Vol. 96, Issue 4 | September 18 - September 24, 2018
THE STATE OF THE U
‘Hate not welcomed’ ahead of Yom Kippur Opinion // Page 8
Hurricanes’ Turnover Chain part II
News // Page 2
FRENK’S FIRST: University president Julio Frenk addresses the UM community at the inaugural “State of the U” town hall hosted in the Watsco Center Sept. 17. The event incorporated a series of interactive exhibits prior to Frenk’s keynote speech and was followed by an interview with NBC6 anchor and UM alumna Jackie Nespral.
Sports // Page 12 Cameron Tavakoly // Contributing Photographer
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ADMINISTRATION
Frenk holds first ‘State of the U’ address
FRENKLY SPEAKING: President Julio Frenk chats with NBC6 anchor and UM alumna Jackie Nespral at his first annual “State of the U” town hall meeting Monday night. By Emily Dulohery Editor-in-Chief editor@themiamihurricane.com @edulorhery
President Julio Frenk will host the first annual “State of the U” town hall meeting at 5 p.m. Monday in the Watsco Center. The event will incorporate a series of interactive exhibits prior to Frenk’s keynote speech, followed by an interview with NBC6 anchor and UM alumna Jackie Nespral. The night will conclude with a student question-and-answer session and reception. Frenk said he will use the time to dive into the details of the “Roadmap to Our New Century,” a 10-year plan he introduced at another town hall meeting shortly before his inauguration in 2016, and address any comments or concerns students may have.
The Roadmap lays out 11 initiatives, including financial, operational and cultural “Platforms for Success” and projects like “100 Talents,” which promises to introduce 100 endowed faculty chairs over the next decade—like the nation’s first atheism, humanism and secular ethics chair, Anjan Chakravartty, who began his tenure in July. Though the outline of the Roadmap is available on the president’s website, students have not had a chance to formally discuss the details of the plan, and how it might impact them. Frenk said he hopes the State of the U will change that. He first announced the town hall meeting in August, on the second day of classes for the fall semester. “From the new buildings rising on our campuses to the new programs being developed across disciplinary boundaries,
the U is creating the future,” Frenk wrote in his monthly column for The Miami Hurricane. “This is an enormously exciting moment in our history, and I am eager to share the initiatives we are pursuing, answer your questions, and hear your feedback.” Student Government President Evan De Joya said the open-ended discussion is a valuable opportunity for students who might otherwise have very little direct interaction with administration. “It’s rare to be able to ask questions to the president of an institution, so I think it’s a really great opportunity for students to do that, and to learn more about President Frenk’s strategic plan,” De Joya said. The Roadmap has been significant for the university, De Joya said, but now it’s time to hear from those it will affect the most. “I’ve seen it presented to stakeholders;
Cameron Tavakoly // Contributing Photographer
I’ve seen it presented to faculty, but to see the student reaction to it will be interesting,” De Joya said. “I’d be interested to see what the students who are there have to say about it—what their questions are and what the feedback is for his strategic plan.” Though several students said their busy schedules wouldn’t allow them to attend the event in person, nearly half the people The Hurricane spoke to Sunday afternoon said they were glad to know it was happening. “I think it’s important to know what’s going on at the university,” said freshman Anthony Arciero, who said he plans to attend. “I’m new here, so I’m excited to hear about what’s going on, what they’re improving and everything like that.” For more coverage of the State of the U, visit our homepage or check out our virtual edition Tuesday.
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ACADEMICS
UM Law School podcast brings a new approach to news delivery By Benjamin Estrada Contributing News Writer
In a world of instant news, staying informed can be overwhelming. To help, UM Law School recently launched a weekly podcast, the Miami Law Explainer, which aims to make current events easier to digest and understand. “We’re trying to add context and relevance to what you’re seeing on television news and reading in media outlets,” said Catharine Skipp, Director of Media Relations and Public Affairs at Miami Law. The podcast focuses on the legal and historical background of current events. Daniel Ravicher, director of UM Law’s Startup Practicum, said there is a wide range of legal nuances that impact people daily. “Trying to understand almost anything about actions and stories and news has some kind of a legal angle, if not a complete dependency on the legal issues,” said Ravicher, whose program offers legal support to entrepreneurs with new businesses. “As our society is more and more based on laws, regulations and policies, they become more relevant to understanding what’s happening in current events.” The Miami Law Explainer has covered a gamut of current topics. From discussing the citizenship issue with the 2020 census to covering the 3D gun blueprint dilemma, the Explainer aims to offer an indepth perspective that cannot be found in the traditional news cycle. Part of the show’s strength, podcast host Annette Hugues said, comes from its reasonable length. “Options these days for media coverage are either watching the news somewhere or news outlet web pages where
Hunter Crenian // Photo & Visuals Editor LISTEN CLOSE: Law professor Annette Hugues, left, and audio engineer Chris Alzati host Teresa Verges, director of the Investor Rights Clinic, on the Miami Law Explainer podcast on Sept. 13.
the stories can be really long, or Twitter, which can be too short,” said Hugues, who is also the events and conference director of the law school. “With each podcast you’re keeping up with the top headlines in the news in 20 minutes or less.” While each podcas episode is relatively short, Ravicher said the in-depth podcast can act as a countermeasure to the news apathy and misinformation that has risen from the instant nature of modern digital media. “There’s been such a need to be the first one out there, to be the first one to break the story, and that’s disincentivized the real work it takes to write a good story,” Ravicher said. “This is helping to fill that void of
deep understanding that’s been caused by the ‘speed pressures’ that have been put on the news industry,” According to Hugues, by featuring experienced faculty, the Miami Law Explainer provides its audience with something other than the surface-level coverage of social media and television-based news. “We’re tackling the top news headlines one podcast at a time, and our faculty are so fully engaged in their areas of expertise that they can see the big picture and can communicate that in a way that everyone can understand,” Hugues said. For example, in a future episode, law professor Mary
Anne Franks will discuss labor and employment protections for sex workers. Franks has worked as a consultant for companies like Facebook, Twitter and Google on issues of abuse and privacy, and helped draft legislation and advise lawmakers on matters related to online harassment and threats. Skipp said the podcast is a nice way to introduce people to “really cool” members of the law school. “My goal is to increase our profile and make people aware of the gravitas of the faculty that we have working here,” she said. According to Skipp, it took everyone’s collective effort to bring the Explainer podcast to reality.
“Everybody had their little piece of the puzzle and we were able to put it together,” Skipp said. Hugues, a former broadcast reporter, “brought the perfect voice to host the show,” Skipp said, while the podcast’s engineer and editor, Chris Alzati, found the music and works on the sound, and “really gives the show polish.” The Explainer podcast is currently available on iTunes and SoundCloud, and the Law School is working on expanding to Spotify. Students are encouraged to submit their requests and ideas for future podcasts via the Miami Law Explainer’s Twitter page @ UMLawExplainer.
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CAMPUS LIFE
Student-produced Skunk Ape documentary shown at Richter By Samantha Kamath Contributing News Writer
A visual exhibit of “Footprints”, UM student-produced 20-minute documentary, featuring pictures from the movie, general information about it and an evidence board, opened its doors for students at the first floor of the Richter Library. The legend of the Skunk Ape, a Bigfoot-esque creature rumored to lurk in Florida’s swamps, now graces the walls of Richter Library in an exhibit on student-produced documentary “Footprints.” The exhibit, which opened on Sept. 11 on the library’s first floor, features an evidence board and stills from the 20-minute documentary. “Footprints” details the myths surrounding the Skunk Ape, using testimony from archaeologists and witnesses, and sheds light on the communities of people still living in the Everglades – whose livelihoods depend on the popularity of the Skunk Ape yet continuously face threats to their job security. The project was brought to life by executive producers Erika Orstad and Rebekah Chung, associate producer Ben Ezzy and production assistants Sagar Sharma, Andrew Blechman,
Robyn Shapiro and Cory Nigrin. “Rebekah and I had this crazy idea,” said Orstad, a senior broadcast journalism, political science and film major. “She found out about the Skunk Ape. She’d wanted to do this forever.” Although the idea wasn’t accepted at first, after conducting more research, the students were able to start production. They said they had to search for their sources, including archaeologists and Skunk Ape witnesses, and cultivate relationships with them before securing interviews. “Location was another challenge,” said Brown, a senior journalism and motion pictures major. “The Everglades were at least a two-hour drive. We really had to work it out between the eight of us.” Even though they worked against many challenges, every student on the production team said they learned a great deal as well. “It was a great thing to be working on,” said Sharma, a senior broadcast journalism major. “Working and learning about the culture was so informative to me.” From starting the project in a documentary class last January to screening the movie at Cosford Cinema last May and showcasing it at the Richter exhibition, Orstad said she and her
friends have been constantly polishing the project, sometimes working from 7 a.m. to 2 a.m. the next morning to finish the documentary. The exhibit and screening, which have been in the works since June, were organized by the library’s event team and led by Creative Studio manager Vanessa Rodriguez.. The Creative Studio is a space for students to display their multimedia and audiovisual projects. “I ask my staff to be on the lookout for new exhibits, so we can have a new one every semester,” Rodriguez said. “Having student-created exhibits is a great way to decorate the space with things that are not just aesthetically pleasing, but meaningful to the UM community.” Rodriguez said she was personally invested in the documentary as well because Brown is one of her student workers. “Once I saw the documentary, I became really excited about having an exhibit based on it, since I get particularly excited about subjects like cryptozoology,” Rodriguez said. The student team said “Footprints” and the Skunk Ape are a way to bring attention to the concerns of remote Everglades communities, while Orstad said she hopes that this documentary
Samantha Kamath // Contributing Photographer MYTHICAL MOVIE: Madison Brown, Erika Orstad, Ben Ezzy and Sagar Sharma celebrate the opening of the Richter Library exhibit on their “Footprints” documentary.
will challenge audiences to question their own beliefs about the Skunk Ape, and understand and empathize with believers. Brown said she hopes audiences take away the human aspect of the Skunk Ape mythology. “There’s the whole angle of the people living in the Everglades,” she said. “The Bigfoot is one element — that’s not what it’s
about. It’s about the characters.” The film, which was recently submitted to the Sundance Film Festival, has no definite dates yet for future screenings, although the team hopes to see it played again locally at the Miami Film Festival and the Cosford Cinema. The exhibit will remain in the Creative Studio for the rest of the semester.
ENVIRONMENT
Coca-Cola grant to make recycling easier for university By Elina Katrin News Editor news@themiamihurricane.com
In an effort to make recycling easier, 20 new bins – out of 3,250 nationwide – have been distributed within the UM community as part of the 2017 Coca-Cola/Keep America Beautiful Public Space Recycling Bin Grant. Keep America Beautiful is a nonprofit that receives funds from the Coca-Cola Company to increase recycling awareness in the U.S. The grant program started with the goal to help different communities with additional containers to increase the rate of recycling. “For us, one of the issues that we had was that we had opened bins for recycling for outdoor events,” said Teddy Lhoutellier, the university’s sustainability manager.
Lhoutellier explained that when there’s a big outdoor event, such as the weekly farmer’s market, UM puts out additional blue bins to make the recycling process easier and more efficient. However, original bins didn’t have a restrictive opening for cans and bottles – this issue has now been resolved through the Keep America Beautiful Grant. “Most of the time, what we need for events when you have a lot of food going on is a bin with cans and bottles only,” Lhoutellier said. “If you have an open bin, you have a lot of contamination going on. Restrictive opening is the only way to control a little bit more this issue.” These new bins will be used only for outdoor special events. The UM community and its visitors can expect to see new blue recycling bins with restrictive openings on the Whitten University Center patio and Rock Plaza when additional
recycling containers are needed. “Any grant or opportunity to promote the act of recycling and/or education about recycling is extremely valuable to the UM community,” said Stefanie Getz, vice chair of ECO Agency. “Recycling education is one of the major initiatives that various environmental organizations on campus, including ECO Agency, strive to enhance.” The Coca-Cola Foundation and Keep America Beautiful have offered the recycling bin grant program to 1,000 communities across the U.S. to address two of the primary barriers to recycling in public spaces — access and convenience. “Coca-Cola has a long history of supporting community recycling programs in an effort to ensure that our packaging is recycled and reused,” said Bruce Karas, vice president of sustainability for Coca-Cola North America, in a press release sent by the office of sustainability.
According to Lhoutellier, UM has been partnering with Keep America Beautiful for more than five years, with the common goal of encouraging people to recycle more often and making it easier to do so. “Partnerships like these are so important because companies with big names have farreaching power,” said Getz, a senior environmental engineering major. “I love to see that corporations like Coca-Cola are making an effort to increase sustainability and awareness on the topic.” She said she hopes that other UM students are excited and inspired by this recycling opportunity to make a positive change. She also encourages anyone with questions, ideas or other comments about recycling to reach out to the ECO Agency. “I hope that we’ll have a better way of recycling for outdoor events with those bins,” Lhoutellier said.
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The U.S. News & World Report’s annual college rankings were recently released—and saw the University of Miami drop seven points to our new spot of No. 53. But what’s a few digits? We can all agree that rankings don’t really matter in the grand scheme of things, right...? Well, no—in many ways, they do. To suggest otherwise borders on sore loser talk, and we aren’t sore. Not that sore, anyway. While the past few years have seen UM flip-flop in the rankings, in seemingly constant competition with the University of Florida, this latest list puts our chomping neighbors-tothe-north at No. 35, the best score of all Florida schools. To us, the students, this slip does
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Opinion
More than a number not mean too much. We’re here already, after all, and the tangibility of our sum academics, experiences, relationships, organizational involvement and environment (have you been to the beach? The pool?) naturally outweighs the theoretical prestige of a high ranking…even if we do lose bragging rights in this one particular spot. But prospective students and their parents don’t yet know these experiences—“theoretical” is pretty much all they have to go on. You might even remember being in that seat, narrowing down your list of schools—your “dreams,” your “targets” and “safeties”—and using U.S. News to help you do it. So in this way, when it comes to cultivating the school’s future student body,
rankings matter. And in any case, it’s important that an institution recognizes its shortcomings. Even if U.S. News employs an imperfect system (its methodology for ranking schools, for example, is ever-changing), at the very least its much-anticipated annual ranking gives us something to think about when self-reflecting: How can we do even better? It is wise to never rest on one’s laurels, or palm fronds, for that matter, so if this drop leads us to think, even more consciously, about striving for better versions of ourselves and our school—it’s worth it. Of course, let’s not get too down on ourselves along the way. While we will always have work to do (and
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if we don’t, we’re being complacent), UM offers a beautiful environment, a thriving cultural scene, opportunities for every interest and countless other intangibles that one can’t even begin to quantify through any kind of ranking. Just like our report cards in elementary school, our GPAs now and salaries or performance reviews—we hope—in the future, the U.S. News ranking is worth knowing and working at. But it’s not the beall, end-all of our spirit, our worth. As is the case with any school you go to, ranked No. 53 or 153, your experience is what you make of it. Clichéd, but true! Editorials represent the majority view of The Miami Hurricane editorial board.
CULTURE
Despite murky motivations, ‘Just Do It’ ad inspires When Nike chose to include Colin Kaepernick in its 30th anniversary ad campaign of its “Just Do It” slogan, Twitter exploded (along with the heads of those in the anti-Kaepernick camp). I, however, had trouble making up my mind about Nike’s motivations for including By Alexandra the very controversial Kaepernick Diaz in their campaign. Contributing In 2016, Colin Kaepernick – Columnist then a 49ers quarterback – started kneeling during the national anthem at his football games as a way to protest the murders of young, unarmed black Americans at the hands of police. Although his protest was peaceful, it sparked a heated nationwide debate about the appropriateness of kneeling during the anthem. Since then, Kaepernick has essentially been blacklisted by the NFL and has devoted most of his efforts to social justice causes. When the news about Kaepernick’s role in the “Just Do It” campaign spread, angry consumers started (predictably) destroying their Nike gear and
posting pictures to social media. As a result of the outrage, Bloomberg reported that Nike shares slipped as much as 3.9 percent, and the hashtag #BoycottNike began trending on Twitter. Upon hearing that Kaepernick was going to be included in Nike’s ad campaign, I was mostly elated for Kaepernick, whose football career has suffered immensely because of his peaceful and patriotic protests. However, the cynical side of me couldn’t help but wonder what Nike had to gain from openly supporting such a polarizing figure. Was this just for publicity, or does Nike actually support the Black Lives Matter movement? Was Nike trying to capitalize off of Kaepernick’s activism? Can Nike really care about social justice in the US when less than 20 years ago the company was embroiled in scandal regarding the poor working conditions in its factories abroad? Can a company that once exploited its own workers in Vietnam, Indonesia, Pakistan and Thailand claim to support the plight of minority groups in the US? I don’t think I’ve come to a definitive answer on any of these questions. I can acknowledge, however, that Nike took a significant risk by including Kaepernick in its ad campaign. In the process, Nike
is sending a powerful message of hope and support to communities of color that are affected by police violence. Ultimately, the commercial narrated by Kaepernick is inspiring. It’s about the importance of having big dreams and believing in something, “even if it means sacrificing everything.” The commercial also features footage of Serena Williams, described as “a girl from Compton,” who grew up to be the best athlete ever. The story of Alphonso Davies is also brilliantly highlighted in the ad, while Kaepernick narrates, “If you’re born a refugee, don’t let it stop you from playing soccer for the national team...at age 16.” In our highly politicized climate, the political undertones of the ad are even more resounding. I doubt Nike was surprised by the public’s reaction to the ad campaign. It’s heartening, though, to see Nike take a public stance on Kaepernick at a time when this could prove to be devastating to their brand. Nike isn’t perfect and it’s easy to be cynical about its motives, but for now I’ll hold my breath and hope that their support for Kaepernick came from a genuine place. Alexandra Diaz is a senior majoring in political science and women’s and gender studies.
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LETTER TO THE EDITOR
Yom Kippur forgiveness in the face of hate We are in that period of time between Rosh Hashanah and Yom Kippur known in Hebrew as the Aseret Yemei Teshuva, or the Ten Days of Repentance. According to Jewish tradition, it is during this By Rabbi Lyle S. time of deep introspection Rothman that God truly listens to our prayers as the gates of heaven remain wide open. One of the hallmarks of Yom Kippur is repentance, the ability to ask for and extend to others forgiveness. This is not always an easy process because it requires the person who has done something wrong to own her/ his offense in the presence of the injured party. Admitting to hurting someone, knowingly or unknowingly, requires strength and the ability to be vulnerable in the sight of others. Unfortunately, we are living through a period of time punctuated by petty Twitter threats and insults. And rather than owning our weaknesses,
confessing our sins and voicing our regrets, we often stubbornly stand by our positions, as if to say, “I don’t see your pain.” Well, I am in pain! Our campus community has experienced pain! And we need healing! The sweetness of Rosh Hashanah became a little sourer upon hearing that a swastika and other anti-Semitic hate speech was discovered on a whiteboard in Eaton Residential College. While I am comforted by the fast response of the administration and UMPD to launch a complete and thorough investigation, I am deeply saddened that this is the third antiSemitic incident on this campus in less than six months. President Frenk’s aspirational vision for creating a culture of belonging is committed to diversity and inclusion. All forms of hatred, bigotry, racism, prejudice, anti-Semitism, homophobia, xenophobia and Islamophobia will not be tolerated on this campus and should not be tolerated in our world. Let me be clear: These antiSemitic incidents are not representative of most our students and do not reflect the
campus culture in this corner of Biscayne’s wondrous shore. As the grandchild of Holocaust survivors, I never thought that I would see even a fraction of the evil that my grandparents witnessed first-hand. I have heard the stories and felt the pain but perhaps naively thought that such hatred couldn’t still exist in our world today. But a little over a year ago, I saw neo-Nazis march through the streets of Charlottesville, Virginia. And upon hearing that blame should be placed on both sides, I was shocked and angry. Nazi swastikas and anti-Semitic hate speech in the United States of America is intolerable, unacceptable and downright offensive. Period! As a representative of the Jewish campus community and in the spirit of Yom Kippur, I welcome the opportunity to meet the person or people who defaced our great campus with anti-Semitic graffiti. I want to share my grandparents’ story of survival against Nazi persecution. I want to understand what motivates someone to hate another person because of their
faith tradition. I want to teach about the Jewish approach to repentance. And since Canes Care for Canes, I ultimately want to be able to forgive. May the year 5779 on the Jewish calendar be a time when hatred gives way to love and let us all work together to help heal our fractured world. Rabbi Lyle S. Rothman, University of Miami Hillel, Campus Rabbi and Jewish Chaplain Chair of the University of Miami Chaplains Association
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LETTER TO THE EDITOR
University Chaplains say hate not welcomed here We in the University Chaplains’ Association (UCA) were saddened and appalled to learn that a swastika was found on a whiteboard in Eaton Residential College the night of Saturday, Sept. 8, the day before Rosh Hashanah (the Jewish New Year). The Miami Hurricane contacted Rabbi Lyle Rothman of Hillel, as UCA Chairperson, requesting a response to the incident. Rabbi Rothman is providing his response, but the undersigned feel strongly that a response from the non-Jewish community is also called for. The swastika, a symbol of antiJewish hatred, is always abhorrent, but for someone to display such a symbol at a sacred time is particularly despicable. During the Holocaust, when captives arrived at the death camps, a “selection” took place to separate those deemed too young or too weak to work from those
who could work. The elderly, infants, toddlers and young children were sent to their deaths immediately. Those who were strong enough to work were used by the Nazis as slave laborers to support their war effort. These enslaved workers were overworked and underfed until they would no longer be of any use to the Nazis, when they too would be sent to their deaths. Separating the workers from the doomed occurred through daily selections. However, on Jewish High Holy Days such as Rosh Hashanah, Yom Kippur (Day of Atonement) and Passover the Nazis didn’t limit their murders to those deemed too weak to work anymore. Instead, the Nazis selected for death a much higher number of Jews on these Holy Days because they found it amusing. We do not know who drew that swastika in Eaton; we cannot know the
motivations of the perpetrator(s). The kindest interpretation is that some ignorant person thought of this as some sort of amusing prank. There isn’t anything funny or amusing about it. If the motivation was more sinister, a conscious expression of hatred toward Jews, then the only thing we can say to the person(s) in question is that for humans, you can’t get any lower than being a Nazi. Those of us who are Christian acknowledge with shame that the Holocaust occurred in Christian Europe. Far too many Christians were indifferent to the plight of their Jewish fellow citizens; many more remained silent out of fear. The world has learned the hard way that evil triumphs when good people are silent. Knowing this, we resolve not to remain silent in the face of hatred and bigotry any more.
To whoever drew this swastika, please know: We are not amused. We are not intimidated. We will not be silent. The Rev. Frank J. Corbishley, St. Bede Chapel, Episcopal Church Center The Rev. Katie Lineberger, Wesley United Methodist Center Pastor Joe Lortie, University Christian Fellowship The Rev. Steve DeBardelaben, Athletes in Action Mr. Gary Cameron, Intervarsity Graduate & Faculty Ministries The Rev. Ricky Bailey, Baptist Collegiate Ministry Dr. Abdul Hamid Samra, Muslim Chaplain The Rev. Phillip Tran, UCatholic Mr. Jerry Beverly, Fellowship of Christian Athletes
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PERSONAL FOCUS
We will continue swimming: Remembering Mac Miller Last Friday, rapper Mac Miller was found dead in his Los Angeles home. When I found out, I was stunned. Just the day before, I By Kay-Ann had watched him Henry play the piano on Contributing Instagram Live Columnist and announce the tour for his newly released album “Swimming.” I was ready to buy my tickets and see him live for the first time. Less than 24 hours later, he was gone. The ephemerality of it was unsettling. My mind immediately went to how he died. Even though no cause of death was released, fans suspected it was an overdose because Miller openly talked about his drug use in his interviews and music. I thought
of the pain he was going through, the pain he so regularly expressed in his music, the pain we all related to. What were his last moments like? How did he go from promoting what was arguably the best work of his career, to dead at 26? I was pondering questions that couldn’t be answered. But what I was sure of was Mac’s talent. In that moment and moments after, millions of people were reminiscing about Mac and his artistry. Miller grew up in Pittsburgh where he was trained in piano by the age of 6. Later in his life, he would teach himself drums, guitar and beat production. With a cultlike following at the beginning of his career, Mac’s first album “Blue Side Park” debuted at No. 1 and was the first independently released LP to do so in 16 years. Some critics, however, frowned upon the album, and left Mac with
the label of a frat rapper. Mac had later said that this criticism affected him greatly. Mac didn’t dwell in this negative space for long. He was too talented and in love with hip-hop to be reduced to the stereotype of the white college rapper. His subsequent albums echoed different sounds and directions. He seemed to be exploring the different parts of himself—through the depressions and the drugs—and came out a better version of himself each time. He reinvented the man he wanted to be on each tape. 2013’s “Watching Movies with the Sound Off ” featured production from the likes of Pharrell and Flying Lotus, and left Miller’s debut album in its hazy shadows. “GO:OD AM” felt like a homecoming, one where he reflected on and resolved his shortcomings over beautiful horns. “Divine Feminine” was perhaps
his happiest, most creative project. An ode to the female essence, he turned concepts into songs that were filled with warmth and were cleverly supported by his friends Kendrick Lamar, Cee Lo Green and Ariana Grande. Throughout it all, Mac remained true to himself and hiphop. Reactions from his peers after his death showed that he was a generous person who regularly opened his home and studio to artists that needed it. There were tons of anecdotes from fixtures in hip-hop, as well as newcomers who said that Mac helped them get the foot out the door with their career and always lent a hand. He took Chance the Rapper on his second tour and presented opportunities for then-newcomers The Internet and Rapsody. Under the pseudonym of Larry Fisherman, he produced “Stolen Youth,” the mixtape that introduced us to Vince
Staples. There’s a reason why he was so embraced by the community. It’s refreshing to see that he didn’t just take from the culture, but constantly give back to it. “They don’t want me to OD and have to talk with my mother/telling her they could have done more to help me,” Mac raps on “GO:OD AM”’s “Perfect Circle/Godspeed.” This mythical feeling washes over you in the wake of his death because he so frequently rapped about his own demise. His death feels personal for so many reasons. We grew up with Mac. From the aimless days of adolescence to the darkness that adult life sometimes brings, he was on a journey to get his shit together and we were on that journey with him. He has left us— and with a beautiful album—but we will continue swimming for him. Kay-Ann Henry is a sophomore majoring in journalism.
HERE’S THAT RAINY DAY
How kids teach us mindfulness Recently, a friend lent me a book of poems written by children. Sifting through the pages, we alternated between stunned silence and riotous laughter. The emotional acuity these children—some as By Mackenzie young as four—were able Karbon to convey, and with such Staff Columnist simple language, absolutely floored me. THE NIGHT by Amy Goodman, age 11 As I curl up to go to sleep I have such lovely thoughts The darkness of my room The warmness of my bed And what the day has brought UNTITLED by Mona Thomas, age 11 A little white mouse Playing upon a sunbeam Then sliding back down.
Because we see knowledge of life’s pitfalls as necessary to understanding life itself, we often characterize children as ignorant. This is a misjudgment. Children possess a heightened awareness of their feelings and self-worth. They are unencumbered by imagined insecurities. They exist entirely in the present. They remind us what is real and important, and what is ultimately insignificant. Lately I’ve been wondering if it’s possible to reconcile childishness and adulthood. On one hand, we have our president—a wildly emotional, stunningly ignorant person who is more tantrum factory than diplomat. This is not what I’m talking about. I believe the thing I am searching for is mindfulness. Mindfulness has gained significant popularity in Western cultures, but its roots are in Buddhist ideology. One component of Buddhist mindfulness is vipassana, which is insight into the true nature of reality. This necessitates an understanding of the three marks of existence: impermanence, suffering and the realization of the non-self. I’ve heard it said that once we experience childhood, we spend the rest of our lives attempting to return to that state of vulnerable, fearless loving. The pursuit of
mindfulness, especially vipassana, underlies this point. Children demonstrate an awareness of impermanence, suffering and the nonself when they fictionalize, emote freely and become consumed in every moment. I can’t say the same for adults. Nor can I explain why our awareness grows lackluster as we mature. Perhaps the human intellect, in all of its perceived superiority, is committing a disservice in this sense. Perhaps our ability to intellectualize every little thing doesn’t bring us more freedom than simply accepting all that comes our way. MY POEM by Ethyl Hewell, age 11 My poem is full of joy And full of hope. I love my poem. I enjoy reading it While I am alone. I forget my sorrows and My happiness comes along. HURTING by Benny Graves, age 6 It doesn’t hurt no place when I’m sad I just know I’m sad.
PLAYING by Pauline Costello, age 5 When I was playing I said to myself “I’m all alone And no one comes.” So I go and see What they are doing. Each of the above poems is a lesson in acceptance. Accept your work. Accept your feelings. Accept yourself, even when others do not flock to you. Richter Library hosts mindfulness sessions throughout the year, and the counseling center is a great resource for students looking to overcome emotional hurdles, or simply become more grounded. We are utterly capable of achieving everything we want. Let us stay present and grateful, and remember these lessons during the course of this coming year. Mackenzie Karbon is a junior majoring in jazz performance. Here’s That Rainy Day runs the third Tuesday of each month.
10 EDGE
THE MIAMI HURRICANE
September 18, 2018 - September 24, 2018
LAST RIDE: The ninth season of Showtime’s “Shameless” premiered Sept. 9 after lead actress Emmy Rossum, center, announced her departure from the show at the end of the season.
Photo courtesy @ShamlessOnShowtime on Facebook
Abrupt departure by lead actress shocks ‘Shameless’ fans By Camila Munera Contributing Edge Writer
Last Sunday, Sept. 9, the ninth season of “Shameless” premiered on Showtime— just two weeks after lead actress Emmy Rossum announced that the season would be her last. Rossum, who has been with the show since its premiere in 2011, plays the oldest sister of the Gallagher family, made up of six children and their alcoholic father. Each episode of “Shameless” follows the dysfunctional family through financial struggles and relationship drama, each one crazier than the last. The familial bond with fellow cast members—William H. Macy, Ethan
Cutkosky, Shanola Hampton, Steve Howey, Emma Kenney, Cameron Monaghan, Jeremy White and Joan Cusack—extends off set, Rossum wrote in a Facebook post announcing the end of her time on the show. ”We’ve watched the kids grow into the strong, talented, independent human beings that they are,” Rossum said. “I taught Emma to shave her legs. I was there when Ethan learned to drive. Shanola and Jeremy and Joan and Bill danced at my wedding in New York last year...It really feels like a family.” Sophomore Maya Thompkins, an avid “Shameless” viewer, said that the news of Fiona Gallagher’s inevitable departure from the story overshadowed the season premier itself.
“I do really love her as a character and I think that she really brings a lot to the show,” Thompkins said. “So, it’s going to be interesting to see how they are going to be able to continue without her. She is like the glue between the family.” Though she said the premiere was “nothing special,” Thompkins said she’s looking forward to following the rest of the Gallagher family drama throughout the season, particularly Ian, the middle child who identifies as gay. “I did appreciate that he was, like, helping people in the LGBTQ community but I definitely think that he went a little far last season,” Thompkins said. Sophomore Alicia Grand, on the other hand, thought the first episode was “hilarious” and “already better than last
season.” “I’m excited for this season because a lot of story lines are going to be shown,” Grand said. After hearing the news of Rossum’s departure, fans started speculating how the season will pan out and what will happen to Fiona. Some said suspect they’re going to kill her off, while others wondered if the show would even continue past season nine. “I know you will continue on without me, for now,” Rossum said. “There is much more Gallagher story to be told. I will always be rooting for my family. Try not to think of me as gone, just think of me as moving down the block.” “Shameless” airs 9 p.m. EST.Sundays on Showtime.
THE MIAMI HURRICANE
Olivia Munn talks harassment in Hollywood at ‘Predator’ screening By Kay-Ann Henry Contributing Edge Writer
Actress Olivia Munn tackled Hollywood’s culture of sexual harassment in a live Skype session Monday night after Cosford Cinema’s advance screening of “The Predator.” At the student Q&A, the “Predator” co-star was questioned about her recent statements regarding Steven Striegel, a registered sex offender who was cast in the movie. Just two months ahead of the movie’s premiere, Munn discovered that Striegel pleaded guilty to two felonies involving a minor in 2010. She alerted 20th Century Fox, and though they didn’t initially return her call, she said, they eventually cut Striegel’s scene. “The same people keep messing up and keep getting the same opportunities over and over,” Munn said. “The rest of us have to go to the back of the line and work our way up.” The actress said she’s received the cold shoulder from some of her fellow cast members, but despite the controversy, Munn described “Predator” fans as being “overwhelmingly supportive.” The Striegel development had little effect on the chemistry of the cast as a whole, though, Munn said. She told students about the tent they all shared in between takes, and how she bonded with her co-star, the “extremely funny” Keegan-Michael Key, who has a “rolodex of Youtube videos” in his head. The actress also shed light on one of the movie’s most iconic scenes and how she contributed to it. A reboot of the 1987 sci-fi thriller, Fox’s “The Predator”—which arrived in theaters Sept. 14—follows a group of ex-soldiers and a scientist, played by Munn, trying to save the human race from highly developed space aliens whose next mission is to destroy Earth and genetically upgrade themselves with Earth’s best DNA. In the original version of “The Predator,” Munn’s character pulls out a
gun in one scene to accost a group of soldiers, but eventually puts it down. Seeking a more “badass” version of the character, she pitched a rewrite to the director—now, the scientist pulls out the gun, fights a little and pulls the trigger, though she discovers there are no bullets. Munn said she found this scene particularly powerful because it allowed her character to be empowered without detracting from the soldiers’ military expertise. “No one asks the guy ‘How do you know how to use this gun?’” Munn said. “I didn’t want her to be Lara Croft, but I wanted her to be able to hold her own.” Munn plays one of the few characters that does not die, but she explained that it wasn’t a big deal to her either way, because her character got the chance to tell her story. “The only question I have is ‘Does she exist if he doesn’t exist?’” she said. “I’m not interested in telling any stories where the woman is just there to service the man’s story.”
EDGE
September 18, 2018 - September 24, 2018
Russ’ latest album ‘ZOO’ flies in the face of critics By Kiki Aderoju Contributing Edge Writer
With guest appearances from up-andcoming British singer/songwriter Mahalia and rappers Snoop Dogg and Rick Ross, it is no surprise that Russ’ latest album, “ZOO,” has gained attention from all angles. “ZOO,” the follow-up to Russ’ “There’s Really A Wolf,” has received mixed but mostly positive reviews since its Sept. 7 release. The 14-track project combines many different musical styles and flows, showcasing aspects of old school rap in songs like “Voicemail,” major R&B vibes in songs like “Serious,” and alternative/chiller rap in songs like “Kill Them All.” Sophomore Ashli Cleveland praised the artist and his album—he “makes amazing music that many people can relate to,” Cleveland said. “I enjoy his music personally because I can just sit back and vibe or sing along to it.” Russ burst onto the rap scene following the popularity of his 2016 single, “What They Want.” Despite the rapper’s status as one of few artists in the industry who claims to write, produce, mix, master and perform his own music, many continue to have reservations about Russ. Those who share this sentiment cite what they describe as a “cocky” and “pretentious” personality, whereas supporters insist that he is simply confident in himself and his craft and is not afraid to speak what is on his mind. “I watched an interview of his and I didn’t like his vibe,” junior Jonathan Cola said. “I don’t even listen to his music, but the sentiment that he’s corny is one I imagine is shared by many; he’s
condescending and comes off as holier than thou.” The songs on the album touch on various topics, from relationships to staying true to himself despite the controversy. One track, “Parkstone Drive,” discusses aspects of Russ’ family background, his parents’ relationship and how he was shaped as a person. After hearing the first few seconds of the song, listeners might draw immediate comparison to Juice WRLD’s “Lucid Dreams,” which has been prominent on U.S. charts lately. However, this is because both songs sample—something Russ does not do frequently—Sting’s “Shape of My Heart.” Overall, “ZOO” is a well-rounded project with several feel-good tracks and a diversity of sounds and influences coming through. It has been well-praised, but as the album increases in popularity, the polarizing debate over the man behind the music is bound to continue.
Photo courtesy @russtheone (Facebook)
For more arts and enternainment news, visit
Photo courtesy Cristina Capote
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themiamihurricane.com
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SPORTS
THE MIAMI HURRICANE
September 18, 2018 - September 24, 2018
4,000
stones appear across the “Sebastian the Ibis” Turnover Chain FOOTBALL
The Miami Hurricanes’ Turnover Chain returns with new design
Josh White // Sports Editor FRESH BLING: Sophomore cornerback Trajan Bandy becomes the first Hurricane to celebrate with the new “Sebastian the Ibis” Turnover Chain. By Carter Krouse & Josh White Contributing Sports Writer & Sports Editor sports@themiamihurricane.com
A season ago, the Miami Hurricanes took the nation by storm with their orange-and-green bejeweled Turnover Chain. While the gaudy Cuban link “U” logo medallion caught the attention of the college football world, Hurricanes defensive coordinator Manny Diaz promised a makeover for the necklace when it returned in 2018. During the second quarter of Miami’s home opener against Savannah State, the Hurricanes got their opportunity to unveil their flashy new chain. Cornerback Trajan Bandy jumped on top of a Tigers fumble, darted toward the Miami sideline to rejoice with his teammates and was bestowed with the “Turnover Chain 2.0,” featuring a sparkling, ornament-crested Sebastian the Ibis. “It’s a lot different from last year,” Bandy said. “Last year it was the ‘U’, the UM sign, and this year, it’s like the duck. It has a lot of
diamonds inside of it. When I was grabbing it, I was like, ‘This is pretty nice.’ It’s cool. It’s a lot heavier than last year, too.” Bandy was one of five Hurricanes to don the chain in No. 22 Miami’s 77-0 victory over Savannah State. Defensive backs Sheldrick Redwine and Jhavontae Dean both sported the new look after a pair of interceptions. Linebacker Waynmon Steed received the necklace following a fumble recovery and defensive end Scott Patchan also wore the pendant after returning a blocked punt for a 10-yard touchdown. To enhance the special celebrations, former Miami safety Malek Young — who suffered a career-ending neck injury in the Orange Bowl — got the honor of awarding the chain to his teammates. “I like it,” head coach Mark Richt said. “It’s another bold statement, I would say. I don’t know how closely everybody got to see it on TV — I don’t even know if we were on TV — but I’m sure somebody got a picture of that thing. Hopefully, they blow it up
Courtesy Miami Athletics STARRING SEBASTIAN: “Turnover Chain 2.0” weighs roughly two pounds heavier than the original version and holds more than 3,000 additional stones.
to the detail because there’s some detail on there down to the feather… It’s more than just an ibis out of a mold. It’s very beautiful.” The revamped 6 ½ pound Turnover Chain features an 8.5-inch Sebastian the Ibis and more than 4,000 stones. Last year’s version weighed roughly 4 ½ pounds and contained 900 stones accompanied by a 5.5-inch “U” logo. “Like everything we do as a group, we wanted something again that honors the university and honors UM,” Diaz said, who is known among Hurricanes fans as the father of the Turnover Chain. “The U is fantastic and you know, it’s something different. This ibis is iconic to our program and to our university. The AJ Machado creation was introduced in the 2017 season opener against Bethune-Cookman to incentive the Hurricanes defense to force turnovers. The results showed. Miami finished third nationally with 31 takeaways last season, which led Power Five Schools. It was the most Josh White // Sports Editor turnovers the Hurricanes forced IT’S ALL ABOUT THE U: Cornerback Michael Jackson, Sr. flexes with the “U” logo Turnover Chain after a fumble recovery against the Virginia Cavaliers Nov. 18, 2017 at Hard Rock Stadium. Jackson wore the Cuban link medallion five times in 2017. since 2003.
THE MIAMI HURRICANE
September 18, 2018 - September 24, 2018
SPORTS
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COMMENTARY
Four lessons learned from Miami’s victory at Toledo By Josh White Sports Editor sports@themiamihurricane.com @_JoshRWhite
The No. 21-ranked Hurricanes contained the Rockets’ high-flying, high-scoring offense and shattered the Toledo defense for a 49-24 victory at the Glass Bowl. Here are four takeaways from the Sept. 15 showdown:
Malik Rosier is the guy.
Despite all the criticism from the Hurricanes faithful, Malik Rosier remains Miami’s starting quarterback. Rosier responded to the monsoon of boos with a career day, finishing with five touchdowns. He became the first player in program history to rush for three scores and throw for two touchdowns in a single game since the Hurricanes joined the Atlantic Coast Conference in 2004. Head coach Mark Richt and Rosier’s teammates continue to support the fifth-year senior, even after some early season struggles. “Stop booing Malik,” running back Deejay Dallas said. “I don’t like that. That’s not something that our fans should be about. Yeah, it’s OK to be angry. It’s OK to be upset. But Malik came out today and he played with an edge and he played like the starter should...I firmly stand behind Malik.” Rosier completed 13-of-23 passes for 205 yards and rushed for 80 yards on just eight carries in the offensive outburst. “Forty-plus points should be the standard,” Rosier said. “It shouldn’t be like ‘We’re playing Toledo, we’re supposed to beat them.’ We should go out there and every game, put up 35 to 40-plus points. That’s the standard I’m going to set and I’m not going to let it down.”
Hunter Crenian //Photo & Visuals Editor CELEBRATE GOOD TIMES: The Hurricanes embrace after a takeaway against Savannah State Sept. 8 at Hard Rock Stadium. Miami forced four turnovers in the contest after finishing third in the nation with 31 takeaways in 2017.
Jeff Thomas continues to dazzle.
The speedy sophomore has been Miami’s leading receiver through the first three contests. Jeff Thomas turned in another big performance against Toledo, finishing with a game-best 171 all-purpose yards and one touchdown. The East St. Louis, Illinois, native tied a career-high with five catches and notched 105 receiving yards. An impressive third down reception extended a crucial third quarter drive, which set up a 19yard Dallas scoring run on the next play, caught the attention of Richt.
“The longball catch he made was nothing short of spectacular,” Richt told WQAM. Thomas leads the nation with 27.64 yards per reception. He has 12 plays of 20-plus yards this season.
Rushing attack dominates.
Head ing into the r o ad m a t c h u p, D a l l a s ex p r e s s e d great confidence about Miami’s abilities to quiet out the raucous environment in Toledo. “I told you in the beginning of the week, ‘We’re built to crush dreams’ and that’s what we’re doing,” Dallas said. “And next
week it’ll be the same thing. It’s the same story: underdog trying to come beat Miami in Hard Rock, and we’re just going to handle business.” The halfback finished with a career-high 110 rushing yards and one score. Junior tailback Travis Homer chipped in 62 yards on the ground on 16 carries. As a team, Miami outrushed Toledo 268-112 and averaged 5.1 yards per carry.
Injury bug bites team leader.
The Preseason All-American safety is an integral part of the
Hurricanes’ secondary and Miami saw just why against Toledo. Jaquan Johnson left the contest in the closing minutes of the first half after injuring his right hamstring. Just a few plays later, the Rockets capitalized in the red zone scoring a touchdown before finding the end zone again with a 40-yard scoring play in the third quarter. “We think it’s a hamstring,” Richt said. “We don’t know how severe. We didn’t want to test it. You just never know for sure sometimes... So, we’re not 100 percent sure to be honest with you. We’ll have to wait and see.”
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SPORTS
THE MIAMI HURRICANE
September 18, 2018 - September 24, 2018
SPORTS ROUNDUP Cross Country
Golf
Tennis
The UM men’s team dominated in the UCF Invite Saturday, Sept. 15 with top-notch individual performances, leading the Canes to a first place overall finish. Sophomore Dylan Sykes and junior Matthew Wiefels secured the first and second-place spots in the men’s 8K with times of 27:44 and 28:27, respectively. Led by freshman Ryley Howard, the women’s team finished fourth overall. Howard posted a 19:15 time in her individual race for an eighth-place finish. “Dylan established the tone in the first mile and kept to the game plan,” distance coach Damon Griffiths told hurricanesports.com. “Matthew looked good through, letting some space open up after mile three on Dylan...Ryley raced well today and she is showing a lot of consistency in her approach to racing.” The Hurricanes will race again at the Mountain Dew Invitational Sept. 22 in Gainesville, Florida.
S en ior Dew i Weber h ad a strong showing in the Hurricanes’ first tournament of the year over the weekend, finishing in fourth place individually at the Mar y Fossum Invitational in Michigan – her 17th career top-10 finish. Weber recorded 11 birdies for a 4-under-par total score. Sophomore Kristyna Fr ydlova carded an 8-over with eight birdies across the 54-hole event, finishing with the second best score by a Hurricane. Miami shot 9-over-par as a team, finishing in sixth place overall among 16 schools.
The Canes went 2-4 in their final matches of the Crimson Tide Four-InThe-Fall Championships Sunday in Tuscaloosa, Alabama. A couple of Miami’s younger players made their mark. Freshman Franco Aubone defeated Memphis’ Marshall Sullivan for his first collegiate singles match win. Sophomore Tatsuki Shimamoto emerged victorious in a three-set dogfight against Alabama’s Sam Fisher for his second-straight victory. Miami is set to return to action starting Sept. 21 in the South Carolina Fall Invitational.
By Isaiah Kim-Martinez Senior Sports Writer @isaiah_km
Soccer In its Atlantic Coast Conference opener, Miami came up just short in an overtime thriller at Clemson. Freshman forward Mallory Olsson scored her second career goal to give the Hurricanes a 1-0 lead in the first half, but the Tigers would come roaring back in the second half and the extra period to win 2-1. “I thought there were some high points today, and certainly there was an opportunity to walk out at least with a point,” coach Sarah Barnes told hurricanesports.com. “I think at the end of the day, there were some things defensively that we did very well to frustrate them and a couple of easy fixes that will help us continue to develop and be effective in conference play.” Clemson outshot Miami 23-5, but the brilliance of Canes goalkeeper Phallon Tullis-Joyce kept the score tight throughout the match. UM plays its next three ACC foes at home, starting with No. 13 Duke at 7 p.m. Sept. 20 at Cobb Stadium.
THE MIAMI HURRICANE
V’S TAKE
September 18, 2018 - September 24, 2018
15
To all the f*ckboys who didn’t love me
Have a question for V? Email
dearv@themiamihurricane.com.
It’s happened to the best of us. You walk into a class and make eye contact with someone with whom you’ve had a lot of body contact. That’s right – the [redacted] frat bro who you hooked up with is in your class. Usually, the awkwardness is saved for syllabus week, but not for V. It happened to me. Last week. Four weeks into the semester. God, what have I done to deserve this? (I know the answer is that I am a whore and curse a lot and am kind of rude to people but I’ll still play dumb.) The frat bro f**kboy walked into class, sat next two seats away from me
and grinned with a smile that said, “I have physically and emotionally been inside of you.” Full disclosure: We only hooked up twice, but there was cuddling after. That’s where he got me because I’m thirsty...but for affection. But then he dropped off the face of the earth, ignoring my Tinder messages and seductive Snapchats until that moment in room 110 of the Whitten Learning Center. It was like the human version of the smirk emoji was sitting three feet away from me, staring into my soul. It sounds great in theory but was actually super awkward. What do you say to someone who stopped talking to you after what was some of the most passable sex of your life? (Hey, it
was still a lot better than what my ex put out.) I was ready to go full Meredith Grey and break out the “pick me, choose me, love me” monologue in the middle of that lecture hall. Or, I could have told him off because he was kind of a terrible person to me. Luckily, I didn’t have to say anything. Moments after class ended, he snapped me a picture of himself and his gorgeous arms that said, “Yo are you in my class?” No sh*t, Sherlock. I know you sat next to me and checked me out. Even though I know most of your brain cells have been killed by a potent blend of Natty Light and Juul smoke, there is no possible way you are dumb enough to not have seen me.
I took a page out of his playbook and didn’t respond directly. I feel odd using the term playbook though because I know he has never opened a book in his life. Instead, I’ll respond here: If you need the notes from the month of class you didn’t show up to – good luck, find someone else. But I’m here if you need help studying... uh... my anatomy. Do you want to study V’s anatomy? Have I given you enough hints about my identity that you want to reveal me? Are you lonely and just want to talk? Email dearv@themiamihurricane.com.
THE MIAMI HURRICANE
September 18, 2018 - September 24, 2018
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