 831.685.8111 A3D3@7<=¸A 5@7::

7500 Old Dominion Ct, 831.688.8987

Indian. Authentic Indian dishes and specialties served in a comfortable dining room. Lunch buffet daily 11:30am-2:30pm; dinner daily 5pm to close. www.ambrosiaib.com American and specialty dishes from the British and Emerald Isles. Full bar. Children welcome. Happy hour Mon-Fri 2-6pm. Open daily 11am to 2am. Italian. Ambience reminiscent of a small trattoria in the streets of Italy, serving handmade lasagna, pasta dishes, gnocchi and fresh fish. Wed-Sun, Lunch 11am-2pm, Dinner 5-9pm. Continental California cuisine. Breakfast all week 6:30-11am, lunch all week 11am-2pm; dinner Fri-Sat 5-10pm, Sun-Thu 5-9pm. www.seacliffinn.com.

H/;33< ;327B3@@/<3/< Middle Eastern/Mediterranean. Fresh, fast, flavorful. Gourmet

7528 Soquel Dr, 831.688.4465

meat and vegetarian kebabs, gyros, falafel, healthy salads and Mediterranean flatbread pizzas. Beer and wine. Dine in or take out. Tue-Sun 11am-8pm.

1/>7B=:/ $ Capitola

Capitola

Holiday Feasts Begin Here!

1/43 D7=:3BB3

104 Stockton Ave, 831.479.8888

All day breakfast. Burgers, gyros, sandwiches and 45 flavors of Marianne’s and Polar Bear ice cream. Open 8am daily.

>/@/27A3 ACA67 Japanese. This pretty and welcoming sushi bar serves 200 Monterey Ave, 831.464.3328 superfresh fish in unusual but well-executed sushi combinations. Wed-Mon 11:30am-9pm.

California Continental. Swordfish and other seafood specials. Dinner Mon-Thu 5:30-9:30pm; Fri 5-10pm; Sat 4-10:30pm; Sun 4-9pm.

A6/2=E0@==9

Capitola

1750 Wharf Rd, 831.475.1511

AB=19B=< 0@7253 5@7::3 Mediterranean tapas. Innovative menu, full-service bar,

Capitola

231 Esplanade, 831.464.1933

international wine list and outdoor dining with terrific views in the heart of Capitola Village. Open daily.

$$$ Capitola

H3:2/¸A

203 Esplanade, 831.475.4900

California cuisine. Nightly specials include baby back ribs, prime rib, lobster and mahi mahi. Daily 7am-2am.

A/<B/ 1@CH $$ Santa Cruz

Monterey Bay CertiďŹ ed Farmers Markets Home & Hearth Holiday Fair begins November 21! With over 80 vendors, our markets offer an unsurpassed selection of fresh produce, fruits, organic meat, farm fresh eggs

$$ Santa Cruz

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1116 Pacific Ave, 831. 426.7588

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110 Church St, 831.429.2000

$$ Santa Cruz

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Santa Cruz

2218 East Cliff Dr, 831.476.4560

$ Santa Cruz

460 Seventh Ave, 831.477.2908

1134 Soquel Ave, 831.429.6994

4/<2/<5= ;3F71/<

$$ Santa Cruz

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and artisan products.

$$ Santa Cruz

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APTOS FARMERS MARKET

303 Soquel Ave, 831.426.7770

1102 Pacific Ave, 837.420.0135

at Cabrillo College Saturdays, 8am - 12pm

For Holiday Fair schedule, see www.montereybayfarmers.org

6C:/¸A 7A:/<2 5@7::

Santa Cruz

221 Cathcart St, 831.426.4852

Mexican/Seafood/American. Traditional Mexican favorites. Best fajitas, chicken mole, coconut prawns, blackened prime rib! Fresh seafood. Over 50 premium tequilas, daily happy hour w/ half-price appetizers. Sun-Thu 11am-10pm, Fri-Sat 11am-11pm. American, California-style. With a great bar scene, casually glamorous setting and attentive waitstaff. Full bar. Mon-Sat 11:30am-10pm, Sun 1-10pm. Crepes and more. Featuring the spinach crepe and Tunisian donut. Full bar. Mon-Thu 11am-midnight, Fri 11am-1am, Sat 10am-1am, Sun 10am-midnight. Seafood. Fresh seafood, shellfish, Midwestern aged beef, pasta specialties, abundant salad bar. Kids menu and nightly entertainment. Harbor and Bay views. Lunch and dinner daily. Mexican. Serving breakfast all day. Popular for our street tacos and handmade Salvadorian pupusas. Vegetarian options made w/ local fresh vegetables & organic tofu. Daily 9: 30am-9:30pm. Americana. Ribs, steaks and burgers are definitely the stars. Full bar. Lunch Mon-Sat 11:30am-2:30pm; dinner Sun-Thu 5:30-9:30pm, Fri-Sat 5:30-10pm. California/full-service bakery. Breakfast, lunch, dinner. “Best Eggs Benedict in Town.� Happy Hour Mon-Fri 5-6pm. Halfprice appetizers; wines by the glass. Daily 8am-9pm. ’60s Vegas meets ’50s Waikiki. Amazing dining experience in kitchy yet swanky tropical setting. Fresh fish, great steaks, vegetarian. Full-service tiki bar. Happy-hour tiki drinks. Aloha Fri, Sat lunch 11:30am-5pm. Dinner nightly 5pm-close.

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A/<B/1@CH 1=; december 9-16, 2009 27<3@¸A 5C723

$$ Santa Cruz $$ Santa Cruz

7 :=D3 ACA67

516 Front St, 831.421.0706 8=6<<G¸A 6/@0=@A723

493 Lake Ave, 831.479.3430

$$$ :/ >=AB/ Santa Cruz 538 Seabright Ave, 831.457.2782 $$ Santa Cruz

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$$ Santa Cruz

>/17471 B6/7

Seafood/California. Fresh catch made your way! Plus many other wonderful menu items. Great view. Full bar. Happy hour Mon-Fri. Brunch Sat-Sun 10am-2pm. Open daily. Italian. La Posta serves Italian food made in the old style— simple and delicious. Wed-Thu 5-9pm, Fri-Sat 5-9:30pm and Sun 5-8pm.

Fine Mexican cuisine. Opening daily at noon. 49-B Municipal Wharf, 831.458.9393 1319 Pacific Ave, 831.420.1700

@7AB=@/<B3 7B/:7/<=

Santa Cruz

555 Soquel Ave, 831.458.2321

$$ Santa Cruz

@=A73 ;11/<<¸A

1220 Pacific Ave, 831.426.9930

$$ Santa Cruz

105 Walnut Ave, 831.423.2020

$$ Santa Cruz

2415 Mission St, 831.423.9010

$$ Santa Cruz

Japanese Fusion. Sushi bar, sake bar, vegetarian, seafood, steak in fun atmosphere; kids play area; karaoke every night. Open seven days 5-10pm; Mon-Fri 11:30am-2:30pm.

A=74

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710 Front St, 831.427.4444

Thai. Individually prepared with the freshest ingredients, plus ambrosia bubble teas, shakes. Mon-Thu 11:30am-9:30pm, Fri 11:30am-10pm, Sat noon-10pm, Sun noon-9:30pm. Italian-American. Mouthwatering, generous portions, friendly service and the best patio in town. Full bar. Lunch Mon-Fri 11:30am, dinner nightly at 5pm. Irish pub and restaurant. Informal pub fare with reliable execution. Lunch and dinner all day, open Mon-Fri 11:30ammidnight, Sat-Sun 11:30am-1:30am. Wine bar with menu. Flawless plates of great character and flavor; sexy menu listings and wines to match. Lunch Wed-Sat noon2pm; dinner Mon-Thu 5-10pm, Fri-Sat 5-11pm, Sun 4-10pm; retail shop Mon 5pm-close, Tue-Sat noon-close, Sun 4pm-close. Pizza. Specializing in authentic Sicilian and square pizza. Homemade pasta, fresh sandwiches, soups, salads and more. Hot slices always ready. Sun-Thu 10am-9:30pm, Fri-Sat 10am-11pm. Pizza. Pizza, fresh salads, sandwiches, wings, desserts, beers on tap. Patio dining, sports on HDTV and free WiFi. Large groups and catering. Open and delivering Fri-Sat 11am-2am, Mon-Thu 11am-1am, Sun 11am-midnight.

A/< :=@3<H= D/::3G $$ Felton

@32E==2 >7HH3@7/

6205 Hwy 9, 831.335.1500

Organic Pizza. Everything organic: pizza, lasagna, soup, salad, beer and local wine. Always organic, local produce. Party room seats 32. Weeknights 4-9pm (closed Tue), Fri 4-10pm, Sat 1-10pm, Sun 1-9pm. See menu at www.redwoodpizza.com.

A1=BBA D/::3G $ 63/D3<:G 1/43 American. Serving breakfast and lunch daily. Large parties Scotts Valley 1210 Mt. Hermon Rd, 831.335.7311 welcome. Mon-Fri 6:30am-2:15pm, Sat-Sun 7am-2:45pm. $ 87/ B3::/¸A Scotts Valley 5600 #D Scotts Valley Dr, 831.438.5005

Cambodian. Fresh kebabs, seafood dishes, soups and noodle bowls with a unique Southeast Asian flair. Beer and wine available. Patio dining. Sun-Thu 11am-9pm, Fri-Sat 11am-10pm.

A=?C3: $$ Soquel

3: 167>=B:3 B/?C3@7/

4724 Soquel Dr, 831.477.1048

Mexican. Open for breakfast. We use no lard in our menu and make your food fresh daily. We are famous for our authentic ingredients such as traditional mole from Oaxaca. Lots of vegetarian options. Mon-Fri 9am-9pm, weekends 8am-9pm.

"& j /AB@=:=5G december 9-16, 2009 A/<B/1@CH 1=;

Astrology Free Will

By Rob Brezsny

For the week of December 9 /@73A (March 21–April 19): “Indignation is one of the most rewarding of emotions,� writes Theodore Dalrymple, “as well as one that automatically gives meaning to life . . . There is nothing like irritation to get the juices circulating and the mind working.� Of all the ideas that have made me irritable and indignant in recent weeks, this one steams me the most. I disagree so completely that I am practically beside myself with paralyzing rage. And as I plunge my attention further and further into his ridiculous proposal, I feel the tension coursing through my body. I sense my mind becoming swampy, my perceptions distorted. There’s a good chance that I am inducing in myself a state of stressed out stupidity. Please don’t follow my example, Aries. It’s possible that sour fury could be useful to you at other times, but right now you should avoid it. If you want your intelligence to work at peak efficiency in the coming days, you’ll need long stretches of tender, lucid calm. B/C@CA (April 20–May 20): The evidence is incontrovertible: You have definitely acquired more power in 2009. Whether that means you are now sitting in a corner office bossing around a gaggle of subordinates, I don’t know. What I do know is that you are in greater charge of your own destiny. You know yourself much better, and are smarter about providing yourself with what you need, when you need it. You have gained access to enormous new reserves of willpower, in part by harnessing the energy of your obsessive tendencies. Blind fate just doesn’t have the same control over your life as it used to. More than ever before, you’re making decisions based on what’s really good for you rather than on your unconscious compulsions. 53;7<7 (May 21–June 20): I trust you’ve traveled all over creation in 2009—or have at least exposed yourself to a wide range of novel sights and sounds near your home turf. I pray that you’ve escaped one shrunken niche, two narrow perspectives, and three low expectations. I’m also hoping that in these last 12 months, you have regularly sought out pleasant jolts and breathtaking vistas that have inspired you to see the big picture of your unfolding destiny. If you haven’t been doing these things with the eager abandon you should have, please take the next f light to the other side of the world. Eat unfamiliar food, meet people who are very different from you, listen to strange music, climb a mountain and get your mind blown.

1/<13@ (June 21–July 22): So how are you doing with your year-long resurrection project, Cancerian? Have you been taking care of the finishing touches these past few weeks? If not, do so soon. It’s high time for you to officially and definitively rise from the dead. Your wandering in the underworld is at an end. Your mourning for broken dreams should be complete. In January, the age of exploration will begin; make sure your reborn spunk is ready for action by then. :3= (July 23–Aug. 22): I bet your relationship life will be a source of revolutionary teachings in 2010. Adventures in intimacy and partnership will draw you into some highly educational fun and games. You will be invited to dramatically expand your understanding of the nature of commitment. You will also be asked to dig deeper to discover your real desires, which up until now have been partially camouf laged by more superficial longings that were grafted onto you during the darker days of adolescence. How should you prepare for the interesting tests of the next 12 months? How can you get yourself in shape to earn the demanding gifts that will be within reach? Now is an excellent time to start thinking about those questions. D7@5= (Aug. 23–Sept. 22): Whenever the tide goes out, the creek I live next to loses a lot of its water to the bay. It becomes a narrow trickle surrounded by stretches of mud. From a distance the mud looks like a wet black desert, but if you get up close you’ll see it’s covered with tiny furrows, pits and bulges. This is evidence that many small creatures live there, although only the hungry ducks and egrets know exactly where to look to find them. Be like those birds, Virgo. As you survey your version of the mud f lat, ignore anyone who tells you that it’s barren. Go searching for the rich pickings. :70@/ (Sept. 23–Oct. 22): It seems to me that in 2009 you’ve learned to love the fact that all the

world’s a stage. You’ve found roles that have been fun to play, and you’ve expressed yourself with the nuanced zeal of a skilled actor in an elaborate theatrical production. I have very much enjoyed seeing you reveal the full range of your inner riches. If I were going to award Oscars to the astrological signs, you Libras would get the prize for “Best Performance of One’s True Self.�

A1=@>7= (Oct. 23–Nov. 21): “The nature of the work is to prepare for a good accident,� said filmmaker Sidney Lumet. He was talking about the craft of creating movies, but he could have also been advising you on how to make the most of the coming week. Your task, as I see it, is to set in order everything that can be set in order. Get very organized. Make sure you’re well-rehearsed. Be warmed up and highly alert. That way you’ll be ready to respond with graceful intensity when serendipitous opportunities arise within the framework you’ve put in place.

A/57BB/@7CA (Nov. 22–Dec. 21): One of your top accomplishments in 2009 is the way you have united parts of yourself that had not previously been very well connected. It seems you decided that you were tired of being split up into fragmented subpersonalities that had different agendas. Somehow you managed to convince them all to work together in a common cause. Now I’m quite impressed with the new spirit of cooperation that’s at work in your depths. I predict it will lead to an unprecedented singleness of purpose in 2010. 1/>@71=@< (Dec. 22–Jan. 19): In his book The Way of Transition, William Bridges defines the “neutral zone� as “that in-between time, after you’ve let go of your old life and before you have fully discovered and incorporated your new life.� Sound familiar? Maybe the neutral zone where you’re currently simmering isn’t as dramatic as that—maybe you haven’t been stripped of every single certainty and you’re not wandering in limbo. But I suspect you have at least let go of one aspect of your old familiar rhythm and have yet to ease into the one that’ll be familiar in the future. My advice? Don’t rush it. Get all you can out of this unique and educational time in the neutral zone.

/?C/@7CA (Jan. 20–Feb. 18): In 2009, the cosmic powers-that-be have been conspiring to get you to expand your self-image and enlarge your understanding of your place in the world. So I trust that in these last 12 months you have started a business or organized a support group or reinvented your physical appearance or begun your masterpiece—or done something to initiate a new phase in your long-term cycle. If for some reason you’ve been remiss about doing this work, I suggest you scramble to make up for lost time. And if you have been taking advantage of the abundant cosmic help, it’ll soon be time to move on to phase two: consolidation. >7A13A (Feb. 19–March 20): To prepare for his turn to hit, a Major League baseball player slips a donut-shaped piece of metal over the top of his bat, making it a few pounds heavier than it normally is. He then takes a number of practice swings. The theory is that when he removes the donut and strides up to home plate to actually hit against a pitcher who’s throwing the ball at 90 miles per hour, the bat will feel lighter and he’ll be able to swing faster. As you prepare for your own equivalent of going up to bat, Pisces, I urge you to use this as your operative metaphor. 6][Se]`Y( AS\R [S ^`SRWQbW]\a T]` g]c` ZWTS W\ EVS`S O`S g]c VSORSR- 5] b] 4`SSEWZZ/ab`]Z]Ug Q][) QZWQY ]\ ¡3[OWZ @]P ¸ Go to @3/:/AB@=:=5G 1=; to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone &%% &%! "&&& or 1.900.950.7700

S a n t a c r u z .co m december 9-16, 2009 C L ASS I F I E DS

CLASSIFIED INDEX ¡ ™ £ ¢ ∞ §

Employment Real Estate Family Services For Sale Home Services General Notices

49 50 49 49 50 49

‡ • ª ⁄

PLACING AN AD

Classes & Instruction Mind, Body & Spirit Music Self Help

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CONTACTING US

BY PHONE

BY MAIL

Call the Classified Department at 831.440.3860, Monday through Friday, 8.30am to 5.30pm.

Mail to Santa Cruz Classifieds, 115 Cooper St, Santa Cruz, CA 95060.

Please include your Visa, MC, Discover or American Express number and expiration date for payment.

IN PERSON

DEADLINES

Visit our offices Monday through Friday, 8.30am 115 Cooper St, Santa Cruz,.

For copy, payment, space reservation or cancellation: Display ads: Friday 12pm Line ads: Friday 3pm

BY FAX Fax your ad to the Classified Department at 831.457.5828.

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Santa Cruz Weekly Classifieds 115 Cooper Street, Santa Cruz, CA 95060 Monday to Friday, 8.30am – 5pm Charge by phone, fax or email 24 hours a day ¬ 831.457.9000 PHONE

√ 831.457.5828 FAX

EMAIL

classifieds@metronews.com

g Employment

Jobs

Senior Sales Rep for Tech Company in Santa Cruz. Are you internet savvy? Hrly Pay plus Commission Gather Leads by Phones, Face-to-Face Poss. Temp-toHire M-F 8am-5pm KELLY SERVICES, 425-0653 e-mail: 1471@kellyservices.com *Never A Fee*

MOVIE EXTRAS NEEDED

HEALTH CONSCIOUS COMPANY

Hair Studio Station For Rent

Earn $150 to $300 Per Day. All Looks, Types and Ages. Feature Films, Television, Commercials, and Print. No Experience Necessary. 1-800-340-8404 x2001 (AAN CAN)

Great growing company looking for staff with the ability to grow w/ it. Looking for paperwork and documenting Superstars! -Document Control Clerk -HR Administrator/Assistant -Sales Support - Professional Division BA/AA a Plus! Full time long term KELLY SERVICES, 425-0653 e-mail: 1471@kellyservices.com *Never A Fee*

Studio Glam in San Jose has **BODYGUARDS 2 stations for rent, please call WANTED** 408-260-5001 for more FREE Training & Job details, and ask for Liz Placement Assistance for members. No Experience OK. Medical Office Excellent potential $$$. Full in Soquel PT Tues. & Thurs. & Part Time. Traveling Must have flexible schedule expenses paid.. $10 per hour Must know 1-615-228-1701. Word/Excel Med. Vocab. www.psubodyguards.com KELLY SERVICES, 425-0653 (AAN CAN) e-mail: 1471@kellyservices.com

Contracts Administrator in Watsonville Expertise in Excel&Acrobat Detailed and Focused Temp-to-Hire 8am5pm M-F KELLY SERVICES, 425-0653 e-mail: 1471@kellyservices.com *Never A Fee*

Spread the Word Say you saw it in the Santa Cruz Classifieds.

Career Development

g Classes & Instruction

Classes & Instruction

High School Diploma! Fast, affordable and accredited. Free brochure. Call Now!. 1-888-532-6546 ext. 97 www.continentalacademy.com. (AAN CAN)

Miscellaneous

Your Personality Determines Your Happiness Know why? Call for your free personality test. Call 1-800-293-6463

gg For Sale

Computer Services

Electronics

For Sale

Get Dish-Free Installation

Get Dish with FREE Installation

Self Help

$19.99 per month. HBO & Showtime Free. Over 50 HD Channels Free. Lowest Prices no equipment to buy! Details: 877/242-0974. (AAN CAN)

Miscellaneous

Cocktail Arcades for SALE

$19.99/mo HBO & Showtime FREE - Over 50 HD Channels FREE Lowest Prices – No Equipment to Buy! Call Now for full Details 866-747-5096 (AAN CAN)

g Penis Enlargement FDA Medical Vacuum Pumps. Gain 1-3 inches permanently. Testosterone, Viagra, Cialis. Free brochures. 619/294-7777 www.drjoelkaplan.com (discounts available) (AAN CAN)

Ms.Pacman, Galaga. Shooting/ Driving/Fighting/Redemption/ Amusement Games & More! WWW.COINOPSTORE.COM CALL (888)378-9416

gg Home Furnishings

April Ash Designer Outlet

Music

Bands

Lil Wayne, E-40, Snoop Dog, San Quinn

ggg g g g g g Mind, Body, Spirit

Counseling & Therapy

Income-Sensitive Sliding Scale

General Notices

Announcements

Summerdale Elementary Winter Boutique! 12/12

Come join us to celebrate the winter holidays with the Summerdale Elementary is a social responsibility. Psychotherapy for those who Winter Boutique! A variety of local artisians and vendors want or need it. Addiction, relationships, anxiety, depres- with handcrafted and other gift items available to pursion. Chevalisa Bruzzone, chase! Join our raffle to win MFT Trainee at the Process great prizes!! Saturday, Therapy Institute. December 12th from 9am to 831.247-6711, 4pm 408.358.9892 x410. Miscellaneous

Family Services Adoptions

Pregnant? Considering Adoption? Talk with caring agency specializing in matching birthmothers with families nationwide. Living expenses paid. Call 24/7 Abby’s One True Gift Adoptions. 866/413-6293 (AAN CAN)

Gain National Exposure

Reach over 5 million young, active, educated readers for only $995 by advertising in 110 weekly newspapers like this one. Call Jason at 202/289-8484. (AAN CAN)

83,000 Readers Can’t Be Wrong! Browse through the the Santa Cruz Weekly classifieds. Get seen today. To advertise call 831.457.9000.

Furniture, accessories, mattresses and consignments. 2800 South Rodeo Gulch Rd., Soquel. Friday, Saturday, and Sunday 10am-5pm. Wanted

Will Buy Your: Pre 1964 Silver Coins or Bars

Thug World Records explosive label features lil Wayne Snoop dog E-40 G-unit and more. Free Downloads, MP3s, RingTones, videos. www.thugworldrecords.com 408-561-1255 Miscellaneous

Cold Hard Cash for your coins Free Singing Lessons! and bars. Call me night and day! Join Bay Area Showcase Cho(415) 261-8511 rus’ January Guest Program. Thursdays, Jan. 14 thru Feb. Miscellaneous 11, Time:7 - 9:00 PM Location: SES Hall, 1375 Lafayette Get Dish-Free Santa Clara, CA, 95052

Installation

$19.99 per month. HBO & Showtime Free. Over 50 HD Channels Free. Lowest Prices no equipment to buy! Details: 877/238-8413. (AAN CAN)

Your Ad Here! To advertise call 831.457.9000. Services

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C L ASS I F I E DS

december 9-16, 2009 S a n t a c r u z .co m

Homes ggg Home Services

Real Estate Rentals

Real Estate Sales

Appliance

Shared Housing

Homes

Flatscreen Mounting $85 - Southbay. Additional charge of $35 if traveling more than 45miles outside of Sunnyvale $50 if further than 80miles outside of Sunnyvale. Jasal wallinstall@gmail.com 408.931.5571

ALL AREAS - RENTMATES.COM

g

Browse hundreds of online listings with photos and maps. Find your roommate with a click of the mouse! Visit: www.Rentmates.com. (AAN CAN)

Notice To Readers

Notice

Contractors

Seminars

AN EXPERIENCED

TEAM

for buying, selling and managing property in Santa Cruz County

Call 831.457.9000

g Realtors

00 0,0 $5

g Real Estate Services

All real estate advertised in Metro Newspapers is subject to the State and Federal Fair Housing Act, which makes it illegal to advertise any preference, limitation, or discrimination based on race, color, religion, sex, handicap, family status (the presence of children), or national origin, or the intention to make any such preference, limitation, or discrimination. State and locate laws forbid discrimination in the sale, rental, or advertising of real estate. We will not knowingly accept any advertising for real estate which is in violation of the law. All persons are hereby informed that all dwellings advertised are available on an equal opportunity basis to the best of our knowledge.

Best Lot in Golden Eagle Estates! 5 bedrooms, 3 full and 2 half bathrooms, 4600 sf 1.09 acres, $2,590,000. www.8048GoldenEagleWay.c om. Valerie Skowron 925-216-9348 License #01115761 Skowron Real Estate valerieskowron@comcast.net MLS#40416650

here

D CE DU RE

California law requires that contractors taking jobs that total $500 or more (labor or materials) be licensed by the Contractors State License Board. State law also requires that contractors include their license number on all advertising. You can check the status of your licensed contractor at www.cslb.ca.gov or 1-800321-CSLB (2752). Unlicensed contractors taking jobs that total less than $500 must state in their advertisements that they are not licensed by the State License Board.

Pleasanton

To advertise

FIVE STAR PARK ##### Asking $219,000 • Best location in the park • Lake view, steps to club house • Pool, work out room, Jacuzzi • 3 spacious bedrooms, 2 baths • Custom designed with entry foyer • Gourmet chefs will love the kitchen • 1650 square feet, cathedral ceilings • All age park, beautiful surroundings Judy Ziegler GRI, CRS, SRES ph: 831-429-8080 cell: 831-334-0257 www.cornucopia.com

Pacific Sun Properties 734 Chestnut Street Santa Cruz, CA 95060 831.471.2424 831.471.0888 Fax www.pacificsunproperties.com

ss rle te! e p a Pa eal Est R

townandcountrysantacruz.com Your Search Begins Here Team Thomas

(831) 335-3200

Same Great Agents Better Brokerage

S a n t a c r u z .co m december 9-16, 2009 C L ASS I F I E DS

Wheels

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Your Personality Determines Your Happiness

Medicann - Med. Marijuana Evaluations

Know why? Call for your free personality test. Call 1800-293-6463

Lic. MD 866-632-6627 Free I.D. card 24/7 verification. Doctor/patient confidentiality. Discount for MediCal, MediCare and veterans.

Seriously Ill? Need MMJ?

Wanna Be In Movies?

WAMM is NOW accepting applications for membership into our collective. Looking for members who can donate generously. Serving Santa Cruz for 16 years! Your application does not ensure membership. wamm.org, 831425-0580. peace

Film & TV acting classes starting now! Free DVD & consultation with working actor Ralph Peduto. Call (831) 475-UACT (8228). www.actingoncamera.com Be a pro, work with one. Training pros since ‘86.

Open for Christmas Eve Christmas Day Dinner New Year’s Eve & New Year’s Day

Reservations Recommended www.HoffmansBakery.net

Live Jazz Nightly 420-0135 • 1102 PACIFIC AVE. • SANTA CRUZ Breakfast, Lunch, Dinner everyday 8am-9pm

TO ADVERTISE IN THE SANTA CRUZ WEEKLY CALL 831.457.9000

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