1002_Santa Cruz Weekly

Page 1

A / < B/ 1 @ C H 1 = ;

4= @;3 @:G ;3 B @= A/<B/ 1@C H BE7BB3@ ( A/ < B/1@ CH E339:G j 4/130 ==9( A/ < B/1@ C H4 0 1=;

future dwelling A new conversation about sustainability and affordable housing is about to begin p13

January 13-20, 2010 Vol. 1, No. 37

2 |

january 13-20, 2010 SANTACRUZ.COM

j !

A/<B/1@CH 1=; january 13-20, 2010 1=<B3<BA

Contents. P OSTS

p4

L O C A L LY

p7

CURRENTS

p9

COVER STORY A&E

p13

p19

S TA G E , A R T & EVENTS

p22

B E AT S C A P E CLUB GRID FILM

p28 p30

p35

EPICURE

p41

ASTR OLOGY

p44

CLASSIFIEDS

p45

115 Cooper St, Santa Cruz, CA 95060 831.457.9000 (phone) 831.457.5828 (fax) 831.457.8500 (classified) SCW@santacruz.com Santa Cruz Weekly, incorporating Metro Santa Cruz, is available free of charge, limited to one copy per reader. Additional copies of the current issue of Santa Cruz Weekly may be purchased for $1, payable at the Santa Cruz Weekly office in advance. Santa Cruz Weekly may be distributed only by Santa Cruz Weekly’s authorized distributors. No person may, without permission of Metro Publishing, Inc., take more than one copy of each Santa Cruz Weekly issue. Subscriptions: $40/six months, $76/one year. Entire contents Š 2010 Metro Publishing, Inc. All rights reserved. Reproduction in any form prohibited without publisher’s written permission. Unsolicited material should be accompanied by a stamped, self-addressed envelope; Santa Cruz Weekly is not responsible for the return of such submissions.

>=ABA jjanuary a n u a r y 13-20, 1 3 - 2 0 , 2010 2 0 1 0 A/<B/1@CH 1=; A/<B/1@CH 1=; " j >=ABA

Posts. P osts. Messages M essages &

327B=@7/: 327B = =@7/: EDITOR E D I TO R B@/ 17 6C97:: 6 B@/17 6C97::

(traci@santtacruzw a eeekly.com) (traci@santacruzweekly.com) STAFF WRITERS WRITERS STAFF @716/@2 D=< 0C CA/19 @716/@2 D=< 0CA/19 (richarrd@santtaacruzweeekly.com m)) (richard@santacruzweekly.com) 1C@B7A 1/@ / B73@ 1C@B7A 1/@B73@ ( ti @ tacruzw (curtis@sant a eeekly kl .com)) (curtis@santacruzweekly.com) 83AA71/ :CAA3 3<6=> 83AA71/ :CAA3<6=> (jessica@santtacruzw a eeekly.com) (jessica@santacruzweekly.com) CONTRIBUTING EDITOR E D I TO R CONTRIBUTING 16@7AB7</ E/B3@A 16@7AB7</ E/B3@A CALENDAR EDITOR E D I TO R CALENDAR >/C: E/5<3@ >/C: E/5<3@ (calendar@santtacruzw a eeekly.com) (calendar@santacruzweekly.com) POETRY EDITOR E D I TO R POETRY @=03@B AE/@2 @=03@B AE/@2 P RO O F R E A D E R PROOFREADER 83/<<3 A16CAB3@ 83/<<3 A16CAB3@ EDITORIAL INTERN INTERN EDITORIAL @C:/ /: </A@/ A /E7 @C:/ /: </A@/E7 0@7/< 6/ /@93@ 0@7/< 6/@93@ CO N T R I B U TO R S CONTRIBUTORS @=0 0@3HA<G @=0 0@3HA<G ;/C@33< 2/D72A=< ;/C@33< 2/D72A=< >/C: ; 2/D7A ;716/3: A 5/<B >/C: ; 2/D7A ;716/3: A 5/<B /<2@3E 57:03@B 83<< 7@3:/<2 /<2@3E 57:03@B 83<< 7@3:/<2 AB3>63< 93AA:3@ A1=BB AB3>63< 93AA:3@ A1=BB ;/11:3::/<2 <CBH:3 ;/11:3::/<2 <CBH:3 AB3D3 >/:=>=:7 AB3D3 >/:=>=:7 >/C: E/5<3@ >/C: E/5<3@

/@B / /@ B >@=2C1B7=< >@=2C1 1B7=< DESIGN D ESIGN DIRECTOR D I R E C TO R 9 /@/ 0@= 0 E< 9/@/ 0@=E< PRODUCTION DIRECTOR D I R E C TO R PRODUCTION 6/@@G /::7A=< : 6/@@G /::7A=< GRAPHIC DESIGNER DESIGNER GRAPHIC B /07 H/@@7< <<//: B/07 H/@@7<<//: E D I TO R I A L P RO D U C T I O N EDITORIAL PRODUCTION A3/< 53=@53 3 A3/< 53=@53 A DD ESIGNERS AD DESIGNERS 83<<G =/B3G G 83<<G =/B3G 27/<</ D/ /<3G193 27/<</ D/<3G193

27A>:/G /2D3@B7A7<5 27A>:/ /G /2D3@B77A7<5 A ACCOUNT CCOUNT EXECUTIVES EXECUTIVES / :713 1=:0G /:713 1=:0G (alic e@santtaacruz.com) (alice@santacruz.com) 8=13: :G< G ;/ /1<37: 8=13:G< ;/1<37: (jo celyn@santtac a ruz.com) (jocelyn@santacruz.com) 77:/</ @/C16 >/193@ :/</ @/C16 >/193@ (ilana@sant tac a ruz.com) (ilana@santacruz.com) 16 C19 @G23@ 16C19 @G23@ (chuck@sant tac a ruz.com) (chuck@santacruz.com) CIRCULATION MANAGER M A N AG E R CIRCULATION <37: A; A GB6 <37: A;GB6

>C0:7A63@ >C 0:7A A63@ 230@/ E67H7< 2 30@/ E67H7<

>@3A723<B >@3 A723 3<B 3F31CB7D3 327B=@ 3F31CB7D3 32 27B=@ 2/< >C:1@/<= 2 /< >C:1@/<= 1

Send let letters teerrs ttoo Santa Santa Cruz Weekly, Weekly e y, let letters@santacruz.com teerrs@san s nttacruz.c a om or ttoo A Attn: ttn: LLetters, ettteeerrs, 115 Co ett et C Cooper ooper e St., Sant San Santaa Cruz, uz 95060. 060. Inclu Include udee cit city ittyy and phone clarity inaccuracies known us. phone number number or email address. address. Submissions Subm missions mayy be be edited editted e for for or length, length cl le leng laritt y or or ffactual ac actual a inac a curacies racies know nown ttoo us s.

13<A=@ /<2 13<A=@ /<2 A 3<A707:7B73A A3<A707:7B73A CURTIS C CURTIS CARTIER’S ARTIER’S rrecent ecent Currents Currents ccolumn olumn ((“Mediating “Mediating tthe he M essage,� JJan. an. 6 eported Message, 6)) rreported tthat hat V ice M ayor Ryan Ryan C oonerty w as iincensed ncensed Vice Mayor Coonerty was b ome o he rrants ants p osted o n a SSentinelentinell-byy ssome off tthe posted on ssponsored ponsored o nline fforum. orum. He He is is rreported eported tto o online h ave taken taken SSentinel entinel editor editor Don Don Miller Miller to to ttask, ask, have ttelling elling h im, ““II think think the the newspaper newspaper has has a lot lot him, o esponsibility b ecause tthey hey aare re ccreating reating off rresponsibility because tthe he fforum orum aand nd p rof iting b t. Iff yyou ou aare re profiting byy iit. ggoing oing to to create create a p ublic fforum orum tthen hen yyou ou have have public rresponsibility esponsibility to to k eep these these k inds o ateful keep kinds off h hateful ccomments omments o ut o t. Otherwise Otherwise yyou ou sshouldn’t houldn’t out off iit. rrun un iitt aatt aall. ll.� was quite quite surprised surprised b is vviewpoint, iewpoint, I was byy h his aass tthe he Coonerty Coonerty family family has has been been in in the the b ookselling b usiness ffor or m any yyears, ears, D oes bookselling business many Does tthis his mean mean that that aany ny “hateful “hateful ccomments� omments� ffound ound iin n the the literature literature of of the the bookstore bookstore sshould hould be be p urged? D ow hen start start burning burning tthe he b ooks purged? Do wee tthen books

NUTZLE

that o that offend ffend u uss and and eexcoriate xcoriate tthe he b booksellers ooksellers ffor or profiting prof iting by by iit? t? Perhaps Perhaps tthe he vvice ice m ayor mayor ccan an persuade persuade the the ccity ity ccouncil ouncil tto o ccut ut tto o tthe he cchase hase aand nd pass pass a rresolution esolution fforbidding orbidding aany ny b ookstore, n ews m edium, ttheater, heater, cclassroom, lassroom, bookstore, news medium, o ny o ther publicly publicly aaccessible ccessible vvenue enue ffrom rom orr aany other o ffering aanything nything that that o ffends h is sensibilities. sensibilities. offering offends his O erhaps some some w iser m ember o is Orr p perhaps wiser member off h his cclan lan ccan an p oint out out tto oh im tthat hat eexcising xcising tthe he point him ssymptom ymptom sseldom eldom ccures ures tthe he d isease aand nd o ften disease often eexacerbates xacerbates tthe he p roblem. problem. Allan A llan M McLean, cLean, Valley SScotts cotts V alley

1=C5/@ >7313 67B 1=C5/@ >7313 67B >C@@431B <=B3 > C@@431B <=B3 IR REALLY EALLY eenjoyed njoyed tthe he ““Cat Cat P Power� ower� aarticle rticle ((Homegrown, Homegrown, D ec. 116), 6), p articularly tthe he Dec. particularly aauthor’s uthor’s sstyle tyle o riting, tthe he p hrases sshe he u sed, off w writing, phrases used, ee.g., .g., ““dating dating aadvice dvice ssince ince M ystery w as sstill till Mystery was

a ttoddler� oddler� ((that’s that’s a n new ew o one ne tto om me); e); ccarrot arrot peeling metaphor p eeling m etaphor ((righteous), righteous), ““cleavage cleavage Stanford eenough nough tto o sswallow wallow . . . ssmaller maller S tanford mere Millennial. sstudents, tudents, . . . � aand nd ““I, I, a m ere M illennial.� Entertaining Good Miss E ntertaining sstyle. tyle. G ood lluck uck tto oM iss Lussenhop—I Vanity Fair her L ussenhop —I ssee ee V anit y F air in in h er ffuture. uture. Kathy K athy C Cheer, heer, Cruz SSanta anta C ruz

0=@32 E7B6 0/</: 0=@32 E7B6 0/</: 0/19 >/BB7<5 0 /19 >/BB7<5 IS SEE EE ffrom rom aall ll tthe he p promotions romotions o on n TV V tthat hat iit’s t’s aaward ward sseason eason aagain. gain. II’m ’m llosing osing ttrack, rack, ssince ince I haven’t watched Let’s h aven’t w atched tthem hem ffor or sseveral everal yyears. ears. L et’s Academy Awards, Emmys, Golden Globe, ssee: ee: A cademy A wards, E mmys, G olden G lobe, Screen Actors, Tonys off S creen A ctors, T onys aand nd aan n aassortment ssortment o music popular, m usic aawards, wards, ssuch uch aass p opular, ccountry ountry aand, nd, I believe, polka. b elieve, ggrunge runge p olka. Now Now those those are are jjust ust tthe he ones o nes I rremember. emember. I’m I’m sure sure they’ve they’ve aadded dded aatt dozen lleast east a d ozen ssince ince tthen. hen.

# j #

A/<B/1@CH 1=; A /<B/1@CH 1=; jjanuary a n u a r y 13-20, 1 3 - 2 0 , 2010 2 0 1 0 >=ABA >=ABA

THE BULLHORN EEE A/<B/1@CH40 1=; E EE A/<B/1@CH40 1=; A A/<B/1@CHE339:G /<B B/1@CHE339: :G

Time ffor Time or Sensible Sensible Budget B udget SSolutions olutions 0G 07:: ;=<<7<5 0 G 07:: ;=<<7<5

II’ve ’ve h heard eard tthat hat this this yyear ear tthere here w will ill b bee aawards wards ffor or tthe he b est ssupporting upporting aactor ctor iin nad aytime best daytime ccommercial, ommercial, tthe he b est d ead vvictim ictim iin n a ccrime rime best dead d rama aand nd tthe he b est aactor ctor iin n a llate ate n ight drama best night iinfomercial. nfomercial. II’m ’m ssure ure I’ve I’ve o nly sscratched cratched tthe he only ssurface urface h ere. here. H owever many many there there are, are, you you can can bet bet However w e’ll b xposed tto oo ne o wo b ig aaward ward we’ll bee eexposed one orr ttwo big eextravaganzas, xtravaganzas, llasting asting sseveral everal h ours, each each week week hours, u ntil tthey hey aare re eeventually ventually replaced replaced by by March March until M adness. Madness. A m I tthe he o nly o ne w ho ssees ees tthe he iirony rony iin n Am only one who p eople w ho aare re p laced iin n ffront ront o he p ublic people who placed off tthe public o n sscreen creen aand nd TV TV on on a regular regular b asis, aare re p aid on basis, paid m illions ffor or tthis his w ork aand nd tthen hen gget et sshoved hoved millions work iin no ur ffaces aces aagain gain w hile tthey hey aall ll ccongratulate ongratulate our while eeach ach o ther w ith a ffancy ancy cceremonies eremonies aand nd other with o rnate ttrophies? rophies? ornate W et iit! t! These These people people are are mega mega rich rich and and Wee gget m ega p opular. S houldn’t tthat hat b nough? D o mega popular. Shouldn’t bee eenough? Do w ave tto ow atch tthem hem h ug eeach ach o ther aand nd wee h have watch hug other ggive ive llong-winded ong-winded sspeeches? peeches? W here aare re tthe he aawards wards ffor or tthe he p eople w ho Where people who ffight ight fforest orest ffires, ires, m aintain o ur p arks, sscientists, cientists, maintain our parks, tteachers eachers aand nd tthe he p ainless d entists? painless dentists? Meade F Fischer, ischerr, Watsonville a Watsonville

AB@793 =<3 A B@793 =<3 REGARDING R EGARDING P Pieter ieter S S.. M Myers’ yers’ o open pen lletter etter tto o P resident O bama ((“Open “Open L etter tto oS ports President Obama Letter Sports F an-in-Chief, f�� L etters, Ja JJan. an. 6 ), M r. M yers n eeds Fan-in-Chief, Letters, 6), Mr. Myers needs tto ob rush u po nh is b aseball b efore ggetting etting aall ll brush up on his baseball before ccutesy utesy w ith tthe he m etaphors. T wo sstrikes trikes w ould with metaphors. Two would b an 0 and and 2 count, count, not not 2 and and 0 as as stated; stated; bee an 2 aand nd 0 jjust ust m eans Obama Obama h as ttwo wo b alls. means has balls. W hich I’m I’m guessing guessing is is at at least least one one more more tthan han Which ““sports sports fan� fan� Myers Myers has. has. Russ R uss Reynolds, Reyynoldss, San J oose Jose

C<A3BB:7<5 C<A3BB:7<5 1=<1:CA7=<A 1 =<1:CA7=<A 77<2332 <2332 “WHEN Y “WHEN YOU OU h have ave eeliminated liminated tthe he iimpossible mpossible w hatever rremains, ema ns h owever improbable mprobab e m ust whatever however must b he ttruth. ruth � — Sher ock H o mes bee tthe —Sherlock Holmes For several severa yyears ears n ow I have have b een sstudying tudy ng For now been tthe he ggeneral enera cchaos haos tthat hat h as b een ggoing o ng o n has been on aaround round u nd h ave ccome ome tto o ssome ome u nsett ng uss aand have unsettling cconclusions. onc us ons 1 The The events events taking tak ng place: p ace 9/11 9 11 “Terrorists� “Terror sts� 1.

attacks, wars, wars, financial f inancial “panic, “panic,� economic economic attacks, collapse, swine swine flu f lu “epidemic, “epidemic,� worldwide worldwide collapse, aerial spraying spraying of of toxic toxic chemicals, chemicals, eetc., tc., aare re aall ll aerial related, are are created created and and directed directed b he ssame ame related, byy tthe elite group group of of people, people, for for ttheir heir b enef it aand nd aatt elite benefit our expense. expense. (www.theflucase.com; (www.thef lucase.com; The The World World our Revolution by by Nesta Nesta Webster) Webster) Revolution 2. There Th here is is an an agenda agenda called called “The “The New New 2. World Order� Order� (NWO), (NWO), which which is is the the intended intended World ultimate outcome outcome of of all all the the ccreated reated p anic ultimate panic and destabilization. destabilization. The Th he Global Global Elite Elite will will and create a “problem� “problem� resulting resulting in in p anic aand nd create panic destabilization and and then then offer offer a ““solution, solution,� destabilization which w ill b he NWO. NWO. which will bee tthe 3. Depopulation Depopulation of of the the world world to to a more more 3. manageable population population of of 500 500 million million b manageable byy the yyear ear 2 050 iiss o ne o heir ggoals. oals. They They aare re the 2050 one off ttheir implementing this this depopulation depopulation plan plan by by implementing several means. means. One One is is codex codex alimentarius, alimentarius, several which will will institutionalize institutionalize the the d egradation which degradation of our our nutritional nutritional standards standards tto o tthe he p oint of point where large large numbers numbers of of people people w ill d ie d ue where will die due to malnutrition. malnutrition. Do Do you you remember remember in in 2002 2002 to when tthey hey ttried ried tto oo utlaw vvitamins? itamins? T hey when outlaw They almost got got aaway way w ith iit. t. Another Another is is p utting almost with putting toxic chemicals chemicals in in our our public public water water supply, supply, toxic like fluoride f luoride and and chloramine, chloramine, which which are are like known carcinogens carcinoggens that that cannot cannot be be removed removed known with carbon carbon w ater ffilters. ilters. How How about about aerial aerial with water spraying of of toxic toxic chemicals chemicals known known to to cause cause spraying respiratory inflammation inf lammation and and death? death? respiratory 4. One One part part of of their their agenda agenda is is to to take take our our 4. rights away away and and return return to to the the days days of of feudal feudal rights bondage to to a ruling ruling elite elite who who have have the the world world bondage as their their playground. playground. They They will will keep keep enough enough as of us us around around (500 (500 million) million) as as technicians technicians and and of slaves to to provide provide enough enough food food and and toys toys for for slaves them to to p lay w ith. Have Have you you noticed noticed that that the the them play with. response to to all all the the “panic, “panic,� wars wars and and chaos chaos response in the the world wor d iss to to eliminate e m nate more more and and more more in r ghts of o tthe he p eop e? The The ultimate u t mate outcome outcome o rights people? of the NWO NWO iss to to join o n all a the the world wor d governments governments the into one one world wor d bureaucracy bureaucracy with w th selected se ected into (une ected) officials o c a s accountable accountab e to to no no one one (unelected) except the the ruling ru ng elite e te (international ( nternat ona bankers, bankers except roya ty billionaires, b ona res etc.). etc ) royalty, 5 Our Our only on y defense de ense and and their the r only on y weakness weakness 5. is to to educate educate our our fellow e ow citizens c t zens in n what what iss left et is o our our Democratic Democrat c Republic Repub c to to the the reality rea ty we we of are faced aced with w th aand nd tthe he n eed tto o sstand tand u p aand nd are need up res st the the NWO NWO in n every every possible poss b e way. way We We aalso so resist need to to create create and and fight ght for or alternative a ternat ve models mode s need o a peaceful, peace u sustainable, susta nab e economically econom ca y and and of soc a y just ust society. soc ety socially Drrew LLewis, Drew ew s San Santaa Cruz

D

ESPIT ESPITE TE E a collegial collegial tone tone in in his his State State of of the the State State message, messagee, G ov. Schwarzenegger Schwarzenegger followed followed with with a “slash “slash and and burn� burn� budget budget Gov. p roposal two two days days later. later. With With a theme theme of of “jobs, “jobs, jobs jobs and and more more proposal jobs,� the the governor governor seeks seeks to to reconcile reconcile a projected projected $21 $21 billion billion deficit deficit over over jobs, the next next 18 18 months months by by cutting cutting safety safety net net programs programs that that create create and and the protect jobs. jobs. In In addition, addition, the the proposed proposed budget budget inappropriately inappropriately juxtaposes juxtaposes protect economic growth growth against against hard-fought hard-fought environmental environmental protections protections and and economic public transit transit programs. programs. While While the the governor, governor, by by his his own own admission, admission, is is in in public denial about about this this being being his his last last year year in in office, office, he he should should not not be be denying denying denial that his his budget budget proposal proposal is is unrealistic unrealistic when when it it relies relies on on $7 $7 billion billion of of new, new, that uncommitted federal federal funds. funds. Iff the the state state does does not not receive receive federal federal funds, funds, uncommitted the ggovernor overnor p lans tto o eeliminate liminate ffunding unding tto o CalWORKs CalWORKs Ks (the (the w elfare tto o the plans welfare work program), program), the the In In Home Home Support Support Services Services (IHSS) (IH HSS) program program and and the the work Healthy Families Families p rogram. The Th he elimination elimination o CalWORKs Ks, with with 55,418 ,418 Healthy program. off CalWORKs, participants in in Santa Santa Cruz Cruz County, County, will will result result in in loss loss of of jobs jobs and and revenue. revenue. participants In fact, fact, CalWORKs CalWORK Kss generates generates $3.9 $3.9 billion billion annually annually in in matching matching federal federal In funds that that in in turn turn ggenerate enerate $ 7.1 b illion iin n eeconomic conomic o utput, 1137,000 37,000 funds $7.1 billion output, private aand nd p ublic-sector jobs jobs and and $ 130 m illion iin n ssales ales ttax ax rrevenues. evenues. The The Th private public-sector $130 million IHSS p rogram ssupports upports 2 ,500 p articipants iin nS anta C ruz C ounty aand, nd, IHSS program 2,500 participants Santa Cruz County if eliminated, eliminated, will will jeopardize jeopardize not not only only essential essential support support care care for for disabled disabled if clients but but also also would would require require wage-earning wage-earning family family members members to to quit quit clients their jobs jobs to to provide provide family family member member support. support. their The governor governor seems seems more more focused focused on on bottom-line bottom-line ccalculations alculations tthan han rrealealThe world impacts, impacts, as as his his budget budget plan plan is is void void of of alternative alternative budget budget solutions. solutions. world Th he only only alternative alternative vision vision expressed expressed by by the the governor governor seems seems to to be be a frontal frontal The assault on on environmental environmental protections protections in in the the name name of of economic economic stimulus. stimulus. assault believe this this to to be be a false false argument argument that that undermines undermines the the governor’s governor’s I believe articulated ssupport upport ffor or A .B. 332 2 ((reduction reduction o O2 eemissions). missions). articulated A.B. off C CO have previously previously supported supported legislation legislation to to impose impose an an oil oil extraction extraction fee fee I have o n eexisting xisting lland-based and-based o il p roduction. California California could could jjoin oin aall ll o ther on oil production. other o il-producing sstates tates tthat hat aassess ssess aan no il eextraction xtraction ffee ee aand nd w ould rrealize ealize oil-producing oil would $ illion iin n aadditional dditional ggeneral eneral ffund und rrevenue. evenue. B omparison, tthe he ggovernor overnor $11 b billion Byy ccomparison, sseeks eeks tto o rrevive evive ssupport upport ffor or n ew o ffshore d rilling aatt Tranquillon Tranquillon R idge tthat hat new offshore drilling Ridge w ould ggenerate enerate o nly $ 100 m illion aannually nnually w hile p utting o ur ccoastal oastal would only $100 million while putting our eenvironment nvironment aatt rrisk. isk. Last Last year, year, we we garnered garnered a majority majority of of votes votes to to increase increase tthe he V ehicle L icense Fe ee b 15 tto o ssustain ustain o ur sstate tate p ark ssystem ystem aand nd tto o Vehicle License Fee byy $ $15 our park iincrease ncrease tthe he ttobacco obacco ttax ax tto o ssupport upport cchildren’s hildren’s h ealth ccare. are. U nfortunately, health Unfortunately, tthese hese rrevenue evenue o ptions ffailed ailed ffor or llack ack o wo-thirds vvote ote iin n tthe he L egislature. options off a ttwo-thirds Legislature. No ot aall ll o he ggovernor’s overnor’s p roposals w ill b ecome llaw. aw The The budget budget p rocess Not off tthe proposals will become process w equ re h a ccuts� uts� cchallenge ha enge tto ob etted b he L eg s ature aand nd I will rrequire hiss ““all bee vvetted byy tthe Legislature, rremain ema n ccommitted omm tted tto o fighting ght ng for or tthe he u nderserved in no ur ccommunities. ommun t es underserved our Itt iss m trong b e e tthat hat o ur eeconomic conom c aand nd jobs obs future uture iss d rect y linked nked myy sstrong belief our directly tto o tthe he sstate’s tate s aability b ty tto o eencourage ncourage aand nd ssupport upport ggreen reen ttechnology, echno ogy jobs obs aand nd cconstruction. onstruct on This Th s linkage nkage iss critical cr t ca to to the the future uture of o our our economic econom c rrecovery, ecovery aass iss tthe he n eed tto op reserve eexisting x st ng job-creating ob creat ng p rograms Fo or tthe he need preserve programs. For L eg s ature tto ob uccess u in n cchallenging ha eng ng tthe he aassumptions ssumpt ons aand nd impacts mpacts Legislature bee ssuccessful o he ggovernor’s overnor s p roposed b udget tthe he eengagement ngagement o n aactive ct ve ccitizenry t zenry of tthe proposed budget, of aan w ont nue tto ob r t ca The Th he vvoices o ces o onst tuents aare re h eard b will ccontinue bee ccritical. of cconstituents heard byy eg s ators aand nd m ust b eard b he ggovernor overnor aass w e legislators must bee h heard byy tthe well. A emb ymember M Assemblymember Monning onn ng w was a first r eelected ec ed too rrepresent epre en D District rc 2 277 in n2 2008. 008 P Prior r or too ha hhee w a a pprofessor ro e or aat the he M on erey C o ege oof LLaw aw aand nd a pprofessor ro e or oof International n erna ona that, was Monterey College N ego a on aand nd C on c R e o u on aat the he M on erey Institute n u e oof International n erna ona SStudies. udd e Negotiation Conflict Resolution Monterey

)G GOT OT A POINT P O I N T TO TO MAKE? M A K E ? SEND S E N D YOUR YO U R BULLHORN B U L L H O R N IDEAS I D E A S TO TO ( THUKILL@SANTACRUZWEEKLY.COM T H U K I L L @ SA N TA C RU Z W E E K LY CO M

06 |

january 13-20, 2010 SANTACRUZ.COM

j %

A/<B/1@CH 1=; january 13-20, 2010 :=1/::G

: = 1 / : :G

10 QUESTIONS

PUBLIC EYE

study and ponder health, nutrition, communication and happiness. EVOb P`]cUVb g]c b] AO\bO 1`ch-

Noah. And the abundance of great food and agriculture, the redwood forests, the ocean, and our active, wellness-minded community. EVOb¸a g]c` TOd]`WbS ab`SSb-

I enjoy West Cliff Drive, especially when there’s a storm! <O[S a][SbVW\U g]c¸`S SfQWbSR OP]cb

3:3/<=@ B/G:=@

My first-born, to be welcomed this July!

EVOb R] g]c R] T]` O ZWdW\U-

The Experience of Childbirth by Sheila Kitzinger, my mom’s top recommendation.

I run an online local food marketplace with my partner Noah called SantaCruz LocalFoods.Com. EVOb e]cZR g]c PS R]W\U WT g]c eS`S\¸b R]W\U bVOb-

Traveling, preferably by bicycle or bus, possibly by boat. Or adventuring in the forest with my nephews. EVOb R] g]c R] W\ g]c` T`SS bW[S-

Plant seeds, walk barefoot on the earth,

<O[S O ^Sb ^SSdS

Drivers who are not courteous to cyclists. EVOb O`S g]c `SORW\U-

EVOb¸a bVS []ab W[^]`bO\b bVW\U g]c¸dS ZSO`\SR W\ bVS ZOab bV`SS gSO`a-

That keeping an open heart is essential to maintaining healthy relationships—and that fostering that openness is a daily practice. @SQS\b ^S`a]\OZ T]]R b`S\R-

I’ve been making an orange creme shake with fresh nut milk, oranges, local honey and vanilla.

<756B :756BA!!!Uif!Tboub!Dsv{!Nfusp!tubujpo!hmpxt!jo!uif!xjoufs!hmppn/!Qipup!cz!Csjbo!Ibslfs/

) submit your public eye photo to publiceye@santacruz.com (

MARK YOUR CALENDAR — FREE EVENT!

A TASTE OF BAUMAN COLLEGE

An Evening of Holistic Nutrition & Culinary Arts www.baumancollege.org

Friday, Jan 29 6pm–9pm

LOCATION: Bauman College 3912 Portola Drive, Suite 10 Santa Cruz, CA 95062

• Hors d’Oeuvres • Cooking Demo with Samples • Eating for Health™ Lecture with Dr. Ed Bauman, Director • Raffle, Prizes, and More!

Seating is limited – reserve your spot today! RSVP: events@baumancollege.org or (800) 987-7530

8 |

january 13-20, 2010 SANTACRUZ.COM

from

Raw Cleanse System Vitamin Code Raw D Diet 360 Kit Raw Meal Raw Protein

over

New Size - 240’s

Women’s Multi 50 & Wiser Women’s Multi Men’s Multi discount! 50 & Wiser Men’s Multi on the entire line Perfect Weight Multi

30%

Held in the United Way Conference Room, Behind the NEW Way of Life

Tuesday January 19th 2010 • 7:00-8:30 pm

PROPER PH BALANCE: SECRET OF CELLULAR HEALING With Burt Goulding Jr.

1220 A 41st Avenue, in the Begonia Plaza, Capitola, CA 95010 (831) 464-4113 • Open Daily • www.wayoflife.net

1C@B7A 1/@B73@ 1 C@B7A 1/@B73@

Currents. C urren ents. B63 23>/@B32 Nikki A B63 23>/@B32 Nikki Amy my A Anderson nderson aattends ttends a ccandlelight andlelight v vigil igil aatt tthe he 77-Eleven - E l eve n where Nikki was New Year’s Day. w here hher er ffriend riend N ikki SSchrock c h ro c k w as kkilled illed iin n tthe he eearly arly hhours ours ooff N ew Y ear’s D ayy.

Make M ake Santa Santa CCruz ruz SSafe afe Clerk’s sslaying Clerk’s laying h highlights ighlights d domestic omestic abuse thr reat and dwindling dwind dling resources resources e threat tto o ccombat ombat iitt 0G 1C@B7A 1/@B73@ 0G 1 C @ B 7 A 1 / @ B 7 3 @ @

I

N THE THE m misty isty winter winter d dusk usk o outside utside Ocean Broadway tthe he 7-Eleven 7-Eleven at at O cean and and B roadway sstreets, treets, Ashley Ashley Russell Russell lights lights a ccandle andle iin n remembrance remembrance of of Nichole Nichole ““Nikki� Niikki� Schrock. Schrock. It It was was inside inside the the store, store, just just a few few hours hours into into the the new new decade, decade, when when Schrock, Schrock, an an auburn-haired, auburn-haired, 24-year-old 24-year-o - ld mother, mother, was was gunned during her morning gunned down down d uring h er m orning sshift hift as what police as store store cclerk lerk iin nw hat p olice aare re ccalling alling a murder-suicide. murder-suicide. And And Russell, Russell, though though she she didn’t personally, here— didn’t know know Schrock Schrock p ersonally, iiss h ere— alongside other alongside about about 100 100 o ther ccandle-clutching andle-clutching friends, pay her friends, family family and and sstrangers—to trangers—to p ay h er respects. respects. She She also also llights ights tthe he ccandle, andle, sshe he says, wee ccan have off says, “in “in hopes hopes tthat hat w an h ave a ssense ense o community Santa Cruz. community again again in in S anta C ruz.�

““II used used tto o ffeel eel ssafe afe iin nS Santa anta Cruz. Cruz. Now never walk night, N ow I n ever w alk aaround round aatt n ight,� ssays ays Russell hubbub off R ussell aabove bove tthe he ssomber omber h ubbub o tthe he ggathering. athering. ““Women Women aare re eespecially specially off tthem vvulnerable, ulnerable, aand nd I tthink hink a llot ot o hem aare re off ffeeling ttired ired o eeling sscared. cared.� Women, Cruzans, W omen, and and indeed indeed aall ll Santa Santa C ruzans, have Last week, h ave ccause ause ffor or cconcern. oncern. L ast w eek, tthe he Santa Cruz Police Department up S anta C ruz P olice D epartment ttallied allied u p Uniform Crime Reporting iits ts U niform C rime R eporting sstatistics tatistics 2009, which number off ffor or 2 009, w hich iinclude nclude tthe he n umber o homicides, h omicides, rrapes, apes, rrobberies, obberies, aaggravated ggravated burglaries, aassaults, ssaults, b urglaries, llarcenies, arcenies, aauto uto tthefts hefts place aand nd aarsons rsons tthat hat ttook ook p lace iinside nside ccity ity llimits imits Every on llast ast yyear. ear. Ev very ccrime rime o n tthat hat llist ist eexcept xcept ffor or aarsons rsons aand nd rrobberies obberies ssaw aw aan n iincrease ncrease

' j '

A/<B/1@CH 1=; A /<B/1@CH 1=; jjanuary a n u a r y 13-20, 1 3 - 2 0 , 2010 2 0 1 0 1C@@3<BA 1C@@3< <BA

2008, most within ffrom rom 2 008, tthough hough m ost rremained emained w ithin Larcenies, went 110-year 0-year aaverages. verages. L arcenies, iin n ffact, act, w ent up 611 p percent 64 u p6 ercent aand nd rrapes apes iincreased ncreased 6 4 percent. Police Zach Friend p ercent. P olice sspokesman pokesman Z ach F riend aattributed ttributed tthe he rrise ise iin n ssome ome ccrimes, rimes, llike ike llarcenies, arcenies, tto o tthe he ““self-reporting self-reporting ssystem� ystem� department out But tthe he d epartment rrolled olled o ut llast ast yyear. ear. B ut nature off ssome offenses, tthe he sshocking hocking n ature o ome o ffenses, llike ike home burglary off aan tthe he h ome b urglary aand nd rrape ape o n eelderly lderly woman on Westside, w oman o n tthe he W estside, tthe he sstabbing tabbing murder Tyler Tenorio m urder of of 16-year-old 16-year-old T yler T enorio near near Laurel Street tthe he L aurel S treet 77-Eleven, -Eleven, tthe he sserial erial ggroper roper downtown now Schrock’s brutal d owntown aand nd n ow S chrock’s b rutal have public sslaying, laying, h ave ccatapulted atapulted p ublic ssafety afety tto o tthe he off ccommunity dialogue. fforefront orefront o ommunity d ialogue. For Kathy Agnone, with F or K athy A gnone, ccoordinator oordinator w ith Commission Prevention off tthe he C ommission ffor or tthe he P revention o Violence Against Women, particularly V iolence A gainst W omen, ttwo wo p articularly iimportant mportant ccrimes rimes tthat hat aaren’t ren’t ffront ront aand nd on Police Department’s UCR ccenter enter o n tthe he P olice D epartment’s U CR domestic rreport eport aare re d omestic vviolence iolence aand nd ssexual exual battery. The b attery. Th he fformer ormer iiss aass aambiguous mbiguous a llegal egal bee ffound, physical, tterm erm aass ccan an b ound, aand nd eentails ntails p hysical, orr ssexual exual aand nd eemotional motional aabuse, buse, aacts cts o member orr o other tthreats hreats aagainst gainst a ffamily amily m ember o ther Sexual battery more cclose lose rrelationship. elationship. S exual b attery iiss m ore defined byy C California sspecific pecific aand nd iiss lloosely oosely d efined b alifornia llaw aw aass ttouching ouching ssomeone’s omeone’s ““intimate intimate part(s)� person’s will. And p art(s)� aagainst gainst tthat hat p erson’s w ill. A nd

while d while domestic omestic violence violence iincidents ncidents w went ent down percent off d own 1155 p ercent below below their their average average o 2009, battery nearly 3363 63 iin n2 009, ssexual exual b attery rreports eports n early doubled off 118, over d oubled ttheir heir aaverage verage o 8, tto o 334 4o ver tthe he period. ssame ame ttime ime p eriod. “I “I think think when when people people see see the the kind kind of of numbers were n umbers of of sexual sexual batteries batteries tthat hat w ere will ccommitted ommitted in in 2009, 2009, they they w ill be be sshocked, hocked,� Agnone. ssays ays A gnone. ““II also also tthink hink our our group group aand nd Walnut Avenue W alnut A venue Women’s Women’s Center, Center, tthrough hrough programs p rograms llike ike our our self-defense self-defense ccourses, ourses, have played part domestic h ave p layed a p art iin n ggetting etting d omestic down. The women vviolence iolence calls calls d own. T he ffact act iis, s, w omen have been but h ave aalways lways b een vvictimized, ictimized, b ut iit’s t’s point Santa Cruz where ggetting etting to to tthe he p oint iin nS anta C ruz w here wee ccan’t w an’t sstand tand ffor or it it anymore. anymore.�

Care C are M More ore With With Less Less Att tthe A he C CPVAW’s PVAW’s llatest atest m meeting eeting o on n began JJan. an. 6, 6, the the all-volunteer all-volunteer ccommission ommission b egan work on what plans bee a sstrongly w ork o nw hat iitt p lans tto ob trongly worded demand more w orded d emand ffor or m ore rresources esources ffrom rom off S Santa Cruz. wee sshould tthe he ccity ity o anta C ruz. ““II tthink hink w hould high� was byy aaim im h igh� w as a sstatement tatement vvoiced oiced b Commissioner Karren Zook byy C ommissioner K arren Z ook aand nd eechoed choed b off h her But with 2009’s sseveral everal o er ccolleagues. olleagues. B ut w ith 2 009’s ssteep teep ccuts uts tto o ssocial ocial sservices ervices ffrom rom ccounty, ounty,

THE BREAKDOWN 2@C; =CB =4 :C19 2 @C; =CB =4 :C19 7b b]]Y # []\ 7b b]]Y # []\bVa ' Q]c`b VSO`W\Ua O\R O\ SabW[ObSR # V]c`a ]T \bVa ' Q]c`b VSO`W\Ua O\R O\ \ SabW[ObSR # V]c c`a ]T ZSUOZ e ]`Y b] Q Q]\dWQb 8OQY @caY O\R ESa ;]RSa ]T O Q][PW\SR R bV`SS ZSUOZ e]`Y b] Q]\dWQb 8OQY @caY O\R ESa ;]RSa ]T O Q][PW\SR bV`SS [WaRS[SO\]` QWbObW]\a´`SaWabW\U O``Sab O\R R ]Pab`cQbW]\ ]T XcaabWQS ^Zca [WaRS[SO\]` QWbObW]\a´`SaWabW\U O``Sab O\R ]Pab`cQbW]\ ]T XcabWQS ^Zca W\ ;]RSa¸ QOaS S PObbS`g ]T O ^]ZWQS ]TÂżQS`´ ´abS[[W\U T`][ bVS S S AS^b S[P PS` W\ ;]RSa¸ QOaS PObbS`g ]T O ^]ZWQS ]TÂżQS`´abS[[W\U T`][ bVS AS^bS[PS` & Âľ R`c[ QW`QZS ^`]bSabÂś \SO` bVS R]e\bb]e\ 4O`[S`a ;O`YS Sb & ÂľR`c[ QW`QZS ^`]bSabÂś \SO` bVS R]e\b]e\ 4O`[S`a ;O`YSb AO\bO 1`ch ESSYZg S g eOa bVS`S bVOb eO`[ ac[[S` OTbS`\]]\ eV VS\ bVS AO\bO 1`ch ESSYZg eOa bVS`S bVOb eO`[ ac[[S` OTbS`\]]\ eVS\ bVS R`c[[S`a eV V] `SUcZO`Zg ^ZOg W\ bVS 1ObVQO O`b 1SRO` Ab`SSb ^O O`YW\U Z]b R`c[[S`a eV] `SUcZO`Zg ^ZOg W\ bVS 1ObVQO`b 1SRO` Ab`SSb ^O`YW\U Z]b a_cO` SR ]TT eWWbV `W]b USO` QZOR ^]ZWQS ]dS` eV] VOR bVS `WUVb b] UO b bVS` a_cO`SR ]TT eWbV `W]b USO` QZOR ^]ZWQS ]dS` eV] VOR bVS `WUVb b] UObVS` W\ bVS ^O`YW\U Z]b @caY eOa O``SabSR Âż`ab OTbS` ]TÂżQS`a aOWR VS S ^cZZSR W\ bVS ^O`YW\U Z]b @caY eOa O``SabSR Âż`ab OTbS` ]TÂżQS`a aOWR VS ^cZZSR R] e\ TS\QW\U bVOb eOa aSb c^ O`]c\R bVS R`c[[S`a¸ TOd]`WbS b`SS ;]RS Sa R]e\ TS\QW\U bVOb eOa aSb c^ O`]c\R bVS R`c[[S`a¸ TOd]`WbS b`SS ;]RSa ZWY S R]hS\a ]T ]bVS`a `O\ b] eVS`S @caY eOa PSW\U VO\RQcTT O SR R O\R PSOb ZWYS R]hS\a ]T ]bVS`a `O\ b] eVS`S @caY eOa PSW\U VO\RQcTTSR O\R PSOb VWa R`c[ \SO` bVS O``SabW\U ]TÂżQ bW\U ]TÂżQS` 7b eOa\¸ Oa\ b QZSO` eVOb bVS\ ^` b bVS\ ^`][^b ^` SR VWa R`c[ \SO` bVS O``SabW\U ]TÂżQS` 7b eOa\¸b QZSO` eVOb bVS\ ^`][^bSR bV` SS ]TÂżQS`a b] aW\UZS ]cb ;]RSa T`][ bVS S ]bVS`a O\R bOYS VW[ R]e\ W\ \ O bV`SS ]TÂżQS`a b] aW\UZS ]cb ;]RSa T`][ bVS ]bVS`a O\R bOYS VW[ R]e\ W\ O QV]Y SV]ZR 0c cb bVSg RWR O\R VS eOa O``SabSR S b]] QV]YSV]ZR 0cb bVSg RWR O\R VS eOa O``SabSR b]] B VS aS`WSa ]T [ VS aS`WSa ]T [ []bW]\a RS\WOZa O\R ^ZSO ]TTS`a Âż\OZZg S\RSR ]\ 2SQ " []bW]\a RS\WOZa O\R ^ZSO ]TT S`a Âż\OZZg S\RSR ]\ 2SQ " S BVS aS`WSa ]T []bW]\a RS\WOZa O\R ^ZSO ]TTS`a Âż\OZZg S\RSR ]\ 2SQ " ' ÂľES RWR R \]bVW\U e`]\U 0cb eS SdS\ \bcOZZg TSZb ÂżUVbW\U bVS QOaS ' ÂľES RWR \]bVW\U e`]\U 0cb eS SdS\bcOZZg TSZb ÂżUVbW\U bVS QOaS e ]cZR R][W\O ObS ]c` eV]ZS ZWdSa Âś aOga ;]R RSa eV] OZ]\U eWbV @caY Âż\O OZZg e]cZR R][W\ObS ]c` eV]ZS ZWdSa Âś aOga ;]RSa eV] OZ]\U eWbV @caY Âż\OZZg bb]]Y O ^ZSO RSOZ T]` O aca^S\RSR aS\bS\QS O\R [O\ROb]`g Q][[c\Wbg ]]Y O ^ZSO RS SOZ T]` O aca^S\RSR aS\bS\QS O\R [O\ROb]`g Q][[c\Wbg aS`dWQ S Âľ2STS\RW\U g]c`aSZT W\ Q]c`b Q]aba bW[S O\R []\Sg O\R []a b aS`dWQS Âľ2STS\RW\U g]c`aSZT W\ Q]c`b Q]aba bW[S O\R []\Sg O\R []ab ^S]^ZS Xca b R] ]\¸b VOdS S\]cUV Âś ^S]^ZS Xcab R]\¸b VOdS S\]cUV Âś —Curtis — Curtis Cartier Car artier

3 3

january 13-20, 2010 SANTACRUZ.COM

Heald Student

10 |

Train NOW for an exciting career in

CRIMINAL JUSTICE

Learn about Law Enforcement, Corrections, Social Services, Security, and More! Also, ask about our PARALEGAL PROGRAM! Prepare to assist lawyers in law firms, as well as work in the legal department of corporations, banks, insurance companies and more! Program availability may vary by quarter ®

Get in. Get out. Get ahead.

• Lifetime career services assistance for graduates • Financial aid for those who qualify • Day and evening classes

CALL TODAY!

(831) 240-0606

Ask about our NEW Construction Management & Pharmacy Technology programs!

Salinas Campus: 1450 N. Main Street, Salinas, CA 93906

www.ChooseHeald.com

MSC120909

j

A/<B/1@CH 1=; january 13-20, 2010 1C@@3<BA

1C@B7A 1/@B73@

1 C @ @ 3 < B A j ; / 9 3 A / < B / 1 @ C H A / 4 3 1 '

5=<3 <=B 4=@5=BB3< Schrock’s aunt, Mina Schrock, talks to her slain niece’s surviving daughter, Kiara Schrock-Bustoz.

state and city governments expected to continue in 2010, if not worsen, groups like the CPVAW and the Walnut Avenue Women’s Center will likely hear the familiar exhortation to “do more with less.� “Our No. 1 priority right now is just to keep our doors open,� says Kristie Clemens, director of Domestic Violence Programs at WAWC, who has shown up to hold a candle at Schrock’s vigil. “We’re seeing the level of violence in people’s relationships escalate. But we’re getting no help from the state government, and donations have been hard

to come by. It definitely makes it harder to help the people that need it.� Under the fiscal year 2009–2010 budget, the city of Santa Cruz cut funding to WAWC by roughly $27,000 and to the CPVAW by nearly $33,000. On the state level the picture is even grimmer. Having cut financing completely for all 94 of the state-sponsored domestic violence shelters last year and forced state legislatures to borrow temporary funding to keep shelters open, the latest state budget proposed by Gov. Arnold Schwarzenegger continues to offer no financial support to

A C T I VAT E E6/B 7B 7A( 1cZbc`OZ 1]c\QWZ ]T AO\bO 1`ch U`O\b e`WbW\U ]`WS\bObW]\a E63< 7B 6/>>3<A( 4`WROg 8O\ # (! O[³ \]]\ O\R BVc`aROg 8O\ "(! ^[³$^[ E63@3 B= 5=( " 1VO\bWQZSS` /dS AcWbS 5 AO\bO 1`ch E6G 0=B63@( 4W`ab bW[S O^^ZWQO\ba T]` bVS Q]c\QWZ¸a O\\cOZ ³ ! U`O\ba eWZZ VOdS b] ObbS\R ]\S ]T bVSaS be] ]`WS\bObW]\a b] PS SZWUWPZS C^ b] !# eWZZ PS OeO`RSR b] bV]aS O^^ZWQO\ba eV]aS Q]\QS`ba SfVWPWba O\R ]bVS` SdS\ba O`S RSS[SR ¾[]ab ^`][WaW\Uœ W\ TSSRW\U bVS Q]c\bg¸a QcZbc`OZ O^^SbWbS

domestic violence programs like WAWC. The results have been axed staff— Clemens had five associates in her department in 2008 and has two now—as well as shorter hours and longer waits when women come in seeking help. What’s been a “saving grace,� says Clemens, is the number of volunteers who have offered their help and the grassroots efforts of other women who pledge their time away from the center. Isabelle Rosenlund is one such volunteer. Her unnamed group of about six local ladies was at last week’s CPVAW meeting. They’re here now, at Schrock’s vigil, with candles in hand. “Women need to stand up and demand action,� says Rosenlund, who has organized a Jan. 28 “Women Take Back Our Streets� community march through “the darkest places� in Santa Cruz. “We can’t depend on the city or the state to help us. We’ve got to do it ourselves.� THE WOMEN TAKE BACK OUR STREETS MARCH starts Thursday, Jan. 28, at 6pm at Santa Cruz City Hall, 809 Center St., Santa Cruz, and continues through downtown. Organizers ask participants to dress warmly and bring a candle.

12 |

january 13-20, 2010 SANTACRUZ.COM

j !

A/<B/1@CH 1=; januray 13-20, 2010 1=D3@ AB=@G

Home in the Range Fears about greenhouse gases could point the way to a denser, greener, more affordable Santa Cruz 0G 83AA71/ :CAA3<6=>

L

ET’S START by stating the obvious: people around here feel very strongly about housing development. Or putting a stop to it. This little coastal town has seen some big divisions and plenty of lines drawn in the sand when it comes to deciding how to house the new immigrants, students and trannies (as in transplants) that arrive in a steadily increasing stream each year. Some of the best-known players—the bitterati of the housing fight—have been battling for decades now along predictable factional lines: environmentalists vs. developers, progressives vs. business interests. Toss in the affordable housing advocates, the anti-university front and the people who just like things the way they are, and what you get is a turf war as heated as gangland. There is no shortage of drama here. But that’s not the kind of discussion Rick Longinotti wants to have anymore. “This is an important time. There is a convergence in interests between developers and those interested in social justice,â€? says the family therapist and co-founder of Nonviolent Communication Santa Cruz. “I think that some of the conf lict has been based on understandings or beliefs that have now been changed or are changing.â€? The evolution in ideology has Longinotti hoping that Santa Cruz might finally be able to address a problem that has plagued it for decades: “Why are we losing ground on affordable housing? Let’s not fool ourselves. It’s just getting worse,â€? he says. ¨

"

januray 13-20, 2010 A/<B/1@CH 1=;

1=D3@ AB=@G j 6=;3 7< B63 @/<53 8jgi^h 8Vgi^Zg

" j 1=D3@ AB=@G

1:=A3 3<1=C<B3@A!!Sjdl!Mpohjopuuj!)gpsfhspvoe*!xbout!up!tff!Tboub!Dsv{!bqqspwf!npsf!

npuifs.jo.mbx!vojut-!mjlf!uif!pof!jo!Qmboojoh!Dpnnjttjpofs!Ebwje!GptufsĂ–t!cbdl!zbse<!jo!uif! cbdlhspvoe!bsf!Ebwje!Gptufs!)tuboejoh*!boe!ijt!qbsfout-!Ifsc!boe!Fmmjf!Gptufs/

For the last 20 years, Santa Cruz County has maintained the dubious honor of being one of the least affordable places in the nation. While the U.S. Department of Housing and Urban Development considers housing that costs 30 percent or less of one’s take-home pay “affordable,� over the last 10 years the Santa Cruz County Community Assessment Project has consistently found that at least half of county residents spend more than that.

In 2007, 24.8 percent indicated they spent half or more of their income on housing; the figure has more or less held steady since. Rents have been on a runaway train for years, leaping 48 percent from 1995 to 2004 and 22.6 percent between 2003 and 2009. Even during an economic recession that saw the median price of a home plummet from $655,000 in 2007 to $347,000 in 2009, the average rent still rose; a two-bedroom apartment that cost

j #

A/<B/1@CH 1=; januray 13-20, 2010 1=D3@ AB=@G

$1,466 in 2007 commanded $1,713 last year. Meanwhile, our numbers creep relentlessly upward—CAP estimated the county population was 268,637 in January 2009, and AMBAG estimates that number to grow to 274,000 by 2015—and to 290,000 by 2030. On the surface, this may not appear to be of concern to Transition Santa Cruz, the year-and-a-half-old grassroots organization Longinotti helped found. The group focuses on planning for a thriving post-peak-oil-era Santa Cruz, and its past workshops—on re-skilling, local food and land use—have been geared to that end. But Longinotti discovered last June at a TSC workshop that some of the regular attendees were also players in the ongoing affordable housing debate— people like developer John Swift, former mayor and environmental attorney Celia Scott and former chairman of the City of Santa Cruz Housing Advisory Committee (and Santa Cruz Weekly calendar editor) Paul Wagner. Longinotti noticed that, while they may not have always agreed with one another on housing issues in the past, ending Santa Cruz’s reliance on fossil fuels was something they could all get behind. “It was people who had been enemies, on opposite sides of the issues. When there’s a particular project, you go up and say your piece to city council and you don’t talk to each other. This was a new experience for some people,� says Longinotti. It made him realize that the housing problem and building a post-peak-oil-era Santa Cruz are inextricably linked, and that these players had more in common than they might have once thought. It inspired him to plan “Housing Within Reach: Of Our Pocketbooks; Of Our Workplaces, Schools, & Stores,� a fiveweek lecture series on making Santa Cruz County a more affordable place to call home. The first meeting, called “Overview of Housing Economics: Why we’re losing ground on affordability and what we can do about it,� is this Thursday, Jan. 14. Meetings follow every other Thursday night through March 11. So what kind of issues could possibly get a for-profit developer, an environmental lawyer and an affordable housing advocate at the same table on the dais? “I think the scales have tipped. For many years, it was the environment at all costs. I think that shortchanges some of the social goals this town also holds dear,� says developer Swift, who will be presenting in the third week of the series. “There is a legitimate environmental movement and a legitimate developer movement. The two are not at odds, ultimately.�

Although Swift is currently working on the controversial Golf Club Drive project that neighbors Pogonip—a plan criticized by enviros, who says it’s wiping out farmland, and transportation advocates, who say it’s not on a major corridor—Longinotti says that’s not what he wants the discussion to center on. “I’m done arguing over the individual projects. The main idea is something people can agree on,� he says. The main idea, and why TSC is involved, is pretty simple: Santa Cruz has jobs. If it’s too expensive for our baristas, field workers and stockboys to live here, they’ll have to drive here from outside. Every person behind the wheel is pushing up greenhouse gases and fossil fuel consumption. Why not develop mixed-use communities along transit corridors dense enough to promote affordability and alternative transportation, and render commuting obsolete? “Appropriate density improves the quality of life,� says Longinotti. “More housing in Santa Cruz is a good thing for the environment.�

We’re So Pretty How did we get here? One of the main reasons is no one’s fault: It’s just too beautiful here. “If you’re well off in California, you probably will move to the coast,â€? says former Santa Cruz mayor and Week One series speaker Bruce Van Allen. “That means huge demand that is not going to let up for a long time. That demand is making it harder for people who work in Santa Cruz to be able to afford to live here.â€? The other indisputable factor is the arrival of the University of California Santa Cruz in the ’70s, which caused a sudden 29 percent jump in population in the city of Santa Cruz. “The university put huge pressure on the housing market here. I don’t think anybody disputes that anymore,â€? says Van Allen. “Six [students] can afford a much higher rent than the family they pushed out with two working people. It works directly against tenants.â€? Beyond these two unchangeable factors (“What should we do to make this place less desirable—drop stink bombs?â€? says Van Allen) are the policies that arose in response to them. Measure J, passed in 1978, drew urban service lines to discourage sprawl and put a cap on the county growth rate (it also included a 15 percent affordable housing provision). Santa Cruz developed tight building restrictions and elected a series of picky, environmentally minded ¨ $

januray 13-20, 2010 A/<B/1@CH 1=;

1=D3@ AB=@G j 6=;3 7< B63 @/<53 8jgi^h 8Vgi^Zg

$ j 1=D3@ AB=@G

74 G=C 0C7:2 7B B63G E7:: 16/@53 ;=@3 Gpsnfs!Tboub!Dsv{!Nbzps!Csvdf!Wbo!Bmmfo-! xip!ljdlt!pgg!uif!Ipvtjoh!Xjuijo!Sfbdi!tfsjft!uijt!Uivstebz-!epftoĂ–u!uijol!npsf!ipvtjoh!tupdl! ofdfttbsjmz!frvbmt!mpxfs!qsjdft/

governments that created fewer spaces to build on and burnished Santa Cruz’s reputation for knowing what it doesn’t want better than what it does. The defeat of rent control laws in the late ’70s and early ’80s and the fact that UCSC only provides housing for about half of its students are also contributing factors to booming housing costs. “Growth control was really important. It’s why we don’t look like Orange County,� says Longinotti. “At the same time, it had an impact on the cost of housing.� But participants plan to skip the finger-pointing. “I’m going to do pure economics,� says Paul Wagner, who kicks off the series with Van Allen this Thursday. Wagner plans to discuss zoning policies that have favored the construction of single-family homes over projects that would be able to incorporate some of the smart-growth, smart-density principles, while Van Allen will go into the history

of policies on a national, state and local scale that subsidize home ownership but do little for renters. Week two features Carol Berg, manager of Santa Cruz Housing and Community Development, talking about city programs for housing affordability and their effectiveness; and Jan Lindenthal, vice president of the nonprofit developer Mid-Peninsula Housing, on putting public funds toward affordable housing projects. John Swift will focus week three on practical ways to make smart-density a reality, through regulatory changes, design and zoning changes. He’ll be joined by Jeff Oberdorfer, executive director of San Jose–based First Community Housing, speaking about innovative public-private partnerships. Longinotti will touch on ways density and development can actually get cars off the streets, including specific thoughts on unbundling the cost of parking from rent or home purchase prices and lower parking requirements.

j %

A/<B/1@CH 1=; januray 13-20, 2010 1=D3@ AB=@G

In week four John Doughty, executive director of AMBAG, and Celia Scott will tackle the linkage between transportation costs and growth, in particular the widening of Highway 1 and the impact of S.B. 375, which incentivizes counties to plan transportation projects that curb greenhouse gas emissions. The series closes with David Foster, a Santa Cruz planning commissioner, on ways to partner up and move forward. “It’s an invitation for the community to come together and say, ‘OK, let’s do this now, let’s put some of these ideas into practice,’� says Longinotti.

‘Once you get past three stories and you have to start putting in elevators and infrastructure, the sustainability sort of flattens out. There’s a sort of a sweet spot at three stories that shouldn’t be too obtrusive.’ RICK LONGINOTTI Opinionated Bunch But just because these thinkers have agreed to participate in a series of forums doesn’t mean they necessarily agree on the solutions to our affordable housing conundrum. For example, while Van Allen leans more toward the idea of rent control and drumming up the political will to get more renters’ rights, Wagner describes himself as being more of the “build, baby, build� persuasion. Longinotti

wants to amp up the number of granny units, while Van Allen is skeptical about their ability to lower rents. And while some people equate “smart density� with “high-rise hell,� Longinotti says that’s not how he envisions things. “Once you get past three stories and you have to start putting in elevators and infrastructure, the sustainability sort of flattens out,� he says. “There’s a sort of a sweet spot at three stories that shouldn’t be too obtrusive.� When asked to pick out a current or upcoming project they see as the right direction for housing in Santa Cruz, the participants give varying answers. Wagner likes the 40 percent affordable apartments at the 1010 Pacific and its sister project on Shaffer Road that were achieved through public subsidies. Longinotti likes the granny unit in David Foster’s back yard where Foster’s parents live. Swift likes the mixed-use 2120 Delaware project—which has stalled due to the economy but still has a sign stuck in the ground that reads “If you worked here . . . you’d be home by now!�—and Van Allen likes the mobile home parks whose residents have formed cooperatives. Nevertheless, Longinotti is hopeful that some new innovations and new blood will invigorate the Q&A sessions that will follow each meeting, and the local discussion as a whole. And he thinks all the speakers can agree on a basic vision of the Santa Cruz of the future. “It looks like a community where people can enjoy getting to where they want to go without heavily relying on the automobile, and where there’s housing that meets the needs of all levels of income,� he says. “It’s not only people who work here that can’t afford to live here, but people who grew up here, come of age and can’t live in their community.� Swift agrees. “I think some people like a more vital environment where walking and bicycling and being more social in a socially dense environment is not a bad thing. I’m not saying every place in the county has to be that way, [but] this could be a good way to live close to your neighbors, sharing your community,� he says. HOUSING WITHIN REACH: OF OUR POCKETBOOKS; OF OUR WORKPLACES, SCHOOLS AND STORES starts Thursday, Jan. 14, 7–9pm, and continues Jan. 28, Feb. 11, Feb. 25 and March 11 at the United Methodist Church, 250 California St, Santa Cruz. For more info visit www.transition sc.org.

Santa Cruz Veterinary Hospital Serving you with thorough and compassionate care for more than 45 years

GOT FRESH BREATH?

Celebrate National Pet Dental Month Save 10% in January and February on your pets’ dental care.

Call us for details or visit our website for a virtual tour of pet dentistry in our practice! Receive a free dental care kit for your pet ($25 value), and a tooth brushing demo.

18 |

january 13-20, 2010 SANTACRUZ.COM

think thin n k lo local o call ďŹ rst s

A E! E!

' j '

A/<B/1@CH 1=; A /<B/1@CH 1=; jjanuary a n u a r y 13-20, 1 3 - 2 0 , 2010 2 0 1 0 / 3 / 3

8 TTens ens @ 15 15

;/@9 5@/<B6/; ; /@9 5@/<B6/;

As Sant Santa ta Cruz Cruz’s ’s 10-minute quirkyy 10 q 0-minute play pla ay ffestival eestival ccelebrates eleb brates its quinceaùera, quin ceaùera, directors ecctors talk dir craft about the t cr aft of ggoing oiing short 0G B@/17 6C97:: 0G B @ /1 7 6 C 9 7 : :

I

N 11994, 994, tthe he o only nly ccity ity iin n tthe he United States with U nited S tates w ith a 110-minute 0-minute play was Louisville, Ky. p lay ffestival estival w as iin nL ouisville, K y. Santa Cruz became IIn n 11995, 995, S anta C ruz b ecame the the second. second. “I “I thought, thought, we’re we’re the the Actors’ Actors’ Theatre Theatre also—why also—why not not have have a West West Coast Coast 1010minute minute play play festival?� festival?� says says director, director, playwright playwright and and Cabrillo Cabrillo College College theater theater instructor instructor Wilma Wilma Marcus Marcus Chandler, Chandler, who who was was using using short short plays plays as as a teaching teaching tool tool in in her her classes. classes. “It “It started started with with admiration admiration for for the the form form of of the the 10-minute 10-minute play. play.� The The first first 8 Tens Tens @ Eight Eight festival festival was was open open to to local local playwrights, playwrights, who who submitted submitted their their work work to to be be performed performed by by local local actors actors under Actors’ under local local directors directors aatt tthe he iintimate ntimate A ctors’ Theatre. Th heatre. Itt was was a resounding resounding success. success. The Th he next next year, year, festival festival artistic artistic director director Chandler Chandler opened opened it it to to playwrights playwrights around around the the Bay Bay Area. Area. It It kept kept expanding, expanding, and and today today it’s it’s an an international international affair, affair, technically technically at at least, least, with with alums alums hailing hailing from from Australia Australia and and at at least least one one Russian Russian hankering hankering to to get get her her play play produced produced in in Surf Surf City. City. It’s It’s also It also now now one one of of dozens dozens of of 10-minute 10-minute play play festivals festivals around around the Oxford, Miss., the country—in country—in O xford, M iss., Jersey Jeersey City, City, Los Los Angeles Angeles and and at at the the Kennedy Kennedy Center Center in in Washington, Washington, D.C. D.C. It’s Itt’s an an idea idea whose whose time time is is now. now. Iff you’ve you’ve ever ever been been to to an an 8 Tens Tens performance, performance, it’s it’s easy easy to to see see why. why. The The

/ <=B 8=::G =:2 3:4 K / <=B 8=::G =:2 3:4 Ken en D Dee Ru R Rugeris geris iiss a bboozehound oozehound SSanta anta aand nd N Nathan athan C Caracter aracter hhis is eenabling nabling ssidekick idekick Ru Rudolph dolph iin n the the 2009 2009 10-minute 10-minute gem gem ‘Santa ‘Santa Qaddafi Qaddaf i and and the the Sweatshops Sweatshops of of Guangdong.’ Guangdong.’

pieces aare pieces re ttaut aut and and kinetic. kinetic. And And being being so so moments pure magic ccompressed, ompressed, m oments of of p ure m agic can can happen. One h appen. O ne of of tthe he ffunniest unniest moments moments witnessed was II’ve ’ve ever ever w itnessed iin n llive ive theater theater w as iin n humorous Barbies, which tthe he 1999 1999 h umorous sshort hort B arbies, w hich dolls with butchered, badly ffeatured eatured rrival ival d olls w ith b utchered, b adly dyed hair d yed h air aand nd jjerky, erky, sstraight-legged traight-legged ggaits. aits. Last Actors’ Theatre Last week, week, as as the the A ctors’ T heatre prepared off 8 T Tens p repared tto o ccelebrate elebrate 1155 yyears ears o ens @ Eight quarter-century off iinnovative E ight ((and and a q uarter-century o nnovative Santa Cruz on ttheater heater iin nS anta C ruz o n a sshoestring, hoestring, but wee ssat down b ut tthat’s hat’s aanother nother sstory), tory), w at d own with off tthe w ith vveterans eterans o he ffestival estival tto o ttalk alk aabout bout Tens phenomenon. tthe he 8 T ens p henomenon. In n tthe he rroom oom were Wilma Marcus Chandler, who w ere W ilma M arcus C handler, w ho director sserved erved aass tthe he ffestival’s estival’s aartistic rtistic d irector ffor or Brian Spencer, who over 1133 yyears; ears; B rian S pencer, w ho ttook ook o ver Chandler director ffrom rom C handler aass aartistic rtistic d irector aand nd has directed many plays; play director h as d irected m any p lays; p lay d irector Andrew Stewart, who board A ndrew S tewart, w ho sserves erves aass b oard vvice ice president; Ron Barr, president off tthe p resident; aand nd R on B arr, p resident o he board off tthe Actors’ Theatre. Excerpts off b oard o he A ctors’ Th heatre. E xcerpts o the the cconversation onversation ffollow. ollow.

A/<B A/<B/ 1@CH E339:G( G]c B/ 1@CH E3 339: :G( G] ]c [S\bW]\SR bVWa T]`[ Wa Sa^SQWOZZg [S\bW]\SR bVWa T]`[ ] Wa Sa^SQWOZZg O^^`]^`WObS b] []RS`\ OcRWS\QSa O^^` ]^`WObS b] [] ]RS`\ OcRWS\QSa EVgEV g-

WILMA M WILMA MARCUS ARCUS C CHANDLER: HANDLER: T TV Vh has as rruined uined us us all, all, including including me. me. Our Our aattention ttention quite 20th sspan pan iiss q uite sshort hort iin n tthe he 2 0th ccentury. enturyy. orr a m movie, Iff yyou ou just just ggo o tto o tthe he ttheater heater o ovie, minutes tthe he aaudience udience aafter fter aabout bout 5555 m inutes iiss needs So vvery ery jumpy jumpy aand nd n eeds a break. break. S o that’s that’s aalready lready tthe he eexplanation xplanation ffor or the the one-act, one-act, play. The tthe he ttwo-act wo-act p lay. Th he 110-minute 0-minute fformat ormat iiss aalso lso a way way for for people people who who don’t don’t always always go go Wee tto o tthe he ttheater heater tto o be iintroduced ntroduced tto o iit. t. W minutes gget et tthem hem ffor or 110 0m inutes aand nd tthey hey ccan an ssay, ay, orr ““Oh, was ““Oh Oh that that was was horrible� horrible� o Oh, tthat hat w as rreally eally ggood. o ood.� It’s Itt’s llike ike dim dim sum. sum. RON BARR: Everybody R ON B ARR: E verybody has has one one they they hate hate do aand nd one one tthey hey llove. ove. We We d o surveys—we surveys—we did one we’ll d id o ne last last yyear ear aand nd w e’ll do do iitt again again tthis his And yyear. ear. A nd it’s it’s really really fun—it fun—it was was aalmost lmost always one people always a wash; wash; the the o ne that that p eople ssaid aid

they hated they hated the the most most will will also also be be the the one one tthat hat o ther p eople llove ove the the most. most. other people 2] g]c b`g b] USb O\ S_cOZ [Wf ]T 2] g]c b`g b] USb O\ S_cOZ [Wf ]T Q ][SRg O\R R`O[OQ][SRg O\R R`O[O-

CHANDLER: C HANDLER: T The he o original riginal iinstructions nstructions [[to to tthe he sselecting electing ccommittee] ommittee] w ere tto oo nly ggo o were only o n tthe he lliterary iterary m erit o he p iece, n ot tto o on merit off tthe piece, not w orry iiff iitt w as a p eriod p ace tthat hat w ould worry was period pace would rrequire equire ccostumes ostumes o ast o 0, jjust ust ggo oo n orr a ccast off 4 40, on tthe he lliterary iterary m erits. A nd ssome ome yyears ears iitt w as merits. And was m ostly ffunny. unny. O ne yyear ear aalmost lmost aall ll o hem mostly One off tthem h ad ffood ood iin n tthe he ttitles. itles. had B RIAN S PENCER: A nd llast ast yyear ear iitt w as BRIAN SPENCER: And was m ostly gghosts. hosts. mostly C HANDLER: IIt’s t’s a sserendipitous erendipitous ffiesta. iesta. CHANDLER: SPENCER: Some have S PENCER: S ome ccompanies ompanies h ave a Actors’ Theatre open, ttheme. heme. A ctors’ T heatre lleaves eaves iitt o pen, which w hich m means eans w wee gget et p plays lays tthat hat rrange ange ffrom rom rreligious eligious tto oh eavy d rama, p olitical. heavy drama, political. 3

j / 3 january 13-20, 2010 A/<B/1@CH 1=; / 3

1 '

ANDREW STEWART: And the subject matters themselves. You could have a Japanese internment camp and go to the civil war to a modern contemporary piece. That’s the beauty of it. It stretches the span of history and time. /`S bVS`S Z]QOZ ^ZOga SdS`g gSO`-

CHANDLER: Oh, every year. SPENCER: We’ll have seven of the eight playwrights on opening night. Some are coming from San Francisco, over the hill. The one not coming is from Kansas. CHANDLER: But they have in the past. STEWART: They’ve come from as far as the East Coast. Washington state, Australia. SPENCER: Last year we had our first admission from Russia. CHANDLER: But that was a lousy play. STEWART: No Chekhov there! /`S g]c aSSW\U O\g PWU QVO\USa W\ bVS O`b T]`[ ]dS` bVS gSO`a- 7a Wb [Obc`W\U-

SPENCER: I think it changes with the economy, things going on in the world. Also the fact that the whole thing is growing because there are more contests. Every playwriting class in the country is being told by the instructor, look around, find a contest and enter it. That’s where we get a lot of our entries, I’m sure. STEWART: I noticed this year there were more serious dramas. I think it is a direct result of the economy. In 2008 the theme was Iraq. We’ve probably got two comedies this year. And usually we try to look at a balance, but it depends on the submissions. EVOb R] g]c V]^S b] OQQ][^ZWaV W\ O [W\cbS ^ZOg-

CHANDLER: For me it’s like going into eight different rooms in a museum, with eight different artists, eight different displays of how they interpret life. Or looking through eight windows. What I hope to accomplish is to give a slide of life or picture of the world that the audience might not enter, whether a Japanese internment camp or soldiers in a foxhole. SPENCER: And because it’s compressed you’ve got almost a poetic feeling to it, because you have to economize in order to do that in 10 minutes. Some people are really good at it. It’s that type of thing you’re looking for, the person that can tell that story in that space of time and create interest that carries through. It’s surprising how quickly an audience can be lost if at the beginning of the thing they’re saying, “I have not a clue.� STEWART: Wilma said it very succinctly. You’re giving a slice of live, a portal. And in that you challenge the spectrum of human emotion every time. For me as director, I’m only interested in comedy

or absurdist theater or dramas if it speaks to me emotionally. And then seeing the whole flow, the piece together and how it moves you through human emotion. You never know till you put it together during tech week. Last year I directed a comedic piece about a drunken Santa whose wife had left him, and Rudolph was his enabler. And this year I’m directing a piece about addiction in upstate New York today. . . . SPENCER: That’s one thing that attracts directors. They can come in and handle this little problem. Next year maybe it will be something totally different. CHANDLER: I think the unsung heroes of this are the technical crew, the people who make the shifts. We used to have just rehearsals of those people by themselves, almost like ballet rehearsal. Every movement was crystallized, honed down, made absolutely flawless. No set change took more than one minute. SPENCER: We’re trying to get that to 30 seconds. CHANDLER: But the theater loves watching that. Because when done well, they’re beautiful. BARR: Half the audience in the survey said they wish they were faster, the other half wished it was more artistic. 6]e R] g]c RSQWRS bVS ]`RS` ]T bVS ^ZOga-

SPENCER: I’m trying to create a build in each act, a beginning place for audience that is a comfort type of thing and build to some sort of higher level at end of that act and then take a similar approach in the second act. It’s not always possible, because other things come into it. If you have actors doing more than one play, you try to keep them out of same act CHANDLER: If you have a child in a play you try to get that into the first act or the opening show so they can go home. And it’s important how you end: what is last play? There’s been a raging debate about that for eternity. Leave on a joyful note or given them a dramatic punch ? SPENCER: Or the one with the adult words so they can leave. STEWART: The C-words and the F-words! 8 TENS @ EIGHT opens Friday, Jan. 15, at 8pm and runs Thursday–Sundays through Feb. 14 at Actors’ Theatre, 1001 Center St., Santa Cruz. Tickets are $12.50–$18 at www.brownpapertickets .com or 831.425.PLAY. Special $40 packages are available for three plays: 8 Tens @ Eight, ‘Beyond Therapy’ (opening Feb. 26) and ‘Rabbit Hole’ (opening May 14).

j

A/<B/1@CH 1=; january 13-20, 2010 / 3

/ 3

87; ;/193<H73

3< /D/<B 5/@23 Left to right, musicians Remy LeBoeuf, Sayaka Yabuki, Noah Meites, Lori Rivera and Stan Poplin prepare to jam together Friday night.

Notes From the Underground New Music Works shines a light on a cadre of bold new composers 0G B@/17 6C97::

H

ere in his hometown, 23year-old sax player Remy Le Boeuf is best known as one-half of the formidable jazz duo formed with his twin brother, pianist Pascal. That work has been hailed by The New York Times as reaching for “the gleaming cosmopolitanism of our present era.â€? But during his jazz studies at the Manhattan School of Music, Remy had a little side thing with classical composition. This Friday, his piece The Third Elegy, a contemplative, Eastward-looking number for cello, violin, bass clarinet and vibraphone, receives its world premiere as part of the New Music Works concert Night of the Emerging Composers. All four of the composers on the program live, study or were reared in Santa Cruz, but that’s about all they have in common. Their pieces range from the austerity of Le Boeuf ’s work to the ornate and sometimes jarring sensibility of UCSC music doctoral candidate Noah Meites to the blossoming repetition of Sayaka Yabuki’s Water and Wine, which incorporates electronic media and live looping artist Jack Schultz. Local bassist Stan Poplin, who joined the UCSC faculty in 2002 and counts appearances with Yo-Yo Ma, Dave Brubeck and Muddy Waters on his rĂŠsumĂŠ, has written a new piece about “romantic love gone sidewaysâ€?

that incorporates jazz and spoken word. Detour will feature versatile mezzosoprano Lori Rivera, percussionist Jim Kassis and Will McIntyre on vibraphone. Local New Music nerds will be especially gratified to catch a live performance of Meites’ Bioskop, which earned him a prestigious BMI Student Composer Award last May. The piece for chamber ensemble, inspired by the films of late-19th-century German filmmaker Max Skladanowsky, swirls with innovation and obsession. The BMI is something of an indicator award; 11 Pulitzer Prize– winning composers received their first recognition in the form of a Student Composer plaque. Finally, in a nod to Santa Cruz musical culture, the four composers and musical guests will climb the stage to cap the evening with a big fat jam session. Because why stop with mind-blowing sheet music when adventures in the musical unknown lie just a few seconds ahead? NIGHT OF THE EMERGING COMPOSERS is Friday, Jan. 15, at 7:30pm, UCSC Music Center Recital Hall, Santa Cruz. Tickets are $23.50 general/$17.50 senior/$12.50 student, available at www.SantaCruzTickets .com or at 831.459.2159.

Santa Cruz Buyers’ Brokerage is particularly proud to welcome Trevor Roberti to our team of Exclusive Buyer Agents. A former professor with a PhD in Physical Chemistry, Trevor is a licensed Real Estate Broker and former owner of several California real estate companies. He brings an expertise in the analysis of investment property along with a passion for helping ďŹ rst-time home buyers realize the beneďŹ ts of home ownership. Visit him online at buysantacruzrealestate.com

WE HELP PEOPLE BUY REAL ESTATE

j AB/53 /@B 3D3<BA january 13-20, 2010 A/<B/1@CH 1=; :7AB G=C@ :=1/: 3D3<B 7< B63 1/:3<2/@ Email it to calendar@santacruz.com, fax it to 831.457.5828, or drop it by our office. Events need to be received a week prior to publication and placement cannot be guaranteed.

Stage B63/B3@ 3WUVb ¸a . & I]Z &*i] VccjVa &%"b^cjiZ eaVn [Zhi! [ZVijg^c\ bViZg^Va Vh kVg^ZY Vh dcZ XVc ^bV\^cZ! Y^gZXiZY Wn 7g^Vc HeZcXZg# I]j! ;g^! HVi Vi -eb VcY Hjc Vi (eb# &*" &-0 Vaa I]j VcY Hjc! ild [dg '*# 6XidghÉ I]ZVigZ! &%%& 8ZciZg Hi! HVciV 8gjo# /\ 3dS\W\U ]T 1ZOW`SWbg I]Z l^YZan ejWa^h]ZY! VlVgY" l^cc^c\ VcY ^ciZgcVi^dcVaan egdYjXZY edZi! eaVnlg^\]i! VcY _djgcVa^hi 8aV^gZ 7gVo" KVaZci^cZ lgdiZ i]ZhZ ldg`h! VcY i]Z L^aa^c\ HjheZch^dc 6gbX]V^g I]ZVigZÉh VXidgh gZVY i]Zb0 X]VeWdd` XdciV^c^c\ hdbZ VkV^aVWaZ [dg ejgX]VhZ Vi eZg[dgbVcXZ# IjZ! ?Vc &.! ,/(%eb# 9dcVi^dc Vi Yddg# 6XidghÉ I]ZVigZ! &%%& 8ZciZg Hi! HVciV 8gjo# AWf EVSSZ 2`WdS 7[^`]dWaObW]\OZ BVSObS` Cd hXg^eih VaadlZY ^c i]ZhZ [jaan ^begdk^hZY ,*"b^cjiZ eaVnh d[[Zg^c\ Wdi] XdbZYn VcY eVi]dh# ;dg i]dhZ &+ VcY daYZg# HVi! ?Vc &+! -eb# &%# 7gdVYlVn EaVn]djhZ! *'+ 7gdVYlVn! HVciV 8gjo#

1=<13@BA AO\bO 1`ch 1VO[PS` >ZOgS`a( ;caWQ T]` EW\Ra O\R >WO\] HjWi^iaZY Æ( Fj^ciZih VcY ' 9jdh!Ç i]^h XdcXZgi [ZVijgZh e^ZXZh [gdb 8#E#:# 7VX]! 7ZZi]dkZc! 7dccZVj! G^bh`n" @dghV`d[[! VcY V cZlan gZVggVc\ZY kZgh^dc d[ i]Z 7gjWZX` bVhiZge^ZXZ ÆIV`Z ;^kZ#Ç HVi! ?Vc &+! -eb VcY Hjc! ?Vc &,! (eb# &%" '%# 8]g^hi Aji]ZgVc 8]jgX]! &%,%, HdfjZa 9g! 6eidh! -(&#+--#*,',#

Art ;CA3C;A 1=<B7<C7<5 AO\bO 1`ch ;caSc[ ]T /`b O\R 6Wab]`g 8dkZg^c\ <gdjcY/ CZl Ldg`h dc EVeZg Wn GdWncc Hb^i]! XdbW^cZh ]Zg igV^c^c\ ^c Wdi] hXjaeijgZ VcY eV^ci^c\0 h]Z Wj^aYh hjg[VXZh VcY \dj\Zh i]Zb id [dgb \Zd\gVe]^XVa VcY VgX]VZdad\^XVa h^iZh# ?^b HXdeeZiidcZ VcY ;Vb^an# HdbZ VgZ [gdb i]Z VgX]^kZh VcY hdbZ [gZh] d[[ i]Z ZVhZa! Wji Vgi ]^hidg^Vc 9^cV HXdeeZiidcZ \Vi]Zgh i]ZhZ eV^ci^c\h id\Zi]Zg id egZhZci V XdaaZXi^dc d[ _ZlZa"a^`Z [adlZgh VcY jcXVccn [VXZh! hdbZ hZZc ejWa^Xan [dg i]Z [^ghi i^bZ! eV^ciZY l^i] [aVgZ Wn ?VbZh HXdeeZiidcZ VcY AVgV HXdeeZiidcZ# GnYZaa K^hjVa 6gih ;Zaadlh# L^aa^Vb ÆH`^eÇ :eeZghdc! IZgg^ <VgaVcY! ;Za^X^V G^XZ VcY 9Vc^ZaaV Ldda[! Vaa gZX^e^Zcih d[ i]Z '%%-

VcY '%%. GnYZaa K^hjVa 6gih ;Zaadlh]^e! h]dl i]Z^g ldg`h ^c V XdgcjXde^V d[ bZY^jbh [gdb iZmi^aZh id e]did\gVe]n id ]VcYbVYZ eVeZg# Hedia^\]i Idjgh# I]ZhZ ^ccdkVi^kZ idjgh Wg^c\ Vgi^hihÉ kd^XZh Y^gZXian id k^h^idgh# K^h^idgh l^aa \d WZ]^cY i]Z hXZcZh Vh i]Zn idjg djg bjhZjbl^YZ Zm]^W^i^dch# I]^gY HVi d[ ZkZgn bdci]! &&/(%Vb"&'/(%eb# BjhZjb deZc IjZ"Hjc! &&Vb"*eb0 XadhZY Bdc# ,%* ;gdci Hi! HVciV 8gjo! -(&#)'.#&.+)#

5/::3@73A 1=<B7<C7<5 0`O\QWT]`bS :WP`O`g 6\ZaZhh 6gi H]dl# 8gZViZY Wn gZh^YZcih Vi adXVa ]ZVai] XVgZ [VX^a^i^Zh! i]^h Zm]^W^i ^h WdjcY id idjX] i]Z ]ZVgi# '(% <Vjai Hi! HVciV 8gjo! -(&#)'%#+((%# 1]TTSSb]^WO @Vi]aZZc 7ZgigVcY/ 6[g^XVc :aZe]Vci VcY 8VXijh HZg^Zh# K^k^Y! ]^\]an Y^bZch^dcVa eV^ci^c\h! dc Y^heaVn i]gdj\] i]Z bdci]# I]gj ?Vc (&! +Vb" +eb# ;gZZ# &,'( B^hh^dc Hi! HVciV 8gjo! -(&#),,#&.)%# 2OdS\^]`b 5OZZS`g DeZc^c\ :m]^W^i# I]^h WgVcY" cZl \VaaZgn d[[Zgh V h]dl [ZVijg^c\ EVja HijiobVcÉh aVg\Z hXVaZ lddY e^ZXZh WVhZY dc [adlZg [dgbh! e]did\gVe]h Wn :Y 9^X`^Z VcY ?VbZh :# AZl^h! eV^ci^c\h Wn 6aVcc^ L^c`aZg VcY AVggn =VgYZc VcY XZgVb^Xh Wn HiZkZ 7VgVcdlh`^# ;gZZ VYb^hh^dc# LZY"Hjc &&Vb" *eb )*% =ln &! 9VkZcedgi! -(&#)'+#&&..# 4SZWf 9cZ^O 5OZZS`g <d^c\ 7^\# 6gi h]dl d[ aVg\Z dW_ZXih# I]j"Hjc! cddc"*eb# I]gj ?Vc ''# I]j"Hjc cddc" *eb &%, :ab Hi! HVciV 8gjo! )%-#(,(#'-*)# AO\bO 1`ch 1]c\bg 0O\Y BVcÉh 7Zhi ;g^ZcY# 6aa [^kZ HVciV 8gjo 8djcin 7Vc` WgVcX]Zh 6eidh! 8Ve^idaV! HVciV 8gjo! HXdiih KVaaZn! LVihdck^aaZ VgZ egZhZci^c\ Zm]^W^i d[ &( Vgi^hihÉ ldg` YZe^Xi^c\ i]Z eaVn[ja cVijgZ d[ Yd\h# DeZc jci^a +eb dc ;g^YVnh# ,'% ;gdci Hi! HVciV 8gjo! -(&#)*,#*%%%# AO\bO 1`ch ;]c\bOW\a /`b 1S\bS` FjVgiZgan :m]^W^i/ CZl 7Z\^cc^c\h# ?ZlZagn! \aVhh! XZgVb^Xh! eV^ci^c\h! eg^cih! Y^\^iVa eV^ci^c\h! WVh`Zih! hXjaeijgZ VcY iZmi^aZh [gdb Xdbbjc^in Vgi^hih# LZY"Hjc! cddc"+eb# I]gj BVg ',# LZY" Hjc! cddc"+eb# .()& B^aa Hi! 7Zc AdbdcY! -(&#((+#)',(#

Events 075 23/:A ;O`bW\ :cbVS` 9W\U 8` 3dS\ba I]Z HVciV 8gjo WgVcX] d[ i]Z C668E XdbbZbdgViZh i]Z W^gi]YVn VcY ldg` d[ 9g# BVgi^c Aji]Zg @^c\ ?g# ^c V

[djg"YVn [Zhi^kVa [dg i]Z Zci^gZ Xdbbjc^in# ;g^ ?Vc &*! ,eb! <dheZa bjh^X VcY X]d^g c^\]i! 8^gXaZh 8]jgX]! &&&& :ggZii 8^gXaZ0 Vaa V\Zh! * YdcVi^dc gZfjZhiZY# HVi ?Vc &+! +".eb! Bjh^X VcY <jbWd EVgin l^i] adXVa WVcYh VcY \jbWd! X]^a^ VcY 6[g^XVc kZ\ZiVWaZ Y^h]Zh0 '% YdcVi^dc gZfjZhiZY# Hjc ?Vc &,! '"*eb! 7dla^c\ EVgin! 7dVgYlVa` 7dla! [gZZ [dg `^Yh VcY iZZch! i]dj\] cjbWZg ^h a^b^iZY Wn heVXZ# Bdc ?Vc &-! .Vb"(eb! Ndji] 8aVhh^X! HVciV 8gjo =^\] HX]dda \nb! WVh`ZiWVaa! iVaZci h]dlXVhZ VcY ndji] heZV`Zgh# BdgZ ^c[d/ -(&#)'.#''++# >c VYY^i^dc! Bdc ?Vc &-! &%Vb"'eb! i]Z =dbZaZhh <VgYZc Egd_ZXi ^h ]daY^c\ V YVn d[ Xdbbjc^in hZgk^XZ! Vh`^c\ kdajciZZgh id ]Zae gZkVbe ^ih Zci^gZ Xdbedhi^c\ hnhiZb l]^aZ aZVgc^c\ VYkVcXZY iZX]c^fjZh id h]VgZ l^i] di]Zgh# BdgZ ^c[d/ -(&#)'+#(+%.# I]gj ?Vc &-#

;33B7<5A /ZhVSW[S`¸a 7\T]`[ObW]\ ;SSbW\U Ide^X/ `cdl^c\ i]Z &% h^\ch d[ 6ao]Z^bZgÉh! [ZVijg^c\ k^YZd Xa^eh Vh ZmVbeaZh! egZhZciZY Wn i]Z 6ao]Z^bZgÉh 6hhdX^Vi^dc# I]j! ?Vc &)! &"(eb# ;gZZ# A^kZ DV` HZc^dg 8ZciZg! &,,,"6 8Ve^idaV GY! A^kZ DV`! -(&#),&#.&)(# 0]Rg 7[OUS /\]\g[]ca 6 hjeedgi \gdje [dg i]dhZ hj[[Zg^c\ [gdb cZ\Vi^kZ WdYn ^bV\Z ^YZci^[^XVi^dc! dWhZhh^dch dg 799# I]^gY IjZ d[ ZkZgn bdci]# 9db^c^XVc :YjXVi^dc 8ZciZg! &*** HdfjZa 9g! HVciV 8gjo! -(&#'&'#**,+# AVOPPOb 3dS\ba I]Z 8]VYZ^h] NVbZ^cj ?Zl^h] GZcZlVa 8dbbjc^in d[[Zg V bdci]an hZXdcY"HVijgYVn H]VWWVi \Vi]Zg^c\ ^cXajY^c\ [jc! ZmeadgVi^dc! bjh^X VcY aZVgc^c\ [dg [Vb^a^Zh VcY X]^aYgZc d[ Vaa V\Zh ^c i]Z X]jgX]Éh jeeZg XaVhhgddb Wj^aY^c\ VcY V bdci]an i]^gY";g^YVn ;Vb^an H]VWWVi <Vi]Zg^c\ l^i] hZgk^XZ! ediajX` VcY hidgn%iZaa^c\ ^c i]Z X]jgX]Éh [^gZh^YZ adjc\Z0 bdgZ ^c[d! -(&#),*#***)# I]^gY ;g^ d[ ZkZgn bdci]! +"-/(%eb# ;^ghi 8dc\gZ\Vi^dcVa 8]jgX] d[ HVciV 8gjo! .%% =^\] Hi! HVciV 8gjo# 1VSaa 1ZcP AZY Wn 9VcV BVX`Zco^Z# 6\Zh + VcY je# ;g^! (/(%eb# 6eidh A^WgVgn! ,+.* HdfjZa 9g! 6eidh! -(&#)'%#*(%.# 2SPb]`a /\]\g[]ca I]Z LZYcZhYVn lZZ`an bZZi^c\ ^h [dg VcndcZ l]d ]Vh egdWaZbh l^i] YZWi^c\! heZcY^c\ dg jcYZgZVgc^c\0 i]Z IjZhYVn bZZi^c\! [dg Wjh^cZhh dlcZgh l^i] h^b^aVg X]VaaZc\Zh# IjZ! */&*"+/(%eb VcY LZY! +",/&*eb# ;gZZ# 8VakVgn :e^hXdeVa 8]jgX]! *(' 8ZciZg Hi! HVciV 8gjo! -(&#)'*#(','# 2WOZ]UcSa ]\ bVS <Obc`OZ AbObS ?d]c L]ZZaZg ]dhih Y^hXjhh^dch d[ i]Z Cdc9jVa Igji] ^c i]Z igVY^i^dc d[ C^hVg\VYViiV BV]VgV_! Vh iVj\]i id ]^b Wn ÆHV^adgÇ

7dW 6YVbhdc# BdgZ ^c[d/ -(&#)(%#.&-(# I]j! ,"-/(%eb# &% YdcVi^dc# EVX^[^X 8jaijgVa 8ZciZg! &(%, HZVWg^\]i 6kZ! HVciV 8gjo! -(&#)+'#--.(# 2WdS`aWbg 1S\bS` =TTS`W\Ua I]Z 9^kZgh^in 8ZciZg egdk^YZh hZgk^XZh! hjeedgi! hdX^Va^o^c\ VcY [jc [dg aZhW^Vc! \Vn! W^hZmjVa! igVch\ZcYZg! ^ciZghZm VcY fjZhi^dc^c\ ^cY^k^YjVah VcY i]Z^g Vaa^Zh# ?jhi hdbZ d[ ^ih d[[Zg^c\h/ ZVX] bdci]! [^ghi VcY i]^gY Bdc! *",eb! bZcÉh [gZZ =>K iZhi^c\# ;^ghi VcY i]^gY IjZ! ,/(%eb! igVch\ZcYZg eZZg hjeedgi \gdje# ;djgi] IjZ! +eb! Eg^YZ 8dbb^iiZZ0 ,eb! bZcÉh hjeedgi \gdje# ;^ghi LZY! ,eb! gV^cWdl kZiZgVchÉ \gdje# 6cY ZkZgn ;g^! ,eb! bdk^Z c^\]i# 8Vaa [dg bdgZ ^c[dgbVi^dc VcY ZkZcih# 9^kZgh^in 8ZciZg! &&&, HdfjZa 6kZ! HVciV 8gjo! -(&#)'*#*)''# 2Wd]`QS Ac^^]`b 5`]c^ Dc\d^c\ 9K9 hZb^cVg VcY hjeedgi \gdje# LZZ`an! +/(%" -/(%eb# &*# HVciV 8gjo 7^WaZ 8]jgX]! )&) ;gZYZg^X` Hi! HVciV 8gjo! -(&#)+'#&&+'# 4]]R /RRWQba W\ @SQ]dS`g /\]\g[]ca 6 &'"hiZe egd\gVb [dg i]dhZ l]d l^h] id hide ZVi^c\ Xdbejah^kZan# Bdc! ,"-/(%eb# 8]jgX] d[ 8]g^hi! +(, EVX]ZXd 6kZ! HVciV 8gjo# 5`WST Ac^^]`b 5`]c^a =dhe^XZ d[ HVciV 8gjo 8djcinÉh \g^Z[ hjeedgi egd\gVb d[[Zgh Vc dc\d^c\ XnXaZ d[ Z^\]i"lZZ` hjeedgi \gdjeh [dg i]dhZ \d^c\ i]gdj\] adhh d[ eVgZci! eVgicZg dg h^Wa^c\0 XVaa -(&#)(%#(%%% [dg hiVgi YViZh VcY adXVi^dch# ;]\bVZg 5O`RS\S`a¸ 1ZcP ;SSbW\U <ZcZgVa hZXdcY"I]jghYVn XajW bZZi^c\ VcY ^c[dgbVi^dc ZmX]Vc\Z0 i]Z XajWhÉ bdci]an eaVci hVaZ d[[Zgh ZXdcdb^XVa eaVcih! Wdd`h VcY \VgYZc^c\" gZaViZY ^iZbh# HZXdcY I]j d[ ZkZgn bdci]! ,".eb# ;gZZ0 &' id _d^c <VgYZcZghÉ 8ajW# 6eidh <gVc\Z =Vaa! '*** BVg K^hiV 9g! 6eidh! -(&#),*#%..&# <O` /\]\ 4O[WZg 5`]c^a ;dg i]Z [g^ZcYh VcY [Vb^a^Zh d[ Ygj\ VYY^Xih0 lZ bZZi id hjeedgi ZVX] di]Zg ^c Vc Z[[dgi id gZeaVXZ YZheV^g VcY [ZVg l^i] hZgZc^in VcY ]deZ0 ^c i]Z HjiiZg Gddb# Hjc! +/(%eb# HjiiZg BViZgc^in VcY Hjg\Zgn 8ZciZg! '.%% 8]Vci^XaZZg 6kZ! HVciV 8gjo! -%%#),,#+'.&# <WQ]bW\S /\]\g[]ca Bdc! ,eb# 8VakVgn :e^hXdeVa 8]jgX]! *(' 8ZciZg Hi! HVciV 8gjo! -(&#),.#,')&# >S\\g C\WdS`aWbg Cdl ^c ^ih (*i] nZVg! l^i] kVg^ZY ide^Xh ZVX] lZZ`0 V hedciVcZdjh hdX^Va hiZl! ^c i]Z 8dbbjc^in Gddb! VcY deZc id i]Z ejWa^X# Bdc! *"+/(%eb# ;gZZ# 8VakVgn :e^hXdeVa 8]jgX]! *(' 8ZciZg Hi! HVciV 8gjo# @V]R]RS\R`]\ A]QWSbg ;SSbW\U B^`Z BX8jaadj\] l^aa heZV` dc i]Z BVYYZc^^ hZg^Zh d[ g]dYdYZcYgdch cVi^kZ id i]Z =^bVaVnVc gV^c [dgZhih! I]V^aVcY VcY K^ZicVb! VcY

j !

A/<B/1@CH 1=; january 13-20, 2010 AB/53 /@B 3D3<BA

l]^X] \gdl lZaa adXVaan# GZ[gZh]bZcih hZgkZY# IjZ! ?Vc &.! ,eb# ;gZZ# A^kZ DV` HZc^dg 8ZciZg! &,,,"6 8Ve^idaV GY! A^kZ DV`! -(&#),&#.&)(# A ; / @ B @SQ]dS`g Cdcegd[^i hZa["]Zae VcY bjijVa hjeedgi \gdje [dg eZdeaZ dkZgXdb^c\ VYY^Xi^dc# IjZ! ,/(%eb# ;gZZ# 8VakVgn :e^hXdeVa 8]jgX]! *(' 8ZciZg Hi! HVciV 8gjo! -(&#)+'#*),%# AbWbQVS`a Pg bVS ASO ;SSbW\U AdXVa X]VeiZg d[ :bWgd^YZgZghÉ <j^aY d[ 6bZg^XV bZZih VcY lZVkZh nVgch0 ejWa^X lZaXdbZ# HZXdcY LZY d[ ZkZgn bdci]! ,eb# ;gZZ# 9db^c^XVc =dhe^iVa GZ]VW 8ZciZg! +&% ;gZYZg^X` Hi! HVciV 8gjo! -(&#),*#&-*(# Ac\ROg A^W`WbcOZ 4SOab 8]Vci^c\! he^g^ijVa Y^hXdjghZ VcY V [gZZ kZ\ZiVg^Vc [ZVhi ZVX] HjcYVn ZkZc^c\# Hjc! +"&%eb# ;gZZ# Hg^ 8]V^iVcnV HVgVhlVi HZkV 6h]gVb! '.%% C# GdYZd <jaX] GY! HdfjZa! -(&#)+'#),&'# BOYS =TT >]c\Ra AS\aWPZg Hjeedgi \gdje egdk^YZh ZYjXVi^dc! ZcXdjgV\ZbZci VcY [jc id adhZ lZ^\]i hZch^Wan VcY `ZZe ^i d[[# Bdc! +"-eb# EaZVhjgZ Ed^ci 8dbbjc^in 8]jgX]! ,+& '+i] 6kZ! HVciV 8gjo! -(&#)'+#-'%,# BO`]b( /eOYS\W\U b] 7\\S` >]eS` ?dn YZ[^cZh i]Z kVhi bdkZbZci d[ a^[Z! ZiZgcVa VcY ^c[^c^iZ! Vh ^i XgZViZh VcY ZmegZhhZh ^c ZVX] d[ djg a^kZh# Djg ldg` ^h id ViijcZ id V [jaaZg gZXZei^dc VcY [jaaZg ZmegZhh^dc d[ i]^h YZZe! `cdl^c\ VlVgZcZhh# I]j! ,eb# K^`^c\ =Vaa! ')% Eanbdji] Hi! HVciV 8gjo! -(&#+--#&,.'# B]USbVS` W\ bVS >O`Y EVgZci^c\ hjeedgi VcY ^c[d Vadc\ l^i] V\Z"Veegdeg^ViZ VXi^k^i^Zh [dg X]^aYgZc je id V\Z *# LZY! &%/(%Vb"cddc# ;gZZ# GZYlddY 8]g^hi^Vc 8ZciZg! +-+. =ln .! ;Zaidc! -(&#'*'#&&(,# B`WQV]bWZZ][O\WO Ac^^]`b 5`]c^ >[ ndj hj[[Zg [gdb ]V^g ejaa^c\ VcY$dg h`^c e^X`^c\ VcY hZZ` gZa^Z[! XdbZ [dg hjeedgi# ;dXjh ^h dc gZhdjgXZh! higViZ\^Zh VcY hjeedgi dc i]Z gdVY id gZXdkZgn# I]j! +/(%"-eb# Ig^X]di^aadbVc^V AZVgc^c\ 8ZciZg >cX#! '%, BXE]Zghdc Hi =! HVciV 8gjo! -(&#)*,#&%%)# E7:>4 ;]\bVZg ;SSbW\U L>AE;! i]Z LdbZchÉ >ciZgcVi^dcVa AZV\jZ [dg EZVXZ VcY ;gZZYdb! egZhZcih 9g# BVgi^c =ZaabVc! Egd[Zhhdg :bZg^ijh Vi HiVc[dgY! iVa`^c\ dc ÆEdX`Zih d[ CjXaZVg HVc^in/ 6 EgdedhVa [dg 6Wda^h]^c\ CjXaZVg LZVedch#Ç I]^gY IjZ d[ ZkZgn bdci]! ,eb# ;gZZ0 YdcVi^dch VXXZeiZY# ;g^ZcYh FjV`Zg BZZi^c\ =djhZ! ''* GddcZn Hi! HVciV 8gjo# E]]RQO`dS`a¸ ;SSbW\U 8dbZ iVa` VWdji VcY XdbeVgZ lddYXVgk^c\ `cdlaZY\Z VcY iZX]c^fjZh0 Vaa V\Zh! Vaa lZaXdbZ# IjZ! &'/(%"(eb# ;gZZ# BVg`Zi HigZZi HZc^dg 8ZciZg! ''' BVg`Zi Hi! HVciV 8gjo# G]cbV 1]OZWbW]\ AO\bO 1`ch Ndji] &("'& bZZi id hdX^Va^oZ VcY ldg` dc hdX^Va _jhi^XZ VcY Zck^gdcbZciVa ^hhjZh# IjZ! *" +/(%eb# ;gZZ# GZhdjgXZ 8ZciZg [dg Cdck^daZcXZ! *&* 7gdVYlVn! HVciV 8gjo#

:7B3@/@G 3D3<BA

GdhZ igZVi `^Yh id [jc hidg^Zh# Bdc! &&Vb# 8Ve^idaV 7dd` 8V[Z! &),* )&hi 6kZ! 8Ve^idaV! -(&#)+'#))&*#

/Qb]`a¸ BVSObS` >`SdWSe 6 iVhiZ d[ i]Z L^aa^c\ HjheZch^dc 6gbX]V^g I]ZViZg h]dl Vi i]Z 6Xidgh I]ZViZg! [ZVijg^c\ i]Z ldg`h d[ 8aV^gZ 7gVo KVaZci^cZ# Bdc! ?Vc &-! ,/(%eb# ;gZZ# 8Ve^idaV 7dd` 8V[Z! &),* )&hi 6kZ! 8Ve^idaV! -(&#)+'#))&*#

DWQb]` O\R 9]]QV 2O\WSZa I]Z egZhZciZgh heZV` dc BVig^m BZY^iVi^dch! Vh Vc ^cigd id V &+"lZZ` egd\gVb# I]j! ?Vc &)! ,eb# ;gZZ# <ViZlVnh 7dd`hidgZ! &&'+ HdfjZa 6kZ! HVciV 8gjo! -(&#)'.#.+%%#

2` 6S`Pg 0SZZ( 1`SObW\U G]c` DWaW]\ I^iaZY ÆL]daZ Hidgn 8dVX]^c\!Ç i]^h bjai^bZY^V egZhZciVi^dc ]Zaeh ViiZcYZZh XgZViZ V lg^iiZc k^h^dc [dg i]Z cZl nZVg# GZ\^hiZg ^c VYkVcXZ Vi i]Z hidgZ dg Wn e]dcZ# LZY! ?Vc &(! -".Vb# &*# 8Ve^idaV 7dd` 8V[Z! &),* )&hi 6kZ! 8Ve^idaV! -(&#)+'#))&*# ;ORVc ;ObW 0`]RYSg ; 4 A Bh# 7gdY`Zn l^aa ZmeadgZ i]Z 8aVhh^X 8]^cZhZ 6abVcVXÉh igZVibZci d[ '%&% NZVg d[ i]Z BZiVa I^\Zg! lg^iiZc Wn 9g# :Y\Vg Hjc\# LZY! ?Vc &(! ,eb# ;gZZ# <ViZlVnh 7dd`hidgZ! &&'+ HdfjZa 6kZ! HVciV 8gjo! -(&#)'.#.+%%# ;O`bVO /ZRS`a]\( 5]b >Z]bI]Z [^ghi d[ i]gZZ eadi ldg`h]deh! i]^h ^h V eadi" eaVccZg XaVhh l^i] V hjXXZhh[ja eadi XdchjaiVci [dXjh^c\ dc VXi^dc! X]VgVXiZg! Zbdi^dcVa YZkZadebZci VcY [dXjh dc higjXijgZ# ;daadl"je XaVhhZh iV`Z eaVXZ ?Vc '( VcY (%# GZ\^hiZg ^c VYkVcXZ Vi i]Z hidgZ dg Wn e]dc^c\ -(&#)+'#))&*# HVi! ?Vc &+! &%Vb")eb# &%*0 (%% [dg Vaa i]gZZ XaVhhZh# 8Ve^idaV 7dd` 8V[Z! &),* )&hi 6kZ! 8Ve^idaV! -(&#)+'#))&*# ;SSb bVS /cbV]`( <O\Qg :g\\ 8O`dWa @^X`^c\ d[[ i]Z EdgiZg A^WgVgnÉh '%&% hZg^Zh! ]Z adXVa bnhiZgn lg^iZg l^aa iVa` VWdji VcY h^\c i]Z ild cdkZah h]ZÉh lg^iiZc VWdji V gZVaidg$haZji]0 Xd[[ZZ YdcViZY Wn J\an Bj\! gZ[gZh]bZcih hZgkZY! VcY V [^gZeaVXZ _jhi id lVgb i]^c\h je# LZY! ?Vc &(! &%/(%"&&/(%Vb# ;gZZ# EdgiZg BZbdg^Va A^WgVgn! (%*% EdgiZg Hi! HdfjZa! -(&#),*#(('+# >Ob`WQWO 6O[WZb]\( A] G]c EO\b b] E`WbS O 0]]Y EjWa^h]Zg =Vb^aidc d[[Zgh VYk^XZ id lg^iZgh# A^`Z Vaa d[ 8VkVÉh E^ooV EgdhZ! 6gi A^i HZg^Zh! i]Z ZkZci Vahd d[[Zgh e^ooV! a^kZ bjh^X! V gV[[aZ VcY l^cZ iVhi^c\# GHKE gZfj^gZY0 -(&#),+#''-'# Bdc! ?Vc &-! +/(%eb# &%# 8VkV L^cZ 7Vg! &&* HVc ?dhZ 6kZ! 8Ve^idaV! -(&#),+#''-'# >]Sb A^SOY =^S\ @SORW\U EdZign HVciV 8gjo egZhZcih [ZVijgZY gZVYZg ?VcZi IgZcX]VgY0 Vaa VgZ lZaXdbZ id gZVY i]ZgZV[iZg# Hjc! ?Vc &,! 'eb# ;gZZ# HVciV 8gjo 8ZcigVa 7gVcX] A^WgVgn <VaaZgn! '') 8]jgX] Hi! HVciV 8gjo! -(&#)'%#*,%%# >agQVWQ 4OW`S <ViZlVnhÉ ehnX]^Xh! Vhigdad\Zgh VcY ]ZVaZgh \^kZ ^ch^\]ih0 gZhZgkZY Veed^cibZci hj\\ZhiZY [dg ^cY^k^YjVa hZhh^dc# HVi! ?Vc &+! cddc" *eb# <ViZlVnh 7dd`hidgZ! &&'+ HdfjZa 6kZ! HVciV 8gjo! -(&#)'.#.+%%# Ab]`WSa T]` 9WRa GZVYZgh 7^aa^Z =Vgg^h VcY ?^aa

E]`YaV]^ 1ZOaa( ;ORVc ;ObW 0`]RYSg ; 4 A 6 YZZeZg ZmeadgVi^dc d[ i]Z 8aVhh^X 8]^cZhZ 6abVcVX! ^cXajY^c\ Vjhe^X^djh YViZh! VXi^k^i^Zh! ineZh d[ eVgicZgh]^eh! VcY bjh] bdgZ# 8Vaa dg k^h^i hidgZ id gZ\^hiZg gZfj^gZY Wn ?Vc &-# IjZ! ?Vc &.! +/(%" -/(%eb# &-0 l^i] 6abVcVX! )%# <ViZlVnh 7dd`hidgZ! &&'+ HdfjZa 6kZ! HVciV 8gjo! -(&#)'.#.+%%#

A>=@BA @31@3/B7=< /`bV`WbWa 4]c\RObW]\ 3fS`QWaS 1ZOaaSa 8Zgi^[^ZY [djcYVi^dc ^chigjXidg Ancc 9^[aZn iZVX]Zh ild XaVhhZh YZh^\cZY id gZYjXZ i]Z eV^c VcY hi^[[cZhh d[ Vgi]g^i^h/ IjZ VcY I]j! .Vb! )*"b^cjiZ ^c"lViZg XaVhh0 &%Vb! dc"aVcY XaVhh# BdgZ ^c[d/ -(&#)*)#,.)+# + eZg XaVhh# H^be`^ch ;Vb^an Hl^b 8ZciZg! .,. &,i] 6kZ! HVciV 8gjo! -(&#)*)#,.++# 0]Rg 0`OW\ E]`Y]cb 9Zh^\cZY [dg i]dhZ +* VcY dkZg! i]^h h^m"lZZ` XaVhh bZZih il^XZ V lZZ`! VcY [dXjhZh dc adl ^beVXi YVcXZ! WVh^X adXdbdi^dc! g^\]i VcY aZ[i WgV^c ^ciZ\gVi^dc! higZc\i] igV^c^c\! hZViZY VcY hiVcY^c\ higZiX]^c\ VcY iV^ X]^# I]dhZ ^ciZgZhiZY VgZ lZaXdbZ id dWhZgkZ WZ[dgZ h^\c^c\ je# 8Vaa [dg i^bZ VcY gZ\^higVi^dc# +% eZg h^m"lZZ` hZg^Zh# A^kZ DV` <gVc\Z! &.%% &,i] 6kZ! HVciV 8gjo! -(&#),+#,&,,# 0`OhWZWO\ 2O\QS 1ZOaa AZVgc i]Z WVh^Xh d[ 7gVo^a^Vc YVcXZ! [dg WZ\^ccZgh VcY ^ciZgbZY^ViZ YVcXZgh# IjZ! +"-eb# &'# AdjYZc CZahdc 8dbbjc^in 8ZciZg! (%& 8ZciZg Hi! HVciV 8gjo! -(&#'%+#%*)'# 1]\bOQb 7[^`]d 2O\QS 8O[ 7Z\^ccZgh VcY di]Zgh VgZ lZaXdbZ id i]^h deZc YVcXZ ZkZci l^i] a^kZ bjh^X0 Vahd dXXjgh dc i]Z [^[i] IjZ d[ ZVX] bdci]# I]^gY IjZ d[ ZkZgn bdci]! ,/(%"&%eb# * hj\\ZhiZY YdcVi^dc# )&- Egd_ZXi! )&- ;gdci Hi! HVciV 8gjo! -(&#)++#.,,%# 1cPO\ 2O\QS 1ZOaa Ldg`dji XaVhh [ZVijg^c\ edejaVg YVcXZ hinaZh [gdb 8jWV ^cXajY^c\ hVahV$i^bWV# IjZ! +",/(%eb# &'" &*# )&- Egd_ZXi! )&- ;gdci Hi! HVciV 8gjo! -(&#'%+#%*)'# 2O\QS /S`]PWQa 9VcXZ VcY ZmZgX^hZ ndjg lVn i]gdj\] )% b^cjiZh d[ adl"^beVXi VZgdW^Xh! higZc\i] igV^c^c\ VcY higZiX]Zh0 ZmZgX^hZh Vaa bV_dg bjhXaZ \gdjeh0 h^m"lZZ` XaVhh hj^iVWaZ [dg V\Z ** VcY je# CZlXdbZgh lZaXdbZ id dWhZgkZ [^ghi# Bdc"LZY! &%/&*"&&/(%Vb# +% eZg h^m"lZZ` hZg^Zh# A^kZ DV` <gVc\Z! &.%% &,i] 6kZ! HVciV 8gjo! -(&#),+#,&,,# 5O[S 2Og 6aa V\Zh VgZ lZaXdbZ id XdbZ ZVi edeXdgc VcY eaVn X]Zhh!

X]ZX`Zgh! Ydb^cdZh! NV]ioZZ VcY di]Zg WdVgY \VbZh# ;g^! &"'/(%eb# ;gZZ# AdjYZc CZahdc 8dbbjc^in 8ZciZg! (%& 8ZciZg Hi! HVciV 8gjo! -(&#)'%#+&,,# 6cZO 6]]^ G]UO IVa` VWdji :Vhi bZZih LZhi! 7Zi] 8]g^hide]Zg iZVX]Zh Vaa V\Zh VcY ZmeZg^ZcXZ aZkZah0 Wg^c\ ]dde! dg gZci dg Wjn dcZ d[ bVcn h^oZh i]ZgZ# 9^hXdjcih VkV^aVWaZ0 fjZhi^dch! XVaa -(&#)'-#..,)# LZY! )/&*" */&*eb VcY HVi! &&"&&/*%Vb# &%# 8Vg^X^Vh 8V[Z! &&- ;^ghi Hi! HVciV 8gjo# 6ahd iV`Zh eaVXZ Vi AdjYZc CZahdc 8ZciZg! (%& 8ZciZg Hi! HVciV 8gjo! ZVX] HVi Vi &&Vb0 eg^XZ kVg^Zh0 XVaa dg hide Wn# =ZR 5`]ebV @SRe]]R EOZYa ?d^c Vc ZmeZgi dc gZYlddY ZXdad\n dc i]^h dcZ"]djg \j^YZY lVa` i]gdj\] i]Z iVaaZhi a^k^c\ i]^c\h dc ZVgi]! i]Z XdVhiVa gZYlddYh# HVi"Hjc! &eb# =Zcgn 8dlZaa GZYlddYh HiViZ EVg`! =ln .! ;Zaidc! -(&#((*#,%,,# A]cZ AO\QbcO`g 6 lZZ`an VaXd]da"[gZZ XdbWd YVcXZ [addg! X]^aa heVXZ! VaiVg heVXZ VcY iZV eVgin ZkZci hiVgi^c\ Vi -".eb l^i] [addgeaVn VcY bdk^c\ bZY^iVi^dc VcY bdge]^c\ ^cid Vc deZc YVcXZ _Vb l^i] 9?h ."&&eb# ;g^! -eb# &'# KZih =Vaa! -)+ ;gdci Hi! HVciV 8gjo! -(&#)*)#%),-# Ab`SbQV O\R Ab`W^ 6 ild"eVgi ^chigjXi^dc XaVhh! ]Va[ higZiX]^c\ VcY idc^c\ VcY ]Va[ hig^eiZVhZ gdji^cZh# 9^hXdjcih VkV^aVWaZ0 YgZhh ^c aVnZgh! VcY [dg Vcn fjZhi^dch! XVaa -(&#)'-#..,)# ;g^! &/(%"'/(% VcY ,"-/(%eb# &%# AdjYZc CZahdc 8dbbjc^in 8ZciZg! (%& 8ZciZg Hi! HVciV 8gjo! -(&#)'%#+&,,# BSO[ W\ B`OW\W\U 7\T]`[ObW]\OZ ;SSbW\Ua I]Z AZj`Zb^V Anbe]dbV HdX^ZinÉh IZVb >c IgV^c^c\ egdk^YZh XdVX]^c\ VcY hjeedgi [dg ^ih aViZg gjc$lVa`$W^`Z$ig^`Z ZkZci i]Vi gV^hZh [jcYh id ]Zae [^\]i WaddY XVcXZg! VcY ^ih hZg^Zh d[ Xdjcinl^YZ ^c[d bZZi^c\h gjch ?Vc &("'(# ;dg ZmVXi i^bZh VcY adXVi^dch! XVaa -%%#)-'#I:6B# ;gZZ# ESSYZg AQ]bbWaV 2O\QS 1ZOaa 8aVhh ZkZgn LZYcZhYVn [dg WZ\^ccZgh id ZmeZg^ZcXZY! Vaa V\Zh! cd eVgicZg cZZYZY0 Wg^c\ hd[i h]dZh id YVcXZ ^c0 [^ghi XaVhh ^h [gZZ# LZY! ,/(%" ./(%eb# , eZg XaVhh# ;^ghi 8dc\gZ\Vi^dcVa 8]jgX] d[ HVciV 8gjo! .%% =^\] Hi! HVciV 8gjo! -(&#)*,#-'+.#

<=B713A /cRWbW]\a T]` ¡1`]aaW\U 2SZO\Qg¸ 7Zi]":a GZeZgidgn I]ZVigZ ^h ]daY^c\ VjY^i^dch [dg HjhVc HVcYaZgÉh [VbZY eaVn dc ?Vc &.! '% VcY '&! ,".eb0 i]Z [^ghi ^h Vi i]Z IZbeaZÉh hdX^Va ]Vaa XVaa -(&#)+*#&)&& [dg ^c[d dc i]Z di]Zgh 0 Wg^c\ i]gZZ"b^cjiZ bdcdad\jZ# IjZ! ?Vc &.! ," .eb# ;gZZ# IZbeaZ 7Zi] :a! (%** EdgiZg <jaX] GY! 6eidh! -(&#),.#()))# 0SZZg 2O\QS 1][[c\Wbg AV]eQOaS GZhZgkZ V iVWaZ id lViX] i]Z h]dl [gZZ [dg eVi^d Y^cZgh [ZVijg^c\ Y^[[ZgZci YVcXZgh

3 "

" j AB/53 /@B 3D3<BA january 13-20, 2010 A/<B/1@CH 1=; 1 ! AB/19 =4 >/>3@A 0G 93<<G E/@23::

Jc^iVg^Vc Jc^kZghVa^hi ;Zaadlh]^e d[ HVciV 8gjo 8djcin! +)%& ;gZZYdb 7akY! 6eidh! -(&#+-.#%+,%# >VgaWQOZ Ag[^b][a /eOYS\ G]c` 1]\aQW]ca\Saa :meZg^ZcXZ V gZaVm^c\ VcY cdcXgVX`^c\ [dgb d[ X]^gdegVXi^X# AZVgc ]dl higZhh ^h hidgZY ^c i]Z WdYn VcY [jZaZY Wn a^[ZÉh eViiZgch# 8Vaa [dg ^c[d VcY GHKE# Dc\d^c\! ZkZgn hZXdcY VcY [djgi] LZY d[ i]Z bdci]# ;gZZ# -(&#)*.#-)()# @Sa]ZdS 2Wa^cbSa EWbV]cb 1]c`b HjeZg^dg 8djgi d[ HVciV 8gjo 8djcin ^h ZmeVcY^c\ ^ih hbVaa XaV^bh bZY^Vi^dc hZgk^XZh! cdl VkV^aVWaZ Vi XdckZc^Zci i^bZh VcY adXVi^dch# ;^cY dji VWdji i]Z WZcZ[^ih d[ Z[[ZXi^kZ! adl"Xdhi bZY^Vi^dc egdk^YZY Wn 8dc[a^Xi GZhdaji^dc 8ZciZg d[ HVciV 8gjo# Dc\d^c\# -(&#),*#+&&,# AOZaO @cSRO 2O\QS 1ZOaaSa 7Z\^ccZg XaVhhZh ild ZkZc^c\h V lZZ`0 cd ZmeZg^ZcXZ cZXZhhVgn! eVgicZgh cdi gZfj^gZY! [^ghi XaVhh Xdbea^bZciVgn# Bdc! ,eb VcY LZY! ,eb# HijYZcih *0 Ygde ^ch! ,# AdjYZc CZahdc 8dbbjc^in 8ZciZg! (%& 8ZciZg Hi! HVciV 8gjo! -(&#)'%#+&,,#

4@72/G #

E7:: 2C@AB Political comedian Will Durst is back in Santa Cruz for another goround. And you thought politics was tragic! Friday, Jan. 15, at 8pm at Kuumbwa, 320-2 Cedar St., Santa Cruz. Tickets are $18 advance/$20 door, available at www.brownpapertickets.com or at Streetlight Records. VcY YVcXZ XdbeVc^Zh ZVX] lZZ`# HVi! &/(%eb# 8gZeZ EaVXZ! &&() HdfjZa 6kZ! HVciV 8gjo! -(&#)'.#+..) id gZhZgkZ iVWaZ# 1OP`WZZ] G]cbV Ab`W\Ua /cRWbW]\a Hig^c\ZY ^chigjbZci eaVnZgh V\Zh *"&- lZaXdbZ id VjY^i^dc0 Vi i]Z cZl Bjh^X 7j^aY^c\! K6E6 *%%%0 [dg bdgZ ^c[dgbVi^dc XVaa -(&#),.#+&%&# ;g^! ?Vc &*! (/)*")/&* VcY */)*" +eb# ;gZZ# 8VWg^aad 8daaZ\Z! +*%% HdfjZa 9g! 6eidh# 1O\QS` Ac^^]`b 5`]c^a I]Z @Vio 8VcXZg GZhdjgXZ 8ZciZg gjch hZkZc egd[Zhh^dcVaan [VX^a^iViZY XVcXZg hjeedgi \gdjeh [dg \ZcZgVa! WgZVhi VcY dkVg^Vc XVcXZg! Vh lZaa Vh X]Zbd &%&! ZVi^c\ lZaa! \ZciaZ nd\V VcY XVgZ\^kZg hjeedgi0 bdhi VgZ b^YYVn dc lZZ`YVnh VcY lZZ`ZcYh0 XVaa [dg ZmVXi i^bZh VcY adXVi^dch# Dc\d^c\# ;gZZ# @Vio 8VcXZg GZhdjgXZ 8ZciZg! 9db^c^XVc :YjXVi^dc 7j^aY^c\! Gddb ;! HVciV 8gjo! -(&#)+'#,,,%# 1O\RWRO Ac^^]`b 5`]c^ 6 hjeedgi \gdje ^h [dgb^c\ id egdk^YZ bjijVa hZa["]Zae [dg 8VcY^YV eVi^Zcih0 XVaa [dg i^bZh VcY adXVi^dc# -(&#),&#%,(,# 1S\bS` T]` 1]\aQW]ca :WdW\U 3dS\ba I]Z 88A d[[Zgh cjbZgdjh ^che^gVi^dcVa ldg`h]deh ^cXajY^c\ h]VYdl"ldg`! gZW^gi] XZaZWgVi^dch! gZ_jkZcVi^dc

\gdjeh! b^YlZZ` egVnZg VcY bZY^iVi^dc hZhh^dch! VcY heZX^Va k^h^i^c\ heZV`Zgh Vi HjcYVn hZgk^XZh0 XVaa [dg [jaa hX]ZYjaZ VcY YZiV^ah# 8ZciZg ;dg 8dchX^djh A^k^c\! &-&- ;Zai Hi! HVciV 8gjo! -(&#)+'#.(-(# 3dS\W\Ua W\ bVS C\Y\]e\ 8dbZ [dg i]Z Xdbea^bZciVgn bjh^X VcY Xdbbjc^in VcY hiVn [dg i]ZbZh [gdb Æ7jh^cZhh ^c i]Z Jc@cdlcÇ id ÆEdZign [gdb I]Z Jc@cdlc0Ç XVaa [dg adXVi^dc# Bdc! ,eb# &% YdcVi^dc# 8ZciZg ;dg 8dchX^djh A^k^c\! &-&- ;Zai Hi! HVciV 8gjo! -(&#*(.#((((# 4`SS 9WRa¸ Ab]`g 6]c` I]Z hidgZ ]daYh i]^h ZkZci lZZ`an0 X]^aYgZc d[ Vaa V\Zh lZaXdbZ# ;g^! &%/&*Vb# ;gZZ# 7dd`ldg`h 6eidh! (+ GVcX]d 9Za BVg 8ZciZg! 6eidh! -(&#+--#)**)# 9W`bO\ 1VO\bW\U 8]Vci i]Z <gZVi BVcigV# ;^cY ]Vee^cZhh VcY eZVXZ# ;gZZ kZ\ZiVg^Vc [ddY# I]j# KZih =Vaa! -)+ ;gdci Hi! HVciV 8gjo! -(&#)+'#),&'# :WdS ;caWQ I]Z GV^cWdlh egdk^YZ bjh^X [dg lVaio! hl^c\! [dm igdi VcY AVi^c YVcX^c\# ;g^! ,/(%"&%/(%eb# 9dcVi^dc hj\\ZhiZY# B^Y" 8djcin HZc^dg 8ZciZg! -'. 7Vn 6kZ! 8Ve^idaV! -(&#),+#),&&# :WdS =OY 4O`[S`a ;O`YSb I]^h nZVg"gdjcY bVg`Zi d[[Zgh a^kZ WajZ\gVhh bjh^X! WgZV`[Vhi

Xdd`ZY id dgYZg! [gZh] adXVa dg\Vc^X [gj^ih VcY kZ\ZiVWaZh! bZVih! [^h]! [adlZgh VcY [Vgb"[gZh] Z\\h# &*i] 6kZ VcY EdgidaV 9g^kZ# Hjc! .Vb"&eb# ;gZZ ZmXZei WgZV`[Vhi # ;OabS` Ab]`gbSZZW\U L^i] G^X]VgY <Vj\]Vc# HX]dda V\Zh# IjZ! ,eb# 7djaYZg 8gZZ` A^WgVgn! &((.% L# EVg` 6kZ! 7djaYZg 8gZZ`! -(&#)'%#*(&.# ;]c\bOW\a /`b 1S\bS` /`b O\R ;caWQ 1ZOaaSa I]Z XZciZg d[[Zgh dc\d^c\ XaVhhZh ^c ediiZgn! YgVl^c\! d^a VcY VXgna^X eV^ci^c\ VcY b^mZY bZY^V Vh lZaa Vh ndji] VcY iZZc ldg`h]deh VcY j`ZaZaZ VcY \j^iVg aZhhdch0 Vaa VgZ adl"Xdhi dg [gZZ0 XVaa [dg XdbeaZiZ hX]ZYjaZ# HVciV 8gjo BdjciV^ch 6gi 8ZciZg! .()& B^aa Hi! 7Zc AdbdcY! -(&#((+#)',(# ;caWQWO\a( AO\bO 1`ch 1Wbg 0O\R I]Z HVciV 8gjo 8^in 7VcY ^h deZc id VcndcZ l]d eaVnh V WVcY ^chigjbZci VcY ^h egd[^X^Zci Vi gZVY^c\ bjh^X! VcY bZZih BdcYVnh ,/(%" ./(%eb ^c i]Z HVciV 8gjo =^\] 7VcY Gddb0 hide dc Wn# ;gZZ# -(&#)'*#%&&%# =^S\ ;WQ Bdci]an deZc b^X [dg bjh^X^Vch! edZih! bV\^X^Vch VcY di]Zg Vgi^hih d[ Vaa V\Zh id eZg[dgb WZ[dgZ V a^kZ VjY^ZcXZ0 gZ[gZh]bZcih egdk^YZY# H^\c" je ,eb0 eZg[dgbVcXZh! ,/(%eb# HZXdcY LZY d[ ZkZgn bdci]! ,eb# 9dcVi^dch VXXZeiZY#

AO\bO 1`ch ;]c\bOW\ EW\S`WSa¸ >Oaa^]`b 2Og I]Z HVciV 8gjo BdjciV^ch L^cZ\gdlZgh 6hhdX^Vi^dc hZaah eVhhedgih Vi Vaa ^ih \gdlZgh adXVi^dch i]Vi \Zi bZbWZgh d[ i]Z ejWa^X ^cid ZkZgn bZbWZg l^cZgn VcY gZbV^c kVa^Y jci^a i]Z ]daYZg ]Vh k^h^iZY i]Zb Vaa# DkZg *% l^cZg^Zh eVgi^X^eViZ! [djg i^bZh V nZVg! VcY ]ZgZÉh Vcdi]Zg# >c VYY^i^dc! i]^h gdjcY [ZVijgZh V L^cZ 8gVW IVhiZ"D[[ i]Z cZmi YVn Vi BV BV^hdc! B^X]VZaÉh dc BV^c! HVcYZga^c\hÉh VcY 8V[Z 8gjo0 XVaa [dg [jaa ^c[d# HVi! ?Vc &+! &&Vb"*eb VcY Hjc! ?Vc &,! '"*eb# EVhhedgih/ )%0 iVhiZ" d[[! ). [dg ild gZhiVjgVcih# -(&#+-*#-)+(# AO\bO 1`ch AObc`ROg ;O`YSb AdXVa VcY ^ciZgcVi^dcVa XgV[i WVoVVg! XZgi^[^ZY [VgbZgh bVg`Zi! a^kZ bjh^X! [ddY VcY `^Yh eaVn odcZ# HVi! &%Vb" +eb# ;gZZ# HVc AdgZcod EVg`! WZilZZc LViZg Hi VcY HdfjZa 6kZ! HVciV 8gjo! -(&#*&*#)&%-# AO\bO 1`ch 0O`]_cS 4SabWdOZ G]cbV 1VO[PS` ;caWQ 1][^SbWbW]\ 6 XdbeZi^i^dc [dg ]^\] hX]dda bjh^X^Vch l]d eZg[dgb ^c X]VbWZg bjh^X ZchZbWaZh0 Zcign [dgbh YjZ Wn ?Vc ''0 id \Zi V [dgb! XVaa -(&#)*,#.+.(# J8H8 Bjh^X 8ZciZg GZX^iVa =Vaa! &&*+ =^\] Hi! HVciV 8gjo! -(&#)*.#'&*.# AQ]bba DOZZSg 1VO[PS` ;WfS` ?d^c l^i] 8]VbWZg VbWVhhVYdgh [dg gZaVmZY hdX^Va^o^c\ VcY cZildg`^c\# HZXdcY I]j d[ ZkZgn bdci]! */(%",eb# BVadcZÉh! ))%' HXdiih KVaaZn 9g! HXdiih KVaaZn! -(&#)(-#&%&%# AQ]bba DOZZSg 4O`[S`a ;O`YSb HVciV 8gjo ;VgbZgh BVg`Zi iV`Zh eaVXZ ZkZgn HVijgYVn nZVg"gdjcY! .Vb"&eb0 XVaa [dg bdgZ ^c[dgbVi^dc# HVi! .Vb# ;gZZ VYb^hh^dc# HXdiih KVaaZn 8dbbjc^in 8ZciZg! (+& @^c\h GY! HXdiih KVaaZn! -(&#)*)#%*++#

j #

>3B3 A/>=@7B=

A/<B/1@CH 1=; january 13-20, 2010 AB/53 /@B 3D3<BA

A/BC@2/G $

A/<B/ 1@CH ;=C<B/7< E7<35@=E3@A >/AA>=@B 2/G Katy Lovell of Poetic Cellars, above, and dozens of other Santa Cruz Mountain winemakers throw open their cellar doors for the quarterly Passport Program. A $40 passport buys admission to any of the participating wineries, tastes of their vintages and discounts on purchases and dinner at a half-dozen fine restaurants. Saturday, Jan. 16, 11am–5pm. Buy the passport at www.scmwa.com. AVO^S <]bS AW\UW\U H^c\ [gdb I]Z HVXgZY =Vge! Vc 6bZg^XVc hdc\Wdd` l^i] ^ih gddih ^c i]Z aVhi XZcijgn VcY ZVga^Zg0 deZc id Vaa0 WZ\^ccZgh lZaXdbZ! adVcZg Wdd`h VkV^aVWaZ0 bZZih dc [^ghi VcY i]^gY HjcYVnh d[ ZVX] bdci]0 XVaa [dg adXVi^dch# I]^gY Hjc d[ ZkZgn bdci]! '")eb# ;gZZ# -(&#)'+#.&**# A]\Ua 4`][ bVS 6Wa^O\WQ E]`ZR 6cY WZndcY! eZg[dgbZY Wn 9Zcc^h ÆC^XdÇ =dai! ZkZgn HVi VcY Hjc# HVi! cddc"'/(%eb# Cd XdkZg# IVfjZg^V AV 8VWVcV! (%,% EdgiZg Hi! HdfjZa! -(&#),,#&)(%# A^]`ba 1O` ;SSb O\R 5`SSb 7g^c\ ndjg o^een a^Éa Vjid VcY Zc_dn V XdbWd d[ XVeejXX^cdh! XVgWjgZidgh! Xgd^hhVcih VcY XVbh]V[ih# HVi! -/(%Vb"cddc# ;^ch 8d[[ZZ! &&%) DXZVc Hi! HVciV 8gjo! -(&#-&-#*,)*# A_cO`S 2O\QS 1ZOaaSa I]Z AjX`n HiZeeZgh ^ck^iZ h^c\aZh VcY XdjeaZh id i]^h hZi d[ XaVhhZh id aZVgc i]Z igVY^i^dcVa lZhiZgc YVcXZh0 XVaa -(&#,''#&&(& [dg bdgZ ^c[d# I]j! ?Vc &)! ,eb# ;gZZ# <ZgbVc" 6bZg^XVc =Vaa! '(% Eanbdji] Hi! HVciV 8gjo# AbW[cZca ;]\ROga( 4`SS AbcRW] BW[S ;dg YVcXZgh VcY eZg[dgbZgh! i]Vi ^h! Vi i]Z )&-Éh YVcXZ hijY^d! ZVX] Bdc &")eb0 gZhZgkVi^dch cdi gZfj^gZY0 XdaaVWdgVi^dch ZcXdjgV\ZY# Bdc# ;gZZ# )&- Egd_ZXi! )&- ;gdci Hi! HVciV 8gjo! -(&#)++#.,,%# AcTW 2O\QSa O\R >`OQbWQS HVciV 8gjo Hj[^ 8dbbjc^in d[[Zgh i]gZZ gZ\jaVg ZkZcih/

9VcXZh d[ Jc^kZghVa EZVXZ! WZ\^ccZgh lZaXdbZ! A^kZ DV` <gVc\Z =Vaa! ZkZgn Hjc ,".eb VcY ZkZgn [^ghi I]j Vi i]Z Jc^iVg^Vc Jc^kZghVa^hi ;Zaadlh]^e =Vaa Vi ,/(%eb# :kZgn i]^gY ;g^YVn Vi ,/(%eb! O^`g hZViZY VcY bdk^c\ egVXi^XZh Vi i]Z EVX^[^X 8jaijgVa 8ZciZg# I]^gY ;g^ d[ ZkZgn bdci] VcY Hjc! ,".eb# 9dcVi^dc ,"&% gZfjZhiZY# -(&#)(%#.-)-# BVSObS` E]`YaV]^a B^aa Ldg`h I]ZVigZ ]daYh ldg`h]de"hinaZ \Vi]Zg^c\h [dg egVXi^X^c\ VcY eZg[dgb^c\ hiV\Z ldg`h0 XdaaVWdgVi^dc VcY hZa["^ck^iZY VjY^ZcXZh ZcXdjgV\ZY# :kZgn di]Zg Bdc! ,/(%eb# + hj\\ZhiZY YdcVi^dc# I]Z B^aa <VaaZgn! &(& ;gdci Hi! HVciV 8gjo# BVW`R Ac\ROg 1]\b`O 2O\QS Cd eVgicZg cZXZhhVgn0 eaZVhZ lZVg hd[i"hdaZY h]dZh VcY cd [gV\gVcXZh0 WZ\^ccZghÉ aZhhdc '% b^cjiZh WZ[dgZ YVcXZ# I]^h bdci]Éh XVaaZg/ LVggZc 7a^Zg! XVaa^c\ id i]Z bjh^X d[ Egd[Zhhdg He^XZgÉh 9VcXZ Idc^X# I]^gY Hjc d[ ZkZgn bdci]! ,eb# +$ .$ &%# KZih =Vaa! -)+ ;gdci Hi! HVciV 8gjo! -(&#)*)#%),-# B`WdWOZ >c`acWb O\R AQ`OPPZS 5Sb B]USbVS`a 6i eg^kViZ ]dbZ0 XVaa [dg YViZh VcY adXVi^dc# -(&#),&#%,(,# EW\S BOabW\U AdXVa l^cZbV`Zgh edjg l^cZ! Vadc\ l^i] VeeZi^oZgh VcY V _Voo ig^d id hZi i]Z bddY# Bdc! +"-eb# 7Vnk^Zl =diZa! -%)& HdfjZa 9g! 6eidh! -(&#+--#-+*)# E]]TS`a EOZYS`a 3dS\ba 9d\"adkZg \gdje L L ]daYh i]gZZ dc\d^c\ ZkZcih# &/ 9d\\^Z

9g^kZ"^c [gZZ bdk^Z l^i] ndjg Yd\ ! [^ghi Hjc BVn"DXi! 8gZeZ EaVXZ# '/ 8V[Z 8Vc^cZ [gZZ a^kZ bjh^X l^i] ndjg Yd\ ! i]^gY lZZ` BVn"HZe! 8gZeZ EaVXZ# (/ LZZ`an 9d\ LVa` NVeen =djg! ZVX] Hjc &%/(% Vb! Y^[[ZgZci adXVi^dc ZVX] lZZ`# 8Vaa [dg YZiV^ah# Dc\d^c\! &%/(%Vb# ;gZZ# -(&#)',#%(*%#

1:/AA3A E=@9A6=>A /WYWR] 1ZOaaSa IjZ! */)*"+/)*eb! I]j! */)*"+/)*eb VcY HVi! ./&*" &%/&*Vb# 6^`^Yd d[ HVciV 8gjo! (%+ B^hh^dc Hi! HVciV 8gjo! -(&#)'(#-('+# /ZhVSW[S`¸a /aa]QWObW]\ AS`dWQSa I]Z VhhdX^Vi^dc gjch V aVg\Z dc\d^c\ hZi d[ hjeedgi VcY ZYjXVi^dc \gdjeh! ^cXajY^c\ XaVhhZh dc ZVgan bZbdgn adhh! bVm^b^o^c\ bZbdgn! Xdbbjc^XVi^dch higViZ\^Zh l^i] hj[[ZgZgh! VcY hjeedgi \gdjeh [dg [Vb^an bZbWZgh VcY XVgZ\^kZgh! l^i] VYk^XZ \^kZc Wdi] ^c eZghdc VcY Wn e]dcZ0 XVaa [dg XdbeaZiZ hX]ZYjaZ! i^bZh VcY adXVi^dch# -(&#)+)#..-'# /`US\bW\S BO\U] 7Z\^ccZgh Vi ,eb! ^ciZgbZY^ViZh Vi -eb# LZY# '# 8VakVgn :e^hXdeVa 8]jgX]! *(' 8ZciZg Hi! HVciV 8gjo! -(&#)+.#('--# 0OZZ`]][ :ObW\ 2O\QS 1ZOaaSa O\R >O`bg 6i ,/(%eb WZ\^cc^c\ WVaagddb aZhhdc0 -/&*eb! ^ciZgbZY^ViZ aZhhdc0 ."&%/(%eb! YVcXZ eVgin# HVi# ( [dg YVcXZ eVgin0 &% [dg XaVhhZh VcY eVgin# EVadbVg 7Vaagddb! &()) EVX^[^X 6kZ! HVciV 8gjo! -(&#)'+#&''&#

0`OhWZWO\ AO[PO 2O\QS 1ZOaa EaZVhZ _d^c 8^YV K^Z^gV! [gdb 7gVo^a! [dg V [jc VcY jea^[i^c\ hVbWV YVcXZ# LZY! +/(%",/)*eb# AdjYZc CZahdc 8dbbjc^in 8ZciZg! (%& 8ZciZg Hi! HVciV 8gjo! -(&#),&#.-('# 1VSaa 7\ab`cQbW]\ L^i] <_dc ;Z^chiZ^c# 6\Zh *"- VcY ."&*# EaZVhZ XVaa WZ[dgZ [^ghi i^bZ# Hjc! 'eb# HVciV 8gjo 8ZcigVa 7gVcX] A^WgVgn! '') 8]jgX] Hi! HVciV 8gjo! -(&#)'*#,-(*# 1`SObWdS E`WbW\U T]` 4c\ AZVgc id bV`Z lg^i^c\ ZVhn VcY Zc_dnVWaZ ^c i]^h [g^ZcYan! hjeedgi^kZ XaVhh# Hidg^Zh! _djgcVa^c\! edZign! bZbd^gh# IVj\]i Wn ?dnXZ @ZaaZg# Bdc! &"'/(%eb# 9dcVi^dc hj\\ZhiZY# AdjYZc CZahdc 8dbbjc^in 8ZciZg! (%& 8ZciZg Hi! HVciV 8gjo! -(&#)'+#'*&*# 3\UZWaV 1]c\b`g 2O\QS 1ZOaa HZXdcY I]j d[ ZkZgn bdci]# *" ,# ;^ghi 8dc\gZ\Vi^dcVa 8]jgX] d[ HVciV 8gjo! .%% =^\] Hi! HVciV 8gjo! -(&#)'+#-+'&# 4WUc`S 2`OeW\U Dc\d^c\0 Ygde"^ch lZaXdbZ# I]j";g^! &%Vb# &%# ;Za^m @jaeV <VaaZgn! &%, :ab Hi! HVciV 8gjo! )%-#(,(#'-*)# 4WUc`S 2`OeW\U O\R >OW\bW\U 7Z\^ccZgh id egd[Zhh^dcVah! cd ^chigjXi^dc! Ygde"^ch lZaXdbZ0 V[iZgcddc XaVhhZh [ZVijgZ a^kZ bdYZah ^c hiZVYn edhZh# Bdc! ,"&%eb VcY I]^gY Bdc d[ ZkZgn bdci]! &")eb# &%$ &+# HVciV 8gjo 6gi AZV\jZ! *'+ 7gdVYlVn! HVciV 8gjo! -(&#)'+#*,-,#

3 $

$ j AB/53 /@B 3D3<BA january 13-20, 2010 A/<B/1@CH 1=;

Thousands of pre-made frames • Metal sectional frames at 50% off! High-quality custom framing with a great reputation for value and service Visit our website for testimonials and information! (Art supplies too!)

Picture Framing

63:3<3 E7193BB

142 River Street, Santa Cruz • 425-7111 • LenzArts.com Family owned & operated since 1968

1 # =\S G]UO 1S\bS` 1ZOaaSa I]Z DcZ Nd\V 8ZciZg Vi i]Z KZih =Vaa d[[Zgh cZVgan )% XaVhhZh V lZZ` ^c nd\V! bZY^iVi^dc! F^_dc\ VcY IV^ 8]^# Nd\V d[[Zg^c\h gVc\Z [gdb 6Xgd id 6cjhVgV id =Vi]V id K^cnVhV0 hdbZ hjX] Vh @VbVaVÉh ,/)*eb Bdc VcY IjZ bZY^iVi^dc XaVhh VgZ [gZZ0 hdbZ jcjhjVa ?Vc^cZ I]ZdYdgZÉh LV`Z je ndjg LZZ` =Vi]V aZkZah > VcY >>! Hjc -/(%Vb ! VcY XaVhhZh iV`Z eaVXZ [gdb ZVgan bdgc^c\ i]gdj\] ajcX]i^bZ VcY ^cid ZkZc^c\h# 8Vaa [dg i]Z gZbVg`VWan [jaa VcY kVgn^c\ hX]ZYjaZ# DcZ Nd\V 8ZciZg! -)% ;gdci Hi! HVciV 8gjo! -(&#)*)#%),-# >OQWTWQ 1cZbc`OZ 1S\bS` G]UO O\R ;SRWbObW]\ 1ZOaaSa I]Z 8ZciZg d[[Zgh (* l^YZ" gVc\^c\! XgZVi^kZ nd\V XaVhhZh! hZkZc YVnh V lZZ`! l^i] hZi [ZZh/ Ygde"^ch! &' eZg XaVhh0 `^YhÉ nd\V! &%0 Y^hXdjcih VcY jca^b^iZY eVhhZh VkV^aVWaZ0 Vahd OZc VcY di]Zg bZY^iVi^dc XaVhhZh0 XVaa [dg hX]ZYjaZ# EVX^[^X 8jaijgVa 8ZciZg! &(%, HZVWg^\]i 6kZ! HVciV 8gjo! -(&#)+'#--.(# >WZObSa 1ZOaaSa 6aa aZkZah lZaXdbZ# Bdc VcY LZY! .Vb VcY )eb# E^aViZh HVciV 8gjo! &'i] VcY 8Ve^idaV 6kZ! HVciV 8gjo#

A/BC@2/G $

>7/<7AB 63:3<3 E7193BB An acclaimed concert pianist who’s played Carnegie Hall, the Kennedy Center and on stages in nearly every Western capital, San Mateo–based Helene Wickett performs Beethoven’s last three piano sonatas as part of Cabrillo’s Distinguished Artist Concert Series. Writing in the Boston Globe, critic Richard Buell observed this of her performance: “[O]ne heard a hush come over the audience—the kind of hush that always comes with the awareness that something urgent and precious and true is being said.â€? Saturday, Jan. 16, at 8pm at the Cabrillo College Music Recital Hall, 6500 Soquel Dr., Aptos. Tickets are $22 general/$18 seniors/$16 students at www.ticketguys.com or 831.656.9507. 4`WROg AVOYSa^SO`S 1ZcP HZZ`^c\ cZl ldbZc bZbWZgh id _d^c jh ^c hijYn d[ i]Z WVgYÉh eaVnh# 8Vaa [dg YViZh! i^bZh VcY adXVi^dc# -(&#)'&#%.(&# 4`cWb B`SS 1O`S E]`YaV]^a ;g^ZcYh d[ i]Z J8H8 ;Vgb <VgYZc egZhZci Æ;gj^i IgZZh &%&/ 7Vh^X ;gj^i"IgZZ 8VgZÇ Vi i]Z [Vgb dc HVi ?Vc &+ VcY V [gZZ [daadl"je F 6 hZhh^dc Vi i]Z Egd7j^aY <VgYZc 8ZciZg! '(* G^kZg Hi! dc ?Vc '(0 cd gZ\^higVi^dc cZXZhhVgn [dg Z^i]Zg# BdgZ ^c[d/ -(&#)*.#(')%# HVi! ?Vc &+! &%Vb"'eb# &* bZbWZgh0 '% ejWa^X [dg ?Vc &+ hZhh^dc# J8H8 ;Vgb VcY <VgYZc! J8H8! HVciV 8gjo# 5Z]POZ 0SZZg 2O\QS 4caW]\ 1ZOaa =ZaZcZ HiV`Zb iZVX]Zh Vaa"aZkZah XaVhh! XdbW^c^c\ 6[gd"8jWVc hinaZ l^i] XaVhh^X Dg^ZciVa YVcXZ0 XVaa id gZ\^hiZg ^c VYkVcXZ# HVi! &&/(%Vb# )% [djg XaVhhZh$ &( Ygde"^c# EaZVhjgZ Ed^ci ;^icZhh VcY 9VcXZ 8ZciZg! .%, )&hi 6kZ! HVciV 8gjo! -(&#((*#)*+,# 6]caW\U EWbVW\ @SOQV E]`YaV]^ IgVch^i^dc HVciV 8gjo! i]Z

Xdbbjc^in \gdje ldg`^c\ dc V egdVXi^kZ VeegdVX] id V adlZg" ZcZg\n"jhZ [jijgZ! egZhZcih i]^h [^ghi d[ [^kZ ldg`h]deh d[ V[[dgYVWaZ ]djh^c\! ÆL]n lZÉgZ adh^c\ \gdjcY dc V[[dgYVW^a^in! VcY l]Vi lZ XVc Yd VWdji ^i#Ç HeZV`Zgh/ 7gjXZ KVc 6aaZc! [dgbZg bVndg VcY egd_ZXi bVcV\Zg ^c cdcegd[^i ]djh^c\! VcY EVja LV\cZg d[ HVciV 8gjo LZZ`an ! [dgbZg X]V^g! X^in d[ HVciV 8gjo =djh^c\ 6Yk^hdgn 8dbb^iiZZ# I]j! ?Vc &)! ,".eb# ;gZZ# ;^ghi Jc^iZY BZi]dY^hi 8]jgX] d[ HVciV 8gjo! '*% 8Va^[dgc^V Hi! HVciV 8gjo# 7\b`]RcQbW]\ b] 0`WRUS LZZ`an XaVhhZh0 [^ghi XaVhh [gZZ0 bdgZ ^c[d! -(&#,%-#-&')# IjZ! ("*eb# HVciV 8gjo 7g^Y\Z 8ZciZg! ,'% 8Ve^idaV 6kZ Hj^iZ :! 8Ve^idaV! -(&#)+*#&&%'# 7\b`]RcQbW]\ b] HS\ OZc bZY^iVi^dc ^chigjXi^dc! [daadlZY Wn V eZg^dY d[ bZY^iVi^dc! aZXijgZ VcY Y^hXjhh^dc# LZY! */)*eb# ;gZZ# HVciV 8gjo OZc 8ZciZg! &&* HX]dda Hi! HVciV 8gjo! -(&#)*,#%'%+# 7`WaV 8O[ ASaaW]\a Hadl HeZZY# ?d^c jh Vh lZ eaVn hadl VcY ZVhn ^c V hjeedgi^kZ Vibdhe]ZgZ# I]^gY Hjc d[ ZkZgn

bdci]! '")eb# J8H8 BVg^cZ HX^ZcXZ 8Vbejh! &&% H]V[[Zg GY! HVciV 8gjo# 8O\cO`g 1ZOaaSa O\R ESSYS\R E]`YaV]^a 6gi AZV\jZ WZ\^ch cZl gdjcY d[ XaVhhZh WZ\^cc^c\ ?Vc ) l^i] cdcidm^X eg^cibV`^c\ VcY Xdci^cjZh l^i] bdgZ eV^ci^c\! YgVl^c\ VcY _ZlZagn"XgZVi^dc XaVhhZh i]Vc XVc WZ XdjciZY0 XVaa [dg [jaa hX]ZYjaZ# HVciV 8gjo 6gi AZV\jZ! *'+ 7gdVYlVn! HVciV 8gjo! -(&#)'+#*,-,# :W\S 2O\QS :Saa]\a I]j! ,/(%"-/(%eb# *# -(&#((-#)&))# :W\U ?W 2O] GZk# ;V ?jc H]V`nV iZVX]Zh h^m" lZZ` he^g^ijVa VcY ZcZg\Zi^X Vgih XaVhhZh/ LZY -".Vb! BZg^Y^Vc =Vi]V Nd\V Vi i]Z 8]^ 8ZciZg0 I]j &eb F^\dc\ ^c i]Z eVg`! Wn YdcVi^dc0 HVi bdgc^c\! EgVXi^X^c\ i]Z Nd\V HjigV0 Hjc c^\]ih! Nd\V d[ HZmjVa :cZg\n0 IjZ c^\]ih! Cdgi]Zgc H]Vda^c @jc\ ;j 7jYY]^hi Nd\V VcY HZa[ 9Z[ZcXZ VcY A^c\ F^ 9Vd He^g^ijVa F^\dc\ =ZVa^c\# HZkZgVa XaVhhZh hiVgi hddc0 hide Wn 8]^ 8ZciZg! '&*&&7 :Vhi 8a^[[ 9g! HVciV 8gjo! dg XVaa ,%,#)..#...( [dg i^bZh! adXVi^dch VcY YZiV^ah#

AOZaO 2O\QS 1ZOaaSa O\R >O`bg 6 ,/(%eb ^ciZgbZY^ViZ hVahV aZhhdc0 -/&*eb WZ\^cc^c\ hVahV aZhhdc0 ."&&/(%eb! hVahV YVcXZ eVgin# ;g^# ( [dg YVcXZ eVgin0 &% [dg aZhhdch VcY eVgin# EVadbVg 7Vaagddb! &()) EVX^[^X 6kZ! HVciV 8gjo! -(&#)'+#&''&# AS\W]`a¸ 2`]^ 7\ 0OZZ`]][ 1ZOaaSa IZVX]Zg OV` XnXaZh i]gdj\] i]Z [dmigdi! hl^c\! lVaio VcY gjbWV ^c [djg"lZZ` hZfjZcXZh0 cd eVgicZg gZfj^gZY# Bdc! &%/(%"&&/&*Vb# -# EVadbVg 7Vaagddb! &()) EVX^[^X 6kZ! HVciV 8gjo! -(&#)'+#&''&# BVS A^SOYS`¸a 5g[ CdZa Bjge]n egZhZcih i]^h lZZ`an X]VcXZ id ^begdkZ ejWa^X heZV`^c\ egZhZciVi^dch ^c V \gdje YZY^XViZY id gZheZXi[ja Xg^i^fjZ VcY hjeedgi0 XVaa id gZ\^hiZg# LZY! ,"-/(%Vb# 6XidghÉ I]ZVigZ! &%%& 8ZciZg Hi! HVciV 8gjo! -(&#'(-#&'()# AeW\U 2O\QS 1ZOaaSa O\R >O`bg 6 ,/(%eb ^ciZgbZY^ViZ hl^c\ aZhhdc0 -/&*eb WZ\^cc^c\ hl^c\ aZhhdc0 ."&%/(%eb! hl^c\ YVcXZ eVgin# LZY# ( [dg eVgin0 &% [dg XaVhhZh VcY eVgin# EVadbVg 7Vaagddb! &()) EVX^[^X 6kZ! HVciV 8gjo! -(&#)'+#&''&# BOW 1VW 0SUW\\W\U 1ZOaa <gZ\ VcY 8]^c\ 7gdYh`n iZVX] NVc\ HinaZ! h]dgi"[dgb IV^ 8]^ id hiVgiZgh# Bdc! +",eb VcY LZY! +", VcY ,"-eb# &* [dg ig^Va XaVhh# H^be`^ch ;Vb^an Hl^b 8ZciZg! .,. &,i] 6kZ! HVciV 8gjo! -(&#)',#&)+,# BO`]b O\R ?OPOZOV AQV]]Z BVhiZg iZVX]Zg$Vji]dg 6bWZg ?VnVci^ d[[Zgh [^kZ"eajh"nZVg Xjgg^Xjajb d[ lZZ`an XdjghZh! WZ\^cc^c\ id VYkVcXZY aZkZah0 XVaa [dg [ZZ hXVaZ VcY VYYgZhh0 HVciV 8gjo HX]dda [dg IVgdi VcY FVWVaV] HijYn! [djcYZY &.,*# 8Vaa [dg XaVhh

j %

A/<B/1@CH 1=; january 13-20, 2010 AB/53 /@B 3D3<BA

HUMOR US

>7F73 A6B719!!VDTD!bmvn!Nbsz!Wbo!Opuf!csjoht!ifs!vojrvf!dpnjd!tfotjcjmjuz! up!uif!Wfut!Ibmm!bt!qbsu!pg!uif!ofx!npouimz!Dpnjlb{f!dpnfez!tfsjft/

0=@A16B E63:> L.A.-BASED comic Moshe Kasher may be young, or maybe not, but he’s old enough to know what audiences like. And apparently they like skinny, nervous guys in horn-rimmed glasses and Gitler haircuts (that’s “gay� plus “Hitler�) who will say pretty much anything onstage. Now a Comedy Central veteran and one of Heeb magazine’s top 100 Jews to watch this year, Kasher is joined by UCSC grad Mary Van Note, San Francisco comic Janine Brito and upstart MC Joey Devine at Comikaze, the new comedy series launched by Santa Cruz jack of all trades DNA. (Traci Hukill)

COMIKAZE is Wednesday, Jan. 20, at 8pm at Vets Hall, 805 Front St, Santa Cruz. Tickets are $10 advance/$12 door at www.brownpapertickets.com.

i^bZh# HX]dda [dg IVgdi VcY FVWVaV] HijYn! HVciV 8gjo! -(&#)'(#.,)'# B`WPOZ 0SZZg 2O\QS 4caW]\ 1ZOaa :c_dn i]Z edlZg d[ ldbZc YVcX^c\ l^i] ldbZc ^c i]Z he^g^i d[ XddeZgVi^dc VcY XZaZWgVi^dc0 WZ\^ccZghÉ XaVhh Vi +eb! ^ciZgbZY^ViZ Vi ,eb0 XVaa id egZgZ\^hiZg [dg hZg^Zh VcY [dg bdgZ ^c[dgbVi^dc# IjZ! + VcY ,eb# AdjYZc CZahdc 8dbbjc^in 8ZciZg! (%& 8ZciZg Hi! HVciV 8gjo! -(&#((*#)*+,# B`WG]UO 0OaWQ O\R 7\bS`[SRWObS 1ZOaaSa Ig^Nd\V! V bZi]dY XdbW^c^c\ hZfjZcXZh d[ edhijgZh! WgZVi]^c\ VcY bZY^iVi^dc! d[[Zgh dc\d^c\ XaVhhZh# 7Vh^Xh/ Bdc cddc l^i] @^b 7ZZX]Zg! 980 LZY */(%eb l^i] <VWg^Za 7Zc_Vb^c! VcY HVi &%/(%Vb l^i] ?Vb^Z 6cYgZh"AVghZc# >ciZgbZY^ViZ/ Hjc &%/(%Vb l^i] @Zaan HXdii! Bdc */(%eb l^i] @^b 7ZZX]Zg! 98! VcY I]j ./(%Vb l^i] BVgn Bdci\dbZgn# 9gde"^ch lZaXdbZ VcY i]Z [^ghi XaVhh ^h [gZZ# &' eZg XaVhh# Ig^Nd\V 8ZciZg! ,%- LVh]^c\idc Hi! HVciV 8gjo! -(&#)+)#-&%%# C\WdS`aOZ G]UO L^i] BZaVc^Z K^oojh^# Bdc! LZY VcY ;g^! .Vb# &%# LZhi

H^YZ HijY^d! *%.= Hl^[i Hi! HVciV 8gjo# DW^OaaO\O ;SRWbObW]\ =TTS`W\Ua I]Z XZciZg egdk^YZh hZkZgVa ineZh d[ ^chigjXi^dc ^c K^eVhhVcV Y^gZXi bZY^iVi^kZ dWhZgkVi^dc d[ i]Z b^cY VcY WdYn ^ch^\]i bZY^iVi^dc! Vh lZaa Vh Y]VgbV iVa`h# Bdc! IjZ VcY ;g^ Vi cddc VcY I]j Vi ,eb! bZY^iVi^dc hZhh^dch# LZY +/(%"-eb! ^cigd [dg WZ\^ccZgh# ;^ghi Bdc d[ ZVX] bdci]! cddc"&/(%eb! I]Z 9]VgbV d[ >aacZhh [dg i]dhZ a^k^c\ l^i] ^i0 ZVX] ;g^ &%"&&Vb! BZY^iVi^dc dc i]Z (' EVgih d[ i]Z 7dYn! VcY ZkZgn Hjc ./(%"&%/&*Vb! HjcYVn Bdgc^c\ 7jYY]^hi EgVXi^XZ0 XVaa -(&#'&'#++)& [dg YZiV^ah# 9dcVi^dch lZaXdbZ# K^eVhhVcV HVciV 8gjo! &%&% ;V^g 6kZ! HVciV 8gjo! -(&#)'*#()(&# ESR\SaROg 2`]^ W\ ;SRWbObW]\ 7Vh^X bZY^iVi^dc ^chigjXi^dc VcY egVXi^XZ! ^cXajY^c\ ]dl id VggVc\Z ndjg WdYn VcY b^cY WZ[dgZ bZY^iVi^c\! Y^[[ZgZci bZi]dYh! VcY Y^hXjhh^dc V[iZglVgYh0 Ygde"^ch VcY cZl hijYZcih lZaXdbZ# LZY! */(%"+/(%eb# ;gZZ# AVcY d[ BZY^X^cZ 7jYY]V! *-%% EgZhXdii GY! HdfjZa! -(&#)+'#-(-(#

EWZRS`\Saa 4W`ab /WR 1ZOaa 6 ild"YVn XdjghZ XdkZg^c\ l^aYZgcZhh bZY^X^cZ [dg eZdeaZ l]d igVkZa VcY ldg` ^c i]Z djiYddgh# 6eegdkZY Wn i]Z ;dgZhi HZgk^XZ VcY di]Zg V\ZcX^Zh! ^i Vahd egdk^YZh gZXZgi^[^XVi^dc [dg i]dhZ l^i] egZk^djh igV^c^c\# GZ\^higVi^dc gZfj^gZY0 XVaa -(&#)*.#&+.(# HVi! ?Vc &+! -Vb"*eb VcY Hjc! ?Vc &,! -Vb"*eb# J8 HijYZcih &*%0 \ZcZgVa! '%%# HiZkZchdc 8daaZ\Z! J8H8! HVciV 8gjo# E][S\1/@3 1O\QS` Ac^^]`b 1ZOaaSa LdbZc86G: egdk^YZh &% hZeVgViZ XaVhhZh! hjeedgi \gdjeh VcY ldg`h]deh [dg ldbZc l^i] XVcXZg VcY i]Z^g [Vb^a^Zh! ^cXajY^c\ hdbZ ^c HeVc^h]0 Vaa VgZ dc\d^c\! ]ZaY Bdc"HVi! VcY gZfj^gZ egZgZ\^higVi^dc# D[[Zg^c\h ^cXajYZ lZZ`an Ygde"^c VcY W^bdci]an ;g^ZcYh"VcY" ;Vb^an hjeedgi \gdjeh0 :cigZ" CdhdigVh HeVc^h] <gdjeh0 8dbeaZbZciVgn IgZVibZci ;dgjbh0 Edhi"IgZVibZci <gdjeh0 Lg^i^c\! 6gi VcY <ZciaZ BdkZbZci \gdjeh0 VcY nd\V VcY b^cY[jacZhh \gdjeh! ^cXajY^c\ dcZ ^c XdaaVWdgVi^dc l^i] AVcY d[ i]Z BZY^X^cZ 7jYY]V# 8Vaa [dg ZmVXi YVnh VcY i^bZh VcY id gZ\^hiZg# Dc\d^c\# LdbZc86G:!

&%%& )&hi 6kZ! HVciV 8gjo! -(&#)*,#'',(# G]UO ?^kVbj`i^ Nd\V XaVhhZh l^i] BVgc^ HXaVgd[[# ;adl" hinaZ nd\V l^i] X]Vci^c\! bZY^iVi^dc VcY e]^adhde]n# IjZ VcY I]j! -/)*"&%Vb# &'# Db Gddb HX]dda d[ Nd\V! (%% CVijgVa 7g^Y\Zh 9g! HVciV 8gjo! -(&#'()#*)(.# G]UO O\R 1]\RWbW]\W\U 1ZOaaSa IgV^cZg 6bn >beZaa^ooZg^ d[[Zgh Vc dc\d^c\ XaVhh ^c 6XgdNd\V Bdc ,/(%".eb! [dg Vaa aZkZah# &'# EVX^[^X :Y\Z 8a^bW^c\ <nb! &%) 7gdchdc Hi! HVciV 8gjo! -(&#)*)#.'*)# G]UO 1ZOaaSa EWbV /`c\O IZVX]Zg 6gjcV d[[Zgh nd\V XaVhhZh Vi ild adXVi^dch/ Nd\V L^i]^c Vi 6eidh HiVi^dc! -%(* ', HdfjZa 6kZ! =Vi]V &"' Bdc VcY IjZ &%/&*"&&/)*Vb0 Vahd! Vi EVX^[^X 8jaijgVa 8ZciZg! &(%, HZVWg^\]i 6kZ Vi 7gdVYlVn ! HVciV 8gjo! GZhidgVi^kZ Bdc ,/(%"-/)*eb VcY Nd\V ' LZY ./(%"&&Vb# Hide Wn Vcn d[ i]Zb id aZVgc YZiV^ah# Hc[PO 2O\QS IjZ"I]j! &%Vb VcY Hjc! &&Vb# EVadbVg 7Vaagddb! &()) EVX^[^X 6kZ! HVciV 8gjo! -(&#)'+#&''&#

WOMEN’S F R E E

Self-DefenseWorkshop Learn a handful of powerful skills January 23 and techniques you can use right away to stay safe, and empower yourself to stop bullies in your life.

1:30 p.m. to 4:00 p.m.

CALL to REGISTER

minorsan.com

831.458.0900

No experience needed

1320 mission street door #3 santa cruz.ca 95060

03/ /BA1/>3 jjanuary a n u a r y 13-20, 1 3 - 2 0 , 2010 2 0 1 0 A/<B/1@CH 1=; A/<B/1@CH 1=; & & j 03/BA1/>3

Jazz Presenters since 1975

THURS. JANUARY 14 • 7 PM Rising Star Vocalist!

ROBIN MCKELLE $18/Adv $21/Door

MON. JANUARY 18 • 7 & 9 PM

MOSE ALLISON TRIO

$23/Adv $26/Door 9PM ONLY • $12 1/2 Price Night for Students At the door only with I.D. Made possible by David & Kate Hartzell and William & Cloy Codiga Family Foundation

THURS. JANUARY 21 • 7 PM

JAZZ BIRDS – CD RELEASE PARTY! Concert only: $12/Adv $15/Door Jazz & Dinner: $24.60/Adv Sponsored by Santa Cruz Sentinel

MON. JANUARY 25 • 7 & 9 PM

DJANGO REINHARDT FESTIVAL “DJANGO AT 100� 7 PM: $25/Adv $28/Door 9 PM: $20/Adv $23/Dr, No Jazztix/Comps Sponsored by Ow Family Properties

THURS. JANUARY 28 • 7 PM

MYRA MELFORD’S BE BREAD $20/Adv $23/Door MON. FEBRUARY 1 • 7 PM

SOPHIE MILMAN $22/Adv $25/Door

Sponsored by Bob Bickal

MON. FEBRUARY 8 • 7 PM

CHARISMA! THE MUSIC OF LEE MORGAN $25/Adv $28/Dr, No Jazztix/Comps 1/2 Price Night for Students At the door only with I.D.

Made possible by David & Kate Hartzell and William & Cloy Codiga Family Foundation

THURS. FEBRUARY 11 • 7 PM

LOUDON WAINWRIGHT III $23/Adv $26/Door

MON. FEBRUARY 15 • 7 & 9 PM

TUCK & PATTI

7pm: $25/Adv $28/Door 9pm: $20/Adv $23/Door No Jazztix or Comps Special Valentine’s Dinner at the door beginning at 5:30pm Sponsored by Bob Jackson & Stuart Hurt

MON. FEBRUARY 22 • 7 & 9 PM

DAVID SANBORN

$30/Adv $33/Door, No Jazztix or Comps Sponsored by Pacific Sun Properties, Alan & Susan Goldstein Dinner served Mondays & Thursdays beginning at 6pm, serving premium wines & microbrewed beers. Snacks & desserts available all other nights. All age venue.

Advance tickets at Logos Books & Records and online at kuumbwajazz.org. Tickets subject to service charge and 5% S.C. City Admissions Tax.

Independently Produced Events FRI. JANUARY 15 • 8 PM

America’s Top Political Satirist WILL DURST Tickets: $18/Adv $20/Door Tickets: Streetlight Records and www.brownpapertickets.com SUN. JANUARY 17 • 7 PM

MUSICSCOOL SHOWCASE To Benefit Scholorship Program $10/Adv $12/Door Tickets: More Music, Streetlight & tix.com

KUUMBWA JAZZ

320-2 CEDAR ST • SANTA CRUZ KUUMBWAJAZZ.ORG

4 27 - 2 2 27

<3D7::3 5/H7<5 < 3D7::3 5/H7<5 Ivan Ivan Neville Neville and Dumpstaphunk Dumpsttaaphhunk get Moe’s Moe’s Alley Alleey on its feet feet e this Tuesday. Tuesday u .

B6C@A2/G j " B 6 C @ A 2/G j "

4@72/G j # 4 @ 7 2/G j #

4@72/G j # 4 @ 7 2/G j #

@=07< ; @ =07< ;19 93::3 3::3

/<B6=<G 0 / <B6=<G 0

850 8 50

In short In short o order, rder, R Robin obin M McKelle cKelle h has as eestablished stablished h erself as as o ne o the herself one off the fforemost oremost jjazz azz vocalists vocalists of of o ur time. time. our W ith her her ssecond econd aalbum lbum o big-band With off big-band jjazz, azz, M oodern A ntique, McKelle McKelle swings swings Modern Antique, tthrough hrough tthe he A merican ssongbook, ongbook, American b ringing tto om ind tthe he llikes ikes o arah bringing mind off S Sarah V aughan aand nd E lla F itzgerald. S he’s Vaughan Ella Fitzgerald. She’s a product product of of her her times—she times—she cut cut her her tteeth eeth on on contemporary contemporary pop pop and and ’’60s 60s R&B—but R&B—but you’d you’d be be hard-pressed hard-pressed tto o find f ind any any pandering pandering to to current current trends trends iin nh er aauthentic uthentic yyet et p assionate ttakes akes her passionate o n jjazz azz sstandards. tandards. K uumbwa; on Kuumbwa; $ 18 aadvance/$21 dvance/$21 d oor; 77pm. pm. $18 door; ((Paul Paul M. M. Davis) Davis)

Hailing ffrom Hailing rom C Clarks larks T Town, own, JJamaica, amaica, A nthony B iiss a rrighteous ighteous rreggae eggae u pAnthony upaand-comer nd-comer o nap olitical mission. mission. on political U nlike m any of of h is p eers, Anthony Anthony B Unlike many his peers, h as always always avoided avoided ttalk alk of of vviolence iolence has aand nd ggunplay, unplay, instead instead couching couching his his rrevolutionary evolutionary ssentiments entiments iin n tterms erms o off p ositivity aand nd aawareness. wareness. S ince the the m idpositivity Since mid’’90s, 90s, h as p roven to to be be one one o he hee h has proven off tthe lleading eading llights ights o the ggenre, enre, specializing specializing off the iin nm ind-expanding d ancehall that that mind-expanding dancehall eeschews schews eelectronic lectronic o stentation ffor or lliveiveostentation b and iinstrumentation. nstrumentation. V ets H all; band Vets Hall; $ 23 aadvance/$26 dvance/$26 d oor; 8 :30pm. ((PMD) PMD) $23 door; 8:30pm.

It ssays It ays ssomething omething aabout bout a b band and w when hen eeven ven aafter fter iits ts ffrontman rontman aand nd n amesake namesake d ies, tthe he rremaining emaining m embers cclose lose dies, members rranks anks aand nd p lay o n, n ot iin n sspite pite o f, b ut play on, not of, but iin n ttribute ribute tto, o, tthe he m an tthat hat sstarted tarted iitt man aall. ll. S uch iiss tthe he ccase ase w ith JJGB, GB, sshort hort ffor or Such with tthe he JJerry erry G arcia B and. M elvin S eals, tthe he Garcia Band. Melvin Seals, ffamed amed k eyboardist ffrom rom tthe he o riginal keyboardist original JJerry erry G arcia B and—probably G arcia’s Garcia Band—probably Garcia’s b est k nown p roject aaside side ffrom rom tthe he best known project G rateful D ead—leads tthis his ssix-member ix-member Grateful Dead—leads eensemble nsemble tthat hat ggives ives a ttrue-to-form rue-to-form ttake ake o nG arcia’s m assive b ody o ork. JJGB’s GB’s on Garcia’s massive body off w work. rroster, oster, b esides S eals, iincludes ncludes ffive ive o ther besides Seals, other vveteran eteran jjammers ammers tthat hat u tilize tthe he ssame ame utilize eepic pic aand nd h ighly iimprovisational mprovisational sstyle tyle highly tthat hat d rove fflocks locks o eadheads tto o tthe he drove off D Deadheads cchurch hurch o erry. D on Q uixote’s; $ 20; off JJerry. Don Quixote’s; $20; 9 pm. ((Curtis Curtis C artier) 9pm. Cartier)

j '

A/<B/1@CH 1=; A /<B/1@CH 1=; jjanuary a n u a r y 13-20, 1 3 - 2 0 , 2010 2 0 1 0 03/BA1/>3 03/ /BA1/>3

1=<13@BA 1 = < 1 3 @ B A E3AB 7<27 E3AB 7<27/< 57@: 7<27/ /< 57@: JAN N. 21 AT AT CREPE CR R REPE REP PLLA LACE JAN. PLACE B63 6 @3A7723 63 3<B BA B63 @3A723<BA JAN N. 23 A T RIO RIIO O THEA H ATREE HE HEAT HEA JAN. AT THEATRE

A/BC@2/G j $ A /B C @ 2/G j $

8/1973 5@33<3 8 /1 9 7 3 5 @ 3 3 < 3 Sacramento’s Jackie Sacramento’s Jackie G Greene reene iiss u ndoubtedly a ssinger/songwriter, inger/songwriter, but but undoubtedly b eyond tthat, hat, h ef ies pigeonholing. pigeonholing. beyond hee d defies G reene h as a ffluid luid vocabulary vocabulary o Greene has off m uch of of A merican m usic, from from ffolk olk much American music, tto o ccountry ountry to to blues blues aand nd R&B, R&B, aand nd can can ccredibly redibly write write and and p erform in in aany ny perform o those genres. genres. This Th his chameleonlike chameleonlike off those aability bility to to subsume subsume n umerous numerous ttraditions raditions has has garnered garnered Greene Greene a few few ccomparisons omparisons tto oB ob D ylan, though though Bob Dylan, h e’s a b it ttoo oo sslick lick ffor or tthe he comparison comparison he’s bit tto o sstick. tick. Instead, Instead, it’s it’s m ore accurate accurate more tto o tthink hink o Greene as as a tthoroughly horoughly off Greene m odern ttraditionalist, raditionalist, a p recocious modern precocious aartist rtist with with the the eentirety ntirety o American off American m usic aatt his his fingertips. f ingertips. Catalyst; Catalyst; music $ 16 aadvance/$19 dvance/$19 door; door; 9 pm. (PMD) (PMD) $16 9pm.

AC<2/G j % A C < 2/G j %

B 6 3 0 C 7 : 2 3 @ A B63 0C7:23@A /<2 B63 / <2 B63 0CB163@A 0 C B1 6 3 @ A Between B etween 2002 2002 aand nd 2005, 2005, the the ffive ive m embers of of the the B uilders aand nd the the members Builders B utchers trickled trickled o ut of of tthe he neverneverButchers out eending nding darkness darkness of of Alaskan Alaskan winters winters to to llight ight up up the the m usic sscene cene iin n Portland. Portland. music W ith p unk rock rock backgrounds backgrounds and and a With punk llove ove for for American American roots, roots, tthe he quintet quintet ggravitated ravitated ttogether ogether tto ob ecome o ne o become one off

W illamette te W eek’s aanointed nointed b est n ew Willamette Week’s best new b ands o 008. T he B uilders aand nd tthe he bands off 2 2008. The Builders B utchers w rite ttheir heir ssongs ongs d uring Butchers write during rrehearsal ehearsal o ive sshows, hows, rresulting esulting iin n aan n orr llive o rganic m ixture o unk aand nd ffolk olk ffrom rom organic mixture off p punk w hich rresonating esonating sstory-songs tory-songs sspring. pring. which W ith a ssound ound aakin kin tto oo ur o wn T he With our own The Devil Makes Three, Builders D evil M akes T hree, tthe he B uilders aand nd Butchers bee a h hit with tthe he B utchers aare re ssure ure tto ob it w ith Santa Cruz Crepe Place; $7; S anta C ruz aaudiences. udiences. C repe P lace; $ 7; 8pm. Harker) 8 pm. ((Brian Brian H arker)

B6/ /B B 5CG 5CG G G B6/B 5CG JA JAN AN. 24 AN 4 AT AT MOE’S M S ALLEY Y JAN. 2 8/<5= 5 @3 37<6 37<6/@2 6/ 6 / B 28/<5= @37<6/@2B 43 AB7D/ D/ /: 43AB7D/: JAN N. 25 25 AT AT KUUMBWA KU UU WA UUMBW JAN. 87; 87; ; ;/: /:1=; 87; ;/:1=; JAN N. 27 AT AT DON DO ON QUIXOTE’S QUIXO UIX TE’S TE JAN. 0= E3@07@ @0 2A 0=E3@07@2A JAN N. 29 AT AT BROOKDALE BROOKD BR DA ALE LE LODGE LODGE JAN. 5 :=D3 A> A>317/: : A/C13 5 :=D3 A>317/: A/C13 FEB T CATALYST ATA TA ALLYST Y T CA FEB.. 19 A AT 8=@;/ 9/C9 C =<3< =< <3< 8=@;/ 9/C9=<3< 5 3 A;7B6 5 3 A;7B6 F FEB T RIO O THEA TH H TRE FEB.. 23 A AT THEATRE

AC<2/G j % A C < 2/G j %

A = > 6 7 3 0 A=>673 0 6 /E 9 7 < A 6/E97<A When Sophie When Sophie B B.. Hawkins Hawkins b burst urst o onto nto tthe he scene scene in in 11992, 992, tthe he ccurly urly b londe blonde ssinger inggeer w owed ccritics ritics w ith h er d ebut wowed with her debut aalbum lbum Tongues Tongues and and Tails, Tails, lit lit up up charts charts w ith tracks tracks llike ike ““Damn Damn I Wish Wish I W as with Was Y our Lover� Lover� aand nd eearned arned h erself a Your herself G rammy nomination nomination ffor or Best Best N ew Grammy New A rtist. And And tthough hough sshe’s he’s never never quite quite Artist. rreprised eprised tthat hat ssensational ensational rrookie ookie yyear, ear, sshe’s he’s managed managed tto op ut o ut solid, solid, w ellput out wellrreceived eceived w ork ever ever ssince. ince. A ccommon ommon work ffixture ixture at at women’s women’s rrights ights events events aand nd b enef its, she’s she’s also also dipped dipped her her ttoes oes into into benefits, tthe he political political shark shark tank, tank, rerecording rerecording ttwo wo o her m ost famous famous ttracks racks and and off her most ggifting ifting tthem hem to to the the H illary C linton Hillary Clinton ccampaign ampaign of of 2 008. And And though though she she 2008. k eeps a llower ower p rof ile tthese hese d ays, h er keeps profile days, her o nstage ccharm harm and and sskill kill h aven’t llost ost a onstage haven’t sstep. tep. Don Don Q uixote’s; $ 12; 2 pm. (CC) (CC) Quixote’s; $12; 2pm.

;=<2/G j & ; = < 2/G j &

;=A3 /::7A=< ; =A3 /::7A=< Loftily n Loftily nicknamed icknamed tthe he ““William William Faulkner o azz,� sstorytelling toryytelling p ianist Faulkner off jjazz, pianist M ose A llison sstacks tacks tthe he sstyle tyle jjust ust aass h igh Mose Allison high aass h tacks tthe he ssubstance. ubstance. S eamlessly hee sstacks Seamlessly m ixing q uick aand nd d elicate jjazz azz n otes mixing quick delicate notes w ith ffront-porch ront-porch M ississippi b lues, with Mississippi blues, A llison iices ces tthe he ccake ake w ith ssmooth mooth Allison with vvocals ocals aand nd w itty llyrics yrics tthat hat aalways lways witty ccomplement omplement tthe he m usic aand nd n ever music never iintrude ntrude on on it. it. His His 50-year 50-year ccareer areer has has iinfluenced nf luenced monolithic monolithic artists arrtists from from tthe he Y ardbirds tto o tthe he P ixies. W ith Yardbirds Pixies. With aaccompaniment ccompaniment b eter M agadini o n byy P Peter Magadini on d rums aand nd B ill D ouglass o n sstandup tandup drums Bill Douglass on b ass. K uumbwa; $ 23 aadvance/ dvance/ bass. Kuumbwa; $23 $ 26 d oor; 7 aand nd 9 pm. ((CC) CC) $26 door; 9pm.

BC3A2/G j ' B C 3 A 2/G j '

2C;>AB/>6C<9 2 C;>AB/>6C<9 Led by Led by Ivan Ivvan N Neville, eville, heir heir tto o a legendary legendary m usical h eritage, Dumpstaphunk Dumpstaphunk iiss musical heritage, ccomposed omposed of of m usicologists w ho k now musicologists who know h ow tto o get get a house house b ouncing to to ttheir heir how bouncing o wn b rand of of deep-fried deep-fried funk. funk. A nd own brand And d on’t let let the the name name fool fool you. you. Ivan Ivan don’t N eville didn’t didn’t dumpster dumpster dive dive for for the the Neville b and’s members; members; he he ggot ot them them ffrom rom band’s o utf its llike ike Dave Dave Matthews Matthews & Friends, Friends, outfits Je ewel and and tthe he Spin Spin Doctors. Doctors. With With iits ts Jewel ttwo wo bassists, bassists, ffunky unky beats beats aand nd soulful soulful ssinging, inging, D umpstaphunk sshould hould h ave Dumpstaphunk have n o trouble trouble turning turning Moe’s Moe’s Alley Alley into into tthe he no p hunkiest of of venues. venues. M oe’s Alley; Alley; $ 27 phunkiest Moe’s $27 aadvance/$30 dvance/$30 door; door; 8 :30pm. (BH) (BH) 8:30pm.

27D/ 2 7D/ J Jazz az azz chanteuse chantteuse e Robin Robin o McKelle McK Kelle e at Kuumbwa Kuumbw u a

! j 1:C0 5@72 january 13-20, 2010 A/<B/1@CH 1=;

QZcPU`WR

E32 j !

B6C j "

4@7 j #

A/B j $

B63 /003G

/?C/ 0:3C

AY]]Z

C`PO\ Z]c\US

>OgROg

<Se O\R `Sb`] ^]^

/A/</ B3/ 6=CA3

8cab :]dS

0:C3 :/5==<

BVS 5`]UUa

¸& a <WUVb

EWbV ZWdS 28a

A^c`ba 2W^a A / A

>Zca 6S`S 9Wbbg 9Wbbg

0]bV RO\QS À]]`a

0=117¸A 13::/@

0`WO\ 1VSabS`

9W\aZSg 6WZZ

BVS 0cRa

9O`O]YS

1/43 ;/@3

0`WO\ ?cW\\ 5`]c^

8Ohh 3ZSQb`]\WQ

B63 1/B/:GAB

4W`S EVWaYSg

8OQYWS 5`SS\S

1=/AB3@¸A :=C<53

9O`O]YS

9O`O]YS

A/<B/ 1@CH !# ;WaaW]\ Ab AO\bO 1`ch & >OQW¿Q /dS AO\bO 1`ch ! :W\Q]Z\ Ab AO\bO 1`ch ' ! >OQW¿Q /dS AO\bO 1`ch " 3\QW\OZ Ab AO\bO 1`ch %" 4`]\b Ab AO\bO 1`ch >OQW¿Q /dS AO\bO 1`ch # 1ZWTT Ab AO\bO 1`ch

>Zca 0ZOQY :]dS /\R 4`WS\Ra) XOhh

/[S`WQO\O O\R PZcSa

4]ZY

8O[ PO\R

>Zca HSR 3ZSQb`WQ :SOdSa

<SQbO`

3ZSQb`] Z]c\US O\R V]caS

6W^ 6]^

>Zca B`cbV AOZdOUS 1]

9O`O]YS

1@3>3 >:/13

>Zca 2OZb]\ ;]c\bOW\ 5O\U

>Zca 5`SS\ 4ZOaV ESSYS\R

1@=E¸A <3AB

2O\\g ;]`OZSa

;SaaWOVa

Ab]`[W\¸ <]`[O\

!" A]_cSZ /dS AO\bO 1`ch & 3Oab 1ZWTT 2` AO\bO 1`ch

2/D3<>=@B @=/26=CA3

8Ohh aOf b`W]

A]ZWR `]QY

/\R bVS 1gQZ]\Sa

AbSdS ;SQYTSaaSZ

47<A 1=4433

B`OdWa =PS`U 4`WS\Ra

;O`bg /bYW\a]\

5cWbO` d]QOZa a]\Ue`WbW\U

>ZOgS` aW\US` b`W]

6=44;/<¸A 0/93@G 1/43

EOZbS` 4Z]gR ?cO`bSb

/Zb eWbV @]PS`b =QY]ZSO\ B`W]

>`Sab]\ 0`OV[ B`W]

8Ohh

8]V\ EWbY]eaYW 5`]c^

8Ohh

7a]QSZSa

9CC;0E/ 8/HH 13<B3@

@]PW\ ;Q9SZZS

EWZZ 2c`ab

>OQW¿Q /dS AO\bO 1`ch ! 1SRO` Ab AO\bO 1`ch

;/2 6=CA3 0/@ 1=19B/7:A

>WO\] UcWbO` VO`[]\WQO

@SUUOS <WUVb

3c`] d]QOZWab eWbV b`W]

@OW\P]e @]][

Bg ASUOZZ

2OdS\^]`b /dS 2OdS\^]`b " =QSO\ Ab AO\bO 1`ch

2]e\ 0SSba

0`]]YS0`]e\AO`OQW\]

@S\]e\SR Q][SRWO\

6W^ 6]^ <WUVb

/\R UcSaba) T]ZY

>ZO\ 0

EWbV 5O`g ;]\b`ShhO) XOhh

:]ZZW>=>

# ' ASOP`WUVb /dS AO\bO 1`ch

EWbV 28 ;O[OR]c

:50B \WUVb eWbV 28 /2

EWbV 28 ;O`Q

28a /2 3 AbSdS 3Ob]cUV

;=3¸A /::3G

8c\W]` 0]]UWS

/`[g

0 AWRS >ZOgS`a

0 AWRS >ZOgS`a

;=B7D

28 Ag S\QS 5cSaba

#!# 1][[S`QWOZ EOg AO\bO 1`ch ' >OQW¿Q /dS AO\bO 1`ch

@=A73 ;11/<<¸A

>OQW¿Q /dS AO\bO 1`ch

A3/0@756B 0@3E3@G

# ' ASOP`WUVb /dS AO\bO 1`ch

/\R ESb C[P`SZZO

28 /2

>Zca E]dS\ @]]ba

6W^ V]^ B]^ " SZSQb`]

28 A^O[

/T`] :ObW\ @SUUOS 4c\Y

/T`] :ObW\ @SUUOS 4c\Y

28 @WQV

28 A^O[ O\R 28 /2

;O`aVOZZ :Oe 0O\R

j !

A/<B/1@CH 1=; january 13-20, 2010 1:C0 5@72

Sa nt a Cr u z C ou nt y

AC< j % ;=< j & BC3 j ' A/<B/ 1@CH /R`WO\ 0]c`US]Wa

B63 /003G

/?C/ 0:3C

/A/</ B3/ 6=CA3

BVS 0]f

4c\Y O\R 2WaQ]

¸' a 2O\QS >O`bg

A1 8Ohh A]QWSbg

/cUcab 0]ZZ]QY

@Sa]\Ob]`a

8Ohh /

@SPSZcbW]\

9O`O]YS

9O`O]YS

:WdS 0O\R

7\Rcab`WOZ U]bVWQ

>Zca A]XO HW]\ 7

EWbV 28 @]RS\b

0cWZRS`a bVS 0cbQVS`a 1OabO\Sba BWUS` AOe

/ 2O`Y O\R Ab]`[g <WUVb /Z^a =T <]`bV EOZSa

AeW\U 2O\QS

0ZcS 5`Oaa 8O[ 0O``g AQ]bb

8Ohh

8Ohh

;caWQaQ]]Z AV]eQOaS ;]aS /ZZWa]\ B`W]

;cZbWPO\R aQV]]Z PS\SÂżb E]`ZR QZOaa ^WO\Wab

/\R /aa]QWObSa

¸& a <WUVb

EWbV 28 BS[]

2c[^abO^Vc\Y

>Zca @SPW`bV 0`Oaa 0O\R

1@=E¸A <3AB &! "%$ "#$

47<A 1=4433

&! " ! $ !

6=44;/<¸A 0/93@G 1/43

&! " !#

9CC;0E/ 8/HH 13<B3@ &! " %

%

;/2 6=CA3 0/@ 1=19B/7:A &! " # '

;=3¸A /::3G &! "%' &#"

;=B7D

&! "%' ##%

@=A73 ;11/<<¸A

A3/0@756B 0@3E3@G

SUNDAY, JANUARY 31 2 PM 4LSSV *LU 4LSSV *LU[LY >H[ZVU]PSSL 4LSSV *LU[LY > [LY >H[ZVU]PSSL Concert co-sponsored by Susan Cony and Diane & Donald Cooley

&! " $ &&

Concert sponsored by Rowland & Pat Rebele

2/D3<>=@B @=/26=CA3

0ZcSU`Oaa ^ZOgS`a eSZQ][S

&! " ' $''"

/\R UcSaba) T]ZY

8]S :S]\O`R B`W]

:Saa]\a eWbV ;O`W] /dWZO

1@3>3 >:/13

EVWbS 1Z]cR

SATURDAY, JANUARY 30 8 PM :HU[H *Y\a *P]PJ (\KP[VYP\T :HU[H *Y\a a *P]PJ (\KP[VYP\T

&! " ! !!$

2O\O AQ`cUUa B`W]

&! "#&

&! " $ !! "

1V`Wa >c`SYO

AbSdS ;SQYTSaaSZ

1/43 ;/@3

1=/AB3@¸A :=C<53

0O\R B0/

John Larry Granger, Music Director

B63 1/B/:GAB

@SZOfW\U ^WO\] [caWQ

&! " % %'#

AeW\U O\R XOhh abO\RO`Ra

&! " ! % %

0=117¸A 13::/@

/[S`WQO\O

SYMPHONY

&! " # &! %

0:C3 :/5==<

EWbV ZWdS 28a

&! " ! $'''

:WdS 1][SRg

EWbV bV`SS Q][WQa

&! " ' #&

&! " $ ''!

&! " $ %!'

BEETHOVEN

SYMPHONY NO. 4 BRAHMS

PIANO CONCERT NO. 1 JON NAKAMATSU, PIANIST

Tickets $20-65. Call 420-5260 or www.SantaCruzTickets.com

www.santacruzsymphony.org Winter Special Ends Soon! 2 for 1 Mini-Subscriptions! Call 831.462.0553 ext. 10 for details. “It seems inevitable that Nakamatsu is destined to become one of the major pianists of our time.�

– Gale Bennett, News-Press

Season Sponsors ROWLAND & PAT REBELE GLENWOOD EQUESTRIAN CENTER SYMPHONY LEAGUE OF SANTA CRUZ COUNTY

! j 1:C0 5@72 january 13-20, 2010 A/<B/1@CH 1=;

QZcPU`WR

E32 j !

B6C j "

4@7 j #

A/B j $

/>B=A 1/>7B=:/ @7= 23: ;/@ A=?C3: 0@7B/<<7/ /@;A

B`WdWO ?cWh <WUVb

:O``g 6]aT]`R¸a

9O`O]YS

7aOR]`O¸a AQO`T

1/D/ E7<3 0/@

AbSdS¸a 8Ohh 9WbQVS\

>OcZ @S\aZ]e

B63 4=5 0/<9

9O`O]YS A]c\R 1]

& % A]_cSZ 2` /^b]a

# AO\ 8]aS /dS 1O^Wb]ZO

3a^ZO\ORS 1O^Wb]ZO

;/@5/@7B/D7::3

3a^ZO\ORS 1O^Wb]ZO

6]\Yg B]\Y 6]SR]e\

;cbVO¸ AVW^

@ 0

28 8]V\\g 2Sf

/Zb `]QY ]`WU O\R Q]dS`a

@]cUV 6]caS

1]c\b`g O\R PZcSa

28 BO\\S`

;716/3:¸A =< ;/7<

9O`O]YS

EWZR 0ZcS

4`O\YWS @O[]a 0O\R

1W\Rg 3ReO`Ra

>/@/27A3 03/16 5@7::3

A/<23@:7<5A

5`]dS` 1]S) XOhh aeW\U

E]`ZR PSOb O\R U`]]dS

A3/ 0@33H3 B/D3@<

:Oc`g ;OQ

5S]`US 1V`Wab]a

A3D3@7<=¸A 5@7::

2Whhg 0c`\Sbb

2]\ ;Q1OaZW\

2]cPZS AbO\RO`R

0O`PO`O :]^Sh

?cO`bSb

A6/2=E0@==9

2OdWR 4WSZR

8]S 4S``O`O

BS``g @WdS`a]\U

B63 C5:G ;C5

2SPg 5`]aXSO\

B]^ \]bQV 1SZbWQ ¿RRZS`

D3@D3 :=C<53

28 <WUVb

:]QOZ 0O\R <WUVb

8]W\b 1VWSTa

H3:2/¸A

2OdWR 0`]]YW\Ua

#' ;OW\ Ab A]_cSZ

# 3a^ZO\ORS 1O^Wb]ZO

ASOaQO^S @Sa]`b 2` @W] RSZ ;O` 3a^ZO\ORS /^b]a

%# =ZR 2][W\W]\ 1b /^b]a %# EVO`T @R 1O^Wb]ZO

8Ohh

5`]dS` 1]S) XOhh aeW\U

"$" A]_cSZ 2` A]_cSZ %'" A]_cSZ 2` /^b]a

! 3a^ZO\ORS 1O^Wb]ZO

bVS /[OhW\U 8Ohh 5SShS`a

3\bS`bOW\S`a B0/

2Whhg 0c`\Sbb /Q]cabWQ UcWbO`

E]\RS`TcZZg eO`[ d]QOZWab

@SRe]]R 4c`

/\R bVS @]OR 6]Ua

3fb`O :]c\US

GcXW O\R AbSdS

B]^ \]bQV T]ZY `]QY

8]V\ 0`]OReOg

0SOQV 1]eP]ga

A1=BBA D/::3G A/< :=@3<H= D/::3G 2=< ?C7F=B3¸A @3AB/C@/<B $ %# 6eg ' 4SZb]\

B@=CB 4/@; 7<<

%% 3 HOgO\bS @R 4SZb]\

?cSS\ ;OYSROV

@SUUOS T`][ 8S`caOZS[

9S\¸a 9O`O]YS 1]``OZ

805

4SObc`W\U ;SZdW\ ASOZa

BS[^Sab

7`WaV AQ]bbWaV T]ZY `]QY

92=< 28 AV]ePWh

E/BA=<D7::3 ;=<B3@3G 1/@;3: 17:/<B@=¸A

6W^^] 6O^^g 6]c`

;O`WOQVW 3\aS[PZS

5@33< D/::3G 5@7::

EWZR 0ZcS

2]`WO\ 0ZcS

;=AA :/<27<5 7<<

=^S\ 0ZcSa 8O[

28 2O\QS

'!" ;OW\ Ab EOba]\dWZZS " >S\\g :\ EOba]\dWZZS

/\R 92=< 28 A]Z@]QY BWYW ^O`bg [caWQ

6eg ;]aa :O\RW\U

;C19G 2C19

28 9Oa^S`

"%' /ZdO`OR] Ab ;]\bS`Sg

EWbV 28 /8 0SS

@ȨǸȽɄ 0ȐɕɕɄȽɕ 3ZIV ]IEVW I\TIVMIRGI 'PEWWMGEP NE^^ VSGO FPYIW FSSKMI VEKXMQI WEPWE 'SQTSWMXMSR MQTVSZMWEXMSR :SMGI ¾YXI HVYQ PIWWSRW EVI EPWS EZEMPEFPI 'SRZIRMIRXP] PSGEXIH 7ERXE 'VY^ WXYHMS

@ȐɜȐɑ LɜȐɑǾǸȃȣ 40%= [[[ TW&EGL GSQ 7IPJ QEWXIV] ERH TIVWSREP IRVMGLQIRX XLVSYKL QYWMG

1ZOaaWQ XOhh abO\RO`Ra

28 9Oa^S`

j !!

A/<B/1@CH 1=; january 13-20, 2010 1:C0 5@72

AC< j % ;=< j & BC3 j ' />B=A 1/>7B=:/ @7= 23: ;/@ A=?C3:

0@7B/<<7/ /@;A

1/D/ E7<3 0/@

>`] 8O[

9O`O]YS A]c\R 1]

EWbV 2S\\Wa 2]dS PO\R

;O`Y 6O`dSg

A_cSShS 2ORRg

9S\ 1]\abOPZS

&! "$ &&

;/@5/@7B/D7::3 &! "%$

$!

;716/3:¸A =< ;/7< &! "%' '%%%

>/@/27A3 03/16 5@7::3 &! "%$ "'

A/<23@:7<5A

A3/ 0@33H3 B/D3@<

&

B63 4=5 0/<9

&! $&& !!

&! "%$

8]V\\g 4OPcZ]ca B`W]

&! $$ %

&! $&& !"

A3D3@7<=¸A 5@7::

A6/2=E0@==9

B63 C5:G ;C5

=^S\ ;WQ eWbV 8]`RO\

0ZcSa 8O[ eWbV

9O`O]YS eWbV 3dS

B]\g 5cZZ] <WbSQ`SS^S`a

>SOQS B`OW\

=^S\ ;WQ <WUVb

AWU\ c^a &^[ aV]e '^[

&! $&& &'&%

&! "%# #

&! "%% !"

D3@D3 :=C<53 &! $$

"%

H3:2/¸A

&! "%# "'

A1=BBA D/::3G A/< :=@3<H= D/::3G 8Og :W\U] 1VcQY AcQVg 2=< ?C7F=B3¸A @3AB/C@/<B

^[ A]^VWS 0 6OeYW\a

9O`O]YS Pg 8]

E 3OabS`ZW\U 5 @cbZSRUS

AO\bO 1`ch B`W]

;WQVOSZ ;O`bW\

@O\Rg Bc^^S`) OQ]cabWQ

&! $ !

'"

B@=CB 4/@; 7<<

&! !!# "! %

E/BA=<D7::3 ;=<B3@3G 1/@;3:

9>75 6O^^g 6]c`

6O^^g V]c`

&! %$ $

5@33< D/::3G 5@7:: &! % & $""

9O`O]YS

;=AA :/<27<5 7<<

9O`O]YS

9O`O]YS

;C19G 2C19

17:/<B@=¸A

1011 PACIFIC AVE. SANTA CRUZ 831-423-1336 6DWXUGD\ -DQ ‡ $*(6

Jackie Greene SOXV Truth

& Salvage Co.

$GY 'UV 'UV S P 6KRZ S P 6XQGD\ -DQ ‡ $*(6 SOXV Soja DOVR Zion

I

$GY 'UV 'UV S P 6KRZ S P 7KX -DQ ‡ $*(6 ‡ NUMBSKULLSHOWS.COM presents AFI SOXV Ceremony DOVR Luke Janela $GY 'UV ‡ 'UV S P 6KRZ S P )ULGD\ )HE ‡ $*(6

Dave Rawlings Machine with special guests

$GY 'UV 'UV S P 6KRZ S P -DQ Fire Whiskey Atrium (Ages 21+) )HE Y & T (Ages 21+) )HE BadďŹ sh A Tribute to Sublime (Ages 16+) )HE Stephen Stills (Ages 21+) )HE Dead Prez (Ages 16+) )HE Bassnectar (Ages 16+) )HE G. Love & Special Sauce (Ages 21+) )HE Les Claypool (Ages 21+) )HE 311 (Ages 21+) 0DU The Pack/ DEV (Ages 16+) 0DU New Found Glory/ Saves the Day (Ages 16+) 8QOHVV RWKHUZLVH QRWHG DOO VKRZV DUH GDQFH VKRZV ZLWK OLPLWHG VHDWLQJ Tickets subject to city tax & service charge by phone 866-384-3060 & online

www.catalystclub.com

&! $!! ! !& &!

' %'!

34 |

january 13-20, 2010 SANTACRUZ.COM

OFF

Art & Office Supply Because you deserve more...

Anything in stock... even items on sale! on any Cash Purchase of $10 or more!

CAPITOLA

SANTA CRUZ

1501-K 41st Avenue 3DFL多F $YHQXH Mon-Fri 9-8; Sat 9-7 Mon-Fri 9-8; Sat 10-8 Sun 10-5:30 Sun 10-5:30 Cash, check or bank card only. Limit one coupon per customer per day. Not valid with other coupons. Must present coupon at time of purchase.

#600-313

VALUABLE COUPON

3

$

Expires 1/19/10

TWO LOCATIONS! OPEN 7 DAYS!

Film. Fi ilm lm.

!# j !#

A/<B/1@CH 1=; A /<B/1@CH 1=; jjanuary a n u a r y 13-20, 1 3 - 2 0 , 2010 2 0 1 0 47:; 47:; ;

:=@3G A30/AB7/< : =@3G A30/AB7/<

TThe he B Bad ad Lebowski Lebowsski Jeff J eff Bridges Bridges iiss tthe he main main drawing drawing card card Heart,’ iin n ‘‘Crazy Crazy H eart,’ a ttale ale of of a drunken drunken C&W C&W singer singer that that lloses oses ssteam team aass up iitt ssobers obers u p 0G @716/@2 D=< 0CA/19 0 G @ 7 1 6 / @ 2 D= < 0 C A /1 9

I

HAVEN’T R HAVEN’T READ EAD A Arizona rizona writer writer T homas Cobb’s Cobb’s 1987 19 87 n ovel Thomas novel C razy Heart, Heart, although although it it was was Crazy p raised b both Kinky Kinky F riedman praised byy both Friedman and Donald Donald Barthelme. Bar thelme. The The novel novel and might have havve provided provided a key key for for the the might failure of of guts guts in in the the Sundancian Sundancian movie movie failure Crazy Heart. Heart. Crazy Crazy Heart Heart gives gives Bridges’ Bridges’ a bellyb e l l yCrazy baring role, role, with with his his slit-eyed slit- eyed Bad Bad baring Blake as as a kind kind of of Bad Bad Lebowski, Leb owski, a Blake morose sweet-talking sweet-talking satyr satyr drinking drinking morose his way way to to the the grave. grave. Bad Bad Blake Blake is is an an his outlaw C&W C&W musician musician playing playing farfaroutlaw apart and and none-too-lucrative none-to o -lucrative gigs gigs all all apart over the the West. West. over He travels trave v ls via via an an ancient ancient 1978 1978 Chevy Chevy He Suburban, and and he he slaps slaps together together sets sets Suburban, with pickup pickup bands bands that that he he meets meets with just before b efore showtime. showtime. And And in in his his just few sober sober moments, moments, Blake Blake lives lives with with few the humiliation humiliation of of having having been b een the commercially surpassed surpassed by by a country country commercially sup erstar named named Billy Billy Sweet Sweet (Colin (Colin superstar Farrell), who who was was once once one one of of his his Farrell), backup musicians. musicians. backup Touring in in Santa Santa Fe, Fe, Bad Bad meets meets a Touring former Oklahoma Oklahoma newspaper newspaper reporter reporter former named Jean Jean (Maggie (Maggie Gyllenhaal), Gyllenhaal), who who named lets Bad Bad pick pick her her up. up. Typically, Typically, he he has has lets grreat line line for for her, her, cutting cutting off off her her a great questions: “What “What I wanna wanna talk talk about ab out questions: is how how bad bad you you make make this this room ro om look. lo ok. is Didn’t realize realize what what a dump dump it it was.� was.� Didn’t

6=;3 =< B63 @/<53 6 =;3 =< B63 @/<53 Je Jeff eff B Bridges’ ridges’ aaging ging co country untr y sstar tar fa falls lls fo forr a yyoung oung jjournalist ournalist ((Maggie Maggie G Gyllenhaal) yllenhaal) iin n ‘‘Crazy Crazy H Heart.’ eart.’

Theree goes There go es journalistic journalistic eethics thics as as far far keeps aass the the movie movie iiss cconcerned; oncerned; JJean ean k eeps his ccovering overing h is sstory tor y aafter f ter sshe’s he’s sslept lept with him, which bothered mee more w ith h im, w hich b othered m more difference tthan han the the near near 30-year 30-year aage ge d iffference between bother b etw ween tthem hem is is going going to to b other ssome ome women. w omen. Jean Jean is is single-parenting single-parenting a young young sson. on. What What ttruly ruly cconcerns oncerns JJean ean iiss tthe he question off w what kind off iinf q uestion o hat k ind o nf luence luence tthis his wreck off a m man bee on ccharismatic harismatic w reck o an will will b on her Add h er child. child. Ad d a llong-distance ong- distance ffactor, actor, relationship aand nd tthe he ffragile ragile re lationship ggrows rows Robert Duvall, eeven ven shakier. shakier. R ob er t D uvall, who who ccooproduced, p ro duced, plays plays a cclean lean aand nd ssober ober bar bar owner Houston who Bad’s o wner in in H ouston w ho iiss aalso lso B ad’s mentor, he’s m entor, and and llike ike Jean, Jean, h e’s a ccharacter haracter on his own tthat hat doesn’t do esn’t really really llive ive o nh is o wn tterms. erms. He’s He’s tthere here tto o echo echo Bad’s Bad’s llegend. egend. Scott Scott Cooper, Co op er, a first-time f irst-time director, director, has musician’s details h as some some of of tthe he m usician’s llife ife d eta t ils between rright, ight, ssuch uch aass an an argument argument b etween Bad man B ad and and a ssound ound m an at at a sshow how that has just the right amount off that has just the right amount o

tension. B tension. Bridges ridges d does o es h his is own own ssongs. ongs. Despite D espite tthe he credited credited iinput nput by by T-Bone Burnett, none off tthe B one B urnett, n one o he ttunes unes aare re really memorable, but you re ally m emorable, b ut yo u ssink ink iinto nto deserves tthem hem aanyway. nyway. Cooper Co op er aalso lso d eserves props forr a surprise hee brings p rops fo surprise h brings in: in: tthe he unexpectedly kind way Billy Sweet u nexpectedly k ind w ay B illy S weet behaves unusual b ehaves tto o Bad—it’s Bad—it’s u nusual iin na movie out m ovie tto o ffind ind o ut tthat hat a ccharacter haracter named Sweet will behave n amed S weet w ill b ehave ssweetly, weetly, when played byy Farrell, eespecially sp ecially w hen p layed b Farrell, a misbehaver himself. cchronic hronic m isb ehaveer h imself. Crazy Crazy Heart Heart doesn’t do esn’t scratch scratch the the other other have tthings hings tthat hat might might h ave eembittered mbittered Blake, way his fortunes B lake, tthe he w ay h is fo rtunes changed changed aass public taste feeling tthe he p ublic ta ste cchanged, hanged, tthe he fe eling off ffury him o ur y aass aage ge ttook o ok h im over, over, aand nd bitterness off n not having much tthe he b itterness o ot h aving m uch tto o forr h himself sshow how fo imself after af ter years years of of work. work. What Crazy Heart doesn’t W hat iintegrity ntegrity C razy H eart d o esn’t borrow Bridges picks up b orrow ffrom ro r mB ridges iitt p icks u p wide-open-spaces ffrom rrom the the gglorious lorious w ide- op en-spaces byy B Barry ccinematography inematography b arry Markowitz Markowitz (Sling Blade). (Sling Blade).

Ultimately, U ltimately, iitt m may ay b bee tthat hat B Bridges ridges iiss m ore d amned ffun un tto ow atch aass a more damned watch d runkard—his B ad h as a h ostile, ccoolly o olly drunkard—his Bad has hostile, ffunny unny m ean sstreak treak tthat hat ggoes oes aaway way mean w hen h ets d ry aand nd ssensitive. ensitive. when hee ggets dry T he ro le, tthen, hen, iiss a cconduit onduit tto o The role, B ridges’ u pcoming p er fo f rmance iin n Bridges’ upcoming performance T rue G rit, w here h will aassay ssay a re rreally ally True Grit, where hee will ttitanic itaanic p unisher o he w hiskey, punisher off tthe whiskey, R o oster C o gburn. W atching C razy Rooster Cogburn. Watching Crazy H eart, tthough, hough, yo u tthink hink o hat sstory tor y Heart, you off tthat o reta G arb o lleaving eaving tthe he ttheater heater off G Greta Garbo aafter f ter sseeing eeing C octeau’s B eaut y aand nd tthe he Cocteau’s Beauty B east, aand nd ssaying aying ““Give Give m ack m Beast, mee b back myy b east.� beast.� C R AZY H EART ((R; R; 1111 11 m in.), CRAZY HEART min.), ddirected irected aand nd w ritten bbyy SScott cott C ooper, written Cooper, bbased ased oon n tthe he n ovel bbyy T homas C obb, novel Thomas Cobb, pphotographed hotographed bbyy B arr y M arkoowitz Barry Markowitz aand nd starring starring Jeff Jeff Bridges Bridges and and M aggie Gyllenhaal, Gyllenhaal, opens opens Friday Friday at at Maggie tthe he N ickeelodeon iin n SSanta anta C ruz. Nickelodeon Cruz.

!$ j 47:; january 13-20, 2010 A/<B/1@CH 1=; 47:; Jazz Presenters since 1975

THURS. JANUARY 14 • 7 PM Rising Star Vocalist!

ROBIN MCKELLE $18/Adv $21/Door

MON. JANUARY 18 • 7 & 9 PM

MOSE ALLISON TRIO

$23/Adv $26/Door 9PM ONLY • $12 1/2 Price Night for Students At the door only with I.D. Made possible by David & Kate Hartzell and William & Cloy Codiga Family Foundation

THURS. JANUARY 21 • 7 PM

JAZZ BIRDS – CD RELEASE PARTY! Concert only: $12/Adv $15/Door Jazz & Dinner: $24.60/Adv Sponsored by Santa Cruz Sentinel

MON. JANUARY 25 • 7 & 9 PM

DJANGO REINHARDT FESTIVAL “DJANGO AT 100� 7 PM: $25/Adv $28/Door 9 PM: $20/Adv $23/Dr, No Jazztix/Comps

Just Desert Denzel brings home an overdue book in ‘The Book of Eli’ 0G @716/@2 D=< 0CA/19

Sponsored by Ow Family Properties

THURS. JANUARY 28 • 7 PM

MYRA MELFORD’S BE BREAD $20/Adv $23/Door MON. FEBRUARY 1 • 7 PM

SOPHIE MILMAN $22/Adv $25/Door

Sponsored by Bob Bickal

MON. FEBRUARY 8 • 7 PM

CHARISMA! THE MUSIC OF LEE MORGAN $25/Adv $28/Dr, No Jazztix/Comps 1/2 Price Night for Students At the door only with I.D.

Made possible by David & Kate Hartzell and William & Cloy Codiga Family Foundation

THURS. FEBRUARY 11 • 7 PM

LOUDON WAINWRIGHT III $23/Adv $26/Door

MON. FEBRUARY 15 • 7 & 9 PM

TUCK & PATTI

7pm: $25/Adv $28/Door 9pm: $20/Adv $23/Door No Jazztix or Comps Special Valentine’s Dinner at the door beginning at 5:30pm Sponsored by Bob Jackson & Stuart Hurt

MON. FEBRUARY 22 • 7 & 9 PM

DAVID SANBORN

$30/Adv $33/Door, No Jazztix or Comps Sponsored by Pacific Sun Properties, Alan & Susan Goldstein Dinner served Mondays & Thursdays beginning at 6pm, serving premium wines & microbrewed beers. Snacks & desserts available all other nights. All age venue.

Advance tickets at Logos Books & Records and online at kuumbwajazz.org. Tickets subject to service charge and 5% S.C. City Admissions Tax.

Independently Produced Events FRI. JANUARY 15 • 8 PM

America’s Top Political Satirist WILL DURST Tickets: $18/Adv $20/Door Tickets: Streetlight Records and www.brownpapertickets.com SUN. JANUARY 17 • 7 PM

MUSICSCOOL SHOWCASE To Benefit Scholorship Program $10/Adv $12/Door Tickets: More Music, Streetlight & tix.com

KUUMBWA JAZZ

320-2 CEDAR ST • SANTA CRUZ KUUMBWAJAZZ.ORG

4 27 - 2 2 27

T

HIS ONE goes out to the lighthouse keeper in the Pitcairn Islands who never saw it before. We, however, saw it a dozen times last year, just never a version apparently produced by the Gideon Society. In the Hughes brothers’ The Book of Eli, Denzel Washington plays the warrior of the wastelands, “30 years after the Big Flash.� He is Eli, armed with a makeshift yet just sword and a significant book. After slicing and dicing a group of roadside thugs, Eli enters a hellish Western town. There, he trades a few words with the postapocalyptic junk-shop proprietor (Tom Waits, in a set which we, his many fans, would love to think is exactly like the inside of Waits’ garage). Wanting nothing more than a quick refreshment—just like a century’s worth of peaceful cinematic cowpokes before him—Eli enters a saloon run by boss Carnegie (Gary Oldman looking like Robert Evans). Carnegie’s life’s work is to find a certain book that will give him the words to rule the wasteland. And the book ain’t The Fountainhead. The Hugheses try to make The Book of Eli nondenominational by having Eli treat his Bible the way a fundamentalist Muslim treats the Koran, swaddling and kissing it; our hero is also seen wearing a Palestinian scarf. The movie suggests that we could be as people-of-the-book pious as Christianity’s main competitors, but it’ll take a nuclear holocaust to teach us all. Eli easily makes lost girl Solara (Mila Kunis) his Magdalene by teaching her how to say grace over her post-atomic dinner; later he reads her Psalm 23. If only Eli had gone on to the reams of “and Habakkuk

/:/A >==@ 23<H3: Hollywood’s latest postapocalyptic fable finds Denzel Washington fighting for the last known Bible in a modern dustbowl.

begat Hezekiah� that give the Bible its uniquely bullet-stopping qualities. The Bible-hunt premise doesn’t have any more thrill than the pre-title sequence, in which Denzel draws a bead on a Mr. Bigglesworth–style cat with bow and arrow. Any pathos in the kill is blown by the CGI freeze frame of the arrow in f light, so we can admire its awesome deadliness. Scriptwriter Gary Whitta, as in the IMDb sentence “Gary Whitta was editor of PC Gamer for several years,� brings nothing new to this death-ofcivilization miasma. And the good old things aren’t honored much either. The exception is a scene with two superior actors, Michael Gambon and Frances de la Tour, as a deranged old pair of survivors with a cracked if intact tea set and the world’s last Anita Ward LP. In the end, the very arbitrariness of what survives (sunglasses, highpowered ammo, Hummers, lingerie, cicadas, the Transamerica Pyramid) over what doesn’t (common sense, humans’ unique ability to invent and

band together) is another reason why it may be time to bury this genre. The Book of Eli has more sense than The Road when it insists that people who live on a diet of people would start to look rather ill. I loved Mad Max once, but after yet another ocher-dyed load of scrapings from Tarkovsky’s dead skull, postapocalyptic adventures are rapidly becoming my least favorite genre, more than even stock-car racing movies and rape-revenge thrillers. Is it possible that someone could use the background for something else: a romantic comedy, an ensemble piece, perhaps a musical? (Has anyone done Macbeth yet in a wasteland staging?)

THE BOOK OF ELI (R; 118 min.), directed by Albert and Allen Hughes, written by Gary Whitta, photographed by Don Burgess and starring Denzel Washington and Gary Oldman, opens Friday countywide.

j !%

A/<B/1@CH 1=; january 13-20, 2010 47:;

47:;

Closet Drama Colin Firth plays an unopenly gay man in early 1960s Los Angeles in ‘A Single Man’ 0G @716/@2 D=< 0CA/19

A

HANDY WINNER of the award for Most Improved Performer of 2009 is Colin Firth, whose performance in A Single Man is a model of frosty yet sensitive acting. The film debut by director Tom Ford is beautiful, but it’s the kind of beauty that it’s hard to feel anything about. Ford is working from Christopher Isherwood’s novel, essential reading in the gay canon. But the designer-turned-director films as if he’s adapting a classic; the material doesn’t have any room to take on a life of its own. Firth plays professor George Falconer, an Englishman in Los Angeles in the early 1960s, when the Brits were still a novelty in that city. He’s a bereaved figure; being in the closet, he isn’t permitted to show his sorrow after the death of his longtime male lover in an automobile accident. (In flashbacks, we see the lover, played by Matthew Goode.) This single man’s secret is known only to his friend Charlotte, called Charley (Julianne Moore), also a former flame, who has never quite gotten over George. Falconer keeps another secret, though; he is putting his affairs in order, with the plan of committing suicide that night. During the course of one long day, people reach out to him, offering themselves. These include Charley, who has a standing date with George for cocktails; Kenny (Nicholas Hoult), a handsome, persistent college student in a white-pink cashmere sweater. George also encounters a stranger, a Spanish actor (or perhaps rent-a-Romeo) named Carlos (Jon Kortajarena). Ford’s nostalgia factor is strongest in the passages in which Kenny tries to push

>7::=E >/:A Julianne Moore comforts Colin Firth in ‘A Single Man.’

his way through George’s resistance. This uncertain romance is classic movie stuff: attraction plus resistance—and an element of danger. Certainly, Firth looks like a man of the era in question. This George resembles George Reeves, the actor who played Superman on 1950s television. Firth has just that kind of attractive remoteness. This English control is contrasted with the riotous French-provincial-on-mescaline dÊcor of Charley’s house, inhabited by Moore in hopped hair and tripledecker earrings; she’s a woman living on Tanqueray and gold-filtered pink Sherman’s cigarettes. Moore practically mainlined her eye shadow to get that zonked 1960s look. Charley re-creates one of those dance sequences that were popular in art movies of the 1960s: those moments where we’re not supposed to be sure if we’re watching a well-off white woman twisting and shouting, or if we’re supposed to be watching a metaphor for the breakdown of society. The sight of Moore reminds us of

the great suspense of those passages in The Hours, dealing with her character’s imminent suicide. Despite the opera on A Single Man’s soundtrack, it couldn’t be less operatic: nothing seems like a matter of life and death. Ford is good with the placement of actors on a set; he’s a tableau-maker. The art direction is all in order, but the classic-movie looks of the film just add to the air of beautifully appointed early 1960s soap opera. The fine clothes don’t make the men.

A SINGLE MAN (R; 89 min.), directed by Tom Ford, written by Ford and David Scearce, based on the novel by Christopher Isherwood, photographed by Eduard Grau and starring Colin Firth and Julianne Moore, opens Friday at the Del Mar Theatre in Santa Cruz. (Keep up with Richard’s reviews and film news at movietimes.com.)

!& j 47:; january 13-20, 2010 A/<B/1@CH 1=;

SHOWTIMES FOR FRIDAY JAN 15– THURSDAY JAN 21 STARTS Globe Nominations FRI 1/15! 3 Golden Best Actor - Colin Firth! Best Supporting Actress - Julianne Moore! including

“Firth’s performance is a stunning piece of acting! One of the best of the year!� –Chicago Tribune

Colin Firth

Julianne Moore

Matthew Goode

Ginnifer Goodwin

(R) Daily: (2:45), (5:00), 7:15, 9:20 + Sat, Sun, Mon (12:30)

“A one-of-a-kind fantasy‌entertaining and visually dazzling!â€? –Los Angeles Times

Heath Ledger Christopher Plummer Tom Watts Johnny Depp Colin Farrell Jude Law (PG-13)

Film Capsules <3E 1/>A B63 0==9 =4 3:7 (R; 118 min.) See review, page 36. (Opens Fri at 41st Ave, Riverfront Scotts Valley and Green Valley.) (SP) 1@/HG 63/@B (R;

A

TERRY GILLIAM FILM

Daily: (1:40), (4:20), 7:00, 9:30 plus Sat, Sun, Mon (11:00am)

& Fri, Sat 11:50pm “A rollicking, whip-smart comedy!� –The Hollywood Reporter

Michael Cera Portia Doubleday Fred Willard Steve Buscemi Ray Liotta Zach Galifianakis BASED ON THE CULT NOVEL BY

(R)

(4:00), 6:00, 8:00, 10:00 plus Sat, Sun, Mon (12 noon) & Fri, Sat 11:50pm Midnights @ The Del Mar

B63 :=D3:G 0=<3A

(PG–13; 135 min.) Latest Peter Jackson film explores the events before the Lord of the Rings trilogy through the eyes of hobbit Bilbo Baggins. What, he still didn’t make The Hobbit? Geez. OK, then, this is

Fun! Prizes! Joker!

The Dark Knight (PG-13) Fri 1/15 & Sat 1/16 @ Midnight Next Week: Black Dynamite

www.thenick.com

2

B63 2/@9 9<756B

(2008) (Plays at Del Mar on Fri and Sat at midnight.)

C.D. PAYNE

Daily: (2:00),

119 min.) See review, page 35. (Opens Fri at the Nick.)

Golden Globe Nominations including STARTS

FRI 1/15! Best Actor - Jeff Bridges! “Jeff Bridges gives a powerful, moving performance!�

an adaptation of the Alice Sebold book about a murdered young girl who watches over her family from the afterworld. (Opens Fri at 41st Ave, Cinema 9, Scotts Valley and Green Valley.) (SP) / A7<5:3 ;/< (R;

109 min.) See review, page 37. (Opens Fri at the Nick.) A>G <3FB 2==@ (PG;

92 min.) How much time and money could James Bond and Jason Bourne save if they were just next door? No more 17-hour flights to exotic locations with only Skymall to read on the plane, no more lost luggage, no more getting overcharged by the locals for everything because

you’re wearing the most expensive suit anyone in the entire country has ever seen, and when you get back on Monday Phil in accounting is all up in your face about where the hell are your receipts, and you’re like “Jesus Christ, I just had my testicles whipped by a supervillain, could you maybe cut me some slack if my credit card slip from Starbucks burned up when I jumped milliseconds ahead of a gigantic fiery explosion to barely escape death?� Anyway, this is a Jackie Chan action comedy where he has to use his CIA skills for baby sitting. (Opens Fri at Cinema 9, Scotts Valley and Green Valley.) (SP)

SHOWTIMES

B==BA73 (1982) Kids

born in the last 20 years are probably looking at the poster for this movie and saying “Whoa, they made a movie out of Mike Myers’ “I’m all verklempt’ lady�? But no, this Sydney Pollack comedy is from a simpler time, when the thought of a man understanding a woman’s cr-raz-y problems seemed to require him to become one, and Hollywood had barely discovered that for some reason people really, really like movies about crossdressing. Thankfully, men now are generally supposed to grasp the points in Dustin Hoffman’s “macho shit head� speech without having

Movie reviews by Steve Palopoli, Mel Valentin and Richard von Busack

to put on a dress. Still love those crossdressing movies, though! (Plays at Cinema 9 on Thu at 8pm.) (SP)

@3D73EA /D/B/@ (PG-13; 162

min.) In the future, Earthling mercenaries are shipped to the planet Pandora, where 9-foot-tall, blueskinned noble savages called Na’vi live in a phosphorescent forest full of saurian beasts. Jake (Sam Worthington) is the paraplegic brother of a dead soldier hooked up to a Na’vi shell; the program is under the direction of a chain-smoking biologist (Sigourney Weaver). The politics

play it both ways; letting us swoon over the military hardware and still lament for the plundered forests. If you’re going to see it, see it in 3-D. (RvB) B63 0:7<2 A723 (PG-

13; 126 min.) The film focuses on Michael Oher (Quinton Aaron), who overcame homelessness as a teenager to received a football scholarship to the University of Mississippi and later played in the NFL. Oher succeeded with the help of a wealthy Christian couple, Ole Miss grads Leigh Anne (Sandra Bullock) and Sean Tuohy (Tim McGraw), who took Oher in and made him a part of their family. (MV)

Showtimes are for Wednesday, Jan. 13, through Wednesday, Jan. 20, unless otherwise indicated. Programs and showtimes are subject to change without notice.

–Roger Ebert

Jeff Bridges Maggie Gyllenhaal Robert Duval Colin Farrell (R)

(2:30), (4:50), 7:10, 9:30 plus Sat, Sun, Mon (12:10)

Daily:

Best Foreign Language Film!

PenĂŠlope Cruz IN A PEDRO ALMODĂ“VAR FILM

BROKEN EMBRACES (R) (4:10), 6:50*, 9:20

*No 6:50 Show Wed 1/20

Golden Globe Nominee Best Actress - Emily Blunt! FROM THE WRITER OF

Daily: (2:00),

BVS 0]]Y ]T 3ZW – (Opens Fri) 11; 1:30; 4:20; 7; 9:45. BVS :]dSZg 0]\Sa – (Opens Fri) 11; 1:45; 4:40; 7:30; 10:15. AVS`Z]QY 6]Z[Sa – Wed-Thu 11:15; 2; 4:45; 7:30; 10:15. /dObO` – Wed-Thu 11:45; 3:15; 6:45; 10. 7b¸a 1][^ZWQObSR – Wed-Thu 11; 1:30; 4:15; 7; 9:45; Fri-Wed 1:40; 4:10; 6:45. <W\S – Fri-Wed 11:15; 9:30.

2:20; 4:45; 7; Fri-Wed 2:10; 4:40; 6:50; 9:10; plus Fri-Mon 11:50am. 7\dWQbca – Wed-Thu 12:45; 6:30. BVS >`W\QSaa O\R bVS 4`]U – Wed 1:50; 4:05; 6:50; 9:10; Thu 1:50; 4:05; 9:10; Fri-Wed 2; 4:20; 6:45; plus Fri-Mon 11:45am. BVS 0ZW\R AWRS – Wed-Thu 3:40; 9:25. B]]baWS – Thu 8pm.

23: ;/@

A1=BBA D/::3G $ 17<3;/A

122 Rancho Del Mar Center, Aptos 831.688.6541 www.culvertheatres.com C^ W\ bVS /W` – Daily 1:50; 4:10; 6:30; 8:40; plus Sat-Mon 11:30am. 7\dWQbca – Daily 3:30; 6:10; 8:50; plus Sat-Mon 12:45.

" AB /D3<C3 17<3;/A

Golden Globe Nominee

Daily: (1:40),

1475 41st Ave., Capitola 831.479.3504 www.culvertheatres.com

BVS A^g <Sfb 2]]` – (Opens Fri) 2:35; 4:55; 7:15; 9:20; plus Fri-Mon 12:10. 2OgP`SOYS`a – Daily 12:40; 3; 5:20; 7:45; 10:10. :SO^ GSO` – Daily 2:25; 4:50; 7:20; 9:45; plus Fri-Mon noon. AVS`Z]QY 6]Z[Sa – Wed-Thu 1:20; 4:30; 7:30; 10:20; Fri-Wed 1:15; 4:15; 7:25; 10:15. 7b¸a 1][^ZWQObSR – Wed-Thu 1:10; 4; 7:10; 9:55; Fri-Wed 1:20; 4; 7:05; 9:45. /dObO` – Wed-Thu 1; 3:15; 4:20; 6:45; 8; 10:05; Fri-Wed 1; 4:30; 8; 9:15. 2WR G]c 6SO` /P]cb bVS ;]`UO\a- – Wed-Thu 12:55. /ZdW\ O\R bVS 1VW^[c\Ya( BVS A_cSOY_cSZ – Wed 2:20; 4:45; 7; 9:20; Thu

/>B=A 17<3;/A

‘GOSFORD PARK’ (PG)

(4:20), 6:40

Golden Globe Nominee Best Animated Film!

1124 Pacific Ave., Santa Cruz 831.426.7500 www.thenick.com / AW\UZS ;O\ – (Opens Fri) 2:45; 5; 7:15; 9:20; plus Sat–Mon 12:30. BVS 7[OUW\O`Wc[ ]T 2]Qb]` >O`\Oaaca – Daily 1:40; 4:20; 7; 9:30;

(PG) Daily:

(2:10), 6:30 plus Sat, Sun, Mon (12 noon)

plus Sat-Mon 11am; plus Fri-Sat 11:50pm. G]cbV W\ @Sd]Zb – Daily 2; 4; 6; 8; 10; plus Sat-Mon noon; plus Fri-Sat 11:50pm. BVS @]OR – Wed-Thu 2:30; 4:50; 7:15; 9:30. BVS 2O`Y 9\WUVb – Fri–Sat midnight.

(R) Daily (4:00), 8:30

Viggo Mortensen

Globe Nominations 3 Golden Best Picture & Best Actress!

including

<7193:=23=<

Lincoln and Cedar streets, Santa Cruz 831.426.7500 www.thenick.com

(R) Once Nightly: 8:50

plus Sat, Sun, Mon (11:40am)

( ) = Bargain Shows Before 5:30pm

plus Sat-Mon 11:50am. >`SQW]ca – Wed-Thu 2:40; 5; 7:20; 9:35; Fri-Wed 8:50; plus Sat-Mon 11:40. 4O\bOabWQ ;` 4]f – Wed-Thu 1:30; 3:20; 5:10; 7; 8:50; Fri-Wed 2:10; 6:30; plus Sat-Mon noon. BVS @]OR – Fri-Wed 4; 8:30.

6 Best Picture & Best Actor George Clooney! Golden Globe Nominations including FROM THE DIRECTOR OF

1`Ohg 6SO`b – (Opens Fri) 2:30; 4:50; 7:10; 9:30; plus Sat-Mon 12:10. 0`]YS\ 3[P`OQSa – Daily 1:40; 4:10; 6:50; 9:20; 1/20 no 6:50 show. BVS G]c\U DWQb]`WO – Wed-Thu 2; 4:20; 6:40; 8:50; Fri-Wed 2; 4:20; 6:40;

‘JUNO’

@7D3@4@=<B AB/27C; BE7< Daily: (1:50), (4:10), 6:30, 8:40 + Sat, Sun, Mon (11:30am) (R)

Globe Nominations 3 Golden Best Director Clint Eastwood! Morgan Freeman

155 S. River St, Santa Cruz 800.326.3264 x1701 www.regmovies.com

including

Daily: (3:30),

6:10, 8:50

(PG-13)

Golden Globe Nominee

BVS 0]]Y ]T 3ZW – (Opens Fri) 4:15; 7; 9:45; plus Fri-Mon 1:15. <W\S – Wed-Thu 3:35; 6:30; 9:10. C^ W\ bVS /W` – Daily 4; 6:45; 9:20; plus Fri-Mon 1.

A/<B/ 1@CH 17<3;/ '

Best Actress - Sandra Bullock!

Once Daily: (1:00)

Matt Damon

1405 Pacific Ave., Santa Cruz 800.326.3264 x1700 www.regmovies.com (PG-13)

Children under 5 admitted only on Mondays & Weekend Matinees

BVS :]dSZg 0]\Sa – (Opens Fri) 12:50; 3:50; 7; 10.

226 Mt. Hermon Rd, Scotts Valley 831.438.3261 www.culvertheatres.com BVS 0]]Y ]T 3ZW – (Opens Fri) 2:30; 5:15; 7; 9:40; plus Fri-Mon 11:45am. BVS :]dSZg 0]\Sa – (Opens Fri) 1:45; 4:30; 7:15; 10; plus Fri-Mon 11am. BVS A^g <Sfb 2]]` – (Opens Fri) 1:10; 3:20; 5:30; 7:40; 9:50; plus Fri-Mon 11am. :SO^ GSO` – Wed-Thu 2; 4:15; 6:45; 9. C^ W\ bVS /W` – Wed-Thu 1:45; 4:30; 7:15; 9:55; Fri-Wed 4:15; 9:20; plus

Fri-Mon 11:15am. /dObO` – Daily 3; 6:30; 9:45; plus Fri-Mon 11:30am. /ZdW\ O\R bVS 1VW^[c\Ya( BVS A_cSOY_cSZ – Wed-Thu 1; 3:10; 5:15; 7:20; 9:30. AVS`Z]QY 6]Z[Sa – Daily 2; 4:45; 7:30; 10:10; plus Fri-Mon 11:10am. 7b¸a 1][^ZWQObSR – Wed-Thu 1:40; 4:20; 7; 9:40; Fri-Wed 1:40; 6:45.

5@33< D/::3G 17<3;/ &

1125 S. Green Valley Rd, Watsonville 831.761.8200 www.greenvalleycinema.com BVS 0]]Y ]T 3ZW – (Opens Fri) 1:30; 4:20; 7; 9:30; plus Sat-Mon 11am. BVS A^g <Sfb 2]]` – (Opens Fri) 1:15; 3:15; 5:15; 7:15; 9:15; plus Sat-Mon 11:15am. BVS :]dSZg 0]\Sa – (Opens Fri) 1:35; 4:45; 7:10; 9:30; plus Sat-Mon 11:15am. :SO^ GSO` – Daily 1:30; 4:30; 7; 9:25; plus Sat-Mon 11:05am. C^ W\ bVS /W` – Wed-Thu 1:30; 4:30; 7; 9:25. 7b¸a 1][^ZWQObSR – Wed-Thu 1:30; 4:30; 7; 9:30; Fri-Wed 7; 9:30. AVS`Z]QY 6]Z[Sa – Daily 12:30; 3:30; 6:30; 9:30. /ZdW\ O\R bVS 1VW^[c\Ya( BVS A_cSOY_cSZ – Daily 1:15; 3:15; 5:15; 7:15; 9:15;

plus Sat-Mon 11:15am. /dObO` ! 2 – Daily 12:20; 3:25; 6:40; 9:40. BVS >`W\QSaa O\R bVS 4`]U – Wed-Thu 1:05; 3:05; 5:10; 7:15. BeWZWUVb AOUO( <Se ;]]\ – Wed-Thu 9:30. BVS 0ZW\R AWRS – Wed-Thu 1:35; 4:45; 7:10; 9:30; Fri-Wed 1:35; 4:45; plus SatMon 11:15am.

j !'

A/<B/1@CH 1=; january 13-20, 2010 47:;

(R; 135 min.) A sleek, twisty mystery, illuminated by the stunning PenĂŠlope Cruz, the new Pedro AlmodĂłvar is also a sprawler. The James M. Cain–style plot involves a blind film director from Madrid (LuĂ­s Homar). After losing his sight, the filmmaker took the ballsy new name “Harry Caineâ€? and became a writer. News of the death of a corrupt tycoon sends Caine back to confront unfinished business—to retrieve the moment 16 years previously where he lost both love and sight. The dead tycoon in question, a cuckolded millionaire named Ernesto Martel (JosĂŠ Luis GĂłmez), unwillingly shared the love of Caine’s life. Lena, known as Magdalena, was an actress, secretary and part-time prostitute who took as her working-girl name Severine. She, of course, is played by Cruz. No one but AlmodĂłvar knows how to make Cruz really fascinating. (RvB) 272 G=C 63/@ /0=CB B63 ;=@5/<A- (PG-13;

103 min.) A New York couple see a murder and must be relocated to a small Western town for their safety. Stars Hugh Grant and Sarah Jessica Parker. 4/<B/AB71 ;@ 4=F (PG; 87 min.) In

switching gears entirely from live action to stop-action animation, director Wes Anderson has created his most consistently enjoyable film. Based on a Roald Dahl children’s book, Fantastic Mr. Fox is a fairy tale, but it’s a realistic, slightly bleak one. Fox (voiced by George Clooney) is living a straight life with his wife (Meryl Streep). A midlife crisis rouses the beast; he decides to turn hunter once again. Retaliation comes fast and hard: the Fox is robbed of his tail by a shotgun blast. In the war that follows, Fox and his family—and, soon, all the creatures in the woods—become refugees. (RvB)

Gilliam, Don Quixote is still the ur-text. Despite the various stops and starts he has had adapting the Cervantes classic, Gilliam repeatedly makes films about fantasy as an escape from a cruel world. The Imaginarium of Doctor Parnassus, a very personal and not-so-coherent fantasy, has Christopher Plummer in the Man of la Mancha role this time, with Verne Troyer as Percy, a dwarf Sancho Panza. Plummer plays Doctor Parnassus, an immortal sage reduced to busking in a horse-drawn Gypsy wagon. He and his crew set up their stand in the streets of modernday London at its vilest, trying to lure patrons in to a world beyond the doctor’s mirror. On board is his daughter, who doesn’t know that she has been promised to the devil on her 16th birthday; Mr. Nick (Tom Waits) is sniffing around already. During their travels, the group rescues a hanged man named Tony (an irresolute Heath Ledger). Certainly, Gilliam’s love for antique theater is true—although the greasepaint and cardboard make one wonder why he didn’t stage this story instead of filming it. The autobiographical angle is plain regarding the showman’s heartbreak— begging for money and coaxing an audience. We can understand why it’s hard for Gilliam when we see his vision of what the audience really is: rich matinee dames; wide-mouthed tarts coming out of a pub; a scurvy, violent little brat with a Game Boy. (RvB) 7<D71BCA (PG-13; 143

min.) Based on John Carlin’s book Playing the Enemy, Clint Eastwood’s film tells of South African president Nelson Mandela (Morgan Freeman) exhorting the South African Springboks to greatness in the Rugby world cup as a public-relations move to heal the racial divisions. Team captain Francois Pienaar is not much of a role, but Matt Damon makes it a model of recessive, intelligent B63 7;/57</@7C; =4 interpretation. (RvB) 2=1B=@ >/@</AACA

7B¸A 1=;>:71/B32

(R; 117 min.) For Terry

(R; 118 min.) In Santa

Barbara, Jane, a successful restaurateur (Meryl Streep) hooks up with her ex-husband Jake (Alec Baldwin), despite the fact that Jake is married to a younger woman. Meanwhile, a shy, sad-sack of an architect, Adam (Steve Martin) also shows some interest in her. Classic-era romcom bones are visible under the expensive skin of Nancy Meyers’ newest. Commentators note the too-rich staging in Meyers’ films because often there isn’t enough going on in the foreground. Meyers (Something’s Gotta Give, What Women Want) puts forth the solidly practical, American view of what the kids will think of this affair—even though the kids are grown up. It’s strange to see Meyers’ vision of what it’s like when an older woman gets romantic: it’s a reversion to girlhood with loads of consumption of chocolate. Jane’s good points are her ability to cook, her ability to cultivate very expensive real estate, but these don’t involve what most of us men really like in women past 40—the wisdom, the lack of coquetry. Baldwin’s willingness to drop his pants for a laugh tends to eclipse the romanticism. And it’s not just the pants that get dropped; the film ends with an audible thud. (RvB

As Guido’s mistress, PenÊlope Cruz is edible (if slightly self-conscious) sliding down a satin banister. Nicole Kidman is the pedestal girl, inserted into a strapless evening gown that makes her look like a single arrow in a quiver. Kate Hudson is the Yank journalist who only pays attention to the surfaces of Italian film. What we see in Nine is not an artist in peril of his soul; what we’re really seeing in these musical fantasies is essentially the problems of a creatively blocked choreographer. (RvB)

<7<3 (PG-13; 117 min.)

(PG-13; 128 min.) There are moments during Sherlock Holmes when you wish you could hit director Guy Ritchie with his own storyboard; there are bone-crushing fights that you feel like applauding for just to celebrate the fact that they’re over at last. Yet all in all, Sherlock Holmes is ripping fun. Robert Downey Jr.’s expert acting reflects Aldous Huxley’s thought that if you could open the doors of perception, you would see the world as it is: infinite. This insight sums up the mind of the world’s greatest detective—it also sums up the mind of a schizophrenic. Downey’s Holmes is a dandy in high Victorian

Federico Fellini’s 8 1/2 (1963) is boiled down to a musical series of celebs in pushup bras. An Italian film director, Guido (Daniel DayLewis), has announced an ambitious new film project. But Guido has no idea what the film is going to be, and the time to start shooting is coming up. Director Rob Marshall (Chicago) has calmed the camerawork down—he’s previously been an addict of fast cutting to make a group of mostly nonsingers and nondancers to look like lightfooted showstoppers. But only Marion Cotillard, as Guido’s much-spurned wife, delivers a number that leaves an aftereffect.

:7/; 2/<73: 1=C@B3AG =4 A=<G >71BC@3A 1:/AA71A

0@=93< 3;0@/13A

>@317=CA 0/A32 =< B63 <=D3: >CA6 0G A/>>67@3 (R; 110

min.) Much lauded, but it’s a bulldozer. It’s 1987, during some of Harlem’s most suffering years. A girl of immense girth, 16-year-old Claireece (Gabourey “Gabby� Sidibe) makes her way through life. She has intelligence, but she can’t focus, and we learn why in flashback; she was serially raped by her mother’s boyfriend. Her scathing, angry mother, Mary (Mo’Nique), blames Precious for this and her resulting pregnancy), urging her to stop this foolishness about school and go on welfare. Mo’Nique is great, but Precious has a judgmental streak that won’t quit. And that’s been essential to a success worthy of its sensationalism. (RvB) A63@:=19 6=:;3A

075 B7;3!!Kvef!Mbx!hspxt!joup!uif!spmf!pg!Upoz!Op/!3!jo!Ă•Uif!Jnbhjobsjvn!pg!Epdups!Qbsobttvt/Ă–

regalia, smoked glasses, ascots and the kind of slanted hats worn in Oscar Wilde’s circle. But we also see another side of Holmes—a hermit crab in a dank flat, huddled under a silk dressing gown so raveled it looks shaggy as a bear skin. The movie keeps coming back to a serene partnership—when Holmes says “The game’s afoot,� Jude Law’s formidable Watson picks up the rest of the Henry V quote. (RvB) C> 7< B63 /7@ (R; 109

min.) As the predatory Ryan Bingham, George Clooney delivers a startlingly good performance. Sadly, the film is compromised by director Jason Reitman, who shows signs of morphing into Cameron Crowe. Bingham is a hired terminator—a man brought in to fire people; he tolerates this job with benefits of an executive life with plenty of travel. Enter a young, seemingly equally callous rival (Anna Kendrick). Having this inexperienced girl along interrupts Ryan’s regularly scheduled no-strings flings with a fellow constant business traveler, Alex (Vera Farmiga). The acrid first half is the best part—Clooney

makes us admire Ryan’s gamesmanship. The film wants us to equate two different kinds of toxicities—to draw a line between the corporate bloodletting that juices up stock portfolios and the wrongness of the present-tense sex life that Ryan and Alex enjoy. Too bad that Farmiga and Clooney are such a scintillating pair that you don’t want to see them pay the piper. (RvB) E63@3 B63 E7:2 B67<5A /@3 (PG;

101 min.) The beast suits—part costumes, part CGI—are accurate versions of the Sendak illustrations. Max Records seems just right as Max, the little boy whose father is out of the picture, who flees to a monster island. The feature film gives children due respect for their towering moods. But children’s moods change, and this film’s mood doesn’t. It’s essentially gloomy, like a collection of Peanuts strips clipped of their punch lines. The film is staged in an Australian forest, the domain of seven or eight depressed creatures (Lauren Ambrose, James Gandolfini and Catherine O’Hara, among others). They’re cautious and fretful;

they form cliques and snipe at each other. The rumpusing beastliness always ends with some injury, as per Mom’s warning about how it’s all fun and games until someone gets hurt. Scriptwriter Dave Eggers’ work is typically formless, cute and drifty. There’s no artistic force behind this movie, only whims and anxieties. It’ll be a cult item for agingchildren hipster types, the ones who would wear their terrycloth wolf-suits to work if they could. (RvB) B63 G=C<5 D71B=@7/ (PG; 104

min.) Unforgivably static, despite the fascinating subject: the early and often unpopular years of the longest-reigning and most iron-bottomed British royal who ever lived. As Victoria, the lovely and suitably aristocratic Emily Blunt is the best part of this story. Treated with brutal overcaution and surveillance by her mother, the Duchess of Kent (Miranda Richardson), and her friend (perhaps with benefits) Lord Conroy, the girl is kept locked up and escorted down all stairs as if she were a brittle-boned child. When she grows older, her cousin Albert

(Rupert Friend) comes to court, and this starts a romance, tainted with scheming by the power in Albert’s family, the perfidious Belgian king (Thomas Kretschmann). Director Jean-Marc ValÊe slows things down and smooths over the complexities of history; matters get simplified to the point where it seems like nothing is going on in the world outside the problem of Victoria trying to get some time alone with Albert. The sketchy background and the slow pace bring on the familiar PBSwatcher’s narcosis. (RvB) G=CB6 7< @3D=:B

(PG; 112 min.) It’s true, youth are revolting! And particularly revolting is Michael Cera, who has in a few short years become the most irritating actor of his generation. Here he tries to stammer his way out of the box he’s acted himself into by playing not only his typical socially awkward, syrupy sweet virgindweeb, but also that character’s Fight Clubby alter ego. Fans of C.D. Payne’s Nick Twisp novels will know what this is all about, others will have to decide if they can stand a doublehelping of the C-Man, even in a black comedy. (SP)

40 |

january 13-20, 2010 SANTACRUZ.COM

Keep your resolutions! SYNERGY will help: ~ Commit to your exercise routine. ~ Address those end-of-the-day aches. ~ Fit back into your favorite jeans. ~ Strengthen your core. ~ Smile more!

Private Sessions ~ Duos ~ Physical Therapy Pilates mat classes: Tues. 6:30pm, Thurs. 6:45pm, Sat. 10am <RXU ÀUVW PDW FODVV LV free!

3DFLĂ€F $YH a www.synergy-pilates.com

Epicure. Ep picure. e

" j "

A/<B/1@CH 1=; A /<B/1@CH 1=; jjanuary a n u a r y 13-20, 1 3 - 2 0 , 2010 2 0 1 0 3>71C@3 3>71C@3

Keeping K eeping IItt R Real eal

0@7/< 6/@93@ 0 @7/< 6/@93@

Real Thai R Kitchen still Kitchen c still delivers delivers the t spice spice 0G 16@7AB7</ E/B3@A 0G 1 6 @ 7 A B 7 < / E/B 3 @ A

E

VEN THOUGH VEN TH HOUGH iits ts o original riginal ffounders ounders are are ggone, one, R eal Thai Thai Real K itchen iiss still still capable capable o Kitchen off ccreating reating aauthentic uthentic dishes dishes llaced aced w ith tthe he eenduring nduring fflavors lavors o hile, with off cchile, b asil, gginger inger aand nd ggarlic. arlic. O n a rrecent ecent basil, On eexcursion xcursion tto o tthe he m idtown eeatery, atery, tthe he midtown tthree hree o ad o ur m ouths sset et ffor or sspice. pice. off u uss h had our mouths A nd sspice pice iiss w hat w ot, p unctuated b And what wee ggot, punctuated byy ssome ome u nremarkable sstandards. tandards. O ddly unremarkable Oddly eenough, nough, o ur d inner aatt R eal Th hai w ent our dinner Real Thai went aagainst gainst tthe he ggeneral eneral rrule ule tthat hat aappetizers ppetizers aare re aalways lways m ore iinteresting nteresting tthan han eentrees. ntrees. more A long w ith m lass o rganic w hite Along with myy gglass off o organic white w ine ffrom rom N aked E arth (($6)—Kate $6)—Kaate wine Naked Earth h ad w ater aand nd JJack ack d ecided o n aan n had water decided on O ’Doul’s (($3)—we $3)—we b egan w ith p latters O’Doul’s began with platters o hicken ssatay atay (($7.25), $7.25), aan no rder o off cchicken order off ssteamed teamed p otstickers (($8) $8) aand nd ssomething omething potstickers u nusual iin n tthe he w ay o tuffed cchicken hicken unusual way off sstuffed w ings (($7.25). $7.25). Itt w as o ften cchallenging hallenging wings was often tto om ake ssure ure o ur o rder w as u nderstood, make our order was understood, b ut o ur vvery ery ffriendly riendly aand nd eeager ager w aitress but our waitress d id h er b est tto om ake a llimited imited E nglish did her best make English vvocabulary ocabulary ggo o tthe he d istance. T he ssatay atay distance. The p roved q uite ttasty, asty, eeven ven tthough hough iitt proved quite aarrived rrived aatt ssomething omething cclose lose tto o rroom oom ttemperature. emperature. D ipped iinto nto a tthick, hick, Dipped lluscious uscious p eanut ssauce, auce, tthe he sskewers kewers w ere peanut were ssatisfying atisfying tto o aall. ll. T he ssteamed teamed p otstickers The potstickers ffilled illed w ith gground round cchicken hicken p roduced n o with produced no d etectable fflavor lavor w hatsoever, aand nd sso ow detectable whatsoever, wee w ere ggrateful rateful ffor or tthe he ffiery iery cchile hile ssauce auce were tthat hat aaccompanied. ccompanied. Itt ccertainly ertainly w on’t won’t rreplace eplace tthose hose iincredible ncredible llittle ittle sshrimp hrimp aand nd p ork d umplings I rremember emember ffrom rom pork dumplings p ast R eal T hai m eals. past Real Thai meals. N ext ccame ame a p latter o tuffed cchicken hicken Next platter off sstuffed w ings, d eep -fried aand nd o verf illed w ith wings, deep-fried overfilled with cchicken, hicken, sshrimp, hrimp, m ushrooms aand nd ssilver ilver mushrooms n oodles. T his w as a b izarre d ish. E ach noodles. This was bizarre dish. Each w ing w as tthe he ssize ize o wo ffists ists p laced wing was off ttwo placed

B6/7>6==< =4 4:/D=@ B 6/7>6==< =4 4:/D=@ T The he ssilver i l ve r n noodle o o dle ssalad alad aand nd a T Thai hai iiced ced ttea ea m make ake a ddandy andy n noontime oontime rrepast. ep ast.

end o end on n eend. nd. A Almost lmost eentirely ntirely m made ade u up p off ccrusted deep-fried o rusted d eep -fried sskin kin aand nd a 33-inch-inchoff sstuffing, tthick hick sslab lab o tuff ing, tthe he wings, wings, llike ike tthe he potstickers, particular p otstickers, aavoided voided aany ny p articular fflavor. lavor. Again, A gain, sauces sauces aare re a ggood ood iidea, dea, as as was was the the nice plum n ice p lum ssauce auce aand nd zzippy ippy ccucumber ucumber with aand nd ccilantro ilantro rrelish elish saturated saturated w ith sweet sweet vvinegar. inegar. Things Things got got interesting interesting starting starting with with one off m myy Th Thai o ne o hai favorites, favorites, the the silver silver noodle This was knockn oodle ssalad alad (($10.25). $10.25). T his w as a k nockout orchestration off ccellophane bean o ut o rchestration o ellophane b ean noodles tthread hread n oodles ttossed ossed with with cchiles, hiles, ggarlic, arlic, mint, dried llemon emon ggrass, rass, m int, cilantro cilantro aand nd d ried with ffermented ermented sshrimp, hrimp, w ith fresh fresh rromaine omaine on plus cchopped hopped o n tthe he sside, ide, p lus tthree hree ffat at prawns with p rawns aall ll sstrewn trewn w ith gground round cchicken. hicken. Cilantro huge portion, Cilantro ffestooned estooned iitt aall. ll. A h uge p ortion,

it was it was satisfyingly satisfyingly h hot ot aand nd sspicy picy yet yet ssomehow omehow ccool, ool, in in temperature temperature aand nd oohed aattitude, ttitude, aatt tthe he ssame ame ttime. ime. We We o ohed wiped our brows. aand nd aahed aahed aand nd w iped o ur b rows. Two Two other other shared shared entrees entrees impressed impressed us, house u s, eespecially specially tthe he h ouse signature signature Spicy Basil Duck $14.45, with S picy B asil D uck $ 14.45, lloaded oaded w ith basil, off jjalapeùos, alapeùos, carrots, carrots, b asil, cchiles, hiles, sstrips trips o duck, off ccrisp rrich, ich, ssucculent ucculent d uck, llots ots o risp ggreen reen beans bell pepper b eans and and ffresh resh sslices lices of of rred ed b ell p epper wok’d aall ll w ok’d ttogether ogether iin n a ccomplex omplex ccurry urry Beautiful was ssauce. auce. B eautiful tto o look look at, at, iitt w as rrichly ichly perfumed p erfumed by by the the complex complex ssauce. auce. Another Another entree entree of of lemon lemon sole sole ($15.50) ($15.50) off w white iinvolved nvolved a ssubstantial ubstantial fillet f illet o hite might been ffish ish ((which which m ight have have b een previously previously bathed off ffrozen) rozen) b athed in in a sweet/tart sweet/tart ssauce auce o lemon lemon zzest, est, llemon emon grass, grass, ggarlic arlic aand nd cchiles. hiles.

Tangy T angy aand nd h hot, ot, tthe he ssauce auce aalso lso iincluded ncluded aaccompanying ccompanying fflorets lorets o roccoli aand nd off b broccoli ssprigs prigs o ilantro. Itt was was d istinctive. off ccilantro. distinctive. For my my money, money, fiery f iery cuisine cuisine cries cries out out For ffor or ssomething omething ssweet weet aatt tthe he eend, nd, aand nd sso o w hared aan no rder o arm sticky sticky rice rice wee sshared order off w warm w ith mango mango ($4), ($4), w hich p roved out-andout-andwith which proved o ut aaddictive, ddictive, a ccreamy reamy cclosure losure to to a meal meal out o igh-wattage fflavors. lavors. off h high-wattage

@3/: B6/7 97B163< @ 3/: B6/7 97B163<

11632 632 SSeabright eabright A Ave., ve., Santa Santa C Cruz ruz 831.427.2559 8 31.427.2559 LLunch unch 11am–3pm 11am–3pm weekdays; weekddays; dinner dinner nightly ffrom rom 5:30pm 5:30pm n ightly

" j 27<3@¸A 5C723 january 13-20, 2010 A/<B/1@CH 1=;

MARK YOUR CALENDAR — FREE EVENT!

A TASTE OF BAUMAN COLLEGE

An Evening of Holistic Nutrition & Culinary Arts www.baumancollege.org

Friday, Jan 29 6pm–9pm

LOCATION: Bauman College 3912 Portola Drive, Suite 10 Santa Cruz, CA 95062

• Hors d’Oeuvres • Cooking Demo with Samples • Eating for Health™ Lecture with Dr. Ed Bauman, Director • Raffle, Prizes, and More!

Diner’s Guide

Our selective list of area restaurants includes those that have been favorably reviewed in print by Santa Cruz Weekly food critics and others that have been sampled but not reviewed in print. All visits by our writers are made anonymously, and all expenses are paid by Metro Santa Cruz. AG;0=:A ;/23 A7;>:3( + C\RS` + # + $ + O\R c^

Price Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

/>B=A $$ Aptos

/;0@=A7/ 7<27/ 07AB@=

$$ Aptos

0@7B/<<7/ /@;A

$$$ Aptos $$$ Aptos

$$ Aptos

Seating is limited – reserve your spot today! RSVP: events@baumancollege.org or (800) 987-7530

207 Searidge Rd, 831.685.0610

8017 Soquel Dr, 831.688.1233 :/ 03::/ D7B/ 07AB@=

257 Center Ave, 831.685.8111 A3D3@7<=¸A 5@7::

7500 Old Dominion Ct, 831.688.8987

Indian. Authentic Indian dishes and specialties served in a comfortable dining room. Lunch buffet daily 11:30am-2:30pm; dinner daily 5pm to close. www.ambrosiaib.com American and specialty dishes from the British and Emerald Isles. Full bar. Children welcome. Happy hour Mon-Fri 2-6pm. Open daily 11am to 2am. Italian. Ambience reminiscent of a small trattoria in the streets of Italy, serving handmade lasagna, pasta dishes, gnocchi and fresh fish. Wed-Sun, Lunch 11am-2pm, Dinner 5-9pm. Continental California cuisine. Breakfast all week 6:30-11am, lunch all week 11am-2pm; dinner Fri-Sat 5-10pm, Sun-Thu 5-9pm. www.seacliffinn.com.

H/;33< ;327B3@@/<3/< Middle Eastern/Mediterranean. Fresh, fast, flavorful. Gourmet

7528 Soquel Dr, 831.688.4465

meat and vegetarian kebabs, gyros, falafel, healthy salads and Mediterranean flatbread pizzas. Beer and wine. Dine in or take out. Tue-Sun 11am-8pm.

1/>7B=:/ $ Capitola

Capitola

1/43 D7=:3BB3

104 Stockton Ave, 831.479.8888

All day breakfast. Burgers, gyros, sandwiches and 45 flavors of Marianne’s and Polar Bear ice cream. Open 8am daily.

>/@/27A3 ACA67 Japanese. This pretty and welcoming sushi bar serves 200 Monterey Ave, 831.464.3328 superfresh fish in unusual but well-executed sushi combinations. Wed-Mon 11:30am-9pm.

California Continental. Swordfish and other seafood specials. Dinner Mon-Thu 5:30-9:30pm; Fri 5-10pm; Sat 4-10:30pm; Sun 4-9pm.

A6/2=E0@==9

Capitola

1750 Wharf Rd, 831.475.1511

AB=19B=< 0@7253 5@7::3 Mediterranean tapas. Innovative menu, full-service bar,

Capitola

231 Esplanade, 831.464.1933

international wine list and outdoor dining with terrific views in the heart of Capitola Village. Open daily.

$$$ Capitola

H3:2/¸A

203 Esplanade, 831.475.4900

California cuisine. Nightly specials include baby back ribs, prime rib, lobster and mahi mahi. Daily 7am-2am.

A/<B/ 1@CH $$ Santa Cruz

$$ Santa Cruz

/1/>C:1=

1116 Pacific Ave, 831. 426.7588

1:=C2A

110 Church St, 831.429.2000

$$ Santa Cruz

B63 1@3>3 >:/13

1@=E¸A <3AB

Santa Cruz

2218 East Cliff Dr, 831.476.4560

$ Santa Cruz

460 Seventh Ave, 831.477.2908

1134 Soquel Ave, 831.429.6994

4/<2/<5= ;3F71/<

$$ Santa Cruz

67<2?C/@B3@

$$ Santa Cruz

6=44;/<¸A

303 Soquel Ave, 831.426.7770

1102 Pacific Ave, 837.420.0135

6C:/¸A 7A:/<2 5@7::

Santa Cruz

221 Cathcart St, 831.426.4852

Mexican/Seafood/American. Traditional Mexican favorites. Best fajitas, chicken mole, coconut prawns, blackened prime rib! Fresh seafood. Over 50 premium tequilas, daily happy hour w/ half-price appetizers. Sun-Thu 11am-10pm, Fri-Sat 11am-11pm. American, California-style. With a great bar scene, casually glamorous setting and attentive waitstaff. Full bar. Mon-Sat 11:30am-10pm, Sun 1-10pm. Crepes and more. Featuring the spinach crepe and Tunisian donut. Full bar. Mon-Thu 11am-midnight, Fri 11am-1am, Sat 10am-1am, Sun 10am-midnight. Seafood. Fresh seafood, shellfish, Midwestern aged beef, pasta specialties, abundant salad bar. Kids menu and nightly entertainment. Harbor and Bay views. Lunch and dinner daily. Mexican. Serving breakfast all day. Popular for our street tacos and handmade Salvadorian pupusas. Vegetarian options made w/ local fresh vegetables & organic tofu. Daily 9: 30am-9:30pm. Americana. Ribs, steaks and burgers are definitely the stars. Full bar. Lunch Mon-Sat 11:30am-2:30pm; dinner Sun-Thu 5:30-9:30pm, Fri-Sat 5:30-10pm. California/full-service bakery. Breakfast, lunch, dinner. “Best Eggs Benedict in Town.� Happy Hour Mon-Fri 5-6pm. Halfprice appetizers; wines by the glass. Daily 8am-9pm. ’60s Vegas meets ’50s Waikiki. Amazing dining experience in kitchy yet swanky tropical setting. Fresh fish, great steaks, vegetarian. Full-service tiki bar. Happy-hour tiki drinks. Aloha Fri, Sat lunch 11:30am-5pm. Dinner nightly 5pm-close.

j "!

A/<B/1@CH 1=; january 13-20, 2010 27<3@¸A 5C723

$$ Santa Cruz $$ Santa Cruz

7 :=D3 ACA67

516 Front St, 831.421.0706 8=6<<G¸A 6/@0=@A723

493 Lake Ave, 831.479.3430

$$$ :/ >=AB/ Santa Cruz 538 Seabright Ave, 831.457.2782 $$ Santa Cruz

=:7B/A

$$ Santa Cruz

>/17471 B6/7

Seafood/California. Fresh catch made your way! Plus many other wonderful menu items. Great view. Full bar. Happy hour Mon-Fri. Brunch Sat-Sun 10am-2pm. Open daily. Italian. La Posta serves Italian food made in the old style— simple and delicious. Wed-Thu 5-9pm, Fri-Sat 5-9:30pm and Sun 5-8pm.

Fine Mexican cuisine. Opening daily at noon. 49-B Municipal Wharf, 831.458.9393 1319 Pacific Ave, 831.420.1700

@7AB=@/<B3 7B/:7/<=

Santa Cruz

555 Soquel Ave, 831.458.2321

$$ Santa Cruz

@=A73 ;11/<<¸A

1220 Pacific Ave, 831.426.9930

$$ Santa Cruz

105 Walnut Ave, 831.423.2020

$$ Santa Cruz

2415 Mission St, 831.423.9010

$$ Santa Cruz

Japanese Fusion. Sushi bar, sake bar, vegetarian, seafood, steak in fun atmosphere; kids play area; karaoke every night. Open seven days 5-10pm; Mon-Fri 11:30am-2:30pm.

A=74

C>>3@ 1@CAB >7HH/

E==2AB=19¸A >7HH/

710 Front St, 831.427.4444

Thai. Individually prepared with the freshest ingredients, plus ambrosia bubble teas, shakes. Mon-Thu 11:30am-9:30pm, Fri 11:30am-10pm, Sat noon-10pm, Sun noon-9:30pm. Italian-American. Mouthwatering, generous portions, friendly service and the best patio in town. Full bar. Lunch Mon-Fri 11:30am, dinner nightly at 5pm. Irish pub and restaurant. Informal pub fare with reliable execution. Lunch and dinner all day, open Mon-Fri 11:30ammidnight, Sat-Sun 11:30am-1:30am. Wine bar with menu. Flawless plates of great character and flavor; sexy menu listings and wines to match. Lunch Wed-Sat noon2pm; dinner Mon-Thu 5-10pm, Fri-Sat 5-11pm, Sun 4-10pm; retail shop Mon 5pm-close, Tue-Sat noon-close, Sun 4pm-close. Pizza. Specializing in authentic Sicilian and square pizza. Homemade pasta, fresh sandwiches, soups, salads and more. Hot slices always ready. Sun-Thu 10am-9:30pm, Fri-Sat 10am-11pm. Pizza. Pizza, fresh salads, sandwiches, wings, desserts, beers on tap. Patio dining, sports on HDTV and free WiFi. Large groups and catering. Open and delivering Fri-Sat 11am-2am, Mon-Thu 11am-1am, Sun 11am-midnight.

A/< :=@3<H= D/::3G $$ Felton

@32E==2 >7HH3@7/

6205 Hwy 9, 831.335.1500

Organic Pizza. Everything organic: pizza, lasagna, soup, salad, beer and local wine. Always organic, local produce. Party room seats 32. Weeknights 4-9pm (closed Tue), Fri 4-10pm, Sat 1-10pm, Sun 1-9pm. See menu at www.redwoodpizza.com.

A1=BBA D/::3G $ 63/D3<:G 1/43 American. Serving breakfast and lunch daily. Large parties Scotts Valley 1210 Mt. Hermon Rd, 831.335.7311 welcome. Mon-Fri 6:30am-2:15pm, Sat-Sun 7am-2:45pm. $ 87/ B3::/¸A Scotts Valley 5600 #D Scotts Valley Dr, 831.438.5005

Cambodian. Fresh kebabs, seafood dishes, soups and noodle bowls with a unique Southeast Asian flair. Beer and wine available. Patio dining. Sun-Thu 11am-9pm, Fri-Sat 11am-10pm.

A=?C3: $$ Soquel

3: 167>=B:3 B/?C3@7/

4724 Soquel Dr, 831.477.1048

Mexican. Open for breakfast. We use no lard in our menu and make your food fresh daily. We are famous for our authentic ingredients such as traditional mole from Oaxaca. Lots of vegetarian options. Mon-Fri 9am-9pm, weekends 8am-9pm.

"" j /AB@=:=5G january 13-20, 2010 A/<B/1@CH 1=;

Astrology Free Will

By Rob Brezsny

For the week of January 13 /@73A (March 21–April 19): The Earth’s north magnetic pole is not the same as the geographic North Pole. If you take out a compass to orient yourself toward due north, the compass arrow will actually point toward a spot in the frigid wilds of Canada. But what’s really odd is that the north magnetic pole has been on the move since 1904—scientists don’t know exactly why—and has dramatically sped up in recent years. According to National Geographic, it’s now zooming toward Siberia at the rate of almost 40 miles per year. I suspect that your own metaphorical version of magnetic north will also be changing in 2010, Aries. By January 2011, the homing signal you depend on to locate your place in reality may have migrated significantly. This is a good time to start tracking the shift. B/C@CA (April 20–May 20): “The common idea that success spoils people by making them vain, egotistic, and self-complacent is erroneous,� wrote W. Somerset Maugham. “On the contrary, it makes them, for the most part, humble, tolerant, and kind.� I think the trajectory of your journey during the last 12 months tends to confirm his theory, Taurus. According to my analysis, you set new benchmarks for your personal best in 2009, while at the same time becoming a wiser, riper human being. Congrats! Now get out there and capitalize on the grace you’ve earned. Be as organized as possible as you share the fruits of your progress. 53;7<7 (May 21–June 20): The Onion, which describes itself as “America’s Finest News Source,� ran a feature on the inventor Thomas Edison. He “changed the face of modern life in 1879,� said the report, “when he devised the groundbreaking new process of taking ideas pioneered by other scientists and marketing them as his own.� The tone was mocking, of course, but I’m perfectly sincere when I urge you to imitate Edison in the coming weeks. Given the current astrological omens, you’d be wise to take advantage of the breakthroughs of others and make good use of resources created by others. Just be sure that you give credit where credit is due, and you’ll actually be doing everyone a service.

1126 Soquel Ave. Santa Cruz, near the Crepe Place and Rio Theatre

1/<13@ (June 21–July 22): A Scorpio is willing

At your service everyday from 10-9 since 1978

Free Public Parking at Cayuga & Soquel O (831)429-9600

Be the Hero of Your Own Sacred Quest Wednesday, January 13 at 7 pm

Saturday Jan. 16 Noon - 5 pm

Madhu Mati Brodkey,M.F.S. Classic Chinese Almanac Year of the Metal Tiger by Dr. E. Sung.

Thursday, January 14 at 7 pm

Victor & Kooch Daniels Matrix Meditations A 16-week Program for Developing the Mind-Heart Connection (Destiny Books)

Wednesday, January 20 at 7 pm

Gateways Psychic Faire Gain insight to your life's challenges. Experience our gifted Psychics, Astrologers and Healers.

2-Hour Workshops Tuesday Jan. 19, 6:30-8:30 pm

Classic Chinese Almanac

H. Elizabeth Burke,MA

Year of the Metal Tiger by Dr. E Sung

Memory In Our Bones Exploring the mysteries of Mind, Body and Spirit (EarthSong Foundation Press)

Madhu Mati Brodkey, M.F.S.

January

Gabriel Constans Buddha's Wife The portrayal of women in Buddhist literature (Robert Reed Publishers)

Wednesday, January 27 at 7 pm

Jeff Brown Soulshaping Listening to the “little voice that knows.� One of Gateways Event Co-ordinator's picks of ’09. “Dynamic and pivotal, outstanding ... fantastic engaging read." (North Atlantic Books)

Cost: $18 (for those who already have the 2010 Almanac) Cost: $40 ($18/class+ $22.45 (10% savings) on the purchase of the Almanac) Available at Gateways Books.Pre-Registration Required. Call for Information

Tuesday Jan. 26, 6:30-8:30 pm

Vision Board Sarita Benn-Towle Discover a Powerful Tool to Create, Attract and Manifest Your Personal Goals. By designing your own custom board and viewing it regularly you will reinforce your life's intentions into actual manifestation. Cost: $25 (Materials Provided) Pre-Registration Required. Limited Seating Please bring any personal images you may have previously collected.

and maybe even eager to share secrets with you. Can you marshal just the right amount of selfprotection—not too much, not too little—to trust a little more and go deeper? As for Virgo: That under-self-confident person would really benefit from getting more appreciation from you. Don’t be stingy. Meanwhile, I think you’re suffering from a misunderstanding about an Aquarius. It will be in your selfish interest to clear it up. A few more tips: Don’t give up on Pisces. There’s more to come when the coast is clearer. Browse but don’t buy yet with a Leo. And make business, but not love or war, with a Capricorn.

:3= (July 23–Aug. 22): I like it best when the creek that runs near my home is wide and deep. It gets that way at high tide, when the moon shepherds in a surge of water from the bay. As I gaze out at the swollen cascade, I feel full and fertile; everything’s right with the world. Inevitably, though, the tide goes out and the f low turns meek and narrow. Then my mood is less likely to soar. A slight melancholy may creep in. But I’ve learned to love that state, too—to derive a quiet joy from surveying the muddy banks where the water once ran, the muck imprinted with tracks of egrets and ducks. Besides, I know it’s only a matter of time before the tide shifts and the cascade returns. Enjoy your own personal version of the low-tide phase, Leo. High tide will be coming back your way soon. D7@5= (Aug. 23–Sept. 22): If you asked me to make you a mixtape that would be conducive for making love to, I wouldn’t be in the least surprised. These long January nights are ideal times for you Virgos to be unleashing your dormant passion and sharing volcanic pleasure and exploring the frontier where delight overlaps with wonder. In the compilation of tunes I’d create for you, I’d probably have stuff like “Teardrop� by Massive Attack, “Breathe Me� by Sia, “Supermassive Black Hole� by Muse and “6 Underground� by the Sneaker Pimps. But I think it’s a better idea for you to assemble your own soundtrack. Tell me about it if you do. I’m at Truthrooster@gmail.com.

:70@/ (Sept. 23–Oct. 22): The world’s tallest waterfall is Angel Falls in Venezuela. It was named after Jimmie Angel, an American who was the first person to f ly a plane over it in 1933. Recently, Venezuela’s president suggested that this place should be officially renamed Kerepakupai Meru, which is what the indigenous Pemon Indians have always called it. The coming weeks happen to be a favorable time for you to consider making a comparable move, Libra: restoring a natural wonder to its original innocence; rehabilitating the truth about a beautiful resource; returning an old glory to its pristine state.

A1=@>7= (Oct. 23–Nov. 21): In the first half of 2010, your calling will be calling to you more loudly and insistently than it has in years. It will whisper to you seductively while you’re falling asleep. It will clang like a salvation bell during your midmorning breaks. It will soothe you with its serpentine tones and it will agitate you with its rippling commands to spring into action. How will you respond to these summonses from your supreme inner authority? This week will be a good test.

A/57BB/@7CA (Nov. 22–Dec. 21): “You can have it all,� says fashion designer Luella Bartley. “It’s just really hard work.� That’s my oracle for you, Sagittarius—not just for this week, but for the next three months as well. According to my reading of the astrological omens, the cosmos will indeed permit you to have your cake and eat it, too, as long as you’re willing to manage your life with more discipline, master the crucial little details everyone else neglects, and always give back at least as much as you’re given. 1/>@71=@< (Dec. 22–Jan. 19): The number of bacteria per square inch on a toilet seat averages about 50. Meanwhile, your telephone harbors over 25,000 germs per square inch and the top of your desk has about 21,000. I’d like you to use this as a metaphor that you can apply more universally. According to my analysis, you see, you are overemphasizing the risks and problems in one particular area of your life and underestimating them elsewhere. Spend some time this week correcting the misdiagnoses.

/?C/@7CA (Jan. 20–Feb. 18): One of my readers, Judd, shared his vision of how to cope with the blahs of January. Given your astrological omens, I’d say his strategy perfectly embodies the approach you should take right now. Please study his testimony below, and come up with your own ingenious variation. “On the coldest of days, my friends and I celebrate ‘scrufting,’ the art of enjoying the great outdoors with indoor furniture, while listening to loud indie-rock and adorned in our grungiest slop-ware. Aided by Samuel Smith’s Oatmeal Stout, we curse and laugh at the constraints of winter by playing our favorite summer sports like Frisbee, hacky-sack and soccer.â€? >7A13A (Feb. 19–March 20): It’s graduation time. Not in any officially recognized sense, maybe, but still: You have completed your study of a certain subject in the school of life. At a later date, maybe you will resume studying this subject on a higher level, but for now you’ve absorbed all you can. I suggest you give yourself a kind of final exam. (Be sure to grade it yourself.) You might also want to carry out a fun ritual to acknowledge the completion of this chapter of your story. It will free up your mind and heart to begin the next chapter. 6][Se]`Y( EVOb Q]cZR g]c R] b] T`SS g]c` W[OUW\ObW]\ T`][ Wba P]\ROUS W\ - @SOR ¡:WPS`ObS G]c` 7[OUW\ObW]\¸ VS`S( Vbb^( PWb Zg :WPS`ObS

Go to @3/:/AB@=:=5G 1=; to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone &%% &%! "&&& or 1.900.950.7700

S a n t a c r u z .co m january 13-20, 2010 C L ASS I F I E DS

CLASSIFIED INDEX ¡ ™ £ ¢ ∞ §

Employment Real Estate Family Services For Sale Home Services General Notices

45 46 45 45 46 45

‡ • ª ⁄

PLACING AN AD

Classes & Instruction Mind, Body & Spirit Music Self Help

45 45 45 45

CONTACTING US

BY PHONE

BY MAIL

Call the Classified Department at 831.440.3860, Monday through Friday, 8.30am to 5.30pm.

Mail to Santa Cruz Classifieds, 115 Cooper St, Santa Cruz, CA 95060.

Please include your Visa, MC, Discover or American Express number and expiration date for payment.

IN PERSON

DEADLINES

Visit our offices Monday through Friday, 8.30am 115 Cooper St, Santa Cruz,.

For copy, payment, space reservation or cancellation: Display ads: Friday 12pm Line ads: Friday 3pm

BY FAX Fax your ad to the Classified Department at 831.457.5828.

| 45

Santa Cruz Weekly Classifieds 115 Cooper Street, Santa Cruz, CA 95060 Monday to Friday, 8.30am – 5pm Charge by phone, fax or email 24 hours a day ¬ 831.457.9000 PHONE

√ 831.457.5828 FAX

EMAIL classifieds@metronews.com

Employment

g Jobs

TEACH ENGLISH ABROAD!

Become TEFL certified. 4-week course offered monthly in Prague. Jobs available worldwide. Lifetime job assistance. Tuition: 1300 Euros. www.teflworldwideprague.com info@teflworldwideprague.com (AAN CAN)

MOVIE EXTRAS NEEDED

Lead Inventory Controller

HEALTH CONSCIOUS COMPANY

Earn $150 to $300 Per Day. All Looks, Types and Ages. Feature Films, Television, Commercials, and Print. No Experience Necessary. 1-800340-8404 x2001 (AAN CAN)

Expertise in Excel 3-5 years experience Document Control a plus! $16-$17 per hour Full time long term KELLY SERVICES, 425-0653 e-mail: 1471@kellyservices.com *Never A Fee*

Great growing company looking for staff with the ability to grow w/it. Looking for paperwork and documenting Superstars! -Purchasing Coordinator -Sales Support Professional Division Inventory Clerk ALSO -HR Manager/Lge.Co. Payroll (see ad) AA/BA preferred-Experience required KELLY SERVICES, 425-0653 e-mail: 1471@kellyservices.com *Never A Fee*

Live in and Hourly Caregivers Needed!! Possess skills that include excellent communication, listening and positive attitude. For immediate consideration, please apply online or fax resume to 925.943.7601. http://professionalhc.com /employment

$$$HELP WANTED$$$ Extra Income! Assembling CD cases from Home! No Experience Necessary! Call our Live Operators Now! 1800-405-7619 EXT 2450 www.easywork-greatpay.com (AAN CAN)

Payroll/HR Administrator Fill in for HR Director Assist when Director returns Jan/Feb-June in Watsonville Long term after Director returns. Salary Negotiable; M-F 8-4:30 Payroll for 100+ employees 3-6 yrs experience Classes & Instruction required. KELLY SERVICES, High School Diploma! 425-0653 e-mail: Fast, affordable and accredited. 1471@kellyservices.com Free brochure. Call Now!. *Never A Fee* 1-888-532-6546 ext. 97 www.continentalacademy.com. Administrative (AAN CAN) Assistant Tax Firm for Tax Season Free Advice! Scotts Valley, Santa Cruz, Watsonville $10-$12 per hour We’ll Help You Choose A Program Or Degree To Get Your Phones, MS Word/Excel January-April KELLY SERVICES, Career & Your Life On Track. Call Collegebound Network Today! 425-0653 e-mail: 1-877-892-2642 (AAN CAN) 1471@kellyservices.com *Never A Fee*

Classes & Instruction

General Notices

Computer Services

ggg

Activists Wanted throughout Bay Area!! Help qualify California Initiatives. $12-$25 Hourly. Flexible hours. Please call 408-679-8462

g Business Opportunities

Multi - Millionaire Teaches: Do this. Get Rich!

WHAT TO DO TO BECOME WEALTHY IN THE NEXT 24 MONTHS! To learn more, go to: www.fleetheratrace.com

Oud Workshop

For Sale

Gain National Exposure

Get Dish with FREE Installation

Reach over 5 million young, active, educated readers for only $995 by advertising in 110 weekly newspapers like this one. Call Jason at 202/289-8484. (AAN CAN)

$19.99/mo HBO & Showtime FREE - Over 50 HD Channels FREE Lowest Prices – No Equipment to Buy! Call Now for full Details 1-877-482-6735 (AAN CAN)

For Sale

Oudist Mark Bradlyn is offering a four-class workshop for begin- Electronics ning Arabic oud players at Halanda Dance Studio in San Get Dish-Free Jose. January 10, 17, 24, and 31. Installation $100 for all four classes. Mark $19.99 per month. HBO & Bradlyn at 831 688-8961 or Showtime Free. Over 50 HD 831 345-9220 (cell) or Hala at 408-246-1129 or 408-369-1304 Channels Free. Lowest Prices no equipment to buy! Call now for details: 1-800-943-0685. (AAN CAN)

Professional Services

gg

Family Services

gg Employers

Miscellaneous

Adoptions

Pregnant? Considering Adoption? Talk with caring agency specializing in matching birthmothers with families nationwide. Living expenses paid. Call 24/7 Abby’s One True Gift Adoptions. 866/413-6293 (AAN CAN)

g g Miscellaneous

Your Personality Determines Your Happiness

Know why? Call for your free personality test. Call 1-800-293-6463 Self Help

Penis Enlargement

FDA Medical Vacuum Pumps. Gain 1-3 inches permanently. Testosterone, Viagra, Cialis. Free brochures. 619/294-7777 www.drjoelkaplan.com (discounts available) (AAN CAN)

g Home Furnishings

April Ash Designer Outlet

Furniture, accessories, mattresses and consignments. 2800 South Rodeo Gulch Rd., Soquel. Friday, Saturday, and Sunday 10am-5pm.

Legal Services

Chapter 7 Bankruptcy

$1250 + Costs Robert M. Haight, Attorney 831/438-6610

Music

g Instruction

Guitar and Songwriting Lessons

Give the gift of music. Guitar and songwriting lessons with a pro. Patient, focused guidance. Demystify the fret Advertise in the Santa Cruz Weekly and your ad will auto- board. Sliding scale. Steven 831-278-1500 matically run online! Print plus online. A powerful combination. Call 408/200-1329! Services

All That Stuff? Sell It!

g

46 |

C L ASS I F I E DS

january 13-20, 2010 S a n t a c r u z .co m

Homes g Homes

Real Estate Services

Real Estate Rentals

gg Services

FREE!!!- Online home searches!

Shared Housing

Notice

All real estate advertised in Metro Newspapers is subject to the State and Federal Fair Housing Act, which makes it illegal to advertise any preference, limitation, or discrimination based on race, color, religion, sex, handicap, family status (the presence of Making a Move? children), or national origin, Call Town and Country Real or the intention to make any Estate and ask about our such preference, limitation, or Grand Opening discrimination. State and Specials.Independent Brokerage owned and operat- locate laws forbid discriminaed by local Realtors© Call us tion in the sale, rental, or advertising of real estate. We today! will not accept any advertisT & C Realty ing for real estate which is in (831) 335-3200 townandcountrysantacruz.com violation of the law. Visit us anytime at townandcountrysantacruz.com for a list homes that are currently for sale throughout Santa Cruz and Santa Clara counties.

gg Commercial

Miscellaneous

***FREE Foreclosure Listings***

Over 400,000 properties nationwide. LOW Down Payment. Call NOW! 1-800-817-5290 (AAN CAN)

Prefer to shop online? Check out our new website! Search all available listings in any area. Set up your own automated search and receive new listing as soon as they come on the market! T & C Realty (831) 335-3200 townandcountrysantacruz.com

WANT TO KNOW WHAT IS NEW IN THE HOUSING MARKET TODAY?

Can You Say Positive Cash Flow?

Boulder Creek–Duplex+ Commercial Opportunity 1/3 acre downtown, duplex is two 2bedroom 1 bath units with tenants that would like to stay, large commercial building with separate gas & electric meters currently vacant! Great parking. T & C Realty (831) 335-3200

Inspirational spaces and harmonious landscaping characterize this special home featuring custom stained glass and built in bronze and copper accents. 3br/2ba, convenient location in a quiet neighborhood. $799,000. MLS # 80944152. Call Terry Cavanagh at Pacific Sun Properties 831-345-2053. Visit www.114sutphen.com.

g Mobile Homes

A Great Value So Close to the Surf!

This sweet 1 BR/ 1BA mobile home in Snug Harbor has been well cared for & landscaped for privacy. Be a homeowner in Santa Cruz for under $100K with all the amenities of Pleasure Point living: Gorgeous surf and sun down the street, a great coffeehouse & restaurants around the corner- walk or bike to all your favorite places. $99,000. MLS#80947703. 730 30th Avenue, Space 69, Santa Cruz. Terry Cavanagh, Pacific Sun Properties 831-345-2053. www.snugharbor-sc.com

g Land

Real Estate Sales

g Condos/Townhouses

Carmel Valley

Boulder Creek

40 acres. Timber Preserve Zoning. Creek frontage. Wild and serene. Off grid. Private Road. Small ridge top site. Good owner financing offered. $295,000. Shown by appointment only. Contact Deborah J. Donner, Donner Land and Mortgage Co., Inc., Broker at 408/395-5754 or www.donnerland.com

Highland Way. 5 acres. Double wide with wrap around deck. NICE. Spring and creek. Sunny. Private road. Off-grid. Possible owner financing. $289,000 Shown by appointment only. Contact Deborah J. Donner, Donner Land and Mortgage Co., Inc. 408/395-5754 or www.donnerland.com

Boulder Creek 3 acres. Harmon Gulch. Creek. Private road. Quiet. Sunny possible site. Owner financing. Shown by appointment only. Contact Deborah J. Donner, Donner Land and Mortgage Co., Inc. 408/395-5754 or www.donnerland.com

g Commercial

Monterey Corridor

Welcome to Monterey Mini Mart! A full service grocery store in a “mini” version. 2951 Monterey Hwy Type: Commercial Style: Single Story Bathrooms: 1 Suite: No Living Area: 1,200 square feet Year Built: 2007. Elite Realty Services Rick Martinez Email RickCell: 408-8570514Fax: 408-532-1137

Advertise Your Home or Home Services in Santa Cruz Weekly! 83,000 Readers Can’t Be Wrong! Consider the numbers...66% of those readers browse through the Santa Cruz classifieds each week! Run an ad in the Santa Cruz Weekly classifieds and your ad will automatically run online! Print plus online. A powerful combination. Get seen today. To advertise call 831.457.9000.

W NE G TIN LIS

Beauty and privacy can be yours with this Carmel Valley cabin on over 13 acres with incredible views over the bay, ocean and mountains near Tassajara springs. Rare Sign up for our FREE service opportunity to own this spethat alerts you to all of the cial retreat property borderbrand new homes as they ing the Ventana wilderness. become available! townandcountrysantacruz.com Listed at $395,000. Visit tassajara-ridge-retreat.com. Terry at Pacific Sun Seminars Properties 831/345-2053

g

Spectacular in Santa Cruz

Los Gatos Mountains

AN EXPERIENCED

TEAM

for buying, selling and managing property in Santa Cruz County

Pacific Sun Properties 734 Chestnut Street Santa Cruz, CA 95060 831.471.2424 831.471.0888 Fax www.pacificsunproperties.com

Park’s Best Buy ##### Asking $99,000

• Live downtown, walk everywhere • 2 Bedrooms, 1 bath • Large, kitchen, dining nook • Backs up to river walk • Quiet area of the park • Older but solid home • Can be replaced with new • Garden area to develop Low income co-op park – Income restrictions apply – Call for details

Judy Ziegler GRI, CRS, SRES ph: 831-429-8080 cell: 831-334-0257 www.cornucopia.com

S a n t a c r u z .co m

Wheels

january 13-20, 2010 C L ASS I F I E DS

| 47

FFrame rame Y Your ou our M Memories! emoriess!

30% 3 OFF O

30% 3 0% Off Off Selected Selected FFrames ra m e s Find a rred Find ed dot sticker mar m marking king any any frame frame in yyour our loc local cal Bay Photo Photo st ore ttoo get 30 3 per cent off its rregular egular pr icce! Bay store percent price! Offer O ffeer valid ff valid in st stores ores thr through ough Januar Januaryy 31, 2010

BAY B AY S STORE TORE C COUPON OUPON

Your Y o our LLocal ocal D Digital igital P Printing rrinting SSource! ourrce!

4x6 P Prints rints only $0.18 each! e Valid V alid a only for for orders orders placed placed in store store from digital digital files. files. 1 per customer. custom mer. from Use Use Promo Promo Code: Code: SCW46. SCW46. Offer Offer expires expires 1/30/10.

44PRVFM t #SBODJGPSUF PRVFM t #SBODJGGP PSUF www.bayp photo.com/local www.bayphoto.com/local

Santa Cruz Weekly 831.457.9000 Your Personality Determines Your Happiness Know why? Call for your free personality test. Call 1800-293-6463

WAMM Opens Membership! Apply for membership to WAMM for Low cost Organic Medicine! Longest running MMJ Org. in Nation. Serving Santa Cruz for 17 years! WAMM.org, 831-425-0580. peace

Spread the Word Say you saw it in the Santa Cruz Classifieds.

Guitar and Songwriting Lessons Give the gift of music. Guitar and songwriting lessons with a pro. Patient, focused guidance. Demystify the fret board. Sliding scale. Steven 831-278-1500

Medical Marijuana and Family Practice M.D. ANXIETY, CANCER, CHRONIC PAIN. 24/7 verification by phone & internet. Issue ID cards. 408.262.3412 or 408.313-5579 www.sfbaythc.com. 615 S. Main St. #6, Milpitas. Discount for Medicare/Veterans. $10 off w/ this ad

Wanna Be In Movies? Film & TV acting classes starting now! Free DVD & consultation with working actor Ralph Peduto. Call (831) 475-UACT (8228). www.actingoncamera.com Be a pro, work with one. Training pros since ‘86.

Add a Touch of Color to Your Ads Make your ad stand out from the crowd! Ask your Santa Cruz Weekly salesperson about adding color to your ad. For advertising information call 831-457-9000.

TO ADVERTISE IN THE SANTA CRUZ WEEKLY CALL 831.457.9000

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.