1214_MT

Page 1

SPRINGSTEEN SPRING STEEN N TICKETS TICKETS > ME METROGIVEAWAYS.COM MET M ETTTR ROG OGGIV IIVE IV VEEA V EAW AWA WAY AY YSSS. S.C .COM OM

A P R I L 4-1 4 - 1 11,, 2 01 2 | V O L . 28, 28, NO. 0 044 | S I L I C O N VA V A L L E Y, Y, C A | F R E E

J Boogie’s Moobahton Revolution p49

wrecking call Springsteen’s journey, message and South Bay moments p16


metroactive.com metr oactive.com | ssanjose.com | metr metrosiliconvalley.com osiliconvallley.com | AAPRIL P R I L 4-10, 4 -10 2012

2 10


11 3

APRIL A P R I L 4-10, 4 -10, 2012 | metr metrosiliconvalley.com osiliconvalley.com | sanjose.com m | metr metroactive.com oactive.com


metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

4

www.JenesisLipoplasty.com 408.996.0200 FREE CONSULTATION

METRO SILICON VALLEY A locally owned company.

550 S First St, San Jose, CA 95113 408.298.8000

formerly Jane Aesthetic

Grand Opening Special after filler

before filler

Botox Xeomin Artefill Radiesse Restylane Juvederm Ultra after fraxel

before fraxel

INJECTABLE SPECIALS $10/unit (Reg. $13/u min. 30u) $8/unit (Reg. $13/u min. 30u) $799 (when you buy 4) $599/syringe (when you buy 2) $450/syringe (when you buy 2) $350/syringe

LASER SPECIALS Fraxel & Jessner Peel $500 (when you buy 3) Medlite C6 Laser Toning $99 (when you buy 5) Vbeam $300 (when you buy 5) Laser Hair Removal 50% OFF (when you buy pkg)

rcle filler

ark ci

before d

after dar

Silk Peel k circle fi

$59 (1st treatment only)

ller

SURGERY SPECIALS (prices may vary) Eyelid Surgery 50% OFF Fat Transfer 50% OFF Laser Liposuction (Smartlipo, Vaser) Abdomen: starting at $2,490 Double Chin: starting at $1,490 Upper Arms: starting at $1,990 } OBAGI 20% OFF { before vaser liposele

after election

LIPOSUCTION & FAT TRANSFER Smartlipo / Vaser Liposuction Fat Transfer ( Face, Buttock, Breasts) Laser Skin Rejuvenation ( Fraxel, Active FX, Vbeam, Laser Toning) Blue Peel, Laser Peel, Melanage Peel peration Non-surgical Silouette Lift Hours of O :30pm -5 Botox/ Xeomin Mon 9am 5:30pm Artefill/ Radiesse/ Restylane m Tue 9a Laser Eyelid Surgery - 5:30pm m a 9 Wed Laser Hair Removal - 6:30pm Thu 9am 5:30pm Laser Tattoo Removal -

Fri

American Association of Cosmetic Surgery American Society of Laser Medicine & Surgery American Society of Liposuction Surgery jenesis@jenesislipoplasty.com

DAN PULCRANO EDITORIAL Managing/Arts Editor: Michael S. Gant Food Editor: Stett Holbrook Music Editor: Steve Palopoli Staff Writer: Josh Koehn Contributing Writers: Gary Singh,

Richard von Busack, Tori Eakes Editorial Assistant: Rod Bastanmehr Proofreader: Gabriella West Editorial Interns: Hayley Benham-Archdeacon,

Christine Kelly, Misa Shikuma Calendar@metronews.com

ART/PRODUCTION Design Director: Kara Brown Production Operations Coordinator: Mercy Perez Graphic Designer: Tabi Dolan Production Liaison: Sean George Advertising Graphic Artists:

Jimmy Arceneaux, Dave Robison, Phil Mowery

DISPLAY SALES Advertising Director:  John Haugh Marketing Manager:  Jennifer Anderson Senior Account Executives: Bill Stubbee Account Executives: Gordon Carbone,

Billy Garcia, Michael Hagaman, Tammy Patterson, Flavio Rivas, Kye Sun Movie Promotions/Sales: Jim Carrico

Senior Account Executive: Michael R. Hill Classified Sales: Dave Miller

Specialized in

Dr. Jane Chung

EXECUTIVE EDITOR & CEO

CLASSIFIED SALES

vaser lipos

ction

Editorial Fax: 408.298.0602 Advertising Fax: 408.298.6992

9am

BEST Plastic Surgeon in 2011 by Metro New Location 1471 Saratoga Ave. #200 San Jose, CA 95129

ACCOUNTING/OPERATIONS/ ADMINISTRATION Accounting Manager: Tisha Rae G. Muñoz Accounts Receivable: Jay Romero Accounts Payable: Aurene Pokorny Information Systems: Chris Giancaterino Operations/Circulation: Lazaro Cardenas Office Manager: Dave Miller

DISTRIBUTION Metro is available free of charge, limited to one copy per reader. Additional copies of the current issue may be purchased for $1 each, payable at the Metro office in advance. Metro may be distributed only by Metro’s authorized distributors. No one may, without permission of Metro, take more than one copy of each issue. Subscriptions: $50/six months, $95/one year.

FINE PRINT Declared a legal newspaper of general circulation by the Superior Court of Santa Clara County Decree No. 651274, April 7, 1988. ISSN 0882-4290. Entire contents © 2012 Metro Publishing, Inc. All rights reserved. Reproduction in any form prohibited without publisher’s written permission. Unsolicited material should be accompanied by a stamped, self-addressed envelope; however, Metro is not responsible for the return of such submissions.


11 5

APRIL A P R I L 4-10, 4 -10, 2012 | metr metrosiliconvalley.com osiliconvalley.com | sanjose.com m | metr metroactive.com oactive.com


THIS MODERN WORLD

I SAW YOU

By TOM TOMORROW

metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

6

ISawYou@metronews.com Send us your anonymous rants and raves about your co-workers or any badly behaving citizen—or about citizens you admire. I SAW YOU, Metro, 550 S. First St., San Jose, 95113, or via email.

Inbred Ingrate I saw you, the skinhead with big muscles, gassing the white Cadillac Escalade at the Chevron station on Capitol and King, cussing out an old man for being too slow and trying to pick a fight with him. Yelling and beating your chest like an ape. Why? To show off for the blonde lady that was old enough to be your mother? Or maybe she was your mother. Regardless, I’m sure she was impressed with your kindergarten vocabulary and juvenile gestures. You’re nothing but an example of why cousins should not marry.

COMMENTS Letters@metronews.com Metro welcomes letters. Like any great work of art, they should be originals—not copies of material sent elsewhere. Please include your name, city of residence and daytime telephone number. (Phone number will not be published.) Letters may be edited for length and clarity or to correct factual inaccuracies known to us. = SanJoseInside

= via email

Aging Process I just want to add a footnote to the Jan. 18 story about new winemakers: “new” being the definitive word. While the chardonnay and rosés produced in the mountains above Santa Cruz may do justice to the domestic palate, I want to point out a denizen from my ancestors’ wine-

producing region in southern Bavaria. If he or she should taste of what is produced hereabouts, there would be the response: “Der Wein ist zu jung!” But that’s from a vintner whose family goes back nine or 10 generations in growing grapes. Most of the folks who walk into the tasting rooms of Ridge Vineyards or Vine Hill Cellars are from this area. They come with their taste buds set to experience the character and body that the wine pamphlets promise. And it works; they believe they are tasting the best, and they congratulate themselves for being discerning connoisseurs. My great-grandfather didn’t use computerized formulas nor did he place electronic sensors on his grapevines. Emil Meyer didn’t work as a systems analyst for 20 years, then on a whim and a whirl decided he

wanted to be fashionable and buy land to grow grapes. Emil Meyer brought the wine culture from the old country and produced superior reds and pinots from the Summit Road region. He shipped his fine wines worldwide. The nuevo local vintners can apply all the wine-culture vocabulary to describe what they offer, but they cannot speed up time. Time and experience produce a truly authentic wine that doesn’t come in 10 or 20 years, then, presto!, we’re bottling stuff comparable to the old masters. THEODORE F. MEYER | SANTA CRUZ

Dreaming in 3-D Your article on desktop manufacturing/3-D printing (“Magic

Box,” Cover story, March 21) caught me right where I live. The people suspicious about my warehouse operation think I’m doing pot, but I’m not. I’m making my own Reese’s Peanut Butter Cups by the thousands (all the wraps I get from China by the boatload) on my big machine that reads right off my cell phone. The only problem was finding Milton Hershey’s exact degree of sourness for the milk in the chocolate. And I’ve got bigger plans: A big Mercedes and a Steinway concert grand. Later a yacht and palace. And I’d like to copy Scarlett Johansson, but I’d need her spit to make her image, so will have to find a napkin she’s left behind somewhere. In a couple years, when I’ve got a more sophisticated setup, I’m going to get some old DNA and try my hand at Helen of Troy and Marilyn Monroe. Getting set up may be costly, but with the right raw materials, I’ll never have to buy anything ever again. Why should I when I can make everything I want on my own? RICHARD LYNDE | WATSONVILLE


11 7

APRIL A P R I L 4-10, 4 -10, 2012 | metr metrosiliconvalley.com osiliconvalley.com | sanjose.com m | metr metroactive.com oactive.com


metroactive.com metr oactive.com | sanjose.com s | metr metrosiliconvalley.com osiliconvalley.com | AAPRIL P R I L 4-10, 4 -10 2012

8

THE T HE FL FFLY LY

SVNEWS

Radio R adio R Rebuke? ebuke? Never mess wit with th BO BOB BK KIEVE—that’s IEVE—that’s the lesson San Jose Councilmember ASH KALRA learned A SH K ALRA lear rned after trying to bow out of San Josee R Rotary otary Club Club’s ’s pensionrreform eform debate next n week against council colleagu colleague ue PETE CCONSTANT. ONSSTANT. D DAVID AVID GGINSBORG, INSBORG, a R Rotary o otary member and the right fist of County Assessor Assessor LA LARRY RR RY SSTONE, TONE, says Kalra Kalra was scared scared e he would be branded branded as anti–pension anti–pensioon rreform eform in the debate when really really he’s he’s just anti– anti–MAYOR MA AYOR REED. REED. But others tell a diff different erent tale.. Others say Kieve,, a former former speechwriter ffor or PRESIDENT PRESIDENT EI EISENHOWER SEENHOWER wner of and longtime oowner Don’t radio station KLIV, KLI L V, took radio forget ed KKalra alra the labor-aligne labor-aligned to tip! to task after hee tried to renege on his pr ppromise omise renege FLY@ METRONEWS. ade ar guments with to tr trade arguments COM stant. the ornery Cons Constant. reported ve erbal The reported verbal alra fforced orced smackdown of KKalra ncumbent to have a change the District 2 in incumbent In the midst of election season, of heart. In Kalra, a, like manyy other councilmembers, councilmembers Kalra, specially touchy these could just be es especially o that could also be some days.. But part of Word polling going onn behind the scenes. Word Kalra’s negat ives ar is Kalra’s negatives aree higher than his c mean high-tech positives. That could T M MURPHY, TI MURPHY, a former former hexagenarian TIM t gr eat state of Ohio,, has councilman in the great ayeer. a fighting pr prayer.

IInsect Ins ectt SSex ex

The union bugss ar aree reproducing. reproducing.. San Jose candidates BRIAN O’NEILL City Council can ndidates BR IAN O ’NEILL PATRICIA (District 10) andd P AT TRICIA MARTINEZMARTINEZROACH R OACH (District 8) plan to send their campaign maile mailers ers out soon,, and a Fly spy says the South Bay LLabor abor Council is listed as the benef benefactor acttor on both flyers. That’s That’s not much of a surprise, s , but every benefit According has its costs. A c ding to one political ccor consultant, consul tant,, “The “The benefit of getting a union endorsement,, iff ther theree is one these days, is it will come with w some rresources. esources.. But that’s that ’s quickly eaten eaten up by the cost of printing, which is gener generally ally 25–30 per percent cent moree than a no mor nonunion onunion printer printer.” .”

Foam Here To Eternity

BOXED B OXED IN Expanded polystyr polystyrene, rene, or EPS EPS, S, used at restauran restaurants nts fills many off California California’s ’s landfills and pois poisons sons wildlife because it is so hard h to recycle recycle..

San Jose balk balks ks at EPS ban a after $100,000 kickback k offer B JOS By JOSH HK KOEHN OE HN

I

T SEEMS some people at San San Jose’s Jose’s City Hall just don’t don’t know how to o accept a bribe anymore. anymore e.

For F or mor moree than a yyear, ear, cit cityy offic officials cials lo o oked at ffollowing ollowing up San JJose’s o ose’s looked si ngle-use plastic bag ban with an n single-use an nti-EPS or dinance. (EPS st ands ffor or o anti-EPS ordinance. stands eexpanded x xpanded p olystyrene, other wisee polystyrene, otherwise known kn nown as ffoam oam o to to-go -go ccontainers ontainers att rrestaurants.) estaurants.) L ess than 1 p ercen nt Less percent off the Ba ay Ar ea’s EPS is rrecyclable ecyclable Bay Area’s because b e ause of ffood ec oo d ccontamination—the ontamination— —the only on nly facilit facilityy ccapable apable is N Newby ewby IIsland Is sland l d in i Milpit Mil itas—so the th Milpitas—so no onbio degradable ccontainers ontainers ar nonbiodegradable aree le eft to st ack in landfills and br eak k left stack break apart, ap part, often choking animals animals.. C areful not to rat tle smallCareful rattle bu usiness owners who rrely ely on the business lo ow- cost to -go ccontainers, ontainers, the cit low-cost to-go cityy held he eld a series of “Gr “Green een to Go Go”” pub public blic

meetings in 2011 to ga gather ather opinions potential Few people eople on a p otential ban. F ew p showed, and the opp opposition o osition w was as Manyy figur figured the was tepid. Man ed th he end w as nigh ffor or EPS in San JJose. o o . ose That is until Dec December, em mb er, when DART—a D AR RT—a ffood-packaging ood-packaging ccompany ompany manufactures EPS products— that manufactur es EP PS p pr oducts— offered off ffeered San JJose ose $10 $100,000 0,0 00 to lo look ok at ways the city’s other w ayys to meet th he cit y’s trashbyy 20 2014. rreduction eduction goals b 014. “We “W We as a st staff aff met with w D DART, AR RT, point DART and at that p oint D AR RT suggested theyy had a budget of $10 $100,000,” says the $ 0,0 0 0,”” sa ays y JJennifer enniffeer Garnet Garnett, t, a sp spokesperson okesperson ffor or o San JJose’s ose’s En Environmental vironmental Ser Services vices Department. “So,, wha what we’ve agreed Depar tment. “So at we ’ve agr eed pilot effort to do is work on a pilo ot eff ffo ort that i designed is d i d to t eexplore xplor l e how h thi this partnership work. Wee ha haven’t par tnership might wo ork. W aven’t anyy mone moneyy norr ha have ttaken aken an ave we ttaken aken a ccommitment, ommitment, but wh w whyy don don’t ’t we tryy to work to tr together gether to t see if a private-public partnership private -public par tnership might decrease litter?” work to decr ease lit teer?” In essenc essence, e, D DART AR RT off o offered ffeered the

city a pay city payoff; yoff; o the cit cityy said “N “No, o, money, thank yyou” ou u” to the mone y, and then San JJose ose o officials fficials did eexactly xactly what DART D AR RT had d tried to get the cit cityy to do originally. originally y. The cit city’s y s decision to dela y’ delay ay action on a ban, as a well as turn down money, shocked Laura the mone y, sho cked L aura Kasa, director Save eexecutive xecutive dir ector of Sa ave Our Shores, nonprofit organization Shor es, a nonpr n ofit or ganization keeping beaches that ffocuses o cuses on k eeping b eaches clean b byy ar arguing rguing ffor o or bans on plastic environmentally b bags and d other oth en vir i onmenttally ll harmful si single-use ingle-use pr products. o ducts. “I thoug thought ght it w was as w way ay o overkill verkill they weree doing eight meetings meetings,” they wer ,” Kasa sa says. ayys. “That is mor moree than double anyy other cityy has done with what an o cit outreach. each. And then D DART outr AR RT ccomes omes in and tells yyou ou to do mor moree outr outreach? each? That’s That ’s ridi ridiculous.” iculous.” adds She add ds that San JJose ose is now the cityy in only cit n the ccountry ountr y that ffound ound o difficult plastic-it less diffi fficult to pass a plastic than imposing bag ban th han imp osing similar EPS.. rregulations egulation ns against EPS “San JJose osse is the only one that plastic has a plast tic bag ban and not a don’t why ffoam oam ban, and I don o ’t know wh hy is,” Kasa says, moree that is ,” Ka asa sa ayys, noting that mor have than 50 ccounties o ounties and cities ha ave


FASHION

PHOTO CONTEST >>>> APRIL 2 to MAY 27, 2012

OPEN to all photographers, amateur & professional...

Photo: OLGA RUDYAK 2011 First Place Winner

For Kasa, litter is a personal affront. She and a compact staff of five crusade across Monterey, Santa Cruz and Santa Clara counties, organizing cleanups and pleading for reform. “I fully intend to do whatever it takes to get this ban back on the city’s agenda,” Kasa says. “I’m absolutely disappointed in the state of our community, because the American Chemistry Council (ACC) has millions of dollars to lobby Sacramento and local legislators, and take ads in local newspapers to convince people in the community that their products are not bad. It’s infuriating to me. We’re out there cleaning our beaches and rivers 270 times a year.” DART’s co-conspirator in fighting San Jose’s Green Vision goals for 2022 is the ACC—otherwise known as the plastics industry. The ACC is one of the most influential lobbyist organizations in the country. The group’s deep pockets have stalled legislation at the state level as well as prodded county officials to push the buck back to cities. Sam Liccardo, a San Jose councilmember who requested that the city speed up action on an EPS ban to this fall rather than wait until 2013, sounded incredulous when the city passed on taking action on EPS following DART’s generous offer. “The $100,000 dollars by all appearances looks an awful lot like a bribe,” he says. “There’s no secret about what’s going on here. The question is: What’s the right policy for the city regardless of who’s throwing out the money?” An example of the ACC’s PRpush early last year came in an email blast that included Kerrie Romanow, San Jose’s Environmental Services director. The email asks if she supports plastic bans that would

R

9

>>>>

All About Green

“kill rather than create jobs, or further burden struggling families?” Ed McGovern, a lobbyist for the ACC, is said to have often showed up at Green to Go meetings to let city officials know he was present, sitting in the back and rarely speaking. If he wasn’t at the public meetings, McGovern was chopping it up with City Hall officials behind closed doors or on the phone. According to lobbyist forms filed with the City Clerk, over a 12-month period ending in September of last year, the ACC paid McGovern between $40,000 to $400,000 to persuade city officials against an EPS ban. “I think the ACC has been very effective in painting this issue not as one of a question of how best to protect the environment but how it pits the local taqueria on the street corner against government,” Liccardo says. “It doesn’t surprise me. We went through the same routine with the plastic bag ban. The plastic industry gave all types of money to engage in plastics recycling efforts, which most experts call futile. It was essentially an effort to forestall the ban.” Even the Environmental Services Department knows this to be true. According to a staff memo, an Aug. 8 public meeting featured DART representatives proposing a greater emphasis on reducing litter through more trash cans, public education and enforcement. “Each of these actions would be more costly to the city than a prohibition on EPS food ware,” the report concluded. Staff also noted that 90 percent of the counties and cities that have an EPS ban specifically intended to target restaurant to-go containers. Larger cities in the report “received no indications of adverse business or other negative economic effects due to the EPS ban in their community.” The problem, Kasa says, is corporations like DART and lobbyist groups like ACC have too much manpower and money if city officials are scared to take the next step— especially in an election year. “I met with seven members of the State Assembly and the Senate, and pretty much all of them said, ‘I don’t think we’re close yet,’” Kasa says of a trip Save Our Shores took to Sacramento last week. “One of the staffers told me, ‘You guys are here once or twice a year; these ACC guys are here 24/7.’”

First Prize:

$2000

Second Prize:

$500

Third Prize:

$200

Honorable Mentions: $50

GO TO WWW.CROSSROADSTRADING.COM FOR ALL THE DETAILS

We’re so excited we can hardly believe it!

Thank you Metro readers for voting us

“Best Organization Making a Difference” If you need food or want to join us in ending local hunger, please visit:

www.SHFB.org

APRIL 4-10, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com

implemented EPS bans. “You’re talking about a lot more stores, a lot more outreach, whereas with foam you only have to talk to restaurants. It requires a much smaller behavior change.” But for real change to occur, it seems a behavior shift needs to start at a place much higher than Main Street.


10

TECHNOLOGY & CULTURE IN SILICON VALLEY

BY BRENDAN NYSTEDT

metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

web: www.sv411.com twitter: 5sv411

FLA’s Brutal Apple Findings

:fej`[\i`e^ AfYjÊ g\eZ_Xek ]fi lee\Z\jjXip jZi\Xd`e^# BlkZ_\i j\\d\[ k_\ fYm`flj ZXjk`e^ Z_f`Z\%

Variety: Ashton Kutcher Cast as Steve Jobs Although the news was announced on April Fools’ Day, it appears there’s no foolin’ here: “Two and a Half Men” star (and Ooma entrepreneur) Ashton Kutcher has been cast as late Apple co-founder/CEO Steve Jobs in an upcoming biopic. It’s not the planned Sony film based on Walter Isaacson’s biography but rather an indie film directed by Joshua Michael Stern (director of the Kevin Costner flop “Swing Vote”), detailing Jobs’ journey “from wayward hippie to co-founder of Apple, where he became one of the most revered creative entrepreneurs of our time.” Although the 1999 made-for-TV film “Pirates of Silicon Valley” essentially covered the same ground, the filmmakers are banking on the huge interest in Jobs to make the film a success.

After their month of audits, interviews and surveys, the Fair Labor Association has come to a conclusion regarding the controversial Apple assembly lines in China. The introduction to the report immediately raises issues with working conditions, stating that the investigation “revealed serious and pressing noncompliances with FLA’s Workplace Code of Conduct, as well as Chinese labor law.” Foxconn’s workers were also found to be paid unfairly for overtime, working too many hours per week (the average having been found to be 56 hours per week), and 4 percent of the workforce interviewed were under 18 (16 being the legal age of employment in China). The full report is available on the FLA’s website. This investigation was more thorough than Apple’s past audits, and many of the suggested solutions have already been fasttracked for adoption by Foxconn.

PC Mag Picks iPad As Top Tablet PC Magazine’s Sascha Segan dealt a critical blow to Android-based tablet computers in an article outlining why he gave the new iPad an Editor’s Choice award. He says it’s not due to the iPad’s great hardware but rather to the higher quality of available software. He points a finger at Android app developers, who are all too willing to let Android tablets scale phone apps up instead of reworking the user interface for the big screen. There’s a lack of good, proper tablet applications, but the problem is exacerbated by compatibility issues and the shopping experience. Even though Google has recently consolidated its music, video and app stores into Google Play, it’s a mess. He writes: “Things get even worse when you realize Google Play shows different apps on its website and on

individual tablets; even though the Google Play website claims some apps run on an Asus Transformer Prime, the apps didn’t show up on Google Play on the Prime.” Even if it’s possible to track down a desired app, Segan details: “…you’ll discover that it’s ugly or nearly useless because it was designed for a 4-inch screen. The frustrating discovery process is one reason our software desk was able to come up with a list of The 100 Best iPad Apps but only 12 great Android tablet apps.” Ouch! Although apps don’t always make the platform, it’s true that it’s a major selling point for mobile computer users. Apple’s cutting edge app developers tend to come up with the best stuff for the iOS platform before Android gets it. When will Android tablets hit their stride?

Australia’s iPad Problem Australian owners of the new iPad are welcome to a no-questionsasked refund from Apple. Customers are upset because the so-called “Wi-Fi + 4G” model isn’t 4G in Australia. The iPad’s wireless chipset isn’t compatible with the Telstra 4G network in Australia. Even though the packages of the new iPad have a sticker on them (pictured below, thanks iFixIt) saying that only 3G speeds are capable down

8ljkiXc`Xej Xi\ jX`[ kf Y\ lg `e Xidj# Ylk k_fj\ Xidj Xi\ Xcjf _fc[`e^ \dgkp ZXej f] =fjk\iÊj# jf @Êd jli\ k_\pÊi\ Ó e\%


11 APRIL 4-10, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com

8e[if`[Êj e\ok kXYc\k gif[lZk `j jX`[ kf Y\ X g`\Z\ f] ^cXjj n`k_ [lZk kXg\ Xifle[ k_\ YXZb Xe[ \[^\j% N`e[fnj `j jX`[ kf Y\ m\ip \oZ`k\[%

under, customers have the ear of the Australian Competition and Consumer Commission. The ACCC is planning to lodge a complaint over false advertising. Apple has been quick to defend itself against the claims of false advertising, bringing up the fact that the lack of 4G was covered in the Australian media on top of the labels on the boxes of each sold there. Technically speaking, even though the network isn’t there, the iPads are still 4G-capable.

Google’s Wallet Strategy: Who Cares? Google has been pushing its contactless payment system for about a year now, without great adoption numbers. Even a quick, informal survey around the valley shows little excitement for a new

way to pay for things; a barista I quizzed at a Peet’s in Los Altos revealed that only five of the hundreds of industry regulars tap to take care of the tab for their daily cup-o-joe. If adoption is slow in the Silicon Valley, it’s got to be nonexistent in the “real world.” Google’s hoping that they can make it popular by repositioning the Wallet service. They’re hoping that by sharing revenue with wireless carriers, they can get extra promotion for the service. Carriers meanwhile are busily preparing their own payment system using NFC technology called ISIS. Google is hoping to head them off at the pass by making their system more attractive. But, other than for transit cards like the ever-so-useful Clipper card, does anyone actually need their phone to double as their wallet? Seriously.


12 metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

SanJoseInside.com An inside look at San Jose politics

BY RICH ROBINSON

A Rose of a Different Color

Veggielution’s Food and Art Fundraiser Friday, April 13th • 7pm–10pm • 2012 Devour a variety of farm fresh treats prepared by talented local chefs, and enjoy a silent art auction featuring farm-inspired art produced by visionary local artists.

$10 online, $12 at the door buy tickets at www.veggielution.org/avantgarden

NOTHING stings as much as a politician you helped gain public office betraying you. It’s not uncommon, but it doesn’t make the pain any less real. The result, of course, is predictable. The aggrieved party works doubly hard for the next opponent— which brings us to the sad case of Councilmember Rose Herrera. Herrera would not be a San Jose Councilmember if not for the support of progressives, local democrats and the South Bay Labor Council. Her first campaign for a District 8 seat was literally run out of labor’s headquarters. Her election solidified a majority of votes on the San Jose City Council for a progressive agenda—or so it appeared. But Herrera chose to abandon her progressive base and join the opposition and their much more conservative and anti–public employee agenda. Her defection was not simply a switch in policy but a complete transformation to becoming a staunch nemesis of her former supporters. It was not simply her support for an unconstitutional pension reform plan but binding arbitration, budget issues and development projects. To add insult to injury, Herrera often indicated she would support or oppose an issue only to change her mind the day of the vote—causing the further chagrin of her already disaffected former base. And regardless of how one might feel about the progressive agenda, being disappointed by a politician’s lack of allegiance to their previous stated values is an all-too-often occurrence in the business we call politics. So it is no surprise that many progressives are supporting East Side School Trustee Patricia MartinezRoach. Martinez-Roach is no stranger to politics, but she has rarely had

the support of establishment progressives. But she is willing to run against a turncoat councilmember and disaffected Herrera voters will support an ABR candidate (Anybody But Rose). If MartinezRoach can unite her neighborhood and education base along with establishment progressives, Herrera could face a tough election. Add to Herrera’s woes the candidacy of Jimmy Nguyen. Nguyen is bright, articulate, independent and has a responsible fiscal agenda that calls for a reduction of executive salaries and no tax increases. He is the type of person many voters say they want in public office. But such new, independent and outof-the-box candidates rarely win the first time out. Win or lose, Nguyen has a bright future and has impressed on the campaign circuit. So, Rose Herrera has some work cut out for her. As the incumbent, she is the natural favorite. She will not be able to rely on her former base, but incumbency has its own base of support. As for progressives and the unreliable elected officials who sometimes let them down, politics is a harsh mistress and, in the words of Hyman Roth in Godfather II, “This is the business we’ve chosen.”

CUBESOULS

Rose Herrera has the power of incumbency but her base of support appears weaker. Rich Robinson is a longtime political consultant in Silicon Valley who is currently working on Steve Kline’s District 6 campaign. Robinson’s columns for San Jose Inside are independent of his campaign duties.

citizen What matters in politics, said John Kennedy, is what gets done. Not what is said. Not what is promised. Ms. Herrera hasn’t gotten anything done for District 8. She takes credit for projects sponsored, enacted and begun under her predecessor. smexxi Please get your facts straight— Rose has done more than Cortese ever did for our district. For those of you even thinking of putting Patricia MartinezRoach in office ought to have their heads examined. Just look at her record at ESUHSD—she was ineffective, uninformed and in general a detriment to the district.

By John Rasmussen


11 13 APRIL A P R I L 4-10, 4 -10, 2012 | metr metrosiliconvalley.com osiliconvalley.com | sanjose.com m | metr metroactive.com oactive.com

Do the things you love to do, but don’t want to do alone. TM

0RRQOLJKW &UXLVHV Ü :LQH 7DVWLQJV +RW $LU %DOORRQLQJ Ü :RUOG 7UDYHO DQG 0RUH

We plan over 30 events every month. It’s That Easy! r k out ou

Chec , r online calenda what r e v o disc ds of thousan co cis n ra F San dy rs alrea e b m e m know!

800-386-0866 8 0 00 0 386-0866 00-386-0866

www.eventsandadventures.com www.even ntsandadventures.com

4H` ¶1\UL 4 H` ¶ 1\UL ( >LLR VM -\U -P[ULZZ ( > >LLR V L VM -\U -P[UL LZZ Join Join us us for for a week week of of fun fun and and fitness fitness aatt a b beautiful eautiful w wheelchair heelchair accessible accessible camp camp sset et iin n tthe he R Redwoods edwoods aabove bove SSanta anta C Cruz, ruz, C CA. A. E Exercise xercise eequipment quipment and and aadapted dapted aactivities ctivities sspecific pecific for for those those post post paralyzing paralyzing illness illness or or injury injury have have been been collected collected for for your your pleasure pleasure and and fitness fitness pursuits. pursuits. Mark Mark W Wellman, ellman, n the t he first first paraplegic paraplegic to to climb climb the t he peaks pea ks in in Yosemite, Yosemite, says says ““everyone ever yone sshould hould ggo o tto oC Camp amp M Metabolic. etabolic. II’ll ’ ll bbee tthere here aall ll w week e ek with wit h my my climbing climbing wall!” wa ll!”

$300 for $300 for one one week week SScholarships cholarships aavailable vailable Write for Write for more more information: information: CampMetabolic@gmail.com C ampMetabolic@gmail.com http://www.campmetabolic.org h ttp://w w w.campmetabolic.org

((559) 559) 4492-0022 92- 0022 Camp C amp M Metabolic etabolic is is n not ot a H Health e a lth C Care a re P Provider rov ide r oorr Health He a l t h C Care are Facility Fa c i l i t y

Camp C amp Activities: Activ ities: Exceptional Exceptiona l d dietetic ietetic ffood ood Cooking Cook ing llessons essons Weight Weight room room Aerobic A erobic eexercise xercise Yoga Y o ogga Sailing Sailing Pool Pool llounging ounging Swimming Sw imming Climbing Climbing wall wa l l Hand Haand cycling cycling Kayaking Kaya k ing in in the t he wild w ild Live Live music music by by the t he fireside fireside


metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

Jessica Shirley-Donnelly

14

SILICON ALLEYS

San Jose ’Borg TRAILING RAILING THE MYSTIC The trailer park on McLaughlin seems alive with the spirit of Herman Vetterling.

On the trail—and trailer park—of one of America’s great Swedenborgians, San Jose’s own Herman Vetterling By GARY SINGH

I

F ONE contemplates the San Jose condition through a polarity of native and exotic, then interesting street-level phenomena will occasionally manifest themselves on a higher plane. Sounds ridiculous, I know, but a recent coincidence proved that things are seldom as they seem. Stories exist beneath every rock and pebble of our landscape.

Five years ago, when I conjured up a travel guide to ignored interstices of San Jose, aptly titled Tour the Obscure, I did not know that behind the shattered topography of San Jose

Trailer Park at 527 McLaughlin, there lurked a secret esoteric history of the most exotic sort. For that story, I arbitrarily began the narrative at that street address. Since most people throughout San Jose seem unfamiliar with the rest of the city outside their own neighborhood, San Jose Trailer Park just seemed like an obscure domestic place to launch the tour. But now, five years later, thanks to the phenomenal research of Paul Tutwiler, Ph.D., a retired Catholic priest in Santa Cruz who specializes in oddball spiritual histories of our local region, I have learned that this exact same address was the home of one Mr. Herman Vetterling from 1901 to 1927. And who was he? I hear you ask. Vetterling was known in oddball esoteric circles by his pseudonym, Philangi Dasa, as he was the guy who published the first Buddhist periodical

anywhere in the United States, The Buddhist Ray, during the 1880s, from his home in the Santa Cruz Mountains. He also wrote the controversial 1887 book Swedenborg the Buddhist; or The Higher Swedenborgianism; Its Secrets; and Thibetan Origin. In that eclectic work, Vetterling put forth a dream dialog tracing the ideas of the influential 18th-century Swedish philosopher and scientist Emanuel Swedenborg all the way back to ancient Buddhist monks. Right or wrong, that book, along with The Buddhist Ray, was Philangi Dasa’s definitive output before he moved to 527 McLaughlin Ave. in San Jose, which was then just outside the city limits. Tutwiler connected all the dots in an article he wrote a few years ago for the Swedenborgian House of Studies at the Pacific School of Religion in Berkeley. With a drop-dead-gorgeous title—“Herman Vetterling, the Philosopher of San Jose; Philangi Dasa, the Buddhist of Santa Cruz”— the article elaborates on all phases of Vetterling’s life and career, especially

the time he spent as a physician and a farmer in San Jose. Turns out Vetterling was also one of the folks who helped launch what evolved into the Humane Society Silicon Valley. The facts are not entirely clear, but according to his obituary, he tried to open an animal shelter in Willow Glen in 1928, but the natives put a stop to it. He then opened the shelter on Stevens Creek Road before resigning “because of differences over the terms of a gift of a $50,000.” After he passed away in 1931, his caretaker remained at the same address, which was later listed as “San Jose Tourist Camp.” I guess that was before trailer parks became common. Maybe that’s how Team San Jose should market our city: build more tourist camps. But while in San Jose, Vetterling eventually left his esoteric version of Buddhism and put the final decadesB llong touches on his magnum opus, a 1,500-page exploration of the Protestant mystic Jakob Boehme, P aaptly titled The Iluminate of Goerlitz oor Jakob Boehme’s (1575-1624) Life and Philosophy: A Comparative Study. Yes, he P wrote most of this in San Jose, at 527 w McLaughlin. M After ingesting Tutwiler’s suburbia-shattering research on the life of Philangi Dasa, a.k.a. Herman Vetterling, I have a new appreciation for San Jose Trailer Park. When I chose that place to begin my tour of the obscure five years ago, I never knew there was a secret esoteric Swedenborgian Buddhist history beneath those environs. Sometimes one feels a natural calling to investigate anything that is hidden, and this discovery was a revelation. Beneath the native lies the exotic. According to natural law, one principle characterizing the San Jose condition is the law of polarity. Everything is a pair of opposites. All paradoxes of native San Jose and exotic San Jose shall be reconciled. From the darkest confines of suburbia at 527 McLaughlin, from the deepest mud, a lotus blooms.

Don’t Forget to Tip SiliconAlleys@metronews.com


11 15 APRIL A P R I L 4-10, 4 -10, 2012 | metr metrosiliconvalley.com osiliconvalley.com | sanjose.com m | metr metroactive.com oactive.com

Thank you for naming J. Lohr Vineyards & Wines the Best of Silicon Valley. Enjoy a private event, a wine and appetizer pairing or a seasonal dinner at our San Jose Wine Center!

J. LOHR SAN JOSE WINE CENTER 1000 Lenzen Avenue, San Jose • 408.918.2160 DAILY TASTING HOURS 10AM – 5PM

ACUPUNCTURE

I

HERBS

I

ENERGETICS

Make Your Passion

I

DIET

I

MASSAGE

Natural Health

Your Profession

Find out more about our Master of Traditional Chinese Medicine program at Five Branches University’s Open House Thursday April 12 in San Jose. OPEN HOUSE San Jose Campus Thursday April 12 6:00–8:00pm Email sjadmissions@ fivebranches.edu to RSVP

I

Nationally accredited and recognized as one of the nation’s top acupuncture programs

I

Federal financial aid available for tuition and living expenses

I

Flexible course schedules offered in English, Chinese, and Korean languages

I

Elective certificate programs and clinical externship opportunities abroad

Five BraNches UNIVERSITY Graduate School of Traditional Chinese Medicine San Jose: 3031 Tisch Way, (408) 260-0208 I Santa Cruz: 200 7th Avenue, (831) 476-9424

www.fivebranches.edu


metroactive.com metr oactive.com | sanjose.com s | metr metrosiliconvalley.com osiliconvallley.com | AAPRIL P R I L 4-10, 4 -10 2012

16

Bruce S Springsteen’s pringsteen’s show in Austin last month was compelling, political and urgent.

Wrecking W recki e ingg Call Call American rock A rock’s k’s senior k’ i stat statesman t ttesman BY B Y DAN DAN PULCRANO PULCRANO O w wants to hold the culprits accountable a


17 APRIL A P R I L 4-10, 4 -10, 2012 | metr metrosiliconvalley.com osiiliconvalley.com | sanjose.com m | metr metroactive.com oactive.com

Bruce Springs Springsteen steen and the E Street Band B April 24 at 8pm m HP P Pavilion, avilion, San S Jose TIckets TI ckets are $6 $68 68 and up

A

ROUND THE ROUND TH HE TIME that Bruce Springsteen’s Springstee en’s “Greetings From Asbury Park” Park” concert conccert posters appeared on telephone telep phone poles in my central central New New w Jersey Jersey hometown, 21 miles milles from Springsteen Springsteen’s, ’s, a Philadelphia Philadelphia h law firm began secretly secretly buying up parts of of the downtown.

The daily Home N News ews w speculated speculated that Arab oil mone moneyy was was behind behind the New N ew Bruns Brunswick wick land grab ggrab.. Then, after a lar large ge arson fir firee on a prime rretail etail ccorner, orner, m myy favorite faavoriite ccamera amera storee ffell stor eell to the wr wrecking eckiing ball. Blocks Blocks of historic buildings wer w weree boarded boarded

up and raze razed, ed, and the p poor, oor, lar largely gely black p population opu ulation w was as displac displaced. ed. When Wh th the h m he mystery yster t y buyer b er was buy was revealed, revealed,, everyone everyone seemed rrelieved elieved it was was Band-Aid Band d-Aid and baby baby shampoo shampoo manufacturer manufactu urer Johnson Johnson & JJohnson— ohnson— the pharmaceutical pharmaaceutical giant that subsequently subsequenttly er erected ected a 1616-story story I.M. Pei–designed Pei– designed headquar headquarters ters tower on a 20-acr 20-acre re campus campus wher wheree the old neighborhood neighborho ood of brick buildings once once stood. stood. d I remember, remem mber, as a high scho school ol journalist, j li , asking ki the h ccompany’s ompany’’s public rrelations elattions p person erson why why successive successive mayors mayors of N ma New ew Brunswick Brunswick and the surrounding surrrounding ccommunities ommunities always alwayys had d eexecutive xecutive positions positions at J&J. J&J. “We “W We encourage encourage civic involvement involvemen nt among our emplo employees,” yees,” she eexplained. xplain ned. (A (A subsequent mayor, maayor,

not a J&J employee, employee, went to ffederal ed ederal penitentiary penitentiary for for o corruption.) corruption.) The Th daily d il now ccalls alls ll the th transformation transffo ormation a mo model del redevelopment redevelopment that rreplaced eplaced what w an unnamed rresident esident ccalled alled “a gritty gritty wasteland, wasteland, home to dive dive bars, bars, greasy g easy gr spoons spoons and predators predators [wher [where] e] yyou ou walked walked in pairs, pairs, if you you walked walked at a all. all.”” That’s That’s the urban m myth. yth. For For me m me,, as an eighth grader grader,, it wasn’t wasn’t like like that t at all. The shopk shopkeepers eepers hir hired ed me m to paint signs and trusted me with w their h i shop h k keys. eys. I’d I’d climb li b thr through h ou ugh h their attics attics and the boarded-up boarded-up p apartments apartments to hop rrooftops. ooftops. The African-American African-American printer printeer showed me how to ink a Heide Heidelberg elberg press, press, and the Irish barb barber er always alwayys chatted chatted with me eeven ven though ther ttheree was was little little risk I’d I’d ever ever get a hair haircut. rcut.

Down the street, street,, Greasy Greasy Tony’s, To ony’s, a late late-night -night cheese cheese-steak -steak s grill, advertised adv d ertised ti d “No “No Charge Charge for Cha fo or Extra E t Grease” Grease” and, duringg the V Vietnam iietnam War, War, “Grease “Grease ffor o or P Peace.”’ e e.”’ When T eac Tony o on ny Giorgianni Giorgianni died in Arizona, A his 2008 2008 obituary obituary noted, ”Hee ultimately w was as forced fo orced to close ffor o or cconstruction onstruction of a Rutgers Ru utgers dormitor dormitoryy and a ccommercial ommercial building.“ building.“

Born to to W Wreck reck With W i h ne ith new w songs lik likee “Wrecking “W Wrecking ki Ball“ ll“ and “Death to My Hometown,“ H Brucee Springsteen has Bruc h ttaken aken aim at the decline and ccorporate orp porate mak makeovers eovers of Americ American an cities cities,, as a well as the financiers whose dis disinvestment sinvestment in

18


metroactive.com metr oactive.com | ssanjose.com anjose.com | metr metrosiliconvalley.com osiliconvalleey.com | AAPRIL P R I L 4-10, 4 -10 2012

18

SPRINGSTEEN SPRING S TEEN 17

Springsteen backsta backstage ge at Pretenders’ Shoreline with the P retenders’ 1995. Chrissie Hynde in 19 95. American manufactur American manufacturing ring has fueled demise.. their demise He’s He ’s kick kicked ed it up a notch, n , fr from om working-class rromanticizing omanticizing workin ng- class American frontal Americ an values to a fr ontal assault financial on the global financia al ssystem ystem and its tolerancee for toleranc fo or community-wrecking commun nity-wr - ecking criminality. and criminalit y. “Theyy destr destroyed our “The oyed ou ur families’ theyy to took homes,” factories and the o our homes ok ,” i “Death to Springsteen will sing in Hometown”” when My Hometown n he ccomes omes Pavilion to San JJose’s ose’s HP P avili v ion on April He’ll play 24. He ’ll pla ay in a vvenue enue named byy a ccomputer manufacturer b facturer that omputer manuf moved manufacturing Asia, mo ved its manufactur ring to A sia, in valleyy with initiativ initiatives underway a valle e under es way to soccer, build eexpensive xpensive so ccerr, ffootball ootball and stadia. baseball st adia. “Heree wher wheree the blo blood “Her ood is spilled, arena’s play the ar enaa’s filled,, and Giants pla ay game,” song the game ,” the title son ng in a testy, epitaph test y, ambivalent epit a to the aph stadium was demolished st adium that t w as home turff ffor tur o or his cconcert oncert ma marathons arathons ffor o or moree than thr three decades, mor ee dec ad des, as well as an ic icon on of his home st state’s tate’s rrebirth. ebirth.

San Jose: San Jose: N Nor o Cal or Cal’s ’s New N ew Jersey Jersey The April 24th date wil will ll b bee Springsteen’s Springsteen n’s fourth fo ourth performance perrfo ormance at HP P Pavilion, avilion, v , and he’s he’s played pllaayeed Shoreline Shoreline times, at least half a dozen tim mes, including Neil Young’s N eil Y oung’ o s first Bridge Bridgge Benefit show 1986 legendaryy one in 19 1995 in 19 86 and a legendar 95 Pretenders, with the Pr etenders, Steve Steeve Tyler Tyyler and Emmylou Harris,, for Young Emm myylou Harris fo or whom w Y o oung had written just writ ttten a song ccalled aalleed “Wrecking “W Wrecking Ball.” (The (The title is the only on nly thing in ccommon ommon with the Springsteen Sp pringsteen vversion eersion 17 yyears eears later. later. Excerpt Exxcerpt from from the Young/Harris me at the Y oung o g//Harris vversion: eersion: “Meet “ Wrecking W recking Ball… I’ll wear weaar something

pretty white..””)) pr ettty and white area His ties to our ar ea are are deeper, deeper, however, howe ver, because because eevery very trip included His par parents a visit to Mom. M ents moved moved to Belmont, 26 2 miles nor north th of San Jose, Jose, was when he w as 20, and Bruce Bruce rode rode motorcycles motor cycles on Sk Skyline yline R Road o oad and peninsula other p eniinsula back rroads oads during his Ba Bay ay Ar Area rea sswings. wings. took It to ok him h time to find his Bay B Ba ay Ar A Area ea gr ggroove, oove, though. h h The Th E Street Band was booked Str eet Ban nd w as b ooked to open open ffor or P o Paul Butterfield’s utttterfield’s Bet Better ttter Da Days ayys aul Bu Auditorium at the San JJose ose Civic A uditorium on Mar March ch 1, 1973, ac according cording to the Brucebase. West wiki Bruc e ebase . A ttwo-week wo -week W eest Coast C oast sswing win ng ccollapsed ollapsed after gigs in Bakersfield Stockton because Bak ersfield d and Sto ckton b ecause Butterfield, But terfield d, who who’d ’d indeed seen b better etter days, da ays y , ccouldn’t ould dn’t muster the ticket ticket sales. sales. Three later,, Springsteen Thr ee yyears e later ears Street and d the h E Str eet Band d played pla layed d Santa Santa University’s Toso Clara U o oso Pavilion Pavvilion nivversity’s T and,, in 1978, 19778, San JJose’s ose’s Center Center Performing Arts, ffor or P o erfo orm ming Ar ts, six months before Winterland b effo ore thee W iinterland show that Springsteen watchers Springstee en w atchers ccall all one of his greatest was gr eatest eever. ver. That w as the first time I’d perform I’ pringsteen p erfo orm live. live. d seen Springsteen Sp And,, yeah, yeah, it was was pretty pretty amazing watch speaker to w atch him h climb the sp eaker ack, jump jump off and slide acr oss the stack, across st stage knees,, perform st h knees perfo orm a half age on his hour vversion ersion of “Jungleland,” “Jungleland,”” then stage, ccollapse ollapse on n st age, get ccarried arried off on stretcher a str etcherr and, in a well played plaayed theatrical play, theatric al pla p ay, jump off and finish the set. hype The h yyp pe machine that Born ttoo Run engendered hardest Ru n engen ndered and the har dest industryy working cconcerts o erts in the industr onc took to ok their toll, and Springsteen became b ecame a rreflective eflective loner, loner, pondering pondering America’s Americ a’s dark side with an ac acoustic oustic guitar guit ar and d a ccassette assette recorder. recorder. He about sang ab out serial killers and insights derived Howard deriv ed from from o his rreadings eadings of How ard Zinn’s Zinn ’s A P People’s eeople’s Hist History orry of the Unit United teed States. September 1982, St taattees. In Septemb S er 19 82, he rreleased eleased Nebraska,, a critically Nebraska critically ccelebrated elebrated ccommercial ommerciaal dud that rremains emains one of his finest works w works.. Two months later,, Springsteen Springsteen’s T wo mo w onths later ’s late saxoph saxophonist, honist, Clarence Clarence Clemons, Clemons, played Keystone Palo pla ayed thee K eystone P alo Alto with his band, the t R Red eed Bank R Rockers. ockers. I overheard saying Bruce was o verheard a guy sa aying y Bruce w as in the aud audience. dience. Sur Suree enough, the ame out on the final rreclusive eclusive ar aartist tist ccame encore enc ore and dp performed erformed o some classic rrock ock ccovers overrs and the steam steamyy “Fire,” “Fire,” a


19

MOREE SPRING SPRINGSTEEN STEEN 21

APRIL A P R I L 4-10, 4 -10, 2012 | metr metrosiliconvalley.com ossiliconvalley.com | sanjose.com m | metr metroactive.com oactive.com

rrecognition. ecognition. He br ought his mom brought along as if to sa ay, he say, heyy look, lo ok, I finally went back to ccollege. ollege. byy In his South b Southwest keynote South hw west k eynote rremarks emarks last Austin, month in A ustin, Texas, T exas, Springsteen rreinvented ein nveented himself professorial as a pr offeessorial musicologist music ologist and about ttalked alk keed ab out the sociopolitical power so ciopolitical p ower of rrock ock & rroll. oll. He drew heavily dr ew hea avvily on his influences Elvis,, influenc es — Elvis Dylan,, Orbison,, JJames ames Br Brown, own,, etc etc.. — then ttalked alk keed ab about out himself a bit — “an aaverage verage guy with ma maybe ayybe an ab aboveoveaaverage veerage ttalent. alent.” And while he enter entertains tains ther theree is SJSU’ss Elizabeth Care SJSU’ Caret et with The Boss in 1996. an ur urgency gency to the message message.. Outsiders Outsider rs JJimmy immy Cliff, Cliff ff,, Alejandr Alejandro o song made famous b byy the P Pointer ointer Escovedo Esc ovedo and a Eric Bur Burdon don were were Sisters.. Then he stuck ar Sisters aaround ound and brought br ought ou out ut at a cconcert oncert that signed auto autographs. graphs. Legend Leggend has it he eevening. vening. Arcade Arrcade F Fire’s ire’s C Canadian anadian lead rrode ode up p on his chopp chopper, pper e , off offered ffeered to singer jump jumped ped off the st stage age during pay pa ay the ccover over and decl declined ined securit securityy Woody W o o dy Guthrie’s Gu uthrie ’ s “This L Land and is Y Your o our to w watch atch the show in the t cr crowd. owd. Land.” L and.” The late ’8 ’80s 0s and ear early rly ’9 ’90s 0s is Springsteen’s Springste een’s Silic Silicon on V Valley aalley not cconsidered onsidered Springs Springsteen’s steen’s best best appearance app earance figures figures into an 1818-city city period. p eriod. He married an and d div divorced orced U.S. U .S. tour th that hat includes industrial a sup supermodel, ermodel, fir fired ed hiss band and cities Alban Albany, ny, Newark, Newark,, Buffalo and attempted at tempted a ccareer areer at upb u upbeat eat p pop. op. Detroit Detr oit and d whose message rrelates elates Luckily, L uckilyy, none of the ab above bove lasted. to the Ame American erican dr dream. eam. Silic Silicon on Somehow,, Springsteen Somehow Springsteeen managed Valley V aalley is the th he ne next xt N New ew JJersey ersey and to find his ffooting. ooting. In 19 11995, 95, he Springsteen’s Springsteen p g n’s message g will echo off rreleased eleased “The Ghost off T Tom om o JJoad,” oad,” ,” the ar arena ena cceiling. eiling. rreflecting eflecting on JJohn ohn Stei Steinbeck’s inbeck’s “Grapes “Grap es of W Wrath” rath r ” cha character aracter in a It’s It ’s still fat fat a and eas easy sy up on bbankers ankerrs book b ook lar largely gely writ written ten in nL Los os Gatos Gatos.. It hill helped help ed bring Springste Springsteen een back to his rroots oots as a chronicler chronicler off the Americ America’s a’’s Up on bbankers an nkerrs hill the pparty’s artt y’s going battered bat tered working class and give give st rong … strong rrenewed enewed meaning to his h music music.. Send the rrobber obber bbarons arons straight straight ttoo hell The ne next xt yyear, ear, San JJose o St ose State ate The greedy gr eed dy thie thieves v es that came ar around ound University U niversity aawarded warded him m the the And ate ate th he flesh of eeverything verrything y Steinbeck Award, played Steinb eck A ward, and he pla ayed a they’ve the ey’ve found found o SJSU’s Event Center. solo cconcert oncert at SJSU’ J s Ev E ent C enter. Adele, attended, His mom, A dele, at ten nded, along havee gone unpunished Whose crimes criimes hav Steinbeck’s widow, Elaine.. with Steinb eck’s widow w, Elaine now Att the rreception afterwards, A eception afte erwards, Walk W aalk the st streets reets as fr free ee men now Springsteen,, who dropped drop pped out three Ocean after thr ee semesters at a Oc ean County College Toms River, C ounty C ollege in T om oms Riv er, N.J., N.J., byy th the academic seemed humbled b he ac ademic


metroactive.com metr oactive.com | ssanjose.com | metr metrosiliconvalley.com osiliconvallley.com | AAPRIL P R I L 4-10, 4 -10 2012

20 10


21 APRIL A P R I L 4-10, 4 -10, 2012 | metr metrosiliconvalley.com osiiliconvalley.com | sanjose.com m | metr metroactive.com oactive.com

Still The Boss Springstee Springsteen’s S i en’s ‘Wrecking ‘W Wrrecking ki Ball’ B ll’ captures the th he rage of a country co ountry battered and a betrayed by y the one percent pe ercent BBYY SSARAH ARAH JAFFE JAFFE

I

HAVE spent my HAVE m life judging the distance diistance between American Amerrican reality and the e American American dream,” Bruce Springsteen Sprringsteen told reporters after afte er playing his new record, Wrecking Wrecking r Ball. Ball. That judgment, judgmen nt, on the new record, feels harsh, h foreboding and yet ye et hopeful and defiant in the face of everything. hi Springsteen long ago o achie achieved ved that Americ American an Dr Dream, eam,, but he he’s ’s never never stopped stopp ed singing ab about out the p people eople he gr grew ew up with, never never er stopped stopped identifying identif fying y as a memb member e of the er working class class..

Got

Cellulite?

Get

On Wrecking Ball,, as with so many Wrecking Ball man ny of his b best est rrecords, ecords, he brings us a cast aree at times cast of characters charracters that ar worlds aaway way from from our own lives, lives, and at times uncomfortably timees unc omffo ortably like like us; he echo echoes oes America America back at it, transcending likee “red” transcendin ng divisions lik “red” and “blue “blue.” .” “A “A big promise prromise has been been broken. broken. You Yo ou can’t can’t have have a United ha United States States if you you are are telling some s ffolks olks o that they they can’t can’t t Ther get on the train. Theree is a cracking point wher re a so ciety collapses. collapses. point where society Yo ou can’t can’t have have a civilization wher ha You wheree something is factionalized lik likee this,” this,” he told Thee Guar Guardian. dian. Springsteen Springsteeen ccomes omes from from a long tradition of American of Americ an protest protest music, music, folk fo olk and country, countr o y, Johnny Johnny Cash Cash

23

Cellulaze!

Age Defy is proud to offer Cellulaze® The first and only FDA-approved, single cellulite treatment.

Call today for your complimentary Consultation and be cellulite-free this Summer! 3803 South Bascom Ave., Ste. 200, Campbell agedefy.com • 877-AGE-DEFY


metroactive.com metr oactive.com | sanjose.com s | metr metrosiliconvalley.com osiliconvallley.com | AAPRIL P R I L 4-10, 4 -10 2012

22

SPRINGSTEEN SPRING STEEN 21

Join us for for wine, wine, chocolate, choccolate, and sa savory vory tastings fr om mor e th han 70 of the Ba from more than Bayy A rea’s finest winer ie es, chocolatiers, chocolatiers, Area’s wineries, rrestaurants estaurants and d br breweries. eweries. Enjoy the breathtaking Enjoy breathtakin ng view view,, liv live e music byy The b The Garage Garage Band Band,, OMG!, P Pearl earl Alley, Alleyy, and Peninsula Peninsula Symphony, Symph hony, plus a silent silent auc tion, and a live live auction a tion called b auc auction, byy Gary G ary Scott Scott Thomas Thomass of KRTY KRTY radio. radio. All pr All proceeds oceeds benefit EHC Lif LifeBuilders, eBuilders, the leading pr provider ovide er of shelt shelter er and ser vices ffor or homeles services homelesss individuals and families in Silic Silicon con V Valley. aalley. TTickets ickets are are available availlable now now at at www.RiversofCh www.RiversofChocolate.org. hocolate.org.

and P Pete ete Seeger Seeger—with —with h whom he performed p erfo ormed at Pr President esiden nt Obama’ Obama’s ’s inauguration,, and wh hose songs he whose 2006 rre-created e- created in his 20 06 rrecord ecord We Overcome: Seeger Sessions.. Shall Ov ercome: The Se eger Sessions however, perhaps On this album, how wever, p erhaps American troubadour best the Americ an tr oubad dour he b est Woody Guthrie, rrecalls ecalls is W oody Guth hrie, whose Depression gave songs of the Depr essio on ga ave a vvoice oice to the lost characters struggling s to humanity facee off a rretain etain i their h i h humanit i y in i the h ffac economic punishing ec onomic crisis ccrisis.. It’s working-class It ’s a workingt class tradition, police officers as at home with p olice offic ers as prisoners,, with union workers with prisoners u work ers runaway teenagers, spacee and runa away teenager rs, with spac new ffor or o all the fforgotten. o orgotten. ((On On the ne w “Land Hopee and Dreams,” song “L and of Hop a Dr eams,” “whores es and Springsteen mentionss “whor gamblers”” in a slightlyy trite but those honest tribute to thos se who work economy outside the official ec o my but onom moree honest nonetheless do mor h work bankers upon than the bank ers up on n whom he scorn.) heaps sc orn.)

A Class A Act ct By the time Springste Springsteen en st started arted ccomposing omposing his o odes des to o the industrial workingworking class in the 19 970s, it w as working-class 1970s, was already alr eady dying; he didn didn’t n’t know it that’s tension then and that ’s the ten nsion at the heartt of probably hear probably his b best est album, Born ttoo R Run, un, a rrecord ecord that t ccelebrated elebrated the willingness to esc escape a e rather ap urgent stay than the ur gent need to st ay and embody that was already emb ody something th hat w as alr eady disappearing. disapp earing. thoughtful, three ee But he rreturned, eturned, th houghttful, thr Darkness yyears ears later to the Dark kness on the Town, Edge of T oown, an album m ffor o or which manyy songs he rrecorded ecorded so man s that didn’t makee it wer weree the ones that didn ’t mak m The Promise, rreleased eleased in 2010 as Th he Pr omise, and never leaving. he ne ver again cconsidered onsideered lea avving. Brucee didn didn’t Zuccotti Bruc ’t show up u in Z uccotttti Park Wisconsin P ark or in W isc i onsin eeven ven when class-conscious other classconscious rrockers ockers did (likee T Tom Morello, with (lik om o Mor ello, wi th whom he haunting ccollaborates ollaborates on the ha aunting track Depression”), but “This Depr ession”),, bu ut instead, maybe was home ma ayb y e he w as at hom me figuring out interpret how to interpr et the rage r and the manyy uprising to his aging fanbase ffanbase,, man didn’t anything wrong of whom didn ’t see an nything wr ong Reagan amp with the R eagan e ccampaign’s paign’s use of USA.” “Born in the US A.” temper America] “The temp er [of Am merica] has people streets changed. And p eople on the str eets

Street did it. Occupy Occu upy Wall Str eet changed national the nation nal cconversation—the onversation—the Tea Party T eea P arty had h set it ffor o or a while,” while,” Springsteen Guardian. Springstee en told The Guar dian. way best He has a w ay of seeing the b est of America—not Americ a— —not in a ccan’t-we-all-getan’t-we-all-getway along w ay or a gung-ho nationalist one,, but o on level. one n a deep emotional le vel. With Devils Dust,, he ccaptured W iith De viils and Dust aptured sadness all the sadn ness that we had buried

Therre’s rage There’s g aplenty aple p enty y on the th new album—as albu um—as Springsteen Spri p ingsteen g noted, note ted, d, “Wh “Whatt wass d done to our our country coun ntry y was wrong wrong g and d unpatriotic unp p t i ti patriotic and d unun American Ame erican and nobody nob ody y has been b n held h ld to t acco ount.” account.” beneath our partisan b eneath ou ur par tisan rage, rage, at just broken weree in the how br oken e things wer middle of the Bush era, and with The Rising, unity, Rising g, he channeled c the unit y, the solidarityy we solidarit w ffelt eelt ffor or o a brief moment, beauty finding b eauty in mourning and tragedy. tragedy y. There’s aplentyy on the ne new Ther e’s rage r aplent w album—ass Springsteen noted, was “What w a done to our ccountry as ountry was wrong w as wr ongg and unpatriotic and unAmerican nobody been Americ an and nob ody has b een held account.” to ac countt.” characters populate The char racters who p opulate Wrecking rage,, struggle Wr ecking Ball B feel feel e that rage draw against it,, giv ggivee in to it,, use it to dra aw strength from poison str ength fr rom and let it p oison them. It’s big-sounding It ’s a big g-sounding record, record,, with the band—the full band— —the last album on which Clarence Clemons,, the Big Man, Clar ence Clemons C


23 sound like like a threat, threat, but rreally eally it it’s ’s a lament and d a pr promise omise of rrevenge, evenge, ccontrasting ontrastingg the de devastation vastation of w war ar economic with the ec conomic assault that too too manyy hom hometowns have man metowns ha ave ffelt. eelt. echoes The title echo es Bruce’s Bruce’s classic Hometown,” was “My Home etown,”” which w as a quiet ccelebration elebration n of a fading but still-vital still-vital town. martial small town n. By ccontrast, ontrast, the mar tial beat heree iss the sound of the town town’s b eat her ’s rresidents esidents id t marshaling m h li to t fight fi ht back. b k

Reborn Rebor rn to to Run The title tr est songs track, rack,, lik likee the b best on The Rising, Risiing, wraps ffear eear and anger in ccelebration. elebratiion. “T Taake yyour our b est shot,”” “Take best Springsteen n dar es us, us, and the whole dares band backss him up —the Big Man ’s up—the Man’s sax rreminding emind ding us that we ’re not we’re alone l . alone. “Hold tig ght to yyour our anger ,” he tight anger,” ccommands ommandss us ecause when yyou’re ou’re us,, b because angr ou b egin to get things done angryy yyou begin done,, yyou ou dar o fight,, yyou ou ccan an change daree to things a aptur es the ffeeling eeeling things.. It ccaptures of pr otesterrs daring the ccops ops to protesters arr est them m,, strikers strikers daring the arrest them, b oss to fforce o orce cuts, cuts, a ccapitol apitol full of boss W iisconsiniites daring Sc ott Walk er to Wisconsinites Scott Walker do his wors st. worst. The closi ing song We Ar e,” closing song,, “W “We Aree Aliv Alive,” harks back to Guthrie and Seeger Seeger,, to the ffolksingers o olkssingers of the past, to JJoe oe Hill and th he union song writers who the songwriters ccarried arried the lab or movement, movement, to Civil labor Rights mar rchers and the songs the marchers theyy sang igrants who struggled sang,, to mi migrants to cr oss thee b order. T o those who cross border. To ffought ought and o d wer for o gotten. It ’s a weree forgotten. It’s hop eful,, beautiful beautiful e hopeful, sentiment to end with: that Americ A as built b Americaa w was byy work ers, activists acctivists and immigrants workers, immigrants,, and man o them wer manyy of weree willing to la ay down th heir liv es to do so lay their lives so.. Bruc pringsteen still sees the Brucee Sp Springsteen b est in us a we ccan an only hope hope that best us,, and we actuallyy liv livee up to it.

Sarah Jaffe e is an associate editor et, a rabblerouser and at AlterN AlterNet, frequent Twitterer T r. Y ou can follow o Twitterer. You her at @se easonothebitch. @seasonothebitch. © 2012 Inde ependent Media Institut te. Independent Institute. All rights rreserved. esserved.

Enhance your FUTURE!

Open House Â

11 11th 1th April 7:00pm - 8:30pm 15th 15 5th April 1:30pm - 4:00pm

ơ ǣ

Ƭ Ƥ T (408)733 1878 F (408)636 7705

Our clinic opens ope

7 days d aw week!

Ƭ Ƭ

T T

Chinese Medicin Medicine Sp ecialists Specialists

www.uewm.edu ewm.edu E info@uewm.edu info@uuewm.edu

W

595 Lawrence Expressway, Expressway, Sunn Sunnyvale yvvale CA 94085

C E L B R AT I N G

WEEKDAY BREAKFAST SPECIAL Buy One Get One HALF OFF Valid Mon-Thurs. Exp. 4/30/12

2 0

Y E A R S !

20 DAILY OMELETTE SELECTIONS OPEN E VERY DAY 7am to 3pm

Thank You for voting us BREAKFAST AND LUNCH “Best” 1595 Franklin St. at Winchester, Santa Clara Breakfast! 408·247·7272 X www.SarasKitchen.biz

APRIL A P R I L 4-10, 4 -10, 2012 | metr metrosiliconvalley.com osiiliconvalley.com | sanjose.com m | metr metroactive.com oactive.com

Springsteen’s long Springsteen’s longtime timee saxophone player pla ayer who so memora memorably ably grac graced ed the ccover over of Born ttoo R Run, un, and an nd who died played—echoing last yyear, ear, pla ayed— echo oing the sound creating spacee big of The Rising and cr eatting a spac enough to hold all thee cconflicting onflicting emotions.. It It’s angryy and sorrowful, emotions ’s angr an nd sorr owful, sexy optimistic,, dreamy se xy and optimistic drreamy and rreal. eal. opener, “We The op ener, “W We Take Taak ke Care Care of Our likee “Born in thee US USA,” Own,”” lik A,”” will bee misinterp misinterpreted, no doubt d bt b i i t preted, t d, but b t it’s it ’s actually ccelebrating elebratingg the kind of disaster solidarity Rebecca solidarity that R eebecca Solnit described book describ ed in her b ook A Paradise Hell.. Built in Hell Not does N ot ffor o or nothing do e he rreference es effeerence New Orleans,, the Sup Superdome, N ew Orleans e dome, where er where Americans Americ ans had to help p each other government when the go vernmentt so ccolossally olossally failed them. God Go d and guns show up on this maybe moree than Bruce’s rrecord ecord ma ayb ybe mor tha han Bruc B e’s liberal like, lib eral fans would lik e, but that’s that’s partt of the stor storyy to too—the threat par o—tthe thr eat violencee ho hovers beneath of violenc vers just b eneath the surface “Easyy Mone Money” sur face of “Eas y” and “Jack y” “Jack of Trades,,” the lat latter All Trades ttter the th he vvoice oice of a moree stroke man just one mor strok o e of bad luck from breaking point, aaway way fr om his br eakingg p oint,, the already broken fformer ormer alr o eady br ok keen and out to get his,, no mat matter gets way. his ter what get ts in his w ay. Trades The JJack ack of All Trad des will “take “take work/ God the h work k / that h Go d provides” provides” id ” to provide family, pr ovide ffor or o his family y, any an ny work that way, likee so man many ccomes omes his w ay, lik m ny of the unemployed millions still unemplo yed right now. now. violence, deep anger,, The violenc e, the de ep ccold old anger both in b oth these songs rreminds em minds us how linked God intimately link ed Go d and guns still aree in so man many parts ar ny par ts off this ccountry, ountry, Americans both and that Americ ans on nb oth sides political know of the p olitical aisle kn now that the was financial meltdown w a something as us,, and that th there done to us here were were people p eople rresponsible esponsible ffor o or it. Trades If the JJack ack of All Tra ades is promising bee OK, pr omising that things will w b Everyman Depression” the Ev eryman of “Thiss Depr ession” it’s be. knows it ’s not going to ob e. You imagine Y ou ccan o an almost imag gine the have bed, shift—the kids ha ave gone go one to b ed, the bedroom ccouple ouple steps into their b edroom and another, ccollapse ollapse against one an nother, and breathes partner’s he br eathes a sigh into o his par tner’s begs ear and b egs ffor or o their lo llove ve not to fracturee as their mater material life fractur rial lif fe gets harder. makee it without har der. I will not mak loving me,, he sa says, yyou ou lo ving me ayys, and ccaptures aptures worker all the torment of a wo orker whose was pride w as lost with his ability ability to provide. pr ovide. Hometown” “Death to My Home etown” might


metroactive.com metr oactive.com | ssanjose.com | metr metrosiliconvalley.com osiliconvallley.com | AAPRIL P R I L 4-10, 4 -10 2012

24 10


Stett Holbrook

SVDINING

THINKING HINKING INSIDE THE BOX The dishes at Asian Box come in convenient compostable paper containers.

P Palo l Alt Alto’s ’ new A Asian i B Box restaurant brings flavor and local ingredients to fast food By

STETT HOLBROOK

F

AST FOOD isn’t going away anytime soon. Nor should it. Sit-down meals are a great and necessary part of life, but so is a quick meal when you’re short on time and money. These days, we seem to have more time for the latter than the former. Such is life in Silicon Valley. The trouble is that greasy, unhealthy, industrial fast food dominates the quick-meal landscape. But Palo Alto’s new Asian Box offers something different. Asian Box’s executive chef is

Grace Nguyen, a former chef at San Francisco’s Slanted Door and Out the Door. Based on flavors from Vietnamese and street-food traditions, Asian Box offers quick, fresh and flavorful boxes of food. Yes, boxes. Whether you eat inside the Spartan dining room at the central communal table, outside on a metal table or in your car, all the food comes in a brown, compostable paper box. It’s basically the rice or noodle bowl concept served in a box. It’s easy to see more locations popping up and indeed two more Bay Area restaurants are in the works. The ingredients Asian Box uses are several steps above what you find at the vast majority of fast-

restaurants The produce produc is food restaurants. locally sourced, much of it organic or sustainably produced. The meats come from sustainably minded purveyors like Niman Ranch. The shrimp comes from the Philippines, but is farmed with ecologically sound methods, the restaurant says. On weekdays at noon, the place is mobbed by Palo Alto High School students who cross the street from their campus to the Town and Country Village mall to grab a fast lunch, testament to the Asian Box’s fast-food concept. But the crowds move in and out rather quickly. People eat and go. To order you get a few choices: rice (brown or white), noodles or vegetables; beef ($8.25), pork ($7.75), chicken ($7.25), shrimp ($8.25) or tofu ($6.95); and vegetables (steamed or stir-fried) and sauces. The choices are limited, but mixing and matching gives you a number of options. I liked the coconut curry tofu with vegetables and the lime-basil shrimp

The ingredients Asian Box uses are several steps above what you find at the vast majority of fast-food restaurants. The produce is locally sourced, much of it organic or sustainably produced. If you need something more than a box of food, Asian Box makes decent spring rolls ($3.25) with shrimp or tofu and “jungle jerky” ($2.75), beef jerky with Southeast Asian spices. Drinks ($2.95) include Vietnamese iced coffee, a rather watery mint/green tea and lemon-lime marmalade. It would be great if we lived in a world where we could all enjoy leisurely meals at home or in restaurants all the time, but we don’t. Asian Box fills the need for high quality, fresh food served in a hurry quite well.

Asian Box 855 El Camino Real (Town and Country Village), Palo Alto 650.391.9305

25 APRIL 4-10, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com

Boxing Days

with the rice noodles best. The curry is mildly sweet and rich without being too gooey or cloying. While a serving of three shrimps seems a bit stingy, they are plump and well suited to the caramelized, tangy citrus seasoning. The noodles are made with a light mushroom broth, which adds another layer of flavor.


metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

26

SVDINING

More dining coverage

Our selective list of area restaurants includes those that have been favorably reviewed in print by Metro food critics and others that have been sampled but not reviewed in print. All visits by our writers are made anonymously, and all expenses are paid by Metro. Updates from vigilant readers and listed restaurateurs are heartily encouraged; please submit via email to sholbrook@metronews.com.

Los Altos

LOS ALTOS GRILL American.

$$. Nigiri and maki treasures are gracefully presented at this attractive restaurant. Beer, wine. 11:30am-2pm Tue-Fri, 5-9pm Tue-Sat. 250 Third St. 650.941.8150.

$$. The handsome Los Altos Grill celebrates big plates of grilled meat and fish with plenty of fixings on the side. Try the spit-roasted chicken, fresh fish and big burgers. The long, horseshoe-shaped bar is a big draw, too. Full bar. 4:30-9:30pm Sun-Mon, 4:3010pm Tue-Sat. 233 Third St. 650.948.3524.

ALDO LOS ALTOS Italian. $$.

SATURA CAKES French-

¿book online at losaltos.net

AKANE Japanese/sushi bar.

Downtown Los Altos is ghostly quiet after dark but Aldo has injected some life into this corner of town with its lively wine bar, friendly service and welcoming atmosphere. 11am2pm, Mon-Fri; 5pm-close daily. 388 Main St. 650.949.2300.

BEAUSÉJOUR Continental. $$$. Elegant seafood, meat and game dishes lean toward reducing fat without compromising taste. Call for reservations. Full bar. Lunch 11:30am-2pm Mon-Fri; 5-9pm daily. 170 State St. 650.948.1382.

CHEF CHU’S Chinese. $$. Speedy service, superb preparation and the ability to cater to varied tastes keep this landmark in business. Full bar. 11:30am-9:30pm Mon-Thu, 11:30-10pm Fri, noon-10pm Sat, noon-9:30pm Sun. 1067 N. San Antonio Rd. 650.948.2696. ESTRELLITA RESTAURANT Mexican. $$. Estrellita’s reverence for regional Mexican cooking distinguishes it from the enchilada-and-taco masses. The menu is full of Mexican-American standards, but the changing selection of specials make this restaurant a star. Full bar. 11am-2pm, 5-9pm Mon-Thu, 11am-2pm, 5-9:30pm Fri-Sat, 5-9pm Sun. 971 N. San Antonio Rd. 650.948.9865.

Japanese bakery. $. Satura Cakes offers sweet treats for adult tastes. A Japanese take on a French patisserie, these confections are prepared fresh daily and meticulously crafted using the finest organic ingredients. 8am-8pm daily. 200 Main St. 650.948.3300. (Also 320 University Ave, Palo Alto. 650.326.3393.)

SUMIKA Japanese. $$. Sumika is a Japanese pub, but that doesn’t do it justice. It’s elegant, yet still a great place to drink beer and sake. The specialty is kushiyaki, small bites of grilled chicken, beef and vegetables cooked on bamboo skewers over charcoal. 11:30am-2pm, 6-10pm Tue-Fri, 11:30am2pm, 5:30-11pm Sat, 5-9pm Sun. 236 Central Plaza. 650.917.1822.

SANJOSE.COM

¿= book online $ = $10 $$ = $11-$15 $$$ = $16-$20 $$$$ = $21 and up Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

surprises. The ace service matches the smart setting. Full bar. 11:30am-10pm MonFri, 10:30am-10:30pm Sat, 10:30am-9:30pm Sun. 50 University Ave. 408.354.8118.

CIN-CIN Eclectic wine bar. $$$. The heart of Cin-Cin’s menu is an eclectic mix of small plates, tapas-size dishes that partner well with a great wine list. 4-10pm Mon-Sat. 368 Village Way. 408.354.8006.

DIO DEKA Greek. $$$. Dio Deka is doing its part to elevate Greek food in Silicon Valley. There’s much to recommend at this handsome restaurant. Most starters are large so they’re best shared. 5:30-10pm Mon-Thu, 5-10pm Fri-Sat, 5-9pm Sun. 210 E. Main St. 408.354.7700. FLEUR DE COCOA French

¿book online at losgatos.com

bakery. $$. Almond croissant. Almond croissant. Almond croissant. Los Gatos’ Fleur de Cocoa is rightly known for its chocolate confections and pastries, but I can’t stop thinking about the little pastry shop’s spectacular almond croissants. There’s plenty of other good stuff and not all of it sweet, like the croque monsieur and the quiche. 7:30am-6pm Tue-Sat, 8am-4pm Sun. 39 N. Santa Cruz Ave. 408.354.3574.

ALDO’S Italian. $$$. A warm

FORBES MILL STEAKHOUSE

and engaging atmosphere sets the scene for fullbodied flavors and healthy ingredients. 11:30am-2:30pm Mon-Fri, 5-9pm Thu, 5-10pm Fri-Sat. 14109 Winchester Blvd. 408.374.1808.

Steakhouse. $$$$. When Metro first checked in with Forbes Mill in 2003, it was called “a big, burly brasserie equipped with style as well as substance.” It’s holding up well and still does things in a big way. 5-9pm SunThu, 5-10pm Fri-Sat. 206 N. Santa Cruz Ave. 408.395.6434.

Los Gatos

CALIFORNIA CAFE New American. $$$. An innovative approach to Pacific Rim staples makes for some lovely

28


Eliza Lamson

LIVE FEED

TRADITION Krung Thai has been serving Thai food for 20 years.

Thai Notions

T

HE AREA around Santa Clara boasts a number of excellent ethnic restaurants that draw lively crowds with canny combinations of good food, intriguing decor and reasonable prices. Our culinary correspondent on the scene, Eliza Lamson, sampled five of the best.

THAIBODIA Thaibodia boasts one of the best lunch deals I’ve come across at the Thai restaurants near Santa Clara University. Lunch guests choose one entree from a list of 20 dishes that can either be made with chicken, pork or tofu. The entree comes with a good bowl of soup and a plate of Thai salad, all for $7.95. The dining room is filled with smooth, dark wood tables, exotic plants and traditional Thai art. 2155 El Camino Real, Santa Clara; 408.248.8868 KRUNG THAI Krung Thai has been serving traditional Thai food for almost two decades. The dishes and the exotic décor come straight from owner Prapa Siripakdi’s parents’ restaurant in Thailand. From the 118-plus dishes to the antique cowbells framed on the wall, Krung Thai is the real deal. The interior of the restaurant is sophisticated, with dusty-rose paint on the walls and fresh flowers on every table. More importantly, the pad thai is some of the best around. When paired with the chicken satay and tom khah gai soup, Krung Thai is hard to beat. 580 N. Winchester Blvd.; 408. 248.3435 SIAM FINE THAI Don’t let the plain walls of Siam Fine Thai deter you from sampling excellent Thai food. Located in a tiny space near Santana Row, Siam Fine Thai may not look like much but this fact is easily forgotten when one is seated and presented with some wonderful Thai dishes. The yellow curry is masterfully prepared with tofu and vegetables with a thick texture not found at most restaurants. The pad thai is also fantastic, and a squirt of the lime that accompanies it makes it a dish to be reckoned with. Quick service accompanied by many smiles makes this hole-in-the-wall restaurant a satisfying experience. 2910 Stevens Creek Blvd., San Jose; 408.246.0304 JASMINE FINE THAI Jasmine Fine Thai—a favorite of many Santa Clara University students—offers unusual takes on traditional Thai fare in an exotic and tastefully decorated setting. Despite the classy appearance and great food, Jasmine won’t put a large dent in your budget. Jasmine offers a varied wine, beer and cocktail list and many exceptional dishes, including its tom khah soup, which is perfect for sharing. Jasmine’s Miss Saigon spring rolls are also a great way to start a meal. 1211 Franklin Mall, Santa Clara; 408.246.3943 WHITE ELEPHANT This cute little restaurant just opened up on El Camino Real. The interior is fairly simple yet tastefully appointed. Not only does the White Elephant serve tasty traditional Thai food, it also offers delicious sushi and, surprisingly, steak and burgers. This strange mix of dishes results in a pleasant dining experience with something for everyone to enjoy. 930 El Camino Real, Santa Clara; 408.987.9373.—Eliza Lamson

APRIL 4-10, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com

Twitter.com/SVDining

27


metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

28

SVDINING 26 GREEN PAPAYA Vietnamese. $$. California cuisine meets Southeast Asia by way of Paris, with inventive updates of clay pot and five-spice authentica. Beer, wine. 11am-3pm, 5-9:30pm TueSun. 137 N. Santa Cruz Ave. 408.395.9115.

More dining coverage

NICK’S ON MAIN American. $$$. Nick’s on Main is a relaxed but elegant bistro full of neighborly charm and is a showcase for owner Nick Difu’s decadent and deeply satisfying style of cooking. 11:30am-3pm, 5-9:30pm Tue-Sat. 35 E. Main St. 408.399.6457. PASTARIA & MARKET

I GATTI New Italian. $$$. I Gatti fits like a glove along peaceful Main Street. The chef understands the basics but isn’t afraid to create refreshing twists on traditional recipes. 11:30am-2pm, 59:30pm Mon-Sat, 5-9pm Sun 25 E. Main St. 408.399.5180.

KAMAKURA SUSHI AND SAKE HOUSE Sushi bar classics. $$. In a smart setting, Kamakura showcases a procession of impeccable sushi and sashimi platters. 10:30am-2pm, 5:30-10pm daily. 135 N. Santa Cruz Ave. 408.395.6650.

LOS GATOS BREWING CO. Brewpub. $$$. Most brewpubs seem to be cooking from the same menu, but executive chef Jim Stump has created a diverse menu of upscale comfort food that goes well beyond burgers and grilledchicken sandwiches. The handsome wood-accented interior and open kitchen with its wood-fired pizza oven and rotisserie grill add to the restaurant’s appeal. Breakfast 10am-2pm Sat-Sun; lunch 11:30am-3pm; dinner 5-9pm daily. 130 N. Santa Cruz Ave. 408.395.9929.

MAIN STREET BURGERS Burgers. $. Main Street Burgers offers fast-food convenience, affordable prices and food made with ingredients that are higher quality and more healthful than what you’d find at the golden arches. 11am-8:30pm Mon-Thu, 9am-9pm Fri-Sat, 9am-8:30pm Sun. 20 S. Santa Cruz Ave. 408.354.1881.

MANRESA High concept. $$$$. Drawing from produce grown at his own farm, superstar chef David Kinch is blazing a trail of high caliber cuisine that’s as daring as it is delicious. Expensive but worth it. 320 Village Lane. 408.354.4330.

Italian. $$. Pastaria offers reasonably priced comfort food in an unpretentious but lively atmosphere. 5-9:30pm Mon-Thu, 5-10pm Fri-Sun. 49 E. Main St. 408.399.3477.

RESTAURANT JAMES RANDALL Californian. $$$. Chef and co-owner Ross Hanson takes his cues from the seasons and favors a simple, ingredient-driven approach that places it squarely in the California school of cooking. He favors big, robust flavors and large serving sizes to create a kind of California comfort food. 5:30-11pm Tue-Sat. 303 N. Santa Cruz Ave. 408.395.4441.

STEAMER’S New American. $$$. Styling itself as a grill house, Steamer’s includes rotisserie meats and fragrant grilled chops in addition to fresh fish. Quality control and service are excellent. Full bar. 11:30am-2:30pm, 5-9:30pm daily. 31 University Ave. 408.395.2722. TANDOORI OVEN Indian. $. Tandoori Oven has quickly found its niche in Los Gatos among the burrito joints, sushi spots and upscale restaurants with its madeto-order curry dishes and spicy north Indian fare at good prices. 11:30am-9:30pm daily. 133 N. Santa Cruz Ave., Los Gatos, 408.395.1784; 1875 S. Bascom Ave., Campbell, 408.559.3885; and 109 S. First St., San Jose, 408.292.7222.

TAPESTRY Contemporary haute. $$$. Right on the main street, this cottagelike spot blends traditional French cooking with contemporary fusion: filet mignon with Mongolian-style brown sauce; crayfish chow mein. Elegant and friendly. 11:30am-2pm, 5-10pm TueSat, 5-9pm Sun. 11 College Ave. 408.395.2808.

SANJOSE.COM

THREE DEGREES Eclectic, California. $$$. Set inside the beautifully remodeled Toll House Hotel, Three Degrees delivers a mixed bag of big and small plates from an eclectic menu. Some dishes, like the New York steak, are great, but others fall flat. Full bar. Breakfast 6:30-11am MonFri; dinner 3-10pm daily. 140 S. Santa Cruz Blvd. 408.884.1054. VALERIANO’S ITALIAN RESTAURANT AND BAR Contemporary Italian. $$$. While the kitchen exudes earthy aromas, the dining room’s soft terra-cotta walls glow with a sense of Mediterranean mission. Hands-on management makes each patron feel pampered. Full bar. 5pmclose daily. 160 W. Main St. 408.354.8108.

VIVA LOS GATOS NEIGHBORHOOD EATERY California. $$$. This popular Los Gatos restaurant mixes it up with Italian-leaning Mediterranean food, fresh fish, grilled steaks and several Asian-inspired dishes. 11am-9:30pm Mon-Fri, 8am10:30pm Sat, 8am-9:30pm Sun. 15970 Los Gatos Blvd. 408.356.4902.

WILLOW STREET WOODFIRED PIZZA Pizza. $$. Silicon Valley’s three Willow Street pizza locations prepare the definitive upwardly mobile California pizza. Crispy, thin crusts breathe with accents of almond from the Italian wood-fired oven. Check out the new Neapolitan-style pizzas—delicate, light and satisfying. Hearty pastas, salads and sandwiches, too. 11:30am-10pm Sun-Thu, 11:30am-9:30pm Fri-Sat. 20 S. Santa Cruz Ave. 408.354.5566. For other locations see www. willowstreet.com.

WINE CELLAR New California. $$. This cozy dining spot offers an education in Old World charm and New World cuisine, from smoked salmon pizza to grilled ahi tuna to desserts as fresh as spring break. 11:30am-9pm Mon-Thu, 11:30am-10pm FriSat, 10:30am-9pm Sun. 50 University Ave. 408.354.4808.

31


11 29 APRIL A P R I L 4-10, 4 -10, 2012 | metr metrosiliconvalley.com osiliconvalley.com | sanjose.com m | metr metroactive.com oactive.com

Thank you!

Best Happy Hour on the peninsula

(duh!)

Tied House Brewer y and Cafe HOppy Hour 4-6:30, Weekdays www.TiedHouse.com 650-965-BREW


metroactive.com metr oactive.com | ssanjose.com | metr metrosiliconvalley.com osiliconvallley.com | AAPRIL P R I L 4-10, 4 -10 2012

30 10


SVDINING

Menlo Park ¿book online at paloalto.net

ANGELO MIO Italian. $$. A small space with a large menu, sporting the traditionals that have been mainstays at local eateries. Appetizers and salads are the best bets. 11:30am-2:30pm, 4:30-10pm Mon-Sat, noon-2:30pm, 4:309pm Sun. 820 Santa Cruz Ave. 650.323.3665.

BACK A YARD CARIBBEAN AMERICAN GRILL Jamaican. $. “Back a yard” is Jamaican slang for “the way things are done back home” and this is one of the few Jamaican restaurants around. Jerk pork and chicken shine. 11am-3pm, 5-8pm Mon-Thu, 11am3pm, 5-9pm Fri, noon-3pm, 5-8pm Sat. 1189 Willow Rd. 650.323.4244.

BISTRO VIDA French $$. Impeccably authentic bistro dishes and welcoming prices are spun through Bay Area culinary consciousness to create regional homey French cuisine. Brunch 11:30am2:30pm Mon-Fri, 9am-2:30pm Sat-Sun; dinner 5-9:30pm Mon-Thu, 5-10pm Fri-Sat, 59pm Sun. 641 Santa Cruz Ave. 650.462.1686.

FLEA STREET CAFE New American. $$$$. Carefully crafted, impeccably chosen food featuring seasonal local produce and Niman Ranch meats. Atmosphere is casual and eclectic. Full bar. 5:309:30pm daily. 3607 Alameda de las Pulgas. 650.854.1226.

IBERIA. Spanish. $$. Iberia’s cheap tapas menu is available at the bar anytime or in the dining room at lunch, but these nibbles alone are worth the trip. Lunch noon2pm Mon-Sat; dinner 5:3010pm daily. 1026 Alma St. 650.325.8981.

KAYGETSU Japanese. $$$. Kaiseki is a rarefied Japanese cuisine born in Kyoto with impeccably seasonal ingredients and poetic presentations. Kaygetsu bills itself as “classic Japanese cuisine” but its kaiseki menu is like discovering a new galaxy

of food. Closed Mon. 325 Sharon Park Dr. 650.234.1084.

LEFT BANK Grandma’s French. $$$. Wise country fare combined with metropolitan savoir faire and a dash of Gallic attitude. Full bar. 11:30am-10pm Sun-Mon, 11:30am-11pm Tue-Sat. 635 Santa Cruz Ave. 650.473.6543.

SULTANA Turkish. $$$. If you’ve eaten Greek, Iranian or Middle Eastern food, you’ll find much that’s familiar here. Sultana makes your introduction to Turkish food easy with its warm service, well-executed dishes and soothing ambience. 11am2:30pm, 5-10pm Mon-Fri, 11am-10pm Sat-Sun. 1149 El Camino Real. 650.322.4343.

SANJOSE.COM

lamb meatballs are among the delicacies. Full bar. 11:30am10pm Mon-Sun. 400 Castro St. 650.940.9500.

CHAAT PARADISE Vegetarian Indian. $. Golden spices predominate at this popular spot for inexpensive, funto-eat traditional Indian fare. Casual shopping-center surroundings. 11:30-10pm Mon-Sun. 165 E. Camino Real. 650.965.1111.

CHINA CAFE Mandarin, Szechuan. $$. A little surprise in the Blossom Valley Center promises uptown ambience, spotless surroundings and well-presented classical Chinese cuisine. 1760 Miramonte Ave. 650.968.2298. DON GIOVANNI Italian. $$$.

¿book online at mountainview.net

This pumpkin-hued eatery faces the bustling downtown with a handsome demeanor of mahogany and candlelight. Full bar. 11am-2pm, 5-9pm Mon-Fri, 11am-9pm Sat-Sun. 235 Castro St. 650.961.9749.

AMBER INDIA Northern

LE PETIT BISTRO Classic

Indian, tandoori. $$. Meals unfold like a bolt of rare silk, served with care and efficiency in a rich, luminous interior. Dishes are complex and varied. 11:30am-2:30pm, 5-9:45pm daily. 2290 El Camino Real. 650.968.7511.

French. $$. There’s a lot to like about this pinch of a place with its simple, practiced French cuisine and quiet dining. Casual. Beer, wine. 5:30-9:30pm Tue-Sat. 1405 W. El Camino Real. 650.964.3321.

Mountain View

AMICI’S EAST COAST PIZZERIA Pizza/Italian. $$. When it’s done right, East Coast pizza can be a glorious thing. Dough is rolled ultrathin and served noticeably charred on the sides and bottom, the ideal combination for a “foldable” slice on the go. It’s done right here. 11am-10pm Mon-Thu, 11am-11pm Fri, 11:30am-11pm Sat, 11:30am10pm Sun. 790 Castro St. 650.961.6666.

BODRUM CAFE Turkish. $$. The menu at Bodrum Cafe is extensive and covers a lot of ground, but it’s the lamb dishes that stand out. A good place to start is with the lahmacun (Turkey’s take on pizza) and the kebabs. 10am10pm daily. 383 Castro St. 650.396.7010.

CASCAL Spanish tapas. $$$. The tapas menu yields big tastes in small portions at this pan-Latin charmer. Calamari, roasted quail and minted

MARU ICHI Japanese noodles. $. Maru Ichi is a true noodle shop. While there are a few appetizers on the menu, the slurpable house-made noodles—ramen, soba and udon—are what you want. Go for the house specialty kuro ramen or the soy sauce ramen. Beer and wine. Cash only. 11:30am-2:30pm, 5-10pm Mon-Fri, 11:30am-10pm Sat, 11:30am-9pm Sun. 368 Castro St. 650.564.9931.

NAMI NAMI Japanese. $$$. Nami Nami specializes in kappo-style Japanese food, prepared in the artful, labor-intensive, seasonally driven style associated with the city of Kyoto. For diners willing to open their minds and mouths, it offers one of the most exciting restaurant experiences in the Bay Area. 11:30am-2pm Tue-Sun, 7-10pm Tue-Thu and 6-11pm Fri-Sat. 240 Castro St. 650.964.6990.

32

31 APRIL 4-10, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com

28

More dining coverage


metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

32

SVDINING 31 NETO CAFFE AND BAKERY Cafe. $$. Neto Caffe and Bakery is a busy, goodlooking space that has a happy buzz about it. There’s a little bit of everything including a number of Middle Eastern specialties. 7am10pm daily. 135 Castro St. 650.625.9888.

PHO TO CHAU Vietnamese noodle house. $. The pho here is an honest noodle soup. First-timers might want to stick with the basic pho chin, topped with slices of beef brisket. 11am-10pm daily. 853 Villa St. 650.961.8069.

THE SPICE ISLANDS CAFE Singaporean, Malaysian, Indonesian. $$. This restaurant will send your taste buds to the tropics. Talented chefs put out dishes full of spice and passion, like jumbo chile prawns, papaya salad and Malaysian spareribs. The menu is expansive. Prices are reasonable. 210 Hope St. 650.960.1888.

SUSHI TOMI Japanese. $$. Sushi Tomi serves Japanese food with an elegant simplicity. Sushi and sashimi are ocean fresh. For a real treat, ask for an omakase dinner and let the chef put together a tasting menu for you. Lunch 11:30am-2pm daily; dinner 5:30-9:30pm Mon-Fri, 5-9:30pm Sat, 59pm Sun. 635 W. Dana St. 650.968.3227.

TAQUERÍA LOS CHARROS Mexican. $. This clean and fetching diner is the place for authentic fare. Generous portions. 6:30am-10pm Mon-Fri, 6:30am-11pm Sat, 8am-10pm Sun. 854 W. Dana St. 650.969.1464.

VASO AZZURRO Ristorante Italian. $$$. Entrees are attractively presented, and the waiters will make you feel as though you were the most important guests in the place. Dessert lives up to the rest of the meal. Beer, wine. 11:30am-2pm Mon-Fri, 5-9pm Mon-Thu, 5-10pm Fri-Sat, 5-9:30pm Sun. 108 Castro St. 650.940.1717. XANH RESTAURANT

More dining coverage

Modern Vietnamese. $$. Xanh (pronounced “zahn”) epitomizes the new breed of upscale, contemporary Vietnamese restaurant. The appealing menu ranges from the traditional to the unconventional and includes rolls, salads, noodles, small plates and full-size entrees. 11:30am-2pm, 4:30pmclose Mon-Fri. 110 Castro St. 650.964.1888

YAKKO Japanese, sushi bar. $$. A pairing of swift service with an exotic range of sushi and udon makes this a favorite among sushi lovers. Beer, wine. 11:30am2pm Mon-Sun, 5:30-9:30pm Sun-Thu, 5:30-10:30pm Fri-Sat. 975 W. Dana St. 650.960.0626. ZUCCA Mediterranean. $$. Time slows and the paella glows at this Turkish/Spanish charmer: lamb kofte, spicy shrimp, steak, baklava. 11:30am-2:30pm Mon-Fri, 5-10pm Mon-Sun. 186 Castro St. 650.864.9940.

Redwood City OLD PORT LOBSTER SHACK New England. $$. Made with lobster flown in from Maine, the lobster roll is simple but good: a toasted, buttery hot dog-style bun cradles fresh, juicy lobster meat. The Gruyère-laced lobster mac ’n’ cheese and lobster bisque are good, too. 11am8pm Mon-Fri, 11am-9pm Sat-Sun. 851 Veterans Blvd. 650.366.2400.

PAMPLEMOUSSE Cafe. $. Aside from owner Kelli Manukyan’s pastry skills, the cafe offers a number of tasty sandwiches, soups and quiches. 7am-7pm Mon-Thu, 7am-9pm Fri, 8am-7pm Sat, 8am-5pm Sun. 2401 Broadway St. 650.599.9714.

RED LANTERN Southeast Asian. $$. Scattershot pan-Asian restaurants often falter because their menus offer tepid examples of each cuisine, but Red Lantern shows confidence and mastery of a variety

SANJOSE.COM

of cooking styles. Lunch 11am-2pm Mon-Fri; dinner 5-10pm Sun-Wed, 5-11pm Thu-Sat. 808 Winslow St. 650.369.5483.

Saratoga ¿book online at saratogacalifornia.com

THE BASIN New American. $$$. The Basin has some refreshingly high standards. Produce is organic, seafoods are fresh and the menu accentuates American ideas, enhanced by Spanish and Italian spin. 5pm-close daily. 14572 Big Basin Way. 408.867.1906. LA MERE MICHELLE French-European. $$$. After three decades, La Mere is a tradition. Old World standards such as pâté, escargots, wiener schnitzel and veal scallopini find a distinguished setting in the crystal-dotted dining room. 11:30am-2pm Wed-Sun, 5:30-9pm Tue-Sun. Closed Mon. 14467 Big Basin Way. 408.867.5272.

PLUMED HORSE Contemporary French. $$$$. After undergoing a $9 million remodel and expansion of its wine list, the Saratoga restaurant has been reborn as Silicon Valley’s premier luxury restaurant. How does the food taste at a $9 million restaurant? Mostly, like a million bucks. 5:30-10pm daily. 14555 Big Basin Way. 408.867.4711.

RISTORANTE DA MARIO Italian. $$. Ristorante Da Mario serves the greatest hits of Italian-American food but prepares them with a freshness and integrity that elevates them above your typical red-and-whitecheckered tablecloth ItalianAmerican restaurant. Lunch 11:30am-2:30pm Mon-Fri; dinner 5-9:30pm daily. 14441 Big Basin Way. 408.741.1518.

SENT SOVI New American. $$$$. A pretty dining room hosts an inspired, always fresh and seasonally driven menu of contemporary American and French food, complete with seductive desserts. 14583 Big Basin Way. 408.867.3110.


11 33

APRIL A P R I L 4-10, 4 -10, 2012 | metr metrosiliconvalley.com osiliconvalley.com | sanjose.com m | metr metroactive.com oactive.com


metroactive.com metroactive.co m etro ive om | sanjose.com | metrosilicon metrosiliconvalley.com onva valllley ey.com | AAPRIL 4-10, 2012

34

metroactive EDENS EDGE

EDENS EDGE Rodeo Club, San Jose Wed — 8pm; $10/$15

Eden’s edge seems like it was kind of a dangerous place to hang; you definitely had to keep an eye out for snakes. The music industry is no different, but something tells me Edens Edge isn’t too worried right now. Their first single, a shuffling slice of Sheryl-Crow-shaded country called “Amen,” has already gone Top 20. Like a more down-home version of Lady Antebellum, the Edens Edge trio has the pop chops and catchy choruses to go far. And they’ve adapted country’s unwritten fans-first rule for the 21st century by keeping in constant contact with their audience via social media. Just

Aaron Carnes Beau Dowling Steve Palopoli

DESIGNER DRUGS

Doe es Marriia es ah h Ca arre ey y kn no ow w what DESI are u up to at B GNER DRUGS Blank Club S Saturrday?

sda Club Wednesday. ode Clu at Rodeo E S EDGE EDENS l for EDE apples e ap Hold tthe Hold

*wed

CHOICES BY:

a couple of weeks ago, lead singer Hannah Blaylock wrote a 2,000word screed about the death of her dog, which had fans sending their sympathies and telling their own stories. If they don’t opt out for a Lifetime talk show, they should be around Nashville for a long time. Josh Thompson also performs. (SP)

Wallpaper took an interest in the group and produced a couple tracks for them. What’s great about AB and the Sea is how purely they capture the fun of pop music at its core. The similarity to Beach Boys is unmistakable, but the Beach Boys best, most complex pop songs were actually quite melancholy. AB and the Sea have managed to write equally complex, sophisticated pop songs, but without an ounce of sadness. (AC)

is the only current member of the Mumlers, that doesn’t mean that the rest of them have stopped playing music. Felix has Heavy Mello, an awkwardly brilliant homemade acoustic electronic project, and James has Plantain, a band with an almost Mumlerslike rootsy swagger, but with a bit more of a peculiar Daniel Johnston style. They’ll play acoustic sets of their respective non-Mumlers musical projects at this show. (AC)

A B & THE SEA

HEAVY MELLO

Club Fox, Redwood City Thu – 9pm; $10

Good Karma, San Jose Thu – 7:30pm, free

OPSKI CHAN @ TREATMENT

One of the hottest bands coming up in San Francisco’s indie pop scene is AB and the Sea, who actually hail from the Midwest originally. After they relocated to the Bay Area, Eric Frederic from

The original San Jose Mumlers crew always showed off their range by switching between different instruments nearly every song—horn to bass to keyboards and so on. But even if Will Sprott

*thu

Johnny V’s, San Jose Thu – 9pm; free “I’m so butter,” raps San Jose’s Opski Chan, and it’s true. It’s not so much that his raps are smooth, it’s more that they have a thick,

creamy ambience that spreads across your consciousness as his flow sinks deeper and deeper into a surreal dreamscape. One of the most intriguing MCs on the San Jose scene, Chan will guest at this week’s Treatment event, along with Elusive and Dranel. (SP)

*fri

MELTED HORSES Caravan, San Jose Fri – 9pm; free There are some things that won’t be missed from the ’70s: the gaudy home décor, the pet rock, Gerald Ford. But the Me Generation did manage to turn out some great rock and roll, and San Jose’s Melted Horses captures


* concerts

35

RADIOHEAD

AUDIO PUSH Apr 13 at Studio 8, San Jose

A B & THE SEA

TAJ MAHAL & THE TRIO Apr 13 at 6:30pm, Montalvo Arts Center

ZION AND THE GROUCH Apr 13 at Avalon, Santa Clara

QUATUOR MOSAIQUES Apr 14 at 8pm, Dinkelspiel Auditorium

ZAC BROWN BAND Apr 14 at 7pm, Shoreline

JOYCE YANG Apr 15 at 7:30pm, Montalvo Arts Center

RISE AGAINST Apr 17 at 7pm, SJSU Event Center

WOMEN FULLY CLOTHED Apr 19 at 7:30pm, Montalvo Arts Center

FAUST Apr 21–May 6, Opera San Jose, at the California Theatre, San Jose

AMSTEL QUARTET Apr 22 at 3pm, Montalvo Arts Center

BRUCE SPRINGSTEEN Apr 24 at 8pm, HP Pavilion

MIRANDA LAMBERT Apr 27 at 6:30pm, Shoreline

COLDPLAY Wallpaper understudys AB

& THE SEA play Club Fox

Thursday.

Apr 27-28 at 7pm, HP Pavilion

BASSNECTAR May 5 at San Jose Event Center

KEOLA BEAMER that sound. Built on the swampy, big-bottomed blues that the great guitarists of that era tapped into, their songs conjure up memories of the Allman Brothers and Led Zeppelin. In January, they released their Live Burnin’ EP. (BD)

*sat

DESIGNER DRUGS

Blank Club, San Jose Sat–9pm; $12/$15 Don’t come to a Designer Drugs show expecting to hear the kind of smiley pop stuff they do for hire, like their bouncy, clappy remix of Mariah Carey’s “I’ll Be Loving U Long Time.” Their debut record

Hardcore/Softcore from last year is about as far from that as musically possible. “Face Melter” has actual face melting properties, with its over-the-top house crescendos and chainsaw synth lines. “Leather Gang” is a robot’s nightmare, and “Dead Meat” is straight-up industrial. The two New Yorkers behind DD, Michael Vincent Patrick and Theodor Paul Nelson, may have to accept that they’ve been defriended by Mariah—and added by Trent. (SP)

DJ TINA T. Studio 8, San Jose Sat – 10pm; $20 after 11pm Right after the 2008 election, Tina T. posted a snarky video of herself as Sarah Palin, recovering from her political defeat by learning to DJ. Let me tell you, if Palin could

scratch half as well as Tina T., she and the crazy old guy would have won that election. Tina T. makes scratching musical in a way that few DJs (and, of course, one Grandmaster) have been able to. After winning the first DJ Spin Off in L.A. over a decade ago, she’s taken up residence in various Las Vegas clubs, moving from the underground to the mainstream without losing her taste for risktaking. (SP)

*tue

CROSSTOPS Johnny V’s; San Jose Tue – 10pm, free

Punk rock is known to be

obnoxious, but San Francisco’s Crosstops is in a league of its own. With song titles like “Cockblocker,” “Hello Satan,” “Cocaine Angel,” and “Someone Came in Grandma’s Hair,” it’s best classified as “music that will offend you if you have a heartbeat.” Also playing are Santa Cruz folk-punk band, Tater Famine, who got their start in 2006, and have continuously been drawing well ever since. They’ve demonstrated that you don’t need drums and distorted guitars to have that intense punk energy live. (AC)

May 6 at 2:30pm, Dinkelspiel Auditorium

COULTER/PHILLIPS May 6 at 3pm, Montalvo Arts Center

VAN HALEN Jun 5 at HP Pavilion

SCORPIONS Jun 9 at 7pm, Shoreline

MAYHEM FESTIVAL Jul 1 at Shoreline

AZIZ ANSARI Jul 19 at San Jose Center for the Performing Arts

NEIL DIAMOND Aug 7 at 8pm, HP Pavilion

MADONNA Oct 6 at 8pm, HP Pavilion For music updates and contest giveaways, like us on Facebook at metrofb.com

APRIL 4-10, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com

Apr 11 at 7:30pm, HP Pavilion


metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

36

d`e[ Yf[p jg`i`k d` `e[ Yf f[p jg g`i`k

6650.960.3986 50.9

11521 521 Grant Grant Rd., Mountain View, ew, 94040 94040


metroactive ARTS

RADIO ADIO ACTIVATOR Local inventor Lee de Forest developed the technology that made modern media possible.

SJSU author Mike Adams’ new book chronicles the strange life of Palo Alto inventor Lee de Forest By RICHARD VON BUSACK

I

N PALO ALTO, about a century ago, a man named Lee de Forest invented the threeelement vacuum tube. With his typical sense of poetry, he named it “the Audion.” Superseded by other advances in amplification, the device exists, when it does, in those high-end tube amps that electric guitarists purchase.

This invention, however, gives credence to what SJSU associate dean Mike Adams calls the subject of his biography: Lee de Forest: King of Radio, Television and Film ($27.95; Copernicus Books/Springer) De Forest was a genius, but a

troubling and troubled one, a model for the embittered crackpot beloved of science fiction. Says Adams, de Forest believed “that an unnamed ‘they’ were out to get him” as early as the 1890s, even before the inventor entered Yale. He was a famous man, a highly successful inventor who made a million dollars from one of his patents. And he was much-married: the fourth time to a very pretty, if forgotten, Hollywood actress. De Forest was also cranky enough to write to the newspapers that “his” invention, radio, had been perverted by all that cheap music the disk jockeys played, that “hubba hubba and audio jitter bug ... a stench in the nostrils of the gods of the ionosphere.” Ultimately, radio had multiple fathers. Adams stresses de Forest’s neglected rep as the pioneer of sound film. The author has a local

historian’s sympathy for de Forest, h if iincluding l di the h whose artifacts, honorary Oscar he won in 1960, are kept at History San José. Adams reminds us of “the humanist who sees poetry and music where others like Marconi see only dots and dashes and dollars.” De Forest was a writer of poetry and a lover of opera, and from a poor background, unlike the wellborn and well-connected Marconi. Moreover, it was this very love of classical music that made de Forest conceive of the uses of radio and sound film for music, instead of just commerce. It also helped make de Forest one of the earliest electronic-music performers, via the so called “Audion piano.” And de Forest devised a way to put sound photographically on film strips instead of through a separate turntable apparatus. The idea of sound on film dates back to the 1880s, but de Forest conquered the problem of synchronization. Adams suggests a reason that de Forest isn’t better known for this invention: Though he was a tireless self-publicizer, he was a bad businessman, arrested once in

Lee de Forest: King of Radio, Television and Film By Mike Adams Copernicus Books/Springer; $27.95

37 APRIL 4-10, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com

Tube Star

Palo Alto for suspicion of peddling worthless stock. “I’m not a crook,” he told an unknown correspondent. Call it Nixon’s Law: A person should never be in the position of having to say those words. Involvement with dodgy associates contributed to what Adams describes as de Forest’s “murky ethics record.” And he loved to sue rivals. One of his cases went all the way to the Supreme Court, where some believe de Forest was a victor simply because Justice Cardozo didn’t really understand the matter at hand. Speaking of misunderstanding, this, too, was de Forest’s problem. He had a weak idea of the power of silent cinema and the importance of stars. De Forest’s Phonofilm shorts of the early 1920s were static (once highlighting the speechifying of Calvin Coolidge). The public went ape for Al Jolson and the phonograph disk–driven Vitaphone system; Adams suggests the public and the exhibitors weren’t as impressed by de Forest’s “laboratory experiments posing as cinema.” As a longtime teacher, Adams finds the anecdotes that make de Forest relevant. His courtship via radio code of his first wife Lucille “might be compared to the text messaging of today.” The author describes strange devices before the Audion and after: the “singing arc,” the “speaking flame” and de Forest’s proposal for gas fire–powered telephones. The discursions are worth the trip, too. We learn the tidbit that the very early narrative film The Great Train Robbery was followed by what is likely the first sequel in movie history: The Little Train Robbery (1912), with an Our Gang–like group of banditos robbing a miniature train. Adams, who has also chronicled our local radio titan Charles Herrold, explains the various tides in de Forest’s career with familiarity, affection, skepticism and a definite sense of marvel.


metroactive.com metr o cttive com | ssanjose.com | metr oactive.co metrosiliconvalley.com osiliconvallley.com | AAPRIL P R I L 4-10, 4 -10, 2012

38 10


More listings:

metroactive ARTS

Theater BACH AT LEIPZIG

A comedy about the highstakes world of Baroque music in the late 1700s; presented by Pear Avenue Theatre. Runs Apr 5-22. Preview Thu, 8pm. Opens Fri, 8pm. Regular shows Thu-Sat, 8pm, Sun, 2pm. $15-$30. Pear Theatre, Mountain View.

BUFFALO’ED The Stage presents the world premiere of a drama about the Buffalo Soldiers who served in the SpanishAmerican and PhilippineAmerican wars. Runs Apr 429. Wed-Thu, 7:30pm, Fri-Sat, 8pm, Sun, 2pm. $15-$40. The Stage, San Jose.

CAT’S-PAW A drama about a journalist and an eco-activist who turns to violence. Runs thru Apr 15. Thu-Sat, 8pm, Sun, 2pm. $20-$30. Dragon Theatre, Palo Alto.

GOD OF CARNAGE Yasmina Reza’s comedy about warring parents is presented by San Jose Rep. Runs thru Apr 15. Tue-Wed, 7:30pm, Thu-Fri, 8pm, Sat, 3 and 8pm, Sun, 2pm. $10-$74. San Rose Repertory Theatre.

HAIRSPRAY Broadway by the Bay begins its new season with the popular musical. Runs Apr 522. Preview Thu, 8pm. Opens Fri, 8pm. Regular shows Thu-Fri, 8pm, Sat, 2 and 8pm (no 2pm show Apr 7), Sun, 2pm. $20-$48. Fox Theatre, Redwood City.

HAMLET A modern-day version of the classic drama, presented by City Lights. Runs thru Apr 15. Thu-Sat, 8pm, Sun, 2pm (no show Apr 8). $25-$35. City Lights, San Jose.

OF MICE AND MEN The new production by TheatreWorks of the famed Steinbeck tale of the friendship between George and Lennie. Runs Apr 4-29. Previews Wed-Fri, 8pm, open Sat, 8pm. Regular shows Tue-

Wed, 7:30pm, Thu-Fri, 8pm, Sat, 2 and 8pm (no 2pm show Apr 28), Sun, 2 and 7pm (no 7pm show Apr 29).

TIN PAN ALLEY RAG Tabard Theatre presents a musical play featuring songs by Scott Joplin and Irving Berlin. Runs thru Apr 22. Fri, 8pm, Sat, 2 and 8pm, Sun, 2pm (no 8pm show Apr 8, no evening show Apr 14, plus an added show Apr 19, 8pm). $15-$35. Theatre on San Pedro Square, San Jose.

TOTEM A new show from Cirque du Soleil. Under the Big Top at the Taylor Street Bridge. Runs thru Apr 15. Tue-Wed, 8pm, Thu-Sat, 4pm, Sun, 1 and 5pm. (See cirquedusoleil. com/totem for schedule and ticket info.)

Classical Concerts PHILIP GLASS A concert with the noted composer. (Sold out.) Sat, 8pm. Carriage House Theatre, Montalvo Arts Center, Saratoga.

ST. LAWRENCE STRING QUARTET A Good Friday concert featuring Haydn’s “Seven Last Words of Christ on the Cross.” Fri, 5pm. Free. Memorial Church, Stanford.

Comedy ANGELICA’S BISTRO Wed, 8pm: Comedy night hosted by Dan St. Paul. No cover. Redwood City.

COMEDYSPORTZ Fri, 9pm and Sat, 7 and 9pm: Live improv comedy. Fri, 11pm: The Midnight Show. Inside the Camera 3 building, San Jose.

ROOSTER T. FEATHERS Wed, 8pm: New Talent Showcase. $10. Thu, 8pm, Fri, 9pm, Sat, 8pm: Reese Waters. $13/$19. Sunnyvale.

SAN JOSE IMPROV Wed, 8pm: American Me. $12. Thu, 8pm: Jacob Sirof. $12. Fri, 8 and 10pm, Sat, 7 and 9pm: Pete Correale. $17. Sun, 7pm: Sarah Tiana. $12. San Jose.

39 APRIL 4-10, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com

*stage

METROACTIVE.COM

RISING TO THE OCCASION Alexandria Diaz de Fato soars as Madrid in ‘Buffalo’ed,’ a new drama about the African-American Buffalo soldiers who fought in the war in the Philippines; the San Jose Stage Company premiere runs April 4–29.

*art

Museums ART MUSEUM OF LOS GATOS “Two Apart.” Paintings by Cuong Nguyen. Thru Apr 27. Wed-Sun, 11am-5pm. Los Gatos.

CANTOR ARTS CENTER “Light Works.” Two minimalist installations by Dan Flavin and Robert Irwin. Thru Jul 8. “Wood, Metal, Paint: Sculpture From the Fisher Collection.” Thru Oct 13. “Walker Evans.” A celebration of the images of the great American photographer. Thru Apr 8. “Memory and Markets: Pueblo Painting in the Early 20th Century.” Thru May 27. Wed-Sun, 11am-5pm, Thu, 11am-8pm. Stanford.

CHILDREN’S DISCOVERY MUSEUM “Mammoth Discovery!” Plus activities and hands-on fun for kids. Mon-Sat, 10am-5pm, Sun, noon-5pm. Discovery Meadow, San Jose.

DE SAISSET MUSEUM “Indelibly Yours: Smith Andersen Editions and the Tattoo Project.” A show of works inspired by tattoos. Thru Jul 1. “Andy Warhol: Polaroids and Portraits.” Thru Jul 1. TueSun, 11am-4pm. Santa Clara University.

HISTORY MUSEUM OF LOS GATOS “Radiant Light: Memories From the Ming Quong Home in Los Gatos.” Thru Jul 15. Wed-Sun, 11am-5pm. Los Gatos.

HISTORY PARK SAN JOSE “Bay Area Youth Art Month

Exhibit.” Runs thru mid-May. Pacific Hotel Gallery, San Jose.

SAN JOSE MUSEUM OF QUILTS & TEXTILES

MUSEUM OF AMERICAN HERITAGE

“Quilt National.” A juried show of contemporary quilt and fiber art. Thru Apr 29. Tue-Sun, 10am-5pm. San Jose.

“A Child’s World: Antique Toys, 1870-1930.” Thru Apr 29. FriSun, 11am-4pm. Palo Alto.

SAN JOSE MUSEUM OF ART “Mexicanismo Through Artists’ Eyes.” Thru Sep 23. “Frank Lobdell: Wonderland.” A retrospective exhibit of works by the major Bay Area abstract painter. Thru Aug 5. “To Hell and Back.” A selection from the museum’s collection of illustrations for Dante by Sandow Birk. Thru Sep 16. “Renegade Humor.” A show about the uses of humor in art, with pieces by Roy De Forest, John Bankston, M. Louise Stanley and more. Thru Jul 8. Tue-Sun, 11am-5pm, closed Mon. San Jose.

TECH MUSEUM Exhibits about science and technology. New exhibit about International Space Station. Mon-Wed, 10am-5pm, ThuSun, 10am-8pm. San Jose.

TRITON MUSEUM OF ART “Rosa Louca dos Ventos.” Mixed-media works by Brazilian-born artist Silvia Poloto. Thru May 2. “Collecting Large.” A show of the museum’s recent acquisitions. Thru May 2. Statewide Photography Competition and Exhibit. Thru Apr 22. Tue-Wed and Fri-Sun, 11am-5pm, Thu, 11am-9pm. Santa Clara.

40


metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

40

KEY FIGURES ‘The Tin Pan Alley Rag,’ a new play presented by Tabard Theatre Company, takes an imaginative look at the lives and music of two seminal American composers: Scott Joplin and Irving Berlin. The play runs through April 22 at San Pedro Square.

39

Galleries OPENING ANNO DOMINI “The California State Institution,” a solo show by English artist Dale vN Marshall, a.k.a. Vermin. Runs Apr 6-May 19. Opening reception Friday as part of monthly South First Friday event. San Jose.

ART ARK GALLERY “Urbanity,” a group show about life in the city. Reception Fri with Mr. B and the Jazz People. San Jose.

CAFFE FRASCATI Opera Night performance in conjunction with South First Friday. San Jose.

man-made and natural things. “Or War and Peace, the Truth Just Twists, Its Curfew Gull Just Glides,” paintings by Andre Hart. Apr 6-27. San Jose. “Latino Art Now,” an exhibit of current works leading to the annual art auction on May 19. Runs Apr 4-May 19. Reception for South First Friday. WedThu, noon-7pm, Fri-Sat, noon5pm. San Jose.

PACIFIC ART LEAGUE “40 Watts: Illuminating Herstory,” a group show by the Women’s Caucus for Art. Runs Apr 6-27. Reception Fri, 5:30pm. Palo Alto.

PALO ALTO ART CENTER

“Nature Magnified,” a photo show. San Jose.

GOOD KARMA CAFE

PHO69

“I Can’t Go On; I’ll Go on.” New works by Jehoiakim Santos. Thru Apr 27. San Jose.

“A World of Colors and Whim,” by Florence de Bretagne. Apr 6-May 25. San Jose.

HIGHER FIRE CLAYSPACE

SLG BOUTIKI

Works by Lee Middleman. Apr 6-26. Middleman will demonstrate his technique for South First Fridays. San Jose.

For South First Friday, the gallery displays the best of the ArtShots video contest. The Friday reception includes must by Jackie Gage and Grooveyard Shift. Apr 6-27. San Jose.

KALEID GALLERY “Selcouth,” new works by Shannon Amidon combing

Artists show off their projects for South First Friday reception. San Jose.

WORKS SAN JOSE MACLA

“Water Lilies,” an installation piece by Judith Selby Lang using recycled plastic bottles at the Palo Alto’s Baylands Nature Preserve. Runs Apr 922. Palo Alto.

DOWNTOWN YOGA SHALA

TECHSHOP

“Outlast,” a group show about female self-esteem and body image. Apr 6-22. San Jose.

CONTINUING ANNO DOMINI “Ordinary People,” by Daniel Jesse Lewis. Thru Apr 21. San Jose.

BRUNI GALLERY “The Jazz Masters Series” by BRUNI. San Jose.

KING MAIN LIBRARY “Jazz Seen: Three Visions,” photographs by Tom Ehrlich, Andy Nozaka and Walter Wagner. Thru Apr 2. An exhibit celebrating SJSU’s role as the original “California State” institution of higher learning. Thru Jul 31. Special Collections. King Main Library, San Jose.

MAIN GALLERY “Another Look,” featuring works by Arup Biswas, Nina Koepcke, Tony Williams and others. Thru Apr 22. Redwood City.

MONTALVO ARTS CENTER “O’ Great Reverie: Montalvo 1912-2012.” An exhibit about the history of the estate built by James Phelan 100 years

42


Tim Fuller

STAGE

trouble separating a wife, Veronica (Amy Resnick), from her husband, Michael (Bob Sorenson), in ‘God of Carnage.’

Juvenile Adults AT ONE POINT in William Golding’s Lord of the Flies, the young hero wishes for something “grown-up” to keep his band of marooned schoolboys from reverting to savagery. Ironically, war is raging in the world beyond their island prison, and the adults are behaving far more savagely than the children. Yasmina Reza’s God of Carnage provides a similarly ironic take on human barbarism, though despite its fearsome title, this play is a comedy, and a funny one at that. Society breaks down, not on a deserted island but in a bourgeois household where modern décor recalls the primitive haunts of our ancestors. Rather than castaways, the players are two sets of middle-aged helicopter parents who become tangled in a morass of petty conflict after their children get into a playground fight, ultimately God of Carnage behaving much worse than the kids ever would. With depictions of marital discord that have Runs through April 15: earned comparisons to Who’s Afraid of Virginia $10–$74 Woolf?, Reza’s play has been translated from its San Jose Repertory Theatre, 101 Paseo de San original French, made into a movie by Roman Antonio; 408.367.7255 Polanski and is now on the boards at San Jose Rep. This co-production with Arizona Theatre Company, directed by Rick Lombardo, features a cast and crew that were warmly received last year in Tucson and Phoenix. Joey Parsons’ turn as Annette, anxious and gross beneath a mask of confidence and charm, is perhaps the evening’s most amusing performance. Amy Resnick is wonderful as Veronica, a stalwart defender of civilization who doesn’t follow her own advice regarding politeness. Benjamin Evett provides her mirror image as Annette’s husband, Alan, a slimy corporate lawyer who sums himself up by mumbling, “I have no manners,” through a mouthful of clafouti. Bob Sorenson brings an everyman touch to Veronica’s husband Michael, somewhat less of a scumbag than Alan, though not exactly innocent of hamster murder. There is a pleasing balance between witty verbal shootouts and broad physical comedy, including an episode of projectile vomiting (for complete, 100 percent safety, don’t sit in the front row). The first half-hour or so is one of the funniest things I’ve seen recently, and even if that level of hilarity isn’t quite sustained throughout, it’s still a perverse joy to see men who idolize John Wayne and Spartacus exposed as pathetic and ineffectual, while women who fancy themselves custodians of the world are reduced to inane shrieking. Who would have thought that the demise of civilization could be so humorous?—Sean Conwell

APRIL 4-10, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com

ARRESTED DEVELOPMENT Alan (Benjamin Evett, left) has

41


metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

Nina Subin

42

BOOKS

DEEP THOUGHTS In his new book, Jonah Lehrer examines the mysteries behind creative acts.

Finding the New JONAH LEHRER says that the entire definition of creativity is wrong and that the word is too often used as a catch-all. For thousands of years, Lehrer claims, people have attributed flashes of creative insight to higher powers or muses. This is nonsense, he boldly writes in his new book, Imagine: How Creativity Works (Houghton Mifflin Harcourt, $26). He speaks Thursday at a Commonwealth Club event.

FRIDAY ART CRAWL This Friday evening, the SoFA District in San Jose celebrates the monthly South First Friday event with receptions, new and continuing shows, music and demonstrations. Among many others, Shannon Amidon shows specimens of curiosity in a new series called ‘Selcouth’ (pictured).

40 ago. Thru May 13. Thu-Sun, 11am-3pm. Saratoga.

PACIFIC ART LEAGUE “40 Watts: Illuminating Herstory,” a group show by the Women’s Caucus for Art. Thru Apr 27. Palo Alto.

PALO ALTO ART CENTER “Water Lilies,” an installation piece by Judith Selby Lang using recycled plastic bottles at Palo Alto’s Baylands Nature Preserve. Runs thru Apr 22. Palo Alto.

PSYCHO DONUTS Group show by local artists. San Jose.

SAN JOSE INSTITUTE OF CONTEMPORARY ART “The Office.” A group show looking at the oddities and absurdities of life in the modern office. Thru Jun 2. “Younhee Paik: Ascending River.” Large-scale gallery installation. Thru May 12. “4x4.” Videos in the Cardinale Project Room. Thru Jun 14. TueFri, 10am-5pm, Sat, noon-5pm. San Jose.

SJSU GALLERIES Works by student artists. Inside

the Art Building and Industrial Studies Building, SJSU.

*events

HOW CREATIVITY WORKS A talk by Jonah Lehrer, author of “How We Decide and Imagine,” presented by the Commonwealth Club. Thu, 7pm. $7-$20. Oshman Family JCC, Palo Alto.

THE BLOOD OF CHRIST

An Easter play about the Passion. Fri, 8pm. Cathedral Basilica of St. Joseph, San Jose.

FARMERS MARKET The market opens for the season with scores of vendors and special events. Every Sun, 10am-2pm. West St. John Street between N. Almaden Avenue and N. San Pedro Street, San Jose.

JUAN FELIPE HERRERA The poet and playwright reads and gives a performance with the Project Primavera Quartet in an event sponsored by the Center for Literay Arts. Wed, 7pm. Free. King Main Library, San Jose.

THE HISTORY OF NASA AMES A talk by Jack Boyd of the research center. Tue, 11:45pm. Lunch $12. Hangen Szechuan Restaurant, Mountain View.

MEMORIZATION WORKSHOP A chance to improve one’s memory skills with Brent Sverdloff. Sat, 3-5pm. $10. Kepler’s, Menlo Park.

THOMAS PEELE The author and reporter talks about his research into the death of Chauncey Bailey. Thu, 3pm. Free. San Jose City Library.

STAGING CARNAGE A discussion by director Rick Lombardo about the new SJ Rep production, “God of Carnage.” Wed, noon. San Jose Museum of Art.

VINO VINO! The Commonwealth Club presents a program of “wine without attitude,” featuring winemaker Collin Cranor of Nottingham Cellars. Mon, 6:30pm. $35/$40. Vino Vino, San Jose.

Throughout the work, Lehrer provides many examples, scientific studies and experiments—all to show that everyone has creative potential. Creativity isn’t a natural gift beyond the reach of normal folks, nor is it reserved for artists and inventors. Anyone can harness the creative process. The impulses are hard-wired. More often than not, it’s just a matter of embracing the rut, taking Jonah Lehrer Talk oneself out of habitual contexts or the chaotic dynamics of group interaction. Thursday, 7pm; $7–$20 With that, the book begins with Bob Dylan’s brain Schultz Cultural Hall Oshman Family JCC. 3921 in 1965. Exhausted with the fame and the confused Fabian Way, Palo Alto reporters, Dylan retreated into seclusion, only to find the impulse that became “Like a Rolling Stone.” It was his first completely unchained tune, allowing him to incorporate all of his influences, unbounded by insipid FM radio categorization. Says Lehrer: “What Dylan did—and this is why he’s Bob Dylan—was find the strange thread connecting those disparate voices.” What follows is some brilliantly accessible information from various scientific studies, as Lehrer argues his case. It is the brain, and especially how it interacts with other brains, where we find the impulse to create, invent and discover. Perhaps the best chapter is the one about Pixar. Thanks to the original impulses of Steve Jobs, departments were not separated into their own buildings. Everyone had to randomly exchange ideas throughout their daily routines. When working on a film, morning meetings still take place today, with everyone blasting everybody else’s ideas. Healthy criticism, Lehrer writes, is necessary for group interaction and spontaneous creativity. Another chapter, “The Outsider,” reaffirms that travel is a way to enhance creativity, as it allows one to exist outside one’s normal context, thus stimulating creative breakthroughs. “Leaving everything behind,” even if temporarily, brings previously suppressed and errant ideas to the surface. We also learn that Nike’s entire catch phrase, “Just Do It,” happened by accident. Someone off handedly mentioned Norman Mailer. That triggered someone else to recall Mailer’s book on murderer Gary Gilmore, which subsequently triggered the memory of Gilmore famously declaring, “Let’s Do It,” to the firing squad before they executed him. That series of triggers became Nike history. Free the muse!—Gary Singh


11 43

What’s What ’s happening in in Santa Santa Cruz C County ounty this w week e eek ;Ohhg AbO`

FRIDAY FRID AY 4/6 4

Jerry Jerr y Miller Miiller Band Band Musician’s m Musician’s musician usician J Jerry erry Miller Miller ďŹ rst ďŹ rst made made headlines he as the driving force behind the Bobby Fuller Four’s oft-covered classic, “I Fought tthe he Law Law ((and and T The he L Law aw W Won). on).â€? A After fter F Fuller’s uller’s u untimely nt death Miller created Moby Grape, one of the seminal groups responsible for creating cr eating the S San a Francisco an Francisco sound. sound. Once Once called called the “best guitar player in the worldâ€? by Eric Clapton, Miller continues to dazzle with his guitar wiz wizardry ardry sharing the stage stage with Clapton, Robert Plant and BB King. Don Quixote’s; $12 adv/$15 door; 8pm.

SATURDAY S ATURDAY 4/7

California Calif ornia Honeydrops Hone eyd drops Dragging unde Dragging underappreciated erappreciated s songs ongs and music musical styles into the spotlight, the California Honeydrops are a lively and soulful s oulful p party arty b band a spinning up a s and seamless eamless collection co of old-time blues, gospel, funk, second-line New Orleans jazz, R&B R &B a and nd m more. ore. S Since ince fforming orming iin n2 2007, 007, tthese hese Bay Area favorites have been criss-crossing genres and a nd s states tates e ever ver s since, ince, b bringing ringing ttheir heir d deep eep g grooves, ro funky horns and tight harmonies to audiences audienc es everywhere. everrywhere. Moe’s Moe’s Alley; Alley; $12 adv/$15 adv/ door; 9pm.

SUNDAY S UNDAY 4/8

Daniel D aniel Bambaata Bambaata Marle Marley y Son o Son off Ziggy an and nd gr grandson andson o off Bob, Bob, Daniel Daniel Bambaata Bam represents the third generation g eneration o off rreggae’s eggae’s le leading ading ffamily. amily. The pr precocious e youngster, now 22, began b egan his his c career areer a att tthe he a age ge o off 5 performing performing onstage o with his father. He has tthe he n name—now ame—now h he’s e’s looking looking to to prove prove he he has has the t chops necessary to grow his ffamily’s amily’s alr already eady he hefty fty leg legacy. acy. Moe’ Moe’s s Alle Alley; y; $10 adv/$15 door; 9pm.

TUESDAY TUE SDAY 4/1 4/10 0

Mazzy Star S In 11993, In 993, s surrounded urrounded b by yc chart-topping hart-topping a artists rtists including Cypress Hill, 4 Non Blon Blondes, ndes, S Soul oul A Asylum sylum and Naught Naughty by Nature, Mazzy M azzy S Star tar s sneaked neaked o onto nto tthe he p pop op c charts harts with with the hit single “Fade “F Fade a Int Into oY You.â€? ou.â€? In doing s o so, o, the band band br brought ought dreamy, dark, psychedelic p sychedelic ffolk olk iinto nto tthe he m mainstream ainstream a and nd e established st itself it self as a k key ey pla p player yer in the atmo atmospheric spheric pop g genre. 2012 2 012 s sees ees Mazzy Maz zzy Star emer emerging ging from from a decade-long decad hiatus h iatus w with ith a s series eries o off s shows hows and and a fforthcoming orthcomi album, a lbum, tthe he b band’s and’s ďŹ ďŹ rst rst ffull-length ull-length rrelease elease in in over o 15 y years. ears. C Cocoanut ocoanut Gr Grove; ove; $23; 8pm.

Adrian Cruz, Adrian C B ad Br d Briske B isk Bri i ke Brad C & Gema Cruz $"% " ab /dS A]_cSZ $" % " ab / /dS A]_cSZ &! "$" & aQ" Q][ aQ" Q][

www.gabriellacafe.com www w.gabriellac cafe.com

1750 Wharf Road Capit ola by the Sea Capitola-by-the-Sea Capitola, CA CA 95010 95010 Capitola, Reservations: 831.475.1511 831.475.1511 Reservations: Or Online: Online: shadowbrook-capitola.com shadowbrook-capitola.com Or Cards: 831.475.1222 831.475.1222 Gift Cards:

APRIL A P R I L 4-10, 4 -10, 2012 | metr metrosiliconvalley.com osiliconvalley.com | sanjose.com m | met metroactive.com trroactive.com oact e.com

GUIDE TO SANTA CRUZ COUNTY


metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

metroactive FILM

Fish Tale KEEP EEP P WATCHING W TC THE HANDS Master chef Jiro Ono (left) prepares sushi alongside son Yoshikazu Ono.

The new documentary Jiro Dreams of Sushi examines the culinary passion of a Japanese chef By RICHARD VON BUSACK

W

HAT Jiro Ono looks for is a sound: an exhalation of satisfaction that his customers make. The documentary Jiro Dreams of Sushi touches on sturdier questions: Can perfection be obtained and is happiness really only be found in trying to pursue it? An old man with an impassive face and rimless spectacles, Ono is the force behind Sukiyabashi Jiro, a 10-seat sushi bar in an alcove of the Ginza subway station in Tokyo.

It is a three-star Michelin restaurant, where the bill begins at 30,000 yen (about $360) and can go far higher. No appetizers, 20 pieces of sushi per diner. Reservations required at least a month in advance. (There is a branch restaurant in Tokyo’s exclusive and alienating Roppongi Hills high-rise complex, anchored by Goldman Sachs’ local branch). Jiro’s younger son Takashi runs the restaurant. At 85 years old, the master Jiro is focused on work above all. He dislikes holidays. He works with his grown son, who is 50ish, as well as with a senior apprentice who also will never see the happy side of 60 again. Nakazawa the apprentice

don’t obviously fears the old man: “I don’ sleep with my feet in his direction.” A trio of younger apprentices takes care of the prep. Fun fact: To make it perfect, one needs to massage the raw octopus for 45 minutes. What we see of Jiro’s past is bleak. He displays a flash of irreverence at his parent’s grave: “They never took care of me.” Jiro left home at 9 and apprenticed at a restaurant. There, he was told that “the history of sushi is so long that nothing new can be invented.” For decades, Jiro has sought to overcome that long past, literally dreaming of new morsels in the rare hours when he isn’t working. And he worked the kind of hours that made his sons wonder aloud to their mother: Who is the strange man sleeping in their house? “I wasn’t much of a father,” he says. As triple-X food porn, Jiro Dreams of Sushi is rapturous. By the time it’s over, you feel you can tell a little about the difference in grades of tuna, from the fatty to the finest

Photo courtesy of Magnolia Pictures.

44

and leanest, simply by the color. The stained-glass translucency of the pieces contrasts with the keenness of the knives. We learn of the importance of timing—tuna is to be aged three to 10 days. By Jiro’s lights, it takes 10 years to learn how to prepare a roasted egg dish, a dish cooked by waving a cast-iron form over a low fire. The essentials of rice preparation take what Jiro calls “significant skills.” In the scene where Jiro is visited by his longtime rice salesman, an air of covertness pervades, as if the men are careful not to blab trade secrets. We note the toughening of hands of apprentices through wringing out the extremely hot towels given to the customers at the beginning of the meal. And yet pieces of sushi must be handled as one would handle a baby chick, Jiro notes. The future of sushi, in light of overfishing, is touched upon. Director/producer David Gelb sometimes honors Jiro with slowmo sequences, as the old man peels off his white gloves or undoes the sash of his smock. Viewing the outward gravity, Gelb suggests the anxieties boiling inside the man, through some overfamiliar selections by Philip Glass. Jiro is concerned about his legacy. As he has no intention of retiring, he must leave the business to sons who will have to work twice as hard to try to continue the restaurants’ prestige. If Jiro’s firmness weren’t tempered by a sense of humility, the documentary would be unwatchable. But the emphasis on self-sacrifice leads to a de Maupassant-style question: Just how much has Jiro actually been involved during some of the most celebrated moments of the restaurant? Is he a figurehead? How difficult would it be to be Jiro, to try to live these dreams of perfection?

Jiro Dreams of Sushi PG; 81 min. Opens Friday at Camera 7, Campbell


ILM metroactive metr oactivve FFILM

445 5

REVIEW

AMERICAN A MERICAN R REUNION EUNION ( R ; 155 (R; 155 m min.) i n. ) TThe h e entire enti re ccast ast ooff tthe he 11999 9 99 ooriginal rig inal iiss bback, ack, ppresumably re s um abl y iinn an an attempt atte mpt to to make make vviewers i e w e rs fface ac e their th ei r mortality mor tal ity aand nd rrealize e a l ize tthat hat 1133 yyears e ars ppasses asse s aatt a hheinously e in o u sl y aalarming l arming sspeed. pe ed. TThe he ffilm il m ffollows o ll ows tthe he rrambunctious ambunctious hhormone-heavy or m on e- he av y tteens-turnedeens-turnedaadults d ul t s as a s they they return re tu rn to to their their hhometown om e to wn in i n time t ime for for their the ir 1313yyear e a r reunion re un io n (an (an anniversary ann ive r sar y that that nnoo hhigh igh sschool ch oo l oonn this this or o r any any oother th er EEarth ar th aactually ct ually ccelebrates). e l e b ra t e s ) . will FFans a n s ooff tthe he ooriginal riginal w il l bbee ppleased le a s e d ttoo ssee e e tthe h e entire en tire group g ro u p rreunited, e un it e d, aand nd pperhaps e r hap s hhorrified o rr i fi e d aatt tthe he ccruel ru el effects effe cts of of father fath e r time time oonn oonce n c e yyoung oun g aand n d rrestless e st less faces. fa c e s . But B u t the t h e film’s fil m’ s bbrand ran d ooff rraunchy aunchy ccomedy o m e d y aand n d hheartfelt e artfel t honesty h o n es t y iiss ssure u re ttoo bbee fitting fit tin g ffor o r ffans, an s, aand nd aappropriate p pro p riate ffor or tthe h e nnow-older ow-older may aaudience u die n ce tthat hat m ay ffind ind tthe h e ffirst irst more ffilm’s ilm’s m ore bbawdy awd y eelements lements aantiquated. n t iq ua t ed . ((Opens Opens Fri.) Fri.)

GGOON OON ((R; R; 92 92 min.) min.) SSuperbad uperbad aand nd P Pineapple ineapple Express Express sscribe cribe EEvan van G Goldberg oldberg ccoowrites w rites tthis his lliteral iteral pphysical hysical ccomedy omedy William aabout bout aan n ooutcast utcast ((Sean Sean W illiam who, SScott) cott) w ho, tired tired of of being being llabeled abeled hhis is bbrainy-family’s rainy-family’s bblack lack ssheep, heep, jjoins oins a ssemipro emipro hhockey ockey tteam eam aass an an His ““enforcer.� enforcer.� H is job job is is to to beat beat ((up) up) members oopposing pposing tteam eam m embers bbyy aany ny means which m eans nnecessary, ecessary, w hich pplaces laces hhim im with aatt oodds dds w ith hhis is iidol-turned-rival, dol-turned-rival, Ross Boss� R oss ““the the B oss � ((Liev Liev SSchreiber). chreiber). Brash with B rash aand nd vviolent, iolent, w ith a ddose ose ooff Buster Keaton way ggood-humor; ood-humor; B uster Ke aton bbyy w ay ooff JJackass ackass. ((Opens Opens FFri.) ri.)

JJIRO I RO D DREAMS REAMS O OFF SSUSHI USHI (PG; 81 min.) See rreview (PG; eview on o page 44. (Opens Fri at Camera Caamera 7 inn Campbell Campbell a and at the A Aquarius Palo Alto.) quarius in P a A alo lto.)

TITANIC T ITANIC 3 3-D -D

LG FE K?< IFF= >`Xee` ;` >i\^fi`f ki`\j kf jkXp `e j_Xg\ `e ÉK_\ JXck f] C`]\%Ê

( P G -13; 194 (PG-13; 19 4 min.) mi n. ) This T hi s tiny ti n y iindie ndie much ddidn’t id n’ t gget et m u ch aattention t te n t i on tthe he ffirst i rs t time t i me aaround, ro u nd , ssoo its it s lowly lowly Paramount ddirector irec t or aand nd P a ra m oun t Pictures P i c t u re s hhave a v e finally fi na l ly ddecided e cid e d ttoo ggive iv e tthe he ffilm i lm a three-dimensional t hree - d i me n s i on a l rrevamp evamp make iinn aann eeffort f fo r t to t o finally fi n a l l y m ake a We’ll bbuck uck off of f the t h e picture. p i c t u re . W e’l l ssee ee Att tthe hhow o w iitt tturns ur ns oout. ut. A h e vvery er y lleast east iitt may ma y ffinally i n a l l y fforce orc e film fil m bbuffs uffs ttoo ask, a s k, “Just “Ju s t what wh a t hhappened a p p e n ed ttoo DiCaprio tthat ha t LLeonardo e o n a rd o D iCa p ri o and a n d KKate ate Winslet?� much W i n s l e t? � SSoo m uc h ppromise, ro m i s e, bbut ut tthat’s ha t ’ s Hollywood Ho ll y wo o d for fo r you. yo u. ((Plays Plays valleywide.) valleywide.)

FFIGHT IGHT LLIFE IFE ( Un ra t e d; 770 (Unrated; 0m min.) in.) IIn n hhis is nnew ew ddocumentary, o cum e nt ary, ffilmmaker i lmm ake r JJames ames FFeng e n g ffollows ol lows sseveral e ve ral pprofessional ro fe s s i o n a l mixed-martial-arts m ix ed - mar tial- art s ffighters igh ter s as as work way tthey hey w o r k ttheir heir w ay through t h ro u g h tthe he various va riou s events eve nts lleading ead in g up up ttoo a bbig ig TTV V sspecial. p ecial. The T he fighters fi g h t e r s pprofiled ro fi le d iinclude ncl ude JJake ake SShields, hields, Gilbert Melendez, G ilbert M elen d ez , Frank F rank SShamrock h a m ro c k Mike week, aand nd M ik e SSwick. wic k . TThis his w e e k, tthe he Bay ffilm il m ggets e t s iits ts SSouth outh B ay ppremiere re m i e re aand n d tthe he ffilmmakers ilmmak er s along alo ng with with MMA will ssome ome M M A ffighters ighters w il l aanswer nswer

46

SEANN WILLIAM

JAY

and LIEV

SCOTT

BARUCHEL

SCHREIBER

3 &#-#5. &0)+- *" &# -/ '* #1#-2 , -/ +$ /&# $'()

4 )( ,$ ( %' -""%(#,)( )+,

3 &#-#5. 3 ( , &+/5 1' # /+ /&'. 0*!& *" /& / '. &0%# !+),(')#*/ ### 4 $*%+,. !'%*!

3 4 !"" &!%( %'!+

*%,,!( .

/ %*! ,! *%,,!( .

/ %*! ,! .

.

!&#(!

WWW W.. G O O N T H E M O V I E . C O M

Middle-Aged Crazy MASTROIANNIAN calm and equanimity: star/director/producer Gianni Di Gregorio has it, and that correct, old-worldly style sells comic material some would find a little creepy. Di Gregorio’s follow-up to Mid-August Lunch is The Salt of Life, in which a Roman retiree (Di Gregorio, billed as “Gianni�) seeks a young mistress, or at least is open to the possibility. Mitigating factors: Gianni is a good father. He treats his daughter and her on-again-off-again boyfriend with kindness, even if they have less ambition than a pair of tree sloths. Gianni is less some reprehensible Signor Lecherelli than a Leopold Bloom, discreet and hopeful. Also, in the Trastevere where Gianni lives, it’s just a custom for a man of a certain age to have a little friend. Moreover, his time is running out; he sees his fate laid out before him at the park, in the form of an elderly ruin wearing a white fedora that matches the coat of his toy poodle. Lastly, Gianni’s marriage has moved into the dignified stage. “There is a love between us,� he explains. That

passive sentence says it all. The wife has got business of her own, and he’s been cluttering the house ever since he was forced to take early retirement. Fifty years ago, American screens were deluged with Italian sex comedies, and Di K_\ JXck Gregorio plays with f] C`]\ the received ideas of Unrated; 90 min. those days—that Rome Opens Friday, is a city of plunging Camera 3, necklines, drastic curves San Jose and men dreaming happily and wistfully of women, nothing but women. The other reason for Gianni’s dawdling is he has Hamlet’s problem: He lacks advancement. His old crone of a mother, to whom he performs as a servant, lives in a villa and is frittering away his inheritance on champagne and the cards. She’s ninetysomething and still going strong. This desire for the money (clean, as opposed to the desire for the other thing) also adds some of the salt the American title refers to. Gianni is perhaps funniest fondling the objets d’art that will be his eventually, like a farmer checking the plumpness of a chicken in his yard.—Richard von Busack

APRIL A P R I L 4-10, 4 -1 0 22012 012 | m metrosiliconvalley.com etrosiliconvalley com | ssanjose.com anjose com | m metroactive.com e t ro a c t i v e c o m

aaudience u d ie n c e qquestions ue s t io n s ffollowing o ll o w i ng tthe he 9pm 7 aand nd 9 p m sshowings h owi n gs oon n FFriday. ri da y. ((Shows Shows A Apr pr 66-12 -12 at at the the Bluelight Bluelight Cinemas Cinemas in in Cupertino.) Cu p e r t i n o . )

New N ew


metroactive.com m etroactive.com | ssanjose.com anjose.com | m metrosiliconvalley.com etrosiliconvalley.com | AAPRIL P R I L 4-10, 4 -1 0 2012

46

ILM metroactive m etroactive FFILM

REVIEW

Revivals R e v i va l s THE A THE ADVENTURES DV E N T U R E S O OFF R ROBIN OBIN HOOD/THE H O O D/ T H E P PRISONER RISONER O OFF ZZENDA E N DA

J@>DLE; ?FF; ;\jg`k\ k_\ aXlekp Xjg\Zk f] ;fl^cXj =X`iYXebj# Ji%# k_\ (0)) ÉIfY`e ?ff[Ê `j XZklXccp X =i\l[`Xe X[m\ekli\%

The Real Artist

THE CASTLE for Robin Hood (1922) was the largest set then ever built for a movie up to that time, bigger even than D.W. GriďŹƒth’s Ishtar Gate in Intolerance. Historian Kevin Brownlow writes that it even scared Douglas Fairbanks, Sr. “My work is intimate,â€? an amazed Fairbanks told the director Allan Dwan. “I can’t work in a great vast thing like that.â€? The Stanford Theatre revives the silent classic this Friday (followed on the weekend by the 1938 Errol Flynn version, The Adventures of Robin Hood). Robin Hood was a monster hit, but then the ďŹ lm was lost for a few decades before being found again in the 1960s. Fans had remembered Fairbanks, nimble as a squirrel, leaping over the castle walls. They didn’t remember the setups—the fact that we don’t see Robin Hood until half the ďŹ lm is over. The ďŹ lm got a reputation as dull. Slowstarting it is. Dull it isn’t. Robin Hood is a Freudian tale. The Earl of Huntington, intimidated by his fatherly king, is greatly attractive to women, but so awed by that he stutters. After a crisis, Huntington returns to nature, becomes his own man and is ďŹ nally seen at the foot of his own marriage bed. The story, which Fairbanks co-wrote, sets up the heroes and the villains in a way later versions of Robin Hood presumed we already knew. Robin isn’t just on the outs with

(1938/1937) W (1938/1937) With ith tthe he ddeďŹ nitive eďŹ nitive SSherwood herwood FForest orest ((played played by by the the live live ooaks aks ooff CChico) hico) aand nd EErrol rrol Flynn Flynn in in hhis is bbest est rrole ole aass a llithe, ithe, ttough ough Robin, Robin, who who uently.â€? Moreover, ““speaks speaks ttreason reason  uently.â€? M oreover, ďŹ lm Olivia tthe he ďŹ lm iincludes ncludes tthe he 119-year-old 9-year-old O livia Havilland, making ddee H avilland, m aking Natalie Natalie Portman Portman llook ook pplain lain bbyy ccomparison. omparison. BILLED BILLED WITH WITH TThe he P Prisoner risoner ooff ZZenda enda. TThe he heir heir to to tthe he throne throne of of Ruritania Ruritania has has been been kidnapped kidnapped before before he he can can be be crowned, crowned, and and a group group of of the the king’s king’s royal royal retainers retainers recruit recruit a passing passing Englishman Englishman (Ronald (Ronald Colman) Colman) who who happens happens to to be be the the double double of of his his majesty. majesty. Wily Wily Douglas Douglas Fairbanks Fairbanks Jr. Jr. and and glowering glowering Raymond Raymond Massey Massey are are in in on on the the plot, plot, countered countered by by C. C. Aubrey Aubrey Smith, Smith, whose whose face face was was like like a scale scale model model of of one one of of the the White White Cliffs Cliffs of of Dover. Dover. ((Plays Plays A Apr pr 77-9 -9 iinn P Palo alo A Alto lto at at the the Stanford Stanford TTheatre.) heatre.) ((RvB) RvB)

THE T HE B BAD AD N NEWS EWS B BEARS E A RS the Sheri of Nottingham and Sir Guy of Gisbourne; he’s also in disgrace with the good King Richard (Wallace Beery), who thinks his favorite earl is a deserter from the Crusades. Dwan expertly works up the audience’s thirst for justice through the sadism of King John (Sam de Grasse, also the king in The Man Who Laughs). The castle remains a star, IfY`e ?ff[ if not the star. Though it impresses, from the ďŹ rst Friday, 7:30pm; Stanford Theatre, lowering of the gate, to Palo Alto the ďŹ nal slamming shut of it behind a dejected ďŹ gure, it’s less memorable than Fairbanks. His small Robin triumphs over the gargantuan DorĂŠ-like castle in the way Fontaine did over the Montluc prison in A Man Escaped, or John McLane did over Nakatomi Plaza in Die Hard. Robin Hood represents one of the deepest roots of the action cinema. That’s part of the reason the Jean Dujardin character in The Artist mentioned the star’s name at the Oscars, as well he might, seeing how Dujardin edited himself into Fairbanks’ The Mark of Zorro. Here is the man himself: quite human, even eshy, and yet touched with some supernatural grace. Robin Hood’s working title The Spirit of Chivalry is apt; that’s what Fairbanks embodied.—Richard von Busack

(1976) TTremendously (1976) remendously iinuential nuential comedy comedy aabout bout a ssour our oold ld ccoach oach ((Walter Walter Matthau) Matthau) aand nd tthe he llittle ittle lleague eague tteam eam hhee rrallies. allies. Michael Ritchie M ichael R itchie directs. directs. ((Plays Plays A Apr pr 66-8 -8 iinn San San Jose Jose at at the the Retro Retro Dome.) Dome.) ((RvB) RvB)

AM MIDSUMMER IDSUMMER N NIGHT’S IGHT’S DREAM/ DREAM/ WHAT W HAT P PRICE RICE H HOLLYWOOD? OLLYWOOD? (1935/1932) A (1935/1932) According ccording to to James James Wolfgang CCagney, agney, EErich rich W olfgang Korngold Korngold (who (who ďŹ lm) sscored cored tthe he ďŹ lm) ccalled alled it: it: ““Wunderbar Wunderbar ‌ bbut ut bbad.â€? ad.â€? A rreally eally nnice ice ttry ry ffrom rom a studio studio ssystem ystem nnot ot rreally eally eengineered ngineered ttoo hhandle andle most iit.t. Shakespeare’s Shakespeare’s m ost aaccessible ccessible miss, pplay lay iiss hhit it aand nd m iss, qquaint uaint aand nd pretty pretty

45 4 5

in tthis in his 1930s 1930s version version with with loads loads of of Mendelssohn M endelssohn (arranged (arranged by by Korngold). Korngold). CCagney agney is is a vvigorous igorous Bottom, Bottom, and and there there will w ill never never be be a sweeter, sweeter, smaller smaller or or ďŹ ercer ďŹ ercer Hermia Hermia than than Olivia Olivia de de Havilland. Havilland. BILLED B ILLED WITH WITH W What hat Price Price Hollywood? Hollywood? TThe he ďŹ rst ďŹ rst version version of of A Star Star is is Born, Born, w with ith Lowell Sherman Sherman as as tthe he fading fading director director Lowell and Constance Constance Bennett Bennett as as the the waitress waitress and turned turned movie movie star. star. George George Cukor Cukor directs. directs. ((Plays Plays Apr Apr 10-12 10-12 in in Palo Palo Alto Alto at at the the Stanford Stanford Theatre.) Theatre.) ((RvB) RvB)

NILES N ILES FILM FILM MUSEUM MUSEUM Regularly scheduled Regularly scheduled programs programs of of ďŹ lms. ďŹ lms. Apr A pr 7 at at 7:30pm: 7:30pm: G Grandma’s randma’s B Boy oy ((1922). 1922). Driven Driven by by tales tales of of his his family’s family’s martial martial glory, glory, a shrimp shrimp (Harold (Harold Lloyd) Lloyd) decides decides to to take take on on a bully. bully. Plus Plus shorts. shorts. Greg Greg Pane Pane at at the the piano. piano. Apr Apr 8 at at 4pm: 4pm: Seeing Seeing those those versions versions of of B Beau eau Geste Geste aatt the the Stanford Stanford pays pays off off for for viewers viewers of of B Beau eau Hunks Hunks ((1931) 1931) with with Laurel Laurel and and Hardy Hardy joining joining tthe he French French Foreign Foreign Legion Legion to to forget forget ““Jeannie-Weenieâ€?; Jeannie-Weenieâ€?; aalso lso L aand nd H in in H Hog og Wild Wild (1930) (1930) aand nd Our Our Gang Gang iinn W Wild ild Poses Poses (1933) (1933) and and CCame ame the the Brawn Brawn (1938). (1938). ((Plays Plays Apr Apr 7-8 7-8 in in Fremont Fremont at at the the Edison Edison Theatre.) Theatre.) ((RvB) RvB)

THE T HE ROARING ROARING TWENTIES/ T W E N T I E S/ FFOUR OUR D DAUGHTERS AU G H T E R S (1939/1938) After (1939/1938) After WWI WWI a pair pair of of fformer ormer army army buddies buddies (James (James Cagney, Cagney, Humphrey H umphrey Bogart) Bogart) clash clash in in the the bbootlegging ootlegging racket. racket. “Sheer “Sheer product,â€? product,â€? CCagney agney called called it it later, later, but but the the actors actors transcend transcend the the material. material. BILLED BILLED WITH WITH FFour our Daughters Daughters. What What people people talked talked about about wasn’t wasn’t tthe he ddaughters aughters bbut ut tthe he performance performance of of a young young suitor; suitor; John John GarďŹ eld GarďŹ eld makes makes his his debut. debut. Michael Michael Curtiz Curtiz

A FOODIE FOODIE’S D DREAM REAM

“

NIGHT N IGHT A AT TT THE HE M MOVIES OVIES. IITT SURE SURE BEATS BEATS TAKEOUT TAKEOUT

�

“

�

.

JJIRODREAMS IRO DREAMS OOFF SUSHI SUSHI

EXCLLUSIVE ENGAGEMENTS EXCLUSIVE

STTAR START ART FRIDAY, FRIDAAY, APRIL 6

%"( (*&"+ (! &!% ($-) '* (#*)


4477 minding ppossible ossible ttrick rick iiss nnot ot m inding tthat hat it it hhurts. urts. ((RvB) RvB)

SSALMON ALMON FISHING FISHING IN IN THE THE YEMEN YEMEN (PG-13; 111.) (PG-13; 111.) Lasse Lasse HallstrĂśm HallstrĂśm helms helms a comedy comedy with with dramatic dramatic undertones undertones aabout bout a man man who who tries tries to to introduce introduce y-ďŹ shing  y-ďŹ shing to to aann unlikely unlikely place. place. SStars tars McGregor. EEmily mily Blunt Blunt and and Ewan Ewan M cGregor.

“3D HAS MADE A GREAT FILM

EVEN GREATER�. LOU LUMENICK, NEW YORK POST

I@E><IJ I @E><IJ AXd\j AXd\j =\e^Êj e\n [fZld\ekXip# É=`^_k C`]\#Ê \ogcfi\j k_\ ZXi\\i jkil^^c\j =\e e^Êj e\n [fZld\ekXip p# É=`^_k C`]\#Ê C \ogcfi\j k_\ ZXi\\i jkil^^ ^c\j f] gif]\jj`feXc d`o\[$dXik`Xc$Xikj Ó^_k\ij% K_\ Ócd ^\kj `kj mXcc\p gi\d`\i\ =i`[Xp f] gif]\jj`feXc d`o\[ [$dXik`Xc$Xikj Ó^_k\ij% K_\ Ócd d ^\kj `kj mXcc\p gi\d`\i\ =i`[Xp Xk k_\ 9cl\c`^_k :`e\dXj `e :lg\ik`ef# n_\i\ `k n`cc ile ]fi X n\\b% Xk k_\ 9cl\c`^_k :`e\d dXj `e :lg\ik`ef f# n_\i\ `k n`ccc ile ]fi X n\\b% directs. ((Plays directs. Plays A Apr pr 44-5 -5 iinn P Palo alo A Alto lto at at tthe he SStanford tanford TTheatre.) heatre.) ((RvB) RvB)

ROBIN R OBIN H HOOD OOD (1922) SSee (1922) ee ppage age 446. 6. D Dennis ennis JJames ames aatt Wurlitzer. tthe he W urlitzer. ((Plays Plays A Apr pr 6 iinn P Palo alo A Alto lto at at tthe he SStanford tanford TTheatre.) heatre.) ((RvB) RvB)

Reviews Re vieews DELICACY D E L I C ACY (PG-13; 108 (PG-13; 108 m min.) in.) TThe he nnewly ewly w widowed idowed Parisienne Nathalie P arisienne N athalie ((Audrey Audrey TTautou) autou) ggets ets a job job aatt a SSwedish-owned wedish-owned ďŹ ďŹ rm. rm. After worked A fter sshe he has has w orked tthere here ttirelessly irelessly ffor or yyears, ears, CCharles harles ((Bruno Bruno TTodeschini) odeschini) tthe he married ccompany’s ompany’s m arried ddirector irector ggeneral, eneral, Nathalie ooffers ffers to to get get ccloser. loser. N athalie rrejects ejects hhis is pproposal roposal ddeftly, eftly, bbut ut ssurprises urprises eeven ven hherself erself when when sshe he tturns urns her her sights sights toward toward Markus Damiens). tthe he Swedish Swedish M arkus ((Francois Francois D amiens). He’s with H e’s nnotably otably hhomely, omely, bbalding alding aand nd w ith a wincing wide-toothed makes w incing w ide-toothed ssmile mile tthat hat m akes Wallace hhim im rresemble esemble W allace iin n tthe he cclaymation laymation ccartoons. artoons. The The bbrothers rothers FFoenikos oenikos aare re with ddealing ealing w ith an an older older TTautou; autou; sshe he nnever ever sseemed eemed physically physically ripe ripe bbefore. efore. FFor or tthat hat matter m atter she she never never rreally eally sseemed eemed ttoo hhave ave a body body bbefore. efore. IIt’s t’s a slight, slight, goodgoodmost hhearted earted ďŹ lm, ďŹ lm, aiming aiming ((for for tthe he m ost ppart) art) ttoo cculturally ulturally pluralize pluralize FFrance, rance, aand nd iit’s t’s move hhelping elping ttoo m ove TTautou autou aaway way ffrom rom tthe he rrealm ealm of of pixie pixie parts. parts. (RvB) (RvB)

THE T HE H HUNGER UNGER GGAMES A M ES (PG-13; 1109 (PG-13; 09 m min.) in.) EEasier asier ttoo ttake ake sseriously eriously tthan han iitt ssounds. ounds. TThe he ddrill, rill, which may w hich yyou ou m ay kknow: now: in in tthe he future, future, made ttwo wo ddozen ozen 112-17 2-17 yyear ear oolds lds aare re m ade ďŹ ghting ttoo hunt hunt aand nd kkill ill eeach ach oother, ther, ďŹ ghting ttoo tthe he ddeath eath iin n a ccamera-laden amera-laden bbio-dome io-dome with w ith poisonous poisonous pplants lants aand nd ggeneticallyenetically-

Onn oone eengineered ngineered aanimals. nimals. O ne level, level, Hunger H unger Games Games iiss TTV V ssatire atire blown blown up up to to vast-screen vast-screen size. size. Stanley Stanley Tucci Tucci is is succulently succulently smarmy smarmy as as a perukeperukewearing wearing interviewer, interviewer, whose whose oily oily over-familiarity over-familiarity and and fake fake compassion compassion is is turned turned up up high, high, even even to to the the point point of Ultimately of rrevolutionary evolutionary aart. rt. U ltimately TThe he Hunger Hunger Games Games is is all all about about the the ordeal, ordeal, staged staged in in North North Carolina; Carolina; Gary Gary Ross’s Ross’s visual visual storytelling storytelling is is exciting, exciting, sometimes sometimes even even daring daring (especially (especially in in the the small-camera small-camera intimacy, intimacy, as as when when the the curl curl of of Katliss’ Katliss’ lip lip ďŹ lls ďŹ lls the the screen). screen). Woody Woody Harrelson Harrelson a sardonic, sardonic, hardharddrinking drinking former former winner; winner; Amandla Amandla Stenberg Stenberg is is subtle subtle and and intense intense as as Rue, Rue, the the smallest smallest warrior; warrior; and and Elizabeth Elizabeth Banks Banks is is the the hateful hateful spokeswoman spokeswoman EfďŹ e EfďŹ e Trinket. Trinket. But But the the main main reason reason for for the the excitement excitement is is Jennifer Jennifer Lawrence’s Lawrence’s star-making star-making performance performance as as the the reluctant reluctant warrior, warrior, Katliss. Katliss. She’s She’s ccreated reated a powerful powerful yet yet humane humane heroine, heroine, in in a cinema cinema that that needs needs such such a ďŹ gure ďŹ gure desperately. desperately. (RvB) (RvB)

THE T HE R RAID: AID: R REDEMPTION E D E M PT I O N (R; 1101 (R; 01 m min.) in.) SSome ome ooff tthe he m most ost sstunning tunning aaction ction cchoreography horeography ssince ince Hong was H ong KKong ong w as a ccrown rown ccolony olony Gareth iiss vvisible isible iinn G areth EEvans’ vans’ tterribly erribly ďŹ lm eexciting xciting ďŹ lm TThe he R Raid: aid: R Redemption edemption. IIt’s t’s close close to to pure pure sensation. sensation. In In a foggy foggy ddawn, awn, a D Djakarta jakarta ppolice olice SSWAT WAT tteam eam is is ddriving riving uupp ttoo a hheavily eavily ffortiďŹ ed ortiďŹ ed apartment apartment bbuilding. uilding. TThe he ggoal oal iiss the oor, where Mabuse-like the ttop op  oor, w here a M abuse-like criminal criminal ((Ray Ray SSahetapy) ahetapy) iiss ssecure ecure behind wall behind a w all ooff cclosed losed ccircuit ircuit cameras microphones. Hee hhas cameras aand nd m icrophones. H as rented rented tthe he eentire ntire bbuilding uilding oout ut ttoo indebted Hee hhas, indebted ffugitives. ugitives. H as, aass hhis is last last lline ine ooff ddefense, efense, a ssavage avage bbut ut skinny Dogâ€? skinny tthug hug ccalled alled ““Mad Mad D ogâ€? ((Yayan Yayan Ruhian): mood, Ruhian): ““When When II’m ’m iin n a bbad ad m ood, I ttend end ttoo llash ash oout,â€? ut,â€? hhee eexplains. xplains. I scarcely scarcely tthink hink ppeople eople oought ught ttoo bbee apologetic wanting watch apologetic ffor or nnot ot w anting ttoo w atch this But while this kkind ind ooff tthing. hing. B ut w hile tthe he situation way situation iiss bbelievable, elievable, tthe he w ay iit’s t’s carried carried oout ut iiss ffar ar ttoo oo ffantastic antastic ttoo take moral take aass ssign ign ooff m oral ddecline. ecline. TThe he

“ULTRAVIOLENT AND FUN! CLEVER AND ACTION-PACKED!�

-David Lewis, SAN FRANCISCO CHRONICLE

LIKE US ON www.facebook.com /TheRaidUS

FOLLOW US ON

WRITTEN AND DIRECTED BY GARETH EVANS

NOW PLAYING

On CAMERA 12 SAN JOSE CINÉARTS@SANTANA ROW CENTURY 16 Visit iTunes.com/SPC for a look at 201 South Second Street, 3088 Olsen Drive, San Jose 1500 N Shoreline Blvd, The Raid: Redemption and other SPC films San Jose (408) 998-3300 (800) FANDANGO Mountain View (800) 326-3264

VIEW THE TRAILER AT WWW.THERAIDMOVIE.COM

STARTS WEDNESDAY, APRIL 4

@TheRaidUS

WWW.SONYCLASSICS.COM

CUPERTINO AMC Cupertino Square 16 (888) AMC-4FUN

SANTA CLARA CLA ARA AMC Mercado 20 0 (888) AMC-4 AMC-4FUN 4FUN

DALY CITY Cinemark Century 20 Daly City (800) FANDANGO #905

MILPITAS Cinemark Century 20 Great Mall (800) FANDANGO #940

ALSO AT REDWOOD CITY Cinemark Century 20 Downtown (800) FANDANGO #990

SA SAN AN BRUNO Cinemark Ci inemark Century att Tanforan (800) (8 800) FANDANGO #99 #998 998

SAN JOSE SE Cinemark rk Century Centuury 20 Oakridge idge (800) FANDANGO #972

APRIL A P R I L 4-10, 4 -1 0 , 2012 2012 | m metrosiliconvalley.com etrosiliconvalley.com | ssanjose.com anjose.com | m metroactive.com e t ro a c t i v e . c o m

physical uunfeasibility physical nfeasibility ooff tthe he violence violence hhere ere iiss tthe he rreal eal ““redemption.â€? redemption.â€? IIff tthe he aapartment-to-apartment partment-to-apartment ďŹ ghting ďŹ ghting wee ssee were w ee hhere ere w ere eeven ven ppartially artially rreal, eal, ďŹ lm’s would ďŹ ve tthe he ďŹ lm’s rrunning unning ttime ime w ould bbee ďŹ ve minutes. m inutes. EEvans vans aalso lso ddismissed ismissed tthe he qquick uick ccutting utting ttoo sshow how uuss hhow ow tthis his martial works. llittle-known ittle-known m artial art art w orks. IIn n hhis is work, pphenomenal henomenal sstunt tunt w ork, tthe he oonly nly


metroactive.com metr o cttive com | ssanjose.com | metr oactive.co metrosiliconvalley.com osiliconvallley.com | AAPRIL P R I L 4-10, 4 -10, 2012

48 10

escape the ordinary

_Zkf^k l fZkd^m & [hnmbjn^l & `Zee^kb^l & ]bgbg` & [^Znmr & ikh_^llbhgZe l^kob\^l Jackson & Taylor Streets between 1st & 7th, San Jose - japantownsanjose.org


metroactive MUSIC

BOOGIE DOWN San Francisco DJ J Boogie performs at the Pagoda benefit Friday.

Top Bay Area DJ comes to the South Bay with the sounds of moombahton, moombahsoul and more By STEVE PALOPOLI

M

oombahton and moombahsoul are the hottest new trends in dance music, and the San Francisco DJ known as J Boogie—real name Justin Boland—has a theory as to why. To him, 108 to 115 beats per minute has been a lost tempo in EDM for too long.

“It’s not super fast, it’s not super slow,” says Boland. “It’s that mid-level, that boogie stepper’s level, like you’re getting warmed up on the dance floor.” As one of the Bay Area’s top DJs, Boland was influential in bringing the moombahton and moombahsoul styles to the Bay Area, after adopting them as his favorite new sounds. His

authoritative take on the music was acknowledged when he contributed a track to a moombahsoul compilation produced by David Heartbreak, who pretty much created the sound out of the framework of moombahton (which itself didn’t officially exist as the bastard love child of EDM and reggaeton until two years ago—although Diplo might not agree—and didn’t break until last summer). At his show at the Pagoda this week, he’ll demonstrate his knack for combining them with classic genres for a very different musical experience. “When you have disco, R&B, moombahsoul and house coming together, it creates this real sexy funky mix that’s undeniable on the dance floor,” he says. “It just makes you feel good. It’s not melt your face music, it’s not party til you drop music, it’s feel good, dance, feel sexy and just shake your thing.”

Ironically, considering his reputation for breaking new music, Boland is enjoying the way classic sounds and technology are on their way back. “The new hip-hop is bringing the 808s back, and the new sound of house is bringing all the 909s back. Those classic sounds are coming back in all music styles, but I feel like moombahsoul kind of represents it in a unique way,” he says. “You can bring things to it, you can mix Latin stuff with it, you can mix soul and disco and R&B. That’s a big part of what I enjoy about moombahsoul.” As usual, Boland is pushing musical boundaries on several fronts. He started the year unleashing a tangle of sound that included bounce, bhangra and electrofunk remixes for the single “It’s On Fire” from his band J Boogie’s Dubtronic Science. And he seems busier than ever, having just returned from playing every day of South By Southwest, and then Miami’s Winter Music Conference. “It was pretty tough, man. The last two days of Winter Music I was pretty spent,” he admits. “But I’m in a situation as an artist when I kind of feel like I’ve got a little something to

J Boogie Fri, April 6 9pm; $5-$10 sliding scale

49 APRIL 4-10, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com

J Boogie’s New Science

prove. I wanted to make some noise.” Those in the Bay Area scene may wonder what exactly J Boogie would have to prove, having reached a level most DJs only dream of. But his ambition reaches far beyond his hometown, where he got his start on KUSF with the “Beatsauce” show in the ’90s. “With artists in the bay, you hit a plateau and sometime you feel like you’ve done enough. But I really want to do something new, take my music in a new direction and show people I can grow and advance,” he says. Outside of his home domain, his fondness for the cutting edge can actually work against him sometimes. “Most DJs now have a label you can describe them with, they have a scene and a group of people that relates to them. If you ask somebody what kind of DJ Bassnectar is, they’re going to be able to tell you ‘he plays this kind of music, it sounds like this.’ I don’t fit into that little box. It’s a blessing and a curse,” he says. But it’s definitely not going to change. “I think I’d get a little bored if I only listened to reggae or I only listened to hip-hop, or only listened to house or dubstep. I’m not that kind of listener; I have to hear a lot of different sounds and things happening for my own personal enjoyment,” says Boland. “And also, I’m aware of the boundaries, but also the similarities of each type of music. Look at how Baltimore club has gone everywhere from bounce to Miami bass to baile funk. Everything really does correlate. I just try to sew that together so people can see it.“ For this show, the Pagoda’s monthly D1ME night has been redubbed “Dee-may,” which is Spanish for “tell me.” Oakland Spanish-language rappers Los Rakas will also perform, and the show will benefit the new School of Arts and Culture at Mexican Heritage Plaza in San Jose.


metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

50

metroactive MUSIC

More listings:

METROACTIVE.COM

THE LATEST FROM METROACTIVE.COM

DJ MYNDSET MAKES A STOP IN LOS GATOS Los Angeles–based producer Myndset has remixed everyone from Deadmau5 to Drake, and shared a stage with electro pioneers Steve Angello, Congorock and Cedric Gervais. He spins at Los Gatos Bar & Grill on Thursday, April 5.

PHOTOS: RADIOACTIVE SJ AT SLG ART BOUTIKI & GALLERY SLG Art Boutiki & Gallery is holding strong with weekly shows in its hybrid arts-retail-performance space on South Market Street in San Jose. MetroActive photographer Jessica Shirley-Donnelly was there Friday to catch Fierce Creatures, Fever Charm, Tumbleweed Wanderers and Forrest Day for Radioactive SJ.

INTERVIEW: ADRIAN YOUNGE Adrian Younge loves movie music. He collects soundtracks, especially those from the late ’60s and early ’70s. So it makes sense that the Wax-Poeticssigned Younge is best known as a musician for his work on movies, namely as composer on the 2009 cult favorite Black Dynamite, which lovingly (and hilariously) satirized just about every cliché in the Blaxploitation playbook.

Subscribe to the newsletter at metroactive.com

Metro’s music calendar runs Wednesday–Tuesday.

Rock/Pop ANGELICA’S BISTRO Fri, 8:30pm: Candyrat Guitar Night. $15/$19. Sat, 8:30pm: Top Shelf presents a night of doo-wop, soul and Motown music. $20/$25. Redwood City.

THE BLANK CLUB Wed, 8pm: Hot Snakes, Spider Fever, the Makeup Sex. $15/$18. Fri, 9pm: Trashkannon, the Flames, Backstabbers, $7. Sat, 9pm: Designer Drugs, Pls Dnt Stp, Richie Panic, Your Dirty Habit, Skitsnygg. $12/$15. San Jose.

BOSWELL’S

THE CARAVAN

Wed, 9:30pm: Jack RipOff. Thu, 10pm: Sexy Back. Fri, 9:30pm: Savoir Faire. Sat, 10pm: Superbad. Sun, 8:30pm: The Gents. Mon, 9:30pm: Matt Bolton. Campbell.

Fri, 8pm: Gemini Six, Melted Horses. No cover. San Jose.

BRITANNIA ARMS ALMADEN

JOHNNY V’S

Fri, 10pm: The Degenerates. Sat, 10pm: Sexyback. San Jose.

CLUB FOX Thu, 8:30pm: The Soft White Sixtires, AB and the Sea and Dogcatcher. $10. Sat, 8pm: Richard Bean and Sapo with Ruckatan and 40-Watt Hype. $14/$16. Redwood City.

THE GRAPEVINE Thu, 7pm: Frank Sorci. Fri, 7pm: Mike Murdock and Sean McGuire. Willow Glen. Fri: One Over Eight, Them Rude Boys, Dr. Taco. No cover. Sat: Bullet Skyway, Protest Authority, Crooked as Fuck. No Cover. Tue: Crosstops, Tater Famine. . San Jose.

LIQUID Every other Thu: So Timeless. Los Gatos.

52


Alex Stover

BARFLY: BLUZ BY-YOU

51

MONTALVO ARTS CENTER

CARRIAGE HOUSE THEATRE CONCERT SERIES

“Very sharp work. Kyle has imagination and skill” - The Observer, UK

Son of actor Clint Eastwood, Paris-based jazz musician Kyle Eastwood has become a star in the jazz world. An accomplished and multi-talented musician and composer, his second album, “Paris Blue,” rose to number one on the French jazz charts. About his work he says, “My roots remain in jazz but I like adding all kinds of different flavors.” Eastwood composed music for several of Clint Eastwood’s films, including “Mystic River” and “Million Dollar Baby.”

TAJ MAHAL & THE TRIO

A HARD RAIN IS GONNA FALL On a recent wet evening, Santa Clara’s Bluz By-You was like a port in a storm.

FRI, APR 13, 6:30PM & 9PM “No artist has stretched the definition of blues like Taj Mahal” - Christian Science Monitor

Bluz in the Night

A two-time Grammy Award winner, Taj Mahal is one of the most influential American blues and roots artists of the last 50 years. A self-taught composer and multi-instrumentalist, Taj Mahal has done much to reshape the definition and scope of blues music by gathering and distilling countless musical traditions from a wide range of geographical and cultural sources. Not-to-be-missed!

IT WAS a dark and stormy night. The road, slick with rain, reflected back the light from my headlights as I traveled down a lonely stretch of Coleman Avenue. It was the perfect night to stay home, yet there I was, driving to Bluz By-You, eager to escape the dreary Santa Clara weather with a taste of New Orleans.

CALIFORNIA GUITAR TRIO & MONTREAL GUITAR TRIO

The restaurant was easy to find: a sign towers over the building, proclaiming “Bluz By-You” in large purple letters next to the silhouette of a saxophone player. The place occupies a squat wood-and-brick building with steeply sloped roof, eaves projecting far over the sidewalk; it looks like a shack one might find in the middle of the bayou. Once I stepped through the wooden door, however, I was whisked from the swamp and thrown into the middle of a different world—a romanticized nighttime street cafe in the French Quarter with lavender walls surrounding an expansive dining area. The walls, with their uniform lavender color and decals—a yellow crescent moon and glowing street lamps—give the illusion of a twilight sky. The vines hanging from the ceiling, though fake, seemed a natural touch to complete the illusion. As I moved through the restaurant, I quickly forgot the horrible weather outside, because Bluz By-You is a warm and inviting place: the hustle and bustle of the restaurant, from the blues music Bluz By-You playing over the sound system to the chatter of the patrons, drowned out the patter of the rain, while the heat 1240 Coleman Ave., from the fire roaring in the brick fireplace warmed my Santa Clara cold, wet clothes. Though the restaurant was filled to near capacity, the staff was attentive. I pored over the menu—pages of salads, sandwiches and entrees, all with a Cajun or Creole twist. I settled on the hot link po’ boy, a quintessential Louisiana dish, with Cajun-style fries. To drink, I had a Abita, Bluz’s flagship draft brew. As I ate, I watched the crowd—predominately older men and women out for dinner, drinks and music with their significant others. The club’s primary attraction is its live music: blues, jazz and Zydeco bands Tuesday through Saturday with no cover charge. When the band began its main act, conversation became impossible. The guitar riffs and vocals were deafening even in the very back of the restaurant. The stage was alive. In the rear, a drummer pounded a solid beat while a bassist strummed in the corner, eyes closed and rocking his head. In the front three saxophonists and a trumpeter crowded two microphones, arching their backs and blasting out their notes, while the blues guitarist and singer, the frontman, stole the show with his riffs and improvised solos. The crowd waved their hands and erupted into applause and whistles at the end of every song. As the show wrapped up, I left slightly deaf in my right ear and “Scan for more Images determined to return.—The Barfly of Bluz By-you”

SUN, APR 22, 7:30PM “Winning, energetic and highly accessible…” - L.A. Times The California Guitar Trio’s technical wizardry is breathtaking, as is the wide range of instrumental music the group renders….everything from unique originals to dazzling, cleverly-arranged interpretations of jazz, classical, and even surf rock. The Montreal Guitar Trio has quickly established itself as a force to be reckoned with by bridging diverse genres of music including Argentinean tango, Brazilian samba, Nordic mixes, progressive rock and sounds of the orient, among others.

“The hottest guitar ensemble in Canada” – CBC (Montreal Guitar Trio)

Free on-site parking! Box Office, 408.961.5858, M-F, 10am-4pm ticketmaster.com or montalvoarts.org 15400 Montalvo Road, Saratoga, CA 95070

Presented by

Celebrating 100 Years! 1912-2012

APRIL 4-10, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com

KYLE EASTWOOD BAND FRI, APR 6, 8:00PM


52

metroactive MUSIC

metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

50 MOJO LOUNGE Fri, 9:30pm: Ron Thompson. $5. Sat, 9:30pm: Neck Beard. $5. Fremont.

NETO’S GRILL Fri, 8:30pm: Rock Hard. $10. Sat, 8:30pm: Black Hat. $20. Tue, 7pm: Jam with Dennis Dove or Ray Ray. Santa Clara.

NICKEL CITY Fri, 6pm: Antioxidants, XCD, the Revolting, Attic Punks, Bah Ram You. All ages. Sat, 6pm: Handshakes, Cosmic Machine, Cage of Obscene Birds, Electric Bass Bucker. All ages. San Jose.

NINE LIVES

1011 PACIFIC AVE. SANTA CRUZ 831-423-1336 >LKULZKH` (WYPS ‹ AGES 18+ Vital & Collective present

plus

UKF TOUR

Gemini & Koan Sound

3PECIAL !DV s $RS P M 3HOW P M Thursday, April 5 ‹ In the Atrium ‹ AGES 21+

HIPHOP OPEN MIC ./ #/6%2 s $OORS OPEN P M Friday, April 6 ‹ In the Atrium ‹ AGES 16+ IAMSU! plus HBK & 2 Coast

!DV $RS s $RS P M 3HOW STARTS P M

Saturday, April 7 ‹ In the Atrium ‹ AGES 21+

SMOKIN’ JOE KUBEK & BNOIS KING

.O /PENING !CT s !DV $RS s $RS P M 3HOW P M

Sunday, April 8 ‹ In the Atrium ‹ AGES 21+

JOHN K. SAMSON & THE PROVINCIAL BAND

plus Shotgun

Jimmie s P M P M ;\LZKH` (WYPS ‹ AGES 21+

Dark Star Orchestra

!DV $RS s $RS P M 3HOW P M Apr 11 Open Mic Atrium (Ages 21+) Apr 13 Las Reinas De La Bahia Atrium (Ages 21+) Apr 14 Sin Sisters Burlesque Atrium (Ages 21+) Apr 15 Bastard Suns Atrium (Ages 21+) Apr 18 Zeds Dead/ Araabmuzik (Ages 18+) !PR Ozomatli (Ages 21+) Apr 20 The Holdup/ Afroman (Ages 16+) Apr 22 Tech N9ne (Ages 16+) May 5 Curren$y (Ages 16+) May 10 Snoop Dogg (Ages 16+) May 13 Andre Nickatina (Ages 16+) May 16 Vital Events: Mt. Eden (Ages 18+) May 31 Suicidal Tendencies (Ages 16+) Unless otherwise noted, all shows are dance shows with limited seating. Tickets subject to city tax & service charge by phone 866-384-3060 & online

www.catalystclub.com

Banda. No cover. Fri, 8pm: Rock en EspaĂąol. San Jose.

ALBERTO’S Wed: Bachata. Thu: Salsa with Pantea. Fri: Salsa. Sat: Latin night. Mon: Argentine Tango. Tue: Salsa with Pantea. Mountain View.

More listings:

METROACTIVE.COM DOLCE HAYES MANSION Fri, 6:30pm (weather permitting): Jess Charles, solo jazz. San Jose.

EULIPIA Fri, 8:30pm: San Jose Jazz presents Mads Tolling for South First Friday. Free. San Jose.

ARYA GLOBAL CUISINE

GRAND DELL SALOON

Fri, 8pm: Live jazz or Italian music and belly dancing. Sat, 8pm: Rushid. Cupertino.

Thu, 8pm: Blues Jam with Aki. Fri, 8pm: California Blues Machine. Sat, 8pm: Jump Kings. Campbell.

AZÚCAR Thu, 9pm: DJ Che. Thu-Sat, 9pm: Live Latin music. Last Fri of every month: Arleen and Caramelo’s GLBT party. Sun, 6pm: Live music. Mon: Salsa lessons. San Jose.

HEDLEY CLUB Every ďŹ rst and third Wed, 7:30pm: Hedley Club Jazz Jam. Thu, 8pm: Russo-Alberts Trio. Fri, 8:30pm: Los Chabocanos. Sat, 8:30pm: Times 4. Hotel De Anza, San Jose.

Sat, 8pm: Big Wood, Rev. Love Jones and the Sinners. $10. Gilroy.

CLUB FOX Fri, 9pm: Hard Salsa. $10. Redwood City.

J.J.’S BLUES CAFE

NUMBER ONE BROADWAY

HUKILAU

MURPHY’S LAW

Wed: Jam night with JC Smith Band. Thu: Blind Pilots. Fri, 9:30pm: Extra Large. $10. Sat, 9:30pm: Joint Chiefs. $10. Los Gatos.

Fri-Sat: Live music. San Jose.

Fri-Sat: Live music. Mon: Pro blues jam. Sunnyvale.

THE QUARTER NOTE

Wed, 5pm: Middle Eastern music. Thu, 5pm: Live acoustic guitar with Jack Sutter. Fri, 5pm: World music. Sat, 6pm: Belly dancing. Sun, 6pm: World music. Mountain View.

Wed: Pro Jam hosted by Mental Notes. No cover. Thu: Pro Jam hosted by Vicious Groove. No cover. Fri-Sat: Live music. Sun, 9pm: Pro Jam. No cover. Sunnyvale.

RED ROCK COFFEE Fri, 8pm: Garrin BenďŹ eld. Sat, 8pm: Dogcatcher. Mountain View.

SAN PEDRO SQUARE MARKET Sat, 9pm: Panthelion. All ages. Free. San Jose.

SOUTH FIRST BILLIARDS Thu, 9pm: Scarlet Spoke, I Swallowed an Owl. No cover. Fri: South First Friday. San Jose.

STATION 55 Fri-Sat, 9pm-1am: Live music. Gilroy.

TEMPLE BAR & LOUNGE

LIQUID Tue: Rock en espanol. San Jose.

A PERFECT FINISH

MOROCCO’S MV

Fri, 9pm: Levitate. Sat, 9pm: Chris Burkhardt. San Jose.

MOROCCO’S SJ Wed, 5pm: Acoustic guitar with Jack. Thu, 5pm: Johnny Williams. Fri, 5pm: World music. Sat, 5pm: World music. Sun, 5pm: Moroccan music. San Jose.

PARRANDA NIGHTCLUB Thu-Sat: Live music. Sunnyvale.

STEPHENS GREEN Tue, 7:30pm. Irish music. Mountain View.

Jazz/Blues Every second Thu, 7pm: Jazz jam. $5. San Jose.

WOODHAM’S LOUNGE

BLUZ BY-YOU

Fri: Pro Jam with local rock musicians. Santa Clara.

Thu-Sat: Live jazz. No cover. Santa Clara.

World

CAMPBELL RECITAL HALL

Wed, 8pm: Salsa. $5. Thu, 9pm:

POOR HOUSE BISTRO Wed, 6pm: Ron Thompson. Thu, 6pm: Wendy Dewitt Duo. Fri, 6pm: Mofo Party Band. Sat, 6pm: Andrew Jr. Boy Jones Band. Sun, noon-4pm: Easter New Orleans brunch with Gail Dobson Jazz Band. Tue, 59pm: PHB open mic. San Jose.

SAN PEDRO SQUARE MARKET Fri, 7pm: Vitchev/Tamburr New Quartet. Free. San Jose.

UNWINED Thu & Sat, 7pm: Live jazz. San Jose.

WINE AFFAIRS Wed-Thu, 7:30pm: Live jazz. San Jose.

C&W/Folk

ART BOUTIKI

Sat, 8pm: Live music. San Jose.

AGENDA LOUNGE

Live music nightly. San Jose.

Wed, 4pm: Etienne Charles Quintet for Stanford Lively Arts. $24. Braun Music Center, Stanford.

ALICE’S Thu, 7pm: Live acoustic music. Woodside.

MISSION CITY COFFEE ROASTING Fri, 8pm: Jack Williams. Sat, 7:30pm: Rich Osborne. Santa Clara.

THE SADDLE RACK Wed, 9pm: California Cowboys.


Chris Woo

the Metro photo exhibit

CONCERT

53

South First Fridays @ 550 S First

Illustration by Chris Hack

YOU ASP FOR IT The Hot Snakes are suddenly more popular than ever since their reunion.

Hot Snakes LIKE THE BLACK KEYS if they weren’t basically a pop band, or John Spencer Blues Explosion without the retro obsessions, Hot Snakes were what rock & roll sounds like stripped down to its bubbling primal ooze. They were the third band from Rick Froberg and John Reis (after Drive Like Jehu and Pitchfork), and back Blank Club in the early 2000s gave Reis a place to unleash his real rock demons while he soldiered on with the slicker, Wed, April 4 punker and more successful Rocket from the Crypt. Unfortunately, Hot Snakes and Rocket from the Crypt 8pm; $15/$18 both broke up around the same time, though Reis has continued to be a fixture of the San Diego rock scene in various projects. It looks like Rocket will never reunite, but last year Hot Snakes did. As these things go, the band is now more popular than it ever was when it was first around, and ironically are being hailed as a sort of “next big thing.” They’re playing all their garagey, post-hardcore fan favorites, like the driving “Braintrust,” “Hi-Lites” and pretty much anything from their best (and last) album, Audit in Progress (although Suicide Invoice is good, too).—Steve Palopoli

South Bay Guitar Mission Chamber Society Orchestra of San José Emily Ray Music Director and Conductor

Centuries of Guitars Sat., Apr. 21, 8:00 pm

Nils Peterson Poet & Narrator

Marc Teicholz Guitarist

F. Mendelssohn Sinfonia no. 10 in B minor A. Vivaldi Guitar Concerto in D, RV93 Lee Actor Guitar Concerto (world premiere)

Hilary Tann Thu-Fri, 9pm & Sat, 10:15pm: Diablo Road. Sat, 7:15pm: Rodeo House. Fremont.

Open Mic

BLUE ROCK SHOOT

SAM’S BBQ

BAMBOO LOUNGE

Wed, 6pm: Sidesaddle. Tue, 6pm: Carolina Special. San Jose.

Mon, 7pm: Musical open mic with Jeff Ocha. Clarion Hotel, San Jose.

BRITANNIA ARMS CUPERTINO

THREE FLAMES Thu, 9pm: Bit & Spur Band. Sun, 8pm: Rebecca West. San Jose.

W. A. Mozart

Thu, 7:30pm: Open mic. Saratoga.

Le Petit Trianon Theatre 72 N. 5th St., San Jose Tickets $25/20/12/10

Wed, 9:30pm: Open mic. Cupertino.

www.missionchamber.org 408-236-3350 www.sbgs.org 408-292-0704

BAREFOOT COFFEE Wed, 7pm: Musical open mic. Sign up by 5pm. Santa Clara.

Adirondack Light with Nils Peterson, poet & narrator Symphony no. 39 in E- flat, K. 543

54

marcteicholz-mco.eventbrite.com

APRIL 4-10, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com

featuring local photographers


54

metroactive MUSIC

metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

53

More listings:

METROACTIVE.COM EFFIE’S RESTAURANT Wed-Sat and Tue, 9pm-2am, & last Sun of every month, 2-7pm: B&S Karaoke. Campbell.

BLINKY’S CAN’T SAY

EL RANCHO SPORTS BAR EL TORITO RESTAURANT

Tue, 7pm: Open mic. San Jose.

Fri, 9pm-1am: Danielle. Sat, 9pm-1am: Karaoke. Santa Clara.

CITY ESPRESSO

BLUE MAX

Fri, 7pm: Open mic. San Jose.

Fri-Sat, 7pm: Karaoke. Sunnyvale.

CAFFE FRASCATI

JOHNNY V’S

BLUE PHEASANT

Wed: The Cypher. Hip-hop open mic. San Jose.

Tue, 7pm: Steve Tiger. Cupertino.

MISSION CITY ROASTING CO.

FLAMES COFFEE SHOP

Wed, Fri and Sun, 8pm-2am: KJ Dennis. Sunnyvale.

Wed-Sat and Tue, 9pm: Uncle Dougie Show. No cover. San Jose.

THREE FLAMES RESTAURANT

BOSWELL’S

GALAXY

Wed, 8pm: Open-mic night with Anita. Willow Glen

BOULEVARD TAVERN

Wed-Sat, 9pm: Karaoke. Tue, 9pm: Karaoke. San Jose.

ALEX’S 49ER INN Nightly, 9pm-2am: Karaoke. San Jose.

AZÚCAR Wed, 9pm: English and Spanish karaoke and dancing. San Jose.

BAMBOO LOUNGE Wed-Thu: Karaoke with MDM. Clarion Hotel, San Jose.

BBC GASTROPUB Mon, 9:30pm: Karaoke. Menlo Park.

METROGIVEAWAYS.COM METR OGIVEEA AWAYS.COM

FIREHOUSE GRILL & BREWERY

Mon, 7pm: Cavin and King’s Open Mic. Mountain View.

WIN FFREE R EEE STUFF! STUFF!

Scan this QR ccode ode withh yyour our smartphone or visit

Tue, 9pm: Partyoke. Beer pong and karaoke. San Jose.

BOGART’S LOUNGE

7 BAMBOO

At San Jose Events Center on May 5

FAHRENHEIT ULTRA LOUNGE

RED ROCK COFFEE CO.

Karaoke

Bassnectar

Fri: KJ Bob and Starmaker Karaoke at 7pm, followed by DJ at 10pm. Santa Clara.

Sun, 7pm-close: Uncle Dougie Show. Palo Alto.

Thu, 7pm: South Bay Folks Open Mic. Santa Clara.

MetroGiveaways M etroGiveaways

Thu, 8pm: Karaoke. San Jose.

THE BEARS

Tue: DJ Davey K. Campbell. Thu: Karaoke. Los Gatos.

BRANHAM LOUNGE

Thu, 9pm-2am: August. Milpitas.

GILROY BOWL Thu-Sat, 9:30pm: Karaoke. Gilroy.

Thu and Mon: Karaoke. San Jose.

BRITANNIA ARMS ALMADEN Wed & Sun, 10pm: DJ Uncle Hank. San Jose.

BRITANNIA ARMS CUPERTINO

THE GOOSETOWN LOUNGE

Sun-Tue, 10pm: Karaoke. Cupertino.

Fri-Sun, 9:30pm-1:30am: Karaoke. Willow Glen.

BRITANNIA ARMS DOWNTOWN

HUDDLE

Wed, 9pm: August. Mon, 9pm: Comedy with Mr. Walker. San Jose.

BRIX Tue: Karaoke. San Jose.

Wed-Thu and Sun, 9pm: Wild Nights Karaoke. Fremont.

JERSEYS Sat: Karaoke. Campbell.

JOHNNY V’S

C&J’S SPORTS BAR

Sun: Sunday Funday. Karaoke. No cover. San Jose.

Thu, 10pm: Melissa and Heather. Santa Clara.

KHARTOUM

THE COURT’S LOUNGE

Thu: Karaoke night. Campbell.

KATIE BLOOM’S

Fri, 9pm: Ryan. San Jose.

Thu, Sat, Mon, 9pm: Karaoke. Campbell.

BENNIGAN’S GRILL

CREEKSIDE LOUNGE

Sat, 9pm: August. Santa Clara.

Wed, 8pm, and Sat, 8:30pm: KJ Bob and Starmaker Karaoke. San Jose.

KC BAR AND RESTAURANT

DASILVA’S BRONCOS

KHARTOUM

Wed: Karaoke. Thu, 9pm-1am: Karaoke. Santa Clara.

Thu, 9pm: DJ Davey K. Campbell.

BLUE BONNET BAR

DIVE BAR

Wed-Thu and Mon, 8pm: Karaoke. No cover. Sunnyvale.

Wed, 9:30pm: Karaoke. San Jose.

Thu & Sun-Mon, 8:30pm: Bruce of KOR Karaoke. Mountain View.

BLACK CARD LOUNGE Thu, 8pm: KJ Bob and Starmaker Karaoke. San Jose (upstairs at El Palenque Restaurant).

Sun, 9:30pm-1:30am: Karaoke. Campbell. Wed, 8pm: DJ Desmond. San Jose.

KING OF CLUBS


55

CONCERT

The Antioxidants THERE’S something about the Antioxidants. The first time you might notice it is on the song “There’s Something About Katie,” which is the hidden track on their debut album, Niles Canyon. This is a song with dragons eating mermaids, pirates raping dragons, brawling penguins and a “giant-ass donkey.” It’s funny as hell, but the weirdest thing is, it’s kind of sweet, and … sincere? Yup. That’s the weird contradiction of this band, which features Dylan Gutierrez on guitar and vocals, the awesomely named Jack Ryan on bass and Trevor Hunt Nickel City on drums. They clearly grew up on Blink 182 pop-punk, and have a knack for it. But underneath the catchy riffs Fri, April 6 and zombie references, the Antioxidants have real heart. “Andrew Oxidant,” maybe their best song (Hunt says the 6pm; $6 mysterious name has nothing to do with the song, it’s an inside joke the band had made up about what they would name the Antioxidants’ love child), is a pretty moving ode to the straightedge lifestyle. For sheer mosh power, there are songs like “No Parking in the Girls’ Locker Room” and “Quentin Tarantino.”—Steve Palopoli

KYOTO PLACE

OFF THE HOOK OFFTHEHOOK

POINCIANA LOUNGE POINCIANALOUNGE

Wed, 7pm: Karaoke. Sunnyvale.

Thu, 8pm: Karaoke. Campbell.

LILLY MAC’S

OFFICE BAR

Wed, 9:30pm: Wildside. No cover. Sun, 9pm: Joe. Santa Clara.

Thu: Karaoke. Sunnyvale.

Fri-Sat, 9pm, and Sun, 7pm: Karaoke. Mountain View.

LIQUID Mon: Karaoke. San Jose.

O’FLAHERTY’S IRISH PUB

QUARTER NOTE Mon: Ed. Tue: Sue and Sherrie. No cover. Sunnyvale.

Sun-Mon, 8pm: Matt. San Jose.

RED STAG LOUNGE

Thu, 8pm: Chris. Santa Clara.

PEACOCK LOUNGE

Nightly karaoke, 9pm-1:30am. San Jose.

MOJO LOUNGE

Thu, 9pm: Matt. Sun, 9pm: DJ and karaoke. Tue, 9pm: DJ Ryan. Sunnyvale.

REDI ROOM

MARIANI’S

Wed, 9pm: Vic. Fremont.

NORMANDY HOUSE LOUNGE

A PERFECT FINISH

Thu-Sat, 9pm: DJ Curtis. San Jose.

Thu, 8:30pm-midnight: Karaoke with Jordan River Productions. San Jose.

RUDY’S PUB

Fri-Sat, 9:30pm: Karaoke. Santa Clara.

OASIS

PIONEER SALOON

Sun: Karaoke. San Jose.

Wed and Fri-Sat, 8:30pm: Doug. Sunnyvale.

Tue, 8:30pm: Acoustic karaoke with Sam Marshall. Woodside.

Wed, 10pm: Purple. Palo Alto.

SOUTH FIRST BILLIARDS

56

APRIL 4-10, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com

ANTI BODIES The Antioxidants bring their snarky but sincere alt-rock to Nickel City Friday.


56

More listings:

metroactive MUSIC

metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

55 TEQUILA SHOT’S BAR & GRILL Wed, 9pm: DJ Joe. Thu-Sun, 9pm: August. Milpitas.

THREE FLAMES Mon, 8pm: Chris. Tue, 9pm: Randy. San Jose.

WOODHAM’S LOUNGE Thu & Sat, 9:30pm: Wild Side. Santa Clara.

Dance Clubs

METROACTIVE.COM

FAHRENHEIT

SABOR TAPAS BAR

Wed, 9pm: Wine Wednesdays. Thu, 9pm:The Heit Thursdays. Fri, 9pm: Seductive. $10. Sat, 9pm: Fame. $10. Mon, 9pm: Industry. Tue: College Night. San Jose.

Thu-Sat: DJs and dancing. Sun: Reggae. San Jose.

SAN JOSE BAR & GRILL Wed: Wingy Tango night. Thu: Paradisco Nights with Chordella. Fri: Video Junkie Fridays. Sat: Sapphire Saturdays. Sun: Sinful Sundays. Mon: Manic Mondaze. Tue: Buck Wild Tuesdays. San Jose.

JOHNNY V’S Wed: The Cypher. Hip-hop open mic. San Jose.

KATIE BLOOM’S Thu-Sat, 9:30pm: DJs and dancing. Campbell.

STEPHEN’S GREEN

LIQUID

Thu, 11pm: DJ Ulises. Fri, 10pm: DJ Cesar. Sat, 10pm: Vibe Saturdays. Mountain View.

Wed, 8pm: Salsa Wednesdays. Thu: Antromix. Banda nights. Fri: Rock en Español. San Jose.

Thu: DJ Tesfa and rotating DJs, reggae, hip-hop. Fri: The Party, DJ Brotha Reese. Sat: Rotating DJs, including Remedy, Goldenchyld and others. Sun: Live music. San Jose.

AZÚCAR

MOTIF

Thu, 9pm: DJ Che. Tue, 9pm: Salsa. San Jose.

Fri-Sat: DJs & dancing. San Jose.

BAMBOO LOUNGE

Thu: Therapy. Fri: Soul Therapy. San Jose.

Wed: D. Luzion and Illtraxx. Thu: JazBiz and Dave Dynamix. Fri: DJ Ready Rock. San Jose.

PARRANDA NIGHTCLUB

WILLOW DEN

Thu, 8pm: DJ Akustik. No cover. Fri, 8pm: DJ Mayo. Sat, 8pm: DJ Mayo and DJ Akustik. Sun, 7pm: Latin Beat. Sun, 9pm: Sonidero Night. Sunnyvale.

Wed-Sat: DJs. Willow Glen.

AGENDA

Fri: Flashback with DJ Gustauo. Sat:DJ Daniel Dominguez. Clarion Hotel, San Jose.

BBC GASTROPUB Fri: DJs. Menlo Park.

THE BLANK CLUB Thu, 9pm: Atomic with DJ Basura. $5. San Jose.

BLUE PHEASANT Wed-Sun, Tue, 7pm: DJ and dancing. Cupertino.

STUDIO8 Fri: Nick Haw from “Gigolos.” Sat: DJ Tina T. San Jose.

TEMPLE BAR & LOUNGE

MYTH TAVERNA LOUNGE

ZEN LOUNGE Wed: Lil Saturday. Thu: 24 Thursdays. Fri: Fabulous Fridays. Mountain View.

PURE LOUNGE 408 Sat, 9:30pm: Denim party with Donovan, Hector Garza and Adam Larios. Sunnyvale. y

San Francisco’s City Guide

SLEIGH BELLS Addictive guitar riffs, in-the-red beats and the sweetsounding vocals of Alexis Krauss. Apr 5 at the Warfield.

BRITANNIA ARMS ALMADEN Thu, 10pm: DJ Dinero. San Jose.

Event photos

SVscene.com

BRITANNIA ARMS CUPERTINO

THE-DREAM Hitmaker behind “Umbrella,” “Single Ladies” and dozens of own jams preps new album. Apr 5 at the New Parish.

MCCOY TYNER

Thu, 10pm: Live DJ. Cupertino.

Full-throttle jazz pianist best known for time with John Coltrane returns with trio. Apr 6-8 at Yoshi’s SF.

BRITANNIA ARMS DOWNTOWN

JEFF MANGUM

Thu: VJ mixing with DJ David Q. Fri-Sat, 10pm: Rotating DJs. San Jose.

EL RANCHO SPORTS BAR Fri-Sat, 8pm: Old School Dance Party. San Jose.

THE ELEGANT PUB Fri-Sat, 9pm: DJ Checo. Evergreen Inn, San Jose.

For the first time in 12 years, the Neutral Milk Hotel frontman hits the West Coast. Apr 9-10 at the Fox Theater.

M. WARD Free from uber-twee collaboration with Zooey Deschanel, master songwriter gets back on his own game. Apr 11 at the Fillmore.

More San Francisco events at www.sfstation.com.


11 57 APRIL A P R I L 4-10, 4 -10, 2012 | metr metrosiliconvalley.com osiliconvalley.com | sanjose.com m | met metroactive.com trroactive.com oact e.com

BEST B BES EST OF OF APR APRIL APRIL R IL

1,000s iin 1,000s nS St Stock! toc ock! ck k! OP OPEN PEN DAILY DAILLY 10 1 am to Midnight M

Video eo Arcade Buddy ddyy Booths 36 N. Saratoga Ave. at Stevens ens Creek C Santa Clar Claraa s 4408路241路2177 0 8 路241路 217 7


A LLT TERNA AT TIVE MEDICINE metroactive.com metr oactive.com | ssanjose.com | metr metrosiliconvalley.com osiliconvalley.com | AAPRIL P R I L 4-10, 4 -10 2012

58 10


WHILE SUPPLIES LAST

$199

PER OZ. PLUS TAX

Mix & Match 20 Indoor Strains At $45 Cap For 1/8ths SAN JOSE’S FINEST

3851 Charter Park Drive · Suite Q · San Jose 408.912.1780 · Mon-Fri 12-7 · Sat 12-5 · Closed Sundays

APRIL A P R I L 4-10, 4 -10, 2012 | metr metrosiliconvalley.com osiliconvalley.com | sanjose.com m | metr metroactive.com oactive.com

2YR ANNIVERSARY SALE

11 59

A LLT TERNA AT TIVE MEDICINE


A LLT TERNA AT TIVE MEDICINE metroactive.com metr oactive.com | ssanjose.com | metr metrosiliconvalley.com osiliconvalley.com | AAPRIL P R I L 4-10, 4 -10 2012

60 10


61

420

DIG IT More medical marijuana collectives are teaching members how to grow their own cannabis, which benefits not only the patients but also dispensaries.

The valley’s cannabis collectives are at the forefront of the GIY— grow it yourself—movement

T

HE TERM “homegrown” used to have a negative connotation in cannabis circles. It meant the pot lacked potency, sophistication and depth. No longer is that the case, as nursery and garden center crowds grow larger each day.

Spring planting season has begun, and this year the fertile Santa Clara Valley soil will host traditional garden tomatoes, peppers and squashes, as well as an increasing number of marijuana plants. The 1996 Compassionate Use Act in California made it legal for medicinal cannabis patients to grow their own medicine. However, only fairly recently has there been broad access to seeds and seedlings amongst amateur cultivators. These days, many cannabis collectives distribute both seeds and “clones”—cuttings from a “mother” cannabis plant that is hormonally persuaded to grow roots—and some teach classes on the care and feeding of medical marijuana plants. Josh X, who teaches a free, weekly how-to forum on growing marijuana

at Elemental Wellness, discovered his passion for growing cannabis from his family. “I’m Italian and we always had a garden. My mom and dad grew everything—peppers, tomatoes and that one ‘special’ plant that we knew wasn’t for eating. When my father passed away from cancer, growing [cannabis] was one of things that helped me keep a connection with him.” Josh honed his craft to the point where he now teaches others to appreciate the horticultural aspects of the versatile plant. He has seen interest increase from all kinds of people since he started his “Crop Circles” workshop. “We get an average 20-plus people for our Sunday clinics; from a few weekly veteran-regulars to complete newbies,” Josh says. “We have a curriculum that tracks the growing season, so right now it is time for people to select their method for growing and select the strains. So those are the topics we have covered recently. Later in the year, we discuss harvesting, curing and storage.” While many of the area hydroponics stores also host teaching demos from manufacturers that supply lighting, growing mix and nutrients commonly used for

cannabis cultivation, these stores often play coy when it comes to using the words “marijuana,” “cannabis” or “weed.” RASA Hydroponics in San Jose is one of the few grow stores that seems willing to work with cannabis growers. Rick, the store manager at RASA, says the store takes its lead from the customers. “We respect their privacy, so depending on the customer we might refer to the different plant stages: babies, teens, flowers.” It might seem counterintuitive for collectives to sell clones and teach members how to grow, because it could create less demand for the collective’s services. But in actuality, a collective with a thriving subset of growing members allows for a broad and steadily available product mix, says Jade Kine, founder of Cannacademy, a cannabis trade school that operates out of MedMar in San Jose. “It benefits the members because they get more choices,” he says. “Many members are either current or future growers for the collective, so it makes sense that they get training on what collectives expect in terms of medicinal-quality, no pesticides, etc.” Eddie X, a bud tender at Elixir, describes the net-economic effect to the collectives this way: “Maybe it does mean that some people don’t visit as often, because they grow their own. That’s OK. We’re a not-for-profit. It isn’t supposed to be about the money.”—Simon Seidler

APRIL 4-10, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com

Ready, Set, Grow


A LLT TERNA AT TIVE MEDICINE metroactive.com metr oactive.com | ssanjose.com | metr metrosiliconvalley.com osiliconvalley.com | AAPRIL P R I L 4-10, 4 -10 2012

62 10


11 63

APRIL A P R I L 4-10, 4 -10, 2012 | metr metrosiliconvalley.com osiliconvalley.com | sanjose.com m | metr metroactive.com oactive.com

A LLT TERNA AT TIVE MEDICINE


metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

64

7jhin 7adcYZ 77L 7j jhin 7adcYZ 77L

9p

8[m`Z\8dp78 8FC%Zfd FC%Zfd

K_`j K_`j dXe @Êm\ Y\\e [Xk`e^ [`[eÊk nXek Xepk_`e^ j\i`flj% @ [feÊk \`k_\i% @ dXe @Êm\ \ Y\\e [Xk`e^ [`[eÊkk nXek Xepk_``e^ j\i`flj% @ [feÊkk \`k_\ii% @ \ogcX`e\[ k_Xk @ aljk nXek\[ kf _Xe^ flk Xe[ _Xm\ ]le% N\ n\i\ ^f`e^ flk \ogcX`e\[ k_X Xk @ aljk nXek\[ kf _Xe^ flk Xe[ [ _Xm\ ]le% N\ n\i\ ^f`e^ flk j\m\iXc k`d\j X n\\b# jc\\g`e^ kf^\k_\i Xk c\Xjk feZ\ X n\\b% Jl[[\ecp# _\ j\m\iXc k`d\jj X n\\b# jc\\g`e^ kf^\k_\i Xk c\X Xjk feZ\ X n\\b% Jl[[\ecp p# # _\ ]]i\Xb\[# nfiip`e^ @Ê[ ^\k XkkXZ_\[% @ i\`e]fiZ\[ k_Xk @ XYjfclk\cp [feÊk nXek ]i\Xb\[# nfiiip`e^ @ÊÊ[ ^\k XkkXZ_\[% @ i\`e]fiZ\ \[ k_Xk @ XYjfclk\cp [feÊk nXek Xepk_`e^ j\i`flj# Ylk _\ j\\d\[ leZfem`eZ\[% ?\ n\ek XnXp fe Ylj`e\jj Xe[ Xepk_`e^ j\i``fljj# Ylk _\ j\\d\[ leZfem`eZ\[% ?\ n\ek XnXp fe Ylj`e\jj Xe e[ ZXcc\[ k_\ [Xp _\ i\klie\[# Xe[ n\ _le^ flk Xe[ jc\gk kf^\k_\i% K_\ e\ok [Xp# _\ ZXcc\[ k_\ [Xp p _\ i\klie\[# Xe[ n\ _le^ flk Xe[ X jc\gk kf^\k_\ii% K_\ e\ok [Xp p# _\ jX`[ n\ e\\[\[ kf jcfn k_`e^j [fne Y\ZXlj\ _\ nXjeÊk ]\\c`e^ n\ n\i\ ^\kk`e^ jX`[ n\ e\\[\ \[ kf jcfn k_`e^j [fne Y\ZXlj\ \ _\ nXjeÊkk ]\\c`e^ n\ n\i\ ^\kk``e^ Zcfj\i% @jeÊk k_Xk k_\ gf`ek f] efk ^\kk`e^ j\i`flj6 Zcfj\i i% @jeÊk k_Xk k k_\ gf`ek f] efk ^\kk`e^ j\i``flj6 K_\ n_fc\ k_`e^ jkXik\[ K_\ n_fc\ k_`e^ jkXik\[ dXb`e^ d\ ]\\c YX[% @ Yc\n _`d f]]# Xe[ efnÆZiXq`cp \efl^_Æ_\Êj ZXcc`e^# dXb`e^ d\ ]\ \\c YX[% @ Yc\n _`d f]]]# Xe[ efnÆ ÆZiXq`cp \efl^_Æ_\Êj ZXcc`e^# k\ok`e^# Xjb`e^ kf j\\ d\ X^X`e% N_\i\ [f n\ ^f ]ifd _\i\6Æ9X]Ô\[ k\ok`e^# Xjb`e e^ kf j\\ d\ X^X`e% N_\i\ [f n\ \ ^f ]ifd _\i\6Æ9X]Ô\[ ,/( <28 81'(5 > 22 *22' 72 %( 758( ,/( <28 81' '(5 > 22 *22' 72 %( 758( A !+(1 <28 7(// $ 0$1 > -867 :$11$ !+(1 <28 7(/// $ 0$1 > -867 :$11$ +$1* 287 $1' +$9( )81B620(7,0(6 + $1* 287 $1' +$9( )81B620(7,0(6 1$.(' 1$. .((' A <28 $&78$//< 0($1 7+$7 7 ,6 <28 $&778$//< 0($1 7+$7 7 ,6 127 6(&5(7 :20$1&2'( )25 > 29( 0( 127 6(&5(7 :20 0$1&2'( )25 2 > 29( 0( 25 // &87 83 <285 6+,576 6(7 <285 /$:1 2 5 // &87 83 <285 6+,576 6(7 <285 /$:1 21 ?5( $1' 67$1' 81'(5 <285 :,1'2: 21 ?5( $1' 67$1 1' 81'(5 <285 :,1'2: $7 $0 6&5($0,1* # " $7 $0 6&5($0 0,1* # " A A ( 0867 9( %((1 %(:,/'(5(' > 20( ( ( 0867 99( ( %((1 ((1 %(:,/'(5(' > 20( 21B6+28/'1 7 <28 $7 /($67 %( 75<,1* 72 21B B66+28/'1 1 7 7 <28 $7 /($67 %( 75<,1* 72 .(< 0< &$5 A (&$86( 62 0$1< :20(1 . (< 0< &$5 A (&$86( 62 0$1< :20(1 66((0 81$%/( 72 .((3 7+,1*6 &$68$/ 0(1 ((0 81$%/( 72 .((3 7+,1*6 &$68$/ 0(1 77(1' 72 $6680( 7+$7 6 +2: $// :20(1 (1' 72 $6680( 7+$7 6 +2: $// :20(1 $5( 87 7+(5( $5( 287/,(56 $1' <28 5( 21( $5 ( 87 7+(5( $5 $ ( 287/,(56 $1' <28 5( 21( 2) 7+(0 +( 352%/(0 :$6 &219,1&,1* 2) 7+(0 +( 35 3 2%/(0 :$6 &21 199,1&,1* +,0 2) 7+$7 85( <28 .(37 6$<,1* > 2 +,0 2) 7+$7 8 85( <28 .(37 6$$<,1* < > 2 675,1*6 $77$&+(' %87 +( ?*85(' <28 -867 675,1*6 $777$&+((' A %87 +( ?*85(' <28 -867 +$' <285 +$1'6 )8// :($9,1* 7+(0 $// +$' <285 +$1' '6 )8// :($$99,1* 7+(0 $// ,172 $ %,* 1(7 ,172 $ %,* 1(7 ( 21 7+( 27+(5 +$1' ,6 $ 0$1 :+2 ( 21 21 7+( 27+(5 27+(5 +$1' 2 +$1' ,6 $ $ 0$1 0$1 :+2 .12:6 (;$&7/< :+$7 +( :$176B> 21( .12:6 (;$&7/< ; :+$7 +( :$176B $ > 21( 2) 7+$7 086+%8&.(7 678D AB817,/ +( 2) 7+$7 086+%8 8&. .(7 ( 678D AB817,/ +( '2(61 7 .12: 7 6((06 7+( 7+,1* +( '2 (61 7 .12: : 7 6((06 7+( 7+,1* +( :$176 ,6 72 %( ,1 &21752/ 2 :+(1 ,7 : $1 ,6 72 %( ,1 $176 , &21752/ 2 :+(1 ,7 %(&$0( &/($5 <28 :$17(' 7+,1*6 &$68$/ % ( $0( (& $ &/($5 <28 :$17(' $ 7+,1*6 &$68$/ +( %/(: <28 2DB352%$%/< <285 &8( 72 +( %/(: <28 2D DB B352%$%/< <285 &8( 72

7+52: <2856(/) $7 +,0B%87 <28 <$1.(' 7+ +52: <2856(/) $7 +,0B%87 <28 <$1 1. .(' ( +,0 2D +,6 *$0( <(7 $*$,1 %< %/2:,1* +,0 0 2D +,6 *$0( <(7 $*$,1 %< %/2:,1 1* +,0 2D 5,*+7 %$&. (1 (63(&,$//< $5( +,0 0 2D 5,*+7 %$&. (1 (63(&,$//<< $5 $ ( &&203(//(' 72 ',7&+ :+$7 6 &+$6,1* 7+(0 2 (//(' 72 ',7&+ :+$7 6 &+$6,1* 7+ 203 +(0 $1' &+$6( :+$7 6 75<,1* 72 ',7&+ 7+(0 $1 1' &+$6( :+$7 6 75<,1* 72 ',7&+ 7+(0 0 +( *8< (66(17,$//< 6(7 83 $ +$067(5 +( *8< (66(17,$//< 6(7 83 $ +$0677(5 :+((/ $1' 7+(1 &203/$,1(' 7+$7 7+( :+ +((/ $1' 7+(1 &203/$,1(' 7+$7 7+(( +$067(5 :$61 7 *(77,1* $1<:+(5( +$ $067(5 :$$61 1 7 *(7777,1* $1 1<:+(5 < ( 1)25781$7(/< 3(23/( $5( 0(66< 1 1) )2 25781$7(/<< 3(23/( $5( 0(666< $57 2) :+$7 6 0(66,1* +,0 83 0$< $57 2) :+$7 6 0(66,1* +,0 83 0$<< %( 7+( 520$17,& 0<7+2/2*< 7+$7 % ( 7+( 520$17,& 0<7+2/2 ( < *<< 7+$7 6$<6 > ,5(:25.6 25 187+,1 AB7+$7 $ 6$ $<6 < > ,5(:25.6 25 187+,1 AB7+$7 $ 55(/$7,216+,3 ,61 7 /(*,7 81/(66 ,7 6 >*2,1* (//$7,216+,3 ,61 7 /(*,7 81/(66 ,7 6 >*2,1 1* 620(:+(5( "28 620 0(:+(5( A "28 &$1 7 -867 3/$1 2 &$1 1 7 -867 3/$1 620(7+,1* )25 8(6'$< $1' ,) 7+$7 *2(6 620 0(7+,1* )2 25 8(6'$$<< $1' ,) 7+$7 *2 2(6 0$<%( 6(( $ 029,( 21 +856'$< 0$$<<%( 6(( $ 029,( 21 +856'$$< 6 )25 :+(5( <28 *2 )520 +(5( $ )5$1. 6 )25 2 :+(5( <28 *2 )520 +(5( $ )5$1 1. 77$/. ,6 ,1 25'(5 $1 +( +$1'/( 7+( $//. ,6 ,1 25'(5 $1 +( +$1'/( 7+( &&$68$/ 7+,1* +( 7+,1.6 +( :$176B25 $668$/ 7+,1* +( 7+,1.6 +( :$$176B25 ,6 +( $ &/26(7 &200,77(5 ) +( &$1 /,9( ,6 + $ &/26(7 &200,7777(5 ) +( &$1 /,99( +( :,7+287 7+( 3520,6( 2) $ )8785( <28 &$1 :, ,7+287 7+( 3520,6( ,7+287 20,6( 2) 2) $ $ )8785( <28 8 &$1 8 352%$%/< +$9( 620( *22' &$5()5(( )81 3 52%$%/< +$9( 620( *2 22' &$5()5(( )81 ,1 7+( 35(6(17 > /29( 7+( :$< <28 +2/' ,1 7+( 35(6(17 > /29( 7+( :$<< <28 +2 2/' 0( /29( 7+( :$< <28 0$.( /29( 72 0( 0 ( /29( 7+( :$<< <28 0$. .( /29( 72 0( /29( 7+( :$< 7+$7 $C(5:$5' <28 *(7 /2 29( 7+( :$<< 7+$7 $C(5:$5' <28 *((7 287 2) %(' *(7 ,1 <285 &$5 $1' *2 72 <285 28 87 2) %(' *(7 ,1 <285 &$5 $1' *2 72 <285 2:1 +286( 2: :1 +286( A

8 ^lp nifk\ pfl XYflk X ^`ic _\ j\\j Xk X Zf]]\\ j_fgÆX ^`ic _\ jljg\Zkj `j flk 8 ^lp nifk\ pfl p XYflk X ^`ic _\ j\\j Xk X Zf]]\ \\ j_fgÆX ^`ic _\ jljg\Zkj `j fl lk f] _`j c\X^l\% Pfl jX`[ k_\ nXp kf befn ]fi jli\ `j Yp Xjb`e^ _\i flk% 9X[ 8[m`Z\ f] _`j c\X^l\% Pf fl jX`[ k_\ nXp kf befn ]fi jl li\ `j Yp Xjb`e^ _\i flk% 9X[ 8[m m`Z\ >f[[\jj K_`j jl^^\jkj k_Xk _\ j_flc[ i\^Xi[ Xcc nfd\e n`k_ n_Xk\m\i j_\Êj >f[[\ [[\jj K_`jj jl^^\jkj k_Xk _\ j_flc[ i\^Xi[ [ Xcc nfd\e n`k_ n_Xk\m\i j_\Êj ^fkÆc`b\ `] j_\Êj Çkff Y\Xlk`]lcÈÆXj flk f] _`j c\X^l\% K_Xk aljk `jeÊk i`^_k% ^fkÆ ^fkÆc`b\ ^ ^fk c`b\ `] `] j_ _\Êjj Çkff kff Y\Xlk`]lc Y\Xlk`]lcÈÆXj Xj flk flk f] f] _`j c\X^l\% K_Xk K_Xk aljk aljk `jeÊkk i`^_k% K_\i\Êj gifYXYcp X Çkff Y\Xlk`]lcÈ nfdXe flk k_\i\ n_fÊ[ ^f ]fi _`d%Æ@ib\[ K_\i\ _ Êjj gifYX XYcp X Çkff Y\Xlk`]lcÈ nfdXe fl lk k_\i\ n_fÊ[ [ ^f ]fi _`d%Æ@ib\[ [ > .< 6 7+( /,0,7 A >"28 &$1 '2 > . .<< 6 7+( /,,0,7 A >" "28 2 &$1 '2 $1<7+,1* <28 6(7 <285 0,1' 72 A +(6( $1 1<7+,1* < <28 6(7 6 <285 0,1' 72 A +(6( $5( )$17$67,&$//< ,163,5,1* 7+,1*6 72 7(// $5 5( ( )$17$67,&$///< ,163,5,1* 7+,1*6 72 7(// $ 3(5621B:+(1 +( 6 $%287 72 (17(5 $ 3 3(5621B:+ +(1 +( 6 $%287 72 (17(5 35(6&+22/ 6 $1 $'8/7 <28 5($/,=( 7+$7 35 ( (6&+2 2/ 6 $1 $ $'8/7 <28 5($/,=( 7+$7 77+( 6.< ,6 127 7+( /,0,7 1 )$&7 <28 +( 6.< ,6 127 7+( /,0,7 1 )$&7 <28 620(7,0(6 5($/,=( 7+$7 <285 /,)( ,6 7$.,1* 62 620(7,0(6 5($$/,=( 7+$7 <285 /,))( ,6 7$.,1* 3/$&( ,1 7+( &5$:/ 63$&( %(7:((1 7+( 3/$& ( ,1 7+( &5$:/ : 63$&( %(7:((1 7+( 7+,5' $1' )2857+ @225 $3$570(176 25 7+,5 ' $1' )2 28557+ @225 $3$570(176 25 77+$7 <28 // 1(9(5 *(7 $ '$7( %(&$86( <28 +$7 <28 // 1(9(5 *(7 $ '$7( %(&$86( <28 $5( 2( 5',1$5< %87 5()86( 72 &216,'(5 $5 ( 2( 5',1$$5< %87 5()86( 72 &216,'(5 $$1< *,5/ :+2 6 /(66 7+$1 $ $1 1< < *,5/ :+2 6 /(66 7+$1 $ 6 )25 7+,6 *8< ','1 7 $'9,6( +,0 72 6 )2 25 7+,6 *8< * < ','1 1 7 $'9,6( +,0 72 $$92,' $// %($87,)8/ :20(1 72/' +,0 72 92,' $// %($877,)8/ :20(1 72/' +,0 72

6723 6/2%%(5,1* ,172 +,6 /$77( $1' $6. +,6 672 23 6/2%%(5,1* ,172 +,6 /$777( 7 $1' $6. . +,6 &586+*,5/ 287 *8< :+2 (1'/(66/< 3,1(6 &58 86+*,5/ 287 *8< :+2 (1'/(66/< 3,1(6 3 $$:$< (,7+(5 +$61 7 :25.(' 7+528*+ +,6 :$< < (,7+(5 +$61 1 7 :25.(' 7+528*+ +,6 62&,$/ $:.:$5'1(66 25 $C(5 620(%2'< 62 &,$/ $:. :.:$5'1(66 25 $C(5 620(%2'< 287 2) +,6 /($*8(B$1' .12:6 7+$7B 28 87 2) +,6 /($*8(B$1' .12:6 7+$77B $$1' 3,1,1* $//2:6 +,0 72 35(7(1' +( 6 ,1 1' 3,1,1* $//2:6 +,0 72 35(7(1' +( 6 ,1 7+( *$0( :,7+287 5,6.,1* 5(-(&7,21 7+ +( *$0( :,7+287 5,6.,1* 5(-(&7,21 (-(&7,21 &$1 %( $ *22' 7+,1* ,7 7(//6 (-(&7,21 ( &$1 %( $ *22' 7+,1* ,7 7(//6 7 <<28 :+(5( <28 )$// 21 7+( >!+$7 .,1' 2 :+(5( <28 )$// 21 7+( >!+$7 .,1 28 1' 2) :20$1 &$1 *(7 A 6&$/(B$//2:,1* 2) ) :20$1 &$1 *(7 A 6&$/( / B$//2:,1 // ,1* <<28 72 (,7+(5 75< 72 ,03529( <285 0$7( 2 72 (,7+(5 75< 72 ,03529( <285 0$7( 28 0 9$/8( 25 0$.( 7+( 5(48,5(' 75$'( 2D6 72 9$ $/8( 25 0$.( 7+( 5(48,5(' 75$'( 2D D6 72 +$9( '$7(6 :,7+ :20(1 <28 '21 7 +$9( +$ $9( '$7(6 :,7+ :20(1 <28 '21 1 7 +$ +$9( 72 ,1@$7( :,7+ $ %,&<&/( 3803 72 ,1@$7( :,7+ $ %,&<&/( 3803

)'()# 8dp 8cbfe# Xcc i`^_kj i\j\im\[% >fk X gifYc\d6 Ni`k\ 8dp 8cbfe# )'()# 8dp 8cbfe# 8 Xcc i`^_kj i\j\im\[% >fk X giifYc\d6 Ni`k\ 8dp 8cbfe# ,,' ,,' J% =`ijk Jk%# JXe Afj\# :8 0,((*# fi \dX`c X[m`Z\Xdp7Xfc%Zfd% J% =`ijk Jk% k%# JXe Afj\# :8 0,((*# fi \dX`c X[m m`Z\Xdp7Xfc%Zfd%

E]dcZ E] dcZ ::ciZgiV^cbZci :ci Zggi giiV^cb ^ Zci

=Obc L_]^c LVYXNO 8Y =Obc L_]^c LVYXNO 8Y

\_]R XY QKWO] 3X Y_^MKVV \_] R XY QKWO] 3X Y_^MKVV R XY QKWO] 3X Y_^MKVV ++*%"++."(%))! EVg^h *%"++."(%))! EVg^h

<Vn! AZhW^Vc 7^ <Vn! AZhW^Vc 7^ AAD86AH D86AH

7ZVji^[ja 7gjcZiiZ! (&! 7ZVji^[ja 7gjcZiiZ! (&! HZZ`^c\ HZm HZ Z \ HZm Z`^c

6S]^OX ^Y KN] <OZVc

6S]^OX ^Y KN] <OZVc

00<// " <// " ?]O 0<// -YNO # ! " ?]O 0 <// -YNO # ! "

8Vaa =di! HZmn H^c\aZh 8Vaa =di! HZmn H^c\aZh dc C^\]i :mX]Vc\Z dc C^\]i :mX ]Vc\Z

6S`O 6YMKV -RK^ >\c _] 6S`O 6YMKV -RK^ >\c _]

00<// " <// " )%-" ",,,"'...! &"-,,""-(.""&&&% )%-",,,"'...! &"-,,"-(."&&&%

B::I =DI AD86A B:C B::I = DI AD86A B:C ,\Ya]O \OZVc 0<// ,\Ya]O \OZVc 0<//

" 9\

" 9\

9\ ?]O 0<// MYNO

?]O 0 < / / MYNO # ! " # ! "

;^cY AdkZ AdXVaan dc ;^cY AdkZ AdXVaan dc AVkVa^[Z AV kVa^[Z

3X]^KX^ 63@/ ZRYXO 3X]^KX^ 63@/ ZRYXO

MMYXXOM^SYX] aS^R 6YMKV

YXXOM^SYX] aS^R 6YMKV aYWOX WOX >\c S^

a YWOX WOX >\c S^ 00<// " <// " )%-",,,"'-%% &"-,,"-%%"*'-' )%-" ",,,"'-%% &"-,,""-%%"*'-'

IK$IH

:mdi^X H]ZbVaZ :m di^X H]ZbVaZ i

=Obc VYXQ LVKMU RKS\ON

= Obc VYXQ LVKMU RKS\ON 66K^SXK YPPO\] KX O\Y^SM

K^SXK YPPO\] KX O\Y^SM WK]]KQO = 4 -KWZLOVV

WK]]KQO = 4 -KW WZLOVV

=O RKLVO /]ZKXYV )%-"*..".*%(! <^hZaaZ )%-"*..".*%( ! <^hZaaaZ

HZmn IH HZ mn IH

A^iZ IdjX] A^i Z IIdjX]

;G:: EDGC D;;:G ;G G:: EDGC D;;:G

GZaVm^c\ BVhhV\Z GZa Vm^c\ BVhhVV\Z

"!! # """ 1Kc RY^ "!! # """ 1Kc RY^

ZRYXO MRK^ ! >KVU ^Y

ZRY YXO MRK^ ! >KKVU ^Y

Y\ WOO^ ]Obc Q_c] SX cY_\

Y\ W WOO^ ]Obc Q_c] SX cY_\

K\OK KXc^SWO cY_ XOON S^

K\ OK KXc^SWO cY_ XOON S^

00_VPSVV cY_\ aSVNO]^ PKX^K]c

_VPPSVV cY_\ aSVNO]^ PKX^K]c

::\S`K^O MYXPSNOX^SKV

\S`K^O MYXPSNOX^SKV 1 _c] KVaKc] K`KSVKLVO 1_c] KVaKc] K`KSVKLVO

"!! # """ 0\OO ^Y

"!! # """ 0\OO ^Y

^^\c "

\c "

:gdi^X:cXdjciZgh#Xdb :g gdi^X:cXdjciZgh#Xdb

ARO\O 2Y^ 1S\V] =RK\O ARO\O 2Y^ 1S\V] =RK\O

^ROS\ Z\S`K^O PKX^K]SO] ^RO OS\ Z\S`K^O PKX^K]SO] 33X]^KX^ -YXXOM^SYX]

X]^KX^ -YXXOM^SYX]

00K]^ /K]c

7_^_KV

K]^ /K]c

7_^_KV

=K^S]PKM^SYX 1_K\KX^OON =K^ ^S]PKM^SYX 1_K\KX^OON //bMRKXQO WO]]KQO] >KVU

bMRKXQO WO]]KQO]

M >KKVU

VS`O ! :\S`K^O YX VS` O ! :\S`K^O YX 1S`O SX ^Y >OWZ^K^SYX MKVV

1S` `O SX ^Y >OOWZ^K^SYX MKVV

XYa """ ! " XY a """ ! " a

2Y^ >= 5SW ¾ ¼ ZO^S^O

2Y^ >= 5SW ¾ ¼ ZO^S^O

P\SOXNVc 8Y \_]R 8Y

P\SOXNVc 8Y \_]R 8Y QKWO] =S RKLVY /]ZKXYV QKWO] =S RKLVY /] ]ZKXYV '%."-&-"*(-% '%."-&-"*(-% ,c K RY^ L_]^c 6K^SXK

, c K RY^ L_]^c 6K^SXK >>\KX]]Ob_KV :\S`K^O

\KX]]Ob_KV :\S`K^O NS]M\OO^ VYMK^SYX -KVV PY\

NS]M\ OO^ VYMK^SYX --KVV PY\

KZZ^ ! )%-"(.&"-*'- KZZ^ ! )%-"(..&"-*'- ;;Zi^h] Zi^h] Z

@^c`n 9db^cVig^m @^c` `n 9d n b^cVigg^m ::\Y .YWWO S] XYa \Y .YWWO S] XYa

KMMOZ^SXQ XOa ]_L] 7_]^ KMMOZ^SXQ XOa ]_L] 7_]^

LLO <O]ZOM^P_V 7K^_\O

O <O]ZOM^P_V 7K^_\O 9LONSOX^ 1OXO\Y_]

9 LONSOX^ 1OXO\Y_]

7K\\SON S] K :V_] )%-".(&"+)-+ )%-".(& "+)-+ BVaZ Id BVaZ BVhhV\Z BVaZ I Id BVaZ BVhhV\ d Z

IIgZVi ;dg Ndj ggZVi ;dg N Ndj >>KVV MVOKX KKVV MVOKX MM_^ MYVVOQO

_^ MYVVOQO

BV`Z 7^\ BV` Z 7^\

/X^O\^KSXWOX^ -Y S] /X^O\^KSXWOX^ -Y S]

VVYYUSXQ PY\ K^^\KM^S`O 7OX

YYUSXQ PY\ K^^\KM^S`O 7OX AYWOX

PY\ 7YNOVSXQ

AYWOX

PY\ 7YNOVSXQ

/X^O\^KSXSXQ 7_]^ LO "

/X^O\^KSXSXQ 7_]^ LO "

\OVSKLVO

\ OVSKLVO

-'")%-"*+-"+%-6Yjai :ciZgiV^cbZci 6Yjai :ciZgiV^cbZci

HZmn AVi^cV HZ mn AVi^cV

:VKcP_V c\] YVN :VKcP_V c\] YVN

L\_XO^^O

= aOO^ ZO^S^O

L\_XO^^O

=aOO^ ZO^S^O

aS^R - KVV XK^_\ - KVV XK^_\KV

KV

VVL] 3X MKVV =_XXc`KVO

L] 3X MKVV =_XXc`KVO +*%"++." '&%*! AVcV +*%"++."'&%*! AVcV

AAZ\\n 8dj\Vg DkZg )% Z\\n 8dj\Vg DkZg )%

,KWLS 6Y`O] M\OKW PO^S]R

,KWLS 6Y`O] M\OKW PO^S]R

.YWSXK^SXQ CY_

,_]^c

.YWSXK^SXQ CY_

,_]^c

". ". VOQQc LVYXNO

VOQQc LVYXNO

3XMKVV ))%-"+%*"()+* %-"+%*"()+*

+aKS^] cY_ PY\ KX ObMS^SXQ

+aKS^] cY_ PY\ KX ObMS^SXQ

WK]]KQO SX -_ZO\^SXY

W K]]KQO SX -_ZO\ ^SXY =KX^K -VK\K )%-",.)"*-() =KX^K -VK\ K )%-"",,.)"*-()

7ZVji^[ja <^ga 7Z Vji^[ja <^ga

/XTYc K P_VV LYNc WK]]KQO

/XTYc K P_VV LYNc WK]]KQO

LLc -RSXO]O QS\V

=K\K^YQK

c -RSXO]O QS\V

=K\K^YQK =KX >YWK] /bZac

=KX >YWK] /bZac )%-".-&"--.%! Hde]^V )%-".-&"--.%! Hde]^V

H^a` 9Vn HeV H^a` 9V n HeV

CY_XQ LOK_^c ]USVVP_V CY_XQ LOK_^c ]USVVP_V

^^RO\KZS]^ Z\S`K^O \YYW

RO\KZS]^ Z\S`K^O \YYW

KXN ]RYaO\ ! # =RK\YX

KXN ]RYaO\ ! # =RK\YX

.\ =KX 4Y]O .\ =KX 4Y]O )%-"..+ ".+.% )%-"..+".+.%

=V^gn BVhhV\Z =V^gn =V^gn BVhhV\ BVhhV\Z

IIVaa! 8aZVcXji 6h^Vc Vaa V ! 8aZVcXji 6h^Vc 6

HlZZi 6h^Vc <^ga Hl ZZi 6h^Vc <^ga

0_VV LYNc YSV WK]]KQO Lc

0_VV LYNc YSV WK]]KQO Lc

# c\ YVN +]SKX K^RVO^O

# c\ YVN +]SKX K^RRVO^O

7OX YXVc

7 OX YXVc

)%-"-%'",')&! 6cYn )%-"-% %'"",') , &! 6cYn

/XTYc K XSMO [_SO^

/XTYc K XSMO [_SO^

^^\KX[_SV ]O^^SXQ aS^R K P_VV

\KX[_SV ]O^^SXQ aS^R K P_VV LYNc WK]]KQO )%-",&-"-+-)%-" ",,&-"-+--

7ZVji^[ja <^gah 7Z Vji^[ja <^gaah

0\OO RKS\M_^ aS^R WK]]KQO 0\OO RKS\M_^ aS^R WK]]KQO

9ZOX ! NKc]

9 ZOX ! NKc] 7YX^O\Oc <N = 4 -+

YX^O\Oc <N = 4 -+ -7> PY\ KZZ^ )%-"'')"%*%) -7 > PY\ KZZ^ )%-"'')"%*%) 7 # " )%-"+'.")&(+ # " )%-"+'.")&(+

Cjgijg^c\ IdjX] Cjg giijg^c\\ IIdjX]

,c :O^O <OVKbSXQ NS]M\OO^

,c :O^O <OVKbSXQ NS]M\OO^

PP_VV LYNc WK]]KQO SX

_VV LYNc WK]]KQO SX MMOX^\KV KS\ MYXNS^SYXON

OX^\KV KS\ MYXNS^SYXON VVYMK^SYX 3X Y_^ YZOX !

YMK^SYX 3X Y_^ YZOX !

NKc] )%-"*&*"*,,NKc] )%-"*&*"*,,B^hXZaaVcZdjh B^hXZaa VcZdjh

=YWO MKVV _] ^RO »8 =YWO MKVV _] ^RO »8/>063B

8/>063B

90 :9<8¼ 90 :9 <8¼ =^\OKW ^Y cY_\ >@

= ^\OKW ^Y cY_\ >@ =7+<>:298/ S:KN

= 7+<>:298/ S:KN 0<// 7Y`SO 900/< 0<// 7Y`SO 900/ < @S]S^ >@PY\+N_V^] MYW @ S]S^ >@PY\+N_V^] MYW

6Yjai :beadnbZci 6Yjai :beadnb Zci

6h^Vc HlZZin 6h^Vc HlZZin

.YX¾^ LO OWLK\\K]]ON 2KN

.YX¾^ LO OWLK\\K]]ON 2KN

KK LOVVc WK]]KQO)

9_^MKVV]

LOVVc WK]]KQO)

9_^MKVV] YY\ = 4 YPPSMO

\ = 4 YPPSMO

**&%"''&"&.-*! BVgh]V &%"''&"&.-*! BVgh]V

69JAI BDK>:H 69JAI BDK>:H dc i]Z <D dc i]Z <D

6Yjai

+aKS^] cY_ SX K ^\KX[_SV +aKS^] cY_ SX K ^\KX[_SV

]]O^^SXQ K^ K NS]M\OO^ SXMKVV

O^^SXQ K^ K NS]M\OO^ SXMKVV SX = 4 :\O^^c ]VOXNO\

SX = 4 : \O^^c ]VOXNO\

c\] YVN

c\] YVN +*%".(("-,+'! KVaZci^cV +*%".(("-,+'! K VaZci^cV

WKVO YPPO\] K XSMO WK]]KQO

WKVO YPPO\] K XSMO WK]]KQO

PPY\ L_]SXO]]WOX

Y\ L_]SXO]]WOX MMY_ZVO] +ZZ^ YXVc

Y_ZVO] +ZZ^ YXVc

-'")%-"*+-"+%--! 6jhi^c -'")%-"*+-"+%--! 6 6jhi^c

6 GZaVm^c\ BVhhV\Z GZaVm^c\ BVhhhV\Z 9ZheZgViZ =djhZl^[Z 6 9ZheZgViZ =djhZl^[Z 9SV WK]]KQO ! NKc]

9 SV WK]]KQO ! NKc] 9ZheZgViZ [dg HZm 9Z ZheZggViZ [[ddg HZm KW #ZW

-KVV =^O`O

KW #ZW

-KVV =^O`O

7c R_]LKXN KXN 3 RK`O KX 7c R_]LKXN KXN 3 RK`O KX

YZOX \OVK^SYX]RSZ aRO\O

YZO OX \OVK^SYX]RSZ aRO\O

aO¾\O KVVYaON ^Y ]VOOZ

a O¾\O KVVYaON ^Y ]VOOZ aS^R Y^RO\ ZOYZVO 3¾W aS^ ^R Y^RO\ ZOYZVO 3¾W XXY^ VYYUSXQ PY\ K

Y^ VYYUSXQ PY\ K

\\OVK^SYX]RSZ T_]^ K YXO

OVK^SYX]RSZ T_]^ K YXO

XSQR^ ]^KXN 1YYN 2cQSOXO

XSQ QR^ ]^KXN 1YYN 2cQSOXO

S] SWZY\^KX^ =OO Wc ZSM] S] S WZY\^KX^ =OO Wc ZSM] K^ aaa +]RVOcWKNS]YX K^ aaa a +]RVOcWKNS]YX MYW .SKXK]=OM\O^ MYW W .SKXK]=OM\O^

??#?# =V^g HeV #?# =V^g HeV

ARS^O ZK]]KLVO

ARS^O ZK]]KLVO

^\KX]]Ob_KV `S]S^SXQ ^\ KX]]Ob_KV `S]S^SXQ ))%-"+,."*',.! @ZahV %-"+,."*',.! @ZahV

7ZVji^[ja H]ZbVaZ 7 ZVji^[ja H]ZbVaZ

B:C H::@>C< B:C B: :C H::@>C< B:C

8SMO ZVKMO MVOKX Z\S`K^O

8SMO ZVKMO MVOKX Z\S`K^O

LYNc \OVKbSXQ aS^R K ]YP^

LYNc LYNc \ \OVKbSXQ aS^R K ]YP^ OVKbSXQ aS^R K ]YP^

RRKXNON ^Y_MR

KXNON ^Y_MR )%-"-+-")%() :\O^^c QS\V] QS`O K `O\c :\O^^c QS\V] QS`O K `O\c

QQYYN RY^ YSV WK]]KQO

YYN RY^ YSV WK]]KQO SX K Z\S`K^O \YYW aK\W

SX K Z\S` K^O \YYW aK\W

]RYaO\] K\O K`KSVKLVO -KVV

]RY aO\] K\O K`KSVKLVO -KVV

PY\ KZZ^ )%-"-..")*-* PY\ KZZ^

)%-"-..")*-*

2/6: 3¾W ^\KZZON SX 2/6: 3¾W ^\KZZON SX

]Ob bVO]] WK\\SKQO aS^R K

]ObVO]] WK\\SKQO aS^R K

WK X aRY S] cOK\] YVNO\

WKX aRY S] cOK\] YVNO\

^RKX WO 3¾W VYYUSXQ PY\ ^RK X WO 3¾W VYYUSXQ PY\ KK WKX Y\ aYWKX aRY MKX

WKX Y\ aYWKX aRY MKX ]]K^S]Pc Wc ]Ob_KV XOON]

K^S]Pc Wc ]Ob_KV XOON]

.S]M\O^SYX S] K W_]^ -ROMU

.S] M\O^SYX S] K W_]^ -ROMU

Y_^ ^ Wc Z\YPSVO Y_^ Wc Z\YPSVO K^ a +]RVOc7KNS]YX aaa K^ aaa +]RVOc7KNS]YX MYW W 4_VO] #" MYW 4_VO] #" ?6>37+>/ +.?6> @3./9

? 6>37+>/ +.?6> @3./9

9 //B:/<3/8-/ B::/ <3/8-/ 1O^ K 0<// 7Y`SO 89A

1O^ ^ K 0<// 7Y`SO 89A

8Y 7OWLO\]RSZ 8Y

8 Y 7OWLO\]RSZ 8Y MYX^\KM^ /@/< MYX X^\KM^ /@/ < aaa >@PY\+N_V^] MYW aa aa >@PY\+N_V^] MYW

<dg\Zdjh AVYn <dg\ Zdjh AVYn

6Yjai BVhhV\Z 6Y 6Yjai BVhhV\ ai B Z

HlZZi <ZciaZ Hl ZZi <ZciaZZ

8SMO ZVKMO Z\S`K^O \YYW] 8SMO ZVKMO Z\S`K^O \YYW]

/XTY c K XSMO WK]]KKQO Lc K

/XTYc K XSMO WK]]KQO Lc K

]aOO^ QOX^VO VKNc ]a OO^ QOX^VO VKNNc )%-" ",,,"-%,)%-",,,"-%,-

B^ae^iVh BVhhV\Z B^ae^iVh B^ae^iVh BVhhV\ BVhhV\Z

/XTYc K \OVKbSXQ aRYVO

/XTYc K \OVKbSXQ aRYVO

LLYNc WK]]KQO 9ZOX

YNc WK]]KQO 9ZOX

!! NKc] KW "ZW

NKc] KW "ZW

=Y_^R +LOV =^\OO^

=Y_^R +LOV =^\OO^ 7SVZS^K] -+ #

7 SVZS^K] -+ # )%-".*+".(&& )%-".*+ ".(&&

Jai^bViZ BVhhV\Z Jai^bV iZ BVhhV\Z

6S^O :YaNO\ ^Y_MR 6S^O :YaNO\ ^Y_MR

=aONS]R WK]]KQO PY\

= aONS]R WK]]KQO PY\

7K^_\O YVNO\ ]SXQVO 7K^_\O YVNO\ ]SXQVO WK\\SON WOX KQO] "

W K\\SON WOX KQO] "

aaa ROKVO\aYWKX" MYW

a aa ROKVO\aYWKX" MYW ))%-".(&"+)-+! AVjg^Z %-".(&"+)-+! AVjg^Z

+% EZg =Va[ =djg +% E Zg =Va[ =djg

,_]^c +]SKX >\KMc ,_]^c +]SKX >\KMc

CCOK\] YVN " ,O]^

OK\] YVN " ,O]^

TYL -KZS^YV /bZ\O]]aKc

TYL -KZS^YV /bZ\O]]aKc

=XOVV +`O VYMK^SYX] 3X =XOVV +`O VYMK^SYX] 3X Y_^MKVV )%-"))."',,. Y_^MKVV )%-"))."',,.

^"7ZVjin HeV ^"7Z Vjin HeV

A AKS^SXQ ^Y ]O\`O cY_ aS^R

KS^SXQ ^Y ]O\`O cY_ aS^R Y

KKX SXM\ONSLVO WK]]KQO SX

X SXM\ONSLVO WK]]KQO SX =_XXc`KVO )%-"*%.".,.+ =_XXc` KVO )%-"*%..".,.+

,O]^ WK]]KQO SX ,O]^ WK]]KQO SX

^^YaX 7KXc K^^\KM^S`O

YaX 7KXc K^^\KM^S`O

WK]]O_]O] # 9¾>YYVO

WK]]O_]O] # 9¾>>YYYVO

AKc =KX 4Y]O +7 A Kc =KX 4Y]O +7 :7 )%-",'+"-,- :7 )%-"",,'+"-,--

8]^cV >h =ZgZ 8]^cV >h =ZgZ

88djcign =^aa 9Vn HeV djcign =^aa 9Vn HeV

6h^Vc Eg^cXZhh

-RSXO]O QS\V aKX^] ^Y \OVKb

-RSXO]O QS\V aKX^] ^Y \OVKb

KVV cY_\ W_]MVO] :\S`K^O

KVV c Y_\ W_]MVO] ::\S`K^O

VYMK^SYX )%-"++&",'%% VYMK^SYX

)%-"+++&",' ,'%%

;jaa 7dYn BVhhV\Z ;jaa ;jaa 7d 7dYn BVhhV Yn BVhhVV\Z

:\S`K^O \YYW] ]RYaO\] :\S`K^O \YYW] ]RYaO\]

#" = .O +XdK ,V``N =KX

#" = .O +XdK ,V`N =KX

44Y]O " !!! " "" Y\

Y]O " !!! " "" Y\ =K\K^YQK +`O

=K\K^YQK +`O )%-"-++ "--.. )%-"-++"--..

HHZmn ;jc 8djeaZ Zmn ;jc 8djeaZ

AO YPPO\ K ]OX]_KV P_VV

AO YPPO\ K ]OX]_KV P_VV

LLYNc \_LNYaX 3XMKVV]

YNc \_LNYaX 3XMKVV]

YYXVc 7- @S]K 4K]YX

XVc 7- @S]K 4K]YX 7SMROVVO )%-",&+"&&+- 7SMROVVO )%-"",,&+"&&+-

1\KXN YZOXSXQ ,O]^ 1\KXN YZOXSXQ ,O]^

SSX \OVKbK^SYX RY^ ^_L

X \OVKbK^SYX RY^ ^_L ]]^OKW ]RYaO\ ,

^OKW ]RYaO\ ,

=K\K^YQK =_XXc`KVO <YKN =K\ K^YQK =_XXc`KVO <YKN ))%-"-+*"&**.! =^g^c\ %-"-+*"&**.! =^g^c\ \

6bnÉh & BVhhV\Z 6bnÉ Éhh & BVhhV\Z

8SMO Z\O^^c QS\V YPPO\] K 8SMO Z\O^^c QS\V YPPO\] K

QQYYN WK]]KQO PY\ XSMO

YYN WK]]KQO PY\ XSMO QOX^VOWOX SX A =KX 4Y]O QOX^VOWOX SX

A =KX 4Y]O )%-"-(%").,% )%-"-(%") .,%

6h^Vc AVYn

+ a K S ^ ] cY _ K X O bM S ^ S X Q +aKS^] cY_ KX ObMS^SXQ

WK]]KQO SX 8 =KX 4Y]O )%-"*)*"-&-. )%-"*)*"-&-.


H^c\aZ H^c \\aZ H ^ HZgk^XZh

>\c 0<// -KVV

>\c 0<// -KVV

" " !# Y\

" " !# Y\

"

"

+RY\K OX O]ZKXYV +RY\K OX O]ZKXYV

>>\c 0<// -KVV

\c 0<// -KVV V

" # Y\

" # Y\

" !!! "

" !!! " 3X^O\KM^S`O7KVO MYW 3X ^O\KM^S`O7KVO MYW

APRIL 4-10, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com

H^c\aZ HZgk^XZh H^c \aZ HZgk^XZh

BZZi GZVa AVi^cd BZZi GZVa AVi^cd H^c\aZh Cdl H^c \aZh Cdl

65

L]ZgZ =di BZc L ]ZgZ =di BZc =dd` Je = dd` Je

6cY GZVY^c\ >i 6 6cY GZ VY^c\ >i

-KVV YXO YP Y_\ ]SXQVO -KVV YXO YP Y_\ ]SXQVO

]]O\`SMO KN`O\^S]O\] cY_

O\`SMO KN`O\^S]O\] cY_ T_]^ WSQR^ WOO^ ]YWOYXO T_ ]^ WSQR^ WOO^ ]YWOYXO >>Y +N`O\^S]O MKVV 7SUO K^

Y +N`O\^S]O MKVV 7SUO K^ " " " "

Amazing Massage M assage

408.626.9688 408 8.626.9688 2604 Union U A Ave. ve. & S. Bascom O Health Care Ollen

SSusan’s usan’s M Massage assage

MIND BOD BODY DY SPIRIT IT T =fZlj Æ =fZlj Æ C \Xie ?fn Kf D\[`kXk\ Æ C\Xie ?fn Kf D\[`kXk\ Æ 8e[ N_p

6650.960.3986 15 Grant Rd 1521 M tn View, 94040 40 Mtn

En Enjoy njjoy lif life! e! C Calm alm th thee mind. mind. Improve Improve rrelationships. elationships. Make Make better better decisions. decisions. Meditation and Buddhist View M editation an dB ud ddhist V iew with Reed R eed Sherman. Sherman. Everyone Everryone is is welcome. welcome. No N o previous previous experience experieence necessary. necessary y. $10 per cl class. ass. Every E very Thursday Thursday eevening, vening, 7:30-9, 7:30-9, Unitarian U nitarian Universalist Universalist Fellowship Fellowship off Los L os Gatos, Gatos, 15980 Blo Blossom ossom Hill R Rd. d. Los L os Gatos, Gatos, 950 95032. 32. Call K Call Kelsang elsang Gam Gamo o 408/ 408/226-0595 226-0595 for for information inf ormation or vi visit sit us at www.MeditationInSanJose.org www w.M . editationInSanJose.org

DXjjX^\ 9p D`Z_X\c DXjjX^\ 9p D `Z_X\c Great massage Great massage b by y Asian Asian m man. an. In $50. Outcall Out call $7 $70. 0. B By yC CMT. MT. For F or d days ays 408-400-90 408-400-9088 088 or after after 7pm 408-8 408-893-1966. 9 1966. 93-


metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

66 !+<-2 H :<36 $6/+=/ =>?.C >23= !+<-2 H :<36 $6/+=/ =>?.C >23= >>/=>3798C E 9<8 38 + <+8-3. ,+> 380/=>/. -+@/ +> >2/ /=>3798C E 9<8 38 + <+8-3. ,+> 380/=>/. -+@/ +> >2/ ,,+=/ 90 >2/ =796./<381 &+81+C (96-+89 A+= <+3=/. ,+=/ 90 >2/ =796./<3381 &+81+C (96-+89 A+= <+3=/. ,,C >2/ 2+60 ,/+< ./798 :<38-/== <-+=>3+ > >2/ +1/ C >2/ 2+60 ,/+< ./798 :<38-/== <-+=>3+ > >2/ +1/ 990 7C ><+38381 += + 8384+ =2+7+8 ,/1+8 A2/8 A+= 90 7C ><+38381 += + + 8384+ =2+7+8 ,/1+8 A2/8 A+= 6/ 6/0> 8+5/. +8. +698/ 8/B> >9 + =></+7 90 ,?<8381 6+@+ /0> 8+5/. +8. +698// 8/B> >9 + =></+7 90 ,?<8381 6+@+ A3>2 986C >A9 =+0/>C :38= + :+-5+1/ 90 ./8>+6 G9== A A3>2 986C >A9 =+0/>CC :38= + :+-5+1/ 90 ./8>+6 G9== ++8. + :6+=>3- ,+1 0?66 90 2//<39= !C 73==398 >9 F8. 8. + :6+=>3- ,+1 0?66 90 2//<39= !C 73==398 >9 F8. 7C A+C >9 7C =:3<3>?+6 297/ I "9A <3/= . 635/ 7 C A+C >9 7C =:3<3>?+6 297/ I "9A <3/= . 635/ CC9? >9 -97:9=/ C9?< 9A8 @/<=398 90 >23= ./-6+<+>398 9? >9 -97:9=/ C9?< 9A8 @/<=398 90 >23= ./-6+<+>398 ++ :6+C0?6 9@/< >2/ >9: 7C>2 +,9?> C9?< 9<3138= :6+C0?6 9@/< >2/ >9: 7C>2 +,9?> C9?< 9<3138= >>2+> 13@/= C9? + 1</+>/< +::</-3+>398 09< >2/ 2/<93- 2+> 13@/= C9? + 1</+>/< +::</-3+>398 09< >2/ 2/<93449?<8/C C9? @/ ,//8 98 +66 >2/=/ C/+<= 49 9?<8/C C9? @/ ,//8 98 +66 >2/=/ C/+<= :<36 H!+C #?< +8-/=>9<= 9A8/. :<36 H!+C #?< +8-/=>9<= 9A8/.

9p n\\b f] 8gi`c + n\\b f] 8gi``c +

#-> H"9@ $/9:6/ 38 38>37+>/ #-> H"9@ $/9:6/ 38 38>37+>/ </6+>398=23:= +</ 2C:/<=/8=3>3@/ >9 8/1+>3@/ </6++>398=23:= +</ 2C:/<=/8=3>3@/ >9 8/1+>3@/ -977/8>= 0<97 >2/3< :+<>8/<= $=C-296913=>= =+C 3> -97 77/8>= 0<97 >2/3< :+<>8/<= $=C-296913=>= =+C 3> >+5/= F@/ -97:637/8>= >9 9?>A/312 >2/ /00/->= 90 >+5//= F@/ -97:637/8>= >9 9?>A/312 >2/ /00/->= 900 + =3816/ .+=2 90 ./<91+>9<C -<3>3-3=7 7 =?</ >2/ + =3816/ .+=2 90 ./<91+>9<C -<3>3-3=7 7 =?</ >2/ <+>39 3= =3736+< /@/8 09< </6+>398=23:= >2+> +</8 > += <+>39 3= =3736+< /@/8 09< </6+>398=23:= >2+> +</8 > += -69=/ += 69@/<= +8. =:9?=/= )3>2 >23= 38 738. ?<1/ -69=/ += 69@/<= +8. =:9?=/= )3>2 >23= 38 738. ?<1/ C9? >9 ,/ /B><+ -+</0?6 89> >9 .3=:/8=/ ,+<,= '2/C C9?? >9 ,/ /B><+ -+</0?6 89> >9 .3=:/8=/ ,+<,= '2/C A9?6. ,/ /=:/-3+66C .+7+1381 .?<381 >23= :2+=/ 90 A9? ?6. ,/ /=:/-3+66C .+7+1381 .?<381 >23= :2+=/ 90 9 C9?< +=><96913-+6 -C-6/J,9>2 >9 C9? +8. >9 >29=/ +> C9??< +=><96913-+6 -C-6/J,9>2 >9 C9? +8. >9 >29=// +> A297 C9? .3</-> >2/7 8=>/+. &-9<:39 A2C 89> .96/ A297 C9? .3</-> >2/7 8=>/+. &-9<:39 A2C 89> .96/ 9?> +8 +,?8.+8-/ 90 -97:637/8>= '2/C A366 ,?36. ?: 9?> +8 +,?8.+8-/ 90 -97:637/8>= '2/C A366 ,?36.. ?: + </=/<@93< 90 199.A366 C9? 66 ,/ +,6/ >9 .<+A 98 09< + + </=/< / @93< 90 199.A366 C9? 66 ,/ +,6/ >9 .<+A 98 09< 9 + 6981 >37/ 69811 >37/ >37/

==6+@/= +8. ./83/. /.?-+>398 >9 13<6= )2+> A/</ >2/C 6+@/= +8. ./83/. /.?-+>398 >9 13<6= )2+> A/</ >2/C >2 >2385381 2385381 ''37/ 337/ 7+1+D38/ +=5/. </89A8/. 23=>9<3+8 7+1+D38/ +=5/. </89A8/. 23=>9<3+8 +@3. !- ?669?12 30 >2/</ A+= +8C>2381 A/ .9 >9.+C +@3. !- ?669?12 30 >2/</ A+= +8C>2381 A/ .9 >9.+C >>2+> 9?< ./=-/8.+8>= A366 </1+<. += /;?+66C 38=+8/ 2+> 9?< ./=-/8.+8>= A366 </1+<. += /;?+66C 38=+8/ ++8. 38/B-?=+,6/ 3= </:6C E 9A A/ -9?6. 2+@/ =:/8> 8. 38/B-?=+,6/ 3= </:6C E 9A A/ -9?6. 2+@/ =:/8> ==9 7?-2 >37/ A+>-2381 '( I 66 +=5 C9? '+?<?= >9 9 7?-2 >37/ A+>-2381 '( I 66 +=5 C9? '+?<?= >9 ++::6C >23= =+7/ /B/<-3=/ 98 + :/<=98+6 6/@/6 '2385 90 ::6C >23= =+7/ /B/<-3=/ 98 + :/<=98+6 6/@/6 '2385 90 ==97/ >2381= C9? .3. A2/8 C9? A/</ C9?81/< >2+> 89A 97/ >2381= C9? .3. A2/8 C9? A/</ C9?81/< >2+> 89A ==//7 38-97:</2/8=3,6/ 9< 3189<+8> '2/8 /B:69</ >2/ //7 38-97:</2/8=3,6/ 9< 3189<+8> '2/8 /B:69</ >2/ ::9==3,363>C >2+> C9? A366 6995 ,+-5 A3>2 38-</.?63>C +> 9==3,363>C >2+> C9? A366 6995 ,+-5 A3>2 38-</.?63>C +> ==97/ A/3<. 2+,3> 9< >A/+5/. 09<7 90 =/60 38.?61/8-/ 97/ A/3<. 2+,3> 9< >A/+5/. 09<7 90 =/60 38.?61/8-/ CC9? </ :?<=?381 >9.+C $ & > = +8 /B-/66/8> >37/ >9 9? </ :?<=?381 >9.+C $ & > = +8 /B-/66/8> >37/ >9 ::2+=/ 9?> >2+> 2+,3> 9< =/60 38.?61/8-/ :2+=/ 9?> >2+> 2+,3>> 9< =/60 38.?61/8-/

"9@ H /- %/=/+<-2/<<= "9@ H /- %/=/+<-2/<= <</:9<> >2+> >2/ >C:3-+6 7+8 0+66= 38 69@/ >37/= 9@/< /:9<> >2+> >2/ >C:3-+6 7+8 0+66= 38 69@/ >37/= 9@/< 9 >2/ -9?<=/ 90 23= 630/ A236/ >2/ +@/<+1/ A97+8 ,+=5= >2/ -9?<=/ 90 23= 630/ A236/ >2/ +@/<+1/ A97+8 ,++=5= 38 >2/ 169A 90 >23= 1</+> 7C=>/<C 98 9--+=398= 38 >2/ 169A 90 >23= 1</+> 7C=>/<C 98 9--+=398== =?=:/-> C9? 7+C ,/ -69=/ >9 2+@381 + 9< >C:/ 90 =?= :/-> C9? 7+C ,/ -69=/ >9 2+@381 + 9< >C:/ 90 /B:/<3/8-/ &+13>>+<3?= =9<> 90 635/ 380+>?+>398 ,?> /B: :/<3/8-/ &+13>>+<3?= =9<> 90 635/ 380+>?+>398 ,??> A3>29?> >2/ -<+D/. 7+83+ '2+> -9?6. +->?+66C ,/ + A3>2 29?> >2/ -<+D/. 7+83+ '2+> -9?6. +->?+66C ,/ + 199. >2381 '2/ -2+66/81381 =:3<3>?+6 :<94/-> >2+> 199 9. >2381 '2/ -2+66/81381 =:3<3>?+6 :<94/-> >2+> <</6+>398=23: 900/<= 7+C ,/ 79=> @3+,6/ A2/8 >2/ >A9 /6++>398=23: 900/<= 7+C ,/ 79=> @3+,6/ A2/8 >2/ >A9 > :/9:6/ 38@96@/. +</ :/9 9:6/ 38@96@/. +</ 89> /6/-><30C3816C 38>/<A9@/8 A3>2 /6/-><30C3816C 38>/<A9@/8 A3>2 /@/<C 6+=> 98/ 90 >2/3< 5+<73- >2</+.= !+C,/ A/ 2+@/ /@/ <C 6+=> 98/ 90 >2/3< 5+<73- >2</+.= !+C,/ A/ 2+@/ 2 79</ =6+-5 38 9?< ;?/=> 09< 38>37+-C 30 A/ 69@/ ,?> +</ 7 9</ =6+-5 38 9?< ;?/=> 09< 38>37+-C 30 A/ 69@/ ,?> +</ 89> 9,=/==/. 89> 9,=/==/.

!+C H ?8/ E -+8 > >/66 30 7 !+C H ?8/ E -+8 > >/66 30 7

/- H +8 E -9?6.8 > A+3> 09< /- H +8 E -9?6.8 > A+3> 09< =?--/== I =+3. <3-2 +8. 0+79?= -97/.3+8 98+>2+8 =?--/== I =+3. <3-2 +8. 0+79?= -97/.3+8 98+>2+8 )388>/<= E=9 A/8> +2/+. A3>29?> 3> I 69@/ >2+> )38>/<= E=9 A/8> +2/+. A3>29?> 3> I 69@/ >2+> +::<9+-2 +8. =?11/=> C9? ><C 3> 9?> = >2/</ +8C +:::<9+-2 +8. =?11/=> C9? ><C 3> 9?> = >2/</ +8CC +</+ 90 C9?< 630/ >2+> 3= 2/6. -+:>3@/ ,C +8 37+1/ +</+ 90 C9?< 630/ >2+> 3= 2/6. -+:>3@/ ,C +8 37+1/ 90 :/<0/->398 98=3./< >2/ :9==3,363>C >2+> =238C 90 :/<0 : /->398 98=3./< >2/ :9==3,363>C >2+> =238C -98-/:>= 90 @3->9<C +8. :<91</== 7312> ,/ .3=><+->381 -988-/:>= 90 @3->9<C +8. :<91</== 7312> ,/ .3=><+->381 C9? 0<97 .9381 >2/ A9<5 >2+> A366 ,<381 C9? 7/+8381 C9?? 0<97 .9381 >2/ A9<5 >2+> A366 ,<381 C9? 7/+88381 +8. 0?6F667/8> 0 C9? </ >99 ,?=C .</+7381 90 +8. 0?6F667/8> 0 C9? </ >99 ,?=C .</+7381 90 =97 7/.+C +>>+38381 >2/ 3./+6 7+>/ A/312> 49, =97/.+C +>>+38381 >2/ 3./+6 7+>/ A/312> 49, :6/+=?</ +8. -977?83>C C9? 7+C 73== 9?> 98 :6/+=?</ +8. -977?83>C C9? 7+C 73== 9?> 98 >2/ 37:/<0/-> ,?> +7+D381 9::9<>?83>3/= >2+> +</ >2/ 37:/<0/-> ,?> +7+D381 9::9<>?83>3/= >2+> +</ +@+36+,6/ <312> 89A +@+36+,6/ <312> 89A

./+6381 A/66 A3>2 630/ >2/=/ .+C= 9< 30 4?=> .98 > 13@/ ./+6381 A/66 A3>2 630/ >2/=/ .+C= 9< 30 4?=> .98 > 13@/ ++ =2J +8C 79</ I =>?7,6/. ?:98 >2+> -977/8> +> =2J +8C 79</ I =>?7,6/. = ?:98 >2+> -977/8> +> ==97//-+<.= -97 +8. ./-3./. >9 :+== 3> +6981 09< 97//-+<.= -97 +88. ./-3./. >9 :+== 3> +6981 09< CC9?< -98=3./<+>398 *9? 7+C ,/ :98./<381 >2/ =+7/ 9?< -98=3./<+>398 *9? 7+C ,/ :98./<381 >2/ =+7/ <<3..6/ 0//6381 =?=:3-39?= +,9?> A2C C9? =//7 79</ 3..6/ 0//6381 =?=:3-39?= +,9?> A2C C9? =//7 79</ <</6+B/. +8. >96/<+8> >2+8 ?=?+6 38 >2/ 0+-/ 90 :6+38 /6+B/. +8. >96/<+8> >2+8 ?=?+6 38 >2/ 0+-/ 90 :6+38 996. /@/<C.+C -2+9= 7 2/</ >9 >/66 C9? 7C 9:38398 96. /@/<C.+C -2+9= 7 2/</ >9 >/66 C9? 7C 9:38398 A A23-2 3= >2+> C9?< </-/8> / /;?+8373>C 3= 89> <99>/. 38 A23-2 3= >2+> C9?< </-/8> /;?+8373>C 3= <99>/. 38 44+./. 8?7,8/== %+>2/< 3> = >2/ </=?6> 90 =97/ 2+<. +./. 8?7,8/== %+>2/< 3> = >2/ </=?6> 90 =97/ 2+<. A A9<5 C9? .3. 98 C9?<=/60 .?<381 >2/ 6+=> =3B 798>2= A9<5 C9? .3. 98 C9?<=/60 .?<381 >2/ 6+=> =3B 798>2= 981<+>= +8. /849C 981< +>= +8. /849C ?8/ H ?6C )2+> /B-3>/= C9? ?8/ H ?6C )2+> /B-3>/= C9? +8-/<3+8 )2+> 79,363D/= C9?< =/60 .3=-3:638/ +8. +8-/<3+8 )2+> 799,363D/= C9?< =/60 .3=-3:638/ +8. 338=:3</= C9? >9 =// >2/ ,31 :3->?</ /8-9?<+1/ C9? 8=:3</= C9? >9 =// >2/ ,31 :3->?</ /8-9?<+1/ C9? >9 >9 3./8>30C >29=/ =9?<-/= 90 2312 9->+8/ 0?/6 +8. 9 3./8>30C >29=/ =9??<-/= 90 2312 9->+8/ 0?/6 +8. >2 >2/8 >+5/ /B><+9<.38+<C 7/+=?</= >9 7+5/ >2/7 + 2/8 >+5/ /B><+9<.388+<C 7/+=?</= >9 7+5/ >2/7 + ==><981 :</=/8-/ 38 C9?< 630/ '2/</ 2+= <+</6C ,//8 + ><981 1 ::</=/8-/ 38 CC9?< 630/ '2/</ 2+= <+</6C C ,//8 + ,,/>>/< >37/ >2+8 89A 09< C9? >9 .9 >23= > -9?6. -</+>/ />>/< >37/ >2+8 89A 09< C9? >9 .9 >23= > -9?6. -</+>/ //00/->= >2+> A366 6+=> 09< C/+<= $ & /</ = + 0?<>2/< /00 /->= >2+> A366 6+=> 09< C/+<= $ $ & /</ = + 0?<>2/< 88?.1/ 0<97 %+6:2 )+6.9 7/<=98 E @/<C 1</+> +8. 8?.1/ 0<97 %+6:2 )+6.9 7/<=98 E @/<C 1</+> +8. --977+8.381 79@/7/8> 38 >2/ +88+6= 90 >2/ A9<6. 3= 977+8.381 79@/7/8> 38 >2/ +88+6= 90 >2/ A9<6. 3= >2 2/ ><3?7:2 ><3 90 /8>2? ?=3+=7 "9>2381 1</+> A+= /@/< >2/ ><3?7:2 90 /8>2?=3+=7 "9>2381 1</+> A+= /@/< ++-23/@/. A3>29?> 3> I -23/@/ A3>29?> 3> II -23/@/. ?6C

?6C H ?1 )236/ ,<9A=381 38 + H ?1 )236/ ,<9A=381 38 +

,,995=>9</ -+7/ +-<9== + ,995 +8. ./-5 90 -+<.= 995=>9</ -+7/ +-<9== + ,995 +8. ./-5 90 -+<.= >2 2+> A/< A / -966/->3@/6C -+66/. ''+<9> &/-</>= >2+> A/</ -966/->3@/6C -+66/. ++<9> &/-</>= ''2/ =?,>3>6/ 2/ =?,>3>6/ 990 90 >2/ 53> A+= E +=> +8. +=C )+C >9 0 >2/ 53> A+= E +==> +8. +=C )+C >9 /+<8 /+<8 + + $ 9A 9A/<0?6 8-3/8> <> I =89<>/. ./<3=3@/6C >9 </+. >2+> $9A/<0?6 8-3/8> <> I =89<>/. ./<3=3@/6C >9 </+. >2+> --6+37 =38-/ 7C=/60 2+@/ =>?.3/. '+<9> 38>/8=3@/6C 09< 6 6+37 =38-/ 7C=/60 2+@/ =>?.3/. '++<9> 38>/8=3@/6C 09< CC/+<= +8. +7 89A2/</ 8/+< 7+=>/<C C/+ /+<= +8. +7 89A2//</ 8/+< 7+=>/<C +>/< >29?12 +>/<< >29?12 A2/8 A+= ,+-5 297/ 7/.3>+>381 98 C9?< 29<9=-9:/ A A2/8 /8 A+= ,+-5 297 7/ 7/.3>+>381 98 C9?< 29<9=-9:/ =90>/8/. 7C +>>3>?./ + ,3> '2/ +=><96913-+6 97/8= =90>/8/. /. 7C +>>3>?../ + ,3> '2/ +=><96913-+6 97/8= ..9 38.//. =?11/=> >2+> 38 >2/ ?:-97381 A//5= +8. .9 38./ =?11/=> 38.//. 11 >22+> 38 >2/ ?:-97381 : 1 A//5= +8. 798>2= C9? 4?=> 7312> ,/ +,6/ >9 6/+<8 + <+>2/< C9? 4?=> 73112> ,/ +,6/ >9 6/+<8 + <+>2/< 7 798>2= ==?,=>+8>3+6 =5366 38 + </6+>3@/6C =29<> >37/ ?,=>+8>3+6 =5366 38 + </6+>3@/6C =29<> >37/

?1 H&/:> )<3>381 38 '2/ "/A "/A ?1 H&&/:> )<3>381 38 '2/

**9<5/< 99<5/< 5/< 9+88+ %+@/88+ :+<+:2<+=/. /<7+8 9+88+ %+@/88+ :+<+:2<+=/. /<7+8 ::2369=9:2/< "3/>D=-2/ E'2/ ,/=> A+C >9 /8<+1/ 2369=9:2/< "3/>D=-2/ E'2/ ,/=> A+C >9 /8<+1/ ::/9:6/ 3= >9 09<-/ >2/7 >9 -2+81/ >2/3< 738. +,9?> /9:6/ 3= >9 09<-/ >2/7 >9 -2+81/ >2/3< 738. +,9?> CC9? I . 635/ >9 =// C9? 7?>+>/ >23= >2/9<C 38 >2/ 9? I . 635/ >9 =// C9? 7?>+>/ >23= >2/9<C 38 >2/ --97381 A//5= (3<19 0 :9==3,6/ =// 30 C9? -+8 97381 73 A//5= (3<199 0 :9==3,6/ =// 30 C9? -+8 +7?=/ +7?=/ ++8. /8>/<>+38 +8. . /8>/<>+38 / :/9:6/ 89> /8<+1/ >2/7 ,C -97:/66381 :/9:6// 89> /8<+1/ >2/7 ,C -97:/66381 >2/7 >9 -2+81/ >2/3< 738.= +,9?> C9? </+63D/ >2+> = >>2 2/7 >9 -2+81/ >2/3< 738.= +,9?> C9? </+63D/ >2+> = ++ ><3-5C :<9:9=3>398 ,?> 13@/8 >2/ -?<</8> +=><96913-+6 ><3-5 ><3 C :<9:9=3>398 ,?> 13@/8 >2/ -?<</8> +=><96913-+6 997/8= 2+@/ 0+3>2 >2+> C9? -+8 :?66 3> 900 97/8= 7 2+@/ 0+3>2 >2+> > C9? -+8 :?66 3> 900 &/:> H#-> 8 A2/8 )<316/C &/:> H#-> 8 A2/8 )<316/C A += 4?=> =>+<>381 9?> += + -97:+8C 3>= 7+38 :<9.?-> A+= 4?=> =>+<>381 9?> += + -97:+8C 3>= 7+38 :<9.?-> A A+= A+= ,+5381 :9A./< <// -2/A381 1?7 A+= 38-6?./. ,+5381 :9A./< <// -2/A381 1?7 A+= 38-6?./. 338 /+-2 :+-5+1/ += + :<979>398+6 13773-5 ?> 8 /+-2 :+-5+1/ += + :<979>398+6 13773-5 ?> ==998 >2/ 0<//,3/ ,/-+7/ =9 :9:?6+< >2+> )<316/C 998 >2/ 0<//,3/ ,/--+7/ =9 :9:?6+< >2+> )<316/C <</+<<+81/. 3>= /8>3</ ,?=38/== "9A 3> = + 7?6>3 //++<<+81/. 3>= /8>3</ ,?=38/== "9A 3> = + 7?6>3 ,,366398 .966+< -97:+8C >2+> =/66= 1?7 38 .300/</8> 366398 .966+< -97:+8C >2+> =/66= 1?7 38 .300/</8> --9?8><3/=J+8. 89 ,+5381 :9A./< !+C,/ >2/</ = 9 9?8><3/=J+8. 89 ,+5381 :9A./< !+C,/ >2/</ = ==97/>2381 635/ >2+> 98 >2/ @/<1/ 90 2+::/8381 38 97/>2381 635/ >2+> 98 >2/ @/<1/ 90 2+::/8381 38 CC9?< 9A8 630/ 9?< 9A8 630/ 33,<+ )2+> =//7/. 635/ >2/ 7+38 ,<+ )2+> =//7/. 635/ >2/ 7+38 //@/8> -9?6. >?<8 9?> >9 ,/ =/-98.+<C 9< A2+> @/8> -9?6. >?<8 9?> >9 ,/ =/-98.+<C 9< A2+> ==//7/. 38-3./8>+6 7312> ,/-97/ + -/8>/<:3/-/ = //7/. 38-3./8>+6 7312> ,/-97/ + -/8>/<:3/-/ = >>2/</ =97/>2381 C9? +</ 9@/<@+6?381 +> >2/ -9=> 90 2/</ =97/>2381 C9? +</ 9@/<@+6?381 +> >2/ -9=> 90 ==97/>2381 C9? +</ ?8./<@+6?381 97/>2381 C9? +</ ?8./< ? @+6?381

+8 H /, #8 %/..3> -97 +8 H /, #8 %/..3> -97 +?=2+6: +=5/. >2/ ;?/=>398 E)2+> 3= >2/ 79=> +??=2+6: +=5/. >2/ ;?/=>398 E)2+> 3= >2/ 79==> ,+..+== >2381 >2+> C9? 2+@/ /@/< .98/ ,?> >2+> 9>2/< ,+.+== >2381 >2+> C9? 2+@/ /@/< .98/ ,?> >2+> 9>2/< :/9:6/ A/</8 > 37:</==/. ,C I /</ = 23= 9A8 =>9<C :/99:6/ A/</8 > 37:</==/. ,C I /</ = 23= 9A8 =>99<C E A+= +> +8 3-/ -</+7 =29: > >2/ /B3> >2/</ A+= + E A+= A +> +8 3-/ -</+7 =29: : > >2/ /B3> >2/</ A+== + =7+66 <+3=/. =>/: .3.8 > =// ><3::/. 9@/< 3> A3>2 7C =7++66 <+3=/. =>/: .3.8 > =// ><3::/. 9@/< 3> A3>22 7C 3-/ -</+7 -98/ 38 7C <312> 2+8. '2/ 3-/ -</+7 ,+66 3-/ -</+7 -98/ 38 7C <312> 2+8. '2/ 3-/ -</+7 ,++66 =:<?81 9?> 90 >2/ -98/ 38=>38->3@/6C 6?<-2/. 7C 6/0> =:<??81 9?> 90 >2/ -98/ 38=>38->3@/6C 6?<-2/. 7C 6/0> 2+88. 09<A+<. +8. 1<+,,/. 3> ,?> +> >2/ =+7/ >37/ 2+8. 09<A+<. +8. 1<+,,/. 3> ,?> +> >2/ =+7/ >37/ A+== +6</+.C 0+66381 >9A+<. >2/ :+@/7/8> >?-5/.. 7C A+= +6</+.C 0+66381 >9A+<. >2/ :+@/7/8> >?-5/. 7C 2/++. 38>9 7C -2/=> +8. 7+./ + :/<0/-> =97/<=+??6> 2/+. 38>9 7C -2/=> +8. 7+./ + :/<0/-> =97/<=+?6> <3=381 >9 7C 0//> +8. :69::381 >2/ 3-/ -</+7 ,+-5 38 <3=381 >9 7C 0//> +8. :69::381 >2/ 3-/ -</+7 ,+-5 38 >2/ -98/ I =?=:/-> C9? A366 =998 2+@/ -97:+<+,66/ >2/ -98/ I =?=:/-> C9? A366 =998 2+@/ -97:+<+,6/ /B::/<3/8-/= ;?+<3?=J?8?=?+6 ><3?7:2= +8. /B:/<3/8-/= ;?+<3?=J?8?=?+6 ><3?7:2= +8. ?8/B:/->/. +--97:63=27/8>= ?> C9? 7+C 2+@/ >9 ?8//B:/->/. +--97:63=27/8>= ?> C9? 7+C 2+@/ >9 ,/ -98>/8> A3>2 :<9@95381 +A/ 38 89 98/ /6=/ ,/=3./ ,/ -98>/8> A3>2 :<9@95381 +A/ 38 89 98/ /6=/ ,/=3./ C9?<=/60 C9??<=/60 /, H!+<-2 E)9<<C 90>/8 13@/=

/, H!+<-2 E)9<<C 90>/8 13@/== + =7+66 >2381 + ,31 =2+.9A I &9 =+C= + &A/.3=2 + =7+66 >2381 + ,31 =2+.9A I &9 =+C= + &A/.3=2 :<9@/<, +8 A/ >+65 +,9?> >23= :6/+=/ $3=-/= #0 :<9@/<, +8 A/ >+65 +,9?> >23= :6/+=/ $3=-/= #0 -9?<=/ >2/</ +</ </+6 2+D+<.= +8. .30F-?6>3/= 38 630/ -9??<=/ >2/</ +</ </+6 2+D+<.= +8. .30F-?6>3/= 38 6300/ +8.. >2/C ./=/<@/ C9?< 381/839?= :<9,6/7 =96@3811 +8. >2/C ./=/<@/ C9?< 381/839?= :<9,6/7 =96@381 ?> A2C ./@9>/ +8C 90 C9?< :</-39?= /8/<1C >9 ?>> A2C ./@9>/ +8C 90 C9?< :</-39?= /8/<1C >9 ,/-97381 /7,<936/. 38 7/</6C 2C:/. ?: 2+D+<.= +8. ,/--97381 /7,<936/. 38 7/</6C 2C:/. ?: 2+D+<.= +8. 2C:9>2/>3-+6 .30F-?6>3/= +=/. 98 7C +8+6C=3= 90 >2/ 2C::9>2/>3-+6 .30F-?6>3/= +=/. 98 7C +8+6C=3= 900 >2/ +=><96913-+6 97/8= 89A 3= + :<9:3>39?= >37/ >9 -?> +=><<96913-+6 97/8= 89A 3= + :<9:3>39?= >37/ >9 -??> =2+.9A= .9A8 >9 >2/3< :<9:/< =3D/ > = +6=9 + :/<0/-> =2++.9A= .9A8 >9 >2/3< :<9:/< =3D/ > = +6=9 + :/<00/-> 797/8> >9 63,/<+>/ C9?<=/60 0<97 8//.6/== +8B3/>C 797/8> >9 63,/<+>/ C9?<=/60 0<97 8//.6/== +8B3/>>C >2385 C9? 66 ,/ +7+D/. +> 29A 7?-2 79</ +--?<+>/ >23885 C9? 66 ,/ +7+D/. +> 29A 7?-2 79</ +--?<+>/ C9?< :/<-/:>398= A366 ,/ += + </=?6> C9??< :/<-/:>398= A366 ,/ += + </=?6> $ !" $ $ !" $ % " # $ ! !! ! % " " # $ ! !! ! ! % " ! % " ! ! " " !! ! ! ! ! % %%

9 >9 >9 -2/-5 9?> %9, </D=8C = B:+8./. )//56C ?.39 9<9=-9:/= +8. +36C '/B> !/==+1/ 9<9=-9:/= ?.39 29<9=-9:/= +</ +6=9 +@+36+,6/ ,C :298/ +> 9<

0((7 0 ((7

get on to get off

L REA0(1 0(1

San S an Jose Jose

(4 408 40 08) 5 514.1111 14.11 11 11 1 1 Palo P a l o Alto Alto

(650) 223.0505 FREE F REE C CODE ODE: METRO METRO SAN JOSE

408.342.4129

Other O ther llocal ocal numbers: numbers:

1-888-634-2628 1 -888-634-2628 isten & E ttoo LListen Ads! eply tto oA ds! FRE RReply

More local numbers: 1.800.777.8000 / 18+ Ahora en EspaĂąol / www.interactivemale.com

Curious Curious about men? men? about

Tell-AT ell ll A Friend

REWARDS

1-8881 -888-Mega MegaMates aMates

TM

TTRY TR RY FO FFOR OR OR FR FR REEE EE FREE

24/7 2 4/7 F Friendly riendly C Customer ustomer C Care are 1-888-634-2628 1-888-634-2628 1 18+ 8+ Š Š2011 2011 P PC CL LLC LC 2 2225 225

408.380.1600 0.1600 Discreet D iscreet Talk Talk

18+ 1 8+ www.discreetguychat.com w w w.discr ee t gu y cha t .com

TRYY TR

www.GuySpy.com .GuySpy.com TODA TODAY AY www


67

ZZcXjj`Ó\[ `e[\o cXjj`Ó\[ `e[\o Single Ser vices 65 Services Employment 67 vices 69 Family Ser Services Music 69

gcXZ\ Xe X[

LLegal egal & P ublic Notices 70 Public Home IImprovement mprovement 71 R eal Estate 71 Real

EMPLOYMENT EMPL OYM E NT KIL:B ;I@M<IJ E<<;<; KI L:B ;I@M<IJ J E<<;<; Baay Ar Bay Area ea T Trucking rrucking and dC Construction onstruction C ompany is seeking 10 0 wheeler r, Company wheeler, tr ansffer e and double b o om and end ott transfer bottom dump driv ers ffor or o lo call cconstruction onstruction drivers local ma aterial hauling. All work w is daily material some nights and week kends on weekends o ccasion no long haul,, yyou ou will b occasion bee home with yyour our ffamily aamilyy daily y. Must daily. ha ave clean DMV V, Classs A lic at have DMV, lic.. at least 2 yyears ears eexperience, xperience, rread, ead, writ writee and speak fluent Engli ish as well as English pass pr yment and a rrandom andom pree emplo employment drug scr eening. C omp pensaattion is screening. Compensation ccompetitive ompetitive and based d on eexperience xperience and per fo ormance. Plea ase ffax aax rresume esume performance. Please as well as curr ent (less than 30 da ayys current days old) DMV print out tto o 408-971-9942. N o phone ccalls alls please! No

JpcmXe :fig# JleepmXc\# :8 Jpcm Xe :fig g## Jle eepmXc\# :8 seeks Entit Entity ty Int Integration egrattio on Business Analyst. R Rqmt q qmt ga gathering ng ffor o or therin client’s client ’s new new entities rrequiring equiring Oracle Finance Or acle F inance App; Design D & ttest est support solutions; Implement & supp ort production; Architect improve pr oduction; Ar chitect & impr ove cconfiguration onfiguration of apps; Oracle Oracle integration, cconfiguration, onfiguration, module modulee int egration, t troubleshoot; Monitor Legacy ttest est & tr oubleshoot; Monit M or L egacy Oracle Oracle ssystems ystems tto o Or acle & Or racle back tto o Legacy. Sunnyvale, CA L egacyy. JJob ob site: site: Sunny yvale, C A AND unanticipated locations vvarious arious unanticipa ted lo cations throughout USA. Resumes thr oughout the US A. R eesumes Maryy A Ave, tto o HR, 1309 S Mar ve, 208, Sunnyvale, CA 94087.. Complete Sunnyv vaale, C A 94087 Complete job details: www.sylvancorp.com det ails: www w..sylvancorrp.com

J\Zli`kp&9fleZ\ij E\\[\[ J\Zli`kp&9fleZ\ \ij E\\[\[ wanted 5 nights a wee wanted week k 9pm-2am. Apply mornings only only. y. Alex’s Ale x’s 49er L Lounge ounge 2214 Business Cir Circle, cle, San S JJose. ose. 408/279-9737

all 408.298.8000 Mon Mon-Fri, -Fri, 8:30am-5:30pm í CCall classifieds@metronews.com o onews.com Please Please include í Email classifieds@metr VISA, MC, Discver or o AmEx AmEx number and your VISA, expiration date for for paym ment expiration payment í Fax your ad to 408.271.3520

JXe;`jb :figj JXe;`jb b :figj seeks all le levels vels of Engineers (Characterization, (Char acteriization, Design, Systems Syst ems Design, Deesign, De Device, vice, F Firmware, irmware, Industrial, Industrial and Oper ationss, Packaging, Packaging, Pr oduct, Operations, Product, Pr oduct Development, Deevelopment, p ,R eeliabilitty, Product Reliability, Sof ftware, Test Teest Development, Development, Software, V eerification n, ASIC V eerification, Verification, Verification, and others)) in Milpit as, C A. Edu u/ Milpitas, CA. Edu/ eexp xp reqs reqs vary var a y by position position le vel/ttyype. level/type. Must ha ave unrestricted unrestricted U .S. work have U.S. authoriza tiion. Mail rresumes esumes tto o HR authorization. R eepresentativ t e, 601 McC arthy Blvd. Representative, McCarthy Milpit as, CA, CA, A 9 5035. Must rreference effeerence Milpitas, 95035. ccode ode SDBA0003. SDBA0003. A

EOG J\d`Zfe[lZkfij E OG J\d`Zfe[lZkfij _Xj k_\ ]fccfn`e^ _Xj k_\ ]fccfn`e^ fggfikle`k`\j XmX`cXYc\ `e f ggfikle`k`\j XmX`cXYc\ `e JXe Afj\# :81 JXe A fj\ \# :81 Technical T eechnical Marketing M eting Manager Mark ((TMM1): TMM1): P Provide rovide leadership and priorities se setting etting tto o the applic application attion engineeringg tteam. engineerin eam. Identif Identify fy ne new w business an and nd pr product oduct development development opportunities. opp ortunitties. Filed F iled Appli Application icattion Engineer (FAE1): (FAE1): customer support Manage ttechnical ecchnical cust omer supp ort activity, activit ty, including inccluding rremote emote and onon-site site support.Position travel supp ort.Position o rrequires equires tr avel tto o vvarious, arious, unanticipated un nanticipated lo locations. cations. Mail rresumes esum mes tto o 411 East Plumeria Drive, Driv e, San JJose, ose, C CA A9 95134. 5134. A Attn: ttn: HR Coordinator. C oordinator o . Must rreference effeerence job title and jo job ob ccode ode in order order tto ob bee cconsidered. onsidered. EOE.

G\ig\klXc <eki\gi\e\li G \ig\kl lXc <eki\gi\e\li lXc <eki\gi\e\li @@e`k`Xk`m\ e`k`Xk`m\ Individualss want wanted ed tto o fform o orm cultures. cultur es. Wages, Waages, your your choic choice, e, own independence independen nce and self-reliance. selff-r - eliance. Returns R eeturns ho honor onor and rrecognition ecognition in ccases ases of suc success. ccess. 650-917-7570 650-917-7570

Metroo Classified, 550 Sout South h First SStreet, treet, í Mail to Metr San Jose, CCA A 95113

Visit it our offices ffi Mon-Fri, M F i 8:30am-5:30pm 8 30 -5:30pm 8:30am5 30 í Vi copy, payment, space spacce rreservation eservation or í Deadlines: For copy, cancellation: Display ads: Thursdayy 3pm 3pm, Line Line ads: Friday 3pm

G<IJFE8C 8E; G<IJFE8C 8E; 8 ;D@E@JKI8K@M< 8;D@E@JKI8K@M< 8 JJ@JK8E:< E<<;<;# 8JJ@JK8E:< E<<;<;# DESCRIPTION ON WHA WHAT AT INTERES TED APPLICANT APPLICANT W ILL INTERESTED WILL D O :DO + Shopping, Sh i p ostt offic ffi e. post office + File File pur ging, or ganizing, and purging, organizing, ar chiving ser vices archiving services + Contractors Contractors - rresearch, esearch, wait ffor, o orr, and super vise supervise + Appointments Appointments - or ganize, set up organize, and cconfirm onfirm +T ravel – arr ange and cconfirm onfirm Travel arrange + Offic omputer – file Officee & C Computer or ganizing, speed up and securi itize, organizing, securitize, ttype, yype, la bel, ccollate ollate and edit label, + prescriptions, prescriptions i i , rreminders eminders i d and d shopping + buy y, pick up and /or rreturn eturn it e ems buy, and/or items FOR MORE INFORMA ATION T S SEND INFORMATION Y OUR RESUME T O O:YOUR TO:billpeebles01@y ahoo.com billpeebles01@yahoo.com

DfY`c\ GFIE EFN :?<8G D fY`c\ GFIE EFN :? ?<8G ADUL ADULT LT MOVIES MOVIES on the GO! Some ccall all us the “NETFLIX OF PORN” Stream Str eam tto o yyour our T TV, V, SMAR SMARTPHONE, RT TPHO ONE, iPad iP ad TVforAdults.com T Vffo orAdults.com

DXjjX^\ K_\iXg`jk E\\[\[ DXjjX^\ K_\i X Xg`jk E \\[\[ Centrally lo Centrally located cated in n San JJose, ose, near Santana Sant ana R Row. o ow w. Full Full or o par partt time or on-call. oncall. Licensed Licensed Masseuse. Maasseuse. 408-985-1299 949-929-5677 408-985-1 299 or 949 9-929-5677

BXiXfb\ ;A B XiXfb\ ;A Xfb\ ;A wanted 9pm-1:30am wanted 9pm-1:30am. m. Must have haave equipment. Apply mornings m only only. y. Alex’s Ale x’s 49er L Lounge ounge 2214 Business Circle, Cir cle, San Jose. Jose. 408/279-9737 408 8/279-9737

@Dj_fgg`e^ @eZ @Dj_fgg`e^ @e eZ (dba Nimble C Commerce), omm merce), Sant Santaa Clar Clara, a, CA Administrator. C A seeks Sr System System A dministrator. Manage high tr transaction ansaaction grp grp,, Manage, buying platform; platform; o M anage, dvlp & implement implement infrastructure infrastructure & llinux inux network network syst syst on on Amazon Amazon ccloud; loud; Manage Manage high high volume volume email email ssyst, yst, maintain maintain sendmail, sendm mail, postfix postfix & powerMTA p owerMT TA mailingg ssyst; yst; Create Creaate rreports eports using shell, perl p or python; Oversee O versee implementation implementation & migration migration patches, of upgrades, upgrades, pa tchess, code code releases, releases, NFS N FS file file system system & database database changes; changes; Define & fine tunin tuning ng MySQL databases. da tabases. R Resumes esumes e tto o Accts. Accts. Mgr, Mgr, 4699 46 699 9 Old Ir Ironsides onsides Dr D Dr,, 450, 450, Santa Santa Clara, Clar a, CA CA 95054. 95054. Complete Complet o e job details: det ails: www.imshopping.com www w..imsho opping.com

APRIL 4-10, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com

ZcXjj`Ó\[j ZcX Xjj`Ó Ó\[jj


metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

68

?<CG N8EK<; ?<CG N N8EK<; Extraa Inc Extr Income! omee! A Assembling ssembling CD ccases ases fr from om Ho Home! ome! N No o Experience Experience Necessary! N ecessary! Call Call a our Live Live Operators Operators N ow! 1-800-4 405-7619 EXT 24 50 Now! 1-800-405-7619 2450 www.easyworkjobs.com www w.eas . yworrkjobs.com ((AAN AAN CAN) C AN)

?\cg NXek\[ ? \cg NXe ek\[ Make mone Make moneyy Mailing br brochures ochures from fr om home! FREE F Supplies! Helping Hom Home-Workers me -Wo orkers sinc sincee 2001! Opportunity! Genuine Opp portunity!! No N o eexperience xperiencce rrequired. equired. Start Start Immediately! www.theworkhub.net Immedia ately!! www w..theworkhub.net ((AAN AAN C CAN) AN)

@ek\ij`c :fddle`ZXk`fej @ek\ij`c :fddle`ZXk`fej @e eZ eZ%# @eZ%# leeader in the design and leader m manuf faacture of high per fo ormance manufacture performance analog an nalog semic semiconductors, onductors, has openi opening ing in n Milpit as, C A ffor or a Senior Pr o odu uct Milpitas, CA Product Engineer En ngineer tto o maint maintain ain p power ower m management pr oduct pr ojects product projects schedule sc chedule and engineering ma material teriaal in nventory. If int erested, mail rresume esum me inventory. interested, tto: o Intersil, o: Intersil, 1001 Murphy R Ranch anch a R Ro oad, Milpit as, C A9 5035 ((Attn: Atttn: C Road, Milpitas, CA 95035 C.. Aguirre). A guirr i e). )

NVIDIAA CCorporation, orporation, market market leader leader in graphics graphics a & digital digital media media processors, processors, opportunities in Santa Santa Clara, Clara, CA: CA: has engineering opportunities Srr. Sy stemss Sof ftw t are Engr (SSWE142), (SSWE142), par ticipate in Dir ectX Graphics Graphics software soffttwar ae Sr. Systems Software participate DirectX engineering tasks; tasks; Physical Physical Design Engr (PDE17), (PDE17), responsible responsible for for all all aspec aspects ts of physical physiccal design and implementation im mplementation t of Gr Graphics aphics pr processors, ocessors, int integrated egrated chip chipsets sets and oother ther ASI ASICs ICs targeted aatt the desk top, op laptop, laptop, op w orkstation, tion, sset-top et-ttop bo et networking targeted desktop, workstation, boxx and home networking markets; markets; Systems Syst s ems Sof Software ftw t are Engr (SSWE112), (SSWE112), su support upport NVIDIA NVIDIA's's ne new w high per performance forman o nce chipset busin ness; Sr. Srr. Test Test e Engr (TE07), (TE07), design HW HW loadboard loadboard ttoo suppor w pr oduuct chipset business; supportt ne new product testing testing es per protocol protocol and specs for for leading leading edge edgge graphic graphic application application processor processor aand nd communication communic o atiion chip; Research Research Scientist (RS0 (RS04), 4 , cconduct 4) onduct research research ar around ound the FCa FCam am aarchitecture ar chitecture and applications applications for for o computational computationa t l ccameras; ameras; Applic Applications ations En Engr ngr (A (APPENG10) (APPENG10),), rresponsible esponsible ffor or HW Applic Application ation Eng Engineering gineering including ttechnical echnical ccollateral ollateral mainstream product Systems and documentation documeentation rrequired equired ffor or the mainstr eam GPU pr oduct line; Sr Sy stem ms SSoftware Sof ftw t are Engr Enngr (SSWE141), (SSWE141), design, de develop, velop, vvalidate aliddaate and ttest est ffor or SSOC OC (Sy (System stem on Ch Chip) ip) llow ow llevel evel em embedded bedded software; software; Architect Architect (ARC14), (ARC144), rresponsible esponsible ffor or ssystem ystem per performance forman o nce power analysis NVIDIA's mobile platform andd po wer debug ddebug, b , tuning ttuning, i , andd ana lysisi off NV VIDIA's mobil bile andd desk ddesktop ktop pl latfor orm pr products; oducts; AS ASIC SIC Design Engr (ASICDE120, ASI ASICDE121), ICDE121), design and impl implement ement tthe he Processors; Product iindustry'ss leading industry' leading Graphics, Graphics, Video / Media Media & Communications Communications t Processors; Pr oduuct Marketing (PME01),, take product marketing M Mark eting Engr E (PME01) take the oownership wnership of o pr oduct management management and mark eting ffor or o a line off NVIDIA pr products oducts such as NVIDIA GeForce G orce or TTegra; GeF egr e a; Ar Architect chitect (AR (ARC15), C155), develop rresearch esearch andd de velop aalgorithms lgorithms and design HW HW extending extending the state state of the art art in hhardware har dware sup support pport ffor or o ccomputer omputer gr graphics; aphics; Sy Systems stem ms Design Engr (S (SYSDE27), SYSDE27), par participate ticipaate (TE08),, de develop and cconduct onduct various various graphics graphics cards cards qualification qualification and a rrelease; elease; TTest est e Engr (TE08) velop drivers DirectX/OpenGL NVIDIA driv ers ffor or llatest atest Dir ectX/OpenGL API functionality functionnality for for latest latest cutting-edge cutting-edge NVID DIA GPU' GPU's;s; Sy Systems stems Sof Software ftw t are Engr (SSWE139), (SSWE139), design, desiign, implement implement and optimize optimize all all of tthe he multimediaa driv Sr.r. ASIC Design Engr (ASICDE129 (ASICDE129), multimedi ddrivers ers ffor or NVIDIA's NVIDIA's processors; processors; andd Sr 9), design and im implement mplement the industry' industry'ss lleading eading Gr Graphics, apphics, Video Video,, Medi Mediaa & CCommunications ommunicatio t ons Processors. Pr ocessors. If int interested, erested, rref ef job ccode ode and ssend end tto: o: NVIDIA CCorporation. orporation. At Attn: tn: MS0 MS044 (J.Goodwin). ( J.Goodwin). 27 2701 01 SSan an Tomas Tom omas Expressway, Expressway, SSanta anta Cl Clara, ara, CCAA 950 95050. 050. Pl Please ease no phone ccalls, alls, emails or ffaxes. axes.

:fdglk\ij1 Senior S enior S System ystem E Engineer-Quality ngineer-Quality Assurance A ssurance (C (Campbell, ampbell, CA) CA) F/T. F/ T. Syniverse S yniverse T Technologies. echnologies. R Responsible esponsible ffor or iimplementing mplementing the the established established ttesting esting metho methodology dology by b par participating ticipaatting in, & supp supporting orting all rrequired e equir ed activities tto o eensure nsure aall ll p process rocess ccontrols ontrols aare re aadhered dhered tto o & ccompleted ompleted iin n a ttimely imely & ccost ost eectiv eectivee manne manner. er. DeďŹ ne mobile m obile testing testing needed needed for for multiple multiple tier 1 & tier 2 ccarriers. arriers. Provide Provide direction dir ection ffor o or the de development velopment & maintenance m aintenance of of testing testing procedures procedures & eensure nsure aadherence dherence tto o aall ll b business usiness processes. p rocesses. T Troubleshoot, roubleshoot, vvalidate alidate & automate aut omate ttest est ccases ases & supp support ort the vvarious aarious wir wireless eless services services e & pr projects. ojects. Provide P rovide aassistance ssistance & consulting consulting tto o Development De velopment & Pr Product odu uct Supp Support ort Teams. T eeams. Support Support testing testingg of int integrated egrated ccomponents omponents tthat hat ccomprise omprise tthe he iinnovative nnovative solutions solutions to to PictureMail PictureMail Pla tfo orm Develop orm. Develop & cr ccreate eate work ork Platform. p lans & schedules schedules for for Test Test Project Project plans A ctivities. W ork with with functional functional Activities. Work speciďŹ c attion tto o writ test plans speciďŹ cation writee test plans.. A ssign tasks tasks & track track project project Assign d eliverables. A nalyze, develop develop & deliverables. Analyze, manage ttest est ccases. ases. Consult Con nsult with de velopment & pr odu uction supp ort development production support tto o identif fy ttest est da ata. Diagnose Diagnose ttest est identify data. rresults esults & do cument product prroduct def feects. document defects. Setup ttest est envir onmen nt & ffollow o ollow environment rrelease elease n otes tto o iinstall nstall product product notes rreleases eleases & ďŹ xes. Execute Execute ttest est sscripts cripts ďŹ xes. & ccases ases & iinitiate nitiate modiďŹ cations modiďŹ cations iiff n ecessary. Provide Provide d aily test test sstatuses tatuses necessary. daily o n testing testing p rogress & issues. issues. T his on progress This p osition rrequires equires M .A./M.S. iin nC omp position M.A./M.S. Comp Sci S ci o orr E Electrical/Electronics lectrical/Electronics E Eng ng ((or or fforeign oreign eequiv.) quiv.) & 4 yrs yrs progressively progressively rresponsible esponsible eexp xp in the ďŹ eld Sof Software ftware Eng T Technology. eechnologyy. In lieu u of the aabove, bove, the emplo yeer will ac cept e aB .A./B.S. employer accept B.A./B.S. iin nC omp Sci Sci or or Electrical/Electronics Electrical/Electronics Comp E ng (or (or foreign foreign equiv) equiv) & seven seven ((7) 7) Eng yrs pr ogressively rresponsible esponsible o eexp xp in progressively the ďŹ eld Sof ftware Engg T eechnologyy. Software Technology. This p osition also rrequires equ uires exp exp w/ position tthe he ffollowing: ollowing: Formal Formal Software Software T esting M ethodologies, preparing preparing ttest est Testing Methodologies, plans & creating creaatting test test ccoverage overage ccases. ases. sscripting, cripting, automated automated software software ttesting esting ttools, ools, ssoftware oftware o orr aapplications pplications ttesting esting on o n variety variety mobiles, mobiles, multimedia multimedia messaging m essaging protocols protocols such such as as MMI MMI & MM4, software sofftware pr processes ocessses & ttechnical echnical writing ffor o or creation creaattion off ttest est rrelated elated documents. do cuments. Send rresume esum me tto: o: E. Knight; K night; HR; HR; Syniverse Syniverse T Technologies; echnologies; 8125 81 25 Highwo Highwoods ods P Palm alm mW Way, ay, Tampa, Taampa, FL 336 33647. 477. Indicate Indicate job title in cvr cvr.. ltr ltr.. EOE.

8ggc`\[D`Zif `e 8ggc`\[D`Zif `e Jleepm mXc\# :8 j\\bj1 Xc\ :8 j\\bj1 JleepmXc\# :8 j\\bj1 Sta Desig Sta Design gn Eng. Ar Arch., ch., des des.. & vverify eriffy circ. cir c. fnctns: fnctnss: Analg dig. cconverters, onverters, phase lo locked ck ked lo loops, ops, amps amps., ., ttemp. emp. sensors & vvolt. olt. & curr current ent rrefs. efs. in CMOS pr processes. ocesses. Cr Create eaate phys phys.. la layout yout ffor o or circs. circs. Cr C Create eaate detld. strateg. strateg. ffor o or solut. to to sil silicon licon bugs. bugs. Ev Eval. al. cir circ. c. per perf. f. in lab. lab. Assist Assiist in dupl. bugs in a sim. envir.. Skills: envir Skillls: Exper Expertt w/latest w/ laatest C CAD AD des.. ttools des ools (C ((Cadence adence V Virtuoso iirtuoso suit suite, e, Calibre C alibr lib e DRC, DR RC, LVS, LV VS, etc). etc). ) Able bl tto o lead l d projs. pr ojs. & mnge m mnge.. proj. proj. res. res. Knowl. of sub sub-micron -miccron CMOS pr procss ocss , good go od layout laayou ut pract., pract., & exp. exp. la layg ayyg out ccomplex omplex an analog/mixed nalog/mixed sig. cir cir.. & eeval. val. & debug. silic ssilicon on & ffam. aam. w/measrmnt & test test sys. sys. MS in Electric Electrical al Eng. + 4 yrs exp. (or (o or BS + 6 or PhD. PhD. + 2). yrs.. exp. Mgr Comp pensation (Global). Select Mgr,, Compensation sur vey vendors. ven ndors. R ec e . & int erp. sur vey survey Rec. interp. survey da ta. Build d & mntn salar data. salaryy struct. Mng: eevals valss & merit incr r, progs; progs; L ead incr, Lead pr ep. for fo or BOD B mt gs; goal ccollectn ollectn & prep. mtgs; eeval. val. process; process; e tterm. erm. pack ages ffor o or EE’s; EE’s; packages 401(k) & nonn qual. exec. exec. def ferr e ed non-qual. deferred ccomp. omp. pr og; g Plan R eec.Keepers, Plan prog; Rec.Keepers, C onsult, & ERISA ERISA A tty. Admin. Admin. eexec. xec. Consult, Atty. Med. Reimburs. Reeim mburs. Ins og. & mgr Ins.. Pr Prog. mgr.. tr aining. Dev. D v. & pr De ov. train. train. pr ogs. training. prov. progs. Skills: A ttn n. to to detail detail & suprr proj. proj. Attn. mgmt. Strong Strong o ccomm. omm. St at., anal., Stat., quant., & crit.-thinkg. c crit.-think g. Prof. Proff. in SAS SAS ccomp. omp. app ps. & sys. sys. int eg. super user apps. integ. eexp. xp. & ccapab. apab. MS OďŹƒce. OďŹƒce. Presntatn. Presntatn. & ed. capabil. capaabil. for fo or mgmt. & EE trng, incl. exclnt. exclntt. Eng. F am. w/f fed. e & st ate Fam. w/fed. state legs e. comp. com mp. pracs. pracs. MS in Bus ., legs.. rre. Bus., HR, Stats Stats t or o So c. Sci. + 3 yrs exp. Soc. yrs.. exp. Mail rresumes esum mes tto: o: Tonya To onya JJohnson, ohnson, Dir ector, HR, H Applied Micr o Circuits Circuits Director, Micro C orporatio on, 215 Moett P ark Dr., Dr., Corporation, Park Sunnyv alee, C A 94089 Sunnyvale, CA 94089.. EOE.

8Zk`m`jkj 8Zk`m`jk kj Earn $300 $300+ 0+ per da day ay gathering gaathering t signatures. signa attures. Unlimited Unlimited inc income ome potential, p otential, exible  xible hours. e hours. 408/8304164; 416 4; 954-616-7736 954-6 616-7736

8ZZflekXek1 8ZZflek kXek1 Northern C Northern California aliffornia o Health & Acupuncture, A cupunctu ure, Inc Inc.. in Mount Mountain ain V View, iiew, CA. C A. Bachelor Bachelor rreq. eq. mail rresume esume tto o 375 Castro C astr t o St., St Mountain M Mount tain i View, Viiew, CA CA 94041 or ffax aax 6 650-852-9684 50--852-9684

<c\Zkife`Zj \e^`e\\i <c\Zkife e`Zj \e^`e\\i w/MS in EE, EE, Industrial engineering or rrelated elated + 3yrs eexp. xp. Resume R eesume tto o LG LG Displa Display ay Americ Americaa 2540 N.1st N .1st st.#4 st.#400, 00, San JJose, ose, CA CA 95131 95131


8mX^f K\Z_efcf^`\j L%J%# @eZ 8 mX^f K\Z_efcf^`\j L%J%# @eZ

:\ik`Ó\[ DXjjX^\ :\ik`Ó\[ DXjjX^\ K_\iXg`jk K_\i Xg`jk g Looking ffor Looking o or an eexperienced xperieenced masseuse ffor o or either full or part part time ttime.. 408-518-9076

WORK W ORK W WANTED AN NT ED @;<8&GIFA<:K G<IJFE @; <8&GIFA<:K G G<IJFE Why ccontact ontact me? Because Bec ause yyou ou want a cr creative e tive and ea unique q cust customized omized app approach pp proach tto p o your your specific needs needs.. I ccan an de design sign a plan tto o fit yyou.Contact ou.Contact me ffor o or a cconsultation onsultation appointment. app ointment. Merriam 408-482-603 408-482-6032 32 mkmusic03@aol.com mkmusic03@aol.c om

VOLUNTEERS V OLUNT U EERS E<N C@M@E> <OGF @j E<N C@M@E> <OGF @j Cffb`e^ =fi Mfclek\\ij Kf C ffb`e^ =fi Mfclek\\ij Kf f 8jj`jk N`k_ K_`j Gi\d`\i 8jj`jk N N`k_ K_`j Gi\d`\i J_fn J _fn When: Apr April ril 27 – 29th 201 2012 2 Wher e: The The C oncourse 8th & Where: Concourse Brannan Streets, You have Br annan St treets, SF Y o ou will ha ave an opp ortu unitty tto o eexperience xperience wha opportunity whatt goes go es on b behind eh hind the scenes, scenes, meet and net worrk w/ ffascinating ascina a ting people network people,, & ha have ave fun! fun n! In eexchange xchange ffor or o yyour our time proffeessionalism, and ener gy — time,, professionalism, energy yyou’ll ou’ll rreceive eceive a 3-Day 3-Daay gen. admission pass tto o attend att t end e the Expo, Expo, which incl. Exhibits,, Panels, Exhibits Panels a ,F Free ree L Lectures ectures & fr free ee all 415-382-8300 workshops!! Please ccall workshops or email: V olunteer@ o @newlivingexpo.com Volunteer@newlivingexpo.com

TRANSPORTATION T RAN NSPORTAT TION

:8J? =FI :8IJ1 : 8J? =FI :8IJ1

I<:FI;@E> JKL;@F I<:FI;@E> JK KL;@F

Any C Car/Truck. ar/ Trruck. ruck R Running unning or N u Not! o T ot! Top o op Dollar P Paid. aid. W Wee C Come ome T To oY You! ou! C o Call all For F or Inst Instant ant Offer: 1-888-420-380 1-888-420-3808 08 www w..cash4car.com www.cash4car.com

Conveniently C onveniently lo located cated e downt downtown own in a pr professional offeessional setting. settting. We We record record all genres, genres, vvoice oice overs, overs e , ccommercials ommercials et c. offering pr oducction, mixing, and etc. production, mastering mast ering also also.. 518.496.5703 518 8.496.5703

MUSIC K_l^Nfic[I\Zfi[j%Zfd K_l^N fic[I\Zfi[j%Zfd d Thug W World orld R Records eecords eexplosive xplosive label la bel with major ffeatures eeatures Lil W Wayne, ayne y ,G G-unit, -unit, unit E-40. E 40 F Free ree downloads,, mp3s downloads mp3s,, Ringt Ringtones. ones. Looking L ooking ffor o or ttalented alented ar artist tist rrappers. app pers. singers.. ffemale singers eemale mo models. dels. Call C all and lo logg on: thugworldrecords.com thugworldrecords d .com 408-561-5458 408-561-54 58 ask ffor o or gp

FFAMILY AMILLY SER SERVICES V IC CES Gi\^eXek6 Gi\^eXek6 :fej`[\i`e^ 8[fgk`fe6 :fej`[\i`e^ :fej`[\i`e^ 8[fgk`fe 8[fgk`fe6 Talk T aalk with ccaring aring agency speciali specializing izing in ma matching tching Bir Birthmothers thmothers with h Families F amilies na nationwide. ationwide t . LIVING EXPENSES P PAID. A AID. C Call all 24/7 Abby’ss One T Abby’ True rrue Gif Gift ft A Adoptions doption ns 866-413-6293 ((Void Vo oid in Illi Illinois) inois)

69 APRIL 4-10, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com

supplier of analo analogg int interface e faace er ccomponents omponents ffor o or ccommunications, omm munications, industrial and cconsumer onsum mer applic ations, has openi ings in applications, openings San JJose, ose, C CA A ffor o or a R&D D Design Engineer,, design 4G wir Engineer w wireless eless R Radio aadio Frequency F requency (RF) F Front ront End Mo Modules dules (FEM) using vvarious arious semiconductor seemiconductor ttechnologies echnologies on lamin laminate; ate; and a T Test eest Development De velopment Manager Manager, r, manage the activities of the ttest est development development engineering gr group oup tto o deliv d deliver er ttest est solutions ffor or o inno innovative vattivve multi-band and multi-mo multi-mode de F Front rontt End Mo Modules dules (FEMs). If interested, interested, ref. reff. job title and send rresumes esumes tto oA Avago vago oT Technologies, eechnologies, 350 W West est e T Trimble rimble r R Road, o oad d, MS 90MG,, San JJose, 90MG ose, C CA A9 95131, 5 5131, A Attn. ttn. C. C. Gardanier. Gar danier.


metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

70 LEGA LEGALL ;>8I>I>DJH 7JH>C::HH ;>8I>I>DJH 7JH>C:HH C6B: HI6II:B:CII C6B: HI6I:B:CI *+'. &, *+'.&, >>RO

RO PYVVYaSXQ

PYVVYaSXQ ZO\]YX ]

ZO\]YX ] S] K\O NYSXQ

NYSXQ L_]SXO]]

L_]SXO]]

S] K\O

K]$ 8SU<KcO :RY^YQ\KZRc

K]$ 8SU<KcO :RY^YQ\KZRc

=KX^K :K_VK +`OX_O

=KX^K :K_VK +`OX_O

= KX 4Y]O -+ # 8SUUS =KX 4Y]O -+ # 8SUUS

< AOSNXO\ .SKXO

.SKXO 7

7 < AOSNXO\

. Y^c

.Y^c

>RS] L_]SXO]] S] YXN_M^ >RS] L_]SXO]]

S] MY MYXN_M^ ON Lc =^K^O Y\ 6YMKKV <OQS] ON Lc =^K^O Y\ 6YMKV <OQS] ^^O\ON .YWO]^SM :K\^XO\]

O\ON .YWO]^SM :K\^XO\]

< OQS]^\KX^ LOQKX

LOQKX ^\KX] ^\KX] <OQS]^\KX^

KM^SXQ KM^SXQ

L_]SXO]] _XXNO\ ^RO

KM^SXQ L_]SXO]] _XNO\ ^RO

ÇM^S^SY_] L_]SXO]]

L_]SXO]]] XKWO XKWO

Y\ XKWO] VS]^ON ROO\OSX YX

Y\ XKWO] VS]^ON RO\OSX YX

] 8SUUS < AOSNXOO\ ] 8SUUS < AOSNXO\ >>RS]

RS] ]^K^OWOX^

]^K^OWOX^ aK]

aK] ÇVON

ÇVON a S^R ^^RO

RO -Y_X^c

-Y_X^c -VO\U

-VO\U YP

YP aS^R

=KX^K K -Y_X^c

-Y_X^c YX =KX^K -VK\ -VK\K

YX

Z_L Y

Z_L 7O^\ 7O^\Y

" " ;> 8I>I>DJH 7JH>C::HH ;>8I>I>DJH 7JH>C:HH C6B: HI6II:B:CII C6B: HI6I:B:CI *+'((( * ((( >RO PYVVYaSXQ ZO\]YX ] S]

>RO PYVVYaSXQ ZO\]YX ] S]

K\ O NYSXQ L_]SXO]]

L_]SXOO]] K]$

K]$

K\O

6KVK^YZSK 6KVK^YZSK =Y_^R =Y_^R a O]^ //bZ\O]]aKc

bZ\O]]aKcc ?XS^ aO]^

?XS^

=KX 4Y]O -+ #

=KX 4Y]O -+ # 66S]K ,YcO\

S]K ,YcO\

>>RS] L_]SXO]] S] MYXN_M^ON

RS] L_]SXO]] S] MYXN_M^ON LLc K SXNS`SN_KV

c K SXNS`SN_KV < OQS]^\KX^ RK] XY^

X cO^

XY^ cO^

<OQS]^\KX^

LOQ_X KX]KM^SXQQ L_]S LOQ_X ^\ ^\KX]KM^SXQ

L_]S XO]] M^S^SY_]

XO]] _XNO\ _XNO\ ^RO ^RO ÇÇM^S^SY_]

L_]SXO]] L_]SXO]] XKWO Y\ XKWO] XKWO]

VS]^ON RO\OSX VS]^ON RO\OSX ] 6S]K ,Y cO\ ] 6S]K ,YcO\ >>RS]

RS] ]^K^OWOX^

]^K^OWOX^ aK]

aK] ÇVON

ÇVON a S^R ^^RO

RO -Y_X^c

-Y_X^c -VO\U

-VO\U YP

YP aS^R

=KX^K K -Y_X^c

-Y_X^c YX =KX^K -VK\ -VK\K

YX

# # Z_L Y

Z_L 7O^\ 7O^\Y

" " ;;>8I>I>DJH 7JH>C:HH ;> 8I>I>DJH 7JH>C::HH 8I C6 C6B B: HHI6II:B:CII C6B: HI6I:B:CI *+' *+'+ &) *+'+&) >>RO PYVVYaSXQ ZO\]YX ] S]

>RO

PYVVYaSXQ ZO\]YX ] S]

K\O

K K\ O NYSXQ L_]SXO]]

L_]SXOO]] K]$

K]$

-YWZV WZVO^O 2YWO 0_\XS^_\O

-YWZVO^O 2YWO 0_\XS^_\O

<KMO =^ =KX 4Y]O -+

<KMO MO =^ =KX 4YY]O -+

# 3]SN\ Y .

. ,\YaX

,\YaX

# 3]SN\Y

:O]MKNO\Y

:O]MKNO\Y < N 6K

6K <N

2YXNK -K # Y

2YXNK -K #

>>RS] L_]SXO]] S] MYXN_M^ON

RS] L_]SXO]] S] MYXN_M^ON LLc K SXNS`SN_KV

c K SXNS`SN_KV < OQS]^\ Q KX^ LOQKX

LOQKX ^\KX] ^\KX] <OQS]^\KX^

KM^SXQ

^S L_]SXO]] _XXNO\ ^RO

KM^SXQ L_]SXO]] _XNO\ ^RO

ÇM^S^SY_] M^S L_]SXO]]] XKWO ÇM^S^SY_]

L_]SXO]]

XKWO

Y\ \ XKWO]

X VS]^ON ROO\OSX YX

Y\ XKWO] VS]^ON RO\OSX YX

# # ] 3]SN\Y . ,\YaX ] ] 3]SN\ Y . ,\YaX >>RS]

RS] ]^K^OWOX^

]^K^OWOX^ aK]

aK] ÇVON

ÇVON aS^R

a S^R ^^RO

RO -Y_X^c

-Y_X^c -VO\U

-VO\U YP

YP =KX^K K -Y_X^c

-Y_X^c YX =KX^K -VK\ -VK\K

YX

Z_L

Z_L L 7O^\ 7 ^ Y

7O^\Y

" " ;> 8I>I>DJH 7JH>C::HH ;>8I>I>DJH 7JH>C:HH C6B: HI6I:B:CI C6B: H HI6II:B:CII *+'-+. >RO PYVVYaSXQ ZO\]YX ] S]

>RO

PYVVYaSXQ ZO\]YX ] S]

K\ O NYSXQ L_]SXO]]

L_]SXOO]] K]$

K]$

K\O

7OQK >Ya

>Ya

=^YMU^YX

=^YMU^YX ^

+ `O =KX 4Y]O -+ # +`O =KX 4Y]O -+ #

>>KW 8Q_cOX

KW 8Q_cOX

>>RS] L_]SXO]] S] MYXN_M^ON

RS] L_]SXO]] S] MYXN_M^ON

LLc K SXNS`SN_KV

c K SXNS`SN_KV < OQS]^\KX^ RK] XY^ cO^

cO^

<OQS]^\KX^

LOQ_X ^\KX]KM^SXQ L_]S LOQ_X ^\KX]KM^SXQ

L_]S XO]] _XNO\ ^RO

^RO ÇM^S^SY_]

ÇM^S^SY_]

XO]] _XNO\

L_]SXO]] XKWO XKWO]

XKWO Y\ Y\ XKWO]

VS]^ON RO\OSX VS]^ON RO\OSX ] > >KKW 8Q_cOX ] >KW 8Q_cOX >>RS]

RS] ]]^K^OWOX^

^K^OWOX^ a K] ÇÇVON

VON aK]

a S^R ^^RO

RO -Y_X^c

-Y_X^c -VO\U

-VO\U YP

YP aS^R

=KX^K -VK\ K -Y_X^c

-Y_X^c YX

YX

-VK\K

Z_L 7O^\Y

Z_L 7O^\Y

" " ;> 8I>I>DJH 7JH>C:HH ;>8I>I>DJH 7JH>C:HH C6B: HI6II:B:CI C6B: HI6I:B:CI *+(% ', *+(%', >RO PYVVYaSXQ ZO\]YX ] S]

>RO PYVVYaSXQ ZO\]YX ] S]

K\ O NYSXQ L_]SXO]]

L_]SXO]] K]$

K]$

K\O

=OXSY\ -K\ O 8O^aY\U -K\O

8O^aY\U

=OXSY\ -K\O 8O^aY\U YP =OXSY\ -K\O 8O^aY\U YP

= KX^K -VK\K -Y_X^c ""

=KX^K -VK\K -Y_X^c ""

=Y_^RaSXN .\S`O

.\S`O =KX

=KX

4Y]O -+ # "

# " /VOKXY\

/VOKXY\

4Y]O -+

@ KK][_Od

@K][_Od

>>RS] L_]SXO]] S] MYXN_M^ON

RS] L_]SXO]] S] MYXN_M^ON LLc K SXNS`SN_KV

c K SXNS`SN_KV

< OQS]^\KX^ RK] XY^ cO^

cO^

<OQS]^\KX^

LOQ_X ^\KX]KM^SXQ L_]S LOQ_X ^\KX]KM^SXQ

L_]S XO]] N ^RO

^R ÇM^S^SY_]

Ç ^S^S

ÇM^S^SY_] XO]] _XNO\

L_]SXO]] XKWO]

L_]SXO]] XKWO XKWO Y\ Y\ XKWO]

VS]^ON RO\ OSX VS]^ON RO\OSX ] /VOKXY\ @K][_Od K ] /VOKXY\ @K][_Od >>RS]

RS] ]]^K^OWOX^

^K^OWOX^ a K] ÇÇVON

VON aK]

a S^R ^^RO

RO -Y_X^c

-Y_X^c -VO\U

-VO\U YP

YP

aS^R

=KX^K K -Y_X^c

-Y_X^c YX

YX

=KX^K -VK\ -VK\K

! ! Z_L 7O^\Y

Z_L 7O^\Y

" " ;> 8I>I>DJH 7JH>C:HH ;>8I>I>DJH 7JH>C:HH C6B: HI6II:B:CI C6B: HI6I:B:CI *+'.(( >RO PYVVYaSXQ

aSXQ ZO\]YX ]

ZO\]YX ] S]

>RO PYVVYaSXQ ZO\]YX ] S]

K\O NYSXQ L_]SXO]] K]$ <

K\O NYSXQ L_]SXO]] K]$ <

. 3X`O]^SQK^S`O =O\`SMO]

. 3X`O]^SQK^S`O =O\`SMO]

" " =KX 0OVSZO <N " " =KX 0OVSZO <N =KX 4Y]O -+ #

=KX 4Y]O -+ #

.K`SN =ZY_VY] ! 5SXQ

.K`SN =ZY_VY] ! 5SXQ

/]^K^O] =KX 4Y]O --+

+

# <OLOMMK =ZY_VY]

# <OLOMMK =ZY_VY]

>>RS] L_]SXO]] S] MYXN_M^ON

RS] L_]SXO]] S] MYXN_M^ON

LLc K R_]LKXN KXN aSPO

c K R_]LKXN KXN aSPO

< OQS]^\KX^ RK]

RK] XY^

XY^ cO^

cO^

<OQS]^\KX^

LOQ_X ^\KX]KM^SXQ L_]S LOQ_X ^\KX]KM^SXQ

L_]S XO]] _XNO\ ^RO

^RO ÇM^S^SY_]

ÇM^S^SY_]

XO]] _XNO\

L_]SXO]] XKWO XKWO]

XKWO Y\ Y\ XKWO]

VS]^ON RO\ OSX VS]^ON RO\OSX . SN = V ] .K`SN =ZY_VY] >>RS]

RS] ]]^K^OWOX^

^K^OWOX^ a K] ÇÇVON

VON

aK]

a S^R ^^RO

RO -Y_X^c

-Y_X^c -VO\U

-VO\U YP

YP aS^R

=KX^K -VK\ K -Y_X^c

-Y_X^c YX

YX

-VK\K

Z_L 7O^\Y

Z_L 7O^\Y

" " ;> 8I>I>DJH 7JH>C:HH ;>8I>I>DJH 7JH>C:HH C6B: H HI6II:B:CI C6B: HI6I:B:CI *+(%* *+(%*&& >>RO

RO PYVVYaSXQ

PYVVYaSXQ ZZO\]YX ]

O\]YX ]

S] O NYSXQ S] K\ K\O

NYSXQ L_]SXO]] L_]SXO]]

KK]$ :KMUO\¾] :KSX^SXQ #"

]$ :KMUO\¾] :KSX^SXQ #"

= ^R

=

^R = ^ =KX

^

=KX 4Y]O

4Y]O --+

+

=^

# =RKaX 6K_XN\SO

# =RKaX 6K_XN\SO

>>RS] L_]SXO]] S] MYXN_M^ON

RS] L_]SXO]] S] MYXN_M^ON

LLc K SXNS`SN_KV

c K SXNS`SN_KV < OQS]^\KX^ LOQKX ^\ KX] <OQS]^\KX^

^\KX] KM^SXQ

L_]SXO]] _XNO\ ^RO

KM^SXQ L_]SXO]] _XNO\ ^RO

ÇM^S^SY_] XKWO

ÇM^S^SY_] L_]SXO]] L_]SXO]] XKWO

Y\

XKWO] VS]^ON RO\OSX YX

Y\ XKWO] VS]^ON RO\OSX YX

] +X^YXSY 0 O\XKXNOd ] +X^YXSY 0O\XKXNOd >>RS]

RS] ]]^K^OWOX^

^K^OWOX^ a K] ÇÇVON

VON

aK]

aS^R ^^RO

aS^R

RO -Y_X^c

-Y_X^c --VO\U

VO\U YYP P =KX^K

-VK\K

YX

=K X^K -VK\ K -Y_X^c YX ! ! Z_L

7O^\Y

Z_ _L 7O^\ Y " " ;>8I>I>DJH 7JH>C:HH ;> 8 >I>DJH 7JH>C:HH 8I C6B: HI6I:B:CI C6 6B: HI6II:B:CI *+(%&( * *+(%&( >RO PYVVYaSXQ ZO\]YX ] S]

>R O PYVVYaSXQ ZO\]YX ] S]

K\O

L_]SXO]] K]$

K\ \O NYSXQ

NYSXQ L_]SXO]] K]$

-K]SXY 7"^\Sb ""! 7K^\Sb

-K ]SXY 7"^\Sb ""! 7K^\Sb

,Y_VO`K\N

,Y Y_VO`K\N =KX

=KX 4Y]O

4Y]O -+

-+

#

1K\NOX

# 1 K\NOX -S^c

-S^c 3XM

3XM

=

= =K\K^YQK

=K\K^YQK +`OX_O

+`OX_O =KX 4Y]O -+ # #

= KX 4Y]O -+ # #

>>RS] L_]SXO]] S] MYXN_M^ON

RS] L_]SXO]] S] MYXN_M^ON LLc K -Y\ZY\K^SYX

c K -Y\ZY\K^SYX

+LY`O

PY\WON

+L LY`O OX^S^c aK]

aK] PY\WON SX ^RO ]^K^O YP -KVSPY\XSK SX ^ ^RO ]^K^O YP -KVSPY\XSK <OQS]^\KX^

< OQS]^\KX^ LOQKX ^\KX] ^\KX] KM^SXQ L_]SXO]] _XNO\ ^RO

KM^ ^SXQ L_]SXO]] _XNO\ ^RO

ÇM^S^SY_]

L_]SXO]] XKWO XKWO

ÇM^ ^S^SY_] L_]SXO]] Y\ XKWO] VS]^ON RO\OSX YX

Y\ XKWO] VS]^ON RO\OSX YX

] :O^O @ 6_XK\NS 333 ] :O^O @ 6_XK\NS 333 -RSOP /bOM_^S`O 9PÇMO\ -R SOP /bOM_^S`O 9PÇMO\ - ! ! " aK]

>>RS]

RS] ]]^K^OWOX^

^K^OWOX^ a K] ÇÇVON

VON aS^R

a S^R ^^RO

RO -Y_X^c

-Y_X^c --VO\U

VO\U YYP P =KX^K

-VK\K

YX

=K X^K -VK\ K -Y_X^c YX Z_L

7O^\Y

Z_ _L 7O^\ Y " " D; 676C" HHI6I:B:CI I6II:B:CI D; 676C" 9DCB:CI D; JH: D; ;>8" 9 D DCB:CI D; JH: D; ;>8"" II>I>DJH 7JH>C:HH C6B: >I>DJH 7JH>C:HH C6B: *+',.* * *+',.* >>RO

RO PYVVYaSXQ

PYVVYaSXQ ZZO\]YX ]

O\]YX ] SO] RK] RK] RK` RK`O

OX^S^c

O O

KKLKXNYXON

LKXNYXON ^^RO

RO __]O

]O YYP P ^RO

ÇM^S^SY_] L_]SXO]]

^RO O ÇM^S^SY_] L_]SXO]]

XXKWO ] $

KWO ] $ :Y\^\KS^/0B

:Y\^\KS^/0B Lc

Lc 5KVSNYXS]

:RY^YQ\KZRc

5 KVSNYXS] :RY^YQ\ KZRc

=O\\K AKc 7SV

=O\\K AKc

7SV ZS^K] -+ #

ZS^ ^K] -+ #

>RS]

L_]SXO]] aK] aK] MYX >R S] L_]SXO]] MYX NN_M^ON Lc K -Y\ZY\K^SYX

_M^ON Lc K -Y\ZY\K^SYX 00SVON SX =KX^K -VK\K MY_X^c

SVON SX =KX^K -VK\K MY_X^c YX ! " YX ! " ?XNO\ ÇVO XY !# ?X XNO\ ÇVO XY !# ] =^O`O 5KVSNYXS] ] =^O`O 5KVSNYXS] ::\O]SNOX^ \O]SNOX^ O aK]

>>RS]

RS] ]]^K^OWOX^

^K^OWOX^ a K] ÇÇVON

VON aS^R

a S^R ^^RO

RO -Y_X^c

-Y_X^c --VO\U

VO\U YYP P =KX^K

-VK\K

YX

=K X^K -VK\ K -Y_X^c YX Z_L

7O^\Y

Z_ _L 7O^\ Y " " ;>8I>I>DJH 7JH>C:HH ;> 8 >I>DJH 7JH>C:HH 8I C6B: HI6I:B:CI C6 6B: HHI6II:B:CI *+'*.+ * *+'*.+ >RO PYVVYaSXQ ZO\]YX ] S]

>R O PYVVYaSXQ ZO\]YX ] S]

K\O

L_]SXO]] K]$

K\ \O NYSXQ

NYSXQ L_]SXO]] K]$

-RKVU

=^OKNc

+\^

-YW -R KVU = ^OKNc +\ ^ -YW ZKXc

" .OMUO\

ZK Xcc " 1VOX .OMUO\ -^

-^ =KX

=KX 4Y]O -+

-+ # "

# "

--R\S]^YZRO\ /VVS]

R\S]^YZRO\ /VVS]

>>RS] L_]SXO]] S] MYXN_M^ON

RS] L_]SXO]] S] MYXN_M^ON LLc K SXNS`SN_KV

c K SXNS`SN_KV <OQS]^\KX^

< OQS]^\KX^ RK]

RK] XY^

XY^ cO^

cO^

LOQ_X

^\KX]KM^SXQ

L_]S LO Q_X ^\ KX]KM^SXQ L_]S XO]]

_XNO\ ^RO

ÇM^S^SY_]

XO ]] _XNO\ ^RO ÇM^S^SY_] L_]SXO]]

XKWO Y\ Y\ XKWO] XKWO]

L_ ]SXO]] XKWO VS]^ON RO\OSX VS]^ ^ON RO\OSX ] -R\S] /VVS] ] -R\S] /VVS] aK]

>>RS]

RS] ]]^K^OWOX^

^K^OWOX^ a K] ÇÇVON

VON aS^R

a S^R ^^RO

RO -Y_X^c

-Y_X^c --VO\U

VO\U YYP P =KX^K

-VK\K

YX

=K X^K -VK\ K -Y_X^c YX Z_L

7O^\Y

Z_ _L 7O^\ Y " "

;>8I>I>DJH 7JH>C:HH ;>8I>I>DJH 7JH>C:HH C C6B: H HI6II:B:C CI C6B: HI6I:B:CI *+'.%, >RO PYVVYaSXQ ZO\\]YX ] S]

>RO PYVVYaSXQ ZO\]YX ] S]

K\ O NYSXQ L_]SXO]]

L_]SSXO]] K]$

K]$

K\O

::Y\Uc¾] =4 # AYYNK\N

Y\Uc¾] =4 # AYYNK\N + `O =KX^K -VK\K

-VKK\K -+

-+

+`O

# ::\YUc¾]

\YUc¾] =4 3XM #

3XM

! ,YXS^K :VKKMO =KX

=KX

,YXS^K :VKMO

44Y]O -+ # Y]O -+ #

>>RS] L_]SXO]] S] MYXN_M^ON

RS] L_]SXO]] S] MYXN_M^ON LLc K -Y\ZY\K^SYX

c K -Y\ZY\K^SYX

+LY `O OX^S^c aK]] PY\WON

PY\WON

+LY`O

OX^S^c aK]

SX ^RO ]^K^O YP -K VSPY\XSK SX ^RO ]^K^O YP -KVSPY\XSK < OQS]^\KX^ RK]

RK] XY^

XY^ cO^

cO^

<OQS]^\KX^

LOQ_X L_]S KX]KM^SXXQ L_]S LOQ_X ^\ ^\KX]KM^SXQ

XO]] _XNO\ _XNO\ ^RO ^RO ÇM^S^SY_] ÇM^S^SY_]

L_]SXO]] YY\ XKWO] L_]SXO]] XKWO XKWO Y\ XKWO]

VS]^ON RO\ OSX YX VS]^ON RO\OSX YX ] >R_c ,_S ::\O]SNOX^ \O]SNOX^ ## ## >>RS]

RS] ]]^K^OWOX^

^K^OWOX^ a K] ÇÇVON

VON aK]

a S^R ^^RO

RO -Y_X^c

-Y_X^c --VO\U

VO\U YYP P

aS^R

=KX^K K -Y_X^c

-YY_X^c YX =KX^K -VK\ -VK\K

YX

Z_L 7O^\Y "

Z_L 7O^\Y

"

" " ;> 8I>I>DJH 7JH>C:HH C ;>8I>I>DJH 7JH>C:HH C6B: HI6II:B:C CI C6B: HI6I:B:CI + *+''(( >RO PYVVYaSXQ ZO\\]YX ] S]

>RO PYVVYaSXQ ZO\]YX ] S]

K\ O NYSXQ L_]SXO]]

L_]SSXO]] K]$

K]$

K\O

;_SMUc =WYQ

=WYQ >O]^

>O]^ O 9XVc 9XVc

=KX

=KX 4Y]O +`O

+`O =KX

=KX

4Y]O

-+ # >\_XQ 6O

4Y]O -+ # >\_XQ 6O

# # >_O\] <N =KX 4Y]O

>_O\] <N =KX = 4Y]O

--+ #

+ #

>>RS] L_]SXO]] S] MYXN_M^ON

RS] L_]SXO]] S] MYXN_M^ON LLc K SXNS`SN_KV

c K SXNS`SN_KV < OQS]^\KX^ RK] XY^ cO^

cO^

<OQS]^\KX^

LOQ_X L_]S KX]KM^SXXQ L_]S LOQ_X ^\ ^\KX]KM^SXQ

XO]] _XNO\ _XNO\ ^RO ^RO ÇM^S^SY_] ÇM^S^SY_]

L_]SXO]] YY\ XKWO] L_]SXO]] XKWO XKWO Y\ XKWO]

VS]^ON RO\OSX VS]^ON RO\OSX ] > \_XQ 6O ] >\_XQ 6O >>RS]

RS] ]]^K^OWOX^

^K^OWOX^ a K] ÇÇVON

VON aK]

a S^R ^^RO

RO -Y_X^c

-Y_X^c --VO\U

VO\U YYP P

aS^R

=KX^K K -Y_X^c

-YY_X^c YX =KX^K -VK\ -VK\K

YX

! ! Z_L 7O^\Y "

Z_L 7O^\Y

"

" " ;> 8I>I>DJH 7JH>C:HH C ;>8I>I>DJH 7JH>C:HH C6B: HI6II:B:C CI C6B: HI6I:B:CI *+ &+.( *+&+.( >>RO

RO PYVVYaSXQ

PYVVYaSXQ ZZO\]YX ]

O\]YX ]

S] K\O NYSXQ S] K\O

NYSXQ L_]SXO]] L_]SXO]]

KK]$

]$

7 KS]YX 2 _L

7KS]YX

2_L

::KQO 7SVV .\S`O =KX 4Y]O

KQO 7SVV .\S` . S O =KX = 4Y]O 4 --+

+ #

#

7KS]YX

7KS]YX

7KS]YX_] 7KSS]YX /VOM 7KS]YX_] 7KS]YX /VOM ^\ YXSM] 7KS]YX

7KS]YX >>OMR OMR ^\YXSM]

XYVYQSO] 9KXR 7 7KS

XYVYQSO] 9KXR 7KS

>>RS] L_]SXO]] S] MYXN_M^ON

RS] L_]SXO]] S] MYXN_M^ON LLc K SXNS`SN_KV

c K SXNS`SN_KV

< OQS]^\KX^ RK]

RK] XY^

XY^ cO^

cO^

<OQS]^\KX^

LOQ_X KX]KM^SXXQ L_]S L_]S LOQ_X ^\ ^\KX]KM^SXQ

XO]] XO]] _XNO\ _XNO\ ^RO ^RO ÇM^S^SY_] ÇM^S^SY_]

L_]SXO]] YY\ XKWO] L_]SXO]] XKWO XKWO Y\ XKWO]

VS]^ON RO\ OSX YX VS]^ON RO\OSX YX ] 9KXR 7KS >>RS]

RS] ]]^K^OWOX^

^K^OWOX^ a K] ÇÇVON

VON

aK]

a S^R ^^RO

RO -Y_X^c

-Y_X^c --VO\U

VO\U YYP P aS^R

=KX^K K -Y_X^c

-YY_X^c YX =KX^K -VK\ -VK\K

YX

Z_L 7O^\Y "

Z_L 7O^\Y

"

;> 8I>I>DJH 7JH>C:HH C ;>8I>I>DJH 7JH>C:HH C6B: H HI6II:B:C CI C6B: HI6I:B:CI *+','. >>RO

RO PYVVYaSXQ

PYVVYaSXQ ZZO\]YX ]

O\]YX ]

S] K\O NYSXQ S] K\O

NYSXQ L_]SXO]] L_]SXO]]

K]$ A K]$

A/

/ -?>

-?> 009+7

9+7 "

" ,S\ MRaYYN .\ =_XXc ,S\MRaYYN

.\

=_XXc ``KVO

KVO

V --+

+ # + # "#

"# 09 09+7 +7 6638B 66-

38B 66-

>RS] L_]SXO]] S] MYXN_M^ >RS] L_]SXO]] S] MYXN_M^ OON

N Lc

Lc KK

VVSWS^ON

SWS^ON VVSKLSVS^c

SKLSVS^c

MYWZKXc MYWZKXc c +LY `O OX^S^c aK] PY\WON

+LY`O OX^S^c aK] PY\WON

SSX ^RO ]^K^O YP -KVSPY\XSK

X ^RO ]^K^O YP -KVSPY\XSK

< OQS]^\KX^ LOQKX KX] <OQS]^\KX^

LOQKX ^\ ^\KX] KM^SXQ L_]SXO]] _XNO\ ^RO

KM^SXQ L_]SXO]] _XNO\ ^RO

ÇÇM^S^SY_]

M^S^SY_] LL_]SXO]]

_]SXO]] XXKWO

KWO

Y\ XKWO] VS]^ON RO\OSX YX

Y\ XKWO] VS]^ON RO\OSX YX

! ! ] =SQKV ,K\XOK =OM\ O^K\c =OM\O^K\c >RS] >RS] ]^K^OWOX^ ]^K^OWOX^ aK] aK] ÇVON ÇVON

^RO -Y_X^c -VO\U YP YP

aS^R ^RO =KX^K K -Y_X^c YX =KX^K -VK\ -VK\K

YX

Z_L 7O^\ Y " 7O^\Y

"

" " ;>8I>I>DJH 7JH>C:HH ;> 8I>I>DJH 7JH>C:HH C6B: HI6I:B:CI C6B: HI6I:B:CI I *+'&.% *+'& .% >RO PYVVYaSXQ

ZO\]YX ]

>RO PYVVYaSXQ ZO\]YX ] S] K\ K\O

NYSXQ L_]SXO]] L_]SXO]]

S] O NYSXQ K]$ 6YXQ ASXNON :\YN_M K]$

6YXQ ASXNON :\YN_M #

+_L_\X

AKc

^^SYX]

SYX] # + _L_\X A Kc

=KX 4Y]O -+ # #

=KX = 4Y]O 4 -+

+ # #

66OYX +XN\Oa]

OYX +XN\Oa]

>RS] L_]SXO]] S] MYXN_M^ >RS]

L_]SXO]] S] MYXN_M^ ON Lc K SXNS`SN_KV

ON Lc K SXNS`SN_KV

<OQS]^\KX^

< OQS]^\KX^ RK]

RK] XY^

XY^ cO^

cO^ ^\KX]KM^SXQ

L_]S LOQ_X ^\ KX]KM^SXQ L_]S XXO]]

O]] __XNO\

XNO\ ^^RO

RO ÇÇM^S^SY_]

M^S^SY_] L_]SXO]] XKWO Y\ XKWO]

L_]SXO]]

XKWO Y\ XKWO]

VS]^ON RO\OSX VS]^ON RO\OSX ] 6OYX +XN\Oa] ] 6 OYX +XN\Oa] aK] ÇVON ÇVON

>RS] ]^K^OWOX^ aK] aS^R ^RO ^RO -Y_X^c -VO\U -VO\U YP YP

aS^R -VK\K

YX

=KX^K -VK\ K -Y_X^c YX 7O^\Y

"

Z_L 7O^\ Z_L

Y " "

" " ;>8I>I>DJH 7JH>C:HH ;> 8I>I>DJH 7JH>C:HH C6B: HI6I:B:CI C6B: H I6I:B:CI I *+'(.) ZO\]YX ]

>RO PYVVYaSXQ

PYVVYaSXQ ZO\]YX ] S] K\ K\O

NYSXQ L_]SXO]] L_]SXO]]

S] O NYSXQ K]$ 44/6. A/8 >RO

/6. A/8 >RO :O\ :O\ 5SPO\ < <YKN

POM^ 0S^ " 5SPO\ YKN

=_XXc`KVO

# " =_XXc` KVO -+

-+ # "

44/6. A/8

/6. A/8 .YY\

.YY\ <OZVKMO <OZVKMO WOX^ 3XM ! ! 6KUOZY\^

WOX^ 3XM ! ! 6KUOZY\^

,V`N

9<

,V` N 5VKWK^R 00KVV]

KVV] 9 <

#!!

#

>RS] L_]SXO]] S] MYXN_M^ >RS >RS] L S L_]SXO]] S MYXN_M^ S] N ^ OON Lc K -Y\ZY\K^SYX

N Lc K -Y\ZY\K^SYX

+LY`O OX^S^c aK] PY\WON

+LY `O OX^S^c aK] PY\WON

SX ^RO ]^K^O YP 9\OQYX SX ^RO ]^K^O YP 9\ OQYX <OQS]^\KX^

< OQS]^\KX^ RK]

RK] XY^

XY^ cO^

cO^

^\KX]KM^SXQ

L_]S LOQ_X ^\ KX]KM^SXQ L_]S XXO]]

O]] __XNO\

XNO\ ^^RO

RO ÇÇM^S^SY_]

M^S^SY_]

L_]SXO]] XKWO Y\ XKWO]

L_]SXO]] XKWO Y\ XKWO]

VS]^ON RO\OSX VS]^ON RO\ OSX ] 4YRKXXK =MRYVO\ =OM\O^K\c =OM\ O^K\c ## ## >RS] ]^K^OWOX^ >RS] ]^K^OWOX^ aK] aK] ÇVON ÇVON

^RO -Y_X^c -VO\U YP YP

aS^R ^RO =KX^K -VK\ =KX^K -VK\K

K -Y_X^c

-Y_X^c YX YX

Z_L 7O^\ Y "

7O^\Y

"

;> 8I>I>DJH 7JH>C:HH ;>8I>I>DJH 7JH>C:HH C6B: HI6I:B:CI C6B: HI6I:B:CI I *+'(.( >RO PYVVYaSXQ ZO\]YX ] S]

>RO PYVVYaSXQ ZO\]YX ] S]

K\ O NYSXQ

NYSXQ L_]SXO]]

L_]SXO]] K]$ K\O

K]$

>>KcVY\¾ KKcVY\¾N /`OX^] /`OX^] " 2YV " 2YV

VcVOKP 6KXO =KX 4Y]O -+

VcVOKP 6KXO =KX 4Y]O -+

# " >KcVY\ 1Y_N\OK_

# " >KKcVY\ 1Y_N\OK_

>RS] L_]SXO]] S] MYXN_M^ >R RS L_]SXO]] RS] L S S MYXN_M^ S] N ^ ON Lc K SXNS`SN_KV

ON N Lc K SXNS`SN_KV

<OQS]^\KX^

< OQS]^\KX^ RK]

RK] XY^

XY^ cO^

cO^ LOQ_X

^\KX]KM^SXQ

LO OQ_X ^\ KX]KM^SXQ L_]S L_]S XXO]]

O]] _XNO\

_XNO\ ^^RO

RO ÇM^S^SY_]

ÇM^S^SY_]

L_]SXO]] XKWO Y\ XKWO]

L_ _]SXO]] XKWO Y\ XKWO]

VS]^ON RO\OSX VS] ]^ON RO\OSX ] >KcVY\ 1Y_N\OK_ ] ] >>KKcVY\ 1Y_N\OK_ >RS]

]^K^OWOX^ aK] aK] ÇVON ÇVON

>R RS] ]^K^OWOX^ aS^R

^RO -Y_X^c -VO\U YP

a S^R ^RO YP

=KX^K

=K KX^K -VK\K

-VK\K -Y_X^c YX

YX

Z_L

"

Z Z_L 7O^\Y

7O^\Y "

;>8I>I>DJH 7JH>C:HH ;> 8I>I>DJH 7JH>C:HH C6B: HI6I:B:CI C6 6B: HHI6II:B:CI *+')*& * *+')*& >RO PYVVYaSXQ ZO\]YX ] S]

>R RO PYVVYaSXQ ZO\]YX ] S]

K\O

K\O NNYSXQ

YSXQ L_]SXO]]

L_]SXO]] KK]$

]$

0VKXKQKX

0VK KXKQKX 0S^XO]]

+`SXK -S\MVO ?XS^ # =KX^K

+ `SXK -S\MVO ?XS^ # =KX^K

--VK\K -+ # =ROVVOc

VK\K -+ # =ROVVOc

44 0VKXKQKX

0VKXKQKX

>RS] L_]SXO]] S] MYXN_M^ >R RS] L_]SXO]] S] MYXN_M^ ON Lc K SXNS`SN_KV

ON N Lc K SXNS`SN_KV

<OQS]^\KX^

< OQS]^\KX^ RK]

RK] XY^

XY^ cO^

cO^

LOQ_X

^\KX]KM^SXQ

LO OQ_X ^\ KX]KM^SXQ L_]S L_]S XXO]]

O]] _XNO\

_XNO\ ^^RO

RO ÇM^S^SY_]

ÇM^S^SY_] LL_]SXO]] XKWO Y\ XKWO]

L_ _]SXO]]

S XKWO Y\ XKWO]

VS]^ON RO\OSX YX VS] ]^ON RO\OSX YX ] =ROVVOc 0VKXKQKX ] ] =ROVVOc 0VKXKQKX >RS]

]^K^OWOX^ aK] aK] ÇVON ÇVON

>R RS] ]^K^OWOX^ aS^R

^RO -Y_X^c -VO\U

a S^R ^RO -VO\U YP

YP

=KX^K

=K KX^K -VK\K

-VK\K -Y_X^c YX

YX

Z_L

"

Z Z_L 7O^\Y

7O^\Y "

;>8I>I>DJH 7JH>C:HH ;> 8I>I>DJH 7JH>C:HH C6B: HI6I:B:CI C6 6B: HI6II:B:CI *+')(, * *+')(, >RO PYVVYaSXQ ZO\]YX ] S]

>R RO PYVVYaSXQ ZO\]YX ] S]

K\O

K\O NNYSXQ

YSXQ L_]SXO]]

L_]SXO]] KK]$

]$ .-

. - --KLSXO^

KLSXO^ --YX]_V^KX^

YX]_V^KX^

=KX

/SX]^OSX

/SX]^OSX --^

^ = KX 4Y]O

4Y Y]O -+

-+ # "

# " .K`SN

.K`SN

2_cXR

2 _cXR

>RS] L_]SXO]] S] MYXN_M^ >R RS] L_]SXO]] S] MYXN_M^ ON Lc K SXNS`SN_KV

ON N Lc K SXNS`SN_KV

<OQS]^\KX^

< O OQS]^\ KX^ LOQKX

LOQKX ^\KX] ^\KX] KM^SXQ L_]SXO]] _XNO\ ^RO

KM M^SXQ L_]SXO]] _XNO\ ^RO

ÇÇM^S^SY_]

M^S^SY_] L_]SXO]]

L_]SXO]] XXKWO

KWO

Y\ XKWO] VS]^ON RO\OSX YX

Y\ \ XKWO] VS]^ON RO\OSX YX

] .K`SN 2_cXR ] ] .K`SN 2_cXR >RS]

aK] ÇVON ÇVON

>R RS] ]^K^OWOX^ aK] aS^R

^RO -Y_X^c -VO\U YP

a S^R ^RO YP

=KX^K

= =K KX^K -VK\K

-V K -Y_X^c

-VK\ - ^ YX

YX

Z_L

"

Z Z_L 7O^\Y

7O^\Y "

;>8I>I>DJH 7JH>C:HH ;> 8I>I>DJH 7JH>C:HH C6B: HI6I:B:CI C6 6B: HHI6II:B:CI *+'))* * *+'))* >RO

ZO\]YX ]

>R RO PYVVYaSXQ

PYVVYaSXQ ZO\]YX ] K\O

NYSXQ L_]SXO]]

S] K\ O NYSXQ L_]SXO]]

K]$

+_NSY /VOWOX^]

K] ]$ +_NSY /VOWOX^]

=Y_^R XN =^ =KX 4Y]O

=Y Y_^R XN =^ =KX 4Y]O

--+ # + # +_NSYVYQc =c] +

+_NSYVYQc =c] ^^OW] 3XM

OW] 3XM

>RS] L_]SXO]] S] MYXN_M^ >R RS] L_]SXO]] S]

RS]

S] MYXN_M^ ON Lc K -Y\ZY\K^SYX ON N Lc K -Y\ZY\K^SYX +LY`O OX^S^c aK] PY\WON

+L LY`O OX^S^c aK] PY\WON

SSX ^RO ]^K^O YP -KVSPY\XSK

X ^RO ]^K^O YP -KVSPY\XSK <OQS]^\KX^

< OQS]^\KX^ RK]

RK] XY^

XY^ cO^

cO^ LOQ_X

^\KX]KM^SXQ

LO OQ_X ^\ KX]KM^SXQ L_]S L_]S XXO]]

O]] _XNO\

_XNO\ ^^RO

RO ÇM^S^SY_]

ÇM^S^SY_] L_]SXO]] XKWO Y\ XKWO]

L_ _]SXO]] XKWO Y\ XKWO]

VS]^ON RO\OSX YX VS] ]^ON RO\OSX YX <OÇVO

YP Z\ Z\O`SY_]

ÇVO

< O OÇVO YP O`SY_] ÇVO aS^R MRKXQO] aS^R MRKXQO]

] 6KXMO . 4_VSKX ] 6KXMO . 4_VSKX =OM\O^K\c -99 =OM\ O^K\c -99 # # aK] ÇVON ÇVON

>RS] ]^K^OWOX^ aK] a aS^R ^RO ^RO -Y_X^c -VO\U

YP

aS^R -VO\U YP =KX^K -VK\K

=KX^K -VK\K -Y_X^c

-YY_X^c YX

YX

"

Z_L 7O^\Y

7O^\Y "

;>8I>I>DJH 7JH>C:HH ;> 8I>I>DJH 7JH>C:HH C6B: HI6I:B:CI C6B: H HI6II:B:C CI *+'))&& *+')) >RO PYVVYaSXQ ZO\]YX ] S]

>RO PYVVYaSXQ ZO\\]YX ] S]

K\O

K\O NNYSXQ

YSXQ L_]SXO]]

L_]SXO]] KK]$

]$

.YX_^] KXN

.YX_^] KXN =KXNaSMRO]

=KXNaSMRO]

8

8 0KS\

0KS\ 9KU]

9KU] +`O

+`O

=_XXc`KVO

=_XXc` KVO --+

+ # "

# "

=YXcK =YO_XQ = YXcK =YO_XQ ! >KPPc

! >KPPc .\ =KX 4Y]O -+ # "

. \ =KX 4Y]O -+ # "

>RS] L_]SXO]] S] MYXN_M^ >RS] L_]SXO]] S] MYXN_M^ ON Lc K SXNS`SN_KV

ON L c K SXNS`SN_KKV

<OQS]^\KX^

< OQS]^\KX^ LOQKX

LOQKKX ^\KX] ^\KX] KM^SXQ L_]SXO]] _XNO\ ^RO

KM^SXQ L_]SXO]] _XNO\

_ ^RO

ÇÇM^S^SY_]

M^S^SY_] L_]SXO]]

L_]SXO]] XXKWO

KWO Y\ XKWO] VS]^ON RO\OSX YX

Y\ XKWO] VS]^ON RO\ R OSX YX

" " ] =YXcK =YO_XQQ aK] ÇVON ÇVON

>RS] ]^K^OWOX^ aK] a aS^R ^RO ^RO -Y_X^c -VO\U YP YP

aS^R =KX^K -VK\K

=KX^K -VK\K -Y_X^c

-YY_X^c YX

YX

"

Z_L 7O^\Y

7O^\Y "

;>8I>I>DJH 7JH>C:HH ;> 8I>I>DJH 7JH>C:HH C6B: HI6I:B:CI C6B: H HI6II:B:C CI *+&()& *+ &()& >RO PYVVYaSXQ ZO\]YX ] S]

>RO PYVVYaSXQ ZO\\]YX ] S]

K\O

K\O NNYSXQ

YSXQ L_]SXO]]

L_]SXO]] KK]$

]$

,VU7KQSM 7_]SM 7_]SM

1\Y_Z

,VU7KQSM M 1\ Y_Z

!^R

=^\OO^

!

! =Y_^R !^R R = ^\OO^

=_S^O

=KX 44Y]O

=_S^O =KX Y]O -+

-+

# :\SXMO .KWYX]

# :\SXMO .KWYX]

>RS] L_]SXO]] S] MYXN_M^ >RS]

L_]SXO]] S] MYXN_M^ ON Lc K SXNS`SN_KV

ON Lc K SXNS`SN_K c K SXNS`SN_KKV

<OQS]^\KX^

< OQS]^\KX^ LOQKX

LOQKKX ^\KX] ^\KX] KM^SXQ L_]SXO]] _XNO\ ^RO

KM^SXQ L_]SXO]] _XNO\ _ ^RO

ÇÇM^S^SY_]

M^S^SY_] L_]SXO]]

L_]SXO]] XXKWO

KWO Y\ XKWO] VS]^ON RO\OSX YX

Y\ XKWO] VS]^ON RO\ R OSX YX

9M^ 9M^ ] :\SXMO .KWYX] ] : \SXMO .KWYXX] >RS] ]^K^OWOX^ ]^K^OWOX^ aK] aK] ÇVON ÇVON

>RS] a aS^R ^RO ^RO -Y_X^c -VO\U YP

aS^R YP

=KX^K -VK\K

=KX^K -VK\K -Y_X^c

-YY_X^c YX

YX

Z_L

Z_L 7O^\Y

7O^\Y

" " ;>8I>I>DJH 7JH>C:HH ;> 8I>I>DJH 7JH>C:HH C6B: HI6I:B:CI C6B: HI6II:B:C CI *+&-*' *+ &-*' >RO PYVVYaSXQ ZO\]YX ] S]

>RO

PYVVYaSXQ ZO\\]YX ] S]

K\O

K\O NNYSXQ

YSXQ L_]SXO]]

L_]SXO]] KK]$

]$ >>YZ 1OK\ +_^Y =KVO] 3XM

YZ

Y 1OK\ +_^Y =KKVO] 3XM

RK\MY^

--RK\ MY^ +``OX_O

OX_O #

#

=KX 4Y]O -+ #

= KX 4Y]O -+ #

>RS] L_]SXO]] S] MYXN_M^ >RS]

L_]SXO]] S] MYXN_M^ ON Lc K -Y\ZY\K^SYX ON Lc K -Y\ZY\K^SSYX +LY`O OX^S^c aK] PY\WON

+LY `O OX^S^c aK]] PY\WON

SSX ^RO ]^K^O YP -KVSPY\XSK

X ^RO ]^K^O YP -KVSPY\XSK <OQS]^\KX^

< OQS]^\KX^ RK]

RK] XY^

XY^ cO^

cO^ ^\KX]KM^SXQ

LOQ_X ^\ KX]KM^SXQ L_]S L_]S XXO]]

O]] _XNO\

_XNO\ ^^RO

RO ÇM^S^SY_]

ÇM^S^SY_] L_]SXO]] XKWO Y\ XKWO]

L_]SXO]] XKWO Y\ XKWO

Y XKWO]

VS]^ON RO\OSX YX VS]^ON RO\OSX YX ] 8KOOW =KVKKW W ::\O]SNOX^ \O]SNOX^ # # aK] ÇVON ÇVON

>RS] ]^K^OWOX^ aK] a aS^R ^RO ^RO -Y_X^c -VO\U

YP

aS^R -VO\U YP =KX^K -VK\K

=KX^K -VK\K -Y_X^c

-YY_X^c YX

YX

! ! Z_L

Z_L 7O^\Y

7O^\Y

" "

;>8I>I>DJH 7JH>C:HH ;>8I>I>DJH 7JH>C:HH C6B: HI6I:B:CI C6B: H HI6II:B:CI *+'%)% >RO PYVVYaSXQ ZO\]YX ] S]

>RO

PYVVYaSXQ ZO\]YX ] S]

K\O

K\O NYSXQ

NYSXQ L_]SXO]]

L_]SXO]] K]$

K]$ +/=

+ /= +_NSY

+_NSY /XQSXOO\ON

/XQSXOO\ON =Y_XN] # =Y_XN] # ! /VVO\c =^

! /VVO\c =^

=KX 4Y]O -+ # ! 7K\SY

=KX 4Y]O -+ # ! 7K\SY

--RK`Od

RK`Od

>RS] L_]SXO]] S] MYXN_M^ >RS] L_]SXO]] S] MYXN_M^ ON Lc K SXNS`SN_KV

ON Lc K SXNS`SN_KV

<OQS]^\KX^

< OQS]^\KX^ LOQKX ^\KX] ^\KX] KM^SXQ L_]SXO]] _XNO\ ^RO

KM^SXQ

L_]SXO]] _XNO\ ^RO

ÇÇM^S^SY_]

M^S^SY_] L_]SXO]]

L_]SXO]] XKWO

XKWO Y\ XKWO] VS]^ON RO\OSX YX

Y\ XKWO] VS]^ON RO\OSX YX

# # <OÇVO

< OÇVO YP Z\O`SY_]

ZZ\O`SY_] ÇVO

ÇVO

#

# N_O

N_O ^Y

^Y Z_LVSMK Z_LVSMK ^SYX \O[_S\OWOX^ XY^ WO^

^SYX \O[_S\OWOX^ XY^ WO^

YX Z\O`SY_] ÇVSXQ YX Z\ O`SY_] ÇVSXQ ] 7K\SY -RK`Od ] 7K\SY -RK` Od >RS] ]^K^OWOX^

>RS] ]^K^OWOX^ aK]

aK] ÇVON

ÇVON

aS^R ^RO

aS^R ^RO -Y_X^c -VO\U

-VO\U YP

YP

=KX^K -VK\K

=KX^K -VK\K -Y_X^c

-Y_X^c YX

YX

Z_L

Z_L 7O^\Y

7O^\Y

" " ;>8I>I>DJH 7JH>C:HH ;> 8I>I>DJH 7JH>C:HH C6B: HI6I:B:CI C6B: H HI6II:B:CI *+&-,+ *+ &-,+ >RO PYVVYaSXQ ZO\]YX ] S]

>R >RO

P VV aSXQ

PYVVY S ZO\]YX ]

S] S

K\O

K\O NYSXQ

NYSXQ L_]SXO]]

L_]SXO]] K]$

K]$ >>RO 9LS 1\Y_Z :SO\Mc

RO 9LS 1\Y_Z :SO\Mc <N =KX 4Y]O -+ # "

<N

=KX 4Y]O -+ # "

.K`SN

. K`SN +

+ ,\YaX

,\YaX "

" =RKNYa

=RKNY a <SNQO AKc

<SNQO AKc =KX

=KX

44Y]O -+ # " 7YXK 4

Y]O -+ # " 7YXK 4 9^YWY\S

9^YWY\S >RS] L_]SXO]]

>RS] L_]SXO]] S]

S] MYX MYX N_M^ON Lc K R_]LKXN KXN

N_M^ON Lc K R_]LKXN KXN

aSPO

a SPO <OQS]^\KX^

< OQS]^\KX^ LOQKX ^\KX] ^\KX] KM^SXQ L_]SXO]] _XNO\ ^RO

KM^SXQ

L_]SXO]] _XNO\ ^RO

ÇÇM^S^SY_]

M^S^SY_] L_]SXO]]

L_]SXO]] XKWO

XKWO YY\

\ XKWO]

XKWO] VS]^ON

VS]^ON RO\OSX

RO\OSX YX ] .K`SN + ,\YaX ] .K`SN + ,\ YaX >RS] ]^K^OWOX^

>RS] ]^K^OWOX^ aK]

aK] ÇVON

ÇVON

aS^R ^RO

aS^R ^RO -Y_X^c -VO\U

-VO\U YP

YP

=KX^K -VK\K

=KX^K -VK\K -Y_X^c

-Y_X^c YX

YX

" " Z_L

Z_L 7O^\Y

7O^\Y

" " ;>8I>I>DJH 7JH>C:HH ;> 8I>I>DJH 7JH>C:HH C6B: HI6I:B:CI C6B: H HI6II:B:CI *+'&'( ZO\]YX ]

>RO PYVVYaSXQ

PYVVYaSXQ ZO\]YX ] S] K\O

K\O NYSXQ L_]SXO]]

L_]SXO]]

KK]$

]$ ,KX_OVY]

,KX_OVY] >\KX]ZY\^

>\KX]ZY\^

-\_MO\Y

-\_MO\Y -^ =KX

=KX

4Y]O -+ # =KX^SKQY

4Y]O

-+ # =KX^SKQY

,KX_OVY]

, KX_OVY]

>RS] L_]SXO]] S] MYXN_M^ >RS] L_]SXO]] S] MYXN_M^ ON Lc K SXNS`SN_KV

ON Lc K SXNS`SN_KV

<OQS]^\KX^

< OQS]^\KX^ RK]

RK] XY^

XY^ cO^

cO^ LOQ_X ^\KX]KM^SXQ

LOQ_X ^\KX]KM^SXQ L_]S L_]S XXO]]

O]] _XNO\

_XNO\ ^RO

^RO ÇM^S^SY_]

ÇM^S^SY_] L_]SXO]] XKWO Y\ XKWO]

L_]SXO]] XKWO Y\ XKWO]

VS]^ON RO\OSX YX VS]^ON RO\OSX YX ] =KX^SKQY ,KX_OVY] >RS] ]^K^OWOX^

>RS] ]^K^OWOX^ aK]

aK] ÇVON

ÇVON

aS^R ^RO -Y_X^c -VO\U

aS^R -VO\U YP

YP

=KX^K -VK\K

=KX^K -VK\K -Y_X^c

-Y_X^c YX

YX

Z_L

Z_L 7O^\Y

7O^\Y

" "

GlYc`j_ Pfli C\^Xc G lYc`j_ P Pf fli C\^Xc ;fZld\ek ?\i\ ;fZld\ek ? \i\ +'/%)0/%/'''


SALES S ALES

I@;>< KFG CF> :89@E I @;>< KFG CF> :89@E

Approx. 10 acres, Approx. acres, quiet, quiett, surr surrounded ounded by Magestic R Redwood eedwood tr trees. ees. Beautiful and Pristine with a go good od amount of eas easyy tterrain. errain n. Good Good producing pr oducing well. Owner Owner financing. Broker Br oker will help show show.. Shown by app appointment ointment only only. y. Offer Offered ed aatt $349,000. $3 49,000. C Call all Debbiee @ Donner Land L and d & Homes H Homes,, Inc Inc.. 40 408-395-5754 08-395-5754 www.donnerland.com www .donnerland.com m

Unincorpor Unincorporated o ated Mor Morgan gan Hill - 40 acres acr es of mo mountain ountain land with about about 2 acres acr es clear cleared e around ed around the house and the h rrest est wooded. wo ooded. d d L Log og House House,, 2000 sf, sf f, 2 story, story, 3BR, 3 2.5BA 2.5BA with wo wood od burning st stove ove fforced o orced air hea heater, ter, and ccentral entral A/C A/C. C. LR is 2 st stories ories high with a vvaulted aulted cceiling eiling and wo wood od flooring. flo oring. Lovely Lovely back deck with a wood wo od burning burn ning hot tub tub.. C Completely ompletely off the grid d with solar electric electric,, a back backkup industr industrial ial pr propane opane gener generator, ator, pr opane he eaat and hot wa ter, a well propane heat water, with an ele ectric pump and a working electric windmill pump p chen ffeatures eeatures pump.. Kit Kitchen aW olf R aan nge, dishwasher Wolf Range, dishwasher,, and low ener gy rrefrigerator. efrrigerator. High speed energy Int ernet se ervice available. available. Beautiful Internet service vie w to to thee East of the mount ains, view mountains, ccanyons anyons and an nd ffar aar off cit cityy lights of Mor gan Hi ill and Gilr oy. The house Morgan Hill Gilroy. house,, solar electr ric, and the gener ator electric, generator ha ave permits perm mits on file in Sant have Santaa Clar Claraa C ountty. Offered O ed aatt $59 Offer 5,000. County. $595,000. Br oker willl help show all Debbie Broker show.. C Call @ Donner L and & Homes Inc. Land Homes,, Inc. 408-39 5-57754 www.donnerland.com www w..donnerland.com 408-395-5754

=FI<JK<; D<8;FN = FI<JK<; D<8;F ; N

:8EPFE M@<N :8 EPFE M@<N E

KI<<?FLJ< N8P Å Cfj KI<<?FLJ< N8P Å Cfj >Xkfj Gated ccommunity. Gated ommunity. 8.5 acr acres. es. F ull sun. Ridge ttop. op. Pr rivate and Full Private serene. ser ene. Go Good od gar gardening denin ng p potential. otential. R edwo e ods, Madrones, Madrones, and a yyearearrRedwoods, rround ound cr creek. eek. JJust ust 20 minut m minutes es to to Los Los Ga tos and 15 minut es tto oF elton. Well. Well. e Gatos minutes Felton. Prestigious Pr estigious L Los os Ga Gatos tos schools. s scho ols. Shown by app ointment only y. Offer ed aatt appointment only. Offered $1 25,000. C all Debbie @ Donner $125,000. Call L and & Homes Land Homes,, Inc 408-39 5-5754 www w..don don nnerland com nnerland.c 408-395-5754 www.donnerland.com

JK<CC8I N8P JK<CC8 I N N8P

Pristine A Acreage. creage. 10 min m tto o Boulder Cr Creek. eek. N No o rrock ock out of placee in this magnific plac magnificent e fforest ent o orest enveloped Redwood Trees. env eloped by R edwo e od T rees. Spring ffed ed e p pond. ond. Pr Prestigious estigious lo location. cation. Qualified Q ualified buy u buyers ers only only. y. Shown Offered $1,900,000. byy Appt. pp Offer ed aatt $1 1,900,000. ,9 , Broker show.. Call Br oker will help show Call Debbie Land Homes, Inc.. @ Donner L and & Ho omes, Inc 408-395-5754 www.donnerland.com 408-39 5-5754 www .do onnerland.com

FC; A8G8E<J< I; F C; A8G8E<J< I I; Good Owner F Good Financing inancin ng p possible. ossible. End of the rroad oad priv privacy accy and eas easyy access ac cess tto o a Sunny neigh neighborhood hborhood in a ga gated ted ccommunity ommunity with no drivee through traffic. driv through tr affic. Pretty P etty Pr creek frontage view cr eek fr ontage and vie w of the neighborhood. Prestigious Los neighb orhood. Pr estiggious L os Gatos schools. Convenient Ga tos scho ols. C onven nient ccommute ommute location. Offered $165,000. lo cattion. Offer ed aatt $16 65,000. Broker Br oker will help show. show. Call Call Debbie Land Homes, @ Donner L and & Ho omes, Inc. Inc. 408-395-5754 www.donnerland.com 408-39 5-5754 www w..don nnerland.com

Good Owner Good Own ner F Financing inancing A Available. vailable. Beautiful 2 233 acres acres in the L Los os Ga Gatos tos Mountains Mount ainss with cr creek, eek, ssweeping weeping ccanyon anyon view, view, and paved paaved rroad oad access. ac cess. Used Useed tto o have haave a house ther theree in the 70’ 70’s, s, 2 driveways, driveways, Exc Excellent ellent location. lo cattion. Septic S permit, P Power ower aatt lot line,, and well. Offered line w Offer ed aatt $385,000. Broker Br oker willl help show show.. C Call all Debbie Land Inc.. @ Donner L and & Homes, Homes, Inc 408-395-5754 408-39 5-57754 www.donnerland.com www.donnerland.com

;<<I :I<<B D<CF;P ; <<I :I I<<B D<CF;P Come Play Come Plaay on the eas easyy tterrain errain aatt DEER CRE CREEK EEK MEL MELODY. OD DY. 10 A Acres, cres, just 2 mile miless in, on a well maintained maintained private priv ate road, roaad, off the grid, lots of sun, and d plent plenty l ty off wa water ter with ith appr approx. ox. 200 fft. tt. of ac aaccessible cessible yyear ear ar around ound creek cr eek fr frontage. onttage. Recreational Reecreational P Parcel. arcel. Offered Offer ed aatt $212,000. $212,000. Br Broker oker will help show. show w. Call Calll Debbie @ Donner L Land and & Homes Homes,, Inc. Inc. 408-39 408-395-5754 5-5754 www.donnerland.com www .donn nerland.com

Excellent Exc ellent Owner F Financing. inancing A inancing. Acreage, creage, Private Priv ate and Eas Easyy tto o get tto o in Su Sunny unny Aptos. Apt os. V View iiew of Mont Monterey erey Ba Bay ay an and nd cit eearrcityy lights lights.. TPZ. Abundant Y Yearrround ound spring. Sun and vie views. ws. Multiple building sit sites es with pa paved aved rroad oad ac access cess & dir dirtt and gr gravel avel driveway. driv eway. TPZ TPZ-Redwood -R Reedwood ha habitat bitat has been b een har harvested vested eevery very 15-20 yyears earrs sincee the 19 sinc 1950’s. 50’s. T Timber imber har harvest vestt possible p ossible with ne new w timb timber er har harvest vest e plan P plan. Potential otential ffor o or horses horses,, smal small ll sc scale ale solar and hydr hydro o ffeed eeed tto o grid. O Offered ffered aatt $4 $450,000. 50,000. Br Broker oker will help show sshow. w. Call C all Debbie @ Donner L Land and & Homes,, Inc Homes Inc.. 408-39 408-395-5754 5-5754 www.donnerland.com www .donnerland.com

RENTALS RENT TA ALS 8CC 8I<8J $ IFFDD8K<J%:FD 8 CC 8I<8J $ IFFDD8K<J%:FD Browse Br owse hundr hundreds eds of online listi listings ings with phot photos os and maps maps.. F Find ind yyour ou ur rroommate oommate with a click of the mouse! m Visit: V iisit: www www.Roommates.com. .R Roommaates.com.

SERVICES S ERV ICES

HOME SER SERVICES RV ICES

APRIL 4-10, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com

i\Xc \jkXk\ i\X Xc \jkkXk\ Xc \jk

71

+' 8:I<J +' 8 :I<J


metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

72

9p

@@Êm\ _\Xi[ f] k_\ fZZXj`feXc ZXi `e X YXj\YXcc jkX[`ld gXib`e^ cfk Y\`e^ @Êm\ _\Xi[ f] k_\ fZZXj`feXc ZXi `e X YXj\YXccc jkX[`ld gXib`e^ cfk Y\`e^ [XdX^\[ Yp Xe flk$f]$k_\$gXib _fd\ ile% @ nfe[\i1 ?Xm\ k_\i\ \m\i Y\\e [XdX^\[ Yp Xe X flk$f]$k_\$gXib _fd\ ile% @ nfe[\i1 n ?Xm\ k_\i\ \m\i Y\\e Xep jblccj fi fk_\i Yf[p gXikj Zilj_\[6 N_f nflc[ Y\ c`XYc\ ]fi k_\ _Xgc\jj Xep jblccj fii fk_\i Yf[p gXikj Zilj_\[6 N_f f nflc[ Y\ c`XYc\ ]fi k_\ _Xgc\jjj m`Zk`d Êj d`j]]fikle\6ÆM M`Zkfi ` i# # JXekX :ilq m`Zk`dÊj d`j]fikle\6ÆM`Zkfi# JXekX :ilq @789 9&(01*) 9-.8 6:*89.43 .3 @789 9&(01**) 9-.8 6:*89.43 .3 $-.3,8 <*7* ).D $-.3,8 <*7* ).D*7*39 9-*3 54:3)*) $ ) D**7*39 9-*3 54:3)*) 4:9 (41:238 43 & 2*(-&3.(&1 )*;.(* 4:9 (41:238 43 4 & 2*(-&3.(&1 )**;.( ; * ((&11*) & 9>5*<7.9*7 %-*3 <&39*) 94 &11*) & 9>5 > *<7.9*7 < %-*3 <&39*) & 94 &8(*79&.3 & +&(9 ).)3 9 44,1* .9 47 &8( *79&.3 & +&(99 ).)3 3 9 44,1* .9 47 *2&.1 5*451* .3 )*1&.)* ':9 7&9-*7 *2&.1 *2&.1 5*451* *451* .3 . )*1&.)* )*1&.)* ':9 ':9 7&9-*7 ((&11*) 9-*2 43* &9 & 9.2* $-.8 -&) & &11*) 9-*2 43 3* &9 & 9.2* $-.8 -&) & )*1*9*7.4:8 .25&(9 43 9-* 6:&1.9> 4+ ) *1*9*7.4:8 .25&(9 43 9-* 6:&1.9> 4++ .3+472&9.43 <&8 &'1* 94 &2&88 .3+ +4 472&9.43 <&&8 &'1* 94 &2&88 $4)&> 7*8*&7(- .8 *&8.*7 84 7*;.8.9*) $ 4)&&>> 7*8*&&7(- .8 *&8.*7 84 7*;.8.9*) 99-* 8:'/*(9 <&8 2 -&55> 94 7*5479 9-* 8:'/*(9 <&&8 2 -&55 5>> 94 7*5479 ).7*(9.43&11> (477*(9 A>.3, '&8*'&118 (&3 ) .7*(9.43&11> (477*(9 A>.3, '&8*'&118 (&3 3 '* 1*9-&11> )&3,*74:8 4<*;*7B&3) ' * 1*9-&11> )&3 3,*74:8 4<*;**77B B&3) 2 8477> .+ 9-.8 -&8 -&) &3> :3+479:3&9* 2 8477> .+ 9-..8 -&8 -&) &3 3>> :3++4 479:3&9* ((438*6:*3(*8 4;*7 9-* 5&89 >*&78B 438*6:*3(*8 4;**7 9-* 5&89 >*&78B * :3)*7 *89.2&9**) 9-* 7.80 '>> & +&(947 4+ :3)*7*89.2&9*) 9-* 7.80 '> & +&(947 4+ 7 42 9-7 9- 4:,- - 9-*7 9- * 742 9-74:,- 9-*7* < *7* (43@72*) 85*(9&947 +&9&1.9.*8 .3 <*7* (43@72*) 85*(9&947 +&9&1.9.*8 .3 2 &/47 47 2.347 1*&,:* '&115&708 31> 31> > 2&/47 47 2.347 1*&,:* '&115&708 @ @; ;* 4+ 9-48* <*7 < * '&11 7*1&9*) 9< <4 +742 @;* 4+ 9-48* <*7* '&11 7*1&9*) 9<4 +742 ++4:1 '&118 9<4 +742 <.1) 9-74<8 .394 9-* 4:1 '&118 9< 4 <4 +742 <.1) 9-74<8 .394 9-* 889&3)8 &3) 43* ):7.3, 857.3, 97&.3.3, 9&3)8 &3 3) 43* ):7.3, 857.3, 97&.3.3, < -*7* & +&3 (-&8.3, & +4:1 '&11 ,49 -.9 <-*7* & +&3 (-&8.3, & +4:1 '&11 ,49 -.9 ' > > & (&&7 43** <&&8 ):* 94 -42* 7:38 '> & (&7 43* <&8 ):* 94 -42* 7:38 3 4 )4:'9 4<.3, 94 9-* 7*1&9.;* 7&7.9> 4+ 34 )4:'9 4<.3, 94 9-* 7*1&9.;* 7&7.9> 4+ -42*78 9-* )..89&3(* .3 3;4 41;;**) &3) 9-* -42*78 9-* ).89&3(* .3;41;*) &3) 9-* ((425&7&9.;*1> 82&11 3:2'*7 4+ 5*451* 425&7&9.;;*1> * > 82&11 3:2'*7 4+ 5*451* 8*&9*) ) .3 . +&.7 + . 9*77.947 9 . > .3 . 2489 5&708 0 8*&9*) .3 +&.7 9*77.947> .3 2489 5&708 4:1 '&118 &7* 247* 4+ & 574'1*2 3 4:1 '&118 &7* 247* 4+ & 574'1*2 3 42.3.( &#&1& 7*5479*) 85*11.3,8 42.3.( &#&1& 7*5479*) 85*11.3,8 ;;&7> <&8 0.11*) '> & +4:1 '&11 4D 9-* '&9 &7> <&8 0.11*) '> & +4:1 '&11 4D 9-* '&9 4+ + 4-33 4 3> > !4< <*78 4+ 9-* 2.3477 1*&,:* 4+ 4-33> !4<*78 4+ 9-* 2.347 1*&,:* 4 41:2':8 *988 &3) .3 >**&77 41) 41:2':8 *98 &3) .3 >*&7 41) 1&3 &3 .8- <&&8 0.11*) '>> & 1.3* )7.;;** +4 4:1 1&3 .8- <&8 0.11*) '> & 1.3* )7.;* +4:1 ++742 &33> 49& 4+ 9-* 4),*78 +7 742 &33 3>> 49 & 4+ 9-* 4),*78 49 431> (&&3 3 '&9999*) '&118 '* )&3,*74:8 49 431> (&3 '&99*) '&118 '* )&3,*74:8 84 (&3 &3 & 9-* '&988 &8*'&11 '&98 :8*) 94 '* 84 (&3 9-* '&98 &8*'&11 '&98 :8*) 94 '* 89:7)> (:),*18 2&)* 4+ +472.)&'1* <44) 89:7 9:77)> ) (:),*18 2&)* 4+ +4 472.)&'1* <44) 85*(.*8 8:(- &8 -.(047> ':9 4;*7 9.2* 85 5*(.*8 8:(- &88 -.(0 04 47> ':9 4;**7 9.2* -.99*78 &)459*) 1.,-9*7 &8- '&98 <.9- -.9 .999*78 &)459*) ) 1.,-9*7 &8- '&98 <.9- 85.3)1> -&3)1*8 94 .2574;* 9-*.7 -42* 85.3)1> 5. -&3)1**8 94 .2574;** 9-*.7 -42* 77:3 54<*7 8 .9 '*(&2* &55&7*39 9-&9 :3 54<*7 8 .9 '*(&2* &55&7*39 9-&99 &&8- '&98 '7*&0 2:(- 247* *&8.1> 9-&3 8- '&98 '7*&0 2:(- 247* *&8.1> 9-&3 -.(047> '&99*78 8<.9(-*) 94 2&51* $-.8 .(047> '&99*78 8<.9(-*) 94 2&51* $-.8 1*) 94 &349-*7 574'1*2B<-*3 2&51* 1*) *) 94 &349-*7 5774 4'1*2B<-*3 2&51* '&98 '7*&0 9-*> 7* 9-7** 9.2*8 &8 1.0*1> &8 ' &98 '7*&0 9-*> 7* 9-7** 9.2*8 &8 1.0*1> &8 &&8- 94 8-&99*7 .394 1&7,* 5.*(*8 <-.(- (&3 8- 94 8-&99*7 .394 1&7,* 5.*(*8 <-.(- (&3 '*(42* )&3,*74:8 574/*(9.1*8 *&71> ' *(42* )&3,**74:8 574/*(9.1*8 *&71> '&98 ,*9 '740*3 5*7 ,&2* '&98 ,*9 '740 0*3 *3 5*7 ,&2* #42* 8*7.4:8 343+&9&1 85*(9&947 #42* 8*7.4: :8 343+&9&1 85*(9&947 ..3/:7.*8 -&;* 4((:77*) +742 '49- *77&39 3/:7.*8 -&;* 4((:77*) +742 '49- *77&39 '&118 &3) 5.*(*8 4+ '&98 !1&>*78 (&3 '* ' '&118 &3) 5.*(*8 * 4+ '&98 !1&&>**78 (&&3 '* &9 8*7.4:8 7.80 944 &9 8*7.4:8 7.80 944 3 #*59 3 #*59 -.(&,4 :'8 4:9@*1)*7 $>1*7 41;.3 -.(&,4 :'8 4:9@*1)*7 $>1*7 41;.3 <&8 -*&).3, -42* +742 9-.7) 43 < &8 -*&).3, -42* +742 9-.7) 43 %*11.3,943 &89.114 8 '740*3 '&9 )4:'1* % **11.3,,943 9 &89.114 & 4 8 '740 0**3 '&9 )4:'1* <-*3 & A>.3, 8-&7) 4+ <44) 85*&7*) < <-*3 & A>.3, 8-&7) 4+ <44) 85*&7*)

-.2 1.0* & (4(09&.1 8-7.25 41;.3 .2 1.0* & (4(09&.1 8-7.25 41;.3 3 3**)*) & (-*89 9:'* &3) *2*7,*3(> **)*) & (-*89 9:'* &3) *2*7,*3(> 8: 8:7,*7> &3) <&8 )43* +47 9-* 8*&843 * :7,*7> &3) <&8 & )43* +4 47 9-* 8*&843 3 * ). ).) -4<*;*7 8(47* ) -4<**;*7 * 8(47* 3* (4257*-*38.;* 2*).(&1 89:)> 3 * (4257*-*38.;* 2*).(&1 89:)> > ++4:3) .3/:7.*8 +742 +4:1 '&118 ):7.3, 4:3) :3)

.3/:7.*8 +742 42 +4 4:1 '&118 ): 4:1 :7.3, ' '&8*'&11 ,&2*8 &99*3)*) '> 2.11.43 &8*'&11 ,&2*8 &99*3)*) '> 2.11.43 &8 885*(9&9478B& 7&9* 4+ 74:,-1> 43* .3/:7> 5*(9&9478B& 7&9* 4+ 74:,-1> 43* .3/ 3/:7> 5 5*7 &99*3)**8 $-&9 8 &3 47)*7 * &9999*3)**8 $-&9 8 &3 47)**7 *7 4+ 4+ 2&,3.9:)* <478* 9-&3 9-* @,:7* + 2&,3.9:)* <478* 9-&3 9-* @,:7* ((&2* :5 <.9- +47 .3/:7.*8 ):7.3, 9-* & &2* :5 <.9- +4 47 .3/:7.*8 ):7.3, 9-** 8*&843 '&8*) 43 &3 .3+472&1 5-43* 8*&843 '&8*) 43 &3 .3++4 472&1 5-43* 8: 8:7;*>B .3 :7;*>B B .3 % %.9- 84 2&3> '&118 *3).3, :5 .3 .9- 84 2&3> '&118 *3).3, :5 .3 9-* 89&3)8 .9 8 7*2&70 0&&'1* )*&9-8 &3 3) 9-* 89&3)8 .9 8 7*2&70&'1* )*&9-8 &3) ..3/:7.*8 &7*3 9 247* +7*6:*39 8 .9 .8 3/:7.*8 &7*3 9 247* +7*6:*39 8 .9 .8 3/ 9- * -& -*7 -&;* '**3 842* '.?&77 '. * .3(.)* . .)*398 9 9-*7* -&;* '**3 842* '.?&77* .3(.)*398 3 3 :, : (*39*7 @*1)*7 ".(-.** 3 :, (*39*7 @*1)*7 ".(-.* 8-':73 4+ 9-* !-.1&)*15-.& !-.11.*8 8-':73 4+ 9-* !-.1&)*15-.& !-.11.*8 .9 +&3 1.(* "49- 9<.(* <.9- +4:1 '&118 -.9 +&3 1.(* "49- 9<.(* <.9- +4:1 '&118 ): :7.3, & 8.3,1* &99 '&9 9-* @789 +4 4:1 '7 ' 40 0* ):7.3, & 8.3,1* &9 '&9 9-* @789 +4:1 '740* -* *7 348* &3) 9-*3 8-':73 8 1.3*) & -*7 348* &3) 9-*3 8-':73 1.3*) & 8* (43) '&11 .394 -*7 &8 8-* <&&8 '*.3,, 8*(43) '&11 .394 -*7 &8 8-* <&8 '*.3, ((&77.*) 4D 43 & 897*9(-*7 & &77.*) 4D 43 & 897*9(-*7 .;*3 9-* 7.808 >4: ) 9-.30 .;*3 9-* 7.808 >4: ) 9-.30 (1: :'8 <4:1) -&&;* '**3 8:*) '&(0 94 4 9-* (1:'8 <4:1) -&;* '**3 8:*) '&(0 94 9-* 88&3)149 '> 34< 4<*;*7 9-* (4:798 &3)149 '> 34< 4<*;*7 9-* (4:798 &;* ,*3*7&11> -*1) *;*3 7*(*391> 9-&9 -&;* ,*3*7&11> -*1) *;*3 7*(*391> 9-&9 85 5*(9&9478 &9 '&8*'&11 ,&2*8 )43 3 9 -&&;* 85*(9&9478 &9 '&8*'&11 ,&2*8 )43 9 -&;* 94 4 '* 5749*(9*) +742 (42243 &3) 94 '* 5749*(9*) +742 (42243 &3) **=5*(9*) 7.808 &8* 1&< +742 '*+47* = *(9*) 7.808 &8* 1&&< =5 < +742 '*++4 47* % 471) %&7 &'841;;**8 5&70 4<3*78 +7 4 + 42 %471) %&7 &'841;*8 5&70 4<3*78 +742 1.& &'.1.99>> +4 47 +4 4:1 '&118 &3) '740 0**3 '&998 1.&'.1.9> +47 +4:1 '&118 &3) '740*3 '&98 $-&9 8 349 94 8&&>> 9-* (1:'8 &7* $-&9 8 349 94 8&> 9-* (1:'8 &7* .2 22:3* 94 1&&< <8:.98 !&97438 -&&;* .22:3* 94 1&<8:.98 !&97438 -&;* 8: :((*88+:11> 8:*) &C*7 '*.3, -.9 '>> +4:1 4 8:((*88+:11> 8:*) &C*7 '*.3, -.9 '> +4:1 '& &118 9-&9 5&88*) 9-74:,- 5749*(9.;;* '&118 9-&9 5&88*) 9-74:,- 5749*(9.;* 3* 3*99.3, 89:2'1.3, 4;*7 1448* '&98 +&11.3, *9999.3,, 89:2'1.3, 4;**7 1448* '&98 +&&11.3, ..394 -41*8 47 97.55.3, &3) +&11.3, )4<3 394 -41*8 47 97.55.3, &3) +&11.3, )4<3 89 89&.78 $-* (42243 9-7*&) 8**28 94 & $-* (42243 9-7*&) 8**28 94 &.78 4 ' '* 9-&9 9-* -&?&7)8 .3;41;*) (4:1)3 9 * 9-&9 9-* -&?&77)8 .3;41;*) (4:1)3 9 77*&843&'1> -&;* '**3 &39.(.5&9*) *&843&'1> -&&;* '**3 &39.(.5&9*) *3*7&11> *3*7&11> 85*&0.3, 9-4:,- 9-* 1&< 85*&0.3,, 9-4:,- 9-* 1&&< ((438.)*78 9-&9 <-*3 >4: ,4 4:9 94 9-* 4 438.)*78 9-&9 <-*3 >4 4: ,4 4:9 94 9-* 41 41) '&11 ,&2* >4: 7* <.11.3,1> &88:2.3, ) '&11 ,&2* >4: 4 7* <.11.3,1> &88:2 2.3, 99-* 7.80 4+ .3/:7> 47 )*&9- 3 -* 7.80 4+ .3/:7> 47 )*&9- 3 11 11.34.8 <&8 '7.*A> &3 *=(*59.43 <.9- 1.34.8 <&&8 '7.*A> &3 *=( = *59.43 <.9- 51 51&.39.D8 <.33.3, 1&<8:.98 &,&.389 '49- 1&.39.D8 <.33.3, 1&&<8:.98 < &,&.389 '49- 99-* %-.9* #4= &3) :'8 +47 +4:1 '&11 -* %-.9* #4= &3) :'8 +4 47 +4 4:1 '&111 .3/ .3/:7.*8 $-&9 <&8 3.55*) .3 9-* ':) 9-* 3/:7.*8 $-&9 <&&8 3.55*) .3 9-* ':) ) 9-* ++4114<.3, >*&7 '> 9-* 11.34.8 &8*'&11 4114<.3, >**&7 '>> 9-* 11.34.8 &8*'&&11 & &(.1.9> .&'.1.9> (9 $-.8 8-.*1)*) 9-* &(.1.99>> .&'.1.99>> (9 $-.8 8-.*1)*) 9-* (1: (1:'8 +742 2489 +4:1 '&11 1.9.,&9.43 9-* :'8 +742 2489 +4:1 4 '&11 1.9.,&9.43 9-* 9 1*, 1*,.81&9:7* *;.)*391> 9&0.3, 9-* ;.*< ,.81&9:7* *;.)*391> 9&0.3, 9-* ;.*< 99-&9 +742 143, 8&) *=5*7.*3(* -.(&,4 -&9 +742 143,, 8&) *==5*7.*3(* -.((&&,4 '& '&8*'&11 +&38 8-4:1) 034< 94 *=5*(9 9-* &8*'&11 +&38 8-4:1) 034< 94 *==5*(99 9-* <4 <4789 4789



metroactive.com | sanjose.com | metrosiliconvalley.com | APRIL 4-10, 2012

74

We know what makes you smile :)

Waking up in the home of your dreams. America’s Fastest Growing Mortgage Company

1IPOF t HVBSBOUFFESBUF DPN DBNQCFMM /.-4 /BUJPOXJEF .PSUHBHF -JDFOTJOH 4ZTUFN *% t $" -JDFOTFE CZ UIF %FQBSUNFOU PG $PSQPSBUJPOT VOEFS $BMJGPSOJB 3FTJEFOUJBM .PSUHBHF -FOEJOH "DU -JD


75

Jen Anderson

Alex Stover

K_\ YXe[ =@<I:< :I<8KLI<J gcXp\[ Xk 8IK 9FLK@B@ fe JXkli[Xp%

G_fkf^iXg_\i A8@ K8EAL Zi\Xkfi f] k_\ =`cd Gfi M`[X gi`ek \oZ_Xe^\ nXj Xdfe^ k_\ Xik`jkj n_f [`jgcXp\[ nfib Xk k_\ 9C8:B 9IFNE .$p\Xi Xee`m\ijXip Xik j_fn fe JXkli[Xp%

;FE ?8IFC; i\Z\`m\j Xe XnXi[ ]fi _`j 9J8 dfkfiZpZc\ Xk k_\ :CL9D8Eテ開 8CC$9I@K@J? DFKFI:P:C< J?FN fe JXkli[Xp%

APRIL 4-10, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com

Jessica Shirley-Donnelly

metroactive SVSCENE


YXZb gX^\

Orchid Design Spring Open Orchid Greenhouse Saturday Apr. 7th 10am–4pm

1361 Plum St. San Jose

!# " " " & " % $ ! " & ' " & ! !" " !

Many Orchids in bloom: special Australian fragrant Dendrobiums & Peloric, Pendulous Cymbidiums...

408.476.7153 ORCHIDesign.com

&'&)


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.