19th & 20th Centuries, American & European Fine Art Auction by Michaan's Auctions

19th & 20th Centuries, American & European Fine Art Auction December 1, 2012

Michaanâ&#x20AC;&#x2122;s Auctions 2751 Todd Street Alameda, CA 94501 (800) 380-9822 or (510) 740-0220 www.michaans.com info@michaans.com

19th & 20th Centuries, American & European Fine Art Auction December 1, 2012, 10am Preview dates:

Friday, November 30, 10am to 5pm Day of sale at 9 am to the end of the Auction or by appointment

Inquiries:

Thomas De Doncker: extension 140 thomas@michaans.com Jeffrey O’Leary: extension 119 jeffo@michaans.com Rebecca Caustrita: extension 139 rebecca@michaans.com

View this catalog online at www.michaans.com. Additional photos and condition reports available online. Catalog Design by Andre Salcido Photography by Jeffrey Lee and Marlyn Williams. Front Cover Lot: 2048 Back Cover Lot: 2081

Michaan’s Auctions 2751 Todd Street • Alameda, CA 94501 Phone #: (800) 380-9822 or (510) 740-0220 Fax #: (510) 749-7517

COPYRIGHT NOTICE No part of this catalog may be reproduced, stored in a retrieval system or transmitted by any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of Michaan’s Auctions. Michaan’s Auctions bond # 70044066

2001 ALEXANDER GERHARD ANTON VAN RAPPARD (Dutch 1858-1892) Cavaliers Oil on canvas 20 x 24 inches/ 50.8 x 61 centimeters Signed lower left “A. Rappard” Frame: 33 x 37 inches/ 83.8 x 94 centimeters PROVENANCE: Private Collection, Walnut Creek, California

Estimate: $8,000 / 12,000

2002 DAVID GOULD (Scottish 1865-1936) The Old Mill Oil on canvas 16 x 20 inches/ 40.6 x 50.8 centimeters Signed lower right “D. Gould” Frame: 26.75 x 31.5 inches/ 67.9 x 80 centimeters PROVENANCE: Private Collection, Walnut Creek, California

Estimate: $4,000 / 6,000

2003 EDOUARD CORTES (French 1882-1969) Place de la Republique Oil on canvas 13 x 18.25 inches/ 33 x 46.3 centimeters Signed lower right “Edouard Cortes” Frame: 21.5 x 26 inches/ 54.6 x 66 centimeters PROVENANCE: Private Collection, Hayward, California

Estimate: $10,000 / 15,000

2004 HUGO WILHELM KAUFFMANN (German 1844-1915) Eingenickt Oil on panel 7.6 x 9.75 inches/ 19.3 x 24.8 centimeters Signed lower left “Kauffmann” Verso: Label reading “Hugo Kauffmann, Eingenickt” PROVENANCE: Private Collection, Menlo Park, California

Estimate: $10,000 / 15,000

2005 WILLY SLUITER (Dutch 1873-1949) Chukotka Fishing Village Oil on panel 33.5 x 25.6 inches/ 85.1 x 65.1 centimeters Signed lower right “Willy Sluiter” Frame: 40 x 32 inches/ 101.6 x 81.3 centimeters PROVENANCE: Private Collection, San Francisco, California

Estimate: $10,000 / 15,000

2006 MAX SLEVOGT (German 1868-1932) Young Girl in WIndow (Slevogthof Neukastel) Oil on artist’s board 16 x 12.5 inches/ 41 x 32 centimeters Verso: Lower left estate stamp; label inscribed by Wolfgang Slevogt, the artist’s son, in ink reading “Hereby I confirm that the oil painting of the “Young Girl in the Window” . . . is by my father, Berlin 3/12/34 Wolfgang Slevogt” Verso label reading “Dr. Fr. Schoefeld & Co., Dusseldorf”; verso label “Kunstlerfarben & Malutensilien, G. Martin, Landau, PFALZ.” Frame: 20.5 x 17 inches/ 52 x 43 centimeters PROVENANCE: Estate of the Artist; to Wolfgang Slevogt; to Private Collector, Germany by direct descent in family to present owner, Northern California

Estimate: $40,000 / 60,000

2007 ALBERT MARQUET (French 1875-1947) Pont Marie, Paris Oil on board 8.75 x 10.75 inches/ 22.2 x 27.3 centimeters Signed lower left “Marquet” Frame: 16.1 x 18.4 inches/ 41.3 x 46.8 centimeters PROVENANCE: Private Collection, Pacific Grove, California

Estimate: $4,000 / 6,000

2008 EUGENIO ZAMPIGHI (Italian 1859-1944) The Jolly Monks Tasting the New Beer Watercolor on paper 10 x 13.75 inches/ 25.5 x 35 centimeters Indistintly signed upper right “E. Zampighi” Frame: 17.25 x 21 inches/ 44 x 53.5 centimeters PROVENANCE: Private Collection, Larkspur, California

Estimate: $2,000 / 4,000

2009 MAX PEIFFER WATENPHUL (German 1896-1976) Blumen in Chinesischer Vase, 1942 Watercolor & graphite on paper Sight: 16.5 x 11.75 inches/ 42 x 29.8 centimeters Signed & dated lower right “Max Peiffer Watenphul, 1942” Exhibited: Zürich, 1952 Frame: 21.5 x 16.75 inches/ 54.6 x 42.5 centimeters PROVENANCE: Private Collection, Fremont, California

Estimate: $15,000 / 25,000 Literature: Bernhard Degenhart, “Max Peiffer Watenphul Werkverzeichnis”, Deutschen Bibliothek, Rome, 1989 ill. p.416, (listed as number A. 392)

2010 GERARD PIETER ADOLFS

2011 Continental School

(Dutch 1897-1968) Scenery in Egypt, 1961 Oil on canvas 20 x 16 inches/ 50.8 x 40.5 centimeters Signed lower left “Adolfs” Verso: Signed, titled, dated & numbered “Adolfs, ‘61, No. 696, Scenery in Egypt” Frame: 27.5 x 24 inches/ 70 x 61 centimeters PROVENANCE: Private Collection, Sausalito, California

(Late 18th/ Early 19th Century) Portrait of a Saint Oil on canvas 14.5 x 12.5 inches/ 36.8 x 31.8 centimeters Frame: 27 x 24.5 inches/ 68.5 x 62.3 centimeters PROVENANCE: Private Collection, Chico, California

Estimate: $2,000 / 3,000

Estimate: $2,500 / 5,000

2012 Attributed to HONORE DAUMIER (French 1808-1879) Man with Top Hat Pastel & sanguine on paper 14.75 x 12 inches/37.5 x 30.5 centimeters Verso: Gallery label reading “Grisler Brothers, Art Dealers, Pittsburgh, PA” Frame: 18.75 x 16 inches/ 47.8 x 40.5 centimeters PROVENANCE: Private Collection, Larkspur, California

Estimate: $1,500 / 2,500

2013 HARRY THOMPSON (British 19th Century) The Aristocratic Dinner Party, 1874 Oil on canvas mounted to press board 41.5 x 53 inches/ 105.4 x 134.6 centimeters Signed & dated lower left “H. Thompson, 1874” Frame: 46 x 57.5 inches/ 116.8 x 146 centimeters PROVENANCE: Private Collection, Walnut Creek, California

Estimate: $3,000 / 5,000

2014 PIERRE-AUGUSTE RENOIR (French 1841-1919) Jeune Femme nue aux bras levés Sanguine on paper 8.25 x 6.4 inches/ 21 x 16 centimeters Signed lower left “Renoir” Frame: 13.25 x 11 inches/ 34 x 28 centimeters PROVENANCE: Ex-Collection of Caroline “Betty” Howard Hume, San Francisco

Estimate: $25,000 / 50,000

2015 EMILIO GRAU SALA (Spanish 1911-1975) Paddock en Normandie, 1961 Oil on canvas 21.25 x 25.75 inches/ 54 x 65.4 centimeters Signed lower left “Grau Sala” Verso: Signed, titled & dated “Grau Sala, Paddock, 1961” Frame: 28.75 x 33.25 inches/ 73 x 84.5 centimeters PROVENANCE: Artist to; Wally Findlay Galleries, Chicago; to Private Collection Petaluma, California, 1961

Estimate: $15,000 / 25,000

2016 LUC DIDIER (French b.1954) Bateaux sur le Canal de Briare Oil on canvas 18 x 24 inches/ 45.7 x 61 centimeters Signed lower right “L. Didier” Verso: Titled on stretcher “Bateaux sur le Canal de Briare” Stamped with artist’s monogram Included in lot: Certificate of Authenticity Frame: 23.25 x 29.25 inches/ 59 x 74.3 centimeters PROVENANCE: Private Collection, San Francisco, California

Estimate: $4,000 / 6,000

2017 VIACHESLAV VASILEVICH KALININ (Russian Federation b.1939) Lucky Cards, 2005 Mixed media with collage Sight: 17.5 x 23.5 inches/ 44.5 x 59.7 centimeters Signed, titled & dated in Cyrillic with artist’s monogram “KB” Frame: 23.5 x 29.5 inches/ 59.7 x 75 centimeters PROVENANCE: Artist; to Private Collection, San Francisco, California

Estimate: $1,800 / 2,600

2018 LOUIS ICART

2019 VIACHESLAV VASILEVICH KALININ

2020 VIACHESLAV VASILEVICH KALININ

(French 1888-1950) Swimming Goldfish Watercolor & Pastel on paper 14 x 9.9 inches/ 35.5 x 25 centimeters Signed & numbered lower left “Louis Icart, 451” Verso: Certificate of Authenticity from Nathan Daniel Isen Frame: 30.75 x 26.75 inches/ 78 x 68 centimeters PROVENANCE: Private Collection, Oakland, California

(Russian Federation b.1939) Models, 2009 Mixed media wirh collage Sight: 23.5 x 17.5 inches/ 59.7 x 44.5 centimeters Signed, titled & dated lower right in Cyrillic Frame: 29.5 x 23.5 inches/ 75 x 59.7 centimeters PROVENANCE: Artist; to Private Collection, San Francisco, California

(Russian Federation b.1939) Egyptian Nights, 2009 Oil on canvas 24 x 18 inches/ 61 x 45.7 centimeters Signed, dated, titled & artist’s monogram in Cyrillic “2009, KB” Frame: 33.75 x 27.75 inches/ 85.7 x 70.5 centimeters PROVENANCE: Artist; to Private Collection, San Francisco, California

Estimate: $3,000 / 5,000

Estimate: $1,800 / 2,600

Estimate: $5,000 / 7,000

2021 ALEXANDER ALEXANDROVITCH OSMERKIN (Russian Federation 1892-1953) Portrait of a Young Woman (E. T. Barkova), 1914 Oil on board 36 x 27.5 inches/ 91.5 x 69.8 centimeters Signed & dated lower left in Cyrillic “1914” Frame: 43.5 x 35 inches/ 110.5 x 89 centimeters PROVENANCE: Artist; to Private Collection, San Francisco, California

Estimate: $60,000 / 90,000

2022 ROBERT B. HOPKINS (American 1832-1909) Cabin at Twilight, 1873 Oil on canvas 24.5 x 30 inches/ 62.2 x 76.2 centimeters Signed & dated lower right “R. Hopkins, 73” Frame: 37.25 x 42.25 inches/ 92 x 107.3 centimeters PROVENANCE: Private Collection, Alameda, California

Estimate: $6,000 / 8,000

2023 WILLIAM JOHN WHITTEMORE (American 1860-1955) John Dickerson Farm, Looking West, 1901 Oil on canvas 17 x 21 inches/ 43.2 x 53.3 centimeters Signed lower right “Wm. J. Whittemore” Verso: Label on stretcher “John Dickerson Farm, Looking West, Painted Oct. 2, 1901” Frame: 20.50 x 24.50 inches/ 52.1 x 62.3 centimeters PROVENANCE: Private Collection, Concord, California

Estimate: $3,000 / 5,000

2024 AARON HARRY GORSON (American 1872-1933) The Bluff (Pittsburgh Industrial Scene) Oil on artist’s board 10 x 13.75 inches/ 25.4 x 35 centimeters Signed lower left “A. H. Gorson” Verso: Titled “The Bluff” Frame: 13.5 x 17.5 inches/ 34.3 x 44.5 centimeters PROVENANCE: Private Collection, Redding, California

Estimate: $5,000 / 10,000

2025 ROBERT FREDERICK BLUM (American 1857-1903) Temple Grounds with Buddhist Shrine, Uyeno Park, Tokyo Japan, 1890 Ink wash on paper Sheet: 9.25 x 10.75 inches/ 23.5 x 27.3 centimeters Artist stamp center left Verso: label Charles Scribner’s Sons; Gallery label, Spanierman Gallery New York City Exhibited: Garden Museum, Matsue, Japan Frame: 16.25 x 16.5 inches/ 41.2 x 41.8 centimeters PROVENANCE: Charles Scribners’s Sons; to Spanierman Gallery, NYC; to Garden Museum Collection, Matsue, Japan; to Private Collection Alameda, California

Estimate: $2,000 / 4,000 Literature: Alastair Duncan, Louis C. Tiffany, The Garden Museum Collection, Antique Collectors Club Limited, Old Martlesham, Woodbridge, Suffolk, 2004, ill. p.654

2026 A. D. GREER (American 1904-1998) Texas Landscape Oil on canvas 28 x 36 inches/ 71 x 91.5 centimeters Signed lower right “A. D. Greer” Frame: 34 x 41.75 inches/ 86.3 x 106 centimeters PROVENANCE: Private Collection, Oakland, California

Estimate: $2,000 / 4,000

2027 HARRY R. TOWNSEND (American 1885-1968) Country Auction Oil on canvas 26 x 36 inches/ 66 x 91.5 centimeters Signed lower left “H. R. Townsend” Frame: 31.5 x 41.5 inches/ 80 x 105.4 centimeters PROVENANCE: Private Collection, Livermore, California

Estimate: $2,000 / 4,000

2028 LILLA CABOT PERRY (American 1848-1933) Contemplation, 1891 Oil on canvas 45.75 x 35.25 inches/ 116.2 x 89.5 centimeters Verso: Inscribed on stretcher “L. C. Perry, Giverny, ‘91; Dresden ‘97”; Gallery label, Debra Force Gallery, NYC Exhibited: International Art Exhibition Dresden 1897; Panama Pacific San Francisco Exhibition 1917; Garden Museum, Matsue, Japan Frame: 56 x 45.5 inches/ 142.2 x 115.5 centimeters PROVENANCE: Estate of Artist Margaret Perry & Patricia Holaert; to Debra Force Gallery NYC; to Garden Museum Collection, Matsue, Japan; to Private Collection Alameda, California

Estimate: $60,000 / 90,000 Literature: Alastair Duncan, Louis C. Tiffany, The Garden Museum Collection, Antique Collectors Club Limited, Old Martlesham, Woodbridge, Suffolk, 2004, ill. p.650

2029 JAMES ABBOTT MCNEILL WHISTLER (American 1834-1903) Study of Poppies Pastel on paper Sheet: 10.25 x 7 inches/ 26 x 17.8 centimeters Signed with artistâ&#x20AC;&#x2122;s butterfly motif Frame: 16.75 x 13.5 inches/ 42.5 x 34.3 centimeters PROVENANCE: Garden Museum Collection, Matsue, Japan; to Private Collection Alameda, California

Estimate: $15,000 / 30,000 Literature: Alastair Duncan, Louis C. Tiffany, The Garden Museum Collection, Antique Collectors Club Limited, Old Martlesham, Woodbridge, Suffolk, 2004, ill. p.651

2030 JOHN LA FARGE (American 1835-1910) Yellow Roses in a Blue Glass Vase Watercolor & gouache on wove paper 11.1 x 15.5 inches/ 28 x 39.5 centimeters Verso: Gallery label, William Vareika Fine Arts Gallery, Rhode Island Frame: 21.25 x 25.5 inches/ 54 x 64.8 centimeters PROVENANCE: William Vareika Fine Arts Gallery; to Garden Museum Collection, Matsue, Japan; to Private Collection Alameda, California

Estimate: $150,000 / 200,000 Literature: Alastair Duncan, Louis C. Tiffany, The Garden Museum Collection, Antique Collectors Club Limited, Old Martlesham, Woodbridge, Suffolk, 2004, ill. p.651

2031 ROBERT FREDERICK BLUM (American 1857-1903) Repose Pastel on paper 12.5 x 15.5 inches/ 31.7 x 39.5 centimeters Signed center right “Blum” Verso: Gallery label, Hirschl & Adler Gallery New York City; Gallery label, BerryHill Gallery New York City; Gallery label, R. H. Love Gallery, Chicago, Illinois; Gallery label, ACA Gallery New York City Frame: 18.5 x 20 inches/ 47 x 50.8 centimeters (Eli Wilner, New York City) PROVENANCE: Garden Museum Collection, Matsue, Japan; to Private Collection Alameda, California

Estimate: $25,000 / 50,000 Literature: Alastair Duncan, Louis C. Tiffany, The Garden Museum Collection, Antique Collectors Club Limited, Old Martlesham, Woodbridge, Suffolk, 2004, ill. p.655

2032 ARTHUR WESLEY DOW (American 1857-1922) Golden Willow Oil on canvas 26.25 x 36.25 inches/ 66.8 x 92.1 centimeters Signed lower left “Arthur W. Dow” Verso: Gallery label, Spanierman Gallery New York City Exhibited: Garden Museum, Matsue, Japan. Frame: 38.5 x 48 inches/ 97.8 x 122 centimeters PROVENANCE: Spanierman Gallery NYC; to Garden Museum Collection, Matsue, Japan; to Private Collection Alameda, California

Estimate: $80,000 / 120,000 Literature: Alastair Duncan, Louis C. Tiffany, The Garden Museum Collection, Antique Collectors Club Limited, Old Martlesham, Woodbridge, Suffolk, 2004, Illustrated p.650

2033 HARRISON FISHER

2034 HARRISON FISHER

(American 1877-1934) The Study Hour (The College Girl at Her Studies), 1907 Watercolor, gouache & ink on paperboard 27.5 x 20 inches/ 70 x 51 centimeters Signed & dated lower left “Harrison Fisher, 1907” Inscribed in pencil lower left “By Chas. Scribner” Frame: 33 x 25.5 inches/ 84 x 57 centimeters PROVENANCE: Private Collection, Modesto, California

(American 1877-1934) The Debutante, 1910 (The Autumn Fountain . . . ) Watercolor, gouache & pencil on paperboard 27.6 x 19.25 inches/ 70.2 x 40.9 centimeters Signed & dated “Harrison Fisher, 1910” Verso: Pencil inscription reading “3 - 31 - ‘10”; Partial illegible title reading “The Autumn Fountain . . .”; Gallery label reading “Pollack’s Art Shop, New York City” PROVENANCE: Private Collection, Modesto, California

Estimate: $2,500 / 5,000

Estimate: $4,000 / 6,000

Literature: “Ladies Home Journal”, April 1908, p.11; “The American Girl”, Chas. Scribner’s Sons, 1909, bookplate no. 7”; “College Girls”, Scribner Picture Publications, “The Complete Works of Harrison Fisher”, Naomi Welch, 1999, pp. 60, 87 & 230.

Note: This work of art features the model Margery Allwork Literature: “Ladies Home Journal, September 1st, 1910”; “Fair Americans”, Chas. Scribners & Sons, N.Y., 1910”; “Pictures in Color”, Chas. Scribner’s Sons, 1910, bookplate no.1; “The Complete Works of Harrison Fisher”, Naomi Welch, 1999, pp. 46, 84 & 124.”

2035 EDWARD HOPPER (American 1882-1967) Portrait of Walter Tittle (The Illustrator), 1918 Charcoal on paper 14.5 x 12.4 inches/ 37 x 31.5 centimeters Signed lower right in pencil “Edward Hopper” Titled & dated lower left in pencil “Portrait of Walter Tittle, 1918” Verso: Stamp “Property of New York Tribune Inc.” Numbered in pencil “6322/12”. PROVENANCE: Private Collection, San Francisco, California

Estimate: $15,000 / 30,000

2036 JANE PETERSON

2037 JANE PETERSON

(American 1876-1965) Zinnias - Ferry’s Seeds Oil on canvas 30 x 24 inches/ 76.2 x 61 centimeters Signed lower left “Jane Peterson” Frame: 34 x 27.5 inches/ 86.4 x 69.9 centimeters PROVENANCE: D.M. Ferry & Co.; to Harris Moran, Modesto, California

(American 1876-1965) A Still Life - Daisies, Peonies, Zinnias Oil on canvas 24 x 18 inches/ 61 x 45.7 centimeters Signed lower left “Jane Peterson” Frame: 31.5 x 25.5 inches/ 80 x 64.8 centimeters PROVENANCE: D.M. Ferry & Co.; to Harris Moran, Modesto, California

Estimate: $4,000 / 6,000

2038 HARRY CURIEUX ADAMSON (American b.1916) Geese in Winter Oil on canvas laid to board Sight: 23.5 x 29.5 inches/ 59.7 x 75 centimeters Signed lower right “Harry Curieux Adamson” Frame: 28 x 34 inches/ 71 x 86.4 centimeters PROVENANCE: Private Collection, San Leandro, California

Estimate: $5,000 / 10,000

2039 PAUL FONTAINE

2040 GLENNA GOODACRE

(French/American Late 19th/Early 20th Century) Setters on Point, 1900 Oil on canvas 35 x 30 inches/ 88.9 x 76.2 centimeters Signed & dated lower left “P. Fontaine, 1900” Frame: 43 x 38 inches/ 109.2 x 96.5 centimeters PROVENANCE: Private Collection, Belmont, California

(American b.1939) The Young Goat Herder Bronze 21 x 12 x 12.5 inches/ 53.3 x 30.5 x 31.7 centimeters Verso: Signed & numbered “G. Goodacre, 15/15” PROVENANCE: Private Collection, San Francisco, California

Estimate: $2,000 / 4,000

Estimate: $4,000 / 6,000

2041 RAY SWANSON (American 1937-2004) Passage Oil on masonite 14 x 24 inches/ 36 x 61 centimeters Signed lower left “Ray Swanson” Verso: Gallery label “Americana” Frame: 24 x 34 inches/ 61 x 86.3 centimeters PROVENANCE: Private Collection, The Estate of Judith P. Shell, Cincinnati, Ohio

Estimate: $4,000 / 6,000

2043 GUSTAVE BAUMANN

2042 EDWARD BOREIN (American 1872-1945) Bucking Horse Etching & drypoint on paper Plate: 6 x 4 inches/ 15.2 x 10.2 centimeters Sheet: 11.9 x 9 inches/ 30.2 x 22.8 centimeters Signed lower right in pencil “Edward Borein” Frame: 16 x 12.25 inches/ 40.6 x 31.1 centimeters PROVENANCE: Private Collection, Placitas, New Mexico

(German/American 1881-1971) Talpa Chapel Color woodcut Image: 6 x 7.75 inches/ 15.2 x 19.7 centimeters Sheet: 13 x 13.5 inches/ 33 x 34.3 centimeters Titled in pencil lower left “Talpa Chapel” Signed & numbered lower right along with artist’s hand-in-heart ink stamp “Gustave Baumann, 25/125” Verso: Artist label reading: “Original Color Woodcut, Drawn and Printed in Five Colors by Gustave Baumann, Santa Fe, New Mexico” With additional information about the paper, colors & printing. Frame: 17 x 17 inches/ 43.2 x 43.2 centimeters PROVENANCE: Private Collection, Vallejo, California

Estimate: $2,000 / 4,000

Estimate: $1,000 / 1,500

2044 EDWARD BOREIN

2045 GUSTAVE BAUMANN

(American 1872-1945) Parting Cattle Etching & drypoint on paper with circular watermark Plate: 3.6 x 8.5 inches/ 9.2 x 21.5 centimeters Sheet: 7.5 x 15 inches/ 19 x 38.1 centimeters Signed lower right in pencil “Edward Borein” Frame: 13.25 x 17 inches/ 33.6 x 43.2 centimeters PROVENANCE: Private Collection, Placitas, New Mexico

(German/American 1881-1971) A Quiet Corner Color woodcut Image: 7.5 x 8.75 inches/ 19 x 22.2 centimeters Titled in pencil lower left “A Quiet Corner” Signed & numbered lower right along with artist’s hand-in-heart ink stamp “Gustave Baumann, I-6/125” Verso: Artist label reading: “Original Color Woodcut, Drawn and Printed in Five Colors by Gustave Baumann, Santa Fe, New Mexico” With additional information about the paper, colors & printing. Frame: 17 x 17 inches/ 43.2 x 43.2 centimeters PROVENANCE: Private Collection, Vallejo, California

Estimate: $1,000 / 1,500

Estimate: $2,000 / 4,000

2046 WILLIAM GOLLINGS (American 1878-1932) Wolves Stalking Indian Encampment Oil on canvas 22 x 34 inches/ 55.9 x 86.3 centimeters Verso: Inscribed â&#x20AC;&#x153;This is a genuine Gollings unfinished painting, began in 1931 Sheridan Wyo. John C. Hargis (student of Gollings 1929 to 1931) (Signed) Charles G. Smith Admr. of Estateâ&#x20AC;? Frame: 29.5 x 41.25 inches/ 75 x 104.7 centimeters PROVENANCE: Private Collection, Vallejo, California

Estimate: $20,000 / 30,000

2047 MILLARD SHEETS (American 1907-1989) Moua Puta Across Drake Bay, 1979 Watercolor on paper 22 x 30 inches/ 55.9 x 76.2 centimeters Signed & dated lower left “Millard Sheets, 1979” Verso sheet: Titled upper left “Moua Puta Across Drake Bay, Moorea”; Verso back: Signed, titled & dated “Millard Sheets, Moua Puta from Across Drake Bay, 1979” Frame: 32 x 40 inches/ 81.3 x 101.5 centimeters PROVENANCE: Private Collection, Alameda, California

Estimate: $15,000 / 25,000

2048 JOSEPH DWIGHT STRONG JR (American 1852-1899) Diamond Head, Hawaii - Launching the Outriggers, 1888 Oil on canvas 24 x 37 inches/ 61 x 94 centimeters Signed & dated lower left “J. D. Strong Jr. H.I.1888” Frame: 27 x 40.5 inches/ 68.6 x 101.7 centimeters PROVENANCE: Private Collection, Dublin, California

Estimate: $60,000 / 90,000

2049 JADE FON (American 1911-1983) Hawaiian Natives Under Banyan Tree Watercolor on paper 15 x 22 inches/ 38.1 x 55.9 centimeters Signed lower right “Jade Fon, A. W. S.” Frame: 20.25 x 27.25 inches/ 51.5 x 69.2 centimeters PROVENANCE: Private Collection, Alameda, California

2050 AMELIA COATS (American Early 20th Century) Palms Etching on paper Plate: 5.5 x 4.25 inches/ 14 x 10.8 centimeters Signed lower left “Amelia Coats” Frame: 13.5 x 11 inches/ 34.3 x 27.9 centimeters PROVENANCE: Private Collection, Hayward, California

Estimate: $2,000 / 4,000

Estimate: $1,200 / 1,800

2051 JADE FON (American 1911-1983) WIllow Tree at Lake Merritt, Oakland Watercolor on paper Sight: 14 x 21 inches/ 35.5 x 53.3 centimeters Signed lower right “Jade Fon, A. W. S.” Frame: 23.25 x 29.25 centimeters/ 59 x 74.3 centimeters PROVENANCE: Private Collection, Alameda, California

Estimate: $1,000 / 2,000

2052 JORGE MAYOL (Argentine 20th Century) Country Landscape, 2003 Oil on canvas laid to masonite 14.75 x 31 inches/ 37.5 x 78.7 centimeters Signed & dated lower right “Jorge Mayol, 03” Frame: 21 x 37 inches/ 53.3 x 94 centimeters All proceeds from this sale to Benefit Lindsey Wildlife Museum

Estimate: $2,500 / 3,000

2053 SYDNEY JANIS YARD (American 1855-1909) After the Storm, 1898 Watercolor on paper Sight: 19 x 26.5 inches/ 48.2 x 67.3 centimeters Signed & dated lower right “Sydney J. Yard, 98” Frame: 34.5 x 44 inches/ 87.6 x 111.8 centimeters PROVENANCE: Private Collection, Oakland, California

Estimate: $2,000 / 4,000

2054 JADE FON (American 1911-1983) Asilomar Morning Watercolor on paper 23 x 30 inches/ 58.4 x 76.2 centimeters Signed lower right “Jade Fon, A. W. S.” Frame: 31.5 x 39.75 inches/ 80 x 101 centimeters PROVENANCE: Private Collection, Alameda, California

Estimate: $2,500 / 5,000

2055 MORRIS SHUBIN (American b.1920) Hanging Turtle Watercolor on paper Sight: 10.25 x 14.5 inches/ 26 x 36.8 centimeters Signed lower right “Morris Shubin, A. W. S.” Verso: Titled in pencil “Hanging Turtle” Frame: 18.25 x 22.25 inches/ 46.3 x 56.5 centimeters PROVENANCE: Private Collection, Alameda, California

Estimate: $1,000 / 2,000

2056 ARTHUR GROVER RIDER

2057 TOM NICHOLAS

(American 1886-1975) Laguna Coast Gouache on paper laid to board 9.1 x 11.1 inches/ 23.2 x 28.2 centimeters Signed lower right “A. Rider” Frame: 12.25 x 15.25 inches/ 31.1 x 38.7 centimeters PROVENANCE: Private Collection, Seaside, California

(American b.1934) Still Life Watercolor & gouache on paper Sight: 13.5 x 20.5 inches/ 34.3 x 52 centimeters Signed lower left “Tom Nicholas, N. A.” Frame: 24.25 x 31.25 inches/ 61.6 x 79.4 centimeters PROVENANCE: Private Collection, Alameda, California

Estimate: $2,000 / 3,000

Estimate: $1,000 / 1,500

2058 DONG KINGMAN (American 1911-2000) Two works: “San Francisco Harbor from Russian Hill (original sketch); Down Hyde Street (studio sketch)” Ink on paper San Francisco Harbor: 11.5 x 8.75 inches/ 29.2 x 22.3 centimeters Hyde Street: 19 x 14.75 inches/ 48.3 x 37.5 centimeters San Francisco Harbor: Signed lower right “Kingman” Hyde Street: Signed lower right “Kingman” Lot includes: Certificate of Authenticity; “American Artist” periodical, September 1947, studio sketch reproduced for cover. Frame: 19 x 15.75 inches/ 48.2 x 40 centimeters Frame: 25.25 x 20.75 inches/ 64.1 x 52.7 centimeters PROVENANCE: Artist; to Private Collection, Taiwan; to Private Collection, San Francisco, California

Estimate: $2,000 / 3,000

2059 PAUL DE LONGPRE (French/ American 1855-1911) Floral Still Life with Roses, 1906 Watercolor on paper Sight: 17.75 x 10.25 inches/ 45 x 26 centimeters. Signed & dated lower left “Paul de Longpre, 1906” Frame: 26.5 x 19.25 inches/ 67.3 x 48.9 centimeters. PROVENANCE: Private Collection, Santa Barbara, California.

Estimate: $4,000 / 6,000

2060 PERCY GRAY (American 1869-1952) Majestic Oaks with Poppies, 1923 Watercolor on paper laid to board 16 x 22 inches/ 40.6 x 55.9 centimeters Signed & dated lower right â&#x20AC;&#x153;Percy Gray, 1923â&#x20AC;? Frame: 18.5 x 24.5 inches/ 47 x 62.2 centimeters PROVENANCE: Private Collection, Forestville, California

Estimate: $20,000 / 30,000

2061 JADE FON (American 1911-1983) Half Dome, 1981 Watercolor on paper 22 x 29 inches/ 56 x 73.6 centimeters Signed lower right “Jade Fon, A. W. S.” Frame: 29 x 36 inches/ 73.6 x 91.5 centimeters PROVENANCE: Private Collection, Alameda, California

Estimate: $4,000 / 6,000

2062 TOM NICHOLAS (American b.1934) Demonstration Watercolor on paper Sight: 17.25 x 23.5 inches/ 43.8 x 59.7 centimeters Signed & titled lower right “Tom Nicholas, Demonstration” Frame: 28 x 34 inches/ 71.1 x 86.4 centimeters PROVENANCE: Private Collection, Alameda, California

Estimate: $1,000 / 1,500

2063 JADE FON

2064 PAM DELLA

(American 1911-1983) Two works: Hummingbird Nest & Hummingbird on Branch Watercolor on paper Nest: 6 x 3.5 inches/ 15.2 x 8.9 centimeters Branch: 7.5 x 3 inches/ 19 x 7.6 centimeters Nest: Signed lower left “Jade Fon” Branch: Signed lower left “Jade Fon, A. W. S.” Frame: 10.5 x 6 inches/ 26.6 x 15.2 centimeters Frame: 7.75 x 11.75 inches/ 19.7 x 29.9 centimeters PROVENANCE: Private Collection, Alameda, California

(American 20th Century) View from Buena Vista Park Watercolor on paper Sight: 5.75 x 10.5 inches/ 14.5 x 26.7 centimeters Signed & titled lower right “From Buena Vista Park, Pam Della, S. W. A.” Frame: 10.75 x 15.75 inches/ 27.3 x 40 centimeters PROVENANCE: Private Collection, Alameda, California

Estimate: $1,000 / 2,000

Estimate: $500 / 1,000

2065 MAURICE GEORGE LOGAN (American 1886-1977) Sailboats at Dock Oil pastel on paper 14.5 x 19.75 inches/ 36.8 x 50.2 centimeters Signed lower right “M. Logan” Frame: 29.25 x 34.25 inches/ 74.3 x 87 centimeters PROVENANCE: Private Collection, Bay Farm Island, California

2066 TOM NICHOLAS (American b.1934) Asilomar Watercolor on paper Sight: 20.25 x 14.25 inches/ 51.5 x 36.2 centimeters Signed & titled lower left “Tom Nicholas, Asilomar” Included in lot: Photo of the artist with painting Frame: 30.5 x 24.5 inches/ 77.5 x 62.2 centimeters PROVENANCE: Private Collection, Alameda, California

Estimate: $1,000 / 2,000

Estimate: $1,000 / 1,500

2067 PAM DELLA

2068 JADE FON

(American 20th Century) Taxco Watercolor on paper Sight: 8 x 10 inches/ 20.3 x 25.4 centimeters Signed & titled lower right in pencil “Taxco, Pam Della, S. W. A.” Frame: 15.25 x 17.25 inches/ 38.7 x 43.8 centimeters PROVENANCE: Private Collection, Alameda, California

(American 1911-1983) Sunflowers Watercolor on paper Sight: 14 x 20.25 inches/ 35.5 x 51.5 centimeters Signed lower right “Jade Fon, A. W. S.” Frame: 22 x 28 inches/ 56 x 71 centimeters PROVENANCE: Private Collection, Alameda, California

Estimate: $500 / 1,000

Estimate: $1,000 / 2,000

2069 ASTLEY DAVID MIDDLETON COOPER (American 1856-1924) Searching for Wisdom Oil on canvas 30 x 16 inches/ 76.2 x 40.6 centimeters Signed lower left “A. D. M. Cooper” Frame: 34.75 x 21 inches/ 88.3 x 53.3 centimeters PROVENANCE: Private Collection, Sunnyvale, California

Estimate: $1,000 / 2,000

2070 VICTOR COLEMAN ANDERSON (American 1892-1937) Desert Mountain Climbing Oil on board 16 x 12 inches/ 40.6 x 30.5 centimeters Signed lower left “Victor C. Anderson” Verso: Titled in pencil & inscribed with artist’s address in pencil “Desert Mountain Climbing” Frame: 20 x 16.25 inches/ 50.8 x 41.3 centimeters PROVENANCE: Private Collection, Alameda, California

Estimate: $1,500 / 2,500 2069

2070

2071 ALBIN KERN

2072 HUBERT BUEL

(American 1884-1975) Two Hikers, 1957 Encaustic on canvas board 20 x 24 inches/ 50.8 x 61 centimeters Initialed & dated lower right “A. K., 1957” Verso: Signed & titled “Albin Kern, Two Hikers” Frame: 26.5 x 30.5 inches/ 67.3 x 77.5 centimeters PROVENANCE: Private Collection, Stockton, California

(American 1915-1984) Waikiki Watercolor on paper Sight: 20.75 x 28.75 inches/ 52.7 x 73 centimeters Signed lower left “Hubert Buel” Verso: Bohemian Club label Frame: 29 x 37 inches/ 73.6 x 94 centimeters PROVENANCE: Private Collection, Forestville, California

Estimate: $1,500 / 2,500

Estimate: $600 / 900

2073 THEODORE WORES (American 1859-1939) Mt Fujiyama from Yokohamo, Japan Oil on board 15.5 x 11.75 inches/ 39.4 x 29.8 centimeters Signed lower left “Theodore Wores” Verso: Artist label “Mt. Fujiyama from Yokohamo, Japan, by Theodore Wores, 1895” Gallery label, Spanierman Gallery New York City Exhibited: Garden Museum, Matsue, Japan Frame: 21.5 x 18.5 inches/ 54.6 x 47 centimeters PROVENANCE: Spanierman Gallery NYC; to Garden Museum Collection, Matsue, Japan; to Private Collection Alameda, California

Estimate: $10,000 / 15,000 Literature: Alastair Duncan, Louis C. Tiffany, The Garden Museum Collection, Antique Collectors Club Limited, Old Martlesham, Woodbridge, Suffolk, 2004, ill. p.657

2074 ALBIN KERN

2075 Attributed to SELDEN CONNOR GILE

(American 1884-1975) Along 17 Mile Drive, 1954 Oil on masonite 20 x 26 inches/ 50.8 x 66 centimeters Artist’s monogram & dated lower right “A. K., 1954” Verso: Signed & titled “Along 17 Mile Drive, by Albin Kern” Frame: 24.75 x 30.75 inches/ 62.9 x 78.1 centimeters PROVENANCE: Private Collection, Clayton, California

(American 1877-1947) The Fishmonger Oil on board 7.6 x 10 inches/ 19.3 x 25.4 centimeters Frame: 10.75 x 12.8 inches/ 27.3 x 32.5 centimeters PROVENANCE: Private Collection, Pacific Grove, California

Estimate: $2,000 / 4,000

Estimate: $1,000 / 1,500

2076 DANA BARTLETT

2077 OTIS OLDFIELD

(American 1882-1957) In Verdugo Canyon, 1936 Oil on canvas. 16 x 20 inches/ 40.6 x 50.8 centimeters. Signed lower right “Dana Bartlett” Verso: Titled, signed & dated with artist’s cipher “In Verdugo Canyon, by Dana Bartlett, 1936” Frame: 19.25 x 23.10 inches/ 48.9 x 58.7 centimeters. PROVENANCE: Private Collection, Santa Barbara, California.

(American 1890-1969) Golden Gate Park, 1968 Oil on board 13 x 9.5 inches/ 33 x 24.1 centimeters Signed lower right “Otis Oldfield” Verso: Estate stamp “Otis Oldfield Estate” Exhibited: Charles Campbell Gallery, 1976 Frame: 17.25 x 13.75 inches/ 43.8 x 34.8 centimeters PROVENANCE: Private Collection, San Francisco, California.

Estimate: $2,000 / 4,000

Estimate: $2,500 / 5,000

2078 GEORGE DEMONT OTIS (American 1879-1962) Tomales Bay Oil on canvas 28 x 36 inches/ 71.1 x 91.5 centimeters Signed lower right “Geo. Demont Otis” Frame: 35.25 x 43 inches/ 89.5 x 109.2 centimeters PROVENANCE: Private Collection, Richmond, California.

Estimate: $6,000 / 9,000

2079 GLINTENKAMP

2080 HORST B. TRAVE

(American 20th Century) Cabin Interior, 1951 Oil on canvas 36 x 28 inches/ 91.5 x 71 centimeters Verso: Signed & dated “Glintenkamp, 5-14-51” Frame: 44.25 x 36 inches/ 112.5 x 91.5 centimeters PROVENANCE: Private Collection, Santa Cruz, California

(American 1918-2012) 6/28/64 Oil on canvas 31.75 x 41.75 inches/ 80.7 x 106 centimeters Verso: Initialed & titled “H. B. T., 6-28-64” Frame: 32.5 x 42.5 inches/ 82.7 x 108 centimters PROVENANCE: Private Collection, Seaside, California

Estimate: $4,000 / 6,000

Estimate: $3,000 / 5,000

2081 MANUEL ESPINOSA (Argentine 1912-2006) Pintura, 1967 Acrylic on canvas 27.5 x 23.5 inches/ 69.8 x 59.7 centimeters Verso: Signed, dated & titled “Espinosa, 1967, Pintura” Frame: 28 x 24.25 inches/ 71.1 x 61.5 centimeters PROVENANCE: Private Collection, San Francisco, California

Estimate: $4,000 / 6,000

2082 CHESTER ARNOLD (American b.1952) Landfall, 2002 Oil on linen 18 x 22 inches/ 45.7 x 55.9 centimeters Initialed & dated upper left “C. A., 8-8-02” Verso: Signed, titled & dated “Chester Arnold, Landfall, 2002” PROVENANCE: Private Collection, San Francisco, California

Estimate: $2,000 / 4,000

2083 DAVID PARK (American 1911-1960) Spring, 1952 Oil on paper 8.75 x 5.25 inches/ 3.4 x 2.1 centimeters Verso: Gallery label reading “Hackett - Freedman Modern, David Park, Spring, 1952 . . . 280 Sutter St., San Francisco, CA., PAR-085-OP”. Frame: 14 x 11 inches/ 36 x 28 centimeters PROVENANCE: Private Collection, Oakland, California

Estimate: $15,000 / 30,000

2084 PAUL GAUGUIN (French 1848-1903) Tahitian Village, From Noa Noa Collotype on paper 11.25 x 8.75 inches/ 22.2 x 28.9 centimeters Executed by Ganymede in Berlin Verso: Certificate of Authenticity from Global Fine Arts, numbered “42/100” Frame: 27 x 24.25 inches/ 68.5 x 61.6 centimeters PROVENANCE: Private Collection, Santa Cruz, California

Estimate: $2,000 / 3,000 2085 MARSDEN HARTLEY

2084

(American 1878-1943) Waxenstein, 1933 Lithograph on paper 16 x 11.5 inches/ 40.6 x 29.3 centimeters Signed & dated lower right “Marsden Hartley/ 1933” Numbered & titled lower left “15, Waxenstein” Frame: 18 x 13.5 inches/ 45.7 x 34.3 centimeters PROVENANCE: Private Collection, Fresno, California

2085

Estimate: $3,000 / 4,000

2087 MARC CHAGALL

(French 1871-1958) La Sibylle de Cumes Lithograph on paper Image: 20.25 x 14.25 inches/ 51.4 x 36.2 centimeters Signed & titled lower left “Georges Rouault, La Sibylle de Cumes” Numbered lower right “42/50” Frame: 35.5 x 29.5 inches/ 90.2 x 75 centimeters PROVENANCE: Private Collection, Santa Cruz, California

(French/Russian 1887-1985) Angel Etching on Arches paper 8.5 x 11 inches/ 21.5 x 28 centimeters Signed in plate upper right “Chagall” Numbered in pencil lower left “507/1000” Embossed lower right from the Federation & Emiliano Sorini “ES” Included in lot: Certificate of Authenticity from the World Federation of United Nations Associations; Stamped envelope from the Federation with offered image Frame: 14.5 x 18.5 inches/ 36.8 x 47 centimeters PROVENANCE: Private Collection, Honolulu, Hawaii

Estimate: $1,500 / 2,500

Estimate: $1,000 / 1,500

2086 GEORGES ROUAULT

2088 MARC CHAGALL

2089 MARC CHAGALL

(French/Russian 1887-1985) Le Cirque, 1967 Lithograph on Arches paper Sheet: 16.75 x 12.75 inches/ 42.5 x 32.4 centimeters Numbered in pencil lower left “122/250” Verso: Original title page listing edition size, including lithograph edition number (122) Publisher: Tériade Editeur, Paris Catalog Raisonne: 511, Mourlot Frame: 26.75 x 22.5 inches/ 68 x 57.2 centimeters PROVENANCE: Private Collection, Oakland, California

(French/Russian 1887-1985) Le Cirque, 1967 Lithograph on Arches paper Sheet: 16.75 x 12.75 inches/ 42.5 x 32.4 centimeters Numbered in pencil lower left “122/250” Verso: Original title page listing edition size, including lithograph edition number (122) Publisher: Tériade Editeur, Paris Catalog Raisonne: 522, Mourlot Frame: 26.75 x 22.5 inches/ 68 x 57.2 centimeters PROVENANCE: Private Collection, Oakland, California

Estimate: $6,000 / 9,000

2090 JOAN MIRO

2091 FRIEDENSREICH HUNDERTWASSER

(Spanish 1893-1983) Zephir Vogel (Zephyr Bird) Lithograph on paper Sheet: 15 x 22 inches/ 38 x 53.3 centimeters Original lithograph, printed 1965 at Mourlot in Paris. Published in the catalog Derriere le Miroir (DLM) for an exhibition. Unnumbered edition of 1500 copies published in DLM 87-88-89 Frame: 21.25 x 28.25 inches/ 54 x 71.8 centimeters PROVENANCE: Private Collection, Oakland, California

(Austrian 1928-2000) Irinaland Over the Balkans, 1971 (from Look at It on a Rainy Day, Regentag Portfolio) Serigraph with metal imprints Image: 16.25 x 23 inches/ 41.3 x 58.5 centimeters Sheet: 19.5 x 26.5 inches/ 49.5 x 67.3 centimeters Signed & numbered in ink lower center “Hundertwasser, Regentag, 139/300” Numbered in ink lower right “1387/3000” Signed & dated in print “Hundertwasser, 1971” Blind stamp lower right “Schoeller Stern” Catalog Raisonne: 50, Koschatzky Publisher: Ars Viva Printer: Dietz Offizin PROVENANCE: Private Collection, Sausalito, California

Estimate: $1,000 / 2,000

Estimate: $2,000 / 2,500

2092 FRIEDENSREICH HUNDERTWASSER (Austrian 1928-2000) A Rainy Day on the Regentag #5, 1971 (from Look at It on a Rainy Day, Regentag Portfolio) Serigraph with metal imprints 18.5 x 26.5 inches/ 45.7 x 67.3 centimeters Numbered “01387/3000” Stamed upper left “Hundertwasser, Regentag,” Catalog Raisonne: 48, Koschatzky Publisher: Ars Viva Printer: Dietz Offizin PROVENANCE: Private Collection, Sausalito, California

Estimate: $1,500 / 2,000

2093 ERIK NITSCHE (Swiss 1908-1998) General Dynamics, Energetic Earth, Material Service Lithogaph on paper Sheet: 50.75 x 36 inches/ 129 x 91.5 centimeters Signed in print “Erik Nitsche” Published by R. Marsens & Lausanne Printed in Switzerland Frame: 52 x 37.25 inches/ 132 x 94.5 centimeters PROVENANCE: Private Collection, Vallejo, California

Estimate: $1,500 / 2,500

2094 2094 ROY LICHTENSTEIN

2095 LOUIS NEVELSON

(American 1923-1997) As I Opened Fire... Three panel serigraph 25 x 62.25 inches/ 63.5 x 158.8 centimeters Signed lower right of Bratatat panel “Roy Lichtenstein” Frame: 31.25 x 71 inches/ 79.4 x 180.3 centimeters PROVENANCE: Private Collection, Santa Cruz, California

(American 1899-1988) Sky Gate 1, 1982 Cast moulded paper 33.5 x 20.25 inches/ 85.1 x 51.4 centimeters Signed and dated lower center “Nevelson - 82” Numbered lower left “85/90” Frame: 36.75 x 23.25 inches/ 93.3 x 59 centimeters PROVENANCE: Private Collection, Santa Cruz, California

Estimate: $1,000 / 2,000

Estimate: $3,000 / 4,000

Note: September 1991 letter from consignor to artist included with this lot.

2096 ROBERT RAUSCHENBERG (American 1925-2008) Horse Silk (Night Sights Series), 1992 Offset lithograph on paper 28.5 x 20 inches/ 72.4 x 50.8 centimeters Signed & dated lower left in pencil “Rauschenberg, 93” Numbered lower center “26/100” Year of Work: 1992 Printed: 1993 Included in lot: Letter from Aperture Frame: 34.75 x 25.5 inches/ 88.3 x 64.8 centimeters PROVENANCE: Private Collection, Honolulu, Hawaii

Estimate: $800 / 1,200 Note: This image was specially created for the cover of the fortieth anniversary issue of Aperture magazine

2095

2097 ROBERT RAUSCHENBERG (American 1925-2008) Two works: Bulkhead (Day Lights), 1994; Tanya’s Veil (Whale) Offset lithograph on paper Bulkhead: 8 x 12 inches/ 20.3 x 30.5 centimeters Tanya’s Veil: 11 x 8.5 inches/ 28 x 21.5 centimeters Bulkhead: Initialed & dated lower right in pencil “R. R., 94” Numbered lower left “236/750” Embossed seal of the Federation lower right Bulkhead: 8 x 12 inches/ 20.3 x 30.5 centimeters Tanya’s Veil: Numbered lower left in pencil “227/500” Signed lower center “Rauschenberg” Embossed seal of the Federation lower right Included in lot: Certificate of Authenticity from the World Federation of United Nations Associations; Stamped envelope from the Federation with offered image Frame: 18.5 x 14.5 inches/ 47 x 37 centimeters PROVENANCE: Private Collection, Honolulu, Hawaii

Estimate: $1,000 / 2,000

2098 BEAU BRADFORD

2099 KEITH HARING

(American 20th Century) Arnold Schwarzenegger Serigraph on canvas 20 x 20 inches/ 50.8 x 50.8 centimeters Verso: Dedication in pencil reading “Happy Birthday to you....Happy 26th, Rodney Buice, June ‘50- May ‘76” PROVENANCE: Private Collection, Vallejo, California

(American 1958-1990) Fight AIDS Lithograph on paper 11 x 8.5 inches/ 28 x 21.5 centimeters Numbered lower left in pencil “441/1000” Embossed lower right from the Federation & Emiliano Sorini “ES” Included in lot: Certificate of Authenticity from the World Federation of United Nations Associations; Stamped envelope from the Federation with offered image Frame: 17.25 x 14.25 inches/ 43.8 x 36.2 centimeters PROVENANCE: Private Collection, Honolulu, Hawaii

Estimate: $800 / 1,200

Estimate: $600 / 900

2100 ZARINA HASHMI (Indian b.1937) Blanou House (Blossom House), 1985 Woodblock Sheet: 32.5 x 25.75 inches/ 82.5 x 65.5 centimeters Signed & dated lower right in pencil “Zarina, 85” Titled lower center “Blanou House” Numbered lower left “21/40” Frame: 39.75 x 30.75 inches/ 101 x 78 centimeters PROVENANCE: Private Collection, San Francisco, California

Estimate: $3,000 / 5,000 2101 PAUL WUNDERLICH (German 1927-2010) Minotauros Bronze 30.75 x 7.25 x 5.75 inches/ 78.1 x 18.4 x 14.6 centimeters Signed & numbered right side of base “Wunderlich 373/2000” Verso: Makers stamp “Venturi Arts”

2100

Estimate: $2,000 / 4,000

2101

2102 ELIZABETH MURRAY (American 1940-2007) Straight, No Chaser (Crossing), 1999 Hand colored mixed media paper construction with collage mounted to 4-ply museum board 18.5 x 29 inches/ 47 x 73.7 centimeters 1 of 33 unique variants, no. 31 (No. EM99-2185) Included with lot, Certificate of Authenticity from Gemini, G.E.L., Los Angeles, California Frame: 19.5 x 30 inches/ 49.5 x 76.2 centimeters PROVENANCE: Private Collection, Norfolk,Virgina

Estimate: $15,000 / 20,000 Literature: Included with Straight, No Chaser (Crossing), 1999 is a four-page document from Gemini G.E.L., llc., Los Angeles, California signed by the artist describing their collaboration and the specific methods and techniques used in itsâ&#x20AC;&#x2122; creation. The Gemini, G.E.L. documents states that Crossing required 16 lithographic runs and 11 screen runs. The artist cut and assembled the elements and during and after the assembly stage, Murray hand colored and painted each piece. The work was then folded and manipulated into its final configuration making each piece an unique variant within the total edition of 33.

2103 After ALFRED STIEGLITZ (American 1864-1946) A Personal Vision, A Portfolio Selected by Dorothy Norman, 1995 Five photogravures on Lana Gravure paper Sheet size: 17 x 14 inches/ 43.2 x 35.5 centimeters New York Series, Spring 1935 (Daytime), Plate: 10 x 8 inches/ 25.5 x 20.3 centimeters New York Series, Spring 1935 (Nighttime), Plate: 9.75 x 8 inches/ 24.7 x 20.3 centimeters Portrait of Dorothy Norman, 1932, Plate: 4.25 x 3.5 inches/ 10.8 x 9 centimeters Hands, Dorothy Norman I, 1931, Plate: 5 x 4 inches/ 12.7 x 10.1 centimeters Equivalent, Mountains & Sky, Lake George, 1924, Plate: 10 x 7.5 inches/ 25.5 x 19 centimeters Colophon signed & numbered in ink “Dorothy Norman, 32/250” Included in lot: Original portfolio case PROVENANCE: Private Collection, Honolulu, Hawaii

Estimate: $400 / 800 2104 After EDWARD STEICHEN (American 1879-1973) The Early Years 1900-1927 Twelve photogravures on Papier Duchene Sheet size: 20 x 15.75 inches/ 50.8 x 40 centimeters Grand Prix at Longchamp: After the Races, Paris, 1907, Plate: 7.75 x 8.25 inches/ 19.7 x 21 centimeters Self-Portrait with Sister, Milwaukee, 1900, Plate: 5.25 x 6.75 inches/ 13.3 x 17.1 centimeters Torso, Paris, 1902, Plate: 6.75 x 8.75 inches/ 17.1 x 22.2 centimeters Moonrise, Mamaroneck, New York, 1904, Plate: 10.5 x 12.5 inches/ 26.6 x 31.7 centimeters In Memoriam, New York, 1902, Plate: 10.75 x 8.25 inches/ 27.3 x 21 centimeters Steichen and Wife Clara on Their Honeymoon, Lake George, New York, 1903, Plate: 7.25 x 8.25 inches/ 18.5 x 21 centimeters Richard Strauss, New York, 1904, Plate: 10.25 x 7.25 inches/ 26 x 18.5 centimeters The Flatiron, New York, 1905, Plate: 13.25 x 10.25 inches/ 33.6 x 26 centimeters Heavy Roses, Voulangis, France, 1914, Plate: 8.5 x 10.5 inches/ 21.5 x 26.6 centimeters Isadora Duncan at the Portal of the Parthenon, Athens, 1920, Plate: 9 x 7.25 inches/ 22.8 x 18.5 centimeters Three Pears and an Apple, France, c.1921, Plate: 13 x 10.25 inches/ 33 x 26 centimeters Brancusi in His Studio, Paris, 1925, Plate: 10.5 x 8.5 inches/ 26.6 x 21.5 centimeters Colophon signed & numbered in ink “Beaumont Newhall, Mary Steichen, 918/1000” In Memoriam; Signed in plate lower right “Steichen” Steichen and Wife Clara; Signed in plate lower left “Steichen” Richard Strauss; Signed in plate lower left “Steichen” Published by Aperture, © 1981 Printed by Jon Goodman & Richard Benson Included in lot: Original portfolio case, bound in Indian tussah silk & Curtis Tweedweave paper; Invoice from Aperture, New York PROVENANCE: Private Collection, Honolulu, Hawaii

Estimate: $1,500 / 2,500 2105 IMOGEN CUNNINGHAM (American 1883-1976) Two Callas Gelitan silver print 13.25 x 10.25 inches/ 33.5 x 26 centimeters Embossed signature lower right Frame: 25 x 19.25 inches/ 63.5 x 48.9 centimeters PROVENANCE: Private Collection, Petaluma, California

Estimate: $2,000 / 3,000

2106 ANSEL ADAMS (American 1902-1984) Trailside, Juneau, Alaska Gelatin silver print 16 x 12 inches/ 40.6 x 30.5 centimeters Signed in ink lower right “Ansel Adams” Year of work: 1947 Printed: c.1970 Included in lot: Copy of invoice Frame: 28.25 x 22.25 inches/ 71.7 x 56.5 centimeters PROVENANCE: Private Collection, Honolulu, Hawaii

Estimate: $4,000 / 6,000

2107 RUTH BERNHARD (American 1905-2006) Shell & Driftwood Gelatin silver print 8.5 x 11 inches/ 21.5 x 28 centimeters Frame: 16.25 x 20.25 inches/ 41.3 x 51.5 centimeters PROVENANCE: Private Collection, Honolulu, Hawaii

Estimate: $1,500 / 2,500

2108 ANSEL ADAMS (American 1902-1984) Barn, Cape Cod, Massachusetts Gelatin silver print 13.5 x 19 inches/ 34.3 x 48.3 centimeters Signed in pencil lower right on mount “Ansel Adams” Year of work: 1937 Printed: c.1970 Included in lot: Original invoice Frame: 22.25 x 28.25 inches/ 56.5 x 71.7 centimeters PROVENANCE: Private Collection, Honolulu, Hawaii

Estimate: $5,000 / 8,000

2109 RUTH BERNHARD (American 1905-2006) Two Leaves Gelatin silver print 13.5 x 10.5 inches/ 34.3 x 26.6 centimeters Signed lower right in pencil “Ruth Bernhard” Included in lot: Original invoice from Viewpoint Gallery, Sacramento Frame: 20.25 x 16.25 inches/ 51.5 x 41.3 centimeters PROVENANCE: Private Collection, Honolulu, Hawaii

Estimate: $1,500 / 2,500 2110 RUTH BERNHARD (American 1905-2006) Angel Wing Gelatin silver print 14 x 11 inches/ 35.5 x 28 centimeters Signed in pencil lower right “Ruth Bernhard” Included in lot: Original invoice from Viewpoint Gallery, Sacramento Frame: 20.25 x 16.25 inches/ 51.5 x 41.3 centimeters PROVENANCE: Private Collection, Honolulu, Hawaii

2109

2110

Estimate: $1,500 / 2,500

2111 BRETT WESTON

2112 BRETT WESTON

(American 1911-1993) Garrapata Beach, 1954 Gelatin silver print, mounted. From the Fifteen Photographs Portfolio, 1961 7.6 x 9.6 inches/ 19.3 x 24.5 centimeters Signed & dated lower right in pencil “Brett Weston, 1954” PROVENANCE: Gift from the Artist to; Dr. Peters Strykers, California

(American 1911-1993) White Sands, 1947 Gelatin silver print, mounted. From the White Sands Portfolio, 1949 9.6 x 7.6 inches/ 24.5 x 19.3 centimeters Signed & dated lower right in pencil “Brett Weston, 1947” Numbered lower left “5/25” PROVENANCE: Gift from the Artist to; Dr. Peters Strykers, California

Estimate: $2,500 / 5,000

Estimate: $2,000 / 3,000

2113 BRETT WESTON (American 1911-1993) Guatemala Hills Gelatin silver print, mounted Sight: 15 x 18.75 inches/ 38 x 47.5 centimeters Signed lower right in pencil â&#x20AC;&#x153;Brett Westonâ&#x20AC;? Frame: 24.25 x 27 inches/ 61.5 x 68.5 centimeters PROVENANCE: Gift from the Artist to; Dr. Peters Strykers, California

Estimate: $8,000 / 12,000

2114 DAVID PLOWDEN

2115 YASUHIRO ISHIMOTO

(American b.1932) Two works: Lincoln Valley, North Dakota, 1971; Fences, St. Lawrence River Valley, Quebec, 1969” Gelatin silver print Lincoln Valley, Image: 10.5 x 10.5 inches/ 26.7 x 26.7 centimeters Lincoln Valley, Sheet: 11 x 13.9 inches/ 27.9 x 35.3 centimeters Fences, Image: 7.5 x 13.6 inches/ 19 x 34.6 centimeters Fences, Sheet: 9.75 x 14 inches/ 24.7 x 35.5 centimeters Lincoln Valley, Verso: Signed, titled, dated & numbered in pencil “Lincoln Valley, No. Dakota, 1971, David Plowden, GP-1975-K3” Fences, Verso: Signed, titled, dated & numbered in pencil “Fences, St. Lawrence River Valley, Quebec 1969, David Plowden, GFB-69-1784-K-3” PROVENANCE: Private Collection, Mill Valley, California

(Japanese/American 1921-2012) Two works: Can & Crane Gelatin silver print Can, Image: 6 x 8.5 inches/ 15.2 x 21.5 centimeters Can, Sheet: 8 x 10 inches/ 20.3 x 25.4 centimeters Crane, Image: 10 x 7.2 inches/ 25.4 x 18.3 centimeters Crane, Sheet: 14 x 11 inches/ 35.5 x 28 centimeters Can: Signed lower right “Yas. Ishimoto” Can, Verso: Note from artist to collector, signed “Yas. Ishimoto” Crane, Verso: Signed in pencil lower right “Yas. Ishimoto” PROVENANCE: Private Collection, Mill Valley, California

Estimate: $1,500 / 2,500

Estimate: $2,000 / 3,000

2116 DAVID PLOWDEN

2117 BRUCE DAVIDSON

(American b.1932) Two works: Grain Elevator, North Topeka, Kansas & Pullman, Washington, 1972 Gelatin silver print (Grain Elevator laid to mat board) Grain Elevator, Image: 9.1 x 10 inches/ 23.2 x 25.4 centimeters Pullman, Image: 9.25 x 13.5 inches/ 23.5 x 34.3 centimeters Pullman, Sheet: 11 x 14 inches/ 27.9 x 35.5 centimeters Grain Elevator: Signed on mat board in pencil lower right “David Plowden” Pullman: Pullman, Verso: Signed, titled, dated & numbered in pencil “Pullman Washington, 1972, David Plowden, CP-454-K-3D” PROVENANCE: Private Collection, Mill Valley, California

(American b.1933) Untitled (Welsh Miners Series) Gelatin silver print Image: 12 x 14.7 inches/ 30.5 x 37.3 centimeters Sheet: 16 x 20 inches/ 40.6 x 50.8 centimeters Verso: Signed lower center in pencil “Bruce Davidson” Stamped lower left “Welsh Miners, Sequence No. 2, Portfolio No. 3, All Rights Reserved, Copyright Bruce Davidson, 1982” Year of work: 1965 Printed: 1982 PROVENANCE: Private Collection, Mill Valley, California

Estimate: $2,000 / 3,000

Estimate: $1,500 / 2,000

2118 W. EUGENE SMITH (American 1918-1978) Spanish Wake, 1951 Gelatin silver print laid to board 19 x 28.5 inches/ 48.2 x 72.4 centimeters Signed lower right “W. Eugene Smith” PROVENANCE: Private Collection, Mill Valley, California

Estimate: $6,000 / 9,000

2119 BRETT WESTON (American 1911-1993) Window Display, 1954 Gelatin silver print, mounted. From the Fifteen Photographs Portfolio, 1961 7.6 x 9.5 inches/ 19.3 x 24 centimeters Signed & dated lower right in pencil “Brett Weston, 1954” PROVENANCE: Gift from the Artist to; Dr. Peters Strykers, California

Estimate: $4,000 / 6,000

2120 BRUCE DAVIDSON (American b.1933) Untitled (Welsh Miners Series) Gelatin silver print Image: 10 x 8 inches/ 25.4 x 20.3 centimeters Sheet: 20 x 16 inches/ 50.8 x 40.6 centimeters Verso: Signed lower center in pencil “Bruce Davidson” Stamped lower left “Welsh Miners, Sequence No. 1, Portfolio No. 3 (numbered in pencil), All Rights Reserved, Copyright Bruce Davidson, 1982” Year of work: 1966 Printed: 1982 PROVENANCE: Private Collection, Mill Valley, California

Estimate: $1,500 / 2,000

2122 BRUCE DAVIDSON

2121 KENNETH PROBST (Swiss 1952-2010) Markus Klinko with His Harp Gelatin silver print Sheet: 24 x 20 inches/ 61 x 50.8 centimeters Image: 19 x 19 inches/ 48.2 x 48.2 centimeters Verso: Signed & dated lower right in pencil “Ken Probst, c.1990” PROVENANCE: Private Collection, Vallejo, California

(American b.1933) Untitled, 1980 Dye transfer photograph Image: 14.75 x 22.75 inches/ 37.5 x 57.8 centimeters Sheet: 20 x 24 inches/ 50.8 x 61 centimeters Verso: Signed & dated in pencil “Bruce Davidson, 80” PROVENANCE: Private Collection, Mill Valley, California

Estimate: $2,000 / 3,000

Estimate: $4,000 / 6,000

2123 DAVID PLOWDEN (American b.1932) Three works: Yaquina Bay Bridge, Newport, Oregon, 1968; Statue of Liberty from Caven Point Road; The Market Street Bridge, Susquehanna River” Gelatin silver print (Statue of Liberty laid to board) Yaquina Bay Bridge, Image: 13.4 x 10.75 inches/ 34 x 27.3 centimeters Yaquina Bay Bridge, Sheet: 13.9 x 11 inches/ 35.3 x 28 centimeters Statue of Liberty, Image: 10 x 13.40 inches/ 25.4 x 34 centimeters Market Street Bridge, Image: 10.5 x 10.5 inches/ 26.7 x 26.7 centimeters Market Street Bridge, Sheet: 11 x 14 inches/ 28 x35.5 centimeters Statue of Liberty: Signed on board lower right in pencil “David Plowden” Yaquina Bay Bridge, Verso: Signed, titled, dated & in pencil “Yaquina Bay Bridge, Newport Oregon, 1968, David Plowden, GFB-68-5576-K-3” Market Street Bridge, Verso: Signed & numbered in pencil “David Plowden, GFB469-2...” PROVENANCE: Private Collection, Mill Valley, California

Estimate: $3,000 / 5,000

2124 MICHAEL KENNA (American/British b.1953) Hilltop Trees, Teshikaga, Hokkaido, Japan, 2003 Sepia toned gelatin silver print 8 x 7.5 inches/ 20.3 x 19 centimeters Signed & dated lower right in pencil “Michael Kenna, 2003” Numbered lower left “38/45” Included in lot: Original invoice from Stephen Wirtz Gallery, San Francisco Frame: 20.25 x 16.25 inches/ 51.5 x 41.3 centimeters PROVENANCE: Private Collection, Honolulu, Hawaii

Estimate: $3,000 / 5,000

2125 TOM BARIL

(American b.1952) Manhattan Twelve photogravures Sheet: 24 x 20 inches/ 61 x 50.8 centimeters Flatiron Building, Plate: 13.5 x 5.75 inches/ 34.3 x 14.5 centimeters Chrysler & Empire State Buildings, Plate: 13.5 x 10.75 inches/ 34.3 x 27.3 centimeters Verrazano Bridge, Plate: 13.5 x 10.6 inches/ 34.3 x 27 centimeters Chrysler Building Through Window, Plate: 13.25 x 10.5 inches/ 33.6 x 26.6 centimeters Smoke Stacks Variation, Plate: 13.5 x 10.5 inches/ 34.3 x 26.6 centimeters Rockefeller Center, Plate: 13.5 x 10.6 inches/ 34.3 x 27 centimeters Chrysler Building from Madison Avenue, Plate: 13.5 x 10.75 inches/ 34.3 x 27.3 centimeters Brooklyn Bridge with Clamp, Plate: 13.25 x 10.75 inches/ 33.6 x 27.3 centimeters 59th Street Bridge, Plate: 13.5 x 10.75 inches/ 34.3 x 27.3 centimeters Met Life Building in Fog, Plate: 13.5 x 10.75 inches/ 34.3 x 27.3 centimeters Chrysler Building at Night, Plate: 13.5 x 10.75 inches/ 34.3 x 27.3 centimeters World Trade Center, Plate: 13.5 x 10.75 inches/ 34.3 x 27.3 centimeters Numbered in pencil on title page “35/75” Each signed lower right in pencil “Tom Baril” Embossed monogram lower right “GJ” Companion book numbered & signed in pencil “35, Tom Baril, Ann Beattie, John Wood, Steven Albahari” Published by Steven Albahari Included in lot: Linen portfolio case; Companion book including a short story by Ann Beattie & an introduction by John Wood; Invoice from 21st Editions; Letter from the publisher PROVENANCE: Private Collection, Honolulu, Hawaii

2126 WOLF VON DEM BUSSCHE (German b.1934) N.Y., N.Y. Portfolio of ten Gelatin silver prints depicting the World Trade Center & Washington Square, printed & processed archivally by the photographer, Black Stone Press, San Francisco, 1982. Portfolio No. 44 17.50 x 12.25 inches/ 44.5 x 31.1 centimeters Each signed in pencil lower left “Wolf Von Dem Bussche” Dated lower right “1976” Verso: Each titled, dated & numbered in pencil along with artist’s stamp PROVENANCE: Private Collection, Vallejo, California

Estimate: $8,000 / 12,000

Estimate: $4,000 / 6,000

2127 GEORGE TICE (American b.1938) Petit’s Mobil Station, Cherry Hill, New Jersey Selenium toned gelatin silver print mounted 7.5 x 9.5 inches/ 19 x 24 centimeters Signed lower right in pencil “George Tice” Verso: Titled & dated “Galerie Selenium” Year of work: 1974 Printed: 1989 Included in lot: Original invoice from Scott Nichols Gallery, San Francisco Frame: 16.25 x 20.25 inches/ 41.3 x 51.5 centimeters PROVENANCE: Private Collection, Honolulu, Hawaii

Estimate: $1,500 / 2,500

2128 THOMAS ALLEN (American b.1963) Two works: Recover, 2003; Bookend, 2004 Chromogenic prints Recover: 24 x 20 inches/ 61 x 50.8 centimeters Bookend: 20 x 24 inches/ 50.8 x 61 centimeters Verso: Each signed, titled & dated Included in lot: Invoice for both works from the Foley Gallery, The Sea Ranch, CA Frame: 24.25 x 20.25 inches/ 61.5 x 51.5 centimeters Frame: 20.25 x 24.25 inches/ 51.5 x 61.5 centimeters PROVENANCE: Private Collection, Honolulu, Hawaii

Estimate: $1,500 / 2,500

2129 KENNETH PROBST (Swiss 1952-2010) Josh Conner’s Back, San Francisco, 1995 Gelatin Silver print Image: 10.25 x 10.25 inches/ 26 x 26 centimeters Sheet: 14 x 11 inches/ 35.5 x 28 centimeters Verso: Titled & dated lower left in pencil “Josh Conner’s Back, San Francisco, 1995” Numbered lower center “1/25” Signed lower right “Kenneth Probst” Frame: 25 x 21 inches/ 63.5 x 53.3 centimeters PROVENANCE: Private Collection, Vallejo, California

Estimate: $2,000 / 4,000

2130 KENNETH PROBST (Swiss 1952-2010) Tattooed Twins, San Diego, 1989 Gelatin silver print Sight: 18 x 18 inches/ 45.7 x 45.7 centimeters Verso: Titled lower left in pencil “Tattooed Twins, San Diego, 1989” Signed, numbered & copyright lower right “Kenneth Probst, 3/10, © 1993” Year of work: 1989 Printed: 1993 Frame: 30.5 x 30.5 inches/ 77.5 x 77.5 centimeters PROVENANCE: Private Collection, Vallejo, California

2131 DONALD HARCOURT DE LUE (American 1897-1988) Genesis, 1986 Bronze 17.25 x 14.25 x 7 inches/ 43.8 x 36.2 x 17.8 centimeters Signed & dated lower right “De Lue, SC © 86” Base: Foundry Stamp PROVENANCE: Private Collection, San Francisco, California

Estimate: $8,000 / 12,000

Estimate: $4,000 / 6,000 2132 JIANG TIE FEING (American b.1938) Mermaid, 1987 Bronze 17.5 x 17.5 x 9 inches/ 44.5 x 44.5 x 22.8 centimeters Signed lower center in Chinese script Verso: Dated, numbered & makers mark “Finger Hut ‘87 62/199” Included in lot: Certificate of Authenticity from Finger Hut Publishing PROVENANCE: Private Collection, Windsor, California

Estimate: $3,000 / 5,000 2133 JIANG TIE FEING

2132

(American b.1938) Calla Lilies, 1987 Bronze Figure: 18 x 9 x 6 inches/ 45.8 x 22.8 x 15.3 centimeters Flowers: 19 x 18 x 7.5 inches/ 48.3 x 45.8 x 9 centimeters Figure: Signed on left leg in Chinese script Dated, numbered & makers mark lower right leg “Finger Hut Grp. Pub. ‘87, 55/199” Flowers: Numbered Verso “55/199” Included in lot: Certificate of Authenticity from Finger Hut Publishing PROVENANCE: Private Collection, Windsor, California

2133

Estimate: $3,000 / 5,000

Terms and Conditions of Sale STANDARD CONDITIONS OF SALE These Conditions of Sale are binding on all purchasers at Auction. Please read carefully. By registering to bid at auction, in person, or through an agent, by absentee bid, or telephone or any other means including the Internet and e-mail, you agree to be bound by these Conditions of Sale (and changes made as noted below.) All property and every lot for sale in our catalogue is offered subject to the following terms and conditions, along with any changes that may be published or announced prior to or during a sale by Michaan’s Auctions. (MA). The terms “MA” “us,” “we,” or “our” as used herein all refer to Michaan’s Auctions. Unless otherwise indicated in the catalogue or at time of sale, MA acts at all times solely as the agent for the seller. All sales shall be deemed to occur in California regardless whether by telephone, mail or through the Internet or the physical location of the buyer. DEFINITIONS Hammer price: The highest bid received for a lot upon the fall of the auctioneer’s hammer. Buyer’s premium: The amount paid by the buyer as a percentage of the hammer price and in addition thereto. Purchase price: The aggregate of the hammer, buyer’s premium and applicable taxes or other fees, if any, as may be required by law. Reserve: The minimum price at which the lot may be sold. Buyer: The person or entity who buys property at auction or private sale. Consignor: The seller, or the seller’s representative, on behalf of whom we are selling the Property. Lot: The single item or group of items offered by us for sale. Property: The item or items comprising an auction lot being offered for sale. BUYER’S PREMIUM The Buyer shall pay a Buyer’s Premium which shall be retained by MA as follows: If you choose to pay by check, cashier’s check or cash, the Buyer’s Premium is eighteen percent (18%) per lot up to and including $250,000 plus twelve percent (12%) per lot of any amount in excess of $250,001 up to and including $1,000,000 and ten percent (10%) per lot in excess of $1,000,001. If you choose to pay by credit card (Visa, Mastercard or Discover only) or any other form of payment, the Buyer’s Premium is twenty-one percent (21%) per lot up to and including $250,000 plus fifteen percent (15%) per lot of any amount in excess of $250,001 up to and including $1,000,000 and twelve percent (12%) in excess of $1,000,001. Internet Buyer’s Premium is twenty-three percent (23%) per lot up to and including $250,000 plus eighteen percent (18%) per lot of any amount in excess of $250,001. TERMS OF SALE a. The Purchase of and Payment for Property The sale of a lot shall be to the highest bidder as determined by the auctioneer, in accord with these Conditions of Sale. Title to the lot shall pass with the fall of the Auctioneer’s hammer. Buyer shall pay the Purchase price, as defined above, and such other fees as may be due, in full, within seven (7) days of the auction sale. Sale is not final and property will not be released to Buyer until good funds for all amounts due, are received by MA. Payment may be made (i) in cash, (ii) by wire transfer (additional $15

fee), (iii) by money order or other guaranteed funds, or (iv) by personal check (when buyer’s credit is approved). No lot shall be transferred by Buyer to another person until the sale is final. In the event of partial payment for any lot or lots we shall apply payments, in our discretion, to the lot or lots we select. The Buyer grants MA a security interest in the purchased Property, and we may retain as collateral any property purchased and any funds in our possession, to secure a Buyer’s obligations to us, if any. We retain the rights of a secured party under the California Commercial Code. All fees, taxes, premiums or other sums due and not paid pursuant to this paragraph shall bear interest at 1.5 % per month from the 8th day following the sale to the date paid in full. b. Collection of Property Upon transfer of title, Buyer assumes full responsibility, including risk of loss and damage, for the Property. Purchased property shall be removed at Buyer’s expense within fifteen (15) days after the sale becomes final. Property not removed shall be subject to a service fee of $50, and a storage fee, if retained by MA, of 1% of the purchase price per month. MA may also, in its sole discretion, elect to place the Property in a public storage facility at the Buyer’s sole risk, responsibility and expense. c. Liability for delivery of property If, for any reason whatsoever, we are unable to deliver the purchased Property to the Buyer, MA shall be liable to the Buyer only for the Purchase price paid by the Buyer and in no event shall we be liable for incidental or consequential damages, including, but not limited to, business interruption or loss of profit. d. Available Shipping As a service to the purchaser, MA may be able to pack and ship items as set forth in the provisions for shipping in the paragraph following the terms and conditions of sale. THE AUCTION PROCEDURE a. Registration Bidders must register in advance to bid at auction. (a) If by mail or on the Internet please comply with, sign and send back the requisite form or absentee bid. (b) To telephone bid, Bidders must complete, sign and fax a copy of the Telephone Bid Registration Form, which is available only by calling MA. Telephone lines are limited, and available on a firstcome, first-serve basis. Registration to bid by telephone must be completed by 5 p.m. the day prior to the auction. (c) When intending to bid in person, pre register at the desk and obtain a bidding paddle. The auctioneer may refuse to recognize any person not registered and not having a paddle number. MA reserves the right at its sole discretion, to refuse anyone the right to register and participate at an auction. b. Announcements We may, at the commencement of, or during the Auction, announce changes in or modifications to the Conditions of Sale or descriptions of Property. c. Absentee Bids For a Buyer’s convenience, absentee bids will be accepted, when properly executed and submitted in a timely manner. However, we neither accept any responsibility to an absentee bidder, nor any liability whatsoever for a failure to execute the absentee bid for any reason. In the event that identical multiple absentee bids are the highest bids received for the same lot then the earliest received of the competing

absentee bids shall prevail at that bid amount. d. Auctioneer’s Discretion The Auctioneer has the absolute discretion to 1) pass a lot or withdraw it from sale at any time prior to its actual sale; 2) refuse to recognize any bidder; 3) refuse to recognize any bid; 4) resolve any dispute between bidders or resolve any doubtful bid by deciding who is the successful bidder or nullifying the auction of the lot and reoffering it for sale. The Auctioneer’s decision is binding as to disputes arising at auction. If a dispute arises post sale, our records of the sale shall be conclusive. Both the Auctioneer and MA shall be without any liability whatsoever resulting from the exercise of the discretion referred to herein. e. Reserves All Property is offered for sale subject to a Reserve unless otherwise stated by us at time of sale. MA may protect the Reserve by an initial bid or continued bidding on behalf of the consignor. Any bids by MA staff after the Reserve is met shall be made only on behalf of registered bidders. Neither the consignor nor an agent or representative of the consignor is allowed to bid on their own property. DISCLAIMER OF WARRANTIES Except for warranty of title, neither we nor the Consignor make any warranties, guarantees or representation, express or implied, with respect to the Property, including, but not necessarily limited to, any implied warranty of “fitness for purpose” or “merchantability.” Any and all statements and descriptions in any catalogue or elsewhere by MA, relating to age, attribution, authenticity, size, genuineness, provenance, historical relevance or significance, physical condition, importance, quality, quantity, rarity, period, culture, source or origin, are presented as statements of qualified opinion only. MA’s disclaimer of liability covers information contained in catalogues, and all other printed material published by us, including condition reports. Buyers assume the responsibility to inspect the Property and make their own decision as to the nature, quality and value of the Property. Neither MA nor the Consignor make any warranty or representation with regard to the existence of or the transfer of intellectual property rights, except and to such extent as may, from time to time, be explicitly stated. No employee of MA is authorized to nor shall make any warranty or representation on MA’s behalf, except as stated in the catalog or in any written addendum. ESTIMATES OF VALUE All estimates of value as published in our Catalogues or elsewhere are statements of qualified opinion as to the range of the price a willing buyer might pay for the Property at auction. The actual price paid at auction or subsequently, may vary substantially from the estimates. MA shall not be liable for any such differential. BUYER’S DEFAULT If a Buyer fails to pay for purchased Property, or otherwise does not comply with these Conditions of Sale, the Buyer shall be in default. In addition to all remedies available in law, to MA and to the Consignor, the Buyer shall be liable for the entire Purchase price. Additionally, at our option, we may either cancel the sale and retain all payments made by Buyer as well as retain any and all Property of

Buyer in our possession as security against payment of the sums in default, or we may re-offer the Property for sale, at auction or privately, without reserve. Buyer shall be liable to us and the Consignor for the additional fees, commissions and costs on both sales (including handling, storage and court costs and attorney’s fees) resulting from the cancellation or resale of the Property and in the event of resale, any deficiency which may result. RESCISSION The sole and exclusive remedy, available only to the original buyer, is the limited right of rescission set forth herein. MA will cancel the sale of Property if the original buyer establishes to our satisfaction that there has been a breach of the Consignor’s warranty of title, or that the identification of Authorship* of the Property as set forth in Bold Type Heading is not substantially correct, based on a fair reading of the Catalogue (as may be amended by posted or announced changes.) IN ALL INSTANCES, YOU MUST GIVE WRITTEN NOTICE TO US WITHIN 30 DAYS OF THE SALE OF THE PROPERTY, SETTING FORTH THE BASIS FOR YOUR CLAIM AND, AT YOUR SOLE EXPENSE AND RISK, RETURN THE PROPERTY IN QUESTION TO MA WITHIN SEVEN (7) DAYS AFTER NOTICE IS GIVEN AND IN THE SAME CONDITION AS WHEN SOLD. Upon review of the claim and the property, if we are satisfied with the bases for your claim and the property is in the same condition it was in when sold, MA will rescind the sale and return to you the Purchase price, unless we have already remitted funds to the Consignor. In that event, and at MA’s sole discretion, MA shall either pay you as provided above, or shall pay you only that portion of the Purchase price retained by us (the Seller’s commission, the buyer’s premium and any sales taxes collected) and on your behalf make demand on the Consignor for the balance and upon receipt of the funds remit same to you. Should the Consignor refuse to return the funds to you or to MA, we shall disclose the Consignor’s identity and assign to you any and all rights MA may have against the Consignor. Any and all liability MA may have as agent for the Consignor shall thereupon terminate. BUYER EXPRESSLY UNDERSTANDS AND AGREES THAT MA SHALL HAVE NO OTHER LIABILITY TO THE BUYER EXCEPT FOR THE RETURN OF THE PURCHASE PRICE AND THAT IN NO EVENT SHALL MA BE LIABLE FOR ANY DAMAGES, INCLUDING BUT NOT LIMITED TO INCIDENTAL, CONSEQUENTIAL OR COMPENSATORY DAMAGES OR LOSS OF PROFIT OR BUSINESS OPPORTUNITY. *Authorship refers to the maker or creator of the Property, and the period, social culture, and origin of the Property as stated in the Bold Type Heading for a given lot in our catalogue. It does not refer to the descriptions which may be contained in the information below the Bold Type Heading. MISCELLANEOUS a. Modification: No modification or amendment of the Conditions of Sale shall bind MA unless contained in a writing signed by MA, except as may be posted or published as noted above or verbally announced at time of sale. b. Severability: If, for any reason, any part of the Conditions of Sale is held to be invalid or unenforceable, the remaining portion shall be valid and enforceable. c. Successors and Assigns: The Conditions of Sale shall

be binding on all the heirs and assigns of the Buyers and bidders and inure to the benefit of MA’s successors and assigns. d. Jurisdiction, Venue, Choice of Law: Dispute resolution shall occur in Alameda County, California, USA. The provisions of the Conditions of Sale will be construed and disputes determined by application of California Law, without regard to conflicts of law. e. Notice, Service of Process: Buyers agree to accept all notices and service of process relating to dispute resolution at the address provided by Buyer on any registration forms required to be executed as a condition of bidding in our auction. f. Dispute Resolution: All disputes and claims arising out of or relating to events and actions covered herein, brought by or against us, shall be resolved by mediation or binding arbitration in accord with the procedures set forth below. This provision does not apply to claims brought by the Buyer directly against the Consignor, including, but not limited to any action brought pursuant to the rescission provisions noted above OPTIONAL PROVISIONS Shipping, insurance packaging and handling of purchased lots is at the risk and expense of the purchaser. As a service to the purchaser, MA may ship appropriate items solely via United Parcel Service, (UPS) Ground. MA will not ship by any other method including USPS, and property requiring freight shipment. MA will, in no event insure the property whether or not packaged and shipped by MA. MA shall not, under any circumstances, be liable for the loss, theft or damage to property, including, but not limited to selection of shipper, the acts or omissions of any shipper or the acts or omissions occurring in packing for shipment. It is the purchaser’s responsibility to obtain a shipping quote for any lot being offered, from an outside shipper, prior to the auction date. (As a courtesy, MA may provide quotes for items to be shipped via UPS). Post sale determination of shipping costs does not constitute grounds for cancellation of any purchase made at auction. Purchasers are advised that large and fragile items can be expensive and that MA will ship no property without first obtaining consent from the purchaser and only after packing and shipping costs have been disclosed by MA. When MA is to pack and ship, MA will provide to the bidder with a quote for cost of packing and handling and the UPS fee. The Purchaser is responsible for any insurance of the shipment. Shipment will not be made until both all sums due MA including the shipping and handling fees as quoted, and written confirmation is received that insurance has been waived or has been obtained by purchaser. Shipment may take up to 21 days after payment is received. MEDIATION AND ARBITRATION PROCEDURES (a) Within 30 days of written notice that there is a dispute, the parties or their representatives may meet at a time and place mutually agreed upon, to mediate their differences. If the parties agree, a mediator acceptable to the parties shall be selected. The mediator shall be an attorney, trained in mediation techniques and familiar with commercial law and the California Uniform Commercial Code (UCC). The mediator’s fees shall be shared equally and paid by all parties. At the mediation, all parties shall have actual authority to settle the dispute. Any statements made during, and all aspects of, the mediation process shall be kept confidential and shall not be admissible in any subsequent arbitration or judicial proceeding. Any resolution shall be confi-

dential. (b) If the parties cannot agree to mediation, or if mediation does not resolve the dispute, or in any event no longer than 60 days after receipt of written notice referred to above, the parties shall submit the dispute for binding arbitration before a single neutral arbitrator jointly selected, or absent agreement, selected from the panel of Arbitrators provided by the American Arbitration Association (AAA). If, within 15 days, the parties cannot agree on an arbitrator, then AAA shall select one (1) person as arbitrator in accord with AAA rules. The arbitrator shall be an attorney, experienced in commercial law and with the UCC. The arbitrator shall be required to follow the law in making his award, and the award shall be in writing and shall set forth findings of fact and legal conclusions.(c) The arbitration shall occur within 60 days of the selection of the arbitrator, in either Oakland or San Francisco, California, unless the parties agree to another location. Discovery and the procedure for the Arbitration shall, unless otherwise agreed to by the parties, follow the procedures and policies of AAA governing commercial arbitration, subject however to the following modifications: 1. All arbitration proceedings shall be confidential. None of the parties nor the arbitrator, may disclose the existence, content or results of the arbitration without the written consent of all parties. 2. The parties shall attempt to agree on the issues to be arbitrated, or identify the disputed issues in writing no later than 45 days prior to arbitration. 3. Unless otherwise agreed by the parties, discovery, if any, shall be limited as follows: (a) Requests for no more than 10 clearly identified categories of documents, to be provided to the requesting party within 14 days of written request therefore; (b) Depositions: No more than two (2) per party, provided however, the deposition(s) are to be completed within one (1) day; (c) Compliance with the above shall be enforced by the arbitrator in accord with California law. 4. Each party shall have no longer than eight (8) hours to present its position. The entire hearing before the arbitrator shall not take longer than three (3) consecutive days, unless all parties agree otherwise in writing. The award shall be made in writing no more than 30 days following the end of the proceeding. Judgment upon the award rendered by the arbitrator may be entered by any court having jurisdiction thereof. Each party shall bear its own attorney’s fees and costs in connection with the proceedings and shall share equally the fees and expenses of the arbitrator. This auction is being conducted in compliance with section 2328 of the Commercial Code, section 535 of the Penal Code, and provisions of the California Civil Code. Bonded pursuant to California Civil Code sec 1812.600 et seq. Bond # 70044066

PROPERTY MADE FROM OR CONTAINING MATERIALS FROM ENDANGERED OR PROTECTED SPECIES Property that contains any percentage of material made or potentially made from endangered and/or other protected species of wildlife are, as a courtesy, marked in the catalogue with the symbol “ * ”. Michaan’s Auctions does not accept any responsibility or liability for failing to mark such lots. Such material includes, but is not limited to, ivory, tortoise shell, crocodile skin, whalebone, rhinoceros horn, some species of coral and certain woods. Prospective buyers are advised that several countries completely prohibit importation of property made, all or in part, of proscribed materials. Some countries require special permits, such as a CITES permit, from the relevant regulating authority in the countries of exportation and importation as well. Potential buyers intending to import the property into another country should be familiar with the relevant customs laws and regulations prior to bidding on property containing wildlife material. Regulations may vary as the U.S. prohibits importation of articles containing material(s) from species it has designated endangered or threatened if the articles are less than 100 years old. It shall be the potential buyer’s sole responsibility to research and satisfy the requirements of any laws and regulations that apply to the import and export of property as described in the aforementioned paragraphs. Prospective buyers must also note that the inability or delay in obtaining permits, licenses or other permissions to import or export property containing potentially regulated wildlife material will not constitute a basis for rescission or cancellation of the sale of said property or the delay in payment of purchased items in accordance with the Conditions of Sale. Definitions of Authorship: This is to qualify the relationship between the object and the named person in the catalogue. The following conventions for attribution are used by Michaan’s Auctions: Giovanni Bellini: In our opinion a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indi-

cates that in our opinion the work is by the artists named. Attributed to Giovanni Bellini: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Giovanni Bellini: In our opinion a work by an unknown hand in the studio of the artist, which may or may not have been executed under the artist’s direction. Circle of Giovanni Bellini: In our opinion a work by an as yet unidentified by distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ......; follower of Giovanni Bellini: In our opinion a work by a painter working in the artist’s style, contemporary or near contemporary, but not necessarily his pupil. Manner of Giovanni Bellini: In our opinion a work in the style of the artist and of a later date. after Giovanni Bellini: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. “bearing signature...”/”bearing date...”/”bearing inscription...” In our opinion the signature/date/inscription is by a hand other than that of the artist. Typical Headings: FURNITURE George III Mahogany Chest of Drawers Third Quarter 18th Century This heading, with date included, means that the piece is, in our opinion, of the period indicated with no major alterations or restorations. George III Mahogany Chest of Drawers This heading, without the inclusion of the date, indicates that, in our opinion, the piece, while basically of the period, has undergone significant restoration and alteration.

George III Style Mahogany Chest of Drawers The inclusion of the word “style” in the heading indicates that, in our opinion, the piece was made as an intentional reproduction of an earlier style. BRONZES Antoine-Louis Barye This heading indicates that the casting and patination were done by the artist or with his direct authorization or supervsion. Cast After a Model by Antoine-Louis Barye This heading indicates that the casting and patination of a known Barye model were done by another, i.e., artisans at the F. Barbedienne or other foundry. CERAMICS Meissen Porcelain Cup and Saucer Late 19th Century This states that the cup and saucer were made at the Meissen factory in the last quarter of the 19th Century. Meissen Porcelain Cup and a Saucer Late 19th Century Again, this states that the cup and saucer were made at the Meissen factory in the last quarter of the 19th Century, but it also indicates that the cup and saucer may not have been “born” together. Meissen Porcelain Cup and Saucer Circa 1900 This states that the cup and saucer are of Meissen style, and although of the date specified, not necessarily made at the Meissen factory. ‘Meissen’ Porcelain Cup and a Saucer 19th Century This states that the cup and saucer are of Meissen style, and although of the date specified, not necessarily made at the Meissen factory. Meissen Porcelain Cup and Saucer The title without a specific date simply states that the pieces were made at the Meissen factory but does not specify when, implying that their age is questionable.

Bid Increments Minimum Value from US $ 0 from US $ 50 from US $ 200 from US $ 500 from US $ 1,000 from US $ 2,000 from US $ 5,000 from US $ 10,000 from US $ 20,000 from US $ 50,000 from US $ 100,000 from US $ 200,000

Maximum Value to US $ 49 to US $ 199 to US $ 499 to US $ 999 to US $ 1,999 to US $ 4,999 to US $ 9,999 to US $ 199,99 to US $ 49,999 to US $ 100,000 to US $ 199,999 to US $ 499,999

Expected Bid Increment US $ 5 US $ 10 US $ 25 US $ 50 US $ 100 US $ 250 US $ 500 US $ 1,000 US $ 2,500 US $ 5,000 US $ 10,000 US $ 25,000

All increments may vary at auctioneer’s discretion.

Artist Index Artist Lot # Adams, Ansel 2106, 2108 Adamson, Harry Curieux 2038 Adolfs, Gerard Pieter 2010 Allen, Thomas 2128 Anderson, Victor 2070 Arnold, Chester 2082 Baril, Tom 2125 Bartlett, Dana 2076 Baumann, Gustave 2043, 2045 Bernhard, Ruth 2107, 2109, 2110 Blum, Robert Frederick 2025, 2031 Borein, Edward 2042, 2044 Bradford, Beau 2098 Buel, Hubert 2072 Chagall, Marc 2087, 2088, 2089 Coats, Amelia 2050 Continental School 2011 Cooper, ADM 2069 Cortes, Edouard 2003 Cunningham, Imogen 2105 Daumier, Honore Attributed to 2012 Davidson, Bruce 2116, 2117, 2120, 2122, 2123 De Longpre, Paul 2059 De Lue, Donald Harcourt 2131 Della, Pam 2064, 2067 Didier, Luc 2016 Dow, Arthur Wesley 2032 Espinosa, Manuel 2081 Feing, Jiang Tie 2132, 2133 Fisher, Harrison 2033, 2034 Fon, Jade 2049, 2051, 2054, 2061, 2063, 2068 Fontaine, Paul 2039 Gauguin, Paul 2084 Gile, Seldon Conner Attributed to 2075 Glintenkamp 2079 Gollings, William 2046 Goodacre, Glenna 2040 Gorson, Aaron Harry 2024 Gould, David 2002 Grau Sala, Emilio 2015 Gray, Percy 2060 Greer, A D 2026 Haring, Keith 2099 Hartley, Marsden 2085 Hashmi, Zarina 2100 Hopkins, Robert 2022 Hopper, Edward 2035 Hundertwasser, Friedensreich 2091, 2092 Icart, Louis 2018 Ishimoto, Yasuhiro 2117, 2120, 2123

Artist Lot # Kalinin, Viacheslav 2017, 2019, 2020 Kauffman, Hugo 2004 Kenna, Michael 2124 Kern, Albin 2071, 2074 Kingman, Dong 2058 La Farge, John 2030 Lichtenstein, Roy 2094 Logan, Maurice George 2065 Marquet, Albert 2007 Mayol, Jorge 2052 Miro, Joan 2090 Murray, Elizabeth 2102 Nevelson, Louis 2095 Nicholas, Tom 2057, 2062, 2066 Nitsche, Erik 2093 Oldfield, Otis 2077 Osmerkin, Alexander 2021 Otis, George DeMont 2078 Park, David 2083 Perry, Lilla Cabot 2028 Peterson, Jane 2036, 2037 Plowden, David 2114 Probst, Kenneth 2121, 2129, 2130 Rauschenberg, Robert 2096, 2097 Renoir, Pierre Auguste 2014 Rider, Arthur Grover 2056 Rouault, Georges 2086 Sheets, Millard 2047 Shubin, Morris 2055 Slevogt, Max 2006 Sluiter, Willy 2005 Smith, W Eugene 2117, 2120, 2124 Steichen, Edward After 2104 Stieglitz, Alfred After 2103 Strong Jr, Joseph Dwight 2048 Swanson, Ray 2041 Thompson, Harry 2013 Tice, George 2127 Townsend, Harry 2027 Trave, Horst 2080 Van Rappard, Alexander 2001 Von Dem Bussche, Wolf 2126 Watenphul, Max Peiffer 2009 Weston, Brett 2111, 2112, 2113, 2019 Whistler, James Abbott McNeill 2029 Whittemore, William John 2023 Wores, Theodore 2073 Yard, Sydney Janis 2053 Zampighi, Eugenio 2008