Architecture and Urban Planning Portfolio

Maria Fernanda Fracassi Pietrobelli architecture, landscaping & urban planning fracassi.pietrobelli@gmail.com +39 3278687343 Via Ezio Vanoni, 47B Castione Andevenno SO, Italy

The Fallen Church 2021 Reuse Italy - Competition Reuse The Fallen Church Location: Grottole, MT, Italy Collaboration with: Maria Victória de Oliveira Penteado

Chiesa Diruta is a catholic church built in Grottole (MT) in the 15th century, in order to host the local community of clergymen. It suffered a lot of damages due to earthquakes, fires and building issues so it was soon abandoned. Participants of this competitions are asked to reuse this space as a Concert Hall.

This project is based on the Brandian principles of restoration: minimal intervention, distinction and reversibility. The main material chosen for the proposal was metal painted in mint green - a color that reflects the Mediterranean landscape. The intervention’s kept distant from the structure and only touches it at strategic support points.

The first design decision made was the location of the stage under the oculus of the ruin, which stands out for its height in the building and surroundings. The nave’s space was then reserved for the audience, in a distribution similar to that of a church with its altar and pews.

Part of the façade collapsed as a result of an earthquake more than 30 years ago. It was decided not to intervene on it in a way that would fill it or hide the shape, embracing the void and transforming it into the main access of the project, accepting the effects of the passage of time.

The concert space was raised one floor above the ground, as a strategy to free the nave on the ground floor and transform them into a large covered square, which became the essence of the project. This way, the view is wide and uninterrupted for the entire length of the ruin. The free ground floor is also an invitation for the local community to appropriate the space and a possible venue for events.

The project’s roof is low and translucent, supported on the wide walls of the ruin and respects the hierarchy of the building’s heights. Aiming for a better sound quality, acoustic panels were suspended in the structure of the roof itself.

The administration and other storage areas are located in the underground floor, that has a generous ceiling height and was partially subdivided to better accommodate these uses. Some totems in the open portion of the underground, so that the visitor can buy their tickets and get information.

Finally, the proposal offers a space for everyone, whether they are visitors or residents of Grottole, a meeting point that the community can appropriate in everyday life and perceive the ruin in unprecedented perspectives.

2

Independent Work <

10 1

18 -07,10

-07,10

-08,10

15

-05,40

-07,10

10

6

7

11 14

-08,10

-08,10

-08,10

-08,10

16

00,00

8

19

19

14

-08,10

-08,10

14 -08,30

-08,30

-08,10

-08,10

12

-08,30

4 00,00

18

18

Underground 2

Underground 1

Ground Floor Plan

3

00,00

18

04,00

5

07,50

14

9 17 9

00,00

05,78

04,00

13

2

04,90

20 04,90

14

5

05,78

14 4 00,00

00,00

4 00,00

First Floor Plan This project was developed using Archicad, Cineware, Illustrator and Indesign

00,00 00,00

00,00

Second Floor Plan 1. administration 2. audience 3. backstage 4. backstage access 5. backstage restroom 6. bar 7. bar’s terrace 8. covered square 9. dressing room 10. garden

11. gift shop 12. main access 13. projection room 14. public access 15. public restroom 16. reception 17. stage 18. storage 19. totems 20. walkway

3

Semico;on House 2021 Bee Breeders - Competition Home for the Blind Location: Curitiba, PR, Brazil Collaboration with: Maria Victória de Oliveira Penteado

In order to better anchor the project, we imagined a fictitious blind occupant who would live and work on the same site, which would entail two spaces in consonance. The client, Cecília, teaches music to children, both privately and in small groups.

The location chosen for the project is Curitiba, one of the southern state of Paraná. The city is currently experiencing a water crisis. Since May 2020, water rationing has been in effect and as of yet there is no end date in sight.

n house n house

Some essential guidelines were then stipulated to look for a suitable site: it should be in a central and dynamic area semco ; o that n hisoclose u s e to s e maclink o ; to o nthehproposed ouse schools - as to establish commercial activity. The surroundings should semco;on house also exhibit low and uniform buildings, both residences and local commerce, in order to avoid the typical noises of denser regions and to guarantee the house’s access to sunlight.

Finally, the lot itself should be medium-sized and include a Araucária, a protected tree that is the symbol of the state, to integrate the design and strengthen its ties to nature and the location.

;on ;on house house ;on house

titious blind occupant who l two spaces in consonance. titious blind occupant who ately and in small groups. l two spaces in consonance. to our alma mater and in ately and in small groups. tal in Brazil, located in the to oura alma in ncing watermater crisis.and Since tal Brazil, located inwho the titious blind occupant yetin there is no end date in ncing a water crisis. Since l two spaces in consonance. yet there is no end date in ately and in small groups. or a suitable site: it should to our mater and in ols - asalma to establish a link orshould ainsuitable site: it should tal Brazil, in low the gs alsolocated exhibit ols - as to establish aSince link ncing a water crisis. merce, in order to avoid the gs should also exhibit low yet thereaccess is no to endsunlight. date in house’s merce, in order to avoid the de a Araucária, a protected house’s to sunlight. sign andaccess strengthen its ties or aa Araucária, suitable site: it should de a protected ols -and as to establish its a link sign strengthen ties gsod,should exhibit whichalso is close to low the merce, in order avoid the residential andtohouses od, which is close to the house’s access toAraucária sunlight. a medium-sized residential andan the de a Araucária, ahouses protected thus creating auditory a medium-sized Araucária sign and strengthen its area of the lot allow it, ties we thus an Oswaldo auditory piredcreating by the Casa area tself.of the lot allow it, we od, which close to the pired by theisCasa Oswaldo residential spaces thatand formhouses patios the for tself. a medium-sized cária, honoring itsAraucária presence spaces thatThe form patios for thus creating anspaces auditory the house. are cária, its presence area ofhonoring thedegrees, lot allow it, we every 10 creating the spaces are theThe Casa Oswaldo epired as house. a by whole. every 10 degrees, creating tself.

On the former, it is eareas. as a whole. spaces that form patios for ndicated as another source areas. theaits former, it is cária, honoring presence There isOn also circulation ndicated another source the The spaces are re a house. clear as abrasive anti-slip There is also a circulation every 10indicated degrees, creating th is also through re a clear anti-slip en as a whole. order toabrasive acoustically and th is also indicated through two sheets of reforestation On the former, and it is nareas. order to acoustically le insulating material. ndicated asof another source two sheets reforestation There isand alsoenvironmental a circulation ultural le insulating material. re a clear abrasive raná was one of theanti-slip largest ultural environmental th isMoreover, alsoand indicated through 0s. the regional raná wastois one of the largest n order acoustically and the state strongly linked 0s.

Moreover, the regional two sheets of reforestation he titular traditional house the state is strongly linked le insulating on and, whenmaterial. reinterpreted he titular traditional house ultural and environmental on and, when reinterpreted wasfrom one of the largest draná comes reforestation 0s.

Moreover, regional tension, whichthe reduces the dth comes from reforestation the state is strongly linked few adaptation processes reduces the he titularwhich traditional house stension, minimized, consequently th few adaptation processes on and, when reinterpreted bility in the project, taking s minimized, consequently bove, reservoirs for storing bilityincluded. in the project, taking were d comes from reforestation bove, reservoirs for storing tension, which reduces the were included. th few adaptation processes s minimized, consequently bility in the project, taking bove, reservoirs for storing were included.

pant who sonance. groups. pant who er and in sonance. ed in the groups. sis.

Since

d date er and in ed in the sis.

Since it should d date in sh a link

hibit low avoid the it should sunlight. sh a link protected hibit low n its ties avoid the sunlight. protected e to the n its ties ouses the

Araucária eauditory to the ow it, the we ouses Oswaldo Araucária auditory ow it, we patios for Oswaldo presence

e

03 03

03

paces are creating patios for presence paces mer, itare is creating

06

02

06

02

03

10

09

semco;on hous semco;on hous

04 05

06

11

12

11

12

13

05

11

16 16

plan

03

01

14

13

10 13

14

12

15

01

15 14

17 17

15

03

02 06

18 18

16 17

PROJETO

02

19 18

19

PROJETO ENDEREÇO

#Endereço Completo do Terreno

20 19

21

21

07

09 08

23 23

do Terreno

CLIENTE

#No #Cidade do Terreno

#No

#Nom #N #Nom #N

ARQUITETO

N

N

N

23

plan 1:125 plan 1:125

plan 1:125

Pavimento Térreo (2) Escala: 1:150 Pavimento Térreo (2)

0.

0.

Modificado por

Data

N° Revisão

Descrição

Modificado por

Data

N° Revisão

Descrição

Modificado por

Data

09 ARQUITETO FASE PROJETO

EP | Estudo Preliminar

Escala: 1:150

0.

Pavimento Térreo (2) 03

02

FASE PROJETO EP | Estudo Preliminar CONTEÚDO

12

11

10

03

01 01

Descrição

01

FASE PROJETO RESPONSÁVEL

EP | Estudo Preliminar #Primeiro Nome do Projetista

Escala: 1:150

RESPONSÁVEL CONTEÚDO #Primeiro Nome ARQUIVO DIGITAL

02

03

10 13

05

04

05

04

05

11

do Projetista

Ponto e Vírgula.pln

12

ARQUIVO DIGITAL

Ponto e Vírgula.pln

14

RESPONSÁVEL

#Primeiro Nome do Projetista ARQUIVO DIGITAL

section 1:125 section 1:125

#Nom #N

P P

CONTEÚDO

02 04

0

#No

CIDADE

ARQUITETO

N° Revisão

#Nom

CLIENTE

22

Ponto e Vírgula.pln

13

14

#Nome do Projeto ENDEREÇO

#Endereço Completo do Terreno

CIDADE PROJETO

#Cidade do Terreno CLIENTE ENDEREÇO

#Endereço Completo do Terreno

FASE PROJETO ARQUITETO EP | Estudo Preliminar CONTEÚDO

16

ESTADO

#Estado do Terreno

#Nome do Projeto #Nome Completo do Cliente

CIDADE

ESTADO

#Cidade do Terreno ARQUITETO CLIENTE

#Estado do Terreno #Nome Completo do Projetista #Nome Completo do Cliente #Nº Registro do Projetista

ESCALA

1:100 #Nome Completo do Projetista #Nº Registro do Projetista

DIMENSÃO DA FOLHA

A0

Elevações

PROJETO RESPONSÁVEL

#Primeiro Nome do Projetista FASE PROJETO

DATA

04/12/2021 #Nome do Projeto ESCALA 1:100 REVISÃO

ENDEREÇO EP | Estudo Preliminar ARQUIVO DIGITAL #Endereço Completo do Terreno Ponto e Vírgula.pln CONTEÚDO

FOLHA

02

DIMENSÃO DA FOLHA

A0

Elevações CIDADE

RESPONSÁVEL #Cidade do Terreno #Primeiro Nome do Projetista CLIENTE

ARQUIVO DIGITAL

Ponto e Vírgula.pln

GSEducationalVersion

#Cidade do Terreno ENDEREÇO CIDADE #Endereço Completo CLIENTE

20

22

PROJETO

GSEducationalVersion

PROJETO

#Cidade do Terreno

22

0 #Nom #Nom

ENDEREÇO

06#Endereço Completo do Terreno CIDADE

21

section 1:125

plan

07

08

20

semco;on house

4

DESCRIÇÃO

07

08

01 avenida prefeito omar sabbag - busy and noisy section 02 square 03 cross botanical garden 01 section ventilation 02 water tank above master 01 cross ventilation bathroom 02 03 water gutterstank above master bathroom 04 GSEducationalVersion wall filled with insulation 03 gutters section 05 GSEducationalVersion path indication on the wall 04 wall filled with insulation 01 ventilationon the wall 05 cross path indication 02 water tank above master bathroom 03 gutters 04 GSEducationalVersion wall filled with insulation 05 path indication on the wall

REV.

05

09

10

DESCRIÇÃO

07

08

09

DESCRIÇÃO

REV.

04

07

08

REV.

The floor has different layouts in the private and social areas. On the former, it is uniform, while on the latter the 10-degree modules are indicated as another source of orientation,

04

03

01

02

01 vegetable garden plan 02 grass 01 03 vegetable deck with garden hammock and sun 02 grass loungers 03 with hammock and sun 04 deck pebbles loungers reservoir - 156l plan 05 rainwater 04 master pebblessuite 06 01 rainwater vegetable garden 05 reservoir - 156l 07 master bathroom 02 master grass 06 08 laundrysuite 03 master deck with hammock and sun 07 09 kitchen bathroom loungers 08 laundry 10 tile 04 kitchen pebbles 09 11 path 05 rainwater reservoir - 156l 10 12 tile social patio and dining area 06 master suite 11 13 path living room 07 social masterpatio bathroom 12 and dining area 14 laminate 08 living laundry 13 15 mediaroom and guest room 09 laminate kitchen 14 16 entrance hall 10 media tile 15 and guest room 17 guest bathroom 11 entrance path 16 hall 18 toilet 12 guest social patio and dining area 17 19 music bathroom school 13 toilet living room 18 20 parquet 14 music laminate 19 school 21 grasscrete 15 media and guest room 20 22 parquet araucaria with wind chime 16 entrance hall 21 23 grasscrete possible parking space for 17 araucaria guest bathroom 22 withguests wind chime students and 18 possible toilet 23 parking space for 19 students music school and guests 20 parquet 21 grasscrete 22 araucaria with wind chime site plan parking space for 23 possible studentsprefeito and guests 01 avenida omar site plan sabbag - busy and noisy 01 avenida 02 square prefeito omar - busy and noisy 03 sabbag botanical garden 02 square 03 botanical garden site plan

The house is formed by two arch segments and negative spaces that form patios for different uses. One of the arches is centered on the Araucária, honoring its presence by emphasizing its location when circulating around the house. The spaces are divided in the same rhythm as the roof, which has beams every 10 degrees, creating uniform modules that support the structure of the house as a whole.

03

01

01

Therefore, we chose the Jardim Botânico neighborhood. The selected site has a medium-sized Araucária in the front, where we implemented a wind chime, thus creating an auditory landmark upon arrival. We chose to build a one-story house with a radial layout, inspired by the Casa Oswaldo Navarro, by the Memorial de Curitiba, and by the tree itself.

ESTADO

DATA #Estado do Terreno 04/12/2021

#Nome Completo do Cliente REVISÃO

FOLHA

02

15

Independent Work < 15

17

P

;on house semico;on house semico;on house semco;on house

since those areas are large and open. There is also a circulation path marked throughout the house and the school where a clear abrasive tious blind occupant who wo spaces in consonance.

01 anti-slip coating was applied, giving it a ely and in small groups. different texture. The path is also indicated o our alma mater and in texture on the wall and furniture al in Brazil, locatedthrough in the In order to better anchor the project, we imagined a fictitious blind occupant who 02 cing a water crisis.at Since would liveorder and workto on the same site, which would entail two spaces in consonance. a height of 1.10m.

In acoustically et there is no end date in The client, Cecília, teaches music to children, both privately and in small groups. and thermally insulate the building, the walls The location chosen for the project is Curitiba, home to our alma mater and in sheets of asreforestation r a suitable site: it are shouldmade with two our country of origin requested. It is the coldest capital in Brazil, located in the ls - as to establishwood a link southern state of Paraná.

The city is and currently experiencing a water crisis. Since 08 03 01 and filled with PET wool, a recycled May 2020, water rationing has been in effect and as of yet there is no end date in should also exhibit low 04 recyclable insulating material. sight. rce, in order to avoid the

semco;on house

In order to better anchor the project, we imagined a fictitious blind occupant who Some essential guidelines were then stipulated to look for a suitable site: it 09 should would live and work on the same site, which would entail two spaces in consonance. be in a central and dynamic area that is close to schools - as to establish a link The client, Cecília,was teachesmade music to children, both privately and in small groups. choice of using 06 to the wood proposed commercial activity. due The surroundings should also exhibit low 05residences and uniform buildings, both and local commerce, ordermater to avoid The location chosen for the project is Curitiba, home to ourinalma andthe in to historical, cultural and environmental typical noises denser regions and to the guarantee the house’s access to sunlight. our country of of origin as requested.

It is coldest capital in Brazil, located in the d, which is close to the 07 reasons. It is 08a material abundant inis currently the andexperiencing Finally, the lot itself shouldThe be medium-sized include a Araucária, a protected southern state of Paraná. city a water crisis.

Since esidential and houses the tree is water the symbol of the and its ties May that 2020, rationing hasstate, beentoinintegrate effect andthe as design of yet there is no end date in 11 10 strengthen medium-sized Araucária state, in fact, Paraná was one of the largest to nature and the location. sight.

ouse’s access to sunlight. a Araucária, a protected gn and strengthen The its ties

03

04

06

05

07

02

semico;on house

hus creating an auditory producers of09the material inguidelines the the world during Therefore, we chose Jardim Botânico neighborhood, close to the Some essential were then stipulated to look for a which suitableissite: it should ea of the lot allow it, we and has access to services.

It is mainly residential and houses the be the incenter a central and easy dynamic area that is close to schools - as to13establish a link ired by the Casa Oswaldo the 70s. Moreover,city regional movement 14 botanical garden it is named after.

The The selected site has a medium-sized Araucária to the proposed commercial activity. surroundings should also exhibit low elf. to highlight the symbols and the identity of in front, buildings, where weboth implemented wind chime, thus creating an avoid auditory andthe uniform residences aand local commerce, in order to the paces that form patios for landmark uponof arrival.

Since theand topography and the of the lot allow it, we typical noises denser regions to guarantee the area house’s access to sunlight. the state is strongly linked to the vernacular ria, honoring its presence chose build one-story house with a radial layout, inspired by the Casa Oswaldo Finally,tothe lot aitself should be medium-sized and include a Araucária, a protected 12 11 10 e house. The spaces are construction method using The titular Navarro, bythe thewood.

Memorial de Curitiba, by thethe tree itself.and strengthen its ties tree that is symbol of the state, to and integrate design every 10 degrees, creating to nature and the location.

The houseParaná is formed byis twoa arch segments and negative spaces that form patios for traditional house from wooden 16 as a whole.

13 uses. of the is centered the Araucária,which honoring its presence Therefore, we One chose thearches Jardim Botânico on neighborhood, is close to the 14 different house.

It serves as an inspiration and, when 17 by its easy location when circulating house. The spaces the are cityemphasizing center and has access to services.

It isaround mainly the residential and houses areas. On the former, it is plan In order to better anchor the project, we imagined a fictitious blind occupant who divided ingarden the same rhythm the roof, which hassite beams 10 degrees,Araucária creating botanical itvalues is namedasafter.

The selected has aevery medium-sized dicatedwould as another source reinterpreted for this project, the local live and work on the same site, which would entail two spaces in consonance.

01 vegetable uniform modules thatwe support the structure of the housethus as acreating whole. an auditory in thegarden front, where implemented a wind chime, here is The alsoclient, a circulation 15 Cecília, teaches music 02 to children, both privately and in small groups. culture. grasslandmark upon arrival. Since the topography and the area of the lot allow it, we a clear abrasive anti-slip The has different layouts in the private and social areas. On the former, it is 03 isdeck withfloor hammock and sun chose to build one-story house and within a radial layout, inspired by the Casa Oswaldo location chosen for the project Curitiba, home to aour alma mater is alsoThe indicated through uniform, while on the latter the 10-degree modules are indicated as another source by theinMemorial de Curitiba, ouracoustically country of origin the Navarro, coldest capital Brazil, located in the and by the tree itself. order to and as requested.16It isloungers of orientation, since those areas are large and open. There is also a circulation pebbles southern state of Paraná. The the city04is currently experiencing a water crisis. Sincethe Regarding environmental reasons, wo sheets of reforestation 17 house path marked throughout thearch house and theand school where a clear abrasive anti-slip The is formed by two segments negative spaces that form patios for 05 inrainwater - 156lis no end date in May material.

2020, water rationing has been effect andreservoir as of yet there insulating coating was applied, it a different texture.

The path is also indicated through different uses.

One ofgiving the arches is centered on the Araucária, honoring its presence chosen wood comes from reforestation and sight.

06 master suite texture on the wall furniture at circulating a height of around 1.10m. In to acoustically by emphasizing its and location when theorder house.

The spaces and are 18 ltural and environmental 07 stipulated master bathroom Paraná reforestation in almost thermally the building, the walls are made with two sheets of reforestation divided in insulate the same rhythm as it the roof, which has beams every 10 degrees, creating Some essential guidelineshas were then to look forforests a suitable site: should aná was one of the largest 08 laundry wood filled -with wool,the aarecycled and recyclable insulating uniform modules that support structure of the house as a whole. material. be in a central area that is which close toand schools as toPET establish link alland itsdynamic extension, reduces the impact . Moreover, the regional 09 kitchen to the proposed commercial activity.

The surroundings should also exhibit low The choice of using wood was made due to historical, cultural andthe environmental floor has different layouts in the private and social areas.

On former, it is he stateand is strongly linked 10 tile construction, both because it tothe uses uniformof buildings, both residences and local commerce, in order avoid thea reasons. is a material abundant in the state, in fact, Paraná was as one of the largest uniform,Itwhile on the19latter 10-degree modules are indicated another source titulartypical traditional 11 topath noiseshouse of denser regions and guarantee the house’s access to sunlight. material with12 few adaptation processes producers the material in the are world during the 70s.

Moreover, regional ofpatio orientation, since those areas large and open.

There is also athe circulation n and, when reinterpreted social andofdining area Finally, the lot itself should be medium-sized and include a Araucária, a protected movement to throughout highlight the and the the school identity of thea state strongly linked path marked thesymbols house and where clear is abrasive anti-slip 21 13to living room tree that is the of the state, integrate theand design and strengthen its ties forsymbol civil construction, because the to the vernacular construction method using wood.

The is titular traditional house coating was applied, giving it a different texture.

The path also indicated through 14 laminate nature and the location. comes to from reforestation from Paraná is wall aconsequently wooden house. Itatserves as an and, when reinterpreted texture on the and 20 furniture a height ofinspiration 1.10m. In order to acoustically and displacement15is media minimized, and guest room nsion, Therefore, which reduces the the Jardim Botânico for this project, values the local the culture. thermally insulate the building, we chose neighborhood, which is close to walls the are made with two sheets 22 of reforestation 16 entrance hall reducing its carbon footprint.

Also few adaptation and filled with PET wool, a recycled and recyclable insulating material. city centerprocesses and has easy access to services. wood It is mainly residential and houses the Regarding the environmental reasons, the chosen wood comes from reforestation 17 bathroom 21 botanical garden it is named after.

The guest selected site has ain medium-sized Araucária minimized, consequently concerning sustainability the and has reforestation almost all its extension, which reduces the The Paraná choice of using wood project, wasforests made in due to historical, cultural and environmental 18 toilet in the front,taking where we implemented a wind chime, thus creating an auditory lity in the project, impact ofthe both because uses a material fewwas adaptation processes reasons.

Itconstruction, is a material abundant in it the state, in fact, with Paraná one of the largest music school taking consideration in landmark arrival. in Since the 19 topography and the areasituation of the lot allow it,the we ve, reservoirs forupon storing for civil construction, and because the displacement is minimized, producers of the material in the world during the 70s.

Moreover, consequently the regional 22 20 parquet chose to build a one-story house with a radial layout, inspired by the Casa Oswaldo ere included. city mentioned reservoirs for storing reducing itstocarbon footprint.

Also concerning sustainability in the project, taking movement highlight the symbols and the identity of the state is strongly linked 21 above, grasscrete Navarro, by the Memorial de Curitiba, and by the tree itself. in the situation in the cityusing mentioned above, reservoirs for storing to consideration thewith vernacular construction method wood. The titular traditional house 22 araucaria wind chime rainwater connected to the gutter systems in rainwater connected to the gutter systems roofs were included. from Paraná is23a wooden house.

It serves inspiration and, when reinterpreted The house is formed by two arch segments and negative spaces that form patios for asinanthe 23 possible parking space for for thisAraucária, project, values the local culture. different uses.

Oneroofs of the arches is centered on the honoring its presence the were included. students and guests by emphasizing its location when circulating around the house. The spaces are Regarding the environmental reasons, the chosen wood comes from reforestation divided in the same rhythm as the roof, which has beams every 10 degrees, creating Plan which reduces the and Paraná has reforestation forests in almost allN itsplan extension, uniform modules that support the structure of the house as a whole.

This project was developed using Archicad, impact of construction, both because it uses a material1:125 with few adaptation processes forand civil construction, becauseitthe is minimized, consequently The floor has different layouts in the private social areas. On and the former, is displacementplan Cineware, Illustrator and Indesign reducingare itsindicated carbon footprint.

Also concerning sustainability in the project, taking uniform, while on the latter the 10-degree modules as another source plan site planin consideration the situation in the city mentioned01 vegetable garden above, reservoirs for storing of orientation, since those areas are large and open. There is also a circulation 1:125 02were grass connected the gutter systems in the roofs included. path marked throughout the house the rainwater school where a clear to abrasive anti-slip 01andavenida prefeito omar 03 deck with hammock and sun coating was applied, giving it a differentsabbag texture.

The path also indicated through - busy and isnoisy loungers texture on the wall and furniture at a height of 1.10m.

In order to acoustically and Section Cut 02 square 04 pebbles Escala: 1:150 thermally insulate the building, the are made with two sheets of reforestation 03walls botanical garden 05 rainwater reservoir - 156l wood and filled with PET wool, a recycled and recyclable insulating material.

06 01 master suite The choice of using wood was made due to historical, cultural and environmental 07 master bathroom 01 03 It is a material abundant in the state, in fact, Paraná was one of the largest reasons.

08 laundry 03 01 02 producers of the material in the world during the 70s. Moreover, the regional 09 kitchen 03 02 movement to highlight the symbols and the identity of the state is strongly linked 10 tile section 02 to the vernacular construction method using wood. The titular traditional house 11 path cross ventilation from Paraná is a wooden house. It01 serves as an inspiration and, when reinterpreted 12 social patio and dining area 04 02 water tank above master for this project, values the local culture.

13 living room bathroom 14 laminate 04 wood05 Regarding the environmental reasons, the chosen comes from reforestation 03 gutters 15 media and guest room and Paraná has reforestation forests inGSEducationalVersion almost all its extension, which reduces the 04 wall filled with insulation 16 entrance hall 01 impact of construction, both because it uses a material with few adaptation processes 17 guest bathroom 05thepath indicationisonminimized, the wall consequently for civil construction, and because displacement 03 18 toilet 02 reducing its carbon footprint. Also concerning sustainability in the project, taking 19 music school section in consideration the situation in the city mentioned above, reservoirs for storing section 20 parquet plan 1:125 > Independent WorkinN thesite rainwater connected to the gutter systems roofs were included.

1:125 21 grasscrete 1:5000 22 araucaria with wind chime 23 possible parking space for students and guests N° Revisão

Descrição

N

0.

0.

Pavimento Térreo (2)

Modificado por

Data

12

semco;o 15

01

plan

18

01 vegetable garden 02 02 grass 03 deck with19 hammock and sun loungers 04 pebbles 05 rainwater reservoir - 156l 08 06 master suite 20 07 planmaster bathroom 08 laundry 09 01 vegetable garden 09 kitchen 02 grass 10 tile 03 deck with hammock and sun 11 path loungers 12 social patio and dining area 04 pebbles 13 living room 05 rainwater reservoir - 156l 14 laminate 06 master suite 11 10 15 media and guest room 07 master bathroom 16 entrance hall 23 08 laundry 17 guest bathroom 09 kitchen 13 18 toilet 10 tile 19 music school 11 path 20 parquet 12 social patio and dining area 21 grasscrete 13 living room 22 araucaria with wind chime 14 laminate 23 possible parking space for 15 media and guest room students and guests 16 16 entrance hall 17 guest bathroom 18 toilet 19 music school 20 parquet Escala: 1:150 site plan 21 grasscrete 22 with wind chime 01 araucaria avenida prefeito omar 23 possible sabbag - parking busy andspace noisyfor students and guests 02 square

14

1

Pavimento Térreo (2)

03 botanical garden 03

site plan section 01 avenida prefeito omar sabbag - busy and noisy 05 ventilation 01 cross 02 water squaretank above master 02 03 bathroom botanical garden 22

03 gutters 04 GSEducationalVersion wall filled with insulation 05 path indication on the wall section

5

01 cross ventilation 02 water tank above master bathroom 03 gutters

2

Arquivo Arquitetura

Location: Rua Marechal Deodoro, 771, Centro

Since 2019 I work as a researcher and designer in the UTFPR Research Group, Arquivo Arquitetura. This group is coordinated by Profa.

Dra. Giceli Portela and produces, systematizes and makes available an inventory of Architectural Historical Heritage in the city of Curitiba. In addition to the production and standardization of the drawings for easy understanding, the group provides technical material for downloading from students and/ or professionals in the field. Find out more at https://www.arquivoarquitetura.com.

Situation: Existenting and Preserved

Period: 1939

Stolz House Introductory training exercise for students entering the Projeto Arquivo in 2019. The first picture is the frontal elevation and the others show interesting details of the building’s facade. Made using AutoCad and Illustrator.

Location: Rua Generoso Marques, 87, Centro Period: After 1920 Situation: Existing and Preserved

Santa Maria Chapel Belonging to Colégio Sion in the beginning of the 20th century, the land was acquired by the Marist brothers in 1924, the building got a renovation in 1930, and the chapel was inaugurated in 39. In the 1940s, the building was expanded several times. In 58, the property of Colégio Sion was demolished, for the construction of a 6-storey building. The school was relocated in 1983. It was acquired by the City of Curitiba in 98. The Chapel of Santa Maria was reinaugurated in 2008 during the Music Workshop of Curitiba.

6

Academic Work <

Kellers Street, 351 This house is located near Largo da Ordem, in the historic center of Curitiba. Unlike the other contributions, the entire on-site survey, technical design and post-production were made specially for publishing online. Like most drawings for Arquivo Arquitetura the Softwares used were AutoCad and Illustrator Location: Rua Kellers, 531 Situation: Existenting and Preserved

Historical Heritage and Restoration School & Arts School In group, Arquivo Arquitetura team made a physical model of the new research center that is located in Largo da Ordem. Partnered with the city hall, this hystorical building was remodeled from being a restaurant to be a production and exposition university space.

The model is 1:75 scale, made in expanded polystyrene with plaster finish. It’s exposed along with other models made by the team and students of the UTFPR Historical Heritage and Restoration discipline.

Location: Rua Kellers, 63 Period: Late 19th Century Situation: Existing and Preserved Collaboration with: Bruno Sobota, Daniel Ussler, Guilherme Pinto, Gustavo Cesso and Thiago Aust

> Academic Work

7

Contenda’s Park 2018 Landscaping 2 - UTFPR Location: Contenda, PR, Brazil Collaboration with: Ana Julia Gomes, Andressa Uhlick, Gustavo Machado and Matheus Namur

The challenge of the discipline was to design a park with an integrated school in a small city in the metropolitan region of Curitiba, Contenda - a town with 15000 inhabitants. As the terrain is in the urban limits, the biggest project inspiration was the concept of fading

and gradual transformation. This concept was expressed in full and empty, positive and negative spaces in the different pavements of the park that change according to use.

The change in colors, presence and absence, difference in texture creates a feeling of fluidity and perception of change when walking trough the space, realizing different uses.

At the center of the project is a landmark that, in addition to different paving and perfect circular shape, also has the tallest light of the park. This landmark divides the uses of sports (with skating rink and skatepark, sports courts and the school gym), living area and walking circuit.

Finally, interrupted paths were connected and a observatory built in the upper area, of ​​ environmental preservation, bringing a tourism and leisure use to the space.

This project was developed using: Autocad, Illustrator and Lumion

Square Plan 8

Academic Work <

First Floor Plan

Site Plan

Lighting Plan > Academic Work

9

Dr. Pádua Salles Elementary School

Municipal

2019 Final Graduation Project Location: Jaú, SP, Brazil Advisor Professors: Profa Dra Giceli Portela and Prof Rodrigo Ramon Rodrigues

At Edgard Ferraz Street, 665, in the heart of Jaú, in the central region of the state of São Paulo, the Municipal Elementary School Dr. Pádua Salles was built, the city’s first public school. It was founded in 1903, designed by the engineer and writer Euclides da Cunha and has been operating since then with few hiatus. According to surveys available on the official website of CONDEPHAAT, the building belonged to the State and occupied an area of​​ 1702 square meters.

The school is one of the members of a group of 126 public schools built by the Government of the State of São Paulo between 1890 and 1930 that share cultural, historical and architectural meanings. These buildings express the innovative and model character of public educational policies that, during the First Republic, were recognized as inherent to the role of the State the promotion of basic education and the training of teachers well prepared for this function.

10

The plans that the city has made available are displayed on the right, showing the historic building on the front and the multiple annexes that were built in the following years and occupying the site in a disorderly manner. There were some design proFirst Floor Plan blems such as the lack of accessibility for wheelchair users, not having any toilets in the main building, the absence of a library Second Floor Plan or sufficiently sized space for meals, therefore the intervention proposal seeks solutions to these flaws.

The decision was to maintain only the historic building and to build a new and completely accessible annex. On the first floor of this annex, a covered cafeteria was located, but with no walls, because Jaú is a very hot city.

On the second floor, a large library with access

Academic Work <

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

Second Floor Plan

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

First Floor Plan

PRODUCED BY AN AUTODESK STUDENT VERSION

Underground Plan PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

for wheelchair users via elevator and, on its right, a stage with a suspended grandstand to rescue the cultural character that previously existed at the school and to stimulate the artistic bias of playing, in addition to creating a space for school events.

As for the historic building, its underground has been transformed into a small laboratory.

On its right side, where there is currently an annex, toilets and administrative spaces were placed. An elevator tower to make the historic building accessible is placed where there used to be a side door. A walkway connects the two blocks and the interventions stand out for the materials and colors: metal, concrete and pink. The design decision to create a large and unique block creates, in the school, a large area of ​​patios and the pavement chosen for them was based on the hydraulic tiles present in the original project.

PRODUCED BY AN AUTODESK STUDENT VERSION

They layouts of the classrooms were replanned using more adaptable furniture for different dispositions, giving the teachers bigger autonomy in the way they want to organize their students. This project was developed using AutoCad, SketchUp Pro and Illustrator > Academic Work

11

Maria Fernanda Fracassi Pietrobelli - architect and urban planner -

email: fracassi.pietrobelli@gmail.com | phone: +39 3278687343 | Via Ezio Vanoni, 47B, Castione Andevenno SO, Italy | 26 years old

Summary of Qualifications

Complementary Courses

Bachelor in Architecture and Urban Planning gratuated in Universidade Tecnológica Federal do Paraná

BIM Para Arquitetos | 2020 Online Archicad training, 40 hours of lessons taught by Graphisoft certified trainer Lucas Bacelar

Academic Training

Furniture Restoration | 2016 Extra-curricular semestral course of restoration ofthe university’s old furniture to preserve and reinset the items in the space of the institution - DADIN UTFPR

Architecture and Urban Plannning | 2013-2019 Universidade Tecnológica Federal do Paraná

Professional Experiences Projeto Arquivo Arquitetura | 2019-present Researcher and designer in the historical heritage and restoration research group at UTFPR. Arquivo Arquitetura is a group that produces, systematizes and provides an inventory of historical buildings in the city of Curitiba Claudia Pereira Arquitetura | 2019-2020 Intern at Claudia Pereira Arquitetura, an architecture studio that works with both residential and comercial projects, interior and furniture design.

C Arquitetura | 2018 A Intern at AC Arquitetura, an architecture studio that focuses in residential projects and interior design Assosia Ltd United Kingdom | 2017 Junior Assistant in Market Research in an interntional tecnology project

Interests Historical Heritage and Restoration Interior design | Furniture Design | BIM Modelling | Sustainability

SketchUp Pro | 2016 20h long training in 3D modelling for architecture at TKS Educação e Tecnologia Autocad 2014 2D e 3D | 2014 80h long training in a certified Autodesk institution at TKS Educação e Tecnologia

Languages Portuguese Native Speaker English Fluent Italian Intermediate

Software Command Adobe | Illustrator Adobe | Indesign Autodesk | AutoCad Epic Games | Twinmotion Google | SketchUp Pro Graphisoft | Archicad Maxon | Cineware